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Meeting

September 23, 2020

1
CITIZENS COINAGE ADVISORY COMMITTEE
_________________________________

CCAC PUBLIC MEETING
DAY 2
_________________________________
DATE:

Wednesday, September 23, 2020

TIME:

8:36 a.m.

LOCATION:

Telephonic Meeting
Washington, DC 20005

REPORTED BY:

Andrew Adams, Notary Public

JOB NO.:

4228607

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A P P E A R A N C E S
Tom Uram (CHAIRMAN)-CCAC
Robin Salmon-CCAC
Mary Lannin-CCAC
Sam Gill-CCAC
Dr. Lawrence Brown-CCAC
Donald Scarinci-CCAC
Mike Moran-CCAC
Dr. Dean Kotlowski-CCAC
Dennis Tucker-CCAC
Dr. Peter van Alfen-CCAC
Jeanne Stevens-Sollman-CCAC
Jennifer Warren-Mint (CCAC Liaison)
Greg Weinman-Mint (CCAC Counsel)
April Stafford-Mint (ODM)
Megan Sullivan-Mint (ODM; Design Manager)
Boneza Hanchock-Mint (ODM; Design Manager)
Pam Borer-Mint (ODM; Design Manager)
Roger Vasquez-Mint (ODM; Design Manager)
Russell Evans-Mint (ODM; Design Manager)
Joe Menna-Mint (Chief Engraver)
Ron Harrigal-Mint (Design and Engraving)

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A P P E A R A N C E S (cont.)
Betty Birdsong-Mint (Deputy Director OLIA)
Marcia Ferranto-Liaison (National Law Enforcement
Memorial and Museum)
Margaret Mullins-Liaison (National Law Enforcement
Memorial and Museum)
Leonard Vaughan-Liaison/family (Dorothy J. Vaughan)
Ann Hammond-Liaison/family (Dorothy J. Vaughan)
Wanda Jackson- Liaison/family (Mary Jackson)
Dr. Brian C. Odom-Liaison (Acting NASA Chief
Historian)
Burt Ulrich-Liaison (NASA Multimedia Liaison)
Brandon Hall, Coin Update
Mike Unser, Coin News

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E X H I B I T S
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P R O C E E D I N G S
CHAIRMAN URAM:

Good morning, everyone.

I reconvene this meeting of the Citizens Coinage
Advisory Committee for Wednesday, September 23, 2020.
This is the second day of a two-day public meeting.

I

would like to remind each member of the committee to
mute his or her phone when not talking, and to
announce your name at the beginning of each time you
speak.

It helps the transcriber, for sure.
Additionally, I'll remind the public

can mute your phone, and that that is a listening only
hearing for the public.
Okay.

Before we begin, I would like to

introduce the members of the committee.

And please

respond present when I call your name.
Sam Gill.
MR. GILL:

Present.

CHAIRMAN URAM:

Thank you Lawrence

Brown -- Dr. Lawrence Brown.
DR. BROWN:

Present.

CHAIRMAN URAM:

Thank you.

Dr. Dean

Kotlowski.

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DR. KOTLOWSKI:

Present.

CHAIRMAN URAM:

Thank you, Dean.

Mary

Lannin.
MS. LANNIN:

Present.

CHAIRMAN URAM:
MR. MORAN:

Mike Moran.

Present.

CHAIRMAN URAM:
MS. SALMON:

Robin Salmon.

Present.

CHAIRMAN URAM:

Thank you.

Donald

Scarinci.
MR. SCARINCI:

Present.

CHAIRMAN URAM:
Stevens-Sollman.

Thank you.

Jeanne

Jeanne?

MS. STEVENS-SOLLMAN:

Sorry.

I'm

sorry, I'm on mute.
CHAIRMAN URAM:

Okay.

MS. STEVENS-SOLLMAN:
CHAIRMAN URAM:

No problem.
Present.

Thank you.

Dennis

Tucker.
MR. TUCKER:

Present.

CHAIRMAN URAM:

Thank you.

Dr. Peter

van Alfen.

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DR. VAN ALFEN:

Present.

CHAIRMAN URAM:

Thank you.

I'm Tom

Uram, Chairman of the Citizens Coinage Advisory
Committee.
members.

And once again, good morning to all of our

And we have a full quorum, and that's great,

two days in a row, and today's agenda for day two of
this public meeting includes the following.
We are going to review and discussion
of the obverse and reverse candidate designs for the
2021 National Law Enforcement Museum commemorative
coin program.

We will have a review and discussion of

the obverse and reverse candidate designs for the
following Hidden Figures Congressional Gold Medals.
That will include Dorothy J. Vaughan, Mary W. Jackson,
and the whole Figures group medal, of the Hidden
Figures.
We will have a review and discussion of
the obverse and reverse candidate design for David J.
Ryder United States Mint Director, for his medal.
Before we begin our proceedings, would members of the
press please identify yourselves on the phone with
your name and organization?

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BRANDON HALL:

Yes, Brandon Hall with

Coin Update.
CHAIRMAN URAM:

All right, Brandon.

Good to have you back.
MIKE UNSER:

Mike Gunther with Coin

News.
CHAIRMAN URAM:
Any others?

Okay.

Mike, thanks again.

Thank you.

For the record, I would like to also
like to confirm the following Mint staff that are on
the phone call today.
I've called your name.

Please indicate present after
April Stafford, the chief

office of design -- the Chief of the Office of Design
Management.

April?
MS. STAFFORD:

I'm present.

CHAIRMAN URAM:

Thank you.

Thank you.
Senior

Design Specialist Megan Sullivan.
MS. SULLIVAN:

Present.

Good morning,

Tom.
CHAIRMAN URAM:
you.

Good morning.

Thank

Design Manager Boneza Hanchock.
MS. HANCHOCK:

Present.

Thank you.

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CHAIRMAN URAM:

Thanks, Boneza.

Design

Manager Pam Borer.
MS. BORER:

Present.

CHAIRMAN URAM:

Thank you.

Thanks, Pam.

Design

Manager Roger Vasquez.
MR. VASQUEZ:

Present.

CHAIRMAN URAM:

Thanks, Roger.

Design

Manager Russell Evans.
MR. EVANS:

Present.

CHAIRMAN URAM:
you.

Good morning.

Good morning.

Thank

Chief Engraver of the United States Mint, Joe

Menna.
MS. STAFFORD:
Tom.

This is April.

He will be joining us,

He's having a drill at his

location, so he'll be joining in a few minutes.
CHAIRMAN URAM:

That will be fine.

Manager of Design and Engraving Ron Harrigal.
MR. HARRIGAL:

Present.

CHAIRMAN URAM:

Thank you.

The

Director of Legislative and Intergovernmental Affairs
and our liaison to the CCAC Jennifer Warren.
Jennifer?

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MS. WARREN:

Present.

CHAIRMAN URAM:

Thank you.

Our Senior

Legal Counsel and Counsel to the CCAC Greg Weinman.
Greg?
MR. WEINMAN:

Good morning, Tom.

Present.
CHAIRMAN URAM:
you.

Good morning.

Thank

And Deputy Director of Legislative and

Intergovernmental Affairs Betty Birdsong.
MS. BIRDSONG:

Present.

CHAIRMAN URAM:

Betty?

Thanks, Tom.

Thank you.

Okay.

And

we have the liaisons that will be joining on the call
today.

Some might be on now, and some towards the

afternoon.

So, for the 2021 National Law Enforcement

Museum commemorative coin the liaison is Marcia
Ferranto, CEO of the National Law Enforcement Memorial
and Museum, and also Margaret Mullins, the Chief of
Staff and Board Liaison of the National Law
Enforcement Memorial and Museum.

So, we welcome

Margaret and Marcia joining our conversation as that
liaison.
For the Hidden Figures Mary W. Jackson

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Congressional Gold Medal is Ms. Wanda Jackson, the
granddaughter of Mary Jackson.

For the Hidden Figures

Dorothy J. Vaughan Congressional Gold Medal is Mr.
Leonard Vaughan and Ms. Ann Hammond, the children of
Dorothy Vaughan.

And for the Hidden Figures Group

Congressional Gold Medal is Dr. Brian C. Odom, Acting
NASA Chief Historian, and Burt Ulrich, NASA Multimedia
Liaison.

So, thank you to all our liaisons for

joining us today.
I'd like to begin with the Mint.

Are

there any other issues that need to be addressed
before we start?

Hearing none, we will move to the

first order of business today, the consideration of
candidate designs for the 2021 National Law
Enforcement commemorative coin.
Now, April Stafford, Chief of the
Mint's Office of Design Management, will present the
candidate obverse and reverse designs for the 2021
National Law Enforcement Museum commemorative coin.
April?
MS. STAFFORD:

Thank you.

provide some background on this program.

First, I'll
Public Law

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116-94 Division K, the National Law Enforcement Museum
Commemorative Coin Act, requires the Secretary of the
Treasury to mint and issue $5 gold, $1 silver, and
half-dollar clad commemorative coins with designs
emblematic of the National Law Enforcement Museum and
the service and sacrifice of law enforcement officers
throughout the history of the United States.
The National Law Enforcement Museum’s
mission is to honor and commemorate the service and
sacrifice of America’s law enforcement officers and to
serve as an important bridge between law enforcement’s
past and present, between the officers of yesteryear
and those who have followed in their footsteps.

It

also serves to increase public understanding of and
support for law enforcement and to promote law
enforcement safety; and to strengthen the relationship
between law enforcement and the communities they serve
with thought-provoking programs at the Museum and
around the country that promote dialogue on topics of
current interest.
Designs in this portfolio were
developed in consultation with liaisons from the

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National Law Enforcement Museum.

With us today we

have representatives from the National Law Enforcement
Memorial and Museum, including Marcia Ferranto, CEO,
and Margaret Mullins, Chief of Staff.
Ms. Ferranto, would you like to say a
few words before we present the candidate designs for
consideration?
MARCIA FERRANTO:
April.

Yes, thank you,

And thank you to the distinguished committee

that we have represented here today.

It is an honor

to be here talking about a law enforcement coin.

This

is a special time in U.S. history, to be representing
the interests of American citizens through minting a
law enforcement coin.

Our greatest focus currently is

on community and diversity.

And we are hoping that

during this time, this unique time where we are coming
out with this coin, that we will be able to
communicate the importance of those two subjects
through our coin issue.
Secondly, you know, it's interesting.
Law enforcement represents a love for coins.

We have

a database of over 1 million law enforcement

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constituents who follow us on a regular basis, and who
donate to us.
coins.

And one of their prides are challenge

So, we are speaking to an audience of coin

collectors, which I think is very interesting if you
couple that with today's climate.
Thirdly, and I will end with this, we
cannot discuss or bring up law enforcement without
focusing on respect, honoring and remembering.

So, as

we have these discussions today, I would like for the
committee to keep that in mind.

And we are very

excited to listen to your perspectives and your
expertise, and we're excited to see where we land here
at the end of the day.

So, thank you.

MS. STAFFORD:
Ferranto.

Thank you so much, Ms.

And because we are having a virtual

meeting, as we have done with the previous meeting, I
will be going through the entire portfolio, but only
reading into record the design descriptions for
designs that have been identified as either
preferences by our liaisons with the National Law
Enforcement Memorial and Museum, or identified as
recommendations by the Commission of Fine Arts, from

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their meeting last Thursday.

However, the Citizens

Coinage Advisory Committee is considering the entire
portfolio.
time now.

They have had these materials for some
And that information will be supplied for

the record.
So, first, we will start with the gold
obverse designs. Remember, that gold obverse design's
required inscriptions include "Liberty," "2021," and
"In God We Trust."
So, I'll start with gold obverse 1; 2;
2A.

Gold obverse 2A depicts law enforcement honor

guards solemnly presenting a folded flag in
remembrance of fallen comrades.
inscription -- I apologize.
inscription on 2A.

The additional

There is no additional

This obverse, again gold obverse

2A, was identified by the Commission of Fine Arts as
its recommendation for the silver obverse.
Moving on to gold obverse 3; 3A.

Gold

obverse 3A feature a law enforcement badge centered on
a sympathy wreath.

A single rose lies over the badge.

The additional inscription on 3A is "National Law
Enforcement Memorial And Museum."

This obverse,

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obverse 3A, was recommended by the CFA as the gold
reverse.
Gold obverse 4 and gold obverse 6.
Moving on to the gold reverse designs.
The required inscriptions for these designs include
"United States Of America," "E Pluribus Unum," and
"Five Dollars" or "$5."
If I could ask everyone to mute your
phone, we can hear you speaking.
denomination, $5.

Thank you.

And the

So, starting with the gold reverse

1; 2; 3; 4; 5; 6; and 7.
Moving to the silver obverse designs
with the required inscriptions "Liberty," "2021," and
"In God We Trust."
Silver obverse 1; silver obverse 2.
Silver obverse 2 depicts a male and female officer
saluting.

In design 2, a rose represents a respectful

tribute to those who served and sacrificed.

This

design was identified by our liaison as a preference,
and recommended by the CFA for the gold obverse.
Moving on to silver obverse 5; 6; 8;
and 10.

Silver obverse 10 depicts a view of the

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National Law Enforcement Museum along with the
National Law Enforcement Museum emblem against a
faceted starburst.

The year of issuance is incused on

a shape representing a law enforcement badge.

The

design also features thirteen stars and an olive
branch.

This design was identified by our liaison as

a preference for the clad reverse coin, which would
require removal of the inscriptions, In God We Trust,
and "2021," so that we could include the required
reversed inscriptions of "United States of America,"
"E Pluribus Unum," and "Half-dollar."
Moving on to the silver reverse
designs, with the required inscriptions "United States
of America," "E Pluribus Unum," and "One Dollar" or
"$1."
We start with silver reverse 1; 2; 5;
6; 7; 8; 9; 10; 11; 12; and 13.
Moving to the clad obverse, with
required inscriptions including "Liberty," "2021," and
"In God We Trust."
Start with clad obverse 1; 2; 3; 4.
Clad obverse 4 depicts a law enforcement officer

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showing his uniform hat to a little girl.

The

additional inscription is "Serve and Protect."

This

design was identified by the liaison as a preference
for the clad obverse.
Moving on to clad obverse 5; 6; 7; 8;
9; 12; 12A.

Clad obverse 12A depicts the partnership

between working animals in law enforcement and their
human handlers.

On the left there is a mounted police

officer, while an adult K-9 officer and its handler
sit on the right alongside a K-9 puppy.

Design 12A

has the additional inscription "Respect Honor
Remember."

This design was identified by our liaison

as a preference for the silver obverse.
Moving on to clad obverse 14.

And that

closes out the clad obverse designs.
Clad reverse designs have required
inscriptions including "United States of America," "E
Pluribus Unum," and "Half-Dollar."
We'll start with clad reverse 1.

This

design features the inscriptions "National Law
Enforcement Memorial and Museum" and "Service."
four stars surrounding the inscriptions represent

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respect, fidelity, commitment, and the sacrifice of
all law enforcement.

This design was identified by

our liaison as a preference for the silver reverse.
Moving on to clad reverse 2; 3.

Clad

reverse 3 features a laurel wreath with two stars,
representing the idea of To Serve and Protect, the
goal of every law enforcement officer.

The

inscriptions read "National Law Enforcement Museum"
and "Respect Remember Honor."

This design was

recommended by the CFA for the silver reverse.
Clad reverse 4; 6; 7; 8; 9; 10; 11.
Clad reverse 11 features a folded flag framed by the
inscription "Respect Honor Remember" and three roses
of remembrance in memory of those that have fallen in
the line of duty.

This design was identified by the

liaison as a preference for the gold reverse.
And finally, closing out the portfolio
with clad reverses 13 and 14.
Mr. Chairman, back to you.
CHAIRMAN URAM:
April.

Okay.

Thank you,

So, just for clarification, I didn't see any

preference for the CFA or the liaison on gold reverse

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or silver reverse.
MS. STAFFORD:

No, the liaisons have

identified preferences for all six of the designs that
we're seeking recommendations for.
to you again.

I can read those

But the Commission of Fine Arts only

made recommendations for the gold obverse, reverse,
and silver obverse and reverse.

They had no

recommendations for the clad.
CHAIRMAN URAM:

Okay.

Yeah, I have

those written down as well, what they did.

Could you

give the committee the gold reverse again, the numbers
that the liaison prefers?
MS. STAFFORD:

Sure.

For the gold

reverse, it is clad reverse 11.
CHAIRMAN URAM:
you've done.

Okay.

Okay.

I see what

I had it categorized different.

I was marking those down.

Okay.

But, just so the

committee knows, you want to do the silver just as
well?

The silver I have as 12A -- clad 12A.
MS. STAFFORD:

Yes.

The silver obverse

recommendation from the liaison is the clad observer
12A or the clad reverse 1.

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CHAIRMAN URAM:
what I had marked down.

Okay.

Right.

Okay.

That's

Thanks for the

clarification.
MS. STAFFORD:

You're welcome.

CHAIRMAN URAM:

It's not too often that

we're able to review a set of three coins for a
commemorative coin program, and for the newer members
in particular not only do we want to pick the designs
that are embolic of the theme.

But, versus doing one

coin, this gives you the opportunity to tell the whole
story.

And I think that really makes a nice series.

So, when you're choosing your designs keep that in
mind, that we're telling a really nice story here.
And we tried to not have any type of duplications of
designs from, let's say, the half, the dollar, or
both.

So, just wanted to clarify that for a couple of

our newer members.
Now, I'd like to ask Joe Menna and Ron
Harrigal if they have anything to share.

Joe, are you

on the phone?
MR. MENNA:

Yes, sir.

CHAIRMAN URAM:

Okay.

Thank you.

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got you counted.

Joe and Ron, if they have anything

to share with the committee on the designs for the
commemorative coin.
MR. MENNA:

This is Joe.

I would just

point out that the clad reverse 11, for the -- you
know, people not familiar with the visual nomenclature
that we use, indicates an incused area of the coin.
So, the folded flag will not -- will look like a
sunken triangle, with the stars in the positive.
Unless the committee feels differently, and would want
to indicate that that flag be raised and not incused,
to look more like a flag folded.
CHAIRMAN URAM:

That's all.

And that was for clad

reverse 11?
MR. MENNA:

Yes, sir.

CHAIRMAN URAM:

Okay.

Thank you.

Ron, anything else?
MR. HARRIGAL:
very large portfolio.

Thank you.

No, it's a

And the team did a really good

job of coming up with these diverse designs.

I think

all of them, when you actually look at them, you know,
interchanging gold, silver, and clad, I don't think

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you're going to see much difference due to the
planchet size.

I think they all have sufficient

detail for the larger size planchets, like the 1.2 or
1.5 inch clad, in the half dollar as well as the .85
gold.

So, yeah, I think interchangeability on all

these designs is definitely possible.
CHAIRMAN URAM:

That's a good point.

And good for the committee to know.
That's real important.

Okay.

So, thank you.

Thanks to both of you.

Are there any technical or legal
questions from the committee about this program or
these designs before we begin any general discussions?
Does anyone have anything they'd like to bring up at
this time regarding the portfolio?

Okay.

I have a thought regarding how we might
present this.

If you recall, we did the Apollo and a

few others where we basically scored -- and even, most
recently, the last portfolio, where we basically
scored on the silver and gold eagles, where we had
multiple designs like this.

What would the committee

think about as we, going forward, discuss all the
designs but when we vote on them we will do like we

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did last time, and we will take the rankings
accordingly.

And then at the end, we could decide

obverse/reverse.

Is everyone okay with that approach?

MS. LANNIN:

That's fine.

DR. VAN ALFEN:
van Alfen.

It's Mary.

Sorry, this is Peter

Just to be clear, we will go through the

gold portfolio, silver portfolio, then clad, and then
at the end consider what we have all decided what -CHAIRMAN URAM:

Right.

I think we

could vote then, at that point, like we would normally
vote.

And then we could take the -- let's say the top

two or three from each category, and have a discussion
after that on pairings.
DR. VAN ALFEN:
MR. TUCKER:

Sounds good.

Mr. Chair, this is Dennis

Tucker.
CHAIRMAN URAM:

I heard Dennis first.

Go ahead.
MR. TUCKER:

Thank you.

The way I

looked at this program was not as a portfolio with
several dozen designs, you know, reviewed individually
and as stand-alones.

But I looked at them as, you

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know, this is what I think works for gold.
what I think works for the silver dollar.
what I think works for the half-dollar.

This is
This is

And for me, I

kind of crystallized an understanding of the gold coin
is going to represent this, the silver dollar is going
to represent this aspect of law enforcement and the
museum's mission, and then the half-dollar will
represent a third aspect.

So, for me, only looking at

designs, it won't work the way I studied the -CHAIRMAN URAM:

Well, still present it.

We'll still present it that way.

And then at the end,

we can, you know -- but you can make your points when
you're going over each portfolio.
MR. TUCKER:

That will be fine.

Okay.

CHAIRMAN URAM:

That's not a problem.

And that's fine.
MS. LANNIN:

Mr. Chair, this is Mary.

CHAIRMAN URAM:
MS. LANNIN:

Yeah, Mary, go ahead.

I had a thought when

Margaret was speaking about the law enforcement museum
this morning.

She mentioned that they had an enormous

database of about a million people that follow them,

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and that they had an interest in challenge coins.

And

so, it sort of made me think that possibly we -regarding the half-dollar, the clad coin, if we could
make it more symbolic of what a challenge coin would
be, among law enforcement, that may create an extra
boost for people to obtain it.
And I don't know what the situation is,
nor do I understand, how police departments are
funded.

But, it would be an interesting thing if a

community service officer had a few half-dollar coins
in his or her pocket, and would be able to hand them
out.

Now, that's just my thought.
CHAIRMAN URAM:

Good point.

Or with

the marketing they could add a challenge coin into the
packaging.

I will leave that up to marketing.
MS. LANNIN:

All right.

MR. SCARINCI:

Okay.

Thank you.

Mr. Chairman?

CHAIRMAN URAM:

All right.

This is

Donald?
MR. SCARINCI:

This is Donald Scarinci.

Just so that it's more convenient for you as you go
around the room to have people speak, you know, I

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recognize that this program was adopted by Congress
last year.

Unfortunately, you know, we're called upon

on September 23rd of this year, and as a matter of
conscience I can't really be associated with this
program.
So, I am going to abstain on all of the
designs.

And I don't need to participate in the

discussion, other than to register that I am here for
quorum.
designs.

So, Greg can mark my abstention on all three
And I just thought I would tell you now, and

just spare that as you're going through the room.
CHAIRMAN URAM:
you.

Okay, Donald.

Thank

Did you mention this to Jennifer prior -- well,

she's on the phone.
MR. SCARINCI:

No.

CHAIRMAN URAM:
MR. SCARINCI:

Okay.
No.

CHAIRMAN URAM:

Any other comments?

And we're going to get started.
considerations.

Okay.

And we'll begin our

Once again, I'd like all the members

to please try and keep comments to five minutes or
less, and identify yourself when you start.

I'll

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identify you, but if there's any kind of discussion
later on.

We'll be keeping track of the time, and

we'll indicate when time is up and asking you to
please wrap up the comments.
Additionally, if any members have any
questions or comments, ask that you refrain and bring
them up when you're recognized or, again, when we ask
for additional comments.

Okay.

So, let us begin.

And Dr. Brown, let's start with you
today.
DR. BROWN:

Good morning, Mr. Chair.

CHAIRMAN URAM:
DR. BROWN:

Good morning.

And please forgive me.

had to get myself off mute.

I

And I'd like to say that

I was really impressed by the designs.

I want to

commend those who were involved in the designs that we
have in front of us.

I also would like to share and

remind everyone that I'm representing the public, even
though I have a hobby of coin collecting.
representing the public.

I'm

So, my colleagues who, in

fact, have more refined expertise and experience from
the standpoint of sculpturing and design, I certainly

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in fact bow to them from that perspective.
So, from looking at it from the
standpoint of the public and looking at it from the
perspective and the prism of the fact that I do
support and see the value of our law enforcement, they
do a fantastic job, even though there are some times
when there have been concerns, and we would be remiss
if we didn't recognize the fact that we are at a
challenging time.
But, putting that aside, Mr. Chair, I
certainly would like to see the design obverse for
gold 2A.

I really thought that one represents the

fact that, number one, the diversity and, certainly,
the humans.

I certainly like those designs that allow

that.
I'd like to then, because of the fact I
have only five minutes, I'd like to go, then, to say
that with respect to the gold reverse I lean towards,
in fact, designs reverse 6 and 7, because, again, they
strike me as things that would be really of interest
to the public in general, and certainly to collectors
as well.

The fact the flag is there and, as you all

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know, having served in the Army whenever I see the
flag that certainly has a motivation for me.
Continuing to scroll down to the
silver, and please give me a second or two as I move
my computer to look the things that I wrote -- because
this required a fair amount of homework for me, even
as I just recently left my rookie year.

With respect

to the silver obverse, the design that most lends to
my eyes is design obverse 5.

That, to me, was really

striking, and I really was impressed by that, as well
as, although to a lesser extent, obverse 10.
With respect to the reverse on the
silver, I lean towards reverse 2, as well as, in fact,
to a lesser extent reverses 11 and 13.
With respect to the clad, I was really
impressed with design obverse 1 and obverse 4, as well
as obverse 8.

On the reverse side, I'd like to, in

fact, acknowledge my favor towards reverse -- I'm
sorry, I'm still on the clad.

Please forgive me.

the clad, on obverse 2 -- hold on one second.
make sure I've got this right.
mistake.

On

Let me

My apologies, I made a

That should have been on the clad obverse 2

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and obverse 1.
Chair, I think that I've covered all of
them.

But, I'll take another look to make sure I

didn't make a blunder.
CHAIRMAN URAM:

Okay.

Thank you.

I

think if you'd like to edit anything, that will be
fine.
DR. BROWN:

Thank you so much.

CHAIRMAN URAM:

Michael?

Mike Moran.

Mike, do we have you out there?
MR. MORAN:
the darn mute.
was texting.

Yes, Tom.

Well, I was texting.

All right.

I couldn't find
You know why I

Let me say that while most

of these designs can fit on all three of these coin
diameters, I think there are some designs that are
better -- the simpler the better on the gold coin.
Because -- you can talk about numbers -- everybody,
particularly the new members, need to remember that
these designs are going on the size of a nickel.

The

dollar and the half-dollar certainly have more
flexibility.
If I were to now, then, critique what

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I'm about to critique, I would say that I am so far
out in left field, compared to what the sponsors had
picked and what the CFA have picked that I may be
still out in left field by the time we get through
with all this thing.

But, I'm going to go through

this anyway.
I'm going to start with the gold coin.
I like the concept of obverse design 1, although I am
concerned about the gray scale.
could be a bit better.

I think the lion

Other than -- I do like the

idea of it being framed by the outline of the shield.
I also like the concept of the allegory of watching
over and protection, and being a guardian of the
people.

I think it conveys a good message.
We do have several of these that are

animals.

And my comment to the artist is you need to

beware if you have an animal in full front, and
there's several in this package that are that way,
that you run the risk of the nose and the muzzle being
foreshortened.

And there's one in particular, I won't

point it out, that really does violate that.

I

learned that the hard way myself several years ago,

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when I picked one and got taken to the woodshed by
another member of the committee, who was absolutely
correct.

Okay.
Turning to the reverse on the gold --

let me get it up here -- I like reverse design 7.

I

like the fact that it extended beyond the inner
boundary, the flag -- the pole and flag extend beyond
the inner boundary of the coin.

I like the fact that

it basically was dedication to service.

I thought it

paired particularly well with the line on the obverse.
Moving to the silver coin, design
obverse 6.

It's a somber design.

But, I do think

that the native space is good original use of it, to
tell a story of loss.
the inscriptions.

I also like the placement of

I think it's a very good job there.

However, I think it might work better as the obverse
or the reverse of a clad coin, because there's just a
little bit too much negative space telling that story
in obverse 6.
Moving to the reverse, I like reverse
design 7 or 8, although I really don't have a whole
heck of a lot to say about it, other than I thought it

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paired pretty decently with obverse 6.
Going to the clad coins, obverse design
8 somewhat works on me.

But, I thought it might work

better on the dollar coin.

And I had absolutely --

let's see -- no, I chose none of the reverses.
couldn't make up my mind.
five minutes.

So, I didn't even use up my

Tom, it's back to you.
CHAIRMAN URAM:

you. Mary Lannin.

Okay.

Okay, Michael.

Thank

Mary?

MS. LANNIN:
hear you.

I

I'm sorry.

I couldn't

Let us start with the gold.

I felt

that both the CFA and the liaison liked the reverse of
silver obverse 02 for the gold.
that.

And I agree with

I'm going to go with the CFA's recommendation

for the reverse being gold obverse 3A, because I think
it's important that we have in large print, as large
as we can, the National Law Enforcement Memorial and
Museum, so that people know what this is going for.
In regard to the silver, the liaison's
preference was clad obverse 12A, which shows the front
portion of the horse and the dog, the dog handler, and
the little puppy.

I thought that given the current

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times that we're in and the recognition that we have
really a wonderful number of police that are serving
our country, that it was sort of a softer, gentler
approach.
Remember."

And right underneath it says "Respect Honor
I tended to like the clad reverse 01 for

the silver coin.

Because, again, that says the

"National Law Enforcement Memorial and Museum."
Okay.

And now we move to the clad,

where I sort of have invented something that I would
like to see.

For the clad, I would like us to take a

look at clad obverse 09, which would be, sort of, my
version of this challenge coin.

This is the tinplate

sheriff's star, representing the community, and as I
recall when we have done other law enforcement
commemorative coins they sold very quickly with a star
or a shield on the front.

So, I thought that that was

a good obverse for the clad.
And for the reverse, just to be a
little bit different, I would like to see clad reverse
06, which has -- let me find it here -- which has the
magnifying glass looking at the fingerprint, and it
says it's portraying the human side of justice and a

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reminder that law enforcement is not just officers on
the street but many other people.

And I think with

the prevalence of TV programs that are investigative,
like NCIS or CIS or something like that, it would
appeal to a younger group of people and would be an
interesting pairing for the clad coin.
And that's all I have, Mr. Chair.
Thank you.
CHAIRMAN URAM:

Thank you, Mary.

That could be a very good pairing.
MS. SALMON:

Okay.

Robin?

Thank you, Mr. Chair.

For

the gold coin -- well, first let me say that I don't
have any objections to the designs selected by the
liaison.

I think they're all absolutely appropriate,

and do the job that they're intended to do.

I just

want to offer, perhaps, some other thoughts.
For the gold, I preferred 2A -- obverse
2A, showing the male and female officers with the
flag.

And the reverse of the gold, I thought that the

design that shows the pattern in the floor of the
memorial was very interesting.
rose window in the cathedral.

It's almost like a
And the word "Remember,

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and then the emblem of the National Law Enforcement
Museum seems to make a nice pair, obverse 2A and
reverse 2.
For the silver, I did go with obverse
2, with the male and female officers saluting and the
rose that's a very beautiful but powerful image, to
me.

And then, for the reverse, I chose 6.

With the

handshake representing the community, to protect and
serve, and all of that within the emblem of the museum
seemed to be a very beautiful and significant design
that tells that story.
The clad I had a little bit more
difficulty making decisions on that.

There were so

many to choose from, each with its own special merit.
And I must saw that the artists on this project did a
tremendous job of trying to put together all of the
concepts in art.

It's not easy, and they did a great

job.
Obverse, I like 4, with the officer
kneeling and the child, "Serve and Protect" being part
of the wording there.

And a possible pairing with

that would be 6, the reverse 6.

As Mary pointed out,

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that it also shows the other side of law enforcement
that's not always seen.

And I think that it's

important to remember that there is much more than the
uniformed officer on the street.
Two other pairings that could be
possible, and they seem to have been designed to be
together, was obverse 1, with the flag and the hands,
also representing the community but representing
sacrifice.

And then, reverse 1, with the words

"National Law Enforcement Memorial and Museum" and
then the word "Service."

"Sacrifice" on the obverse

1, and "Service" on reverse 1 seem to have been
designed together.
And one last comment about animals.

In

particular, if the thought of including animals in the
designs were considered, I would think that obverse 5
with the beautiful portrait of the K-9 officer, and
obverse 12, with the K-9 officer and the mounted
officer, are both really great designs that could be
inserted in any of these.

And that's all I have.

Thank you, Mr. Chair.
CHAIRMAN URAM:

Thank you, Robin.

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MR. GILL:
Chairman, I think.

Well, thank you, Mr.

I love your thoughts on that these

three coins give us an opportunity to tell a story.
And it's a beautiful story, and it's a good one and it
should be told.
I'll start with the gold.

And I'm

going to go right down the line with Mike Moran.
love the lion.
coin.

I

I think it would look great on a gold

The symmetry is beautiful.

There's the

strength and the courage and the protective attitudes
of police to our community, and I appreciate that very
much on the obverse.

On the reverse, artist's gold 7,

I just think it's a beautiful sentiment.
done in a lovely way.

The rose is

And it shows great respect, and

I appreciated that very much.

I thought that would

look very nice on a gold coin.
For the silver, I like obverse 02.
love the diversity in it.

I

I love the saluting, and I

-- that makes a very touching coin.
rose, the rose sentiment there.

And I like the

For the reverse, the

former -- I chose the reverse 05.

It's similar to

what Robin chose, which was 06, but it just is a more

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complete appeal.

And I like the handshake and the

community that it protects.
With the clad, I'm just -- I'll admit
it.

I'm always a sucker for animals.

love, love 05.

And I love,

It may not be the choice -- probably

my choice would 012, with the horse and the handler,
the dog, and then the puppy.
combination.

But I love that

And with the reverse for the clad, I

chose number 1.

I just really -- in your face

Service, which I like very, very much.

And it also

mentions the museum, the word museum, instead of just
a National Law Enforcement -- no, excuse me, it
mentions memorial as well as museum.

So, that's why I

chose that one.
And I'll be interested to hear what
everybody else has to say on this, because I think
there are many pairings.

And with respect to the

liaisons, I could easily see why they chose what they
chose.

I thought they were very, very thoughtful.

So, between all of us I think we'll come up with some
good plans here.

Thanks, Mr. Chairman.

CHAIRMAN URAM:

Thank you, Sam.

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Dennis?
MR. TUCKER:

Thank you, Mr. Chair.

For

this coin program, I had the guidance of an old friend
with law enforcement experience at the local and state
level.

And for the past 20 years or so, he's been in

law enforcement at the federal level.
where he's currently active.

And that's

His insight helped me

organize my thoughts on the gold coin, in particular,
but also the program as a whole.

We talked about

community, trust, and understanding, strength and
sacrifice.
I won't share all of our conversations
here, but these are some of his thoughts on the gold
coin:
"I like the powerful message of
sacrifice in obverse 2A, the male and female
officers with the coffin flag, combined with the
reverse being an interconnected design with the
simple message Remember.

That was reverse 2.

The simplicity of the reverse side is a nice
counterbalance to the powerful obverse message.
It also symbolizes interconnectedness."

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And I can't improve on that sentiment.
It's interesting to me that Robin, you essentially had
the same thoughts on that combination of obverse and
reverse.

I think obverse 2A and reverse 2 make a

quietly impressive coin.

Those designs combined turn

the gold $5 into a memorial coin, something valuable
that could be given to the families of the fallen,
given to remember a friend who made the ultimate
sacrifice for community.
For the silver dollar, I like obverse
5.

If the gold $5 is a tribute to the fallen, the

silver dollar can be about connection.

Obverse 5

illustrates protective vigilance over the innocent.
To me, the boy taking a break from his basketball game
to read a book represents American society functioning
under this layer of protection.

When the system works

smoothly, we can go about our days without even
thinking about how safe and protected we are.
For the reverse of the silver dollar,
reverse 13 makes the message of community more
conscious and more deliberate.

Reverse 13 is

connection between police and civilians, specifically

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and importantly, a civilian who appears to be a
minority.

In fact, the man might have been the little

boy who was protected by the police on the coin's
obverse.
For the half-dollar, I think obverse 8,
the diverse montage of law enforcement officers.

It

embodies three elements of the museum's mission and
the mission of law enforcement in its legends.

And

for the reverse, 7, 8, 9 and 10 make good use of the
officer's shield, which kind of takes advantage of
that challenge coin concept that Mary mentioned.

The

officer's shield is iconic, it's instantly
recognizable as a symbol of law enforcement.

So, I

recommend one of these designs, if we can have some
discussion around the best wording.

My preference,

personally, is reverse 9, which has "Serve and
Protect."
So, Mr. Chair, that was how I saw each
of the three different coins being used to represent a
different aspect of law enforcement and the mission of
the museum.

The gold coin being a memorial coin, the

silver dollar being about community and connection,

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and then the half-dollar being about what law
enforcement officers do day to day, which is serve and
protect.
CHAIRMAN URAM:
you.

Thank you very much.

Thank

And Dean?

DR. KOTLOWSKI:
Chairman.

Okay, Dennis.

Thank you, Mr.

I'm coming at this program as one of the

newer members, and I'm also coming from a perspective
that I'm familiar with the architecture of the museum
and the surrounding area, having walked through that
area.

I apologize to the liaisons.

the museum yet.
to do it.

I haven't been in

But I'm inspired after this program

It always happens to be closed when I'm

doing my walk in DC.

So, let's going to affect a

little bit about my choices.
And I also looked at this in a couple
of other ways.

Three coins, introduction, body and

conclusion, and then three themes.

And so, my first

theme, which is the introduction, is the gold coin,
the first one that we've been asked to consider.

And

I am willing to go with a couple of choices here.
Gold obverse 2A, the man and the woman and the flag,

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or, again -- to repeat, this is the gold obverse -the silver obverse 2, which is the choice of the
liaisons and the CFA.

I like the saluting.

I like

the rose.
And then, for the reverse, I wanted to
do something a little different.
the gold.

And again, this is

I wanted to use silver reverse number 5,

which -- because I felt we needed a badge.

And I

think that this makes the point with a good deal of
simplicity and clarity, and it has the protect and
serve our community.
reverse number 5.

And just to repeat that, silver

I think Sam identified that for one

of his coins.
This is a little bit different for the
silver.

I really want to format and feature the

actual museum and the surrounding area.

So, this is

the coin that I feel the most passionate about.

I

would use silver obverse number 10, which shows the
museum.

And it's an interesting museum

architecturally.
look.

It's a good museum, in terms of its

And I wait to pair silver obverse number 10

with gold reverse number 4, which is the lion.

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obviously, we'd have to change that from $5 to $1.
That sculptural image of the lion is very much in tune
with the sculpture of the lions around the museum.
And although this is not going to be a coin that's
going to be really familiar to, maybe, the public, I
feel strongly that it represents the museum.

And I

really like this lion the best of all, the musculature
and things like that.

Again, it is very

representative of the sculpture around the museum.
And I do think that would make a nice coin.

And it

might push the conversation a little bit forward, and
get people to think about the museum.
My third theme was -- the first theme,
by the way, was service, with the gold coin.

The

third theme, the kind of conclusion, is sacrifice.
And I was very much drawn to summing up the argument,
or the point, by using reverse -- I'm going to start
with the reverse here.

Clad reverse number 2, which

says "Honoring the Service and Sacrifice of Law
Enforcement Officers Throughout Our History."
very textural.

It's

But, I think it makes the point of the

three coin set, and I like the rose.

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I am very much open to what the obverse
might be.
well.

I sort of thought that obverse 1 would work

I had a concern that it might be a little too

somber when paired with 2.
go with 4.

So, I would be willing to

I think 4 is the best of the images of a

man and a child, in terms of the community.
be willing to go with that.

So, I'd

Those were the thoughts

that I had, as I began this process.
I was very impressed, though, with
Mary's comments about the pairing of 9 and 6 for the
clad obverse and the clad reverse.

And I think that

-- I mean, that's a very powerful argument.

I'm going

to be considering that when I record my ballot.
Thank you very much, Mr. Chairman.
CHAIRMAN URAM:

Okay, Dean.

Thank you.

Jeanne?
MS. STEVENS-SOLLMAN:
Chair.

Thank you, Mr.

This has been a portfolio that I've really

worked hard on, and I have to remember -- and we have
to remember -- that the CCAC has been charged with the
job of choosing the best coin designs to represent the
U.S. in an international world of coins.

And these

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coins are the art in your pocket.

Let us not forget

that every public coin exchange gives you the
opportunity and the power to talk about history, about
the future, and about our country.

So, it is with

great reserve and respect that we contemplate these
designs for the National Law Enforcement Museum,
especially today, while we have this current climate.
We have six sides to tell our story,
much like the commemorative series of the Boys Town,
and it is understandable to have the recognition of
the museum on each coin.

So, how can we do this.

And

I appreciate the dialogue of all of my colleagues.
And as Dennis spoke yesterday so eloquently of having
the obverse be the action and the verb, and the
reverse being the noun of the text, we might consider
this concept when we choose today's designs.
Going through -- unlike my previous
committee members, I'm going to go through this not as
a pairing but just as the designs that I think would
be possible.

So, bear with me a bit.

gold number 2 was a possibility.

I thought that

I thought also that

we should think about -- I'm sorry to scroll through

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this.

Gold reverse 02, I enjoyed listening to Robin's

comments on that.

I think that that would make -- and

Dennis also saying that this would make a coin of
remembrance.

I think that's a very positive approach

to this.
Going further down, I also thought that
silver obverse number 2 could be considered.

Not

necessarily if we chose the partnership of the gold.
I think we need a diversity in the series.

And then,

to go down to -- as Dean mentioned, the museum, this
is really a beautiful coin design.
about the structure.

And it does talk

I love the background, when you

look through these windows.

It's -- I think that Joe

could do a beautiful job with this, indicating the
interior structure of the museum.

So, this is a coin

I would look toward.
The handshake I don't think is a design
that pops out for me.
further.

And then I'm going down

I think that clad 01, obverse 01, with

Sacrifice and the flag, is, again, simple and
powerful.

When I'm looking at these coins, I want

these things to pop out.

I want somebody to be

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challenged with do I pick it up or do I forget it.
These coins with negative space, I feel like, is
important in choosing the design.
When we come down to -- all right,
animals, clad obverse number 5, this K-9 officer is
fabulous.

And I agree with Robin, this is a really

wonderful rendition of the dog.
a handler.

It also has a dog and

And this is something that I believe the

liaison wanted to have that combination.

But we have

it there with a powerful statement about what these
magnificent animals do for law enforcement.

I think

we need to consider that somewhere.
I also selected clad obverse 8 with a
good representation of diversity.

And this is

something that I will give high marks to.
Mary's idea of the badge.

I like

I think that is an

interesting way to approach, perhaps, our general
public, that we need to bring in young people.

How

can we address their interest, I think, with animals,
with badges.

Something simple.
And then, when we get down to clad

obverse 12A, this is a wonderful combination of

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community, of respect.

The only comment that I have

is the horse -- the front legs, you know, those tiny
little feet maybe need to be reworked.

I'm not

thinking that's a good idea to put such an elegant
animal on those tiny little feet.
And I believe that -- to go through
these final pieces, I thought that clad reverse 03 was
a very simple and positive statement.

And also clad

reverse number 1 with Service and the text for the
museum and the memorial.
that -- oh, yes, one more.
with Mary.

And I believe, Mr. Chairman,
Clad reverse 6, I agree

This is an absolutely great coin design.

I mean, we have some interest there.

It's open,

simple, and I think we could pair that with some of
our other informative designs.
Chairman.

That's all I have.
CHAIRMAN URAM:

your thoughts.

Okay.

Thank you for

Peter?
DR. VAN ALFEN:

Chairman.

And thank you, Mr.

Thank you, Mr.

My approach to this, as the newest member

of the committee, really was to look at the strength
of the individual designs, as well as the symbolism.

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And particularly some of those subtleties of the
symbolism.

You know, for me one of the clearest

symbols of law enforcement is the badge or the shield.
And so, I've tended to have a preference for those
designs that featured, you know, the badge or the
shield.
In looking at the obverse for the gold,
I was really drawn to number 1, with the lions.

In

part because this seems to be a reference to Raymond
Kaskey's lions at the memorial, which is a nice tiein.

Also, there's a very long tradition of having

facing lions on coins, you know, extending back to the
various first coins in the Lydian tradition, you know,
struck in, you know, 650 BC or so.

So, you know, that

is also a nice reference.
I also had a partiality to obverse 3
and 3A, again because of the shield.

And the roses

seem to be a reference as well to the memorial logo,
which includes a rose and a shield.

And also, in the

1997 $1 coin for the memorial, there was also a badge
and a rose as well.

So, there seems to be, you know,

sort of an extending reference there.

And I do like

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the strength of the design of 2A.

I do have some

slight reservations about it, though.

And this has to

do, you know, with some of the subtleties of the
symbolism.

At my eye, both of the figures there

depicted seem to be Caucasian, which is something we
might want to consider in reference to everything that
has been happening lately.

And also, the

foregrounding of the man and the putting the woman in
the background also is -- you know, there's some
subtleties in the symbolism there which is something
that we, you know, again might want to consider, even
though it is, you know, a rather strong design.
In terms of the reverses of the golds,
I do like number 2 quite a bit.

I have a partial, or

a preference in some cases, for geometric patterns.
And again, this is a reference to a pattern at the
museum.

So, that also, you know, I think is

appropriate.

Also, I like reverse 7.

Again, you

know, the roses and the symbolism of the flag.

You

know, it does seem to be appropriate in this case.
Moving on to the silver, silver obverse
10 I think is a very strong design.

And I think this

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could work, you know, as either an obverse or a
reverse.

The reverses of the silver, I really do

quite like the obverses 5 and 6.

Because of the

incorporation of the shield as well as the handshake,
which I think is very appropriate in trying to
communicate the idea of community.

And the fact that

there is also, you know, the inscription To Protect
and Serve Our Community I think, you know, really
drives that point home.
Moving, then, on to the clad, I really
find obverse 9 to be a very strong design.

You know,

it has a challenge coin aspect that Mary brought up
earlier.

Also, you know, frankly it reminds me a

great deal of the introduction to Dragnet, you know,
that 1960s TV show which I have fond memories of
watching when I was a kid.

You know, and that

symbolism there, I think, and the inscription is, you
know, quite appropriate.
For the reverses of the clads, the
series 1, 2, and 3 are very traditional numismatic
type reverses.
three.

I would be happy with any one of those

You know, the inscriptions, of course, vary,

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but I think that, you know, the traditional aspects of
that type of reverse, you know, is very appealing.
Also, the strength of the design of number 11 I think
is also quite good.

Although, the heaviness of the

central triangle in the flag particularly, you know, I
find a little bit distracting.

Although, you know,

there is, you know, again sort of aspect of challenge
coin type design to it, which, you know, could be
appealing.
So, those are my comments.
turn it back to you.

And I'll

Thank you.

CHAIRMAN URAM:

Okay, Peter.

As we

would say, just the facts, right.
DR. VAN ALFEN:

Just the facts.

CHAIRMAN URAM:

Just the facts.

Okay.

I will give some thoughts, and then we will proceed.
First of all, when I looked at it -and Mary, I think that's a great idea on the half.
So, I think that going with the clad 09 and then the
reverse, I believe it was 06, which I had written down
the two -- I think that that would really make a great
challenge coin, and be appropriate for the half, to be

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honest with you.

I think that the half would pop.

I

had a little bit more trouble with the gold and the
silver, because, as many of you know, I would like to
see the K-9 somewhere, because it certainly is a big
part of the whole world of service in law enforcement.
And with the clad 05, of just the image of the dog -if you take a look at that -- I think that is just,
like, meant for the gold piece.
However, I think we don't -- I think
I'd rather have the human aspect on the gold, versus
the K-9.

But, boy, that's a great -- for the artist,

I would just say keep that one out there, because
that's a great one.

But maybe it could be

incorporated into the silver somehow.
But the 2A obverse for the gold, and
then I was looking at obverse 6 of the 7 as the
pairing with the gold.

Obverse 6 of the silver was my

thought in the pairing for the gold.
dimensions.

It has both

And then, for the silver, to bring the K-

9 in, I thought clad obverse 5, let's see here, which
would be the dog.

Or, clad obverse 6 with the officer

and then the K-9, and then with the gold R-2, which

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was the window that a number of us have been talking
about.

I remember Robin bringing it up as well,

several others.

But, I thought that the -- you have

the officer, the K-9, and then the window from reverse
02 of the gold kind of would put the human element,
the K-9 element, and then the spiritual element with
the window on the reverse.
So, that was some of the thoughts.
I appreciate everyone's participation.
the artists do get high fives.

And

I know that

I mean, I think that

the liaison should be proud of what the artists have
come up with for this portfolio.
So, with that, is there any discussion
before we go to the voting segment?
Hearing none, the committee will now
score the obverse and reverse candidate designs for
the 2021 National Law Enforcement Museum Commemorative
Coin for the gold, silver and half-dollar coins.

Each

of you in the mail received a packet from the United
States Mint.

You should have received a copy of the

score sheet.

I'd ask that you please take time to

either cut and paste or attach it to an email, or you

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may take a photo of it.

And then please email your

scoring sheets to our Mint Counsel, Greg Weinman.
Greg will tally the scores and will present the
results.
What would you say, Greg?

We need at

least -- you're going to need more than 10, 15 minutes
on this.
MR. WEINMAN:
be at least 20 minutes.

Yes.

I presume it will

So, let's take a break.

If

I'm earlier, I'll let you know.
MS. STEVENS-SOLLMAN:
CHAIRMAN URAM:
MR. TUCKER:

Okay.

If I just -And --

Mr. Chairman?

This is

Dennis.
CHAIRMAN URAM:
Well, hold on.

Dennis, go ahead.

I think I heard Jeanne first.

Were

you on there first?
MS. STEVENS-SOLLMAN:

Are you

CHAIRMAN URAM:

Go ahead.

recognizing me?
Yes.

MS. STEVENS-SOLLMAN:
verify this.

Okay.

Yes.

I need to

My scoresheet for the clad is missing

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some design numbers.

So --

MR. WEINMAN:

Oh, dear.

MS. STEVENS-SOLLMAN:

Yeah.

also the same on scoresheet for the silver.

And it's
You know,

we're missing obverse number 2, and on the clad we're
missing -CHAIRMAN URAM:

Okay.

Hold on, Jeanne.

Let's mark -- everyone please pull out your sheets.
And Jeanne can -MR. WEINMAN:

I'm looking at -- okay.

If you can, then -- I mean, obviously, if it's missing
something I apologize, on the items.
actual scoresheet.

Can you write in --

MS. STEVENS-SOLLMAN:
in.

I didn't see the

Yes, I wrote it

But I just thought that other people should maybe

be aware -CHAIRMAN URAM:

Yes.

MS. STEVENS-SOLLMAN:
CHAIRMAN URAM:

-- of that.

Yeah, why don't we all

just take the scoresheet out and go ahead and start
with the silver.

What's missing there?

MS. STEVENS-SOLLMAN:

Okay.

02 --

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obverse 02 is missing.
CHAIRMAN URAM:

So, on the bottom put

obverse 02.
MS. STEVENS-SOLLMAN:
CHAIRMAN URAM:
MS. WARREN:

Right.

Yeah.

On the silver?

This is Jennifer.

Are you

looking at the corrected scoresheet that I sent two or
three days ago, or the original?
MS. STEVENS-SOLLMAN:

Yeah, I don't

know.
MS. WARREN:
one.

We sent out the corrected

I believe you all have the corrected one.

Because we sent corrected portfolio, and I believe -Megan or April can jump in.

We corrected that.

MS. STEVENS-SOLLMAN:

Okay.

That would

be most helpful.
DR. VAN ALFEN:

This is Peter.

I do

have the corrected scoresheet, but there is a problem
with the clad reverse table.

So, I've just written in

below the obverse scores for the reverses.
MR. WEINMAN:

Yeah, in the spirit of

efficiency, yeah, please take a look at -- and please

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write in what you need.
consideration.

And I will take that into

And the tally sheet I have, I believe

is -- does have all the correct -MS. STEVENS-SOLLMAN:
CHAIRMAN URAM:

It's just --

Peter, what you were

saying is that everything is marked obverse, and the
other side should be reverse.
DR. VAN ALFEN:

Yeah.

I mean, the

score table for the clad reverse seems to mimic the
table for the obverse.
CHAIRMAN URAM:

Yeah, it should be Rs.

Okay.
MS. STEVENS-SOLLMAN:
DR. BROWN:

Right.

Right.

This is Lawrence Brown.

I

think if there is a way to -- we could either have
them sent to us again, or to, in fact, make the
corrections manually.
Mr. Chair?

I mean, which do you prefer,

And also Greg.
MR. WEINMAN:

I think -- this is Greg.

In the spirit of efficiency, why don't you write in
manually the correction.
DR. BROWN:

Yes.

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CHAIRMAN URAM:
ones, then use those.

If you have the updated

But if you don't -- so, what

we're looking at is on the silver, if you don't have
the updated one, you need to add obverse 02 to the
left side.

That's on the silver.

And on the clad, as

Peter pointed out, the right side should be Rs and not
the obverse.

That's the reverse side.

just mark on the top reverse.

So, you can

So --

JENNIFER WARREN:

This is Jennifer.

I'm sending both the corrected ones that you received
for the Hidden Figures group and the National Law
Enforcement right now.

Just so you have for the next

one as well.
MS. STEVENS-SOLLMAN:
CHAIRMAN URAM:

Okay.

Thank you.

That will be fine.

Anything on the gold, Jeanne?
MS. STEVENS-SOLLMAN:

The gold seems

fine.
CHAIRMAN URAM:
MR. TUCKER:

Mr. Chair?

CHAIRMAN URAM:
you next.

Okay.

Yeah, I was coming to

Dennis.

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MR. TUCKER:

Thank you.

I've been

taking as detailed notes as I can, as everyone has
spoken.

And I would like to request at least 30

minutes so that I have time to digest and review and
look at everything that everybody said, and not feel
like I'm rushed in my rankings.
CHAIRMAN URAM:

Based on the fact that

we're on schedule, and certainly not -- you know,
we're in fine shape, Greg, are you okay with that, as
the minter?
MR. WEINMAN:

Yes, perfectly.

Yeah,

take 30 minutes.
CHAIRMAN URAM:

That will be fine,

Dennis.
MR. TUCKER:

Thank you.

CHAIRMAN URAM:

That will be fine.

So,

why don't we just say that we'll convene at 10:50.
Does that sound right?
(Off the record.)
CHAIRMAN URAM:

Okay.

I'd like to call

the meeting back to order.
MR. WEINMAN:

Is everybody back?

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everybody on?
CHAIRMAN URAM:

Let's just do a roll

call, just so we're sure that we have our quorum.
Brown?
DR. BROWN:

Present.

CHAIRMAN URAM:
MR. SCARINCI:

Donald Scarinci?
Present.

Here.

here.
CHAIRMAN URAM:
MR. MORAN:

Present.

CHAIRMAN URAM:
MS. LANNIN:

Sam?

Present.

CHAIRMAN URAM:
MR. TUCKER:

Robin?

Present.

CHAIRMAN URAM:
MR. GILL:

Mary Lannin?

Present.

CHAIRMAN URAM:
MS. SALMON:

Mike Moran?

Dennis?

Present.

CHAIRMAN URAM:

Dean?

DR. KOTLOWSKI:

Present.

CHAIRMAN URAM:

Jeanne?

MS. STEVENS-SOLLMAN:

Present.

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Dr.

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CHAIRMAN URAM:

Peter?

DR. VAN ALFEN:

Present.

CHAIRMAN URAM:

And Tom.

in quorum, Greg.

Okay.

We're

Thank you.

MR. WEINMAN:

Okay.

CHAIRMAN URAM:
MR. WEINMAN:

Ready.

Yes.

I have the scores for the

National Law Enforcement's Museum commemorative coin.
It is ready.

Starting with gold, gold obverse 1 is -CHAIRMAN URAM:

Excuse me, Greg.

We're

talking 33 total.
MR. WEINMAN:

Yes.

If Donald truly

recuses himself, then it would be 30 out of 30 points.
CHAIRMAN URAM:
MR. WEINMAN:

Thirty.

Yeah.

Okay.

Since Donald

recused himself, it's out of 30 points.
CHAIRMAN URAM:
MR. WEINMAN:
need 16 as a recommendation.
13 points.

Okay.

There you go.

So, therefore, you would
So, for gold obverse 1,

Gold obverse 2, eight.

Obverse 2A, 21

points, which is the high scorer there.
four.

Obverse 3A is ten points.

Obverse 3 is

Obverse 4 is two

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points.

And obverse 6 is three points.

S

For the gold reverse, it's gold reverse
1 is three points.

Gold reverse 2 is 16 points, which

is the high scorer.

Gold reverse 3 is two.

reverse 4 is eight.

Gold reverse 5 is four.

reverse 6 is five.

Gold
Gold

And gold reverse 7 has 12 points.

Moving on to silver, silver obverse 1
has four points.

Silver obverse 2 has 19 points,

making it the high scorer.
eight.

Silver obverse 5 has

Silver obverse 6 had eight.

Silver 8 has two.

And silver obverse 10 has 14 points.
Moving on to silver reverse, silver
reverse 1 has three.

Silver reverse 2 has four.

Silver reverse 5 has 13, which is the high scoring of
the silver reverses.

Silver reverse 6 has nine.

Silver reverse 7 has two.
Silver reverse 9 has four.
five.

Silver reverse 8 has five.
Silver reverse 10 has

Silver reverse 11 has six.

has four.

Silver reverse 12

And silver reverse 13 has six.
Moving on to clad, clad obverse 1 has

11.

Obverse 2 has five.

Obverse 4 has nine.

Obverse 3 has three.

Obverse 5 has 17.

Obverse 6 has

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three.

Obverse 7 has three.

Obverse 8 has 12.

Obverse 9 has 22, making it the highest score-getter
in that category.
has 11.

Obverse 12 has five.

And obverse 14 has two.
Finally, clad reverse.

13.

Reverse 2 has ten.

4 has two.
getter.

Obverse 12A

Reverse 3 has five.

Reverse

Reverse 6 has 20, making it the high vote-

Reverse 7 has three.

Reverse 9 has seven.
11 has six.

Reverse 1 has

Reverse 8 has three.

Reverse 10 has three.

Reverse

Reverse 13 has two.

And reverse 14 has

CHAIRMAN URAM:

Thank you.

three.
Okay.

So,

why don't we start by getting the top three highest
from each category for starters.

So, if we look at

the gold, we would be looking at the highest votegetters being 02A gold obverse, the second there being
gold obverse 1, and then gold obverse 3A would be the
third.

When we're looking at the gold reverse, with

16 votes is R-02.

And then R-07 is the second

highest, and then we would be looking at R-4 as the
third.
So, with the gold you have 2A, 1, and

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3A.

With the reverse, you have 2, 7, and 4.
Going on to the silver, 02 had the

highest.

Then you would be looking at 010 for the

silver obverse, for 14, and then there was a tie
between 5 and 6, that you can just keep in mind if you
want to look at those.
Going on to the reverse, nothing really
clear there.

05 was 13.

And then you would go down

to 06 would be the next, and then, kind of, the rest
of the pack all in between there.
When you go over to the clad, you're
looking at 09 with 22.

You're looking at 05, with 17.

And you're then going to look at two of them with
having 11, being 01 and 12A, for consideration there.
When you look at the reverse of the
clad, you have 06 having the highest with 20, and then
you're going to be looking at basically 01 or 02 after
that.

So, if you take into consideration the top ones

in each category, under our normal scoring traditions
that received over the 16 votes, certainly the gold 02
received, you know, the 19, and then there was no
clear-cut on the reverse.

But there was 21 for the --

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I'm sorry, 21 gold -- I had the wrong sheet.

Going

back to the gold, 02A had the highest, with 21, which
is certainly way above the 16.

Then you would have

the 02 on the reverse, which had met the 16.
Then, going to the silver, you have 19
being the highest with 02.

The reverse of the silver,

nothing was clear in regards to any kind of -- hitting
16, the magic number.
Then, the clad 09 had 22.

So, that's,

once again, very close to our 2A on the gold.
then hitting the 17 was 05, of the clad.
you go to the 06, it had 20.

And

And then if

So, there's your summary

of the leaders.
So, why don't we open it up for
discussion?

And Greg, thank you for collecting

everything and doing the tally.

Let's have some

discussion, then, and why don't we start off with
Mike.

If we look at the highest ranked one, please.
MR. MORAN:

Did you say Mike?

CHAIRMAN URAM:
MR. MORAN:

Yes.

Oh, thanks.

CHAIRMAN URAM:

Mike, if you're not

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quite ready, I mean, I'll move -MR. MORAN:
say.

No, I do have one thing to

And then I'm going to pass it along.
CHAIRMAN URAM:
MR. MORAN:

Okay.

On the gold, between design

2 and 2A, everybody gave 2A the 21 points.

But there

are three central design elements in 2A, the man, the
woman, and the folded flag.
$5 gold piece.
that.

That's one too many for a

We're making a mistake if we choose

It's too cluttered -- I won't say too

cluttered, but it's too busy for a nickel.

Design 2

with the single officer holding the folded flag will
show up much better with negative space on a $5 gold
piece.
Other than that, Tom, come back to me.
Because I'm still clicking through these things, to
see what everybody has chosen and where I am on some
of these.

I will say that I like the concept of the

toy star paired with the fingerprint and the
magnifying glass for, possibly, the clad coin.
can't find the tin star yet.

I

I was clicking through

there when you called my name.

I went oh, great,

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thanks, Tom.
CHAIRMAN URAM:

No, that's okay.

Let

me -- that's fine.
MR. MORAN:

I'll yell if I need --

CHAIRMAN URAM:

I know what you're

saying about number 2, and I agree.
if that goes with the gold.

I think that --

Now, don't forget, we can

eventually decide the pairings.
MR. MORAN:

Yes.

CHAIRMAN URAM:

That's what we want to

be looking at.
MR. MORAN:

Yeah.

CHAIRMAN URAM:

So, you're saying that

particular pairing.
MR. MORAN:
clad, then fine.

Yeah.

If it goes to the

The clad or the silver.

can do all three elements.

All right.

CHAIRMAN URAM:
MR. MORAN:
MR. TUCKER:

Then you

Perfect.

I'm done.
Mr. Chair, this is Dennis.

CHAIRMAN URAM:

I was just going to

call on you.

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MR. TUCKER:

Yeah.

Could I request

five minutes for us to quietly review these results
and then -- you know, just three or four or five
minutes.

And then -CHAIRMAN URAM:
MR. TUCKER:

discussion?

That will be fine.

-- jump into our

Thank you, sir.
CHAIRMAN URAM:

Okay.

We'll be in

recess for five minutes.
(Off the record.)
CHAIRMAN URAM:

Also, why don't we

start back out with Mike Moran.
MR. MORAN:

Mike?

Okay, Tom.

Going back to

my comment on the star and the magnifying glass,
that's on the clad.
reverse 6.

It's clad 09, obverse 9 and

I think those actually are appropriate for

the clad coin.

I think they'll sell well.

they have a broad appeal.

I think

And I think they need to

stay where they are on the scoring sheet.

And with

that, I'll pass the mic over to Dennis.
CHAIRMAN URAM:
And I agree with you, Mike.

Okay, Dennis, go ahead.

I think Mary originally

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paired those, and I think that that's a great pairing.
We'll see what everyone else has to say.
MR. TUCKER:
thanks, Mike.

Okay.

Thank you, Mr. Chair.

And

And I appreciate the extra time

to just quietly collect my thoughts.
that.

Dennis?

Thank you for

I'm happy with the gold and I'm happy with the

half-dollar.

I think the gold satisfies the way I was

thinking of the program needing a memorial coin.

And

for the half-dollar, I like the challenge coin concept
and approach.

And I think we've got a nice set of

designs for that coin.
For the silver, I envision that coin as
the one that addresses the issue of community and
connection between law enforcement and the civilian
communities that they serve.

And I don't think the

combination that we've ranked highest meets that
purpose.

I think that obverse 2, which was our

highest rank, it's too inward facing.

It's too much

about police departments, police officers, and law
enforcement.

And it's really -- I mean, it's a

beautiful design, and I did give it some points
myself.

But, I think it's too much of the memorial

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concept, rather than community.
And the reverse, silver dollar reverse
5 was our highest ranked.

I think that's fine.

It

does include the words Protector of Our Community.

My

preference will still be, for the silver dollar,
obverse 5, which shows the police officer kneeling in
a vigilant pose protecting a boy who might not even be
aware that he's being protected.

He is paused in his

basketball game, and he's reading a book.

In other

words, he's going about his life -- his normal
civilian life.

And he has this protective force that

is keeping him safe.
community aspect.
coin.

To me, that addresses the

So, the memorial coin is the gold

The half-dollar is a challenge coin.
And the silver dollar -- I really think

it needs a stronger sense of community, and I think
obverse 5 does that.

I'm just taking a look now at

reverse 5, and seeing if that -- reverse 5 feels a bit
repetitive, just with the inscriptions to protect and
serve.

So, that one

-- for the reverse of a silver

dollar, I had recommended reverse 13, which I think
ties together with obverse 5 and builds that sense of

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community.

It shows a police officer shaking hands

with a civilian, who appears to be a minority man.
And again, just to repeat my remarks from earlier,
either one of those men could be the boy from the
obverse.

Police officer -- that boy could have grown

up to be this police officer, or he might be the man
who is shaking his hand.
So, those are my thoughts, Mr. Chair.
I think that the silver dollar needs to be a stronger
voice for connection between police officers and the
community they serve.

And I recommend obverse 5 and

reverse 13.
CHAIRMAN URAM:
you.

Okay, Dennis.

Thank

Keep in mind that clad obverse 6, which is the

officer saluting with the K-9, received 20 points.
And to me, I thought that would make for a nice silver
dollar, in regards to putting together the community
aspect of it.

And I agree with the clad pairing and

the gold, whether it be 2 or 2A.

It is busy, as

Michael said, so I would lean more towards the 2,
because I just think that's a whole lot to put on a
gold piece.

I know what we're trying to do, but I

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don't think we want to force it, either.

But, I'd ask

that we look at clad obverse 6 for the silver dollar,
since we did have that as a high-ranking, along with
the window -- the back window pane from the other
design.
So, those are my couple of thoughts.
Mary, do you have some thoughts?
review this whole.

And we don't need to

We're just looking for thoughts

here.
MS. LANNIN:

Okay.

Okay.

This just

sort of serves to confuse a lot of things.

Obviously,

I'm going to stick with the clad with my suggestion of
09 for the obverse and 06 for the reverse, as kind of
a challenge coin sort of a thing.

But, it seems that

we are -- by going medal by medal, like gold, silver,
and clad, we are perhaps not paying attention to what
the CFA said.

And what the liaison prefers.

And so,

I was basing my choices on having each of the reverses
mention the Law Enforcement Museum.

So, I would like

to stick with my initial choices, which -- and I'm
waiting for somebody to actually make a motion, so it
kind of clears everything up.

We're not really able

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to go through the choices as quickly as we can on a
computer.
So, to the silver coin, I would still
like to stick with the clad obverse 12A, which is the
horse leaning down to look at the dog, and the dog
handler and the puppy, as a choice.

And I would like

to stick with the clad reverse 01 for the silver.

For

the gold, I guess I'm still sticking with silver 02
and reverse gold 03A.

So, together just in a group.

So, I'm really waiting for some motions for this.
This is rather confusing.

Thanks.

CHAIRMAN URAM:

That's my comment.

Thank you.

Are there

any other thoughts, or would anyone like to make a
motion at this point?
MS. STEVENS-SOLLMAN:

Yes, Tom.

would like to have some input on the gold.

I

I agree

with what Mike says, that it's quite a lot of
information on the one that is chosen.

However, could

we possibly change one of those to the piece that has
the flag and the gloved hands?
ways that we could do that.

So, there's like two

We could use that one

because it has -- for the gold obverse, I think is

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what I'm trying to get to, I do think we need to
address -CHAIRMAN URAM:

You're talking about

gold obverse 2, which is just a single individual.
MS. STEVENS-SOLLMAN:
CHAIRMAN URAM:

Yes.

All right.

MS. STEVENS-SOLLMAN:

We can do that.

Or, we can actually go to -- I'm trying to find this.
I think it's -- we could also do the silver obverse
10, which has, you know, the museum.

Somehow, I'd

love to get the museum on one of these coins.

And the

other thing that we could do is we have one medal -let me try and find this.
I'm sorry, this is Jeanne StevensSollman speaking right now, or trying to speak.

Okay.

I'm just going to have to -- I can't seem to find
that.

I'm sorry.

But, there is one coin where we

have the two officers -- just two officers in salute.
No lion, no -- oh, I can't find that one -- no, no
flag, just saluting with a rose.

And to me, if we

paired that with the piece with, you know, the mosaic
floor, where it says Remember, and using Dennis's

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idea, I think that would probably -- oh, here it is.
As silver 02, if we could use that, maybe we'd have a
good remembrance coin for this.
CHAIRMAN URAM:
this.

Okay.

Okay.

Why don't we do

The silver 02 was the other one.

If we

use, though, 02 on the gold, with the single
individual, those are pretty close.

How about this.

Let's do the first one first, because I think there
seems to be agreement.

Why don't we have -- would

someone like to make a motion on the clad?
That you do 09 and 06?
that motion?

Mary, would you want to make

Mary?
DR. BROWN:

Brown.

Mary?

Mr. Chair, this is Lawrence

And Mary, are you there?

I just want to --

MS. LANNIN:

I'm --

DR. BROWN:

Go ahead.

CHAIRMAN URAM:
MS. LANNIN:

Mary, are you there?

Yeah, I'm sorry.

I

accidentally hung up in the middle of what Jeanne was
saying.
now.

So, I'm not prepared to make a motion right

I was about to tell her that the coin that she

was looking for was the silver obverse 2, with the two

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officers.
CHAIRMAN URAM:
MS. LANNIN:

Okay.

CHAIRMAN URAM:
this.

Right.

Right.

So --

But, why don't we do

Why don't we make a motion on the clad first?

There seems to be agreement on 09 and 06, and would
you like -MS. LANNIN:
Lannin.

Okay.

This is Mary

I would like to make a motion that we use

clad obverse 09 and clad reverse 06 for the halfdollar coin.
CHAIRMAN URAM:

Okay.

There's a motion

-MR. MORAN:

Yeah.

And this is Mike

Moran, and I'll second.
CHAIRMAN URAM:

Mike Moran seconds.

Any further discussion?
DR. BROWN:
Brown.

Mr. Chair, this is Lawrence

Can we hear the motion once more, again?
CHAIRMAN URAM:

Sure.

The motion is

made by Mary, seconded by Michael, for the half-dollar
clad, that the obverse choice would be 09 and the

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reverse would be 06.
received 20.

And 09 received 22 votes, and 06

So, they were the highest given anyhow.

But, we did review other possibilities.
seems to be an agreement on that.
motion currently.

But, there

So, that's the

Any further discussion?

Hearing none, I'm going to take a roll
call vote.
MR. TUCKER:

Actually, Mr. Chair, I do

have one -- this is Dennis Tucker, and I do have one
thing I'd like to discuss about reverse 6.
CHAIRMAN URAM:
MR. TUCKER:

Go ahead.

Oh, thank you.

apologize for not bringing this up earlier.

And I
But, the

legend National Law Enforcement appears to be an
abbreviation of National Law Enforcement Museum.

But

without the word Museum, I think it gives too much
weight to national law enforcement, and people who are
involved in local and state law enforcement might
wonder why that extra weight is being given there.

I

think it's almost like a typographical error, if you
look at it that way, and the legend should actually
just be Law Enforcement.

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CHAIRMAN URAM:

Joe?

Joe, would you

like to make a comment, if that would be corrected.
MS. STEVENS-SOLLMAN:
up.

You're breaking

I couldn't hear you.
MR. MENNA:

So, I got lost.

We're

looking at which one?
MR. TUCKER:

This is Dennis Tucker.

The clad.
MR. MENNA:

What?

MR. TUCKER:

06.

MS. STEVENS-SOLLMAN:
MR. MENNA:

06.

CHAIRMAN URAM:

The reverse.
That's correct.

MS. STEVENS-SOLLMAN:
MR. MENNA:

06.

Yeah.

Yes.

I'm sorry.

I think

it would be a stretch to try and fit Museum in there,
without making the text very, very small.
MR. TUCKER:
MR. MENNA:
MR. TUCKER:
suggesting.

Right.

This is Dennis --

Unless you put -That was not what I was

What I was suggesting was remove the word

National, and just have Law Enforcement.

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MR. MENNA:

That could work.

MS. STEVENS-SOLLMAN:
Museum in there?

After Law --

MR. MENNA:

No.

MS. STEVENS-SOLLMAN:
MR. MENNA:
MR. TUCKER:
again.

Can you put

No?

I don't think so.
I think -- this is Dennis

Including the emblem of the museum is a

graphical or symbolic way to represent the museum
itself, without having the word museum.

And in that

case, the word National reveals itself to just be an
accidental, inappropriate abbreviation of the phrase
National Law Enforcement Museum.

National doesn't

belong there anymore than saying Local Law Enforcement
or State Law Enforcement would.

It's too exclusive.

We need to broaden it, and just say Law Enforcement,
because the coin is addressing all levels and aspects
of law enforcement.

Not just national.

MS. STEVENS-SOLLMAN:
CHAIRMAN URAM:

And can I --

Uh, Jeanne, state your

name.
MS. STEVENS-SOLLMAN:

Oh, sorry.

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Jeanne Stevens-Sollman.

And I would like to ask our

stakeholder how they feel about that text.
CHAIRMAN URAM:

Is Margaret or Marcia -

MS. FERRANTO:
Marcia Ferranto.

Yeah.

So, this is

Thank you for pointing this out,

because it was something that did cause us pause, that
this coin did not mention the memorial or the museum.
We do recognize that the logo is on here at the
bottom, which helps.

But, I think it still remains

rather vague.
DR. BROWN:

Mr. Chair, this is Lawrence

Brown.
CHAIRMAN URAM:
DR. BROWN:

Yes, Dr. Brown.

I must confess that I

really was impressed by one of our members who
mentioned about the concepts, about memorial,
community and challenge.

The motion that's in front

of us, I must confess, I would probably not vote in
favor of, because if it doesn't have Museum in there
-- and that symbol, while probably known to a lot of
people, it probably would be lost on the general

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public.

So, I think that if we can't cure that to, in

fact, have Museum, then I would probably not think
that that would be something that would be wellreceived, because if you have National Law Enforcement
or just Law Enforcement, I'm not sure we're getting
what I understand is the feeling from the
stakeholders, and I think the way that it may be
appreciated in the public may not be in the best
interests.
MS. STAFFORD:

Mr. Chairman?

CHAIRMAN URAM:
MS. STAFFORD:

All right.
This is April.

I just

wanted to -- I wonder a question for our liaison, Ms.
Ferranto.

And obviously this would just be an

additional point for the committee members to
consider.

Clad reverse 6, which is in discussion

currently, has the additional inscription of "Respect,
Honor, and Remember."

I wonder if Ms. Ferranto, in

pursuit of including Memorial and Museum, or Museum,
would be okay with removing that additional
inscription.
MS. FERRANTO:

I think that is an

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option.

I'd like to go back and take a look at the

others, to see if -- especially the gold, if we're
looking at that for the memorial to see if we have
those words in there.

So, give me a moment.

APRIL STAFFORD:

No problem.

There's a

lot of shuffling.
MR. MORAN:

Tom, this is Mike.

Mike

Moran.
CHAIRMAN URAM:
MR. MORAN:

Okay.

If you look at obverse 9,

across the top the inscription "Serve and Protect" is
there.

You could very easily -CHAIRMAN URAM:

Obverse 9, where?

Obverse 9, which -MR. MORAN:

Clad obverse 9.

Which is

the obverse of the motion.
CHAIRMAN URAM:
MR. MORAN:

Okay.

You could substitute those

phrases for the phrase "Serve and Protect" across the
top of that coin.

And then strictly have the National

Law Enforcement Museum stand alone at the base of the
reverse.

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MS. LANNIN:

Mike, I'm confused.

I

thought we were talking about -- this is Mary Lannin.
I thought we were talking about clad reverse 06, which
is part of my motion.

And I would like --

MR. MORAN:

Yeah, we are.

I'm saying

if you go to clad obverse 9, which is the other part
of your motion -MS. LANNIN:
you said reverse 9.

I thought

Okay.

MR. MORAN:
Mary.

Oh, I'm sorry.

There's no telling.

No.

Well, I could have,

But, if you take that

"Respect, Honor, and Remember" and put that over on
the obverse -- on the -- as the inscription at the top
-- across the top of the obverse, instead of "Serve
and Protect", then you have room to put National Law
Enforcement Museum in there in two lines, on the
reverse.
CHAIRMAN URAM:
MS. LANNIN:

Joe --

So, what you're saying,

Mike, is to swap -- if I understand you correctly -MR. MORAN:
MS. LANNIN:

Yes.

No, no, no.

Swap --

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MR. MORAN:

No, I'm not saying swap.

I'm saying drop "Serve and Protect" entirely.
CHAIRMAN URAM:

Okay.

And then put

National Law Enforcement Museum in place of "Serve and
Protect".

And then -MR. MORAN:

No, no, no, no.

No.

No, I

was going to put it -- I'm open to that, but I was
going to put National Law Enforcement Museum on the
reverse.

Because you're going to have to get it into

two lines, I think.

But, take "Respect, Honor, and

Remember" off of the reverse, and put it onto the
obverse in place of "Serve and Protect."
DR. KOTLOWSKI:

Tom?

CHAIRMAN URAM:

Yes.

Go ahead.

Who

was that?
DR. DEAN KOLOWSKI:

It was Dean.

CHAIRMAN URAM:

Okay.

State your name.

DR. KOTLOWSKI:

Mary -- well, Mr.

Chairman, I would be in favor of keeping "Serve and
Protect" on clad obverse 9, because it gives it a
sense of power.

And it has this kind of pop cultural

implicit reference to Dragnet.

And I would be in

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favor of clad reverse 6, just simply removing
"Respect, Honor, and Remember," and putting the word
"Museum" underneath.

Because I do think it's vague.

I think with the other coins, we should
think about how we convey respect and honor and
remember, rather than simply say it.
CHAIRMAN URAM:

Okay.

That makes

sense.
MR. GILL:

Mr. Chairman, this is Sam

Gill.
CHAIRMAN URAM:
MR. GILL:
with Dean and the doctor.

Yes, Sam.

Go ahead.

I agree with Dean.

I agree

I think they're both right.

And I think that's a good solution.
CHAIRMAN URAM:

Yes.

Okay.

So, why

don't we -- Mary, are you willing to amend -MS. LANNIN:

Would you like to -- okay.

So, as I understand -CHAIRMAN URAM:

Are you willing to

amend the -MS. LANNIN:

As I understand, we leave

"Serve and Protect" on clad obverse 9.

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CHAIRMAN URAM:
MS. LANNIN:

No change.

Correct?

No change.

And

on clad reverse 06, I see half-dollar, I see "United
States of America," and underneath that I see
"National Law Enforcement" and "E Pluribus Unum."
That's what I see.
MR. TUCKER:

This is Dennis.

You're

looking at an old -MS. STEVENS-SOLLMAN:

Yes, that's the

old --

confused.

MR. TUCKER:

-- version, I believe.

MS. LANNIN:

Okay.

MR. TUCKER:

And I was, as well.

MS. LANNIN:

No wonder we're so

Okay.

Let me figure out if I can find

where that would be.
the redo?

What was the date of that -- of

So I can look on the -MR. TUCKER:

September 18.

MS. LANNIN:

September 18.

So I can

look on the -- it's being there, can you tell?
September 15th?
MR. TUCKER:

18, I believe.

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MS. LANNIN:

I thought it said 15.

MS. WARREN:

Mary, I'm going to send it

right now, again.
MS. LANNIN:

Thank you.

Thank you.

This is supposed to be the simple one, you guys.
MS. STEVENS-SOLLMAN:

Very true.

Very

true.
MS. LANNIN:

Remember?

MS. STEVENS-SOLLMAN:
Stevens-Sollman speaking.

This is Jeanne

If "Respect, Honor, and

Remember" were removed and "National Law Enforcement
Museum and Memorial" put in its place, would that be
acceptable?
CHAIRMAN URAM:
have plenty of room.

I would think you'd

Joe?

MS. LANNIN:

I still haven't gotten it,

MS. WARREN:

I just sent it a second

Jennifer.

ago.

Two documents, the PDF and the Word version.
CHAIRMAN URAM:

Joe, is there any room

to do what Jeanne just mentioned?
MS. WARREN:

I may also send you the

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contact.
MS. LANNIN:

Okay.

So, I will trust

you if you say that there is enough room.
don't have it.

I still

If there is enough room to remove

those and to insert National Law Enforcement Museum in
its place, I am good with that.
CHAIRMAN URAM:
no problem.

Okay.

There should be

That's a whole line, and there's plenty

of room there.
MS. LANNIN:

Okay.

would be my recommendation.

Okay.

Okay.

CHAIRMAN URAM:

Okay.

So, that

That's my motion.
We're amending

your motion, now, to state that we're going to go with
clad obverse 9 and reverse 6, with reverse 6 amended
to say National Law Enforcement Museum in place of
"Respect, Honor, and Remember."
by Michael.

Michael, do you agree with that?
MR. MORAN:

Yes.

CHAIRMAN URAM:
take a vote.

And we have a second

Okay.

I'm going to

That should help the situation.
MS. FERRANTO:

Excuse me, real quick.

Excuse me, real quick.

This is Marcia Ferranto.

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there any way you can consider doing Memorial and
Museum?
MS. STEVENS-SOLLMAN:
-- this is Jeanne speaking.

Yes.

That was my

Yes, that was my idea, to

put both of them on that line .
CHAIRMAN URAM:
that will be fine.

That will be -- yeah,

I would think you have plenty of

room there.
MR. MORAN:

Yeah.

CHAIRMAN URAM:
MR. MORAN:

For the record --

That actually works better.

MARCIA FERRANTO:

Memorial would go

first.
CHAIRMAN URAM:

Pardon me, Marcia?

MARCIA FERRANTO:
first.

Memorial would go

It would be Memorial and Museum.
CHAIRMAN URAM:

Okay.

Okay.

So, for

the record, it would say Memorial and Museum.
going to take a vote.

And I'm

Now, this is for the clad half.

Dr. Brown, yes or no.
DR. BROWN:

Mr. Chair, I'm going to

have to abstain, because I don't see -- I don't have

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the version that will allow me to be able to say that
with confidence.

So, I'm going to have to abstain,

because I haven't seen it.
CHAIRMAN URAM:

No problem.

Mike

Moran?
MR. MORAN:

Yes.

CHAIRMAN URAM:
MS. LANNIN:

Mary Lannin?

Yes.

And Dr. Brown, I can

tell you that I've seen the new one and that there is
enough room to do what the motion has requested.
I am voting yes.
CHAIRMAN URAM:
MS. SALMON:

Yes.

CHAIRMAN URAM:
MR. GILL:

Sam?

Yes.

CHAIRMAN URAM:
MR. TUCKER:

Okay, Robin.

Dennis Tucker.

Yes.

CHAIRMAN URAM:

Dean?

DR. KOTLOWSKI:

Yes.

CHAIRMAN URAM:

Jeanne.

MS. STEVENS-SOLLMAN:
CHAIRMAN URAM:

Yes.

Peter.

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DR. VAN ALFEN:

Yes.

CHAIRMAN URAM:

The chair votes yes.

Dr. Brown, do you want to remain abstained?
fine by me.

It's your call.

It's

But, I just wanted to

clarify with Mary mentioning that.
DR. BROWN:

I love Mary to death,

there's no question about it, but I'm going to still
abstain because -MS. LANNIN:
DR. BROWN:
MS. LANNIN:
DR. BROWN:

No, that's whatever --- I haven't seen --- you're --- with these two eyes.

CHAIRMAN URAM:
DR. BROWN:

Okay.

No problem.

Thank you.

CHAIRMAN URAM:
abstain, one not voting.

Sure.

We have nine yeses, one

The motion passes.

Let's move on to the gold.

Let's have a discussion regarding the gold.
DR. VAN ALFEN:

Go ahead.

This is Peter.

I'd

like to consider Jeanne's suggestion to move silver
obverse 2, which has the jugates of man and woman
saluting, to be considered for the obverse of the

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gold, instead of gold obverse 2A.

One of the reasons

I would support this, I think that silver obverse 2
does a much better job of conveying and symbolizing
diversity, as well as, sort of, equal pairing between
-- or, equal standing between the man and the woman,
than gold obverse 2A does.

And also, I'm much more

partial to profile views than three-quarter views.

I

think that they are conveyed better in this sort of
this context than -- or, in a numismatic context than
a lot of the three-quarter views.
CHAIRMAN URAM:

Thank you.

Okay.

So, for

clarification, you'd like to keep silver -- which one,
silver what?
DR. VAN ALFEN:

Silver obverse 2 to be

considered for the observe of the gold, replacing gold
obverse 2A.
CHAIRMAN URAM:

Okay.

Any other

further discussion on that, as far as comparing with
the gold 2 and 2A basically have 21 points.
DR. BROWN:

Mr. Chair, this is Lawrence

Brown.
CHAIRMAN URAM:

Yes.

Go ahead, Dr.

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Brown.
DR. BROWN:

I would be happy to offer a

motion to the effect of what my colleague said.
think that does make a lot of sense.
the respect.

I

It allows for

It allows for diversity.

So, I would

certainly support that, and indeed if you need a
motion I could provide it.
CHAIRMAN URAM:

Okay.

So, if you'd

like to make a motion that would be silver obverse 2
for the gold.

And we have a motion by Dr. Brown.

Do

we have a second by Peter, then?
DR. VAN ALFEN:
MR. TUCKER:
this is Dennis Tucker.

Yes.

Mr. Chair?

Mr. Chair,

I'd like to just add one point

of discussion before that motion is considered.
CHAIRMAN URAM:
to vote yet.

Well, we're not going

We're just getting a second at this

point, before we can discuss.
MS. STEVENS-SOLLMAN:
MS. LANNIN:

I second.

This is Mary.

I will

second it.
CHAIRMAN URAM:

I think Peter had

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jumped in there.
DR. VAN ALFEN:
second.

Yeah, yeah, I did

So, that's fine.
CHAIRMAN URAM:

for discussion.

So, now, we are open

Dennis?
MR. TUCKER:

thank you, Mr. Chair.

Oh, I just wanted to --

I just wanted to say that --

and this is not an objection at all.
that's a fine idea.

I think that

I just wanted to say that Mike, I

might push back a little bit on your observation that
gold obverse 2A has too much going on, or that it's
too packed with imagery.
You look at some of the most recent $5
gold pieces.

They can be pretty complex.

There's a

lot of detailed that could be packed into that little
canvas.

Look at the American Legion $5 gold coin from

2019.

Even the obverse of the 2020 basketball gold

coin.

So, I don't think that the design itself in the

obverse 2A would be a problem.
Having said that, though, I think that
Peter's idea of replacing and using obverse 2 from the
silver dollar is fine as well.

That's a nice memorial

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design, and I think it satisfies the memorial aspect
of this gold piece.
CHAIRMAN URAM:
you.

Okay, Dennis, thank

And then, for the reverse of the gold, we have

reverse 2 was the high vote-getter.

Which was the

stylized view of the paving stone, which would
probably be -- if you feel you would want to look at
that silver dollar.

But it certainly is appropriate

with the gold as well.

It might be very nice.

Would

either of the -- Mike, go ahead.
MR. MORAN:

This is Mike Moran.

I'd

just like to put one more plug in for reverse 7,
because I think it's very well done.

And very

appropriate for a gold coin.
CHAIRMAN URAM:

Okay.

Whose phone is

not on mute?
MR. GILL:

Mr. Chairman, this is Sam

Gill.
CHAIRMAN URAM:
MR. GILL:
just said about 07?

Go ahead, Sam.

Could I just echo what Mike

It really captures the sacrifice

and -- with the roses and the flag.

I don't know what

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02 captures, except a design.
CHAIRMAN URAM:

Okay.

MS. STEVENS-SOLLMAN:
is Jeanne Stevens-Sollman speaking.

Excuse me, this
Sam, I believe

that design is not just a design, but it is part of
the museum, the floor.
MR. GILL:

Yes, I understand that.

MS. STEVENS-SOLLMAN:

And it would --

in my opinion, because of the small planchet of the
gold, you know, it would make -- I think it would make
a great coin.

And we also have Remember, which goes

with our sacrifice, with the two officers.

So, in my

opinion, that is what I think would make a strong
coin.

I agree with you with the flag.

It is a very

beautiful piece.
CHAIRMAN URAM:
paving as well.

I agree, and I like the

But maybe in the pairings, as it

goes, maybe since the gold and you have the two
officers on the gold, maybe it's more appropriate to
have the -- the planchet size, I think, for the flag
and the roses would pop on the gold, and maybe we use
-- I think the mosaic would pop on the silver, Jeanne,

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if we want to look at it that way.

I think that would

really be a bold silver coin.
DR. KOTLOWSKI:

Mr. Chairman?

CHAIRMAN URAM:

Yes, go ahead.

DR. KOTLOWSKI:

This is Dean.

CHAIRMAN URAM:

Go ahead.

DR. KOTLOWSKI:

Dean Kotlowski, for the

Who is

this?

liaisons and the press.

I'm becoming more and more

persuaded by what Mike and Sam and, Mr. Chairman, you
just said.

I do like obverse 2 for the gold.

And

then we could go with reverse 7, again for the gold.
And but I want to think about what we're going to do
with the silver.
Because I still have this attraction to
showing the actual museum, which is more meaningful.
And I wonder if we might have to make a choice between
reverse 2 and obverse 10, and which best represents
the museum.

Or we put them together for the silver --

I'm talking about for the silver.

The silver obverse

10 with the reverse obverse 2 for the gold.

That may

be too museum heavy, and we don't have the community

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in this as much.

So, if we're going to come down to a

choice between this really nice design of gold reverse
2 and silver obverse 10, to represent the museum, I
think showing the actual museum is going to be more
meaningful to the public.

And that's where I would

come down.
CHAIRMAN URAM:

Okay, Dean.

And I

think if we did -- let's just talk about that a
second.

If we did -- I don't think it's too museum.

And it is community.

Because it is both, and that's

what you want to -- you know, you want to emphasize
the museum just as much.

And so, you have the

building and you have the floor.

And when the

literature comes out, that will complement it.
So, I kind of lean more towards what
Sam and Mike and everyone was just talking about, of
putting the roses with the flag that go with the
people.

Their sacrifice.

It ties the gold together.

And then, going with the museum with the silver,
because, you know, the silver is the largest.
building is the largest.

The

You know, not to say that

the people aren't the largest, which they are, but it

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represents the people and those that served.
MR. TUCKER:
Dennis Tucker.

Well, Mr. Chair, this is

I have to object to that, because then

we're completely removing humanity from this suite of
six designs.
UNIDENTIFIED FEMALE SPEAKER:

Right.

Yes.
MR. TUCKER:

We end up with no hand

shaking, no connection between police and civilians,
and we end up simply with the physicality of a
building.

No offense to the museum and the memorial,

I understand that that physicality is important.

But

we've also talked a lot today about addressing the
time that we're living in.

And I really think that we

need to have a human connection, and I think that
human connection should be displayed on the silver
dollar.
CHAIRMAN URAM:
do this.

Okay.

So, why don't we

That's fine.
DR. BROWN:

Mr. Chair, I have a motion.

This is Lawrence Brown.
CHAIRMAN URAM:

Why don't we do this

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first.

Let's stick with the gold.

And let's go

ahead, and there's a motion, I believe.
DR. BROWN:
Brown.

Right?

Mr. Chair, this is Lawrence

I can modify my motion to reflect the

sentiments.
CHAIRMAN URAM:

Okay.

All right.

Go

ahead.
DR. BROWN:

So, my motion would be that

we would take the silver 02 and place it on the
obverse for the gold.

And that we would have the

reverse of the gold to be the gold reverse 7.
CHAIRMAN URAM:

Correct.

That's where I thought -- that's fine.

Okay.
There we go.

So, I now need to ask Peter if you're okay with that
modification.
DR. VAN ALFEN:

Yes.

No, in fact,

Sam's point is well taken, and as are everybody
else's.

I do think reverse 7 would be a fine pairing

to silver obverse 2, for the gold.

So, I'm happy to

second that motion.
CHAIRMAN URAM:

Okay.

So, the

amendment has been made, and so without further

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discussion I'm going to take a vote.

So, we must

first -MS. SALMON:

This is Robin.

CHAIRMAN URAM:
MS. SALMON:

Yes, Robin.

This is Robin.

I want to

point out using that pairing you've got roses on both
sides of the coin.
MS. LANNIN:
great.

Robin, I think that's

This is Mary.
MS. SALMON:

You think that's good?

MS. LANNIN:

Yeah, I do.

MS. SALMON:

Well, okay.

I still want

to hold out for the floor.
MR. TUCKER:

Robin, this is Dennis.

Mr. Chair, if I might reply to that.

I had the same

thought, and I was a little bit concerned about that
repetition.

But, then, the more I thought about it it

bothered me less and less.
design.

I also love the floor

I think that's one way to get the physicality

of the museum's landscape into the coin.

But, I do

think that the coffin flag is a wonderful symbol for
memorial.

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MS. STAFFORD:

Mr. Chairman?

CHAIRMAN URAM:
MS. STAFFORD:

Go ahead.
Sorry, this is April.

I

just wanted to share, and I'll ask Megan Sullivan and
Boneza Hanchock to confirm, when we were at the
Commission of Fine Arts and they were discussing
silver obverse 2, they talked about the -- and they
actually recommended this for the gold obverse, they
talked about the idea that this design could do
without that rose, to allow for the portraits to fill
up that space a little more.

So, I just wanted to

share that with the committee, in case they would like
to consider that as they move forward.
CHAIRMAN URAM:

Okay.

Thank you.

With

that being said, Joe, would you like to comment on
that?

What was just brought up.
MR. MENNA:

Yes.

CHAIRMAN URAM:
MR. MENNA:
deliberations.

On removing the rose.

I listened to those

I think the terminus of each portrait

would work well that way.

I think it would look good.

CHAIRMAN URAM:

Okay.

Going back to

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Dr. Brown, Dr. Brown, would you have any problem with
your motion stating removing the obverse rose?
DR. BROWN:
Brown.

Mr. Chair, this is Lawrence

I have no objection.

So, I will so revise my

motion so that it reflects the removal of the rose on
the obverse that we're trying to place on the gold.
CHAIRMAN URAM:

Okay.

Peter, are you

DR. VAN ALFEN:

I am affirmative.

affirmative?

agree.

I

So, I second.
CHAIRMAN URAM:

Okay.

And Robin, thank

you for that observation, and the others that did as
well.

So, with that, if there's no further

discussion, we will now vote on the 02 and the 07 with
modifications.

Dr. Brown?
DR. BROWN:

Yes.

CHAIRMAN URAM:
MR. MORAN:

Yes.

CHAIRMAN URAM:
MS. LANNIN:

Mary Lannin?

Yes.

CHAIRMAN URAM:
MS. SALMON:

Michael Moran?

Robin?

I'm now happy.

Yes.

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CHAIRMAN URAM:
yet.

Robin, it's not over

We've got to get the floor.
MR. GILL:

Sam?

Yes.

CHAIRMAN URAM:
MR. TUCKER:

Okay.

Dennis?

Yes.

CHAIRMAN URAM:

Dean?

DR. KOTLOWSKI:

Yes.

CHAIRMAN URAM:

Jeanne?

MS. STEVENS-SOLLMAN:

Yes.

CHAIRMAN URAM:

Peter?

DR. VAN ALFEN:

Yes.

CHAIRMAN URAM:

The chairman is yes.

We have ten yeses, and one nonvoting.
Thank you very much.

Motion passes.

I think it will be a very nice

coin.
Now, in the discussion for the silver,
in the dialogue that I've already heard -- and I don't
want to be repetitive, and we can take it from here,
but if -- some of the thoughts were to create and
still have some people involved.

And I think it was

the boy reading the book and the police officer
looking over him, which I think would make a great

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part of the silver medal.

And then the floor, because

the floor would be what they would be on, let's say.
Plus, it represents the museum.
thought.

Now, that's just my

I will now open it up for discussion.

Dennis?
MR. TUCKER:

Thank you, Mr. Chair.

So,

what you just mentioned would be pairing silver
obverse 5 with gold reverse 2.
CHAIRMAN URAM:
MR. TUCKER:

That's correct.

Correct?

CHAIRMAN URAM:

Okay.

Obverse 5 with reverse

2.
MR. TUCKER:

Okay.

My only hesitation

there is that gold reverse 2 is a memorial design.
has the word Remember in it.

It

And we have satisfied

our memorial aspect of this program with the gold
coin.

So, I would like to double down with the silver

dollar and really make it about community and
connection.

So, I still would like to support obverse

5, which has the boy being protected by the police
officers with reverse 13 -- silver reverse 13, which
depicts a handshake between an officer and a member of

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the public.
CHAIRMAN URAM:
again?

Which one was that,

Reverse 13?
MR. TUCKER:

Yes.

So, it would be

silver obverse 5 and silver reverse 13.
CHAIRMAN URAM:

I'd like to have other

members of the committee -- I do like the boy there,
but I think we just have too many people now.
okay if we don't use the floor.
up.

But, let's open it

So, there's Dennis's thought.
MS. STEVENS-SOLLMAN:

this is Jeanne Stevens-Sollman.

And I'm

It was R-13.
Mr. Chairman,

I think that the

silver, although I agree with what Dennis said, I
think what you said is very appropriate.

That we just

have too many people, although that's -- you know, the
boy and the police officer is good.

If we do that,

then we do not address the K-9 part of this law
enforcement museum.
to do that.

And I really think it's important

So, on silver, I think we need to look at

clad obverse 12A.

Hello?

CHAIRMAN URAM:

Yes.

Go ahead.

obverse 12A.

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MS. STEVENS-SOLLMAN:
obverse.

Yes.

For the

And then for the reverse, maybe we look at

Sacrifice, clad obverse 1.

Although that didn't

garner very many points.
CHAIRMAN URAM:
MS. LANNIN:

The one thing --

Mr. Chair, this is Mary

Lannin.
CHAIRMAN URAM:
MS. LANNIN:

Go ahead, Mary.

And I just wanted to agree

with Jeanne, on addressing the K-9 element.

And also

to remember that the liaison's preference for the
silver coin was clad obverse 12A.
CHAIRMAN URAM:
good point.

Thank you.

Correct.

And that's a

And I think if you do go with 12A, you've

had all of the elements in.

You have people, you have

the K-9, you have all the elements that would be
appropriate on a silver dollar.
agree with that.

So, I would tend to

There's --

MR. TUCKER:
Dennis Tucker again.

But, Mr. Chair, this is

Clad obverse 12A is completely

inward looking, to use that term again.
police officers.

Those are all

Even the animals are police

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officers.

There is no civilian aspect here.

How does

that address the issue of community?
CHAIRMAN URAM:

Well, I think the

obverse -- people can speak on that as well.

But, I

think the obverse plus the other things that we've
done -- but go ahead, if anyone else would like to
make -DR. KOTLOWSKI:

Mr. Chairman, this is

CHAIRMAN URAM:

Go ahead.

DR. KOTLOWSKI:

Yeah.

Dean.

I want to follow

up on what Dennis said and what I said before, about
representing the museum.

And I don't want to put it

in these stark terms, but I do think it's either the
building or the floor.
building.

And I'm in favor of the

I want to point something out to you all,

that for the clad coin -- and I know we've done the
clad, but just looking at the design, the liaison
preferred the little girl and the officer and the hat,
and was proposing the building as a reverse.

And I

don't know if this -- how this is going to work or how
it's going to fly.

Dennis, I actually did not like

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initially the officer and the little boy, because I
thought it was too parental.

I thought that that was

kind of a domestic scene, of a father and a son.

But,

you persuaded me about, you know, a larger theme here
about protecting the innocent.
So, I would be willing to go with that
as the obverse for the silver.

And then taking, for

the reverse, silver obverse 10, maybe removing the
word "Liberty," and putting in there "Honor, Respect,
and Remember."

And there on one single coin, you have

-- you're saying an awful lot.
too much.

Maybe you're saying

But you're almost telling the whole story.

On the one side, you have "Serve and Protect."

And on

the other, you have the museum and the mission of the
museum, and what we're supposed to do with law
enforcement, which is to respect, honor and remember.
You have remember also -- tying this together with my
little essay, you have Remember on the gold, the first
coin, and you have "Serve and Protect" on the
challenge coin.
CHAIRMAN URAM:
very good point.

Okay, Dean.

That's a

Is there any other discussion?

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I agree.

I think the building, from the stakeholders'

point of view also, is extremely important, whether
it's the building or the floor.

But, it seems like

the building is more prevalent based on the other
selections at this point.
MR. GILL:

Any further discussion?
Mr. Chairman, this is Sam

Gill.
MS. STEVENS-SOLLMAN:
CHAIRMAN URAM:

Yes, Mr. Chair.

Go ahead.

I didn't

hear who was first.
MS. STEVENS-SOLLMAN:

Mr. Chair, this

is Jeanne Stevens-Sollman speaking again.

If we do

that, I think perhaps we could have the human element
within the building.

I mean, the officers are

protecting the building.

And so, I rather disagree

with Dennis where he says everything inward and we're
having only police officers, K-9 and handler, and the
rider.

I think we really need to put the animals in

there.

So, if we had the animals, which garnered

quite a lot of -- you know, the most points here, 19,
I think we could put the building -- the museum on the
reverse of that, where we have human elements in an

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abstract form.
MR. TUCKER:

Jeanne, this is Dennis.

CHAIRMAN URAM:
Hold on.

Hold on one second.

I want to -- so, Jeanne, are you suggesting

12A, with obverse 10, the building -- in other words,
the horse and the -- everybody there, with the
building -MS. STEVENS-SOLLMAN:

Yes, I'm pairing

the horse on the one side with the dog.
the horse and the dog, how great.

I mean, I get

And the building,

which I think is a real important aspect of this
portfolio.

So, I believe that we would be addressing

the community within the building, and the law
enforcement elements in the K-9.
CHAIRMAN URAM:
MS. LANNIN:
Lannin.

Yes, and I --

Mr. Chair, this is Mary

I would like to ask the liaison a question.
CHAIRMAN URAM:
MS. LANNIN:

Go ahead.

In my research about the

National Law Enforcement Museum, it's my understanding
that it's mostly underground.

Is that not correct?

MARCIA FERRANTO:

That's correct.

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MS. LANNIN:

So, therefore, this

building that's pictured on silver obverse 10 is just
kind of like a shell covering what's really underneath
the ground.

And I don't know -MARCIA FERRANTO:

Not exactly.

Well, actually, yeah.

We do have a very stunning presence

aboveground.
MS. LANNIN:

Okay.

MARCIA FERRANTO:

So, we have created a

campus in Washington, DC, where you have the memorial
on one side.

But it's very apparent when you look

across the street on this glass building that it is a
law enforcement museum.
MS. LANNIN:

Okay.

MARCIA FERRANTO:
DR. BROWN:
Brown.

Thanks.

Okay.

Mr. Chair, this is Lawrence

I have a comment, if I could offer.
CHAIRMAN URAM:
DR. BROWN:

Certainly.

So, I must confess that I

lean in the direction of Dennis's comments.

I think

the silver should be able to represent the humanity.
I do understand my colleagues who, in fact, want to

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also have some representation of the museum.

With

respect to the humanity, I certainly can support the
obverse of the silver 5 or the clad obverse 4.

I

think they both have that humanity.
I think with respect to my colleagues
who, in fact, made some very persuasive arguments with
respect to the horse and the dog, that's the clad
obverse 12A, I'd like just to share with my colleagues
that in policing if we are looking at this coin, and
as much as we want to support national law
enforcement, we've had a time during our history when
the use of dogs have not been always felt to be
terribly humane and respectful.

So, I would suggest

to be mindful of that as we, in fact, go forward.
Because once this coin is minted, and
provided to the public, how that's going to land with
them may very well depend -- there's going to be,
clearly, some dog lovers.
it.

There's no question about

But, law enforcement and dogs sometimes does not

get the appropriate landing that we would like it to
have.

So, in that respect I'm certainly receptive to,

in fact, a compromise, to have some humanity on the

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obverse, and to have some reflection of the museum on
the reverse.

Thank you.
DR. VAN ALFEN:

Mr. Chairman, this is

Peter van Alfen.
CHAIRMAN URAM:

Go ahead, Peter.

DR. VAN ALFEN:

I have to admit, I'm

not particularly fond of silver obverse 5 as a design.
But I think Dennis's points are well taken.

I would

certainly be willing to move forward with that as the
obverse, in the sense of trying to underscore this
notion of community.

And I think if we were to pair

that obverse with what seems to be the preferred
reverse for the silver, either 5 or 6 -- you know, the
handshake -- that, again, would, you know, really
drive home, you know, the notion of community and, you
know, the bond between, you know, law enforcement and
community.
Of course, that would mean that, you
know, the references to the museum -- you know, the
physical, would be put aside.

But, you know, I think

if we were to agree that, you know, the notion or, you
know, the theme behind the silver half-dollar should

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be community, then, you know, we should focus on
designs that reflect that.
MS. SALMON:

Thank you.
Mr. Chair, this is Robin.

CHAIRMAN URAM:
MS. SALMON:

Go ahead, Robin.

Robin Salmon.

I agree

with everything that has been said about community.

I

do think that clad obverse 4, with the kneeling
officer and the young girl, is a better design than
silver obverse 5.
message.

It's cleaner.

It still conveys the

And then, to pair that with one of the

handshake reverses, either 5 or 6, seems to make the
most sense to me.

Thank you.

CHAIRMAN URAM:
obverse 4 is much cleaner.
which handshake?

I agree with

That's for sure.

And

That was reverse -- what -- does

someone have that reverse?
or 6.

Okay.

Oh, I see.

It's reverse 5

Okay.
So, our discussion is basically this at

this point.

You have 05 -- the clad -- excuse me,

the silver obverse 5, which is the policeman with the
young child reading the book, as being the obverse.
Then you have the law enforcement officer kneeling

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with the young girl, and that's in consideration for
the obverse.

For the reverse, you have consideration

of the silver 10, which is the building, or number 5
or 6, which is the handshake, the badge, and so forth.
All right.
So, let's look at it this way.

Would

someone like to make a motion with either of these
pairings at this point?

Robin, do you want to do?

MS. SALMON:

I move that we accept clad

obverse 4 as the obverse of the silver coin, and
silver reverse 5 as the reverse of the silver coin.
CHAIRMAN URAM:

Okay.

Any discussion

on that at this point?
DR. KOTLOWSKI:

Mr. Chairman?

CHAIRMAN URAM:

All right.

DR. KOTLOWSKI:

This is Dean.

I have

to say, just getting back to something, I'm not a real
fan of clad obverse 12A.
that aside.

So, I'm just going to set

I have always liked clad obverse 04,

which is part of Robin's motion, better than silver
obverse 5.

And it got one more vote.

So, they're

very close.

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CHAIRMAN URAM:

Right.

Right.

That's

DR. KOTLOWSKI:

But I still -- yeah.

--

But, I still want to press hard on silver obverse 10.
I can see the appeal with silver reverse 5, because I
actually supported that early on in a different
context.

But, I'm wondering if we're going to get --

if I can invent a word here, I wonder if we're going
to get too badgey.

Because we're going to have a

badge on the clad obverse, and here we've got it here.
Now, the one thing is that seems to be representative
of the emblem of the museum.

So, bear that in mind.

But, I probably will vote against Robin's motion
because, again, I still am holding out for the museum.
CHAIRMAN URAM:

Well, I think that you

make a good point that we could become too badgey.
That was the first thing I thought of there.
wanted it to have discussion.
MS. STAFFORD:

So, if -Mr. Chair?

CHAIRMAN URAM:
MS. STAFFORD:

But, I

Yes, Robin.
Sorry.

This is April.

I wonder, I just want to offer to you, Mr. Chairman,

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our chief engraver, Joe Menna, might have some
observations about either of these pairings, or the
designs therein, that might be helpful as the
committee is considering it.
CHAIRMAN URAM:

That will be fine.

Joe?
MR. MENNA:

Thank you, Mr. Chairman.

Just with the building, as a reverse, the textural
concerns are monumental.

Not to make a bad pun.

But

you'd have to place "United States of America," "E
Pluribus Unum," and "One Dollar," plus any
inscriptions that you might want to include that have
been mentioned, and you would have to alter the
physical design -- the physical structure of the
design to a very large extent.

"United States of

America" and "E Pluribus Unum" would have to arc
across the top, and they'd be teeny.

And then you

could put the "One Dollar" on the shield, but then the
shield would have to probably shrink a little bit.
But, I don't know that USA and "E Pluribus Unum" would
be readily legible.

So, that's my only concern.

Thank you.

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CHAIRMAN URAM:
appropriate.

That's very

And then, Robin -- or Dean, having said

that with the building, do we then think about going
back to the floor, the mosaic.
DR. KOTLOWSKI:

You know something, I

am just not enamored of that design.
really mean anything to me.

It doesn't

And I think that it's a

case when you're writing an essay or -- you know,
every word counts.

And every image counts here.

I don't think that that conveys anything.

And

And if we

had to go back, maybe the badges -- again, I'm all
over the place.

And I realize that.

I mean, this is

-- but, at least with 13 and the badges there's some
kind of representation there, I think, of the logo.
Can you hear me?
CHAIRMAN URAM:

No.

Somebody needs to

mute their phone.
DR. KOTLOWSKI:

That's not me.

CHAIRMAN URAM:

Well, Dean, let me ask

you, and the rest of the committee, if we have the
problem with the building itself, and we're back to
the community, Dennis's theme, and we go with the 04,

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which is the young girl, it's a very nice design, then
maybe we can go back to 12 and 12A, with the horse and
the K-9.

Which -DR. KOTLOWSKI:

Yeah.

CHAIRMAN URAM:

-- puts a little human

aspect back into it.
DR. KOTLOWSKI:

Yeah.

Tom, you asked

me -- or, Mr. Chair, you asked me this directly.

I

don't -- I'll tell you why I'm not enamored of 12A.
don't think the dogs have to be in there.
with Dr. Brown's point.

I agree

And that whole image there --

it looks very, very -- this is clad obverse 12A.
looks very stiff.

It

You have the officer, you know,

kind of above, and he's looking down on another
officer.

It has an authority, and almost an

authoritarian element to it, that I'm uncomfortable
with personally.
CHAIRMAN URAM:
MR. MORAN:

Well, how about this.

Tom, let me make a

suggestion here.
CHAIRMAN URAM:
second, Mike.

I

One second, Mike.

One

This got some votes, and looking at

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this from the marketing side, then, we know that
animals sell.

Then, why don't we go to gold 01, which

was the valor with the lion with the shield.
JEANNE STEVENS-SOLLMAN:

No.

Oh,

please, no.
MR. TUCKER:
Tucker.

No, it's -- this is Dennis

It's inappropriate, in my opinion -CHAIRMAN URAM:
MR. TUCKER:

Okay.

Michael --

-- to make this into a

marketing question.
CHAIRMAN URAM:

Well --

UNIDENTIFIED MALE:

Let me throw this

out.
MR. GILL:

This is Sam Gill.

That's

our job.
CHAIRMAN URAM:

These things need to

create the benefit for the museum as well.
Michael.

Okay,

Go ahead.
MR. MORAN:

Why don't we throw in as a

concept, at least, an achievement coin or reward coin
or reward medal, whatever you want to call it, that
accompanies this set of three, and has the museum on

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one side and one of the other design for the reverse
of that achievement point -- achievement medal.

That

way you can get the building in, but you get it in on
a nondenominational medal.

And you don't have to --

you're not burdened with any inscriptions.
CHAIRMAN URAM:
something for the marketing.

I think that would be
Let's come up with an

agreeable reverse, if anyone -- if everyone -- first
of all, let's -- I take it we're all kind of in
agreement with clad 04 with the young girl and the
officer kneeling.

So --

DR. VAN ALFEN:
Alfen.

This is Peter van

If I could just make a quick comment about

that clad 04 obverse.
CHAIRMAN URAM:

Sure.

DR. VAN ALFEN:

I find that, you know,

from a design perspective to be, you know, very
attractive.

And, you know, there is certainly a

sweetness to it.

However, when I first saw that my

first thought actually was to some of the images that
I saw from this last summer, of some of the protests,
in fact.

So, I don't know if that is only, you know,

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my vision or my, you know -- you know, what I see in
that.

But, if I, you know, saw some similarity

between some of the images from the protests this last
summer, and, you know, this obverse, you know, that
might be something we'd want to consider.

You know, I

-- again, I don't know if that's just simply, you
know, my reading into that.

But, you know, there is

an element of that that perhaps we should consider.
DR. KOTLOWSKI:
Dean again.

Mr. Chairman, this is

I think that that's an excellent point.

And it would be an added reason to going forward,
because there were instances in the protests of last
summer where some of the officers kneeled in front of
the protesters.
DR. VAN ALFEN:
small children, too.

Well, and especially

So --

DR. KOTLOWSKI:
MR. TUCKER:

Yeah.

Peter, this is Dennis.

So, you're saying that -DR. VAN ALFEN:

Well, so, my -- if this

can possibly be taken as a reference, even an oblique
reference, to this last summer, you know, is this

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something that we, you know, want to, you know,
consider as a possible reference or not.

I mean, for

that reason I found that silver obverse 5, you know,
was, you know, a little more neutral, just in the
sense that there didn't seem to be any reference to
that.
MR. TUCKER:
again.

This is Dennis Tucker

Peter, one of my objections, I -- to clad

obverse 4, although I do think it's a nice design, if
you look at the human elements in it, the police
officer and the girl, the inscription says "Serve and
Protect", and this officer is neither serving nor
protecting.

In silver obverse 5, he is protecting.

All right.

Look, this police officer, is he serving

this girl.

Not really.

Is he protecting her.

I

mean, I suppose he's got a gun, so he's protecting her
in that sense.

But, you know, it's more of a -- it's

a nice image of community, but it doesn't jell with
the inscriptions.

I still think that silver obverse 5

is a nice symbolic representation of what the police
do.

They -CHAIRMAN URAM:

Then I think -- Dennis,

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I think -MR. TUCKER:

Even when you don't know

that you're being protected.
CHAIRMAN URAM:

I think you're right.

It's a softer approach.
MR. TUCKER:

Uh-huh.

Well, with silver

obverse 5 it actually shows protection.
CHAIRMAN URAM:

That's true.

Okay.

So, we're still looking for a reverse at this point.
Would anyone like to make any motion?
MR. GILL:

Mr. Chairman, this is Sam

Gill.
CHAIRMAN URAM:
MR. GILL:

Yes.

Could I just make one

comment about the building?
CHAIRMAN URAM:
MR. GILL:

Yes.

Obverse 10.

I don't know if

anybody -- I think -- did we miss an opportunity by
not continuing to tell a story?

If you show a

building, it doesn't tell a story.
buildings everywhere.

And there are

And I'm not sure that most

people that buy these coins will ever see that

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building.

So, are we missing an opportunity to choose

something else that continues to tell a story.
CHAIRMAN URAM:
MR. TUCKER:
agree with you.

Sure.

Sam, this is Dennis and I

This building in particular looks

like a billboard, you know, as it's depicted on the
coin.

It's just a square or rectangle that descends

to the horizon line.

It really has no architectural

flourishes or any sort of distinguishability.

It's

just a big polygon with the words National Law
Enforcement Museum on it.

So, I don't think -- I

think from a design perspective silver obverse 10 just
doesn't work.
I think that the floor pattern does
make that connection.

My only objection to that

would, again, be the word Remember, because I think
that we addressed the memorial aspect with the gold
coin.

Maybe we could change the word remember to

something else, and use that as the reverse of the
silver dollar.
DR. BROWN:

Mr. Chairman, this is

Lawrence Brown.

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CHAIRMAN URAM:
DR. BROWN:

Go ahead, Lawrence.

I think if we can agree

that this coin is going to focus on humanity, is going
to focus on people, then if we agree with that concept
then I think one of the recommendations that was made
by one of my colleagues does make a lot a sense.

That

I would probably give a leaning in the poll to silver
obverse 5, for the reasons that Dennis has raised, and
then I would probably go in the direction of either
reverse -- silver reverse 11 or silver reverse 13.
These represent issues about the connection between
law enforcement and people.
MR. TUCKER:

This is Dennis.

that were a motion, I would second it.

And if

Or if it's

agreeable with others, I would make that motion.
That's what I -MS. STEVENS-SOLLMAN:
MR. TUCKER:

Well, excuse me.

-- have been arguing for

from the beginning.
CHAIRMAN URAM:

Jeanne?

MS. STEVENS-SOLLMAN:
is Jeanne Stevens-Sollman.

Excuse me.

This

Can we -- I'm still going

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to argue for this K-9 law enforcement dog.
think it's important.

Is it possible to put Dennis's

obverse and use the 12A as a reverse?
thinking about that.

I really

We're not even

But, is there a reason why we

couldn’t think that way?
MR. TUCKER:

Well, this is Dennis.

And

Mr. Chair, if I could address that.
CHAIRMAN URAM:
MR. TUCKER:

Go ahead.

Jeanne, you know I'm a dog

person.

And you and I share that.

person.

And I respect and admire what service animals

can do within law enforcement.

And I'm an animal

I think that Dr. Brown

brought up some very, very relevant points here.

And

I think that Dean, with his background in European
history and the revolutions of 1848 and elsewhere,
would probably agree with this.

That law enforcement

and federal governments send horses in to quell riots.
Yes, they're often in the background, to maintain
order.

But when you want to strike fear into a

community, you send dogs and horses.
And Jeanne, I love dogs and horses.
grew up with horses, as you know.

So, I'm not

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disparaging their connection between people and
animals.

That's a wonderful connection.

But, the

time that we live in, to show -- and to show an
authoritarian pose with an equestrian police officer
being looked up to like that, it's just too loaded.
The symbolism is too loaded.

It's too much.

It's

inappropriate for our -CHAIRMAN URAM:

Dennis, okay.

Another

thought would be, Jeanne, is if you look at clad
reverse 13 -- which the only reason I don't like
reverse 13

it's just too much people.

I would rather

go with reverse 11, if we were doing the handshake
with people, because that might not.

But, if -- for

Jeanne's sake, reverse 13, which has the young boy -we have the young boy petting -- or, reaching out to
the dog there, on clad reverse 14, which is certainly
a lot softer than -- just we decided to do on the
obverse, it's softer than, quite frankly, when I saw
12 and 12A it reminded me of the 1995 Civil War gold.
It was very similar.

Without the dog and the boy.

But, it's the same type of design.

If you wanted to

use a dog and another person, you have the young boy

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and you have a female police officer and the K-9 in
reverse 14.
MS. STEVENS-SOLLMAN:
we could get the K-9.

Right.

At least

I think that this is a teaching

moment for us, to be able to let the public know that
horses and dogs are not always negative in their
ability to watch over the community.
really important.

I think it's

You know, horses, yes, enforce the

law, but also a horse will allow an officer to be up
high so he can see what's going on.
How many times are we in New York when
we have the mounted police walking the streets.

It is

not to strike fear in the community, but to strike
calmness, because there is someone watching over us.
And I think that we need to think about the positive
aspects of this, Dr. Lawrence, because so many of us
have had positive experiences and we need to help the
public understand that there is positivity in having
this part of the police, of the Law Enforcement Museum
there.

So, I think it's terribly important to get

this across to the public.

Plus, as Tom has said, and

I know, Dennis, you don't want marketability in it but

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an animal will sell these coins.

And if we have no

animals in here, nothing, then I think we're missing
an opportunity to have diverse information in having
this series minted.
CHAIRMAN URAM:
you.

Okay, Jeanne, thank

Let's at least agree on the obverse at this

time, so that I don't want to try and do pairings
where we're going to have to vote and then -- across
the board, but, like, for the new people -- so, would
someone like to make a motion to have the obverse
design as silver 05?

Or another --

DENNIS TUCKER:

I would make that

CHAIRMAN URAM:

Is there a second?

motion.

DR. BROWN:

I second.

CHAIRMAN URAM:
Okay.

Any further discussion?

Dr. Brown.

Dr. Brown seconds.
We are going to be

voting on the design of the police officer looking
over the young person reading the book.
motion and we have a second.
take a vote.

And we have a

And now we are going to

Dr. Brown?
DR. BROWN:

In favor, yes.

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CHAIRMAN URAM:
MR. MORAN:

Yes.

CHAIRMAN URAM:
MS. LANNIN:

Sam?

Yes.

CHAIRMAN URAM:
MR. TUCKER:

Robin?

Yes.

CHAIRMAN URAM:
MR. GILL:

Mary Lannin?

Yes.

CHAIRMAN URAM:
MS. SALMON:

Michael Moran?

Dennis?

Yes.

CHAIRMAN URAM:

Dean?

DR. KOTLOWSKI:

Yes.

CHAIRMAN URAM:

Jeanne?

MS. STEVENS-SOLLMAN:

No.

CHAIRMAN URAM:

Peter?

DR. VAN ALFEN:

Yes.

CHAIRMAN URAM:

The chairman votes yes.

So, and we have Donald Scarinci not voting.
nine yes, one no, one nonvoting.

We have

So, that is the

obverse selection at this point.
Now, let's go on to looking at the
reverse.

I'm strongly also in favor of the

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representation of a K-9 for the reasons I stated
earlier, and I'm not going to go over it again.

But,

if I didn't see the K-9 I think I would be back to the
badges, which was brought up, which would be reverse 5
and 6, even though it might be too badgey.

But, if we

wanted to keep the community, you know -- for that
matter, if we didn't go with the K-9 maybe obverse 4.
But, I'm leaning more towards reverse 14, you know,
without all the extra stuff.

But, clad reverse 14.

Let's have some further division on the reverse.
MR. GILL:

Mr. Chairman, this is Sam.

CHAIRMAN URAM:
MR. GILL:

Yes.

I completely agree with

Jeanne, and you, and I could live with 14.
CHAIRMAN URAM:
MR. TUCKER:

Okay.

Thank you, Sam.

Mr. Chair, this is Dennis.

If I may, don't -- I think we're -- a couple things.
We're giving too much weight to marketability.

If you

look at the basketball hall of fame commemorative coin
program, everything about that program says this is
going to be a winner.
coins.

We're going to sell lots of

But it hasn't happened.

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I think that our committee has to come
to the hard conclusion that we really need to step
away from worrying so much about how many of these
coins will sell.

Yes, that should always be a

consideration, because we know that what's popular
will have a better chance of selling.

But, popularity

itself is never a guarantee of sales when it comes to
numismatics.

We are simply finding that out in the

numismatic world, right.

So, I wouldn’t put Mickey

Mouse or, you know, a pop star or something that we
think will be popular on a coin, just because we think
that we'll sell more.
I think we need to keep our eye on
integrity.

I think we need to look at the big picture

of what we're communicating here.

And I personally

think that when we say there's too many humans, I
think that that precisely fails to address the times
that we live in.

I think we need humans on this coin.

I think that humanity is not just the humanity of
having a homo sapien, or a human being, on the coin.
That's not enough.

We're looking at community.

We're

looking at connections, connections between police

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officers and the communities that they serve.

That's

the humanity.
You know, that's different from a dog
handler.

You know, dog handlers are about law

enforcement.

We want this to be about law enforcement

and the communities that they serve, living together,
working together, and connecting.
-- I still like 13.

That's why I like

Yes, it adds two more human

figures to this coin.

But this coin needs connection.

CHAIRMAN URAM:

I understand where

you're coming from on that, but I'm also looking at -and I think a couple other members are looking at the
fact that when you're looking at the whole picture on
what the series is going to create, and the other
elements are -- whether it's the building or whether
it's the K-9s or whether it's the roses or whether
it's the towers, all have to be tied in.

And the only

element we're missing right now is the K-9 side of it.
So, I'm looking at it -- not saying human isn't
important.

I mean, I'm just looking at it from the

whole perspective of the whole grouping.
MR. TUCKER:

But I --

Well, Mr. Chair, that's

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not true.

There are a lot of elements in police work

that are missing.

We're missing --

CHAIRMAN URAM:
MR. TUCKER:

Well, that's true.

-- armor divisions.

We're

missing -CHAIRMAN URAM:
here.

From what we have right

From what we're presented with right here.

let's do this.

So,

I'll take any motions that want to be

presented right now.

And --

DR. BROWN:

Lawrence Brown here, Mr.

Chair.
CHAIRMAN URAM:
DR. BROWN:
motion.

Go ahead.

I'm going to present a

And I want my fellow committee members to

understand and to appreciate that I really respect
their viewpoint from a number of different levels.
The thing that I must really try to do a better job of
communicating that it is so important how this lands.
We are now at a point in our society where we're still
trying to, in fact, have great collaboration across a
number of different aspects of our society.

And

unfortunately, there have been misrepresentations that

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has caused us to, in fact, to accept things -- or, I
should say to have conversations that are sometimes
not very constructive.
I do appreciate my colleagues who say
about the issues about K-9s and horses.

I really do

appreciate that, and I love the fact that we're having
this conversation.

But I do believe that this is

really a time that we lean forward towards the purpose
of this, is the humanity.

And for that reason, my

motion is that we consider -- and I understand, as
much as I like 13, because it has actually the faces
of the individuals -- that is silver reverse 13 -- my
motion is going to be, because I've heard from others,
I'm willing to compromise to say silver reverse 11.
So, I share that as my motion.
MR. TUCKER:

I would second that.

This

is Dennis Tucker.
CHAIRMAN URAM:

Okay.

are voting on silver reverse 11.

Okay.

So, we

We'll start with Dr.

Brown.
DR. BROWN:

Yes.

CHAIRMAN URAM:

Mike Moran?

Mike?

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MR. MORAN:

Tom, come back to me.

still trying to find silver reverse 11.
minute.
I'm fine.

I've got it.

I've got it.

I'm

Oh, wait a

Yeah, I see it.

Yes.
CHAIRMAN URAM:
MS. LANNIN:

Yes.

CHAIRMAN URAM:
MS. SALMON:

Robin?

Yes.

CHAIRMAN URAM:
MR. GILL:

Mary Lannin?

Sam?

Yes.

CHAIRMAN URAM:
MR. TUCKER:

Dennis Tucker?

Yes.

CHAIRMAN URAM:

Dean?

DR. KOTLOWSKI:

Yes.

CHAIRMAN URAM:

Jeanne?

MS. STEVENS-SOLLMAN:

No.

CHAIRMAN URAM:

Peter?

DR. VAN ALFEN:

Yes.

CHAIRMAN URAM:

The chair votes no.

The -- nine in favor -- I'm sorry.
two nos, one nonvoting.

Eight in favor,

The motion passes.

So, we

will be going with the suggestion of silver reverse

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number 11.

Okay.

deliberation.

I think we did a great job of

I think it's been a thoughtful process.

I think that the organization and the members should
be proud of the designs that were chosen this morning
-- now afternoon.

And we look forward to having a

great tribute to law enforcement.
With that, we will -MR. MORAN:

Tom.

Tom.

This is Mike

Moran.
CHAIRMAN URAM:
MR. MORAN:

Yes.

Can I personally thank

Dennis for keeping us on focus on the silver designs.
We might have gone off track without his comments.
And I certainly agree with Dr. Brown on everything he
said this morning.
MR. TUCKER:

I appreciate that, Mike.

Thank you.
CHAIRMAN URAM:
recess.

We are going into

We will reconvene at 1:30.
(Off the record.)
CHAIRMAN URAM:

We'll take a roll call

of the members, to ensure we have a quorum.

Sam Gill?

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MR. GILL:

Present.

CHAIRMAN URAM:
DR. BROWN:

Dr. Brown?

Present.

CHAIRMAN URAM:

Okay.

DR. KOTLOWSKI:

Present.

CHAIRMAN URAM:

Mary Lannin?

MS. LANNIN:

Present.

CHAIRMAN URAM:
MS. SALMON:

Robin?

Present.

CHAIRMAN URAM:
MR. SCARINCI:

Thank you.

Thank you.

MS. STEVENS-SOLLMAN:
CHAIRMAN URAM:

on?

Donald?

Present.

CHAIRMAN URAM:

MR. TUCKER:

Dean?

Jeanne?

Present.

Thank you.

Dennis?

Present.

CHAIRMAN URAM:

Thank you.

DR. VAN ALFEN:

Present.

CHAIRMAN URAM:

Michael, did you get

We'll give him another minute.

chairman of the CCAC.

Peter?

I'm Tom Uram,

And I know we have several

liaison members that are also with us, and April, if
it's all right with you, I'll let you do those

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introductions during your report.
MS. STAFFORD:

Yes.

CHAIRMAN URAM:

So, with that, why

don't we just go ahead and I'll turn this over to
April Stafford, the Chief of the Mint's Office of
Design Management.

And April will present the

candidate obverse and reverse designs for the first of
the Hidden Figures Congressional Gold Medals, Dorothy
J. Vaughan, to be considered today.
Michael, was that you?
MR. WHITE:

Hello?

CHAIRMAN URAM:
MR. WHITE:

Okay.

Who just joined?

Mike White.

CHAIRMAN URAM:
Okay.

Mike?

Oh, Mike White is on.

April, let's turn it over to you.
MS. STAFFORD:

Thank you so much.

It

is Public Law 116-68 that awards a Congressional Gold
Medal to Dorothy Vaughan to commemorate her life and
her contributions to the success of the National
Aeronautics and Space Administration (NASA) during the
Space Race.
Dorothy Johnson Vaughan came to the

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Langley Memorial Aeronautical Laboratory in 1943,
during the height of World War II, leaving her
position as the math teacher at a high school to take
what she believed would be a temporary war job.

Ms.

Vaughan was assigned to the segregated West Area
Computing unit, an all-black group of female
mathematicians who processed aeronautical research
data.

Over time, both individually and as a group,

the West Computers distinguished themselves with
contributions to virtually every area of research at
Langley.
In 1949, Ms. Vaughan was promoted to
the lead of the group, making her the first black
supervisor at the National Advisory Committee for
Aeronautics (NACA), and one of NACA's few female
supervisors.

Ms. Vaughan helmed West Computing for

nearly a decade.

In 1948, when NACA made the

transition to NASA, Dorothy Vaughan and many of the
West Computers joined the new Analysis and Computation
Division, a racially and gender-integrated group on
the frontier of electronic computing.

Ms. Vaughan was

a self-taught expert in the FORTRAN computer language,

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and also contributed to the Scout Launch Vehicle
Program.

She retired from NASA in 1971.
In developing this portfolio, the

United States Mint worked closely with liaisons for
the family, two of Dorothy Vaughan’s children, Leonard
Vaughan and Ann Hammond.

I believe we have Mr.

Vaughan and Ms. Hammond with us.

We have their design

preferences, which I will note as we go through the
descriptions, but please let me first see if either
Mr. Vaughan or Ms. Hammond would like to say a few
words.
MS. HAMMOND:
opportunity.

Well, thank you for the

Are you referring to my mother as Ms. or

Mrs.?
MS. STAFFORD:

Oh, I'm saying Ms., M-S,

but we're happy to include M-R-S period as her title
in any of the materials, if you prefer.
MS. HAMMOND:

Right.

Please.

MR. VAUGHAN:

I have no comments at

this time.
MS. STAFFORD:

Okay.

Thank you.

of course, committee members, if you have any

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questions for Mr. Vaughan or Ms. Hammond, they are
available to respond.
designs.

We'll start with the obverse

And just to note, to the family liaisons,

the committee has all of the designs.

However, I'll

only be stopping at the designs that have been noted
as preferences, to read them aloud.

But, we have the

materials that will be entered into record.
So, starting with the obverse designs,
we have obverse 5; obverse 7; obverse 11; and obverse
11A.

Obverse 11A depicts a portrait of Dorothy

Vaughan with an upward gaze.

The inscriptions are Act

Of Congress 2019 and Dorothy J. Vaughan.

This design

also includes a piano key border, denoting Ms.
Vaughan's lifelong love of music and playing the
piano.
Obverse 11A is our liaisons' preferred
obverse design, and the design recommended by the CFA.
Moving on to reverse designs, we have
reverse 6; 6A.

Reverse 6A features Dorothy Vaughan in

a teaching pose, instructing two other computers, who
are seated and taking notes.

In the background of the

design, a sun symbolizes enlightenment, and also

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suggests that Mrs. Vaughan was a beacon for others,
leading the way for African-American women.

Inscribed

in the center of the sun are Mrs. Vaughan’s compelling
words, "I changed what I could, and what I couldn’t I
endured."

Reverse 6A includes a mainframe computer

with magnetic tape units, representing Mrs. Vaughan's
expertise with the FORTRAN computer language.

The

additional inscriptions “FORTRAN expert,” “Scout
Launch Program,” and “Supervisor, West Area Computers”
highlight some of her career accomplishments.
Obverse 6A -- I'm sorry, excuse me,
reverse 6A is the liaisons’ preferred reverse design
and the design recommended by the CFA.
Moving on, we also have reverses 7 and
7A for consideration.

That concludes the candidate

designs, Mr. Chairman.
CHAIRMAN URAM:
April.

Thank you very much,

And for the protocol, Mike Moran, have you

joined the call?

Michael?

MR. MORAN:

Yes, Tom.

For some reason,

I lost my keyboard.
CHAIRMAN URAM:

No problem.

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MR. MORAN:

I'll sort that out later.

CHAIRMAN URAM:

Thank you.

Now, before

we get into our discussion, I'd ask if Joe Menna or
Ron Harrigal have anything to share with the committee
on the designs for this medal?
MR. MENNA:

Joe?

This is Joe.

No, I do not.

Thank you.
CHAIRMAN URAM:
MR. HARRIGAL:

Okay.

Ron?

The same here.

No

comments.
CHAIRMAN URAM:

Okay.

Very good.

Are

there any technical or legal questions from the
committee about this program or these designs before
we begin our general discussion?
begin our considerations.

Hearing none, we'll

And housekeeping, I'd like

to ask that all members please keep their comments to
five minutes or less, and identify yourself when you
start.
We will be keeping track of the time.
We'll indicate when time is up.

And we'll ask,

hearing that, that you please wrap up your comments.
Additionally, if any members have any questions,

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comments, or anything to discuss, please refrain from
that until you're recognized at the end, when I ask
for additional comments.

That all seemed to work very

well this morning, as well.

So, thank you all for

that.
Let's begin with Mary Lannin.
MS. LANNIN:

Hello.

Mary?

I would like to

concur with what the family has chosen.

Obviously,

they knew their mother better than any of the rest of
us.

And I find the portrait as to the obverse 11A is

very compelling.

And I like the reverse 6A as well.

So, those would be my choices.
CHAIRMAN URAM:

Thank you very much.
Okay.

Thank you.

Dr.

Brown?
DR. BROWN:

Good afternoon.

And I

really want to pay respect to Mrs. Vaughan's children.
We really appreciate this opportunity to continue to
tell the history of this country.

And in that

respect, I'd like to, in fact, reinforce and echo and
duplicate the recommendations of my colleague, Mary
Lannin.
CHAIRMAN URAM:

Thank you, Dr. Brown.

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Donald Scarinci?
MR. SCARINCI:

I always concur with the

constituent groups -- almost always.

And I certainly

concur with the selection, you know, of 11A and 6A.
They're a perfectly fine design.
CHAIRMAN URAM:

Thank you, Donald.

Michael?
MR. MORAN:

Yes, Tom.

between -- with 6A and 11A.

I concur as well

In fact, I complement

them for choosing the ones that were clearly the best.
I do have one suggestion, on the reverse.

And that is

that the phrase "I changed what I could, and what I
couldn't I endured," I think that the artist, when
they arranged their inscriptions here, could have done
better.

And if it were me, I would have at least

tried to take that phrase and string it around the
perimeter of the sun, along with -- next to the rays.
And make it in a circle there.

I think that would be

much more pleasing, and give you some nice negative
space in the center.
consideration.

But, that's just strictly a

My votes are with the family.
CHAIRMAN URAM:

Okay.

Thank you.

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Robin?
MS. SALMON:
and with my colleagues.
woman.

I agree with the family

Obverse 11A presents a mighty

And I also like the addition of the piano

keys, giving another aspect of who she was.

And

reverse 6A tells what she did, what she thought, who
she touched, and I think it's the most perfect
selection.

Thank you.
CHAIRMAN URAM:

you.

Okay, Robin.

Thank

Sam?
MR. GILL:

Thank you, Mr. Chairman.

I'm going to concur with my colleagues.

I think the

family made the best selection, and I particularly
like the reverse 6A, because it tells a wonderful
story.

So, her family should be very proud.

Thank

you.
CHAIRMAN URAM:
Sam.

Indeed.

Thank you,

Dennis?
MR. TUCKER:

Thank you, Mr. Chair.

As

you know, I have a four-and-a-half-year-old daughter
and I am delighted to be able to work on this
particular Congressional Gold Medal program and be

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able to tell her that I was involved in the medal that
honors such a strong woman.
designs.

It's a lovely portrait.

addition of the piano keys.
element.

I think these are great
I also like the

I think that's a nice

And the reverse tells her story and gives

some of her philosophy to an appreciative audience.
And again, it's an honor to pay tribute to a great
American like Dorothy Vaughan.

Thank you.

CHAIRMAN URAM:

Thank you, Dennis.

DR. KOTLOWSKI:

I liked all of the

Dean?

portraits.

And I completely concur with what the

family has selected, and I, too, like the addition of
the piano keys.

Thank you very much.
CHAIRMAN URAM:

Thank you, Doctor.

Jeanne?
MS. STEVENS-SOLLMAN:
Mr. Chairman.

I am very impressed with the portrait

that the family has chosen.
beautiful likeness.
who did this.

Yes, thank you,

It's a beautiful,

And congratulations to the artist

And also, I agree with 6A.

I think

it's a wonderful representation of her life.

So, I'm

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going to concur with my colleagues and with the
family.
CHAIRMAN URAM:

Thank you, Jeanne.

Dr.

DR. VAN ALFEN:

Yeah, I'm very happy to

van Alfen?

concur with my colleagues and with the family as well
on obverse 11A and reverse 6A.

And like Dennis too, I

am very happy to be able to tell the story of these
women to my young daughter as well.

You know, it's

something, in fact, I was doing last night over
dinner.

And I do have one question, though, and this

is for Joe, about the piano keys around the edge of
the obverse.
finished?

Just curious how these would be

Would this be inscribed as lines, and have

some sort of textural -- tactile quality?

Or how

would they be represented?
MR. MENNA:

Thank you, Dr. van Alfen.

We often have raised borders on Congressional gold
meal. So, there is the ivories would be -- the white
keys would be elevated a little bit, and the black
keys would be elevated a little bit more, I believe.
But not a lot, you know, because we have to worry

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about certain coinability concerns.

But, that would

be the way, I think, it would probably be handled.
Thank you.
DR. VAN ALFEN:

Oh, very nice.

Thank

CHAIRMAN URAM:

Okay, Peter, thank you.

you.

And I just want to say that I agree with the entire
committee.

And I would just say to Leonard and Ann

that it doesn’t always go this way, all the time, but
you can certainly be proud of this recognition and
what it means, and I only wish that we could have been
there in person to see you and having today.

But,

having said that, I would just like a motion, then, to
go ahead and approve.
roll call.

This verses me going down the

If we could just have unanimous consent.
DR. BROWN:

Brown.

Mr. Chair, this is Lawrence

I so move.
CHAIRMAN URAM:

Dr. Brown moves.

Do we

have a second?
MS. LANNIN:

Mary Lannin, and I second.

Mary Lannin.
CHAIRMAN URAM:

All right.

Thank you.

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And so, with that, it's unanimous, unless there's
someone -- anyone dissenting.
unanimously approved.

Hearing none, it's

Congratulations to the family,

again, and thanks for being with us.
MS. HAMMOND:

Okay.

MR. VAUGHAN:

Thank you for all your

considerations.
CHAIRMAN URAM:

Thank you.

Wonderful.

Now we will move to consideration of the obverse and
reverse candidate designs for the second medal of the
Hidden Figures Congressional Gold Medals for Mary W.
Jackson to be considered now.
April Stafford, Chief of the Mint’s
Office of Design Management, will present the
candidate obverse and reverse designs for the second
medal, the Hidden Figures Congressional Gold Medal for
Mary W. Jackson.

April?

MS. STAFFORD:

Thank you.

Public Law

116-68 awards a Congressional Gold Medal to Mary
Jackson to commemorate her life and her contributions
to the success of NASA during the Space Race.
For Mary Winston Jackson, a love of

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science and a commitment to improving the lives of the
people around her were one and the same.

In the

1970s, she helped youngsters in the science club build
their own wind tunnel and use it to conduct
experiments.
Following a series of positions in
different occupations, Ms. Jackson began her career
with what would become NASA at the Langley Memorial
Aeronautical Laboratory’s segregated West Area
Computing section in 1951, reporting to that group’s
supervisor, Dorothy Vaughan.

After two years in the

computing pool, Ms. Jackson accepted an opportunity to
work with the 4x4 foot Supersonic Pressure Tunnel.
She received hands-on experience conducting
experiments and was able to take training that would
allow her to receive a promotion from Mathematician to
Engineer.
In 1958, Ms. Jackson became NASA’s
first black female engineer.

For nearly two decades,

she enjoyed a productive engineering career, authoring
or co-authoring at least a dozen research reports,
most of them focused on the behavior of the boundary

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layer of air around airplanes.
In 1979, feeling that the glass ceiling
of the time was the rule rather than the exception for
the center’s female professionals, she made a final
career change, leaving engineering to accept the
position Langley’s Federal Women’s Program Manager.
There, she worked hard to effect the hiring and
promotion of the next generation of all of NASA’s
female mathematicians, engineers and scientists.

Ms.

Jackson retired in 1985.
In developing the candidate design
portfolio, the United States Mint worked closely with
the liaison for the family, Ms. Jackson’s
granddaughter, Wanda Jackson.

Wanda Jackson's design

preference is included, along with the design
descriptions.

Wanda Jackson, are you with us?

And if

so, would you like to say a few words to the
committee?
Okay.
candidate designs.

I will move through the
Obviously, the committee has all

of the materials and they will be entered into the
public record.

I will stop only at the designs that

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have been identified by our liaisons as a preference.
Starting with the obverse designs, we
have obverse 4; 5; and obverse 6.

This design depicts

Mary Jackson holding an early model of the space
shuttle. Included inscriptions are “Mary W. Jackson,”
“NASA’S First Black Female Aeronautical Engineer,” and
“Act of Congress 2019.”

This design is the liaison's

preferred obverse, and the design recommended by the
CFA.
Moving on to the reverses, we have
reverse 1A; reverse 2.

Reverse 2 features a full-

length figure of Ms. Jackson with a clipboard and pen,
superimposed on a large wind tunnel, representing her
work with air boundary layer information.

The

inscriptions “Aeronautical Engineer,” “Mathematician,”
and “Educator” encircle the design.

Reverse 2 is the

liaison's preferred reverse design, and the design
recommended by the CFA.
We also have as part of the candidate
designs reverse 5.

Mr. Chairman, that concludes the

candidate designs.
CHAIRMAN URAM:

Okay.

Thank you,

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April.

Once again, I'd like to ask Joe if there's any

comments that you'd like to share with the committee
regarding the design.
MR. MENNA:

Thank you, Mr. Chair.

I have nothing to say right now.
CHAIRMAN URAM:
MR. HARRIGAL:

No,

Thank you so much.

Okay.

Ron?

These are good designs,

very appropriate for a gold medal.
CHAIRMAN URAM:
considerations.

Okay.

Let us begin our

And we all know the rules, so we're

not going to do that again.

But, let's begin with Dr.

Brown.
DR. BROWN:

Good afternoon again, my

colleagues, and the public and the press.

I want to

reemphasize that this, I must confess, is one of the
reasons that I was so pleased to be on the CCAC.

The

opportunity to continue to tell the story of this
country is one that I believe that we should all
cherish.
In that respect, I am again happy to be
here to, in fact, support, certainly, and agree with
design obverse 6 and design reverse 2, consistent with

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the family, as well as the CFA.

Thank you so much,

Mr. Chair.
CHAIRMAN URAM:
Brown.

Okay.

Thank you, Dr.

Donald Scarinci?
MR. SCARINCI:

I think, you know, what

I have to say today, you know, to Joe and to the Mint,
is this is a phenomenal -- it's not just good.

I

mean, it's a really -- we're seeing some really,
really nice designs here today.

And, you know, all of

the artists should really, you know, be proud of
themselves.

And the Mint, you know, should absolutely

be very proud of this achievement of excellence,
during such a difficult time period that we're living
through right now with respect to COVID, quarantine,
lockdowns, and all these things.
You've done an outstanding job, and I
just really want to say that and really give kudos,
you know, to all of you at the Mint.

And to Joe,

especially, for what you're doing with your artists
and your infusion artists.

And really, whatever it is

is happening over there, keep it up.

It's awesome.

On the issue of this medal, I, of course, support the

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liaison's preference.

And, you know, hopefully, Mr.

Chairman, we can do another consent resolution to
unanimously adopt it.
CHAIRMAN URAM:
MR. SCARINCI:

Thank you.

CHAIRMAN URAM:
MR. MORAN:

Thank you, Donald.

Michael?

Thank you, Tom.

I, too,

feel like in particular the Hidden Figures package of
designs is strong.

I was impressed with it.

And

again, I will go with the family's choices of 6 for
the obverse and 2 for the reverse.
CHAIRMAN URAM:
MS. LANNIN:

Okay.

Mary?

I completely agree with my

colleagues on the appropriateness of all these
designs.

And I will also go with obverse 6 and

reverse 2.

Thank you.
CHAIRMAN URAM:

Thank you, Mary.

Robin?
MS. SALMON:
sentiments.

I'm echoing all of the

I would like to point out on reverse 2

that the word "Humanitarian" is also part of that
design.

I endorse obverse 6 and reverse 2.

Thank

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you.
CHAIRMAN URAM:
MR. GILL:

Thanks, Robin.

Thank you, Tom.

Sam?

I'm going

to echo all the comments my colleagues have said.

The

family is very, very -- should be very, very proud,
and we should all be very proud of these designs and
this woman, and the history that comes with it.

So,

thank you very much.
CHAIRMAN URAM:

Thank you, Sam.

Dennis?
MR. TUCKER:

Thank you, Mr. Chair.

I

also support the family's decisions and preferences
for this medal.
remarkable.

I think that the portrait is

It's unusual to have such an active style

portrait in a Congressional Gold Medal, where the
recipient is holding something or doing something.
Usually we see just a profile portrait or maybe some
aspects of their life set in the background, or off to
the side.

So, this is a very charming and engaging

view of Ms. Jackson.
And, I also like the reverse.

It's an

unusual view, but it takes perfect advantage of the

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canvas that we have with the gold medal.

And the wind

tunnel is just very nicely rendered, and it's a
wonderful portrait that draws you in and celebrates
the work that she did.

And Robin, thank you for

mentioning the humanitarian aspect as well.

I think

it's very important, and wonderful, that she was so
supportive of other female scientists and
mathematicians, and other experts.

Not only focusing

on her own career, but then helping them in their
careers.

And my little daughter is right here with

me, and, again, I'm proud to be involved in this
program honoring Ms. Jackson.

Dennis.

Chairman.

Thank you.

CHAIRMAN URAM:

Okay.

DR. KOTLOWSKI:

Thank you, Mr.

Thank you,

Dean?

I'm so happy to see these remarkable women

and inspirations receiving recognition today and
beyond.
selected.

I completely concur with what the family has
I especially like obverse 6 and the touch

of the small model of the space shuttle, showing that
Mary Jackson's career extended into the 1980s.

And I

think the reverse with the full-length portrait of her

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is quite striking.

Thank you, Mr. Chair.

CHAIRMAN URAM:

Thank you, Dean.

Jeanne?
MS. STEVENS-SOLLMAN:
Chairman.

Thank you, Mr.

I also agree with the choices of 06 and 02.

I think the portrait is exceptionally beautiful, and I
too, as Dean pointed out, the -- her holding the model
of the rocket is quite wonderful.

And the design --

this is the reverse of the design, I think, is very
compelling.

It's very exciting to see this kind of

pop-out and be something that's wonderful to hold.
So, congratulations on the choices and also to the
artists that drew these.

Thank you, Mr. Chairman.

CHAIRMAN URAM:

Thank you, Jeanne.

DR. VAN ALFEN:

I'm more than happy to

Peter?

concur with my colleagues on the choice of obverse 6
and reverse 2.

In fact, I have to say, I think that

reverse 2 is one of the most striking designs in the
portfolio.

And also, you know, I'd like to agree, as

well, with Donald's comments about, you know, just the
quality of the art, you know, across the board in this

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portfolio.

I do have one question, again, for Joe,

just about how the reverse of this medal would be
rendered.

You know, with that center of the wind

tunnel there, is there any possibility of having some
concavity or some depth, you know, in the center of
the coin?
MR. MENNA:

Yes, Dr. van Alfen.

believe that's how it would be realized.

I

The border

would be flattish -- probably flat, and the wind
tunnel would be a series of overlapping pieces.

And

that would make the figure pop with -- you know, give
the illusion of having even greater relief despite,
you know, being within our specifications.

So, for us

it's a really interesting opportunity to do something
we probably haven't done in a great while.
DR. VAN ALFEN:
be fantastic.

All right.

Oh, I think that will

Thank you.

CHAIRMAN URAM:

Thank you, Peter.

And

obviously, I'm going to concur with the committee.
It's certainly a great portfolio, as was mentioned,
and the family will be proud, as we are proud to have
played a little part in this process.

Dr. Brown

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mentioned about the history, and over the years that
I've been on the CCAC I'm picking up all the history
that I missed when I didn't have -- when I wasn't
paying attention in school.
But, I will tell you that it's most
rewarding to do the reviews of all the Congressional
Gold Medals.

It's great, the human aspect and the

people that have played a role in the history of the
nation.

It's wonderful.

And once again, nice to play

a small part in the process.
With that, did Wanda, by chance, join
us?

Wanda Jackson join us yet?

Okay.

April, then,

when you're talking with her you can express our
thoughts.

And is there anyone that objects to obverse

6 and reverse 2?

Hearing none, I'll take a motion for

unanimous consent for the approval of obverse 6 and
reverse 2.

Motion?
MS. SALMON:
DR. BROWN:

This is Robin.

I move.

This is Lawrence Brown.

CHAIRMAN URAM:

Robin, and second by

Lawrence Brown.
DR. BROWN:

Thank you.

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CHAIRMAN URAM:
much.

Okay.

And thank you very

We will now move on to the next.
We will now move to the consideration

of the obverse and reverse candidate designs for the
third medal of the Hidden Figures Congressional Gold
Medals for the Hidden Figures Group Medal, and that
will be considered now.
April Stafford will present candidate
obverse and reverse designs for this third medal, the
Hidden Figures Group Congressional Gold Medal.
MS. STAFFORD:

Thank you.

April?

Public Law

116-68 also awards a fifth Congressional Gold Medal to
be received and displayed by the Smithsonian to honor
the hundreds of women who worked as computers,
mathematicians, and engineers at NACA and NASA between
the 1930s and 1970s.

The work of these women played

an integral role in aircraft testing during World War
II, supersonic flight research, sending the Voyager
probes to explore the solar system, and the US landing
the first man on the moon.
The title Hidden Figures is a reference
to the book by Margot Lee Shetterly and the film

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released in 2016 of the same name, and it has a double
meaning.

It refers to the mathematical calculations

that that went into the work at NACA and NASA, but
also to the women who worked behind the scenes
performing these calculations.
The Mint worked closely with liaisons
with NASA's headquarters history program office in
reviewing the designs for technical accuracy and
appropriateness.

With us today, should have any

questions, is Dr. Brian Odom, Acting Chief Historian,
and Burt Ulrich, a multimedia liaison at NASA.

We

also shared the portfolio of candidate designs with
Mamta Patel Nagaraja and Emily Furfaro, who work at
NASA headquarters as well, and are associated with the
group Women at NASA, in order to gain insight into
which designs might best represent the honorees and
their accomplishments.
So, as always, you have the materials
and they will be entered into record.

But I will stop

only at the designs that have been identified by one
of our stakeholders as a preference, or recommended by
the CFA.

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The obverse designs, obverse 1 brings
the women who performed as computers, mathematicians,
and engineers behind the scenes of the U.S. space
program to the forefront.

The design includes the

greater than/equal to mathematical symbol,
representing the fact that these women are arguably
equal to their male counterparts.
reads “Hidden Figures.”

The inscription

This design was identified as

a favorable design by some of our NASA liaisons, and
it is one of two obverses recommended by the CFA.
Moving on to obverse 2; 3; 4; 6; 7; 8;
and 10.

Obverse 10 is a realistic depiction of a

diverse group of four women who represent all of the
women who were vital to the space missions at NACA and
NASA between the 1930s and 1970s.

They face the

inscription that simply reads, “Hidden Figures.”
Again, this was identified as a favorable design by
some of our NASA stakeholders, and it is one of two
obverses recommended by the CFA.
Moving on to the reverse designs, we
have reverse 1; 2; 3; 4.

Reverse 4 depicts three

spacecraft: an Atlas rocket, a space capsule, and a

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satellite.

Their success is due in part to the women

computers, mathematicians, and engineers who
calculated their orbital patterns with precision and
accuracy.

The inscriptions read, “In Recognition of

All Women Who Served as Computers, Mathematicians &
Engineers” and “NASA & NACA”.

This design was

identified as a favorable reverse by our NASA liaisons
and recommended as the reverse by the CFA.
Moving on, reverse 7; 8; 9; 10; 11; 12.
Reverse 12 shows a pair of hands launching a test
plane into the night sky, with the inscription “Hidden
Figures” featured below, representing all the women
who worked tirelessly behind the scenes as members of
the space program.

This was noted as a favorable

design by some of our NASA liaisons.
And reverse 13 depicts a group of
silhouetted women working behind the scenes with
mathematical and engineering references inscribed in
the background.

The inscription featured above the

design reads “Hidden Figures.”

This, again, was noted

as a favorable design by some of our NASA liaisons.
Moving on to the other candidate

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designs, we have reverse 14; 15; and 16.

That

concludes the candidate designs, Mr. Chairman.
CHAIRMAN URAM:
April.

Thank you.

Thank you,

Joe, would you like to share any comments at

this time regarding this portfolio?
MR. MENNA:

No, sir.

CHAIRMAN URAM:
MR. HARRIGAL:
good portfolio.
in the dark.

Thank you.

Thank you.
Yeah.

Ron?

Again, really

We have some incused areas, as shown

That may have to be somewhat interpreted

by the engravers, for instance on reverse 7, to be
able to depict that.

But for the most part, it's

pretty accurate, showing the incused areas.
CHAIRMAN URAM:

Okay.

Thank you.

From

the committee, are there any technical or legal
questions about this program that you'd like to ask
before we begin our general discussion?
Okay.
considerations.

Hearing none, let's begin our

I'd like to start with Mary Lannin.

Mary?
MS. LANNIN:

Thank you very much, Tom.

I asked to go first because I am particularly drawn to

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this portfolio and the great art that we had a chance
to see.

Over the weekend, I went back to a book that

I had read called Moon, by a man by the name of
Barron.

And I just picked out some interesting specs

and figures from this particular book.
2,500 years ago, a Greek writer
Aeschylus called the moon the eye of the night, which
I found a really compelling phrase.

And 2,500 years

after that, a famous late Korean-American artist,
named Nam June Paik called it the oldest television,
because he used to sculpt his art with television.

I

found those remarkable in the sense that it meant that
all of the people of Earth would stand and look up at
the moon and contemplate it.

According to this book,

the Apollo program cost about $25 billion.

And that,

at that time, was the largest nonmilitary
technological endeavor ever undertaken by the U.S.
And now, here we are in 2020, and over half of the
world was not born when we landed on the moon.

So, I

just found all of those statistics really interesting.
And most of our -- there are some older
people on our committee that's been -- you know, we've

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been around for four to eight years, and then we have
a lot of new members on the committee.

And so, I

wanted to bring something up that I'm not sure that
everybody is aware of, for the liaisons that may be on
the phone, a long time ago, probably 2018, we did a
Congressional Gold Medal that, in my opinion, turned
out to be one of the great Congressional Gold Medals
we've ever done.

This was for the Office of

Strategic Services.
arresting.

And the obverse was very

If you are near a computer and can look it

up, look up U.S. Mint OSS Congressional Gold Medal.
And just go on images, and you'll see what I mean.
But it was very stark, very interesting looking.
Could have been a Hollywood movie poster.

It brought

a lot of drama to the Congressional Gold Medal.

And

the other side of it was very -- I almost want to say
mathematical.
spades.

Their symbol was, like, an ace of

A spear.

And in small letters all the way

across the back, almost like an equation, were the
names of the secret missions that the OSS did.

And I

thought it was an incredible combination.
So, the art that I thought really fit

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that and reminded me of our success with the OSS medal
were two designs that have not been mentioned.
are obverse 07 and obverse 08.

They

And in each of these

designs, it shows the outlines of four women in period
clothing and hairstyles, which I thought was really
appropriate, watching as Apollo 11 took off to put the
first men on the moon.

And look at the swirl that

surrounds them, and the rockets going up and crossing
over the top of the moon.

Graphically, I think that

that's an absolutely remarkable obverse, and I applaud
whichever artist did that.
And I think the perfect match to that
is also either number 7 or number 8.
the arc -- the white arc.

Take a look at

There it is again with the

words "Hidden Figures" in it.

And that's got the

constellation Andromeda, which was known as the
Chained Woman, which was symbolic of the obstacles and
difficulties overcome by the women.

So, I think that

these two -- especially with the texture that the
sculptors and engravers at the Mint can get -- really
symbolizes man and woman's, sort of, observations of
the moon since mankind began.

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And I would like to say that these are
going to be my favorite designs, and I really hope
that everyone will take those into consideration in
addition to what the liaison and CFA recommended.
Thank you very much.
CHAIRMAN URAM:

And thank you, Mary.

Donald?
MR. SCARINCI:
agree more with Mary.
what she said.

I, you know, cannot

I am so happy that she said

I think 7 -- you know, the incuse and

then the incuse again, I just think is just going to
be a cool medal, and we can't not do it.

And it's

actually great art, because it moves you.

I mean,

this, as a medal, this moves you.
I mean, you know, here are these very
important, you know, very critical, you know, people,
human beings.
invisible.

And they're ignored.

They're

They're blacked out, you know.

they've been blacked out for 50 years.

And

So, I mean, I

think nothing says it more -- I mean, you can't get
something more expressive and more emotive than, you
know, 7 and 8.

And 7 I'm drawn to because of the way,

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you know, we're playing with incuse.

And, you've

know, we've never -- I don't recall, and I'm trying to
think about it -- and Dennis is probably going to know
offhand, I'm trying to think about other times we've
done incuse and then incuse again.
so cool.

I think it's just

We can't not do number 7, I think, really.

It would be a tragedy.
Now, the question, of course, is what
to pair it with.

And I see where Mary is going

artistically, you know, because artistically -- and
I'm -- and we would have to -- if we all think this
should be, we obviously are going to need Joe to weigh
in on incuses on the obverse and the reverse and, you
know -- I mean, but, you know, I mean, I really want
to be there with that because, you know, I see it how
Mary -- I see it the way Mary sees it, you know, and I
get the design.
You know, my concern and my -obviously, my -- you know, my concern -- and these
medals do, kind of, go to people.

They go to human

beings and they go to families and they -- you know,
so that's their primary audience, their primary

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target.

So, I think we could get away with 7 or 8,

whichever one would go with obverse 7.
But, you know, I mean, to tell the
story for those who don't quite understand what this
medal is about and, you know, what Hidden Figures
actually means, for the mass of people who don't quite
get that, you know, reverse 04 really kind of spells
it out.

I mean, it really kind of just hits you and

says this is what this medal is about.
what we're doing with this medal.

And this is

Now, I don't like

it as much artistically, although it is a, kind of,
cool design, you know, with the way -- you know, I
like this little helix thing that's going from edge to
edge.

And I think that's very cool.
You know, so I'm kind of drawn -- I

want to be where Mary is, because I think Mary has got
the exact right -- artistically, that is just -- that
would be, like, an amazing medal, right.

Using 7 and

using -- probably using 8, to balance off the incused
figures, unless Joe says he can pull off 7, obverse -you know, obverse and reverse 7.

If he could pull

that off, that's a really cool medal.

But, you know,

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I mean, for -- if we want to look at it from the point
of view of the general public and, you know, what the
hell does this mean, I'm not sure the words "Hidden
Figures" does that trick.

And I certainly -- you

know, and we have to be very, you know, honest, to our
own self be true.
I mean, Dr. van Alfen is going to know,
and most of the -- every single member of the CCAC
knows what this means.

So, is the public going to

know and, you know, do we care if they know.
know.

You

Because everyone who is going to be a recipient

of the gold medal will know.

We will know, you know.

So, I guess the question as to the reverse -- you
know, do we want to spell it out and say what it is.
Or, you know -- and certainly if -- and I think that's
what it's going to come down to, do we want to spell
it out and say what it is, in which case the only
medal design that really does that is number 4.
Number 1 kind of does it, but really number 4 really
hits you in the face and says this is what this medal
is.
You know, so, do we want to spell it

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out or, you know, do we want to, you know, be -- or,
do we want to create a real work of art and go with 7
and 7.
7.

I absolutely feel passionately about obverse

Having said that, I'm done.
CHAIRMAN URAM:

you.

Okay.

Donald, thank

Pardon me?
MR. WEINMAN:

Yeah, Tom, this Greg.

Real quickly, before you move on, I just -- there was
something that came up earlier I wanted to clarify on.
Unlike the medals that were awarded personally, the
group medal here doesn't have any official liaison.
So, we have -- the individuals that are on the phone
and available are subject matter experts.

But just to

clarify that unlike other Congressional Gold Medals,
there is no official liaison for the group medal.
CHAIRMAN URAM:
you.

That's a good point.

Okay.

Great, thank

And to Donald's point, the

other thing is if, then, you need to figure out what
the message is, so that they use something that they
can research, and that's not a bad thing either.
there's positive there as well.
MR. MORAN:

So,

Michael?

I listened to April read

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through the medals, and she skipped over both of my
choices, and I thought, God, am I off base again.
Then Mary got on there, and thank you, Mary.

I'm

going to second the motion on everything you said.
And Donald, if we don't do the Chained Woman we're
missing a fine opportunity.
symbolism.

It's art.

It's

It's all the things that we really want

stepping out into a different worlds, in terms of
medals, instead of number 4, which, yeah, anybody can
understand it.

Let's use the symbolism and let's go

for what can be truly amazing in a medal.

And that is

7 and 8, and I think I lean towards 7 on the obverse,
and 7 and 8, again I think I lean towards 7 but I can
go with 8, on the reverse.
When we come to vote, we need to keep
both of these as a single vote, and then if the
committee chooses these we need to talk which ones
we're going to do.
CHAIRMAN URAM:
DR. BROWN:
different view.

Dr. Brown?

I must confess, I had a

So, my colleagues, if you thought you

were all wet I certainly felt all wet, before Mary and

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another colleague were sharing their views.

And I

think the first thing I wanted to point out as someone
who -- majoring in math, in obverse 1 the symbol on
the left is one that is less than equal.

So, I think

we need to -- that may be a reason not to do that
obverse 1.

But, I must also confess that as someone

representing the public I generally would go along
with things that would be more conspicuous or obvious
to the public.

But, as I've come to appreciate my

role here, as well as to understand where these medals
will land, that I do see there is value to, in fact,
stretch a little bit and lean a bit.

So, in that

respect, I must confess that I do lean more towards,
in fact, what Mary and my colleagues just suggested,
as obverse number 7 or 8.
And with respect to the reverse, I must
confess I was leaning more towards reverse number 4,
but I do understand and see the sense about leaning in
the direction of going to reverse 7 or 8 as well.
Thank you, Mr. Chair.
CHAIRMAN URAM:

Thank you, Dr. Brown.

Robin?

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MS. SALMON:

Did you say Robin?

CHAIRMAN URAM:
MS. SALMON:
with everybody in this.

Yes.

Okay.

Thank you.

I agree

My initial choices were

Mary's choices, because they were so visually exciting
and different from what we often see on these medals.
And it gives such a wonderful opportunity to do
something different, to push the envelope, which
certainly Hidden Figures -- the real Hidden Figures
did.

There were other designs that I liked too.

Number 6, with the faces looking out from the Earth,
and the different circular arcs, I liked that one very
much.

And then reverse 10, almost the muses there of

science and mathematics and engineering, really spoke
to me as well.

But, in the end I think I'm going to

go with obverse 7 or 8 and reverse 7 or 8.
CHAIRMAN URAM:
you.

Okay, Robin.

Thank you.
Thank

Sam?
MR. GILL:

Thank you, Tom.

with Mary and everybody else here.
to 07 -- obverse 07.

I agree

I was really drawn

I just love it conceptually.

It's very interesting.

It's certainly drew me in.

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And I support that.
did.

I also liked obverse 6, as Robin

I thought that that was -- showed a great deal

of artistry and it was just interesting, again, to me.
I'm going to differ a little bit and
say that I always like to tell the story.

And if we

don't have some explanations, then this medal is going
to get lost for some people.

And if you didn't see

the movie Hidden Figures you won't know what it is, I
think.

So, I'm going to go for number 4, but I would

also tell you that if we chose 7 and 4 we would miss
the words "Hidden Figures."

I don't think it's

written anyplace on either of those coins -- those
sides.

So, I would prefer to have "Hidden Figures"

there, because that completes the story.

But, those

are my comments, Mr. Chairman.
CHAIRMAN URAM:

Thank you, Sam.

Dennis?
MR. TUCKER:

Thank you, Mr. Chair.

When I look at these designs -- and by the way, kudos
to the artists, because I agree this is a fantastic
portfolio of candidates -- but, when I look at them I
see them as an opportunity to bring these women who

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were hidden, and working behind the scenes, and
celebrate them.

Bring them out into the open.

So, I

actually had the opposite reaction to many of my
colleagues.

I found the ones that use silhouette to

keep the women in the background, in the shadows, I
found those to be almost offensive.

Backward-looking.

You know, this tells the story of how they were kept
down, rather than how they -- you know, the advances
that they made and the service that they performed for
our nation.

So, I was attracted to the designs that

are, maybe, a little more day to day.

A little more

traditional, numismatically, what you'd be used to
seeing on a celebratory medal, as opposed to symbolic
or graphical depictions.
I liked obverse 3.
fully.

It shows them

It shows them fully in the activity that they

were engaged in, mathematics and science.

And it

shows the results of that activity with the rocket
going up into space.

They're intent, they're

concentrating, these are educated women.
strong.

They're

These are bold depictions of them.

not hiding in the shadows anymore.

They're

They're not hidden

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figures.

They're active.

I love that design.

I also like obverse 6.

I was attracted

to that one because even though it's more figural and
artistic, it, again, brings them out of the shadows
and, you know, no longer hidden.
Number 1 does as well, but I didn't
like that one because it doesn't speak so strongly to
science and math.

The women in obverse 1 could almost

be involved in any group activity in a professional
setting.

So, I prefer obverse 3 or, if we want to get

more artistic, obverse 6.
lovely.

I think obverse 10 is

It's just a beautiful depiction of very

strong women.

But it could be -- you know, without

the inscription "Hidden Figures" it's ambiguous what
they're up to there.
For the reverse, I also would take a
more traditional approach to how we treat the reverses
of Congressional Gold Medals, and let this tell the
story and kind of do some handholding for our
audience.

Because not everybody is going to know who

the Hidden Figures women were.

So, we have an

opportunity and an obligation, I think, to educate

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people with this medal.

If someone picked up this

medal, what it is telling without them having to do a
lot of research behind the scenes.
At the same time, I think we have some
wonderful artistic options here.
by reverse 11 and reverse 12.

And I was blown away

I think these are just

exceptional, beautiful designs.

And I was glad to

hear that our liaisons favored reverse 12.
explosive action here.

We have

How often do we get that on a

Congressional Gold Medal?

Very rarely.

This

explosive action is evocative of the act of birth,
which might not be inappropriate when we're talking
about creative women who are releasing a creation into
the universe.
two designs.

I was very strongly attracted to those
I think they're wonderfully active, and

they have a lot of potential.
I won't -- my only concern would be the
wording in that combination, if we were to use obverse
3 or 6.

3 in particular, with reverse 12, have the

words "Hidden Figures" twice, instead of something a
little more explanatory.

But, I think if we had

reverse 12, if we could change the wording from

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"Hidden Figures" to "NASA and NACA," as we have on the
bottom of obverse 6.

That might tell the story a

little bit more fully.
So, those are some of my thoughts.

I

appreciate the comments about the silhouette and how
that's an artistic option and a design option that has
appeal.

But I really think that symbolically we need

to bring these women out of the shadows and some of
the other designs do that in a better way.

Thank you.

CHAIRMAN URAM:

Thank you, Dennis.

DR. KOTLOWSKI:

Thank you, Mr.

Dean?

Chairman.

I want to thank Mary for going first and

doing that research.

And I don't know if I was heard,

but I looked up the OSS medal and I said wow.
did a lot of thinking about the portfolio.

So, I

Like,

Dennis, I -- well, I started out with the idea with
the obverses that there were opportunities here.

And

with number 3, there was an opportunity to in
portraits -- the portraits of the three women, which
is what I think is being represented here, together.
I'm not going to put a lot of weight on

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number 3, because I -- like the early speakers, I was
really blown away with number 7 and number 8.

I think

7 and 8 do, through artistic elegance and with an ease
and with great success, what some of the other
obverses try to do with greater effort and less
success.

For example, number 10, you get inspiration

and you get aspiration.

And with 7 and 8, you get

inspiration, you get aspiration, you get wonderment,
and you get achievement.

You get it all.

And I just

love the way that that was done.
I thought number 1 was stiff.

I'm so

grateful to Dr. Brown for bringing up the idea of
greater than or less than.

I think that's not a very

good thing for us to have in there.
impressed with 4 or 6.

I wasn't terribly

I spent more time than I

possibly should have, as it turns out, with number 2.
And I just kind of thought, again, this is a real
effort to show something.
into all of this.
than that.

And I'm not going to go

And it's a collage and it's more

But it doesn't work, for reasons that I

don't think it's valuable for me to go into

here.

And then with the reverses, I, again,

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was strongly attracted to 4, 7 and 8.

And I think 7,

as has been said, makes the artistic point and
everything come together beautifully.

But maybe with

Dennis's point about people being in the shadows, we
might possibly have to think even more strongly about
number 4, which has a universalism about it that I
think, again, on the obverse side, 10 and 1 are
striving for that universalism.

And if you can't show

it, like 7 and 8 do on the obverses, at least spell it
out clearly, as you have in reverse number 4.

Thank

you very much, Mr. Chairman.
CHAIRMAN URAM:

Thank you, Dean.

Jeanne?
MS. STEVENS-SOLLMAN:
Chairman.

Thank you, Mr.

I felt that this portfolio was quite

strong, and it was interesting to go over all of these
designs.

I was very, very happy for the opportunity

to hear Mary's description of the moon.
fact that it's the eye of the night.

I loved the

And I think that

number -- obverse 7 and 8, you know, we have the moon
there.

We have the Apollo going through the moon and

over the women, which I think is quite dynamic.

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think that those two designs, like Donald has said, we
have to do these.

These are absolutely fantastic.

puts us over the moon, if I can say that.

It

We are

trying so hard to do a good contemporary medal, and
these designs help us do it.

So, I would pair 07 --

obverse 07 and reverse 07 together.
I love the fact that Andromeda means
Chained Woman.
they were.

It is the hidden woman.

And the obverse shows that they have come

out and done some fabulous work.
choices.

It is what

So, those are my

I think that number 4, reverse 4, deserves

some recognition.

But, I think, then, if we use that,

even though it tells a story, if we use that it
becomes another ordinary medal.
not do ordinary.

I am so desperate to

These reverse and obverse 7 and 8

give us extraordinary designs.

Thank you, Mr. Chair.

CHAIRMAN URAM:

Thank you, Jeanne.

DR. VAN ALFEN:

Thank you, Mr. Chair.

Peter?

I have to admit that initially I was a little
conflicted by the silhouette in number 7 and 8, as
Dennis was, you know, by the sense of keeping these

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women still in the shadows.

But, I think that

conflict was basically overwritten by the fact that
this really would be an amazingly just impressive
medal.

And, of course, this really depends on the

execution, on how, you know, the incuse and different
levels of that obverse, you know, will be worked out.
And I would be very curious to hear from Joe his
thoughts on that.

So, at the moment, I have to concur

that I also have a preference for obverse 7, and
pairing that with reverse 7.
As for the rest of the portfolio, I
have to admit that obverse 1 seemed a little bit too
much like the movie poster to me, which also featured
three facing women.

And I'm also not very particular

to facing portraits anyway, coins and medals.

I just

think that there often are just too many problems with
the execution of those.
Obverse 4, you know, actually when I
first looked at that I thought the astronaut was
sneaking up on her and about to poke the back of the
head.

So, I couldn't quite get away from, you know,

that, you know, visual pun, I guess.

So, I'm not

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particular to that.
Obverse 10, you know, I thought was,
you know, a good -- you know, generally good obverse
design.

But it, again, I really feel that 7 is much

stronger.
As for the reverses, again, you know, I
think pairing reverse 7 with obverse 7 will provide
us, you know, with a really great medal.
do like four.

But, I also

I think that, you know, in terms of an

ordinary medal it certainly would be an acceptable
reverse.

And like Dennis too, I really like the

dynamism of 11 and 12, and particularly 12 I think is
really quite something.

Although I couldn't quite get

away, also, from the hands there looking a little bit
too much like lotus hands.

So, you know, that, to me,

was a little distracting, even though I do think that
it adds, you know, something to that design.
I also have to admit that reverses 15
and 16, I thought, were really great designs.
really wonder how that would be executed.

I just

There are,

certainly, some medals that exist that have, you know,
reverses like that, where you have very textured, you

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know, sort of square or rectangular type shapes.

But,

you know, I just don't quite know how that would
actually be executed.

So, you know, I think that

those are nice designs, I'm just not sure how, you
know, they would work on a medal itself.

So, again,

my preferences are obverse 7 and reverse 7.

Thank

you.
MS. LANNIN:

Mr. Chair, this is Mary.

May I make one more comment?
half more comments.

Or actually, one and a

People were -- especially Dennis,

who were worried about keeping figures hidden in
obverse 7, still in the shadows, you know what, that's
everyone.

We all are hidden like that when we're

gazing at the moon.

We're all that way.

And so --

and then my other thing is the, so far nontrademarked,
Lannin tabletop method, which is if we struck every
one of these designs and laid them out on a table,
guess which one you would pick up.
number 7.

I think it's

So, anyway, that's all I have to say.

Thank you.
MR. SCARINCI:

Could I add one more

comment as well, Mr. Chairman?

This is Donald

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Scarinci.

Mr. Chairman?

Tom, are you muted?

CHAIRMAN URAM:
MR. SCARINCI:
to say two things.

Yes, Donald.
Okay.

Go ahead.

Yeah, I just want

I mean, I really think, you know,

after listening to everybody's comments, you know, I
think we -- if there is no, you know -- if we have the
opportunity to do a medal, you know, that OSS medal is
really special.
of art.

You know, it stands out.

It's a work

This would be a work of art, if we paired 7

to 7 -- you know, 7 obverse, 7 reverse, it's a work of
art.
And, you know, for people who, you
know, are concerned that, you know, if you pick it up
you're not -- you know, without having something
spelled out for you the way reverse 4 does, that, you
know, you're somehow going to lose something, you
really aren't.

Because anyone who is going to buy

this medal or, you know, care to buy this medal is
really going to, you know, enjoy the research.

And

that's -- you know, and I'm sure, you know, the
pamphlet or the description online will also indicate
that.

So, you know, the research is part of the fun

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of numismatics.

You know, Dennis.
And, you know, I don't want to say

anything about being bold.

But, you know, that double

eagle that you did was pretty bold.

You know.

So, if

you can do the double eagle, this as a medal, you
know, this is really a cool medal.

I mean, I could

see this actually winning an award, you know, as
Jeanne is reacting as well, you know.
Dr. van Alfen is reacting the same way.

And I'm sure
Obtusely

speaking.
So, I think I'm not as worried about -I'm not really as worried about, you know, not
spelling it out on the reverse.

Because anybody who

is really -- anyone who is going to get it, because
they're -- knows what it means.

Anybody who is going

to buy it is erudite enough, and, you know, to really
want to look it up.

And that's part of the fun of

numismatics, is looking this stuff up and learning
this stuff.
So, I think the only question for me, I
would want to kick over to, you know, to Joe Menna,
which is, you know, given the fact that we're playing

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with incuse, are we better off -- if we go with
obverse 7, you know, can we pull off obverse -- or,
reverse 7 or do you have to do a reverse 8 because of
the incuses.
in my mind.

I guess it's just a technical question,
But, otherwise, if Joe says he can pull

this off, I say 7 and 7 is the way to go.
CHAIRMAN URAM:

Thank you, Donald.

before we move on to Joe, my thoughts over this.

And
And

Dean, I'll have to tell you, obverse number 2 it is
artistic.

There's no question about it.

think it represents the whole portfolio.
portfolio is very artistic.

And then I
The whole

So, I would ask the

committee when you vote on this portfolio that you
would take a little bit of extra time and score for
merit as well.

I think that that should be

recognized.
And then also, when we reviewed the
other two, Dorothy and Mary, please turn in your
scoresheets for Mary on those.

You can send them to

Jennifer and Greg, so that they have those.

It's

important, I think, the portfolio for the
Congressional Gold Medals -- I think we should give

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the artists our feedback as it relates to merit, all
three of these portfolios.

So, after the conclusion

of this meeting if people would do those other two.
You know, just the subject matter
itself, when it comes to Congressional Gold Medals,
are powerful.

That, you know, whatever liaisons or

family members -- it's certainly powerful, but it
isn't often that we get a chance to go with a wow.

We

had that chance, as Mary mentioned, with the design in
2018.

But I think we're here, again, with a wow.

And

it's not often that we get to be able to have a wow on
the obverse and the reverse.

And so, having said

that, I congratulate the artists and I think we all
have on the merits for all the designs.
wow is the 7 and 7, to me.

But, the wow

And that's what I'm going

to go with.
So, having said that, Joe, could you
make any comment as it relates to the minting process
and how this is going to come off, if the committee
should choose to go this direction.
MR. MENNA:
you.

Yes, Mr. Chairman.

Thank

I would just describe them both as if I -- and

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Ron, correct me if I'm off, if it's not coinable, but
you know, everything you see in black is the field.
And the stars are a step up.

The moon is maybe

another tiny little step up.

And then the rocket and

the trail are the final step up.

So, I think that's

eminently doable.
And then with the reverse 7, this
it's a little bit different.

--

The black is the field.

The ashes, I would keep them low, because any draft on
them is going to make them appear bigger.

The moon --

the crescent would be a bit of a step up.

And then,

finally, the constellation itself would be a step up,
slightly, from the moon, or perhaps at the same level,
inscribed into the moon, if it goes too high.
But, I think these pairs will be
doable.

But if Ron would know better if there would

be any conflicts.
CHAIRMAN URAM:

Okay.

Thank you, Joe.

And if there's no any further discussion, I'd like the
committee to score the obverse and reverse designs for
the -MR. TUCKER:

Mr. Chair?

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CHAIRMAN URAM:
MR. TUCKER:

Yes.

This is Dennis.

like to make a few more comments.

I would

I realize that I'm

kind of talking into the wind, but, for the record,
I'd like to make a few observations.
CHAIRMAN URAM:
MR. TUCKER:
comments here.

Go ahead.

Thank you.

Just a couple

The purpose of a Congressional Gold

Medal is to honor, recognize, and memorialize its
recipient or its subject matter.
Medals are national medals.

Congressional Gold

They're not playgrounds

for experimentation in design.

It's wonderful when

they can be, and if that opportunity exists.

But,

fundamentally and primarily and first, we should make
sure that they honor, recognize and memorialize their
recipients.
The reason that the silhouettes and the
silhouetted figures in the OSS medal worked is because
that was the nature of OSS agents and officers.
work was clandestine.

It was secret.

Their

It was hidden.

And if it wasn't, then they weren't doing their jobs
great.

That is what is being celebrated and spoken to

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in the OSS.

That's why that medal works with a

silhouette design.
With the Hidden Figures mathematicians
and scientists, they did amazing work and they did
work that benefited the national security and
advancement of the United States.
should celebrate.

That is what we

The fact that they were hidden is

actually a sad part of their history.
unfortunate part of their history.

That's an

And I think to

celebrate that part with innovative design is
gimmicky, and not a respectful way to treat the
subject matter.

Again, I realize that this might not

make a difference.

But, I wanted to make those

observations for the record.

Thank you.

CHAIRMAN URAM:
you.

Okay, Dennis.

Thank

And at this time, the committee will now score

the obverse and reverse designs for the Hidden Figures
group Congressional Gold Medal.

Each of you was

mailed the email from the Mint, and should have
received it.

I'd ask that you please fill that out,

cut and paste or photograph, whatever display it is,
and return those sheets to our counsel, Greg Weinman.

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Greg will tally the scores and present the results.
What do you think, Greg?

Ten minutes, 15?

MR. WEINMAN:
least 15 minutes.

Let's give ourselves at

I think it will take at least that.

CHAIRMAN URAM:
recess for 15 minutes.

Okay.

We'll be in

And you might want to keep

your phones on, just so that in case Greg needs to
check with you on something.
Okay.

We are now in recess.

Thank

you.
(Off the record.)
CHAIRMAN URAM:

Let me just do a quick

recall, just to make sure that we're all back.
Brown, present?
DR. BROWN:

Present.

CHAIRMAN URAM:
MR. SCARINCI:

Present, yes.

CHAIRMAN URAM:
MR. MORAN:

Mike?

Present.

CHAIRMAN URAM:
MS. LANNIN:

Donald Scarinci?

Mary?

Present.

CHAIRMAN URAM:

Robin?

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MS. SALMON:

Present.

CHAIRMAN URAM:
MR. GILL:

Sam?

Present.

CHAIRMAN URAM:
MR. TUCKER:

Dennis?

Present.

CHAIRMAN URAM:

Dean?

DR. KOTLOWSKI:

Present.

CHAIRMAN URAM:

Jeanne?

Jeanne, are

you there?
MS. STEVENS-SOLLMAN:
CHAIRMAN URAM:

Sorry.

Are you muted?

MS. STEVENS-SOLLMAN:
you hear me?

have quorum.

Yes, here.

Can

Yes.
CHAIRMAN URAM:

Peter?

DR. VAN ALFEN:

Yes, Peter is present.

CHAIRMAN URAM:

Okay.

And Greg, we

Everyone is present.
MR. WEINMAN:

Okay.

I'm ready to

provide the scores from the Hidden Figures group
Congressional Gold Medal, once again, the -- out of
the possible 33 points.
So, for the obverse, obverse 1 received

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five.

Obverse 2 received two.

ten.

Obverse 4 received three.

three.
getter.

Obverse 3 received

Obverse 7 received 32.

Obverse 6 received
This is the high vote-

Obverse 8 received 18.

And obverse 10

receive six.
For the reverses, reverse 1 received
three.
five.
one.

Reverse 2 received two.
Reverse 4 received ten.

Reverse 3 received
Reverse 5 received

Reverse six received three.

29, the high vote-getter.

Reverse 7 received

And reverse 8 received 16.

Reverse 9 received two.

Reverse 10 received six.

Reverse 11 received 11.

Reverse 12 received eight.

Reverse 13 received two.

Reverse 14 received two.

Reverse 15 received four.

Reverse 16 received three.

CHAIRMAN URAM:

The selection of the

committee is obverse and reverse 7.
MR. WEINMAN:

And reverse --

Tom, you're breaking up.

CHAIRMAN URAM:

Oh, I lost it.

Are you

there?
MR. WEINMAN:

You're breaking up, Tom.

CHAIRMAN URAM:

Oh, okay.

So, right

now we just needed clarification on reverse 7.

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everybody here?
UNIDENTIFIED FEMALE:

Yeah.

UNIDENTIFIED FEMALE:

Yes.

CHAIRMAN URAM:
MR. WEINMAN:

Okay.

So --

Once again, if everybody

on the line could mute your phones if you're not
speaking.

There's clearly somebody with an open line.
CHAIRMAN URAM:

Okay.

So, it's the

intent of the committee that we'll go with obverse 7
and reverse 7.
that.

We don't necessarily need a motion on

Everyone is satisfied with that.

Okay.

I

think it will be a terrific wow medal for sure.
And with that, Greg, thank you for your
help in tallying.

It gets kind of challenging,

especially over the phone.

And now I'd like to ask

April if she would, the Chief of the Mint's Office of
Design, will present the candidate obverse and reverse
designs for the David J. Ryder United States Mint
Director model.

April?
MS. STAFFORD:

Thank you.

The

Department of the Treasury has a long-standing
tradition of striking official bronze medals for each

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Mint director.

In fact, that Mint has produced medals

for 29 of the last 38 directors of the Mint.

Director

Ryder did have a medal produced for his first term.
And this medal will mark the third time that the Mint
has produced two medals for a Mint director who served
nonconsecutive terms.
Director Ryder worked closely with the
chief engraver to develop preferred designs for his
medal.

We have a single obverse and a single reverse

design for your consideration.
attention to obverse 1.

So, I draw your

It features a portrait of

Director Ryder in profile, with the inscription “David
J. Ryder.”
Reverse 1 features a bald eagle with a
shield atop a wreath of oak and laurel.

The

inscription is “34th and 39th Director of the United
States Mint."

Mr. Chairman?
CHAIRMAN URAM:

Thank you.

Well, with

a little bit of risk, Joe, would you like to say
anything about this?

You were intricately involved.

So, you may speak at your own risk.
MR MENNA:

Mr. Chairman, all I'm going

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to say is I had a really good art director.

Thank

you.
CHAIRMAN URAM:

Politically correct.

Ron, anything to add?
MR. HARRIGAL:

No, I think the results

speak for themselves.
CHAIRMAN URAM:
very much.

Okay.

Thank you all

So, let us begin our considerations.

And

I would like to know if there is anyone that is in
objection to the proposed obverse 1 and reverse 1.

If

there are none, I would like a motion to approve by
unanimous consent.

And who would like to make a

motion?
MS. LANNIN:

Mary Lannin, so moved.

MR. SCARINCI:
MS. LANNIN:

I'll second it.
Okay.

CHAIRMAN URAM:
you all.

Mary and Donald, thank

And that was probably the best vote.

Are

there any other additional comments or motions for the
members at this time?

If there aren't -- or further

discussion?
DR. VAN ALFEN:

This is Peter.

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want to make a comment about the David J. Ryder medal.
CHAIRMAN URAM:

Sure.

DR. VAN ALFEN:

I really think this is

a great portrait.

And I really like this medal much

better than the earlier David Ryder Director of the
Mint medal.

I think that this is, you know, a very

good portrait.

I love the profile.

Very classic.

And it will sit well with, you know, a number of the
other Mint Director medals.

You know, especially in

the ANS collection, when we finally get a copy of
this.

So, congratulations to Joe on this.
MR. MENNA:

Thank you.

CHAIRMAN URAM:
likewise, tremendous.

Thank you.

And Joe,

And thank you, Peter.

Any

other comments?
MR. SCARINCI:

I just want to, you

know, pay an extreme compliment to the subject of the
medal.

I think -- you know, I've seen six or -- six

Mint directors, acting Mint directors.

I mean, what

has taken place since this director has become the
director is astronomical.

You know, he took an

institution that changes glacially, that has its own

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way about it, and, you know, he's come up with new
ideas.
He thinks outside of the box.

He's

personally engaged in just about, you know, everything
that involves us, for sure, and his appointments, you
know, have all been, you know, amazing.
wonderful.

They've been

The people that we deal with and the

people -- you know, what's going on, you know, with
the artists, you know, with Joe Menna in charge, is
just remarkable.
So, I just want to -- you know, and I
know we all feel the same way.

I just wanted to say

something about the subject of the medal.
it's a great medal.

And yes,

And in spite of what he says, you

know, I think it does look like him, and that's a
compliment.
CHAIRMAN URAM:
you, Donald.

There you go.

Thank

Just to remind everybody that please

turn in your merit sheets for -- any sheets that
weren't turned in, please turn in for scoring for
merits for the artists.

That would be terrific.

I'd

like to thank all of the CCAC members and the Mint

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staff, and especially our liaisons for their
attendance over the last two days.

And the next CCAC

meeting will be on November 17th of 2020.
announced in the Federal Register.

It will be

A decision will be

made depending on the current situation with COVID-19
as to whether it will be in person or at the United
States Mint headquarters, or telephonic.
keep you posted on that.
on that.

So, we'll

But you can keep an eye out

At this time, I'd like to entertain a motion

to adjourned.
MS. SALMON:

This is Robin.

CHAIRMAN URAM:

So moved.

Robin, thank you.

MS. STEVENS-SOLLMAN:

And this is

Jeanne, second.
CHAIRMAN URAM:

Second, thank you.

All

those in favor, say aye.
UNIDENTIFIED FEMALE:
UNIDENTIFIED MALE:

Aye.

UNIDENTIFIED FEMALE:
UNIDENTIFIED MALE:
CHAIRMAN URAM:

Aye.

Aye.

Aye.

All ayes, I think.

And

so, the meeting stands adjourned at 3:12 Eastern time.

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Thank you all very much.
(Whereupon, at 3:12 p.m., the
proceeding as concluded.)

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CERTIFICATE OF NOTARY PUBLIC
I, ANDREW ADAMS, the officer before whom the
foregoing proceedings were taken, do hereby certify
that any witness(es) in the foregoing proceedings,
prior to testifying, were duly sworn; that the
proceedings were recorded by me and thereafter reduced
to typewriting by a qualified transcriptionist; that
said digital audio recording of said proceedings are a
true and accurate record to the best of my knowledge,
skills, and ability; that I am neither counsel for,
related to, nor employed by any of the parties to the
action in which this was taken; and, further, that I
am not a relative or employee of any counsel or
attorney employed by the parties hereto, nor
financially or otherwise interested in the outcome of
this action.

ANDREW ADAMS
Notary Public in and for the
District of Columbia

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CERTIFICATE OF TRANSCRIBER
I, JANE W. GILLIAM, do hereby certify that
this transcript was prepared from the digital audio
recording of the foregoing proceeding, that said
transcript is a true and accurate record of the
proceedings to the best of my knowledge, skills, and
ability; that I am neither counsel for, related to,
nor employed by any of the parties to the action in
which this was taken; and, further, that I am not a
relative or employee of any counsel or attorney
employed by the parties hereto, nor financially or
otherwise interested in the outcome of this action.

JANE W. GILLIAM

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