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A Horatio Alger Story
Economic education has become quite
sophisticated. States mandate it, organizations facilitate it, and large corporations underwrite it. We use multi-media
packages, slide-tape presentations, videocassettes, audiocassettes, and a host of
other innavations to teach students how
the American economic system
functions.
But from 1870 to 1920 (give or take a
few years), economic education could be
summed up in two words - Horatio
Alger. Alger gained tremendous popularity as the author of books and stories
that purported to teach American boys
how to attain prosperity and respectability. The following article takes a brief look
at the Horatio Alger phenomenon .
(Please note that the use of the word
"boys" in this article is not intended as a
slight against girls or women. Alger
wrote primarily for schoolboys, and he
wrote during a period in history when
women were pretty much excluded from
public life. That's something to keep in
mind the next time you get nostalgic for
"the good old days.")
You don't hear very much about
Horatio Alger anymore. Today's
journalists seldom invoke his name,
and literary critics scorn his work.
Present-day readers rarely, if ever,
spend money for his books; adventurous souls who try to read his stories usually give up after a few
pages. Yet Horatio Alger (1832-1899)
was once one of America's most
popular and influential writers.
Born the son of a Massachusetts
Unitarian minister, Alger followed
in his father's footsteps, earned a
degree from Harvard Divinity
School, and accepted a pulpit in
Brewster, Massachusetts. He soon
abandoned the ministry, however,
to pursue a literary career in New
York, and before long he won considerable fame as a writer of boys'

His stories were a mixture of
fable, how-to-do-it book, and economic education, and each story
generally followed the same formula. Almost invariably, a poor boy
eager for financial success had to: 1)
overcome a particular weakness or
form of temptation, and 2) triumph
over a villainous rich man and/or
the villainous rich man's malign
son. There was never any doubt,
however, that the hero would prevail through hard work, courage,
strength of character, and good fortune. (Good fortune usually came in
the form of a helpful businessman.)
Alger's first major triumph, Rag-

ged Dick, chronicles the transforma-

Ragged Dick

fiction . His books sold millions of
copies, and his philosophy profoundly influenced popular American thought during the fifty-year
period following the Civil War.
One reason for Alger's tremendous popularity is that he wrote
what Americans of the late 19th century wanted to read. His stories
stated and restated the widely-held
belief that poverty was no barrier to
success in America's fluid society.
His words reinforced the popular
notion that any American boy, no
matter how poor, could rise in the
world and achieve success . In
short, Horatio Alger wrote rags-toriches fables with a distinctly American twist.

tion of a New York street waif from
"Ragged Dick" to "Richard Hunter,
esq.," and it typifies the author's
message and style. At the story's
outset, Dick Hunter works as a
bootblack, frequents gambling
establishments, lives by his wits,
and sleeps on the street in "a
wooden box half full of straw." As
the story progresses, he encounters
a series of characters who, for better
or worse, have a major impact on his
life. One such character is Mr. Whitney, a benevolent businessman who
gives Dick a piece of advice that
expresses a basic tenet of Horatio
Alger's philosophy. "I hope my lad,"
Mr. Whitney said, "you will prosper
and rise in the world. You know in
this free country poverty is no bar to
a man's advancement." By the time
the story closes, Dick Hunter is well
on his way to respectability and
financial success.
Subsequent stories followed the
same basic formula , but Alger's
readers never seemed to mind.
Many seemed to believe that his stories offered a prescription for success, and they eagerly awaited each
new release. Schoolboys, in particu-

Federal Reserve Sank of Boston Vol. 13, No. 2 - June 1987


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lar, felt that success would be theirs
if they lived according to the philosophy set forth in such stories as Rag-

ged Dick.
Adding to Alger's popularity was
the simplicity of his message. Material prosperity was the clearest
measure of success. His heroes
aspired to own property and enjoy
"the finer things," and most of his
readers had similar aspirations.
Wealth, however, was never the
sole measure of success. Character
and compassion usually differentiated a successful hero from a
wealthy villain. This earned Alger
the wholehearted approval of clergymen, educators, and other adults
eager to instill the "proper values"
in America's young people.
Few American writers have been
more influential than Horatio Alger,
but by the 1920s his influence and
popularity had begun to wain. The
public seemed to tire of his message
and his writing style. In t;he words
of Alger biographer Edwin Hoyt:
The Alger books are strong medicine; they cannot be taken too often or
too many at a time. The reader who
can get through three of them without
stopping has his head awhirl with
wicked squires; wicked squires' sons;
evil poorhouse managers; street boys;
sweet and ineffectual mothers; dying
fathers; strong, manly, robust heroes;
delicate flowers of girls; evil roisterers
and other bad companions; friendly,
firm, helpful businessmen; and the
rich, rich, rich.

Nowadays, it's pretty easy to belittle Alger's style and dismiss him as a
minor writer. The cliches and the
melodrama seem so unsophisticated and so old-fashioned . But
changes in literary style and taste
don't completely explain Horatio
Alger's fall from favor.
Perhaps a more compelling explanation is that Alger's message
seems particularly ill-suited to modem times. He wrote about "selfmade men" who "pulled
themselves up by their bootstraps"
and "struggled their way up from
the streets."
Over the 7ears, however, the
emergence o big government, big
business, big labor, and big universities has made the "self-made
man" something of an anachronism. A "safety net'' of government
p rograms now aids the poor,
researchers in university laboratopage2

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ries have all but replaced independent inventors, big government and
big business provide safe havens for
bureaucrats and managers, and
labor unions offer their members a
ce.rtain degree of job security. With
all the changes that have taken place
and with all the options now open
to people, being a "self-made man"
just isn't as appealing as it used to
be.
Nevertheless, some observers
claim the "self-made man" is making a comeback in the guise of that
1980s hero, the entrepreneur. And
to a certain extent they are right.
Today's entrepreneurs possess quite
a few of the qualities exhibited by
Horatio Alger's heroes. Many display independence, courage, dedication to hard work, and strength of
character. Some even owe their success to being in the right place at the
right time. (Remember! Good fortune always figured prominently in
a Horatio Alger story.) But make no
mistake about it, a 1980s entrepreneur is not the same as an 1880s selfmade man. Whereas most of Alger's
self-made men struggled their way
up from streets of poverty-stricken
neighborhoods, many entrepreneurs have "struggled" their way
up from the streets of middle-class
suburbs. More than a few have even
gone to college. You'd have to look
long and hard to find an Alger hero
who had done that!
Then, too, the world is a less innocent place than it was when Horatio
Alger wrote his stories. (Not that it
was all that innocent back then.) It's
difficult to imagine today's preadolescent boys and girls believing
in heroes who succeed through
"luck, pluck, and courage." One
even wonders how many young
people still believe that "in this free
~ountry poverty is no bar to a man's
advancement." (If you're a teacher,
ask your students what they think.)
Yet for all the changes that have
taken place, there's still no escaping
Horatio Alger's influence . Think
about it for a minute. Maybe you are
a student about to begin your first
summer job, or perhaps you are
about to embark on your chosen
career. In either case, you may be
thinking to yourself, "If I work
hard, if I meet the right people, if
I'm lucky .. .. " That's Horatio
Alger's influence still at work. The
world may have changed, but the
dream hasn't died.

Multi-Media
Striking Gold and Silver, pamphlet, published by the Federal
Reserve Bank of Boston, six pages.
Coin buffs, collectors, and investors can learn more about the American Eagle gold and silver bullion
coins from a Federal Reserve Bank
of Boston publication, Striking Gold
and Silver. The six-page pamphlet
describes the coins and explains
how the U.S. Mint is marketing
them.

For free copies of Striking Gold and
Silver, please write to: Publications,
Public Services Department, Federal Reserve Bank of Boston, Boston, MA 02106; or call (617)
973-3459.
The Basics of Interest Rates,
booklet, published by the Federal
Reserve Bank of New York,
24pages.
The fundamentals of interest rates
and their effect on production,
employment, income, and prices
are described in The Basics of Interest
Rates, a recent publication from the
Federal Reserve Bank of New York.
Basic theory is explained through
practical examples that follow the
movement of funds from savers or
investors to borrowers. Woven into
the discussion is the role of banks
and other financial intermediaries.
In addition, tables and charts help
to illustrate the effects of such interest rate determinants as maturity,
risk of default, economic uncertainty, inflationary expectations,
taxes, and monetary policy.
Single copies of The Basics of Interest Rates are free of charge; additional copies cost 65 cents each.
Write to: Publications Section, Public Information Department, Federal
Reserve Bank of New York, 33 Liberty Street, New York, NY 10045; or
call (212) 720-6134.
Consumer Credit Protection: Do
You Know Your Rights?, booklet,
published by the Federal Reserve
Bank of Minneapolis, 20 pages.
The era of consumer protection
began with two very simple ideas:
that consumers should have good,
reliable information on the cost of
credit and that all consumers should
be treated fairly. These two ideas

have led to hundreds of pages of
laws, regulations, and interpretations .

Consumer Credit Protection: Do You
Know Your Rights? is designed as a
brief, informal overview of the five
major federal laws that apply to consumer credit: 1) Truth in Lending, 2)
Equal Credit Opportunity Act, 3)
Fair Credit Reporting Act, 4) Fair
Credit Billing Act, and 5) Fair Debt
Collection Practices Act . This new
booklet from the Federal Reserve
Bank of Minneapolis is readable and
interesting, and it doesn't provide
more information than the average
consumer ever wanted to know.
For free copies of Consumer Credit
Protection: Do You Know Your Rights?,
please write to: Public Affairs, Federal Reserve Bank of Minneapolis,
250 Marquette Avenue, Minneapolis, MN 55480; or call (612) 3402446.
Understanding Taxes, curriculum
unit, developed by the Internal Revenue Service.

tracks, illustrated script booklets,
student worksheets, and teaching
guides to he! p students better
understand the workings of the
American economic system.

Four individual units focus on
profits, competition and productivity,ยท world trade, and investment in
business. PROFITS explains how
the opportunity to earn a profit
continued 0 11 page 4

Innovative Classroom
In the last issue of Ledger, we
announced a coin design competition to commemorate the 200th
anniversary of the U.S. Constitution. The inspiration for our competition came from the U.S. Treasury's
limited competition, in which the
Treasury invited eleven well-known
artists to submit designs for a $5
gold piece and a silver dollar.
Well, the Treasury has chosen the
winning entries in its competition,
and we have chosen the winning
entries in ours. Of course, the winning entries in our competition will
not appear on a coin, but we

thought you might like the chance
to see them and to compare them to
the Treasury's winning entries.
We received a number of imaginative, well-executed designs. Unfortunately, we don't have the space to
run all of them, but we thank all of
you for taking the time and the effort
to send us your designs.
Finally, we offer special thanks to
the teachers who worked with their
students and encouraged them to
submit designs. We appreciate your
efforts, and we're sure your students do too .

Changes in the federal tax code
have made life a little more complicated for just about everyone,
including teachers and students
who study taxation. Fortunately, the
Internal Revenue Service offers educators a curriculum unit called
Understanding Taxes.
Designed for use in secondary
schools and adult basic education
programs, Understanding Taxes provides training to help students prepa re accurate tax returns and
understand the role of taxes in our
society. The material is divided into
nine modules, each of which covers
a separate topic and can stand alone
as a lesson. Topics range from "How
to Prepare an Income Tax Return" to
"Economics of Taxation."

Five Dollar Gold Coin
Designed by Marcel Jovine

For more information, please contact the Understanding Taxes Coordinator at the IRS district office
nearest you.
Enterprise Is ... America, multimedia economic education program, developed by the U.S.
Chamber of Commerce.

The U.S. Chamber of Commerce
recently introduced a new economic
education program called Enterprise
Is .. . America. Designed for use in
junior and senior high schools, the
multi-media package employs color
filmstrips, cassette-tape sound-


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One Dollar Silver Coin
Designed by Patricia Lewis Verani
co11ti11ucd

page3

motivates individuals to start small
businesses and work hard to make
them prosper. COMPETITION AND
PRODUCTIVIIY takes a look at how
_competition and productivity help
to keep prices down and force companies to be efficient. WORLD
TRADE discusses the impact of foreign influences on the U.S. economy. Finally, INVESTMENT IN
BUSINESS explores how each individual, through his or her savings
and investment program, contributes to the ability of businesses to
expand and grow.

Each unit centers on a filmstrip
(with an accompanying audiocassette cued for automatic picture
advance), and each filmstrip gives a
broad overview of the topic subject.
Since each unit is designed to be
independent of the others, teachers
have the option to use one unit or all
four.

Enterprise Is .. . America is the successor to the award-winning Economics for Young Americans program,
a U.S. Chamber of Commerce project instituted ten years ago to

increase economics understanding
among America's young people.
The four-unit, multi-media kit
costs $150. For more information,
please contact: Sally A. Ulrich, Special Projects Division, U.S. Chamber of Commerce, 1615 H Street,
N.W., Washington, D.C. 200629967; phone (202) 463-5755.

Innovative Classroom

Winning Entries in the Coin Design Competition

Wilson Middle School
Grade 7
Steve Couture
R. Lamphere, Art Teacher
Natick, Massachusetts

Grade 6
Danny O'Neil
Providence, Rhode Island

Henry Barnard School
B. Ruggeiro,Teacher

Grade 5
Peter Makros
Beverly, Massachusetts

Ayers School
Katherine Barnico, Teacher

Elm Park School
Grade 4
Shawna Parker-Tate
Virginia Coulter, Teacher
Worcester, Massachusetts

the

LEDGER
Editor: Robert Jabaily
Graphics Arts Designer: Ernie Norville

Honorable Mention
Michael Ruggiero

page4


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Grade 3

Rehoboth, Massachusetts