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Meeting

October 15, 2024
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CITIZENS COINAGE ADVISORY COMMITTEE

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MEETING

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TUESDAY,

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UNITED STATES MINT

OCTOBER 15, 2024
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The Citizens Coinage Advisory
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Committee at 801 9th Street, N.W., Washington,
D.C., at 9:00 a.m., Peter van Alfen, Chair,

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presiding.

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CCAC MEMBERS PRESENT:

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PETER VAN ALFEN, the member Specially Qualified

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as a Numismatic Curator and the Chairperson of
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ARTHUR BERNSTEIN, Representing the General Public
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DR. CHRISTOPHER CAPOZZOLA, the member Specially
Qualified in American History

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the CCAC

JEANNE STEVENS-SOLLMAN, the member Specially
Qualified in Sculpture or Medallic Arts

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JOHN SAUNDERS, Recommended by the House Minority
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Leader
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Leader
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DONALD SCARINCI, Recommended by the Senate
Minority Leader

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MICHAEL MORAN, Recommended by the Senate Majority

SAM GELBERD, the member Specially Qualified in
Numismatics

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KELLEN HOARD, Representing the General Public*
ANNELISA PURDIE, Representing the General Public

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0002

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UNITED STATES MINT STAFF PRESENT:

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KRISTIE McNALLY, Deputy Director

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APRIL STAFFORD, Office of Design Management
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ROGER VASQUEZ, Senior Design Specialist
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SUKRITA BAIJAL, Design Manager
JOSEPH MENNA, Chief Engraver

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RUSSELL EVANS, Design Manager
BONEZA HANCHOCK, Design Manager

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MEGAN SULLIVAN, Senior Design Specialist

MICHAEL COSTELLO, Manager of Design and Engraving
JENNIFER WARREN, Director of Legislative and

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Intergovernmental Affairs and Liaison to CCAC
GREG WEINMAN, Deputy Chief Counsel and Counsel to
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the CCAC
BRENDAN TATE, Senior Government Affairs

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Specialist, Office of Legislative and
Intergovernmental Affairs

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ALSO PRESENT:

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DENNIS TUCKER, CCAC Public Service Awardee

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Legislative Archives, National Archives and
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National Women's History Museum*
ALLIDA BLACK, Managing Director, Allenswood Group

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American History and Culture*
JEN HERRERA, Vice President, External Affairs,

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Frederick Douglass*
MARY ELLIOTT, Curator, National Museum of African

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Research Administration*
KEN MORRIS, Great-great-great grandson of

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RICHARD HUNT, Director of the Center for

LLC*
ANGELA TATE, Museum of African American History,

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Boston*
RUBY BRIDGES, Ruby Bridges Foundation*

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LANCE VOLLAND, Ruby Bridges Foundation*

*Present via Video Teleconference

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AGENDA

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Call to Order & Roll Call. . . . . . . . . . . . . 4

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Review and Approval of Minutes . . . . . . . . . .10

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C-O-N-T-E-N-T-S
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and Letters to Secretary from the

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September 24, 2024, Public Meeting

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Comments from Chair. . . . . . . . . . . . . . . .11

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Public Service Award for Dennis. . . . . . . . . .11

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Tucker
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Review and Discussion of the . . . . . . . . . . .21
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Platinum Proof Coins
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Candidate Designs for the 2026-2028

Review and Discussion of the . . . . . . . . . . .23
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Candidate Designs for 2026
Semiquincentennial Quarter #1

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Declaration of Independence

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Review and Discussion of the . . . . . . . . . . .26

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Candidate Designs for 2026
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U.S.

Constitution
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Semiquincentennial Quarter #2

Discussion of the Results of Scoring . . . . . . .31
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from Morning Session

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Review and Discussion of Candidate . . . . . . . 151
Designs for the 2026

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Semiquincentennial Quarter #3 Abolitionism

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Review and Discussion of Candidate . . . . . . . 153

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Designs for the Suffrage

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Review and Discussion of Candidate . . . . . . . 185

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Designs for the 2026
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Semiquincentennial Quarter #5

Civil

Rights
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0004

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P-R-O-C-E-E-D-I-N-G-S

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(9:00 a.m.)

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CHAIR VAN ALFEN:

Good morning.

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call to order this meeting of the Citizens

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Coinage Advisory Committee for Tuesday,

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October 15, 2024.

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I

The time is 9:01 a.m.

This is the first day of a two-day

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public meeting.

Today's session is scheduled to

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run until approximately 6:00 p.m., at which point

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the CCAC will recess until tomorrow's session,

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which is scheduled to begin promptly at

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8:30 a.m., which is a half-hour later than what

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was announced in the Federal Register notice.

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Please note that this meeting today

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and tomorrow is recorded, and I certainly do want

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to welcome the public watching live on YouTube

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today.

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announce your name when you are speaking, for the

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transcript and for the public listening.

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the members of the Committee.

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present when I call your name.

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representing the general public.

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Finally, I want to remind members to

Before we begin, I want to introduce

MEMBER BERNSTEIN:

So, please respond
Arthur Bernstein,
Arthur Bernstein is

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present.

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CHAIR VAN ALFEN:

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recommended by the Speaker of the House.

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that Dr. Fuller, unfortunately, will not be

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joining us today.

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Dr. Harcourt Fuller,

Dr. Christopher Capozzola, the Member
Specially Qualified in American History.

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MEMBER CAPOZZOLA:

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CHAIR VAN ALFEN:

Present.
Jeanne Stevens-

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Sollman, the Member Specially Qualified in

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Sculpture or Medallic Arts.

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MEMBER STEVENS-SOLLMAN:

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CHAIR VAN ALFEN:

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I know

Present.

John Saunders,

recommended by the House Minority Leader.

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MEMBER SAUNDERS:

Present.

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CHAIR VAN ALFEN:

Michael Moran,

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recommended by the Senate Majority Leader.

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MEMBER MORAN:

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CHAIR VAN ALFEN:

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Donald Scarinci,

recommended by the Senate Minority Leader.

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Present.

MEMBER SCARINCI:

Who was Chuck

Schumer at the time, for the record.

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CHAIR VAN ALFEN:

Present.

Thank you, Donald.

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Sam Gelberd, the Member Specially Qualified in

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Numismatics.
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MEMBER GELBERD:

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CHAIR VAN ALFEN:

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Present.
Kellen Hoard,

representing the general public.

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MEMBER HOARD:

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CHAIR VAN ALFEN:

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remotely today.

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the general public.

Present.
Who is joining us

Annelisa Purdie, representing

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MEMBER PURDIE:

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CHAIR VAN ALFEN:

Present.
And I am Peter van

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Alfen, the Member Specially Qualified as a

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Numismatic Curator and the chairperson of the

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CCAC.

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And I believe we do have a quorum.
The agenda for today's public meeting

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includes the approval of minutes and letters to

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the secretary from the September 24th, 2024,

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public meeting; the public service award for

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former CCAC member Dennis Tucker; the review and

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discussion of candidate designs for the 2026 to

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2028 Platinum Proof coins; the 2026 quarter

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number one, Declaration of Independence; the 2026

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quarter number two, U.S. Constitution; the 2026

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quarter number three, Abolitionism; 2026 quarter

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number four, Suffrage; and the 2026 quarter

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number five, Civil Rights.

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When we return tomorrow at 8:30 a.m.,
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we will at that time review and discuss the 2026

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dime and the 2026 half-dollar.

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Finally, tomorrow we will discuss and

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identify design recommendations for all of the

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aforementioned 2026 semi-quincentennial coins and

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the next Platinum Proof series.

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Before we begin our proceedings, I

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will ask the Mint liaison to the CCAC, Ms.

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Jennifer Warren, if we are aware of any members

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of the press who are remotely watching the public

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meeting.

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MS. WARREN:

This is Jennifer Warren.

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Mike Unser, founder and editor of CoinNews Media

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Group, and Paul Gilkes, Coin World's senior

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editor.

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CHAIR VAN ALFEN:

Thank you, Jennifer.

And welcome, gentlemen.
For the record, I would also like to

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confirm that the following Mint staff are in

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attendance today.

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after I have called your name.

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Chief Office of Design Management.

So, please indicate present

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MS. STAFFORD:

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CHAIR VAN ALFEN:

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April Stafford,

Present.
Megan Sullivan,

Senior Design Specialist.
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MS. SULLIVAN:

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CHAIR VAN ALFEN:

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Present.

Senior Design Specialist.

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MR. VASQUEZ:

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CHAIR VAN ALFEN:

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Present.

MR. EVANS:

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CHAIR VAN ALFEN:

Present.

MS. HANCHOCK:

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CHAIR VAN ALFEN:

Present.

MS. BAIJAL:

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CHAIR VAN ALFEN:

Present.
Joseph Menna, Chief

Engraver.

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MR. MENNA:

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CHAIR VAN ALFEN:

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Sukrita Baijal,

Design Manager.

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Boneza Hanchock,

Design Manager.

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Russell Evans,

Design Manager.

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Roger Vasquez,

Present.
Michael Costello,

Manager of Design and Engraving.

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MR. COSTELLO:

Present.

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CHAIR VAN ALFEN:

Jennifer Warren,

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Director of Legislative and Intergovernmental

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Affairs and Liaison to the CCAC.

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MS. WARREN:

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CHAIR VAN ALFEN:

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Present.
Greg Weinman, Deputy

Chief Counsel and Counsel to the CCAC.
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MR. WEINMAN:

Present.

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CHAIR VAN ALFEN:

And Brendan Tate,

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Senior Government Affairs Specialist, Office of

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Legislative and Intergovernmental Affairs.

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MR. TATE:

Present.

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CHAIR VAN ALFEN:

And finally, I want

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to note for the record that we will be joined

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later in the meeting by stakeholders and subject

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matter experts for the various coins we are

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reviewing today.
For the Platinum Proof Series 2026

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quarter number one Declaration of Independence,

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and 2026 quarter number two U.S. Constitution, we

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may be joined by Richard Hunt, Director of the

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Center for Legislative Archives at the National

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Archives, the records administration, and Lee Ann

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Potter, Director of Professional Learning and

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Outreach Initiatives, Library of Congress.

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For the 2026 quarter number three,

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Abolitionism, we may be joined by Ken Morris, the

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great-great-great-grandson of Frederick Douglass,

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and Mary Elliott, Curator of the National Museum

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of African-American History and Culture.

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For the 2026 quarter number four,
Suffrage, we may be joined by Jen Herrera, Vicewww.CapitalReportingCompany.com
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President, External Affairs, of the National

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Women's History Museum, Dr. Sherie Randolph,

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Associate Professor of History at the Georgia

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Institute of Technology, Dr. Allida Black,

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Managing Director, Allenswood Group LLC, Marjorie

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Spruill, NWHM Scholars Advisory Council at the

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National Women's History Museum, and Angela Tate,

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Museum of African-American History in Boston,

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Massachusetts.

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For the 2026 quarter number five,

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Civil Rights, we may be joined by Ruby Bridges

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and Lance Volland, and Mary Elliott, Curator,

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National Museum of African-American History and

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Culture.

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And we certainly look forward to

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welcoming you all and to hearing your expertise

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on these designs.

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I'd like to begin now with the Mint.

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Are there any other issues that need to be

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addressed before we start?

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All right.

Well, hearing none, then

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the first order of business for this Committee is

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the review and approval of the CCAC minutes and

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letters to the Secretary of the Treasury, from

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our public meeting on September 24, 2024.
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there any comments on the documents?

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3

All right.

motion to approve the minutes and letters.

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5

MEMBER BERNSTEIN:

CHAIR VAN ALFEN:

MEMBER CAPOZZOLA:

CHAIR VAN ALFEN:

Chris Capozzola,

Thank you very much.

All those in favor, please signify by saying aye.

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(Chorus of aye.)

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CHAIR VAN ALFEN:

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Is there

second.

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11

All right.

a second?

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9

Arthur Bernstein,

so moved.

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7

Hearing none, is there a

right.

Any objections?

All

Hearing none, the motion carries.

15

The next order of business is, in

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fact, a real pleasure.

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presentation of the Citizens Coinage Advisory

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Committee Public Service Award to Dennis Tucker,

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who is with us today.

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And that is the

In recognition of his loyal and

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outstanding service, Deputy Director McNally will

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be presenting this award to Dennis in a few

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moments.

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comments.

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But first, I would like to offer a few

One of the great joys of serving on
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the CCAC is getting to know my colleagues, both

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on a professional level, of course, but also on a

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personal level, forming bonds that go well beyond

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the work we do together on this Committee.

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In the four years we've served

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together on the CCAC, Dennis never failed to

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impress me with his wonderfully crafted reviews

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of the portfolios and the great care he put into

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his observations.

Dennis is, after all, an

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award-winning numismatic researcher and writer,

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and it certainly shows.

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Since his departure, I dare say that

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the CCAC has in fact lost some of its eloquence.

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I am thrilled too that Dennis's family is able to

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join us today -- his husband Alex and a daughter

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Ava, since he often talked about them with a

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great deal of joy and pride.

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they, in turn, will take pride in the honor that

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Dennis receives this morning, for the

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contributions he had made to our nation's coinage

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during his time on the CCAC, in addition to the

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camaraderie and friendship he brought to us all

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on this committee.

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And I'm sure that

So, Dennis, I do want to thank you
personally for all you've done for the CCAC,
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and just say your presence has truly been missed.
And now, I will turn this over to
Deputy Director McNally.
DEPUTY DIRECTOR MCNALLY:

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morning, everyone.

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also, to include Iggy the Iguana.

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might have been left off.

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We see you there.

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Okay.

Okay.

And welcome to Dennis' family
I think he

But Iggy, we see you.

And the director really is sad

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she can't be here today and she sends her

11

congratulations on your work.

12

Good

Appointed to the CCAC in February

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2016, Dennis Tucker served as a Member Specially

14

Qualified in Numismatics, until April of 2024.

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He is a renowned researcher that has

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written and lectured nationwide on coins, medals,

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and other antiques and collectibles.

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He became a collector at the age of

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seven, and is a lifelong member of the American

20

Numismatic Association.

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Dennis is the author of American Gold

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and Silver, U.S. Mint Collector in Investor Coins

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and Medals, Bicentennial To-Date, the Standard

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Reference on American Arts and Gold Medallions,

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American Buffalo Gold Coins, First Spouse Gold
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Coins, America the Beautiful Silver Coins, and

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related U.S. bullion coins and medals.

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As a member of the CCAC, Dennis was

4

extremely committed to the work of the Committee.

5

Mr. Tucker's last meeting was in April of 2024,

6

and today we're honoring him for his service to

7

the CCAC, the Mint, the Department of the

8

Treasury, by presenting him with the Citizens

9

Coinage Advisory Committee Public Service Award.

10

The Citizens Coinage Advisory

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Committee Public Service Award recognizes the

12

contributions of a member of the CCAC who

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honorably served the public's interest by

14

advising the Secretary of the Treasury on theme

15

and design proposals relating to the circulating

16

coinage, bullion coinage, numismatic coinage,

17

congressional gold medals, and national medals

18

produced by the United States Mint.

19

The award contains a framed

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certificate and two bronze medals

21

Alexander Hamilton Secretary's medal, and a

22

three-inch bronze or silver medal, reviewed by

23

the CCAC, typically during the member's service.

24

Mr. Tucker asked to have the Philippino Veterans

25

of World War II bronze medal.
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Today, I am pleased to present the

2

Citizens Coinage Advisory Committee Public

3

Service Award to Dennis Tucker.

4

(Applause.)

5

DEPUTY DIRECTOR MCNALLY:

I'll now

6

give you the opportunity to speak.

7

if you want to use the microphone, but here you

8

go if you do.

9

MR. TUCKER:

I don't know

Thank you, members and

10

directors.

11

2016 -- I'm Dennis Tucker.

12

to the CCAC in 2016, congratulations poured in

13

from friends and colleagues.

14

When I was nominated to the CCAC in
When I was nominated

And I had to protest.

Wait a little

15

bit.

16

term and do a good job, congratulate me then.

17

I haven't done anything yet.

If I serve my

The most satisfying feedback to my

18

Committee work came in 2020, when I was nominated

19

and appointed to serve a second term.

20

grateful for that affirmation that I was indeed

21

doing valuable work.

22

I was

To my friends and colleagues on the

23

Committee, past and present, I say, thank you.

24

Continue forward, as always.

25

To my friends and colleagues within
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the Mint, I quote my friend and mentor, Q. David

2

Bowers, onward and upward.

3

help move our nation toward a more perfect union.

4

As a numismatist, serving on the CCAC

Your work really does

5

has been an eye-opening and intellectually

6

enriching experience.

7

these past eight years, contributing to work that

8

both reflects and influences American culture and

9

history.

10

It's been a privilege

Of course, no act of public service is

11

performed in a vacuum.

12

applying for membership on the CCAC, get your

13

spouse's permission.

14

My best advice if you're

The reason is, if you approach this

15

work correctly, it will consume long hours and a

16

lot of energy, and study and research time,

17

attention, travel, meetings.

18

If you do it right, then it also

19

becomes an act of public service and sacrifice

20

from your family.

21

For that reason, I have to thank and

22

credit my very supportive husband, Dr. Alexander

23

Santos.

24
25

Alex is a pediatric ICU physician.
His entire career has been devoted to the common
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good.

And when I engage in public service, it's

2

with him as my inspiration.

3

I also happily thank our smart,

4

creative, and very supportive Daughter, Ava

5

Tucker-Santos.

6

Ava was born in 2016, the year I

7

joined the CCAC.

8

hearing about this Committee and all of you.

9

our work together.

10

So, she's literally grown up
And

Everyone in this room knows that my

11

favorite job is being her dad, and that she's

12

never far from my thoughts.

13

Circling back to numismatics, the

14

birch copper cent of 1792 has lettering around

15

its edge that reads, to be esteemed, be useful.

16

I am pleased to have been useful to

17

the U.S. Treasury Department and to the United

18

States Mint.

19

beautiful public service award as a symbol of the

20

Mint's esteem.

I will always treasure this

Thank you.

21

(Applause.)

22

CHAIR VAN ALFEN:

Dennis, thank you

23

again for your usefulness.

And I once again want

24

to say that we certainly do miss you on this

25

Committee.

And I'm very happy that you and your
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family, Alex and Ava, were able to join us today,

2

as well as Iggy, who, we cannot certainly forget

3

Iggy.

4

All right, before we continue on, I'd

5

like to say a few words.

6

will be reviewing today and tomorrow for the

7

circulating coinage -- oh, actually, we'll wait

8

until that photograph is finished.

9

The portfolios that we

Sorry.

(Off-mic comments.)

10

MEMBER SCARINCI:

Sam, you're not

11

feeling too much pressure, are you?

12

(Laughter.)

13

MEMBER GELBERD:

14

CHAIR VAN ALFEN:

Be useful.
All right.

Yes.
So,

15

before we continue, I'd like to say a few words.

16

The portfolios we will be reviewing today and

17

tomorrow for the circulating coinage celebrating

18

the 2026 Semiquincentennial with the Declaration

19

of Independence, are in many ways both an

20

engagement with, and a dramatic departure from,

21

the types of designs found on the circulating

22

coinage the Mint has produced over last

23

230 years.

24
25

Public Law 116-330, the Circulating
Collectable Coin Redesign Act enabling these
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designs, is enticingly vague in some respects,

2

but specific in others, making the

3

conceptualization and representation of who we

4

are as a nation as this historical juncture, on

5

small stamp pieces of metal no less, an

6

exceptionally difficult task.

7

These portfolios are the culmination

8

of nearly three years of diligent, balanced, and

9

careful work on the part of the Mint, in

10

consultation with several commissions,

11

committees, subject matter specialists, and even

12

the general public, all of which has been

13

coordinated by the Mint's Office of Design

14

Management, or ODM.

15

And here, I do want to congratulate

16

not just the Mint's director and the staff on

17

these momentous portfolios, but particularly, the

18

Director of ODM, April Stafford, and her team,

19

for all that they have done to bring them to

20

completion.

21

The portfolios for the dime, quarters,

22

and the half-dollar, as we will hear, were

23

conceived as a unified program representing three

24

acts, from the spark leading to independence,

25

through critical and often grueling inflection
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points, culminating with a look to the future.

2

As I reviewed these portfolios, I was

3

struck once again by how seriously hard and messy

4

the last 250 years has at times been for our

5

nation, but also awed, by the fact that we the

6

people have nevertheless managed to keep this

7

Republic and Democratic experiment going for

8

centuries now.

9

This is an outstanding collective

10

achievement.

11

recognize in these portfolios, that there is

12

never a single history of an event, or even of a

13

nation, but rather, many different histories,

14

from different perspectives.

15

And as a historian, I also

Some of these portfolios celebrate and

16

elevate perspectives yet to be seen on

17

circulating coins.

18

And that is to be commended.

Without question, we are a nation of

19

many differences.

20

centuries ago, and remains true today.

21

This was true two and a half

But amazingly, at crucial moments, we

22

have come together and made the necessary turn

23

towards a more perfect union, in the hope that

24

each and every one of us can have a good and

25

decent life, a hope born of that first spark,
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leading to independence.

2

That hope has yet to be entirely

3

fulfilled, and is something that we all must

4

continually strive for.

5

a good thing and is, from my perspective, what

6

these portfolios largely reflect.

7

But this common goal is

With that, we will move on to the

8

first portfolio to be reviewed today.

9

is, the Obverse Candidate Designs for the 2026

10

through 2028 Platinum Proof Coins, which April

11

Stafford and Sukrita Baijal will now present.

12

There will be two.

13

MS. STAFFORD:

And that

Thank you so much.

14

Some history of the American Eagle Platinum Proof

15

Program.

16

offers that the American Eagle Coin Program

17

offers a range of full silver, platinum, and

18

palladium bullion coins to investors, alongside

19

proof and uncirculated versions.

20

It was established in 1986 and it

Of particular distinction are the

21

American Eagle Platinum Proof Coins, introduced

22

in 1997, and bearing the highest denomination of

23

$100 for any U.S. legal tender coin, and printed

24

with the W mark of the mint at West Point.

25

coins are struck on one ounce of 99.95 percent
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premium platinum.

2

A hallmark of this program's rich

3

history has been to thematically tie individual

4

coins together to form multi-year series that

5

share a common obverse or reverse across all

6

designs.

7

The current series, First Amendment to

8

the United States Constitution, launched in 2021,

9

and will continue through 2025.

10

Since 2018, a common reverse design

11

has united the coins, featuring an eagle in

12

flight carrying an olive branch, along with the

13

inscriptions, United States of America, $100,

14

once ounce, and .9995 platinum.

15

The obverse includes the inscriptions,

16

Liberty, E. Pluribus Unum, and the year of

17

minting more issuance, as well as, In God We

18

Trust.

19

So, the next series is for 2026

20

through 2028, and is it the Charters of Freedom

21

Series.

22

Launching in 2026 to coincide with the

23

nation's semiquincentennial, the United States

24

Mint will produce the Charters of Freedom

25

Platinum Proof Coin Series.
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This series is inspired by the

2

National Archive Museum's Rotunda for the

3

Charters of Freedom, where these treasures are

4

housed, will consist of three Platinum Proof

5

coins produced over three years, each dedicated

6

to one of the three essential documents to the

7

founding of the United States -- the Declaration

8

of Independence, the U.S. Constitution, and the

9

Bill of Rights.

10

This series will honor the core

11

principles of the nation as mapped out in these

12

charters, and inspire a deeper understanding and

13

appreciation for the documents that have guided

14

the U.S. through our 250 years of history.

15

These documents collectively define

16

and refine a vision for the nation.

17

the consent of the governed to form a more

18

perfect union and champion individual liberties

19

to reaffirm the commitment to democratic ideals.

20

One based on

Eight artists submitted candidate

21

designs for the 2026 Platinum Proof Coin honoring

22

the Declaration of Independence.

23

reviewed by the Citizens Coinage Advisory

24

Committee and the U.S. Commission of Fine Art in

25

July 2024.

And these were

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Based on that feedback, three artists

2

were invited to revise their 2026 designs, and

3

develop candidate designs for the second and

4

third installment of the series.

5

Each artist is previewing their

6

Charters of Freedom three-year set based on CCAC

7

and CFA recommendations.

8

forward.

9

One set will move

Designs in this portfolio are also

10

featured in the Declaration of Independence

11

quarter and the U.S. Constitution quarter

12

portfolio.

13

So, we will start with set one.

This

14

set employs the symbolism of nature to chronicle

15

America's journey through its founding documents.

16

Through a carefully crafted

17

progression of environmental motifs, it traces

18

the transformational impact of each charter,

19

together illustrating a living embodiment of our

20

American democracy.

21

Note that set one offers a variation

22

for its Declaration of Independence coin, seen as

23

follows.

24
25

We'll go to the first design.
So, the Declaration of Independence

design 1 and 1A depict sun rays beginning to
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emerge through storm clouds, representing the

2

dawn of a new nation arising from the turmoil of

3

revolution, as well as the enlightenment ideas

4

that influence the Declaration of Independence.

5

A quill, symbolizing the declaration's

6

sweeps over the landscape, marking the nation's

7

founding and the power of revolutionary ideas to

8

catalyze change.

9

The additional inscription is

10

Declaration of Independence design 1,

11

incorporates the date range -- 1776 through 2026

12

in the border, while design 1A features thirteen

13

stars, representing the original colonies, in the

14

border.

15

Moving on to the U.S. Constitution

16

design for set one, this design shows the storm

17

clouds receding and the sunlight growing

18

stronger, marking the nation's transition to

19

self-governance.

20

In place of the quill, a young tree

21

has taken root, representing the Constitution as

22

a living framework in this American landscape.

23

Its form echoes the shape of the quill, a visual

24

reminder that this new system of government is

25

informed by, and built upon, the values and
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ideals set forth in the Declaration of

2

Independence, thirteen stars representing the

3

colonies' frame the scene.

4

inspection is U.S. Constitution.

5

The additional

And for the Bill of Rights design in

6

set one, this design reveals now a maturing tree,

7

its canopy offering shelter and protection.

8

powerful metaphor for the rights and freedoms

9

guaranteed to citizens in the Bill of Rights.

10

A

Beneath it, a child gazes forward,

11

representing the people whose rights are

12

safeguarded now, and the protection provided to

13

future generations.

14

The scene is now fully illuminated by

15

sunlight, suggesting the powerful influence of

16

these founding documents on our nation, thirteen

17

stars representing the colonies, encircle the

18

design with the additional inscription, Bill of

19

Rights.

20

Moving on to set two.

This set places

21

the Charters of Freedom at the center of vivid

22

allegorical scenes that tell the story of our

23

nation's founding documents.

24
25

By weaving the physical documents into
rich, symbolic imagery, these designs convey the
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profound ideas, enduring values, and essential

2

roles our founding documents have played in

3

shaping our democracy and inspiring Americans

4

throughout our 250 years.

5

Note again that set two offers a

6

variation for its Declaration of Independence

7

coin, seen here.

8

designs for set two, we have design 1 and 1A,

9

these portray the drafting of the Declaration of

10

The Declaration of Independence

Independence.

11

The document and thirteen stars,

12

connoting the original colonies, ascend upwards

13

to accent the spark of enlightenment.

14

The collection of stars also evokes

15

fireworks on the fourth of July.

16

arm rests upon an ornate desk carved with an

17

ocean motif reflecting the journey from British

18

rule to independence.

19

liberty highlights American ideals.

20

The writer's

The carved torch of

Design 1A depicts the spark of

21

enlightenment highlighting the writer's quill,

22

emphasizing that revolutionary ideas contained

23

within the document were born, debated, and

24

articulated by individuals who choose to take

25

action.

The additional inscription is
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Declaration of Independence.

2

For the Constitution design for set

3

two, this design illustrates the crafting of the

4

United States Constitution, an allegorical

5

depiction of nation-building.

6

through the dissipating clouds, as construction

7

workers labor together erecting the framework of

8

the U.S. Constitution.

9

Sunlight breaks

The document is positioned

10

prominently, forming the structure's main feature

11

and providing protection to the systems of

12

government that will be housed within.

13

additional inscription is U.S. Constitution.

14

The

And the Bill of Rights design for set

15

two, seen here, shows the Bill of Rights as a

16

safeguard to Americans' fundamental rights,

17

including the freedom of religion, speech, press,

18

assembly, and due process of law.

19

The document curls itself above a

20

sapling, offering protection from the storm

21

overhead.

22

grows, representing both the young nation and the

23

flourishing of Americans' essential freedoms

24

under this charter.

25

is Bill of Rights.

Beneath this shelter the sapling

The additional inscription

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And finally, set three.

This set

2

employs the consistent imagery and symbolism of a

3

quill and parchment to amplify the key concepts

4

enshrined in the Charters of Freedom, showcasing

5

the transformative power of the written word in

6

founding our democracy.

7

Through carefully chosen phrases and

8

hand-drawn lettering, this series boldly brings

9

focus to the core meaning of each founding

10

document.

11

For the Declaration design for set

12

three, this design captures the discovery that

13

Thomas Jefferson struck the word subjects from a

14

draft of the Declaration of Independence, and

15

replaced it with citizens.

16

This represents a monumental shift in

17

the identity of America, no longer subjects of

18

any nation, but citizens of an emerging

19

democratic republic.

20

The additional inscriptions are, from

21

Subjects to Citizens, and, Declaration of

22

Independence.

23

The Constitution design for set three

24

spotlights the iconic phrase, We, the People,

25

from the preamble of the United States
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Constitution.

2

Dominating the field, it proclaims the

3

American people coming together under a

4

representative government grounded in the consent

5

of the governed.

6

U.S. Constitution.

7

The additional inscription is

And finally, the Bill of Rights design

8

for set three asserts the essential individual

9

protections provided to the people by the Bill of

10

Rights.

11

The quill connects with the words, Our

12

Rights Protected, forming a continuous line to

13

represent the ongoing protections of our civil

14

liberties provided to us by this founding

15

document.

16

Rights.

17

The additional inscription is Bill of

That concludes the Candidate Designs.

18

And I would just like to remind you, Mr. Chair,

19

that we have Richard Hunt and/or Lee Ann Potter

20

joining us, if you have any questions, or would

21

like to get their input on the portfolio.

22

CHAIR VAN ALFEN:

All right.

Thank

23

you very much.

At this point also, I would like

24

to note that we are reviewing this morning, the

25

Platinum Proof Series Candidate Designs, in
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addition to the two quarters, one dealing with

2

the Declaration of Independence, and the other,

3

number two, dealing with the Constitution,

4

because of the obvious overlap, the subject

5

matter between the Platinum Proof Series and

6

these two quarters.

7

In fact, some of the obverse candidate

8

designs in the Platinum Proof Series, also appear

9

as reverse candidate designs in the two quarter

10
11

series.
So, we will be looking at these all

12

together, essentially, this morning, and having a

13

discussion, once we have voted on all of this

14

early this afternoon, after lunch.

15

At this point, I would like to ask if

16

there are any technical or legal questions from

17

the Committee about this program or the designs

18

for the 2026 through 2028 Platinum Proof Coins,

19

before we begin a general discussion.

20

MEMBER SAUNDERS:

John?

John Saunders here.

21

Just want to verify that you are looking for us

22

to pick one series of three related coins, and

23

not pick and choose from the different designs.

24
25

MS. STAFFORD:

Yes, sir.

Although the

CCAC is able to make whatever recommendations you
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deem fit, the concept was to have these designs

2

conceived and created by a same hand, to ensure

3

that the style, as well as the messaging, works

4

across the series.

5

CHAIR VAN ALFEN:

April, I do have a

6

question.

The fact that there are designs for

7

obverses that appear on the Platinum Proof, as

8

well as similar designs that appear as reverse

9

candidate designs for the quarters, would there

10

be an exclusivity if the Committee were, for

11

example, to choose a similar design, both for the

12

Platinum Proof and for the quarter?

13

be a problem with that?

14

to --

15
16
17
18
19
20
21
22
23

MS. STAFFORD:
aware of.

Would there

Or would it be possible

No.

None that I'm

Greg?
MR. WEINMAN:

No.

And keeping in

mind, this is a recommendation.
CHAIR VAN ALFEN:

A recommendation.

That's correct.
MR. WEINMAN:

And so, we're going to

take whole scripture of what your thoughts are.
MS. STAFFORD:

We have had those

24

discussions in the past, that there might be

25

value to having a circulating coin and a highly
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collectible precious-metal coin.

2

imagery there to be some kind of connection

3

there.

4

CHAIR VAN ALFEN:

There's similar

Thank you very much.

5

Any other comments or questions, before we begin

6

our discussion?

7

All right.

So, let's begin.

And I

8

would like to remind members to please try to

9

keep your comments to five minutes or less, and

10

to identify yourself for the record before you

11

speak.

12

begin, please.

And Jeanne Stevens-Sollman, if you would

13

MEMBER STEVENS-SOLLMAN:

Okay.

14

Jane Stevens-Sollman.

15

congratulate the committee and the staff for

16

putting together this incredible portfolio,

17

which, for me, is very overwhelming.

18

I'm

And I'm going to

I have had to live with these designs

19

for a while, to understand what we're doing and

20

where we're going.

21

And I don't know if I should speak to

22

all of them or not.

Some of them obviously I

23

like better than others, but I think that number

24

three, series number three, relates very well to

25

each other.

I think this was a very strong and
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2

positive series.
However, I liked all of them.

Not

3

equally, but all of them.

4

towards this, except I think that there's a lot

5

of beauty in the series of number one.

6

back to series one.

7

Yes.

So, I'm leaning

We can go

Okay.

The Declaration of Independence I

8

think is pretty powerful.

But it is lacking in

9

the Constitution and the Bill of Rights where the

10

sun has these little rays coming out.

11

think that that falls short of what is presented

12

in the Declaration of Independence.

13

And I

So, I would certainly support this

14

series if the sun were similar to the sun that we

15

have in the Declaration of Independence.

16

don't know if it's too late to make that

17

preference or not.

18

Thank you very much, Mr. Chairman.

19
20
21

And I

But that's all I have to say.

CHAIR VAN ALFEN:

Sam Gelberd, if you

would, please.
MEMBER GELBERD:

Thank you, Peter.

22

This is Sam Gelberd.

23

hope I can be as esteemed as Dennis Tucker was,

24

as useful as I can.

25

And to the Committee, just

With that being said, I actually do
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prefer the designs in set two.

2

they're great allegories for the entire series.

3

Overall, I think

For our platinum coinage, I think

4

it'll be a nice continuance moving on in the

5

program.

6

For the first coin, for the

7

Declaration, I do prefer a coin design 01A.

8

concerned that there may be some confusion.

9

People might say, well, there's only twelve

10

stars, not realizing the sun is a star, of

11

course.

12

I'm

So, I do kind of like that we have the

13

thirteen stars displayed in that manner.

14

really, great way of conveying the drafting of a

15

new beginning for our nation.

16

Really,

And that being said, with the

17

Constitution design, great imagery, with the sun

18

rising and seeing laborers working on the new

19

nation, and of course, continuing with the Bill

20

of Rights design, obverse, be either one.

21

I think it does a nice job of

22

conveying the metaphor of protection for a

23

fledgling nation a little bit better than the

24

same coin in set one.

25

So, that is the set that I would go
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with.

And that's all I wanted to add.

2

you, Peter.

3
4

CHAIR VAN ALFEN:

Thank

Thank you, Sam.

Mike Moran, if you would, please.

5

MEMBER MORAN:

Thank you, Peter.

This

6

is Mike Moran.

I'm going to go the opposite

7

direction from Sam, even though he's sitting next

8

to me here.

9

for the simple reason that the -- well, it's a

I like number three.

And I like it

10

unifying element, design element across all

11

three.

12

it's not difficult to understand whatsoever.

13

look at it and you understand immediately where

14

they're coming from.

It's very simple, very straightforward,

15

You

I feel like that number two's too busy

16

to suit me.

Number one is okay.

I particularly

17

like 1A, the one for the Declaration of

18

Independence.

19

quarter.

That's one of my charges for the

20

But I agree that there's not a unity

21

of design across the three of them that I see in

22

number three.

23

three.

24
25

So, I'll be voting for number

CHAIR VAN ALFEN:

Thank you, Mike.

Art Bernstein, if you would, please.
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MEMBER BERNSTEIN:

2

is Arthur Bernstein.

3

to be uniformly beautiful.

4

inspiring.

5

Good morning.

This

I find all of these designs
They're just

And so, the job was a little harder.
If we look at series two, I'm going to

6

add to something Mike said, and which is, I find

7

it just to be a little too busy, particularly the

8

Constitution design with all that construction,

9

people moving around the base of the coin.

10

And for the Bill of Rights coin, I'm

11

sorry, but those raindrops to me just look like

12

missile heads.

13

appeared to be raindrops.

14

And I just didn't think it

I lean towards series one, with a

15

preference for the Declaration design that has

16

the stars, the 1-A.

17

consistency of the stars on all three coins.

18

The beauty of that evolving quill I

19

found to be moving.

20

is for series one.

21

you very much, Art.

23

continue, please.

25

And that's why my preference

CHAIR VAN ALFEN:

22

24

I'd like to see the

Thank

Dr. Christopher Capozzola,

MEMBER CAPOZZOLA:
is Chris Capozzola.

All right.

All right.

This

I think we are struggling

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with having too many moving parts in this and

2

knowing that the circulating coin is also on

3

their mind as we're doing this.

4

to me, I think I'll go sort of in ascending

5

order, that I felt that set number two does not

6

really succeed because I think, not so much

7

because it's busy -- because I think in this

8

format, that would be legible to people -- but

9

because thematically, I'm not sure that the

10

But I would say,

metaphor's coherent.

11

There's construction in one place,

12

there's cultivation in another.

13

not quite -- it's trying to communicate too many

14

things.

15

And I think it's

Set three I think is fantastic and

16

rich, really coherent over the set of it.

17

only struggle with this is I really, really love

18

sort of 3-C-01 as a possible quarter for the

19

circulating.

20

think about later.

21

And my

And so, that's something for us to

The only thing I would say on set

22

three, I do think there is some work or attention

23

to be paid to the font of the cursive, and both

24

in the declaration, where it says, from subjects

25

to, and then in the Bill of Rights where it says,
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from subject to, and then, in the Bill of Rights

2

where it says, Our Rights Protected.

3

I would like to see the font of that

4

cursive to more closely approximate historic font

5

of, We the People, which is, of course,

6

immediately recognizable to Americans all around

7

the world.

8
9

Set one has a natural coherence to it
and is very clear and legible.

I had less

10

problems with this one than maybe other members

11

of the Committee.

12

and easy, and very safe.

13

This is sort of, like, good

My only suggestion here, I found

14

1-D-01A more compelling, because then you end up

15

with a date in the bottom right coherently across

16

all three, 26, 27, 28.

17

comments.

18
19

And those are all my

Thank you.
CHAIR VAN ALFEN:

Annelisa Purdie, if

you would, please.

20

MEMBER PURDIE:

Good morning,

21

everyone.

This is Annelisa Purdie.

I'm going to

22

keep my comments very brief.

23

favorite design set was also number three.

24

think the continuity works really well.

25

the font, it's giving Schoolhouse Rock memories,

Overall, my

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which is always wonderful.

2

But it's also a great conversation

3

piece.

I think what these two talk about are

4

foundation documents and how the relate to who we

5

are as a nation.

6

that they're beautifully rendered.

7

For set number two, I think

But I also think they're a little on

8

the nose, in terms of the metaphors.

9

lot going on.

10

There are a

I'm also concerned especially for

11

02-B-01, about that parchment withering away with

12

the rain.

13

I understand the message, but there is

14

a lot of things going on with them.

15

beautifully rendered.

16

2-D-01A with the waves on the desk, which is

17

something I noticed when I first looked at this

18

portfolio.

19

But they're

I love the design on

For set number one, I think the arch

20

component is beautiful in the transition from the

21

quill to the sapling to the tree.

22

with this one is that the sun doesn't seem to be

23

consistent across the portfolio designs.

My only caveat

24

In the first design, it's beautiful

25

with the rays coming through the clouds and the
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shadows.

For the U.S. Constitution and Bill of

2

Rights coins, the way that the rays are rendered

3

doesn't quite match the first one, so it loses

4

some of that effect.

5

But overall, I think this beam of that

6

arch is beautiful and circling, especially for

7

the last one with the Bill of Rights one.

8

like that beam.

9

But I

I like the idea.

Also curious about this model of tree.

10

I like the idea that it's swaying but not

11

breaking, which can also be a metaphor for our

12

nation.

And that's it for me.

Thank you.

13

CHAIR VAN ALFEN:

Donald Scarinci.

14

MEMBER SCARINCI:

Thanks.

I agree

15

with much of what's been said so far.

16

is a great portfolio.

17

be commended for their work on this portfolio.

18

Every single one of the gets a merit, as far as

19

I'm concerned.

20

The artists really should

Having said that, I did something

21

interesting.

22

series.

23

which would go best in the series.

24

always look at the series.

25

And this

I have the series.

I got the whole

I pulled it out to study them and to see
Because I

Set number one, what I really love
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about set number one, and unless I get persuaded

2

otherwise by what someone else says, set number

3

one is the perfect sequel to what we just did

4

with the four freedoms.

5

If you remember, the last four years

6

we had trees and used trees, which they were just

7

stunning coins.

8

emotionally.

9

I mean, they move you

Right?
And that, in my mind, makes it art.

10

Right?

11

one is the perfect sequel to that.

12

of reasons.

13

If it moves you.

And I think set number
And for a lot

Set number two, people are saying,

14

well, it's too busy, it's trying to

15

communicate -- or someone else said it's trying

16

to communicate too many things.

17

And I think that is the case.

I think

18

in the attempt to communicate a message with so

19

many little tableaus -- they're not tableaus, but

20

I'll call them tableaus -- within the coin, we

21

lose the emotional impact.

22

And maybe these coins would be better

23

as coins that are more commonly collected.

24

series is not commonly collected.

25

expensive series.

It's an

Right?

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So, perhaps this might be better

2

served in a different portfolio, because I think

3

the message is muddled, I'll call it.

4

And kind of deflects from the emotional impact

5

that set one has.

6

Right?

Set three really punches you in the

7

face with words.

Right?

And I'll you an

8

interesting story, if I don't run out of time.

9

I'll tell you an interesting story

10

about the We The People.

11

happened in 1787 is, after everybody left --

12

because they did the Great Compromise -- a

13

committee on unresolved issues was formed.

14

Right?

Because what

And twenty percent of the Constitution

15

was drafted by that committee.

16

David Brearly, my person from New Jersey, the

17

signer from New Jersey, chaired that committee.

18

Right?

Which

After the convention concluded on

19

everything that was going to be in the document,

20

it had to then go to another committee, which was

21

a committee to draft the final version of the

22

Constitution.

23

During that committee, Governor

24

Morris, who chaired that committee, changed the

25

word, states, to the word, people.
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And that shift of word -- from state

2

to people -- shifted sovereignty.

3

in sovereignty is ultimately what allowed Abraham

4

Lincoln to prevent secession.

5

So, I think that's just an interesting

6

side story.

7

But it's cool.

8
9

And the shift

I don't know why I told you that.

And I just think these designs -- I
don't want to use the word simplistic.

These

10

designs, the words here hit you in the face.

11

Again, this would be maybe much better in a more

12

commonly collected series.

13

But I think when we're doing this

14

series, in my mind the best fit for the overall

15

set, especially on the heels of four freedoms, is

16

set number one.

17

CHAIR VAN ALFEN:

Thank you very much

18

and thank you for your informative digression.

19

John Saunders, if you would, please.

20

MEMBER SAUNDERS:

Thank you, Peter.

21

John Saunders here.

22

example set earlier and do this in ascending

23

order.

24
25

I'm going to follow the

Set two is the one I like the least.
I liked set two, the first design, a lot.
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appealed to me a lot.

The second one was okay.

2

I liked the image of building things, construc-

3
4

tion, though I agree that it's kind of busy.

5

I didn't like the third one.

Part of

6

it was because the freestyle, I believe, or the

7

sapling, it looks like a bean sprout to me,

8

number one, rather than a tree sapling.

9

And just the overall appearance did

10

not appeal to me.

11

comments -- the raindrops are missiles coming

12

in -- may explain it.

13

to me, the overall appearances.

14

I mean, a couple of

But it just did not appeal

The third set I like a lot.

I could

15

be completely happy with this one.

16

think these documents are about words.

17

fact that the words hit you first doesn't bother

18

me at all.

19

design.

20

Unlike Don, I
And the

And I think they're a fantastic

My favorite was the first series.

21

Even more so after what Don mentioned, that the

22

trees on the earlier series, the platinum things

23

that ties in.

24
25

I just like the design.

I think in

terms of the sun, we could, following what Jeanne
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said, to make them consistent, we could add a

2

couple of rays going up for the first design,

3

rather than taking the rays away from the other

4

two.

5

The other comment I have is, I didn't

6

get that the middle design was a sapling.

7

mean, it looks to me like the same tree as in the

8

third design after a windstorm.

9

I

And I don't know if there's any way we

10

can make it look more clearly look like a

11

sapling.

12

I think it's okay if it doesn't, but

13

to get the symbolism, again, I know they weren't

14

the same size as the others, so maybe it's

15

impossible to make it look more like a sapling.

16

But to me, it looks like a tree after the

17

windstorm.

18

With that slightly negative comment,

19

I like the set very well.

20

with one or three.

21

one.

And I could be happy

I think my preference is with

22

CHAIR VAN ALFEN:

23

MEMBER HOARD:

Kellen Hoard.

Thank you.

This is

24

Kellen Hoard and it's good to see you all.

25

sorry I can't be there at this time.
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have been nice to be there though.

2

I didn't have to do sixteen hours on a plane

3

round trip.

4

And I'm glad

That would have been much worse.
For me, I'll keep this pretty short

5

because you're going to hear my voice a lot more

6

than you want to later on some of the other

7

designs.

8
9
10
11

So, for this one, I was really drawn
to set three.

I thought that was really the way

that we ought to go.
And the reason why is actually, I did

12

enjoy series one.

13

I'd actually like to see in later series, that we

14

consider this concept, again on set one, of one

15

design only kind of evolving for this series.

16

I thought it was interesting.

But actually, I was drawn to set three

17

for the opposite reason as Donald.

Which is that

18

it doesn't fit in with the rest of the series.

19

It's actually really kind of unique and involved

20

and issued in a way that we haven't seen before.

21

We just got off a series of doing the

22

First Amendment, which, to me, actually has quite

23

a bit of overlap with this one, right?

24

that's Bill of Rights overlapping.

25

Because

And I actually want to see something
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different.

2

featuring trees and nature.

3

see something totally different than that,

4

because we're kind of having the overlap again.

5

And at this point, it really does it quite

6

excellently.

7

design.

8
9
10

We had a Bill of Rights series
I'd like to actually

I think it's a bold, exciting

So, I will be quiet from there and
you'll hear much more from me later.

So, thanks

so much.

11

CHAIR VAN ALFEN:

Thank you, Kellen.

12

Thank you also for your warning about your voice

13

later on.

14

For my own comments, I also have a

15

very strong preference for number three.

16

that this set is very cohesive, that there's a

17

boldness and strength.

18

letters as well.

19

I find

And I also quite like the

I share some of the concerns with the

20

others about number two being a little too busy,

21

and some of the mixed metaphors.

22

And with set number one, I think that

23

this could do.

There also is a cohesiveness

24

here.

25

elements, such as the child's Bill of Rights

But I'm not as fond of some of the

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obverse, and also share with Jeanne some of the

2

concerns with the position of the sun.

3

With that, I will ask if there are any

4

additional questions, or even motions, from the

5

Committee at this time?

6

we will have further discussion and further

7

motions, and will be making a recommendation on

8

this set, as well as other material, tomorrow.

9

But at this stage, if there are any questions or

10

Now, keep in mind that

motions?

11

MS. STAFFORD:

Chairman?

I would just

12

share that, of course, as I stated earlier, we

13

are looking for a recommendation to move one set

14

forward.

15

third installments that are out here, we have the

16

ability to refine and potentially then bring back

17

to the Committee for consideration, on any of

18

those steps that, if there's still something

19

that's not quite what it needs to be, we can do

20

that without any issue.

21

But because we have the second and

CHAIR VAN ALFEN:

Thank you very much,

22

April.

23

asking in this meeting for a recommendation for

24

the Declaration of Independence for 2026.

25

So, just for clarification, you are

MS. STAFFORD:

Yes.

And like any of

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our recommendations we receive from the

2

committees, if that recommendation should also

3

have revisions or suggestions, obviously, those

4

can be effected as well.

5

bring light to the fact that this is a three-year

6

series, and 2027, 2028, we have more time in our

7

development schedule for it.

8

CHAIR VAN ALFEN:

9
10
11

you very much, April.

I was just trying to

All right.

Thank

John, I believe your hand

was raised.
MEMBER SAUNDERS:

Yes, John Saunders.

12

I'm not quite sure what our procedure is here.

13

would suggest if we're going to do a scoring of

14

it, even if we delay the final selection to

15

tomorrow, we score today stretching our mind.

16

And again, I'm not sure why we don't

17

just conclude the platinum today.

18

that maybe there's some cross-designs.

19

so, I would make motion that we conclude the

20

platinum today.

21

CHAIR VAN ALFEN:

I understand
But even

We could do that.

22

What I would suggest, since we are going to be

23

reviewing the quarters in addition, and then

24

scoring the quarters, and then having a

25

discussion about the Platinum Proof and the
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quarters this afternoon following lunch, that we

2

could at that time entertain a motion to

3

conclude, and make a recommendation on the

4

Platinum Proof this afternoon.

5

MEMBER SAUNDERS:

That'd be fine.

6

CHAIR VAN ALFEN:

Okay.

7

Donald, you had a --

8
9

All right.

MEMBER SCARINCI:
April said that.

10

Yeah, I'm so happy

I kind of felt she would.

So, the last thing in set 01.

If we

11

decide to go with set 01, which, by the way, I

12

agree with whoever said we should do 01A so that

13

the stars are compatible.

14

correct.

That's absolutely

15

But the third coin, the 2028 coin, I

16

am a little concerned that the sitting figure --

17

I'm concerned about the tree design as well.

18

also that the sitting figure is really

19

reminiscent of the 2017 coin -- Boys Town

20

coin -- that Emily Damstra did.

21

But

And that beautiful coin, which is a

22

work of art, with the reverse of the seated

23

figure, almost exactly similar to this seated

24

figure, in terms of the position of the arms and

25

the legs, and leaning up against the tree.
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So, I am concerned about the

2

similarity of this one with the Boys Town coin in

3

that one design element.

4

shouldn't be concerned about that.

5

so, I think if we could delay the -- yeah, that's

6

great.

7

like in the opposite direction.

8
9

That's the coin.

And I probably
But anyway,

So, it's almost kind of

But that's just a beautiful coin.

But

in any event, I am a little concerned about that,

10

so if we did have the time, since it's a 2028

11

coin, maybe we can see some different versions or

12

variations of that particular one.

13

And if people decide to go along with

14

that, we can always deal with that by motion,

15

presume.

I

Right?

16

(Off-mic comments.)

17

MEMBER SCARINCI:

Or they can just get

18

it out of the way.

19

to the story that I told, the Confederate

20

Constitution replaced the word, people, with the

21

word, states.

22

Oh, and by the way, a sequel

And it was a very similar

23

constitution, Confederate Constitution, except

24

they put people back.

25

CHAIR VAN ALFEN:

I would also like to

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ask if our subject matter experts -- Richard Hunt

2

or Lee Ann Potter, who are with us, have any

3

comments that they would like to make at this

4

point?

5

MS. STAFFORD:

Mr. Hunt's on.

6

CHAIR VAN ALFEN:

Mr. Hunt, if you

7

have any comments you'd like to make at this

8

point, you're certainly welcome to.

9

MR. HUNT:

I'd just like to thank you

10

for inviting me to this meeting.

11

informative.

12

spent two to three years talking about the

13

essence of the Declaration and the Constitution

14

and the Bill of Rights.

15

are very cognizant of that.

16

It's really

And I'm particularly happy we've

And I see that you folks

And the evaluation and the criteria

17

that you're bringing to this discussion reflects

18

well on those founding documents.

19

And since I'm from the National

20

Archives and they hold those documents, I find

21

that particularly edifying.

22

much.

23

CHAIR VAN ALFEN:

So, thank you so

Thank you, Mr. Hunt.

24

I also ask that others from the Mint, such as Joe

25

Menna or Mike Costello, if you have any comments
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at this time on this program?

2

MR. MENNA:

3

CHAIR VAN ALFEN:

4

MR. COSTELLO: This is Mike Costello,

5

This is Joe Menna.

No.

All right.

no questions.

6

CHAIR VAN ALFEN:

All right.

Thank

7

you very much.

All right, if there's no further

8

discussion, and hearing none, the Committee will

9

now score the 2026 through 2028 Candidate Designs

10

for Platinum Proof Coins.

11

their score sheets in front of you.

12

Everyone should have

And any remote member -- that's you,

13

Kellen -- should have received them

14

electronically.

15

the score sheets to CCAC counsel Greg Weiman, and

16

we will take a five-minute break to allow the

17

members to score.

18

present the result after lunch, not after this

19

break.

20

When you are done, please return

And Greg will, as I mentioned,

(Whereupon, the above-entitled matter

21

went off the record at 10:03 a.m. and resumed at

22

10:11 a.m.)

23

CHAIR VAN ALFEN:

And as I mentioned

24

earlier, we will be reviewing the scores from the

25

Platinum Proof series after lunch, along with the
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scores from quarter number one, which we'll be

2

reviewing momentarily, and quarter number two,

3

the Constitution, a little bit later this

4

morning.

5

So the next portfolio for

6

consideration is the obverse and reverse

7

candidate designs for the 2026 quarter number

8

one, Declaration of Independence, which April

9

Stafford and Russ Evans will now present.

10
11

So

April, all yours.
MS. STAFFORD:

Thank you.

The five

12

2026 quarter obverses will either depict new

13

images of liberty or historic Americans

14

significant to the coin's themes.

15

The reverse sides of the five quarter

16

dollars will highlight inflection points across

17

our 250 years when our founding principles were

18

asserted and then reaffirmed to collectively move

19

us forward as a nation.

20

quarters are the Declaration of Independence, the

21

US Constitution, abolitionism, suffrage, and

22

civil rights.

23

The themes for the five

So some background on the Declaration

24

of Independence quarter.

On July 2, 1776, the

25

Second Continental Congress voted to declare
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independence from Great Britain.

2

Two days later, the Congress approved

3

the language of the Declaration of Independence,

4

which described the extraordinary circumstances

5

that justified the revolt against the monarchy

6

and the intention to institute a government that

7

would guarantee and uphold the liberties and

8

rights of its people.

9

The Declaration also included a

10

preamble that defined the fundamental principles

11

of the new nation, a truly revolutionary act in

12

its own time, embodying the ideas of the age of

13

reason and enlightenment.

14

We hold these truths to be

15

self-evident, Thomas Jefferson and his fellow

16

drafters proclaimed and launched ideas that shook

17

the foundation of the 18th century established

18

order.

19

All men are created equal, they

20

declared, endowed by their creator with certain

21

unalienable rights that among these are life,

22

liberty, and the pursuit of happiness. That to

23

secure these rights, governments are instituted

24

among men, deriving their just powers from the

25

consent of the governed.
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As an inflection point in our nation's

2

250-year history, the Declaration of Independence

3

is America's first and boldest expression of the

4

values and aspirations that define our national

5

identity.

6

Obverse designs feature personified

7

liberty.

8

the Declaration of Independence through Liberty's

9

garb or symbolic elements, while others are more

10

Some depictions reference the theme of

generalized representations.

11

Inscriptions include e pluribus unum,

12

in God we trust, in 1776 through 2026.

13

commemorate the Declaration of Independence as an

14

expression of the principles on which our

15

government and our identity as Americans are

16

based.

17

Reverses

Inscriptions include Liberty, United

18

States of America, and Quarter Dollar or 25

19

Cents.

20

inscription Declaration of Independence to

21

definitively identify the coin as commemorating

22

this inflection point.

Artists were also asked to include the

23

So we will start with the obverses.

24

Obverse 1 and 1A portray Liberty as a sculptor,

25

molding and shaping herself, displaying her power
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to determine the form she takes.

2

Just as the Declaration of

3

Independence asserted Americans' right to carve

4

out a government that derived its power from the

5

consent of the governed, distinguishing itself

6

from eighteenth-century nations that based

7

sovereignty on the divine right of kings.

8

is 1 and 1A.

9

This

The difference is simply the hairstyle.

10

Obverse 2 depicts Liberty, cradling a spark of

11

enlightenment, representing the ideals and

12

principles embedded in the Declaration of

13

Independence.

14

of oak, our country's national tree.

15

In her hair, Liberty wears leaves

Obverse 3 features Liberty carving one

16

of the conceptual pillars of the Declaration of

17

Independence, the idea that all men are created

18

equal.

19

Obverse 4 depicts Liberty deep in

20

thought, poised with a quill she considers the

21

inalienable rights and truths expressed in the

22

Declaration of Independence.

23

Obverses 5, 5A, 6, and 6A all depict

24

Liberty holding the Declaration of Independence

25

and sounding a horn similar to those used during
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the Revolutionary War.

2

She boldly declares our nation's new

3

independence, sending out a powerful sound that

4

draws the attention of the world.

5

designs, reverse 1 depicts a young oak seedling

6

sprouting from an acorn, representing the birth

7

of our nation.

8

For reverse

The inscription Declaration of

9

Independence forms part of the roots while the

10

rising sun inscribed with liberty provides the

11

source required for the seedling to sprout and

12

grow.

13

Reverse 2 features an acorn resting on

14

the fertile soil of liberty, representing the

15

Declaration of Independence as the seed that

16

inspired the growth of a new nation.

17

and 3A depict Independence Hall in Philadelphia,

18

where the Declaration of Independence was created

19

and signed in 1776.

20

powerful principles espoused in this founding

21

document.

22

Reverses 3

Both designs feature

Design 3 includes the additional

23

inscription, we hold these truths to be

24

self-evident, while reverse 3a includes life,

25

liberty, and the pursuit of happiness.
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4 and 4A depict clasped arms surrounded by the

2

phrase created equal.

3

laurel winding around the arms.

4

Design 4 also features

Reverse 5 employs the symbolism of

5

nature to chronicle America's journey through its

6

founding documents.

7

beginning to emerge through storm clouds,

8

representing the dawn of a new nation arising

9

from the turmoil of revolution as well as the

The design depicts sun rays

10

Enlightenment ideals that influenced the

11

Declaration.

12

A quill symbolizing the document

13

sweeps powerfully over the landscape, marking the

14

nation's founding and the power of revolutionary

15

ideas to catalyze change. Reverses 6 and 6A

16

portray the drafting of the Declaration of

17

Independence.

18

The document and 13 stars connoting

19

the original colonies ascend upwards to the spark

20

of enlightenment.

21

ornate desk carved with an ocean motif,

22

reflecting the journey from British rule to

23

independence.

24
25

The writer's arm rests on an

6A depicts the spark rising from the
writer's hand, emphasizing that the revolutionary
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ideas contained within the document were born,

2

debated, and articulated by individuals who chose

3

to take action.

4

Reverse 7 captures the discovery that

5

Thomas Jefferson struck the word subjects from a

6

draft of the Declaration and replaced it with

7

citizens, representing a monumental shift in the

8

identity of America, no longer subjects of any

9

nation, but citizens of an emerging democratic

10
11

republic.
Reverses 8 and 8A depict the Liberty

12

Bell ringing in Independence Hall.

13

unclear whether the bell rang out in July of

14

1776, the bell did often ring to draw people near

15

and share an announcement or a declaration.

16

While it's

The bell's crack is visible, the

17

fragility of the bell echoing the fragility of a

18

young nation at its founding.

19

Reverse 9 depicts a version of an

20

early American heraldic eagle with an olive

21

branch and arrows. Peace and prosperity are

22

represented by the eagle perched above the

23

original shield of the eagle.

24

revisits the interlocking rings on the reverse of

25

the Fugio cent, an important early American coin.

Reverse 10

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The 13 concentric circles represent the

2

individual states uniting to form the United

3

States.

4

Reverse 11 depicts the hand of one of

5

the drafters of the Declaration of Independence

6

as he begins to create the document that

7

proclaimed to the world why the colonies should

8

no longer remain under British rule and assert

9

the principles and ideas of a new nation.

10

And finally, reverses 12 and 12A

11

prominently feature the inscription 250,

12

emphasizing the commemoration of our nation's

13

semi-quincentennial.

14

frames the inscription, emphasizing the agency

15

exercised by the American people in the

16

Declaration of Independence.

17

Declaration designs.

18
19
20

A hand holding a quill

CHAIR VAN ALFEN:

That concludes the

Thank you very much,

April.
Are there any technical or legal

21

questions from the committee about this program

22

or the designs for the 2026 quarter commemorating

23

the Declaration of Independence before we begin

24

our general discussion?

25

John Saunders.
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MEMBERS SAUNDERS:

John Saunders here.

2

I have a question.

3

we've looked at before, in particular dime 0/01

4

and dime 0/06A, don't seem to be in the thing.

5

They dropped or what?

6

that were on this sheet from the last meeting

7

that don't seem to be here.

8

what happened to those.

9

Some of the designs that

There's a couple of others

MS. STAFFORD:

And I'm just curious

Based on the feedback

10

that we received from the CFA and the CCAC, there

11

were some designs that were set aside based on

12

scoring.

13

of the designs that originally lived in one

14

portfolio were ported over into another.

15

may be what you're seeing as well.

However, you may be noticing that some

16

That

And that was done in concert with

17

conversations with our advisors and looking to

18

strengthen the thematic messaging of the obverses

19

and reverses.

20

welcome to make recommendations from across the

21

portfolios.

22

But of course, the committee is

CHAIR VAN ALFEN:

Yes, and that will

23

be something that will be part of our general

24

discussion tomorrow once we have all of the

25

scoring and look at all of these portfolios
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together simultaneously before making our

2

recommendations.

3

Any other questions or comments before

4

we begin?

5

consideration then. And again, I'd like to remind

6

our members to please keep your comments to five

7

minutes or less and to identify yourself prior to

8

speaking.

9
10

All right, so let us begin our

Let's begin with Dr. Christopher
Capozzola.

11

MEMBER CAPOZZOLA:

All right, thank

12

you, Mr. Chair.

This is Chris Capozzola.

I have

13

the unenviable task of trying to express thoughts

14

on this in five minutes or less. I'll say a

15

couple things about, as I often do, about the big

16

picture way I approach this.

17

First of all, that the Declaration of

18

Independence functions both as a text and also as

19

an event.

20

challenge in this coin in conveying, well,

21

actually, something about the text of the

22

Declaration without being too wordy and something

23

about the event, an event that's actually rather

24

hard to capture other than through the visual

25

image of writing or signing or, in one case,

And so I think that there's a

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declaring loudly, right?

2

The other thing is that I wanted -- I

3

think it's very important that the Mint adopt a

4

coinage that will reflect 2026, that we are not

5

trying merely to depict 1776, but we are trying

6

to say something about our country today that

7

will be memorable and meaningful to people who

8

see these coins 50 or 100 years from now.

9

So with that in mind, there are five

10

that I'd like to speak very briefly about that

11

I'm very excited about.

12

2.

On the obverse, obverse

Hold on one second.

13

I just feel -- and we've seen this

14

before, I think just obverse 2 is just an

15

incredibly beautiful design, well done by the

16

artist, and the spark in particular works, I

17

think, particularly well for the Declaration of

18

Independence, conveying the spark and the

19

beginning moment.

20

I also do really appreciate obverse 3.

21

Or, sorry, not three.

Sorry, I've misspoken.

22

Obverse 4.

23

something that could only be struck in 2026.

24

Artistically, it's very strong and conveys the

25

act of writing, but has a more contemporary feel.

Which I think very nicely conveys

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On the reverse, there were three that

2

I appreciated very much, reverse 3. Again, on

3

reverse three or 3A, I think for me, 3 is the

4

more preferable one.

5

legible and conveys the site and where everything

6

happened. I do have some concerns about whether

7

this coin could have been made in 1976, just as

8

easily as it is today.

9

And this is certainly

A surprise standout for me, in many

10

ways, is 4A, reverse 4A, which at first glance, I

11

didn't necessarily speak to me, but I think it

12

goes very nicely with a We the People design that

13

we'll be seeing for the Constitution portfolio in

14

our Constitution quarter.

15

that we not use the Greek E's, the sort of curvy.

16

I think, take attention away from what we're

17

doing.

18

Here, I would only ask

And then finally, I will say I

19

appreciated 12A, reverse 12A, which is bold and

20

contemporary and has a very clear 250 message,

21

speaks to what it is that we will be celebrating

22

in the summer of 2026.

23

longer, but I'll stop.

24
25

And I could go on much

CHAIR VAN ALFEN:

All right, thank you

very much, Chris.
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2

Jeanne Stevens-Sollman, if you would,
please.

3

MEMBER STEVENS-SOLLMAN:

This is

4

Jeanne Stevens-Sollman.

And thank you, Chris,

5

that was great.

6

to.

7

and the dates are -- it's quite an elegant

8

design.

9

with reverse 04.

You said pretty much what I lean

I think that the obverse 02 with the spark

And I think that would pair very nicely

10

(Audio interference.)

11

MEMBER STEVENS-SOLLMAN:

Yeah, very

12

good, thank you.

And I agree with the Greek E,

13

we should probably change that. But those two

14

designs, I think, are simple and elegant.

15

think that that is all I have to say.

I

Thank you.

16

CHAIR VAN ALFEN:

Thank you very much.

17

Annelisa Purdie, if you would, please.

18

MEMBER PURDIE:

Thank you, Mr.

19

Chairman.

20

-- this is Annelisa Purdie.

21

detailed portfolio.

22

err on the side of brevity as much as possible.

23

As this is a very detailed portfolio
This is a very

Again, I'm going to try and

I'm actually going to start with the

24

reverses, which overall, I tended to like a

25

little better than the obverses.

I also enjoy

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design 12A, I think it works.

2

mistaken, there were two hands with quills when

3

we looked at this previously.

4

If I'm not

I think the one works very well.

The

5

only thing I'm potentially concerned about is

6

whether we should put years in some way on this

7

coin just to specify.

8

understood, but just to enhance the 250.

9

I also loved 10, reverse 10.

I think it's definitely

10

it works, I think it's symmetrical.

11

callback and it's more motif-based versus

12

image-based, which works excellently.

13

And it's, I think, the lettering as well

14

complements each of the designs.

15

I think

I like the

For the obverses, number 1 was a

16

favorite, the autonomy of Liberty hammering

17

herself out works well.

18

also shows that this is a process, that liberty

19

is a growing process, that it takes time.

20

And I think the design

There's also something very striking

21

about the fact that her torch needs to be

22

hammered out too, that she can't hold it while

23

she's trying to create something new.

24

think that that would speak to everyone.

25

And I

Number 2 with the spark, I think this
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was one that we all appreciated as well. I think

2

this works, it's clean, it's classic.

3

can be interpreted in different ways.

The spark

4

Number four, I also believe this is a

5

design that was changed with the quasi virgin cap

6

before.

7

well.

8

while looking at the declaration with the quill.

I think the changes on this one works
I love the intent expression that she has

9

Not ambivalent about the hair, but

10

that's something that can be potentially

11

adjusted.

12

overall, I think this is a very clean design.

13

think her perspective is also works very well.

14

This is a very unusual perspective for a coin.

15

lease don't bring the cap back.

But
I

Okay, design number five, is very much

16

giving Archangel Gabriel versus the coming -- the

17

advent of the Declaration of Independence, but

18

I'm not mad at it.

19

overall design.

20

not sure how well this would show up on the

21

quarter because of its size.

22

think this is very well done.

23

I think it, I like the

The details are beautiful.

But overall, I

Of this set, my favorite of the

24

obverses is 6.

I like the fact that the

25

Declaration of Independence is displayed very
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clearly.

Again, some concerns about details

2

because of the size of the coin, but at the same

3

time, the message is coming across.

4

I think the stars are rendered very,

5

very well.

6

And again, that perspective of her looking

7

upwards and outwards rather than off to the side

8

is also very compelling.

9

Thank you.

10
11

And overall, it's very symmetrical.

And that's it for me.

CHAIR VAN ALFEN:
Thank you very much.

12

All right, Annelisa.

John Saunders.

MEMBER SAUNDERS:

Thank you, Peter.

13

John Saunders here.

14

first.

15

bricks to build the thing, I like those as

16

reverse designs.

17

I'll do the obverse designs

The two with the hammering or laying

I think of the obverse as being not so

18

much portraying action, but portraying a figure.

19

And action like this seems to fit with the

20

reverse to my tastes better than obverse.

21

Going on to obverse 2, which is the

22

spark.

I like the design.

23

the expression on her face.

24

what have I got here?

25

expression was different.

I don't really like
It's kind of like,

It's kind of like, the
I'd like that design a

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2

lot.
CQ02, with her holding, standing,

3

holding the torch.

4

And the last two, two versions of 03.

5

particularly like the expression on Liberty's

6

face, so I would be against that. Of the ones

7

here, I like 02 the best, CQ02 the best, and DQ

8

if we had a different expression.

9

I like that design a lot.

MS. STAFFORD:

I don't

Sorry, I should have

10

explained the pairing sheet that you have also

11

has some of the Constitution quarter designs, and

12

we haven't actually gone through those as yet.

13

MEMBER SAUNDERS:

14

MS. STAFFORD:

Okay.

So we're not able to

15

switch back and forth if you're talking about

16

Constitution designs, but perhaps after the next

17

portfolio, if you wanted to talk about them all

18

together, we could also pull up that sheet that

19

you have in front of you.

20

MEMBERS SAUNDERS:

Well, for obverses,

21

to the extent we can pick and choose, but my

22

favorite obverse was, if I can find it here, was

23

the one originally DIME-006A, which I don't know

24

that we got that one last time.

25

but I don't remember 06A.

I remember 06,

I like the expression

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on 06A.

2

06 kind of looked vamped a little bit

3

expression-wise.

I like the figure of Liberty

4

there.

5

are allowed to mix and match, is 006A.

So again, my favorite, to the extent we

6

In terms of reverses, there's two I

7

don't like.

The acorn on its side looks like the

8

United States got knocked over.

9

negative symbolism.

I can see some

And the first one, where

10

it's the Tree of Liberty and the roots there, it

11

looks more like the nation's cracking rather than

12

the roots.

13

I mean, I understand by looking at

14

what it is, but if I got that coin and wasn't

15

part of the design group, I would say, oh,

16

there's a celebration of the nation cracking

17

apart.

So I was in favor of those two.

18

The one with the really tall tree,

19

interesting, but I don't think it works really

20

well on a coin.

21

than the Capitol Building, because we're talking

22

about the Declaration of Independence and the

23

Capitol came quite a bit later.

24
25

I like Independence Hall better

And I like We the People with the
Hands Raised very much.

And again, the design

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for the platinum that we just discussed, I see

2

now why Peter had us do the quarters first.

3

we don't use one or three from the platinum, I

4

think it would make a great reverse on the dime

5

or any of the coins for that matter.

6

CHAIR VAN ALFEN:

7

Sam Gelberd.

8

MEMBER GELBERD:

9

This is Sam Gelberd.

If

Thank you very much.

Thank you, Peter.

For the Declaration of

10

Independence quarters, I agree with a lot of what

11

we've already heard.

12

the set.

13

spark of enlightenment.

14

Obverse 2 is my favorite of

I love the way Liberty's cradling a

And to move from what John was saying,

15

I actually think her expression, Liberty's

16

expression shows an innocence and an optimistic

17

candor, which is a great metaphor for the first

18

quarter for 2026. I really do love this design.

19

For the reverses, as a coin collector,

20

I have to go with reverse number 9, the Heraldic

21

Eagle.

22

some of the earlier series in the United States,

23

especially with quarters and higher denomination,

24

actually going from dimes or half dimes all the

25

way up.

It recalls some of the earliest coinage,

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I just think this is going to be

2

something that a lot of people will latch on to.

3

The great symbolism, of course, you know, we can

4

get into rules of heraldry with the arrows and

5

olive branches.

6

metaphor as well.

7

The shield, it's a great

We are supporting ourselves having to

8

hold the shield.

9

point.

We are our own nation at that

So I'm going to be a very strong advocate

10

for this reverse design in particular.

11

Some of the others are nice.

12

I do like seeing Independence Hall,

13

only because with the Declaration of

14

Independence, I think it would be a nice tie.

15

Reverse 10, I would be okay with as well, similar

16

to the continental currency coinage that we've

17

seen and the Fugio cent that was popular in the

18

1780s.

19

But ultimately, obverse 2 and reverse

20

9 are my choices for this particular design.

21

Thank you.

22
23

CHAIR VAN ALFEN:

Sam, thank you very

much.

24

Mike Moran, if you would please.

25

MEMBER MORAN:

This is Mike Moran.

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I'm going to go with the rest of the group on the

2

obverse.

3

an excellent design.

4

brainer.

5

quarter.

Also, the design number.

I think it's

I think it'll be a no

I think it would be beautiful on the

6

There are two others I'd like to at

7

least note in passing.

Design number one.

8

really think that design number one on the

9

obverse is more suited to the Constitution

I

10

because that is a document that is still in

11

process, still changing.

12

And also design number four.

I think

13

that's a handsome coin, the Liberty that's

14

depicted there.

15

the enlightenment that went with number two.

16

that's where I'm going place my vote.

17

But I really like the symbolism,
And

On the reverse, I'm really not shot

18

with any of them in particular.

19

one, I don't see it the way John does, that it's

20

fractured.

21

doesn't reach out quite to get me.

22

Design number

The symbolism is there, but it just

I am surprised that nobody's brought

23

up design number five yet.

24

good design.

25

It shows the optimism.

I really think it's a

I think it works for the quarter.
As well as the quill that

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was used to draft the Declaration of

2

Independence, that there's a new nation of birth

3

here.

4

clouds. The symbolism is good.

5

That sun shows it, shining above the

Now I get on my high horse.

We're

6

going here with 250 on it.

7

dates, operative dates on the obverse, 1776 and

8

2026.

9

We don't need a redundant 250 on the back.

10

We've got the two

I passed math when I was in grade school.

If we do, then God help our education.

11

And I'll go off on the Phrygian cap when we get

12

around to the dimes on that, but I'll spare that

13

one for another time.

14

I can see some of the others.

15

I really do like five, but

Sam's case on the heraldic eagle.

16

I do like the interlocking rings that are

17

reminiscent of the Fugio cent.

18

probably spreading my points around on the

19

reverse. I've said enough.

20
21

CHAIR VAN ALFEN:

And

But I'll end up

Thank you very much,

Mike.

22

Don Scarinci, your turn.

23

MEMBER SCARINCI:

So I think we're

24

going to have an opportunity, I think, at the end

25

to put all five quarters together and look at
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them.

That'll be much, much needed.

2

Because I think if we're going to go with these

3

new images of liberty, then a certain consistency

4

might be interesting.

5

And therefore, while I like number one

6

and 1a, I agree, I think John said, it's better

7

with the Constitution.

8

Constitution is the work in process.

9

kind of put that on the side for a minute.

10

And it is. The
So we can

I think two of the obverses would be

11

my choice.

12

each one of these, I don't really care for the, I

13

think without the laurel wreath and without what

14

appears to be a standing Liberty-like clothing of

15

the Constitution, of armor, I think in just

16

contemporary dress would be a nicer coin, but

17

that interferes with the artist's vision here.

18

And while you're going to hear me in

And since we are hearkening back, I

19

think it's a justifiable design image.

20

think number two is going to be consistent with

21

the other ones we're going to be considering and

22

looking at seriously.

23

So I

In the reverse, I really think it

24

comes down to three at the end of the day.

25

this is the generic Constitution, this is the
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generic Declaration of Independence.

2

either go with the Fugio and I actually owned 52

3

of the 60 varieties of Fugio sense in my head of

4

my collection.

5

So we could

I sold them to Syd Martin, which just

6

got auctioned off.

And now the Fugio is

7

considered America's first coin.

8

contract coin in 1787.

9

anything bad about that coin, but I think the

It was a

And so I can't say

10

Liberty Bell is the Liberty Bell, right?

11

is what it is.

12

exactly this.

13

And it

It's iconic, it stands for

And so does Independence Hall,

14

although Independence Hall has a claim for the

15

Constitution as well.

16

would choose from.

17

the Liberty Bell and the Fugio reverse design,

18

the linked chains.

These are the three that I

So my passion would recommend

19

But I think probably the image that

20

would resonate with the people who are going to

21

use a quarter is probably Liberty Bell.

22

want to hear what everybody else has to say about

23

those three in particular.

24
25

So I

I just also want to -- it's also kind
of what's fascinating when we at this whole
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portfolio that we're looking at today, 250 years

2

later, we're still depicting, we're trending to

3

depict liberty with a woman.

4

And I just think it's kind of --

5

there's a certain kind of weird irony in the fact

6

that we depict liberty as women, but they didn't

7

get the right to vote as if until the 20th

8

century.

9

one of these weird works of history, but we're

So I kind of think it's just kind of

10

still doing it and we're still doing it.

11

anyway -- so anyway, that's all I have.

12

CHAIR VAN ALFEN:

So

I'll just note here

13

that part of the reason I think that liberty has

14

been depicted as a woman is because liberty, the

15

word is derived from Latin, libertas, which is a

16

feminine noun.

17

was also depicted as a woman, probably because of

18

that feminine aspect of that noun.

19
20
21

And in the ancient world, liberty

So, Kellen Hoard, if you would,
please.
MEMBER HOARD:

Sure, thank you.

Well,

22

I want to start by saying the entire

23

semi-quintennial series is a stunning and amazing

24

and a wonderful lesson in history and a wonderful

25

time going through all of it.
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And my immediate reaction is the

2

marketing department better be preparing to send

3

folders for these quarters to every classroom in

4

America so that students can learn about this.

5

I think it is really phenomenal.

6

For me, as I was going through all the

7

semi-quintennial designs, but especially the

8

Declaration of Independence one, I was basically

9

asking myself a couple of questions.

10

what are Americans going to like?

11

going to understand?

12

use?

13

questions.

I said,

What are they

And what are they going to

And to me, those are three very distinct

14

And so, in order to find the best

15

design that answered all of them well, I looked

16

for visual continuity, I looked for thematic

17

clarity, and I looked for artistic fit.

18

where does that leave us but declaration coin?

19

I'm wondering if it might be possible to pull up

20

the obverse 5 design for the half dollar.

21

Is that possible for the half dollar?

22

MS. STAFFORD:

Obverse 5.

23

MEMBER HOARD:

Okay.

24

observe 5 deserves our attention.

25

out there.

So,

So, I think
It's a little

It deserves our attention.
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first choice, actually, for the Declaration

2

Quarter obverse.

3

represents liberty for a plurality, if not a

4

majority, of Americans.

5

The Statue of Liberty

And there's a reason five million of

6

them visit it every single year.

While reviewing

7

this portfolio, I spent a lot of time talking

8

with people across the United States that I had

9

met through all the different paths of life about

10

the themes that were represented in this

11

portfolio.

12

Actually, as I was studying abroad, I

13

also was talking with Europeans about how they

14

saw American liberty.

15

citizens from all backgrounds, the statue was

16

ubiquitous in basically every single conversation

17

I had.

18

And students and retirees,

What the statue represents is not only

19

iconic, but also it's so crucial for our country

20

right now.

21

freedom and multilateralism and safety and

22

protection and acceptance.

23

It's this concept of democracy and

And its presence on our coins, I

24

think, would be an important indicator of

25

American sustained belief and our sustained
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belief as a committee in those ideals.

2

think obverse 5 is right for the half dollar, but

3

it is right for the Declaration of Independence

4

quarter.

5

I don't

The statue explicitly honors the

6

consequences and benefits of the declaration and

7

demonstrates how America's declaration, as we

8

heard from the description, its first and boldest

9

expressions of the values and aspirations that

10

define our national identity has persisted

11

through to today as recognized by and aspire to

12

by nations around the world.

13

It's thematically perfect, a symbol of

14

liberty, which won't be confused for that of any

15

other nation.

16

Washington quarter.

17

which much of the public associates with the

18

quarter, but it's also innovative and dynamic as

19

we view the statue from this unique vantage point

20

and with a modern artistic style based in

21

classical roots.

22

It has visual continuity from the
It's essentially a bust,

The Statue of Liberty design fits

23

every requirement of the obverse descriptions and

24

design elements of the declaration quarter.

25

even got that squiggly line that we really love
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between the dates.

2

and death date that we always complain about.

3

We don't think it's a birth

I mean, it's down to the detail,

4

right? And it fits the size of a quarter well.

5

mean, it has the perfect number of elements, the

6

perfect amount of detail, the inscriptions. It

7

matches stylistically well with so many of the

8

reverse design options.

9

not the first semi-quincentennial coin the public

10

I

This will be one of, if

hears about and encounters.

11

And what better way to kind of dip the

12

toes of the public into this exciting and huge

13

change we're pursuing with the entire series than

14

with a familiar symbol presented in a new light,

15

not just taking away George Washington, but

16

actually uplifting a more expansive and broadly

17

accepted version of this like quintessentially

18

American liberty.

19

And I want to address the other

20

declaration obverse designs because I think that

21

against any of them, this Statue of Liberty

22

design actually is stronger in multiple metrics.

23

You can probably tell I have strong feelings

24

about this.

25

obverses.

So we can go back to the quarter

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So I've raised my concerns about

2

obverse 1 and 1A before.

3

thematically and metaphorically kind of off the

4

mark, highlighting a liberty which must sustain

5

itself rather than deriving its power from the

6

consent of the governed or requiring sustained

7

work by Americans to protect it.

8
9

I think it's

I also think that actually in a
post-election world, there's a possibility many

10

Americans will view it as liberty being trapped,

11

trying to escape but held back by a stony grip of

12

ignorance or stubbornness or tyranny or

13

bureaucracy or a politician.

14

It's also not as distinctly American

15

liberty, at least relative to the Statue of

16

Liberty design.

17

depiction isn't, I think, the right way for us to

18

be innovative and forward-looking with our core

19

designs.

20

complex for the small service area of the

21

quarter.

22

And this kind of Greco-Roman

I also think that may be too visually

It's a nicely done design with

23

artistic merit.

And I know many of you like it,

24

but I don't think it's appropriate for this

25

particular coin or the Constitution.
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recommend we reserve it actually for a future

2

series.

3

Obverse 2 is okay, but it's just that,

4

it's okay.

5

something exciting with our quarter, I think we'd

6

be misguided to choose this less dynamic design

7

where Liberty looks to me somewhat apathetic

8

about this spark in our hand, and is steering off

9

behind it.

10

Presented with an opportunity to do

I also think it would be thematically

11

confusing to the public.

12

your kid or your grandkid think clearly of the

13

Declaration of Independence or appreciate its

14

power or appreciate its longevity? We have the

15

opportunity to do so much more here.

16

Would this design make

I think the main question for

17

Americans will be, who is this woman?

18

she have leaves in her hair? And why is she

19

practicing magic? It's also an artistic kind of

20

line with most of the obverse designs and other

21

portfolios.

22

Why does

So I think we have a real opportunity

23

here to avoid that one.

Obverse 3 is well drawn,

24

but I had a kind of immediate and visceral

25

negative reaction to this concept of a woman
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engraving the phrase, all men are created equal,

2

into this ionic column.

3

The quote is of course iconic, but in

4

the modern political and social context of gender

5

and equality, this comes across in exactly the

6

wrong way.

7

wrong impression away from this, in addition to

8

being confused how a column relates to their

9

modern impression of liberty or the Declaration

10

I worry Americans would take the

of Independence.

11

When we scored design, or obverse 4

12

last time, we didn't give it many points.

13

this isn't enough of a visually dynamic design to

14

be really this figurehead in our ship of

15

semi-quincentennial overhaul, to be the first

16

encounter Americans have with radical numismatic

17

redesign.

18

To me,

I think the main question for

19

Americans will again be, who is this woman?

20

is she wearing a toga?

21

use a quill to write on the cover of a book?

22

So that was my question.

23

Why

And why is she about to

Obverse 5, 5A, 6, and 6A are

24

interesting conceptually, but I worry about their

25

translation to quarter size, the relatability to
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young Americans, and their actual representation,

2

the lasting impacts of the Declaration.

3

So as I said at the beginning, I think

4

we ought to strongly consider obverse 5 of the

5

half dollar among this portfolio.

6

all please at least include it in our

7

considerations of the obverse for this piece.

8
9

I ask us to

And I actually think, going to
reverses now, I think there's a number of

10

reverses designs with which it pairs excellently.

11

Reverse 8a, really wonderfully, with the Statue

12

of Liberty obverse, pairs two iconic symbols of

13

American liberty, and widely recognizable and

14

powerful, but really underutilized in recent

15

circulating coinage history in America.

16

The Liberty Bell captures this theme

17

beautifully and perfectly, and it also captures

18

the theme specifically at the time of the

19

Declaration itself.

20

The Statue of Liberty would in turn capture a

21

hundred years later, and a coin captures it 250

22

years later.

23

This is a very 1770s symbol.

We see this path through time.

I

24

actually do prefer 8A to 8 here, by the way,

25

because I think that Liberty inside the bell is
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both more visually interesting and makes the

2

field less crowded.

3

For similar reason, I like 3A, which

4

has come up with some other members, though I do

5

think it's too wordy, and I feel like I'm being

6

inundated by the descriptions, and I'm wondering

7

if others on the committee like this design, if

8

we could look into adjusting descriptions to be

9

less, you know, filled with text. Either way, it

10

pairs nicely.

11

Finally, I also rather like 12A as a

12

design, which really well captures why we're even

13

doing this in the first place.

14

anniversary of the U.S.

15

underestimate the need to communicate that

16

clearly to the public.

17

It's the 250th

I think we can't

I think it pairs less well with my

18

preferred offers, but it's really still quite

19

visually dynamic in the way we're looking for.

20

So, thank you for letting me get up on my soapbox

21

here.

22

hopefully we can talk more about this.

23

I appreciate you giving me this time, and

CHAIR VAN ALFEN:

Thank you.

You were

24

not kidding about the fact that we would hear

25

more from you over the weekend, but again, I
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really do appreciate your passion and your

2

insights on this.

3

Art Bernstein, if you would please.

4

MEMBER BERNSTEIN:

This is Arthur

5

Bernstein.

6

for you in terms of the computer.

7

obverses, I'd like to do this in reverse order.

8
9

Megan, I'm going to make this easier
On the

So, starting with the Series 6, I
found those designs to be just too musical.

10

Excuse me, 5, the Bugle.

11

found the image of Liberty deep in thought to be

12

very compelling, and with all due respect to

13

Kellen, I don't think that's the book she's

14

holding.

15

So, on design 4, I

What I think that, to my mind, what

16

that is, is Jefferson wrote the Declaration of

17

Independence on a box desk, and I saw that as the

18

box that Jefferson wrote the Declaration upon.

19

And that design, design 3, would be my first

20

choice.

21

do it myself by going in reverse order.

22

Excuse me, design 4, I'm looking. I can

I share with Kellen the thought about

23

design 3, the woman carving the word men on the

24

pillar just seemed to be contradictory to me.

25

With regard to design 2, I also share with
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Kellen, I had the same reaction, that seemed like

2

a magic trick or almost a Star Trek kind of thing

3

where this orbital item is rotating above her

4

hand, and I just thought it was too mystical.

5

And design 1 was going to be my first

6

choice, and one advantage of going late in the

7

conversation is I heard the comments about the

8

carving being more emblematic of the

9

Constitution, and so that went from my first

10

choice to my second choice.

11

For the reverses, I'm not sure I have

12

much to add.

13

in which they appear.

14

reverse 1, also seemed complicated to me.

15

didn't see a cracking nation, I saw a circulatory

16

system.

17

Independence design speech in Independence Hall,

18

as stated before, as that's where the document

19

was adopted.

20

I'm going to do that in the order
The roots on design 1,
I

I did like the Declaration of

The design that we saw for the

21

platinum coins, design 5, which I thought was

22

beautiful for the platinum, I thought would not

23

work on the quarter just because of the

24

diminution in the size of the coin. I thought on

25

the smaller coin it would not appear as well as
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it would on the platinum.

2

With regard to design 8 and 8A, the

3

Liberty Bell, if I'm correct, I think the clapper

4

has moved from the one end to the other, which

5

was something we talked about at the previous

6

meeting, and I just wanted to say I appreciate

7

being heard.

8
9

And I would prefer the first design,
design 8, rather than have design 8A, with the

10

word Liberty appearing inside the bell where it

11

doesn't appear in reality.

12

comments, thank you, Mr. Chairman.

13
14
15

CHAIR VAN ALFEN:

Those are my

All right, thank you

very much.
For my own comments, when I was

16

looking not just at this portfolio for the

17

Declaration of Independence quarter, but all five

18

portfolios for the five quarters, I had in mind

19

trying to find a way to represent the five

20

inflection points chronologically and not just

21

thematically.

22

And for that reason, I find 2, obverse

23

2, to be compelling in part because this

24

representation of Liberty does have a rather

25

classic aspect to her, and therefore I think
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would in many ways represent the beginnings of

2

this endeavor in 1776.

3

This remains my favorite obverse.

I

4

am less compelled by some of the others.

5

find to be serviceable, although again, as I

6

expressed before in July, I'm a little less drawn

7

to this particular perspective looking up her

8

nose, as it were, which again reminds me a little

9

bit too much of the Zoom calls that we're all too

10

Four, I

familiar with.

11

Obverses 5 and 6, as Annelisa pointed

12

out, just is a little bit too reminiscent of the

13

angel Gabrielle and, therefore, seems to be a

14

little bit mixing artistic elements and

15

expression.

16

For the reverses, I do find number 3

17

to be serviceable.

18

Independence Hall in Philadelphia I think is

19

attractive in this case, but I worry a little bit

20

about how self-evident, as it says there, this

21

building would be to the general population.

22

The depiction of the

They might not realize the

23

significance or, in fact, what this building is.

24

And also, as Chris pointed out, there is a little

25

bit too much 1976 possibly since the Declaration
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of Independence was in fact depicted on one of

2

the coins during that program.

3

I am less drawn to reverse 4, the

4

clasped hands, in part because I believe that

5

recently we did have a similar depiction on, I

6

think it was the Harriet Tubman series, and

7

therefore would be in some ways repeating this,

8

and I'm certainly not a fan of the font used on

9

either one of these two reverses, four or 4A.

10

I also think that 5 would be a

11

serviceable reverse in this case.

12

to be rather attractive, both for the obverse of

13

the platinum proof as well as for the reverse of

14

this Declaration of Independence, but my favorite

15

by far is 9.

16

I do find this

This, as Sam pointed out, is very

17

classic, and I think it would pair very well with

18

obverse 2, and again, if we are thinking of

19

representing the chronological progression of

20

these inflection points would certainly be a

21

reflection of that beginnings in part because

22

this is very reminiscent of early U.S. 19th

23

century coinage.

24

10, for that very same reason, I think would also

25

work just as well.

The Fugio cent reverse number

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So those are my comments, and I will

2

certainly be willing to ask at this point if

3

there are any questions or even motions from the

4

members at this time.

5

also ask Mr. Hunt, Mr. Richard Hunt, if you are

6

still with us, if you have any comments at this

7

time on this portfolio.

8

MR. HUNT:

And hearing none, I'll

I really appreciated the

9

discussion.

I really appreciated the discussion

10

you've had.

It's interesting the tension between

11

trying to represent 1776 and speak to 2026, and

12

especially across the coins.

13

And to my thinking, given our

14

fractured political environment, something like

15

that link chain is sending another powerful

16

message today that we do need to stand together

17

to preserve the republic and our democracy.

18

But you folks have covered a lot of

19

ground and there's a lot of food for thought

20

here.

So thank you very much.

21
22
23

CHAIR VAN ALFEN:

Thank you very much,

Mr. Hunt.
Are there any other comments or

24

comments from the Mint staff?

25

Mike or anyone else. All right.

Let me ask Joe or
There is no

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further discussion.

2

score the obverse and reverse candidate designs

3

for the 2026 quarter commemorating the

4

Declaration of Independence.

5

Then the committee will now

When you are done, please return them

6

to CCAC Council, Greg Weinman.

We will take a

7

roughly five minute break for members to score.

8

And again, Greg will present the results after

9

lunch when we will have a general discussion

10

about this portfolio and the Platinum Proof

11

Portfolio and the Constitution Quarter Portfolio.

12

(Whereupon, the above-entitled matter

13

went off the record at 11:01 a.m. and resumed at

14

11:08 a.m.)

15

CHAIR VAN ALFEN:

Okay, we are back

16

and moving on to the next semiquincentennial

17

candidate design portfolio.

18

considering the obverse and reverse candidates'

19

designs for the 2026 quarter number 2 featuring

20

the U.S. Constitution which April Stafford and

21

Russ Evans will now present.

We are now

22

So April, all yours, please.

23

MS. STAFFORD:

Thank you so much.

24

Some background on this quarter.

The

25

Constitution of the United States was approved by
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the Continental Convention in 1787, ratified by

2

the states in 1788, and took effect in March

3

1789.

4

supreme law of the land and defines the purpose

5

of the new government, the framework for the

6

institutions of the Federal Government, the

7

relationships of the states to the Federal

8

Government, and the processes to ratify and amend

9

the Constitution.

It establishes the Constitution as the

It is the world's oldest,

10

written, national government charter still in

11

use.

12

The U.S. Constitution's Preamble

13

declares that the American people are the source

14

of sovereignty for the nation, distinguishing it

15

from 18th century nations that based sovereignty

16

on the divine right of kings, monarchal dynasties

17

or the power of the sword to determine who should

18

rule.

19

established this Constitution to form a more

20

perfect union.

21

Constitution, would represent the people of the

22

United States and act to establish justice,

23

ensure domestic tranquility, provide for the

24

common defense, promote the general welfare, and

25

secure the blessings of liberty to ourselves and

We, the people, the Founders declared,

The government, under the U.S.

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our posterity.

2

The U.S. Constitution describes the

3

unique form of representative government with the

4

House of Representatives directly elected by the

5

people, the Senate representing the states, and

6

the President elected by an electoral college to

7

administer the laws of the land.

8

liberty and fundamental rights, the U.S.

9

Constitution separates government powers among

To protect

10

the Executive, Judicial, and Legislative branches

11

to provide checks and balances to prevent one

12

branch from assuming unlimited authority.

13

also describes the federal system where defined

14

powers are ascribed to the Federal Government,

15

but other powers remain with the states or the

16

people, providing another level of separation and

17

balance in the distribution of governmental

18

authority and power over the nation.

It

19

As an inflection point our nation's

20

250-year history, the U.S. Constitution put the

21

aspirations outlined in the Declaration of

22

Independence into practice and provided the

23

functional framework for how our country would

24

operate.

Obverse designs feature personified

25

Liberty.

Some depictions reference the theme of
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the U.S. Constitution through Liberty's garb or

2

symbolic elements, while others are more

3

generalized.

4

Unum, in God We Trust, and 1776 through 2026.

5

The reverses commemorate the U.S.

Inscriptions include E Pluribus

6

Constitution and its ratification as a critical

7

inflection point in our nation's history, a point

8

at which the Founders defined a framework for our

9

working government to make practical the

10

principles expressed in the Declaration of

11

Independence.

12

United States of America, and Quarter Dollar.

13

Artists were also asked to include the

14

inscription U.S. Constitution.

15

Inscriptions include Liberty, the

Obverse designs for the Constitution

16

quarter.

17

adorned with olive branches to symbolize peace,

18

actively building a foundation for the United

19

States brick by brick.

20

striding confidently toward the future holding

21

her torch, a symbol of enlightenment.

22

other hand, she holds the U.S. Constitution.

23

She's crowned with oak leaves for strength and

24

wears the emblem of a shield for protection.

25

Obverse 1 and 1A portray Liberty, hair

Obverse 2 depicts Liberty

In her

Obverse 3 features Liberty with a
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quill and scroll displaying We the People in

2

reference to the Constitution.

3

Obverse 4 depicts Liberty nurturing

4

intertwining flames and stars representing the

5

principles of enlightenment found in the U.S.

6

Constitution.

7

For reverse designs, reverses 1 and 1A

8

depict the Capitol Dome, three stars representing

9

the three branches of government outlined in the

10

U.S. Constitution and powerful phrases from the

11

founding documents.

12

inscription Toward A More Perfect Union and 1A,

13

We the People.

14

Design 1 features the

Reverse 2 features a strong and

15

healthy oak tree representing our country

16

supported by the fertile soil of the U.S.

17

Constitution and fueled by the light of liberty.

18

The additional inscription is We the People.

19

Reverse 3 looks up into the canopy of

20

a strong and healthy oak, symbolizing a strong

21

and growing country with liberty at its core.

22

The additional inscription is We the People.

23

Reverse 4 features a group of hands

24

raising and supporting a key phrase from the

25

Constitution, We the People.
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Reverse 5 employs symbolism of nature

2

to chronicle America's journey through its

3

founding documents.

4

clouds receding and the sunlight growing

5

stronger, marking the nation's transition to a

6

new form of self-government.

7

quill, a young tree has taken root, representing

8

the Constitution as a living framework in this

9

landscape.

The design shows the storm

In place of the

Its form echoes the shape of the

10

quill, seen in a companion design in the

11

Declaration of Independence quarter portfolio, as

12

a visual reminder that this new system of

13

government is informed by and builds upon the

14

values and ideals set for in the Declaration.

15

Reverse 6 illustrates the crafting of

16

the U.S. Constitution, an allegorical depiction

17

of nation building.

18

dissipating clouds as construction workers labor

19

together erecting the framework of the U.S.

20

Constitution. The document is positioned

21

permanently, forming the structure's main feature

22

and providing protection to the systems of

23

government to be housed within.

24
25

Sunlight breaks through

Reverse 7 spotlights the iconic phrase
We the People from the Preamble of the U.S.
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Constitution.

2

proclaims the American people coming together

3

under a representative government grounded in the

4

consent of the governed.

5

Dominating the visual field, it

Reverse 8 features a foundation of

6

bricks and stone with a large cornerstone set at

7

the center. The nation's motto, E Pluribus Unum,

8

is embodied by the brick which comes together to

9

build a foundation representing the U.S.

10

Constitution.

11

the People.

12

The additional inscription is We

Reverse 9 features a detail from the

13

chair used by George Washington during his tenure

14

as President of our Constitutional Convention in

15

1787.

16

Franklin noted the sun carved into the back of

17

Washington's chair. At the conclusion of the

18

convention, Franklin is said to have remarked I

19

have often in the course of the session looked at

20

that sun behind the President without being able

21

to tell whether it was rising or setting. But now

22

at length, I have the happiness to know it is a

23

rising sun and not a setting sun.

24
25

Throughout the convention, Benjamin

Reverse 10 represents the significance
of the drafting of the U.S. Constitution has on
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our nation by depicting a hand holding a quill as

2

it forms the United States flag.

3

includes the additional inscription We the

4

People.

5

The design

Reverse 11 features Independence Hall

6

in Philadelphia where the U.S. Constitution was

7

created and signed in 1787.

8

inscription is We the People.

9
10

The additional

And finally, Reverse 12 depicts the
inscription We the People over an American flag.

11

And Mr. Chairman, I'll also call up

12

another contact sheet that we distributed to CCAC

13

members.

14

created both a Declaration of Independence and

15

Constitution obverse or reverse to work together.

16

So here, you see that there are three designs.

17

On the left are the Declaration of Independence

18

candidate designs and on the right their

19

companion U.S. Constitution pairings.

20

There are pairs here of any artists who

And then the reverses, we have

21

something similar where artists were asked to

22

build a potential relationship between the two

23

founding documents across the reverses.

24

the left, you have the Declaration of

25

Independence candidate designs and on the right,
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the companion designs for the U.S. Constitution.

2

I will also note that in our

3

conversations with federal advisors, as well as

4

the CCAC semiquincentennial work group, there was

5

an identification of an opportunity across both

6

the Declaration of Independence and U.S.

7

Constitution quarters to potentially form a

8

relationship across the obverse and reverse so

9

that both the comparison of these both being

10

Founding documents can be made, but also at the

11

same time using those conventions to bring to

12

light the distinction of how these documents are

13

viewed.

14

That concludes the designs.
CHAIR VAN ALFEN:

April, thank you

15

very much and thank you very much also for

16

highlighting these pairings which I'm sure many

17

of us already noticed to some degree with the

18

obverse and reverse candidate designs, but it

19

certainly is helpful to know that there was an

20

element of planning in this as well, too.

21

thank you for that.

22

So

All right, are there any technical or

23

legal questions from the committee before we

24

begin our review of this portfolio?

25

All right, then let us begin our
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consideration and I would like to remind members

2

again to please try to keep your comments to five

3

minutes and to identify yourself prior to

4

speaking for the public record.

5
6

Kellen, let's begin with you this
time.

7

MEMBER HOARD:

All right, sounds good.

8

This is the other one I have a little bit to say

9

about.

First of all, what I say is I understand

10

many of you like obverse 1A and -- 1 and 1A from

11

that last design.

12

before.

13

a really good design here.

14

1 and 1A for the Declaration.

15

look at that.

I raise the same concerns as

In large respect, I think we should have

16

Not this one, sorry,
We don't have to

I also know many of you like obverse

17

2 with the Constitutional design and I think it's

18

an okay design, but I really want to highlight

19

obverse 3.

20

designs for me for a couple of different reasons.

21

What's key about the Constitution is that it sets

22

up our system of government and places the

23

burden, the authority, the privilege, the

24

responsibility of that government into the hands

25

of the people.

And obverse 3 here eclipses all other

This is what made America
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distinct from the beginning.

It's what has

2

allowed us to persist this strength over the last

3

250 years and it's critical that we as an

4

Americans continue to recognize in the future

5

that the direction of our government and our

6

country is on us.

7

The first line of the Constitution,

8

that first phrase, We the People, is iconic and

9

deeply important for a reason because it made

10

clear in no uncertain terms that this is what the

11

Constitution and our country at large is all

12

about.

13

as viewers explicitly that we the people, have

14

certain responsibilities and certain rights.

15

Obverse 3 captures that well reminding us

Seeing We the People there on the coin

16

forces us as Americans to finish that sentence,

17

to really contemplate what comes next.

18

is looking right at us in the design, asking us

19

and reminding us to continually contemplate

20

implications of these Founding documents, of this

21

phrase, We the People.

22

gaze because she's looking to us and at us as

23

people, not like away from us like in some of the

24

other designs.

25

Liberty

It's hard to avoid her

The quill she holds is a reminder, to
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me at least, that our Constitution is amendable

2

and that as we become a more enlightened country

3

that we can revise and strengthen our Founding

4

documents because we the people control it.

5

The design is a powerful light

6

connected on multiple levels.

Some are more

7

explicit than others with our theme and in a way

8

I think Americans would like and understand and

9

utilize.

It's a visually appealing, well

10

balanced design which uses the space well.

11

a modern version of liberty and both recognizable

12

and innovative.

13

It's

We live in a time of really civic

14

apathy and widespread concern that we're

15

deviating from our values and principles and I

16

think it's crucial that we use the tools we have,

17

in this case this coin, to emphasize to the

18

public to say directly to the public with our

19

coin and with the eyes of Liberty and with the

20

inscriptions and that they, and not a metaphor,

21

not a torch, not some universal power or not a

22

column, that they themselves have the power to

23

shape their own path forward.

24

partial to obverse 3.

25

So I really am

With the reverse, I think the art
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style of obverse 3 also aligns very closely with

2

maybe the art style of some of the reverse

3

designs more than any other obverse choice and

4

gives us so many other options.

5

particular, is new and exciting and well

6

designed.

7

captures perfectly this idea of the Constitution

8

as the roots of our nation, a living organism

9

which is grown into really a thing of beauty.

10

The perspective of reverse 3 makes me feel as

11

though I'm looking up as an American from the

12

Constitution as lasting legacy.

13

that's by far my favorite.

14

captures some of that thematic art, but again,

15

reverse 3 was really my favorite there.

16

leave it off at that.

17

Yeah, that one right there.

18

very much.

19

would, please.

It

So I think

Reverse 2 also

And I'll

Thank you.

CHAIR VAN ALFEN:

20

Reverse 3, in

Kellen, thank you

Dr. Christopher Capozzola, if you

MEMBER CAPOZZOLA:

All right, this is

21

Chris Capozzola.

I think again it's difficult to

22

speak to all of the things that this coin has to

23

do and particularly as a circulating coin in

24

2026.

25

some ways the most striking thing that the

As I was going through it, I thought in

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American public understand about the Constitution

2

is the text We the People and the way that that

3

conveys sovereignty and thanks to Donald for the

4

history lesson that goes with that.

5

guided very much by that.

So I was

6

I think on the obverses, I will say

7

that as it came up earlier, I now feel that the

8

one I like most is DQ-0-01A which is from the

9

Declaration of Independence, and I'm very much

10

persuaded and in fact then just below the surface

11

of my thinking that it works better for the

12

Constitution than it may actually do for the

13

Declaration itself.

14

certainly, there's a simplicity to CQ-0-01 and

15

that works very well up here, too.

But on the other hand,

16

I am trying to find ways to identify

17

things that look like they could only be made in

18

2026 and CQ-0-4 obverse 4 definitely does that.

19

But I think that some of the concerns -- if

20

you're concerned about magic in the previous one,

21

you're definitely going to be concerned about

22

magic in this one and so I do want -- it may take

23

a little too much explaining to the American

24

public for the circulating coins.

25

On the reverse, there are basically
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two that I would like to speak to, reverse 7

2

which, of course, we saw in the platinum proof

3

set, I feel like is a wonderful evocation of the

4

text We the People in the font of 1776 image that

5

could only be made in 2026.

6

legible to Americans and that it says

7

Constitution.

8

the quill there and bearing the act of writing.

9

It is immediately

It is the Constitution and it has

I also was compelled earlier when we

10

saw these a couple of months ago by reverse 04,

11

We the People.

12

would -- it would pair nicely either with the

13

Declaration 3A which was the artist's original

14

intent, but also the Declaration's 12A reverse

15

which was the one with the 250 on it and I think

16

they have a kind of similar aesthetic and that

17

could go well together.

18

That's the hands, and I think it

My only thought on that one on reverse

19

4 is I'm not quite sure what the -- I don't know

20

if they're cracks or lines or dots are about that

21

and so maybe one of the Mint staffers could speak

22

to the artist's intention in the word people on

23

that.

24
25

And with that, I'll stop there.
CHAIR VAN ALFEN:

Thank you.

Could

Joe or somebody else explain what the cracks that
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Chris pointed out may be?

2

MS. STAFFORD:

It is representative of

3

stone, of the carving out of stone, foundational

4

stones, foundational documents.

5

CHAIR VAN ALFEN:

6

you very much.

7

please.

8
9

Thank

John Saunders, if you would,

MEMBER SAUNDERS:
John Saunders.

All right.

Thank you, Peter.

On the obverse between 1 and 1A I

10

like 1A better, but again, I think this should be

11

on the reverse of the coin.

12

my first choice for the reverse.

13

see that as an obverse of a coin.

14

much of a traditionalist.

15

I like 02 a lot.

I think it would be
I just don't
Maybe I'm too

I liked it earlier.

16

I still do.

17

little stark expression on her face, but that may

18

be okay here.

19

to give it some points, but again, I think it may

20

be going a little bit too far too fast for people

21

understanding like what the hell are you guys

22

doing here putting this on to the Constitution?

23

I like 03 a little bit.

It's a

I like 2 better and 04, I'm going

In the reverses, the Capitol is okay,

24

but I don't particularly like it.

25

tree.

I like the oak

It's probably my first choice.
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quite sure the kind of puffy groups of leaves

2

that are shown there are really what an oak tree

3

looks like.

4

trees and make some minor modifications to the

5

leaf clusters there.

6

I suggest the Mint look at some oak

03 I think is very innovative, but I

7

think it barely works on paper.

I don't think it

8

would work on a coin and again, I don't think

9

looks anything like an oak tree.

I think it

10

looks more like an aspen or something like that,

11

looking at the bottom.

12

here, but it's an interesting design.

13

The hands raised, I like.

So I don't see it working

The U.S.

14

Constitution with the tree there.

15

earlier, I like the concept, but this looks like

16

a tree that the leaves have been blown off would

17

be more than a sapling.

18

idea that it's a sapling.

19

give it much trouble, much voting.

20

As I said

I just don't get the
So I'm not going to

06, same comment as I had before.

07,

21

I like.

I wouldn't mind doing a series with this

22

-- if we don't do it for the platinum, doing this

23

reverse design for the two quarters.

24

09, hey, I didn't know about George Washington's

25

chair before I came here.

08 is okay.

It's a good thing

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about being in this, you learn some things that

2

are very interesting, but I think if I don't get

3

it, the general public is not going to get it at

4

all.

5

10, I like everything except it's the

6

flag.

I mean if it had a writing, the

7

Constitution, or had the handwriting of the

8

Constitution -- it also looks like it's cutting

9

through something as opposed to writing and

10

making it that way.

So I don't like the way the

11

flag is done there at all.

12

and the design of the coin, if it was writing the

13

Constitution, it says We the People or something

14

like that there, it would be great.

15

fine if we don't use that for the other quarter.

16

12 is kind of okay, but I think it's

But again, the hand

11 is just

17

not going to be very standout-y, -outish, if it's

18

a coin.

19

coin format particularly well.

20

reverse, I would vote for the obverse 1A if we

21

don't use the one we considered for platinum, my

22

two choices there.

23
24
25

I don't think it translates into the

CHAIR VAN ALFEN:

Again for the

Mike Moran, if you

would, please.
MEMBER MORAN:

Thank you, Peter.

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is Mike Moran.

2

write in from the obverse 01 from the Declaration

3

of Independence as an obverse for this one.

4

think it's appropriate because the Constitution

5

is a living document.

6

and this certainly describes it very aptly.

7

I'm going to make a pitch for a

I

We're still working on it

I do like obverse 1 from the package.

8

I'll give it some votes.

And I like obverse 2.

9

Let me go back to 1 for one thing that troubles

10

me there.

It's the placement of the mottos.

11

think In God We Trust should be in the arc across

12

the top and Liberty's building on the One From

13

Many, E Pluribus Unum, and that is the foundation

14

on which she is building.

15

better than the way the models are arranged now.

16

If we were to choose that, I would certainly make

17

a motion to flip those.

18

I think that says it

And on 2, let's look at 2.

I like

19

that one, too.

20

certain appeal to me, but I really do like one

21

from the Declaration of Independence probably

22

best of all.

23

I

It's traditional and it has a

Moving to the reverse, number 2, which

24

is the oak tree, is my first choice.

25

choice is number 7.

The second

I can live with that.

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Certainly it's bold.

2

on a quarter and there's one message we want to

3

convey out of all of this it's We the People.

4

that one will get votes from me as well.

5

You could be able to see it

I like number 9 with the rising sun on

6

the chair back.

7

make somebody look and learn a little bit about

8

our history.

9

give it some votes and that's it.

10

It grows on me.

I get it.

Maybe it will

Leave it alone.

I'll

So that

concludes my choice on those.

11
12

So

CHAIR VAN ALFEN:

Thanks very much.

Donald Scarinci.

13

MEMBER SCARINCI:

This is one of the

14

reasons this meeting had to be in person.

15

is a very, very complex portfolio in totality.

16

Obverse, so could I possibly see the pairing, the

17

slide again?

18

This

I love -- you know, I -- Kellen, you

19

took 03 from oblivion for me because I wasn't

20

really considering it.

21

-- you know, and I kind of paired 04 with 08.

22

that in the pairings?

23

with?

24

and so I think -- I think, you know, it's kind of

25

-- I see the merits of 01A.

I really like 04.

No.

Yes, I don't like 02.

I like
Is

What did you pair 04
I don't care for 02

01 I discard because

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of what's going on with her head.

2

- I just think it's too hideous what it is.

3

is a better version of it and so I think in the

4

obverse it's 01, 03, 04.

5

I just don't 01

In the reverse, I have to say this.

6

I didn't say it last time because nobody

7

expressed an interest in the coin, but I would be

8

a little concerned about 03, reverse 03.

9

again, Emily Damstra did a couple of coins, a

This is

10

series of coins for the Royal Canadian Mint with

11

exactly this perspective on trees.

12

those coins actually won a COTY award.

13

little concerned about that.

14

spot on with her design of the Canadian coin.

15

And one of
So I'm a

And this is really

I do like -- I think 08, if we don't

16

use 01 on the obverse, then I think 08 is

17

probably the most telling and I kind of like the

18

pairing of 04 and 08.

19

08 would also go with 03 and I think Kellen's got

20

me thinking about 03.

21

01A are not -- I'm not running to those, is again

22

because visually I think John said it that you

23

kind of want to see -- America's used to seeing

24

more to it on the obverse of a coin and this

25

would be like okay, what's the obverse and what's

I kind of like that.

But

And the only reason 01 and

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the reverse?

Not that it matters, right, but

2

it's an expectation.

3

expectations with this entire portfolio.

4

CHAIR VAN ALFEN:

5

thank you very much.

6

would, please.

7

We're shattering

All right, Donald,

Art Bernstein, if you

MEMBER BERNSTEIN: This is Arthur

8

Bernstein.

With regard to the obverses.

9

Although Mike Moran and I support different NBA

10

teams, I find myself agreeing with him completely

11

with regard to obverse 1A as a good design.

12

going back to the previous design we saw with the

13

carving situation, I think that would also be a

14

good design for this particular quarter.

15

agreed with his suggestion about switching the

16

phrasing from top to bottom.

He also had kind

17

words to say about design 2.

I liked that as

18

well.

19

forward.

20

marching forward and that she was holding the

21

document in her hand.

22

But

I also

I appreciated the look of Liberty walking
I liked her good posture as she's

With regard to reverses, I think with

23

reverse 1 with the Capitol Building,

24

notwithstanding the three stars of David, I don't

25

think we should be representing one particular
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building of one branch of government.

2

would be a mistake to have the Capitol although

3

the others are represented by the stars.

4

I think it

And then going a little further on in

5

the reverse choices, Mr. Chairman, I wanted to

6

make a comment about something you said when we

7

were discussing the last series of designs about

8

Independence Hall.

9

know what it was or what its significance was.

You wondered if people would
I

10

have to tell you, share a personal story.

The

11

last time I was in Philadelphia was with this

12

committee when we toured the Mint itself and we

13

had some free time and I was able to tour

14

Independence Hall.

15

was a religious experience.

16

as I stood inside that building and felt what had

17

happened there.

18

know what occurred there, they need to know that

19

and so I would not shy away from the design

20

featuring the Independence Hall building, nor

21

would I shy away from the design -- I saw George

22

Washington's chair up there and I heard the story

23

from the Park Ranger and it brought tears to my

24

eyes.

25

consideration to number 9 as well as to number

And I have to say for me it
I felt -- I trembled

And frankly, if people don't

And I would like us to give some

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11.

Thank you.

2

CHAIR VAN ALFEN:

3

thank you very much.

4

comment.

5

please.

6

All right, Art,

And thank you also for that

Jeanne Stevens-Sollman, if you would,

MEMBER STEVENS-SOLLMAN:

Thank you,

7

Mr. Chairman. This is Jeanne Stevens-Sollman.

8

Again, this is an amazing portfolio and as I go

9

through our history which I think the public is

10

needing to know, I think we need to put a lot of

11

information on the coins, but make it simple.

12

And one of the things I enjoy very much doing

13

when I'm out shopping and making cash and

14

collecting coins and so forth, I always open my

15

hand and say to the cashier do you see this coin?

16

Do you know what this means?

17

reaching out to the general public who knows

18

nothing about the coins in their pocket.

19

is a great opportunity to help young folks

20

understand what our history is about.

21

And I feel like I'm

So this

On that, I would like to talk about

22

obverse number 2 for the Constitution.

23

like this very much because it's just simple and

24

strong and she is walking forward with the torch.

25

She has her information -- the Constitution in
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her hand.

2

with the reverse number 4 which is a little more

3

contemporary, but I think it's a strong piece and

4

very understandable.

5

choices.

6

nicely about everything else.

7

much, Mr. Chairman.

8
9

And I think this would pair very well

So those are my two

I think my colleagues have spoken very
So thank you very

CHAIR VAN ALFEN:

Thank you, Sam

Gelberd, if you wouldn't mind.

10

MEMBER GELBERD:

Thank you, Peter.

11

This is Sam Gelberd.

12

people have already said about the obverses, my

13

preference is for obverse number 02.

14

with my preference for the Declaration quarter.

15

I think it's a great metaphor for the Age of

16

Enlightenment.

17

right holding a torch, I like that the date is

18

not -- the dates are not right next to each

19

other, actually using Liberty herself as the

20

delimiter actually works very well, great use of

21

all the space, aesthetically love it that she is

22

holding the document in her hand.

23

well.

24
25

To echo what a lot of

It ties in

Showing Liberty striding to the

It works very

Great torch as well.
For the reverses, I have to go to

reverse 9 ultimately.

I think it is a great

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story.

As I said before in our previous

2

meetings, as a teacher, a history teacher, I

3

think it is a wonderfully teachable moment for a

4

lot of students.

5

with the rising sun on President Washington's

6

chair, not President at that time, of course, so

7

General.

But still, it works very, very well.

8

like it.

The public may not latch on to it as

9

well as they might with reverses 01A or reverse

It's a great optimistic image

10

07.

11

popular with the public.

I

Reverse 12 I think would also be very

12

As a close second, I do like reverse

13

2, even though it does appear, initially it

14

appeared somewhat juvenile to me, but I just like

15

the overall layout and I do think it works.

16

think it is an aesthetically-pleasing design.

17

does fill the entire space, but it does work from

18

an artistic standpoint and again, having We the

19

People, I think it's a phrase that works better

20

on the reverse of the quarter.

21

imagery that speak more in a metaphor for the

22

obverse.

23

I think works a little bit better for this

24

series.

25

I
It

I like that

So having We the People on the reverse,

That's all I needed to add, Peter.
CHAIR VAN ALFEN:

Sam, thank you very

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much.

Annelisa, if you would, please.

2

MEMBER PURDIE:

Thank you, Mr.

3

Chairman.

This is Annelisa Purdie.

4

the portfolios we are looking at this was the one

5

that I was the most lukewarm about. I found

6

myself liking elements of the coins versus the

7

designs overall, but there were a few that stood

8

out very well. I know there were a lot of votes

9

for obverse number 2.

She's walking.

Of all of

That's

10

good.

11

inscrutable and again, it's a little more

12

Athena/Hestia versus Lady Liberty. That's what I

13

saw and I kept coming back to this design over

14

and over again.

15

that would be appealing overall to the public.

16

The expression on her face is a little

But I do think that's something

For design number 3, I love the fact

17

that she's looking directly to the viewer.

18

is something that when turning the coin over in

19

one's hands could also be very appealing.

20

she's left handed.

21

that she's emphasizing the seriousness of her

22

expression, the We the People which is an

23

integral part of the Constitution.

24
25

Yay.

This

And

But I like the fact

For number 4, I noticed that the
advice was taken about taking We the People out
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of her hair which was a point of contention last

2

time.

3

only concern is that the flame does seem a bit

4

more papier-mache than an actual flame itself and

5

I do think that there needs to be some element

6

that emphasizes the Constitution itself. It

7

doesn't necessarily scream Constitution in terms

8

of reference to me, but I love this design.

9

think it was very well rendered.

I think this is a very dynamic design.

10

My

I

For the reverses, I did like reverse

11

1.

I think that the statement Towards A More

12

Perfect Union fits well in terms of continuity

13

with We the People in terms of flipping it over.

14

I think this is done very beautifully and it's a

15

constant reminder of what we're striving for.

16

Number 3, that is some beautiful

17

shading on this design.

I'm not sure how well

18

this would work on the quarter because of its

19

size and because of the light, considering

20

similar designs that have been done with trees

21

from this perspective.

22

the light coming through the treetops to be

23

misconstrued as shadow somewhat.

24

perspective.

25

down on the ground and looking upward, but again

There's a potential for

I love the

It gives the sense of one laying

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not sure how this would work in actual

2

application.

3

beautiful.

4

But the shading itself is

For number 5, reverse 5, again, it's

5

the issue with the sun.

I love the arch of the

6

tree, but the design of the sun still doesn't

7

match the overall design of the coin and the sun

8

rays look interestingly enough like stripes on

9

the American flag.

I'm not sure if I'm the only

10

one who saw that, but that also is something that

11

could be adjusted where the sun could be

12

adjusted.

13

And again number 7, still this is my

14

favorite of the reverses.

15

serviceable.

16

the point does need to be hammered across, We the

17

People, in order to get it to stick.

18

was the one that I liked much more so than

19

reverse 12 which same message, but again,

20

execution with all the negative space.

21

sure how that would work.

22

Thank you very much.

23

It works.

It's

It's beautifully done and sometimes

But that

I'm not

And that's all for me.

CHAIR VAN ALFEN: Annelisa, thank you

24

very much.

For my comments, I have to admit that

25

I share some of the same concerns that John
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Saunders has with the obverse number 1 and 1A

2

which also shares some similarities with the

3

Declaration of Independence in obverse 1.

4

there's something about this design that I find

5

very heavy and very difficult to put my finger on

6

exactly what it is.

7

reminiscent of the seated Liberties and seated

8

Britannia-type coinages from the 19th century

9

which I frankly don't think work particularly

10

And

It is to some degree

well as obverse designs.

11

So in this sense, I do share the

12

concern that John Saunders has that perhaps this

13

would work better as a reverse than an obverse

14

design.

15

when looking through these portfolios of trying

16

to find a way to illustrate the progression,

17

chronological progression, of the inflection

18

points, starting with the Declaration, living

19

through in 1776, working through the

20

Constitution, 1782 and on to the other inflection

21

points that we'll be looking at this afternoon.

22

And that said, I think that the pairing of

23

obverse 2 in this portfolio with the similar

24

obverse in the Declaration of Independence

25

portfolio that we looked at earlier works well

That said, again, I am very concerned

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since this depiction of Liberty is quite

2

classical and I think in some ways represents

3

that earlier period.

4

favorite obverse.

So this is by far my

5

For the reverse, I am very much drawn

6

to the design of number 9, the chair that we have

7

talked about.

8

beautiful design.

9

I have here is just how the public would react to

I find this to be an amazingly
The question, of course, that

10

this because it would be very difficult to know

11

immediately what this, this and this would

12

require a tremendous amount of explanation. But

13

as some of my committee members have pointed out,

14

perhaps this is the teachable moment that we are

15

looking for, whether it is a cashier at the

16

grocery store or our child or others.

17

I also do like 7 quite a bit. This is

18

something which I found very attractive in the

19

platinum proof portfolio and I think it would

20

perhaps work well here, but I don't think it

21

would work as well as a pairing with the obverse

22

2.

23

reverse 9, again, because this does -- seems to

24

represent the chronological progression that I

25

feel is important that we find a way to express

So my preference would obverse number 2 and

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in these portfolios, even if there are some

2

reservations about how this would be interpreted,

3

this reverse.

4

All right, so that said I will once

5

again ask Mr. Hunt, if you're still with us, if

6

you have any observations or comments you'd like

7

to make at this time.

8

MR. HUNT:

9

I am still here and I just

have one minor point and I think you touched upon

10

it as well and that there is some date confusion

11

here that the anniversary starts in 1776, the

12

Constitution is not in operation until 1789, and

13

that date doesn't appear on the coin anywhere.

14

Maybe that's because of the confusion updates,

15

but it's certainly a historical point to

16

consider. So that's really all I have to offer.

17

Thank you.

18
19
20

CHAIR VAN ALFEN:

Thank you again, Mr.

Hunt.
Are there any other observations or

21

comments from the Mint staff at this time?

All

22

right, well, hearing none, then the committee

23

will now score the obverse and reverse candidate

24

designs for the 2026 quarter commemorating the

25

U.S. Constitution.

And since we are ahead of

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schedule and will be going to lunch, I will ask

2

the members to please submit the scores to Greg

3

as you are on the way out the door. And again,

4

since we are ahead of schedule,

5

that we return at 12:45 rather than 1:15 p.m. as

6

indicated in the agenda. So we will resume at

7

12:45 following lunch, at which point we will

8

hear the results of the scores.

9

I would suggest

(Whereupon, the above-entitled matter

10

went off the record at 11:50 a.m. and resumed at

11

12:45 p.m.)

12

CHAIR VAN ALFEN:

All right, thank you

13

very much, Jen.

14

that we do have a quorum in the room.

15

item of business this afternoon is to ask Greg

16

Weinman to present the scores

17
18
19

We are back from lunch.

MS. WARREN:
needs to stop.

I see

The first

Wait, hold on.

Sidebar

Sorry.

CHAIR VAN ALFEN:

Okay.

The first

20

item of business in returning from lunch is to

21

ask Greg Weinman to present the scores from this

22

morning's session, that includes the 2026 through

23

2028 Platinum Proof coins and the 2026 quarters

24

commemorating the Declaration of Independence and

25

U.S. Constitution.
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Of course, for the quarters anyway,

2

this is for discussion as we will be making final

3

recommendations tomorrow, but we can certainly

4

keep that notion open for the Platinum Proof as

5

we go forward in a few moments.

6

would, please present the scores.

7
8

MR. WEINMAN:

So Greg, if you

Can you hear me or do

you want me to use the microphone?

9

MS. WARREN:

10

That sounds good.

MR. WEINMAN:

Good?

Okay, excellent.

11

Let's start with Platinum Proof.

These might not

12

be as illuminating towards a clear direction as

13

you might like.

14

sorry, this is out of a possible 30 points --

15

received 16 out of 30.

16

points making it one of a four-way tie for the

17

highest scoring point.

Design 01-D-01 received -- I'm

18

(Laughter.)

19

MR. WEINMAN:

01-D-01A received 22

The 01-C-01 received,

20

also, 22 points.

21

01-D -- I'm sorry, 02-D-01 received seven.

22

01A received five points.

23

points.

24
25

01-B-01 received 19 points.

02-C-01 received four

02-B-01 received two points.
Moving on to 03.

points.

02-D-

03-D-01 received 22

03-C-01 received 22 points.
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received 20 points, thus setting up a virtual

2

tie, if not a literal tie, between sets one and

3

three.

4

CHAIR VAN ALFEN:

5

MR. WEINMAN:

All right.

So, with that in mind,

6

why don't we move on to the Declaration of

7

Independence quarter.

8
9

MEMBER MORAN:
better.

10
11

I hope that goes

MR. WEINMAN:

Just tell me when you're

ready.

12

CHAIR VAN ALFEN:

13

MR. WEINMAN:

Yep, go ahead.

We'll start with the

14

obverses.

15

again out of a possible 30 points.

16

seven.

17

actually, the high scoring design among the

18

obverses.

19

Obverse 04 received 15 points.

20

received five points.

21

points.

22

received four points.

23

it's obverse 02 that received the high scoring

24

with 22 out of 30 points.

25

Obverse 01 received eight -- remember,
01A received

Obverse 02 received 22 points making it,

Obverse 03 received one point.
Obverse 05

Obverse 05A received four

Obverse 06 received eight points, 06A
So, among the obverses,

Moving on to the reverses.
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received three points.

Reverse 02 received zero

2

points.

3

03A received 17 points.

4

points.

5

Reverse 05 received 14 points.

6

received six points.

7

points.

8

08 received 18 points.

9

points.

Reverse 03 received ten points.

Reverse

Reverse 04 received five

Reverse 04A received three points.
Reverse 06

Reverse 06A received six

Reverse 07 received six points.

Reverse

Reverse 08A received 15

Reverse 09 received 19 points.

Reverse

10

10 received 20 points making it the high scoring

11

design reverse, if not by a lot.

12

received three points.

13

points.

Reverse 11

Reverse 12 received five

And reverse 12A received eight points.

14

CHAIR VAN ALFEN:

15

MR. WEINMAN:

Interesting.

Moving on to the

16

Constitution quarter.

17

there's a little more clarity here.

18

quarter obverse 01 received ten points, 01A

19

received nine points.

20

points making it the high scoring obverse design.

21

Obverse 03 received nine points.

22

received ten points.

23

At least on the obverse,
Constitution

Obverse 02 received 23

And obverse 04

Moving on to the reverses.

24

received nine points.

25

points.

Reverse 01

Reverse 01A received six

Reverse 02 received 14 points.
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03 received ten points.

2

points.

3

Reverse 06 received two points.

4

received 18 points making it tied for the high

5

scoring reverse design, with 18 points.

6

08 received two points.

7

18 points.

8

Reverse 11 received 12 points.

9

received six points.

Reverse 05 received five points.

10
11

Reverse 07

Reverse

Reverse 09 also received

Reverse 10 received seven points.

CHAIR VAN ALFEN:

And reverse 12

All right, Greg,

thank you very much, I think.

12

(Laughter.)

13

MR. WEINMAN:

14

Reverse 04 received nine

Glad to clarify things

for you.

15

CHAIR VAN ALFEN:

Indeed.

All right,

16

I think it's best that we first discuss the 2026

17

through 2028 Platinum Proof coins, now that we

18

have the scores, and set aside the quarters for

19

the moment.

20

So we could possibly make a

21

recommendation at this time, as John suggested we

22

do earlier this morning.

23

be open to that, I don't think we necessarily

24

need a motion to do so.

25

perfectly happy to try to come to a

And I would certainly

Since, again, I would be

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recommendation for the 2026 Declaration of

2

Independence reverse -- or obverse design for the

3

Platinum Proof.

4

Again, we are asked -- we've been

5

asked if we could make a recommendation for that

6

2026 coin alone, although if we could perhaps

7

make a recommendation for an entire set, that

8

would be good as well.

9

would like to just open the table for any

10

comments at this time.

11

So with that in mind, I

John.

MEMBER SAUNDERS:

Hi, John Saunders

12

here.

13

kind of got a tie between the first series and

14

the last series, but the last series was also

15

scored high in the quarters.

16

adopting the first coin of the first series as a

17

solid recommendation, with the idea that we would

18

go forward and do the second two in the series,

19

maybe with some minor tweaks for it.

20

I think on the Platinum Proofs that we

So I would favor

I'd also suggest that we put a couple

21

of rays on the first coin for the sun to make it

22

consistent with the suns that come after it, and

23

that we leave the Series 03 for the quarters.

24
25

CHAIR VAN ALFEN:

Okay, so your

recommendation then would be that we adopt Set
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One with some modifications, is that correct?

2

MEMBER SAUNDERS:

Yes.

3

CHAIR VAN ALFEN:

Okay, thank you.

4

Mike, I think your hand was raised.

5

MEMBER MORAN:

This is Mike Moran,

6

John took a lot out of what I wanted to say.

I

7

like the series -- the first one Series One.

I

8

feel like that there were a lot -- while there

9

was -- the concept for the following years '27

10

and '28 within the first series was favorably

11

received by the Committee in general, it was only

12

lukewarm and there were criticisms of the

13

preparation of the trees, of the child in the

14

third.

15

the first image and leave the rest of it alone,

16

and let the rest of it flow as we go forward

17

through the years.

18

I think we should stick to just 2026 with

CHAIR VAN ALFEN:

All right, Mike,

19

thank you very much.

20

both Mike and John then would support adopting

21

Set One, although with a proviso that we could

22

delay conversation for the 2027 and 2028 design

23

candidates for a later date, so we would then be

24

recommending -- Jeanne, I see your hand is up.

25

So from my understanding,

MEMBER STEVENS-SOLLMAN:
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Yes.

If we

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1

accept Set One and we accept our -- you know, the

2

first one of Set One -- this is Jeanne Stevens-

3

Sollman speaking.

4

keep most of the design of Set One number 02 and

5

03, because that's what we're voting for, with

6

just some, you know, adaptation to what we spoke

7

about the sun.

8

most, I think for me, that we need mostly to

9

change, or to enhance, to match the sun of number

I would like to be able to

You know.

10

01.

11

do, I'm in favor of that.

12

MS. STAFFORD:

13

I think that's the

And if we can do that, if that's what we can
Thank you.
If I may -- sorry.

Dr.

Capozzola, you go --

14

MEMBER CAPOZZOLA:

15

MS. STAFFORD:

16

MEMBER CAPOZZOLA:

No, go ahead.

No, please, you.
Okay.

It's really

17

-- this is Chris Capozzola.

18

Capozzola here, I don't know if there's a motion

19

on the table at the time --

20

CHAIR VAN ALFEN:

21

MEMBER CAPOZZOLA:

Here we go.

Chris

No.
Okay.

But I just

22

want to clarify, if we're talking about Set One,

23

are we talking about D-01A which was the higher

24

vote-getter and which many people spoke in favor

25

of.

But once there is a motion, I would want the
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motion to include that in particular.

2

And I think I can agree with Jeanne

3

that I am, personally, ready to mark the whole

4

set as reviewed and communicate our thoughts

5

about 2027 and 2028, but if the sense of the

6

Committee is that we want to review each of these

7

independently, I defer to them.

8

CHAIR VAN ALFEN:

9

MEMBER BERNSTEIN:

Art.
I would just like

10

to associate myself with Professor Capozzola's

11

remarks.

12

but, in the interest of making everyone happy, if

13

we want to do it in that slightly bifurcated way,

14

that's okay with me as well.

15

CHAIR VAN ALFEN:

16

I'm prepared to vote for the whole set

Okay, any other --

Kellen, yes, your hand is raised.

17

MEMBER HOARD:

At this point -- it

18

might have already kind of been said but I was

19

going to raise the point that, it seems like this

20

is a pretty -- there are a lot of pieces to this

21

motion that is, you know, either the full set or

22

part of it.

23

If we are doing one of the designs and

24

it has in the motion, you know, extra rays for

25

the sun and a revise the thing within the thing,
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to me it seems like there's a -- and in addition,

2

where there's a unique case where there's designs

3

in the set which are in other portfolios as well,

4

to me it just makes sense to consider it with

5

everything else at the end tomorrow, when we've

6

actually had a chance to look through everything

7

comprehensively.

8

granular details based on our further

9

discussions.

10

And then we can get to the

I have no strong feelings either way,

11

I can vote on it now.

But it just seems like

12

there's so many moving parts, it might make more

13

sense to just do it all as one thing.

14

CHAIR VAN ALFEN:

15

very much, Kellen, for that.

16

MS. STAFFORD:

All right, thank you
Yeah?

So the chief engraver

17

and I were speaking over the break, and this

18

Committee's observations about the sun, about the

19

tree, we could not agree with more.

20

it possible for the chief engraver to give some

21

initial thoughts so that the Committee could

22

understand when the changes

23

the direction, the approach he would use to

24

stylistically ensure that they work across.

25

that all right, Joe?

And so, is

if this should be

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(Simultaneous speaking.)

2

CHAIR VAN ALFEN:

3

Sure, thank you.

Joe, please.

4

MR. MENNA:

Thank you, April.

This is

5

Joseph Menna.

6

consideration of the set, thinking that number 01

7

works beautifully even with no rays on top,

8

because that negative space helps the quill to

9

serve as a framing element.

10

In advance of any further

And it's really

important.

11

Now -- so the artist worked really

12

hard to repeat the motif of the sun in the second

13

design.

14

the rays on the bottom consistent with the rays

15

in the cloud coincident with the rays on the

16

first coin, making the entire thing a single

17

device at the risk of looking like a flag from

18

World War II.

19

frankly.

20

In doing so, keeping -- in order to keep

You know, the rising sun flag,

And so, the artist decided to instead

21

use raise scribes to indicate the rays of the

22

sun.

23

could be more consistent with the first version,

24

the sun would be more -- could be more solid

25

indicated with different levels of relief and

That could be remedied in a way where it

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2

whatever, or texture.
So, there's that.

The tree that was

3

brought up as a concern, would recommend for

4

future consideration removing a lot of the

5

branches from the tree in the second -- it's

6

growing, it's a growing tree.

7

planted 30 trees in the past two years, I kind of

8

know how this works.

9

their full height, there's a lot of branches

You know.

I just

And even if they reach

10

along the trunk that are still developing.

11

that would make it look less like version 03 got

12

hit by a windstorm and became version 02, which I

13

think was commented on.

14

And

And then, again, also the comments

15

about the child on number 03.

16

easily be -- just saying, and all of your

17

concerns, we are -- we're thinking in real-time

18

when the Committee speaks about potential

19

remedies or accommodations.

20

your consideration.

21

Those could very

Just -- that's for

Thank you.

CHAIR VAN ALFEN:

All right, Joe,

22

thank you very much.

Are there any other

23

comments before we entertain a motion or two?

24

All right.

John.

25

MEMBER SAUNDERS:

John Saunders again.

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On the right is -- I agree that there's some

2

value to having consistency.

3

have a different proposal than I do, because I

4

like the rays on the latter two, so I would -- if

5

you wanted to be consistent to have a couple rays

6

on the first one just going up as opposed to --

7

you know, obviously it can't go with the clouds.

8

But I'm just wondering what the rest of the

9

Committee thinks, whether we should go with no

10

You know.

You can

rays or all rays?

11

CHAIR VAN ALFEN:

Jeanne.

12

MEMBER STEVENS-SOLLMAN:

Okay, this is

13

exciting.

Jeanne Stevens-Sollman speaking.

14

Number 01 is fine, we can just leave that one

15

alone, it's great, and it has been all morning

16

long.

17

second one, 2027.

18

his comments, but if we just take that linea

19

raise and it making them flatter or, you know,

20

make them wider next to the sun as some of the

21

rays are in some of the latter suns, where we

22

could have more of a star burst or something,

23

then I think it would complement number 01.

24

that's my biggest thing, to get rid of these

25

simplistic second grade sun rays.

So -- but number -- the next one, the
I agree and I thank Joe for

Thank you.

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CHAIR VAN ALFEN:

2

very much.

3

so.

4

Jeanne, thank you

I believe Mike had his hand raised,

MEMBER MORAN:

Yeah.

I'm going to

5

make a motion, we need to get this closed.

6

move that we recommend -- this is Mike Moran, I

7

move that we recommend Design One for 2026 and

8

that we express a preference to the mint for the

9

designs 01 in 2027 and 2028 subject to their

10

I

modification.

11

MEMBER STEVENS-SOLLMAN:

12

CHAIR VAN ALFEN:

13

very much.

14

up here on my notes.

15

discussion.

16

I second.

All right, thank you

Two seconds, let me try to get caught
Thank you.

All right,

Chris, I believe you -- yeah.
MEMBER CAPOZZOLA:

Chris Capozzola,

17

just a friendly amendment to clarify that the

18

number 01, we are referring to 01-D-01A.

19

MEMBER MORAN:

Accepted.

20

MEMBER CAPOZZOLA:

21

CHAIR VAN ALFEN:

Thank you.
All right, thank you

22

very much.

So we have a motion on the table

23

then, to recommend for the -- or recommend that

24

obverse D-01A be recommended for 2026, and that

25

for 2027 and 2028 we indicate a preference for
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these designs in Set One subject to future

2

modification, which we do not necessarily have to

3

discuss at this point but we can discuss in later

4

years.

Is that correct?

5

MEMBER STEVENS-SOLLMAN:

6

MEMBER MORAN:

7

MEMBER STEVENS-SOLLMAN:

8

CHAIR VAN ALFEN:

John, further

MEMBER SAUNDERS:

Well, I didn't have

9
10

Yes.

Yes.
Thank you.

discussion?

11

a question, just wanted to make a comment.

12

since the area I collect -- I wanted more

13

valuable coins, it's the fiftieth anniversary of

14

Leopold coming to power.

15

versions, depending on when they were made, and

16

they vary in price from a few thousands of

17

dollars to tens of thousands of dollars, and one

18

that's unique, it probably would bring a half

19

million or more if it was sold.

And it's all

20

about how many rays is the sun.

So future

21

numismatists --

22
23
24
25

If --

And there's three

CHAIR VAN ALFEN:

Yes, exactly.

Future collectors, take note.
MEMBER SAUNDERS:

You know, if you

want to make varieties that really -- things
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change a little bit on a couple of different dies

2

for the coin, you could really come up with

3

something.

4
5

CHAIR VAN ALFEN:

All right, any other

discussion on this motion?

6

All right, hearing none, let us vote.

7

All those in favor of this motion, please signify

8

by saying aye or raising your hand.

9

(Chorus of aye.)

10

CHAIR VAN ALFEN:

11

All right, well, the motion carries.

12

Any opposed?

One down.

13

(Laughter.)

14

CHAIR VAN ALFEN:

Yes.

Okay, let us

15

continue then with some discussion for the 2026

16

quarter commemorating the Declaration of

17

Independence.

18

consider the quarter for 2026 commemorating the

19

U.S. Constitution.

20

remind the members that it is tomorrow that we

21

are hoping to make the recommendation, not today.

22

So at the moment we will just entertain some

23

discussion, before moving on to the other

24

portfolios that we have to review this afternoon.

25

And simultaneously, let's also

And again, I do want to

So are there any comments then on
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these two portfolios?

2

Mike.

MEMBER MORAN:

Thank you, Peter.

This

3

is Mike Moran, I happen to like the concept of

4

the two liberties that got the most votes for the

5

obverse of the Constitution and the Declaration.

6

Being 02 on the Declaration and 02 again on the

7

Constitution.

8

enough alone and focus on the reverse in terms of

9

additional discussion.

10
11

I think we ought to leave well

CHAIR VAN ALFEN:

Thank you very much.

Any -- Kellen, yes, I see your hand is raised.

12

MEMBER HOARD:

Yeah, I have almost the

13

exact opposite opinion of Mike, respectfully.

14

think, you know, for the --

15

(Laughter.)

16

MEMBER HOARD:

I

You know, part of, I

17

think, the tricky is that the liberties, which

18

currently have the highest designs for both, are

19

very much a collector's -- an American

20

collector's choice of liberty.

21

classical designs, they're in old garb, they have

22

old head gear, they have these, you know, kind of

23

old, you know, torches and magic that they're

24

wielding.

25

They're very

Like, it -- they are not designs which
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I think are relatable to the modern public as

2

depictions of liberty, as depictions of the

3

Declaration or of the Constitution, are

4

appropriate for quarter size.

5

thinking more as collectors than as members of

6

the public seeking to understand thematic

7

designs.

I think we're

8

And what I read from the themes that

9

the workgroup came up with, and that the experts

10

came up with, is that we're looking for a

11

moderate interpretation of liberty -- you know,

12

maybe with some, you know, classical elements,

13

but actually what does liberty look like today

14

250 years on, as it represents these historical

15

events.

16

So I really find myself actually quite

17

drawn away from those designs because I simply

18

don't feel that -- you know, the students who are

19

going to be looking at these, or the members of

20

the public who are going to be using them, are

21

going to understand what they represent or what

22

they mean in a 2026 context.

23

context that we're looking back to in terms of

24

visual array and art style.

25

These are an 1800s

So I would -- I think that we actually
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should spend some more time talking about the

2

obverses here and figure out what's going to be

3

compelling, what are they going to like, what are

4

they going to use, beyond what are they going to

5

collect.

Thank you.

6
7

CHAIR VAN ALFEN:
very much.

8
9

Kellen, thank you

Sam, I see your hand is raised.
MEMBER GELBERD:

Hi, Peter.

This is

Sam Gelberd, I just want to say, I do think there

10

is a good compromise with these two designs,

11

between the classic -- you know, with the images

12

of Liberty.

13

version when you consider the font or the type

14

style of the dates and the motto, in God we

15

trust.

16

public latch onto it and I think they'd be

17

receptive to it.

18

But I do think it is an updated

And I think that is enough to help the

And truth be told, I think it's more

19

of coin collectors or numismatists that are

20

probably spending more coins than the general

21

public that -- I mean, the quarter, of course, is

22

a very popular, widely used denomination.

23

think it might actually serve to really get

24

people more into the hobby a little bit, I think

25

we have a great opportunity here by reintroducing
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classical designs like this.

2

So I understand what Kellen was

3

saying, but I do think there's enough

4

modernization with the font and type style.

5

pluribus unum is also a bit more modern, but -- I

6

think it works.

7

esteemed colleague, Mr. Hoard.

8
9
10

portfolios?

11
12

I just had to disagree with my

CHAIR VAN ALFEN:
very much, Sam.

All right, thank you

Any other comments on these

Jeanne, your hand is raised.
MEMBER STEVENS-SOLLMAN:

Is the --

well, okay, I'll try --

13

(Simultaneous speaking.)

14

CHAIR VAN ALFEN:

15

E

Jeanne, there's a

microphone coming your way.

16

MEMBER STEVENS-SOLLMAN:

Okay, thank

17

you.

18

Kellen, if I can address your concerns.

19

made number 01A to be more modern, then I think

20

her dress -- and this really bothers me, I didn't

21

say anything this morning -- but truly, how many

22

Liberty women-type people are going to be laying

23

bricks with a dress on.

24
25

Jeanne Stevens-Sollman here, I think,
If we

This -- if you want to make this
contemporary, let's put her in overalls.
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know.

Make it really special so that young

2

people will identify with this piece.

3

not going to think that a construction worker,

4

whatever she's constructing, is going to be

5

dressed like this.

6

and why I didn't say anything earlier.

7

you.

8
9

This is troublesome to me,

CHAIR VAN ALFEN:
Any other comments?

10

They're

Thank

Thank you, Jeanne.

Oh, Kellen, yes.

MEMBER HOARD:

Yeah, I don't even need

11

to make this, you know, a two-sided thing.

12

Again, with all due respect to Sam and Jeanne, I

13

think this is exactly the mind set as we say,

14

we're going to recognize it's a modern coin

15

because the typeface is modern.

16

thinking through how the public is engaging with,

17

with their coins.

18

This is not

You know, when you see the, you know,

19

the CNN headline, or whatever, saying, hey, you

20

know, this is -- every coin is different now.

21

Surprise.

22

the typeface as much as it's going to be about

23

who is this, you know, sorceress on the coin.

24

You know, and similar things with, with, you

25

know, even clothing.

You know, it's not going to be about

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Which I think, actually, 1A was one of

2

the higher scoring ones.

3

these are minor details relative to who is

4

actually the person that is now in George

5

Washington's place?

6

and how they're connected to the theme, which is

7

going to be what people are looking at.

8

very broad element.

9

But, you know, this is,

And is it clear who they are

So, a

So, you know, again, we can talk more

10

about this.

But I think, you know, when we get

11

sober it will be, well, how is the public going

12

to take this at first glance, in the news

13

headlines, when they're looking at these coins?

14

That's all I have to say.

15

CHAIR VAN ALFEN:

16
17

Thank you.

Yeah, John, your

hand is raised.
MEMBER SAUNDERS:

John Saunders.

I

18

actually have a motion that we, that we -- And

19

I'm following Mike.

20

but I agree, despite what Kellen said, that my

21

motion is that we adopt the two Liberties, as

22

Mike had said, for the obverse design, but that

23

we re-score the reverse for two reasons.

24
25

He followed me last time,

One, we add the two, first two obverse
designs as possible reverse designs for the
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scoring.

2

And, secondly, we now know that the

3

RO5

excuse me, RO7 is not going to be on the

4

platinum, so it might change people's opinions.

5
6

So, I move we vote on the obverse
design and we re-score the reverse.

7

CHAIR VAN ALFEN:

I would prefer that

8

we wait until tomorrow to make motions on the

9

obverse and reverse designs for the quarter

10

simply because I think it would be better for us

11

and more beneficial to be able to see all of the

12

quarters together, and to be thinking about the

13

way that these five inflection point quarters'

14

obverse and reverse designs work together as a

15

group.

16

Which, if we were to make a decision

17

for recommendation at this point, might hinder

18

our ability to do that tomorrow.

19
20

So, if you're willing to wait until
tomorrow to

21

MEMBER SAUNDERS:

Sure.

22

CHAIR VAN ALFEN:

-- make a similar

23

motion, I'd certainly prefer to do that.

24

So, thank you very much.

25

Any?

Yeah, yeah, Mike, please.

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2

MEMBER MORAN:

Thank you, Peter.

This

is Mike Moran.

3

I think we do have a sense of this

4

committee as to where the majority of us are on

5

these two obverses.

6

discuss the reverses a little bit.

7
8

I think we really ought to

And I'll start it by talking about the
chair in the Constitution.

9

When I saw this back in July, or

10

whenever it first came up, I thought, nope, not

11

going to work.

12

Not going to work.

And the more I thought about it, it is

13

consistently growing on me.

14

surprised how many people do know this story.

15

And it's a good design.

16

at.

17
18
19

I think you'd be

It's pleasing to look

It will show up well on a quarter.
And I don't know why, other than just

because, I like it.
And the other one I want to go back to

20

is the Fugio cent.

21

the, really, I think that's in the Declaration of

22

Independence, or is it the -- Okay.

23
24
25

Again, I think this is on

How many points?

Twenty.

Not bad.

I'll leave it at that.
CHAIR VAN ALFEN:

Thank you, Mike.

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Any other comments?

2

All right.

3

That said, I think we

should move on to our next portfolio.

4

We will now consider the obverse and

5

reverse kind of designs for the 2026 quarter,

6

Number 3, abolitionism, which April Stafford and

7

Russ Evans will now present.

8

So, April, if you would, please.

9

MS. STAFFORD:

10

Yes.

Thank you so

much.

11

If it's all right, I'll give a brief

12

introduction to the final three

13

Semiquincentennial quarters.

14

time the committee is seeing these designs.

15

This is the first

We now turn to the final three

16

Semiquincentennial quarters representing

17

inflection points in our nation's history.

18

the first two quarters examine the establishment

19

of our founding principles, the Abolitionism,

20

Suffrage, and Civil Rights quarters explore how

21

these principles were revisited, reasserted, and

22

reaffirmed in a way that expanded liberty in

23

America, and collectively moved us forward as a

24

country.

25

While

As a reminder, in following the design
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process approved by the Secretary of the Treasury

2

in October of 2022, the Mint engaged with a team

3

of federal advisors and solicited feedback from

4

the public regarding themes and concepts for

5

these circulating coins.

6

Both the federal advisors and the

7

public expressed strong interest in seeing

8

depictions of liberty and historic figures,

9

outside of presidents, included on the coins.

10

Traditional depictions of Liberty are

11

featured on the quarters you have just reviewed.

12

Whereas, obverses for the next three quarters

13

comport with the recommendation that the Mint

14

include historic figures in this commemoration.

15

These depictions of historic Americans

16

are portraits of Liberty in action, engaged in

17

the process of realizing a more perfect Union.

18

The Abolitionism quarter obverse will

19

feature Frederick Douglass, a key leader in the

20

abolitionist movement and one of our nation's

21

most respected statesman.

22

presidents of the United States have

23

traditionally been featured, Douglass' inclusion

24

expands recognition of our country's significant

25

national political figures.

In a place where

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The Suffrage quarter presents Liberty

2

as a suffragist, looking beyond classical

3

representations and, instead, grounding Liberty

4

in a specific time and place in our nation's

5

history.

6

woman fighting for the right to vote.

Liberty personified as an American

7

The Civil Rights quarter features 6-

8

year-old Ruby Bridges.

Once a historic figure as

9

the first Black child to desegregate her all

10

White school, Ruby Bridges also represents the

11

Civil Rights Movement in America, the

12

perseverance of its champions, and the pursuit of

13

liberty and justice for all.

14

The featuring a child on a circulating

15

coin's obverse is unexpected.

16

the weighty responsibility we have to future

17

generations.

18

person on a coin is unconventional, doing so

19

emphasizes that our history is not so distant,

20

and that our past very clearly connects to our

21

present.

22

It will underscore

And though including a living

Taken together, the five quarters tell

23

the story of liberty in America, serve to

24

illustrate the expansion of our hard-earned

25

liberties, and exemplify what is required of its
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people when we face great obstacles.

2

The common reverse -- the common

3

required obverse inscription, "E pluribus unum,"

4

features prominently in each design, challenging

5

the viewer to consider what "out of many, one"

6

means to Americans on the 250th Anniversary of

7

our founding.

8
9
10

Moving on to the Abolitionism quarter
candidate designs, some background on
abolitionism.

11

Abolitionism encapsulates the paradox

12

of America during slavery when a nation

13

proclaiming ideals of liberty, equality, and

14

justice for all, actively practiced the trade and

15

enslavement of people.

16

African Americans in colonial North

17

America, what would become the United States,

18

sowed seeds of the Abolitionism Movement by

19

fighting individual cases, rebelling through

20

sortings, or issuing pamphlets and petitions.

21

Calls for the end of slavery were also

22

notably made by the Quakers, who were among the

23

earliest to protest the slave trade in the United

24

States.

25

In 1833, a group of U.S. citizens met
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in Pennsylvania and formed the American Anti-

2

Slavery Society.

3

Britain outlawed slavery, though the inhumane and

4

profitable legalized system of human bondage

5

continued in the United States.

6

It was the same year that

During the Antebellum Period, an

7

interracial coalition of Abolitionists formed to

8

vigorously fights against slavery and demand that

9

the nation live up to its championed ideals of

10

liberty and freedom for all.

Whether through

11

protests, the written word, oration, or public

12

gatherings, the Abolitionist Movement encompassed

13

the work of thousands of Americans whose efforts

14

to abolish slavery culminated in the ratification

15

of the 13th Amendment to the U.S. Constitution in

16

1865.

17

Some background on Frederick Douglass.

18

Born enslaved on the Eastern Shore of

19

Maryland in 1818, Frederick Douglass escaped to

20

freedom in 1838.

21

Massachusetts, where in 1841 he delivered a

22

powerful speech before the American Anti-Slavery

23

Society, and was invited to serve as an agent.

He ultimately made his way to

24

He worked alongside William Lloyd

25

Garrison, working on The Liberator newspaper.
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Douglass wrote and published his autobiography in

2

1845, which detailed his personal insight on the

3

brutality of slavery.

4

His work directly engaged audiences on

5

the question as to whether the nation was

6

fulfilling its stated ideals.

7

public addresses, including the well-known speech

8

he delivered on July 4th, 1852, now known as

9

"What to the Slave is the Fourth of July?"

10

He often delivered

Even after the Emancipation

11

Proclamation and ratification of the 13th

12

Amendment brought an end to slavery in the

13

nation, Douglass continued to fight for social

14

reform.

15

powerful oratory and writing, Frederick Douglass

16

emerged as one of the most important leaders in

17

our country's history.

18

Through his fierce advocacy and his

He's often quoted in the context of

19

discussions about the development of our nation,

20

the paradox of liberty, the importance of

21

abolition, and the meaning of freedom for all.

22

Douglass stands as an example that

23

America was and is capable of change, encouraging

24

Americans to continue to strive towards its self-

25

professed ideals.
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Obverse designs depict Frederick

2

Douglass.

3

unum," "In God We Trust," and "1776 through

4

2026."

5

Inscriptions include "E pluribus

Reverse designs are emblematic of the

6

abolition of slavery in the United States of

7

America.

8

States of America," "Quarter Dollar," and

9

"Abolitionism."

10

Inscriptions include "Liberty," "United

If it's all right, Mr. Chair, I will

11

go through the candidate designs and then throw

12

to our stakeholders to see if they have anything

13

to say.

14

CHAIR VAN ALFEN:

15

MS. STAFFORD:

16
17

Please do.

So, we'll move through

the obverse designs first.
Obverse 1, 2, and 2A depict a resolute

18

Frederick Douglass in profile, his countenance,

19

etched with the profound depth of his lived

20

experiences and his unyielding gaze, reflect the

21

strength of his convictions and his relentless

22

pursuit of justice.

23

work and of abolitionism, Douglass strived to

24

hold the country accountable to its founding

25

principles, and tirelessly worked to extend the

Reflective of his life's

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promise to all.

2

Obverse 3 illustrates how Douglass

3

ignited the abolitionist cause, transforming his

4

pursuit of personal freedom into national

5

emancipation.

6

On the left he is depicted as a young

7

enslaved boy teaching himself to read by

8

candlelight under threat of discovery.

9

In the center Douglass is pictured as

10

a distinguished orator.

The sun behind him casts

11

light on the Capitol Building, mirroring the

12

candle-lit determination of his youth.

13

Obverses 4 and 4A depict Frederick

14

Douglass delivering a powerful speech, evoking

15

one of his most famous, "What to the Slave is the

16

Fourth of July"?

17

motion, his posture and expression embodying both

18

his strength as an orator and the moral force of

19

his cause.

20

The image captures Douglass in

Design 4, in Design 4, enraptured

21

audiences outlined in silhouette representing all

22

abolitionists whose collective labors have fueled

23

this momentous social movement.

24
25

Obverse 5 depicts Frederick Douglass
as an elder statements, his dignified, yet
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weathered, features a testament to his fight for

2

abolition.

3

hard-won progress towards freedom, and inspiring

4

future generations to continue the arduous, yet

5

essential, fight for justice for all.

6

He's depicted older, representing the

And, finally, Obverse 6 depicts a

7

profile view of Frederick Douglass marrying Laura

8

Gardin Fraser's bust of George Washington on the

9

American Women Quarter's obverse.

This parallel

10

acknowledges Douglass as a founding father of a

11

more just America, one who reaffirmed our

12

founding principles through civic action and to

13

collectively move our nation forward.

14

Moving on to reverse designs.

15

Reverse 1.

Reverse 1 symbolizes the

16

journey from enslavement to freedom through

17

abolition.

18

inscription "Abolitionism," reflecting the cruel

19

reality of slavery that the abolitionists

20

confronted, an unflinching acknowledgment of its

21

injustice, and the commitment to eradicating it.

22

A shackled hand points down at the

Opposite, a hand breaking free of its

23

shackles reaches upward, representing the end of

24

slavery and the true embodiment of the

25

inscription "Liberty" that encircles it.
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Reverses 2 and 2A demonstrate how

2

civic action shattered the institution of slavery

3

in the United States.

4

the hands vividly portray the struggle for

5

abolition.

6

The dynamic postures of

The sunburst emerges from behind the

7

broken links, symbolizing the dawn of this new

8

era of emancipation.

9

Reverse 3 and 3A depict a man raising

10

Liberty's torch, symbolizing the founding ideals

11

of the nation and asserting his right to the

12

freedoms they represent.

13

support, embodying the collective strength of the

14

Abolitionist Movement.

15

Others' hands offer

In Design 3 his gaze is fixed on the

16

Capitol Building, a monument to American

17

governance.

18

his hard-fought freedom codified into law,

19

reflecting back at him a nation that upholds its

20

promise of liberty for all.

21

At its threshold he demands justice,

Reverse 4 captures Abolitionism as a

22

fierce battle.

The shackle, large and ominous,

23

carries the crushing weight of generations

24

trapped in systemic oppression.

25

pivotal movement we witness the triumph of the

Yet, in this

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human spirit.

2

resist, illustrating at once the tiring struggle

3

for Abolitionism, and the steadfast determination

4

of those fighting for it.

5

The figure strains every muscle to

Reverse 5 is inspired by early

6

depictions of the Liberty Bell.

7

was adopted as a symbol of their cause by the

8

Abolitionists in the 1830s, a deliberate

9

connection to America's foundational promise of

10

The Liberty Bell

freedom.

11

A variation of its text is included as

12

an inscription:

13

Inhabitants of the Land."

14

the struggle for freedom was a struggle to

15

realize the full meaning of "liberty for all."

16

"Proclaim Liberty Unto All the
And is a reminder that

Reverse 6 depicts a stylized fist

17

symbolizing the collective strength and shared

18

purpose of those who fought for abolitionism.

19

broken chain encircles the design, representing

20

the successful shattering of the American

21

institution of slavery.

22

A

Reverses 7, 7A, and 7B present a

23

powerful allegory for the abolition of slavery in

24

America.

25

representing the arduous climb from slavery to

Human figures ascend stone stairs,

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emancipation.

2

form the moral foundation of this ascent, and

3

reflect our nation's core principles:

4

are created equal," from the Declaration of

5

Independence, and the "progress of human

6

liberty," from one of Frederick Douglass'

7

speeches.

8
9
10

The stairs bear inscriptions that

"all men

The sun's rays light their way,
symbolizing the bright promise of true liberty
for all.

11

We are so thrilled to have with us

12

today our stakeholders who worked with us on this

13

portfolio.

14
15

First, Ken Morris, who is the great,
great, great grandson of Frederick Douglass.

16

Is Ken with us?

17

Hi.

18

MR. MORRIS:

19

22

Thank you

very much for having me.

20
21

I am here.

MS. STAFFORD:

Thank you for joining

us.
Would you like to say a few words to

23

the committee and, in particular, speak to the

24

portfolio of obverse designs that depict

25

Frederick Douglass?
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2

MR. MORRIS:

I'd be happy to.

Thank

you.

3

And as you introduced me, I am the

4

great-great-great grandson of Frederick Douglass.

5

I'm also President and Co-founder of our family

6

organization, Frederick Douglass Family

7

Initiatives.

8
9
10

And on behalf of the family of
Frederick Douglass, thank you for inviting us to
be a part of this committee and selection

11

MS. STAFFORD:

12

Okay.

13

Thank you.

And you can certainly call on

Mr. Morris as the discussion goes on.

14

I would also share that we have a very

15

key contributor to this portfolio, as well as the

16

other, another quarter portfolio, Mary Elliott,

17

who is the curator of the National Museum of

18

African American History and Culture.

19

Mary, are you with us?

20

Thank you for joining us.

21
22

I believe

you want to
MS. ELLIOTT:

Hi, everyone.

Yes.

23

It's nice to see everyone gathered today.

24

it's my honor to be, have been invited to be part

25

of this very important effort.
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And I just want to congratulate the

2

team at the U.S. Mint who really have been doing

3

this honorable work.

4

So, thank you for allowing me to be

5

part of this.

And I'm really looking forward to

6

your discussion because this is a very exciting

7

opportunity.

8

MS. STAFFORD:

Thank you so much.

9

So, Mr. Chairman, Mr. Morris and Ms.

10

Elliott are here to engage in any questions that

11

you have about a particular design or in general

12

this afternoon.

13

CHAIR VAN ALFEN:

Thank you.

14

Mr. Morris, it's wonderful to have you

15

here with us this afternoon.

And as we proceed

16

with our discussion if any of the committee

17

members have any questions for you, I'm sure that

18

they will address you.

19

So, before we begin our discussion,

20

are there any technical or legal questions from

21

the committee about this program or these designs

22

for the 2026 quarter commemorating Abolitionism?

23

Art, I see your hand is raised.

24

MEMBER BERNSTEIN:

25

Yes, please.

is Art Bernstein.
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2

I have not one but two technical
questions.

3

The first relates to design Obverse 4

4

and 4A.

There is something on Frederick

5

Douglass' waist on one side but not the other.

6

couldn't figure out what that is.

7

I

It's on his right but it's not on --

8

I couldn't tell if it was a suspender, or a

9

watch, or?

10

MEMBER MORAN:

No, that's a watch fob.

11

MS. STAFFORD:

We will check the

12

source from the artist.

13

that's correct.

14

so we will check that for you.

15
16

But, yes, we believe

It's taken from source imagery,

MEMBER MORAN:

Thank you.

They often

held a watch like this.

17

MEMBER BERNSTEIN:

And then my second

18

question, there are two, there's one obverse and

19

one reverse that feature -- not feature but

20

include the U.S. Capitol Building.

21

wondered from an historical standpoint if the

22

dome was at that stage in Frederick Douglass'

23

lifetime?

24
25

And I

I know it was being built during the
Civil War.
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MS. STAFFORD:

2

well.

I believe so.

3

double check that.

We will confirm that as

But we will absolutely

4

MEMBER BERNSTEIN:

5

CHAIR VAN ALFEN:

6

Thank

Any other questions or comments from
the committee?

9
10

All right.

you, Art.

7
8

Thank you.

All right.

Well, hearing none and

seeing none, let us begin our consideration.

11

And, again, I would like to remind the

12

members of the committee to please keep your

13

comments to 5 minutes or less, and to identify

14

yourself for the record prior to speaking.

15

Let's begin with Donald Scarinci.

16

MEMBER SCARINCI:

So, the three

17

obverse designs or four obverse designs that I

18

like the most, keeping in mind that it is the

19

quarter planchet, and really the only one I think

20

would be too busy would be 3, Obverse 3 for the

21

quarter planchet, the others would work.

22

But I like, you know, on the smaller

23

planchet I like the bigger portraits.

24

know, 1, Obverse 1, Obverse 2, Obverse 5, Obverse

25

6.
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And I particularly like Obverse 1 and

2

6 as a depiction.

3

important to pair correctly with the reverse.

4

So, so essentially, the -- if we go with, if we

5

were to go with, on the reverse designs, you

6

know, I think Obverse 1 is a very powerful

7

design.

8

it says it in a very powerful way.

9

And this is going to be

It makes it, it says it, you know, and

You know, kind of more so, and I think

10

it's because of the border, you know.

11

more so than 2 and 2A, you know, which I think

12

are also, are also nice depictions.

13

But even

I, you know, I don't, you know, I

14

don't care for, you know, Reverse 4.

15

care for Liberty Bell here in this particular

16

instance for Reverse 6.

17

I don't

The 7A is, is, as a reverse, I like

18

7A.

And, again, I think, unfortunately, these

19

are the words in the Constitution, you know, this

20

is the language, right, that's, you know, in the

21

Declaration that all "men" are created equal.

22

You know, but here's, here's, you know, 7A.

23

I think avoiding that, as Kellen pointed out in a

24

different design, I think, I think we should, if

25

we could avoid it, we should avoid it.
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that gives you 7A.

2

You know, I just don't know that --

3

and the only concern I have about -- not the only

4

concern, but a concern that I have about, about

5

7A is, you know, the progress of human liberty

6

came at an extraordinary cost to certain groups

7

and, certainly, to, you know, African Americans

8

and women as well.

9

And so, you know, I kind of thing 7A

10

almost makes -- it's just not as in-your-face.

11

It doesn't -- it's too sanitized, you know.

12

think, I think that's, that's what I like about

13

the chains.

14

Reverse 1.

15

pretty raw and pretty powerful.

I

You know, you know, particularly
Reverse 1 is not sanitized.

It's

16

So, I think, you know, you know I

17

think right now, and I'm anxious to hear what

18

everybody says, you know, I kind of like the

19

pairing of Obverse 1 with Reverse 1.

20

CHAIR VAN ALFEN:

21

John Saunders, if you would, please.

22

MEMBER SAUNDERS:

23
24
25

Thank you very much.

Thank you, Peter.

John Saunders here.
Just speaking of the obverse, I agree
with -- not the favorite, but I like 6, 7, or 7
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out of the 8 presented.

2

I didn't like 03 because I didn't get

3

that that was the young Frederick Douglass there

4

until April told us what it was or who it was.

5

And I think it's a bit too busy.

6

I like all the others.

I think my

7

favorite is 4A.

8

in 4 itself behind Frederick.

9

to show that other people were supporting him and

10

he wasn't alone.

11

sort of design.

12

have 4A.

13
14
15

I don't really like the profiles
I understand it's

But I, I just don't like that
I think it's a lot cleaner to

While that's said, I could live with
the other obverses.
In terms of reverse, I was a little

16

disappointed we don't have any of the reverse

17

designs based on the anti-slavery image that was

18

depicted on the U.S. Hard Times Token and

19

numerous other Bush tokens and other tokens of

20

the era where they have the kneeling slave with

21

"Am I not a man and a brother?"

22

that slogan on the back would be very nice, maybe

23

even paired with -- people who like that design -

24

- pair it with the others.

25

I think that

But I would really like to have seen
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something based on, on that.

2

abolitionists.

3

time.

It was used by the

It was kind of the symbol of the

And it was, as such, I like it a lot.

4

I'm kind of a classics guy anyway.

5

Assuming we don't have that, I like

6

the Liberty Bell but I'm not sure if Liberty Bell

7

is, well, it's more associated with, you know,

8

revolution and so forth than anti-slavery.

9

I don't particularly like the ones

10

with the broken chains.

11

symbolic but I don't particularly like the

12

design.

13
14
15
16
17

I understand it's

I don't like the guy on 3 and 4
particularly.
I agree with Donald, 7 and 7A, I kind
of like 7 better.
And I have kind of a radical

18

suggestion that rather than do -- we do 7A,

19

rather than say "all men are created equal,"

20

which is the quote, we change the quote and we

21

say "all people are created equal."

22

that that might be -- raise a bunch of eyebrows

23

and call a bunch of attention to it.

24
25

And I think

So, that's my thought if we can't do
"All men," or "Am I not a man and a brother?"
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2

CHAIR VAN ALFEN:

John, thank you very

much for that.

3

Kellen Hoard, if you would, please.

4

MEMBER HOARD:

5

This is Kellen Hoard.

6

1 is a powerful coin.

7

to, like, take a minute.

8
9

Absolutely.

Thank you.

To me Obverse

When I first saw it I had

You know, talk about a resolute,
striking, exciting design, talk about an

10

unapologetic coin which, you know, recognizes the

11

absence of Black people on the obverse of our

12

circulating coins, and offers this striking

13

example.

14

You know, I talked before of visual

15

continuity.

16

know, this left-facing bust that emulates our

17

past coins and revitalizes it.

18

replacing a slaveholder with a former slave on

19

equal stature, you know, taking advantage that

20

small planchet and making him big on it, the

21

thematic clarity.

22

And we see it here with this, you

You know,

I mean, Frederick Douglass' reference

23

is bold.

And other designs are trying to be less

24

so:

25

bust which is how we elevate the most important

he is smaller, more diminished.

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people.

2

And this is now an important

3

conversation in our country to see Frederick

4

Douglass depicted in this way.

5

I'll be giving it full marks.

6

It's dynamic.

For reverses, I found 2 and 2A to be

7

quite compelling.

8

theme and well paired to Obverse 1.

9
10

Explicitly in line with our

Reverse 7 was also good to me.

I'm

sorry, 7A that is, yeah.

11

And I like that it uses a Douglass

12

quote which I think will start good discussion in

13

classes across the U.S.

14

The option with "all men are created

15

equal" is kind of a laughably bad option.

That

16

was used for so long to exclude people like

17

Frederick Douglass for decades.

18

immediately noticeable, I think, in our current

19

environment.

20

Douglass quote, whether or not we have multiple

21

people on there.

And that will be

So, we have to go with, with the

22

So, that's it for me.

23

CHAIR VAN ALFEN:

24

Jeanne Stevens-Sollman, if you would,

25

Thank you.

Thank you.

please.
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2

MEMBER STEVENS-SOLLMAN:

Thank you,

Mr. Chairman.

3

This is Jeanne Stevens-Sollman.

4

I agree with Kellen about, and also

5

Donald about the portrait of Frederick Douglass.

6

Number 1 is very powerful.

7

omitted.

8

portrait, somewhere in the design we should put

9

his name.

10
11

However, his name is

And I think if we have him and use that

I think it's on every other one.
on the one that we seem to like, it's not.

12

So, my favorite is Number 4 because of

13

the background.

14

speaking to people, and people are supporting

15

him.

16

I like the fact that he is

I think this is really important.
However, you know, his portrait is

17

diminished here.

18

me between Number 1 and Number 4.

19

And

So it's a, it's a toss-up for

For the reverse, the Reverse Number 1,

20

yes, is very strong.

21

obverse we have, this might be the one we need.

22

And I think whatever

I also think that Reverse 2A is also

23

very powerful.

I think we need the broken chains

24

-- 2A, I'm sorry.

25

oh, on my paper here that's 3A.

What am I looking at?

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2

Can we go back.
please.

That one, yes, 2A,

Thank you.

3

I think the broken chains symbolize

4

slavery, the uprise, the uprising of slavery and

5

the abolitionism that we are trying to portray.

6

And in 3 and 3A I sort of don't think

7

it's credible for me to see these hands pushing

8

up this arm.

I just don't think that that's a

9

good design.

And maybe the reason for it is

10

positive, but I don't like this one.

11
12

So, my vote goes to 2A or Number 1
reverse.

13

Thank you, Mr. Chairman.

14

CHAIR VAN ALFEN:

15

Sam Gelberd.

17

MEMBER GELBERD:

19

Thank you

very much.

16

18

Okay.

Thank you, Peter.

This is Sam Gelberd.
I do echo a lot of the same sentiment

20

for the obverses.

21

think the only one that wouldn't really work is

22

Obverse 3, for reasons stated earlier.

23

bit too busy, maybe a bit muddled with the

24

denomination like a quarter.

25

I do think of the obverses I

It's a

That being said, Obverses 1 and 5
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ought to show an older Frederick Douglass.

2

be remiss if I didn't mention that we have had,

3

we have seen Frederick Douglass on our America

4

the Beautiful quarter in 2017 for our Washington,

5

D.C. National Historic Site.

6

I'd

But that being said, when I was a

7

youth in school learning about Frederick

8

Douglass, Obverse 5, that image just came right

9

to mind.

It just brought me right back to my

10

childhood and learning about the Abolitionism

11

Movement for the first time.

12

seeing -- I could be fine with Obverse 1 or 5.

13

Ultimately, I landed on Obverse 2.

14

The main reason for this is because it shows a

15

younger Frederick Douglass without a full beard.

16

I think it just shows a little bit more youth.

17

think it's a little bit better for something like

18

an Abolitionism quarter.

19

So, I do like

I

That being said, Obverses 4 and 4A

20

also show that in action

21

I just think Obverse 2 above all the others is my

22

favorite.

23

show that action.

But

With the reverses, not really a fan of

24

Reverse 3, 3A, or 4.

And for reasons mentioned

25

previously, Reverse 7, I think having "all men
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are created equal," that it's a bit, it's a bit

2

too problematic from a historical standpoint.

3

And certainly we could change it.

4

don't know if that's going to work if we just

5

change it to "all people are created equal."

6

I

That being said, I really gravitated

7

to Reverses 3 -- I'm sorry, Reverse 2 and 2A,

8

ultimately landing on 2A just because of the

9

layout.

And these are both very, very similar.

10

I just like the way the wording is, the

11

orientation of the hands with the chain.

12

I'd be okay with Reverse 2, but I just

13

think 02A is a little bit more what we're looking

14

for.

15

Reverse 6 is my second favorite as

16

well.

I think very powerful image.

17

public would not mistake what the imagery is

18

trying to convey.

19
20

So, that being said, Peter, those are
my comments.

21
22

The American

CHAIR VAN ALFEN:

Sam, thank you very

much.

23

Mike Moran, if you would, please.

24

MEMBER MORAN:

25

is Mike.

Thank you, Peter.

Peter, this is Mike Moran.
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I'm going to second Donald's

2

recommendations.

3

1.

4

Let's go to the Obverse Number

That is as powerful a portrait as I

5

have seen in my time here on the CCAC.

6

excellent.

7

grayscale here, it still is going to coin

8

beautifully on a quarter.

9

instantly recognizable.

10

It's

Even though there's artful use of

It's going to be
It is iconic.

And it is a time in terms of, I think

11

the amendment was passed in 1865 or '66, that

12

abolished slavery.

13

when slavery was abolished.

14

That is what he looked like

So, it is correct.

One problem we

15

have with it is that it doesn't have his name on

16

the obverse, and it should.

17

them worry about how they deal with that.

18

not going to do it.

19

I'm going to let
I'm

I do like 6, the idea of the this

20

quarter.

But it's too much like a quarter, and

21

too many people would pass over it and just

22

think, look, it's Washington with a new hairdo.

23

So, I'm, going with 1.

24

Honestly, you'd be surprised what

25

people think when they pick up a quarter and look
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at it.

2

Let's go to the reverse, and again to

3

Number 1.

4

but this.

I don't think there's any other choice

5

I've seen a lot of broken chains and

6

broken manacles.

This one is really powerful.

7

Manacled hand points down.

8

fist pointing up.

9

Can't miss it.

Freed hand is in a

The symbolism here is extreme.

It's simple, not crowded, good

10

negative space here.

I don't think we can get

11

any better than Number 1 on both the obverse and

12

reverse.

13

Thank you.

14

CHAIR VAN ALFEN:

15

MEMBER BERNSTEIN:

16

With regard to the obverse, I agree

18

with what Mike just said.

19

the same high school as him.

20

recognize is that image.

21

one we used.

22

24
25

This is Arthur

Bernstein.

17

23

All right, next.

I must have gone to
The image that I

And I think that is the

So, I would be in strong support of
Obverse 1.
With regard to the reverses, I think
I shied away from those designs which show
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shackles and change

2

are more a symbol of imprisonment and not

3

slavery.

4
5

chains, because to me they

And so I, I went with the step
designs.

We had 7, 7A, and 7B.

6

I preferred 7 because it included

7

several people, male and female.

8

phrasing on 7A.

9

use those words from 7A on the steps of 7.

10
11

But I like the

And so, I wondered if we might

And I offer that as something for us
to consider.

12

The last thing I wanted to mention,

13

and I realize on this committee I tend to be

14

maybe a little more technical than some others,

15

asking about buildings and watch fobs, right?

16

I was troubled by the -- this is a

17

semantic issue -- "abolitionism" versus

18

"abolition."

19

and looked up the two words.

20
21
22
23
24
25

So, I found a dusty old dictionary

"Abolitionism" is the belief that
slavery should be abolished.
And "abolition" is the organized
effort to end the practice of slavery.
So, to me, I think that the better
word is "abolition" rather than "abolitionism."
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And I don't know if we can play with

2

that word or not, but to me "abolitionism" was

3

confusing and it seemed like the wrong word.

4

CHAIR VAN ALFEN:

Thank you, Art.

5

In fact, I welcome the Mint to address

6

the choice of words here, "abolitionism" versus

7

"abolition."

8
9

MS. STAFFORD:

Yes.

And I believe

after all the members have commented, we might go

10

to our stakeholders.

11

ask Mary Elliott to speak to that at that time.

12

It was a phrase, a word we turned over

13

considerably.

14

the correct word.

15

But I would say, I would

And we thought we had landed on

But it would, of course, be good to

16

check.

17

members have spoken.

18

So, if we could go to Mary once all the

And, also, just to respond to your

19

earlier question -- and thank you, Jennifer, she

20

found the information regarding the Capitol dome.

21

So, the current dome is the Capitol's

22

second iteration.

The first dome was completed

23

in 1824 and was made of wood and covered by

24

copper.

25

the new structure, which is actually two domes in

It was removed in 1856 and work began on

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one, an inner and an outer.

2

The construction on the outer dome was

3

completed in 1863, which happens to be the year

4

the Emancipation Proclamation was issued, I

5

believe.

6

years later in 1866.

And the inner dome was completed three

7
8

And I will also note that those were
both within Frederick Douglass' lifetime.

9

And I will say that, yes, the artist

10

went back to that question about the thing on the

11

waist.

12

the artist.

13

And there are references to a watch from

But we would absolutely go, I think go

14

back to our subject matter experts, which can

15

include someone at the Frederick Douglass House

16

to absolutely represent, validate that should

17

that be the design that is selected.

18

CHAIR VAN ALFEN:

19

MR. WEINMAN:

20
21

Greg?

To clarify a little

further.
The 13th Amendment which, obviously,

22

abolished slavery, was in 1865.

And so, once

23

again the current dome would have been in its

24

present state, at least the exterior, in 1865.

25

Frederick Douglass died in 1895.

So, yes.

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MS. STAFFORD:

2

CHAIR VAN ALFEN:

3

And, Art, thank you again for your

4

Said better.

technical concerns and considerations.

5

MEMBER BERNSTEIN:

6

CHAIR VAN ALFEN:

7

Thank you.

Thank you.
Christopher

Capozzola, if you would, please.

8

MEMBER CAPOZZOLA:

9

just start speaking loudly. This is Chris

10

All right.

I'll

Capozzola.

11

Starting on the appropriate historical

12

lesson, and this is a lesson

13

same high school that Sam and Art went to because

14

I didn't actually get to encounter Frederick

15

Douglass until much later in my adulthood -- for

16

me I think it's important to remember a couple of

17

things.

18

I didn't go to the

First of all, that there is a broad

19

category of thought and action called anti-

20

slavery, of which abolition is only a small

21

segment.

22

who called for abolition, and some for immediate

23

abolition were always themselves a minority of

24

the anti-slavery voices, which were themselves a

25

minority of voices in American political culture

And so, those in the early 19th century

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in the years before the Civil War.

2

And so, Frederick Douglass being an

3

immediatist and abolitionist and an anti-slavery

4

activist is an important sort of tip of the spear

5

of that struggle.

6

Second, it's also important to

7

remember that Frederick Douglass had a lifelong

8

career as a political leader, as a voice for all

9

Americans, at home and abroad, including after

10

the ratification of the 13th Amendment,

11

eventually as a diplomat, a lifelong speaker, and

12

a feminist, and a feminist who appeared at Seneca

13

Falls in 1848. There the declaration of

14

sentiments begins, "all men and women are created

15

equal."

16

And so, Kellen, if you think it's

17

laughable, take that to Elizabeth Cady Stanton.

18

And so then, and so we can actually, I think

19

quite confidently, depict Frederick Douglass at

20

any age and still capture abolition, even if the

21

13th Amendment is decades before the gray hair

22

sets in.

23

He was also deeply cognizant of

24

himself and his image, his public image.

25

there's a great recent book by a historian
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tracing the photograph history of Frederick

2

Douglass' aspiration to appear as a founding

3

father, as an alternative founding father.

4

He knew exactly what he as doing.

And

5

I think that permits us to get into the obverses,

6

right, to an obverse that depicts him as close to

7

a founding father as we can.

8
9

And so, you know, for me it could be
Obverse 1, which I think I still can see very

10

clearly and compellingly, or to Obverse 5, which

11

I think also really works as a, in the kind of

12

long tradition of American numismatics for

13

depicting founding fathers, presidents, and

14

others.

15

I do think I was struck by, you know,

16

some of the conversation earlier about not having

17

confusing obverses.

18

but I actually think Obverse 4 looks like a

19

reverse.

20

challenges with some of the others that people

21

won't know which, what's the heads and what's the

22

tails in that regard.

23
24
25

And I do, I love Obverse 4,

And I think there are some real

So, you know, so I like Obverse 5, 5
the best.

Obverse 1 almost, almost equally.
On the reverses, I think that for me
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I was drawn to many in 7, in the 7 series.

2

again, I actually think it's, I actually think

3

it's fine and historically accurate to include

4

the words "all men are created equal."

5

how Douglass himself and the suffragist women

6

later, rethought that -- it was the language of

7

the time.

8

We have the Civil Rights quarter coming in the

9

portfolio soon that will have a different sort of

10

And,

We saw

And it was the language of the time.

set of language.

11

I would also be happy with swapping

12

out "the progress of human liberty."

13

preference here is for Reverse 7B, just because I

14

think it draws, you know, puts a little bit more

15

attention on the words and the rise of one

16

individual.

17
18

My personal

I think some of the sun rays on 7A are
a little bit confusing.

19

And I think my time is up.

20

CHAIR VAN ALFEN:

21

I really do appreciate the comments on

Thank you very much.

22

Frederick Douglass, and particularly his public

23

image.

24

information.

25

That is very informative and very useful

Annelisa Purdie, if you would, please.
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2

MEMBER PURDIE:
Chairman.

3
4

Thank you, Mr.

This is Annelisa Purdie.
Thank you, Ms. Elliott and Mr. Morris

for being here, for your input as well.

5

For the obverses, my favorite far and

6

away was Obverse Number 4 without the audience in

7

the background.

8

effective.

9

I think it works.

I think it's

I think it's important to depict

10

Frederick Douglass as a younger man.

11

me of his portrait in the National Portrait

12

Gallery, and the fact that he was, from the time

13

that he did liberate himself, constantly working

14

and pushing towards abolition.

15

pose here works as well.

16

I did like 4A.

It reminds

And I think the

But the design overall

17

of 4, minus the people in the background, I don't

18

think they're necessary, is very effective.

19

I didn't like Obverse 3 in large part

20

because, while I understand what the general

21

perspective is supposed to be and the progress of

22

him from boy to man, I think the depiction of him

23

as a boy is a bit too stylized.

24

quite depict the severity of the conditions that

25

he learned to read under, even though it would

And doesn't

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have been a serious threat to his life.

2

I also like Obverse 5.

I think it

3

fits with our general perception of Frederick

4

Douglass, how many people were introduced to him.

5

It's very stylized, it's very static, it's very

6

serious, and it's very impactful, this image

7

overall.

8

are very good as well.

The details in his beard and his hair

9

For the reverses, I don't have a

10

problem with Reverse 7, leaving "all men are

11

created equal in there."

12

great way to highlight the hypocrisy of the

13

difference between what's said and what is

14

actually being done, or what was done at the

15

time.

16

I think that it's a

I also think that the depiction of the

17

female figure is necessary, particularly in

18

Frederick Douglass' life, considering his wife

19

also was freeborn, and that was where he chose

20

his surname from, from Anna Murray Douglass.

21

So, I think it's important, too, to

22

highlight that contrast between "all men are

23

created equal" when there were also women who

24

were enslaved as well.

25

The only caveat I have with this
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design is the depiction of the shackles.

2

that they might work better were they somewhere

3

in the design, but broken, or possibly scattered

4

on the steps if possible. And also being

5

considerate of the fact that this is a quarter,

6

so there is a relatively small space to work

7

from.

8
9
10

I think

But apart from it being on the woman's
arms, still depicting them, but broken as they're
climbing upwards.

11

I think the sun rays can also go, too.

12

And Obverse 1 grew on me.

I kept

13

coming back to this while I was looking at the

14

portfolio over the past month or so.

15

directional pull of each of the arms from shackle

16

to breaking out.

17

I like the

The only recommendation I would also

18

make for this one, possibly, is that the broken

19

shackle on the right side, if instead of a closed

20

fist I'm wondering how it would work if that hand

21

were completely splayed out versus completely

22

closed.

23

But, otherwise, it's beautifully done.

24

It's beautifully shaded.

I like the contrast.

25

And there's no question about what's being
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depicted here

2

For the reverses, I did not care for

3

Number 4 because, again, it's a bit too cartoony.

4

This image of -- and I understand the point

5

that's going across, but the idea of him tussling

6

with the giant shackle just sort of downplays the

7

realism and the severity of the situation.

8

though I think the body design is overall well

9

done.

10

Even

And the Liberty bell design in Reverse

11

5, I also don't think it fits well with this

12

particular coin, although it is done very well.

13

I also like the quotes here.

14

But overall, I think for the reverses,

15

Number 1 and Number 7 work fine.

And I don't

16

have an issue at all with keeping the lettering

17

as it is.

18

And those are my thoughts.

19

CHAIR VAN ALFEN:

20
21

Thank you.

Annelisa, thank you

very much.
As for my own thoughts, for the

22

obverse I have to admit I've never been a

23

particular fan or either facing or three-quarter

24

facing profiles.

25

traditional side profile.

I must prefer just the

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So, I find Number 1 and Number 5, I

2

believe it is, the strongest designs.

3

sorry, that's the quarter facing.

4

So, Number 5

5

strongest designs here.

6

No, I'm

Number 6 yes.

or Number 1 and Number 6 to be the

I'm also, for Number 1 and Number 6 as

7

well, Dr. Capozzola's comments about, in his

8

public image Frederick Douglass was seeking to

9

present himself as a founding father, this does

10

play very much into that.

11

visual continuity between the founding father

12

George Washington being replaced in this instance

13

with Frederick Douglass, from a slaver owner to a

14

freed slave.

15
16

As Kellen noted, the

So, for Obverse 1, again, my
preference would be either 1 or 6.

17

For the reverse I'm very much drawn to

18

Number 1 as well.

19

colleagues noted, to be a very, very strong and

20

compelling design.

21

above all.

22

I do find this, as many of my

So this would be my choice

I would, at this point. like to invite

23

our stakeholders to address the committee to see

24

if they have any designs that they feel are

25

particularly strong.
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And I would also ask Ms. Elliott if

2

she could address this question that was raised

3

earlier about the word "abolitionism" versus

4

"abolition."

5

So, Ms. Elliott, if you don't mind

6

offering some comments, both on the portfolio as

7

well as on this question about the wording.

8

MS. ELLIOTT:

Sure.

Thank you.

9

Well, when I look at the word

10

"abolitionism" I think of the act to abolish.

11

And I think of the abolition of a thing.

12
13

So, the abolition of, the abolition of
slavery.

So, you abolish slavery.

14

"Abolitionism" is a belief, a system,

15

so a system of beliefs.

16

a movement.

17
18
19

Abolitionism is more of

And so that's why I chose the word
"abolitionism" as opposed to "abolition."
When you think of the Abolition

20

Movement you could say that, the Abolition

21

Movement, or you could say Abolitionism, as

22

opposed to saying just "abolition" versus

23

"abolitionism."

24

So, that's how I looked at it.

25

CHAIR VAN ALFEN:

As to the question

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of whether you have, or if there are any designs

2

that you feel are particularly compelling

3

yourself, do you have any views on that?

4
5

MS. ELLIOTT:

Yes.

Bear with me,

because I have to pull up my screen again.

6

So, I like the image, image Number 1.

7

And I like the, one of the members mentioned

8

Image Number 2, and I love the way he described

9

why he liked image Number 2.

10

it a little bit differently.

11

It made me look at

The reason I like both of those is

12

because I really like the being able to see

13

Frederick Douglass up close and really look at

14

his face, and think of him as a statesman.

15

Also, I like seeing him in Number 2 in

16

his youth.

I think that's very important, and in

17

his youth at the time that he was doing this

18

work.

19

The image of him as an older man, as

20

an elder statesman one might say, makes me think

21

of the work that he did during his efforts to

22

fight against slavery, to fight to end slavery.

23

But also thinking about Frederick Douglass after

24

slavery ended and what he did to help move the

25

nation towards living up to its ideals after
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slavery ended.

2

So, I think it's powerful to think of

3

him across the time line because he represents so

4

much.

5

equality.

6

thinking about not just the Declaration of

7

Independence, the Constitution, the Bill of

8

Rights, but also when I think about the

9

Emancipation Proclamation and the Reconstruction

10

He represents liberty, justice, and
And I think that's really important,

Amendments, the 13th, 14th, and 15th Amendment.

11
12

So, I think that's why his older image
of Frederick Douglass really resonates with me.

13

So, 1 and 2 stood out to me.

14

For the obverse, let me make sure of

15

this.

And then also 5 stood out to me as well.

16

For the reverse, what really stands

17

out to me for the reverse are Number 1.

18

I, I wasn't really into Number 1.

19

to the discussion today I understand the impact

20

of that.

21

At first

But listening

But Nos. 2 and 2A really resonate with

22

me because when I thought about Frederick

23

Douglass I think of him as someone who -- and

24

abolitionism

25

it took to end slavery in the nation.

I think of slavery and, and what

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think of the tension of slavery and freedom.

And

2

I think of the paradox of liberty in the nation

3

and what African Americans have been fighting for

4

from the very beginning.

5

interracial effort to completely bring the nation

6

out of the bondage of slavery.

But it took an

7

So, it is a story of the freedom of

8

African Americans, but also bringing the nation

9

out of the bondage of slavery, because the nation

10

was bound up in slavery.

11

And so, I think that that's really

12

important seeing, especially on, on 2 and 2A, it

13

gives me that sense as well.

14

that.

15

And so, I think of

Now, I will say that on -- I had an

16

issue with Nos. 3 and 3A for the same reasons

17

that have been mentioned.

18

And then for Number 7, what stood out

19

to me with that

there are many things that I, I

20

had an issue with that

21

also stood out to me was the words "all men are

22

created equal" and you have these people walking

23

up the steps.

24

things, the woman who's walking up the steps has

25

the shackle on her arm.

but for Number 7 what

And I look at it and, of all

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2

So, I thought that kind of tells me
that it was a little bit problematic.

3

And while I love the words, you know,

4

Frederick Douglass and the words of "the progress

5

of human liberty," I feel like the depictions of

6

African Americans, especially in the entire

7

walking up those stairs, while it feels

8

aspirational, sometimes it feels like the image

9

can feel condescending, like Black people are

10

constantly being aspirational, like we have to

11

aspire to something, like it's our job to aspire

12

to something.

13

There was a comment that was made

14

about the shackles and the chains representing

15

imprisonment and not slavery.

16

slavery was imprisonment.

17

those shackles very much depict what slavery was:

18

you were bound.

19

have freedom.

20

But that is,

It was bondage.

You were enslaved.

So,

You did not

You were restrained.

So, I do think that they are symbolic

21

of the restraint of people and a nation that was

22

under the restraint of slavery.

23
24
25

So, I think that those images are very
powerful.
CHAIR VAN ALFEN:

Ms. Elliott, thank

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you very much for your very useful observations.

2

MS. ELLIOTT:

Thank you.

3

CHAIR VAN ALFEN:

Mr. Morris, I would

4

like you at this point is to make some comments

5

on designs that you find most compelling in this

6

portfolio.

7

MR. MORRIS:

Thank you very much.

8

Again this is Kenneth Morris.

9

And Number 1 is very powerful on the

10

obverse.

11

to how Frederick Douglass has been given to us in

12

history.

13

being introduced to him in a history class in

14

school.

15

But I would like to speak a little bit

And I did hear some comments about

History has given us the safe

16

Frederick Douglass, the grandfatherly figure, the

17

profit looking away from the camera, not the

18

abolitionist who was the most photographed

19

American of the 19th Century, who understood from

20

a very young age, at the age of 22, that this new

21

technology that he'd come of age with,

22

photography, he could use to help make his

23

arguments for liberty and freedom in addition to

24

his oratory and his writings.

25

And he said, I never want to look like
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a happy, amiable fugitive slave.

2

look me in the eyes you're going to see my

3

humanity and understand that I'm a man worthy of

4

freedom, worthy of citizenship.

5

And when you

That's not the Frederick Douglass that

6

we typically visualize when we think about him.

7

We're given, again, the grandfatherly figure, the

8

stately figure.

9

In 1865 Frederick Douglass would have

10

been 47 years old.

11

founding father of the Second Republic.

12

believe that he should be depicted as such on the

13

obverse.

14

And I do consider him a
And I

And so, I am leaning toward, I believe

15

it's Number 2.

16

with his way that he went about presenting

17

himself through photography, if you look at the

18

more than 160 images of him that have been

19

discovered so far he, the backgrounds are always

20

very simple.

21

these pictures, the photography backgrounds were

22

pretty ornate.

23

background.

24
25

Yes.

In this, this one, and also

At the time that he would take

But he always wanted as simple

And what I love about this one is,
it's, he's depicted as a younger Douglass.
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looks like a founding father to me here.

2

it's a very simple background.

3

name is on there.

4
5

leaning toward.
And then I believe the other obverse
is Number 6 that I like.

8
9
10

I like that his

And so, this one I definitely am

6
7

And

Yes.

This one as well.

Again, his name is on there.
powerful.

He looks

It's a beautiful image of him.

It

looks like him.

11

The other, the other obverse is where

12

he's depicted as a younger Douglass and actually

13

in a speaking manner, looked to me more like a

14

commemorative coin.

15

appeared on the back of the quarter for a

16

commemorative coin.

17

look like what a traditional coin would look

18

like.

19

Washington, I think that Number 2 and Number 6

20

obverses are the ones that I like the most.

21

And I know he's already

So, I would love to see this

And since he would be replacing George

As far as the reverse, I know the

22

theme of this is abolition or abolitionism.

23

the symbolism of broken chains is very powerful.

24

I, with that in mind, I am leaning toward Number

25

6, I think it is -- No.
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It would be the one, I think it's on

2

my -- and I don't have it in front of me, but

3

Number 20, I think it is, in the left column.

4

Page 20 I should say.

5

Yes, that one.

Yeah, that's Number 6.

Okay.

That

6

one I think is very powerful.

I love the idea of

7

the broken chains.

8

And it just for me, thinking about the obverse

9

and the two that I just said that I like the

I love the idea of the fist.

10

most, I think this would pair really nicely on

11

the back of either Number 2 or Number 6.

12
13

So, I'm leaning toward this one as, as
my favorite.

14

With regard to the other one with the

15

steps, I agree.

16

the woman trailing behind, also the only one with

17

a shackle on.

18

a lifelong women's rights advocate.

19

I don't like the depiction of

As we know, Frederick Douglass was

At the age of 30 he spoke at the

20

Seneca Falls Women's Rights Convention of 1848.

21

He gave several speeches about women's rights.

22

And I believe that this one, just the

23

symbolism of a woman behind with a shackle on I

24

don't like.

25

Overall, I like the idea of the steps
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and climbing the steps.

2

I'm leaning 6, Number 6 on this one, Reverse 6.

3

Yeah.

4

But I think that, again,

CHAIR VAN ALFEN:

Thank you again very

5

much for your observations and for being with us

6

today.

7
8

Are there any additional questions or
comments from the members at this time?

9
10

MEMBER BERNSTEIN:

Art?

I'm going to make

this is Arthur Bernstein -- one more comment on

11

this same subject of the word, and then I'll

12

stop.

13

Referencing my high school once again,

14

my English teacher always talked about using the

15

active word.

16

explanation I appreciated it.

17

that word "belief."

18

And when I heard Ms. Elliott's
She again used

And I would rather us not talk about

19

a belief but an action, which was the abolition

20

of slavery, not the belief that slavery should be

21

abolished.

22

use the word "abolition."

And so, I think it would be better to

23

Thank you for this time.

24

CHAIR VAN ALFEN:

25

much.

Art, thank you very

And we can certainly re-address that
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question tomorrow.

2

If there is no further discussion, the

3

committee will now score the obverse and reverse

4

designs for the 2026 quarter commemorating, at

5

this moment, "abolitionism."

6

done, please return them to CCAC Counsel Greg

7

Weinman.

8
9

And when you are

And we will take a 10-minute break,
roughly, returning at 2:25.

10

(Whereupon, the above-entitled matter

11

went off the record at 2:15 p.m. and resumed at

12

2:25 p.m.)

13

CHAIR VAN ALFEN:

All right, thank you

And we are back.

And I recognize

14

very much.

15

Greg Weinman, counsel to the CCAC, to present the

16

results from the scoring sheets, so Greg, if you

17

would, please?

18

MR. WEINMAN:

Absolutely.

The good

19

news, I think we might have some better clarity

20

on this one.

21

CHAIR VAN ALFEN: Thank you.

22

MR. WEINMAN:

So for the Abolitionism,

23

abolition quarter, obverse number 1 received 26

24

out of 30 points, making it the high scoring

25

obverse design.

02 received 13, and 02A received

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eight points, 03 received zero points, 04

2

received eight points, 04A received nine points,

3

05 received 11, and 06 received 12.

4

Moving on to the reverses.

Reverse 01

5

received 21 out of 30 points, making it the high

6

scoring design.

7

received 13, 03 received zero, 03A received zero,

8

04 received zero, 05 received6, 06 received six,

9

07 received 11, 7A received 13, and 7B received

While 02 received nine, 02A

10

12.

So once again, the two high scoring designs

11

are obverse to one and reverse to one.

12

CHAIR VAN ALFEN:

Fantastic.

We have

13

a potential path forward on that portfolio.

14

there any questions or comments at this point

15

before we move on to our next portfolio?

16

was your hand raised?

17

Oh, okay.

18

MEMBER MORAN:

Are

Sam,

Mike?
I'll make an

19

observation.

We don't see any of the other

20

reverses or obverses that would suitable for

21

substitution on this one, so I think we're pretty

22

well there.

23

MS. STAFFORD:

Mr. Chair?

24

CHAIR VAN ALFEN:

25

MS. STAFFORD:

Yes?

And we don't have to

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have the conversation now, but all the portfolios

2

for Quarter 3 and Quarter 5, we did not mandate

3

the name of the person who was depicted on the

4

obverse so some artists included it, and others

5

did not.

6

committee would deliberate on just the idea of

7

whether Frederick Douglass should appear on the

8

obverse of the claim, and our chief engraver

9

stands ready if you desire to talk through the

So it would be extremely helpful if the

10

committee what he would do to the composition to

11

accommodate it if it did not already depict it.

12

CHAIR VAN ALFEN: That's wonderful

13

information.

14

Kellen, your hand was raised.

15

Thank you very much for that.

MEMBER HOARD:

Yeah, just to the point

16

on the name, I would actually suggest that we --

17

and we can have this conversation later if that's

18

more appropriate -- that we actually don't

19

include the name for the prior reason that even

20

though it'd be helpful to label this historical

21

figure, we don't do that with any of the

22

presidents we're replacing, with George

23

Washington, with Lincoln, with Roosevelt.

24
25

We don't do it with any of -- or
Jefferson.

And I think that's an important
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thing, he is of that stature.

We are putting him

2

in that role, and he is a person who people will

3

learn about as a consequence.

4

potentially it puts him down to some level to

5

have to label him versus lifting him up to the

6

same level at which everyone else is.

I think

7

(Simultaneous speaking.)

8

CHAIR VAN ALFEN:

9

Thank you.

Thank you very much,

that is an argument that I would welcome that we

10

revisit tomorrow as well, so, any other questions

11

or comments at this time on this portfolio?

12

All right, wonderful.

I think that

13

all discussion then has concluded on this

14

portfolio, and again, I would like to thank Mr.

15

Ken Morris and Ms. Mary Elliott this -- sorry,

16

this afternoon, and for their wonderful

17

observations that they offered to us a little bit

18

earlier, so thank you again and we'll move on.

19
20
21
22
23

MR. MORRIS:

Thank you, thank you very

much for your work.
MS. ELLIOTT:
great discussion.

Thank you.

This was a

Really appreciate you all.

CHAIR VAN ALFEN:

Thank you.

All

24

right, so we will now consider the obverse and

25

reverse candidate designs for the 2026 Quarter
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Number 4, suffrage, which April Stafford and Russ

2

Evans will now present.

3

MS. STAFFORD:

So April, if you would?
Thank you.

If it's all

4

right, I'll just let you know we are very

5

fortunate to have with us today two of about four

6

scholars with whom we worked in developing this

7

portfolio.

8

external affairs of the National Women's History

9

Museum is with us, as well as Dr. Allida Black,

Jen Herrera, vice president of

10

managing director of Allenswood Group.

And so

11

thank you for being with us, thank you for all of

12

your work in getting this portfolio to this

13

point.

14

And if it's okay, Mr. Chair, I'll go

15

through the candidate designs, and if you'd like

16

to approach the --

17

(Simultaneous speaking.)

18

CHAIR VAN ALFEN:

19

MS. STAFFORD:

20

Absolutely.

-- that would be

wonderful.

21

CHAIR VAN ALFEN:

22

MS. STAFFORD:

Yes, please.

So a little background

23

on suffrage.

The Nineteenth Amendment to the

24

U.S. Constitution was ratified on August 26, 1920

25

and marked the single largest extension of voting
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rights in United States' history, enfranchising

2

27,000,000 women in the United States.

3

Cady Stanton and Lucretia Mott organized the

4

first women's rights convention in Seneca Falls

5

in July 1848, where 68 women and 32 men signed

6

the Declaration of Sentiments.

7

Elizabeth

Modeled after the Declaration of

8

Independence, the Declaration of Sentiments

9

proclaimed that all men and women are created

10

equal, linking women's rights directly to the

11

founding ideals of the United States.

12

activists, including Susan B. Anthony, Harriet

13

Tubman, Sojourner Truth, Ida B. Wells, Jovita

14

Idar, Inez Milholland, Mary Church Terrell, Anne

15

Dallas Dudley, Carrie Chapman Catt, Alice Paul,

16

Lucy Burns, and many others conducted over 900

17

local, state, and federal campaigns over 72 years

18

to bring women the right to vote.

19

Suffrage

But as the National Archive notes,

20

strategies for achieving their goal varied, some

21

pursued the strategy of passing suffrage acts in

22

each state, others challenged male-only voting

23

laws in the courts.

24

confrontational tactics such as picketing, silent

25

vigils, and hunger strikes.

Some suffragists used more

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On November 6, 1917, New York granted

2

women the right to vote, creating momentum in the

3

movement that culminated in the ratification of

4

the Nineteenth Amendment three years later.

5

campaign to win the passage of the Nineteenth

6

Amendment guaranteeing women the right to vote

7

stands as one of the most significant and wide-

8

ranging moments of political mobilization in U.S.

9

history.

The

To achieve it, a broad coalition of

10

women came together under one manner to not only

11

fight for suffrage, but to take a crucial step

12

toward achieving broader equality for American

13

women.

14

Though the Nineteenth Amendment was a

15

pivotal achievement in American suffrage, its

16

ratification did not guarantee unobstructed

17

enfranchisement for all citizens.

18

majority of Black Americans lived in the South,

19

where their voting rights were effectively

20

blocked by tactics such as whites-only primaries,

21

poll taxes, and literacy tests.

22

In 1920, the

These same methods were also used to

23

deny the rights of other minorities, including

24

Hispanic and Latino Americans.

25

citizens, it was the Voting Rights Act of 1965

For these

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enacted almost half a century later that

2

ultimately removed these structural barriers to

3

voting.

4

The obverse design features a

5

depiction of a United States suffragist at once

6

an every-woman to represent the thousands of

7

Americans who contributed to this effort, while

8

also personifying liberty through a specific

9

historical lens.

10
11

Inscriptions include e pluribus

unum, in God we trust, and 1776 through 2026.
The reverse design is emblematic of

12

the suffrage movement and the Nineteenth

13

Amendment to the U.S. Constitution.

14

include Liberty, United States of America, and

15

Quarter Dollar, and Suffrage.

16

Inscriptions

The obverse designs, obverse 1, 1A,

17

1B, and 2 depict an American suffragist striving

18

forward propelled by her steadfast convictions.

19

She hoists her votes for women banner as a beacon

20

of the change she demands.

21

here, the suffragist is flanked by fellow

22

advocates outlined in silhouette, an illusion to

23

the thousands of Americans who fought for voting

24

rights across the country.

25

In design 1, seen

In design 1A, she marches by the U.S.
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Capitol Building, juxtaposing this potent symbol

2

of government with her unwavering march for

3

progress.

4

obverse 2.

5

And we also have 1B, seen here.

And

For the reverse designs, reverse 1

6

illustrates that the work and effects of suffrage

7

are generational.

8

poised to join the arms already shouldering the

9

weight of a foundation of stone inscribed with

A child's hand reaches upward,

10

liberty, equality, justice for women, and

11

suffrage.

12

Please note that this design appeared

13

with a different inscription as the obverse of a

14

collectible companion medal paired with the

15

Mint's 2020 women's suffrage centennial silver

16

dollar.

17

Under 10,000 medals were sold.
Reverse 2 depicts the hands of four

18

women exercising their right to vote.

Shown in a

19

variety of dress, they symbolize the diverse

20

coalition that pursued a shared vision of

21

equality through suffrage.

22

ballot, representing not only a personal

23

expression of civic action, but the collective

24

victory and enduring legacy of the suffrage

25

moment.

Each hand casts a

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Reverse 3 depicts an American woman

2

holding a ballot preparing to cast her vote.

3

This civic action in turn casts the shadow of

4

Lady Liberty bearing her torch, symbolizing the

5

right to vote as key to American democracy.

6

Reverse 4 features a rosette-style

7

button emblazoned with Votes for Women, similar

8

to those worn by suffragists, reflecting the

9

movement's central unshakable demand.

10

Reverse 5 shows a woman casting a

11

ballot, depicted in a distinctly art deco style

12

that emerged in the years following the

13

ratification of the Nineteenth Amendment.

14

inscriptions are rendered in a flowing script to

15

provide a graceful contrast to the annular

16

elements of the stylized figure.

17

boldly states Votes for Women, no longer a battle

18

cry, but a codified expression of American

19

democracy.

20

The

The ballot

And finally reverse 6 depicts a banner

21

held high declaring votes for women, the rallying

22

cry for the right for suffrage.

23

clear message held aloft by a gripping hand, body

24

unseen represents the countless everyday women

25

who took up the mantle of protest for their

This bold and

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voting rights in this country.

2

the candidate designs.

3

CHAIR VAN ALFEN:

That concludes

Thank you very much.

4

Dr. Black, Ms. Herrera, welcome, and at this

5

point I would simply invite you to address the

6

committee if you like.

7

DR. BLACK:

8

to start.

9
10

CHAIR VAN ALFEN:

Is she muted?

Oh,

she's muted.

11

DR. BLACK:

12

MS. WARREN:

13

we can't hear you, Jen.

14

your audio.

15

MS. HERRERA:

16

MS. WARREN:

17

Jennifer, I defer to you

Let's see.
No, she's not muted, but
I don't know if it's

Okay.
Oh wait, was that you?

Try it again.

18

MS. HERRERA:

19

MS. WARREN:

20

DR. BLACK:

21

MS. HERRERA:

Now can you hear me?
Yes.
Now we can, Jennifer.
Sorry, I don't know

22

what's going on with my computer, but I just

23

wanted to take a moment to thank everybody for

24

having the National Women's History Museum here

25

today and to share our ideas about this coin.
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We've been a proud partner to the Mint

2

under American Women Quarters Program, and it's

3

been an absolute joy professionally and

4

personally to work on that program and to now be

5

part of this conversation about this coin.

6

thank you so much for having me and us.

7

DR. BLACK:

So,

Allida?

Well, I echo everything

8

that Jennifer said.

It has just been a glorious

9

experience, although sometimes hated in our

10

committee discussions, but the committee felt

11

quite strongly that we should show a woman in

12

compelling action moving forward, joyful but

13

convinced that this struggle was worth fighting.

14

We thought a lot about how to convey a movement

15

as opposed to a person.

16

unanimous agreement on a woman to represent, a

17

known woman to represent the suffrage battle.

We could not find

18

So we were unanimous in our agreement

19

that an average suffragist who risked herself for

20

democracy and dedicated her vision and her

21

courage to looking forward should be on the coin.

22

And so, we very much wanted Votes for Women on

23

the banner emphasized.

24
25

We wanted the woman in motion.
wanted the coin to represent that this was a
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movement which meant that other people whose

2

names will never be known to history were also

3

involved.

4

obverse, but we all loved the image of the

5

struggle and the dream that it took to get the

6

vote.

7

And we debated a lot about the

And that's my two cents' worth from

8

the committee.

Jennifer, I would love to hear

9

your response to that summation, but I also just

10

want to reiterate how glorious it is for me to

11

see the Mint to take this stride forward, not

12

just with suffrage and not just with the Women

13

Quarters Program, which I was privileged to be a

14

part of, as well.

15

deliberation, and the respect with which these

16

Americans are treated.

17

for that.

18

But to see the care, the

And so, I just salute you

CHAIR VAN ALFEN:

Thank you very much.

19

Ms. Herrera, if you'd like to respond to Dr.

20

Black, please do.

21

MS. HERRERA:

Yeah, thanks Allida, I

22

just want to echo everything what my dear

23

colleague has said.

24

many thousands and thousands of women.

25

was incredibly important to us that this coin

This was a movement of many,

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depict it.

2

from the National Women's History Museum point of

3

view of which Dr. Black is one of our scholars,

4

to expand the story of suffrage that is the one

5

that's commonly told in our history books.

6

And it was also important for us to,

We know that women's history begins in

7

the classroom and that it's often woefully under-

8

represented.

9

yesterday's students and students for decades and

10

decades have learned about a few seminal figures,

11

including Susan B. Anthony, what we found as an

12

institution is that women are largely under-

13

represented, and the story of suffrage really

14

boils down to a few well-known names, and in

15

fact, suffrage looked really different, the fight

16

for suffrage looked really different across the

17

United States, and that we take great care in

18

trying to expand that story because it was a very

19

expansive story.

20

So while today's students and

And we loved that through this coin

21

there's an opportunity to continue that expanded

22

narrative so that others, you know, when they

23

reach into their pocket they can kind of get a

24

more full and robust scope of the magnitude of

25

what this was.

So thank you very much.
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CHAIR VAN ALFEN:

And Angela Tate, if

2

you're with us, you certainly would be welcome to

3

address the committee, as well.

4

MS. TATE:

Hello everyone, very

5

grateful to be here, and also with my colleagues,

6

particularly since I was a part of the American

7

Women Quarters Program in my previous position as

8

women's history curator at the National Museum of

9

African American History and Culture.

Now I am

10

chief curator at the National Museum of African

11

American History Boston and Nantucket, and I'm

12

very pleased to be able to continue this work.

13

And I just want to reiterate that this

14

was a great group, we had a lot of robust

15

debates, particularly around representation of

16

the history of suffrage, not just a singular

17

woman, not just a while woman, but a continuum of

18

women fighting for suffrage across the twentieth

19

century because not all women received the vote

20

at the same time.

21

discussing the best choices for the design, it

22

was with that in mind, and also to think about

23

how women's suffrage is abroad topic that

24

continues to this day.

25

And so, when we were

And so a lot of the designs that we
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were in consensus about did encompass that theme

2

and that thought, and particularly around

3

continuing that education piece around women's

4

history and suffrage.

5

CHAIR VAN ALFEN:

Thank you all three

6

for your comments.

It was truly a pleasure to

7

have you with us today.

8

like to ask if there are any technical or legal

9

questions from the committee about this program

At this moment I would

10

or these designs for the 2026 quarter

11

commemorating suffrage before we begin our

12

general discussion?

13

raised.

14

And Art, I see your hand is

MEMBER BERNSTEIN:

A technical

15

question on reverse 02.

16

what's going on with the letters AR on the lock

17

of a quarter box.

18

I'm just not following

MS. STAFFORD:

Yeah.

It's simply

19

incused, the lock is raised, and so the AR would

20

be sunk into the lock.

21
22

MEMBER BERNSTEIN:
letters of the quarter are?

23

MS. STAFFORD:

24

MEMBER BERNSTEIN:

25

And the other

Would be raised.
All right.

you.
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MS. STAFFORD:

2

MEMBER BERNSTEIN:

3

CHAIR VAN ALFEN:

4

you.

Mm-hmm.
It's not obvious.
All right, thank

Any other questions or comments?

5

I'll take that as a comment.
All right.

All

6

good.

If there are no further

7

questions or comments, then let's begin our

8

discussion, and I would like to again remind our

9

committee members please try to keep your

10

comments to five minutes or less, and please do

11

identify yourself for the record prior to

12

speaking.

13

Sollman.

14

Let me begin with Jeanne Stevens-

MEMBER STEVENS-SOLLMAN:

15

you.

16

these designs, I was reminded of the fact that I

17

did do a medal for Alice Paul, and what these

18

women went through to gain the right to vote was

19

pretty terrible.

20

starved, and she did manage to get out, and but

21

it was a horrific journey to gain the votes for

22

women.

23

participate in this program.

24
25

Thank you, Mr. Chairman.

Okay, thank

As I reviewed

Alice Paul was in prison, she

So I'm very honored to be able to

I appreciate having to find a
universal woman to be on this coin, and I think
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for me, design number 1 is the one that I would

2

choose because she is not only moving forward

3

with a great amount of courage, she also has

4

partnership with the women behind her.

5

number 1A where she's in front of the Capitol,

6

these are pretty important events in this journey

7

to earn our votes.

8
9

And also,

For the reverse, the hands holding up
the stone in number 1 to me -- and I know we've

10

had this before -- but it's just such a powerful

11

image.

12

is really powerful and I would like to see this

13

one go forward.

14

number 1.

15

think that the hands putting the votes on the

16

ballot box, that's not a very convincing -- the

17

people kind of like, wave their hands over these

18

ballots and dump them in the box, I don't feel

19

like this is a gesture, so I'm not going to put

20

my votes to that one.

I think with the large text of suffrage

21

So I am putting all my votes to

The others I don't think particularly

And the rest I just don't feel

22

confident.

23

go for, thank you.

24
25

So number 1 is the one I'm going to

CHAIR VAN ALFEN:
much.

Okay, thank you very

Annelisa Purdie?
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MEMBER PURDIE:

Thank you, M.

2

Chairman, thank you, Dr. Black, Ms. Herrera, the

3

state for being here, as well.

4

portfolio -- and I'm glad that it was brought up

5

-- I struggled with the representation of the

6

suffragettes and just thinking about the overall

7

push for the right to vote, as well, because all

8

women did not get the right to vote at the same

9

time.

Looking over this

And so whereas 1920 is something that

10

generally we celebrate, we have to remember that

11

different women, especially across racial lines,

12

and even class lines, did not have the same

13

access to that right.

14

So thinking about that from a

15

historical perspective for the reverses, and I'm

16

going to start with the reverses, I think that

17

design number 2 is very well done, I think that

18

it's proportioned well, I think that the details

19

are done well.

20

manicures on the far right in terms of historical

21

accuracy, but they're done very well, and I like

22

that the representation of the different hands do

23

seem to show somewhat, very slightly a bit of a

24

class variety.

25

Not completely sure about the

But in terms of an overall design for
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the quarter, especially because of space, which

2

is something I've been thinking about with this

3

portfolio, I'm not sure how well this would be

4

rendered, but I did want to table this because

5

the overall proportions of this design, it's very

6

good.

7

My favorite was reverse number 4,

8

going back to the theme of using motifs and

9

symbols versus images of individuals, I think

10

that this is a very symmetrical look, I can see

11

someone turning this over in their hands and

12

looking at it and think it's very striking.

13

very statement.

14

conversation piece for symbols of the suffrage

15

moment and things that may potentially be

16

revived, we don't know.

17

done very well, it's simple, it's to the point,

18

and it brings up something that would be

19

instantly recognizable to those who have

20

knowledge about the movement itself.

21

It's

It also would serve as a

But I think that it's

For the obverses, none of the obverses

22

especially stood out to me in terms of grabbing

23

my attention, but the one that I was drawn to the

24

most is obverse 1B.

25

this over 1A is simply because of the

And the reason why I chose

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distinguishing between the Capitol Building and

2

the woman's dress might be a bit difficult,

3

again, because of the size of the quarter.

4

love the detail, I love the way that she's

5

striving forward, but I think that the line if

6

this design were to go forward with the Capitol

7

in the background would have to be much more

8

drawn out to distinguish, I like the idea of her

9

by herself though, with the Votes for Women flag

10

I

moving forward.

11

I think it keeps the attention on her,

12

and her expression works.

13

way that the e pluribus unum is framed around her

14

works well -- well, nothing's interfering with

15

each other with this particular design.

16

obverse 2 in terms of the detail to the dress,

17

especially with the boots, but I think that the

18

design of the woman overall and the flag are

19

interfering with each other, and overall 1B works

20

better.

And those are my thoughts.

21
22

And I think that the

CHAIR VAN ALFEN:
very much.

23

I liked

Thank you.

Annelisa, thank you

Art Bernstein?
MEMBER BERNSTEIN:

This is Arthur

24

Bernstein.

With regard to the obverse, this is -

25

- I guess we've now established that the Capitol
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is the correct rendition.

2

particular coin, didn't see the need to add an

3

architectural feature, so I like the obverses

4

without the Capitol, and in particular I was

5

drawn to the last one, that's number 02.

6

But I, on this

I heard Dr. Black refer to compelling

7

action moving forward and to me, 02 with the

8

larger, at an unusual angle, she's leaning

9

forward, to me that was a more compelling posture

10

than the other women holding flags.

11

was my favorite amongst the obverse designs.

12

And so 02

And with the reverse designs, reverse

13

3, I appreciated that shadow technique.

14

thought that was very clever.

15

to use this design I think we would be happy

16

without the stars around the torch, and making

17

this seem more like a shadow.

18

Annelisa, I love design 4.

19

perfect reverse, it has that symmetry, it ties in

20

historically with the movement, and so I would

21

recommend 4.

22

very intriguing, but I think it's just a little

23

too mod for what we're doing.

24
25

If we were going

But along with

To me it's the

Design 5 I thought was very mod and

CHAIR VAN ALFEN:
much.

I

Art, thank you very

Dr. Christopher Capozzola, if you would,
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please?

2

MEMBER CAPOZZOLA:

All right, this is

3

Chris Capozzola and I just want to thank our

4

guests for putting -- you know, sort of hitting

5

the nail on the head in terms of the challenge of

6

the task of conveying a movement and an effort

7

that was very long, very diverse, and at moments,

8

extremely concrete, but at the same time, very

9

hard to depict visually.

And I think that's a

10

real challenge for this portfolio.

11

hard for this portfolio for the following reason,

12

right?

13

It is extra

There is one very simple way to

14

explain it, explain the suffrage movement, and

15

that's with the phrase Votes for Women, which by

16

the way is deceptively simple, as some people

17

have said because not all women got the right to

18

vote in 1920.

19

But we can't issue a coin that has

20

Votes for Women on both the front and the bank.

21

And I also think we shouldn't have a two-headed

22

coin, you know, with -- and so there are some

23

pairings here that I think wouldn't actually work

24

because it wouldn't be clear, you know, and I'm

25

thinking here particularly of, say, 05 for
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example I think just won't work and -- depending

2

on what it's paired with in the obverse because

3

there might be too many heads.

4

So that's guiding me in what I'm

5

thinking, and it kind of really narrows down my

6

choices.

7

that's not very large, I do think that obverse 1B

8

is probably the simplest and most legible to most

9

people.

I think for a circulating quarter

I would make a suggestion that perhaps

10

her banner could just say suffrage.

11

Votes for Women could appear on the reverse, and

12

that could solve that issue.

13

And then

I also think that if we were going to

14

go with 1A if we thought it could, you know, be

15

rendered in sufficient detail, but actually the

16

White House is more historically for the last

17

phases of the suffrage movement than the Capitol

18

because the protests -- the National Women's

19

Party protests at the White House were so

20

significant in '17 and '18.

21

On the reverse, you know, while I

22

liked 02, and while visually I loved 05, I think

23

that the one that works best as a reverse as

24

others have said, is 04, the rosette.

25

suffrage left the reverse and moved to the front,
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it could be a quarter dollar.

2

you know, make art on the fly, but I think it

3

could solve some of those issues, and I will

4

leave it at that.

5
6
7

I'm not going to,

Thank you.

CHAIR VAN ALFEN:

Thank you very much.

Kellen Hoard, if you would, please?
MEMBER HOARD:

Absolutely.

8

This is Kellen Hoard.

9

designs 1 and 1A, 1B, all stellar.

Thank you.

And for the obverse,
I think

10

there's distinct pros and cons for all of them.

11

I'd happy vote for any of them.

12

little bit towards 1B really because, again, it's

13

visual continuity for the public.

14

I think I lean a

American Coins did uplift individual

15

iconic people on their obverses, highlighted them

16

as the point of focus and praise.

17

with multiple people and buildings that tend to

18

be reserved for reverses, and I think 1B just

19

fits into that trend best, highlighting a

20

suffragette as an outstanding example of American

21

progress and activism who can then be paired with

22

a larger scene on the reverse.

23

Broader scenes

I also think that having her alone

24

will ensure she's boldly visible on that quarter

25

size coin, and I like the font for e pluribus
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unum there.

2

options.

3

powerful piece which accidentally demonstrates

4

the work of many undertaken by many to make this

5

a reality, and it also deals with that issue of

6

Votes for Women versus suffrage on both sides.

7

There's several excellent reverse

I enjoyed reverse 1, I think it's a

Reverse 2 is really mesmerizing to me.

8

The visual lines were.

Although I'm not

9

especially partial to the block, you know, motif

10

at the bottom there, the design element there.

11

And then reverse 4 is simple but clear and

12

powerful, and so I'm giving all three of those

13

designs points.

Thanks so much.

14

(Simultaneous speaking.)

15

CHAIR VAN ALFEN:

16
17

Thank you.

Donald

Scarinci, please.
MEMBER SCARINCI:

So I like obverse 1

18

as a reverse but I don't like any of these as an

19

obverse for this series, and if we could send it

20

back and ask them, ask the Mint to pick a

21

suffragette, I mean, we've had Alice Paul on a

22

gold coin, we've had previously the Susan B.

23

Anthony dollar.

24

will be the only full-bodied image on the obverse

25

of one of the quarters, and I think, you know,

But the series is really -- this

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we're better off, you know, to be consistent

2

either to go with a half figure or a partial

3

figure as we did in the second coin that we

4

discussed today.

5

know, of someone, right?

6

And, you know, or a bust, you

But if we can't do that, then we can't

7

do that.

I just won't vote for these.

Really,

8

the only choice on the reverse, you know, I like

9

the 04 but since I don't have an obverse to pair

10

it with, you know, I wouldn't pair it with any of

11

these, I wouldn't use anything that says -- I

12

think that the point was made, you know, it's

13

Votes for Women, you don't have Votes for Women

14

on the obverse and Votes for Women on the

15

reverse, so you got to really decide what you're

16

going to do.

17

Either you're going to put the

18

suffrage on the obverse and then the Votes for

19

Women, obverse 4 on the reverse, or you know,

20

just keep -- if you're inclined to, you know,

21

support one of these standing figures, you know,

22

do you go with suffrage on the reverse?

23

01.

24
25

Which is

So, that's all I really have to say.
CHAIR VAN ALFEN:

Thank you very much.

John Saunders, if you would, please?
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MEMBER SAUNDERS:

Hi, John Saunders

2

here.

3

the key is Votes for Women, and the first design

4

I think on the obverse, the 1, 2, 3, says it

5

better, says it bolder than 2.

6

like the one that 01B, it's less cluttered, it

7

doesn't have the Capitol, it doesn't have the

8

other figures back there, it stands out more, it

9

gets the message across, it's just like, my

10

I agree with what our liaisons have said,

Of the three, I

mind's just 100 percent there.

11

The reverse,

I really like 05.

I

12

think that is a cool looking coin, it

13

demonstrates the era when the amendment was

14

passed.

15

a little bit different, and I'm usually the

16

traditionalist,

17

going to get my vote.

18

01, it looks like the women are still being

19

questioned, if they let their guard down for a

20

second the rock's going to crush them, you know

21

and hopefully that's not how we are today.

22

To my mind, it is a little bit mod, it's

but I just like it, so that's
I don't particularly like

And the voting boxes just didn't turn

23

me on or the sign Votes for Women didn't turn me

24

on.

25

kind of super traditional.

The badge with the rose design, yes, that's
I mean, they've had

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some medieval coins with kind of a similar look

2

to it and so on, so if I had to go run the others

3

I guess I'd have to go with the 4, but 05 just

4

sells it for me, it's just cool looking, it's,

5

you know, it's a coin I'd like to have in my

6

pocket.

7

you.

So that's the best I could say.

8
9

CHAIR VAN ALFEN:

Thank

Thank you very much.

Sam Gelberd, if you would please?

10

MEMBER GELBERD:

Thank you, Peter,

11

this is Sam Gelberd.

12

that hasn't been said already.

13

obverses 1, 1A, 1B to obverse 2.

14

said, I do like obverse 1 only because what we

15

heard earlier from the liaison saying that it's

16

great the way the silhouette conveys the

17

symbolism of the nameless, countless suffragists

18

that were involved.

19

Not a whole lot I can add
I do prefer
With that being

Again, Chris said it great, we can't

20

have Votes for Women on both sides, it doesn't

21

look good.

22

headed coin like that even though John's

23

compelling argument for reverse 5.

24

stylization of it, really nice.

25

obverse 1, I'm almost wondering if any

I also don't like seeing a double-

I do like the

But yeah,

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consideration was given by the Mint to maybe put

2

a line underneath the feet of the suffragists,

3

like an excerpt line.

4

another point, I'm not sure if that's something

5

we may want to add.

6

prefer obverse 01.

7

We can adjust that at

But yes ultimately I do

For the reverses, I also like reverse

8

number 1 ultimately, that is my favorite.

If we

9

could rework some of the wording to resemble more

10

of an art deco font.

11

lettering first of the word suffrage, but some of

12

the others I'd almost like to see them rendered

13

with an art deco font.

14

a little bit better.

15

I'm okay with the block

I just think it may read

Reverse 2, I love the font of suffrage

16

at the top with the hands.

17

strange to me the one coming out of the 11:00

18

position, it just looks like there's -- I know

19

you can't really see the thumb there but it just,

20

it reads a little strange to me.

21

be okay with that, yes, remove the stars.

22

think that would be a good idea.

23

It does look a little

Reverse 3 I'd
I

My second choice for the reverse would

24

be Reverse 4 with the rosette.

Yeah, Votes for

25

Women, not seeing that, maybe we replace it with
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something like Nineteenth Amendment or justice

2

for women, something to that effect.

3

think kind of misses the mark.

4

obverse 1 and reverse 1.

5
6

CHAIR VAN ALFEN:
much.

Six, I

So ultimately

Sam, thank you very

Mike Moran, if you would please?

7

MEMBER MORAN:

8

is Mike Moran.

9

the obverse.

Thank you, Peter.

This

I can go for either 1 or 1B on
They're both clean.

I think I

10

understand where Donald's coming from about we're

11

breaking a trend here of consistency in terms of

12

not having a bust or a three-quarter bust on the

13

obverse.

14

it to us, there was no one particular strong

15

leader in this group.

16

itself, and that's what makes it important to

17

have those silhouettes in the background, that's

18

why I think I lean toward 1.

19

But I think our sponsors very ably put

It rose up from women

I'm troubled with the reverse.

One's

20

okay.

But a bunch of hands coming out of the

21

bottom of the coin never turned me on.

22

think that Sam's suggestion that we would change

23

the font to an art deco would make it more

24

appealing to me.

25

Vote for Women on both sides just doesn't work.

I did

I was going to go for 4 but

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We got to come up with something different that

2

is not forced, but historically appropriate

3

either on the flag or in the rosette.

4

well be that that's where each one should have

5

Votes for Women.

6

to do with the reverse.

7

And it may

So I don't know what I'm going

CHAIR VAN ALFEN:

All right, Mike,

8

thank you very much. With this obverse I see an

9

opportunity again to engage with the potential of

10

creating a chronological chain across these five

11

inflection points.

12

And so, I'll remind you that in 1916

13

the U.S. Mint introduced both The Walking Liberty

14

half dollar as well as the Standing Liberty

15

quarter dollar, and in a way this Walking Liberty

16

suffragists could be interpreted as both an

17

allusion to those coins that would be

18

chronologically appropriate, but also then

19

introduce a walking Liberty figure which then

20

could be carried through into some of the other

21

design portfolios because of course there are

22

walking figures in the next portfolio we will

23

see, and in the half dollar.

24
25

So there is an opportunity there I
think create some sort of cohesion, so I really
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rather like actually this walking

2

suffragettes/Liberty on the obverse here.

3

said, I have a slight preference for number 1

4

with the silhouetted figures again because there

5

is a similar obverse in the next portfolio we

6

will be looking at which could tie those two

7

quarters together, but if this were to be paired

8

with reverse number 1, the multitude of hands

9

could then reflect the multitude of women on the

10

That

obverse of the coins as well.

11

Although I do share some concerns that

12

while this is in some ways a strong design, it is

13

also at the same time something we've done

14

before, and it might need some reconsideration.

15

Otherwise 4 I think would be a serviceable

16

reverse, but just is not quite as strong as

17

number 1.

18

So with those comments of mine, I

19

would like to invite our guests, Herrera, Dr.

20

Black, and Ms. Tate, if have any observations on

21

the reverse designs of these coins.

22

we'll start with you if you like.

23

MS. TATE:

24

myself on mute.

25

resonated with so many.

Ms. Tate,

Pardon me, I was putting

I liked everyone's responses and
While we were very

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interested in having that full display of those

2

who are involved in the fight for suffrage to be

3

represented, it is logical to not have the same

4

thing repeated on both sides, and also thinking

5

from a design perspective what stands out the

6

most.

7

and is also something that wouldn't be as

8

distracting if there's another side with the

9

figure or another similar rendering of Votes for

I do think that 4 does stand out the most

10

Women but not exactly Votes for Women.

11

thank you.

12
13

CHAIR VAN ALFEN:

But,

Thank you.

Ms.

Herrera, if you have anything, any observations?

14

MS. HERRERA:

It's so interesting

15

hearing you all talk about the symmetry and the

16

considerations that are outside of the subject

17

matter so to speak.

18

for Women on both sides, for example.

19

I think we spent some time obviously with these

20

designs as well and they didn't come as easily to

21

us, an answer didn't come as easily to us.

22

So having the words Votes
You know,

I'm particular to this design as well

23

as the suffrage holding up the suffrage.

24

sorry, I don't know quite what number it is,

25

okay, oh, 1.

Yeah -- Allida?
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DR. BLACK:

Am I unmuted?

Oh okay.

2

I agree completely with your careful observations

3

about votes for women as a focal point on both

4

sides of the coin.

5

about this a great deal and we immediately agreed

6

with you all that it should not be replicated

7

which is why we really were unanimous in our

8

support for number 1, because what we wanted to

9

do was to show that it took until 1965 and 1968

The scholars committee talked

10

to get federal legislation on voting rights, and

11

then the continuing struggle to enforce that.

12

So we thought the prominent votes for

13

women flag in 1 and 1B could really accentuate

14

the movement side and that on the obverse Section

15

1 could deal with the continuing struggle to make

16

suffrage real.

17

deco fonts on

18

think it makes it more era inappropriate, but

19

also more enticing to the eye, and it doesn't

20

look like the words were stamped on top of

21

suffrage.

22

I love the idea of having art
the image that is showing now.

I

With number 4, with the rosette, the

23

vast majority of America will be clueless on what

24

that rosette means.

25

it, and in fact it was a highly controversial

They will have no idea about

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image during the movement itself about whether

2

this particular image should be the number one

3

button badge symbol of suffrage.

4

As I talked with a lot of my

5

colleagues before this just to make sure that I

6

remembered their observations correctly from our

7

meeting and gave them my word that I would speak

8

up for them, so I am going to politely but

9

strongly through my voice behind 1A and 1B and

10

then 1.

11

CHAIR VAN ALFEN:

Thank you very much,

12

very much appreciated.

13

questions or comments from the committee?

14

Are there any other

MEMBER SAUNDERS:

John?

John Saunders again.

15

I agree with what was said that we go with any of

16

the last three of designs, particularly number 5,

17

which I like.

18

like, women's suffrage or equality of liberty.

19

If we change Votes for Women to

Just equality and liberty.

That's

20

easy not to do, so I agree we shouldn't have

21

votes for women on both sides, but I think either

22

4 or 5 design works with the change in wording

23

there and I think that's pretty easy for them to

24

do.

25

CHAIR VAN ALFEN:

But again that's

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something they certainly can bring up tomorrow if

2

one of these designs is up for recommendation.

3

Art?

4

MEMBER BERNSTEIN: Perhaps this also

5

fits within our conversation tomorrow. I did a

6

little quick research on those academic

7

institutions eBay and Amazon, and found suffrage

8

rosettes with phrases suffrage first, and equal

9

suffrage, which both seem like phrases that will

10

get us out of this conundrum.

11
12

CHAIR VAN ALFEN:
you.

Very good, thank

Sam?

13

MEMBER GELBERD:

This is Sam Gelberd.

14

Only thing I would add to that Art, is that

15

because it is a quarter dollar, it may not read

16

as well in the middle of the rosette.

17

be my only concern with that.

18

CHAIR VAN ALFEN:

19

you.

20

committee?

21

So that'd

All right, thank

Any other questions or comments from the

MR. MENNA:

Oh yes, this is Joseph

22

Menna, I just want to address you for the last

23

time.

24
25

CHAIR VAN ALFEN: Oh, yeah, please.
Thank you, Joe.

Oh, here we go.

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MR. MENNA:

This is Joseph Menna.

2

Just in response to the last comment, just I

3

contacted the conference with April.

4

MS. STAFFORD:

5

MR. MENNA:

Hi Joe.

The text does not have to

6

be horizontal.

7

arched across the top.

8

choices that arches, as Art Bernstein said, are

9

doable.

10
11

You could put, like, suffrage
Well, any of those text

CHAIR VAN ALFEN:

Thank you, Joe.

Yeah, please, Greg.

12

MR. WEINMAN:

I want to clarify

13

something quickly as well, not that I think it's

14

material, but Mr. Bernstein did say ask a

15

question about 02.

It was design 5 I believe.

16

CHAIR VAN ALFEN:

17

MR. WEINMAN:

All right.

Reverse.

Yes.

About

18

whether or not this could be a two-headed coin.

19

The -- or what is it?

20

said that.

21

speaking, obviously this wouldn't be here if it

22

didn't comport with the legislation, the

23

legislation does prohibit any head and shoulders

24

portrait or bust on the reverse of the coin.

25

made a determination this was neither a head and

Oh okay.

It was Capozzola

Yeah, just to clarify, legally

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shoulders portrait nor a bust, the way it was

2

portrayed.

3

So it does comport to the legislation.

4

With that said, you are absolutely welcome to say

5

despite that, we think it could be problematic.

6

And so I just wanted to make sure no one was

7

voting based on the fact that this might not

8

comport to the legislative authority.

9

CHAIR VAN ALFEN:

Thank you, Greg,

10

always good to have your voice and clarification.

11

All right.

12

comments on this portfolio?

13

Is there any other questions or

All right, then.

Hearing none, the

14

committee will now score the obverse and reverse

15

design candidates for the 2016 quarter

16

commemorating suffrage.

17

please return your score sheets to CCAC counsel,

18

Greg Weinman, and we will take a roughly ten

19

minute break, returning at 3:30.

20

meantime Greg will tally the scores, so thank

21

you.

22

When you are done,

And in the

(Whereupon, the above-entitled matter

23

went off the record at 3:16 p.m. and resumed at

24

3:30 p.m.)

25

CHAIR VAN ALFEN:

Jennifer, we are

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back.

And I recognize Greg Weinman, Counsel to

2

the CCAC to present the results from the scoring

3

sheet.

So, Gary, if you would please.

4

MR. WEINMAN:

Thank you.

And this one

5

might not give the same level of clarity as the

6

last one, just as a teaser.

7

So going back to, this is Obverse

8

Number 1.

So Observe Number 1, 18 points out of

9

a possible 30.

10

points.

11

seven points.

01A is nine, received nine

01B received 20 points.

12

MEMBER MORAN:

13

MR. WEINMAN:

14

getter but not by a lot.

15

02 received

Well that's clear.
So 20 is the high vote

Moving on to the reverse.

Reverse 1

16

received 21 points making it the high scoring

17

design.

18

received four, Reverse 4 received 18 votes.

19

not as high as Reverse 1 but close.

20

received nine points.

21

two.

22

Reverse 2 received nine, Reverse 3
So

Reverse 5

And Reverse 6 received

CHAIR VAN ALFEN:

All right, Greg,

23

thank you very much.

At this juncture we'll have

24

a few comments before we move on to our next

25

portfolio, if there are any.

Are there any

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comments?

2
3

MEMBER MORAN:
wandered off.

4
5

Somewhere the mic has

I'll speak loudly.

CHAIR VAN ALFEN:

Okay.

Mike, here's

the mic.

6

(Laughter.)

7

MEMBER MORAN:

I could take 1A and 1B,

8

I gave them both threes.

9

my vote from number 1 to 1b and give it, since it

10

So I'm happy to change

was the majority.

11

(Laughter.)

12

MEMBER MORAN:

13

a clear 23 versus 15.

14
15

And that will give it

CHAIR VAN ALFEN:

All right, Mike,

thank you for that comment.

16

MEMBER MORAN:

Yes.

17

CHAIR VAN ALFEN:

18

DR. BLACK:

Yes, Dr. Black?

Thank you all.

I would

19

just like to make a historian's nit-picky comment

20

here.

21

CHAIR VAN ALFEN:

22

DR. BLACK:

Yes, please.

The appropriate term to

23

refer to Americans who were involved in the women

24

suffrage campaign is suffragists.

25

E-T-T-E-S is the British term for Pankhurst and

I-S-T-S.

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Company.

2

So I just wanted to encourage my

3

colleagues to call the women what they called

4

themselves.

5

a part of this.

6

Thank you.

And I was grateful to be

CHAIR VAN ALFEN:

Dr. Black, we

7

appreciate those comments.

8

the American side will certainly try to use the

9

appropriate term.

10
11

And those of us on

Any other comments from our guests or
from the Committee at this point?

12

All right.

Well I, again, would very much like to

13

thank Angela Tate, Jennifer Herrera and Allida

14

Black for your observations and comments, and for

15

joining us today.

16
17

So thank you again.

MS. HERRERA:

Thank you for having us.

Bye.

18

DR. BLACK:

Thank you.

19

CHAIR VAN ALFEN:

All right.

So we

20

will now consider the obverse and reverse design

21

candidates for the final of the five inflection

22

quarters.

23

civil rights.

24

will now present portfolios.

25

This is the 2026 quarter commemorating
And April Stafford and Russ Evans

MS. STAFFORD:

Thank you.

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background.

2

Americans following the Civil War the 14th and

3

15th Amendments to the U.S. Constitution were

4

enacted with the intention of ensuring equal

5

protection under the law regardless of race.

6

However, these rights were impeded by states that

7

implemented Jim Crow laws to limit the rights of

8

African-Americans.

9

decisions that undermined the Amendments' intent.

10

To address issues faced by African-

As well as Supreme Court

An important example is the 1896

11

Supreme Court decision in Plessy v. Ferguson,

12

which upheld state mandated segregation laws

13

declaring the phrase "separate but equal as the

14

law of the land."

15

The pursuit of civil rights gained

16

momentum in part as a result of Black

17

servicemen's experiences in World War II.

18

fighting fascism abroad as a part of the United

19

States Military, many African-American veterans

20

returned to the United States determined to end

21

segregation and discrimination, seeking to

22

achieve the equal rights and liberties they

23

fought for overseas.

After

24

In 1954 United States Supreme Court

25

overturned Plessy v. Ferguson declaring through
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its landmark ruling on Brown v. Board of

2

Education that school segregation was

3

unconstitutional.

4

old Emmett Till was brutally murdered by White

5

supremacists during his visit with relatives near

6

Money, Mississippi.

7

Parks to challenge the practice of racial

8

segregation and public transportation.

9

actions led to the historic Montgomery Bus

10
11

Just one year later, 14 year

His death compelled Rosa

Her

Boycotts.
In 1957 Reverend Dr. Martin Luther

12

King, Jr. met with other Black faith leaders and

13

formally mounted a nonviolent protest movement

14

rallying against racial discrimination and for

15

social justice.

16

gathering in our nation's history, a quarter of a

17

million people attended the 1963 march on

18

Washington for jobs and freedom where King

19

delivered his powerful "I have a dream" speech.

20

These and many more courageous acts

At the largest civil rights

21

formed the modern Civil Rights Movement which

22

culminated in the passage of the 1964 Civil

23

Rights Act, the 1965 Voting Rights Act, and the

24

1968 Fair Housing Act.

25

The Civil Rights Movement was composed
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of countless acts of advocacy, a determined

2

pursuit to persuade the nation to rebut to the

3

ideals of equality, freedom, liberty, democracy

4

and justice for all.

5

Some background on Ruby Bridges.

On

6

November 14th, 1960, 6 year old Ruby Bridges made

7

history as she marched into William Frantz

8

Elementary School escorted by her mother and four

9

armed federal marshals.

All the White students

10

stayed home from school the day Ruby entered the

11

elementary school.

12

Ruby continued her studies without

13

missing a day despite being the only student as

14

others refused to attend class with her.

15

faced racist vitriol, needed to be escorted by

16

federal marshals every day for her safety, and

17

was taught by the only teacher willing to work

18

with her.

19

protestors, including one who carried a black

20

baby doll in a coffin.

21

She

She was confronted by White

She ate lunch alone.

The Civil Rights Movement required not

22

only the sacrifices of countless brave

23

individuals, but also the support of their loved

24

ones often impacted by the trauma of being on the

25

front lines of this struggle.

Ruby's actions,

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for example, resulted in her father's job loss

2

and her sharecropping grandparents' eviction, yet

3

the family endured and worked together to make a

4

difference as they supported the little girl who

5

bravely marched forward every day.

6

In 1960 the small but mighty, then

7

unknown young girl, stared down hate and marched

8

her way into the American national conscience.

9

She helped to change the world and advance the

10

Civil Rights Movement.

11

The obverse of this quarter features

12

the concept of liberty, as depicted by 6 year old

13

Ruby Bridges.

14

Rights Movement, the resilience of its advocates,

15

and the reassertion of our country's founding

16

principles.

17

unum, in God we trust, and 1776 through 2026.

18

She symbolizes the larger Civil

Inscriptions include E pluribus

The reverse is emblematic of the Civil

19

Rights Movement and its quest to work through

20

division and strive for equality, all in pursuit

21

of a more perfect union.

22

liberty, United States of America, and quarter

23

dollar and civil rights.

24
25

Inscriptions include

We are so pleased again to have with
us today Ruby Bridges.

Along with her associate

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in her philanthropic initiatives, Mr. Lance

2

Volland.

3

Elliott, who is curator at the National Museum of

4

African-American history and culture.

5

And we also have again with us Mary

So if it's okay, Mr. Chairman, I'll

6

move through the observe and reverse candidate

7

designs and perhaps you'd like to call on our

8

stakeholders?

9

CHAIR VAN ALFEN:

10

MS. STAFFORD:

11

CHAIR VAN ALFEN:

12

MS. STAFFORD:

Absolutely.

Okay.
Absolutely.

So we'll start with

13

obverse designs.

14

6 year old Ruby Bridges and profile.

15

books clutched to her chest.

16

gentle gaze highlights both her resolve to

17

receive an education and her youthful innocence

18

placing a young girl at the forefront of historic

19

change.

20

Obverses 1, 1A and 1B feature a
Her school

Her steadfast but

The designs illustrate how America's

21

foundational ideals of liberty and equality are

22

reaffirmed throughout its history by courageous

23

acts that galvanized the nation to fulfill its

24

bold promises.

25

In the background of 1A, seen here, a
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silhouette of children can be seen walking to

2

school.

3

U.S. marshal.

4

to Ruby's safety and the pervasive violence of

5

the era.

In design 1B she is escorted by a deputy

6

A somber reminder of the threats

Obverse 2 showcases a full length

7

portrait of 6 year old Ruby Bridges, school books

8

clutched in her hand.

9

stride captures her youthful innocence and the

Her soft yet purposeful

10

significance of the moment.

11

of silhouetted children can be seen.

12

children, representing all who came after Ruby

13

know only an America shaped by her actions and

14

those who fought for civil rights.

15

Behind Ruby a line
These

Obverse 3 depicts young Ruby Bridges

16

seated at her desk in her classroom.

17

forward intent to learn and receive an education.

18

The desks around her remain empty as no White

19

parents would allow their children to be educated

20

with her starkly highlighting the prejudice of

21

the era.

22

She gazes

And finally Obverse 4 features 6 year

23

old Ruby Bridges in profile.

Her youthful

24

features and bow in her hair emphasizing her

25

tender age.

Other children are cast in
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silhouettes symbolizing the powerful and

2

cascading impact of the Civil Rights Movement.

3

This design exemplifies the power of every day

4

Americans no matter their age to catalyze

5

transformational social change.

6

And the reverse designs.

We have

7

Reverses 1, 2 and 2A that depict Americans locked

8

arm-in-arm as they march evoking one of the most

9

iconic moments of the Civil Rights Movement, the

10

Selma-to-Montgomery marches.

11

gender moving forward with steely determination

12

echoed in the inscription, "we shall overcome."

13

They span age and

These designs are a striking tribute

14

to the collective courage, unity and strength

15

demonstrated by those who fought for a more

16

equitable future.

17

Americans when united in purpose and action are

18

the driving force behind transformative change

19

that defines the nation's character and reshapes

20

its future.

21

They powerfully illustrate how

Reverse 3 features a pair of clasped

22

hands set against a waving American flag

23

representing the every day Americans who joined

24

together to fight for equality during the Civil

25

Rights Movement.

This powerful imagery

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reinforces the idea that America's founding ideas

2

are fundamentally grounded in unity.

3

the struggle for civil rights through its iconic

4

phrase, "we shall overcome."

5

It binds

Reverses 4 and 5 show civil rights

6

marchers walking across a bridge referencing the

7

1965 Selma-to-Montgomery marches.

8

marches held along the 54 mile highway between

9

the two cities.

Three protest

They move in unwavering

10

solidarity undeterred by the significant violence

11

and injustice that lay in their path.

12

By hoisting American flags as they

13

cross the bridge, this diverse group of citizens

14

sends a clear and profound message, through

15

collective action they're bridging the gap

16

between America's founding ideals and the stark

17

reality of inequality that plagues the nation.

18

They demonstrate that the struggle for civil

19

rights is a call of action for the nation to

20

reaffirm its founding ideals of equality and

21

freedom aligning itself with the vision of

22

democracy laid out in the founding documents.

23

Reverse 6 depicts a young boy as he

24

holds an American flag across his shoulders.

25

joyful expression and open arms embodying what
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the Civil Rights Movement fought for.

2

a just and equitable feature.

3

A hope for

Behind him, profiles of diverse

4

Americans come together symbolizing the coalition

5

necessary to fight for civil rights.

6

figures also illustrate that the American ideals

7

of liberty and freedom apply to all citizens

8

regardless of background to truly reflect the

9

fullest expression of our nation's ideals.

These

10

And finally Reverse 7 depicts the

11

scales of justice with the weighty promise of

12

liberty tipping down to one side.

13

side a man is helped onto the scale acknowledging

14

the work of civil rights activists to balance the

15

scales.

16

On the other

This design illustrates that the power

17

lies with the people to uplift one another.

18

Americas collective effort in striving to meet

19

the ideals of liberty, freedom and equality set

20

out in our founding principles.

21

the commemorative designs.

22

CHAIR VAN ALFEN:

That concludes

Thank you very much.

23

I'd like to recognize that Ruby Bridges is in

24

fact with us this afternoon, if even virtually.

25

And I know that I speak on behalf of the
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Committee that we are absolutely thrilled, Ms.

2

Bridges, that you are with us today.

3

welcome you at this point to address the

4

committee if you would like.

5

MS. BRIDGES:

And I would

So please do.

First I want to say I am

6

so humbled.

I said this the very first time that

7

I actually was presented with this huge

8

responsibility.

9

unfolding right before my eyes is absolutely

But to be a part of history

10

amazing for me.

11

much for the opportunity to be a part of this.

12

So I want to say thank you so

And thank you so much for the

13

opportunity to even, to be considered for such a

14

project.

15

v. Board from 1954, which is actually the year

16

that I was born.

17

this year.

18

I heard you all speak about the Brown

So needless to say I turn 70

And once I was presented with this

19

idea I thought, okay, maybe it's now time for me

20

to get my will together because --

21

(Laughter.)

22

MS. BRIDGES:

23
24
25

-- that's actually what

this felt like.
I am, I cannot express how humbled I
am just to be considered for such a project.
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really appreciate the opportunity.

2

appreciate you allowing me to just sit in and

3

hear what you are discussing.

4

interested in what I have to say.

5

And that you're

So it has been quite, just

6

overwhelming for me.

7

up to this.

8
9

And I

I just hope that I can live

So thank you.

Thank you so much.

CHAIR VAN ALFEN:

Again, it is truly

our pleasure to have you with us today.

10

Volland, if you would like to address the

11

Committee as well at this time please do.

12

MR. VOLLAND:

No.

Mr.

I appreciate being

13

here as well.

14

privileged position of having worked with Ruby

15

for quite some time.

16

You know, I sit in the very

I first met Ruby 25 years ago when

17

Disney made the movie of her story.

18

started off working as a board member of her

19

foundation, and then when I left my career in the

20

movie business I started working with her on all

21

of her different business and philanthropic

22

endeavors.

23

And I

And I have to tell you I'm not, I know

24

she's surprised, I'm not entirely surprised by

25

this.

What I have seen over the years is that
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her story is incredibly impactful way beyond any

2

of us could ever imagine.

3

And she often talks about how her

4

story is much bigger than she is who, as an

5

individual.

6

around the world, when she is doing anything, the

7

impact is great.

8
9

And I see it when she is speaking

So I actually can understand why 6
year old Ruby is being considered for this

10

incredible honor because she does stand for so

11

much.

12

sacrifice.

13

of her family and the community.

Whether it's bravery and courage and

14

Not just of young Ruby, but certainly

And what is amazing is to see that

15

Ruby at 70 is still persevering just like she

16

always has.

17

inspiring.

18

and to listen in.

19

And it's incredibly, incredibly
So I thank you also for allowing here

CHAIR VAN ALFEN:

Mr. Volland, thank

20

you very much.

21

you are with us as well, so if you'd like to

22

address the Committee at this time please do.

23

Ms. Elliott, I understand that

MS. ELLIOTT:

I am, thank you.

And I

24

had the pleasure of giving a tour to Ms. Bridges

25

when she came to the museum.

And I can say that

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she is a genuinely humble person.

2

And to the statement about living up

3

to this moment, I think you lived up to the

4

moment the day you walked towards that school.

5

And you continue to do it every day, even leading

6

up to your 70th birthday.

7

reason why you make such a powerful subject for

8

this coin.

9

So it is the very

And it could have been John Lewis, it

10

could have been Constance Baker Motley.

11

have been a person who was a working class White

12

person fighting for economic justice or a Latino

13

person, Asian, Pacific-Islander person, anyone.

14

A disabled person.

15

speaks volumes to the innocence of a child,

16

small, but mighty.

17

It could

But I think your story really

So I think everyone owes you a debt a

18

gratitude.

19

conversation about civil rights, so thank you.

20

And it really opens up the

And thank you, everyone, because I've

21

enjoyed our conversations, listening in to you

22

all.

23

thank you, I really appreciate it.

To your conversations, it's brilliant.

24
25

CHAIR VAN ALFEN:
Elliott.

So

Thank you again, Ms.

Let's begin with our discussion of this
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portfolio, but first I want to ask if there are

2

any technical or legal questions from the

3

Committee about the program or these designs for

4

the 2026 quarter commemorating civil rights

5

before we begin our individual discussions?

6

right.

7
8

All

Well hearing none, I would like to
begin with Annelisa Purdie, if you would please.

9

MEMBER PURDIE:

Thank you, Mr.

10

Chairman.

11

you, Mr. Volland.

12

Ruby Bridges for being here.

13

Thank you again, Ms. Elliott, thank
And thank you so much to Ms.

There aren't words enough to thank you

14

for what you've done and what you've contributed.

15

And I just want to say the world is a better

16

place because you're in it.

17

what you've done but because of who you are as a

18

person, and we're honored to have you here.

19

thank you.

20
21

Not just because of

So

Thank you so much.
MS. BRIDGES:

Thank you.

I appreciate

it.

22

MEMBER PURDIE:

Going on to the

23

designs.

I liked all of these for a myriad of

24

reasons, but the one that stood out to me the

25

most was 01B with the federal marshal.
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want to say these designs are gorgeous.

2

tell that the designers studied all the details

3

down to the dress and the hairstyle and the

4

facial expressions.

5

I can

They're done very well.

I also enjoyed Obverse 01 and 01A.

6

But for me 01B was especially important in terms

7

of establishing context in that it's not simply

8

about going to school but the fact that the

9

federal marshals had to be there in order to

10

protect Ms. Bridges, who was a baby at the time,

11

from such unimaginable abuse.

12

this establishes that context very well.

13

It's very clear.

And I think that

I like the way that

14

the marshal's arm surrounds her, but at the same

15

time the focus is still on her, it does not

16

detract from her at all.

17

very, very useful.

18

choice.

19

And I think that that's

So that's the one that's my

I also love 03.

I've seen this

20

picture before as well.

21

her face looking up just eager to learn.

22

Just the expression on

For the reverses, the one that I was

23

drawn to the most was 03.

I think that it's very

24

simple but it's very effective with the clasped

25

hands and the statement "we shall overcome."
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think that it represents that sense of unity very

2

well.

3

American flag in the background around the hands

4

as well and how that ties into the way that many

5

marchers, during this time, did carry the

6

American flag.

7

our birthright.

And I think it's very poignant to have the

8
9

We are Americans too and this is

I also liked Reverse 4.

The details

on all of the marchers are very, done very well.

10

Again, I think it's framed very well.

11

some concerns about civil rights being taken over

12

by the flag.

13

because of the size of the quarter how that would

14

be portrayed on a quarter.

15

this definitely works.

16

I do have

And from there having, again,

But overall I think

And just as a commentary to something

17

that Kellen mentioned during our last portfolio

18

in talking about Frederick Douglass, I also want

19

to pose a question to the Committee about putting

20

Ruby Bridges's name on the quarter itself.

21

believe that everyone should know who she is, the

22

same way that everyone should know who Frederick

23

Douglass is.

24
25

I

But I do like the effect of Obverse 4,
in which her name is prominently displayed on the
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bottom of the quarter so that there is no

2

question who this is, even though those images

3

are instantly recognizable.

4

that when looking through this portfolio I was

5

considering in going back and forth on.

6

that's it for me, thank you so much.

7
8
9

CHAIR VAN ALFEN:

But that's something

And

Thank you very much.

Dr. Christopher Capozzola, if you would please.
MEMBER CAPOZZOLA:

All right.

So this

10

is Chris Capozzola.

11

the comments that were made before about thanks

12

to our liaisons.

13

Bridges for being with us here today and for

14

letting us share your story.

15

American history with the pocket change of

16

millions of people in 2026.

17

I just want to, I think echo

And particularly to Ruby

It's part of

I'm going to go in reverse order and

18

try to think through this coin in conjunction

19

with some of the other quarters that we are

20

considering and start with the reverses.

I

21

actually like, very strongly, Reverse 5.

I think

22

it is, it conveys the Civil Rights Movement as a

23

movement, both in the sense of people,

24

multiplicity of people, and people in motion.

25

And I think that's very important to convey.
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will resonate with some of what may likely be

2

happening in the women's suffrage quarter that

3

will precede it.

4

And working, and part of the reason

5

that I want to see motion there has to do with my

6

thoughts on the obverse.

7

appreciate, as a historian, Obverse 1B as perhaps

8

the most historically accurate.

9

complex dynamic of some relatively disempowered

I will say I

It conveys this

10

young woman and the federal government that's

11

intervening to ensure her access to equal rights

12

and civil rights.

13

complex for a coin.

14

I just think it might be too

And in that sense I also understand

15

why something like 2, Obverse 2, would be a

16

perfect mirror image to the motion that we'll see

17

in the women's suffrage quarter.

18

understand the appeal of that.

19

But I would like to draw the attention

20

of the Committee to Obverse 1.

21

on this Committee we overthink.

22

to do too much.

23

And so I

Sometimes I think
We ask quarters

And I look at this image and this is,

24

this is perfect, I think, to me.

This could be

25

the iconic image of the semiquincentennial.
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is immediately legible and resonates with

2

Americans across the political spectrum.

3

conveys its message across the top, E pluribus

4

unum.

5

It

For those who know who Ruby Bridges is

6

and her story it resonates.

For those who do not

7

it conveys enough to make, to connect and to make

8

them want to find out more.

9

the CCAC, or the Mint has an opportunity here to

And so I think that

10

really make a significant intervention into the

11

semiquincentennial and making this the iconic

12

image of 2026.

13
14

Thank you.

CHAIR VAN ALFEN:

Thank you very much.

Donald Scarinci, if you would please.

15

MEMBER SCARINCI:

So, you know, can I,

16

would you mind if I asked a couple of questions

17

to some of our members?

18
19

Mike, you're doing a book about SaintGaudens.

20

MEMBER MORAN:

21

MEMBER SCARINCI:

22

Renaissance.

23

use models?

Yes.
And the American

And Weinman in Gaudens, didn't they

24

MEMBER MORAN:

Yes, they did.

25

MEMBER SCARINCI:

And I also remember

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Paul Costello, he used a model for the 2017 coin.

2

And as I pass the coin of the year what I see is,

3

what I remember Don Everhart telling us is that

4

in the March of Dimes commemorative, that's his

5

granddaughter as a model in that coin.

6

So, you know, it's interesting that,

7

you know, this is, the argument and the issue of

8

putting a living person on a coin, that doesn't

9

apply here at all.

This is not what we're doing.

10

And unless we use Number 4, right, unless we use

11

Number 4, that's not what we're doing.

12

using the image and the iconic, you know, what it

13

has become, iconic, about the struggle in the

14

movement in the early days.

15

We're

And the image is what's iconic.

And

16

it's the image that, of Ruby Bridges that creates

17

the power of this coin and its ability to

18

communicate, the theme that we are looking to

19

communicate today.

20

So I think I'm really at peace, you

21

know, with, because this isn't the first time,

22

this isn't, you know, this isn't an issue in this

23

coin.

24

said, you know, any one of these designs does it.

25

It's just not an issue.

So with that

I personally, you know, I personally
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like 1A, you know, Obverse 1A or Obverse 02,

2

because while I understand what the professor is

3

saying, you know, that 1 is clean, it's easy, but

4

I, you know, I think we've all seen what Joe

5

Menna's team does with images like 1A and 02.

6

These, the background is more, you

7

know, it's either going to be incuse I would

8

guess or it's going to be more subtle.

9

not going to be over, it's not going to overpower

And it's

10

the image in 1A or the image in 02.

11

show that what Ruby Bridges did, you know, she

12

suffered alone for sure, but she was not alone.

13

There were a lot of people there behind her.

14

Yet it will

And forgive me if I'm misspeaking,

15

Ruby.

It's more difficult when the subject is

16

here.

But, you know, but I think this is going

17

to be a great coin.

18

coin of the portfolio.

19

I agree this will be the

And in terms of reverses there are

20

some good ones to choose.

21

or 3, you know, I think are great.

22

reverse, I'm sorry, 1, 2 or 2A.

23

I mean, Reverses 1, 2
The only, the

Reverse 3, you know, is a, you know,

24

the artist here gets absolute merit for doing,

25

hands are very difficult to do on coins and
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medallic art.

The hands work here.

2

like it works, but I won't say that until Jeanne

3

speaks about that to tell me, you're wrong, it's

4

not going to work.

5

(Laughter.)

6

MEMBER SCARINCI:

It looks

You know, but my

7

preference would be for, my preference would be

8

for, on the obverse, 01A, 02.

9

reverse, you know, I really like the "we shall

And on the

10

overcome" in here and I like it bold.

11

probably either 2 or 2A would be the reverses

12

that stand out to me.

13

CHAIR VAN ALFEN:

14

very much.

15

Donald's concerns?

So

Donald, thank you

Jeanne, would you like to now address

16

(Laughter.)

17

MEMBER STEVENS-SOLLMAN:

18

address them.

19

Jeanne Stevens-Sollman.

20

Donald, for setting me up.

I will

Thank you, Mr. Chairman.

This is

I, and thank you,

21

(Laughter.)

22

MEMBER STEVENS-SOLLMAN:

I think I

23

would like to start with the reverse because this

24

is fresh in your minds, of what we are saying

25

about, "we shall overcome."

And I agree with

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Donald, 01, 02, 02A for me are the powerful ones.

2

And 02 and 02A, because "we shall overcome" is

3

very bold.

4

marches were very important.

5

And I think what happened on those

03 I don't think has enough

6

information.

7

there's more power in the people marching.

8

vote would go to 02 and 02A.

9

The hands may be okay, but I think
So my

However, now we go to the obverse.

10

And these designs are just lovely.

11

they're touching and empowering.

12

problem that I have with them is, I would like to

13

see her name on them.

14

that idea, but if, we don't have to have it huge,

15

but just so people understand who this young

16

person is and what she has gone through and what

17

she is going through as she marches across these

18

coins.

19

I just think
And the only

Now some folks don't like

02 is wonderful.

And if we could just

20

put Ruby Bridges on the bottom maybe that would

21

be great.

22

But 01B, I love the fact that the

23

marshal is embracing her, is helping her, not

24

just helping her open the door but helping her

25

face all that she is going to have to do.
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those are my choices, my opinions.

2
3

CHAIR VAN ALFEN:
very much.

4

Thank you.

Jeanne, thank you

Art Bernstein, if you would please.
MEMBER BERNSTEIN:

Thanks.

This is

5

Art Bernstein.

I listened to what Annelisa had

6

to say and what Chris had to say, and I find them

7

both correct.

8

(Laughter.)

9

MEMBER BERNSTEIN:

So I liked Obverse

10

1 and I liked Obverse 1B with the marshal.

11

I believe is correct that perhaps I over think

12

it, but I like the story of the marshal being

13

involved.

14

situation.

15

Chris

The marshals being involved in this

And I recall at our administrative

16

meeting something that Joe Menna pointed out at

17

the very end of the meeting, that that design

18

with the marshal is loosely based, or relates to

19

the famous Norman Rockwell painting in which

20

marshals, several marshals, are escorting Ruby

21

Bridges through her school.

22

think there's real value in 1B.

23

To her school.

So I

For the reverses I agree with Jeanne

24

in that I like the approach of the marches.

25

think those were important historical elements.
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I preferred 1 to 2.

2

marchers actually holding the banner rather than

3

it being printed above and below them.

4

it just showed that they were, that that was part

5

of the march.

6

that design.

7
8

I liked the activity of the

And my preference would be for
Thank you.

CHAIR VAN ALFEN:
thank you very much.

9

I thought

All right, Art,

Sam Gelberd, you please.

MEMBER GELBERD:

Thank you, Peter.

10

This is Sam Gelberd.

And again, I just want to

11

thank the liaisons, especially Ms. Bridges for

12

being with us today, it's an incredible honor to

13

meet you, albeit virtually.

14

MS. BRIDGES:

Thank you.

15

MEMBER GELBERD:

Thanks to you.

So

16

with the obverses I do believe all of them are

17

worthy of artistic merit.

18

trying to figure out exactly which one to go

19

with.

20

Obverse 2.

21

top vote.

22

A little bit difficult

I do like the silhouetted figures in
And that is the one that will get my

All of the ones for 1, 1A and 1B, I do

23

like them as well.

I love the way 1B tells a

24

story, and I could live with that one.

25

it's great based on everything that everyone else
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has already said.

2

The issue I have with 01A, just at the

3

bottom where it says, in God we trust, just

4

having it divided like that I think it loses

5

something.

6

may not like it.

Some people may not appreciate that,

7

Reverse 01, or I'm sorry, Obverse 1 is

8

wonderful in its simplicity.

9

design.

Very elegant, great

But I do like having the marchers in the

10

back.

The silhouetted figures.

Again, it will

11

go right along with some of the other designs

12

we've seen, especially with the suffragist

13

quarter.

14

looking at.

The suffrage quarter that we were

15

As far as the reverses are concerned,

16

I do like seeing our we shall overcome.

17

very powerful message for our Reverses 1 and 2.

18

I do like Reverse 3 as well with the hands.

19

That's probably my favorite where it comes to a,

20

we shall overcome.

21

Using that motto.

But I definitely think the Pettus

22

Bridge should be a part of this design.

23

very iconic, very important to Selma to

24

Montgomery.

25

It's a

It was

If we went with Reverse 5 we could
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hear similar uproar that arose in 2017 with the

2

release of the Ellis Island quarter.

3

remember the American flag on the back of that

4

quarter there are no stars.

5

people in the numismatic community that they were

6

not pleased by that.

7

Reverse 5 it does not show any stars on the flag.

8

So therefore I'd opt for Reverse 4 as

9

my favorite.

If you

And I did hear from

And if you notice our

Albeit I think we should reduce the

10

size of the American flag a little bit so that

11

we're not obscuring the word rights.

12

that being said, yes, Reverses 6 and 7, very

13

artistic as well, just think they kind of miss

14

the mark.

15
16

So my votes will be for Obverse 2 and
for Reverse Number 4.

17
18
19

So with

Thank you.

CHAIR VAN ALFEN:
much.

Sam, thank you very

John Saunders, if you would please.
MEMBER SAUNDERS:

Thank you, Peter.

20

John Saunders here.

For the obverse I liked the

21

first four pretty well.

22

design of 5, the 3rd one, which is 03.

23

thought 04, having the kind of photograph like

24

picture and then a kind of painted on ribbon made

25

it not work real well.

I just didn't like the
And I

I just didn't like the

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way it went together.

2

But again, I like the idea of the

3

marshal for the story, but I'm with what people

4

have said before, I think it gets too busy.

5

think people figure out the story.

6

Google Ruby Bridges and figure that out pretty

7

quick if they want to learn a little bit more.

8
9

I like 01.
it.

I

They can

I like the simplicity of

I don't think we need the silhouettes in the

10

background.

11

stands out as a coin.

12

object to the idea of putting Ruby Bridges' name

13

down at the bottom like where in God we trust is

14

on the next thing, or otherwise the mint fields

15

could be fitted in.

16

necessary but I don't think it does any harm.

17

I like something that just kind of
So I'm a 01 fan.

I don't

I don't think its absolutely

I think it's important that we

18

remember that while we're commemorating Ruby and

19

the fact that she probably had it more intense

20

than anybody else, there are hundreds of

21

thousands, actually, you know, millions of people

22

in the Civil Rights Movement are just, that were

23

living in the south that were treated badly when

24

they went through with the integration of

25

schools, of transportation, of restrooms, of
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everything.

2

And it was, I think she's symbolic as

3

well as a person here and I think we need to keep

4

that in mind.

5

name on it at all, I think it's fine.

6

qualms like Don does about putting a living her

7

here.

I have no

It doesn't bother me a bit.

8
9

That said, I don't mind having her

In terms of the reverse, I like 1, 2,
4 and 5.

With one thing on 5.

I see the bridge

10

continues when you look closely, but when you

11

first glance at that it looks like they're a

12

bunch of lemmings walking off the edge of the

13

cliff.

14

continue.

15

it back a little bit so that the bridge clearly

16

extends beyond the pillar there and goes on to

17

things.

18

I mean, it looks like the bridge doesn't
So I think if we use 5 we need to pull

I also wouldn't mind on 4 or 5 putting

19

we shall overcome as opposed to saying civil

20

rights.

21

So we can play with the legends there.
I like 4 that has a bunch of real

22

people there.

I agree with what Sam says, even

23

though you probably won't be able to see them, we

24

should at least put some effort on the, to show

25

that there are stars on the American flags for
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both the one in the background and 4.

2

them in 5.

3

to see there are individual stars but you can

4

certainly see that there's something there that

5

would be the stars.

6

I mean, you're not going to be able

06, you know, it's kind of cute but I

7

don't really like it.

8

much for me.

9

And 07 really doesn't do

03 is nice but I don't think it says

10

what we need to say here.

11

4 and 5 say it a lot better.

12

CHAIR VAN ALFEN:

13

And all of

I think, again, 1, 2,
Thank you.
Thank you very much.

Kellen Hoard, if you would please.

14

MEMBER HOARD:

15

is Kellen Hoard.

16

this coin.

17

Yes, thank you.

This

And I am very excited about

I still appreciate Ms. Bridges joining

18

us today at 4:00 p.m. on a weekday for a niche

19

government committee meeting taking place in a

20

great conference room deep in the deep recesses

21

of a government building where we talk about

22

fonts.

You know, I appreciate her being here.

23

(Laughter.)

24

MEMBER HOARD:

25

So to me, as a student

who just graduated high school and learned about
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Ruby Bridges, of course I am so eager for the

2

Mint to hopefully put these coins in every

3

classroom.

4

I'm happy to help any way I can in that.

5

I think it would be a great tool and

To me Obverse 1 is absolutely

6

striking.

Young Ruby is alone but looking upward

7

with a calm confidence.

8

ready to learn.

9

detailed portrait.

She's carrying her books

It's a beautifully drawn
One which properly lists her

10

courage alongside that of the president's

11

portrait she's taking the place of, and

12

rightfully so.

13

design and will be getting my support.

14

This is a simple and powerful

I tend away from the other ones

15

because part of what's so stunning and important

16

about this story is that she was the only one

17

there as the White students pulled out.

18

in many senses alone and having other figures in

19

the background, are guiding her, distracts I

20

think from the impact of her being there by

21

herself courageously.

22

of American patriotism and civil rights that

23

we're uplifting and we don't need to over think

24

that or overdo it or distract from it.

25

She was

She is, to me, the emblem

And Obverse 1 demonstrates that
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wonderfully, and I think it will be an important

2

tool in classrooms.

3

think, as with the Frederick Douglass coin, we

4

don't need to include the name here.

5

all, because it distracts from the simplicity,

6

but second, we don't do that for anybody else

7

currently, and I don't think we need to for this

8

one.

9

broader movement on this coin.

And as a side note, I really

First of

Especially because she is emblematic of a

10

In terms of reverses I'm particularly

11

drawn to 1.

12

2 and 2A.

13

executed, thematically appropriate, visually

14

powerful designs, which recall the most iconic

15

images from the '60s, but they do one thing in

16

particular quite well.

17

right in front of the marchers looking at them

18

head on.

19

It's going to pop up there.

Yes, 1,

Not only are they well balanced, well

They place the viewer

They force American's to hold these

20

coins in their hands, look at the protesters and

21

really consider where they would have stood or

22

where they do stand now and what they're going to

23

do going forward.

24

going forward to contribute to continue progress

25

in our country.

Where they're going to stand

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To see these marchers head on is a

2

very unique experience and we ought not to take

3

away that power by having them march adjacent to

4

or away from the viewer.

5

by far the most powerful thing we can do.

6
7

So for me those, I will be voting for
Obverse 1 and Reverses 1, 2 and 2A.

8
9

Having them head on is

CHAIR VAN ALFEN:
very much.

10

Thank you.

Kellen, thank you

Mike Moran, if you would please.
MEMBER MORAN:

Thank you, Peter.

11

is Mike Moran.

12

satisfactions of serving on this Committee is

13

that every once in a while you meet, get an

14

opportunity to meet somebody that has a

15

significant role in what I call the American

16

story.

This

One of the pleasures that I have,

Thank you, Ruby.

17

MS. BRIDGES:

18

MEMBER MORAN:

Thank you.
Turning to the obverse,

19

I like 1, 2, 1A and 1B.

And the problem with 1B

20

is what Chris said, you can't do it, the image of

21

Ruby needs negative space around her.

22

marshal eats it up on the one side.

23

which is absolutely superfluous to the image

24

there, needs to just go away.

25

given the opportunity if my vote counts for

The
The door,

I'm not going to,

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anything anyway.

2

We voted against the silhouette of the

3

suffragette.

4

1.

5

great image.

So that side, to me, I will go with

As Chris said, it's crisp, clean, really

6

And I think it says enough.
On the reverse, it is a question to me

7

as to how much emphasis we want to place on we

8

shall overcome.

9

easily forgotten at best.

On 1, it matters there but it's
And people are there,

10

but again, a quarter, not as strong as they maybe

11

should be.

12

Moving to the next one, that's much

13

stronger.

14

People are there, the determination is there with

15

the locked hands.

16

of the lot.

17

It is in your face, it is bold.

That one, to me, is the best

I was drawn to 04.

Let's look at 04.

18

I felt like although the artist is very careful

19

to say that's not the John Pettus Bridge but a

20

bridge, felt like the bridge needed to be in a

21

march going through Selma.

22

have here is, again, it tries to do too much on a

23

quarter.

24
25

But the problem I

Worthy as the image itself is, it does
not work on a quarter.

The problem I have with

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that one, the problem I have with the U.S.

2

marshal.

3

protection, but it will not work on a quarter,

4

you will have to get a loupe out to look at it.

5

Thank you, Peter.

I love the arm around her shoulder, the

6
7

CHAIR VAN ALFEN:

Thank

you very much.

8
9

Thanks, Mike.

As to my own comments, I have to agree
with many of the Committee Members, particular

10

Mr. Capozzola, in underscoring how iconic Obverse

11

Number 1 is, and certainly could be, on a

12

circulating coin.

13

image associated with this program going forward.

14

I would certainly be very happy to see this on a

15

circulating coin.

16

And how this could be the

However, I do have somewhat of a

17

preference for Number 2.

18

makes a very clear reference, I think, to that

19

iconic 1964 painting that my colleague, Art

20

Bernstein, referenced.

21

name of The Problem We All Live With that Norman

22

Rockwell painted.

23

In part because this

This is a painting by the

Where Ruby Bridges is walking,

24

effectively alone, although she has four marshals

25

around her.

Two of the marshals in front, two of
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the marshals in back.

2

heads because Rockwell decided to emphasize how

3

small and powerless in a way Ruby Bridges was

4

compared to both the events and the scene walking

5

past a wall on which is spray painted the N word

6

with tomatoes splattered against it that were

7

thrown at her by protestors.

8
9

And you do not see their

So that painting itself is very
iconic, very powerful.

And walking Ruby in this

10

sense really does, I think, make reference to

11

that painting.

12

It also then provides an opportunity

13

for us to make connections and continuities,

14

potentially, between some of the other obverse

15

designs in some of the other portfolios.

16

example, the walking Liberty/suffragist in the

17

previous portfolio, and potentially one of the

18

obverses, or some of the obverses in the walking

19

Liberty, or in the half dollar portfolio we'll be

20

reviewing tomorrow.

21

For

So my preference would be for Number

22

2, although again, I would have absolutely no

23

problem with Number 1 as well.

24

Now as for the reverses I find Number

25

2 to be by far the most powerful reverse image of
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the lot.

2

as well as Mike Moran, that we are here really

3

confronting these marchers.

4

as the very strong horizontal aspect of this, I

5

think is very powerful.

6

And again, as Kellen Hoard emphasized,

And alone, as well

And the horizontal aspect of this

7

reverse could then also potentially tie into the

8

very strong horizontal aspects of one of the

9

reverses we've looked at in the previous

10

portfolio with the suffragists, again,

11

potentially making a connection there too.

12

So I will leave that there with my

13

comments.

14

Bridges again, if you would like to perhaps tell

15

us your preferences, or those designs that you

16

find to be most compelling in this portfolio?

17

And I would also invite now, Ms.

MS. BRIDGES:

Well I have to say that

18

has been really interesting listening to

19

everyone.

20

all on the same page.

21

And it seems like we're pretty much

To start with, 01.

And if you can put

22

it up so that, this is very powerful.

23

simple.

24

favorites from the very beginning.

25

It is very

And I do believe that it was one of my

It gets confusing when I see them all
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together at one point, but I like the fact that

2

it's simple.

3

is one of the dresses that I wore.

4

say that I wore it until it pretty much fell off

5

of me.

6

I definitely see myself.

And that

And I always

But this is one that we see a lot in

7

some of the other iconic photographs.

8

was one of the dresses that was used in the

9

Disney movie.

10

Also, it

So I am more than sure that even

young people will resonate with this.

11

You know, I have to remind you that

12

I've spent 25 years traveling across the country

13

and speaking to kids in schools.

14

call my fan base.

15

think.

16

That is what I

So it matters to me what they

I often say that if we are ever going

17

to get past our racial differences it's

18

definitely going to come from our kids.

19

for me how they actually feel about this is so

20

important.

21

future.

22

And so

And they will be, they are our

You know, what we want people to take

23

away from this is that we are moving forward.

24

And that we have to do this together.

25

leads me to the obverse.

Which

The hands together

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definitely is symbolic for me.

2

We're not going to accomplish what we

3

need to accomplish to become the United States of

4

America if we're not going to do that together.

5

So I really liked this one.

6

The one, I had it marked here, I think

7

it's 1B.

8

powerful.

Let me see that one.
1B.

9

This is 02.

This was really

Can I see 1B?

Yes.

This is the very first time that I've

10

seen this one.

11

fortunate enough to be a part of another meeting

12

about how powerful the federal marshals were.

13

You're right, they are a part of that iconic

14

painting.

15

We spoke about it when I was

The fact that they do not have heads

16

spoke to the fact that it was what they stood for

17

was the country actually being behind this

18

movement.

19

for.

20

that, you know, they're right, we do need to

21

uphold this.

22

this one.

23

Which is what we all were fighting

For the country to get behind us and say

And that's what I see when I see

I was really impressed, you know,

24

earlier when I saw it for the very first time.

25

It is a little busy, but I do like the fact that,
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yes, we all fought so very hard during the Civil

2

Rights Movement to move this country forward, but

3

eventually the country had to get behind us to

4

make that happen.

5

about this one.

6

And that's what speaks to me

I also have Number 5.

I think that's

7

the people crossing the bridge.

This.

I liked

8

this one because it represents how many people

9

actually came together to march for equal rights.

10

I had not paid attention to the fact

11

that there is no stars on the flag until someone

12

mentioned it earlier.

13

should be corrected.

14

attention to the fact that the bridge kind of

15

ends here.

16

many people.

17

first saw that.

18

I would agree that that
And I had not paid

But I like the fact that there are so
That was impressive to me when I

You have to also understand, whenever

19

I'm speaking to groups I always point out that

20

for me as a 6 year old, not knowing anything

21

about what was going on at the time, and I didn't

22

because my parents chose not to discuss this with

23

me.

24

where you were pretty much seen and not heard.

25

You could not be in the same room when adults

I was raised in an African-American family

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were having grownup conversations, so I wasn't

2

privileged to anything that was going on around

3

me.

4

I was only told you are going to go to

5

a new school today and you better behave.

And I

6

have to tell you that's what I was concentrating

7

on is behaving.

8

But I, the minute I drove up in front

9

of the school and saw all of those people there I

10

wasn't aware of the hatred that was around me.

11

Living in New Orleans and seeing crowds of people

12

gather like that and to celebrate and have a

13

great time, I actually thought that's what was

14

happening.

15

The minute I got into the school, you

16

have to understand that at that point what I saw

17

play out before me was every parent that was

18

outside rushing in and removing their kids.

19

that school emptied out in front of me.

20

not realize that they were leaving school because

21

I was there.

22

school was over and those kids never came back.

23

So

I did

By the time the bell rang that day

But what I want people to understand

24

is that the only person that agreed to teach me

25

was a White woman who came from Boston.
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greeted me every day.

2

see, or saw, I didn't see.

3

this woman that was inside of that classroom, she

4

showed me her heart.

5

saw her heart.

6

So the hatred that you all
I didn't see because

And that's what I saw, I

It was very evident to me that she

7

looked exactly like the people outside that

8

seemed angry, but her heart showed me something

9

different.

It made me realize that I cannot look

10

at someone and judge them, that I have to allow

11

myself the opportunity to get to know them.

12

that was what Dr. King was trying to convey to

13

all of us, not just us as African-Americans.

14

And

So this particular piece I really

15

liked because it showed the unity.

16

particularly like, well, I mean here you can't

17

really tell who they are.

18

What I don't

It's important for me, always, because

19

that's what shaped me into who I am, that it was

20

people from all walks of life that looked

21

different, who came together.

22

is wrong.

23

it is true with every 6 year old, it has nothing

24

to do with what you look like.

25

Who decided, this

But for me in my eyes, and I believe

You know, what we are faced with today
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and was faced with then is good and evil.

2

people chose sides.

3

because that is the only thing that is going to

4

move this country forward.

5

And

We have to show that unity

So in selecting these coins that's

6

what I'm looking for and looking at.

7

are very, very impressive.

8

they did an extremely good job at conveying that.

9

So I would have to say that you all have your

10

All of them

I do believe that

hands full trying to decide.

11

I also have 4 here.

12

speak to 4.

13

not, this is 04.

14

one.

15

Which one that is.

And I want to
Number 4.

It's

I'm looking for the one, this

This one did not resonate with me

16

right away.

17

different now because the face has changed a

18

little bit.

19

want to speak to that.

20

I saw it.

It's a little bit

Definitely the name is there, and I

This was not my first choice.

I saw

21

the name and I thought, no, I wouldn't want to

22

just choose this because the name is there.

23

I do understand that it's the first time that a

24

person's name would be on a coin.

25

coin with my name on it, it would be for my

And

If I chose a

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father.

2

My father fought in the Korean War.

3

And part of my story is that the NAACP asked my

4

parents to allow my mother to escort me to school

5

every day because my father had just gotten back

6

from the war.

7

would be hard for a man, especially a soldier, to

8

restrain himself if someone was trying to attack

9

their child.

And that they thought that it

10

I always like to point out, you know,

11

they were mistaken because it should have been my

12

mother that stayed home --

13

(Laughter.)

14

MS. BRIDGES:

15

father.

16

this.

17

-- rather than my

But my father did not want me to endure

My father said that even on the battle

18

field you could be in a foxhole with a soldier, a

19

White soldier.

20

together that you were brothers.

21

other's back.

22

couldn't go back to the same barracks and you

23

couldn't sleep, you couldn't go back to the same

24

barracks and you couldn't eat in the same mess

25

hall.

When you were in that hole
You had each

But at the end of the day you

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That he knew then that he was still

2

just a colored soldier.

3

could not find work.

4

this.

5

anything.

And after returning home

So why subject his child to

That it was never going to change

6

That was the way that he felt.
But my father was awarded a Purple

7

Heart.

He was, I was a daddy's girl and he was

8

my hero.

9

Purple Heart.

He really was a hero.

He was awarded a

He was hit by a hand grenade and

10

lost half of his calf.

His fellow soldier next

11

to him lost both legs.

He picked him up and

12

carried him back to safety, and was awarded his

13

Purple Heart.

14

But he still felt like I was still

15

just a colored soldier.

16

went through didn't change anything.

17

And going through what I

And my father died from a massive

18

heart attack at 46 years old.

19

lived to see this change.

20

change.

21

So he never really

Or to see me make

You know, after 1st grade I went

22

running right back to that same classroom

23

thinking that my best friend, my teacher, was

24

going to be there and she was gone.

25

And again, no one really wants to
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discuss this, you know to understand that we did

2

not have Black History month until the '70s.

3

I had all sorts of questions, why me?

4

alone?

So

Why was I

How was I chosen?

5

It caused so much tension in my own

6

household that no one wanted to discuss it.

7

for me I never learned my history.

8

got my questions answered for a very, very long

9

time.

And I never

Until I first saw the Normal Rockwell

10

painting.

11

about 16, 17 years old.

12

So

And that did not happen until I was

So not knowing my own history, not

13

knowing who I was, I really felt like it was an

14

incident that happened on my street, just in my

15

neighborhood.

16

it was a part of a much bigger movement until I

17

saw the Norman Rockwell.

18

that it was part of something much bigger than

19

myself.

20

find that family.

21

Not really ever being aware that

And then I realized

And that I needed to learn more and to

I did not have my questions answered

22

and found that family until I entered, or was

23

taken to a civil rights museum where I had an

24

opportunity to see every face.

25

crossed that bridge, people that died.

Every face that

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People that was on those buses that

2

were burned.

3

and White.

4

Schwerner who were two White and one Black man

5

that were murdered together and thrown into a

6

hole and buried together.

7

And I saw that they were both Black
The story of Goodman and Chaney and

There is so much about history that's

8

suppressed that we don't realize that we're not

9

showing and uplifting the good that all of us did

10

together.

11

the way that history actually happened.

12

Because it's still not being taught

So there are so many people.

So I am

13

overwhelmed that I would represent a coin that

14

represents all of those people in the Civil

15

Rights Movement.

16

So when I am looking at all of this I

17

am humbled by it.

18

people did come together.

19

about just White against Black, what it really

20

was about was right and wrong, good and evil, and

21

people stood up and chose sides.

22

And I do want it to show that
That it wasn't all

So when I think about my father, the

23

only reason that I would choose a coin that had

24

my name is because think about how many men, how

25

many people of color that shed blood died for
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this country and was never recognized in any way.

2

That would be the only reason that I would choose

3

a coin that bared my father's name.

4

But again, this is not my leading

5

choice.

I just think that it's worth noting that

6

if you decided to put a person's name on a coin

7

that it would have to be for a very good reason.

8

And for me it would not be just because of me.

9

It would send a message that this was a person

10

that represents so many people who died and shed

11

blood for this country and that was not

12

recognized after they returned home from war.

13

So I think I've taken up enough of

14

your time.

15

with me the most.

16

together represents, for me, moving forward.

17

people across the bridge.

18

bunch of them that really resonated.

19

Those are the coins that resonated
The arms linked, the hands
The

Because there's a

If I had my first choice, I do believe

20

it would be 01.

Or 1A I think.

21

letting me talk, thank you.

I appreciate you

22

CHAIR VAN ALFEN:

Ms. Bridges, I

23

cannot thank you enough for all of that.

24

you have said to us I feel is tremendously

25

important.

What

It is a history lesson that I have
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never heard of that period before.

2

for the rest of the Committee as well.

3

And I'm sure

I am almost speechless and almost

4

brought to tears frankly.

I really do appreciate

5

that.

6

business to conduct because I would, in many ways

7

just like to leave it at that, but unfortunately

8

we have to go on.

And it's rather sad that we have more

9

(Laughter.)

10

CHAIR VAN ALFEN:

So it almost seems

11

pointless at this point in fact to ask if there

12

are any additional questions or comments from the

13

Committee?

14

the call today.

Or from our additional advisors on

15

Ms. Elliott, if you would please.

16

MS. ELLIOTT:

Yes, thank you so much.

17

And thank you, Ms. Bridges, that was beautiful.

18

And very heartfelt and thoughtful and thought

19

provoking.

20

And some of the things I am going to

21

say might echo some of what you just said.

22

wanted to speak to some of the coins that people

23

have selected, and some preferences that I think

24

should be considered.

25

I

For coin, for the obverse, Coin Number
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1.

One of the things that stands out to me is,

2

it has exactly what everyone is saying.

3

a, it fills the, you know, what folks have been

4

saying about that sense of hope and this idea of,

5

you know, a young person and feeling hopeful and

6

having that ability to pursue an education and

7

that freedom.

8
9

It has

But at the same time, what comes to
mind for me is that it looks very pristine and

10

serene.

And it is not an exact image of the

11

historic moment.

12

a young girl just going to, simply going to class

13

when in fact it doesn't show the reality of the

14

time of the need for an escort to avoid the

15

violence of the loud hateful adults and the loud

16

silence of the absence of the White children

17

meant to be Ms. Bridges's classmates at the time.

18

In that sense it can look like

And so in that sense I think of Coin

19

Number 1B.

20

busy.

21

some adjustment to the design.

22

marshal's arm down, the door out of the way.

23

And I agree with everyone that it is

I only wish that there could have been
Perhaps the

But clearly, and Ms. Bridges said it

24

so eloquently, about the presence of that, even

25

that arm badge, Deputy U.S. Marshal, indicating
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the full force of the government enforcing, you

2

know, as she said, the Brown v. Board of

3

Education had already taken place, you know,

4

prior.

5

ongoing discrimination.

And so here she was fighting to overcome

6

And I think that's extremely important

7

that there is an understanding that the innocence

8

of a child still walking into that building every

9

day for a year.

The only student in that

10

classroom being taught by a White educator who

11

came down to teach this young Black woman, in

12

spite of the face of hatred, and a nation that

13

was, as Frederick Douglass was pushing for, to

14

live up to its ideals.

15

equality.

Freedom, justice,

16

And so I think it's imperative that

17

the coin, without having to do extra work, just

18

on its face shows what she was fighting to

19

overcome.

20

little kid looking at that, you know, one of the

21

things I think is really important is, a child

22

can look at this in that it really resonates,

23

this isn't a old man on a coin, this isn't an

24

adult on a coin, this is a kid.

25

that looks like me.

And I think that's powerful because a

What is that,

What are they doing, what's

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she doing.

2

And I think that's really powerful.
Now if you went with design Number 1

3

I do think it's important to have the name Ruby

4

Bridges.

5

and I understand, Ms. Bridges, the children, that

6

those are, that's your audience, but do I think

7

it's imperative that, you know, that it is

8

important.

9

father's name is important.

We're all of a generation who we know,

Your name is important.

Your

You're Ruby Bridges.

10

It's important.

And I think if you went with

11

design Number 1 it would be imperative to have

12

your name on there.

13

The other thing I would say is, for

14

the reverse, design number, I think it's design

15

number, let me pull it up real quick.

16

Number 4 I believe it is.

17

who's been talking about the, you know, for a

18

lack of a better word, I'll think of the

19

multitudes of people marching.

20

Design

To everyone's point

And this collective effort to gain

21

civil rights for all, I think that's very, very

22

important.

23

collective of people.

24

of people is imperative.

25

design does that better than any.

And to see it, to actually see that
And to see the diversity
And I think that this

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And the other part of that is, is that

2

these designs, abolitionism, civil rights, I

3

would hope that someone who holds these coins

4

does not think of these designs as, these are

5

coins that speak to Black people.

6

segregated history, this is all of our stories.

7

It's everybody.

8
9

Abolitionists.
people.

This isn't

It was a collective of

Civil rights was a collective of people.

10

Abolition, the work of abolitionists, again, it

11

freed Black people but it brought the nation out

12

of the bondage of slavery.

13

to gain civil rights and helped us to try and

14

fulfill democracy, right?

15

justice.

16

Civil rights helped

Freedom, equality,

And then you even see, after Martin

17

Luther King passes, after the Civil Rights Act is

18

passed, the Fair Housing, all of that, the idea

19

of people continuing on with the poor people's

20

campaign.

21

push for rights and justice and equality.

And this idea of collective power to

22

So I think that that's very, very

23

important to see the gathering across section of

24

people across, it's intergenerational, it's

25

interracial.

It also crosses economic class.
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And also region.

2

While you can't see all of that in

3

these images, I do think that it gives that sense

4

of that of mix of people who were involved in

5

this movement.

6

about those images.

7

And so that's what I would say

I think just reflecting on 1, and

8

reflecting on 1B for the obverse, and then

9

reflecting on 4 for the reverse, those would be

10

the ones that I, that resonate the most to me.

11

And I do think that the marching images are

12

great, but unless you show the, really show the

13

images of all the people where they are clearly

14

defined, it doesn't have as much of an impact.

15

Thank you.

16
17

CHAIR VAN ALFEN:

Thank you as well.

These are, again, very useful observations.

18

MS. STAFFORD:

Yes.

Sorry, I just wanted to

19

add.

Both Ms. Bridges and Ms. Elliott identified

20

it in what they just shared with us.

21

and 2, we were managing a lot of inputs as they

22

portfolios were being developed.

23

very aware, Ms. Elliott did speak to us at length

24

about the need to be broadly representative of

25

those involved in the Civil Rights Movement and

Reverses 1

And so we are

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1

have diversity across ages, races, et cetera,

2

depicted on these coins.

3

We unfortunately weren't able

4

necessarily to effective these particular coins,

5

Reverses 1 and 2, but that does not mean that

6

that could not happen, and it should.

7

wanted to make sure that we acknowledge that

8

because it was very much a key component in what

9

was driving kind of the messaging behind the

I just

10

reverses for this coin.

11

time and some other things weren't necessarily

12

able to illustrate it so clearly with these, but

13

it could be done.

14

And we just, because of

CHAIR VAN ALFEN:

15

thank you very much for that.

16

score?

I think so.

17

All right.

April,

Are we ready to

Why don't we score then.

So the Committee will now score the

18

obverse and reverse design candidates for the

19

2026 quarter commemorating civil rights.

20

hand your score sheets to Greg Weinman.

21

take a ten minute break and be back at 5 o'clock.

22

(Whereupon, the above-entitled matter

Please
We will

23

went off the record at 4:47 p.m. and resumed at

24

4:54 p.m.)

25

CHAIR VAN ALFEN:

We are back.

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And I

Meeting

October 15, 2024

Page 299
1

recognize Greg Weinman, Counsel to the CCAC, to

2

present the results from the scoring sheet.

3

Greg, if you would please.

4

MR. WEINMAN:

So,

I'm pleased to report

5

that I think we'll have some clarity on this

6

scoring.

7

received 27 out of a possible 30 points making it

8

the high scoring design.

9

Starting with the obverse is Obverse 01

01A received eight points.

10

received 13 points.

11

received three points.

12

points.

13

01B

02 received 12 points.
And 04 received five

Moving on to the reverses.

Reverse 01

14

received 14 points.

15

points, making it the high scoring reverse

16

design.

17

3 received 12 points.

18

points.

19

Reverse 6 received one.

20

one.

21
22
23
24
25

03

Reverse 02 received 22

Reverse 2A received 12 points.

Reverse

Reverse 4 received 14

Reverse 5 received ten points.

And

And Reverse 7 received

Once again, the high scoring designs
are Obverse 01 and Reverse 02.
CHAIR VAN ALFEN:

All right, Greg,

thank you very much.
MEMBER MORAN:

Piece of cake.

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Meeting

October 15, 2024

Page 300
1

CHAIR VAN ALFEN:

As most of you know

2

we will be reviewing all of this and making our

3

recommendations tomorrow, but if there are any

4

final comments at this point we can entertain

5

those comments, otherwise we can move towards

6

adjournment after this very, very long day.

7

MEMBER SCARINCI:

Motion to Recess.

8

CHAIR VAN ALFEN:

All right, I'll call

9
10

that motion in just a moment, but first I, again,
would very much -- Oh, Kellen, yes.

11

MEMBER HOARD:

Well my final comment

12

is just, how do we get Ruby to come to all of our

13

meetings?

14

(Laughter.)

15

MEMBER HOARD:

16

MS. BRIDGES:

Speaking to us.
I would not want that

17

task that you guys have right now.

18

is weighing pretty heavy on your shoulders.

19

again, just want to thank you for having me,

20

thank you for considering me.

21

with you --

22

CHAIR VAN ALFEN:

23

MS. BRIDGES:

24
25

I am sure it
I,

And may God be

Again.

-- in your decision

making.
CHAIR VAN ALFEN:

Yes.

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Again, thank

Meeting

October 15, 2024

Page 301
1

you so much for being with us today.

2

want to echo what Annelisa Purdie said earlier

3

that the world is a much better place with you in

4

it.

5

And I do

I also want to thank Lance Volland and

6

Mary Elliott for joining us today in the review

7

of this portfolio.

8

like to ask if we have a Motion to Recess?

And at this point I would

9

MEMBER SCARINCI:

Motion to Recess.

10

CHAIR VAN ALFEN:

Thank you.

11

MEMBER STEVENS-SOLLMAN:

12

I second that

motion.

13

CHAIR VAN ALFEN:

14

second.

15

saying aye?

And we have a

And so, all in favor please signify by

16

(Chorus of aye.)

17

CHAIR VAN ALFEN:

Any opposed?

All

18

right, the motion carries.

19

4:58, and we are in recess until 8:30 a.m.

20

tomorrow morning, at which, again, is half an

21

hour later than the time originally announced.

22

So thank you again.

23

tomorrow.

24
25

The time is 5, or

And we shall see you

(Whereupon, the above-entitled matter
went off the record at 4:57 p.m.)
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Page 302

C E R T I F I C A T E

This is to certify that the foregoing transcript

In the matter of: Citizens Coinage Advisory
Committee

Date: 10-15-24

Place: Washington, DC

was duly recorded and accurately transcribed under
my direction; further, that said transcript is a
true and accurate record of the proceedings.

----------------------Court Reporter

NEAL R. GROSS
COURT REPORTERS AND TRANSCRIBERS
1716 14TH ST. NW, STE. 200
(202) 234-4433

WASHINGTON, D.C. 20005-3701

www.nealrgross.com

Meeting

[& - 1]

October 15, 2024

Page 1
&

& 4:3
0
0-01 109:14
0-01a 109:8
0-4 109:18
0/01 64:3
0/06a 64:4
0002 2:12
0004 5:7
006a 72:23
73:5
01 39:18 41:11
52:10,11 114:2
115:25 116:2,4
116:16,20
129:13,13,15
129:19,19,20
129:20,21,21
129:22,23,24
129:25,25
130:14,25
131:18,23
135:10 138:6
140:14,23
141:9,18,18
203:4 228:23
229:18 231:6
258:5 266:1
269:7 271:8,11
280:21 291:20
299:6,13,22
01a 36:7 40:14
41:16 52:12
115:25 116:21
121:9 129:15
129:22 130:15

131:18,24
135:23 141:18
141:24 147:19
241:9 258:5
265:8 269:2
299:9
01b 229:6
241:10 257:25
258:6 266:22
299:9
02 41:11 68:6
72:7 111:15
115:23,23
120:13 129:21
129:21,22,23
130:16,23
131:1,19,25
135:4 139:12
144:6,6 202:25
203:6 217:15
223:5,7,10
225:22 239:15
241:10 264:1,5
264:10 265:8
266:1,2,8,19
282:8 299:10
299:14,22
02a 177:13
202:25 203:6
266:1,2,8
03 72:4 111:16
112:6 115:19
116:4,8,8,19
116:20 129:24
129:24,25,25
130:18 131:2
131:21 132:1
133:23 135:5

139:11,15
170:2 203:1,7
258:19,23
266:5 270:22
273:9 299:10
03a 131:3
203:7
04 68:9 110:10
111:18 115:20
115:21,22
116:4,18
130:19 131:3
131:21 132:1
203:1,8 225:24
228:9 270:23
277:17,17
286:13 299:11
04a 131:4
203:2
05 130:19
131:5 132:2
203:3,8 224:25
225:22 229:11
230:3
05a 130:20
06 72:24 73:2
112:20 130:21
131:5 132:3
203:3,8 273:6
06a 72:25 73:1
130:21 131:6
07 112:20
121:10 131:7
132:3 203:9
273:7
08 112:23
115:21 116:15
116:16,18,19

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131:8 132:6
08a 131:8
09 112:24
131:9 132:6
1
1 1:1 2:13 4:1
4:17 5:8 25:25
26:10 28:8
38:16 40:14
58:24 59:8
60:5 69:15
85:2 91:5,13
91:14 99:16
100:7,11
105:10,14
111:9 114:7,9
117:23 123:11
125:1,3 158:17
160:15,15
167:24,24
168:1,6 169:14
169:14,19,19
172:6 173:8
174:6,18,19
175:11,25
176:12 178:3
178:23 179:3
179:11,23
185:9,24
189:12 190:15
191:1,4,6,15
191:16,18
193:6 194:13
194:17,18
197:9 202:23
209:16,20
210:5 219:1,9

Meeting

[1 - 1960]
219:14,22
226:9 227:2,17
229:4 230:13
230:14,25
231:8 232:4,4
232:8,18 234:3
234:8,17
235:25 236:8
236:13,15
237:10 241:8,8
241:15,19
242:9 248:13
250:7 261:20
264:3,20,22
267:10 268:1
268:22 269:7
269:17 272:8
273:10 274:5
274:25 275:11
275:11 276:7,7
276:19 277:4,8
278:11 279:23
293:1 295:2,11
297:7,20 298:5
10 1:13 3:3 4:4
4:14 5:12
62:23 69:9,9
75:15 94:24
102:24 113:5
131:10 132:7
202:8
10,000 210:16
10-15-24 302:6
100 22:23
23:13 66:8
229:10
10:03 55:21

October 15, 2024

Page 2
10:11 55:22
11 1:15 3:4 4:7
4:8,16 5:13
63:4 103:5
113:14 119:1
131:11 132:8
203:3,9
116-330 19:24
11:01 96:13
11:08 96:14
11:50 128:10
12 1:16 3:5
4:18 5:13
63:10 103:9
113:16 121:10
124:19 131:12
132:8,8 203:3
203:10 299:10
299:16,17
12:45 128:5,7
128:11
12a 63:10
67:19,19 69:1
89:11 110:14
131:13
13 1:17 3:7
4:19 5:14
61:18 63:1
202:25 203:7,9
299:10
13th 156:15
157:11 182:21
184:10,21
194:10
14 1:19 3:9
4:21 5:14
131:5,25 245:3
299:14,17

14th 194:10
244:2 246:6
15 1:8,21 3:11
4:23 5:10,15
130:19 131:8
242:13
151 5:1
153 5:3
15th 194:10
244:3
16 1:23 3:13
4:25 5:16
129:15 289:11
160 198:18
17 1:25 3:15
5:1,17 131:3
225:20 289:11
1770s 88:19
1776 26:11
56:24 58:12
60:19 62:14
66:5 77:7 93:2
95:11 99:4
110:4 125:19
127:11 158:3
209:10 247:17
1780s 75:18
1782 125:20
1787 44:11
79:8 97:1
102:15 103:7
1788 97:2
1789 97:3
127:12
1792 18:14
18 2:1 3:17 5:2
5:18 131:8
132:4,5,7

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225:20 241:8
241:18
1800s 145:22
1818 156:19
1824 181:23
1830s 162:8
1833 155:25
1838 156:20
1841 156:21
1845 157:2
1848 184:13
200:20 207:5
185 5:4
1852 157:8
1856 181:24
1863 182:3
1865 156:16
178:11 182:22
182:24 198:9
1866 182:6
1895 182:25
1896 244:10
18th 57:17
97:15
19 2:3 3:19 5:3
5:19 129:20
131:9
1916 233:12
1917 208:1
1920 206:24
208:17 220:9
224:18
1954 244:24
253:15
1957 245:11
1960 246:6
247:6

Meeting

[1963 - 2028]
1963 245:17
1964 245:22
278:19
1965 208:25
236:9 245:23
251:7
1968 236:9
245:24
1976 67:7
93:25
1986 22:15
1997 22:22
19th 94:22
125:8 183:21
197:19
1:15 128:5
1a 25:25 26:12
28:8,20 37:17
58:24 59:8
78:6 85:2
99:16 100:7,12
105:10,10,14
111:9,10
113:20 117:11
125:1 149:1
209:16,25
219:5 221:25
225:14 226:9
230:13 237:9
242:7 248:13
248:25 264:1,1
264:5,10
268:22 276:19
291:20
1b 209:17
210:3 221:24
222:19 225:7
226:9,12,18

October 15, 2024

Page 3
230:13 232:8
236:13 237:9
242:7,9 248:13
249:2 261:7
267:10,22
268:22,23
276:19,19
282:7,8,8
293:19 297:8
1st 288:21
2
2 1:2 2:14 4:2
4:21 5:8 41:16
56:24 59:10
60:13 66:12,14
69:25 71:21
74:11 75:19
86:3 90:25
92:22,23 94:18
96:19 99:19
100:14 105:17
108:13 111:18
114:8,18,18,23
117:17 119:22
121:13 122:9
125:23 126:22
126:22 158:17
161:1 167:24
168:11 173:6
176:13,21
177:7,12 193:8
193:9,15
194:13,21
195:12 198:15
199:19 200:11
209:17 210:4
210:17 220:17

222:16 227:7
229:4,5 230:13
231:15 241:17
249:6 250:7
261:15,15
264:20,22
265:11 268:1
268:20 269:17
270:15 272:8
273:10 275:12
276:7,19
278:17 279:22
279:25 297:21
298:5
20 2:5 3:20 5:4
5:20 130:1
131:10 200:3,4
241:10,13
2016 14:13
16:11,12 18:6
240:15
2017 52:19
176:4 263:1
270:1
2018 23:10
2020 16:18
210:15
2021 23:8
2022 153:2
2024 1:8 4:6
5:10 7:15
11:25 14:14
15:5 24:25
2025 23:9
2026 4:16,20
5:1,5 7:18,19
7:20,21,22,23
8:1,2,5 10:11

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10:13,19,24
11:10 19:18
22:9 23:19,22
24:21 25:2
26:11 32:18
50:24 55:9
56:7,12 58:12
63:22 66:4,23
67:22 74:18
77:8 95:11
96:3,19 99:4
108:24 109:18
110:5 127:24
128:22,23
132:16 133:1,6
134:14 141:7
141:24 143:15
143:18 145:22
152:5 158:4
165:22 202:4
205:25 209:10
217:10 243:22
247:17 257:4
260:16 262:12
298:19
2026-2028 4:12
2027 51:6
134:22 136:5
140:17 141:9
141:25
2028 7:19
22:10 23:20
32:18 51:6
52:15 53:10
55:9 128:23
132:17 134:22
136:5 141:9,25

Meeting

[20th - 5]
20th 80:7
21 2:7 3:22
4:11 5:4,21
203:5 241:16
22 2:9 3:23 5:5
5:22 129:15,20
129:24,25
130:16,24
197:20 299:14
23 2:10 3:24
4:15 5:6,23
131:19 242:13
230 19:23
24 2:11 3:25
4:6 5:7,24
11:25
24th 7:15
25 5:25 58:18
254:16 281:12
250 21:4 24:14
28:4 56:17
58:2 63:11
67:20 69:8
77:6,9 80:1
88:21 98:20
106:3 110:15
145:14
250th 89:13
155:6
26 4:19 40:16
202:23 206:24
27 40:16 134:9
299:7
27,000,000
207:2
28 40:16
134:10

October 15, 2024

Page 4
2:15 202:11
2:25 202:9,12
2a 158:17
161:1 168:11
173:6 174:22
174:24 175:1
175:11 177:7,8
194:21 195:12
250:7 264:22
265:11 275:12
276:7 299:16
3
3 1:3 2:16 4:3
5:2,9 39:18
59:15 60:16,22
66:20 67:2,3
86:23 90:19,23
93:16 99:25
100:19 105:19
105:19 106:12
107:24 108:1,4
108:10,15
122:16 123:16
152:6 159:2
161:9,15
167:20,20
171:13 175:6
175:22 176:24
177:7 187:19
195:16 204:2
211:1 223:13
229:4 231:20
241:17 249:15
250:21 264:21
264:23 269:18
299:17

30 129:14,15
130:15,24
139:7 200:19
202:24 203:5
241:9 299:7
31 4:24
32 207:5
3:16 240:23
3:30 240:19,24
3a 60:17,24
67:3 89:3
110:13 161:9
174:25 175:6
176:24 195:16
3rd 270:22
4
4 1:4 2:18 4:3,4
5:9 59:19 61:1
61:2 66:22
87:11 90:10,20
94:3 100:3,23
109:18 110:19
120:2 122:24
159:13,20,20
161:21 166:3
168:14 170:8
171:13 174:12
174:18 176:19
176:24 185:17
185:18 187:6
187:17 190:3
206:1 211:6
221:7 223:18
223:21 227:11
228:19 230:3
231:24 232:24
234:15 235:6

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236:22 237:22
241:18 249:22
251:5 259:8,24
263:10,11
270:8,16 272:9
272:18,21
273:1,11
286:11,12,12
295:16 297:9
299:17
46 288:18
47 198:10
4:00 273:18
4:47 298:23
4:54 298:24
4:57 301:25
4:58 301:19
4a 61:1 67:10
67:10 94:9
159:13 166:4
170:7,12
176:19 187:16
4th 157:8
5
5 1:5 2:20 4:6
5:5,10 59:23
61:4 81:20,22
81:24 83:2
87:23 88:4
90:10 91:21
93:11 94:10
101:1 124:4,4
159:24 162:5
167:13,24
175:25 176:8
176:12 185:10
185:23,23

Meeting

[5 - abolitionism]
188:2 190:11
191:1,4 194:15
204:2 211:10
223:21 230:23
237:16,22
239:15 241:19
251:5 260:21
269:25 270:7
270:22 272:9,9
272:14,18
273:2,11 283:6
298:21 299:18
301:18
50 66:8
52 79:2
54 251:8
5a 59:23 87:23
6
6 1:6 2:22 4:7
5:10 59:23
61:15 70:24
87:23 90:8
93:11 101:15
154:7 160:6
162:16 167:25
168:2,16
169:25 177:15
178:19 191:3,4
191:6,16 199:7
199:19,25
200:5,11 201:2
201:2,2 208:1
211:20 241:20
246:6 247:12
248:14 249:7
249:22 251:23
255:8 270:12

October 15, 2024

Page 5
283:20 285:23
299:19
60 79:3
60s 275:15
66 178:11
68 207:5
6:00 5:12
6a 59:23 61:15
61:24 87:23
7
7 1:7 2:24 4:8
5:11 62:4
101:24 110:1
114:25 124:13
126:17 162:22
169:25,25
171:15,16
173:9 176:25
180:5,6,9
186:1,1 188:10
190:15 195:18
195:20 252:10
270:12 299:19
70 253:16
255:15
70s 289:2
70th 256:6
72 207:17
7a 162:22
168:17,18,22
169:1,5,9
171:15,18
173:10 180:5,8
180:9 186:17
203:9
7b 162:22
180:5 186:13

203:9
8
8 1:9 3:1 4:10
5:11 62:11
88:24 92:2,9
102:5 170:1
801 1:13
8:30 5:13 7:25
301:19
8a 62:11 88:11
88:24 92:2,9
9
9 1:11 3:2 4:12
5:12 62:19
74:20 75:20
94:15 102:12
115:5 118:25
120:25 126:6
126:23
900 207:16
99.95 22:25
9995 23:14
9:00 1:14 5:8
9:01 5:10
9th 1:13
a
a.m. 1:14 5:8
5:10,13 7:25
55:21,22 96:13
96:14 128:10
301:19
ability 50:16
150:18 263:17
293:6
able 13:14 19:1
32:25 72:14

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102:20 115:1
118:13 135:3
150:11 193:12
216:12 218:22
272:23 273:2
298:3,12
ably 232:13
abolish 156:14
192:10,13
abolished
178:12,13
180:21 182:22
201:21
abolition
157:21 158:6
160:2,17 161:5
162:23 180:18
180:22,25
181:7 183:20
183:22,23
184:20 187:14
192:4,11,12,12
192:18,19,20
192:22 199:22
201:19,22
202:23 296:10
abolitionism
5:2 7:22 10:20
56:21 152:6,19
153:18 155:8
155:10,11,18
158:9,23
160:18 161:21
162:3,18
165:22 175:5
176:10,18
180:17,20,25
181:2,6 192:3

Meeting

[abolitionism - add]
192:10,14,15
192:18,21,23
194:24 199:22
202:5,22 296:2
abolitionist
153:20 156:12
159:3 161:14
184:3 197:18
abolitionists
156:7 159:22
160:19 162:8
171:2 296:8,10
above 29:19
55:20 62:22
77:3 91:3
96:12 128:9
176:21 191:21
202:10 240:22
268:3 298:22
301:24
abraham 45:3
abroad 82:12
184:9 216:23
244:18
absence 172:11
293:16
absolute 213:3
264:24
absolutely
52:13 167:2
172:4 182:13
182:16 202:18
206:18 226:7
240:4 248:9,11
253:1,9 271:15
274:5 276:23
279:22

October 15, 2024

Page 6
abuse 258:11
academic
238:6
accent 28:13
accentuate
236:13
accept 135:1,1
acceptance
82:22
accepted 84:17
141:19
access 220:13
261:11
accidentally
227:3
accommodate
204:11
accommodati...
139:19
accomplish
282:2,3
accountable
158:24
accuracy
220:21
accurate 186:3
261:8 302:10
accurately
302:8
achieve 208:9
244:22
achievement
21:10 208:15
achieving
207:20 208:12
acknowledge
298:7

acknowledges
160:10
acknowledging
252:13
acknowledg...
160:20
acorn 60:6,13
73:7
act 17:10,19
19:25 57:11
66:25 97:22
110:8 192:10
208:25 245:23
245:23,24
296:17
action 28:25
62:3 71:18,19
153:16 160:12
161:2 176:20
176:20 183:19
201:19 210:23
211:3 213:12
223:7 250:17
251:15,19
302:12,17
actions 245:9
246:25 249:13
active 201:15
actively 99:18
155:14
activism
226:21
activist 184:4
activists 207:12
252:14
activity 268:1
acts 20:24
207:21 245:20

www.CapitalReportingCompany.com
202-857-3376

246:1 248:23
actual 88:1
123:4 124:1
actually 19:7
35:25 48:11,13
48:16,19,22,25
49:2 65:21,23
68:23 72:12
74:15,24 79:2
82:1,12 84:16
84:22 85:8
86:1 88:8,24
109:12 116:12
120:19,20
130:17 137:6
145:13,16,25
146:23 149:1,4
149:18 181:25
183:14 184:18
185:18 186:2,2
188:14 199:12
204:16,18
224:23 225:15
234:1 253:7,15
253:22 255:8
260:21 268:2
271:21 281:19
282:17 283:9
284:13 290:11
295:22
adaptation
135:6
add 37:1 38:6
47:1 91:12
121:24 149:24
223:2 230:11
231:5 238:14
297:19

Meeting

[addition - alfen]
addition 13:21
32:1 51:23
87:7 137:1
197:23
additional 26:9
27:3,18 28:25
29:13,24 30:20
31:5,15 50:4
60:22 100:18
100:22 102:10
103:3,7 144:9
201:7 292:12
292:13
address 84:19
147:18 165:18
181:5 191:23
192:2 201:25
212:5 216:3
238:22 244:1
253:3 254:10
255:22 265:14
265:18
addressed
11:20
addresses
157:7
adjacent 276:3
adjournment
300:6
adjust 231:3
adjusted 70:11
124:11,12
adjusting 89:8
adjustment
293:21
administer
98:7

October 15, 2024

Page 7
administration
3:7 10:16
administrative
267:15
admit 124:24
190:22
adopt 66:3
133:25 149:21
adopted 91:19
162:7
adopting
133:16 134:20
adorned 99:17
adult 294:24
adulthood
183:15
adults 283:25
293:15
advance 138:5
247:9
advantage 91:6
172:19
advent 70:17
advice 17:11
122:25
advising 15:14
advisors 64:17
104:3 153:3,6
292:13
advisory 1:3,12
5:10 11:6
12:17 15:9,10
16:2 24:23
302:3
advocacy
157:14 246:1
advocate 75:9
200:18

advocates
209:22 247:14
aesthetic
110:16
aesthetically
120:21 121:16
affairs 2:24 3:1
3:2,12 9:22
10:3,4 11:1
206:8
affirmation
16:20
aforemention...
8:5
african 3:10,16
10:23 11:8,13
155:16 164:18
169:7 195:3,8
196:6 216:9,10
244:1,8,19
248:4 283:23
285:13
afternoon
32:14 52:1,4
125:21 128:15
143:24 165:12
165:15 205:16
252:24
age 14:18
57:12 120:15
184:20 197:20
197:20,21
200:19 249:25
250:4,10
agency 63:14
agenda 4:2
7:13 128:6

www.CapitalReportingCompany.com
202-857-3376

agent 156:23
ages 298:1
ago 21:20
110:10 254:16
agree 37:20
42:14 46:4
52:12 68:12
74:10 78:6
136:2 137:19
140:1,17
149:20 169:24
171:15 174:4
179:17 200:15
229:2 236:2
237:15,20
264:17 265:25
267:23 272:22
278:8 283:12
293:19
agreed 117:15
236:5 284:24
agreeing
117:10
agreement
213:16,18
ahead 127:25
128:4 130:12
135:14
albeit 268:13
270:9
alex 13:15
17:24 19:1
alexander
15:21 17:22
alfen 1:14,17
5:9 6:2,9,13,16
6:19,23 7:2,5,9
7:10 8:16,24

Meeting

[alfen - america's]
9:2,5,8,11,14
9:17,20,24
10:2,6 12:6,10
12:13 18:22
19:14 31:22
33:5,19 34:4
35:19 37:3,24
38:21 40:18
42:13 45:17
47:22 49:11
50:21 51:8,21
52:6 53:25
54:6,23 55:3,6
55:23 63:18
64:22 67:24
68:16 71:10
74:6 75:22
77:20 80:12
89:23 92:13
95:21 96:15
104:14 108:17
110:24 111:5
113:23 115:11
117:4 119:2
120:8 121:25
124:23 127:18
128:12,19
130:4,12
131:14 132:10
132:15 133:24
134:3,18
135:20 136:8
136:15 137:14
138:2 139:21
140:11 141:1
141:12,21
142:8,22 143:4
143:10,14

October 15, 2024

Page 8
144:10 146:6
147:8,14 148:8
149:15 150:7
150:22 151:25
158:14 165:13
167:5 169:20
172:1 173:23
175:14 177:21
179:14 181:4
182:18 183:2,6
186:20 190:19
192:25 196:25
197:3 201:4,24
202:13,21
203:12,24
204:12 205:8
205:23 206:18
206:21 212:3,9
214:18 216:1
217:5 218:3
219:24 222:21
223:24 226:5
227:15 228:24
230:8 232:5
233:7 235:12
237:11,25
238:11,18,24
239:10,16
240:9,25
241:22 242:4
242:14,17,21
243:6,19 248:9
248:11 252:22
254:8 255:19
256:24 260:7
262:13 265:13
267:2 268:7
270:17 273:12

276:8 278:6
291:22 292:10
297:16 298:14
298:25 299:23
300:1,8,22,25
301:10,13,17
alice 207:15
218:17,19
227:21
aligning 251:21
aligns 108:1
allegorical
27:22 29:4
101:16
allegories 36:2
allegory 162:23
allenswood
3:14 11:5
206:10
allida 3:14 11:4
206:9 213:6
214:21 235:25
243:13
allow 55:16
249:19 285:10
287:4
allowed 45:3
73:5 106:2
allowing 165:4
254:2 255:17
allusion 233:17
aloft 211:23
alongside
22:18 156:24
274:10
alternative
185:3

www.CapitalReportingCompany.com
202-857-3376

amazing 80:23
119:8 253:10
255:14
amazingly
21:21 126:7
amazon 238:7
ambivalent
70:9
amend 97:8
amendable
107:1
amendment
23:7 48:22
141:17 156:15
157:12 178:11
182:21 184:10
184:21 194:10
206:23 208:4,6
208:14 209:13
211:13 229:13
232:1
amendments
194:10 244:3,9
america 15:1
23:13 30:17
58:18 62:8
81:4 88:15
99:12 105:25
152:23 154:11
154:23 155:12
155:17 157:23
158:7,8 160:11
162:24 176:3
209:14 236:23
247:22 249:13
282:4
america's
25:15 58:3

Meeting

[america's - appointed]
61:5 79:7 83:7
101:2 116:23
162:9 248:20
251:1,16
american 1:22
3:11,16 6:7
10:23 11:8,13
14:19,21,24,25
17:8 22:14,16
22:21 25:20
26:22 28:19
31:3 62:20,25
63:15 82:14,25
84:18 85:14
88:13 97:13
102:2 103:10
108:11 109:1
109:23 124:9
144:19 154:5
156:1,22 160:9
161:16 162:20
164:18 177:16
183:25 185:12
197:19 208:12
208:15 209:17
211:1,5,18
213:2 216:6,9
216:11 226:14
226:20 243:8
244:19 247:8
248:4 250:22
251:12,24
252:6 259:3,6
260:15 262:21
270:3,10
272:25 274:22
276:15 283:23

american's
275:19
americans 28:3
29:16,23 40:6
56:13 58:15
59:3 81:10
82:4 85:7,10
86:17 87:6,16
87:19 88:1
106:4,16 107:8
110:6 153:15
155:6,16
156:13 157:24
169:7 184:9
195:3,8 196:6
208:18,24
209:7,23
214:16 242:23
244:2,8 250:4
250:7,17,23
252:4 259:6
262:2 285:13
americas
252:18
amiable 198:1
amount 84:6
126:12 219:3
amplify 30:3
ancient 80:16
angel 93:13
angela 3:16
11:7 216:1
243:13
angle 223:8
angry 285:8
ann 10:16
31:19 54:2

October 15, 2024

Page 9
anna 188:20
anne 207:14
annelisa 2:8
7:6 40:18,21
68:17,20 71:10
93:11 122:1,3
124:23 186:25
187:2 190:19
219:25 222:21
223:18 257:8
267:5 301:2
anniversary
89:14 127:11
142:13 155:6
announce 5:19
announced
5:14 301:21
announcement
62:15
annular 211:15
answer 235:21
answered
81:15 289:8,21
antebellum
156:6
anthony
207:12 215:11
227:23
anti 156:1,22
170:17 171:8
183:19,24
184:3
antiques 14:17
anxious 169:17
anybody
271:20 275:6
anyway 53:4
80:11,11 129:1

www.CapitalReportingCompany.com
202-857-3376

171:4 277:1
apart 73:17
189:8
apathetic 86:7
apathy 107:14
appeal 46:10
46:12 114:20
261:18
appealed 46:1
appealing
107:9 122:15
122:19 232:24
appear 32:8
33:7,8 91:13
91:25 92:11
121:13 127:13
185:2 204:7
225:11
appearance
46:9
appearances
46:13
appeared
38:13 121:14
184:12 199:15
210:12
appearing
92:10
appears 78:14
applause 16:4
18:21
application
124:2
apply 252:7
263:9
applying 17:12
appointed
14:12 16:19

Meeting

[appreciate - asked]
appreciate
66:20 86:13,14
89:21 90:1
92:6 186:21
205:22 218:24
243:7 254:1,2
254:12 256:23
257:20 261:7
269:5 273:17
273:22 291:20
292:4
appreciated
67:2,19 70:1
95:8,9 117:18
201:16 223:13
237:12
appreciation
24:13
approach
17:14 65:16
137:23 206:16
267:24
appropriate
85:24 114:4
145:4 183:11
204:18 233:2
233:18 242:22
243:9 275:13
approval 4:4
7:14 11:23
approve 12:3
approved 57:2
96:25 153:1
approximate
40:4
approximately
5:12

October 15, 2024

Page 10

april 2:15 8:21
14:14 15:5
20:18 22:10
33:5 50:22
51:9 52:9 56:8
56:10 63:19
96:20,22
104:14 138:4
152:6,8 170:4
206:1,2 239:3
243:23 298:14
aptly 114:6
ar 217:16,19
arc 114:11
arch 41:19
42:6 124:5
archangel
70:16
arched 239:7
arches 239:8
architectural
223:3
archive 24:2
207:19
archives 3:6,6
10:15,16 54:20
arduous 160:4
162:25
area 85:20
142:12
argument
205:9 230:23
263:7
arguments
197:23
arising 26:2
61:8

arm 28:16
61:20 175:8
195:25 250:8,8
258:14 278:2
293:22,25
armed 246:9
armor 78:15
arms 52:24
61:1,3 189:9
189:15 210:8
251:25 291:15
arose 270:1
arranged
114:15
array 145:24
arrows 62:21
75:4
art 24:24 37:25
38:22 43:9
52:22 90:3
107:25 108:2
108:14 117:5
119:2 136:8
145:24 165:23
165:25 167:6
181:4 183:3,13
201:8,24
211:11 217:12
222:22 223:24
226:2 231:10
231:13 232:23
236:16 238:3
238:14 239:8
265:1 267:3,5
268:7 278:19
artful 178:6
arthur 1:20
5:23,25 12:4

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202-857-3376

38:2 90:4
117:7 179:15
201:10 222:23
articulated
28:24 62:2
artist 25:5
66:16 138:11
138:20 166:12
182:9,12
264:24 277:18
artist's 78:17
110:13,22
artistic 81:17
83:20 85:23
86:19 93:14
121:18 268:17
270:13
artistically
66:24
artists 24:20
25:1 42:16
58:19 99:13
103:13,21
204:4
arts 1:24 6:11
14:24
ascend 28:12
61:19 162:24
ascending 39:4
45:22
ascent 163:2
ascribed 98:14
asian 256:13
aside 64:11
132:18
asked 15:24
58:19 99:13
103:21 133:4,5

Meeting

[asked - balanced]
262:16 287:3
asking 50:23
81:9 106:18
180:15
aspect 80:18
92:25 280:4,6
aspects 280:8
aspen 112:10
aspiration
185:2
aspirational
196:8,10
aspirations
58:4 83:9
98:21
aspire 83:11
196:11,11
assembly 29:18
assert 63:8
asserted 56:18
59:3
asserting
161:11
asserts 31:8
associate 11:3
136:10 247:25
associated
171:7 278:13
associates
83:17
association
14:20
assuming
98:12 171:5
ate 246:20
athena 122:12
attack 287:8
288:18

October 15, 2024

Page 11
attempt 43:18
attend 246:14
attendance
8:20
attended
245:17
attention 17:17
39:22 60:4
67:16 81:24,25
171:23 186:15
221:23 222:11
261:19 283:10
283:14
attractive
93:19 94:12
126:18
auctioned 79:6
audience 187:6
295:6
audiences
157:4 159:21
audio 68:10
212:14
august 206:24
author 14:21
authority
98:12,18
105:23 240:8
autobiography
157:1
autonomy
69:16
ava 13:16 18:4
18:6 19:1
average 213:19
avoid 86:23
106:21 168:25
168:25 293:14

avoiding
168:23
award 4:8 7:16
12:18,22 13:10
15:9,11,19
16:3 18:19
116:12
awarded 288:6
288:8,12
awardee 3:4
aware 8:9
33:16 284:10
289:15 297:23
awed 21:5
aye 12:11,12
143:8,9 301:15
301:16
b
b 41:11 129:20
129:23,25
207:12,13
215:11 227:22
baby 246:20
258:10
back 18:13
35:6 50:16
53:24 70:11
72:15 77:9
78:18 84:24
85:11 96:15
102:16 114:9
115:6 117:12
122:13 128:13
145:23 151:9
151:19 161:19
170:22 175:1
176:9 182:10

www.CapitalReportingCompany.com
202-857-3376

182:14 189:13
199:15 200:11
202:14 221:8
227:20 229:8
241:1,7 260:5
269:10 270:3
272:15 279:1
284:22 287:5
287:21,22,23
288:12,22
298:21,25
background
56:23 96:24
155:9 156:17
174:13 187:7
187:17 198:23
199:2 206:22
222:7 232:17
244:1 246:5
248:25 252:8
259:3 264:6
271:10 273:1
274:19
backgrounds
82:15 198:19
198:21
bad 79:9
151:23 173:15
badge 229:24
237:3 293:25
badly 271:23
baijal 2:20
9:11,13 22:11
baker 256:10
balance 98:17
252:14
balanced 20:8
107:10 275:12

Meeting

[balances - bicentennial]
balances 98:11
ballot 210:22
211:2,11,16
219:16
ballots 219:18
bank 224:20
banner 209:19
211:20 213:23
225:10 268:2
bared 291:3
barely 112:7
barracks
287:22,24
barriers 209:2
base 38:9
281:14
based 24:16
25:1,6 58:16
59:6 64:9,11
69:11,12 83:20
97:15 137:8
170:17 171:1
240:7 267:18
268:25
basically 81:8
82:16 109:25
battle 161:22
211:17 213:17
287:17
beacon 209:19
beam 42:5,8
bean 46:7
bear 163:1
193:4
beard 176:15
188:7
bearing 22:22
110:8 211:4

beautiful 15:1
18:19 38:3
41:20,24 42:6
52:21 53:8
66:15 70:19
76:4 91:22
123:16 124:3
126:8 176:4
199:9 292:17
beautifully
41:6,15 88:17
123:14 124:15
138:7 178:8
189:23,24
274:8
beauty 35:5
38:18 108:9
began 181:24
beginning
25:25 36:15
61:7 66:19
88:3 106:1
195:4 280:24
beginnings
93:1 94:21
begins 63:6
184:14 215:6
behalf 164:8
252:25
behave 284:5
behaving 284:7
belief 82:25
83:1 180:20
192:14 201:17
201:19,20
beliefs 192:15
believe 7:12
46:6 51:9 70:4

October 15, 2024

Page 12
94:4 141:2,15
164:20 166:12
167:2 181:8
182:5 191:2
198:12,14
199:6 200:22
239:15 259:21
267:11 268:16
280:23 285:22
286:7 291:19
295:16
bell 62:12,13
62:14,17 79:10
79:10,17,21
88:16,25 92:3
92:10 162:6,6
168:15 171:6,6
190:10 284:21
bell's 62:16
beneath 27:10
29:21
beneficial
150:11
benefits 83:6
benjamin
102:15
bernstein 1:20
5:23,25,25
12:4,4 37:25
38:1,2 90:3,4,5
117:5,7,8
136:9 165:24
165:25 166:17
167:4 179:15
179:16 183:5
201:9,10
217:14,21,24
218:2 222:22

www.CapitalReportingCompany.com
202-857-3376

222:23,24
238:4 239:8,14
267:3,4,5,9
278:20
best 17:11
42:23 45:14
72:7,7 81:14
114:22 132:16
185:24 216:21
225:23 226:19
230:6 277:9,15
288:23
better 34:23
36:23 43:22
44:1 45:11
68:25 71:20
73:20 78:6
81:2 84:11
109:11 111:10
111:18 114:15
116:3 121:19
121:23 125:13
130:9 150:10
171:16 176:17
179:11 180:24
183:1 189:2
201:21 202:19
222:20 228:1
229:5 231:14
257:15 273:11
284:5 295:18
295:25 301:3
beyond 13:3
146:4 154:2
255:1 272:16
bicentennial
14:23

Meeting

[bifurcated - breaking]
bifurcated
136:13
big 65:15
172:20
bigger 167:23
255:4 289:16
289:18
biggest 140:24
bill 24:9 27:5,9
27:18 29:14,15
29:25 31:7,9
31:15 35:9
36:19 38:10
39:25 40:1
42:1,7 48:24
49:1,25 54:14
194:7
binds 251:2
birch 18:14
birth 60:6 77:2
84:1
birthday 256:6
birthright
259:7
bit 16:15 36:23
48:23 56:3
73:2,23 93:9
93:12,14,19,25
105:8 111:16
111:20 115:7
121:23 123:3
126:17 143:1
146:24 147:5
151:6 170:5
175:23,23
176:16,17
177:1,1,13
186:14,18

October 15, 2024

Page 13

187:23 190:3
193:10 196:2
197:10 205:17
220:23 222:2
226:12 229:14
229:15 231:14
268:17 270:10
271:7 272:7,15
286:16,18
black 3:14 11:4
154:9 172:11
196:9 206:9
208:18 212:4,7
212:11,20
213:7 214:20
215:3 220:2
223:6 234:20
236:1 242:17
242:18,22
243:6,14,18
244:16 245:12
246:19 289:2
290:2,4,19
294:11 296:5
296:11
blessings 97:25
block 227:9
231:10
blocked 208:20
blood 290:25
291:11
blown 112:16
board 245:1
253:15 254:18
294:2
bodied 227:24
body 190:8
211:23

boils 215:14
bold 49:6 67:19
115:1 172:23
211:22 248:24
265:10 266:3
277:13
bolder 229:5
boldest 58:3
83:8
boldly 30:8
60:2 211:17
226:24
boldness 49:17
bondage 156:4
195:6,9 196:16
296:12
bonds 13:3
boneza 2:19
9:8
book 87:21
90:13 184:25
262:18
books 215:5
248:15 249:7
274:7
boots 222:17
border 26:12
26:14 168:10
born 18:6
21:25 28:23
62:1 156:18
253:16
boston 3:17
11:8 216:11
284:25
bother 46:17
272:7

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202-857-3376

bothers 147:20
bottom 40:15
112:11 117:16
138:14 227:10
232:21 260:1
266:20 269:3
271:13
bound 195:10
196:18
bow 249:24
bowers 17:2
box 90:17,18
217:17 219:16
219:18
boxes 229:22
boy 159:7
187:22,23
251:23
boycotts
245:10
boys 52:19
53:2
brainer 76:4
branch 23:12
62:21 98:12
118:1
branches 75:5
98:10 99:17
100:9 139:5,9
brave 246:22
bravely 247:5
bravery 255:11
break 55:16,19
96:7 137:17
202:8 240:19
298:21
breaking 42:11
160:22 189:16

Meeting

[breaking - c]
232:11
breaks 29:5
101:17
brearly 44:16
brendan 3:1
10:2
brevity 68:22
brick 99:19,19
102:8
bricks 71:15
102:6 147:23
bridge 251:6
251:13 269:22
272:9,13,15
277:19,20,20
283:7,14
289:25 291:17
bridges 3:18,18
3:19 11:11
154:8,10 246:5
246:6 247:13
247:25 248:14
249:7,15,23
252:23 253:2,5
253:22 255:24
257:12,20
258:10 260:13
262:5 263:16
264:11 266:20
267:21 268:11
268:14 271:6
271:12 273:17
274:1 276:17
278:23 279:3
280:14,17
287:14 291:22
292:17 293:23
295:4,5,9

October 15, 2024

Page 14
297:19 300:16
300:23
bridges's
259:20 293:17
bridging
251:15
brief 40:22
152:11
briefly 66:10
bright 163:9
brilliant
256:22
bring 20:19
50:16 51:5
70:11 104:11
142:18 195:5
207:18 238:1
bringing 54:17
195:8
brings 30:8
221:18
britain 57:1
156:3
britannia
125:8
british 28:17
61:22 63:8
242:25
broad 149:8
183:18 208:9
broader 208:12
226:16 275:9
broadly 84:16
297:24
broken 161:7
162:19 171:10
174:23 175:3
179:5,6 189:3

189:9,18
199:23 200:7
bronze 15:20
15:22,25
brother 170:21
171:25
brothers
287:20
brought 13:22
76:22 118:23
139:3 157:12
176:9 220:4
292:4 296:11
brown 245:1
253:14 294:2
brutality 157:3
brutally 245:4
buffalo 14:25
bugle 90:10
build 71:15
102:9 103:22
building 29:5
46:2 73:21
93:21,23 99:18
101:17 114:12
114:14 117:23
118:1,16,20
159:11 161:16
166:20 210:1
222:1 273:21
294:8
buildings
180:15 226:17
builds 101:13
built 26:25
166:24
bullion 15:2,16
22:18

www.CapitalReportingCompany.com
202-857-3376

bunch 171:22
171:23 232:20
272:12,21
291:18
burden 105:23
bureaucracy
85:13
buried 290:6
burned 290:2
burns 207:16
burst 140:22
bus 245:9
buses 290:1
bush 170:19
business 11:22
12:15 128:15
128:20 254:20
254:21 292:6
bust 83:16
160:8 172:16
172:25 228:4
232:12,12
239:24 240:1
busy 37:15
38:7 39:7
43:14 46:4
49:20 167:20
170:5 175:23
271:4 282:25
293:20
button 211:7
237:3
bye 243:17
c
c 4:1 5:8 39:18
129:19,22,25
302:1,1

Meeting

[cady - ccac]
cady 184:17
207:3
cake 299:25
calf 288:10
call 4:3,3 5:9
5:23 43:20
44:3 103:11
164:12 171:23
243:3 248:7
251:19 276:15
281:14 292:14
300:8
callback 69:11
called 8:21
183:19,22
243:3
calls 93:9
155:21
calm 274:7
camaraderie
13:22
camera 197:17
campaign
208:5 242:24
296:20
campaigns
207:17
canadian
116:10,14
candidate 4:12
4:16,20 5:1,3,4
7:18 22:9
24:20 25:3
31:17,25 32:7
32:9 33:9 55:9
56:7 96:2,17
103:18,25
104:18 127:23

October 15, 2024

Page 15
155:9 158:11
205:25 206:15
212:2 248:6
candidates
96:18 134:23
240:15 243:21
298:18
candle 159:12
candlelight
159:8
candor 74:17
canopy 27:7
100:19
cap 70:5,11
77:11
capable 157:23
capitol 73:21
73:23 100:8
111:23 117:23
118:2 159:11
161:16 166:20
181:20 210:1
219:5 222:1,6
222:25 223:4
225:17 229:7
capitol's
181:21
capozzola 1:21
6:6,8 12:8,8
38:22,24,25
65:10,11,12
108:18,20,21
135:13,14,16
135:17,18,21
141:16,16,20
183:7,8,10
223:25 224:2,3
239:19 260:8,9

260:10 278:10
capozzola's
136:10 191:7
capture 65:24
88:20 184:20
captures 30:12
62:4 88:16,17
88:21 89:12
106:12 108:7
108:14 159:16
161:21 249:9
care 13:8 78:12
115:23 168:14
168:15 190:2
214:14 215:17
career 17:25
184:8 254:19
careful 20:9
236:2 277:18
carefully 25:16
30:7
carrie 207:15
carried 233:20
246:19 288:12
carries 12:14
143:11 161:23
301:18
carry 259:5
carrying 23:12
274:7
cartoony 190:3
carve 59:3
carved 28:16
28:18 61:21
102:16
carving 59:15
90:23 91:8
111:3 117:13

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202-857-3376

cascading
250:2
case 43:17
65:25 77:15
93:19 94:11
107:17 137:2
cases 155:19
cash 119:13
cashier 119:15
126:15
cast 211:2
249:25
casting 211:10
casts 159:10
210:21 211:3
catalyze 26:8
61:15 250:4
category
183:19
catt 207:15
caught 141:13
cause 159:3,19
162:7
caused 289:5
caveat 41:21
188:25
ccac 1:16,19
2:24 3:1,4 5:12
7:12,17 8:8
9:22,25 11:23
13:1,6,13,21
13:25 14:12
15:3,7,12,23
16:10,12 17:4
17:12 18:7
25:6 32:25
55:15 64:10
96:6 103:12

Meeting

[ccac - chair]
104:4 178:5
202:6,15
240:17 241:2
262:9 299:1
celebrate 21:15
220:10 284:12
celebrating
19:17 67:21
celebration
73:16
cent 18:14
62:25 75:17
77:17 94:23
151:20
centennial
210:15
center 3:5
10:15 27:21
102:7 159:9
central 211:9
cents 58:19
214:7
centuries 21:8
21:20
century 57:17
59:6 80:8
94:23 97:15
125:8 183:21
197:19 209:1
216:19
certain 57:20
78:3 80:5
106:14,14
114:20 169:6
certainly 5:15
11:15 13:11
18:24 19:2
35:13 54:8

October 15, 2024

Page 16
67:4 94:8,20
95:2 104:19
109:14 114:6
114:16 115:1
127:15 129:3
132:22 150:23
164:12 169:7
177:3 201:25
216:2 238:1
243:8 255:12
273:4 278:11
278:14
certificate
15:20
certify 302:2
cetera 298:1
cfa 25:7 64:10
chain 95:15
162:19 177:11
233:10
chains 79:18
169:13 171:10
174:23 175:3
179:5 180:1
196:14 199:23
200:7
chair 1:14 4:7
5:9 6:2,9,13,16
6:19,23 7:2,5,9
8:16,24 9:2,5,8
9:11,14,17,20
9:24 10:2,6
12:6,10,13
18:22 19:14
31:18,22 33:5
33:19 34:4
35:19 37:3,24
38:21 40:18

42:13 45:17
47:22 49:11
50:21 51:8,21
52:6 53:25
54:6,23 55:3,6
55:23 63:18
64:22 65:12
67:24 68:16
71:10 74:6
75:22 77:20
80:12 89:23
92:13 95:21
96:15 102:13
102:17 104:14
108:17 110:24
111:5 112:25
113:23 115:6
115:11 117:4
118:22 119:2
120:8 121:6,25
124:23 126:6
127:18 128:12
128:19 130:4
130:12 131:14
132:10,15
133:24 134:3
134:18 135:20
136:8,15
137:14 138:2
139:21 140:11
141:1,12,21
142:8,22 143:4
143:10,14
144:10 146:6
147:8,14 148:8
149:15 150:7
150:22 151:8
151:25 158:10

www.CapitalReportingCompany.com
202-857-3376

158:14 165:13
167:5 169:20
172:1 173:23
175:14 177:21
179:14 181:4
182:18 183:2,6
186:20 190:19
192:25 196:25
197:3 201:4,24
202:13,21
203:12,23,24
204:12 205:8
205:23 206:14
206:18,21
212:3,9 214:18
216:1 217:5
218:3 219:24
222:21 223:24
226:5 227:15
228:24 230:8
232:5 233:7
235:12 237:11
237:25 238:11
238:18,24
239:10,16
240:9,25
241:22 242:4
242:14,17,21
243:6,19 248:9
248:11 252:22
254:8 255:19
256:24 260:7
262:13 265:13
267:2 268:7
270:17 273:12
276:8 278:6
291:22 292:10
297:16 298:14

Meeting

[chair - circulating]
298:25 299:23
300:1,8,22,25
301:10,13,17
chaired 44:17
44:24
chairman
35:18 50:11
68:19 92:12
103:11 118:5
119:7 120:7
122:3 165:9
174:2 175:13
187:2 218:15
220:2 248:5
257:10 265:18
chairperson
1:18 7:11
challenge
65:20 224:5,10
245:7
challenged
207:22
challenges
185:20
challenging
155:4
champion
24:18
championed
156:9
champions
154:12
chance 137:6
chaney 290:3
change 26:8
61:15 68:13
84:13 135:9
143:1 150:4

October 15, 2024

Page 17
157:23 171:20
177:3,5 180:1
209:20 232:22
237:17,22
242:8 247:9
248:19 250:5
250:18 260:15
288:4,16,19,20
changed 44:24
70:5 286:17
changes 70:6
137:22
changing 76:11
chapman
207:15
character
250:19
charges 37:18
charter 25:18
29:24 97:10
charters 23:20
23:24 24:3,12
25:6 27:21
30:4
check 166:11
166:14 167:3
181:16
checks 98:11
chest 248:15
chief 2:21,25
8:22 9:14,25
137:16,20
204:8 216:10
child 27:10
126:16 134:13
139:15 154:9
154:14 256:15
287:9 288:3

294:8,21
child's 49:25
210:7
childhood
176:10
children 249:1
249:11,12,19
249:25 293:16
295:5
choice 78:11
82:1 90:20
91:6,10,10
108:3 111:12
111:25 114:24
114:25 115:10
144:20 179:3
181:6 191:20
228:8 231:23
258:18 286:20
291:5,19
choices 75:20
113:22 118:5
120:5 216:21
225:6 239:8
267:1
choose 28:24
32:23 33:11
72:21 79:16
86:6 114:16
219:2 264:20
286:22 290:23
291:2
chorus 12:12
143:9 301:16
chose 62:2
188:19 192:17
221:24 283:22
286:2,24

www.CapitalReportingCompany.com
202-857-3376

290:21
chosen 30:7
289:4
chris 12:8
38:25 65:12
67:25 68:4
93:24 108:21
111:1 135:17
135:17 141:15
141:16 183:9
224:3 230:19
260:10 267:6
267:10 276:20
277:4
christopher
1:21 6:6 38:22
65:9 108:18
183:6 223:25
260:8
chronicle 25:14
61:5 101:2
chronological
94:19 125:17
126:24 233:10
chronologica...
92:20 233:18
chuck 6:21
church 207:14
circles 63:1
circling 18:13
42:6
circulating
15:15 19:7,17
19:21,24 21:17
33:25 39:2,19
88:15 108:23
109:24 153:5
154:14 172:12

Meeting

[circulating - coin]
225:6 278:12
278:15
circulatory
91:15
circumstances
57:4
cities 251:9
citizens 1:3,12
5:9 12:17 15:8
15:10 16:2
24:23 27:9
30:15,18,21
62:7,9 82:15
155:25 208:17
208:25 251:13
252:7 302:3
citizenship
198:4
civic 107:13
160:12 161:2
210:23 211:3
civil 5:5 7:24
11:11 31:13
56:22 152:20
154:7,11
166:25 184:1
186:8 243:23
244:2,15
245:15,21,22
245:25 246:21
247:10,13,18
247:23 249:14
250:2,9,24
251:3,5,18
252:1,5,14
256:19 257:4
259:11 260:22
261:12 271:22

October 15, 2024

Page 18
272:19 274:22
283:1 289:23
290:14 295:21
296:2,9,12,13
296:17 297:25
298:19
claim 79:14
204:8
clapper 92:3
clarification
50:22 240:10
clarify 132:13
135:22 141:17
182:19 239:12
239:20
clarity 81:17
131:17 172:21
202:19 241:5
299:5
clasped 61:1
94:4 250:21
258:24
class 197:13
220:12,24
246:14 256:11
293:12 296:25
classes 173:13
classic 70:2
92:25 94:17
146:11
classical 83:21
126:2 144:21
145:12 147:1
154:2
classics 171:4
classmates
293:17

classroom 81:3
215:7 249:16
274:3 285:3
288:22 294:10
classrooms
275:2
clean 70:2,12
232:9 264:3
277:4
cleaner 170:11
clear 40:9
67:20 106:10
129:12 149:5
211:23 224:24
227:11 241:12
242:13 251:14
258:13 278:18
clearly 47:10
71:1 86:12
89:16 154:20
185:10 272:15
293:23 297:13
298:12
clever 223:14
cliff 272:13
climb 162:25
climbing
189:10 201:1
close 121:12
185:6 193:13
241:19
closed 141:5
189:19,22
closely 40:4
108:1 272:10
clothing 78:14
148:25

www.CapitalReportingCompany.com
202-857-3376

cloud 138:15
clouds 26:1,17
29:6 41:25
61:7 77:4
101:4,18 140:7
clueless 236:23
clusters 112:5
clutched
248:15 249:8
cluttered 229:6
cnn 148:19
coalition 156:7
208:9 210:20
252:4
codified 161:18
211:18
coffin 246:20
cognizant
54:15 184:23
coherence 40:8
coherent 39:10
39:16
coherently
40:15
cohesion
233:25
cohesive 49:16
cohesiveness
49:23
coin 8:14 19:25
22:16,23 23:25
24:21 25:22
28:7 33:25
34:1 36:6,7,24
38:9,10 39:2
43:20 52:15,15
52:19,20,21
53:2,6,8,11

Meeting

[coin - comes]
58:21 62:25
65:20 67:7
69:7 70:14
71:2 73:14,20
74:19 76:13
78:16 79:7,8,9
81:18 84:9
85:25 88:21
91:24,25
106:15 107:17
107:19 108:22
108:23 111:11
111:13 112:8
113:12,18,19
116:7,14,24
119:15 122:18
124:7 127:13
133:6,16,21
138:16 143:2
146:19 148:14
148:20,23
154:18 172:6
172:10 178:7
190:12 199:14
199:16,17
212:25 213:5
213:21,25
214:25 215:20
218:25 223:2
224:19,22
226:25 227:22
228:3 229:12
230:5,22
232:21 236:4
239:18,24
256:8 260:18
261:13 263:1,2
263:5,8,17,23

October 15, 2024

Page 19
264:17,18
271:11 273:16
275:3,9 278:12
278:15 286:24
286:25 290:13
290:23 291:3,6
292:25,25
293:18 294:17
294:23,24
298:10
coin's 56:14
154:15
coinage 1:3,12
5:10 12:17
13:20 15:9,10
15:16,16,16
16:2 19:7,17
19:22 24:23
36:3 66:4
74:21 75:16
88:15 94:23
302:3
coinages 125:8
coincide 23:22
coincident
138:15
coinnews 8:13
coins 4:13 7:19
8:5 10:9 14:16
14:22,25 15:1
15:1,2 21:17
22:10,18,21,25
23:4,11 24:5
32:18,22 38:17
42:2 43:7,22
43:23 55:10
66:8 74:5
82:23 91:21

94:2 95:12
109:24 116:9
116:10,12
119:11,14,18
122:6 128:23
132:17 142:13
146:20 148:17
149:13 153:5,9
172:12,17
226:14 230:1
233:17 234:10
234:21 264:25
266:18 274:2
275:20 286:5
291:14 292:22
296:3,5 298:2
298:4
colleague 147:7
214:23 278:19
colleagues 13:1
16:13,22,25
120:5 191:19
216:5 237:5
243:3
collect 142:12
146:5
collectable
19:25
collected 43:23
43:24 45:12
collectible 34:1
210:14
collectibles
14:17
collecting
119:14
collection
28:14 79:4

www.CapitalReportingCompany.com
202-857-3376

collective 21:9
159:22 161:13
162:17 210:23
250:14 251:15
252:18 295:20
295:23 296:8,9
296:20
collectively
24:15 56:18
152:23 160:13
collector 14:18
14:22 74:19
collector's
144:19,20
collectors
142:23 145:5
146:19
college 98:6
colonial 155:16
colonies 26:13
27:3,17 28:12
61:19 63:7
color 290:25
colored 288:2
288:15
column 87:2,8
107:22 200:3
come 21:22
89:4 132:25
133:22 143:2
197:21 233:1
235:20,21
252:4 281:18
290:18 300:12
comes 78:24
87:5 102:8
106:17 269:19
293:8

Meeting

[coming - compellingly]
coming 31:3
35:10 37:14
41:25 46:11
70:16 71:3
102:2 122:13
123:22 142:14
147:15 186:8
189:13 231:17
232:10,20
commemorate
58:13 99:5
commemorat...
58:21 63:22
96:3 127:24
128:24 143:16
143:18 165:22
202:4 217:11
240:16 243:22
257:4 271:18
298:19
commemorat...
63:12 153:14
commemorat...
199:14,16
252:21 263:4
commended
21:17 42:17
comment 47:5
47:18 112:20
118:6 119:4
142:11 196:13
201:10 218:5
239:2 242:15
242:19 300:11
commentary
259:16
commented
139:13 181:9

comments 4:7
12:1,24 19:9
34:5,9 40:17
40:22 46:11
49:14 53:16
54:3,7,25 65:3
65:6 91:7
92:12,15 95:1
95:6,23,24
105:2 124:24
127:6,21
133:10 139:14
139:23 140:18
143:25 147:9
148:9 152:1
167:7,13
177:20 186:21
191:7 192:6
197:4,12 201:8
203:14 205:11
217:6 218:4,7
218:10 234:18
237:13 238:19
240:12 241:24
242:1 243:7,10
243:14 260:11
278:8 280:13
292:12 300:4,5
commission
24:24
commissions
20:10
commitment
24:19 160:21
committed
15:4
committee 1:3
1:13 5:10,22

October 15, 2024

Page 20
11:22 12:18
13:4,23 15:4,9
15:11 16:2,18
16:23 18:8,25
24:24 32:17
33:10 34:15
35:22 40:11
44:13,15,17,20
44:21,23,24
50:5,17 55:8
63:21 64:19
83:1 89:7 96:1
104:23 118:12
126:13 127:22
134:11 136:6
137:21 139:18
140:9 151:4
152:14 163:23
164:10 165:16
165:21 167:8
167:12 180:13
191:23 202:3
204:6,10 212:6
213:10,10
214:8 216:3
217:9 218:9
236:4 237:13
238:20 240:14
243:11 253:1,4
254:11 255:22
257:3 259:19
261:20,21
273:19 276:12
278:9 292:2,13
298:17 302:4
committee's
137:18

www.CapitalReportingCompany.com
202-857-3376

committees
20:11 51:2
common 17:25
22:4 23:5,10
97:24 155:2,2
commonly
43:23,24 45:12
215:5
communicate
39:13 43:15,16
43:18 89:15
136:4 263:18
263:19
community
255:13 270:5
companion
101:10 103:19
104:1 210:14
company 243:1
compared
279:4
comparison
104:9
compatible
52:13
compelled 93:4
110:9 245:6
compelling
40:14 71:8
90:12 92:23
146:3 173:7
191:20 193:2
197:5 213:12
223:6,9 230:23
280:16
compellingly
185:10

Meeting

[complain - consequences]
complain 84:2
complement
140:23
complements
69:14
completed
181:22 182:3,5
completely
46:15 117:10
189:21,21
195:5 220:19
236:2
completion
20:20
complex 85:20
115:15 261:9
261:13
complicated
91:14
component
41:20 298:8
comport
153:13 239:22
240:3,8
composed
245:25
composition
204:10
comprehensi...
137:7
compromise
44:12 146:10
computer 90:6
212:22
conceived
20:23 33:2
concentrating
284:6

concentric 63:1
concept 33:1
48:14 82:20
86:25 112:15
134:9 144:3
247:12
concepts 30:3
153:4
conceptual
59:16
conceptualiz...
20:3
conceptually
87:24
concern 107:14
123:3 125:12
139:3 169:3,4
169:4 238:17
concerned 36:8
41:10 42:19
52:16,17 53:1
53:4,9 69:5
109:20,21
116:8,13
125:14 269:15
concerns 49:19
50:2 67:6 71:1
85:1 105:11
109:19 124:25
139:17 147:18
183:4 234:11
259:11 265:15
concert 64:16
conclude 51:17
51:19 52:3
concluded
44:18 205:13

October 15, 2024

Page 21
concludes
31:17 63:16
104:13 115:10
212:1 252:20
conclusion
102:17
concrete 224:8
condescending
196:9
conditions
187:24
conduct 292:6
conducted
207:16
confederate
53:19,23
conference
239:3 273:20
confidence
274:7
confident
219:22
confidently
99:20 184:19
confirm 8:19
167:1
confrontational
207:24
confronted
160:20 246:18
confronting
280:3
confused 83:14
87:8
confusing
86:11 181:3
185:17 186:18
280:25

www.CapitalReportingCompany.com
202-857-3376

confusion 36:8
127:10,14
congratulate
16:16 20:15
34:15 165:1
congratulatio...
14:11 16:12
congress 10:18
56:25 57:2
congressional
15:17
conjunction
260:18
connect 262:7
connected
107:6 149:6
connection
34:2 162:9
280:11
connections
279:13
connects 31:11
154:20
connoting
28:12 61:18
cons 226:10
conscience
247:8
consensus
217:1
consent 24:17
31:4 57:25
59:5 85:6
102:4
consequence
205:3
consequences
83:6

Meeting

[consider - continuity]
consider 48:14
88:4 127:16
137:4 143:18
146:13 152:4
155:5 180:11
198:10 205:24
243:20 275:21
considerably
181:13
considerate
189:5
consideration
50:17 56:6
65:5 105:1
118:25 138:6
139:4,20
167:10 231:1
considerations
88:7 183:4
235:16
considered
79:7 113:21
253:13,25
255:9 292:24
considering
78:21 96:18
115:20 123:19
188:18 260:5
260:20 300:20
considers
59:20
consist 24:4
consistency
38:17 78:3
140:2 232:11
consistent 30:2
41:23 47:1
78:20 133:22

October 15, 2024

Page 22

138:14,23
140:5 228:1
consistently
151:13
constance
256:10
constant
123:15
constantly
187:13 196:10
constitution
4:22 7:21
10:13 23:8
24:8 25:11
26:15,21 27:4
29:2,4,8,13
30:23 31:1,6
32:3 35:9
36:17 38:8
42:1 44:14,22
53:20,23,23
54:13 56:3,21
67:13,14 72:11
72:16 76:9
78:7,8,15,25
79:15 85:25
91:9 96:11,20
96:25 97:3,9
97:19,21 98:2
98:9,20 99:1,6
99:14,15,22
100:2,6,10,17
100:25 101:8
101:16,20
102:1,10,25
103:6,15,19
104:1,7 105:21
106:7,11 107:1

108:7,12 109:1
109:12 110:7,7
111:22 112:14
113:7,8,13
114:4 119:22
119:25 122:23
123:6,7 125:20
127:12,25
128:25 131:16
131:17 143:19
144:5,7 145:3
151:8 156:15
168:19 194:7
206:24 209:13
244:3
constitution's
97:12
constitutional
102:14 105:17
construc 46:2
constructing
148:4
construction
29:6 38:8
39:11 101:18
148:3 182:2
consultation
20:10
consume 17:15
contact 103:12
contacted
239:3
contained
28:22 62:1
contains 15:19
contemplate
106:17,19

www.CapitalReportingCompany.com
202-857-3376

contemporary
66:25 67:20
78:16 120:3
147:25
contention
123:1
context 87:4
145:22,23
157:18 258:7
258:12
continental
56:25 75:16
97:1
continually
22:4 106:19
continuance
36:4
continue 16:24
19:4,15 23:9
38:23 106:4
143:15 157:24
160:4 215:21
216:12 256:5
272:14 275:24
continued
156:5 157:13
246:12
continues
216:24 272:10
continuing
36:19 217:3
236:11,15
296:19
continuities
279:13
continuity
40:24 81:16
83:15 123:12

Meeting

[continuity - cracks]
172:15 191:11
226:13
continuous
31:12
continuum
216:17
contract 79:8
contradictory
90:24
contrast
188:22 189:24
211:15
contribute
275:24
contributed
209:7 257:14
contributing
17:7
contributions
13:20 15:12
contributor
164:15
control 107:4
controversial
236:25
conundrum
238:10
convention
44:18 97:1
102:14,15,18
200:20 207:4
conventions
104:11
conversation
41:2 82:16
91:7 134:22
173:3 185:16
204:1,17 213:5

October 15, 2024

Page 23

221:14 238:5
256:19
conversations
64:17 104:3
256:21,22
284:1
convey 27:25
115:3 177:18
213:14 260:25
285:12
conveying
36:14,22 65:20
66:18 224:6
286:8
conveys 66:22
66:24 67:5
109:3 230:16
260:22 261:8
262:3,7
convictions
158:21 209:18
convinced
213:13
convincing
219:16
cool 45:7
229:12 230:4
coordinated
20:13
copper 18:14
181:24
core 24:10 30:9
85:18 100:21
163:3
cornerstone
102:6
correct 33:20
52:14 92:3

134:1 142:4
166:13 178:14
181:14 223:1
267:7,11
corrected
283:13
correctly 17:15
168:3 237:6
cost 169:6
costello 2:22
9:17,19 54:25
55:4,4 263:1
coty 116:12
council 11:6
96:6
counsel 2:25,25
9:25,25 55:15
202:6,15
240:17 241:1
299:1 302:11
302:15
countenance
158:18
countless
211:24 230:17
246:1,22
country 66:6
82:19 98:23
100:15,21
106:6,11 107:2
152:24 158:24
173:3 209:24
212:1 275:25
281:12 282:17
282:19 283:2,3
286:4 291:1,11
country's
59:14 153:24

www.CapitalReportingCompany.com
202-857-3376

157:17 247:15
counts 276:25
couple 46:10
47:2 64:5
65:15 81:9
105:20 110:10
116:9 133:20
140:5 143:1
183:16 262:16
courage 213:21
219:3 250:14
255:11 274:10
courageous
245:20 248:22
courageously
274:21
course 13:2
17:10 36:11,19
40:5 50:12
64:19 75:3
87:3 102:19
110:2 121:6
126:8 129:1
146:21 181:15
233:21 274:1
court 244:8,11
244:24 302:20
courts 207:23
cover 87:21
covered 95:18
181:23
cq 109:14,18
cq02 72:2,7
crack 62:16
cracking 73:11
73:16 91:15
cracks 110:20
110:25

Meeting

[cradling - declaration]
cradling 59:10
74:12
crafted 13:7
25:16
crafting 29:3
101:15
create 63:6
69:23 233:25
created 33:2
57:19 59:17
60:18 61:2
87:1 103:7,14
163:4 168:21
171:19,21
173:14 177:1,5
184:14 186:4
188:11,23
195:22 207:9
creates 263:16
creating 208:2
233:10
creative 18:4
creator 57:20
credible 175:7
credit 17:22
crisp 277:4
criteria 54:16
critical 20:25
99:6 106:3
criticisms
134:12
cross 51:18
251:13
crossed 289:25
crosses 296:25
crossing 283:7
crow 244:7

crowded 89:2
179:9
crowds 284:11
crowned 99:23
crucial 21:21
82:19 107:16
208:11
cruel 160:18
crush 229:20
crushing
161:23
cry 211:18,22
culminated
156:14 208:3
245:22
culminating
21:1
culmination
20:7
cultivation
39:12
culture 3:11
10:23 11:14
17:8 164:18
183:25 216:9
248:4
curator 1:18
3:10 7:11
10:22 11:12
164:17 216:8
216:10 248:3
curious 42:9
64:7
curls 29:19
currency 75:16
current 23:7
173:18 181:21
182:23

October 15, 2024

Page 24
currently
144:18 275:7
cursive 39:23
40:4
curvy 67:15
cute 273:6
cutting 113:8
d
d 5:8 40:14
41:16 129:13
129:15,21,21
129:21,24
135:23 141:18
141:24
d.c. 1:14 176:5
dad 18:11
daddy's 288:7
dallas 207:15
damstra 52:20
116:9
dare 13:12
date 14:23
26:11 40:15
84:2 120:17
127:10,13
134:23 302:6
dates 68:7 77:7
77:7 84:1
120:18 146:14
daughter 13:15
18:4
david 17:1
44:16 117:24
dawn 26:2 61:8
161:7
day 5:11,11
78:24 216:24

www.CapitalReportingCompany.com
202-857-3376

246:10,13,16
247:5 250:3,23
256:4,5 284:21
285:1 287:5,21
294:9 300:6
days 57:2
263:14
dc 302:7
deal 13:17
53:14 178:17
236:5,15
dealing 32:1,3
deals 227:5
dear 214:22
death 84:2
245:6
debated 28:23
62:2 214:3
debates 216:15
debt 256:17
decades 173:17
184:21 215:9
215:10
decent 21:25
deceptively
224:16
decide 52:11
53:13 228:15
286:10
decided 138:20
279:2 285:21
291:6
decision 150:16
244:11 300:23
decisions 244:9
declaration
4:18 7:20
10:12 19:18

Meeting

[declaration - depict]
24:7,22 25:10
25:22,24 26:4
26:10 27:1
28:6,7,9 29:1
30:11,14,21
32:2 35:7,12
35:15 36:7
37:17 38:15
39:24 50:24
54:13 56:8,20
56:23 57:3,9
58:2,8,13,20
59:2,12,16,22
59:24 60:8,15
60:18 61:11,16
62:6,15 63:5
63:16,17,23
65:17,22 66:17
70:8,17,25
73:22 74:9
75:13 77:1
79:1 81:8,18
82:1 83:3,6,7
83:24 84:20
86:13 87:9
88:2,19 90:16
90:18 91:16
92:17 93:25
94:14 96:4
98:21 99:10
101:11,14
103:14,17,24
104:6 105:14
109:9,13
110:13 114:2
114:21 120:14
125:3,18,24
128:24 130:6

October 15, 2024

Page 25

133:1 143:16
144:5,6 145:3
151:21 163:4
168:21 184:13
194:6 207:6,7
207:8
declaration's
26:5 110:14
declare 56:25
declared 57:20
97:18
declares 60:2
97:13
declaring 66:1
211:21 244:13
244:25
deco 211:11
231:10,13
232:23 236:17
dedicated 24:5
213:20
deem 33:1
deep 59:19
90:11 273:20
273:20
deeper 24:12
deeply 106:9
184:23
defense 97:24
defer 136:7
212:7
define 24:15
58:4 83:10
defined 57:10
98:13 99:8
297:14
defines 97:4
250:19

definitely 69:7
109:18,21
199:4 259:15
269:21 281:2
281:18 282:1
286:18
definitively
58:21
deflects 44:4
degree 104:17
125:6
delay 51:14
53:5 134:22
deliberate
162:8 204:6
deliberation
214:15
delimiter
120:20
delivered
156:21 157:6,8
245:19
delivering
159:14
demand 156:8
211:9
demands
161:17 209:20
democracy
25:20 28:3
30:6 82:20
95:17 211:5,19
213:20 246:3
251:22 296:14
democratic
21:7 24:19
30:19 62:9

www.CapitalReportingCompany.com
202-857-3376

demonstrate
161:1 251:18
demonstrated
250:15
demonstrates
83:7 227:3
229:13 274:25
dennis 3:4 4:8
7:17 12:18,22
13:6,9,19,24
14:5,13,21
15:3 16:3,11
18:22 35:23
dennis's 13:14
denomination
22:22 74:23
146:22 175:24
deny 208:23
department
15:7 18:17
81:2
departure
13:12 19:20
depending
142:15 225:1
depict 25:25
56:12 59:23
60:17 61:1
62:11 66:5
80:3,6 100:8
158:1,17
159:13 161:9
163:24 184:19
187:9,24
196:17 204:11
209:17 215:1
224:9 250:7

Meeting

[depicted - designs]
depicted 76:14
80:14,17 94:1
159:6 160:2
170:18 173:4
190:1 198:12
198:25 199:12
204:3 211:11
247:12 298:2
depicting 80:2
103:1 185:13
189:9
depiction 29:5
85:17 93:17
94:5 101:16
126:1 168:2
187:22 188:16
189:1 200:15
209:5
depictions 58:7
98:25 145:2,2
153:8,10,15
162:6 168:12
196:5
depicts 28:20
59:10,19 60:5
61:6,24 62:19
63:4 99:19
100:3 103:9
159:24 160:6
162:16 185:6
210:17 211:1
211:20 249:15
251:23 252:10
deposition
302:13
depth 158:19
deputy 2:14,25
9:24 12:21

October 15, 2024

Page 26
14:3,4 16:5
249:2 293:25
derived 59:4
80:15
deriving 57:24
85:5
described 57:4
193:8
describes 98:2
98:13 114:6
description
83:8
descriptions
83:23 89:6,8
desegregate
154:9
deserves 81:24
81:25
design 2:15,16
2:17,18,19,20
2:22 8:4,22,25
9:3,6,9,12,18
15:15 20:13
23:10 25:23,25
26:10,12,16,16
27:5,6,18 28:8
28:20 29:2,3
29:14 30:11,12
30:23 31:7
33:11 36:7,17
36:20 37:10,21
38:8,15 40:23
41:15,24 45:25
46:19,24 47:2
47:6,8 48:15
49:7 52:17
53:3 60:22
61:2,6 66:15

67:12 68:8
69:1,17 70:5
70:12,15,19
71:22,25 72:3
73:15,25 74:18
75:10,20 76:2
76:3,7,8,12,18
76:23,24 78:19
79:17 81:15,20
83:22,24 84:8
84:22 85:16,22
86:6,11 87:11
87:13 89:7,12
90:10,19,19,20
90:23,25 91:5
91:13,17,20,21
92:2,8,9,9
96:17 100:11
101:3,10 103:2
105:11,13,17
105:18 106:18
107:5,10
112:12,23
113:12 116:14
117:11,12,14
117:17 118:19
118:21 121:16
122:13,16
123:2,8,17
124:6,7 125:4
125:14 126:6,8
129:13 130:17
131:11,20
132:5 133:2
134:22 135:4
138:13 141:7
149:22 150:6
151:15 152:25

www.CapitalReportingCompany.com
202-857-3376

155:4 159:20
159:20 161:15
162:19 165:11
166:3 168:7,24
170:11,23
171:12 172:9
174:8 175:9
182:17 187:16
189:1,3 190:8
190:10 191:20
202:25 203:6
209:4,11,20,25
210:12 216:21
219:1 220:17
220:25 221:5
222:6,15,18
223:15,18,21
227:10 229:3
229:24 233:21
234:12 235:5
235:22 237:22
239:15 240:15
241:17 243:20
249:2 250:3
252:16 267:17
268:6 269:9,22
270:22 274:13
293:21 295:2
295:11,14,14
295:15,25
298:18 299:8
299:16
designed 108:6
designers
258:2
designs 4:12,16
4:20 5:1,4,5
7:18 11:17

Meeting

[designs - direction]
19:21 20:1
22:9 23:6
24:21 25:2,3,9
27:25 28:8
31:17,25 32:8
32:9,17,23
33:1,6,8,9
34:18 36:1
38:2 41:23
45:8,10 48:7
51:18 55:9
56:7 58:6 60:5
60:19 63:17,22
64:2,11,13
68:14 69:14
71:13,16 72:11
72:16 81:7
84:20 85:19
86:20 88:10
90:9 96:2,19
98:24 99:15
100:7 103:16
103:18,25
104:1,13,18
105:20 106:24
108:3 118:7
122:7 123:20
125:10 127:24
136:23 137:2
141:9 142:1
144:18,21,25
145:7,17
146:10 147:1
149:25,25
150:9,14 152:5
152:14 155:9
158:1,5,11,16
160:14 163:24

October 15, 2024

Page 27

165:21 167:17
167:17 168:5
170:17 172:23
179:25 180:5
191:2,5,24
193:1 197:5
202:4 203:10
205:25 206:15
209:16 210:5
212:2 216:25
217:10 218:16
223:11,12
226:9 227:13
234:21 235:20
237:16 238:2
248:7,13,20
250:6,13
252:21 257:3
257:23 258:1
263:24 266:10
269:11 275:14
279:15 280:15
296:2,4 299:21
desire 204:9
desk 28:16
41:16 61:21
90:17 249:16
desks 249:18
despite 149:20
240:5 246:13
detail 84:3,6
102:12 222:4
222:16 225:15
detailed 68:19
68:21 157:2
274:9
details 70:19
71:1 137:8

149:3 188:7
220:18 258:2
259:8
determination
159:12 162:3
239:25 250:11
277:14
determine 59:1
97:17
determined
244:20 246:1
detract 258:16
develop 25:3
developed
297:22
developing
139:10 206:6
development
51:7 157:19
deviating
107:15
device 138:17
devoted 17:25
dictionary
180:18
died 182:25
288:17 289:25
290:25 291:10
dies 143:1
difference 59:9
188:13 247:4
differences
21:19 281:17
different 21:13
21:14 32:23
44:2 49:1,3
53:11 70:3
71:25 72:8

www.CapitalReportingCompany.com
202-857-3376

82:9 105:20
117:9 138:25
140:3 143:1
148:20 168:24
186:9 210:13
215:15,16
220:11,22
229:15 233:1
254:21 285:9
285:21 286:17
differently
193:10
difficult 20:6
37:12 108:21
125:5 126:10
222:2 264:15
264:25 268:17
dignified
159:25
digression
45:18
diligent 20:8
dime 8:2 20:21
64:3,4 72:23
74:4
dimes 74:24,24
77:12 263:4
diminished
172:24 174:17
diminution
91:24
dip 84:11
diplomat
184:11
direction 37:7
53:7 106:5
129:12 137:23
302:9

Meeting

[directional - dome]
directional
189:15
directly 98:4
107:18 122:17
157:4 207:10
director 2:14
2:23 3:5,14
9:21 10:14,17
11:5 12:21
14:3,4,9 16:5
20:16,18
206:10
directors 16:10
disabled
256:14
disagree 147:6
disappointed
170:16
discard 115:25
discovered
198:19
discovery
30:12 62:4
159:8
discrimination
244:21 245:14
294:5
discuss 8:1,3
132:16 142:3,3
151:6 283:22
289:1,6
discussed 74:1
228:4
discussing
118:7 216:21
254:3
discussion 4:11
4:15,19,24 5:1

October 15, 2024

Page 28

5:3,4 7:18
32:13,19 34:6
50:6 51:25
54:17 55:8
63:24 64:24
95:9,9 96:1,9
129:2 141:15
142:9 143:5,15
143:23 144:9
164:13 165:6
165:16,19
173:12 194:19
202:2 205:13
205:22 217:12
218:8 256:25
discussions
33:24 137:9
157:19 213:10
257:5
disempowered
261:9
disney 254:17
281:9
display 235:1
displayed
36:13 70:25
259:25
displaying
58:25 100:1
dissipating
29:6 101:18
distant 154:19
distinct 81:12
106:1 226:10
distinction
22:20 104:12
distinctly 85:14
211:11

distinguish
222:8
distinguished
159:10
distinguishing
59:5 97:14
222:1
distract 274:24
distracting
235:8
distracts
274:19 275:5
distributed
103:12
distribution
98:17
diverse 210:19
224:7 251:13
252:3
diversity
295:23 298:1
divided 269:4
divine 59:7
97:16
division 247:20
doable 239:9
document
28:11,23 29:9
29:19 30:10
31:15 44:19
60:21 61:12,18
62:1 63:6
76:10 91:18
101:20 114:5
117:21 120:22
documents
12:1 24:6,13
24:15 25:15

www.CapitalReportingCompany.com
202-857-3376

27:16,23,24
28:2 41:4
46:16 54:18,20
61:6 100:11
101:3 103:23
104:10,12
106:20 107:4
111:4 251:22
doing 16:21
34:19 39:3
45:13 48:21
67:17 80:10,10
89:13 111:22
112:21,22
119:12 136:23
138:13 154:18
165:2 185:4
193:17 223:23
255:6 262:18
263:9,11
264:24 294:25
295:1
doll 246:20
dollar 8:2
20:22 58:18
81:20,21 83:2
88:5 99:12
158:8 209:15
210:16 226:1
227:23 233:14
233:15,23
238:15 247:23
279:19
dollars 56:16
142:17,17
dome 100:8
166:22 181:20
181:21,22

Meeting

[dome - earlier]
182:2,5,23
domes 181:25
domestic 97:23
dominating
31:2 102:1
don 46:15,21
77:22 263:3
272:6
donald 2:3
6:19,23 42:13
48:17 52:7
109:3 115:12
117:4 167:15
171:15 174:5
227:15 262:14
265:13,20
266:1
donald's 178:1
232:10 265:15
door 128:3
266:24 276:22
293:22
dots 110:20
double 167:3
230:21
douglass 3:9
10:21 153:19
153:23 156:17
156:19 157:1
157:13,15,22
158:2,18,23
159:2,9,14,16
159:24 160:7
160:10 163:6
163:15,25
164:4,6,9
166:5,22 170:3
172:22 173:4

October 15, 2024

Page 29
173:11,17,20
174:5 176:1,3
176:8,15 182:8
182:15,25
183:15 184:2,7
184:19 185:2
186:5,22
187:10 188:4
188:18,20
191:8,13
193:13,23
194:12,23
196:4 197:11
197:16 198:5,9
198:25 199:12
200:17 204:7
259:18,23
275:3 294:13
downplays
190:6
dq 72:7 109:8
dr 1:21 6:2,4,6
11:2,4 17:22
38:22 65:9
108:18 135:12
191:7 206:9
212:4,7,11,20
213:7 214:19
215:3 220:2
223:6,25
234:19 236:1
242:17,18,22
243:6,18
245:11 260:8
285:12
draft 30:14
44:21 62:6
77:1

drafted 44:15
drafters 57:16
63:5
drafting 28:9
36:14 61:16
102:25
dramatic 19:20
draw 62:14
261:19
drawn 30:8
48:8,16 86:23
93:6 94:3
126:5 145:17
186:1 191:17
221:23 222:8
223:5 258:23
274:8 275:11
277:17
draws 60:4
186:14
dream 214:5
245:19
dress 78:16
147:20,23
210:19 222:2
222:16 258:3
dressed 148:5
dresses 281:3,8
driving 250:18
298:9
dropped 64:5
drove 284:8
dudley 207:15
due 29:18
90:12 148:12
duly 302:8
dump 219:18

www.CapitalReportingCompany.com
202-857-3376

dusty 180:18
dynamic 83:18
86:6 87:13
89:19 123:2
161:3 173:4
261:9
dynasties 97:16
e
e 4:1 5:8,8
23:16 58:11
68:12 99:3
102:7 114:13
147:4 155:3
158:2 209:9
222:13 226:25
242:25,25
247:16 262:3
302:1,1
e's 67:15
eager 258:21
274:1
eagle 22:14,16
22:21 23:11
62:20,22,23
74:21 77:15
earlier 45:22
46:22 50:12
55:24 74:22
109:7 110:9
111:15 112:15
125:25 126:3
132:22 148:6
175:22 181:19
185:16 192:3
205:18 230:15
282:24 283:12
301:2

Meeting

[earliest - emily]
earliest 74:21
155:23
early 32:14
62:20,25 94:22
162:5 183:21
263:14
earn 219:7
earned 154:24
easier 90:5
easily 67:8
139:16 235:20
235:21 277:9
eastern 156:18
easy 40:12
237:20,23
264:3
eat 287:24
eats 276:22
ebay 238:7
echo 120:11
175:19 213:7
214:22 260:10
292:21 301:2
echoed 250:12
echoes 26:23
101:9
echoing 62:17
eclipses 105:19
economic
256:12 296:25
edge 18:15
272:12
edifying 54:21
editor 8:13,15
educated
249:19
education
77:10 217:3

October 15, 2024

Page 30
245:2 248:17
249:17 293:6
294:3
educator
294:10
effect 42:4 97:2
232:2 259:24
effected 51:4
effective 187:8
187:18 258:24
298:4
effectively
208:19 278:24
effects 210:6
effort 164:25
180:23 195:5
209:7 224:6
252:18 272:24
295:20
efforts 156:13
193:21
eight 17:7
24:20 130:14
130:21 131:13
203:1,2 299:9
eighteenth 59:6
either 36:20
56:12 79:2
89:9 94:9
110:12 136:21
137:10 190:23
191:16 200:11
228:2,17 232:8
233:3 237:21
264:7 265:11
elder 159:25
193:20

elected 98:4,6
election 85:9
electoral 98:6
electronically
55:14
elegant 68:7,14
269:8
element 37:10
37:10 53:3
104:20 123:5
138:9 149:8
227:10
elementary
246:8,11
elements 49:25
58:9 83:24
84:5 93:14
99:2 122:6
145:12 211:16
267:25
elevate 21:16
172:25
elizabeth
184:17 207:2
elliott 3:10
10:22 11:12
164:16,22
165:10 181:11
187:3 192:1,5
192:8 193:4
196:25 197:2
205:15,21
248:3 255:20
255:23 256:25
257:10 292:15
292:16 297:19
297:23 301:6

www.CapitalReportingCompany.com
202-857-3376

elliott's 201:15
ellis 270:2
eloquence
13:13
eloquently
293:24
emancipation
157:10 159:5
161:8 163:1
182:4 194:9
embedded
59:12
emblazoned
211:7
emblem 99:24
274:21
emblematic
91:8 158:5
209:11 247:18
275:8
embodied
102:8
embodiment
25:19 160:24
embodying
57:12 159:17
161:13 251:25
embracing
266:23
emerge 26:1
61:7
emerged
157:16 211:12
emerges 161:6
emerging
30:18 62:9
emily 52:20
116:9

Meeting

[emmett - equality]
emmett 245:4
emotional
43:21 44:4
emotionally
43:8
emphasis 277:7
emphasize
107:17 279:2
emphasized
213:23 280:1
emphasizes
123:6 154:19
emphasizing
28:22 61:25
63:12,14
122:21 249:24
employed
302:12,15
employee
302:14
employs 25:14
30:2 61:4
101:1
empowering
266:11
emptied 284:19
empty 249:18
emulates
172:16
enabling 19:25
enacted 209:1
244:4
encapsulates
155:11
encircle 27:17
encircles
160:25 162:19

October 15, 2024

Page 31
encompass
217:1
encompassed
156:12
encounter
87:16 183:14
encounters
84:10
encourage
243:2
encouraging
157:23
endeavor 93:2
endeavors
254:22
ended 193:24
194:1
endowed 57:20
ends 283:15
endure 287:15
endured 247:3
enduring 28:1
210:24
energy 17:16
enforce 236:11
enforcing
294:1
enfranchisem...
208:17
enfranchising
207:1
engage 18:1
165:10 233:9
engaged 153:2
153:16 157:4
engagement
19:20

engaging
148:16
english 201:14
engraver 2:21
9:15 137:16,20
204:8
engraving 2:22
9:18 87:1
enhance 69:8
135:9
enjoy 48:12
68:25 119:12
enjoyed 227:2
256:21 258:5
enlightened
107:2
enlightenment
26:3 28:13,21
57:13 59:11
61:10,20 74:13
76:15 99:21
100:5 120:16
enraptured
159:20
enriching 17:6
enshrined 30:4
enslaved
156:18 159:7
188:24 196:18
enslavement
155:15 160:16
ensure 33:2
97:23 137:24
226:24 261:11
ensuring 244:4
entered 246:10
289:22

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202-857-3376

entertain 52:2
139:23 143:22
300:4
enticing 236:19
enticingly 20:1
entire 17:25
36:2 80:22
84:13 117:3
121:17 133:7
138:16 196:6
entirely 22:2
254:24
entitled 55:20
96:12 128:9
202:10 240:22
298:22 301:24
environment
95:14 173:19
environmental
25:17
equal 57:19
59:18 61:2
87:1 163:4
168:21 171:19
171:21 172:19
173:15 177:1,5
184:15 186:4
188:11,23
195:22 207:10
238:8 244:4,13
244:22 261:11
283:9
equality 87:5
155:13 194:5
208:12 210:10
210:21 237:18
237:19 246:3
247:20 248:21

Meeting

[equality - expands]
250:24 251:20
252:19 294:15
296:14,21
equally 35:3
185:24
equitable
250:16 252:2
era 161:8
170:20 229:13
236:18 249:5
249:21
eradicating
160:21
erecting 29:7
101:19
err 68:22
escape 85:11
escaped 156:19
escort 287:4
293:14
escorted 246:8
246:15 249:2
escorting
267:20
especially
41:10 42:6
45:15 74:23
81:7 95:12
195:12 196:6
220:11 221:1
221:22 222:17
227:9 258:6
268:11 269:12
275:8 287:7
espoused 60:20
essence 54:13
essential 24:6
28:1 29:23

October 15, 2024

Page 32

31:8 160:5
essentially
32:12 83:16
168:4
establish 97:22
established
22:15 57:17
97:19 222:25
establishes
97:3 258:12
establishing
258:7
establishment
152:18
esteem 18:20
esteemed 18:15
35:23 147:7
et 298:1
etched 158:19
europeans
82:13
evaluation
54:16
evans 2:18 9:5
9:7 56:9 96:21
152:7 206:2
243:23
event 21:12
53:9 65:19,23
65:23
events 145:15
219:6 279:4
eventually
184:11 283:3
everhart 263:3
everybody
44:11 79:22
169:18 212:23

296:7
everyday
211:24
everyone's
234:24 295:16
eviction 247:2
evident 57:15
60:24 93:20
285:6
evil 286:1
290:20
evocation
110:3
evokes 28:14
evoking 159:14
250:8
evolving 38:18
48:15
exact 144:13
293:10
exactly 52:23
79:12 87:5
116:11 125:6
142:22 148:13
185:4 235:10
268:18 285:7
293:2
examine
152:18
example 33:11
45:22 157:22
172:13 225:1
226:20 235:18
244:10 247:1
279:16
excellent 76:3
129:10 178:6
227:1

www.CapitalReportingCompany.com
202-857-3376

excellently
49:6 69:12
88:10
except 35:4
53:23 113:5
exceptionally
20:6
excerpt 231:3
excited 66:11
273:15
exciting 49:6
84:12 86:5
108:5 140:13
165:6 172:9
exclude 173:16
exclusivity
33:10
excuse 90:10
90:20 150:3
executed
275:13
execution
124:20
executive 98:10
exemplifies
250:3
exemplify
154:25
exercised 63:15
exercising
210:18
expand 215:4
215:18
expanded
152:22 215:21
expands
153:24

Meeting

[expansion - father]
expansion
154:24
expansive
84:16 215:19
expectation
117:2
expectations
117:3
expensive
43:25
experience
17:6 118:15
213:9 276:2
experiences
158:20 244:17
experiment
21:7
expertise 11:16
experts 10:9
54:1 145:9
182:14
explain 46:12
110:25 224:14
224:14
explained
72:10
explaining
109:23
explanation
126:12 201:16
explicit 107:7
explicitly 83:5
106:13 173:7
explore 152:20
express 65:13
126:25 141:8
253:24

October 15, 2024

Page 33
expressed
59:21 93:6
99:10 116:7
153:7
expression
58:3,14 70:7
71:23,25 72:5
72:8,25 73:3
74:15,16 93:15
111:17 122:10
122:22 159:17
210:23 211:18
222:12 251:25
252:9 258:20
expressions
83:9 258:4
extend 158:25
extends 272:16
extension
206:25
extent 72:21
73:4
exterior 182:24
external 3:12
11:1 206:8
extra 136:24
224:10 294:17
extraordinary
57:4 169:6
extreme 179:8
extremely 15:4
204:5 224:8
286:8 294:6
eye 17:5 236:19
eyebrows
171:22
eyes 107:19
118:24 198:2

253:9 285:22
f
f 302:1
face 44:7 45:10
71:23 72:6
111:17 122:10
155:1 169:10
193:14 258:21
266:25 277:13
286:17 289:24
289:24 294:12
294:18
faced 244:1
246:15 285:25
286:1
facial 258:4
facing 172:16
190:23,24
191:3
fact 12:16
13:13 21:5
32:7 33:6
46:17 51:5
69:21 70:24
80:5 89:24
93:23 94:1
109:10 122:16
122:20 174:13
181:5 187:12
189:5 215:15
218:16 236:25
240:7 252:24
258:8 266:22
271:19 281:1
282:15,16,25
283:10,14,15
292:11 293:13

www.CapitalReportingCompany.com
202-857-3376

failed 13:6
fair 245:24
296:18
faith 245:12
falls 35:11
184:13 200:20
207:4
familiar 84:14
93:10
family 13:14
14:5 17:20
19:1 164:5,6,8
247:3 255:13
283:23 289:20
289:22
famous 159:15
267:19
fan 94:8 176:23
190:23 271:11
281:14
fantastic 39:15
46:18 203:12
far 18:12 42:15
42:18 94:15
108:13 111:20
126:3 187:5
198:19 199:21
220:20 269:15
276:5 279:25
fascinating
79:25
fascism 244:18
fast 111:20
father 160:10
185:3,3,7
191:9,11
198:11 199:1
287:1,2,5,15

Meeting

[father - find]
287:15,17
288:6,17
290:22
father's 247:1
291:3 295:9
fathers 185:13
favor 12:11
73:17 133:15
135:11,24
143:7 301:14
favorably
134:10
favorite 18:11
40:23 46:20
69:16 70:23
72:22 73:4
74:11 93:3
94:14 108:13
108:15 124:14
126:4 169:25
170:7 174:12
176:22 177:15
187:5 200:13
221:7 223:11
231:8 269:19
270:9
favorites
280:24
feature 29:10
58:6 60:19
63:11 98:24
101:21 153:19
166:19,19
223:3 248:13
252:2
featured 25:10
153:11,23

October 15, 2024

Page 34
features 26:12
59:15 60:13
61:2 99:25
100:11,14,23
102:5,12 103:5
154:7 155:4
160:1 209:4
211:6 247:11
249:22,24
250:21
featuring 23:11
49:2 96:19
118:20 154:14
february 14:12
federal 5:14
97:6,7 98:13
98:14 104:3
153:3,6 207:17
236:10 246:9
246:16 257:25
258:9 261:10
282:12
feedback 16:17
25:1 64:9
153:3
feel 37:15
66:13,25 89:5
108:10 109:7
110:3 119:16
126:25 134:8
145:18 191:24
193:2 196:5,9
219:18,21
281:19 291:24
feeling 19:11
293:5
feelings 84:23
137:10

feels 196:7,8
feet 231:2
fell 281:4
fellow 57:15
209:21 288:10
felt 39:5 52:9
118:15,16
213:10 253:23
277:18,20
288:5,14
289:13
female 180:7
188:17
feminine 80:16
80:18
feminist 184:12
184:12
ferguson
244:11,25
fertile 60:14
100:16
field 31:2 89:2
102:1 287:18
fields 271:14
fierce 157:14
161:22
fiftieth 142:13
fight 157:13
160:1,5 193:22
193:22 208:11
215:15 235:2
250:24 252:5
fighting 154:6
155:19 162:4
195:3 213:13
216:18 244:18
256:12 282:18
294:4,18

www.CapitalReportingCompany.com
202-857-3376

fights 156:8
figure 52:16,18
52:23,24 71:18
73:3 146:2
154:8 162:1
166:6 188:17
197:16 198:7,8
204:21 211:16
228:2,3 233:19
235:9 268:18
271:5,6
figurehead
87:14
figures 153:8
153:14,25
162:24 215:10
228:21 229:8
233:22 234:4
252:6 268:19
269:10 274:18
fill 121:17
filled 89:9
fills 293:3
final 44:21
51:14 129:2
152:12,15
243:21 300:4
300:11
finally 5:18 8:3
10:6 30:1 31:7
63:10 67:18
89:11 103:9
160:6 211:20
249:22 252:10
financially
302:16
find 38:2,6
49:15 54:20

Meeting

[find - form]
72:22 81:14
92:19,22 93:5
93:16 94:11
109:16 117:10
125:4,16 126:7
126:25 145:16
191:1,18 197:5
213:15 218:24
262:8 267:6
279:24 280:16
288:3 289:20
fine 24:24 52:5
113:15 140:14
176:12 186:3
190:15 272:5
finger 125:5
finish 106:16
finished 19:8
fireworks
28:15
first 5:11 11:22
12:23 14:25
21:25 22:8
23:7 25:23
36:6 41:17,24
42:3 45:25
46:17,20 47:2
48:22 58:3
65:17 67:10
71:14 73:9
74:2,17 79:7
82:1 83:8 84:9
87:15 89:13
90:19 91:5,9
92:8 105:9
106:7,8 111:12
111:25 114:24
128:14,19

October 15, 2024

Page 35
132:16 133:13
133:16,16,21
134:7,10,15
135:2 138:16
138:23 140:6
149:12,24
151:10 152:13
152:18 154:9
158:16 163:14
166:3 172:6
176:11 181:22
183:18 194:17
207:4 229:3
231:11 238:8
243:25 253:5,6
254:16 257:1
263:21 270:21
272:11 275:4
282:9,24
283:17 286:20
286:23 289:9
291:19 300:9
fist 162:16
179:8 189:20
200:7
fit 33:1 45:14
48:18 71:19
81:17
fits 83:22 84:4
123:12 188:3
190:11 226:19
238:5
fitted 271:15
five 7:24 11:10
34:9 55:16
56:11,15,19
65:6,14 66:9
70:15 76:23

77:13,25 82:5
92:17,18,19
96:7 105:2
129:22 130:20
131:3,12 132:2
150:13 154:22
218:10 233:10
243:21 299:11
fixed 161:15
flag 103:2,10
113:6,11 124:9
138:17,18
222:9,18 233:3
236:13 250:22
251:24 259:3,6
259:12 270:3,7
270:10 283:11
flags 223:10
251:12 272:25
flame 123:3,4
flames 100:4
flanked 209:21
flatter 140:19
fledgling 36:23
flight 23:12
flip 114:17
flipping 123:13
flourishing
29:23
flow 134:16
flowing 211:14
fly 226:2
fob 166:10
fobs 180:15
focal 236:3
focus 30:9
144:8 226:16
258:15

www.CapitalReportingCompany.com
202-857-3376

folders 81:3
folks 54:14
95:18 119:19
266:13 293:3
follow 45:21
followed
149:19
following 8:19
46:25 52:1
128:7 134:9
149:19 152:25
211:12 217:15
224:11 244:2
follows 25:23
fond 49:24
font 39:23 40:3
40:4,25 94:8
110:4 146:13
147:4 226:25
231:10,13,15
232:23
fonts 236:17
273:22
food 95:19
force 159:18
250:18 275:19
294:1
forced 233:2
forces 106:16
forefront
248:18
foregoing
302:2
forget 19:2
forgive 264:14
forgotten 277:9
form 23:4
24:17 26:23

Meeting

[form - freedom]
59:1 63:2
97:19 98:3
101:6,9 104:7
163:2
formally
245:13
format 39:8
113:19
formed 44:13
156:1,7 245:21
former 7:17
172:18
forming 13:3
29:10 31:12
101:21
forms 60:9
103:2
forth 27:1
72:15 119:14
171:8 260:5
fortunate
206:5 282:11
forward 11:15
16:24 25:8
27:10 50:14
56:19 85:18
107:23 117:19
117:20 119:24
129:5 133:18
134:16 152:23
160:13 165:5
203:13 209:18
213:12,21
214:11 219:2
219:13 222:5,6
222:10 223:7,9
247:5 249:17
250:11 275:23

October 15, 2024

Page 36
275:24 278:13
281:23 283:2
286:4 291:16
fought 161:18
162:18 209:23
244:23 249:14
250:15 252:1
283:1 287:2
found 19:21
38:19 40:13
90:9,11 100:5
122:5 126:18
173:6 180:18
181:20 215:11
238:7 289:22
foundation
3:18,19 41:4
57:17 99:18
102:5,9 114:13
163:2 210:9
254:19
foundational
111:3,4 162:9
248:21
founder 8:13
164:5
founders 97:18
99:8
founding 24:7
25:15 26:7
27:16,23 28:2
30:6,9 31:14
54:18 56:17
60:20 61:6,14
62:18 100:11
101:3 103:23
104:10 106:20
107:3 152:19

155:7 158:24
160:10,12
161:10 185:2,3
185:7,13 191:9
191:11 198:11
199:1 207:11
247:15 251:1
251:16,20,22
252:20
four 7:23 10:24
13:5 43:4,5
45:15 70:4
76:12 93:4
94:9 129:16,22
130:20,22
167:17 206:5
210:17 241:18
246:8 270:21
278:24
fourth 28:15
157:9 159:16
foxhole 287:18
fractured
76:20 95:14
fragility 62:17
62:17
frame 27:3
framed 15:19
222:13 259:10
frames 63:14
framework
26:22 29:7
97:5 98:23
99:8 101:8,19
framing 138:9
franklin
102:16,18

www.CapitalReportingCompany.com
202-857-3376

frankly 118:17
125:9 138:19
292:4
frantz 246:7
fraser's 160:8
frederick 3:9
10:21 153:19
156:17,19
157:15 158:1
158:18 159:13
159:24 160:7
163:6,15,25
164:4,6,9
166:4,22 170:3
170:8 172:22
173:3,17 174:5
176:1,3,7,15
182:8,15,25
183:14 184:2,7
184:19 185:1
186:22 187:10
188:3,18 191:8
191:13 193:13
193:23 194:12
194:22 196:4
197:11,16
198:5,9 200:17
204:7 259:18
259:22 275:3
294:13
free 118:13
160:22
freeborn
188:19
freed 179:7
191:14 296:11
freedom 23:20
23:24 24:3

Meeting

October 15, 2024

[freedom - george]
25:6 27:21
29:17 30:4
82:21 156:10
156:20 157:21
159:4 160:3,16
161:18 162:10
162:14 195:1,7
196:19 197:23
198:4 245:18
246:3 251:21
252:7,19 293:7
294:14 296:14
freedoms 27:8
29:23 43:4
45:15 161:12
freestyle 46:6
fresh 265:24
friend 17:1
288:23
friendly 141:17
friends 16:13
16:22,25
friendship
13:22
front 55:11
72:19 200:2
219:5 224:20
225:25 246:25
275:17 278:25
284:8,19
fueled 100:17
159:22
fugio 62:25
75:17 77:17
79:2,3,6,17
94:23 151:20
fugitive 198:1

Page 37
fulfill 248:23
296:14
fulfilled 22:3
fulfilling 157:6
full 22:17
136:21 139:9
162:15 173:5
176:15 215:24
227:24 235:1
249:6 286:10
294:1
fuller 6:2,4
fullest 252:9
fully 27:14
functional
98:23
functions 65:18
fundamental
29:16 57:10
98:8
fundamentally
251:2
further 50:6,6
55:7 96:1
118:4 137:8
138:5 142:8
182:20 202:2
218:6 302:9,13
future 21:1
27:13 86:1
99:20 106:4
139:4 142:1,20
142:23 154:16
160:4 250:16
250:20 281:21

g
g 5:8
gabriel 70:16
gabrielle 93:13
gain 218:18,21
295:20 296:13
gained 244:15
gallery 187:12
galvanized
248:23
gap 251:15
garb 58:9 99:1
144:21
gardin 160:8
garrison
156:25
gary 241:3
gather 284:12
gathered
164:23
gathering
245:16 296:23
gatherings
156:12
gaudens
262:19,22
gaze 106:22
158:20 161:15
248:16
gazes 27:10
249:16
gear 144:22
gelberd 2:5
6:24 7:1 19:13
35:19,21,22
74:7,8,9 120:9
120:10,11

www.CapitalReportingCompany.com
202-857-3376

146:8,9 175:16
175:17,18
230:9,10,11
238:13,13
268:8,9,10,15
gender 87:4
250:11
general 1:20
2:7,8 5:24 7:3
7:7 20:12
32:19 63:24
64:23 93:21
96:9 97:24
113:3 119:17
121:7 134:11
146:20 165:11
187:20 188:3
217:12
generalized
58:10 99:3
generally
220:10
generation
295:4
generational
210:7
generations
27:13 154:17
160:4 161:23
generic 78:25
79:1
gentle 248:16
gentlemen 8:17
genuinely
256:1
george 84:15
102:13 112:24
118:21 149:4

Meeting

[george - good]
160:8 191:12
199:18 204:22
georgia 11:3
gesture 219:19
getter 135:24
241:14
getting 13:1
206:12 274:13
giant 190:6
gilkes 8:14
girl 247:4,7
248:18 288:7
293:12
give 16:6 87:12
111:19 112:19
114:8 115:9
118:24 137:20
152:11 241:5
242:9,12
given 95:13
197:11,15
198:7 231:1
276:25
gives 108:4
123:24 169:1
195:13 297:3
giving 40:25
70:16 89:21
173:5 227:12
255:24
glad 48:1
132:13 220:4
glance 67:10
149:12 272:11
glorious 213:8
214:10
go 13:3 16:8
25:23 35:5

October 15, 2024

Page 38
36:25 37:6
39:4 42:23
44:20 48:10
52:11 53:13
67:22 74:20
76:1 77:11
78:2 79:2
84:24 110:17
114:9 116:19
119:8 120:24
129:5 130:12
133:18 134:16
135:13,14,17
140:7,9 151:19
158:11 168:4,5
173:19 175:1
178:2 179:2
181:9,16
182:13,13
183:12 189:11
206:14 219:13
219:23 222:6
225:14 228:2
228:22 230:2,3
232:8,24
237:15 238:25
260:17 266:8,9
268:18 269:11
276:24 277:3
284:4 287:22
287:23 292:8
goal 22:4
207:20
god 23:17
58:12 77:10
99:4 114:11
146:14 158:3
209:10 247:17

269:3 271:13
300:20
goes 67:12
109:4 130:8
164:13 175:11
272:16
going 21:7
33:21 34:14,20
37:6 38:5
40:21 41:9,14
44:19 45:21
47:2 48:5
51:13,22 68:21
68:23 71:21
74:24 75:1,9
76:1,16 77:6
77:24 78:2,11
78:20,21 79:20
80:25 81:6,10
81:11,11 88:8
90:5,21 91:5,6
91:12 108:24
109:21 111:18
111:20 112:18
113:3,17 114:1
116:1 117:12
118:4 128:1
136:19 140:6
141:4 145:19
145:20,21
146:2,3,4,4
147:22 148:3,4
148:14,21,22
149:7,11 150:3
151:11,11
168:2 177:4
178:1,7,8,16
178:18,23

www.CapitalReportingCompany.com
202-857-3376

190:5 198:2
201:9 212:22
217:16 219:19
219:22 220:16
221:8 223:14
225:13 226:1
228:16,17
229:17,20
232:24 233:5
237:8 241:7
257:22 258:8
260:5,17 264:7
264:8,9,9,16
265:4 266:17
266:25 273:2
275:11,22,23
275:23,24
276:24 277:21
278:13 281:16
281:18 282:2,4
283:21 284:2,4
286:3 288:4,15
288:24 292:20
293:12,12
gold 14:21,24
14:25,25 15:17
227:22
good 5:9 14:4
16:16 18:1
21:24 22:5
38:1 40:11,20
47:24 68:12
76:24 77:4
105:7,13
112:25 117:11
117:14,19
122:10 129:9
129:10 133:8

Meeting

[good - guess]
146:10 151:15
173:9,12 175:9
179:9 181:15
188:8 202:18
218:6 221:6
230:21 231:22
238:11 240:10
264:20 286:1,8
290:9,20 291:7
goodman 290:3
google 271:6
gorgeous 258:1
gotten 287:5
governance
26:19 161:17
governed 24:17
31:5 57:25
59:5 85:6
102:4
government
3:1 10:3 26:24
29:12 31:4
57:6 58:15
59:4 97:5,6,8
97:10,20 98:3
98:9,14 99:9
100:9 101:6,13
101:23 102:3
105:22,24
106:5 118:1
210:2 261:10
273:19,21
294:1
governmental
98:17
governments
57:23

October 15, 2024

Page 39
governor 44:23
grabbing
221:22
graceful
211:15
grade 77:8
140:25 288:21
graduated
273:25
granddaughter
263:5
grandfatherly
197:16 198:7
grandkid 86:12
grandparents
247:2
grandson 3:8
10:21 163:15
164:4
granted 208:1
granular 137:8
grateful 16:20
216:5 243:4
gratitude
256:18
gravitated
177:6
gray 184:21
grayscale
178:7
great 3:8,8,8
10:21,21,21
12:25 13:8,17
36:2,14,17
41:2 42:16
44:12 53:6
57:1 68:5 74:4
74:17 75:3,5

113:14 119:19
120:15,20,23
120:25 121:4
140:15 146:25
155:1 163:14
163:15,15
164:4,4,4
184:25 188:12
205:22 215:17
216:14 219:3
230:16,19
236:5 255:7
264:17,21
266:21 268:25
269:8 273:20
274:3 277:5
284:13 297:12
greco 85:16
greek 67:15
68:12
greeted 285:1
greg 2:25 9:24
33:16 55:15,17
96:6,8 128:2
128:15,21
129:5 132:10
182:18 202:6
202:15,16
239:11 240:9
240:18,20
241:1,22
298:20 299:1,3
299:23
grenade 288:9
grew 189:12
grip 85:11
gripping
211:23

www.CapitalReportingCompany.com
202-857-3376

grocery 126:16
ground 95:19
123:25
grounded 31:4
102:3 251:2
grounding
154:3
group 3:14
8:14 11:5
73:15 76:1
100:23 104:4
150:15 155:25
206:10 216:14
232:15 251:13
groups 112:1
169:6 283:19
grow 60:12
growing 26:17
69:19 100:21
101:4 139:6,6
151:13
grown 18:7
108:9
grownup 284:1
grows 29:22
115:6
growth 60:16
grueling 20:25
guarantee 57:7
208:16
guaranteed
27:9
guaranteeing
208:6
guard 229:19
guess 222:25
230:3 264:8

Meeting

[guests - heard]
guests 224:4
234:19 243:10
guided 24:13
109:5
guiding 225:4
274:19
guy 171:4,13
guys 111:21
300:17
h
hair 59:13 70:9
86:18 99:16
123:1 184:21
188:7 249:24
hairdo 178:22
hairstyle 59:9
258:3
half 5:13 8:2
20:22 21:19
74:24 81:20,21
83:2 88:5
142:18 209:1
228:2 233:14
233:23 279:19
288:10 301:20
hall 60:17
62:12 73:20
75:12 79:13,14
91:17 93:18
103:5 118:8,14
118:20 287:25
hallmark 23:2
hamilton 15:21
hammered
69:22 124:16
hammering
69:16 71:14

October 15, 2024

Page 40
hanchock 2:19
9:8,10
hand 30:8 33:2
51:9 61:25
63:4,13 86:8
91:4 99:22
103:1 109:13
113:11 117:21
119:15 120:1
120:22 134:4
134:24 136:16
141:2 143:8
144:11 146:7
147:10 149:16
160:17,22
165:23 179:7,7
189:20 203:16
204:14 210:7
210:21 211:23
217:12 249:8
288:9 298:20
handed 122:20
hands 69:2
73:25 94:4
100:23 105:24
110:11 112:13
122:19 161:4
161:12 175:7
177:11 210:17
219:8,15,17
220:22 221:11
231:16 232:20
234:8 250:22
258:25 259:3
264:25 265:1
266:6 269:18
275:20 277:15
281:25 286:10

291:15
handsome
76:13
handwriting
113:7
happen 144:3
283:4 289:10
298:6
happened
44:11 64:8
67:6 118:17
266:3 289:14
290:11
happening
261:2 284:14
happens 182:3
happily 18:3
happiness
57:22 60:25
102:22
happy 18:25
46:15 47:19
52:8 54:11
132:25 136:12
164:1 186:11
198:1 223:15
226:11 242:8
274:4 278:14
harcourt 6:2
hard 21:3
65:24 106:21
138:12 154:24
160:3 161:18
170:18 224:9
224:11 283:1
287:7
harder 38:4

www.CapitalReportingCompany.com
202-857-3376

harm 271:16
harriet 94:6
207:12
hate 247:7
hated 213:9
hateful 293:15
hatred 284:10
285:1 294:12
head 79:3
116:1 144:22
224:5 239:23
239:25 275:18
276:1,4
headed 224:21
230:22 239:18
headline
148:19
headlines
149:13
heads 38:12
185:21 225:3
279:2 282:15
healthy 100:15
100:20
hear 20:22
48:5 49:9
78:11 79:22
89:24 128:8
129:7 169:17
197:12 212:13
212:18 214:8
254:3 270:1,4
heard 74:11
83:8 91:7 92:7
118:22 201:15
223:6 230:15
253:14 283:24
292:1

Meeting

[hearing - hold]
hearing 11:16
11:21 12:2,14
18:8 55:8 95:4
127:22 143:6
167:9 235:15
240:13 257:7
hearkening
78:18
hears 84:10
heart 285:4,5,8
288:7,9,13,18
heartfelt
292:18
heavy 125:5
300:18
heels 45:15
height 139:9
held 85:11
166:16 211:21
211:23 251:8
hell 111:21
hello 216:4
help 17:3 77:10
119:19 146:15
193:24 197:22
274:4
helped 247:9
252:13 296:12
296:13
helpful 104:19
204:5,20
helping 266:23
266:24,24
helps 138:8
heraldic 62:20
74:20 77:15
heraldry 75:4

October 15, 2024

Page 41
hero 288:8,8
herrera 3:12
10:25 206:7
212:4,15,18,21
214:19,21
220:2 234:19
235:13,14
243:13,16
hestia 122:12
hey 112:24
148:19
hi 133:11 146:8
163:17 164:22
229:1 239:4
hideous 116:2
high 77:5
130:17,23
131:10,20
132:4 133:15
179:19 183:13
201:13 202:24
203:5,10
211:21 241:13
241:16,19
273:25 299:8
299:15,21
higher 74:23
135:23 149:2
highest 22:22
129:17 144:18
highlight 56:16
105:18 188:12
188:22
highlighted
226:15
highlighting
28:21 85:4
104:16 226:19

249:20
highlights
28:19 248:16
highly 33:25
236:25
highway 251:8
hinder 150:17
hispanic
208:24
historian 21:10
184:25 261:7
historian's
242:19
historic 40:4
56:13 153:8,14
153:15 154:8
176:5 245:9
248:18 293:11
historical 20:4
127:15 145:14
166:21 177:2
183:11 204:20
209:9 220:15
220:20 267:25
historically
186:3 223:20
225:16 233:2
261:8
histories 21:13
history 1:22
3:11,13,16 6:7
10:23 11:2,3,7
11:8,13 17:9
21:12 22:14
23:3 24:14
58:2 80:9,24
88:15 98:20
99:7 109:4

www.CapitalReportingCompany.com
202-857-3376

115:8 119:9,20
121:2 152:17
154:5,19
157:17 164:18
185:1 197:12
197:13,15
206:8 207:1
208:9 212:24
214:2 215:2,5
215:6 216:8,9
216:11,16
217:4 245:16
246:7 248:4,22
253:8 260:15
289:2,7,12
290:7,11
291:25 296:6
hit 45:10 46:17
139:12 288:9
hitting 224:4
hmm 218:1
hoard 2:7 7:2,4
47:22,23,24
80:19,21 81:23
105:7 136:17
144:12,16
147:7 148:10
172:3,4,5
204:15 226:6,7
226:8 273:13
273:14,15,24
280:1 300:11
300:15
hobby 146:24
hoisting 251:12
hoists 209:19
hold 54:20
57:14 60:23

Meeting

[hold - iguana]
66:12 69:22
75:8 128:17
158:24 275:19
holding 59:24
63:13 72:2,3
90:14 99:20
103:1 117:20
120:17,22
211:2 219:8
223:10 235:23
268:2
holds 99:22
106:25 251:24
296:3
hole 287:19
290:6
home 184:9
246:10 287:12
288:2 291:12
honestly
178:24
honor 13:18
24:10 164:24
255:10 268:12
honorable
165:3
honorably
15:13
honored
218:22 257:18
honoring 15:6
24:21
honors 83:5
hope 21:23,25
22:2 35:23
130:8 252:1
254:6 293:4
296:3

October 15, 2024

Page 42
hopeful 293:5
hopefully
89:22 229:21
274:2
hoping 143:21
horizontal
239:6 280:4,6
280:8
horn 59:25
horrific 218:21
horse 77:5
hour 5:13
301:21
hours 17:15
48:2
house 1:25 6:3
6:14 98:4
182:15 225:16
225:19
housed 24:4
29:12 101:23
household
289:6
housing 245:24
296:18
huge 84:12
253:7 266:14
human 156:4
162:1,24 163:5
169:5 186:12
196:5
humanity
198:3
humble 256:1
humbled 253:6
253:24 290:17
hundred 88:21

hundreds
271:20
hunger 207:25
hunt 3:5 10:14
31:19 54:1,6,9
54:23 95:5,5,8
95:22 127:5,8
127:19
hunt's 54:5
husband 13:15
17:22
hypocrisy
188:12
i
iconic 30:24
79:11 82:19
87:3 88:12
101:24 106:8
178:9 226:15
250:9 251:3
261:25 262:11
263:12,13,15
269:23 275:14
278:10,19
279:9 281:7
282:13
icu 17:24
ida 207:13
idar 207:14
idea 42:8,10
59:17 108:7
112:18 133:17
178:19 190:5
200:6,7,25
204:6 222:8
231:22 236:16
236:24 251:1

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202-857-3376

253:19 266:14
271:2,12 293:4
296:18,20
ideals 24:19
27:1 28:19
59:11 61:10
83:1 101:14
155:13 156:9
157:6,25
161:10 193:25
207:11 246:3
248:21 251:16
251:20 252:6,9
252:19 294:14
ideas 26:3,7
28:1,22 57:12
57:16 61:15
62:1 63:9
212:25 251:1
identification
104:5
identified
297:19
identify 8:4
34:10 58:21
65:7 105:3
109:16 148:2
167:13 218:11
identity 30:17
58:5,15 62:8
83:10
iggy 14:6,7
19:2,3
ignited 159:3
ignorance
85:12
iguana 14:6

Meeting

[ii - incredible]
ii 15:25 138:18
244:17
illuminated
27:14
illuminating
129:12
illusion 209:22
illustrate
125:16 154:24
248:20 250:16
252:6 298:12
illustrates 29:3
101:15 159:2
210:6 252:16
illustrating
25:19 162:2
image 46:2
65:25 69:12
78:19 79:19
90:11 110:4
121:4 134:15
159:16 170:17
176:8 177:16
179:19,20
184:24,24
186:23 188:6
190:4 191:8
193:6,6,8,9,19
194:11 196:8
199:9 214:4
219:11 227:24
236:17 237:1,2
261:16,23,25
262:12 263:12
263:15,16
264:10,10
276:20,23
277:5,24

October 15, 2024

Page 43
278:13 279:25
293:10
imagery 27:25
30:2 34:2
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250:25
images 56:13
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196:23 198:18
221:9 260:2
264:5 275:15
297:3,6,11,13
imagine 255:2
immediate 81:1
86:24 183:22
immediately
37:13 40:6
110:5 126:11
173:18 236:5
262:1
immediatist
184:3
impact 25:18
43:21 44:4
194:19 250:2
255:7 274:20
297:14
impacted
246:24
impactful
188:6 255:1
impacts 88:2
impeded 244:6
imperative
294:16 295:7
295:11,24

implemented
244:7
implications
106:20
importance
157:20
important
62:25 66:3
82:24 106:9
126:25 138:10
157:16 164:25
168:3 172:25
173:2 174:15
183:16 184:4,6
187:9 188:21
193:16 194:5
195:12 204:25
214:25 215:1
219:6 232:16
244:10 258:6
260:25 266:4
267:25 269:23
271:17 274:15
275:1 281:20
285:18 291:25
294:6,21 295:3
295:8,8,9,10
295:22 296:23
impossible
47:15
impress 13:7
impressed
282:23
impression
87:7,9
impressive
283:16 286:7

www.CapitalReportingCompany.com
202-857-3376

imprisonment
180:2 196:15
196:16
inalienable
59:21
inappropriate
236:18
inch 15:20,22
incident 289:14
inclined 228:20
include 14:6
58:11,17,19
88:6 99:3,11
99:13 136:1
153:14 158:2,7
166:20 182:15
186:3 204:19
209:9,14
247:16,21
275:4
included 57:9
153:9 162:11
180:6 204:4
includes 7:14
23:15 60:22,24
103:3 128:22
including
29:17 154:17
157:7 184:9
207:12 208:23
215:11 246:19
inclusion
153:23
incorporates
26:11
incredible
34:16 255:10
268:12

Meeting

[incredibly - installments]
incredibly
66:15 214:25
255:1,16,16
incuse 264:7
incused 217:19
independence
4:18 7:20
10:12 19:19
20:24 22:1
24:8,22 25:10
25:22,24 26:4
26:10 27:2
28:6,7,10,18
29:1 30:14,22
32:2 35:7,12
35:15 37:18
50:24 56:8,20
56:24 57:1,3
58:2,8,13,20
59:3,13,17,22
59:24 60:3,9
60:15,17,18
61:17,23 62:12
63:5,16,23
65:18 66:18
70:17,25 73:20
73:22 74:10
75:12,14 77:2
79:1,13,14
81:8 83:3
86:13 87:10
90:17 91:17,17
92:17 93:18
94:1,14 96:4
98:22 99:11
101:11 103:5
103:14,17,25
104:6 109:9

114:3,21 118:8
118:14,20
125:3,24
128:24 130:7
133:2 143:17
151:22 163:5
194:7 207:8
independently
136:7
indicate 8:20
138:21 141:25
indicated 128:6
138:25
indicating
293:25
indicator 82:24
individual 23:3
24:18 31:8
63:2 155:19
186:16 226:14
255:5 257:5
273:3
individuals
28:24 62:2
221:9 246:23
inequality
251:17
inez 207:14
inflection
20:25 56:16
58:1,22 92:20
94:20 98:19
99:7 125:17,20
150:13 152:17
233:11 243:21
influence 26:4
27:15

October 15, 2024

Page 44
influenced
61:10
influences 17:8
information
119:11,25
181:20 186:24
204:13 266:6
informative
45:18 54:11
186:23
informed 26:25
101:13
inhabitants
162:13
inhumane
156:3
initial 137:21
initially 121:13
initiatives
10:18 164:7
248:1
injustice
160:21 251:11
inner 182:1,5
innocence
74:16 248:17
249:9 256:15
294:7
innovative
83:18 85:18
107:12 112:6
input 31:21
187:4
inputs 297:21
inscribed 60:10
210:9
inscription
26:9 27:18

www.CapitalReportingCompany.com
202-857-3376

28:25 29:13,24
31:5,15 58:20
60:8,23 63:11
63:14 99:14
100:12,18,22
102:10 103:3,8
103:10 155:3
160:18,25
162:12 210:13
250:12
inscriptions
23:13,15 30:20
58:11,17 84:6
99:3,11 107:20
158:2,7 163:1
209:9,13
211:14 247:16
247:21
inscrutable
122:11
inside 88:25
92:10 118:16
285:3
insight 157:2
insights 90:2
inspection 27:4
inspiration
18:2
inspire 24:12
inspired 24:1
60:16 162:5
inspiring 28:3
38:4 160:3
255:17
installment
25:4
installments
50:15

Meeting

[instance - job]
instance
168:16 191:12
instantly 178:9
221:19 260:3
institute 11:4
57:6
instituted
57:23
institution
161:2 162:21
215:12
institutions
97:6 238:7
integral 122:23
integration
271:24
intellectually
17:5
intense 271:19
intent 70:7
110:14 244:9
249:17
intention 57:6
110:22 244:4
interest 15:13
116:7 136:12
153:7
interested
235:1 254:4
302:17
interesting
42:21 44:8,9
45:5 48:12
73:19 78:4
87:24 89:1
95:10 112:12
113:2 131:14
235:14 263:6

October 15, 2024

Page 45
280:18
interestingly
124:8
interference
68:10
interferes
78:17
interfering
222:14,19
intergenerati...
296:24
intergovernm...
2:24 3:2 9:21
10:4
interlocking
62:24 77:16
interpretation
145:11
interpreted
70:3 127:2
233:16
interracial
156:7 195:5
296:25
intertwining
100:4
intervening
261:11
intervention
262:10
intriguing
223:22
introduce 5:21
233:19
introduced
22:21 164:3
188:4 197:13
233:13

introduction
152:12
inundated 89:6
investor 14:22
investors 22:18
invite 191:22
212:5 234:19
280:13
invited 25:2
156:23 164:24
inviting 54:10
164:9
involved 48:19
214:3 230:18
235:2 242:23
267:13,13
297:4,25
ionic 87:2
irony 80:5
island 270:2
islander 256:13
issuance 23:17
issue 50:20
124:5 180:17
190:16 195:16
195:20 224:19
225:12 227:5
263:7,22,23
269:2
issued 48:20
182:4
issues 11:19
44:13 226:3
244:1
issuing 155:20
it'd 204:20
it'll 36:4 76:3

www.CapitalReportingCompany.com
202-857-3376

item 91:3
128:15,20
iteration
181:22
j
jane 34:14
jeanne 1:23 6:9
34:11 46:25
50:1 68:1,4
119:4,7 134:24
135:2 136:2
140:11,13
141:1 147:10
147:14,17
148:8,12
173:24 174:3
218:12 265:2
265:14,19
267:2,23
jefferson 30:13
57:15 62:5
90:16,18
204:25
jen 3:12 10:25
128:13 206:7
212:13
jennifer 2:23
8:9,12,16 9:20
181:19 212:7
212:20 213:8
214:8 240:25
243:13
jersey 44:16,17
jim 244:7
job 16:16 18:11
36:21 38:4
196:11 247:1

Meeting

[job - kings]
286:8
jobs 245:18
joe 54:24 55:2
95:24 110:25
137:25 138:3
139:21 140:17
238:25 239:4
239:10 264:4
267:16
john 1:25 6:13
32:19,20 45:19
45:21 51:9,11
63:25 64:1
71:11,13 74:14
76:19 78:6
111:6,9 116:22
124:25 125:12
132:21 133:10
133:11 134:6
134:20 139:24
139:25 142:8
149:15,17
169:21,23
172:1 228:25
229:1 237:13
237:14 256:9
270:18,20
277:19
john's 230:22
join 13:15 19:1
210:8
joined 10:7,14
10:20,25 11:11
18:7 250:23
joining 6:5 7:5
31:20 163:20
164:20 243:15
273:17 301:6

October 15, 2024

Page 46
joseph 2:21
9:14 138:5
238:21 239:1
journey 25:15
28:17 61:5,22
101:2 160:16
218:21 219:6
jovita 207:13
joy 13:17 213:3
joyful 213:12
251:25
joys 12:25
jr 245:12
judge 285:10
judicial 98:10
july 24:25
28:15 56:24
62:13 93:6
151:9 157:8,9
159:16 207:5
juncture 20:4
241:23
justice 97:22
154:13 155:14
158:22 160:5
161:17 194:4
210:10 232:1
245:15 246:4
252:11 256:12
294:14 296:15
296:21
justifiable
78:19
justified 57:5
juvenile 121:14
juxtaposing
210:1

k
keep 21:6 34:9
40:22 48:4
50:5 65:6
105:2 129:4
135:4 138:13
167:12 218:9
228:20 272:3
keeping 33:17
138:13 167:18
190:16
keeps 222:11
kellen 2:7 7:2
47:22,24 49:11
55:13 80:19
90:13,22 91:1
105:5 108:17
115:18 136:16
137:15 144:11
146:6 147:2,18
148:9 149:20
168:23 172:3,5
174:4 184:16
191:10 204:14
226:6,8 259:17
273:13,15
276:8 280:1
300:10
kellen's 116:19
ken 3:8 10:20
163:14,16
205:15
kenneth 197:8
kept 122:13
189:12
key 30:3
100:24 105:21

www.CapitalReportingCompany.com
202-857-3376

153:19 164:15
211:5 229:3
298:8
kid 86:12
294:20,24
kidding 89:24
kids 281:13,18
284:18,22
kind 34:2
36:12 44:4
46:4 48:15,19
49:4 52:9 53:6
71:23,24 73:2
78:9 79:24
80:4,5,8,8
84:11 85:3,16
86:19,24 91:2
110:16 112:1
113:16 115:21
115:24 116:17
116:18,23
117:16 133:13
136:18 139:7
144:22 152:5
168:9 169:9,18
171:2,4,15,17
173:15 185:11
196:1 215:23
219:17 225:5
229:25 230:1
232:3 270:13
270:23,24
271:10 273:6
283:14 298:9
king 245:12,18
285:12 296:17
kings 59:7
97:16

Meeting

[kneeling - launched]
kneeling
170:20
knew 185:4
288:1
knocked 73:8
know 6:3 13:1
16:6 34:21
35:16 45:6
47:9,13 72:23
75:3 85:23
89:9 102:22
104:19 105:16
110:19 112:24
115:18,21,24
118:9,18,18
119:10,16
122:8 126:10
135:1,6,7,18
136:21,24
138:18 139:6,8
140:2,7,19
142:24 144:14
144:16,22,23
145:11,12,18
146:11 148:1
148:11,18,18
148:20,21,23
148:24,25
149:2,9,10
150:2 151:14
151:17 166:24
167:22,24
168:6,7,9,10
168:11,13,13
168:14,19,20
168:22,22
169:2,2,5,7,9
169:11,13,13

October 15, 2024

Page 47
169:16,16,18
171:7 172:8,10
172:14,16,17
172:19 174:16
177:4 181:1
185:8,15,21,23
186:14 196:3
199:14,21
200:17 206:4
212:13,21
215:6,22 219:9
221:16 224:4
224:22,24
225:14,21
226:2 227:9,25
228:1,4,5,8,10
228:12,19,20
228:21 229:20
230:5 231:18
233:5 235:18
235:24 249:13
252:25 254:13
254:23 259:21
259:22 262:5
262:15 263:6,7
263:12,21,22
263:24,25
264:1,3,4,7,11
264:16,21,23
264:23 265:6,9
271:21 273:6
273:22 281:11
281:22 282:20
282:23 285:11
285:25 287:10
288:21 289:1
293:3,5 294:2
294:3,20 295:4

295:7,17 300:1
knowing 39:2
283:20 289:12
289:13
knowledge
221:20
known 157:7,8
213:17 214:2
215:14
knows 18:10
119:17
korean 287:2
kristie 2:14
l
label 204:20
205:5
labor 29:7
101:18
laborers 36:18
labors 159:22
lack 295:18
lacking 35:8
lady 122:12
211:4
laid 251:22
lance 3:19
11:12 248:1
301:5
land 97:4 98:7
162:13 244:14
landed 176:13
181:13
landing 177:8
landmark
245:1
landscape 26:6
26:22 61:13

www.CapitalReportingCompany.com
202-857-3376

101:9
language 57:3
168:20 186:6,7
186:10
large 102:6
105:12 106:11
161:22 187:19
219:11 225:7
largely 22:6
215:12
larger 223:8
226:22 247:13
largest 206:25
245:15
lasting 88:2
108:12
latch 75:2
121:8 146:16
late 35:16 91:6
latin 80:15
latino 208:24
256:12
laughable
184:17
laughably
173:15
laughter 19:12
129:18 132:12
143:13 144:15
242:6,11
253:21 265:5
265:16,21
267:8 273:23
287:13 292:9
300:14
launched 23:8
57:16

Meeting

[launching - liberty]
launching
23:22
laura 160:7
laurel 61:3
78:13
law 19:24
29:18 97:4
161:18 244:5
244:14
laws 98:7
207:23 244:7
244:12
lay 251:11
laying 71:14
123:24 147:22
layout 121:15
177:9
leader 2:1,2,4
6:14,17,20
153:19 184:8
232:15
leaders 157:16
245:12
leading 20:24
22:1 256:5
291:4
leads 281:25
leaf 112:5
lean 38:14 68:5
226:11 232:18
leaning 35:3
52:25 198:14
199:5,24
200:12 201:2
223:8
learn 81:4
113:1 115:7
205:3 249:17

October 15, 2024

Page 48

258:21 271:7
274:8 289:19
learned 187:25
215:10 273:25
289:7
learning 10:17
176:7,10
lease 70:11
leave 81:18
108:16 115:8
133:23 134:15
140:14 144:7
151:24 226:4
280:12 292:7
leaves 59:13
86:18 99:23
112:1,16
leaving 188:10
284:20
lectured 14:16
led 245:9
lee 10:16 31:19
54:2
left 14:7 44:11
103:17,24
122:20 159:6
172:16 200:3
225:25 254:19
legacy 108:12
210:24
legal 22:23
32:16 63:20
104:23 165:20
217:8 257:2
legalized 156:4
legally 239:20
legends 272:20

legible 39:8
40:9 67:5
110:6 225:8
262:1
legislation
236:10 239:22
239:23 240:3
legislative 2:23
3:2,6 9:21 10:4
10:15 98:10
240:8
legs 52:25
288:11
lemmings
272:12
length 102:22
249:6 297:23
lens 209:9
leopold 142:14
lesson 80:24
109:4 183:12
183:12 291:25
lettering 18:14
30:8 69:13
190:16 231:11
letters 4:5 7:14
11:24 12:3
49:18 217:16
217:22
letting 89:20
260:14 291:21
level 13:2,3
98:16 205:4,6
241:5
levels 107:6
138:25
lewis 256:9

www.CapitalReportingCompany.com
202-857-3376

liaison 2:24 8:8
9:22 230:15
liaisons 229:2
260:12 268:11
liberate 187:13
liberator
156:25
libertas 80:15
liberties 24:18
31:14 57:7
125:7 144:4,17
149:21 154:25
244:22
liberty 23:16
28:19 56:13
57:22 58:7,17
58:24 59:10,13
59:15,19,24
60:10,14,25
62:11 69:16,18
73:3,10 76:13
78:3,14 79:10
79:10,17,21
80:3,6,13,14
80:16 82:2,3
82:14 83:14,22
84:18,21 85:4
85:10,15,16
86:7 87:9
88:12,13,16,20
88:25 90:11
92:3,10,24
97:25 98:8,25
99:11,16,19,25
100:3,17,21
106:17 107:11
107:19 117:18
120:16,19

Meeting

[liberty - look]
122:12 126:1
144:20 145:2
145:11,13
146:12 147:22
152:22 153:8
153:10,16
154:1,3,5,13
154:23 155:13
156:10 157:20
158:7 160:25
161:20 162:6,6
162:12,15
163:6,9 168:15
169:5 171:6,6
186:12 190:10
194:4 195:2
196:5 197:23
209:8,14
210:10 211:4
233:13,14,15
233:19 234:2
237:18,19
246:3 247:12
247:22 248:21
252:7,12,19
279:16,19
liberty's 58:8
72:5 74:12,15
99:1 114:12
161:10
library 10:18
lies 252:17
life 21:25 57:21
60:24 82:9
188:1,18
285:20
life's 158:22

October 15, 2024

Page 49
lifelong 14:19
184:7,11
200:18
lifetime 166:23
182:8
lifting 205:5
light 51:5
84:14 100:17
104:12 107:5
123:19,22
159:11 163:8
liked 35:2
45:25 46:2
111:15 117:17
117:19 124:18
193:9 222:15
225:22 234:24
257:23 259:8
267:9,10 268:1
270:20 282:5
283:7 285:15
likely 261:1
liking 122:6
limit 244:7
lincoln 45:4
204:23
line 31:12
83:25 86:20
106:7 173:7
194:3 222:5
231:2,3 249:10
linea 140:18
lines 110:20
220:11,12
227:8 246:25
link 95:15
linked 79:18
291:15

linking 207:10
links 161:7
listen 255:18
listened 267:5
listening 5:20
194:18 256:21
280:18
lists 274:9
lit 159:12
literacy 208:21
literal 130:2
literally 18:7
little 16:14
35:10 36:23
38:4,7 41:7
43:19 49:20
52:16 53:9
56:3 68:25
73:2 81:24
93:6,8,12,14
93:19,24 105:8
109:23 111:16
111:17,20
115:7 116:8,13
118:4 120:2
121:23 122:10
122:11 131:17
143:1 146:24
151:6 170:15
176:16,17
177:13 180:14
182:19 186:14
186:18 193:10
196:2 197:10
205:17 206:22
223:22 226:12
229:14,15
231:14,16,20

www.CapitalReportingCompany.com
202-857-3376

238:6 247:4
268:17 270:10
271:7 272:15
282:25 286:16
286:18 294:20
live 5:16 34:18
107:13 114:25
156:9 170:13
254:6 268:24
278:21 294:14
lived 64:13
158:19 208:18
256:3 288:19
living 25:19
26:22 101:8
108:8 114:5
125:18 154:17
193:25 256:2
263:8 271:23
272:6 284:11
llc 3:15 11:5
lloyd 156:24
local 207:17
lock 217:16,19
217:20
locked 250:7
277:15
logical 235:3
long 17:15
140:16 173:16
185:12 224:7
289:8 300:6
longer 30:17
62:8 63:8
67:23 211:17
longevity 86:14
look 11:15 21:1
37:13 38:5,11

Meeting

[look - main]
42:24 47:10,10
47:15 64:25
77:25 89:8
105:15 109:17
112:3 114:18
115:7 117:18
124:8 137:6
139:11 145:13
151:15 178:22
178:25 192:9
193:9,13
195:23 197:25
198:2,17
199:17,17
221:10 230:1
230:21 231:16
236:20 261:23
272:10 275:20
277:17 278:4
285:9,24
293:11 294:22
looked 41:17
64:3 69:3 73:2
81:15,16,17
102:19 125:25
178:12 180:19
192:24 199:13
215:15,16
280:9 285:7,20
looking 32:11
32:21 50:13
64:17 70:8
71:6 73:13
78:22 80:1
85:18 89:19
90:20 92:16
93:7 106:18,22
108:11 112:11

October 15, 2024

Page 50
122:4,17
123:25 125:15
125:21 126:15
138:17 145:10
145:19,23
149:7,13 154:2
165:5 174:24
177:13 189:13
197:17 213:21
220:3 221:12
229:12 230:4
234:6 258:21
260:4 263:18
269:14 274:6
275:17 286:6,6
286:13 290:16
294:20
looks 46:7 47:7
47:16 73:7,11
86:7 100:19
112:3,9,10,15
113:8 185:18
199:1,8,10
229:18 231:18
265:1 272:11
272:13 293:9
294:25
loosely 267:18
lose 43:21
loses 42:3
269:4
loss 247:1
lost 13:13
288:10,11
lot 17:16 35:4
41:9,14 43:11
45:25 46:1,14
48:5 72:1,3

74:10 75:2
82:7 95:18,19
111:15 119:10
120:11 121:4
122:8 131:11
134:6,8 136:20
139:4,9 170:11
171:3 175:19
179:5 213:14
214:3 216:14
216:25 230:11
237:4 241:14
264:13 273:11
277:16 280:1
281:6 297:21
loud 293:15,15
loudly 66:1
183:9 242:3
loupe 278:4
love 39:17
40:24 41:15
42:25 70:7
74:12,18 83:25
115:18 120:21
122:16 123:8
123:23 124:5
185:17 193:8
196:3 198:24
199:16 200:6,7
214:8 222:4,4
223:18 231:15
236:16 258:19
266:22 268:23
278:2
loved 69:9
214:4 215:20
225:22 246:23

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202-857-3376

lovely 266:10
loyal 12:20
lucretia 207:3
lucy 207:16
lukewarm
122:5 134:12
lunch 32:14
52:1 55:18,25
96:9 128:1,7
128:13,20
246:20
luther 245:11
296:17
m
m 220:1
mache 123:4
mad 70:18
made 13:20
21:22 67:7
104:10 105:25
106:9 109:17
110:5 142:15
147:19 155:22
156:20 181:23
193:9 196:13
228:12 239:25
246:6 254:17
260:11 270:24
285:9
magic 86:19
91:2 109:20,22
144:23
magnitude
215:24
main 29:10
86:16 87:18
101:21 176:14

Meeting

[majority - matter]
majority 2:1
6:17 82:4
151:4 208:18
236:23 242:10
make 32:25
35:16 47:1,10
47:15 51:19
52:3 54:3,7
64:20 74:4
86:11 90:5
99:9 112:4
114:1,16 115:7
118:6 119:11
127:7 132:20
133:5,7,21
137:12 139:11
140:20 141:5
142:11,25
143:21 147:24
148:1,11 150:8
150:16,22
189:18 194:14
197:4,22 201:9
203:18 225:9
226:2 227:4
232:23 236:15
237:5 240:6
242:19 247:3
256:7 262:7,7
262:10 279:10
279:13 283:4
288:19 298:7
makes 43:9
89:1 108:10
137:4 168:7
169:10 193:20
232:16 236:18
278:18

October 15, 2024

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making 20:2
50:7 65:1
113:10 119:13
129:2,16
130:16 131:10
131:20 132:4
136:12 138:16
140:19 172:20
202:24 203:5
223:16 241:16
262:11 280:11
299:7,15 300:2
300:24
male 180:7
207:22
man 161:9
170:21 171:25
187:10,22
193:19 198:3
252:13 287:7
290:4 294:23
manacled
179:7
manacles 179:6
manage 218:20
managed 21:6
management
2:15 8:22
20:14
manager 2:18
2:19,20,22 9:6
9:9,12,18
managing 3:14
11:5 206:10
297:21
mandate 204:2
mandated
244:12

manicures
220:20
manner 36:13
199:13 208:10
mantle 211:25
mapped 24:11
march 97:2
210:2 245:17
250:8 263:4
268:5 276:3
277:21 283:9
marched 246:7
247:5,7
marchers
251:6 259:5,9
268:2 269:9
275:17 276:1
280:3
marches
209:25 250:10
251:7,8 266:4
266:17 267:24
marching
117:20 266:7
295:19 297:11
marjorie 11:5
mark 22:24
85:4 136:3
232:3 270:14
marked 206:25
282:6
marketing 81:2
marking 26:6
26:18 61:13
101:5
marks 173:5
marrying
160:7

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202-857-3376

marshal 249:3
257:25 266:23
267:10,12,18
271:3 276:22
278:2 293:25
marshal's
258:14 293:22
marshals 246:9
246:16 258:9
267:13,20,20
278:24,25
279:1 282:12
martin 79:5
245:11 296:16
mary 3:10
10:22 11:12
164:16,19
181:11,16
205:15 207:14
248:2 301:6
maryland
156:19
massachusetts
11:9 156:21
massive 288:17
match 42:3
73:5 124:7
135:9
matches 84:7
material 50:8
239:14
math 77:8
matter 10:9
20:11 32:5
54:1 55:20
74:5 96:12
128:9 182:14
202:10 235:17

Meeting

[matter - men]
240:22 250:4
298:22 301:24
302:3
matters 117:1
277:8 281:14
maturing 27:6
mcnally 2:14
12:21 14:3,4
16:5
mean 43:7
46:10 47:7
73:13 84:3,5
113:6 145:22
146:21 172:22
227:21 229:25
264:20 272:13
273:2 285:16
298:5
meaning 30:9
157:21 162:15
meaningful
66:7
means 119:16
155:6 236:24
meant 214:1
293:17
medal 15:21,22
15:25 210:14
218:17
medallic 1:24
6:11 265:1
medallions
14:24
medals 14:16
14:23 15:2,17
15:17,20
210:16

October 15, 2024

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media 8:13
medieval 230:1
meet 252:18
268:13 276:13
276:14
meeting 1:5 4:6
5:9,11,14 7:13
7:16 8:11 10:8
11:25 15:5
50:23 54:10
64:6 92:6
115:14 237:7
267:16,17
273:19 282:11
meetings 17:17
121:2 300:13
megan 2:16
8:24 90:5
member 1:17
1:21,23 2:5
5:25 6:6,8,10
6:12,15,18,21
6:24 7:1,4,8,10
7:17 12:4,8
14:13,19 15:3
15:12 19:10,13
32:20 34:13
35:21 37:5
38:1,24 40:20
42:14 45:20
47:23 51:11
52:5,8 53:17
55:12 65:11
68:3,11,18
71:12 72:13
74:8 75:25
77:23 80:21
81:23 90:4

105:7 108:20
111:8 113:25
115:13 117:7
119:6 120:10
122:2 130:8
133:11 134:2,5
134:25 135:14
135:16,21
136:9,17
139:25 140:12
141:4,11,16,19
141:20 142:5,6
142:7,10,24
144:2,12,16
146:8 147:11
147:16 148:10
149:17 150:21
151:1 165:24
166:10,15,17
167:4,16
169:22 172:4
174:1 175:17
177:24 179:15
183:5,8 187:1
201:9 203:18
204:15 217:14
217:21,24
218:2,14 220:1
222:23 224:2
226:7 227:17
229:1 230:10
232:7 237:14
238:4,13
241:12 242:2,7
242:12,16
254:18 257:9
257:22 260:9
262:15,20,21

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202-857-3376

262:24,25
265:6,17,22
267:4,9 268:9
268:15 270:19
273:14,24
276:10,18
299:25 300:7
300:11,15
301:9,11
member's
15:23
members 1:16
5:18,22 8:9
16:9 34:8
40:10 55:17
64:1 65:6
72:20 89:4
95:4 96:7
103:13 105:1
126:13 128:2
143:20 145:5
145:19 165:17
167:12 181:9
181:17 193:7
201:8 218:9
262:17 278:9
membership
17:12
memorable
66:7
memories
40:25
men 57:19,24
59:17 87:1
90:23 163:3
168:21 171:19
171:25 173:14
176:25 184:14

Meeting

[men - minutes]
186:4 188:10
188:22 195:21
207:5,9 290:24
menna 2:21
9:14,16 54:25
55:2,2 138:4,5
238:21,22
239:1,1,5
267:16
menna's 264:5
mention 176:2
180:12
mentioned
46:21 55:17,23
176:24 193:7
195:17 259:17
283:12
mentor 17:1
merely 66:5
merit 42:18
85:23 264:24
268:17
merits 115:25
mesmerizing
227:7
mess 287:24
message 41:13
43:18 44:3
67:20 71:3
95:16 115:2
124:19 211:23
229:9 251:14
262:3 269:17
291:9
messaging 33:3
64:18 298:9
messy 21:3

October 15, 2024

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met 82:9
155:25 245:12
254:16
metal 20:5 34:1
metaphor 27:8
36:22 42:11
74:17 75:6
107:20 120:15
121:21
metaphor's
39:10
metaphorically
85:3
metaphors
41:8 49:21
methods
208:22
metrics 84:22
mic 19:9 53:16
242:2,5
michael 2:1,22
6:16 9:17
microphone
16:7 129:8
147:15
middle 47:6
238:16
mighty 247:6
256:16
mike 8:13 37:4
37:6,24 38:6
54:25 55:4
75:24,25 77:21
95:25 113:23
114:1 117:9
134:4,5,18,20
141:2,6 144:1
144:3,13

149:19,22
150:25 151:2
151:25 177:23
177:25,25
179:18 203:17
232:6,8 233:7
242:4,14
262:18 276:9
276:11 278:6
280:2
mile 251:8
milholland
207:14
military 244:19
million 82:5
142:19 245:17
millions 260:16
271:21
mind 33:18
39:3 43:9
45:14 50:5
51:15 66:9
90:15 92:18
112:21 120:9
130:5 133:8
148:13 167:18
176:9 192:5
199:24 216:22
229:14 262:16
272:4,4,18
293:9
mind's 229:10
minds 265:24
mine 234:18
minor 112:4
127:9 133:19
149:3

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202-857-3376

minorities
208:23
minority 1:25
2:4 6:14,20
183:23,25
mint 1:1 2:13
8:8,19 11:18
14:22 15:7,18
17:1 18:18
19:22 20:9
22:24 23:24
54:24 66:3
95:24 110:21
112:3 116:10
118:12 127:21
141:8 153:2,13
165:2 181:5
213:1 214:11
227:20 231:1
233:13 262:9
271:14 274:2
302:5
mint's 18:20
20:13,16
210:15
minting 23:17
minus 187:17
minute 55:16
78:9 96:7
172:7 202:8
240:19 284:8
284:15 298:21
minutes 4:4
7:14 11:23
12:3 34:9 65:7
65:14 105:3
167:13 218:10

Meeting

[mirror - move]
mirror 261:16
mirroring
159:11
misconstrued
123:23
misguided 86:6
missed 14:1
misses 232:3
missile 38:12
missiles 46:11
missing 246:13
mississippi
245:6
misspeaking
264:14
misspoken
66:21
mistake 118:2
177:17
mistaken 69:2
287:11
mix 73:5 297:4
mixed 49:21
mixing 93:14
mm 218:1
mobilization
208:8
mod 223:21,23
229:14
model 42:9
263:1,5
modeled 207:7
models 114:15
262:23
moderate
145:11
modern 83:20
87:4,9 107:11

October 15, 2024

Page 54
145:1 147:5,19
148:14,15
245:21
modernization
147:4
modification
141:10 142:2
modifications
112:4 134:1
molding 58:25
moment 66:19
121:3 126:14
132:19 143:22
202:5 210:25
212:23 217:7
221:15 249:10
256:3,4 293:11
300:9
momentarily
56:2
momentous
20:17 159:23
moments 12:23
21:21 129:5
208:8 224:7
250:9
momentum
208:2 244:16
monarchal
97:16
monarchy 57:5
money 245:6
montgomery
245:9 250:10
251:7 269:24
month 189:14
289:2

months 110:10
monument
161:16
monumental
30:16 62:7
moral 159:18
163:2
moran 2:1 6:16
6:18 37:4,5,6
75:24,25,25
113:23,25
114:1 117:9
130:8 134:5,5
141:4,6,19
142:6 144:2,3
151:1,2 166:10
166:15 177:23
177:24,25
203:18 232:6,7
232:8 241:12
242:2,7,12,16
262:20,24
276:9,10,11,18
280:2 299:25
morning 4:25
5:9 13:19 14:5
31:24 32:12
38:1 40:20
56:4 132:22
140:15 147:21
301:20
morning's
128:22
morris 3:8
10:20 44:24
163:14,18
164:1,13 165:9
165:14 187:3

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202-857-3376

197:3,7,8
205:15,19
mother 246:8
287:4,12
motif 28:17
61:21 69:11
138:12 227:9
motifs 25:17
221:8
motion 12:3,14
51:19 52:2
53:14 114:17
132:24 135:18
135:25 136:1
136:21,24
139:23 141:5
141:22 143:5,7
143:11 149:18
149:21 150:23
159:17 213:24
260:24 261:5
261:16 300:7,9
301:8,9,12,18
motions 50:4,7
50:10 95:3
150:8
motley 256:10
mott 207:3
motto 102:7
146:14 269:20
mottos 114:10
mounted
245:13
move 17:3 22:7
25:7 43:7
50:13 56:18
74:14 130:6
141:6,7 150:5

Meeting

[move - national]
152:3 158:15
160:13 193:24
203:15 205:18
241:24 248:6
251:9 283:2
286:4 300:5
moved 12:5
92:4 152:23
225:25
movement
153:20 154:11
155:18 156:12
159:23 161:14
161:25 176:11
192:16,20,21
208:3 209:12
213:14 214:1
214:23 221:20
223:20 224:6
224:14 225:17
236:14 237:1
245:13,21,25
246:21 247:10
247:14,19
250:2,9,25
252:1 260:22
260:23 263:14
271:22 275:9
282:18 283:2
289:16 290:15
297:5,25
movement's
211:9
moves 43:10
movie 254:17
254:20 281:9
moving 26:15
27:20 36:4

October 15, 2024

Page 55
38:9,19 39:1
96:16 114:23
129:24 130:25
131:15,23
137:12 143:23
155:8 160:14
203:4 213:12
219:2 222:10
223:7 241:15
250:11 277:12
281:23 291:16
299:13
muddled 44:3
175:23
multi 23:4
multilateralism
82:21
multiple 84:22
107:6 173:20
226:17
multiplicity
260:24
multitude
234:8,9
multitudes
295:19
murdered
245:4 290:5
murray 188:20
muscle 162:1
museum 3:10
3:13,16 10:22
11:2,7,8,13
164:17 206:9
212:24 215:2
216:8,10 248:3
255:25 289:23

museum's 24:2
26:2 27:16
musical 90:9
29:5,22 30:18
mute 234:24
36:15,19,23
muted 212:9,10
41:5 42:12
212:12
56:19 57:11
myriad 257:23
60:7,16 61:8
mystical 91:4
62:9,18 63:9
73:16 75:8
n
77:2 83:15
n 4:1,1 5:8
91:15 97:14
279:5
98:18 101:17
n.w. 1:13
103:1 108:8
naacp 287:3
155:12 156:9
nail 224:5
157:5,13,19
name 5:19,23
160:13 161:11
8:21 174:6,9
161:19 193:25
178:15 199:3,8
194:25 195:2,5
204:3,16,19
195:8,9 196:21
259:20,25
246:2 248:23
266:13 271:12
251:17,19
272:5 275:4
294:12 296:11
278:21 286:18
nation's 13:20
286:21,22,24
23:23 26:6,18
286:25 290:24
27:23 58:1
291:3,6 295:3
60:2 61:14
295:8,9,12
63:12 73:11
nameless
98:19 99:7
230:17
101:5 102:7
names 214:2
152:17 153:20
215:14
154:4 163:3
nantucket
245:16 250:19
216:11
252:9
narrative
national 3:6,10
215:22
3:13 10:15,22
narrows 225:5
11:1,7,13
nation 17:3
15:17 24:2
20:4 21:5,13
54:19 58:4
21:18 24:11,16
59:14 83:10

www.CapitalReportingCompany.com
202-857-3376

Meeting

[national - number]
97:10 153:25
159:4 164:17
176:5 187:11
206:8 207:19
212:24 215:2
216:8,10
225:18 247:8
248:3
nations 59:6
83:12 97:15
nationwide
14:16
natural 40:8
nature 25:14
49:2 61:5
101:1
nba 117:9
near 62:14
245:5
nearly 20:8
necessarily
67:11 123:7
132:23 142:2
298:4,11
necessary
21:22 187:18
188:17 252:5
271:16
need 11:19
77:9 89:15
95:16 118:18
119:10 124:16
132:24 135:8
141:5 148:10
174:21,23
223:2 234:14
271:9 272:3,14
273:10 274:23

October 15, 2024

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275:4,7 282:3
282:20 293:14
297:24
needed 78:1
121:24 246:15
277:20 289:19
needing 119:10
needless
253:16
needs 50:19
69:21 123:5
128:18 276:21
276:24
negative 47:18
73:9 86:25
124:20 138:8
179:10 276:21
neighborhood
289:15
neither 239:25
302:11
never 13:6
18:12 21:12
190:22 197:25
214:2 232:21
284:22 288:4
288:18 289:7,7
291:1 292:1
nevertheless
21:6
new 26:2,24
36:15,18 44:16
44:17 56:12
57:11 60:2,16
61:8 63:9
69:23 77:2
78:3 84:14
97:5 101:6,12

108:5 161:7
178:22 181:25
197:20 208:1
284:5,11
news 149:12
202:19
newspaper
156:25
nice 36:4,21
48:1 75:11,14
164:23 168:12
170:22 230:24
273:9
nicely 66:22
67:12 68:8
85:22 89:10
110:12 120:6
200:10
nicer 78:16
niche 273:18
nine 131:19,21
131:24 132:1
203:2,6 241:9
241:9,17,20
nineteenth
206:23 208:4,5
208:14 209:12
211:13 232:1
nit 242:19
nobody's 76:22
nominated
16:10,11,18
nonviolent
245:13
nope 151:10
normal 289:9
norman 267:19
278:21 289:17

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202-857-3376

north 155:16
nos 194:21
195:16
nose 41:8 93:8
notably 155:22
note 5:14 10:7
25:21 28:5
31:24 76:7
80:12 104:2
142:23 182:7
210:12 275:2
noted 102:16
191:10,19
notes 141:14
207:19
nothing's
222:14
notice 5:14
270:6
noticeable
173:18
noticed 41:17
104:17 122:24
noticing 64:12
noting 291:5
notion 129:4
notwithstand...
117:24
noun 80:16,18
november
208:1 246:6
number 7:20
7:21,22,23,24
10:12,13,19,24
11:10 32:3
34:23,24 35:5
37:8,15,16,22
37:22 39:5

Meeting

[number - obverse]
40:23 41:5,19
42:25 43:1,2
43:10,13 45:16
46:8 49:15,20
49:22 56:1,2,7
69:15,25 70:4
70:15 74:20
76:2,7,8,12,15
76:18,23 78:5
78:20 84:5
88:9 93:16
94:23 96:19
114:23,25
115:5 118:25
118:25 119:22
120:2,13 122:9
122:16,24
123:16 124:4
124:13 125:1
126:6,22 135:4
135:9 138:6
139:15 140:14
140:16,23
141:18 147:19
152:6 174:6,12
174:18,18,19
175:11 178:2
179:3,11 187:6
190:3,15,15
191:1,1,3,4,4,4
191:6,6,18
193:6,8,9,15
194:17,18
195:18,20
197:9 198:15
199:7,19,19,24
200:3,5,11,11
201:2 202:23

October 15, 2024

Page 57
206:1 219:1,5
219:9,14,22
220:17 221:7
223:5 231:8
234:3,8,17
235:24 236:8
236:22 237:2
237:16 241:8,8
242:9 263:10
263:11 270:16
278:11,17
279:21,23,24
283:6 286:12
292:25 293:19
295:2,11,14,15
295:16
numerous
170:19
numismatic
1:18 7:11
13:10 14:20
15:16 87:16
270:5
numismatics
2:6 6:25 14:14
18:13 185:12
numismatist
17:4
numismatists
142:21 146:19
nurturing
100:3
nwhm 11:6
o
o 4:1 5:8
o'clock 298:21

oak 59:14 60:5
99:23 100:15
100:20 111:24
112:2,3,9
114:24
object 271:12
objections
12:13
oblivion 115:19
obscuring
270:11
observation
203:19
observations
13:9 127:6,20
137:18 197:1
201:5 205:17
234:20 235:13
236:2 237:6
243:14 297:17
observe 81:24
241:8 248:6
obstacles 155:1
obverse 22:9
23:5,15 32:7
36:20 50:1
56:6 58:6,24
59:10,15,19
66:11,11,14,20
66:22 68:6
71:13,17,20,21
72:22 74:11
75:19 76:2,9
77:7 81:20,22
82:2 83:2,23
84:20 85:2
86:3,20,23
87:11,23 88:4

www.CapitalReportingCompany.com
202-857-3376

88:7,12 92:22
93:3 94:12,18
96:2,18 98:24
99:15,16,19,25
100:3 103:15
104:8,18
105:10,16,19
105:19 106:12
107:24 108:1,3
109:18 111:9
111:13 113:20
114:2,3,7,8
115:16 116:4
116:16,24,25
117:11 119:22
120:13 121:22
122:9 125:1,3
125:10,13,23
125:24 126:4
126:21,22
127:23 130:14
130:16,18,19
130:19,20,21
130:23 131:16
131:18,19,20
131:21,21
133:2 141:24
144:5 149:22
149:24 150:5,9
150:14 152:4
153:18 154:15
155:3 158:1,16
158:17 159:2
159:24 160:6,9
163:24 166:3
166:18 167:17
167:17,20,24
167:24,24,24

Meeting

[obverse - once]
168:1,6 169:19
169:24 172:5
172:11 173:8
174:21 175:22
176:8,12,13,21
178:2,16
179:11,17,23
185:6,9,10,17
185:18,23,24
187:6,19 188:2
189:12 190:22
191:15 194:14
197:10 198:13
199:6,11 200:8
202:3,23,25
203:11 204:4,8
205:24 209:4
209:16,16
210:4,13 214:4
221:24 222:16
222:24 223:11
225:2,7 226:8
227:17,19,24
228:9,14,18,19
229:4 230:13
230:14,25
231:6 232:4,9
232:13 233:8
234:2,5,10
236:14 240:14
241:7 243:20
247:11 248:13
249:6,15,22
258:5 259:24
261:6,7,15,20
264:1,1 265:8
266:9 267:9,10
268:20 269:7

October 15, 2024

Page 58
270:15,20
274:5,25 276:7
276:18 278:10
279:14 281:25
292:25 297:8
298:18 299:6,6
299:22
obverses 33:7
56:12 58:23
59:23 64:18
68:25 69:15
70:24 72:20
78:10 84:25
90:7 93:11
109:6 117:8
120:12 130:14
130:18,22
146:2 151:5
153:12 159:13
170:14 175:20
175:20,25
176:19 185:5
185:17 187:5
199:20 203:20
221:21,21
223:3 226:15
230:13 248:13
268:16 279:18
279:18
obvious 32:4
218:2
obviously
34:22 51:3
140:7 182:21
235:19 239:21
occurred
118:18

ocean 28:17
61:21
october 1:8
5:10 153:2
odm 20:14,18
offer 12:23
127:16 161:12
180:10
offered 205:17
offering 27:7
29:20 192:6
offers 22:16,17
25:21 28:5
89:18 172:12
office 2:15 3:2
8:22 10:3
20:13
oh 19:7 53:18
73:15 148:9
174:25 203:17
212:9,16
235:25 236:1
238:21,24,25
239:19 300:10
okay 14:4,9
34:13 35:6
37:16 46:1
47:12 52:6
70:15 72:13
75:15 81:23
86:3,4 96:15
105:18 111:18
111:23 112:23
113:16 116:25
128:19 129:10
133:24 134:3
135:16,21
136:14,15

www.CapitalReportingCompany.com
202-857-3376

140:12 143:14
147:12,16
151:22 164:12
175:14 177:12
200:5 203:17
206:14 212:15
218:14 219:24
231:10,21
232:20 235:25
236:1 239:19
242:4 248:5,10
253:19 266:6
old 144:21,22
144:23 154:8
180:18 198:10
245:4 246:6
247:12 248:14
249:7,23 255:9
283:20 285:23
288:18 289:11
294:23
older 160:2
176:1 193:19
194:11
oldest 97:9
olive 23:12
62:20 75:5
99:17
ominous
161:22
omitted 174:7
once 18:23
21:3 23:14
32:13 64:24
127:4 135:25
154:8 162:2
181:16 182:22
201:13 203:10

Meeting

[once - own]
209:5 253:18
276:13 299:21
one's 122:19
232:19
ones 72:6 78:21
149:2 171:9
199:20 246:24
264:20 266:1
268:22 274:14
297:10
ongoing 31:13
294:5
onward 17:2
open 119:14
129:4 132:23
133:9 251:25
266:24
opening 17:5
opens 256:18
operate 98:24
operation
127:12
operative 77:7
opinion 144:13
opinions 150:4
267:1
opportunity
16:6 77:24
86:4,15,22
104:5 119:19
146:25 165:7
215:21 233:9
233:24 253:11
253:13 254:1
262:9 276:14
276:25 279:12
285:11 289:24

October 15, 2024

Page 59
opposed 113:9
140:6 143:10
192:18,22
213:15 272:19
301:17
opposite 37:6
48:17 53:7
144:13 160:22
oppression
161:24
opt 270:8
optimism
76:25
optimistic
74:16 121:4
option 173:14
173:15
options 84:8
108:4 227:2
oration 156:11
orator 159:10
159:18
oratory 157:15
197:24
orbital 91:3
order 4:3 5:9
11:22 12:15
39:5 45:23
57:18 81:14
90:7,21 91:12
124:17 138:13
258:9 260:17
organism
108:8
organization
164:6
organized
180:22 207:3

orientation
177:11
original 26:13
28:12 61:19
62:23 110:13
originally
64:13 72:23
301:21
orleans 284:11
ornate 28:16
61:21 198:22
ought 48:10
88:4 144:7
151:5 176:1
276:2
ounce 22:25
23:14
outcome
302:17
outer 182:1,2
outish 113:17
outlawed 156:3
outlined 98:21
100:9 159:21
209:22
outreach 10:18
outside 153:9
235:16 284:18
285:7
outstanding
12:21 21:9
226:20
outwards 71:7
overall 36:1
40:22 42:5
45:14 46:9,13
68:24 70:12,19
70:21 71:5

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202-857-3376

121:15 122:7
122:15 124:7
187:16 188:7
190:8,14
200:25 220:6
220:25 221:5
222:18,19
259:14
overalls 147:25
overcome
250:12 251:4
258:25 265:10
265:25 266:2
269:16,20
272:19 277:8
294:4,19
overdo 274:24
overhaul 87:15
overhead 29:21
overlap 32:4
48:23 49:4
overlapping
48:24
overpower
264:9
overseas
244:23
overthink
261:21
overturned
244:25
overwhelmed
290:13
overwhelming
34:17 254:6
owes 256:17
own 49:14
57:12 75:8

Meeting

[own - patriotism]
92:15 107:23
190:21 278:8
289:5,12
owned 79:2
owner 191:13
p
p 5:8
p.m. 5:12 128:5
128:11 202:11
202:12 240:23
240:24 273:18
298:23,24
301:25
pacific 256:13
package 114:7
page 4:2 200:4
280:20
paid 39:23
283:10,13
painted 270:24
278:22 279:5
painting
267:19 278:19
278:20 279:8
279:11 282:14
289:10
pair 68:8 94:17
110:12 115:22
120:1 168:3
170:24 200:10
228:9,10
250:21
paired 115:21
170:23 173:8
210:14 225:2
226:21 234:7

October 15, 2024

Page 60
pairing 72:10
115:16 116:18
125:22 126:21
169:19
pairings
103:19 104:16
115:22 224:23
pairs 88:10,12
89:10,17
103:13
palladium
22:18
pamphlets
155:20
pankhurst
242:25
paper 112:7
174:25
papier 123:4
paradox
155:11 157:20
195:2
parallel 160:9
parchment
30:3 41:11
pardon 234:23
parent 284:17
parents 249:19
283:22 287:4
park 118:23
parks 245:7
part 20:9 46:5
60:9 64:23
73:15 80:13
92:23 94:4,21
122:23 136:22
144:16 164:10
164:24 165:5

187:19 213:5
214:14 216:6
243:5 244:16
244:18 253:8
253:11 260:14
261:4 268:4
269:22 274:15
278:17 282:11
282:13 287:3
289:16,18
296:1
partial 107:24
227:9 228:2
participate
218:23
particular
22:20 53:12
64:3 66:16
75:10,20 76:18
79:23 85:25
93:7 108:5
117:14,25
136:1 163:23
165:11 168:15
190:12,23
222:15 223:2,4
232:14 235:22
237:2 275:16
278:9 285:14
298:4
particularly
20:17 37:16
38:7 54:11,21
66:17 72:5
108:23 111:24
113:19 125:9
168:1 169:13
171:9,11,14

www.CapitalReportingCompany.com
202-857-3376

186:22 188:17
191:25 193:2
216:6,15 217:2
219:14 224:25
229:17 237:16
260:12 275:10
285:16
parties 302:12
302:15,16
partner 213:1
partnership
219:4
parts 39:1
137:12
party 225:19
pass 178:21
263:2
passage 208:5
245:22
passed 77:8
178:11 229:14
296:18
passes 296:17
passing 76:7
207:21
passion 79:16
90:1
past 16:23 17:7
33:24 139:7
154:20 172:17
189:14 279:5
281:17
path 88:23
107:23 203:13
251:11
paths 82:9
patriotism
274:22

Meeting

[paul - peter]
paul 8:14
207:15 218:17
218:19 227:21
263:1
peace 62:21
99:17 263:20
pediatric 17:24
pennsylvania
156:1
people 21:6
27:11 30:24
31:3,9 36:9
38:9 39:8 40:5
43:13 44:10,25
45:2 53:13,20
53:24 57:8
62:14 63:15
66:7 67:12
73:24 75:2
79:20 82:8
97:13,18,21
98:5,16 100:1
100:13,18,22
100:25 101:25
102:2,11 103:4
103:8,10
105:25 106:8
106:13,15,21
106:23 107:4
109:2 110:4,11
110:22 111:20
113:13 115:3
118:8,17
120:12 121:19
121:22 122:22
122:25 123:13
124:17 135:24
146:24 147:22

October 15, 2024

Page 61
148:2 149:7
151:14 155:1
155:15 170:9
170:23 171:21
172:11 173:1
173:16,21
174:14,14
177:5 178:21
178:25 180:7
185:20 187:17
188:4 195:22
196:9,21 205:2
214:1 219:17
224:16 225:9
226:15,17
245:17 252:17
260:16,23,24
260:24 264:13
266:7,15 269:5
270:5 271:3,5
271:21 272:22
277:9,14
281:10,22
283:7,8,16
284:9,11,23
285:7,20 286:2
289:25 290:1
290:12,14,18
290:21,25
291:10,17
292:22 295:19
295:23,24
296:5,9,9,11
296:19,24
297:4,13
people's 150:4
296:19

percent 22:25
44:14 229:10
perception
188:3
perched 62:22
perfect 17:3
21:23 24:18
43:3,11 83:13
84:5,6 97:20
100:12 123:12
153:17 223:19
247:21 261:16
261:24
perfectly 88:17
108:7 132:25
performed
17:11
period 126:3
156:6 292:1
permanently
101:21
permission
17:13
permits 185:5
perseverance
154:12
persevering
255:15
persist 106:2
persisted 83:10
person 44:16
115:14 149:4
154:18 204:3
205:2 213:15
256:1,11,12,13
256:13,14
257:18 263:8
266:16 272:3

www.CapitalReportingCompany.com
202-857-3376

284:24 291:9
293:5
person's
286:24 291:6
personal 13:3
118:10 157:2
159:4 186:12
210:22
personally
13:25 136:3
213:4 263:25
263:25
personified
58:6 98:24
154:5
personifying
209:8
perspective
22:5 70:13,14
71:6 93:7
108:10 116:11
123:21,24
187:21 220:15
235:5
perspectives
21:14,16
persuade 246:2
persuaded 43:1
109:10
pervasive
249:4
peter 1:14,17
7:9 35:21 37:2
37:5 45:20
71:12 74:2,8
111:8 113:25
120:10 121:24
144:2 146:8

Meeting

[peter - please]
151:1 169:22
175:17 177:19
177:24,25
230:10 232:7
268:9 270:19
276:10 278:5
petitions
155:20
pettus 269:21
277:19
phases 225:17
phenomenal
81:5
philadelphia
60:17 93:18
103:6 118:11
philanthropic
248:1 254:21
philippino
15:24
photograph
19:8 185:1
270:23
photographed
197:18
photographs
281:7
photography
197:22 198:17
198:21
phrase 30:24
61:2 87:1
100:24 101:24
106:8,21
121:19 181:12
224:15 244:13
251:4

October 15, 2024

Page 62
phrases 30:7
100:10 238:8,9
phrasing
117:16 180:8
phrygian 77:11
physical 27:24
physician
17:24
pick 32:22,23
72:21 178:25
227:20
picked 288:11
picketing
207:24
picky 242:19
picture 65:16
258:20 270:24
pictured 159:9
pictures 198:21
piece 41:3 88:7
120:3 148:2
217:3 221:14
227:3 285:14
299:25
pieces 20:5
136:20
pillar 90:24
272:16
pillars 59:16
pitch 114:1
pivotal 161:25
208:15
place 26:20
39:11 76:16
89:13 101:6
149:5 153:21
154:4 257:16
273:19 274:11

275:16 277:7
294:3 301:3
302:7
placement
114:10
places 27:20
105:22
placing 248:18
plagues 251:17
planchet
167:19,21,23
172:20
plane 48:2
planning
104:20
planted 139:7
platinum 4:13
7:19 8:6 10:11
22:10,14,17,21
23:1,14,25
24:4,21 31:25
32:5,8,18 33:7
33:12 36:3
46:22 51:17,20
51:25 52:4
55:10,25 74:1
74:3 91:21,22
92:1 94:13
96:10 110:2
112:22 113:21
126:19 128:23
129:4,11
132:17 133:3
133:12 150:4
play 181:1
191:10 272:20
284:17

www.CapitalReportingCompany.com
202-857-3376

played 28:2
please 5:14,22
8:20 12:11
34:8,12 35:20
37:4,25 38:23
40:19 45:19
55:14 65:6
68:2,17 75:24
80:20 88:6
90:3 96:5,22
105:2 108:19
111:7 113:24
117:6 119:5
122:1 128:2
129:6 135:15
138:3 143:7
150:25 152:8
158:14 165:24
167:12 169:21
172:3 173:25
175:2 177:23
183:7 186:25
202:6,17
206:21 210:12
214:20 218:9
218:10 224:1
226:6 227:16
228:25 230:9
232:6 238:24
239:11 240:17
241:3 242:21
253:4 254:11
255:22 257:8
260:8 262:14
267:3 268:8
270:18 273:13
276:9 292:15
298:19 299:3

Meeting

[please - portrait]
301:14
pleased 16:1
18:16 216:12
247:24 270:6
299:4
pleasing
121:16 151:15
pleasure 12:16
217:6 254:9
255:24
pleasures
276:11
plessy 244:11
244:25
plurality 82:3
pluribus 23:16
58:11 99:3
102:7 114:13
147:5 155:3
158:2 209:9
222:13 226:25
247:16 262:3
pocket 119:18
215:23 230:6
260:15
poignant 259:2
point 5:12
22:24 31:23
32:15 49:5
54:4,8 58:1,22
75:9 83:19
95:2 98:19
99:7,7 123:1
124:16 127:9
127:15 128:7
129:17 130:18
136:17,19
142:3 150:13

October 15, 2024

Page 63
150:17 190:4
191:22 197:4
203:14 204:15
206:13 212:5
215:2 221:17
226:16 228:12
231:4 236:3
243:11 253:3
281:1 283:19
284:16 287:10
292:11 295:16
300:4 301:7
pointed 93:11
93:24 94:16
111:1 126:13
168:23 267:16
pointing 179:8
pointless
292:11
points 21:1
56:16 77:18
87:12 92:20
94:20 111:19
125:18,21
129:14,16,20
129:20,22,23
129:23,25,25
130:1,15,16,19
130:20,21,21
130:22,24
131:1,2,2,3,4,4
131:5,6,7,7,8,9
131:9,10,12,13
131:13,18,19
131:20,21,22
131:24,25,25
132:1,2,2,3,4,5
132:6,7,7,8,9

151:23 152:17
160:17 179:7
202:24 203:1,1
203:2,2,5
227:13 233:11
241:8,10,10,11
241:16,20
299:7,9,10,10
299:11,12,14
299:15,16,17
299:18,18
poised 59:20
210:8
politely 237:8
political 87:4
95:14 153:25
183:25 184:8
208:8 262:2
politician
85:13
poll 208:21
poor 296:19
pop 275:11
popular 75:17
121:11 146:22
population
93:21
ported 64:14
portfolio 22:8
25:9,12 31:21
34:16 41:18,23
42:16,17 44:2
56:5 64:14
67:13 68:19,21
72:17 80:1
82:7,11 88:5
92:16 95:7
96:10,11,11,17

www.CapitalReportingCompany.com
202-857-3376

101:11 104:24
115:15 117:3
119:8 125:23
125:25 126:19
152:3 163:13
163:24 164:15
164:16 186:9
189:14 192:6
197:6 203:13
203:15 205:11
205:14 206:7
206:12 220:4
221:3 224:10
224:11 233:22
234:5 240:12
241:25 257:1
259:17 260:4
264:18 279:17
279:19 280:10
280:16 301:7
portfolios 13:8
19:5,16 20:7
20:17,21 21:2
21:11,15 22:6
64:21,25 86:21
92:18 122:4
125:15 127:1
137:3 143:24
144:1 147:10
204:1 233:21
243:24 279:15
297:22
portrait 174:5
174:8,16 178:4
187:11,11
239:24 240:1
249:7 274:9,11

Meeting

[portraits - presentation]
portraits
153:16 167:23
portray 28:9
58:24 61:16
99:16 161:4
175:5
portrayed
240:2 259:14
portraying
71:18,18
pose 187:15
259:19
position 50:2
52:24 216:7
231:18 254:14
positioned 29:9
101:20
positive 35:1
175:10
possibility 85:9
possible 33:13
39:18 68:22
81:19,21
129:14 130:15
137:20 149:25
189:4 241:9
299:7
possibly 93:25
115:16 132:20
189:3,18
post 85:9
posterity 98:1
posture 117:19
159:17 223:9
postures 161:3
potent 210:1
potential
103:22 123:21

139:18 203:13
233:9
potentially
50:16 69:5
70:10 104:7
205:4 221:15
279:14,17
280:7,11
potter 10:17
31:19 54:2
poured 16:12
power 26:7
30:5 58:25
59:4 61:14
85:5 86:14
97:17 98:18
107:21,22
142:14 250:3
252:16 263:17
266:7 276:3
296:20
powerful 27:8
27:15 35:8
60:3,20 88:14
95:15 100:10
107:5 156:22
157:15 159:14
162:23 168:6,8
169:15 172:6
174:6,23
177:16 178:4
179:6 194:2
196:24 197:9
199:9,23 200:6
219:10,12
227:3,12
245:19 250:1
250:25 256:7

October 15, 2024

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266:1 269:17
274:12 275:14
276:5 279:9,25
280:5,22 282:8
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295:1
powerfully
61:13 250:16
powerless
279:3
powers 57:24
98:9,14,15
practical 99:9
practice 98:22
180:23 245:7
practiced
155:14
practicing
86:19
praise 226:16
preamble
30:25 57:10
97:12 101:25
precede 261:3
precious 34:1
prefer 36:1,7
88:24 92:8
150:7,23
190:24 230:12
231:6
preferable 67:4
preference
35:17 38:15,19
47:20 49:15
120:13,14
126:22 141:8
141:25 186:13
191:16 234:3

www.CapitalReportingCompany.com
202-857-3376

265:7,7 268:5
278:17 279:21
preferences
280:15 292:23
preferred
89:18 180:6
268:1
prejudice
249:20
premium 23:1
preparation
134:13
prepared
136:11
preparing 81:2
211:2
presence 14:1
82:23 293:24
present 1:16
2:13 3:3,21
5:23 6:1,8,12
6:15,18,22 7:1
7:4,8 8:20,23
9:1,4,7,10,13
9:16,19,23
10:1,5 16:1,23
22:11 55:18
56:9 96:8,21
128:16,21
129:6 152:7
154:21 162:22
182:24 191:9
202:15 206:2
241:2 243:24
299:2
presentation
12:17

Meeting

[presented - progression]
presented
35:11 84:14
86:4 170:1
253:7,18
presenting
12:22 15:8
198:16
presents 154:1
preserve 95:17
president 3:12
11:1 98:6
102:14,20
121:5,6 164:5
206:7
president's
274:10
presidents
153:9,22
185:13 204:22
presiding 1:15
press 8:10
29:17
pressure 19:11
presume 53:15
pretty 35:8
48:4 68:5
136:20 169:15
169:15 198:22
203:21 218:19
219:6 237:23
270:21 271:6
280:19 281:4
283:24 300:18
prevent 45:4
98:11
previewing
25:5

previous 92:5
109:20 117:12
121:1 216:7
279:17 280:9
previously 69:3
176:25 227:22
price 142:16
pride 13:17,18
primaries
208:20
principles
24:11 56:17
57:10 58:14
59:12 60:20
63:9 99:10
100:5 107:15
152:19,21
158:25 160:12
163:3 247:16
252:20
printed 22:23
268:3
prior 65:7
105:3 167:14
204:19 218:11
294:4
prison 218:19
pristine 293:9
privilege 17:6
105:23
privileged
214:13 254:14
284:2
probably 53:3
68:13 77:18
79:19,21 80:17
84:23 111:25
114:21 116:17

October 15, 2024

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problem 33:13
178:14 188:10
266:12 276:19
277:21,25
278:1,21
279:23
problematic
177:2 196:2
240:5
problems
40:10
procedure
51:12
proceed 165:15
proceedings
8:7 302:10
process 29:18
69:18,19 76:11
78:8 153:1,17
processes 97:8
proclaim
162:12
proclaimed
57:16 63:7
207:9
proclaiming
155:13
proclaims 31:2
102:2
proclamation
157:11 182:4
194:9
produce 23:24

www.CapitalReportingCompany.com
202-857-3376

produced
15:18 19:22
24:5
professed
157:25
professional
10:17 13:2
professionally
213:3
professor 11:3
136:10 264:2
profile 158:18
160:7 190:25
248:14 249:23
profiles 170:7
190:24 252:3
profit 197:17
profitable
156:4
profound 28:1
158:19 251:14
program 20:23
22:15,16 32:17
36:5 55:1
63:21 94:2
165:21 213:2,4
214:13 216:7
217:9 218:23
257:3 278:13
program's 23:2
progress 160:3
163:5 169:5
186:12 187:21
196:4 210:3
226:21 275:24
progression
25:17 94:19
125:16,17

Meeting

[progression - puts]
126:24
prohibit
239:23
project 253:14
253:25
prominent
236:12
prominently
29:10 63:11
155:4 259:25
promise 159:1
161:20 162:9
163:9 252:11
promises
248:24
promote 97:24
promptly 5:13
proof 4:13 7:19
8:6 10:11
22:10,14,19,21
23:25 24:4,21
31:25 32:5,8
32:18 33:7,12
51:25 52:4
55:10,25 94:13
96:10 110:2
126:19 128:23
129:4,11
132:17 133:3
proofs 133:12
propelled
209:18
properly 274:9
proportioned
220:18
proportions
221:5

October 15, 2024

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proposal 140:3
proposals
15:15
pros 226:10
prosperity
62:21
protect 85:7
98:7 258:10
protected
31:12 40:2
protection 27:7
27:12 29:11,20
36:22 82:22
99:24 101:22
244:5 278:3
protections
31:9,13
protest 16:14
155:23 211:25
245:13 251:7
protesters
275:20
protestors
246:19 279:7
protests 156:11
225:18,19
proud 213:1
provide 97:23
98:11 211:15
provided 27:12
31:9,14 98:22
provides 60:10
279:12
providing
29:11 98:16
101:22
proviso 134:21

provoking
292:19
public 1:20 2:7
2:8 3:4 4:6,8
5:11,16,20,24
7:3,7,13,16,16
8:10 11:25
12:18 15:9,11
16:2 17:10,19
18:1,19 19:24
20:12 83:17
84:9,12 86:11
89:16 105:4
107:18,18
109:1,24 113:3
119:9,17 121:8
121:11 122:15
126:9 145:1,6
145:20 146:16
146:21 148:16
149:11 153:4,7
156:11 157:7
177:17 184:24
186:22 191:8
226:13 245:8
public's 15:13
published
157:1
puffy 112:1
pull 72:18
81:19 189:15
193:5 272:14
295:15
pulled 42:22
274:17
punches 44:6
purdie 2:8 7:6
7:8 40:18,20

www.CapitalReportingCompany.com
202-857-3376

40:21 68:17,18
68:20 122:2,3
186:25 187:1,2
219:25 220:1
257:8,9,22
301:2
purple 288:6,9
288:13
purpose 97:4
162:18 250:17
purposeful
249:8
pursue 293:6
pursued
207:21 210:20
pursuing 84:13
pursuit 57:22
60:25 154:12
158:22 159:4
244:15 246:2
247:20
push 220:7
296:21
pushing 175:7
187:14 294:13
put 13:8 53:24
69:6 77:25
78:9 98:20
119:10 125:5
133:20 147:25
174:8 219:19
228:17 231:1
232:13 239:6
266:20 272:24
274:2 280:21
291:6
puts 186:14
205:4

Meeting

[putting - quite]

October 15, 2024

Page 67

putting 34:16
130:7 131:16
111:22 205:1
131:18 143:16
219:13,15
143:18 145:4
224:4 234:23
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259:19 263:8
151:16 152:5
271:12 272:6
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272:18
155:8 158:8
164:16 165:22
q
167:19,21
quakers 155:22
175:24 176:4
qualified 1:17
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1:22,24 2:5 6:7
178:20,20,25
6:10,24 7:10
186:8 189:5
14:14
190:23 191:3
qualms 272:6
199:15 202:4
quarter 4:17
202:23 204:2,2
4:21 5:2,5 7:19
205:25 209:15
7:21,22,22,23
217:10,17,22
10:12,13,19,24
221:1 222:3
11:10 25:11,11
225:6 226:1,24
32:9 33:12
232:12 233:15
37:19 39:18
238:15 240:15
56:1,2,7,12,15
243:22 245:16
56:24 58:18
247:11,22
63:22 67:14
257:4 259:13
70:21 72:11
259:14,20
74:18 76:5,24
260:1 261:2,17
79:21 82:2
269:13,13
83:4,16,18,24
270:2,4 277:10
84:4,24 85:21
277:23,25
86:5 87:25
278:3 298:19
91:23 92:17
quarter's 160:9
96:3,11,19,24
quarters 20:21
99:12,16
32:1,6 33:9
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51:23,24 52:1
115:2 117:14
56:20 74:2,10
120:14 121:20
74:23 77:25
123:18 127:24
81:3 92:18

104:7 112:23
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132:18 133:15
133:23 150:12
150:13 152:13
152:16,18,20
153:11,12
154:22 213:2
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227:25 234:7
243:22 260:19
261:21
quasi 70:5
quest 247:19
question 21:18
33:6 64:2
86:16 87:18,22
126:8 142:11
157:5 166:18
181:19 182:10
189:25 192:2,7
192:25 202:1
217:15 239:15
259:19 260:2
277:6
questioned
229:19
questions
31:20 32:16
34:5 50:4,9
55:5 63:21
65:3 81:9,13
95:3 104:23
165:10,17,20
166:2 167:7
201:7 203:14
205:10 217:9
218:4,7 237:13

www.CapitalReportingCompany.com
202-857-3376

238:19 240:11
257:2 262:16
289:3,8,21
292:12
quick 238:6
271:7 295:15
quickly 239:13
quiet 49:8
quill 26:5,20,23
28:21 30:3
31:11 38:18
41:21 59:20
61:12 63:13
70:8 76:25
87:21 100:1
101:7,10 103:1
106:25 110:8
138:8
quills 69:2
quincentennial
8:5 63:13 84:9
87:15
quintennial
80:23 81:7
quintessentia...
84:17
quite 39:13
42:3 48:22
49:5,17 50:19
51:12 68:7
73:23 76:21
89:18 110:19
112:1 126:1,17
145:16 173:7
184:19 187:24
213:11 234:16
235:24 254:5
254:15 275:16

Meeting

[quorum - really]
quorum 7:12
128:14
quote 17:1 87:3
171:20,20
173:12,20
quoted 157:18
quotes 190:13
r
r 5:8 302:1
race 244:5
races 298:1
racial 220:11
245:7,14
281:17
racist 246:15
radical 87:16
171:17
rain 41:12
raindrops
38:11,13 46:11
raise 105:11
136:19 138:21
140:19 171:22
raised 51:10
73:25 85:1
112:13 134:4
136:16 141:2
144:11 146:7
147:10 149:16
165:23 192:2
203:16 204:14
217:13,19,23
283:23
raising 100:24
143:8 161:9
rallying 211:21
245:14

October 15, 2024

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randolph 11:2
rang 62:13
284:21
range 22:17
26:11
ranger 118:23
ranging 208:8
rather 21:13
46:8 47:3
65:23 71:7
73:11 85:5
89:11 92:9,24
94:12 128:5
171:18,19
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234:1 268:2
287:14 292:5
ratification
99:6 156:14
157:11 184:10
208:3,16
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ratified 97:1
206:24
ratify 97:8
raw 169:15
rays 25:25
35:10 41:25
42:2 47:2,3
61:6 124:8
133:21 136:24
138:7,14,14,15
138:21 140:4,5
140:10,10,21
140:25 142:20
163:8 186:17
189:11

reach 76:21
139:8 215:23
reaches 160:23
210:7
reaching
119:17
react 126:9
reaction 81:1
86:25 91:1
read 145:8
159:7 187:25
231:13 238:15
reads 18:15
231:20
ready 130:11
136:3 204:9
274:8 298:15
reaffirm 24:19
251:20
reaffirmed
56:18 152:22
160:11 248:22
real 12:16
86:22 139:17
185:19 224:10
236:16 267:22
270:25 272:21
295:15
realism 190:7
reality 92:11
160:19 227:5
251:17 293:13
realize 93:22
162:15 180:13
284:20 285:9
290:8
realized 289:17

www.CapitalReportingCompany.com
202-857-3376

realizing 36:10
153:17
really 14:9
17:2 36:13,14
39:6,16,17,17
40:24 42:16,25
44:6 48:8,9,19
49:5 52:18
54:10 66:20
71:22 73:18,19
74:18 76:8,14
76:17,23 77:13
78:12,23 81:5
83:25 87:14
88:11,14 89:12
89:18 90:1
95:8,9 105:13
105:18 106:17
107:13,23
108:9,15 112:2
114:20 115:20
115:20 116:13
127:16 135:16
138:9,11
142:25 143:2
145:16 146:23
147:20 148:1
151:5,21 165:2
165:5 167:19
170:7,25
174:15 175:21
176:23 177:6
179:6 185:11
186:21 193:12
193:13 194:5
194:12,16,18
194:21 195:11
200:10 205:22

Meeting

[really - records]
215:13,15,16
219:12 225:5
226:12 227:7
227:23 228:7
228:15,23
229:11 230:24
231:19 233:25
236:7,13 254:1
256:14,18,23
262:10 263:20
265:9 273:7,7
275:2,21 277:4
279:10 280:2
280:18 282:5,7
282:23 285:14
285:17 288:8
288:18,25
289:13,15
290:19 291:18
292:4 294:21
294:22 295:1
297:12
reason 17:14
17:21 37:9
48:11,17 57:13
80:13 82:5
89:3 92:22
94:24 106:9
116:20 175:9
176:14 193:11
204:19 221:24
224:11 256:7
261:4 290:23
291:2,7
reasons 43:12
105:20 115:14
149:23 175:22
176:24 195:16

October 15, 2024

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257:24
reasserted
152:21
reassertion
247:15
rebelling
155:19
rebut 246:2
recall 267:15
275:14
recalls 74:21
receding 26:17
101:4
receive 51:1
248:17 249:17
received 55:13
64:10 129:13
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131:6,7,8,8,9
131:10,12,12
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131:19,21,22
131:24,24,25
132:1,1,2,3,4,6
132:6,7,8,9
134:11 202:23
202:25,25
203:1,2,2,3,3,5
203:6,7,7,7,8,8
203:9,9,9

216:19 241:9
241:10,10,16
241:17,18,18
241:20,20
299:7,9,10,10
299:11,11,14
299:14,16,17
299:17,18,19
299:19
received6
203:8
receives 13:19
recent 88:14
184:25
recently 94:5
receptive
146:17
recess 5:12
300:7 301:8,9
301:19
recesses 273:20
recognition
12:20 153:24
recognizable
40:6 88:13
107:11 178:9
221:19 260:3
recognize
21:11 106:4
148:14 179:20
202:14 241:1
252:23 299:1
recognized
83:11 291:1,12
recognizes
15:11 172:10
recommend
79:16 86:1

www.CapitalReportingCompany.com
202-857-3376

139:3 141:6,7
141:23,23
223:21
recommenda...
33:18,19 50:7
50:13,23 51:2
52:3 132:21
133:1,5,7,17
133:25 143:21
150:17 153:13
189:17 238:2
recommenda...
8:4 25:7 32:25
51:1 64:20
65:2 129:3
178:2 300:3
recommended
1:25 2:1,3 6:3
6:14,17,20
141:24
recommending
134:24
reconsiderati...
234:14
reconstruction
194:9
record 6:22
8:18 10:7
34:10 55:21
96:13 105:4
128:10 167:14
202:11 218:11
240:23 298:23
301:25 302:10
recorded 5:15
302:8
records 10:16

Meeting

[redesign - replaced]
redesign 19:25
87:17
reduce 270:9
redundant
77:9
refer 223:6
242:23
reference 14:24
58:7 98:25
100:2 123:8
172:22 278:18
279:10
referenced
278:20
references
182:11
referencing
201:13 251:6
referring
141:18
refine 24:16
50:16
reflect 22:6
66:4 158:20
163:3 234:9
252:8
reflecting
28:17 61:22
160:18 161:19
211:8 297:7,8
297:9
reflection
94:21
reflective
158:22
reflects 17:8
54:17

October 15, 2024

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reform 157:14
refused 246:14
regard 90:25
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regarding
153:4 181:20
regardless
244:5 252:8
region 297:1
register 5:14
reinforces
251:1
reintroducing
146:25
reiterate
214:10 216:13
relatability
87:25
relatable 145:1
relate 41:4
related 15:2
32:22 302:11
relates 34:24
87:8 166:3
267:18
relating 15:15
relationship
103:22 104:8
relationships
97:7
relative 85:15
149:3 302:14
relatively
189:6 261:9

relatives 245:5
release 270:2
relentless
158:21
relief 138:25
religion 29:17
religious
118:15
remain 63:8
98:15 249:18
remains 21:20
93:3
remarked
102:18
remarks
136:11
remedied
138:22
remedies
139:19
remember 43:5
72:24,25
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184:7 220:10
262:25 263:3
270:3 271:18
remembered
237:6
remind 5:18
31:18 34:8
65:5 105:1
143:20 167:11
218:8 233:12
281:11
reminded
218:16
reminder 26:24
101:12 106:25

www.CapitalReportingCompany.com
202-857-3376

123:15 152:25
162:13 249:3
reminding
106:12,19
reminds 93:8
187:10
reminiscent
52:19 77:17
93:12 94:22
125:7
remiss 176:2
remote 55:12
remotely 7:6
8:10
remove 231:21
removed
181:24 209:2
removing
139:4 284:18
renaissance
262:22
rendered 41:6
41:15 42:2
71:4 123:9
211:14 221:4
225:15 231:12
rendering
235:9
rendition 223:1
renowned
14:15
repeat 138:12
repeated 235:4
repeating 94:7
replace 231:25
replaced 30:15
53:20 62:6
191:12

Meeting

[replacing - returning]
replacing
172:18 199:18
204:22
replicated
236:6
report 299:4
reporter
302:20
represent
31:13 63:1
92:19 93:1
95:11 97:21
126:24 145:21
161:12 182:16
209:6 213:16
213:17,25
290:13
representation
20:3 88:1
92:24 216:15
220:5,22
representations
58:10 154:3
representative
31:4 98:3
102:3 111:2
297:24
representatives
98:4
represented
62:22 82:10
118:3 215:8,13
235:3
representing
1:20 2:7,8 5:24
7:3,6 20:23
26:1,13,21
27:2,11,17

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196:14 210:22
249:12 250:23
represents
30:16 82:3,18
102:24 126:2
145:14 154:10
194:3,4 211:24
259:1 283:8
290:14 291:10
291:16
republic 21:7
30:19 62:10
95:17 198:11
require 126:12
required 60:11
154:25 155:3
246:21
requirement
83:23
requiring 85:6
research 3:7
17:16 238:6
researcher
13:10 14:15
resemble 231:9
reservations
127:2
reserve 86:1

reserved
226:18
reshapes
250:19
resilience
247:14
resist 162:2
resolute 158:17
172:8
resolve 248:16
resonate 79:20
194:21 261:1
281:10 286:15
297:10
resonated
234:25 291:14
291:18
resonates
194:12 262:1,6
294:22
respect 90:12
105:12 148:12
214:15
respected
153:21
respectfully
144:13
respects 20:1
respond 5:22
181:18 214:19
response 214:9
239:2
responses
234:24
responsibilities
106:14
responsibility
105:24 154:16

www.CapitalReportingCompany.com
202-857-3376

253:8
rest 48:18 76:1
134:15,16
140:8 219:21
292:2
resting 60:13
restrain 287:8
restrained
196:19
restraint
196:21,22
restrooms
271:25
rests 28:16
61:20
result 55:18
244:16
resulted 247:1
results 4:24
96:8 128:8
202:16 241:2
299:2
resume 128:6
resumed 55:21
96:13 128:10
202:11 240:23
298:23
rethought
186:6
retirees 82:14
return 7:25
55:14 96:5
128:5 202:6
240:17
returned
244:20 291:12
returning
128:20 202:9

Meeting

[returning - reviewing]
240:19 288:2
reveals 27:6
reverend
245:11
reverse 23:5,10
32:9 33:8
52:22 56:6,15
60:4,5,13,24
61:4 62:4,19
62:23,24 63:4
67:1,2,3,10,19
68:9 69:9
71:16,20 74:4
74:20 75:10,15
75:19 76:17
77:19 78:23
79:17 84:8
88:11 90:7,21
91:14 94:3,11
94:13,23 96:2
96:18 100:7,14
100:19,23
101:1,15,24
102:5,12,24
103:5,9,15
104:8,18
107:25 108:2,4
108:10,13,15
109:25 110:1
110:10,14,18
111:11,12
112:23 113:20
114:23 116:5,8
117:1,23 118:5
120:2,25 121:9
121:10,12,20
121:22 123:10
124:4,19

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131:13,23,24
131:25,25
132:1,2,3,3,5,5
132:6,7,8,8
133:2 144:8
149:23,25
150:6,9,14
152:5 155:2
158:5 160:14
160:15,15
161:9,21 162:5
162:16 166:19
168:3,5,14,16
168:17 169:14
169:14,19
170:15,16
173:9 174:19
174:19,22
175:12 176:24
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185:19 186:13
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194:17 199:21
201:2 202:3
203:4,11
205:25 209:11
210:5,5,17
211:1,6,10,20
217:15 219:8

221:7 223:12
223:12,19
225:11,21,23
225:25 226:22
227:1,2,7,11
227:18 228:8
228:15,19,22
229:11 230:23
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231:24 232:4
232:19 233:6
234:8,16,21
239:17,24
240:14 241:15
241:15,17,17
241:18,19,19
241:20 243:20
247:18 248:6
250:6,21
251:23 252:10
259:8 260:17
260:21 264:22
264:23 265:9
265:23 269:7
269:18,25
270:7,8,16
272:8 277:6
279:25 280:7
295:14 297:9
298:18 299:13
299:14,15,16
299:16,17,18
299:19,19,22
reverses 58:12
60:16,25 61:15
62:11 63:10
64:19 68:24
73:6 74:19

www.CapitalReportingCompany.com
202-857-3376

88:9,10 91:11
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99:5 100:7
103:20,23
111:23 117:22
120:24 121:9
123:10 124:14
130:25 131:23
151:6 161:1
162:22 173:6
176:23 177:7
179:24 185:25
188:9 190:2,14
203:4,20
220:15,16
226:18 231:7
250:7 251:5
258:22 260:20
264:19,20
265:11 267:23
269:15,17
270:12 275:10
276:7 279:24
280:9 297:20
298:5,10
299:13
review 4:4,11
4:15,19 5:1,3,4
7:17 8:1 11:23
104:24 136:6
143:24 301:6
reviewed 15:22
21:2 22:8
24:23 136:4
153:11 218:15
reviewing
10:10 19:6,16
31:24 51:23

Meeting

[reviewing - rockwell]
55:24 56:2
82:6 279:20
300:2
reviews 13:7
revise 25:2
107:3 136:25
revisions 51:3
revisit 205:10
revisited
152:21
revisits 62:24
revitalizes
172:17
revived 221:16
revolt 57:5
revolution 26:3
61:9 171:8
revolutionary
26:7 28:22
57:11 60:1
61:14,25
rework 231:9
ribbon 270:24
rich 23:2 27:25
39:16
richard 3:5
10:14 31:19
54:1 95:5
rid 140:24
right 11:21
12:2,6,14
17:18 19:4,14
31:22 34:7
38:21,24 40:15
43:8,10,25
44:3,7,10,15
48:23 51:8
52:6 53:15

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220:13,20
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228:5 233:7
238:18 239:16
240:11,13
241:22 242:14
243:11,19
253:9 257:6
260:9 263:10
268:7 269:11
275:17 282:13
282:20 286:16
288:22 290:20
296:14 298:14
299:23 300:8
300:17 301:18
rightfully
274:12
rights 5:6 7:24
11:11 24:9
27:5,8,9,11,19
29:14,15,16,25
31:7,10,12,16
35:9 36:20
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48:24 49:1,25
54:14 56:22
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194:8 200:18
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244:6,7,15,22
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www.CapitalReportingCompany.com
202-857-3376

245:23,25
246:21 247:10
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249:14 250:2,9
250:25 251:3,5
251:19 252:1,5
252:14 256:19
257:4 259:11
260:22 261:11
261:12 270:11
271:22 272:20
274:22 283:2,9
289:23 290:15
295:21 296:2,9
296:12,13,17
296:21 297:25
298:19
ring 62:14
ringing 62:12
rings 62:24
77:16
rise 186:15
rising 36:18
60:10 61:24
102:21,23
115:5 121:5
138:18
risk 138:17
risked 213:19
ro5 150:3
ro7 150:3
robust 215:24
216:14
rock 40:25
rock's 229:20
rockwell
267:19 278:22
279:2 289:9,17

Meeting

[roger - saying]
roger 2:17 9:2
role 205:2
276:15
roles 28:2
roll 4:3
roman 85:16
room 18:10
128:14 273:20
283:25
roosevelt
204:23
root 26:21
101:7
roots 60:9
73:10,12 83:21
91:13 108:8
rosa 245:6
rose 229:24
232:15
rosette 211:6
225:24 231:24
233:3 236:22
236:24 238:16
rosettes 238:8
rotating 91:3
rotunda 24:2
roughly 96:7
202:9 240:18
round 48:3
royal 116:10
ruby 3:18,18
3:19 11:11
154:8,10 246:5
246:6,10,12
247:13,25
248:14 249:7
249:10,12,15
249:23 252:23

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274:1,6 276:16
276:21 278:23
279:3,9 295:3
295:9 300:12
ruby's 246:25
249:4
rule 28:18
61:22 63:8
97:18
rules 75:4
ruling 245:1
run 5:12 44:8
230:2
running 116:21
288:22
rushing 284:18
russ 56:9 96:21
152:7 206:1
243:23
russell 2:18 9:5
s
s 4:1 5:8 242:24
242:24,25
sacrifice 17:19
255:12
sacrifices
246:22
sad 14:9 292:5

safe 40:12
197:15
safeguard
29:16
safeguarded
27:12
safety 82:21
246:16 249:4
288:12
saint 262:18
salute 214:16
sam 2:5 6:24
19:10 35:19,22
37:3,7 74:7,9
75:22 94:16
120:8,11
121:25 146:7,9
147:9 148:12
175:16,18
177:21 183:13
203:15 230:9
230:11 232:5
238:12,13
268:8,10
270:17 272:22
sam's 77:15
232:22
sanitized
169:11,14
santos 17:23
18:5
sapling 29:20
29:21 41:21
46:7,8 47:6,11
47:15 112:17
112:18
satisfactions
276:12

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202-857-3376

satisfying
16:17
saunders 1:25
6:13,15 32:20
32:20 45:19,20
45:21 51:11,11
52:5 63:25
64:1,1 71:11
71:12,13 72:13
72:20 111:6,8
111:9 125:1,12
133:11,11
134:2 139:25
139:25 142:10
142:24 149:17
149:17 150:21
169:21,22,23
228:25 229:1,1
237:14,14
270:18,19,20
saw 82:14
90:17 91:15,20
110:2,10
117:12 118:21
122:13 124:10
151:9 172:6
186:4 282:24
283:17 284:9
284:16 285:2,4
285:5 286:16
286:20 289:9
289:17 290:2
saying 12:11
43:13 74:14
80:22 139:16
143:8 147:3
148:19 192:22
230:15 264:3

Meeting

[saying - see]
265:24 272:19
293:2,4 301:15
says 39:24,25
40:2 43:2
93:20 110:6
113:13 114:14
168:7,8 169:18
228:11 229:4,5
269:3 272:22
273:9 277:5
scale 252:13
scales 252:11
252:15
scarinci 2:3
6:19,21 19:10
42:13,14 52:8
53:17 77:22,23
115:12,13
167:15,16
227:16,17
262:14,15,21
262:25 265:6
300:7 301:9
scattered 189:3
scene 27:3,14
226:22 279:4
scenes 27:22
226:16
schedule 51:7
128:1,4
scheduled 5:11
5:13
scholars 11:6
206:6 215:3
236:4
school 77:8
154:10 176:7
179:19 183:13

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284:5,9,15,19
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287:4
schoolhouse
40:25
schools 271:25
281:13
schumer 6:22
schwerner
290:4
scope 215:24
score 51:15
55:9,11,15,17
96:2,7 127:23
149:23 150:6
202:3 240:14
240:17 298:16
298:16,17,20
scored 87:11
133:15
scores 55:24
56:1 128:2,8
128:16,21
129:6 132:18
240:20
scoring 4:24
51:13,24 64:12
64:25 129:17
130:17,23
131:10,20
132:5 149:2
150:1 202:16

202:24 203:6
section 236:14
203:10 241:2
296:23
241:16 299:2,6 secure 57:23
299:8,15,21
97:25
scream 123:7
see 14:7,8
screen 193:5
37:21 38:16
scribes 138:21
40:3 42:22
script 211:14
47:24 48:13,25
scripture 33:22
49:3 53:11
scroll 100:1
54:14 66:8
sculptor 58:24
73:8 74:1
sculpture 1:24
76:19 77:14
6:11
88:23 91:15
seated 52:22,23
103:16 111:13
125:7,7 249:16
112:11 115:1
secession 45:4
115:16,25
second 12:7,9
116:23 119:15
16:19 25:3
128:13 134:24
46:1 50:14
144:11 146:7
56:25 66:12
148:18 150:11
91:10 114:24
158:12 164:23
121:12 133:18
165:23 172:15
138:12 139:5
173:3 175:7
140:17,25
185:9 191:23
141:11 166:17
193:12 198:2
177:15 178:1
199:16 203:19
181:22 184:6
212:11 214:11
198:11 228:3
214:14 217:12
229:20 231:23
219:12 221:10
275:6 301:11
223:2 231:12
301:14
231:19 233:8
secondly 150:2
233:23 255:5
seconds 141:13
255:14 261:5
secretary 4:5
261:16 263:2
7:15 11:24
266:13 272:9
15:14 153:1
272:23 273:3,4
secretary's
276:1 278:14
15:21
279:1 280:25

www.CapitalReportingCompany.com
202-857-3376

Meeting

[see - serve]
281:2,6 282:7
282:8,21,21
285:2,2,2
288:19,19
289:24 295:22
295:22,23
296:16,23
297:2 301:22
seed 60:15
seedling 60:5
60:11
seeds 155:18
seeing 36:18
64:15 67:13
75:12 106:15
116:23 152:14
153:7 167:10
176:12 193:15
195:12 230:21
231:25 269:16
284:11
seeking 145:6
191:8 244:21
seem 41:22
64:4,7 123:3
174:11 220:23
223:17 238:9
seemed 90:24
91:1,14 181:3
285:8
seems 71:19
93:13 126:23
136:19 137:1
137:11 280:19
292:10
seen 21:16
25:22 28:7
29:15 48:20

October 15, 2024

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176:3 178:5
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264:4 269:12
282:10 283:24
segment
183:21
segregated
296:6
segregation
244:12,21
245:2,8
selected 182:17
292:23
selecting 286:5
selection 51:14
164:10
self 26:19
57:15 60:24
93:20 101:6
157:24
sells 230:4
selma 250:10
251:7 269:23
277:21
semantic
180:17
semi 8:5 63:13
80:23 81:7
84:9 87:15
seminal 215:10
semiquincent...
4:17,21 5:2,5
19:18 23:23

96:16 104:4
152:13,16
261:25 262:11
senate 2:1,3
6:17,20 98:5
send 81:2
227:19 291:9
sending 60:3
95:15
sends 14:10
251:14
seneca 184:12
200:20 207:4
senior 2:16,17
3:1 8:14,25 9:3
10:3
sense 79:3
123:24 125:11
136:5 137:4,13
151:3 195:13
259:1 260:23
261:14 279:10
293:4,11,18
297:3
senses 274:18
sentence
106:16
sentiment
175:19
sentiments
184:14 207:6,8
separate
244:13
separates 98:9
separation
98:16
september 4:6
7:15 11:25

www.CapitalReportingCompany.com
202-857-3376

sequel 43:3,11
53:18
serene 293:10
series 8:6 10:11
23:4,7,19,21
23:25 24:1,10
25:4 30:8
31:25 32:5,8
32:10,22 33:4
34:24 35:1,5,6
35:14 36:2
38:5,14,20
42:21,22,23,24
43:24,25 45:12
45:14 46:20,22
48:12,13,15,18
48:21 49:1
51:6 55:25
74:22 80:23
84:13 86:2
90:8 94:6
112:21 116:10
118:7 121:24
133:13,14,14
133:16,18,23
134:7,7,10
186:1 227:19
227:23
serious 188:1,6
seriously 21:3
78:22
seriousness
122:21
serve 16:15,19
138:9 146:23
154:23 156:23
221:13

Meeting

[served - showing]
served 13:5
14:13 15:13
44:2
service 3:4 4:8
7:16 12:18,21
15:6,9,11,23
16:3 17:10,19
18:1,19 85:20
serviceable
93:5,17 94:11
124:15 234:15
servicemen's
244:17
serving 12:25
17:4 276:12
session 4:25
5:11,12 102:19
128:22
set 25:6,7,13,14
25:21 26:16
27:1,6,20,20
28:5,8 29:2,14
30:1,1,11,23
31:8 36:1,24
36:25 39:5,15
39:16,21 40:8
40:23 41:5,19
42:25 43:1,2
43:10,13 44:5
44:6 45:15,16
45:22,24,25
46:14 47:19
48:9,14,16
49:16,22 50:8
50:13 52:10,11
64:11 70:23
74:12 101:14
102:6 110:3

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sets 105:21
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setting 102:21
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265:20
seven 14:19
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several 20:10
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227:1 267:20
severity 187:24
190:7
shackle 161:22
189:15,19
190:6 195:25
200:17,23
shackled
160:17
shackles
160:23 180:1
189:1 196:14
196:17
shaded 189:24
shading 123:17
124:2
shadow 123:23
211:3 223:13
223:17

shadows 42:1
shape 26:23
101:9 107:23
shaped 249:13
285:19
shaping 28:3
58:25
share 23:5
49:19 50:1,12
62:15 90:22,25
118:10 124:25
125:11 164:14
212:25 234:11
260:14
sharecropping
247:2
shared 162:17
210:20 297:20
shares 125:2
shattered
161:2
shattering
117:2 162:20
shed 290:25
291:10
sheet 64:6
72:10,18
103:12 241:3
299:2
sheets 55:11,15
202:16 240:17
298:20
shelter 27:7
29:21
sherie 11:2
shied 179:25
shield 62:23
75:5,8 99:24

www.CapitalReportingCompany.com
202-857-3376

shift 30:16 45:1
45:2 62:7
shifted 45:2
shining 77:3
ship 87:14
shook 57:16
shopping
119:13
shore 156:18
short 35:11
48:4
shot 76:17
shoulder 278:2
shouldering
210:8
shoulders
239:23 240:1
251:24 300:18
show 70:20
151:16 170:9
176:1,20,20
179:25 213:11
220:23 236:9
251:5 264:11
270:7 272:24
286:2 290:17
293:13 297:12
297:12
showcases
249:6
showcasing
30:4
showed 268:4
285:4,8,15
showing
120:16 236:17
290:9

Meeting

[shown - slight]
shown 112:2
210:18
shows 13:11
26:16 29:15
69:18 74:16
76:25 77:3
101:3 176:14
176:16 211:10
294:18
shy 118:19,21
side 45:6 68:22
71:7 73:7 78:9
166:5 189:19
190:25 235:8
236:14 243:8
252:12,13
275:2 276:22
277:3
sidebar 128:17
sided 148:11
sides 56:15
227:6 230:20
232:25 235:4
235:18 236:4
237:21 286:2
290:21
sign 229:23
signed 60:19
103:7 207:5
signer 44:17
significance
93:23 102:24
118:9 249:10
significant
56:14 153:24
208:7 225:20
251:10 262:10
276:15

October 15, 2024

Page 78
signify 12:11
143:7 301:14
signing 65:25
silence 293:16
silent 207:24
silhouette
159:21 209:22
230:16 249:1
277:2
silhouetted
234:4 249:11
268:19 269:10
silhouettes
232:17 250:1
271:9
silver 14:22
15:1,22 22:17
210:15
similar 33:8,11
34:1 35:14
52:23 53:22
59:25 75:15
89:3 94:5
103:21 110:16
123:20 125:23
148:24 150:22
177:9 211:7
230:1 234:5
235:9 270:1
similarities
125:2
similarity 53:2
simple 37:9,11
68:14 119:11
119:23 179:9
198:20,22
199:2 221:17
224:13,16

227:11 258:24
274:12 280:23
281:2
simplest 225:8
simplicity
109:14 269:8
271:8 275:5
simplistic 45:9
140:25
simply 59:9
145:17 150:10
212:5 217:18
221:25 258:7
293:12
simultaneous
138:1 147:13
205:7 206:17
227:14
simultaneously
65:1 143:17
single 21:12
42:18 82:6,16
138:16 206:25
singular
216:16
sir 32:24
sit 254:2,13
site 67:5 176:5
sitting 37:7
52:16,18
situation
117:13 190:7
267:14
six 131:6,6,7,24
132:9 203:8
232:2
sixteen 48:2

www.CapitalReportingCompany.com
202-857-3376

size 47:14
70:21 71:2
84:4 87:25
91:24 123:19
145:4 222:3
226:25 259:13
270:10
slave 155:23
157:9 159:15
170:20 172:18
191:14 198:1
slaveholder
172:18
slaver 191:13
slavery 155:12
155:21 156:2,3
156:8,14,22
157:3,12 158:6
160:19,24
161:2 162:21
162:23,25
170:17 171:8
175:4,4 178:12
178:13 180:3
180:21,23
182:22 183:20
183:24 184:3
192:13,13
193:22,22,24
194:1,24,25
195:1,6,9,10
196:15,16,17
196:22 201:20
201:20 296:12
sleep 287:23
slide 115:17
slight 234:3

Meeting

[slightly - spectrum]
slightly 47:18
136:13 220:23
slogan 170:22
small 20:5
85:20 172:20
183:20 189:6
247:6 256:16
279:3
smaller 91:25
167:22 172:24
smart 18:3
soapbox 89:20
sober 149:11
social 87:4
157:13 159:23
245:15 250:5
society 156:2
156:23
soft 249:8
soil 60:14
100:16
sojourner
207:13
sold 79:5
142:19 210:16
soldier 287:7
287:18,19
288:2,10,15
solicited 153:3
solid 133:17
138:24
solidarity
251:10
sollman 1:23
6:10,12 34:11
34:13,14 68:1
68:3,4,11
119:4,6,7

October 15, 2024

Page 79

134:25 135:3
140:12,13
141:11 142:5,7
147:11,16,17
173:24 174:1,3
218:13,14
265:17,19,22
301:11
solve 225:12
226:3
somber 249:3
somebody
110:25 115:7
276:14
somewhat 86:7
121:14 123:23
220:23 278:16
soon 186:9
sorceress
148:23
sorry 19:8
38:11 47:25
66:21,21 72:9
105:13 128:18
129:14,21
135:12 173:10
174:24 177:7
191:3 205:15
212:21 235:24
264:22 269:7
297:18
sort 39:4,18
40:11 67:15
170:11 175:6
184:4 186:9
190:6 224:4
233:25

sortings 155:20
sorts 289:3
sound 60:3
sounding 59:25
sounds 105:7
129:9
source 60:11
97:13 166:12
166:13
south 208:18
271:23
sovereignty
45:2,3 59:7
97:14,15 109:3
sowed 155:18
space 107:10
120:21 121:17
124:20 138:8
179:10 189:6
221:1 276:21
span 250:10
spare 77:12
spark 20:24
21:25 28:13,20
59:10 61:19,24
66:16,18 68:6
69:25 70:2
71:22 74:13
86:8
speak 16:6
34:11,21 66:10
67:11 69:24
95:11 108:22
110:1,21
121:21 163:23
181:11 197:10
235:17 237:7
242:3 252:25

www.CapitalReportingCompany.com
202-857-3376

253:14 286:12
286:19 292:22
296:5 297:23
speaker 6:3
184:11
speaking 5:19
65:8 105:4
135:3 137:17
138:1 140:13
147:13 167:14
169:24 174:14
183:9 199:13
205:7 206:17
218:12 227:14
239:21 255:5
281:13 283:19
300:15
speaks 67:21
139:18 256:15
265:3 283:4
spear 184:4
special 148:1
specialist 2:16
2:17 3:2 8:25
9:3 10:3
specialists
20:11
specially 1:17
1:21,23 2:5 6:7
6:10,24 7:10
14:13
specific 20:2
154:4 209:8
specifically
88:18
specify 69:7
spectrum
262:2

Meeting

[speech - states]
speech 29:17
91:17 156:22
157:7 159:14
245:19
speeches 163:7
200:21
speechless
292:3
spend 146:1
spending
146:20
spent 54:12
82:7 235:19
281:12
spirit 162:1
spite 294:12
splattered
279:6
splayed 189:21
spoke 135:6,24
200:19 282:10
282:16
spoken 120:5
181:17
sponsors
232:13
spot 116:14
spotlights
30:24 101:24
spouse 14:25
spouse's 17:13
spray 279:5
spreading
77:18
sprout 46:7
60:11
sprouting 60:6

October 15, 2024

Page 80
spruill 11:6
squiggly 83:25
staff 2:13 8:19
20:16 34:15
95:24 127:21
staffers 110:21
stafford 2:15
8:21,23 20:18
22:11,13 32:24
33:15,23 50:11
50:25 54:5
56:9,11 64:9
72:9,14 81:22
96:20,23 111:2
135:12,15
137:16 152:6,9
158:15 163:20
164:11 165:8
166:11 167:1
181:8 183:1
203:23,25
206:1,3,19,22
217:18,23
218:1 239:4
243:23,25
248:10,12
297:18
stage 50:9
166:22
stairs 162:24
163:1 196:7
stakeholders
10:8 158:12
163:12 181:10
191:23 248:8
stamp 20:5
stamped
236:20

stand 95:16
235:6 255:10
265:12 275:22
275:23
standard 14:23
standing 72:2
78:14 228:21
233:14
standout 67:9
113:17
standpoint
121:18 166:21
177:2
stands 79:11
157:22 194:16
204:9 208:7
229:8 235:5
271:11 293:1
stanton 184:17
207:3
star 36:10 91:2
140:22
stared 247:7
stark 111:17
251:16
starkly 249:20
stars 26:13
27:2,17 28:11
28:14 36:10,13
38:16,17 52:13
61:18 71:4
100:4,8 117:24
118:3 223:16
231:21 270:4,7
272:25 273:3,5
283:11
start 11:20
25:13 58:23

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202-857-3376

68:23 80:22
129:11 130:13
151:7 173:12
183:9 212:8
220:16 234:22
248:12 260:20
265:23 280:21
started 254:18
254:20
starting 90:8
125:18 183:11
299:6
starts 127:11
starved 218:20
state 45:1
182:24 207:17
207:22 220:3
244:12
stated 50:12
91:18 157:6
175:22
stately 198:8
statement
123:11 221:13
256:2 258:25
statements
159:25
states 1:1 2:13
15:18 18:18
23:8,13,23
24:7 29:4
30:25 44:25
53:21 58:18
63:2,3 73:8
74:22 82:8
96:25 97:2,7
97:22 98:5,15
99:12,19 103:2

Meeting

[states - struggled]
153:22 155:17
155:24 156:5
158:6,8 161:3
207:1,2,11
209:5,14
211:17 215:17
244:6,19,20,24
247:22 282:3
statesman
153:21 193:14
193:20
static 188:5
statue 82:2,15
82:18 83:5,19
83:22 84:21
85:15 88:11,20
stature 172:19
205:1
stayed 246:10
287:12
steadfast 162:3
209:18 248:15
steely 250:11
steering 86:8
stellar 226:9
step 180:4
208:11
steps 50:18
180:9 189:4
195:23,24
200:15,25
201:1
stevens 1:23
6:9,12 34:11
34:13,14 68:1
68:3,4,11
119:4,6,7
134:25 135:2

October 15, 2024

Page 81
140:12,13
141:11 142:5,7
147:11,16,17
173:24 174:1,3
218:12,14
265:17,19,22
301:11
stick 124:17
134:14
stone 102:6
111:3,3 162:24
210:9 219:9
stones 111:4
stony 85:11
stood 118:16
122:7 194:13
194:15 195:18
195:21 221:22
257:24 275:21
282:16 290:21
stop 67:23
110:23 128:18
201:12
store 126:16
stories 296:6
storm 26:1,16
29:20 61:7
101:3
story 27:22
44:8,9 45:6
53:19 118:10
118:22 121:1
151:14 154:23
195:7 215:4,13
215:18,19
254:17 255:1,4
256:14 260:14
262:6 267:12

268:24 271:3,5
274:16 276:16
287:3 290:3
straightforwa...
37:11
strains 162:1
strange 231:17
231:20
strategies
207:20
strategy 207:21
street 1:13
289:14
strength 49:17
99:23 106:2
158:21 159:18
161:13 162:17
250:14
strengthen
64:18 107:3
stretching
51:15
stride 214:11
249:9
striding 99:20
120:16
strikes 207:25
striking 69:20
108:25 172:9
172:12 221:12
250:13 274:6
stripes 124:8
strive 22:4
157:24 247:20
strived 158:23
striving 123:15
209:17 222:5
252:18

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202-857-3376

strong 34:25
49:15 66:24
75:9 84:23
100:14,20,20
119:24 120:3
137:10 153:7
174:20 179:22
191:19,25
232:14 234:12
234:16 277:10
280:4,8
stronger 26:18
84:22 101:5
277:13
strongest 191:2
191:5
strongly 88:4
213:11 237:9
260:21
struck 21:3
22:25 30:13
62:5 66:23
185:15
structural
209:2
structure
181:25
structure's
29:10 101:21
struggle 39:17
161:4 162:2,14
162:14 184:5
213:13 214:5
236:11,15
246:25 251:3
251:18 263:13
struggled
220:5

Meeting

[struggling - supported]
struggling
38:25
stubbornness
85:12
student 246:13
273:24 294:9
students 81:4
82:14 121:4
145:18 215:8,9
215:9 246:9
274:17
studied 258:2
studies 246:12
study 17:16
42:22
studying 82:12
stunning 43:7
80:23 274:15
style 33:3
83:20 108:1,2
145:24 146:14
147:4 211:6,11
stylistically
84:7 137:24
stylization
230:24
stylized 162:16
187:23 188:5
211:16
subject 10:8
20:11 32:4
40:1 54:1
141:9 142:1
182:14 201:11
235:16 256:7
264:15 288:3
subjects 30:13
30:17,21 39:24

62:5,8
submit 128:2
submitted
24:20
substitution
203:21
subtle 264:8
succeed 39:6
successful
162:20
suffered
264:12
sufficient
225:15
suffrage 5:4
7:23 10:25
56:21 152:20
154:1 206:1,23
207:11,21
208:11,15
209:12,15
210:6,11,15,21
210:24 211:22
213:17 214:12
215:4,13,15,16
216:16,18,23
217:4,11
219:11 221:14
224:14 225:10
225:17,25
227:6 228:18
228:22 231:11
231:15 235:2
235:23,23
236:16,21
237:3,18 238:7
238:8,9 239:6
240:16 242:24

October 15, 2024

Page 82
261:2,17
269:13
suffragette
226:20 227:21
277:3
suffragettes
220:6 234:2
suffragist
154:2 186:5
209:5,17,21
213:19 269:12
279:16
suffragists
207:23 211:8
230:17 231:2
233:16 242:24
280:10
suggest 51:13
51:22 112:3
128:4 133:20
204:16
suggested
132:21
suggesting
27:15
suggestion
40:13 117:15
171:18 225:9
232:22
suggestions
51:3
suit 37:16
suitable 203:20
suited 76:9
sukrita 2:20
9:11 22:11
sullivan 2:16
8:24 9:1

www.CapitalReportingCompany.com
202-857-3376

summation
214:9
summer 67:22
sun 25:25
35:10,14,14
36:10,17 41:22
46:25 50:2
60:10 61:6
77:3 102:16,20
102:23,23
115:5 121:5
124:5,6,7,11
133:21 135:7,9
136:25 137:18
138:12,18,22
138:24 140:20
140:25 142:20
159:10 186:17
189:11
sun's 163:8
sunburst 161:6
sunk 217:20
sunlight 26:17
27:15 29:5
101:4,17
suns 133:22
140:21
super 229:25
superfluous
276:23
support 35:13
117:9 134:20
161:13 179:22
228:21 236:8
246:23 274:13
supported
100:16 247:4

Meeting

[supporting - talking]
supporting
75:7 100:24
170:9 174:14
supportive
17:22 18:4
supposed
187:21
suppressed
290:8
supremacists
245:5
supreme 97:4
244:8,11,24
sure 13:17 39:9
51:12,16 70:20
80:21 91:11
104:16 110:19
112:1 123:17
124:1,9,21
138:2 150:21
165:17 171:6
192:8 194:14
220:19 221:3
231:4 237:5
240:6 264:12
281:9 292:1
298:7 300:17
surface 109:10
surname
188:20
surprise 67:9
148:21
surprised
76:22 151:14
178:24 254:24
254:24
surrounded
61:1

October 15, 2024

Page 83

surrounds
258:14
susan 207:12
215:11 227:22
suspender
166:8
sustain 85:4
sustained
82:25,25 85:6
swapping
186:11
swaying 42:10
sweeps 26:6
61:13
switch 72:15
switching
117:15
sword 97:17
syd 79:5
symbol 18:19
83:13 84:14
88:19 99:21
162:7 171:2
180:2 210:1
237:3
symbolic 27:25
58:9 99:2
171:11 196:20
272:2 282:1
symbolism
25:14 30:2
47:13 61:4
73:9 75:3
76:14,20 77:4
101:1 179:8
199:23 200:23
230:17

symbolize
99:17 175:3
210:19
symbolizes
160:15 247:13
symbolizing
26:5 61:12
100:20 161:7
161:10 162:17
163:9 211:4
250:1 252:4
symbols 88:12
221:9,14
symmetrical
69:10 71:5
221:10
symmetry
223:19 235:15
system 26:24
91:16 98:13
101:12 105:22
156:4 192:14
192:15
systemic
161:24
systems 29:11
101:22
t
t 4:1,1 242:24
242:25,25
302:1,1
table 133:9
135:19 141:22
221:4
tableaus 43:19
43:19,20

www.CapitalReportingCompany.com
202-857-3376

tactics 207:24
208:20
tails 185:22
take 13:18
28:24 33:22
55:16 62:3
67:16 87:6
96:6 109:22
140:18 142:23
149:12 172:7
184:17 198:20
202:8 208:11
212:23 214:11
215:17 218:5
240:18 242:7
276:2 281:22
298:21
taken 26:21
101:7 122:25
154:22 166:13
259:11 289:23
291:13 294:3
302:13
takes 59:1
69:19
talk 41:3 72:17
89:22 119:21
149:9 172:8,9
201:18 204:9
235:15 273:21
291:21
talked 13:16
92:5 126:7
172:14 201:14
236:4 237:4
talking 54:12
72:15 73:21
82:7,13 135:22

Meeting

[talking - thank]
135:23 146:1
151:7 259:18
295:17
talks 255:3
tall 73:18
tally 240:20
task 20:6 65:13
224:6 300:17
tastes 71:20
tate 3:1,16 10:2
10:5 11:7
216:1,4 234:20
234:21,23
243:13
taught 246:17
290:10 294:10
taxes 208:21
teach 284:24
294:11
teachable
121:3 126:14
teacher 121:2,2
201:14 246:17
288:23
teaching 159:7
team 20:18
153:2 165:2
264:5
teams 117:10
tears 118:23
292:4
teaser 241:6
technical 32:16
63:20 104:22
165:20 166:1
180:14 183:4
217:8,14 257:2

October 15, 2024

Page 84
technique
223:13
technology
11:4 197:21
teleconference
3:21
tell 27:22 44:9
84:23 102:21
118:10 130:10
154:22 166:8
254:23 258:2
265:3 280:14
284:6 285:17
telling 116:17
263:3
tells 196:1
268:23
ten 131:2,18,22
132:1 240:18
298:21 299:18
tend 180:13
226:17 274:14
tended 68:24
tender 22:23
249:25
tens 142:17
tension 95:10
195:1 289:5
tenure 102:13
term 16:16,19
242:22,25
243:9
terms 41:8
46:25 52:24
73:6 90:6
106:10 123:7
123:12,13
144:8 145:23

170:15 178:10
220:20,25
221:22 222:16
224:5 232:11
258:6 264:19
272:8 275:10
terrell 207:14
terrible 218:19
testament
160:1
tests 208:21
text 65:18,21
89:9 109:2
110:4 162:11
219:11 239:5,7
texture 139:1
thank 6:23
8:16 12:10
13:24 16:9,23
17:21 18:3,20
18:22 22:13
31:22 34:4
35:18,21 37:1
37:3,5,24
38:21 40:17
42:12 45:17,18
45:20 47:23
49:11,12 50:21
51:8 54:9,21
54:23 55:6
56:11 63:18
65:11 67:24
68:4,12,15,16
68:18 71:9,11
71:12 74:6,8
75:21,22 77:20
80:21 89:20,23
92:12,13 95:20

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202-857-3376

95:21 96:23
104:14,15,21
108:16,17
110:24 111:5,8
113:25 117:5
119:1,3,3,6
120:6,8,10
121:25 122:2
124:22,23
127:17,18
128:12 132:11
134:3,19
135:11 137:14
138:2,4 139:20
139:22 140:17
140:25 141:1
141:12,14,20
141:21 142:7
144:2,10 146:5
146:6 147:8,16
148:6,8 149:14
150:24 151:1
151:25 152:9
163:18,20
164:1,9,11,20
165:4,8,13
166:15 167:4,5
169:20,22
172:1,4 173:22
173:23 174:1
175:2,13,14,17
177:21,24
179:13 181:4
181:19 183:2,3
183:5 186:20
187:1,3 190:18
190:19 192:8
196:25 197:2,7

Meeting

[thank - think]
201:4,23,24
202:13,21
204:13 205:6,8
205:14,18,19
205:19,21,23
206:3,11,11
212:3,23 213:6
214:18 215:25
217:5,24 218:3
218:14,15
219:23,24
220:1,2 222:20
222:21 223:24
224:3 226:4,5
226:7 227:15
228:24 230:6,8
230:10 232:5,7
233:8 235:11
235:12 237:11
238:11,18,25
239:10 240:9
240:20 241:4
241:23 242:15
242:18 243:4
243:13,15,16
243:18,25
252:22 253:10
253:12 254:7,7
255:17,19,23
256:19,20,23
256:24 257:9
257:10,10,11
257:13,19,19
257:20 260:6,7
262:12,13
265:13,18,19
267:1,2 268:6
268:8,9,11,14

October 15, 2024

Page 85
270:16,17,19
273:11,12,14
276:7,8,10,16
276:17 278:5,6
291:21,23
292:16,17
297:15,16
298:15 299:24
300:19,20,25
301:5,10,22
thanks 42:14
49:9 109:3
115:11 214:21
227:13 260:11
267:4 268:15
278:6
that'd 52:5
238:16
thematic 64:18
81:16 108:14
145:6 172:21
thematically
23:3 39:9
83:13 85:3
86:10 92:21
275:13
theme 15:14
58:7 88:16,18
98:25 107:7
149:6 173:8
199:22 217:1
221:8 263:18
themes 56:14
56:19 82:10
145:8 153:4
thing 22:5
39:21 52:10
64:4 66:2 69:5

71:15 91:2
108:9,25
112:25 114:9
136:25,25
137:13 138:16
140:24 148:11
169:9 180:12
182:10 192:11
205:1 235:4
238:14 271:14
272:9 275:15
276:5 286:3
295:13
things 39:14
41:14 43:16
46:2,22 65:15
108:22 109:17
113:1 119:12
132:13 142:25
148:24 183:17
195:19,24
221:15 272:17
292:20 293:1
294:21 298:11
think 14:6
34:23,25 35:4
35:8,11 36:1,3
36:21 38:12,25
39:4,6,7,12,15
39:20,22 40:24
41:3,5,7,19
42:5 43:10,17
43:17 44:2
45:5,8,13
46:16,18,24
47:12,20 49:6
49:22 53:5
65:19 66:3,14

www.CapitalReportingCompany.com
202-857-3376

66:17,22 67:3
67:11,16 68:6
68:8,14,15
69:1,4,7,9,10
69:13,17,24,25
70:1,6,12,13
70:18,22 71:4
71:17 73:19
74:4,15 75:1
75:14 76:2,3,4
76:8,12,23,24
77:23,24 78:2
78:6,10,13,15
78:19,20,23
79:9,19 80:4,8
80:13 81:5,23
82:24 83:2
84:1,20 85:2,8
85:17,19,24
86:5,10,12,16
86:22 87:18
88:3,8,9,25
89:5,14,17
90:13,15 92:3
92:25 93:18
94:6,10,17,24
105:12,17
107:8,16,25
108:12,21
109:6,19
110:11,15
111:10,11,19
112:6,7,7,8,9
113:2,16,18
114:4,11,14
115:24,24
116:2,3,15,16
116:19,22

Meeting

[think - thought]
117:13,22,25
118:1 119:9,10
120:1,3,5,15
120:25 121:3
121:10,15,16
121:19,23
122:14 123:2,5
123:9,11,14
125:9,22 126:2
126:19,20
127:9 132:11
132:16,23
133:12 134:4
134:14 135:7,8
136:2 139:13
140:23 144:7
144:14,17
145:1,4,25
146:9,12,15,16
146:18,23,24
147:3,6,17,19
148:3,13 149:1
149:10 150:10
151:3,5,13,20
151:21 152:2
167:19 168:6,9
168:11,18,23
168:24,24
169:12,12,16
169:17 170:5,6
170:11,21
171:21 173:12
173:18 174:7
174:10,15,20
174:22,23
175:3,6,8,20
175:21 176:16
176:17,21,25

October 15, 2024

Page 86
177:13,16
178:10,22,25
179:3,10,20,24
180:24 182:13
183:16 184:16
184:18 185:5,9
185:11,15,18
185:19,25
186:2,2,14,17
186:19 187:7,7
187:9,14,18,22
188:2,11,16,21
189:1,11 190:8
190:11,14
192:10,11,19
193:14,16,20
194:2,2,5,8,11
194:23,24
195:1,2,11,13
196:20,23
198:6 199:19
199:25 200:1,3
200:6,10 201:1
201:21 202:19
203:21 204:25
205:3,12
216:22 218:25
219:11,14,15
220:16,17,18
221:9,12,16
222:5,11,12,17
223:15,22
224:9,21,23
225:1,6,7,13
225:22 226:2,9
226:11,18,23
227:2,25
228:12 229:4

229:12 231:13
231:22 232:3,9
232:13,18,22
233:25 234:15
235:6,19
236:18 237:21
237:23 239:13
240:5 256:3,14
256:17 258:11
258:16,23
259:1,2,10,14
260:10,18,21
260:25 261:12
261:20,24
262:8 263:20
264:4,16,21
265:22 266:3,5
266:6,10
267:11,22,25
268:24 269:4
269:21 270:9
270:13 271:4,5
271:9,15,16,17
272:2,3,5,14
273:9,10 274:3
274:20,23
275:1,3,7
277:5 278:18
279:10 280:5
281:15 282:6
283:6 290:22
290:24 291:5
291:13,20
292:23 293:18
294:6,16,19,21
295:1,3,6,10
295:14,18,21
295:24 296:4

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202-857-3376

296:22 297:3,7
297:11 298:16
299:5
thinking 94:18
95:13 109:11
116:20 138:6
139:17 145:5
148:16 150:12
193:23 194:6
200:8 220:6,14
221:2 224:25
225:5 235:4
288:23
thinks 140:9
third 25:4 46:5
46:14 47:8
50:15 52:15
134:14
thirteen 26:12
27:2,16 28:11
36:13
thomas 30:13
57:15 62:5
thought 48:9
48:12 59:20
90:11,22 91:4
91:21,22,24
95:19 108:24
110:18 151:10
151:12 171:24
181:13 183:19
194:22 196:1
213:14 217:2
223:14,21
225:14 236:12
253:19 268:3
270:23 284:13
286:21 287:6

Meeting

[thought - together]
292:18
thoughtful
292:18
thoughts 18:12
33:22 65:13
136:4 137:21
190:18,21
222:20 261:6
thousands
142:16,17
156:13 209:6
209:23 214:24
214:24 271:21
threat 159:8
188:1
threats 249:3
three 7:22
10:19 15:20,22
20:8,23 24:4,5
24:6 25:1,6
30:1,12,23
31:8 32:22
34:24,24 37:8
37:11,21,22,23
38:17 39:15,22
40:16,23 44:6
47:20 48:9,16
49:15 51:5
54:12 66:21
67:1,3 74:3
78:24 79:15,23
81:12 100:8,9
103:16 117:24
130:3 131:1,4
131:12 142:14
152:12,15
153:12 167:16
182:5 190:23

October 15, 2024

Page 87
208:4 217:5
227:12 229:5
232:12 237:16
251:7 299:11
threes 242:8
threshold
161:17
thrilled 13:14
163:11 253:1
throw 158:11
thrown 279:7
290:5
thumb 231:19
tie 23:3 75:14
129:16 130:2,2
133:13 234:6
280:7
tied 132:4
ties 46:23
120:13 223:19
259:4
till 245:4
time 5:10 6:22
8:1 13:21
17:16 44:8
47:25 50:5
51:6 52:2
53:10 55:1
57:12 69:19
71:3 72:24
77:13 80:25
82:7 87:12
88:18,23 89:21
95:4,7 104:11
105:6 107:13
116:6 118:11
118:13 121:6
123:2 127:7,21

132:21 133:10
135:19 139:17
146:1 149:19
152:14 154:4
171:3 176:11
178:5,10
181:11 186:7,7
186:19 187:12
188:15 193:17
194:3 198:20
201:8,23
205:11 216:20
220:9 224:8
234:13 235:19
238:23 253:6
253:19 254:11
254:15 255:22
258:10,15
259:5 263:21
282:9,24
283:21 284:13
284:21 286:23
289:9 291:14
293:8,14,17
298:11 301:18
301:21
times 21:4
170:18
tion 46:4
tip 184:4
tipping 252:12
tirelessly
158:25
tiring 162:2
today 5:14,17
6:5 7:6 8:20
10:10 12:19
13:15 14:10

www.CapitalReportingCompany.com
202-857-3376

15:6 16:1 19:1
19:6,16 21:20
22:8 51:15,17
51:20 66:6
67:8 80:1
83:11 95:16
143:21 145:13
163:12 164:23
194:19 201:6
206:5 212:25
217:7 228:4
229:21 243:15
247:25 253:2
254:9 260:13
263:19 268:12
273:18 284:5
285:25 292:14
301:1,6
today's 5:11
7:13 215:8
toes 84:12
toga 87:20
together 13:4,6
18:9 21:22
23:4 25:19
29:7 31:3
32:12 34:16
65:1 72:18
77:25 95:16
101:19 102:2,8
103:15 110:17
150:12,14
154:22 208:10
234:7 247:3
250:24 252:4
253:20 271:1
281:1,24,25
282:4 283:9

Meeting

[together - triumph]
285:21 287:20
290:5,6,10,18
291:16
token 170:18
tokens 170:19
170:19
told 45:6 53:19
146:18 170:4
215:5 284:4
tomatoes 279:6
tomorrow 5:15
7:25 8:3 19:6
19:17 50:8
51:15 64:24
129:3 137:5
143:20 150:8
150:18,20
202:1 205:10
238:1,5 279:20
300:3 301:20
301:23
tomorrow's
5:12
took 97:2
115:19 134:6
194:25 195:4
211:25 214:5
236:9
tool 274:3
275:2
tools 107:16
top 114:12
117:16 138:7
231:16 236:20
239:7 262:3
268:21
topic 216:23

October 15, 2024

Page 88

torch 28:18
69:21 72:3
99:21 107:21
119:24 120:17
120:23 161:10
211:4 223:16
torches 144:23
toss 174:17
totality 115:15
totally 49:3
touched 127:9
touching
266:11
tour 118:13
255:24
toured 118:12
toward 17:3
99:20 100:12
198:14 199:5
199:24 200:12
208:12 232:18
towards 21:23
35:4 38:14
123:11 129:12
157:24 160:3
187:14 193:25
226:12 256:4
300:5
town 52:19
53:2
traces 25:17
tracing 185:1
trade 155:14
155:23
tradition
185:12
traditional
114:19 153:10

190:25 199:17
229:25
traditionalist
111:14 229:16
traditionally
153:23
trailing 200:16
tranquility
97:23
transcribed
302:8
transcript 5:20
302:2,9
transformatio...
25:18 250:5
transformative
30:5 250:18
transforming
159:3
transition
26:18 41:20
101:5
translates
113:18
translation
87:25
transportation
245:8 271:25
trapped 85:10
161:24
trauma 246:24
travel 17:17
traveling
281:12
treasure 18:18
treasures 24:3
treasury 11:24
15:8,14 18:17

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202-857-3376

153:1
treated 214:16
271:23
tree 26:20 27:6
41:21 42:9
46:8 47:7,16
52:17,25 59:14
73:10,18
100:15 101:7
111:25 112:2,9
112:14,16
114:24 124:6
137:19 139:2,5
139:6
trees 43:6,6
46:22 49:2
112:4 116:11
123:20 134:13
139:7
treetops 123:22
trek 91:2
trembled
118:15
tremendous
126:12
tremendously
291:24
trend 226:19
232:11
trending 80:2
tribute 250:13
trick 91:2
tricky 144:17
tries 277:22
trip 48:3
triumph
161:25

Meeting

[trouble - unalienable]
trouble 112:19
troubled
180:16 232:19
troubles 114:9
troublesome
148:5
true 21:19,20
160:24 163:9
285:23 302:10
truly 14:1
57:11 147:21
217:6 252:8
254:8
trunk 139:10
trust 23:18
58:12 99:4
114:11 146:15
158:3 209:10
247:17 269:3
271:13
truth 146:18
207:13
truths 57:14
59:21 60:23
try 34:8 68:21
105:2 132:25
141:13 147:12
212:17 218:9
243:8 260:18
296:13
trying 39:13
43:14,15 51:4
65:13 66:5,5
69:23 85:11
92:19 95:11
109:16 125:15
172:23 175:5
177:18 215:18

October 15, 2024

Page 89

268:18 285:12
286:10 287:8
tubman 94:6
207:13
tucker 3:4 4:9
7:17 12:18
14:13 15:24
16:3,9,11 18:5
35:23
tucker's 15:5
tuesday 1:7
5:10
turmoil 26:2
61:9
turn 13:18 14:2
21:22 77:22
88:20 152:15
211:3 229:22
229:23 253:16
turned 181:12
232:21
turning 122:18
221:11 276:18
tussling 190:5
tweaks 133:19
twelve 36:9
twentieth
216:18
twenty 44:14
151:23
two 5:11 7:21
10:13 15:20
21:19 22:12
27:20 28:5,8
29:3,15 32:1,3
32:6,9 36:1
38:5 39:5 41:3
41:5 43:13

45:24,25 47:4
49:20 54:12
56:2 57:2
68:13 69:2
71:14 72:4,4
73:6,17 76:6
76:15 77:6
78:10,20 88:12
94:9 103:22
110:1 112:23
113:22 120:4
129:23 132:3,6
133:18 139:7
139:23 140:4
141:13 144:1,4
146:10 148:11
149:21,23,24
149:24 151:5
152:18 166:1
166:18 180:19
181:25 200:9
203:10 206:5
214:7 224:21
234:6 239:18
241:21 251:9
278:25,25
290:4
two's 37:15
type 125:8
146:13 147:4
147:22
typeface
148:15,22
types 19:21
typically 15:23
198:6
tyranny 85:12

www.CapitalReportingCompany.com
202-857-3376

u
u.s. 4:21 7:21
10:13 14:22
15:2 18:17
22:23 24:8,14
24:24 25:11
26:15 27:4
29:8,13 31:6
42:1 89:14
94:22 96:20
97:12,20 98:2
98:8,20 99:1,5
99:14,22 100:5
100:10,16
101:16,19,25
102:9,25 103:6
103:19 104:1,6
112:13 127:25
128:25 143:19
155:25 156:15
165:2 166:20
170:18 173:13
206:24 208:8
209:13,25
233:13 244:3
249:3 278:1
293:25 302:5
ubiquitous
82:16
ultimately 45:3
75:19 120:25
156:20 176:13
177:8 209:2
231:5,8 232:3
unalienable
57:21

Meeting

[unanimous - uplifting]
unanimous
213:16,18
236:7
unapologetic
172:10
uncertain
106:10
uncirculated
22:19
unclear 62:13
unconstitutio...
245:3
unconventio...
154:18
under 29:24
31:3 63:8
97:20 102:3
159:8 187:25
196:22 208:10
210:16 213:2
215:7,12 244:5
302:9
underestimate
89:15
undermined
244:9
underneath
231:2
underscore
154:15
underscoring
278:10
understand
34:19 37:12,13
41:13 51:17
73:13 81:11
105:9 107:8
109:1 119:20

137:22 145:6
145:21 147:2
170:8 171:10
187:20 190:4
194:19 198:3
232:10 255:8
255:20 261:14
261:18 264:2
266:15 283:18
284:16,23
286:23 289:1
295:5
understandable
120:4
understanding
24:12 111:21
134:19 294:7
understood
69:8 197:19
undertaken
227:4
underutilized
88:14
undeterred
251:10
unenviable
65:13
unexpected
154:15
unflinching
160:20
unfolding
253:9
unfortunately
6:4 168:18
292:7 298:3
unified 20:23

October 15, 2024

Page 90
uniformly 38:3
unifying 37:10
unimaginable
258:11
union 17:3
21:23 24:18
97:20 100:12
123:12 153:17
247:21
unique 48:19
83:19 98:3
137:2 142:18
276:2
united 1:1 2:13
15:18 18:17
23:8,11,13,23
24:7 29:4
30:25 58:17
63:2 73:8
74:22 82:8
96:25 97:22
99:12,18 103:2
153:22 155:17
155:23 156:5
158:6,7 161:3
207:1,2,11
209:5,14
215:17 244:18
244:20,24
247:22 250:17
282:3
uniting 63:2
unity 37:20
250:14 251:2
259:1 285:15
286:2
universal
107:21 218:25

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202-857-3376

unknown
247:7
unlimited
98:12
unmuted 236:1
unobstructed
208:16
unresolved
44:13
unseen 211:24
unser 8:13
unshakable
211:9
unum 23:16
58:11 99:4
102:7 114:13
147:5 155:3
158:3 209:10
222:13 227:1
247:17 262:4
unusual 70:14
223:8
unwavering
210:2 251:9
unyielding
158:20
updated
146:12
updates 127:14
upheld 244:12
uphold 57:7
282:21
upholds 161:19
uplift 226:14
252:17
uplifting 84:16
274:23 290:9

Meeting

[uprise - variations]
uprise 175:4
uprising 175:4
uproar 270:1
upward 17:2
123:25 160:23
210:7 274:6
upwards 28:12
61:19 71:7
189:10
use 16:7 45:9
67:15 74:3
79:21 81:12
87:21 97:11
107:16 113:15
113:21 116:16
120:20 129:8
137:23 138:21
146:4 174:7
178:6 180:9
197:22 201:22
223:15 228:11
243:8 262:23
263:10,10
272:14
used 43:6
59:25 77:1
94:8 102:13
116:23 146:22
171:1 173:16
179:21 201:16
207:23 208:22
263:1 281:8
useful 18:15,16
19:13 35:24
186:23 197:1
258:17 297:17
usefulness
18:23

October 15, 2024

Page 91

uses 107:10
173:11
using 104:11
120:19 145:20
201:14 221:8
263:12 269:20
usually 229:15
utilize 107:9
v
v 244:11,25
245:1 253:15
294:2
vacuum 17:11
vague 20:1
validate 182:16
valuable 16:21
142:13
value 33:25
140:2 267:22
values 26:25
28:1 58:4 83:9
101:14 107:15
vamped 73:2
van 1:14,17 5:9
6:2,9,13,16,19
6:23 7:2,5,9,9
8:16,24 9:2,5,8
9:11,14,17,20
9:24 10:2,6
12:6,10,13
18:22 19:14
31:22 33:5,19
34:4 35:19
37:3,24 38:21
40:18 42:13
45:17 47:22
49:11 50:21

51:8,21 52:6
53:25 54:6,23
55:3,6,23
63:18 64:22
67:24 68:16
71:10 74:6
75:22 77:20
80:12 89:23
92:13 95:21
96:15 104:14
108:17 110:24
111:5 113:23
115:11 117:4
119:2 120:8
121:25 124:23
127:18 128:12
128:19 130:4
130:12 131:14
132:10,15
133:24 134:3
134:18 135:20
136:8,15
137:14 138:2
139:21 140:11
141:1,12,21
142:8,22 143:4
143:10,14
144:10 146:6
147:8,14 148:8
149:15 150:7
150:22 151:25
158:14 165:13
167:5 169:20
172:1 173:23
175:14 177:21
179:14 181:4
182:18 183:2,6
186:20 190:19

www.CapitalReportingCompany.com
202-857-3376

192:25 196:25
197:3 201:4,24
202:13,21
203:12,24
204:12 205:8
205:23 206:18
206:21 212:3,9
214:18 216:1
217:5 218:3
219:24 222:21
223:24 226:5
227:15 228:24
230:8 232:5
233:7 235:12
237:11,25
238:11,18,24
239:10,16
240:9,25
241:22 242:4
242:14,17,21
243:6,19 248:9
248:11 252:22
254:8 255:19
256:24 260:7
262:13 265:13
267:2 268:7
270:17 273:12
276:8 278:6
291:22 292:10
297:16 298:14
298:25 299:23
300:1,8,22,25
301:10,13,17
vantage 83:19
variation 25:21
28:6 162:11
variations
53:12

Meeting

[varied - want]
varied 207:20
varieties 79:3
142:25
variety 210:19
220:24
various 10:9
vary 142:16
vasquez 2:17
9:2,4
vast 236:23
verify 32:21
version 44:21
62:19 84:17
107:11 116:3
138:23 139:11
139:12 146:13
versions 22:19
53:11 72:4
142:15
versus 69:11
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veterans 15:24
244:19
vice 3:12 10:25
206:7
victory 210:24
video 3:21
view 83:19
85:10 160:7
215:3
viewed 104:13
viewer 122:17
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October 15, 2024

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viewers 106:13
views 193:3
vigils 207:25
vigorously
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violence 249:4
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virgin 70:5
virtual 130:1
virtually
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visible 62:16
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65:24 81:16
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172:14 191:11
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visualize 198:6
visually 85:19
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224:9 225:22
275:13
vitriol 246:15
vivid 27:21
vividly 161:4
voice 48:5
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voices 183:24
183:25
volland 3:19
11:12 248:2
254:10,12
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volumes
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vote 76:16 80:7
113:20 135:24
136:11 137:11
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228:7 229:17
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voted 32:13
56:25 277:2
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115:4,9 122:8
144:4 209:19
211:7,17,21
213:22 218:21
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222:9 224:15
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227:6 228:13
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w
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walked 256:4
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294:8
walks 285:20
wall 279:5
wandered
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want 5:15,18
5:21 10:6
13:24 16:7

Meeting

[want - welcome]
18:23 20:15
32:21 45:9
48:6,25 79:22
79:24 80:22
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109:22 115:2
116:23 129:8
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214:10,22
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238:22 239:12
253:5,10 257:1
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268:10 271:7
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wanted 37:1
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92:6 118:5
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ways 19:19
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we've 13:5
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133:4 137:5
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weird 80:5,9
welcome 5:16
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64:20 181:5
205:9 212:4
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253:3

Meeting

[welcoming - wore]
welcoming
11:16
welfare 97:24
wells 207:13
went 55:21
76:15 91:9
96:13 128:10
180:4 182:10
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271:1,24
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295:2,10
298:23 301:25
west 22:24
whatsoever
37:12
white 154:10
225:16,19
245:4 246:9,18
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274:17 284:25
287:19 290:3,4
290:19 293:16
294:10
whites 208:20
wide 208:7
widely 88:13
146:22
wider 140:20
widespread
107:14
wielding
144:24
wife 188:18
william 156:24
246:7

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windstorm
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woman's 189:8
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215:12 216:7
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women's 3:13
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won 116:12
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wondered
118:8 166:21
180:8
wonderful 41:1
80:24,24 110:3
165:14 204:12
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wonderfully
13:7 88:11
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wondering
81:19 89:6
140:8 189:20
230:25
wood 181:23
word 30:5,13
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62:5 80:15
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110:22 156:11
180:25 181:2,3
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237:7 270:11
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wording
177:10 192:7
231:9 237:22
words 19:5,15
31:11 44:7
45:10 46:16,17
117:17 163:22
168:19 180:9
180:19 181:6
186:4,15
195:21 196:3,4
235:17 236:20
257:13
wordy 65:22
89:5
wore 281:3,4

Meeting

[work - young]
work 13:4
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17:7,15 18:9
20:9 39:22
42:17 52:22
78:8 85:7
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103:15 104:4
112:8 121:17
123:18 124:1
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150:14 151:11
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165:3 167:21
175:21 177:4
181:24 189:2,6
189:20 190:15
193:18,21
205:20 206:12
210:6 213:4
216:12 224:23
225:1 227:4
232:25 246:17
247:19 252:14
265:1,4 270:25
277:25 278:3
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296:10
worked 138:11
156:24 158:25
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worker 148:3

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workgroup
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world 15:25
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301:3
world's 8:14
97:9
worn 211:8

worry 87:6,24
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worse 48:3
worth 213:13
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worthy 198:3,4
268:17 277:24
wreath 78:13
write 87:21
114:2
writer 13:10
writer's 28:15
28:21 61:20,25
writing 65:25
66:25 110:8
113:6,9,12
157:15
writings
197:24
written 14:16
30:5 97:10
156:11
wrong 87:6,7
181:3 265:3
285:22 290:20
wrote 90:16,18
157:1
y
y 113:17
yay 122:20
yeah 52:8 53:5
68:11 108:6
137:15 141:4
141:15 144:12
148:10 149:15
150:25,25
173:10 200:5

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year 18:6 23:4
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51:5 58:2 82:6
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283:20 285:23
294:9
years 13:5 17:7
19:23 20:8
21:4 24:5,14
28:4 43:5
54:12 56:17
66:8 69:6 80:1
88:21,22 106:3
134:9,17 139:7
142:4 145:14
182:6 184:1
198:10 207:17
208:4 211:12
254:16,25
281:12 288:18
289:11
yep 130:12
yesterday's
215:9
york 208:1
young 26:20
29:22 60:5

Meeting

[young - zoom]

October 15, 2024

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younger
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193:16,17
youthful
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249:23
youtube 5:16
z
zero 131:1
203:1,7,7,8
zoom 93:9

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Meeting

October 16, 2024
Page 1

1

1

UNITED STATES MINT

2

2

+ + + + +

3

3

CITIZENS COINAGE ADVISORY COMMITTEE

4

4

+ + + + +

5

5

MEETING

6

6

+ + + + +

7

7

WEDNESDAY,

8
9

OCTOBER 16, 2024
8

10
11

+ + + + +
9

12
13

The Citizens Coinage Advisory
10

14

Committee at 801 9th Street, N.W., Washington,
D.C., at 8:30 a.m., Peter van Alfen, Chair,

15

11

presiding.

16

12

CCAC MEMBERS PRESENT:

17

13

PETER VAN ALFEN, the member Specially Qualified

18
19

as a Numismatic Curator and the Chairperson of
14

20
21

ARTHUR BERNSTEIN, Representing the General
15

22
23

Public
DR. CHRISTOPHER CAPOZZOLA, the member Specially

16

24
25

the CCAC

Qualified in American History
JEANNE STEVENS-SOLLMAN, the member Specially

17

Qualified in Sculpture or Medallic Arts
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Meeting

October 16, 2024
Page 2

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18
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21
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8

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0002
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JOHN SAUNDERS, Recommended by the House Minority
Leader
MICHAEL MORAN, Recommended by the Senate
Majority Leader
DONALD SCARINCI, recommended by the Senate
Minority Leader
SAM GELBERD, the member Specially Qualified in
Numismatics
KELLEN HOARD, Representing the General Public*
ANNELISA PURDIE, Representing the General Public

UNITED STATES MINT STAFF PRESENT:
KRISTIE McNALLY, Deputy Director
APRIL STAFFORD, Office of Design Management
MEGAN SULLIVAN, Senior Design Specialist
ROGER VASQUEZ, Senior Design Specialist
RUSSELL EVANS, Design Manager
BONEZA HANCHOCK, Design Manager
SUKRITA BAIJAL, Design Manager
JOSEPH MENNA, Chief Engraver
MICHAEL COSTELLO, Manager of Design and
Engraving
JENNIFER WARREN, Director of Legislative and
Intergovernmental Affairs and Liaison to CCAC
GREG WEINMAN, Deputy Chief Counsel and Counsel
to the CCAC
BRENDAN TATE, Senior Government Affairs
Specialist, Office of of Legislative and
Intergovernmental Affairs
ALSO PRESENT:
LEE ANN POTTER, Director of Professional
Learning and Outreach Initiatives, Library of
Congress*
*Present via Video Teleconference

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24
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Meeting

October 16, 2024
Page 3

1

C O N T E N T S

2

Call to Order and Roll Call. . . . . . . . . . . . 4

3

Review and Discussion of Candidate Designs
for the 2026 Semiquincentennial Dime . . . . . . 9

4
Review and Discussion of Candidate Designs
5

for the 2026 Semiquincentennial Half
Dollar . . . . . . . . . . . . . . . . . . . . .10

6
Discussion of the Results from Scoring for
7
8

Dime and Half Dollar . . . . . . . . . . . . . .14
Discussion and Finalizing Recommendations
for the Semiquincentennial Circulating

9
10

Coins and 2026-2028 Platinum Proof Coin. . . . .72
Continuation of Discussion and Finalizing
Recommendations for the Semiquincentennial

11

Circulating Coins and 2026-2028 Platinum
Proof Coin

12
Adjourn
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14
15
16
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20
21
22
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25
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Meeting

October 16, 2024

Page 4
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P-R-O-C-E-E-D-I-N-G-S

2
3

8:30 a.m.
CHAIR VAN ALFEN:

Good morning.

I

4

call the CCAC back into session for Wednesday,

5

October 16, 2024, and the time is 8:30.

6

This is the second day of a two day

7

public meeting.

8

run until approximately 3:15 p.m.

9
10

Today's session is scheduled to

I would like to welcome the public
watching live on YouTube.

11

Finally, I want to remind members to

12

announce your name when you are speaking for the

13

transcript and for the public listening.

14

Before we begin, I want to introduce

15

the members of the committee, so please respond

16

present when I call your name.

17

Arthur Bernstein.

18

MEMBER BERNSTEIN:

19

CHAIR VAN ALFEN:

20

Present.
Thank you very much.

And you are representing the general public.

21

MEMBER BERNSTEIN:

22

CHAIR VAN ALFEN:

I am.
Yes.

Dr. Harcourt

23

Fuller, recommended by the Speaker of the House,

24

is not with us today.

25

Dr. Christopher Capozzola, who is a
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Meeting

October 16, 2024

Page 5
1

member who is specially qualified in American

2

history.

3

MEMBER CAPOZZOLA: Present.

4

CHAIR VAN ALFEN:

5

Thank you very

much, Chris.

6

Jeanne Stevens-Sollman, the member

7

specially qualified in sculpture or medallic

8

arts.

9

MEMBER STEVENS-SOLLMAN:

10

CHAIR VAN ALFEN:

Present.

Thank you.

John

11

Saunders, recommended by the House minority

12

leader.

13

He is not yet with us.
Michael Moran, recommended by the

14

Senate majority leader, who will be with us in a

15

while.

16
17

Donald Scarinci, recommended by the
Senate minority leader.

18

MEMBER SCARINCI:

Chuck Schumer.

19

my Peter van Alfen radio announcement voice,

20

present.

21

CHAIR VAN ALFEN:

22

you very much.

23

qualified in numismatics.

There we go.

With

Thank

Sam Gelberd, the member specially

24

MEMBER GELBERD:

25

CHAIR VAN ALFEN:

Present.
Thank you.

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Kellen

Meeting

October 16, 2024

Page 6
1

Hoard, representing the general public.

2

MEMBER HOARD:

3

CHAIR VAN ALFEN:

4

Annelisa Purdie, representing the
general public.

7

MEMBER PURDIE:

8

CHAIR VAN ALFEN:

9

And Kellen is

joining us remotely.

5
6

Present.

Present.
Wonderful.

And I am

Peter van Alfen, the member specially qualified

10

as a numismatic curator and currently the

11

chairperson of the CCAC.

12

quorum.

13

And I believe we have a

So today's agenda for the public

14

meeting includes the review and discussion of

15

candidate designs for the 2026 dime, for the 2026

16

half dollar, and discussion and identification of

17

recommendations for the 2026 semiquincentennial

18

coins.

19

series yesterday and made a recommendation then.

20

So we won't be doing that today.

21

And we already dealt with the platinum

Before we begin our proceedings, I

22

will ask the Mint liaison to the CCAC, Ms.

23

Jennifer Warren, if we are aware of any members

24

of the press who are remotely watching this

25

public meeting.
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Meeting

October 16, 2024

Page 7
1

MS. WARREN:

This is Jennifer Warren.

2

Mike Unser, founder and editor of CoinNews Media

3

Group and Paul Gilkes, Coin World senior editor.

4

CHAIR VAN ALFEN:

Gentlemen, welcome

5

both.

6

confirm that the following Mint staff are in the

7

attendance today.

8

after I have called your name.

9
10

For the record, I would also like to

So please indicate present

April Stafford, chief, Office of
Design Management.

11

MS. STAFFORD:

Present.

12

CHAIR VAN ALFEN:

13

senior design specialist.

14

MS. SULLIVAN:

15

CHAIR VAN ALFEN:

16

Present.

MR. VASQUEZ:

18

CHAIR VAN ALFEN:

Present.

MR. EVANS:

21

CHAIR VAN ALFEN:

Present.
Boneza Hanchock,

design manager.

23

MS. HANCHOCK:

24

CHAIR VAN ALFEN:

25

Russell Evans,

design manager.

20

22

Roger Vasquez,

senior design specialist.

17

19

Megan Sullivan,

Present.
Sukrita Baijal,

design manager.
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Meeting

October 16, 2024

Page 8
1

MS. BAIJAL:

2

CHAIR VAN ALFEN:

3

Present.

engraver.

4

MR. MENNA:

5

CHAIR VAN ALFEN:

6

Present.

MR. COSTELLO:

8

CHAIR VAN ALFEN:

10

Present.
Jennifer Warren,

director of legislative and intergovernmental
affairs and liaison to the CCAC.

11

MS. WARREN:

12

CHAIR VAN ALFEN:

13

Michael Costello,

manager of design and engraving.

7

9

Joseph Menna, chief

Present.
Greg Weinman, deputy

chief counsel and counsel to the CCAC.

14

MR. WEINMAN:

Present.

15

CHAIR VAN ALFEN:

And Brendan Tate,

16

senior government affairs specialist, Office of

17

Legislative and Intergovernmental Affairs.

18

not with us at the moment.

19

He is

And finally, I want to note for the

20

record that we will be joined later in the

21

meeting by stakeholders and subject matter

22

experts for the various programs we are reviewing

23

today.

24
25

For the 2026 dime and 2026 half
dollar, the following may join us:
www.CapitalReportingCompany.com
202-857-3376

Richard Hunt,

Meeting

October 16, 2024

Page 9
1

director of the Center for Legislative Archives

2

at the National Archives and Records

3

Administration; and Lee Ann Potter, director of

4

professional learning and outreach initiatives,

5

Library of Congress.

6

If you are joining us today, thank

7

you, and we look forward to hearing your

8

preferences and thoughts on these portfolios.

9

I would like to begin with the Mint.

10

Are there any other issues that need to be

11

addressed before we start?

12

let's get started.

13

All right.

Then

Our first portfolio to be reviewed

14

today is to consider the obverse and reverse

15

design candidates for the 2026 dime, which April

16

Stafford and Boneza Hanchock will now present.

17

So all yours.

18
19
20

MS. STAFFORD:
morning.

Thank you.

Good

A little history of the dime's design.
The current dime, frequently referred

21

to as the Roosevelt dime, was first issued in

22

1946 soon after the death of President Franklin

23

D. Roosevelt.

24

dime, since its first issuance in 1796, featured

25

images of Liberty with a Liberty cap or having

All previous iterations of the

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flowing hair adorned with a ribbon.

2

after an absence of 80 years, the dime will again

3

feature a traditional depiction of Liberty on its

4

obverse.

5

In 2026,

The 2026 dime's theme is Liberty Over

6

Tyranny and explores our revolutionary era that

7

set the stage for the next 250 years of American

8

history.

9

the dime will bookend the five semiquincentennial

In combination with the half dollar,

10

quarter dollars by making further connections to

11

the aspirations and ideals expressed in America's

12

founding.

13

Obverse designs depict liberty

14

personified, echoing early American coinage where

15

Liberty replaced the monarch on currency, a

16

symbolic choice to reflect our new nation.

17

To amplify the coin's theme, the

18

inscription, LIBERTY, features prominently on the

19

obverse.

20

WE TRUST, and a date range shared by all

21

semiquincentennial circulating coins, 1776

22

through 2026.

23

Additional inscriptions include, IN GOD

Reverse designs are emblematic of the

24

spirit that embodied America's bold quest for

25

liberty.

Inscriptions include, UNITED STATES OF
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AMERICA, E PLURIBUS UNUM, and ONE DIME.

2
3
4

So we will start with the obverse
designs.
Obverses 1 and 1A depict Liberty in a

5

style inspired by early American coinage.

6

Design 1 seen here, Liberty wears a coronet

7

bearing the inscription, 250 YEARS, to mark the

8

nation's semiquincentennial.

9

features Liberty with laurel in her hair,

10
11

In

1A seen here

representing victory over tyranny.
Obverses 2 and 2A feature Liberty

12

leaning forward with an intensity and purpose in

13

her battle against tyranny.

14

hair is a nod to the decorative ribbons on

15

revolutionary era tricorn hats, while the elm

16

leaves and seed pods reference the Liberty Tree

17

in colonial Boston.

18

The adornment in her

Obverses 3, 3A and 3B feature a

19

determined Liberty as the winds of revolution

20

waft through her hair.

21

she faces the tyranny of the British monarchy.

With steadfast resolve,

22

In Obverse 3, seen here, her liberty

23

cap bears stars and stripes, at once a symbol of

24

our burgeoning nation and a reference to early

25

American coinage.
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In 3A, seen here, a crown of laurels

2

symbolizes victory while 3B combines the liberty

3

cap and the laurel.

4

Obverses 4 and 4A portray Liberty

5

engaging the viewer, hands extended forward as if

6

requesting consideration of the inscription,

7

LIBERTY.

8
9

In 4A, seen here, the addition of the
billowing fabric of Liberty's dress is a nod to

10

the dynamism of the revolution and America's

11

momentous shift from monarchy to democratic

12

republic.

13

Obverse's 5 and 5A feature a profile

14

of Liberty, whose flowing hair is a callback to

15

early American coinage.

16

around her head.

17

Stars and laurel arc

Obverse's 6 and 6A depict Liberty

18

facing a rising sun, representing our new nation.

19

And moving on to the reverse designs.

20

Reverses 1 and 1A depict Liberty's torch of

21

enlightenment lighting the way to freedom from

22

tyrannical rule.

23

spark that ignited the colonists' quest for

24

liberty.

25

The inner flame represents the

In Design 1 we have 13 stars featured
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that represent the original colonies.

2

1 and 1A without the stars.

So there's

3

Reverses 2 and 2A depict an American

4

eagle in flight, its wings beating powerfully as

5

it grasps a banner.

6

stretch forward, symbolic of our determination

7

for sovereignty.

8
9

The eagle's head and wings

In Reverse 2, seen here, the eagle
holds a banner commemorating the

10

semiquincentennial with the inscription, 250

11

YEARS.

In 2A, the banner reads, ONE DIME.

12

Reverses 3 and 3A portray an eagle in

13

flight carrying arrows in its talons,

14

representing of the American Revolution and the

15

colonists' fight for independence. Reverse 3A

16

features the inscription, LIBERTY OVER TYRANNY.

17

Reverse 4 and 4A depict the hand of

18

Liberty raising her torch formed from the

19

inscription, E PLURIBUS UNUM, symbolizing the

20

creation of a single new nation from the 13

21

colonies.

22

Reverse 4, seen here, the torch burns

23

through the bonds of tyranny while in 4A we have

24

featured 13 stars representing the original

25

colonies.

And that concludes the candidate
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designs.

2

CHAIR VAN ALFEN:

Wonderful.

Thank

3

you very much.

4

questions from the committee about this program

5

or the designs for the 2026 dime before we begin

6

our discussion?

7

Are there any technical or legal

All right.

Then let's begin our

8

consideration.

And I would like to remind

9

members to please try to keep your comments to

10

five minutes or less and to identify yourself

11

prior to speaking.

12
13

Let's begin with Kellen Hoard, if you
would please.

14

MEMBER HOARD:

Thank you very much.

15

This is Kellen Hoard.

16

for me is the absolute standout as it was last

17

time.

18

For the dime, Obverse 1

It is really a remarkable design.
And harkening back to kind of the

19

three part test I asked before of visual

20

continuity, thematic clarity and of artistic fit,

21

this one meets all three of those.

22

We see this clear visual continuity

23

with the Roosevelt dime, which is a modern coin

24

the public understands, but also lays historic,

25

you know, coronet head types that are popular
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with collectors.

2

It looks like a dime that people are

3

familiar with, but it updates these concepts.

4

updates these designs through a more modern take

5

that's really exciting and therefore quite usable

6

and, I think, likable among the public.

7

It

And it has this thematic clarity, you

8

know, this explicit but cohesive expression of

9

anniversary whose depiction of Liberty is at once

10

graceful and competent and capable.

11

Actually, we had some discussion last

12

time about the headpiece.

13

quite tastefully done and explicitly done in kind

14

of the right way where it's not over the top but

15

it does indicate why this coin exists, and it's a

16

one year type.

17

I think that's really

And it has an artistic fit that

18

understands this 18 millimeter diameter of a dime

19

with clear and undemanding design elements which

20

still evoke aesthetic pleasure.

21

far and away the one that made the most sense for

22

me.

23

So this one was

All the other obverses fail one of

24

those three rules.

They are either too visually

25

unusual or too thematically obscure, too complex
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design-wise for the dime, one I think the public

2

wouldn't necessarily like or understand or use

3

it.

4

For the reverses, Reverse 1 and 1A,

5

were really, I think, also the strongest here.

6

Again, with this visual continuity with the

7

Roosevelt dime, which I think is good, but again,

8

updated, which I think is what we have been

9

looking for, this updated sense of, you know,

10

we're 250 years of doing this.

11

flame keeps on going, but what does it look like

12

in the modern day?

13

This eternal

It has this thematic clarity.

You

14

know, it is highlighting liberty over tyranny.

15

continued path forward to preserve that freedom.

16

But it also allows the public to assign their own

17

thematic interpretations there, which I think is

18

actually important for the art that we are

19

pursuing.

20

that is simple and concise enough to be on the

21

dime in my view against all the other reverses.

22

So to me, 1 and 1, it made a lot of

And then it is the only reverse design

23

sense, and I am excited to see this piece.

24

you.

25

A

CHAIR VAN ALFEN:

Thank

All right, Kellen.

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Thank you very much.

2

you would, please.

3
4

MEMBER STEVENS-SOLLMAN:
Mr. Chairman.

5
6

Jeanne Stevens-Sollman, if

Thank you,

This is Jeanne Stevens-Sollman.

And thank you, Kellen.

You were very

explanatory in your comments.

7

I will speak to 1A on the Liberty

8

dime.

I chose this one because she represents

9

every woman.

It is not any one particular ethnic

10

group.

So I think this would be an appropriate

11

portrait on our dime.

12

Also, I did like the laurel around her

13

head as opposed to the cornet because we already

14

say the dates below.

15

to say 250 years.

16

lovely, but I don't think they would fit this

17

purpose.

18

And I think it is redundant

As for the rest, they are very

And on the reverse, I am going to go

19

back to the eagle.

I do think that it is very

20

appropriate.

21

But I like 3A because it says liberty over

22

tyranny.

I think the torch is also good.

23

Thank you, Mr. Chairman.

24

CHAIR VAN ALFEN:

25

Thank you very much.

Sam Gelberd.
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1

MEMBER GELBERD:

Thank you, Peter.

2

this is Sam Gelberd.

3

we have already heard from Kellen and Jeanne.

4

Obverse 1 I think is going to be the best one to

5

go with, 1 or 1A.

6

I agree very much with what

I was really torn.

I like the laurel wreath.

The

7

coronet, I could accept the cornet in 1 if we

8

remove the 250 years.

9

yesterday we don't really need the math lesson on

Again, I mentioned

10

there.

11

right there.

12

the purpose well enough.

13

It's nice, but we've got the dual date
I think that functions -- it serves

The other obverses, I felt really kind

14

of missed the mark so I won't get into that too

15

much.

16

With the other reverses, I actually

17

prefer Reverse 1 to 1A.

18

stars, just the overall layout.

19

fills the space very, very well.

20

negative space.

21

I really do like the
I just think it
Great use of

1A, the torch, the flame is just a

22

little bit too big on that small of a coin.

23

That's also the reason why I did not choose any

24

of the reverses with an eagle.

25

If we went with Reverses 4 or 4A, I
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probably would be okay with 4A, but honestly,

2

still prefer Reverse 1 overall.

3

So my votes will be going to Obverse

4

1A if we keep it with the laurel wreath.

5

go with Obverse 1 if we got rid of the years, if

6

it didn't say 250 years in the coronet.

7

Reverse 1 would be best to go with.

8
9
10
11

CHAIR VAN ALFEN:
thank you very much.

I would

And

Thank you.

All right.

Sam,

Art Bernstein, if you

would, please.
MEMBER BERNSTEIN:

Good morning.

This

12

is Art Bernstein.

13

and say that my preference is with the 3 series

14

on the obverse.

15

I am going to buck the trend

I appreciated her resolute look.

And

16

I like the use of the headdress, either the cap -

17

- with the combination cap and laurel.

18

they were all attractive, and my preference was

19

for the 3 series.

20

I thought

With regard to the reverses, I liked

21

the eagle design in numbers 3 and 3A.

22

wanted to point out with the ribbon on 3A -- I'm

23

sorry, I meant, the design Series 2.

24
25

But I

I misspoke.

On the 2A ribbon, when you look at the
ribbon, the upper part of the ribbon reads 1
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dime, and the lower part to me looks like it is

2

missing words.

3

earlier version, Design 2, has the shorter

4

ribbon.

5

would go with the shorter ribbon that just says

6

one dime and not the blank portion.

It is just blank.

And the

So if we were to go with that reverse, I

7

I did not like Reverses 1 and 1A.

To

8

me, that just looked more like the Olympics.

9

That torch doesn't look to me like the Statue of

10

Liberty torch that we are used to seeing.

11

me it just cried out LA Olympics.

12
13

CHAIR VAN ALFEN:

Thank you.

All right, Art.

Thank you very much.

14
15

And to

Dr. Christopher Capozzola, if you
would, please.

16

MEMBER CAPOZZOLA:

All right.

17

morning.

18

share an almost emerging consensus in the room so

19

I will keep my comments brief, but maybe try to

20

address where this might fit in the rest of the

21

2026 series because it's worth thinking about

22

that as well.

23

This is Chris Capozzola.

Good

I think I

So I share, you know, my top choice on

24

the obverse is 1A, Obverse 1A.

25

Obverse 1.

I also like

And I think actually, although I have
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in other times been advocating in putting the

2

number 250 on there, I think putting 250 on the

3

same side as the dates is maybe a little bit of

4

overkill.

5

choice.

6

So I think 01A is maybe the better

Just as an aside, the Liberties in

7

Obverses 2, 3 and 6 are fantastic.

8

many opportunities to depict Liberty.

9

that we will see these images again over the

10

And we have
And I hope

time.

11

But there is a benefit to Obverse 01A

12

when we look at the semiquincentennial depictions

13

as a whole.

14

the quarters, it may be important to include a

15

Liberty that in this image could read as African

16

American or reads sort of more diverse than some

17

of the Liberties that we are considering for the

18

Declaration and Constitution quarters.

19

making sure that we have across the portfolio a

20

range of Liberties depicted.

21

Depending on our Liberty choices for

So just

On the reverse, you know, I think that

22

Reverse 01 is very compelling.

We have seen

23

something like this before.

24

change from what we saw in July.

It is not a big

25

deviation from the current dime.

And I think

It is a slight

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1

there is space for more creativity on the

2

reverse.

3

I think there is an argument to be

4

made to consider 03A as Jeanne described because

5

it says, LIBERTY OVER TYRANNY.

6

worth remembering that, you know, in our sort of

7

complicated country that sees our, you know,

8

different aspects of our history in different

9

ways, that for some people, the most valuable

And I think it is

10

thing to commemorate in -- about -- or the most

11

valuable thing to commemorate in 2026 is 1776

12

itself, the active revolution before overthrowing

13

the monarchy, of overthrowing, you know, sort of

14

illegitimate states.

15

And so for those for whom liberty over

16

tyranny is a much more compelling chapter of our

17

history, then the renewals that follows through

18

the evolution of civil rights and women's

19

suffrage, it may be important to include that

20

moment explicitly somewhere in the 2026

21

portfolio.

22
23
24
25

But that's it.

You know, I still

think 01 reverse is the safest bet.
CHAIR VAN ALFEN:

Thank you very much.

Annelisa Purdie, please.
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1

MEMBER PURDIE:

2

Chairman.

3

Annelisa Purdie.

4

Thank you, Mr.

Good morning, everyone.

This is

One of the big considerations with

5

this portfolio in particular is the size of the

6

dime.

7

I am constantly thinking about the thinness of

8

the dime and the importance of having a design

9

that will make an impact, especially for

And when looking at each of these designs,

10

something that people have been familiar with for

11

so long.

12

For the obverses, my favorites were

13

1A.

14

back to the Mercury dime.

15

great update of what people are used to here.

16

And I think that it will resonate with many.

17

I think it's effective.

I think it harkens

I think that it's a

I also loved 2A.

I believe we saw two

18

design offers 2 before.

19

design with 2A.

20

would work on the dime again because of the size.

21

But I would like to see this perhaps on a larger

22

coin.

23

But I like the updated

I am not sure how well that

For Design 4A for the obverse, I like

24

this one, but the sash was a little confusing.

25

wasn't sure at first whether it was flames or a
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sash, what was going on.

2

consideration is size.

3

something in general, the overall composition of

4

this that I do think would be appealing and would

5

work well, just not for something the size of a

6

dime.

7

Again, the
But this is also

For the reverses, none of the designs

8

made my heart go pitter-patter that much.

But I

9

will like to put a play in for the torch for 4A.

10

This one has grown on me from before.

11

crazy about it at first, but I think that this

12

design in contrast with Liberty's head on the

13

obverse showing her holding the torch would work

14

well.

15

overall design on a dime so far.

16

would be interesting to look at it.

It's simple.

17

I wasn't

We have not seen this
And I think it

Some considerations again about size,

18

whether this would work, but I think this will

19

work much more so than Reverse 4 with the burning

20

of the sash.

21

be very difficult to replicate.

22

work.

23

I think that's something that will
But 4A would

And Design 3A as well.

24

works.

25

eaglet.

It's okay.

It's an eagle, very little, perhaps an
But I wouldn't have an issue if this
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were there at all.

2

keep LIBERTY OVER TYRANNY under the ONE DIME for

3

this one.

4

you.

5
6

And I think it's important to

I think that works very well.

Thank

CHAIR VAN ALFEN:

Thank you.

Donald

MEMBER SCARINCI:

So for all the

Scarinci.

7
8

reasons Kellen very articulately stated, I think

9

either the choice of 1 or 1A is really a no-

10

brainer.

11

because of the -- I don't see the need to repeat

12

the 250 years, and the laurel wreath does

13

represent success and victory.

14
15

I agree with Jeanne.

I prefer 1A

So I think that's a great -- this is
a great alternative design to Franklin.

16

And as for the reverse, you know, I

17

also agree with Kellen and others who picked the

18

torch, either 1 or 1A.

19

is probably the better one because it's -- even

20

though I prefer the more even spacing for E

21

PLURIBUS UNUM on 1A.

22

tough one.

23

And, you know, I think 1

So this is going to be a

But, you know, I think we need a torch

24

on the reverse because collectors collect dimes

25

with full bands.

So we have still have some

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bands that we can be consistent.

2

And we don't know what's going to

3

happen after this if we are going to revert to

4

Roosevelt or if we are going to, you know, grace

5

the nation with images of Liberty instead of

6

presidents, dead presidents.

7

So anyway, this is a simple portfolio.

8

Very well done.

9

commended.

All the artists should be

The dime is probably the toughest

10

thing, I think, to design.

11

small.

12

It needs to be big.

13

one object.

14

got that.

15

It's really

just so

And here the head needs to be dominant.
The reverse can only have

And all of the artists, you know,

I am concerned about the -- I would be

16

a little concerned putting an eagle on the

17

reverse of a dime because the eagle is a more

18

majestic -- it's a majestic statement, and the

19

dime is small.

20
21

So anyway, that's my --

CHAIR VAN ALFEN:

Thank you very much.

John Saunders.

22

MEMBER SAUNDERS:

Hi.

First of all,

23

I apologize for being late.

I was in Uber hell

24

for the last 40 minutes trying to get a ride

25

here.
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1

Anyway, to the obverse designs, I like

2

6A a lot.

I think we had 6 when we looked at

3

these things last time.

4

the expression.

5

it.

And I didn't quite like

And I think with 6A, they killed

So that is by far my favorite.

6

They are all good obverse designs.

7

The 3, 3A and 3B, there's just something in their

8

expression that doesn't seem right to me.

9

don't know if they're resentful or mischievous or

I

10

something.

11

expression I don't particularly like for putting

12

on the coin.

13

if you met her but not for the coin.

14

But it's just something in the

I mean, she's probably a lot of fun

And the 4s kind of remind me of the

15

Mother Nature ad where they used to advertise for

16

the 70 cent spread versus butter.

17

was the 70 cent spread.

18

for margarine against it.

19

nice to fool Mother Nature.

20

old enough to remember those things.

21

that kind of reminds me of Mother Nature there.

22

I like 2A.

I guess butter

They were advertising
You know, it's not

Okay.

So you have to be
Anyway,

It seems like

23

everybody likes 01, 01A, 2, I prefer.

24

think it's a perfectly nice design.

25

06A a lot better.

01A, I
I still like

So that's where I am at.

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1

In terms of the reverse, I like the

2

torch.

I think 1, 1A -- I like 1A better because

3

it's a little simple.

4

design to get on something as small as a dime.

5

And as Annelisa says, you've got to be careful

6

how much stuff you're putting on there.

7

like 1A it's simpler, better.

8

of nice.

9

dime.

I mean, we've got a lot of

So I

So the 3 is kind

I think 2 is much too small for the

So I would go with 1A.

10

CHAIR VAN ALFEN:

For my own comments,

11

I am going to join Art's bucking trends here in

12

parts because I do like 1 and 1A to a degree.

13

do find these to be interesting and attractive

14

designs.

15

I

But my concern when looking at the

16

overall portfolio, not just the dime but as well

17

as the quarters and the half dollar is again that

18

we -- from my perspective, I think that we need

19

to be looking at a chronological progression as

20

of where -- you know, from the spark that led to

21

the Declaration of Independence through the five

22

inflection points and then the view to the

23

future.

24
25

And I think that there is a way again
to represent this chronological progression in a
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1

way through the depictions of Liberty and

2

reverses and so forth.

3

And so while this obverse does in a

4

way harken back to earlier depictions of Liberty,

5

she is, to my eyes, decidedly modern.

6

therefore, I was looking for a Liberty for the

7

dime that was perhaps I wouldn't say old-

8

fashioned but at least something that made, say,

9

an allusion to earlier U.S. coinage.

And

10

In that respect, I think that Number

11

3 does the job well in part because I find there

12

to be something of an illusion in this image to

13

the Peace dollar, even though the Peace dollar

14

obviously is a 20th Century production and not a

15

18th or 19th Century production.

16

it does, I think, reference an earlier stage of

17

U.S. coinage and therefore, you know, would,

18

again represent that sort of chronological

19

progression.

20
21
22

Nevertheless,

So I do have a preference for the 3
series rather than Number 1.
And then in term of the reverses, I am

23

very much opposed to the idea of putting a torch

24

on this coinage, again, because I think it looks

25

a little too much like the current dime.
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again, we are thinking of this sort of

2

progression, there is not much progression at all

3

in this.

4

are producing.

5

We are just continuing what we already

And I, you know, again was looking for

6

something perhaps a little more traditional or

7

something that, again, made reference to U.S.

8

coinage at an earlier time.

9

Reverses 2 and 3 do that.

10

And I find that

And I understand the concerns about,

11

you know, the small size of the dime and the

12

concern that Donald raised about the eagle being

13

perhaps a little too majestic for the dime.

14

nevertheless, I think that these are very

15

compelling images.

16

particularly of Reverse 2.

17

favorite.

18

And I love the dynamism,
That is overall my

So I would certainly make a case for

19

adopting Obverse 3 and then pairing that with

20

Reverse 2.

21
22
23
24
25

But

We are joined by Mike Moran again so
-MEMBER MORAN:

I haven't heard

everybody's comments.
CHAIR VAN ALFEN:

There is a growing

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trend toward Obverse 1 and Reverse 1.

2

let you make your comments now at this point.

3

MEMBER MORAN:

4

1 and Reverse 1 for me.

5

off right.

6

So I will

Well, it's not Obverse
Okay.

Start this thing

To me, let me make two pitches that I

7

see here of things that I don't like.

8

years, I passed math.

9

dual date down there, you don't need 250 years,

10

particularly on a dime.

11

Again, 250

I can -- if you got the

It's ground clutter.

And the other thing, I am very much

12

with Thomas Jefferson that Phrygian cap is wrong

13

and inappropriate for American coinage.

14

to me eliminates a couple of the ones of the

15

obverse.

16

train here, and I'm not going to try and wag the

17

dog.

But I know I'm on the tail end of the

18

To me, the next one, about 3A, I

19

believe, the 3s, are good.

20

damn cap.

21

supporting.

22

is a good, fresh-looking dime.

23

on that tondo.

24

put it that way.

25

And that

3A gets rid of that

So that is one that I will be
I will support all of the 3s.

That

It will show well

And it is appealing to me.

I'll

On the reverse, again, I understand
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Peter's complaint about the torch.

2

is not a complete renewal.

3

didn't come into play until the Statue of Liberty

4

in terms of being an easily recognizable icon of

5

American liberty.

6
7

The torch really

If you look at 2 -- they're searching
for a -- no, they're looking for me --

8
9

It probably

PARTICIPANT:

We lost the whole

network.

10

CHAIR VAN ALFEN:

11

MEMBER MORAN:

Should we pause?

I can keep going.

12

mean, I've got it up on my screen.

13

concept of the eagle.

14

but I don't want 250 years on that ribbon.

15

already said that.

16

I

2, I like the

I think it's excellent,
I've

But if you go to 2A, you get the

17

denomination on the ribbon, and you get -- and on

18

the dime you get the added negative space around

19

the eagle when you do it that way.

20

that's critical to a successful reverse design.

21
22

So there you have it.

And I think

I am 3 and 2.

In other words, I am Peter.

23

CHAIR VAN ALFEN:

24

All right.

25

committee at this point?

Oh, there we go.

Do we have any questions from the
Art?

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MEMBER BERNSTEIN:

Not a question.

2

This is Art Bernstein.

3

out since there is a little bit of interest in

4

Series 3, there is a small typo on the scoring

5

sheet if you are interested in giving points to

6

3B.

7

know where to put some points.

The 3 is missing.

I just wanted to point

So I just wanted you to

8

CHAIR VAN ALFEN:

All right.

9

other questions or comments?

Yeah, Sam?

10

MEMBER GELBERD:

Any

Peter, thank you.

11

This is Sam Gelberd again.

I just wanted to

12

state one more time -- I would echo what April

13

had mentioned.

14

dollar are bookends to the semiquincentennial

15

series.

Remember the dime and the half

16

Because I am going to be recommending

17

a reverse for the half dollar that does involve a

18

torch, that's the main reason why I think a torch

19

would be best served on the dime as well.

20
21
22

CHAIR VAN ALFEN:
you.

All right.

Thank

Jeanne, yes, your hand is raised.
MEMBER STEVENS-SOLLMAN:

Yes.

This

23

Jeanne Stevens-Sollman.

If the eagle is chosen,

24

Number 3 on reverse, I think we need to pay

25

attention to those flight feathers, which are
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really secondary feathers there.

2

Stevens-Sollman.

3
4

This is Jeanne

So the flight feathers on the eagle,
those are not correct.

5

They should be straight.

CHAIR VAN ALFEN:

Any other comments

6

or questions from the committee?

Any comments

7

from our subject matter experts?

Yes, Lee Ann

8

Potter, if you would like to address the

9

committee, please do.

10

MS. POTTER:

Good morning, everyone.

11

I appreciate being able to chime in at a

12

distance.

13

comments.

14

And I have enjoyed hearing your

And yes, I do remember the Mother

15

Nature and the margarine commercial, just so

16

you're not the only one out there.

17

me laugh because I was thinking the same thing,

18

and I couldn't remember what the ad was for.

19

I really appreciate you reminding.

And it made

So

20

And I think the comments -- and,

21

again, I am sort of speaking on behalf of my

22

colleague, Richard Hunt, who I believe some of

23

you had an opportunity to meet yesterday who is

24

at the National Archives.

25

the dime, we too had a preference for the ones

In our exchanges about

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and the threes.

2

the comments that are coming from all of you sort

3

of resonate with that as well.

4

And so it's interesting to hear

One thing I do want to emphasize,

5

something that came out in our discussions, was

6

the expression liberty over tyranny, we felt very

7

strongly that having that included on the dime is

8

really what helps it resonate with the America

9

250 theme and being very, you know, deliberate to

10

help people recognize what it was in 1776 that

11

made what the American experiment meant to the

12

world.

I think it's great that that has come up.

13

So, again, the ones and the threes

14

were certainly our favorites as well.

15

comment about the torch in a couple of instances

16

resembling the Olympics is also something that

17

had come up.

18

you know, maybe that is another thing that helps

19

us remember what else is happening, you know, in

20

the world at the current time.

21

for letting me chime in.

22
Lee Ann.

24

time?

25

But there was also a little bit of,

CHAIR VAN ALFEN:

23

And your

So anyway, thanks

Thank you very much,

Any other comments or questions at this

MS. STAFFORD:

I am only looking at

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Joe because I know this is such a small planchet,

2

and we talked a lot about ensuring the

3

coinability that these images would convey.

4
5

Did you have anything you wanted to
share or --

6

MR. MENNA:

This is Joseph Menna.

7

Yeah, we had a lot of internal talks about this,

8

all the portfolios obviously.

9

the 3 series some of the comments were made in

I recall regarding

10

the summer about the severity in the look and

11

stuff like that.

12

I think just the composition, the

13

face, the more serene, yet purposeful gaze, I

14

won't editorialize as to what's the best design

15

or what anyone should be thinking about

16

compositionally and stylistically.

17

is a lot of strong support for resolution of this

18

and all of them.

19

I think there

But I wanted to point out the artist

20

did try very strongly to meet the request in

21

adapting both the headpiece and the demeanor on

22

the face.

23

Thanks.
CHAIR VAN ALFEN:

All right.

All right.

Thank

24

you.

Any other comments, questions?

25

And if not, then the committee will now score the
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2026 dime.

2

score sheets to CCAC counsel, Greg Weinman, and

3

we will take a roughly 10 minute break and return

4

at 9:25.

5

When you are done, please return the

(Whereupon, the above-entitled matter

6

went off the record at 9:11 a.m. and resumed at

7

9:21 a.m.)

8
9
10
11
12

CHAIR VAN ALFEN:
back.

All right.

We are

We will wait to hear the scores until

after we have scored the half dollar.
So let's move on to, I know -- the
anticipation.

13

MEMBER STEVENS-SOLLMAN:

14

a difference to us if we knew the scores before

15

we looked at the half dollars.

16
17

CHAIR VAN ALFEN:

It might make

Would the committee

prefer to hear the scores prior to the --

18

(Chorus of yes.)

19

CHAIR VAN ALFEN:

Okay.

Then let's

20

hear the scores for the dime before we go on to

21

the half dollar then.

22

MR. WEINMAN:

Before I read the

23

scores, I would like to do a point of

24

clarification.

25

want to make sure we clarify.

Something that Donald said that I
You mentioned,

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Donald, what would come after this.

2

The authority for this particular

3

program, for the redesign, at the end of 2026,

4

beginning of 2027, the dime, by statute, reverts

5

back to what it was before.

6

discretion there.

7

what it was before.

8
9

So we don't have

It reverts back to exactly

The quarter and the half move on the
sports quarter program.

At the end of the sports

10

quarter program in 2031, then we have the option

11

to pick a different design for the obverse and

12

reverse so long as the obverse maintains George

13

Washington and John Kennedy.

14

portrait or George Washington and a new portrait

15

of John Kennedy, a different reverse.

16

dime reverts back to what it was before.

17

MS. STAFFORD:

There can be a new

But the

But what I think

18

Donald may have been referencing is the 25 year

19

rule and that the dime is actually within that

20

time frame.

21

MR. WEINMAN:

An additional

22

clarification, yes, under the statutory authority

23

would allow us, but not necessarily --

24

MS. STAFFORD:

25

MR. WEINMAN:

And that varies -In that period, yes.

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MS. STAFFORD:

2

MR. WEINMAN:

3

could.

Right, no.
But no, we probably

You're right.

4

MEMBER SCARINCI:

We might talk about

5

like the -- especially the half dollar.

The half

6

dollar is non-circulating.

7

to -- the half dollar is an opportunity to maybe

8

change every year and increase collector interest

9

at the same time as, you know, allowing us to use

It's an opportunity

10

the half dollar playing field, you know, the

11

size, which is really wonderful for, you know,

12

for commemorating things as well as, you know,

13

coming up with different themes each year.

14

you know, something to talk about.

15

MR. WEINMAN:

Yeah, they changed the

16

half dollar every year to comply with the

17

legislation.

18
19

So,

MEMBER SCARINCI:

Yes, yes.

To allow

us to do that.

20

MR. WEINMAN:

Right.

21

MEMBER SCARINCI:

22

MR. WEINMAN:

Yes.

Okay.

Meanwhile back to

23

the issue of at hand, which is the scoring of the

24

dimes.

25

ready.

Okay.

So for the dimes, when you're

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Obverse, once again today it is out of

2

a possible 30 points, Obverse 01 received 11

3

points.

4

it the high scoring design.

Obverse 01A received 21 points, making

5

Obverse 02 received 3.

6

received 5.

7

03B received 13.

8

05 received 3.

9

and 06A received 8.

10

03 received 12.

03A received 16.

04 received 3.
05A received 3.

O4A received 4.
O6 received 5

Moving on to the reverses, where there

11

was not much as clarity.

12

points.

13

2 received 7 points.

14

points.

15

points.

16

Obverse 02A

Reverse 1 received 14

Reverse 1A received 13

points.

Reverse 2A received 13

Reverse 2A -- I'm sorry, 3, received 9

Reverse 3A received 15 points, making

17

it the high scoring design.

18

points, and Reverse 4A received 7 points.

19

as much clarity on the reverse.

20

Reverse

CHAIR VAN ALFEN:

Reverse 4 received 4
So not

Thank you very much.

21

So we will now move on to our last portfolio to

22

consider in the semiquincentennial program, and

23

that is the obverse and reverse design candidates

24

for the 2026 half dollar, which April Stafford

25

and Boneza Hanchock will now present.
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whenever you're ready.

2

MS. STAFFORD:

A little history of the

3

half dollar's design.

4

coin, the Kennedy half dollar, was first issued

5

in 1964, about four months after the

6

assassination of President John F. Kennedy.

7

obverse shows a profile portrait of Kennedy while

8

the presidential seal appears on the reverse.

9

The current U.S. 50-cent

The

The first half dollar was minted in

10

1794 with Liberty personified on the obverse and

11

an eagle on the reverse.

12

the half dollar featured variations of Liberty

13

similar to those represented on the dime as well

14

as Adolph A. Weinman's Walking Liberty, issued

15

first in 1916.

16

Throughout its history,

In 1948, an image of Benjamin Franklin

17

replaced Walking Liberty on the obverse of the

18

half dollar.

19

Bell in Philadelphia.

20

Its reverse depicted the Liberty

And of course, everyone knows for the

21

1976 bicentennial issuance of the half dollar,

22

the presidential seal was replaced with an image

23

of Independence Hall.

24
25

The half dollar for the
semiquincentennial is the final of the three acts
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comprising the 2026 dime, quarters, and half

2

dollar.

3

keep our Republic for the next 250 years and

4

emphasizes the critical role of the citizen in a

5

participatory and knowledge-based democracy.

It explores what is required of us to

6

In drafting their designs, artists

7

were encouraged to consider a bold, modern style

8

to underscore the theme of looking to the future

9

and to potentially contrast and complement the

10

more traditional imagery anticipated on the 2026

11

dime.

12

Obverse designs show a new depiction

13

of personified liberty and prominently feature

14

the inscription, UNITED STATES OF AMERICA, to

15

amplify the half dollar's theme.

16

inscriptions include, IN GOD WE TRUST, and the

17

date range.

18

Additional

Reverse designs are inspired by James

19

Madison's observation that, "Knowledge will

20

forever govern ignorance, and a people that mean

21

to be their own governors must arm themselves

22

with the power that knowledge gives."

23

Designs explore the call to action for

24

citizenship, stewardship of liberty, with many

25

featuring an inscription quoting James Madison,
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specifically, KNOWLEDGE IS THE ONLY GUARDIAN OF

2

TRUE LIBERTY. Additional reverse inscriptions are

3

E PLURIBUS UNUM and HALF DOLLAR.

4

So now the candidate designs, we have

5

Obverse 1, 1A, 1B that depict Liberty proudly

6

carrying an American flag while leading a young

7

girl, representing the future generations,

8

forward.

9

Here, Liberty takes the form of a

10

nurturing figure as she guides the youth in her

11

care, leading by example.

12

In Design 1, the young girl holds her

13

hand over her brow to shade her eyes as she looks

14

to her bright future. In 1A and 1B, she proudly

15

carries Liberty's torch.

16

the figures are framed by a ring of 50 stars.

17

In the latter design,

Obverse 2 features a strong, confident

18

Liberty bearing the flame that will light the way

19

toward our nation's future.

20

Obverse 3 features a stylized Liberty

21

meeting the viewer's gaze, readying to pass her

22

torch on to the next generation.

23

Obverse 4 depicts Liberty patiently

24

guiding a young child in lighting her torch,

25

representing the care and effort necessary to
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ensure liberty for future generations.

2

Obverse 5 shows a close-up view of the

3

Statue of Liberty, her steadfast gaze looking

4

outward as if toward the future.

5

For the reverse designs, Reverse 1

6

features the Capitol dome as an iconic symbol of

7

the power and rights of citizens, the elected

8

officials who represent them, and the U.S.

9

government.

10

The design includes the additional

11

inscription, TOWARD A MORE PERFECT UNION, as a

12

reminder of the continued effort required to

13

fulfill the aspirations in our founding

14

documents. Here, three stars represent the

15

Declaration of Independence, the U.S.

16

Constitution, and the Bill of Rights.

17

Reverse 2 features hands working

18

together to plant an oak tree sapling in a

19

fertile ground, representing the participatory

20

nature of democracy and symbolizing the

21

collective work required to maintain our

22

republic.

23

Reverses 3, 3A

and 3B feature Liberty

24

passing her torch to a new generation with the

25

aphorism, KNOWLEDGE IS THE ONLY GUARDIAN OF TRUE
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LIBERTY, arced around the border.

2
3

In Reverse 3 and 3A, we have a
backdrop of the American flag featured.

4

Reverse 4 features Liberty's torch,

5

with emanating rays of light representing hope

6

and promise for future generations. James

7

Madison's dictum, KNOWLEDGE IS THE ONLY GUARDIAN

8

OF TRUE LIBERTY, arcs around the flame as if

9

forming a protective barrier.

10

Reverses 5 and 5A feature Liberty

11

passing her torch, its flame trailing with the

12

momentum of purpose to a new generation.

13

Reverse 6 depicts a close-up view of

14

the Statue of Liberty's torch, an enduring symbol

15

of our nation.

16

Reverse 7 features two hands that hold

17

and protect the flame of Liberty, representing

18

both the individual care needed to preserve

19

liberty as well as the responsibility to maintain

20

it for future generations.

21
22
23

And that concludes the candidate
designs.
CHAIR VAN ALFEN:

Thank you very much.

24

Are there any technical or legal questions from

25

the committee at this time about the designs for
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the 2026 half dollar before we begin our general

2

discussion?

3

All right.

Let's begin.

And I would

4

again like to remind the members to please keep

5

their comments to five minutes or less and to

6

identify yourself for the record prior to

7

speaking.

8
9

Let's begin with Dr. Christopher
Capozzola, if you would, please.

10
11

MEMBER CAPOZZOLA:
you.

All right.

This is Chris Capozzola.

12

Thank

I will be brief.

I think on the obverse, we had seen

13

this before, very compelling images of 01, 01A

14

and 01B.

15

some discussion around the little girl's hand.

16

And in our previous discussion, I think 01A

17

addresses that.

18

striking.

19

Of them, I think, you know, there was

It is very compelling and very

I will also say on all of this, I very

20

much appreciate artistically and in terms of what

21

it communicates, Obverse 5.

22

Kellen spoke to that image in earlier discussion.

23

I just don't know especially if it is paired with

24

a torch, also based off the Statue of Liberty, if

25

it's compelling as a half dollar.

And I know that

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So I don't know whether this image can

2

make it somewhere into the portfolio of the

3

semiquincentennial, but I'm not sure that it

4

works as the obverse of the half dollar.

5

And on the reverse here, I think that

6

the strongest one for me was Reverse 6, which

7

again very clearly signifies the Statute of

8

Liberty.

9

people.

That makes it legible, I think, to many

10

It may, in that case, you know, be

11

sort of too obvious to people.

12

safe choice.

13

level of detail and the size that a half dollar

14

is, that the detail on the torch will be visible

15

to many people.

16

It's a bit of a

But I think especially in this

And I think because we have not chosen

17

any of the other usages of Independence Hall, I

18

do not think Reverse 1, the Capitol, works here,

19

although I love what it communicates.

20

A MORE PERFECT UNION is a great phrase to

21

consider for the reverse of the half dollar as

22

the conclusion chronologically of what's

23

happening across that series of points.

24
25

And TOWARD

CHAIR VAN ALFEN: Thank you very much.
Jeanne Stevens-Sollman, if you would, please.
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MEMBER STEVENS-SOLLMAN:

Thank you,

2

Mr. Chairman.

3

agree with Christopher very much on the Obverse

4

1, 1A.

5

This is Jeanne Stevens-Sollman.

I prefer myself the Obverse 1 because

6

she is not carrying the torch.

7

the future.

8

the adult is really positive.

9

Walking Liberty that we have had in the past on

10

I

And I think that the proud stance of

the half dollars.

11

She is looking to

It echoes the

So that is my choice.

As for, you know, 2, 3, 4 and 5, I

12

think that they are very contemporary.

However,

13

they sort of don't harmonize with the images that

14

we have chosen for the other designs.

15

think perhaps Number 1 would fit better.

And I

16

Going to the reverse, I like Reverse

17

1 because of what it says, TOWARD A MORE PERFECT

18

UNION.

19

coinage series.

20

really a beautiful design.

21

work lovely on the -- 06, please -- on the

22

reverse.

23

Thank you.

It seems like a nice bookend to the

24
25

However, I believe that 06 is
And I think it would

And it would complement Obverse 1.

CHAIR VAN ALFEN: Jeanne, thank you
very much.

Annelisa Purdie, if you would,
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please.

2

MEMBER PURDIE:

Thank you, Mr.

3

Chairman.

4

portfolios we have looked at for this session, I

5

think this one is my favorite.

6

the few where I like elements of all of the

7

designs, both in the obverses and the reverses.

8

I am going to make this very brief.

9

This is Annelisa Purdie.

Of all the

This is one of

For the obverse, Number 1 is far and away my

10

favorite.

11

design of their dresses, both for Lady and

12

Liberty and the child work in that they are

13

modern, but it also harkens back to an earlier

14

time.

15

one is just beautiful in terms of the stride.

16

It was before, still is.

I think the

And I think that the composition for this

The reason why I didn't choose 1A is

17

because of her holding the torch.

18

almost as big as she is, which is the point.

19

it's the idea of her walking confidently

20

hand in the first one better.

21

The torch is
But

hand in

For the obverses, I like the design of

22

Obverse 3B, but with the hands of 5A.

23

think that this is a good opportunity for

24

continuity between the obverses and the reverses

25

in that on the obverse she would not be holding
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the torch.

2

Liberty passing the torch to the next generation.

3

And I think that would work in terms of flipping

4

the coin over and looking through it.

5

But in this reverse, we can see Lady

The hands in 3A and 3B for the

6

reverses, I just think it works a little better

7

considering what is on the front.

8

on coins is always a good thing.

9

More children

And then I would also like put in for

10

the reverses something for Number 2.

11

that this design is beautiful.

12

works well for the half dollar.

13

it fits with the continuity of the semi-q coins

14

overall in the message that we are trying to get

15

across.

16

I think

I think that it
I am not sure if

But I think it is very beautifully done.
I love the diversity of hands in terms

17

of age ranges and types in here and the idea of

18

planting everyone working together to nurture

19

liberty so it also works really well.

20

But choices overall are still Obverse

21

1 and hands of Obverse 5 -- Reverse, excuse me,

22

5A, but with the overall design of Reverse 3B.

23

Thank you very much.

24
25

CHAIR VAN ALFEN:

Thank you, John

Saunders, if you would, please.
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MEMBER SAUNDERS:

Thank you.

John

2

Saunders here.

On the obverse, I like the first

3

three.

4

that we did for civil rights, the one that had

5

the most votes?

6

Okay.

7

suffrages.

Do we have -- can we put up the quarter

For the civil rights quarter.

Not the civil rights one, but the

8

MR. WEINMAN:

Suffrage is 01.

9

MEMBER SAUNDERS:

It's enough

10

different, but it's kind of along the same theme.

11

But I'm not sure I like the little girl's hairdo

12

in 1 and 1A.

13

scope of things.

14

But it's not a big deal in the

I kind of like her carrying the torch,

15

so I am probably in favor of 01.

16

design.

17

But I still think it may be a little bit too busy

18

for a coin as opposed to a medal there.

19

04 is a nice

It's a half dollar, which is bigger.

The Statue of Liberty looks very

20

reminiscent of a gold piece that we put out some

21

time ago.

22

most of the public don't see the gold piece.

23

I think because of that, putting the Statue of

24

Liberty on a circulating coin -- I mean, half

25

dollars don't circulate that much anyway, but at

But, you know, most collectors and

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least people got a chance of getting if somebody

2

wants one, they can afford it for -- you know, it

3

costs 50 cents as opposed to $500 or $1,000.

4

So I think even though the design is

5

kind of been there, done that, striking me, I

6

think it's kind of cool to put it on a

7

circulating coin, a non-gold coin.

8
9

I think it shows an awful lot of neck
there.

I'm not sure I -- I would probably

10

reorient the direction slightly if I was doing

11

it.

12

it's pretty cool to put this on a half dollar.

But it is a pretty impressive design, and

13

Going on to Reverses 1, I mean, it's

14

kind of almost too classic, but it's nice.

15

Certainly nothing wrong with it.

16

similar designs for a lot of coins, but we

17

haven't chose them, I don't think, for anything

18

else.

19

there.

We've had

So maybe it would be nice to put that on

20

02, I must say this does look like a

21

sapling, and it is clearly an oak leaf there.

22

commented on one of the other saplings in another

23

design looked more like a bean sprout than a

24

sapling.

25

But this is a sapling.
I understand the symbol of all the
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hands being there, but it just seems like there

2

is too many hands to me.

3

03 is okay.

04 is okay.

03B is okay.

4

I like 04 a lot.

And 05 I like better than 05A.

5

I think it's a nice design.

6

07 didn't appeal to me very much.

7

probably my favorites are going to be 01, 04 and

8

06.

06 is a nice design.
I think

And that's it.

9

CHAIR VAN ALFEN:

10

thank you very much.

11

please.

12

All right, John,

Sam Gelberd, if you would,

MEMBER GELBERD:

Thank you, Peter.

13

This is Sam Gelberd.

14

like Obverses 1, 1A and 1B.

For the life of me,

15

I can't get past Obverse 1.

It just seems like

16

instead of trying to shield her eyes from a

17

bright future, it looks like she may have a

18

headache.

19

With the obverses, I do

I just can't go with that one.
With Obverse 1A, I do prefer the torch

20

there.

1B would also work as well.

I would be

21

okay with that.

22

talk about this one, but I do like how the torch

23

is separate from the flag.

24

orientation of the flag as well.

25

moving forward.

We haven't heard a lot of people

And I like the
It's kind of

It's a bold rendition of -- it's

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an updated modern look for lack of a better term

2

the walking -- or Liberty Walking half dollar.

3

I love the motto IN GOD WE TRUST and

4

the date are divided by the exergue line.

5

think that works really well.

6

I

The other obverse that I did like was

7

Number 5.

8

think if this were on a half dollar again, it

9

might actually get people using half dollars in

10

Of course, very bold rendition.

I

circulation.

11

But that being said, I think if we

12

went with Obverse 1A or 1B, that might have the

13

same effect.

14

having something like that in their pocket and

15

using it as coinage.

16

It might really get people into

All of the obverses do have artistic

17

merit.

18

of them, I think the artist really did a great

19

job trying to come up with a modern bold look for

20

this series.

21

I feel the same with the reverses.

All

With the reverses, initially I loved

22

Reverse 4, that rendition of the torch.

23

can just get to that one.

24

design very much.

25

the reverses.

Yeah.

If we

I do like this

This is my second favorite for

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But when we were hit with Reverse

2

Number 6, which seemed to be a more updated one

3

in this current portfolio, Reverse 6 will get my

4

votes for the best one to go with.

5

it's very eye-catching.

6

will be able to recognize exactly what this is.

7

It's really sad if they don't.

8

would be able to pick up on that design very,

9

very well.

10

I just think

Almost every American

I think everyone

The reverses in the 3 series, 3A and

11

3B are very evocative of challenge coins, what we

12

might see as a military challenge coin.

13

that reason, I wasn't a big fan of those as well.

14

So for

So for the obverses, ultimately, I

15

landed on Obverse 1B and for the reverse, I would

16

have to go with Number 6.

17

to say about that.

18
19
20

CHAIR VAN ALFEN:
Thank you.

Wonderful, Sam.

Mike Moran, if you would, please.
MEMBER MORAN:

21

is Mike Moran.

22

different directions.

23

And that's all I have

Thank you, Peter.

This

I approached this from two

Looking at the obverses 1, 1A or 1B to

24

me are very good, the Walking Liberty.

25

particularly like 1B because of the 50 stars.
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think that's a good rendition.

2

going forward, we are 50 stars, we are not 13.

3

So that tells a story to me.

4

And the fact is,

And I like the -- it's an updated

5

modern Liberty.

6

or 1A.

7

I could be just as happy with 1

Let's talk about Kellen's obvious

8

choice for obverse, that would be Number 5.

9

good.

It's

And I was originally willing to -- well, I

10

was going to say, well, been there, done that, on

11

a five dollar gold piece for the centennial

12

celebration of the Statue of Liberty because it

13

is close to that although it is looking the other

14

direction.

15

compelling argument that a majority of the

16

American public has never seen it or if they've

17

seen it, they've forgotten it.

18

objections there are ridiculous so I am not going

19

to raise them.

20

vote for that one, too.

21

But I thought that John made a

You know, I do.

And that my

I am going to

I am going to.

So let's go to the reverse.

I've got

22

two themes going here.

23

Liberty looking forward and the other is the

24

Walking Liberty or the obverse is a 1.

25

One is the Statue of

On the reverse to me, it seems that if
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you go with Number 1, you have a compelling case

2

to make for one of the reverses for the handoff

3

of the torch because we are going toward looking

4

forward to the future, to future generations for

5

them to carry and do as well or better, actually

6

better than what we've done.

7

either 3 or 5 in that regard.

8
9

So I could go with

I can't go with Number 1 even though
I like the theme of it, after 250 years -- Number

10

2, I mean.

11

That's simple.

12

We should be past the sapling stage.

And let's go to the last one, which is

13

6.

14

you've got to do 6 on the reverse.

15

just makes a compelling coin.

16

from that.

17

speaks to where we've been, but it also gives us

18

the hope of where we are going when you compare

19

it with 5 on the obverse.

20
21
22
23
24
25

If you are going to do 5 on the obverse,
I mean, it

I can't get away

And I really -- it's elegant.

It

So here I am making a case for
Kellen's obvious choice.
CHAIR VAN ALFEN:

Kellen, would you

like to address your obvious choice?
MEMBER HOARD:

I would.

Thank you.

Yeah, so we'll just start with the ones I like on
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the half dollar.

2

There is a reason we brought Obverse

3

1 and 1A this far.

They're really stellar

4

designs which capture everything we're hoping to

5

capture in the half dollar.

6

inspiring, exciting designs.

7

there's not much controversy here.

8

way to illustrate this theme of the past more

9

than to show American what's in their past?

They're dynamic and
It seems like
What better

10

better way to use the large space of the half

11

dollar?

12

What

Obverse in this, the details

13

stunningly, you know, the flows in the dress, the

14

stars in the flag, et cetera.

15

one, in my view.

16

This is an easy

There are a few strong reverse

17

designs.

18

Reverse 6, which we have talked about before and

19

Reverse 4 really quite compelling.

20

I find the power of the torches on

I think they are fanatically

21

appropriate as they represent that eternal flame

22

and knowledge.

23

has a real visual impact.

24

pop off the coin.

25

I think on the half dollar, this
They really seem to

But I am also intrigued by Reverse 2,
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particularly as it related to Obverse 1.

2

know, just as we see a woman leading a girl by

3

her hand on the obverse, we see the hands of

4

Americans working together to protect and invest

5

in our national values in the reverse.

6

a visually beautiful design.

7

align with those of the hands.

8

happy with this one, too.

9

that torch.

10

You

It's also

We have lines that
So I would be

But I really do like

And then before I finish, look at

11

this.

12

Enough of the -- but, again, just as Chris said,

13

and he is right.

14

dollar.

15

Declaration of Independence quarter.

16

We're back to Obverse 5, my favorite.

This isn't right for the half

But it's perfect for obverse of our

For the reason I shared yesterday, its

17

fanatic and visual fit is simply wonderful.

18

John mentioned, it is very cool to have the

19

statue on a modern circulating coin for its own

20

sake if not for the fact that what you represent

21

is so needed in our country right now.

22

As

Last night, I was just trying to get

23

outside my own collector brain and make sure I

24

was informed and had everything straight.

25

that the designs are public, I sent the
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Declaration of Independence portfolio to 36 young

2

people in Seattle, in DC, in London, all over,

3

all non-collectors, all from a number of

4

different backgrounds, races, genders, ages, and

5

with no further prompting, I said which obverse

6

is your favorite and which theme do you

7

understand, which one fits the theme the best?

8
9

Twenty-eight got back to me by this
meeting.

Only one preferred Design 2, which is

10

our current favorite, the apathetic sorceress

11

Liberty.

12

Liberty carving yourself out of stone Design 1,

13

which is fair enough.

You know, several did choose the

14

I slept on it overnight.

And you have

15

got me slightly, slightly convinced that it's the

16

right one for the Constitution.

17

congratulations.

18

the other people.

19

listen to them.

20

or prefer Design 2.

21

So

You've changed my mind as did
But I really don't have to
But students didn't understand

So we can tread our own course, but I

22

thought this was kind of a useful case study or

23

at least for me it was helpful in getting some

24

perspective.

25

of Liberty is the symbol we should lead with out

But I continue to feel the Statue

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of the gate as she ties in perfect with this

2

theme of a visual dynamism on par with what we

3

want our first impression of the program to be.

4

She's a symbol that can't be confused for

5

anything else by the public and which the

6

American public will surely enjoy.

7

And, of course, we'll talk more about

8

it in our discussion later.

9

raise this while we had the portfolio in front of

10
11
12
13

us.

But I just wanted to

So thanks for hearing my soapbox again.
CHAIR VAN ALFEN:

Thank you. Donald

Scarinci, if you would, please.
MEMBER SCARINCI:

You know, I keep

14

thinking that consistency -- there is a

15

consistency in inconsistency in art.

16

know, I would not -- I think the theme of this

17

coin is a very important theme for where we are

18

now in time, which is, you know, across the world

19

not just in America, we are experiencing a

20

generational shift.

21

And, you

In just about every business, the

22

focus is on succession and continuation, and it

23

is very similar time and to, you know, I guess

24

when I was very young, very young, mind you, when

25

I experienced, you know, the last time the torch
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was passed in the early 70s -- late 60s, early

2

70s.

3

taken.

And it wasn't exactly passed.

4

It had to be

You know, in this shift, at this time,

5

I guess the one thing my generation is doing

6

right is, you know, for the most part, right,

7

with some exceptions, we are trying to pass it.

8

And, you know, this concept of, you know, America

9

in the future, an America that we have the

10

struggle to, you know, as Benjamin Franklin said,

11

you know, it's a republic if you can keep it.

12

And, you know, it is our struggle.

13

And this is a -- so this coin is a big

14

planchet.

And we can just about do anything we

15

want with the half dollar.

16

am being inconsistent this time because I

17

advocate for designs like 5 on smaller planchet

18

coins, you know?

19

And, you know, and I

But in this case, you know, I kind of

20

like, you know, Obverse 5 because immediately

21

it's iconic.

22

is Liberty, right?

23

this generation and in the next, it's Liberty.

24

And there is a consistency to that in the

25

generational shift.

It's immediately identifiable this
This is, you know, even in

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And, you know, the reverse, I like

2

Number 1 but I wouldn't go with that.

3

consistent with the thinking is Number 5 or

4

Number 5A, which is, you know, very simple.

5

very simple.

6

torch.

7

I think

It's

But it shows the passing of the

And it's very appropriate.

This theme

8

of the passing of the torch, you know, is very --

9

it's what John F. Kennedy said.

You know, we

10

passed the torch to the new generation in 1964

11

when he made that speech.

12

generational shift expressed in our time, you

13

know, in a way as it was expressed by JFK whose

14

half dollar we are using for this coin.

15

And so it's a

So there is a certain poetry to that,

16

you know, and a connection to John F. Kennedy,

17

the passing of the torch to the new generation,

18

the last time it was passed.

19

being passed again.

20

And this time it is

And we are evoking, you know, we're

21

kind of -- the coin would evoke the memory of

22

John F. Kennedy because it is on the Kennedy

23

dollar at this point.

24

That's why that was kind of an important

25

question.

It is going to revert.

It is going to revert back to the
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Kennedy dollar.

2

So this coin is kind of, you know, a

3

next generation, a new generation of passing of

4

the Kennedy dollar, of the Kennedy half dollar.

5

So, again, it's inconsistent because

6

I would never be advocating for a -- we have a

7

large planchet.

8

think that would be a very powerful cornerstone

9

piece in the set.

10

Let's use it, right?

Big is bold.

But I

So if we go back to

11

Obverse 5, you know, it's big.

12

on a -- a half dollar planchet, that's big.

13

That's bold.

14

by this generation and the next.

15

That's big. It's

And that's something recognizable

And the reverse showing the hands is

16

really critical, you know.

17

it has to be paired with the hands in either 5 or

18

5A.

19

know, it's just either one.

20

generation

21

If we go with this,

And I'm indifferent as to 5 or 5A.

But it is this

handing the torch to the next.
So I think it makes the statement and

22

I think grounds the portfolio.

23

grounds the set.

24
25

You

I think it

So that's my thought.

CHAIR VAN ALFEN:

Art Bernstein, if

you would, please.
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MEMBER BERNSTEIN:

This is Arthur

2

Bernstein.

With regard to the Obverse Series 1,

3

each of these designs is, I would say, very

4

realistic.

5

These are human beings carrying a flag, walking.

6

What I find unrealistic about 1A and

There is nothing allegorical about it

7

1B is the torch.

That doesn't seem realistic to

8

me.

9

that girl could lift that big of an item.

It seems out of proportion.

10

I don't think

And I made this comment the first time

11

we saw these designs.

As a grandfather, I don't

12

think a little girl should be holding an open

13

flame like that walking down the street.

14

really bothered me to see that little girl

15

holding that massive flame.

And it

16

So if we were going to go with one of

17

these walking designs, I think I would stick with

18

1 and leave the torch out of it.

19

I would also call some attention to

20

Obverse 2 only because April had talked about the

21

artists were taxed with seeking a bold, modern

22

style.

23

And I just wanted to acknowledge that I thought

24

that was an exciting design.

25

traditional.

And to me Obverse 2 was bold and modern.

It's very non-

And I am going to give that one
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2

some points.
With regard to the reverses, I think

3

the time to use the architectural features.

4

so I liked Design 1 with the Capitol, and I liked

5

the Reverse 6 with the architectural feature of

6

the statue as a torch.

7
8

And

Thank you.

CHAIR VAN ALFEN:

All right, Art.

Thank you very much.

9

CHAIR VAN ALFEN:

10

again, when looking at this portfolio in

11

connection with the other portfolios, you know, I

12

again was thinking about the three acts and the

13

role that each one of these individual coins will

14

play within those acts and so looking for some

15

sort of cohesiveness across all of the designs.

16

For my own comments,

And I think in this case, the design

17

set number 1 for the obverse certainly does

18

fulfill that since it ties in in many respects

19

as, for example, John pointed out with the

20

women's suffrage obverse for that quarter.

21

So I would be happy adopting any one

22

of these, although I do want to point out that

23

with Obverse 1 and 1A, the way that the woman's

24

dress sort of flows into the young girl's dress,

25

I think will create sort of a blob in the center
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of that coin, which we don't have in 1B where

2

there is separation between the dress and the

3

young girl's dress.

4

I also find 1B to be a much more

5

dynamic rendition.

6

in this portrayal of the woman and the girl.

7

And, as Mike pointed out, the 50 stars, I think

8

also adds something to it.

9
10

There seems to be more energy

So of these three, I think 1B would be
my preference.

11

I certainly understand the leaning

12

that many of the committee members have towards

13

5, this iconic and bold depiction of the Statue

14

of Liberty.

15

Island and passed the Statue of Liberty on a

16

daily basis, I understand the appeal and

17

attraction of that.

18

And as somebody who lives in Staten

And I have to admit, I feel that

19

pretty much every day.

20

statute as I'm going across.

21

when the light is right, I will take yet another

22

photo of the Statue of Liberty.

23

hundreds, no doubt, at this point.

24
25

I do glance at the
And on certain days

And I have

But, again, I am not sure if this
image really does serve that sort of connection
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with the other obverses.

2

we certainly will discuss in the coming hours.

3

And this is something

Moving on to the reverse, I do find

4

Number 6 to be really very attractive, very bold.

5

I love the details of the torch.

6

a large planchet that this would be really quite

7

dramatic and so very appealing.

8
9
10
11
12

And I think on

So I am leaning at this point towards
1B and 6.
All right.

I will invite Lee Ann

Potter if she has any comments at this point.
MS. POTTER:

Great.

Again, thank you

13

for the opportunity.

14

of your comments and observations.

15

of what you are describing is very much in line

16

with what Richard Hunt and I considered as well.

17

Our favorites were the 1 series and the 5 series.

18

I have enjoyed hearing all
Again, much

And I think the speaker -- like four

19

speakers ago that was describing combining

20

Obverse 5 and Reverse 5A as a really brilliant

21

match I think is very much in line with our

22

thinking as well.

23

compelling about the torch being handed to that

24

smaller hand.

25

emphasize is the power of that Madison quote.

There is something very

And one thing I do want to

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You know, we at the Library of

2

Congress are often talking about the importance

3

of a knowledge-based democracy and how, you know,

4

having an educated populace is what will

5

perpetuate the nation.

6

something very compelling about that quote

7

combined with the torch being handed to the young

8

hand.

9
10

And there is just

Anyway, thank you again.

Great

comments.

11

CHAIR VAN ALFEN:

Thank you.

Any

12

other questions, comments from the committee?

13

Sam.

14

MEMBER GELBERD:

Just a quick aside.

15

I know the entire time we have been discussing

16

these portfolios, something Art pointed out to

17

me, when we were looking at the bicentennial half

18

dollar from 1976.

19

does say 200 years of freedom.

20

math lesson on that one.

21

that out.

22
23

MEMBER MORAN:

So they do give a

I just wanted to point

A precursor of things

to come.

24
25

On the reverse, it actually

CHAIR VAN ALFEN:
you.

Right, right.

Thank you for bringing the coin too so.
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Any other comments or questions?

2

MEMBER MORAN:

3

CHAIR VAN ALFEN:

4

MEMBER MORAN:

I think I've got one.
Mike, please.

I listened to

5

everybody, and I came in here with two minds as

6

to what I wanted.

7

John Saunders asked that we call up

8

the suffragette and look at it.

9

with that.

And he was happy

But the images involved are still the

10

same if we go with Number 1 on the half dollar

11

along with the suffragette that we've chosen.

12

And to me that is -- it's not all right with me

13

when you get right down to it.

14

at me during the course of this meeting.

15

And it's eating

I really am going to advocate for

16

Number 5 on the obverse of the half dollar.

17

think it will make an impressive bookend,

18

particularly with Donald's reverse or with the

19

torch itself.

20

little bit better.

21

in terms of the future of the country.

22

that's where I am going to put my points.

23
24
25

I think I like Donald's reverse a
The handing off is important

CHAIR VAN ALFEN:
you very much.

I

Any

All right.

And

Thank

other comments.

MEMBER SCARINCI:

Just I think I'm

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right about this.

2

out in the set.

3

It'll be the piece that stands

CHAIR VAN ALFEN:

All right.

We will

4

discuss that shortly.

So in the meantime, let us

5

score.

6

design candidates for the 2026 dollar.

7

hand your score sheets to Greg Weinman when you

8

are done.

9

minute break and be back at 10:20.

We will score the obverse and reverse
Please

And we will take a -- let's say a 10

10

(Whereupon, the above-entitled matter

11

went off the record at 10:07 a.m. and resumed at

12

10:21 a.m.)

13

CHAIR VAN ALFEN:

We are back.

And I

14

will now ask Greg Weinman, counsel to the CCAC,

15

to present the scores for the 2026 Summit

16

Quincentennial Half-Dollar.

17

ready, Greg.

18
19
20

MR. WEINMAN:

So, whenever you're

Yes, we have a little

bit more clarity on this one.
Starting with the obverses for the

21

half-dollar, Obverse 1 received fourteen points

22

out of a possible 30; Obverse 1A received eleven

23

points; Obverse 1B received thirteen points.

24
25

Obverse 2 received six points; Obverse
3 received six points.
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Obverse 4 received five; and Obverse

2

5 received 22 points out of 30, making Obverse 5

3

the top scoring design.

4

For the reverse, Reverse 1 received

5

twelve points; Reverse 2 received seven; Reverse

6

3 received five; Reverse 3A received six; Reverse

7

3B received three.

8
9

Reverse 4 received eleven points;
Reverse 5 received eighteen points; Reverse 5A

10

received nineteen points; and Reverse 6 received

11

25 points out of a possible 30, making Reverse 6

12

the top scoring design.

13

received three points.

14

And finally, Reverse 7

CHAIR VAN ALFEN:

Greg, thank you very

15

much.

16

shirt sleeves and let's get into it.

17

Now, the real work begins.

Roll up your

So, the way I would like to do this is

18

first to remind the Committee of the circulating

19

coins overview, which is something that I think

20

we should be keeping in mind as we look forward

21

across all of these portfolios and work towards

22

recommendations.

23

I would like to do that first.

And

24

then, I would like to begin by looking at all of

25

the obverse designs that received the higher
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scores, talk about various things related to

2

that, and then look at the reverse designs that

3

received the highest scores, and discuss that as

4

well.

5

then to consider obverse and reverse designs

6

together.

And then, once we've had some discussion,

7

We have, up to this point, looked at

8

each one of these portfolios individually.

And

9

now, of course, is the time to look at all of

10

these portfolios of these designs together, and

11

to be keeping in mind various things as we do.

12

One, of course, is the momentous

13

occasion that we are engaged in at the moment,

14

this complete redesign of most circulating

15

currency for 2026 and, of course, the celebration

16

of the semiquincentennial, the 250th anniversary

17

of the Declaration of Independence.

18

One thing I will ask the Committee at

19

this point, that was to refrain from motion until

20

we have had a chance to discuss the obverse and

21

reverse designs a little bit more and work

22

towards some sort of larger consensus and

23

resolution.

24
25

I also remind the Committee that the
votes, the scoring that we have done up to this
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point, is essentially a guide and a tool.

2

don't necessarily have to adhere to the scores if

3

we decide that in the end some of these high-

4

scoring obverse or reverse designs don't work as

5

well as some others might.

6

We

So, again, those scores are

7

essentially a guide and a tool to help us, but

8

aren't necessarily the final words in what we're

9

doing.

10

So, again, what I would like to do is

11

just start with the overview, and return to the

12

way that this whole program was conceived and

13

designed over the last several years.

14

And again, this was done in

15

conjunction with members of the Citizens Coinage

16

Advisory Committee, with commissions, with input

17

from various special subject matter experts and

18

so forth.

19

And the design themes that were the

20

objectives in a sense, that were developed as

21

part of this, were, number one, promoting

22

America's defining ideals.

23

these coins should celebrate the

24

semiquincentennial, and reflect and highlight

25

American values that unite and define our shared

And that is that

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American identity, including, but not limited to,

2

liberty, self-government, civic engagement,

3

equality, individualism, ideas that bind

4

Americans together across space, as well as time.

5

Also, another theme is inclusivity and

6

recognizing America's diverse histories, that

7

these coins should be inclusive, and reflect and

8

celebrate the varied American story.

9

One should promote and understand

10

empathy, and lead Americans to consider the ways

11

diverse beliefs, customs, and backgrounds,

12

strengthen America and foster a fair, more

13

equitable society.

14

Another third theme that should be, or

15

is, celebrating America's past, present and

16

future, that these coins should inspire Americans

17

to develop a deeper awareness of America's

18

founding principles, the democratic process, the

19

American experiment, and our common humanity,

20

while challenging the next generation of

21

Americans to consider what this shared American

22

inheritance means to them.

23

So, with these themes in mind, the

24

program for these coins then was developed in

25

these three acts, where the first act, again, is
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the dime that commemorates the founding era in

2

American history, the period leading up to and

3

including the drafting of the Declaration of

4

Independence.

5

The second act explores the next 250

6

years after the Declaration, with five inflection

7

points, the first inflection point being the

8

Declaration of Independence itself in 1776, the

9

drafting of the Constitution in 1787, the Women's

10

Suffrage Movement, which culminated in 1920 with

11

the Nineteenth Amendment -- or, I'm sorry,

12

Abolition, or Abolitionism, which is something

13

we'll get to with the Thirteenth Amendment in

14

1865.

15

Then, with Women's Suffrage, in 1920

16

with the Nineteenth Amendment.

17

finally, with the Civil Rights Act in 1964.

18

And then,

So, these five inflection points then

19

illustrate these moments across those 250 years

20

of history.

21

this is the half-dollar, which then looks towards

22

the future and what it is to keep our republic

23

going for the next 250 years, emphasizing the

24

critical role of the citizen in participatory and

25

knowledge-based democracy.

And then, the final act in all of

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So, as we go forward in the next

2

while, I would ask that all of you please keep

3

all of this in mind and, at the same time of

4

course, look at these designs as a way to reflect

5

these things to encourage the engagement of these

6

coins through the designs, but also try to find a

7

way to have all of these coins in a way cohere as

8

a set, because they are, in a sense, very much a

9

set because they were conceived as a set.

From

10

the dime, the five quarters, and then into the

11

half-dollar.

12

So, I do think that if we can find a

13

way to make the set cohesive and interact across

14

all of the different coins, we would be doing

15

both ourselves and the nation a great service.

16

So, what I would like to do then is

17

start by looking at the obverses first, with all

18

of this in mind.

19

received, in our individual look at these

20

portfolios, the highest scores.

21

The obverses that have

And I would ask each of the Committee

22

members then to offer some opinions, with all of

23

this in mind, of where they think we are with the

24

current selection.

25

for all of this to come up.

So, let's wait a moment here
All right.

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will begin with Mike Moran.

2

MEMBER MORAN:

3

this is Mike Moran.

4

have the first shout-out.

5

Thank you, Peter.

And

I consider it a privilege to

Overall, I'm really proud of what

6

we've done.

I think that we tell a really great

7

story.

8

controversy, we've done it in a judicious way,

9

we've listened to one another, and I can say

And we've done it with a minimum of

10

myself that I changed my mind on some of them.

11

Kellen, thank you.

12

on the coin you want it on, it's going to be much

13

better on a half-dollar.

14

Even though I didn't put it

The one that gives me a problem, I

15

lost on.

16

it's the dime.

17

It actually is my second choice, but

I think we're missing the boat on the

18

dime.

19

design -- this is, I believe 1A.

20

I think the design 3 is really better than

But if the Committee goes with 1A,

21

it's my second choice, so -- I'm really happy

22

with this, guys.

23

alone.

24
25

I think we need to leave this

Even though I'd advocate for a change
in the dime, we need to leave this alone, other
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than -- yeah, come on, guys, give me number

2

three.

3

MR. WEINMAN:

All right.

4

CHAIR VAN ALFEN:

5

MEMBER GELBERD:

All right.

I think Mike just

6

summed it up succinctly.

7

like what we've done.

8

able to come to consensus on the designs.

9

Sam.

Perfectly.

I really do

I like seeing how we're

I wonder, maybe because with the first

10

two quarters -- the Declaration, and then

11

Constitution -- how we have consistent E.

12

Pluribus Unum at the top, as well as with the

13

Civil Rights Quarter.

14

I'm okay with it on the Abolitionism

15

and Suffrage Quarter as well.

16

wondering if we shouldn't try to go for an

17

overall more consistent look.

18

But I'm just

But then again, the inconsistency of

19

that is not so bad either.

20

that.

21

I can still live with

I do like all of these designs.

I

22

voted for most of these and I am very happy to

23

see that they've succeeded -- what we've done.

24
25

The dime, like Mike said, yeah, three
is okay.

But ultimately, I do think we did pick
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the right one.

2

Yeah, I am more than comfortable with

3

all of these obverses as coins.

4

bit of concern with the size on the Abolition

5

Quarter with Frederick Douglass, wondering how

6

metal flow might go -- that's maybe a question

7

more for Mike -- just to see if we're going to be

8

able to fill the space effectively upon striking.

9

And that's just more of a numismatic sticking

10

Maybe a little

point, I suppose.

11

But ultimately, yeah, great work,

12

everyone.

13

a lot of people.

14

I think this is going to be a hit with

So many numismatists have been

15

clamoring for ages to see a return, allegory,

16

some rendition of liberty, back on our money.

17

And I think we're ultimately going to make the

18

collecting community pretty happy with what we've

19

done.

20

And hopefully, we'll get more

21

Americans looking at their money a little bit

22

closer.

23

half-dollars a lot more.

24

denomination.

25

And I'd really like to see people using
I've always loved that

Big, impressive coin.

So, I think ultimately, I did like the
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obverses and the Obverse 1 suite for the half-

2

dollar.

3

big, impressive Statue of Liberty head there.

4

So, thank you.

But I can live with the design of the

5

CHAIR VAN ALFEN:

6

MEMBER BERNSTEIN:

7

Bernstein.

8

you and the Mint staff.

9

been really well done.

Thank you.

Art.

This is Arthur

I'd like to start by complimenting
I think this process has
It's just when I first

10

look at the portfolio, my head exploded, and I

11

thought, what are we going to do?

12

is in order for this.

13

(Applause.)

14

MEMBER BERNSTEIN:

15

good process.

16

We've reached a great decision.

17

I think a hand

This has been a

And I don't have much else to add.

I share with Mike a preference for the

18

other design for the dime, but they all look

19

good.

20

When we see them not all together, I

21

just notice something.

22

intentional.

23

between the years between 1776 and 2026, it's the

24

same dash.

25

I'm sure it was

I hadn't noticed it.

But the dash

I has a slight bend to it.
And I thought, now, there's an
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interesting bit of consistency that I felt was

2

very clever.

3

MS. SULLIVAN:

You'll see that

4

throughout all of the portfolios.

5

intentional, based on your recommendation.

6

MEMBER BERNSTEIN:

7

to notice it, but thank you.

8

CHAIR VAN ALFEN:

9

MEMBER CAPOZZOLA:

That was

It took me two days

Chris.
All right, this is

10

Chris Capozzola.

I don't have too much more to

11

add to the sense of revelation that we might have

12

actually been pursuing a coherent enterprise over

13

the last day and a half.

14

And I'll just observe one thing.

15

many of you know, I advocated for one of the

16

versions of Liberty in which she's kind of

17

constructing herself, or emerging her way out of

18

stone.

19

I actually think the arc here is

20

really quite remarkable, if you look at the

21

resolution, the Declaration, as a spark, the

22

Constitution as a small torch, and the half-

23

dollar as the summation of Liberty, with the

24

torch that we know.

25

there's a really nice arc there.

And so, I actually think

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I am willing to have another

2

conversation about the Liberty Dime obverse.

3

get that about Liberty on the dime obverse, if

4

the Committee wants to go there.

5

this works really, really amazing.

But I think

6

CHAIR VAN ALFEN:

7

MEMBER STEVENS-SOLLMAN:

8
9

Mr. Chairman.

I

Jeanne.

Thank you.
Thank you,

This is Jeanne Stevens-Sollman.

I congratulate the staff, our

10

Committee members, the artists.

11

impressed that we actually, we were able to

12

assemble a very powerful statement about the 250

13

years that we have lived through.

14

I'm truly

I must say, I was wanting so much to

15

have the U.S. Marshal involved in the Civil

16

Rights obverse with Ruby Bridges.

17

However, seeing this and seeing how

18

comfortable it seems to fit with every other

19

obverse, this was the right choice.

20

commend my colleagues for what they did.

21

So, I

I will talk about the dime, which I

22

think we chose the right one.

Number three, I

23

wish she weren't so frowning.

I mean, it's like

24

she's not happy.

25

So, I think we have serenity in the
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one we chose.

2

congratulations, group.

3

with you.

4
5

I like it very much.

So,

And I'm honored to be

CHAIR VAN ALFEN:

Thank you, Jeanne.

Annelisa.

6

MEMBER PURDIE:

Thank you, Mr.

7

Chairman.

8

gratitude to the Mint staff, to this Committee.

9

It's wonderful working with everyone, to the

10

artists who did an excellent job with all of

11

these designs.

12

I also want to extend my thanks and

And I think that together, we all came

13

up with a pretty great portfolio.

14

having an impact for collectors and the public

15

overall.

16

I can see this

There's this overarching theme of

17

movement throughout these portfolios that I think

18

works really well.

19

in suspended animation, and it fits with the

20

constant movement that we're experiencing in our

21

country as well.

22

No one is stayed, no one is

Overall, very satisfied with the

23

portfolio.

I am going to agree with Kellen in

24

that the Declaration of Independence obverse is

25

the only one that I'm still a bit lukewarm about
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in terms of its resonance with the public, and

2

especially younger members of the public.

3

It's very well done.

I like it.

4

could there be something else?

5

I'm not making any suggestions.

6

be tweaked a little bit, yes.

7

completely the people echoing the points about

8

how this could be received.

9

But

And I don't know,
But if it could
But I understand

It's very evocative of older designs,

10

which is great.

11

future-wise, it's still a little in the lukewarm

12

stage.

13

But in terms of moving forward

Whatever Ms. Ruby Bridges wants, she

14

gets.

So, I am perfectly happy to whatever she

15

likes for either one.

16

overall, I think that this is a beautiful

17

portfolio.

18

fruition.

Those are great.

And I'm excited to see this come to
Thank you.

19

CHAIR VAN ALFEN:

Donald.

20

MEMBER SCARINCI:

I'm ready.

22

CHAIR VAN ALFEN:

I'm sure.

23

MEMBER SCARINCI:

So, yeah.

21

But

I'm

ready.

What I

24

like about one is that what people are calling

25

magic, I guess it was magic.

Because that was

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the first time in the modern world that a nation

2

formed a republic since the Roman Empire.

3

MEMBER SAUNDERS:

And the Dutch.

4

MEMBER SCARINCI:

The Dutch.

5

true.

6

republic.

7

the world.

8

more about the dime.

9

John's right, the Dutch did have a
But it inspired our democracies around
But I do want to talk a little bit

The Phrygian cap -- and I have to

10

question Thomas Jefferson.

11

right, right?

12

He wasn't always

And I'm not sure he was listened to.

13

Because from 1809 to 1837, the dime had a

14

Phrygian cap.

15

1916, the Barbers, the was Phrygian cap.

16

That's

And then, again, from 1892 to

And then, we go from there to the

17

winged Mercury, which the wings and the Mercury,

18

and that's one of your methods.

19

Phrygian cap.

There is a

20

(Simultaneous speaking.)

21

MEMBER MORAN:

22
23
24
25

for number three.

Save the Phrygian cap

Give up.

MEMBER SCARINCI:

You give up.
I know.

I give up.

You're exactly right.
Yeah, I think, looking at it from a
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collector point of view and from the history of

2

our coinage, there's a certain symmetry to

3

retaining that Phrygian cap on the dime.

4

And we went through this period of the

5

dead presidents, which you constantly hear

6

collectors complaining about the dead presidents

7

a little less interesting than depictions of

8

Liberty on the earlier coins and on this series.

9

So, I would propose we re-vote, or

10

however you want to do it.

11

we reconsider the dime on the obverse.

12
13

But I would propose

CHAIR VAN ALFEN:

Thank you, Donald.

MEMBER SAUNDERS:

Hi, John Saunders

John.

14
15

here.

16

particularly when you had reverses as well, it

17

reminds me of something that I always like to

18

think about the coins, is we're sitting here and

19

we're studying them.

20

When you put them all up there together,

We're looking at detailed pictures.

21

Every person can pick it up and look at it about

22

this quick, and spend it, or do something with

23

it.

24
25

So, to my mind, the first impression
that you get from the coin when you look at it,
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is important.

2

we get to reverses, in that direction.

3

speaking, I think we killed it on the obverse.

4

And I'll have more comments when
Generally

I'm going to join the club that would

5

reconsider the dime.

6

better, but I like three.

7

about her expression that she looks a little bit

8

resentful or something.

9

I would like to kind of consider her expression

10

I liked number six even
There is something

If we do switch things,

slightly, adjustment there.

11

But I think we killed it on the

12

obverses.

13

we originally picked, I'm happy with it.

14

Even if we go with the other dime that

I don't think we did on the reverses.

15

I think when you flash up the reverses, we look

16

at them quickly, there's a couple of them that

17

don't look good to me.

18

obverses, we killed it.

19

But I think on the

And put me in the dime

20

reconsideration, but that's nitpicking.

21

if we go with what's up there, that's fine too.

22

CHAIR VAN ALFEN:

23

MEMBER HOARD:

Thank you.

I mean,

Kellen.

Well, thank you.

I

24

really think we did quite well on several of the

25

designs.

I love the Frederick Douglass, I love
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the Suffrages, I love the Civil Rights.

2

And the dime, by the way, we got it

3

perfectly right.

4

overthink this.

5

simple design that works for the size, that has

6

the continuity with the Roosevelt Dime, that we

7

voted high consistent points every single time,

8

and this is the one that we should do.

9

really quite well done.

10

I think we don't need to
It's a beautiful, stunning,

The other designs are okay.

And it's

I can get

11

behind the one for the Constitution one.

12

it's a nice, classical depiction of Liberty.

13

that should be our quarter, which depicts Liberty

14

classically.

15

I think
And

But to have Liberty depicted in an

16

outdated style twice at the very front of our --

17

at the defining front of our -- at the defining

18

coins of our portfolio, the ones that the public

19

is first going to encounter, that the news

20

headlines are going to be about, to do it in an

21

old-timey style twice I think is the wrong way to

22

go.

23

And I raised my concerns before about

24

the Declaration Quarter.

I've even added on to

25

those previous concerns, this design was in the
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dime portfolio last time.

2

so easily transitioned to the Declaration one

3

this time, to me, is a sign that it really

4

doesn't have as much of a thematic tie as it

5

could have.

6

And the fact that it's

It's a very lukewarm design and

7

doesn't clearly evoke the Declaration of

8

Independence as well as it could, because you can

9

transfer between portfolios so easily.

10

It's just kind of a generic design

11

that doesn't excite me and I think is, again,

12

thematically and visually confusing.

13

is why none of the people I talked to chose that

14

one either, of their own volition.

15

So, I think it's going to be one

16

that's going to be tepidly received.

17

little disappointed about that.

18

And which

And I'm a

I was hoping, as you guys know for the

19

statue one, and actually, what I say if we're

20

going to the half-dollar, is, I think we're

21

really missing out.

22

I would rather we not do the statue

23

design for the half-dollar at all.

24

the half-dollar is looking forward to the next

25

250 years and thinking ahead about how we can see
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this.

2

I think the Statute of Liberty

3

absolutely does not do that.

4

Liberty is, to me, a historically associated

5

design, thinking about something that happened a

6

hundred and fifty years ago at this point in our

7

country.

8
9

The Statue of

It's a beautiful design.
well in the half-dollar.

It shows up

But the woman and her

10

daughter, or the young girl walking, is the

11

perfect one that captures the emotion that

12

Annelisa was talking about.

13

walk forward.

14

That captures this

And so, I think, if we're going to not

15

put the Statue of Liberty on the quarter, which I

16

think is inadvisable, we should put the family

17

walking.

18

and again and we've actually chosen to repeatedly

19

delay it until we got to this portfolio.

20

historically, it felt that one fit so well, in

21

terms of what our standard theme is.

Which we have seen that portfolio time

22

Because

And we can deviate from that theme if

23

we want to.

But I think we'd be remiss not to

24

really consider doing her daughter walking, which

25

has received such consistent praise from most
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members.

2

So, I think that's all I have to say

3

about that.

4

decently well.

5

is going to receive two in a row of themes that

6

were in style in the 1830s, but not so much at

7

this point now.

8
9
10

I think we really covered obverses
I'm just not sure how the public

As we look forward to innovative
designs which capture historical themes, I'm a
little lukewarm.

11

So, in general, I think we hit it out

12

of the park on some of them.

13

CHAIR VAN ALFEN:

Thank you.
Thank you very much.

14

When I was looking at these portfolios and trying

15

to think of the set, one thing that struck me.

16

We have seven coins, which means that the

17

Frederick Douglass Abolition coin is essentially

18

the pivot.

It's in the center of all of these.

19

And the way that we have this set up

20

in a way at the moment, we have a progression of

21

Liberty's moving towards Frederick Douglass.

22

at the moment, we have Liberty's head, and then

23

we have Liberty's head and shoulders.

24

Liberty's near full body.

25

And

And then,

The two Liberties that we have on the
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quarters are facing to the right.

2

that we've selected, or at least received the

3

highest votes at the moment, is facing towards

4

the left.

5

And the dime

And I think that, again, my preference

6

was for number three for various reasons.

7

now that I'm looking at this, I think having a

8

right-facing Liberty as part of that set would

9

tie those three Liberties together and the first

10

But

parts of that, before the pivot, essentially.

11

So, one question I have.

If we do

12

stay with number one as the selection -- although

13

we might reconsider number three a little bit

14

later on -- would it be possible to reverse head

15

from left-facing to right-facing?

16

MR. MENNA:

So, that would then tie

17

in.

This is Joseph Menna.

18

has made maybe a couple of comments suggesting --

19

I think Kellen said too.

20

Chairman Van Alfen

Kellen, in terms of old-timey, but by

21

virtually of all being done in a traditional

22

Western figurative arts style, there's all

23

essentially old-timey.

24

to your perspective, but I hear what you're

25

saying.

And I'm not trying to vow

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In terms of the dime, the illusions

2

made to the -- and I'm speaking with permission -

3

- I'm not speaking for the Mint or trying to

4

invalidate anyone's -- well, I am speaking for

5

the Mint but I'm not trying to invalidate

6

anyone's perspective.

7

The dime number one and the incumbent

8

references, aligning it with the similarity to

9

the Roosevelt Dime, not impugning the quality of

10

it.

11

There are constant references to the

12

similarity.

13

first impressions, people probably won't see this

14

any different than the Roosevelt Dime when

15

they're looking at it.

16

And to John's point about scale and

In terms of the silhouette, and the

17

shape and the mass and its scale, whereas, I know

18

Dr. Val Alfen was talking about moving, or

19

turning number three around, possibly, or vice-

20

versa.

I forget.

21

But yeah, but number three presents a

22

demeanor facing Britain, facing sunrise, demeanor

23

is almost identical to the portrait on the Peace

24

Dollar.

25

portraits.

Very consistent with many other

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But to Jeanne's point, her facial

2

expression is much less dour than that exists

3

actually on the Statue of Liberty.

4

With all due respect -- my

5

perspective, being former New Yorker, seeing a

6

lot, just like Dr. Van Alfen, and

7

compositionally, scale-wise, it bears stronger

8

thematic consistency with the top row of -- and a

9

cool thing is too, she looks forward with a kind

10

of peaceful resolution.

11

perspective -- just as Ms. Bridges does.

12

Kind of optimism -- my

Ms. Bridges' design is amazing in that

13

the Norman Rockwell painting is very painful to

14

look at.

15

know who Bridges is, or that painting, being an

16

artist and a Rockwell fan.

17

reflections of a Saturday Evening Post coverage,

18

and stuff like that.

19

I don't remember a time that I didn't

My grandparents have

But here, she's presented

20

optimistically looking forward, just with the

21

personality that she presented to us very

22

graciously, and gracefully, yesterday.

23
24
25

So, I'm not trying to lobby.

I'm just

-- thank you.
CHAIR VAN ALFEN:

Would it potentially

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be possible to reverse number one so that Liberty

2

faces right instead of left?

3

MR. MENNA:

Absolutely.

4

CHAIR VAN ALFEN:

Okay.

Nevertheless,

5

even so, I think that there is more artistic

6

consistency with number three, I think, rather

7

than number one, on the dime, so that there is,

8

with the right-facing Liberty and the artistic

9

style, I think, that there would be more

10

cohesiveness than with that set of Liberties

11

before the pivot.

12

Now, after the pivots, I also saw the

13

possibility within the portfolios, because so

14

many of the obverses portrayed walking women that

15

and girls, that there could then be stylistic

16

cohesiveness by presenting walking figures,

17

which, obviously then, would tie in potentially

18

to the 1916 Walking Liberty Half-Dollar, which

19

remains one of the preeminent artistically

20

outstanding designs in U.S. numismatic history.

21

Now, as we have it at the moment, I'm

22

not seeing as much cohesiveness.

I mean, I think

23

that each one of these designs, individually, is

24

very strong, very bold, and very compelling, but

25

they don't tie together quite as well.
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for me, is a little bit of a concern.

2

sure the concern is shared by the rest of the

3

Committee.

4

I'm not

But again, if we are thinking of this

5

as a set and possibly thinking of the Frederick

6

Douglass coin as a pivot between the Liberties on

7

the one side, and then the real-ish women and

8

girls that come on the other sides, or at least

9

potentially, then that might be something for us

10

to think about and consider a little bit more.

11

Let's have a bit more discussion about

12

the obverses at this point, now that we've all

13

had a chance to discuss this.

14
15

And so, John, I think your hand was
raised first.

16

MEMBER SAUNDERS:

Listening to what

17

Kellen said and what you just said, one thought

18

of possible change occurs to me, is to move the

19

Statue of Liberty to the quarter, to replace the

20

Liberty holding the star, or whatever you follow

21

it there.

22

Because that seems like it was, when

23

we voted on it, one that just barely won, as

24

opposed to something where there was a real

25

consistency.
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A Statue of Liberty face on a quarter,

2

the main circulating coin today, I think would be

3

good.

4

on the half-dollar, which I also like.

5

more for the Statue of Liberty there because I

6

thought we need a Statue of Liberty on a

7

circulating coin.

And then, we could put the walking figures

8
9

I voted

But if we move it to the quarter, we
could go with a walking design there.

So, that

10

would be my suggestion of a possible switch, or

11

possible change in the obverse designs.

12

Other than that, and as I've said

13

before, my preference in the dime is aligned with

14

what some of the group said -- not everybody said

15

-- torch 3.

16

those.

17

I still think we're killing it on

MEMBER SCARINCI:

You know, is it

18

possible that -- what I just noticed is, during

19

our lifetimes, we've never known anything other

20

than the Roosevelt Dime.

21

And when I look at Annelisa's redbook,

22

which I've been using the entire time, and I look

23

at the Roosevelt Dime, it's very possible that

24

the reason we liked design one is because it does

25

look like the Roosevelt Dime, at a glance.
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Somebody said that.

It does.

And I'm

2

wondering if the reason you want to have the

3

Liberty -- if we went with three, is the reason

4

you would want to change it to bust left, because

5

it reminds you more of the Roosevelt Dime?

6

CHAIR VAN ALFEN:

Well, we could

7

reverse number one so that she faces right.

If

8

we adopt the other two Liberties for the quarters

9

that are now facing to the right, that there

10

would then be consistency across all three of the

11

Liberties facing right.

12

So, if we do adopt number one, and for

13

the quarters, adopt those Liberties as well, that

14

we have all three of the Liberties facing in the

15

same direction, towards Frederick Douglass.

16

And part of my preference for dime

17

obverse number three is that she is already

18

facing right and she also has stylistic

19

consistency with the other two quarter obverses.

20

MEMBER SCARINCI:

Yeah.

I think

21

wasn't speaking for me.

I think really, now when

22

I really think about it hard, it was in my

23

comfort zone.

24

comfort zone, because it's all I've ever known.

25

It's all we've ever known.

I think number one was in my

Everybody here.

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you, Mike.

2
3

MEMBER MORAN:
here.

I'm the oldest one

I did get Mercury Dimes in change.

4

MEMBER SCARINCI:

The other thing I

5

wanted to say is -- two other things I want to

6

say.

7

it's either/or.

One is, on the half-dollar, I really think

8
9

Right?

I mean, the message is being lost
here.

I mean, and it's still a nice design,

10

right?

The way we planned it with the torch and

11

the reverse.

12

But I'm kind of wondering if without

13

the hands passing the torch, then maybe if people

14

like the flame reverse, then we should really

15

consider changing the obverse and using the older

16

and the younger figures.

17

change the reverse.

18

Otherwise, we should

So, whether we talk about it here and

19

change this, we talk about it there and change

20

that, I think that needs to be discussed a little

21

bit more.

22

And then, the final point I wanted to

23

make was to -- you know, Joe said something.

24

This was not a portfolio.

25

-- certainly not in my vision of what American

I don't think this is

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2

coins should look like in the future.
However, this portfolio, we're being

3

tasked by Congress with delivering new coin

4

designs for one year.

5

power and the authority to do that.

6

And they've given us the

And I think playing it a little more

7

-- this portfolio is certainly a little more on

8

the conservative side.

9

Like, you didn't hear me jumping up

10

and down about more abstract -- this was not the

11

time or the place, Alan, I think to do, whether

12

we're going to go in the direction, whatever new

13

artistic direction we're going to take our

14

coinage, this series and this task that we were

15

given by Congress was not the time to experiment.

16

This is a more conservative portfolio for the

17

task we've been given by Congress.

18

So, there's nothing really here in the

19

portfolio that's particularly 21st Century.

20

it's not the direction I think we're heading for

21

future coin designs that we're going to be

22

looking at, that Joe is going to be sending us.

23

So, I just wanted to say that.

24
25

So, I'm not bothered.
bothered, Colin.

And

I would be

You would have me as your ally

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on this.

Right?

2

modernistic designs on U.S. coins.

3

Because I've been wanting more

I'm done with the figural designs on

4

coins.

I'm more looking to do what the rest of

5

the world is doing.

6

This is not what the rest of the world

7

is doing.

Right?

But I think it's the

8

conservative play, it's the right play, given the

9

task we've been assigned by Congress.

10

CHAIR VAN ALFEN:

11

MEMBER MORAN:

12

CHAIR VAN ALFEN:

13

MEMBER MORAN:

Art.

I'll speak up.
Okay.

Donald, I think we need

14

to hold on the Statue of Liberty for the half-

15

dollar, and I'll defend you on the reverse.

16

I've got some observations to make on that, but I

17

think for the obverse, we need to leave this

18

alone on the half-dollar.

19
20

CHAIR VAN ALFEN:

And

Kellen, your hand is

raised.

21

MEMBER HOARD:

Yeah, I just had a

22

quick point on the dime, which has come up

23

repeatedly.

24

For me, the main concern there, and

25

the reason I preferred number one, was just the
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2

size of it.
Rather than being drawn to some

3

similarity to the Roosevelt Dime, what I see is

4

that Obverse 1 really kind of neatly compactly

5

brings in the head and the inscriptions tightly,

6

whereas in Obverse 3, we have these really tight

7

-- and I think it would end up actually looking

8

quite small on the dime.

9

The head would actually look -- I

10

mean, if you envision a dime in your hand, it

11

would actually look quite small.

12

be quite small, and just difficult to read,

13

especially for those that don't have the 20/20

14

eyesight that I do.

The text would

15

(Simultaneous speaking.)

16

MEMBER HOARD:

So, I just think that

17

one does quite well is that it has these kind of

18

larger design elements that are easier to access.

19

And, for that matter, I don't mind if they look

20

closer to Roosevelt times.

21

sparking collecting.

22

more closely at their pocket change.

23

it's just a neat design.

24
25

We're talking about

I mean, getting people to
I think

With regard to Donald's comments, and
not to prolong this here, I'm not looking for
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21st Century designs, I'm looking for 20th

2

Century designs.

3

is actually our current selection for half-

4

dollar.

5

So, we have it in our conservative

6

portfolio.

7

portfolio.

8
9

And the design I'm looking for

I just want it somewhere else in the

So, to me, it wouldn't be necessarily
a radical transformation, as much as doing

10

designs have gotten quite a few points elsewhere,

11

sorting it around.

12

semantic that went there.

13

But that's just a minor

Anyway, so, yeah, I think the dime --

14

we really nailed it with number one, in terms of

15

accessibility as well.

16
17

CHAIR VAN ALFEN:
raised?

Art, was your hand

Yeah, Art, please.

18

MEMBER BERNSTEIN:

19

Bernstein.

20

not --

This is Art

I'm not looking for trouble and I'm

21

(Simultaneous speaking.)

22

MEMBER BERNSTEIN:

Just, Peter, you

23

had me thinking about the set as a set.

24

look at what's up there now, I notice the

25

Abolition order with Frederick Douglass is the
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only design where we have a border.

2

All the other designs are free-flowing

3

on the face of the circle.

4

Douglass design has that distinctive edge around

5

it.

6
7

And Frederick

To me, it looks out of place with the
rest of the set.

I just share that observation.

8

CHAIR VAN ALFEN:

9

MEMBER CAPOZZOLA:

10

Capozzola.

11

unrelated comments.

12

Chris.
Hi, this is Chris

I wanted to make three totally

So, one, in response to you, Peter, I

13

appreciate the idea of having those sort of the

14

early coins in this phase be right-facing.

15

not sure that it's necessary to mirror them left-

16

facing on the other side.

17

advocating flipping Ruby Bridges?

18

I'm

So, were you

CHAIR VAN ALFEN:

No.

For the second

19

half on the other side of Frederick Douglass,

20

what I had thought initially was having the

21

walking obverses, regardless of left-or right-

22

facing.

23

left, might be cool.

24
25

Although if they were all facing to the

MEMBER CAPOZZOLA:

Okay, okay.

Second

one, to Donald's point, I actually think that the
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reverse of the half-dollar is the place to

2

reexamine.

3

And as you know, I loved Reverse 6 on

4

the half-dollar.

5

obverse, there is a risk of turning the half-

6

dollar into a Statue of Liberty commemorative

7

coin by accident.

8
9

I think if that pairs with this

And I think that narratively, Reverse
5, which people have talked about and got a lot

10

of points, is the better reverse in that case,

11

because it conveys the passing of the torch.

12

And there, I do think 5 if better than

13

5A because it passes left to right, from older to

14

younger.

15

And then, there was a third point --

16

and I actually wanted to hear people's thoughts

17

on the border as well, and also of the star, the

18

delimiter between E. Pluribus Unum and the dates,

19

which seems oddly out of place for the group as a

20

whole, as a design element.

21
22
23

CHAIR VAN ALFEN:
comments?

Anyone else?

Were there any other

John.

MEMBER SAUNDERS:

I'd like to ask Joe.

24

I think the Frederick Douglass coin works without

25

that border line.

And I think Art's right that

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it makes it a more consistent set to not have it

2

that -- Joe, what do you think it would be like

3

without the inner borderline?

4

MR. MENNA:

This is Joseph Menna.

5

have to caution my comments to make sure that

6

this is in alignment with Mike Costello, my

7

supervisor, who knows more about metal than me.

8
9

But it's not really a raised border on
the obverse.

It's a raised circle.

I think this

10

obverse and reverse deliberately work this way

11

together as a coin.

12

You know what I mean?

They both have borders, both very

13

deliberately and, coincidentally, structured to

14

answer to each other.

15

character, so to speak, and the reverse is a

16

story behind the story.

17
18

The obverse is your main

CHAIR VAN ALFEN:

Any other comments?

All right.

19

MEMBER MORAN:

I promise this will be

20

it.

21

Frederick Douglass obverse.

22

Frederick Douglas in front of the inscriptions.

23

I

I think we need to respect the artist in the
His intent is to put

It shows very effectively the way he's

24

done it, and I think we're over-designing on this

25

one when we do this.
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I agree with Joe that we have a

2

wonderful pairing here, the obverse and the

3

reverse.

4

about the inconsistency.

5

We need to leave it alone and not worry

CHAIR VAN ALFEN:

Anyone else?

All

6

right, why don't we take a look at the reverses

7

now, the high-scoring reverses, as a group.

8

(Simultaneous speaking.)

9

CHAIR VAN ALFEN:

10

again go around the table and offer some

11

individual comments, starting Mike.

12

MEMBER MORAN:

All right.

Let's

Thank you, Peter.

This

13

is Mike Moran. For what seems like -- too many

14

times.

15

where I think we need to make a change.

16

you look closely at number five, you'll see it is

17

the same torch from the Statue of Liberty that's

18

being passed.

19

what you've emphasized in number six, and yet,

20

with number six you miss the theme of, toward a

21

more perfect union.

22

Let's go to the half-dollar.

That's
And if

So, you effectively incorporate

I get the part about the education.

23

But to me, it'll always be, toward a more perfect

24

union.

25

exactly that.

And the passing off of the torch implies

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So, I really think we -- the vote was

2

reasonably close on those.

3

boat on this.

4

Liberty torch.

5

that torch.

6

I think we missed the

I think you've got the Statue of
Let's pick up the theme and pass

Let's go back to the reverse on, I

7

believe it's the Constitution, the two of them.

8

Don't know what I think here.

9

the mic, I'll be done.

10

And when I pass

I can live with each one of them,

11

quite honestly.

12

it again today, I think that is a unique design

13

for using the chair back.

14

that I like.

15

But yesterday, and I'll defend

It has artistic merit

And for the inquiring public, if they

16

look at it, what the hell is that?

17

it, they'll find out that it really does tell a

18

story that's very appropriate for the reverse of

19

this quarter.

20

MEMBER GELBERD:

They dig into

This is Sam Gelberd.

21

So, I think, to piggyback on what Mike was just

22

saying about the Constitution Quarter, I really

23

do love -- and I did vote primarily for -- I gave

24

more points to the reverse for the Constitution

25

Quarter with the back of George Washington's
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chair.

2

I just don't know if the American

3

public in our modern world is going to be patient

4

enough to try and study that and learn more about

5

it.

6

I think we the people, really bold,

7

really quick, I think they will get it a lot

8

faster.

9

that.

I think more people would latch onto

10

Upon seeing the reverse of the

11

Abolition Quarter, I think that's going to tie in

12

very nicely with the big circle that we see

13

behind Frederick Douglass's head.

14

going to tie in very well if we go with that.

15
16

I think it's

The Suffrage design we can talk about
later, maybe not changing fonts.

17

The reverse of the Civil Rights

18

Quarter, I can live with that reverse, even

19

though I really did like a bridge of that, even

20

though we've got Ruby Bridges right on the front.

21

The dime, the reverse, I think, yeah,

22

having it with the Liberty-over-Tyranny, it's

23

just going to be wonderful to bookend with a

24

half-dollar.

25

Mike's comments about the torch on the
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back, because it is a passing of the torch, it's

2

supposed to bookend.

3

that was the top vote-getter.

4

going with the other one where the torch is being

5

passed.

I really did like the one
But I could see us

I'd be okay with that.

6

But overall, again, phenomenal job.

7

And again, Mint, you guys did incredible work.

8

Thank you so much.

9

CHAIR VAN ALFEN:

All right, Sam.

10

going to skip over to Donald, because he has an

11

interview momentarily.

12

like to make some comments?

13

So, Donald, would you

MEMBER SCARINCI:

Yeah.

I think as to

14

the half-dollar, I think it's an either/or

15

choice.

16

change the reverse.

17

dollar is the passing the torch to the next

18

generation.

19

Right?

I'm

We either change the obverse or
But the theme of that half-

And it did get a lot of votes.

So, I

20

would recommend we change the reverse and do the

21

passing of the torch reverse for the half-dollar.

22

So, first, on the Declaration of

23

Independence, I'm hoping that I was probably a

24

little biased, I think, because there's 7,500

25

Fugio Cents that exist and I probably looked at
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half of them over the course.

2

and hours and hours on these die varieties over a

3

lifetime.

4

I've spent hours

So, that might be me.

I don't know if

5

that's going to necessarily resonate, but I like

6

it.

7

that could just be my prejudice of it.

I mean, so I just wanted to point out that

8
9

I think on the Constitution coin,
you're right, the we-the-people needs to happen.

10

I do like the chair and I especially like what it

11

represents.

12

Franklin said about it.

13

thing.

14

And I especially like what Benjamin
That is a very nerdy

And I've looked at that chair, I've

15

spent time looking at that chair in Independence

16

Hall.

17

haven't seen it.

18

It is there.

You should see it if you

But I think it is going to require

19

some effort for people to even know what that is,

20

as opposed to just hitting them in the face with

21

we-the-people, which everybody knows.

22

And that could be just too easy.

So,

23

I don't know if I'm advocating it or not, because

24

I kind of like the nerdy thing.

25

But otherwise, I think the reverses
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are good.

2

the medal that we did and I can almost guarantee

3

after all these years, that the Mint's marketing

4

department is going to be re-marketing that medal

5

with this series.

6
7

So, I basically like what we did.

I

mean, it's pretty amazing.

8
9

I especially like -- I do like using

CHAIR VAN ALFEN:

Thanks, Donald.

Let's go back to Art.

10

MEMBER BERNSTEIN:

This is Art

11

Bernstein.

12

Reverse, as a member representing the general

13

public, Sam, I don't care about the patience of

14

the public for that design.

15

On the discussion of the Constitution

And they'll be okay.

And I would advocate strongly for the

16

splat-and-rail design of that chair.

17

to the large review again, please?

18

Can we go

I'm not sure, Mr. Chairman, if this is

19

the time.

20

point I would like to make my pitch for using the

21

word Abolition, rather than Abolitionism.

22

But for the Abolition Reverse, at some

And what you'll see if you look at

23

that design, I think the word will actually

24

balance better if the word is a little bit

25

shorter and fits on its quarter of the design.
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With regard to the Suffrage Reverse,

2

I still see in that design what John pointed out.

3

To me, it looks like the weight is bearing down

4

on the people holding it up.

5

And I would just remind us, the second

6

place finisher in the polling was the Rosette

7

Badge, which I thought was a worthy design as

8

well.

9
10
11

CHAIR VAN ALFEN:

MEMBER CAPOZZOLA:
this is Chris Capozzola.

13

thoughts together.

All right.

Sorry.

So,

Just pulling my

I think if we could pull up one other

15

one that we discussed before, and that's

16

Declaration Reverse 07.

17

All

right, Chris.

12

14

Thank you.

That's the Liberty Bell.

I'm trying to find an arc here, both

18

things that work with the obverse and the

19

reverse, but also that arc across the portfolio.

20

You've heard me many times, I think

21

the Fugio Cent is not going to speak to the

22

American public.

23

don't necessarily think that it works.

24
25

I like it as a design, I just

But I do think that starting with the
spark on the obverse and Liberty of the
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Declaration Quarter, and then turning it over to

2

Liberty, and then sort of loudly declared it to

3

the world with a recognizable image or icon, that

4

the Liberty Bell could be the solution there.

5

That then brings us to the

6

Constitution coin, which as a coin, I'm still not

7

sure it coheres.

8

traditional Liberty on the obverse, and then,

9

likely, would have the we-the-people very modern

Right?

10

image on the reverse.

11

to be outvoted on that.

12

It has a very

I like it, but I'm willing

I just don't know that the chair

13

works.

14

the Fugio Cent, which I just think is going to be

15

a bridge too far for most people spending their

16

money.

17

But I would rather have the chair than

The other thing I will say is, there

18

isn't an appeal thinking about text in the way

19

that iconic texts operate, and that's Liberty-

20

over-Tyranny.

21

the Declaration of Independence, and then we the

22

people, and moving on from there.

23
24
25

Then, either something related to

So, there would be a way of thinking
about how the texts all work together.
And in terms of the half-dollar, I've
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already said my piece.

I think five should

2

replace six, even though I love six.

3

CHAIR VAN ALFEN:

4

MEMBER STEVENS-SOLLMAN:

5

Mr. Chairman.

6

Jeanne.
Thank you,

This is Jeanne Stevens-Sollman.

What can I say?

Well, to have to

7

rethink all of this, I have to go back to maybe

8

what I think are the positive reverses, which is

9

the reverse to Civil Rights Suffrage and

10

Abolition.

11

positive.

12

Those three I think were strong and
So, I'm good with that.
If we go back to Constitution and the

13

Declaration of Independence, where we seem to be

14

stuck right now, I do agree with Chris, the

15

Liberty Bell might be better than the Fugio coin.

16

I think nobody's going to really

17

understand that, unless they really paid

18

attention in their history classes.

19

would be okay for me to replace that.

20

So, that

And then, to talk about the text, we-

21

the-people, as opposed to the chair.

22

Washington's chair looks very much like the

23

railing and the torch on the Liberty torch.

24

maybe that's what it's supposed to be, but the

25

chair, when I first saw it, I didn't really know
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what it was until I read about it.

2

So, for the general public, I think

3

they're going to see a nice design.

4

nice.

It's very

But I don't think it is explanatory.

5

And also, when we blow up that chair

6

back, I can't help but see this little gnome

7

ghost-type person looking over the sun.

8

is that what that is?

9

supposed to be?

10

I mean, is that what it's

It's like a little person.

maybe it's a mushroom.

11

I mean,

Or

I don't know.

But it's kind of like the chair

12

doesn't mean so much to me as a chair back, but

13

at least of the torch.

14

not have that and to have we-the-people.

15

So, I would be happy to

Even though that's a very powerful and

16

strong design, I'm not sure if that's the right

17

one.

18

comments.

But I think it is.

19
20

Thank you.
CHAIR VAN ALFEN:

Thank you.

Annelisa.

21

MEMBER PURDIE:

22

Chairman.

23

challenge.

24

but a challenge.

25

So, those are my

Thank you, Mr.

I agree that the reverses were a
For many of us, a welcome challenge,

And I agree with Jeanne, the design on
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the chair does look a little bit like the Kilroy-

2

was-here graffiti from World War II, if they

3

could zoom in closely on that.

4

But overall, the one reverse that I do

5

have some concerns about, especially with our

6

preference for the obverse, is the half-dollar,

7

in terms of the torch, the passing of the torch.

8
9

In terms of continuity, I'm wondering
whether, with this design, we would need

10

something to indicate that this is Lady Liberty

11

herself passing the torch, or whether that

12

wouldn't register with -- people still like the

13

young hand, of course, but whether this is the

14

personification of Liberty overall, or if we're

15

going directly with Lady Liberty as a symbol

16

herself.

17

And in this case, this is where I

18

think it would work better with one of the

19

walking Liberty figures with a child, because

20

it's clear to see that.

21

So, I don't know.

I'm still going

22

back and forth between that one.

But I'm

23

wondering, and I defer to the Committee as well,

24

what we would think about something to indicate

25

that this is, because of the preferred obverse,
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that this is Lady Liberty herself, the Statue of

2

Liberty herself, passing her torch on.

3

But otherwise, with the reverses,

4

relatively content.

5

designs.

6

so towards motifs, rather than the repetition of

7

images.

I like that our choices have gone more

8
9

I think these are beautiful

And I think that overall, these would
work well with what we've chosen.

Thank you.

10

CHAIR VAN ALFEN:

Thank you.

11

MEMBER SAUNDERS:

I find that two of

12

the reverse designs don't work on a first

13

impression for me.

14

One is the chair.

John.

It's kind of like

15

modern art.

16

different people see at a first -- I see, like,

17

Roman arches and Aqueduct, or something like

18

that, when I first looked at it.

19

We've heard what three or four

And then I looked at it a little

20

closer.

21

superhighway aqueduct drawing.

22

Is this supposed to be some sort of

And then, once it's explained to me,

23

I like the chair.

But you're not going to be

24

able to explain it to people.

25

pass the first-impression test.

And it doesn't

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The other one that I think really

2

fails the first-impression test is the Suffrage

3

thing.

4

I think that's going to be known as

5

the suffering quarter.

I think, I mean, I don't

6

know what percentage of the American population

7

understands what Suffrage is.

8

if it's much over fifty percent.

9

this, it's going to be the suffering, oppressive

I'd be surprised
And they see

10

quarter.

11

done, that's the only one that I really would

12

feel bad putting my name.

13

So, I think we need to reexamine that

14

one.

15

there.

16

I think it's just, of everything we've

I think there were some other good choices

In terms of some of the specific swap-

17

outs, I was in favor of the Fugio to start with.

18

I'm a coin collector.

19

one of the first neocolonial coins I had.

20

I like Fugio Cents.

I had

But I have to agree with Chris.

I

21

think the Liberty Bell does it better there.

22

as much as it pains me to agree with Don, I'm

23

perfectly happy to switch out the passing of the

24

torch for the stationary torch on that.

25

again, I think we're in trouble with our
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suffering quarter.

2

CHAIR VAN ALFEN:

3

MEMBER HOARD:

4

All right.

Thank you.

Kellen.

I actually

think we got pretty close on the reverses here.

5

With regard to the Declaration of

6

Independence Quarter, I think we got to move away

7

from the Fugio design, for the main reason that I

8

think between this obverse, and now moving back

9

to the 1780s for the reverse, no one's going to

10

notice about the Declaration of Independence.

11

Sure, we say the words on there, but

12

I think the imagery is not going to line up with

13

the theme as well as we need.

14

more explicit.

15

We need to make it

I think the Liberty Bell does that the

16

best and we should do the Liberty Bell for that

17

one.

18

connect with the theme close enough in people's

19

minds.

20

The Fugio Cent won't be resonant and won't

With regard to the Constitution

21

Quarter, because we have that classical design on

22

the obverse of this very flowy Liberty, as nice

23

as it would be to have the we-the-people design,

24

it doesn't match up artistically or

25

stylistically.
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In the year and a half I've been on

2

this Committee now, we have spent countless hours

3

figuring out and projecting design because they

4

didn't match stylistically from obverse to

5

reverse.

6

And to me, these are about as

7

diametrically opposed as they could be, between

8

this we-the-people, and then the flowing hair on

9

the obverse.

10

And so, I really don't think they

11

match well, even though I would like to see we-

12

the-people on the quarter.

13

So, that lends me naturally to the

14

chair.

Even though I think, again, it's not

15

well-tied to the Constitution theme, I think

16

people are going to be confused.

17

are our two options, I think we have to match

18

artistically above all else.

19

Am I able to see the other reverse

20

designs?

21

here.

22

and for everything else.

23

But if those

I think we're zoomed in a little bit

I don't know if we had them for the dime

Yeah, I really like the Abolition one.

24

The Suffrage one I'm okay with, but I'd also be

25

okay with the pin.

I think that works well.

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Civil Rights one's great.

2

With regard to the dime, I'm looking

3

at this on my laptop computer.

4

whiteboard is actually pretty accurate to coin

5

size.

6

And so, the

Like, I compared up a dime against on

7

the laptop.

And it's dime-sized for me and it is

8

not legible between the text and the design.

9

this 18mm surface, it's not going to be visible

10

to people.

11

of the obverse.

12

For

And the same issue with number three

So, I think the torch basically got

13

the exact same number of votes.

14

close one, and that would be much more visible.

15

I just, I can't see eagle.

16

It was a super

And then, with regard to the half-

17

dollar, again, I'd support the obverse over the

18

reverse.

19

coming in blind as a member of the public, how

20

would they view the Statue of Liberty handing off

21

the torch here?

22

giving away her torch.

23

wouldn't be super clear on what that was.

24
25

To me, the handing off the torch,

Like an animatronic Liberty
The messaging, again,

I really do like that first reverse
design we chose -- that one on the left -- and
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would prefer that we did swap it out actually

2

with the walking women on the obverse.

3

that's much more clear and less confusing.

4

So, yeah, that's my two cents.

5

I think

Thank

you.

6

CHAIR VAN ALFEN:

All right.

Thank

7

you, Kellen.

8

trying to find continuity stylistic, as well as

9

thematically, across the set.

10

For myself, again, my concern is

But obviously, as Kellen and Chris

11

also raised concerns, we also need to find some

12

stylistic continuity and congruity between the

13

obverses and the reverses.

14

I share a lot of the same concerns

15

that Chris and Kellen have with the just

16

tremendous disjunction, basically, between the

17

obverse that we have for the Liberty Quarters,

18

with the representations of Liberty, and then the

19

we-the-people-type designs.

20

that those work well at all together.

21

I just don't think

I do think that the chair design is

22

absolutely wonderful.

And I'm not particularly

23

concerned about the general public figuring this

24

out in the age of iPhones and the rest, where

25

they have the world's knowledge at their
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fingertips.

2

The one thing that also occurred to me

3

about this design is that the founding fathers

4

are, for the most part, absent from these

5

portfolios.

6

one actual physical, as it were, connection to

7

the founding fathers within this portfolio.

8
9

And this chair would represent the

So, I think that that connection, even
though it is a little bit esoteric, might be

10

something that the public would ultimately come

11

to really enjoy, if not recognize.

12

In terms of the dime and the

13

Declaration of Independence Quarter, the eagle on

14

the dime, I think would work well with one and

15

two of the obverses that we've chosen.

16

The Fugio Cent was the high vote-

17

getter.

18

highest, by one point, was the eagle.

19

19th Century eagle, which would in some ways also

20

then work with the eagle of the dime here, so

21

that there would be some continuity there in

22

terms of theme, as well as with stylistic

23

continuity.

24

the Fugio Cent.

25

But if you'll recall, the second
That's the

Although I'm not totally opposed to

In terms of the other designs, the
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Abolition, Suffrage, and Civil Rights, I think

2

that these work fairly well together.

3

the horizontal elements, particularly in the

4

Suffrage and Civil Rights coinage, I think looks

5

good.

6

John has raised about that particular design,

7

perhaps being the suffering quarter, is something

8

that we can continue to discuss.

And it's

Although, again, some of the concerns that

9

But I think just from an artistic

10

point, that these two reverses do work well

11

together.

12

Suffrage, the Rosette, I think would work equally

13

as well with that set.

Although the runner-up for the

14

So, at this point, I suggest we take

15

a break.

We will have some further discussion a

16

little bit later, but let's take about a ten-

17

minute break and come back and have further

18

discussion.

19

(Whereupon, the above-entitled matter

20

went off the record at 11:34 a.m. and resumed at

21

11:45 a.m.)

22

CHAIR VAN ALFEN:

All right, we're

23

back from our break.

Before we get back to it, I

24

just would like to address, for the general

25

public that is watching who might have a question
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about the way that we operate in terms of the

2

scores, and the way that we use the scores, this

3

is actually something that was devised -- how

4

long ago?

5

MR. WEINMAN:

Actually, the very first

6

year of the CCAC.

7

developed by math professor Mitch Sanders, who

8

came up with the idea of a scoring system

9

0,1,2,3.

10

It's a process that was

In the 0,1,2,3 scoring system, the key

11

is the scoring system is never meant to be a

12

dispositive vote.

13

interest in one design or another, as a means of

14

shuttling the conversation toward some sort of

15

conclusion.

16

It's simply a tool to measure

So, I think if there's a confusion as

17

to if the Committee seem to have voted here, why

18

are they having a discussion?

Because the

19

scoring is not really a vote.

It literally is a

20

scoring.

21

That's why we give all the scores.

22

And the Committee can use that information anyway

23

they like.

24
25

CHAIR VAN ALFEN:

Thank you, Greg.

So, what I would like to do for the next 30, 40
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minutes before our lunch break -- yes, Jennifer?

2

MS. WARREN:

Hi, this is Jennifer

3

Warren.

4

actually say your name before you start talking?

5

Because there's an issue for the people watching,

6

that they don't know who's talking at times.

7

thank you.

8
9

Just a reminder, could everybody

CHAIR VAN ALFEN:
Peter Van Alfen.

Thank you.

So,

I'm

So, what I would like to do for

10

the next 30, 40 minutes before our lunch break is

11

look at -- we've now had an opportunity to look

12

at the obverse designs as a group, the reverse

13

designs as a group, and now I would like to

14

return to each of the individual coins and look

15

at the obverse and reverse pairing.

16

Discussed some of this already, and I

17

would like this just to be an open discussion.

18

So, we don't have to go around the table again

19

for that.

20

After our lunch break is when we will

21

then start making motions and working towards

22

recommendations.

23

So, at this point, again, I would like

24

just to have a general discussion about these

25

obverse-reverse designs for each of the
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individual coins, starting with the dime.

2
3

So, at this point if anybody would
like to make a comment about this.

4

MEMBER GELBERD:

Sam?

Sam Gelberd.

Just

5

wanted to point out with the dime reverse that

6

was the top vote-getter, I did not vote for this

7

one, full disclosure.

8

believe, with the torch.

9

I did, like, design one, I

With that being said, if there's any

10

concern over how diminutive the dime is, and

11

having an eagle on there and how that might read,

12

I respectfully remind everyone that since 1792,

13

we had a pattern.

14

an eagle on it.

15

The half-disme, that did have

And then, we also had half-dimes that

16

also had eagles on them as well.

17

mistaken, I believe when we were first coming up

18

with our monetary system, it was decided that the

19

silver coinage should have an eagle on the

20

reverse.

21

So, it's not out of place to have

22

that.

23

real, real tiny on a tiny coin.

24

overall, it will work.

25

If I'm not

The words Liberty-over-Tyranny going to be
But I think

Even the font for one dime, it reminds
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me of the Barber Coinage Series lettering.

2

it's something that collectors would latch on to.

3

However, I do think the general public, it's

4

going to be an easier transition with a changing

5

design for 80 years by that point, to have a

6

torch on the back.

7

So,

So, that's all I just wanted to say.

8

I could live with the eagle, but do think we

9

should consider having the torch on there.

10
11

CHAIR VAN ALFEN:

All right.

Jeanne.

Is there a camera down there?

12

MEMBER STEVENS-SOLLMAN:

Thank you,

13

Mr. Chairman.

14

would like to just address our Obverse 1, where

15

she's facing left.

16

This is Jeanne Stevens-Sollman.

I want people to know that this

17

particular portrait expresses America.

18

this is a diverse portrait.

19

any race, anything.

20

is a very positive image.

22

think about three.

23

25

All right.

And I think that she

I won't say what I

Thank you.

CHAIR VAN ALFEN:
else?

To me,

It could be anybody,

She's beautiful.

21

24

I

Thank you.

Anyone

Yes, Kellen.

MEMBER HOARD:

Yes, this is Kellen

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Hoard.

First of all, thank you for using the

2

microphone.

3

it cuts out, it just sounds like you're endorsing

4

all of my ideas.

It sometimes cuts out.

And whenever

So, I'm not sure --

5

(Simultaneous speaking.)

6

MEMBER HOARD:

No, just to go on Sam

7

as well here, I also think we should really have

8

the sign up on the whiteboard here kind of side-

9

by-side, and to consider that one strongly, for

10

the primary reason, as I earlier stated, I

11

actually think even though the half-disme did

12

exist, they didn't necessarily make it super-

13

readable.

14

I'm looking, I'm getting down there a little bit.

15

And whenever I'm at a coin show and

The other reason, honestly, is that

16

because we have such as -- yeah, that was the one

17

there.

18

Again, because we are transitioning,

19

I think this is kind of a nice uptick to the

20

design, while ensuring that visual continuity as

21

well, make sure all the text is readable, that

22

it's accessible, that there's familiarity, but

23

that it also encourages people looking closer.

24

It also ties in thematically for a

25

larger purpose.

What is the dime actually trying

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to represent?

2
3

So, that's all I wanted to say on that
front.

Thank you.

4

CHAIR VAN ALFEN:

Anyone else?

Let's

5

move on then to the Declaration of Independence

6

Quarter.

7
8

MS. STAFFORD:

Do you want just the

Declaration, or with the Constitution?

9

CHAIR VAN ALFEN:

10

MS. STAFFORD:

11

CHAIR VAN ALFEN:

12

Yeah.

Okay.
Yeah, just the

Declaration.

13

This technology is very useful.

14

PARTICIPANT:

15

CHAIR VAN ALFEN:

16

Any comments?

17

Not today.
Yeah.

All right.

Jeanne.

MEMBER STEVENS-SOLLMAN:

I believe

18

earlier in our discussion -- oh, Jeanne Stevens-

19

Sollman, thank you -- Chris pointed out that the

20

Liberty Bell might be a better choice for the

21

reverse of this coin and for the Declaration of

22

Independence.

23

Because it would ring out and declare

24

that we are where we are.

25

be better.

And I think it would

Also, the eagle has, I think, better
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2

than the Fugio coin.
So, I would ask my colleagues to

3

really think about replacing it for either one or

4

the other, the eagle or the Liberty Bell.

5

And the other thing that I want while

6

I have the mic still, when we are looking at

7

these reverses -- for instance, the Frederick

8

Douglass obverse, the reverse of we-the-people --

9

seems like it's not going to match.

10

Then, we have to think about the fact

11

that this is just a drawing.

We're not looking

12

it projecting it as a sculpt.

13

is not going to read -- or it will read more

14

harmoniously to the obverses.

I think the sculpt

15

So, when you are looking at these

16

designs, I think you need to look at the fact

17

that it's going to be sculpted, not drawn in

18

pencil or whatever, in these dark areas.

19

not going to be like that.

20

It's

Thank you.

CHAIR VAN ALFEN:

Okay.

One thing I

21

will mention.

22

I believe that there's stakeholders on the

23

commission for the semiquincentennial.

24

correct, April?

25

This was brought to my attention.

MS. STAFFORD:

Is that

Subject matter experts.

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CHAIR VAN ALFEN:

Subject matter

2

experts, were not all that thrilled by the idea

3

of the Liberty Bell, for what it's worth.

4

just wanted to mention it.

5

MS. STAFFORD:

But

Actually, we worked

6

with a representative at Independence Hall, as

7

well as some other subject matter experts for

8

that time period in the founding documents.

9

And they understood that for the

10

general public, like, there's an association with

11

the Liberty Bell and Americana.

12

But in terms of to the Declaration, it

13

was not necessarily there.

14

It's become a lore, as opposed to representative

15

of that document, or that particular time.

16

it actually was several stakeholders who flagged

17

that.

18

And I apologize.

It did not ring out.

So,

I probably should

19

have included that earlier.

20

kind of as a general reference to our country,

21

and like that idea that they understand as a

22

symbol.

23

They did say, like,

But in terms of representing a

24

particular time, place, document, conception,

25

that it wasn't what we thought it was.
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2

CHAIR VAN ALFEN:

Thank you, April.

MEMBER SCARINCI:

To follow up, just

Donald.

3
4

a question.

5

forgot this -- but the Liberty Bell didn't ring

6

in 1776?

7

So, the Liberty Bell -- and I just

MS. STAFFORD:

There's an objection

8

here.

9

meeting with this particular subject matter

10

And we do also have our notes from our

expert.

11

So, there's long been a story that

12

rang out on July 8th.

13

information that comes -- like, the historians

14

actually say, no, it actually didn't.

15

But apparently, the more

It's lore, as opposed to actuality.

16

It was actually hidden for quite some time.

17

the place where it hung was rebuilt.

18

It's hidden because of the war.

And

They

19

wanted to protect it.

And then, it was rebuilt,

20

and so they actually think it's actually sometime

21

later that it was.

22

So, we did leave it in the portfolio

23

though, because we understood that in some cases

24

artists were using it as a kind of representative

25

idea.
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But I just wanted to make sure we

2

communicated that.

3

stakeholders that we spoke to just were, like, it

4

washed over them.

5

not that theme, right?

6

sure we shared that.

7

Because I think it was three

Like, yeah, you know that's
And so, we wanted to make

MEMBER SCARINCI:

8

the lore.

9

York, and it rang in --

Yeah, but that is in

That it rang here and it rang in New

10

MS. STAFFORD:

Here in Biloxi.

11

MEMBER SCARINCI:

Right.

And just for

12

consistency, the rings of this design didn't

13

really happen until 1787.

14

So, the Fugio came out in 1787 as a

15

private contractor, and personally designed by

16

Benjamin Franklin.

17
18

CHAIR VAN ALFEN:
Kellen?

19

MEMBER HOARD:

20

down.

21

call on me.

22

Your hand raised,

Oh, I put my hand back

But I'm happy to speak if you're going to

Really quick comment here is I

23

actually think the bell is still a way that we

24

should consider going, for the main reason, as

25

mentioned earlier, that I'm not sure how the
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chain design or, for that matter, the eagle

2

design, are as clearly reminiscent and emblematic

3

of the Declaration of Independence and that time

4

period, in the mind of the American people, as is

5

the bell.

6

And I think the bell and its

7

associated lore is associated, I'm thinking the

8

mind of the people will make this obverse design

9

at least somewhat more bearable for me.

10

So, yeah, I think the bell, it

11

captures the American spirit and has this

12

metaphorical meaning of this ongoing quest for

13

independence, ongoing read, and so on.

14

you.

15

CHAIR VAN ALFEN:

Thank

Any other comments

16

on the Declaration of Independence Quarter?

17

Sam?

18

MEMBER GELBERD:

Sorry.

19

Sam Gelberd.

20

lobby for the Heraldic Eagle Reverse.

21

Oh,

Yeah, this is

Just one last chance for me to

If the subject matter experts were not

22

thrilled with the Liberty Bell, I'm okay with

23

that.

24

it is instantly recognizable by the public.

25

think it would resonate well -- pardon the pun --

We could forego that, even though I think

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with the American public.

2

The linked chains.

Just to point out

3

to everyone, this was -- and I'm not trying to

4

upset EAC, or Early American Copper Collectors,

5

in any way -- but please understand, this design

6

was really popularized in the mid-1970s by

7

replicas of the Continental Currency dollars, for

8

lack of a better denominational term.

9

concerned that it may be a bit of a flatter

10

I'm a bit

design.

11

Even though some people could

12

recognize it, it's not without some controversy,

13

when Ben Franklin introduced this.

14

also seen on Continental Currency paper that was

15

also issued, or Continentals.

16

And it was

Some people, there was a bit of uproar

17

that the linked chains aren't necessarily showing

18

the strength of the colonist at that time, but

19

almost slavery, or imprisonment.

20

something to consider.

21

So, that's

Again, I go back to the eagle, only

22

because it was -- and we do have a lot of eagles

23

on our coins, of course, and I'm a huge fan of

24

them.

25

It's the very first quarter we're
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going to roll out in 2026.

2

to absolutely love seeing that particular eagle

3

on the back of an American quarter again.

4

Collectors are going

So, I just wanted to make one more

5

push for that.

6

very well as a design, coupled with the obverse

7

that was the top vote-getter.

8
9

I really think it would go over

CHAIR VAN ALFEN:

Thank you.
Thank you, Sam.

Chris.

10

MEMBER CAPOZZOLA:

11

Capozzola.

Microphone coming.

12

briefly.

13

subject matter experts.

14

inaccurate.

This is Chris
Just very

I certainly take the point of the
We don't want to be

15

And I think that if the Liberty Bell

16

is doing a kind of general work of conveying the

17

founding, then it is still accurate.

18

If the CCAC felt that that was a

19

little too loosey-goosey, the more accurate

20

historical one would be actually going back.

21

was up there earlier, Reverse 03A, Independence

22

Hall, which would doubtless be accurate.

23

have some resonance with other bicentennial and

24

150th coinage.

25

It

It does

And it also gives an arc of text that
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would connect Liberty-over-Tyranny to Liberty-

2

and-the-pursuit-of-happiness, and maybe we-the-

3

people.

4

think it should stay on the table.

So, I'm not advocating for it, but I

5

CHAIR VAN ALFEN:

6

right.

7

Quarter.

8

All right.

All right, any comments?

MEMBER SAUNDERS:

Crickets.

Can we see some

other top vote-getter reverses?

11
12

All

Let's move on then to the Constitution

9
10

Anyone else?

CHAIR VAN ALFEN:

For this?

Yeah.

Greg, could you?

13

MR. WEINMAN:

Yeah.

So, if you want

14

to pull up -- the top vote getters were Reverse

15

7, Reverse 9.

16

MS. STAFFORD:

17

MR. WEINMAN:

18

MS. STAFFORD:

19

MR. WEINMAN:

20

Reverse 7 is up there.
Reverse 9.
Reverse 9 is up there.
Reverse 2.

And finally,

Reverse 11.

21

CHAIR VAN ALFEN:

All right.

22

MEMBER SAUNDERS:

John Saunders here.

23

I like we-the-people.

I think Kellen's point, it

24

kind of stylistically clashes with the obverse.

25

I think the Liberty Hall, which harkens back to
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the bicentennial fifty-cent piece, goes well with

2

it.

I think the oak goes okay with it too.

3

So, while I was in favor of we-the-

4

people, I like that design a lot, I think the

5

other two go with it a little bit better.

6

CHAIR VAN ALFEN:

7

MEMBER GELBERD:

Anyone else?
Sam Gelberd.

Sam.
Again,

8

I did vote for the chair back reverse for this

9

coin and I do think it complements the obverse

10

very well.

11

Again, with the need for instant

12

gratification in America, yeah, we do have cell

13

phones readily available, computers, people can

14

look it up.

15

wonderfully teachable moment using the chair

16

back, ultimately.

17

And again, yeah, I do think it's a

That is my favorite design, compared

18

with this particular obverse.

19

in the stylistic script with the quill, it's just

20

not going to match up with that obverse.

21

The we-the-people,

I mean, even the oak tree is workable,

22

Independence Hall.

23

Independence Hall before, but it is Declaration

24

of Independence.

25

Again, we've seen

Very historically accurate.

Ultimately though, I think the chair
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back is the design we should go with, paired with

2

this particular obverse.

3

CHAIR VAN ALFEN:

4

Anyone else?

5

please.

All right, the Abolition Quarter,

6

MS. STAFFORD:

7

CHAIR VAN ALFEN:

8

MEMBER HOARD:

9

Thank you, Sam.

Kellen.
Oh, Kellen.

Yes.

I just have a question

for the Committee on this one, actually.

Because

10

again,

11

design versus making it pleasant looking for the

12

public.

13

reasons for or against designs who -- because it

14

got additional number of point and I was

15

wondering what people's thoughts were, either

16

direction.

17
18

I'm pretty split on matching our previous

I'm wondering if we could speak to

CHAIR VAN ALFEN:
we-the-people.

Design number two is

Is that correct?

19

MEMBER HOARD:

The oak tree.

20

CHAIR VAN ALFEN:

Yeah.

Oh, the oak tree.

21

Would anyone like to answer Kellen's question?

22

Yeah, Jeanne.

23

MEMBER STEVENS-SOLLMAN:

24

Stevens-Sollman here.

25

the oak tree.

Jeanne

Kellen, we-the-people as

You know, we're looking at a real
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strong design to go with this Liberty.

2

don't think it's strong.

3

weak design.

4

It's just nice.

5

And I

I think it's a very

It's nice, but that's all it is.

We want great.

And I think we have

6

great with the chair and we have great with the

7

feather.

8
9

And if we look at the feather -- and
some people think it's not going to match what

10

the Liberty -- if you just take those dark areas

11

away and think of them as being sculpted and not

12

dark, I think it will match.

13

And I think Joe might be able to help

14

us out a little bit to understand how this is

15

going to translate into a sculpt.

16

is just ordinary.

17

But the tree

Thank you.

CHAIR VAN ALFEN:

Thank you, Jeanne.

18

I would actually welcome Joe's comments on how

19

that would be sculpted, the we-the-people, if

20

you'd like to --

21

MR. MENNA:

This is Joseph Menna.

22

you see a border with incused text.

23

parchment, the white above the parchment, and

24

possibly off to the left end, definitely above,

25

would also be polished, parchment would be
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sculpted, the letters would be raised with same

2

dimensionality that they have in the drawing.

3

Those would be sidewalls.

4

black would be essentially sidewalls,

5

understanding it would still have to be drafted

6

along the other areas, but would still pop very

7

nicely.

8
9

What's in

And the feather would simply, as
Jeanne said, be sculpted, arched over.

And

10

there's nothing U.S. Mint sculptors can't sculpt.

11

And I don't mean necessarily to say that glibly.

12

But a lot of times when we're looking

13

at coins, we used to have prescriptions against

14

using tone, period.

15

years ago.

16

Like, I don't know, fifteen

But with the current artistic infusion

17

program -- and I don't want to speak on Roger's

18

behalf, April's behalf -- it felt like we all

19

kind of felt like we're already throwing so much

20

at them.

21

stuff that we would deal with and sculpt anyway

22

to confuse things, but it's very easy to respond

23

only graphically to these images.

24

one, but the elegantly sculpted obverse.

25

And getting too heavy on the tone

Not only this

People tend to look at pictures
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instead.

Not the Committee members, but a lot of

2

people look at pictures instead of coin designs.

3
4

But they always think about them as
Jeanne and I do, dimensionally, and Michael.

5

MS. STAFFORD:

I think the question

6

is, compositionally, in two dimensions, the ease

7

of jarring.

8

they work together stylistically?

9

But in sculpt, in bio-relief, will

MR. MENNA:

I'm sorry.

Yeah, I would

10

document how I misunderstood.

11

graphic nature of it, it's a quarter reverse,

12

super-low relief, be subtle.

13

marry up with the elegance of the obverse, the

14

sculptural treatment, if that makes sense.

15

CHAIR VAN ALFEN:

16

Anyone else?

17

the Abolition Quarter.

18

All right.

MS. STAFFORD:

No, the bold

It will actually

Thank you, Joe.

Then, let's move on to

At any point, did you

19

want to see those two quarters together to see

20

the relationship, or --

21
22
23

CHAIR VAN ALFEN:
a time.

We'll just do one at

Yeah.
All right, any comments?

And I

24

believe that we will be taking up the

25

Abolitionism versus Abolition issue after lunch
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when we go to make motions on this.

2

comments or questions on this then?

3

Any other

This is probably the easiest one.

4

let's move on then to Suffrage.

5

comments?

Oh, Art.

6

So,

All right, any

Yes.

MEMBER BERNSTEIN:

This is Art

7

Bernstein.

I would make a pitch for the Rosette

8

design, which was one of the top vote-getters as

9

well.

And if we were to go with that, as I

10

mentioned yesterday, there are other phrases that

11

would be appropriate to go inside the Rosette.

12
13

CHAIR VAN ALFEN:

Anyone else?

Annelisa.

14

MEMBER PURDIE:

Thank you, Mr.

15

Chairman.

16

echo that with Art.

17

high vote-getter for me.

18

easily amendable in terms of a slogan in the

19

middle.

20

subject matter experts said about whether or not

21

this would be a universal symbol of Suffrage and

22

the controversy around that.

23

This is Annelisa Purdie again.

I will

I also, the Rosette was the
I think that it's

I did take into consideration what the

But in terms of the overall coin, I do

24

think that it works well and I do think that it

25

would be a potential conversation piece to lead
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to the discussion of many symbols of Suffrage

2

just being one of them.

3

For the hands, there is a film from

4

1955 called Land of the Pharaohs, with Joan

5

Collins from Warner Bros.

6

And in that film -- I'm going to be

7

very brief -- there is a very complex set of --

8

it takes place in ancient Egypt -- of tombs that

9

close on a lock.

10

This reminds me of that film.

It

11

looks like the weight is pressing down on the

12

various hands, rather than them holding it up

13

together and keeping it afloat.

14

And with the overall design of the

15

coin, again considering that this is going to be

16

on a quarter, I'm not sure how well that's going

17

to translate once it's actually minted.

18

I think that the detail is great.

And

19

the little hand reaching up there, also safety

20

concerns.

21

doesn't seem as if it's being held up as much as

22

it's pushing down.

23

But the message is there but it

And in terms of continuity as well

24

with the obverse of this particular quarter,

25

there isn't a Rosette on the outfit of the woman
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herself.

So, again, opportunity for continuity,

2

but putting that in, putting the Rosette back out

3

there.

Thank you.

4
5

CHAIR VAN ALFEN:
Anyone else?

6

All right.

Thank you, Annelisa.

Oh, it's John.

MEMBER SAUNDERS:

Yes.

If you shrink the

7

fixtures down in size, like when we put a whole

8

bunch of them up there, it's even more so.

9

I mean, you see Suffrage and hands, is

10

all you see.

11

forth.

12
13

You don't see the words and so

So, I would echo what Annelisa said.
And I think I may have seen that film.

14

CHAIR VAN ALFEN:

Donald.

Yeah.

15

MEMBER SCARINCI:

I mean, as a medal,

16

it's a gorgeous medal.

17

of our better medals.

18

John was saying, that's on a dollar-sized

19

planchet, as opposed to a quarter-sized planchet.

20

I mean, I think it's one
But the medal, as what

So, that could be an issue.

But if we

21

went with the Rosette, I mean, I think what we

22

heard yesterday is that there was no clear -- if

23

this was the Rosette that they adopted and used,

24

then it would be a no-brainer.

25

What makes it a little more
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complicated is that we were told yesterday this

2

wasn't the commonly accepted symbol for Suffrage.

3

And if we did do this, if we did use

4

the Rosette, we would need to put the word

5

Suffrage in the flag, which kind of -- I don't

6

know that that works on a flag.

7

that you can change slogans on the flag.

8
9

I don't know

So, on that basis you can't have the
same -- I mean, it just doesn't work.

And the

10

word Suffrage should be somewhere on this coin.

11

That's what people identify with.

12

CHAIR VAN ALFEN:

Thank you.

13

MEMBER STEVENS-SOLLMAN:

Jeanne

14

Stevens-Sollman here.

I think we're looking at

15

the Suffrage Reverse as a glass half-full, half-

16

empty.

So, we can interpret it in either way.

17

Listen, this was horrible.

Seventy-

18

two years, seventy-three years, we were trying to

19

get the vote.

20

women.

21

And it was.

This was an oppressive time for

And yes, it looks like it's bearing down.
And it is.

22

So, I think that we have a great

23

opportunity to say something about Suffrage.

24

we say this Rosette is just another accessory to

25

what was going on.

But Suffrage is immense.

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2

I hope that this conveys what it
really is and was.

Thank you.

3

CHAIR VAN ALFEN:

4

MEMBER CAPOZZOLA:

Chris.
Chris Capozzola.

5

So, a couple of points.

6

I think we should stick with 01A.

7

the silhouette figures elsewhere, so I don't

8

think we need it.

9

First, on the obverses,
We didn't do

And also, once you see all the

10

obverses in a row, there's a way in which the

11

very big E. Pluribus Unum works well with the

12

other quarter obverses.

13

There's another solution.

14

with the Rosette -- and there is another possible

15

solution -- I think it would be accurate

16

historically, but we need to confirm this from

17

the subject matter experts, her flag at the word

18

liberty.

19

If we went

And then, on the reverse, it could be

20

Suffrage and quarter-dollar.

21

turn the abstract liberties of the first two

22

quarters, into an actual woman marching for

23

liberty, and fits in a kind of arc there.

24
25

And that would then

I'm not necessarily advocating that,
I'm just putting that possibility out there.
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MEMBER STEVENS-SOLLMAN:

2

votes.

3

And that's what we need to convey.

It's for

It's not for liberty, it is for voting.

4

This is a special time in our history.

5

We are marching for liberty in other coins.

6

we are marching for votes.

7

vote.

8
9
10

But

For the privilege to

And we have to say that in this coin,
somehow.

But to say Liberty and the flag -- and

actually, I don't think that --

11

MEMBER CAPOZZOLA:

This is Chris.

12

Jeanne, it may also be accurate historically that

13

her bound would have carried the word, Suffrage.

14

Right?

15

the two versions of votes for women, which may be

16

only in the drawing, but they pop.

17

more than the images.

18

concerned about that.

Which would then -- I'm trying to avoid

19
20

The words pop

And so, I want to be

CHAIR VAN ALFEN: Alright, your hand
was raised.

21

MEMBER BERNSTEIN:

This is Art

22

Bernstein.

I just wanted to correct something

23

with Donald.

24

use the word Suffrage inside the Rosette.

25

you would have votes for women on the obverse.

Donald, my suggestion was that we

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And on the reverse, there were several phrases

2

that used the word Suffrage, that would be

3

appropriate for that design.

4

CHAIR VAN ALFEN:

Any other comments?

5

All right, onto the Civil Rights Quarter.

6

Comments?

7

MEMBER STEVENS-SOLLMAN:

8

CHAIR VAN ALFEN:

9

That is good.

I think we're mostly fine with this.

10

MEMBER GELBERD:

It's good.
Yeah,

Sam, yes.

Yeah, I'm sorry.

11

Just one thing I wanted to add.

12

Gelberd.

13

Joe.

This is Sam

And this may be a question more for

14

The lettering around the periphery,

15

should we consider doing that incuse, or sunk in,

16

as opposed to bas relief or raised?

17

like to know your thoughts.

18

Just would

I know we-shall-overcome is going to

19

be incused.

So, maybe that wouldn't go.

20

your thoughts on maybe switching those?

21

want to see --

22

MR. MENNA:

23

MEMBER GELBERD:

24

MR. MENNA:

25

This is Joseph Menna.

But
Just

Thank you.

Yeah.

You got that?
No, I got you.

We don't incuse into

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field.

That's a field, in terms of border that's

2

not raised.

3

Thank you.
CHAIR VAN ALFEN:

All right.

4

let's wrap it up with the half-dollar.

5

thank you.

6
7

MR. WEINMAN:
and 06?

Then,
Yes,

Did you put up 05, 05A,

Reverse 05, 05A?

8

MS. STAFFORD:

9

MR. WEINMAN:

06 is up there.
Yep.

10

MS. STAFFORD:

11

MR. WEINMAN:

12

MS. STAFFORD:

13

MR. WEINMAN:

14

CHAIR VAN ALFEN:

Any comments?

MEMBER SCARINCI:

If we're not going

15

And 05A is up there.
Yep.

Is 03 up top?

Yep, that's it.
Six being the big --

Donald.

16
17

to change the obverse, we need to change the

18

reverse.

19

it makes a great Statue of Liberty coin.

20

that's what it is.

21

that coin.

22

Right?

Because the way we have it now,
But

There's no other message in

It's the Statue of Liberty.
And the reverse -- I think

23

particularly the second one -- is the better

24

reverse because the E. Pluribus Unum is by the

25

hand instead of muddling up the slogan on the
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coin.

2

So, I think very strongly we need to

3

change this.

I mean, I understand why everybody

4

likes it, but in the context of the portfolio and

5

the context of what we're trying to do, we're not

6

trying to do a Statue of Liberty coin.

7

CHAIR VAN ALFEN:

Anyone else?

8

MEMBER SAUNDERS:

I agree with Don.

9

CHAIR VAN ALFEN:

Oh.

10

John.

Oh, Kellen.

11

Thank you,

Yes, your hand is raised.

MEMBER HOARD:

Yeah, I agree with

12

Donald as well here. To the second reverse, and

13

passing the torch and to the women walking on the

14

obverse.

15

issues.

16

I think that resolves all of our

CHAIR VAN ALFEN:

This is good.

And

17

just to be clear, your suggestion, the women

18

walking, or the walking obverse, one of the

19

walking obverses, instead of the -- yeah, there

20

you go.

21

MEMBER HOARD:

22

CHAIR VAN ALFEN:

23

MR. WEINMAN:

24
25

That's right.
Okay, thank you.

01 and 01B we talked

about years ago.
CHAIR VAN ALFEN:

Right.

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Any other comments?

2

All right, Annelisa.

MEMBER PURDIE:

Thank you, Mr.

3

Chairman.

4

actually thinking about your comments earlier, in

5

terms of continuity and how Frederick Douglass is

6

right in the middle of this portfolio and between

7

past and future with this coin.

8
9

This is Annelisa Purdie.

I was

I love the Statue of Liberty on
anything.

I think it evokes a certain feeling in

10

all of us and understandably so.

11

the message and moving forward, even with the

12

passing of the torch, I do think that the Lady

13

Liberty walking with the child does work much

14

better.

15

But in terms of

And I think that it would create a

16

very clear delineation between the beginning

17

where we started out as a country, and where

18

we're moving forward to.

19

With the Statue of Liberty on the

20

half-dollar as the last coin in this set, it is a

21

beautiful coin, stylistically.

22

But in terms of what we're going for

23

with the semi-Q set, it doesn't quite hit the

24

mark the same way that Liberty walking does.

25

And again, with the hand passing the
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torch, were her robes there, the Statue of

2

Liberty herself, it would make better stylistic

3

sense.

4

someone passing it on to a child and saying,

5

here, you're going on to the next generation.

6

And it works well.

But here, it serves the better purpose of

7

So, putting it out again for one, that

8

we go with one of the walking designs.

9

you.

10
11

CHAIR VAN ALFEN:

Thank

Anyone else?

Yes.

12

MEMBER GELBERD:

This is Sam Gelberd.

13

Yeah, we run the risk of making a Statue of

14

Liberty commemorative again.

15

1986, guys.

16

We did that in

The obverse, I do think it should be

17

either Obverse 1 or 1B.

18

ultimately, if only to avoid having another

19

Statue of Liberty commemorative coin.

20

again, meets the mark.

22

really recognize it.

23

design.

25

I'd be fine with either,

It is the Statue of Liberty obverse,

21

24

Sam.

It is bold, people would
Instantly recognizable

But if we are passing the torch, as
we're trying to show with the last quarter in the
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design, the reverse I think could stay.

2

think we need to go with Obverse 1 or 1B, just

3

for the reasons already stated.

4
5

CHAIR VAN ALFEN:
you.

Jeanne.

6

But I do

Thank you.

All right, thank

Yes.

MEMBER STEVENS-SOLLMAN:

Jeanne

7

Stevens-Sollman here.

And if we do go with the

8

walking Liberty with the child, and a torch for

9

the reverse passing of the torch, then we have to

10

reconsider B, because she has a torch.

11

want to replicate or repeat that.

We don't

12

So, I would recommend Reverse 1.

13

CHAIR VAN ALFEN:

Any other comments?

MEMBER SCARINCI:

So, I think the coin

14

Donald.

15
16

you're referring to was a gold commemorative,

17

1986.

18

And certainly a beautiful coin.

So,

19

I have to say, this coin sold almost 100,000.

20

There were almost 100,000 of these minted.

21

was very popular in its time, and in large part

22

because of the Statue.

23

the Statue of Liberty design on the obverse.

24
25

It

Because of the face of

And I think what we're doing is we're
kind of reversing it.

If we're going to use the

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standing figures and the flame -- the top of the

2

torch -- the top of the torch is recognizable to

3

some degree, but to a lesser degree than the

4

obverse of Liberty would be.

5

And what we're talking about is the

6

passing to the next generation.

What's really

7

what the theme here is.

8

express that?

9

especially based on the gold coin we issued and

So, how do you best

And the more powerful coin,

10

the high mintage of it, it was a very popular

11

design.

12

And I think this would be a very

13

popular design with Liberty on the obverse and

14

the hands passing the torch on the reverse, as

15

opposed to flipping that.

16

Because what you're doing is, you're

17

flipping that.

18

Statue of Liberty, or an element of the Statue of

19

Liberty, on the reverse.

20

Right?

You're putting

the

And then, we're going to have to deal

21

with the kid carrying the torch on the obverse,

22

which a number of people have expressed some

23

concern about.

24
25

So, I personally think that the right
pairing here is Liberty on the obverse, and then
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the hands underneath.

2

CHAIR VAN ALFEN:

3

MEMBER GELBERD:

Sam?
Just real quick.

4

Donald, did you want to clarify?

5

one at the bottom.

Correct?

6

MEMBER SCARINCI:

7

MEMBER GELBERD:

8

the very last one?

9
10

01A, the last

01B.
On the bottom row,

Is that --

MEMBER SCARINCI:

Well, it could be

either of the two on the last row.

11

MEMBER GELBERD:

Okay.

You mentioned

12

E. Pluribus Unum may be interfering with the

13

lettering?

14

That's why I thought -MEMBER SCARINCI:

Oh yeah.

As between

15

the two, I think this one's better because the E.

16

Pluribus Unum kind of clutters up the words here,

17

but it doesn't really have any impact here on the

18

words.

19

preference would be this and this.

20

So, you get the words in two.

MEMBER GELBERD:

No, but I agree.

21

Yeah, that reverse would work well.

22

pairing.

23

So, my

It's a good

Thank you.
MEMBER SAUNDERS:

I just wanted to

24

point out -- this is John Saunders here -- what

25

I'd said earlier.

The Statue of Liberty coin had

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a $75 melt value, or $80 melt value, when it was

2

issued.

3

And with a markup it was somewhat

4

affordable, but it still is expensive.

5

would have $600 worth of gold, and you just

6

couldn't do it.

7

Today, it

And I think it would go over well to

8

have a circulating coin with the Statue of

9

Liberty on it that's basically available for $.50

10

for somebody.

11

And to the extent we would love to see

12

$.50 back in circulation like they were before

13

1964, I think that's a great enough design that

14

it might even help the $.50 piece denomination as

15

well.

16

CHAIR VAN ALFEN:

Any other comment?

17

All right, I think we are ready for lunch.

18

will take an hour lunch.

19

at 1:30 to make our recommendations.

20

We

We will refuel, be back

(Whereupon, the above-entitled matter

21

went off the record at 12:33 p.m. and resumed at

22

1:30 p.m.)

23

CHAIR VAN ALFEN: All right, thank you

24

very much, Jennifer.

This is Peter Van Alfen.

25

We are now back from lunch.
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And at this time, I would like the

2

committee to start moving towards recommendations

3

for these 2026 Semiquincentennial coinage.

4

Now, I think if we try to do motions

5

for all seven coinages simultaneously, things

6

will get a little too complicated.

7

So what I would like to do is move

8

through each one of the coins separately, and we

9

will then have motions and discussions on each

10

one of those individual coins, as we move through

11

these portfolios.

12

So, I would now like to begin with the

13

2026 dime.

And at this point, I would be more

14

than happy to take any motions.

15

(Simultaneous speaking.)

16

CHAIR VAN ALFEN: Yes.

17

MEMBER STEVENS-SOLLMAN: Do we have any

18

visuals?

19
20

CHAIR VAN ALFEN: Yes, they're coming
momentarily.

21

(Pause.)

22

MS. WARREN: Kellen has his hand up.

23

CHAIR VAN ALFEN: All right, Kellen,

24
25

your hand is raised?
MEMBER HOARD: I just had a quick
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question, actually.

2

actually both the designs, the obverse designs

3

and the popular and both the reverse designs,

4

there's been discussion of suggesting some

5

flipping.

6
7

I know you had visions of flipping the
head, or some different elements.

8
9

I'm wondering, you know, for

Would you prefer that we go through
and recommend a design first, then afterward make

10

subsequent motions, or would you like to get it

11

all done in one packaged motion?

12

CHAIR VAN ALFEN: Identify an obverse

13

and reverse design for recommendation first, and

14

then any modifications to that design can be

15

subsequent motions, yeah.

16

MEMBER HOARD: Thank you.

17

CHAIR VAN ALFEN: So on the dime for

18

the 2026 Semiquincentennial program, do we have

19

any motions from the committee?

20

Jeanne, your hand is raised.

21

MEMBER STEVENS-SOLLMAN: Thank you, Mr.

22

Chairman.

23

This is Jeanne Stevens-Sollman.

24

going to move that we recommend obverse 1, is

25

that 1?
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2

CHAIR VAN ALFEN: The one facing the
left, is that correct?

3

MEMBER STEVENS-SOLLMAN: Other side,

4

yes.

And, I would like to have reverse 1, the

5

one on the left.

6
7

CHAIR VAN ALFEN: That is the eagle, is
that correct?

8
9

MEMBER STEVENS-SOLLMAN: That's my
recommendation.

10

CHAIR VAN ALFEN: Okay, so we have a

11

motion from Jeanne, to recommend obverse 1, and

12

reverse 3, which is what you see on the screen at

13

the moment.

14

Is there a second on this motion?

15

(Simultaneous speaking.)

16

CHAIR VAN ALFEN: Oh, I'm sorry, 1A.

17

Okay, there we go.

18

All right, so the motion is to

19

recommend obverse 1A and reverse 3A.

20

second on this motion?

21
22

Is there a

MEMBER CAPOZZOLA: This is Chris
Capozzola.

23

I'll second the motion.
CHAIR VAN ALFEN: All right, Chris has

24

seconded the motion.

25

discussion?

So, is there any

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Kellen, yes, your hand is raised.

2

MEMBER HOARD: Thank you, this is

3
4

Kellen Hoard.
And it feels, I don't think this is

5

right, but I'd like to offer a friendly amendment

6

for the other reverse, which I imagine isn't how

7

this motion works, but.

8
9

CHAIR VAN ALFEN: Right, it would be
out of order.

We have on the table at the

10

moment, this obverse and this reverse.

11

focus on this for the moment.

So, let's

12

Is there any discussion?

Comments?

13

All right, then let's vote.

All those

14

in favor of this motion to adopt obverse 1A and

15

reverse 3A for the 2026 Semiquincentennial dime.

16

I think it would be best if we do this

17

by hand actually, rather than by voice vote.

18

all those in favor, raise your hand.

19
20

What do we have, three?

So

All right.

Four, no three.

21

MS. WARREN: Kellen is the fourth.

22

CHAIR VAN ALFEN: All right, so that's

23
24
25

four in favor?
MS. WARREN: Hands up.

One, two,

three, four, five.
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2

CHAIR VAN ALFEN: All right, five in
favor.

3
4

All those opposed, please raise your
hand.

5

(Hands raised.)

6

CHAIR VAN ALFEN:

7

opposed.

8
9

All right, five

MR. WEINMAN: I believe that the chair
breaks a tie.

10

CHAIR VAN ALFEN: Well, I voted in

11

favor, but we are five and five I'm afraid, so.

12

So.

13

MR. WEINMAN: And a point of

14

clarification.

15

your option to make multiple recommendations.

16

Just to know that it is always

And say generally speaking, if you

17

reach an impasse and you don't feel strongly

18

about a particular recommendation, you can say

19

we're going to, we recommend these are the four

20

we recommend the Mint go with.

21

those lines.

22

Something along

We don't need to feel obligated to

23

absolutely make a recommendation if you can't, if

24

it isn't an obvious.

25

CHAIR VAN ALFEN: All right.
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1
2

MEMBER MORAN: I'd like to make a
motion.

3

CHAIR VAN ALFEN: All right.

4

MEMBER MORAN: I move that we approve

5

obverse --

6

CHAIR VAN ALFEN: Oh, here you go.

7

MEMBER MORAN: You're hogging that

8

thing.

9

CHAIR VAN ALFEN: Sorry.

10

MEMBER MORAN: I move we approve

11

obverse number 1, and whatever the torch number

12

is.

Is that number 3?

13

MR. WEINMAN: It's 1A.

14

MEMBER MORAN: 1A?

15

MR. WEINMAN: That's reverse 1.

16

MEMBER MORAN: Yes, 1A with reverse 1.

17
18

obverse 1A and reverse 1.
CHAIR VAN ALFEN: All right, so since

19

our first motion tied and therefore, failed, to

20

recommend obverse 1A and reverse 1.

21

Is there -- oh, sorry.

So again, the

22

motion on the table at the moment is to recommend

23

obverse 1A and reverse 1.

24

Do we have a second on this motion?

25

All right, Sam Gelberd's second.
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discussion?

2
3

All right, let's vote.

All those in

favor of this motion, please raise your hand.

4

MS. WARREN: Four.

5

CHAIR VAN ALFEN: Four in favor?

6

MS. WARREN: That's what I counted.

7

CHAIR VAN ALFEN: Okay, all those

8

opposed, please raise your hand.

9
10

MS. WARREN: Five.
raise?

11
12

CHAIR VAN ALFEN: All right, the motion
does not carry.

13
14

Did someone not

We're back where we started.

Okay, Kellen, I see your hand is
raised.

15

MEMBER HOARD: Yeah, thank you.

16

I couldn't hear Greg earlier.

I think

17

I caught some of the words though about

18

recommending multiple, or like having a option.

19

(Simultaneous speaking.)

20

CHAIR VAN ALFEN: Yes.

21

MEMBER HOARD: I think in this case

22

because we are so evenly split, it's like five to

23

five or you know -- that it might make sense to

24

just offer up multiple.

25

Especially because the CFA will also
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add recommendations to the Treasurer, Treasury

2

Secretary will make her own decisions.

3
4

We might offer up multiple, and I'd be
okay with that personally.

5

CHAIR VAN ALFEN: That is certainly an

6

option, and at the moment, we have gone through

7

two possibilities.

8
9

I will open the floor again for
another motion to see if we can find a --

10

MEMBER MORAN: I would like to see 1

11

obverse versus number 3, and then we can see

12

whether we ought to go forward, or not.

13

PARTICIPANT: That is a motion.

14

CHAIR VAN ALFEN: Yes, that is a

15

motion.

16
17

MEMBER MORAN: Well, I just want a show
of hands just.

18

CHAIR VAN ALFEN: Okay, so, yes, so the

19

motion is to, or to have a show of hands to see

20

those in favor of obverse 3?

21
22

MEMBER MORAN: Yeah, 3, yes, versus
obverse 1A.

23

CHAIR VAN ALFEN: Okay.

24

So, the motion is to have a show of

25

hands to see those who are in favor of obverse 3
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1

verses obverse 1.

2

Is there a second on that motion?

3

MEMBER BERNSTEIN: Yes, Art Bernstein.

4

CHAIR VAN ALFEN:

5

So, let's then raise our hands those

All right.

6

in favor of obverse 3 and not obverse 1.

7

those in favor of obverse 3?

8

(Hands raised.)

9

MS. WARREN: You've got six.

10

CHAIR VAN ALFEN: All right.

11

So,

All

right, so obverse 3, six.

12

Those opposed, or I'm sorry, those in

13

favor of obverse 1, raise your hands.

14

sorry.

1A, I'm

15

(Hands raised.)

16

CHAIR VAN ALFEN: All right, so it

17

looks like the committee generally favors obverse

18

3 as, as the possible recommendation for the

19

dime.

20
21
22

So at this point, I will entertain
another motion if there is one.

Art?

MEMBER BERNSTEIN: In an effort to be

23

helpful, let me propose that we recommend obverse

24

3 and reverse 3A.

25

CHAIR VAN ALFEN: Okay.
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All right, so the motion proposed at

2

the moment is to recommend obverse 3 and reverse

3

3A.

4

Is there a second on this motion?

5

Donald, you second the motion.

6

All

right, any discussion?

7

Then let's vote.

All those in favor

8

of recommending obverse 3 and reverse 3A for the

9

2026 Semiquincentennial dime, please raise your

10

hand.

11

(Hands raised.)

12

MS. WARREN: Six.

13

CHAIR VAN ALFEN: Six, all right.

14

All those opposed, please raise your

15

hand.

16
17

CHAIR VAN ALFEN: All right, the motion
carries.

18
19

So, the recommendation then for the
dime will be obverse 3 and reverse 3A.

20

One down, six more to go.

21

(Simultaneous speaking.)

22

CHAIR VAN ALFEN: Okay.

Okay, we will

23

now move on to the quarters, beginning with the

24

Declaration of Independence quarter that is

25

number 1.
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Are there any motions?

John.

2

MEMBER SAUNDERS: I move that we adopt

3

the obverse 02 and the reverse 08, the Liberty

4

Bell.

5
6

MEMBER BERNSTEIN: Art Bernstein
seconds.

7

CHAIR VAN ALFEN: Okay, any discussion?

8

Then let's vote.

All those in favor

9

of this motion, please raise your hand.

10

(Hands raised.)

11

MS. WARREN: Six. One, two, three,

12

four, five, six, seven. Three, four, five, six,

13

seven. Seven.

14
15

CHAIR VAN ALFEN: All right, all those
opposed, please raise your hand.

16

(Hands raised.)

17

MS. WARREN: Two, three.

18

CHAIR VAN ALFEN: All right, the motion

19

carries.

20

Moving on, that's fine.

21

(Simultaneous speaking.)

22

CHAIR VAN ALFEN:

23

Moving on to the U.S. Constitution --

24

(Simultaneous speaking.)

25

MS. WARREN: Wait, somebody is now

Hallelujah.

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asking a question.

2
3

CHAIR VAN ALFEN: Oh, I'm sorry,
Kellen?

4

Did you have a question?
MEMBER HOARD: So I did, I just had a

5

question.

6

usually it's indicated if there is disagreement

7

on any of these designs because we are so, I mean

8

-- the committee seems split.

9

I know in your transmittal letters

But I'm wondering if that could be

10

actually positively indicated that there were

11

just different opinions, whether or not you were

12

happy with the design chosen.

13
14

I think that might generally be
useful.

15

CHAIR VAN ALFEN: Yeah, I agree and I

16

would, in my recommendation letters I will

17

indicate that, certainly.

18

All right, then moving on to the U.S.

19

Constitution quarter.

20

Chris.

21
22
23

Do we have any motions?

MEMBER CAPOZZOLA: All right, let's see
how this goes.

This is Chris Capozzola.

I'm going to start the conversation

24

and with the motion, with the motion that we

25

recommend obverse 2 and reverse, I can't read the
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numbers, reverse 7, We the People.

2

CHAIR VAN ALFEN: All right, the motion

3

on the table then is to recommend for the 2026

4

Constitution quarter, obverse 2 and reverse 7.

5

Is there a second?

6

Jeanne is the second.

7

assume there is no discussion, so let us vote.

8
9

All those in favor of this obverse 2
and reverse 7, please raise your hand.

10

(Hands raised.)

11

MS. WARREN: Three.

12

CHAIR VAN ALFEN: Three.

13

All right, I

All those

opposed, please raise your hand.

14

(Hands raised.)

15

MS. WARREN: Three, four, five, six.

16

CHAIR VAN ALFEN: All right, the motion

17

does not carry.

18

All right, is there another motion?

19

MEMBER BERNSTEIN: This is Art

20

Bernstein.

21

and reverse 9.

22

I move that we recommend obverse 2

CHAIR VAN ALFEN: All right.

The

23

motion on the table is to recommend obverse 2,

24

and reverse 9.

25

Is there a second?
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2

Sam, thanks.

I assume there is no

discussion, so let us vote.

3

All those in favor of recommending the

4

obverse 2 and reverse 9 for the 2026

5

Constitutional quarter, please raise your hands.

6

(Hands raised.)

7

MS. WARREN: Nine.

8

CHAIR VAN ALFEN: Great, nine.

9

All

opposed, please raise your hand.

10

MS. WARREN: You have an abstention.

11

CHAIR VAN ALFEN: And one abstention.

12

The motion carries.

13

MS. STAFFORD: I beg your indulgence on

14

this.

15

awareness.

16

I just wanted to draw a, bring an

So this combination, two of our

17

stakeholders noted that because this chair is

18

actually inside Independence Hall, that and I'm

19

just, I'm just pointing this out for the

20

Declaration of Independence quarter, there was an

21

option where you have Independence Hall depicted

22

with some language from the Declaration of

23

Independence.

24
25

And I -- I'm just pointing out that if
there was a concern about whether people would
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know this, the idea that Independence Hall along

2

with a story about the chair inside it, that she

3

said that might be a nice story to tell across

4

them, that might actually buoy up one another.

5

So I just wanted to point that out.

6

I don't want in any way to revisit a decision, a

7

direction that you've identified.

8
9

But because we've talked about these
two coins in particular having some kind of

10

relationship, whether it's the obverses and/or

11

the reverses, I just wanted to point out that

12

since you feel so strongly about this one, that

13

centering perhaps the, taking a look at the

14

Declaration through that lens might be an option,

15

so, thank you.

16

Just leave it there.

17

CHAIR VAN ALFEN: All right, thank you

18

very much, April.

19
20

MS. STAFFORD: Lee Anne is no longer
able to, she's no longer.

21

CHAIR VAN ALFEN: All right, shall we

22

move on to the Abolition quarter?

23

motions?

24
25

Are there any

Sorry, Kellen, I didn't see whose hand
was raised first, so Kellen, yes?
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MEMBER HOARD: Well Art can go ahead if

2

he wants to.

3

I think.

4
5

We're going to make the same motion

CHAIR VAN ALFEN: All right, Art, would
you like to make the motion?

6

MEMBER BERNSTEIN: This is Art

7

Bernstein.

I move that we recommend obverse 1

8

and reverse 1 with the -- and that the word

9

Abolitionism be changed to Abolition.

10

MEMBER HOARD: Kellen Hoard seconds.

11

CHAIR VAN ALFEN: All right, any

12

discussion?

13

All right, then let us vote.

All

14

those in favor of recommending for the Abolition

15

quarter, obverse 1 and reverse 1, but with the

16

word Abolitionism changed to Abolition, please

17

raise your hands.

18

(Hands raised.)

19

MS. WARREN: Everybody.

20

CHAIR VAN ALFEN: All right, unanimous.

21

The motion carries.

22
23

MS. STAFFORD: Are you choosing to
leave it off?

24
25

CHAIR VAN ALFEN: We can come back to
that.
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So once we get through the selection,

2

then we can revisit any individual changes that

3

we might want to make on some of these coins.

4

All right, moving on to the Civil

5

Rights 2026 quarter.

6

of where we were.

7

Oh, I'm sorry, lost track

Getting ahead of myself, yes.

So, we

8

will now consider the 2026 Suffrage quarter.

9

are there any motions?

10

So,

John.

MEMBER SAUNDERS: John Saunders.

I

11

move that we drop the two lines on the right of

12

your screen there, with the supposition that

13

Votes for Women on the backside, it change to

14

appropriate other slogan for suffrage.

15

CHAIR VAN ALFEN: Okay.

16

All right, so the motion on the table

17

is to adopt, or to recommend obverse 1B and

18

reverse 4, but with changes to the wording on the

19

reverse so that Votes for Women is not replicated

20

on both sides of the coin.

21

Is that correct?

22

MEMBER SAUNDERS: That's correct.

23

CHAIR VAN ALFEN: Is there a second on

24
25

this motion?
MEMBER BERNSTEIN: Arthur Bernstein,
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second.

2
3

CHAIR VAN ALFEN: All right, so let us
vote unless there is any discussion?

4
5

All those in favor, oh, I'm sorry,
Kellen, did you have a --

6

(Simultaneous speaking.)

7

MEMBER HOARD: Sorry, I didn't, I

8

didn't, so this is Kellen Hoard.

9

John through the speaker.

10

I didn't hear

Was there a suggestion on what is

11

being, like what we're going to substitute in on

12

the reverse?

13
14

MEMBER SAUNDERS: We can talk about
that when we go back to the details afterwards.

15

MEMBER HOARD: Okay, I just wanted --

16

(Simultaneous speaking.)

17

CHAIR VAN ALFEN: Yes, John is

18

recommending that we could revisit that question,

19

if this pair is adopted for recommendation.

20
21

MEMBER HOARD: Sounds good.

I just

wanted to make sure I didn't miss something.

22

Thank you.

23

CHAIR VAN ALFEN: All right, let's vote

24
25

on this motion then.
All those in favor of adopting
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obverse, or recommending obverse 1B and reverse

2

4, but with changes to the wording so that Votes

3

for Women is not replicated on both sides, please

4

raise your hand.

5

(Hands raised.)

6

MEMBER WARREN: Five.

7

CHAIR VAN ALFEN: Five.

8

All those opposed, please raise your

9

hand.

10

(Hands raised.)

11

MEMBER WARREN: You have three, so two

12

people abstaining.

13
14

CHAIR VAN ALFEN: All right, motion
carries.

15

All right, we will now move on to the

16

2026 Civil Rights quarter.

17

motions?

Do we have any

18

MEMBER SCARINCI: Motion to approve.

19

CHAIR VAN ALFEN: All right, Donald,

20

thank you very much.

21

The motion on the table is to

22

recommend obverse and I'm sorry, I can't, 1, and

23

reverse 2.

24

Is there a second?

25

MEMBER BERNSTEIN: Arthur Bernstein
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seconds.

2

CHAIR VAN ALFEN: Thank you very much.

3

All those in favor of --

4

(Simultaneous speaking.)

5

MS. WARREN: This is Jennifer Warren,

6

just real point for this one and then going back

7

to the other one.

8
9
10

If you want the tally of the vote
since it wasn't necessarily on the record, if you
could read them out like 5:5.

11

CHAIR VAN ALFEN: Sure.

12

MS. WARREN: And for just so it would

13

be part of the transcript.

14
15

CHAIR VAN ALFEN: All right, yes, we
can do that.

16

MS. WARREN: Thank you.

17

CHAIR VAN ALFEN: Do I need to do that

18

for the Suffrage?

19
20

MS. WARREN: Well, I would do it for
all of them.

21

CHAIR VAN ALFEN: Right. Okay

22

MS. WARREN: Because none of them were

23

real, I said them but I wasn't on mic, so.

24
25

CHAIR VAN ALFEN: Okay, all right,
thank you.
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All right, so all of those in favor of

2

recommending obverse 1 and reverse 2 for the 2026

3

Civil Rights quarter, please raise your hand.

4

(Hands raised.)

5

MS. WARREN: All of them.

6

CHAIR VAN ALFEN: Right, 10, so it

7

carries unanimously.

8

And finally, the 2026 Half Dollar.

9

Are there any motions?

10

MEMBER SCARINCI: Yes, I'll do it.

11

CHAIR VAN ALFEN: Donald?

12

MEMBER SCARINCI: Obverse 1, I'm sorry,

13

the obverse is 5, obverse 5 and reverse with 05A.

14
15

CHAIR VAN ALFEN: Okay, so the motion
is to recommend obverse 5 and reverse 5A.

16

Is there a second?

17

MEMBER MORAN: Mike Moran, second.

18

CHAIR VAN ALFEN: All right, we have

19

competing seconds.

20

(Simultaneous speaking.)

21

CHAIR VAN ALFEN: Yes.

22
23

Mike Moran

seconds.
All of those in favor of adopting

24

obverse 5 and reverse 5A for the 2026

25

Semiquincentennial half dollar, please raise your
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1

hand.

2

(Hands raised.)

3

MS. WARREN: I count seven.

4

CHAIR VAN ALFEN: Seven.

5

All those opposed, please raise your

6

hand.

7

(Hands raised.)

8

MS. WARREN: Three oppose.

9

CHAIR VAN ALFEN: Right, three opposed.

10

The motion carries.

11

So, we now have selected obverse and

12

reverse designs for recommendation and now I

13

would like to go back to the individual designs

14

for any modifications that we might recommend.

15

MS. WARREN: I'm sorry, this is

16

Jennifer.

And when you do each one, just say

17

what the vote was originally.

18

CHAIR VAN ALFEN: Okay.

19

So, we will start with the dime.

20

vote on the dime was to adopt obverse 3 and

21

reverse 3A.

22

The

Six in favor, and four opposed.
Are there any modifications to this

23

design that we might, to these obverse and

24

reverse designs, that we might want to recommend?

25

MEMBER STEVENS-SOLLMAN: This is Jeanne
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Stevens-Sollman.

I think we need to pay

2

attention to the flight feathers of the eagle.

3

These are secondary feathers, not first flight

4

feathers.

5

CHAIR VAN ALFEN: All right, so would

6

you like to make a motion that we modify or that

7

the eagle feathers be modified?

8
9
10

MEMBER STEVENS-SOLLMAN: Oh, yes.

I

move that we modify the feathers of the eagle,
the flight feathers of the eagle to be straight.

11

CHAIR VAN ALFEN: So, the motion on the

12

table is to modify the flight feathers of the

13

eagle on the reverse, to more accurately depict

14

reality, is that correct?

Okay.

15

Is there a second?

16

MEMBER MORAN: Mike Moran, I'll second.

17

CHAIR VAN ALFEN: All right, all those

18

in favor of this motion, please raise your hand.

19

(Hands raised.)

20

MS. WARREN: Nine.

21

CHAIR VAN ALFEN: Okay, there are nine

22

in favor.

23
24
25

Any opposed?
All right, nine in favor, one

abstention.

The motion carries.
All right, we will now take a look at
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the Declaration of Independence quarter.

2

recommended obverse 2 and reverse 8.

3

favor, three opposed.

4

We have

Seven in

Are there any modifications that we

5

might recommend to this obverse or reverse

6

design?

7

All right -- oh.

8

MEMBER CAPOZZOLA: This is Chris

9

Capozzola, and in, to April's point and also

10

without the subject matter experts available to

11

us at this time.

12

And knowing that we can clearly

13

endorse one set here but communicate in your

14

letter or elsewhere, and I would move that in

15

your letter, you communicate the sense of the

16

CCAC that the Liberty Bell is a sort of general

17

description of, of the founding era.

18

And that we understand that it may

19

not, or probably was not, rung on or around July

20

4th, 1776.

21

CHAIR VAN ALFEN: Okay, so there is a

22

motion on the table to convey in my letter to the

23

Secretary of the Treasury, that the CCAC

24

understands that the Liberty Bell here is a

25

general symbol, is that correct?
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And that we understand that the bell

2

itself was not rung historically at the time of

3

the Declaration of Independence, is that correct?

4

MEMBER CAPOZZOLA: Correct.

5

CHAIR VAN ALFEN: All right.

6

Is there a second to that motion?

7

MEMBER BERNSTEIN: Arthur Bernstein,

8

with second, and I have a comment.

9

CHAIR VAN ALFEN: Okay.

10

MEMBER BERNSTEIN: I was happy to

11

second the motion but I -- April I'm not sure I

12

was fully understanding the point you were

13

making.

14
15
16

The Liberty Bell was in Independence
Hall when the Declaration was adopted.
MS. STAFFORD: It was not.

When we

17

spoke to someone with the National Parks Service

18

in actually Independence Hall, they informed us

19

that it was hidden for quite some time because of

20

the American Revolution.

21

And because of some construction,

22

they, it's been widely said oh yeah, it rang.

23

didn't ring on July 4th, maybe like July 8th.

24
25

It

But even that our subject matter
expert said, is unlikely to have happened.
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that's really kind of lore.

2

And so again, I just wanted to make

3

sure we communicated the, the historical accuracy

4

of it.

5

But I do think it's very helpful to

6

have this kind of acknowledgment, you know,

7

representing I think as Kellen said, the spirit

8

of the nation.

9

That kind of idea.

We can focus on that as opposed to

10

kind of the literalness of it.

11

helpful.

12
13

If that's

MEMBER BERNSTEIN: I'm glad I seconded
the motion.

14

CHAIR VAN ALFEN: All right, very good.

15

All right, so let us vote on this

16
17
18

motion if there's no further discussion.
Mike, do you have?

Okay, all those in

favor of this motion, please raise your hand.

19

(Hands raised.)

20

MS. WARREN: Okay, everybody.

21

CHAIR VAN ALFEN: All right, the motion

22
23
24
25

carries unanimously.
Any other further modifications to
this and if not, then -MS. WARREN: Kellen does.
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2

CHAIR VAN ALFEN: Oh, Kellen, your hand
is raised?

3
4

MEMBER HOARD: Yes, this is Kellen
Hoard.

5

Just a quick question.
Of the designs we've approved, this is

6

the only one with a double date where there's no

7

little squiggle between it that isn't separated

8

by a different design element.

9

So some of our obverses have a bust in

10

the middle, or something else.

11

they always have the squiggle in the middle and

12

this is the only one that doesn't.

13

But otherwise,

And so I'm wondering if for

14

consistency's sake, we wanted to put that in

15

there?

16

MS. STAFFORD:

It's because of the

17

dates in here on the Ruby Bridges design.

18

depends on how it's presented.

19
20

So it

If it is kind of side-by-side, we've
employed the squiggle.

21

CHAIR VAN ALFEN: All right, Kellen,

22

were you able to hear what April was saying

23

about?

24

MEMBER HOARD: I was.

25

CHAIR VAN ALFEN: Okay.
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MEMBER HOARD: And I have no, really I

2

just wanted to raise it to the committee as the

3

odd one out.

4

CHAIR VAN ALFEN: Okay, so you are not

5

making a motion at this time, you are just

6

commenting then?

7

MEMBER HOARD: That's right, that's

8

right.

9

up.

I didn't know if you wanted to take it

10
11

CHAIR VAN ALFEN: Oh, okay.

All right,

any other discussion on this quarter?

12

If not, let's move on to the

13

Constitution quarter.

And, we have recommended

14

the obverse 2 and reverse 7.

15

MS. WARREN: Reverse 9.

16

CHAIR VAN ALFEN: Oh, I'm sorry, I was

17

looking at the earlier motion which failed.

18

correct motion that carried was obverse 2 and

19

reverse 9, votes nine in favor and one opposed,

20

abstain.

21

Are there any modifications to this

22

obverse or reverse design that we would

23

recommend?

24
25

The

MEMBER SCARINCI: Just a question
first.
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CHAIR VAN ALFEN: All right.

2

MEMBER SCARINCI: A question first.

3

people think, I mean what's the feeling and, you

4

know, and, Joe, especially from you.

5

U.S. Constitution.

Should that be

6

bolder or in some way stand out more than, or

7

even if you do U.S. Constitution as, you know,

8

and not United States of America, but U.S.

9

Constitution.

10

Do

Because that's the thing that brings

11

home the coin.

12

look right?

13

How would that, would that not

MR. MENNA: Hi, this is Joseph Menna.

14

You can either swap out U.S. Constitution and

15

Liberty, or you can't really make, but that

16

centerline still needs to be that height.

17

The only way if you wanted to keep

18

U.S. Constitution as the interior, along the

19

interior circumference under Liberty, I would say

20

that simply by expanding the kerning.

21

stretching out U.S. Constitution across a much

22

broader arc.

23

Basically

So like, it maybe comes, you know,

24

closer to the twenty-five, and closer to the L.

25

But that would be it.

Swapping out would be the

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first way to make U.S. Constitution bigger.

2

CHAIR VAN ALFEN: Okay, thank you, Joe.

3

John, your hand is raised?

4

MEMBER SAUNDERS: Yes.

I'd make a

5

motion that we -- John Saunders.

I'd make a

6

motion that we swap out Liberty and U.S.

7

Constitution to give the U.S. Constitution a

8

bolder presentation, as Joe suggested.

9

CHAIR VAN ALFEN: All right, so the

10

motion on the table is to elevate the wording,

11

U.S. Constitution to the position currently

12

occupied by Liberty, and put Liberty in the

13

position where U.S. Constitution currently reads.

14

Is that correct?

15

MEMBER SAUNDERS: Yes.

16

CHAIR VAN ALFEN: Okay.

17
18
19

Is there a

second to this motion?
Don.

All those in favor of this

motion, please raise your hand.

20

(Hands raised.)

21

MS. WARREN: Six -- oh, wait, hold, put

22

your hands back up.

Seven.

23

MEMBER HOARD: This is Kellen.

24

CHAIR VAN ALFEN: Any opposed?

25

MS. WARREN: Kellen didn't have his
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hand up, did he?

2

MR. TATE: Did you have your hand, Don?

3

MEMBER HOARD: Yes.

4

MS. WARREN: Oh okay, I didn't see it,

5

so eight.

6
7

CHAIR VAN ALFEN: All right, eight.
Any opposed?

8
9

No opposed.

All right, any other modifications
that we would recommend to this reverse design?

12
13

Okay, then moving on to the Abolition
quarter as we are now calling it.

14

We have recommended obverse 1 and

15

reverse 1 unanimously.

16

recommendation for the reverse, suggested

17

replacing Abolitionism with Abolition.

18
19

We, as part of our

Are there any further modifications
that we would like to make to this design?

20
21

And one

abstained.

10
11

Motion carries.

MEMBER MORAN: I'd like to make an
observation.

22

CHAIR VAN ALFEN: All right.

23

MEMBER MORAN: This is Mike Moran.

24

know we considered putting names underneath

25

Frederick Douglass, but I thought the subject
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matter expert yesterday put it nicely.

2

This is an easily recognizable image,

3

and it should be treated just like the other

4

founding fathers where we don't put Benjamin

5

Franklin under his image, or George Washington,

6

we just leave it alone.

7
8

CHAIR VAN ALFEN: All right, thank you,
Mike.

Any other comments?

9

Annelisa?

MEMBER PURDIE: This is Annelisa Purdy.

10

I second that motion and believe everyone should

11

know who Frederick Douglass is by now.

12
13

CHAIR VAN ALFEN: Was that in fact a
motion, Mike, or was that --

14

(Simultaneous speaking.)

15

MEMBER MORAN: It was, okay --

16

CHAIR VAN ALFEN: It was at the end of

17

the motion.

18

MEMBER PURDIE: I agree.

But I agree

19

with the sentiment, especially considering the

20

commentary and discussion from yesterday.

21

Thank you.

22

CHAIR VAN ALFEN: Nice, very good.

23

think we are satisfied with this then?

24

move on?

25

Shall we

The Suffrage quarter for 2026.
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have recommended obverse 1B and reverse 4.

2

five in favor, three opposed, two abstains.

And

3

And as part of this recommendation,

4

that we would modify the wording on the reverse

5

in the center, removing Votes for Women, but we

6

have not yet had a recommendation for what would

7

replace Votes for Women.

8
9
10

So at this time, why don't we have a
discussion about that modification to this
design?

11

Art?

12

MEMBER BERNSTEIN: This is Art

13

Bernstein.

Just to facilitate the conversation,

14

as a reminder the two suggestions I came up with

15

yesterday were the phrases Suffrage First or

16

Equal Suffrage.

17

Those were two phrases from the time.

18

CHAIR VAN ALFEN: Would you like to

19

make a motion?

20

MEMBER BERNSTEIN: No.

21

(Laughter.)

22

CHAIR VAN ALFEN: John, your hand is

23
24
25

raised.
MEMBER SAUNDERS: John Saunders.

If

we're going to put two words in there, I would
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just say Women's Suffrage.

2

CHAIR VAN ALFEN: Is that a motion?

3

MEMBER SAUNDERS: I'll make it a

4

motion, yes.

5

CHAIR VAN ALFEN: Okay, so the motion

6

on the table is to replace Votes for Women in the

7

center of the reverse 4, with Women's Suffrage.

8

Is that correct?

9

MEMBER SAUNDERS: Women's Suffrage,

10

yes.

11
12

CHAIR VAN ALFEN: Oh, I'm sorry,
there's a -

13
14

MR. MENNA: This is just a technical
comment.

This is Joseph Menna.

15

Suffrage won't fit in that circle.

16

CHAIR VAN ALFEN: It will not fit?

17

Okay, so the Chief Engraver has informed us that

18

Women's Suffrage would not fit within that

19

circle.

20

So we need to find words that will, in

21

fact, then fit within that circle.

So the motion

22

then, is withdrawn.

23

Kellen?

24

(Simultaneous speaking.)

25

MEMBER HOARD: Yes, I was going to

Yes, and --

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raise the same question about Suffrage fitting in

2

there.

3

Is it feasible or possible to just, or

4

does it dampen the impact too much to just say

5

Votes?

6

CHAIR VAN ALFEN: It's a possibility.

7

I also want to point out as Mike Moran has

8

reminded me, that the word Suffrage already

9

appears on the reverse.

So, it would be a

10

duplication if we were to use that word in the

11

center.

12

Chris, your hand is raised?

13

MEMBER CAPOZZOLA: To that point, is it

14

necessary that Suffrage and Liberty remain where

15

they are on the bottom?

16

If one of those words could fit in the

17

center and the subject matter experts could

18

confirm that it did circulate in that way, now

19

whether it's Liberty or Suffrage, then could the

20

other wording down at the bottom be rearranged?

21

CHAIR VAN ALFEN: It's entirely

22

possible, I'm sure.

Liberty is one of the

23

required inscriptions on this quarter, however.

24

So, how we would rearrange Suffrage,

25

twenty-five cent, and Liberty, is something that
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we would have to discuss so that it would be

2

balanced for the dollar, yes.

3

All right, Sam, your hand is raised?

4

MEMBER GELBERD: Thank you, Peter. Sam

5

Gelberd.

6

Just pointing out that we don't have

7

to have 2-5 and the cents symbol.

8

Suffrage in the center of the rosette, we could

9

just say quarter dollar, as well.

10
11

If we move

So I'm just pointing that out as an
option.

12

Not making a motion just -CHAIR VAN ALFEN: All right, that is an

13

option.

14

addition to twenty-five cents.

15

We can use the words quarter dollar in

MR. WEINMAN:

Just once again, as a

16

comment in the conversation that once again, you

17

don't need to design by committee, necessarily.

18

You could just as an option, you could

19

ask the Mint to consult with subject matter

20

experts on what would fit in the space.

21

something, I'm not in a position to make your

22

motion, but that's something that is an option

23

for you.

24
25

Just

CHAIR VAN ALFEN: Don, your hand is
raised?
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MEMBER SCARINCI: Motion to send it

2

back and let the Mint, I'm Donald Scarinci.

3

move to send it back and let the Mint decide how

4

to deal with the position.

5

I

CHAIR VAN ALFEN: Yes, so the motion on

6

the table is to let the Mint in consultation with

7

subject matter experts, is that correct, decide

8

what the wording on the reverse of this coin

9

should be.

10
11

Is there -- all right, all those in
favor of this motion, please raise your hand.

12

(Hands raised.)

13

MEMBER KELLEN: Aye.

14

CHAIR VAN ALFEN: All right, any

15

opposed?

16

Actually, can we raise our hands?

17

MS. WARREN: I think it was six because

18

Kellen just said aye, right?

Seven.

19

CHAIR VAN ALFEN: Seven.

20

All right, three abstain, motion

21
22
23

Any opposed?

carries.
Any other modifications to this
obverse or reverse design?

24

Oh, Kellen, your hand is raised?

25

MEMBER HOARD: Thank you, this is
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Kellen Hoard.

2

And not to keep harping on this, but

3

this, these dates are also stacked and they have

4

a squiggle, which is in contrast to what we

5

decided for the other quarter.

6

And the cent and the nickel that we

7

approved months ago, their dates are also stacked

8

and have a squiggle.

9

So I think for me, I would like to

10

make a motion that the Mint sort out some kind of

11

consistent scheme with the squiggles.

12

Maybe Joe has something to say maybe?

13

CHAIR VAN ALFEN: Right.

14

MR. MENNA: This is Joseph Menna.

15

The coin -- the design on the left

16

doesn't have a delimiter because of the stacking

17

and the space between the stacking, whereas the

18

one that you just referred to, does have a

19

delimiter because the stacking is much more

20

compressed and less obvious.

21
22
23

Therefore, the, you know, hyphen,
tilde, hyphen, whatever, that's why it's there.
MEMBER KELLEN: A quick question on

24

that front then, Joe.

Is there a reason we did

25

the delimiter for the cent and the nickel?
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2

MR. MENNA: I don't have those
visually.

3

MEMBER KELLEN: Oh.

4

MR. MENNA: This is Joseph Menna.

If

5

they're there, they're there for a design reason.

6

We vetted this portfolio and if they want to go

7

through them one by one I could answer it, but I

8

would say everything is deliberate.

9

Thank you.

10
11

MEMBER KELLEN: That's helpful
clarification

12

Thank you.

13

CHAIR VAN ALFEN: All right, Kellen,

14

what's the motion, or, or not, or you're just

15

making comments?

16
17
18
19
20

MEMBER KELLEN: No, Joe's clarification
was helpful.

I'm good.
CHAIR VAN ALFEN: Okay.

All right,

thank you very much.
Let us move on then if there's no

21

further modifications we'd like to make to the

22

2026 Suffrage quarter, to consider again the 2026

23

Civil Rights quarter.

24
25

Are there any modifications that the
committee would recommend to obverse 1 and
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reverse 2, which are unanimously recommended?

2

All right, we seem, oh.

3

MEMBER MORAN: I believe that Ruby

4

Bridges made a comment, several comments, strong

5

comments, that the marches were multi-ethnic and

6

that she wanted the figures modified to reflect

7

that fact.

That it was not just the African

8

Americans.

And broader-based support within the

9

United States.

10

So, I would move that the Mint make

11

adjustments to the features of the five on the

12

reverse selectively.

13
14

CHAIR VAN ALFEN: All right, thank you
very much.

15

So again, the motion is to make

16

adjustments to the features of the five

17

individuals, or six because there is a child,

18

depicted on the reverse to represent greater

19

diversity.

20

Is that correct?

21

MEMBER MORAN: Selectively.

22

CHAIR VAN ALFEN: Or selectively, yes.

23

Is there a second to this motion?

24

John?

25

MEMBER SAUNDERS: I think we should
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point out something that --

2

(Simultaneous speaking.)

3

CHAIR VAN ALFEN: You're not seconding

4

then?

5

MEMBER SAUNDERS: John Saunders.

6

I'd like to make a point out here that

7

has a reference to this.

8

has a big bushy beard.

9

The one guy on the end

And with exceptions to people here, in

10

1960 the only people that wore bushy beards were

11

lumberjacks and beatniks with maybe a couple

12

college professors, too.

13

But you know, the beards came in in

14

you know, '65, '66. You know, I had one for a

15

good many years.

16
17

CHAIR VAN ALFEN: And still a little
bit of it there.

18

MEMBER SAUNDERS: Yes.

19

CHAIR VAN ALFEN: All right, we still

20

do not have a second at this time. Would anyone

21

would like to second this motion?

22

MEMBER GELBERD: Okay, I'll second.

23

CHAIR VAN ALFEN: All right, any

24
25

discussion?
Art?
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MEMBER BERNSTEIN: Well, I wanted to

2

respond to what John said.

3

of the historical pictures from that era, I

4

believe the gentleman on the right is meant to be

5

Rabbi Abraham Heschel, who was one of the

6

marchers that was in the front row.

7
8

And, the beard would be appropriate on
the rabbi.

9
10

Having looked at some

CHAIR VAN ALFEN: So, that actually
does depict a historical figure then, it seems.

11

Is that correct?

No, all right.

12

MS. STAFFORD: Our artists were

13

inspired at the time and we did share with the

14

artists the strong advisement of our subject

15

matter experts, to diversify the grouping.

16

And honestly, our team was, like, just

17

beginning to execute those things when we had to

18

kind of wrap up the portfolio and move it

19

forward.

20

So, this one has always been pegged as

21

one that to Mike's point, we would need to go

22

back and just make sure it's as broadly

23

representative as we are able to make it.

24

CHAIR VAN ALFEN: All right.

25

MS. STAFFORD: So, inspired by real
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life, yes.

But that we can go further to make

2

sure we're broadly representative, as is also

3

reflective of the history as our stakeholders

4

pointed out yesterday.

5

MEMBER PURDIE: Not yesterday.

6

CHAIR VAN ALFEN: Thank you, April.

7

So, we have a motion on the table to

8

modify the six figures depicted on the reverse as

9

necessary, to reflect greater diversity.

10
11

All those in favor of this motion,
please raise your hand.

12

(Hands raised.)

13

MS. WARREN: I count nine, or wait, who

14

put their hand down?

So, Annelisa, you're not.

15

Okay.

16

CHAIR VAN ALFEN: Nine?

17

nine.

Nine.
All right,

Any opposed?

18

One abstain.

19

Any further modifications to this

20

obverse or reverse design?

Motion carries.

Annelisa?

21

MEMBER PURDIE: Hi, this is Annelisa

22

Purdie, and this is just a general comment with

23

respect to just explaining my abstention vote.

24
25

The necessity of showing the diversity
of people who did contribute to the Civil Rights
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2

movement.
One of the reasons why I like the

3

display of the reverse of this particular quarter

4

is because it's important too, to emphasize what

5

this particular movement was about.

6

And while there were many different

7

people who eventually did come to recognize that

8

this was something that was important, I think

9

it's imperative to put Black Americans, African

10
11

Americans, at the forefront of the design.
Because from the beginning, especially

12

with the fight for school desegregation, those

13

were the people who were on the frontlines.

14

Especially the image of the child on the reverse,

15

which was something that stood out to me.

16

So, I will of course defer to the

17

recommendations of wonderful folks on the

18

committee and everything, and understood very

19

well, but historically as well as aesthetically,

20

I think it is very imperative that we do keep

21

African Americans, everyday African Americans, at

22

the forefront of the design.

23

Thank you.

24

CHAIR VAN ALFEN: Thank you very much.

25

Mike has a comment.
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2

MEMBER MORAN: I stuck the word
selectively into that motion deliberately, so.

3

CHAIR VAN ALFEN: All right, thank you.

4

Any other suggested modifications for

5

this obverse or reverse design?

6

All right, then let us consider again

7

the Half Dollar.

8

reverse 5A by a vote of seven in favor, and three

9

opposed.

10

We recommended obverse 5 and

Are there any modifications that we

11

would like to make to either the obverse, or the

12

reverse design on the screen?

13

All right, wow.

14

(Laughter.)

15

CHAIR VAN ALFEN: Not yet.

Not yet.

16

I just want to make a few comments, and I would

17

ask Roger if it's possible to put up on the

18

screen, all seven of the pairings that we have

19

decided to recommend.

20

And while Roger is putting that

21

together, I want to congratulate the Mint and the

22

Office of Design Management.

23

I know that this is a project that you

24

all have been working on so hard for so long, at

25

this point.
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This is a tremendous achievement.

2

really is.

3

every moment that you have spent on this, in

4

putting these portfolios together.

5

It

And you are to be congratulated on

These really are amazing portfolios.

6

They convey I think, everything thematically, and

7

in terms of the three acts that were brought

8

together.

9

And our hard work of course, has been

10

trying to select from these portfolios, designs

11

that we as a committee feel that we can recommend

12

to the Secretary of the Treasury.

13

itself, has not been an easy task, as well.

14

Which in

So on both sides of this room, the

15

side of the Mint and the side of the committee, I

16

think that everybody in this room is to be

17

congratulated.

18
19

So, I would like a round of applause
for all of us.

20

(Applause.)

21

CHAIR VAN ALFEN: And I would also like

22

us to take a moment and look at the

23

recommendations that we have on the screen.

24
25

I will of course, be writing these
letters as soon as I am able, and we will see
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then what the Secretary of the Treasury decides.

2

But in the meantime, I think that we

3

can bask in what we have achieved over the last

4

two days for the committee, of course, and over

5

the last two and a half years with the Mint

6

staff.

7
8

And while we are doing that, I will
also then call for a motion to adjourn.

9

MEMBER STEVENS-SOLLMAN: I move.

10

CHAIR VAN ALFEN: All right.

11

MEMBER BERNSTEIN: Arthur Bernstein,

12

seconds.

13

CHAIR VAN ALFEN: All right.

14

So we are standing adjourned at 2:23

15
16
17

p.m.
(Whereupon, the above-entitled matter
went off the record at 2:23 p.m.)

18
19
20
21
22
23
24
25
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C E R T I F I C A T E

This is to certify that the foregoing transcript

In the matter of: Citizens Coinage Advisory
Committee

Date: 10-16-24

Place: Washington, DC

was duly recorded and accurately transcribed under
my direction; further, that said transcript is a
true and accurate record of the proceedings.

----------------------Court Reporter

NEAL R. GROSS
COURT REPORTERS AND TRANSCRIBERS
1716 14TH ST. NW, STE. 200
(202) 234-4433

WASHINGTON, D.C. 20005-3701

www.nealrgross.com

Meeting

[0,1,2,3 - 1a]
0
0,1,2,3 127:9
127:10
0002 2:7
01 21:22 22:23
27:23 40:2
46:13 51:8,15
53:7 154:23
01a 21:4,11
27:23,23 40:3
46:13,16 150:6
159:4
01b 46:14
154:23 159:6
02 40:5 52:20
171:3
02a 40:5
03 40:6 53:3
153:11
03a 22:4 40:6
139:21
03b 40:7 53:3
04 40:7 51:15
53:3,4,7
05 40:8 53:4
153:6,7
05a 40:8 53:4
153:6,7,10
181:13
06 48:19,21
53:5,8 153:7,8
06a 27:25 40:9
07 53:6 114:16
08 171:3

October 16, 2024

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1
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1,000 52:3
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3:5 37:3 71:8
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10-16-24 208:6
100,000 157:19
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12:25 13:20,24
40:7,12,13
56:2
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15 1:21 2:19
40:16
150th 139:24
16 1:8,23 2:20
4:5 40:6
17 1:25 2:20
1776 10:21
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1794 41:10
1796 9:24
18 2:1,21 15:18
1809 86:13
1830s 92:6
1837 86:13
1865 76:14
1892 86:14
18mm 123:9
18th 29:15
19 2:2,21
1916 41:15
86:15 96:18
1920 76:10,15
1946 9:22
1948 41:16
1955 147:4
1960 201:10
1964 41:5
63:10 76:17
160:13
1970s 138:6
1976 41:21
69:18
1986 156:15
157:17
19th 29:15
125:19
1:30 160:19,22
1a 11:4,8 12:20
13:2 16:4 17:7
18:5,17,21
19:4 20:7,24
20:24 23:13
25:9,10,18,21
28:2,2,7,9,12
40:12 43:5,14
48:4 49:16

Meeting

[1a - 4th]
51:12 53:14,19
54:12 55:23
56:6 58:3 65:6
66:23 71:22
78:19,20
163:16,19
164:14 166:13
166:14,16,17
166:20,23
168:22 169:13
1b 43:5,14
53:14,20 54:12
55:15,23,25
65:7 67:1,4,9
68:9 71:23
156:17 157:2
177:17 179:1
193:1
2
2 1:2 2:8 11:11
13:3,8 19:23
20:3 21:7
23:18 27:23
28:8 30:9,16
30:20 32:6,12
32:21 40:13
43:17 44:17
48:11 50:10
57:10 58:25
60:9,20 65:20
65:22 71:24
72:5 140:19
172:25 173:4,8
173:20,23
174:4 179:23
181:2 184:2
188:14,18

October 16, 2024

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2026-2028 3:9
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2027 38:4
2031 38:10
20th 29:14
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21st 101:19
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250 10:7 11:7
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19:6 21:2,2
25:12 31:7,9
32:14 35:9
42:3 57:9 76:5
76:19,23 83:12
90:25
250th 73:16
2a 11:11 13:3
13:11 19:24
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32:16 40:13,14
3
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43:20 44:23
45:2 48:11
55:10 57:7
71:25 72:6
78:18 98:15
103:6 163:12
166:12 168:11
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169:6,7,11,18
169:24 170:2,8
170:19 182:20
30 40:2 71:22
72:2,11 127:25
128:10
36 60:1
3:15 4:8

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3a 11:18 12:1
13:12,15 17:21
19:21,22 24:23
27:7 31:18,19
40:16 44:23
45:2 50:5
55:10 72:6
163:19 164:15
169:24 170:3,8
170:19 182:21
3b 11:18 12:2
27:7 33:6
44:23 49:22
50:5,22 55:11
72:7
3s 31:19,21
4
4 1:4 2:10 3:2
12:4 13:17,22
18:25 24:19
40:7,17,17
43:23 45:4
48:11 54:22
58:19 72:1,8
177:18 179:2
193:1 194:7
40 26:24
127:25 128:10
4a 12:4,8 13:17
13:23 18:25
19:1 23:23
24:9,21 40:18
4s 27:14
4th 184:20
185:23

Meeting

[5 - acknowledgment]
5
5 1:5 2:11
12:13 40:6,8
44:2 45:10
46:21 48:11
50:21 54:7
56:8 57:7,13
57:19 59:11
62:17,20 63:3
64:11,17,18
67:13 68:17,20
70:16 72:2,2,9
106:9,12
181:13,13,15
181:24 205:7
50 41:3 43:16
52:3 55:25
56:2 67:7
160:9,12,14
500 52:3
5:5 180:10
5a 12:13 45:10
49:22 50:22
63:4 64:18,18
68:20 72:9
106:13 181:15
181:24 205:8
6
6 1:6 2:12
12:17 21:7
27:2 45:13
47:6 55:2,3,16
57:13,14 58:18
66:5 68:4,9
72:10,11 106:3
600 160:5

60s
65
66
6a

October 16, 2024

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7,500 111:24
70 27:16,17
70s 62:1,2
72 3:9
75 160:1
8
8 1:9 2:14 40:9
184:2
80 10:2 130:5
160:1
801 1:13
8:30 1:14 4:2,5
8th 135:12
185:23
9
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40:14 140:15
140:17,18
173:21,24
174:4 188:15
188:19
9:11 37:6
9:21 37:7
9:25 37:4
9th 1:13

a
a.m. 1:14 4:2
37:6,7 71:11
71:12 126:20
126:21
able 34:11 55:6
55:8 79:8 80:8
83:11 119:24
122:19 143:13
175:20 187:22
202:23 206:25
abolition 76:12
80:4 92:17
104:25 110:11
113:19,21
116:10 122:23
126:1 142:4
145:17,25
175:22 176:9
176:14,16
191:12,17
abolitionism
76:12 79:14
113:21 145:25
176:9,16
191:17
above 37:5
71:10 122:18
126:19 143:23
143:24 160:20
207:16
abraham 202:5
absence 10:2
absent 125:4
absolute 14:16
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abstain 188:20
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abstained
191:9
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179:12
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abstention
174:10,11
183:24 203:23
abstract
101:10 150:21
accept 18:7
accepted 149:2
access 103:18
accessibility
104:15
accessible
131:22
accessory
149:24
accident 106:7
accuracy 186:3
accurate 123:4
139:17,19,22
141:24 150:15
151:12 208:10
accurately
183:13 208:8
achieved 207:3
achievement
206:1
acknowledge
65:23
acknowledg...
186:6

Meeting

[act - alfen]
act 75:25 76:5
76:17,20
action 42:23
208:12,17
active 22:12
acts 41:25
66:12,14 75:25
206:7
actual 125:6
150:22
actuality
135:15
actually 15:11
16:18 18:16
20:25 38:19
54:9 57:5
69:18 78:15
82:12,19,24
83:11 90:19
91:18 95:3
103:7,9,11
104:3 105:25
106:16 113:23
121:3 123:4
124:1 127:3,5
128:4 131:11
131:25 134:5
134:16 135:14
135:14,16,20
135:20 136:23
139:20 142:9
143:18 145:12
147:17 151:10
155:4 162:1,2
164:17 172:10
174:18 175:4
185:18 197:16
202:9

October 16, 2024

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adhere 74:2
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9:3
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adolph 41:14
adopt 99:8,12
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171:2 177:17
182:20

adopted 148:23
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adopting 30:19
66:21 178:25
181:23
adorned 10:1
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11:13
adult 48:8
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advocate 62:17
70:15 78:24
113:15
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140:3 150:24
aesthetic 15:20
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affairs 2:13,15
2:16 8:10,16
8:17
afford 52:2
affordable
160:4
afloat 147:13
afraid 165:11
african 21:15
200:7 204:9,21

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202-857-3376

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afterward
162:9
age 50:17
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agenda 6:13
ages 60:4 80:15
ago 51:21
68:19 91:6
127:4 144:15
154:24 198:7
agree 18:2
25:10,17 48:3
84:23 108:1
116:14 117:22
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120:22 154:8
154:11 159:20
172:15 192:18
192:18
ahead 90:25
176:1 177:7
alan 101:11
alfen 1:14,17
4:3,19,22 5:4
5:10,19,21,25
6:3,8,9 7:4,12
7:15,18,21,24
8:2,5,8,12,15
14:2 16:25
17:24 19:8
20:12 22:24
25:5 26:20
28:10 30:25
32:10,23 33:8
33:20 34:5
35:22 36:23
37:8,16,19

Meeting

[alfen - animatronic]
40:20 45:23
47:24 48:24
50:24 53:9
55:18 57:22
61:11 64:24
66:7,9 69:11
69:24 70:3,23
71:3,13 72:14
79:4 81:5 82:8
83:6 84:4
85:19,22 87:12
88:22 92:13
93:17 94:18
95:6,25 96:4
99:6 102:10,12
102:19 104:16
105:8,18
106:21 107:17
108:5,9 111:9
113:8 114:9
116:3 117:19
119:10 121:2
124:6 126:22
127:24 128:8,9
130:10,23
132:4,9,11,15
133:20 134:1
135:1 136:17
137:15 139:8
140:5,11,21
141:6 142:3,7
142:17,20
143:17 145:15
145:21 146:12
148:4,14
149:12 150:3
151:19 152:4,8
153:3,14 154:7

October 16, 2024

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181:21 182:4,9
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189:1 190:2,9
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191:6,22 192:7
192:12,16,22

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195:6,21
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200:22 201:3
201:16,19,23
202:9,24 203:6
203:16 204:24
205:3,15
206:21 207:10
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align 59:7
aligned 98:13
aligning 94:8
alignment
107:6
allegorical 65:4
allegory 80:15
allow 38:23
39:18
allowing 39:9
allows 16:16
allusion 29:9
ally 101:25
alright 151:19
alternative
25:15
amazing 83:5
95:12 113:7
206:5
amendable
146:18
amendment
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america 11:1
35:8 42:14
61:19 62:8,9
75:12 130:17
141:12 189:8
america's
10:11,24 12:10
74:22 75:6,15
75:17
american 1:23
5:1 10:7,14
11:5,25 12:15
13:3,14 21:16
31:13 32:5
35:11 43:6
45:3 55:5
56:16 58:9
61:6 74:25
75:1,8,19,21
76:2 100:25
110:2 114:22
120:6 137:4,11
138:1,4 139:3
185:20
americana
134:11
americans 59:4
75:4,10,16,21
80:21 200:8
204:9,10,21,21
amplify 10:17
42:15
ancient 147:8
animation
84:19
animatronic
123:21

Meeting

[ann - associated]
ann 2:17 9:3
34:7 35:23
68:10
anne 175:19
annelisa 2:5
6:5 22:25 23:3
28:5 48:25
49:3 84:5
91:12 117:20
146:13,15
148:4,12 155:1
155:3 192:8,9
203:14,20,21
annelisa's
98:21
anniversary
15:9 73:16
announce 4:12
announcement
5:19
answer 107:14
142:21 199:7
anticipated
42:10
anticipation
37:12
anybody 129:2
130:18
anyone's 94:4
94:6
anyway 26:7
26:19 27:1,20
35:20 51:25
69:9 104:13
127:22 144:21
apathetic 60:10
aphorism
44:25

October 16, 2024

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appealing 24:4
31:23 68:7
appears 41:8
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applause 81:13
206:18,20
appreciate
34:11,19 46:20
105:13
appreciated
19:15
approached
55:21
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17:10,20 58:21
63:7 109:18
146:11 152:3
177:14 202:7
approve 166:4
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approved
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approximately
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april 2:8 7:9
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40:24,25 65:20
133:24 135:1
175:18 185:11
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april's 144:18
184:9

aqueduct
119:17,21
arc 12:15 82:19
82:25 114:17
114:19 139:25
150:23 189:22
arced 45:1
arched 144:9
arches 119:17
architectural
66:3,5
archives 9:1,2
34:24
arcs 45:8
areas 133:18
143:10 144:6
argument 22:3
56:15
arm 42:21
arrows 13:13
art 16:18 19:9
19:12 20:12
32:25 33:2
61:15 64:24
66:7 69:16
81:5 102:10
104:16,17,18
113:9,10
119:15 146:5,6
146:16 151:21
169:3,21 171:5
173:19 176:1,4
176:6 193:11
193:12 201:25
art's 28:11
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arthur 1:20
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articulately
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artist 36:19
54:18 95:16
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artistic 14:20
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96:5,8 101:13
109:13 126:9
144:16
artistically
46:20 96:19
121:24 122:18
artists 26:8,13
42:6 65:21
83:10 84:10
135:24 202:12
202:14
arts 1:25 5:8
93:22
aside 21:6
69:14
asked 14:19
70:7
asking 172:1
aspects 22:8
aspirations
10:11 44:13
assassination
41:6
assemble 83:12
assign 16:16
assigned 102:9
associated 91:4
137:7,7

Meeting

[association - bernstein]
association
134:10
assume 173:7
174:1
attendance 7:7
attention 33:25
65:19 116:18
133:21 183:2
attraction
67:17
attractive
19:18 28:13
68:4
authority 38:2
38:22 101:5
available
141:13 160:9
184:10
avoid 151:14
156:18
aware 6:23
awareness
75:17 174:15
awful 52:8
aye 197:13,18
b
b 157:10
back 4:4 14:18
17:19 23:14
29:4 37:9 38:5
38:6,16 39:22
49:13 59:11
60:8 63:25
64:10 71:9,13
80:16 109:6,13
109:25 111:1
113:9 116:7,12

117:6,12
118:22 121:8
126:17,23,23
130:6 136:19
138:21 139:3
139:20 140:25
141:8,16 142:1
148:2 160:12
160:18,25
167:12 176:24
178:14 180:6
182:13 190:22
197:2,3 202:22
backdrop 45:3
backgrounds
60:4 75:11
backside
177:13
bad 79:19
120:12
badge 114:7
baijal 2:11
7:24 8:1
balance 113:24
balanced 196:2
bands 25:25
26:1
banner 13:5,9
13:11
barber 130:1
barbers 86:15
barely 97:23
barrier 45:9
bas 152:16
based 42:5
46:24 69:3
76:25 82:5
158:9 200:8

October 16, 2024

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battle 11:13
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beards 201:10
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bearing 11:7
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bears 11:23
95:7
beating 13:4
beatniks
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beautifully
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beg 174:13
beginning 38:4
155:16 170:23
202:17 204:11
begins 72:15
behalf 34:21
144:18,18
beings 65:5

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beliefs 75:11
believe 6:11
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bell 41:19
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116:15 120:21
121:15,16
132:20 133:4
134:3,11 135:4
135:5 136:23
137:5,6,10,22
139:15 171:4
184:16,24
185:1,14
ben 138:13
bend 81:24
benefit 21:11
benjamin
41:16 62:10
112:11 136:16
192:4
bernstein 1:20
4:17,18,21
19:9,11,12
33:1,2 64:24
65:1,2 81:6,7
81:14 82:6
104:18,19,22
113:10,11
146:6,7 151:21
151:22 169:3,3

Meeting

[bernstein - burning]
169:22 171:5,5
173:19,20
176:6,7 177:25
177:25 179:25
179:25 185:7,7
185:10 186:12
193:12,13,20
202:1 207:11
207:11
best 18:4 19:7
33:19 36:14
55:4 60:7
121:16 158:7
164:16
bet 22:23
better 21:4
25:19 27:25
28:2,7 48:15
49:20 50:6
53:4 54:1 57:5
57:6 58:7,10
70:20 78:13,18
88:6 106:10,12
113:24 116:15
118:18 120:21
132:20,25,25
138:8 141:5
148:17 153:23
155:14 156:2,3
159:15
biased 111:24
bicentennial
41:21 69:17
139:23 141:1
big 18:22 21:24
23:4 26:12
49:18 51:12
55:13 62:13

October 16, 2024

Page 8

64:10,11,11,12
65:9 80:24
81:3 110:12
150:11 153:13
201:8
bigger 51:16
190:1
bill 44:16
billowing 12:9
biloxi 136:10
bind 75:3
bio 145:7
bit 18:22 21:3
33:3 35:17
47:11 51:17
70:20 71:19
73:21 80:4,21
82:1 84:25
85:6 86:7 88:7
93:13 97:1,10
97:11 100:21
113:24 118:1
122:20 125:9
126:16 131:14
138:8,9,16
141:5 143:14
201:17
black 144:4
204:9
blank 20:2,6
blind 123:19
blob 66:25
blow 117:5
boat 78:17
109:3
body 92:24
bold 10:24 42:7
53:25 54:7,19

64:10,13 65:21
65:22 67:13
68:4 96:24
110:6 145:10
156:21
bolder 189:6
190:8
bonds 13:23
boneza 2:10
7:21 9:16
40:25
bookend 10:9
48:18 70:17
110:23 111:2
bookends
33:14
border 45:1
105:1 106:17
106:25 107:8
143:22 153:1
borderline
107:3
borders 107:12
boston 11:17
bothered 65:14
101:24,25
bottom 159:5,7
195:15,20
bound 151:13
brain 59:23
brainer 25:10
148:24
break 37:3
71:9 126:15,17
126:23 128:1
128:10,20
breaks 165:9

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202-857-3376

brendan 2:15
8:15
bridge 110:19
115:15
bridges 83:16
85:13 95:11,12
95:15 105:17
110:20 187:17
200:4
brief 20:19
46:11 49:8
147:7
briefly 139:12
bright 43:14
53:17
brilliant 68:20
bring 174:14
bringing 69:25
brings 103:5
115:5 189:10
britain 94:22
british 11:21
broader 189:22
200:8
broadly 202:22
203:2
bros 147:5
brought 58:2
133:21 206:7
brow 43:13
buck 19:12
bucking 28:11
bunch 148:8
buoy 175:4
burgeoning
11:24
burning 24:19

Meeting

[burns - chair]
burns 13:22
bushy 201:8,10
business 61:21
bust 99:4 187:9
busy 51:17
butter 27:16,16
c
c 3:1 4:1 208:1
208:1
call 3:2,2 4:4
4:16 42:23
65:19 70:7
136:21 207:8
callback 12:14
called 7:8
147:4
calling 85:24
191:13
camera 130:11
candidate 3:3,4
6:15 13:25
43:4 45:21
candidates
9:15 40:23
71:6
cap 9:25 11:23
12:3 19:16,17
31:12,20 86:9
86:14,15,19,21
87:3
capable 15:10
capitol 44:6
47:18 66:4
capozzola 1:22
4:25 5:3 20:14
20:16,17 46:9
46:10,11 82:9

October 16, 2024

Page 9
82:10 105:9,10
105:24 114:11
114:12 139:10
139:11 150:4,4
151:11 163:21
163:22 172:21
172:22 184:8,9
185:4 195:13
capture 58:4,5
92:9
captures 91:11
91:12 137:11
care 43:11,25
45:18 113:13
careful 28:5
carried 151:13
188:18
carries 43:15
170:17 171:19
174:12 176:21
179:14 181:7
182:10 183:24
186:22 191:8
197:21 203:18
carry 57:5
167:12 173:17
carrying 13:13
43:6 48:6
51:14 65:5
158:21
carving 60:12
case 30:18
47:10 57:1,20
60:22 62:19
66:16 106:10
118:17 167:21
cases 135:23

catching 55:5
caught 167:17
caution 107:5
ccac 1:16,19
2:13,14 4:4
6:11,22 8:10
8:13 37:2
71:14 127:6
139:18 184:16
184:23
celebrate 74:23
75:8
celebrating
75:15
celebration
56:12 73:15
cell 141:12
cent 27:16,17
41:3 114:21
115:14 121:17
125:16,24
141:1 195:25
198:6,25
centennial
56:11
center 9:1
66:25 92:18
193:5 194:7
195:11,17
196:8
centering
175:13
centerline
189:16
cents 52:3
111:25 120:18
124:4 196:7,14

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202-857-3376

century 29:14
29:15 101:19
104:1,2 125:19
certain 63:15
67:20 87:2
155:9
certainly 30:18
35:14 52:15
66:17 67:11
68:2 100:25
101:7 139:12
157:18 168:5
172:17
certify 208:2
cetera 58:14
cfa 167:25
chain 137:1
chains 138:2
138:17
chair 1:14 4:3
4:19,22 5:4,10
5:21,25 6:3,8
7:4,12,15,18
7:21,24 8:2,5,8
8:12,15 14:2
16:25 17:24
19:8 20:12
22:24 25:5
26:20 28:10
30:25 32:10,23
33:8,20 34:5
35:22 36:23
37:8,16,19
40:20 45:23
47:24 48:24
50:24 53:9
55:18 57:22
61:11 64:24

Meeting

[chair - choices]
66:7,9 69:11
69:24 70:3,23
71:3,13 72:14
79:4 81:5 82:8
83:6 84:4
85:19,22 87:12
88:22 92:13
95:25 96:4
99:6 102:10,12
102:19 104:16
105:8,18
106:21 107:17
108:5,9 109:13
110:1 111:9
112:10,14,15
113:8,16 114:9
115:12,13
116:3,21,22,25
117:5,11,12,19
118:1 119:10
119:14,23
121:2 122:14
124:6,21 125:5
126:22 127:24
128:8 130:10
130:23 132:4,9
132:11,15
133:20 134:1
135:1 136:17
137:15 139:8
140:5,11,21
141:6,8,15,25
142:3,7,17,20
143:6,17
145:15,21
146:12 148:4
148:14 149:12
150:3 151:19

October 16, 2024

Page 10
152:4,8 153:3
153:14 154:7,9
154:16,22,25
156:10 157:4
157:13 159:2
160:16,23
161:16,19,23
162:12,17
163:1,6,10,16
163:23 164:8
164:22 165:1,6
165:8,10,25
166:3,6,9,18
167:5,7,11,20
168:5,14,18,23
169:4,10,16,25
170:13,16,22
171:7,14,18,22
172:2,15 173:2
173:12,16,22
174:8,11,17
175:2,17,21
176:4,11,20,24
177:15,23
178:2,17,23
179:7,13,19
180:2,11,14,17
180:21,24
181:6,11,14,18
181:21 182:4,9
182:18 183:5
183:11,17,21
184:21 185:5,9
186:14,21
187:1,21,25
188:4,10,16
189:1 190:2,9
190:16,24

191:6,22 192:7
192:12,16,22
193:18,22
194:2,5,11,16
195:6,21
196:12,24
197:5,14,19
198:13 199:13
199:18 200:13
200:22 201:3
201:16,19,23
202:9,24 203:6
203:16 204:24
205:3,15
206:21 207:10
207:13
chairman 17:4
17:23 23:2
48:2 49:3 83:8
84:7 93:17
113:18 116:5
117:22 130:13
146:15 155:3
162:22
chairperson
1:18 6:11
challenge
55:11,12
117:23,23,24
challenging
75:20
chance 52:1
73:20 97:13
137:19
change 21:24
39:8 78:24
97:18 98:11
99:4 100:3,17

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202-857-3376

100:19,19
103:22 108:15
111:15,16,20
149:7 153:17
153:17 154:3
177:13
changed 39:15
60:17 78:10
176:9,16
changes 177:2
177:18 179:2
changing
100:15 110:16
130:4
chapter 22:16
character
107:15
chief 2:11,14
7:9 8:2,13
194:17
child 43:24
49:12 118:19
155:13 156:4
157:8 200:17
204:14
children 50:7
chime 34:11
35:21
choice 10:16
20:23 21:5
25:9 47:12
48:10 56:8
57:21,23 78:15
78:21 83:19
111:15 132:20
choices 21:13
50:20 119:5
120:14

Meeting

[choose - coinability]
choose 18:23
49:16 60:11
choosing
176:22
chorus 37:18
chose 17:8
52:17 83:22
84:1 90:13
123:25
chosen 33:23
47:16 48:14
70:11 91:18
119:9 125:15
172:12
chris 5:5 20:17
46:11 59:12
82:8,10 105:8
105:9 114:10
114:12 116:14
120:20 124:10
124:15 132:19
139:9,10 150:3
150:4 151:11
163:21,23
172:20,22
184:8 195:12
christopher
1:22 4:25
20:14 46:8
48:3
chronological
28:19,25 29:18
chronologica...
47:22
chuck 5:18
circle 105:3
107:9 110:12
194:15,19,21

October 16, 2024

Page 11

circulate 51:25
195:18
circulating 3:8
3:11 10:21
39:6 51:24
52:7 59:19
72:18 73:14
98:2,7 160:8
circulation
54:10 160:12
circumference
189:19
citizen 42:4
76:24
citizens 1:3,12
44:7 74:15
208:3
citizenship
42:24
civic 75:2
civil 22:18 51:4
51:5,6 76:17
79:13 83:15
89:1 110:17
116:9 123:1
126:1,4 152:5
177:4 179:16
181:3 199:23
203:25
clamoring
80:15
clarification
37:24 38:22
165:14 199:11
199:16
clarify 37:25
159:4

clarity 14:20
15:7 16:13
40:11,19 71:19
clashes 140:24
classes 116:18
classic 52:14
classical 89:12
121:21
classically
89:14
clear 14:22
15:19 118:20
123:23 124:3
148:22 154:17
155:16
clearly 47:7
52:21 90:7
137:2 184:12
clever 82:2
close 44:2
45:13 56:13
109:2 121:4,18
123:14 147:9
closely 103:22
108:16 118:3
closer 80:22
103:20 119:20
131:23 189:24
189:24
club 88:4
clutter 31:10
clutters 159:16
cohere 77:7
coherent 82:12
coheres 115:7
cohesive 15:8
77:13

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cohesiveness
66:15 96:10,16
96:22
coin 3:9,11 7:3
14:23 15:15
18:22 23:22
27:12,13 41:4
50:4 51:18,24
52:7,7 55:12
57:15 58:24
59:19 61:17
62:13 63:14,21
64:2 67:1
69:25 78:12
80:24 87:25
92:17 97:6
98:2,7 101:3
101:21 106:7
106:24 107:11
112:8 115:6,6
116:15 120:18
123:4 129:23
131:13 132:21
133:1 141:9
145:2 146:23
147:15 149:10
151:8 153:19
153:21 154:1,6
155:7,20,21
156:19 157:15
157:18,19
158:8,9 159:25
160:8 177:20
189:11 197:8
198:15
coin's 10:17
coinability
36:3

Meeting

[coinage - committee]
coinage 1:3,12
10:14 11:5,25
12:15 29:9,17
29:24 30:8
31:13 48:19
54:15 74:15
87:2 101:14
126:4 129:19
130:1 139:24
161:3 208:3
coinages 161:5
coincidentally
107:13
coinnews 7:2
coins 3:9,11
6:18 10:21
50:8,13 52:16
55:11 62:18
66:13 72:19
74:23 75:7,16
75:24 77:6,7
77:14 80:3
87:8,18 89:18
92:16 101:1
102:2,4 105:14
120:19 128:14
129:1 138:23
144:13 151:5
161:8,10 175:9
177:3
colin 101:25
colleague 34:22
colleagues
83:20 133:2
collect 25:24
collecting
80:18 103:21

October 16, 2024

Page 12

collective 44:21
collector 39:8
59:23 87:1
120:18
collectors 15:1
25:24 51:21
60:3 84:14
87:6 130:2
138:4 139:1
college 201:12
collins 147:5
colonial 11:17
colonies 13:1
13:21,25
colonist 138:18
colonists 12:23
13:15
combination
10:8 19:17
174:16
combined 69:7
combines 12:2
combining
68:19
come 32:3
35:12,17 38:1
54:19 69:23
77:25 79:1,8
85:17 97:8
102:22 125:10
126:17 176:24
204:7
comes 135:13
189:23
comfort 99:23
99:24
comfortable
80:2 83:18

coming 35:2
39:13 68:2
123:19 129:17
139:11 161:19
commemorate
22:10,11
commemorates
76:1
commemorat...
13:9 39:12
commemorat...
106:6 156:14
156:19 157:16
commend
83:20
commended
26:9
comment 35:15
65:10 129:3
136:22 160:16
185:8 194:14
196:16 200:4
203:22 204:25
commentary
192:20
commented
52:22
commenting
188:6
comments 14:9
17:6 20:19
28:10 30:24
31:2 33:9 34:5
34:6,13,20
35:2,23 36:9
36:24 46:5
66:9 68:11,14
69:10,12 70:1

www.CapitalReportingCompany.com
202-857-3376

70:24 88:1
93:18 103:24
105:11 106:22
107:5,17
108:11 110:25
111:12 117:18
132:16 137:15
140:7 143:18
145:23 146:2,5
152:4,6 153:14
155:1,4 157:13
164:12 192:8
199:15 200:4,5
205:16
commercial
34:15
commission
133:23
commissions
74:16
committee 1:3
1:13 4:15 14:4
32:25 34:6,9
36:25 37:16
45:25 67:12
69:12 72:18
73:18,24 74:16
77:21 78:20
83:4,10 84:8
97:3 118:23
122:2 127:17
127:22 142:9
145:1 161:2
162:19 169:17
172:8 188:2
196:17 199:25
204:18 206:11
206:15 207:4

Meeting

[committee - consistency]
208:4
common 75:19
commonly
149:2
communicate
184:13,15
communicated
136:2 186:3
communicates
46:21 47:19
community
80:18
compactly
103:4
compare 57:18
compared
123:6 141:17
compelling
21:22 22:16
30:15 46:13,17
46:25 56:15
57:1,15 58:19
68:23 69:6
96:24
competent
15:10
competing
181:19
complaining
87:6
complaint 32:1
complement
42:9 48:22
complements
141:9
complete 32:2
73:14

completely
85:7
complex 15:25
147:7
complicated
22:7 149:1
161:6
complimenting
81:7
comply 39:16
composition
24:3 36:12
49:14
compositiona...
36:16 95:7
145:6
compressed
198:20
comprising
42:1
computer
123:3
computers
141:13
conceived
74:12 77:9
concept 32:13
62:8
conception
134:24
concepts 15:3
concern 28:15
30:12 80:4
97:1,2 102:24
124:7 129:10
158:23 174:25
concerned
26:15,16

October 16, 2024

Page 13
124:23 138:9
151:18
concerns 30:10
89:23,25 118:5
124:11,14
126:5 147:20
concise 16:20
concludes
13:25 45:21
conclusion
47:22 127:15
confident
43:17
confidently
49:19
confirm 7:6
150:16 195:18
confuse 144:22
confused 61:4
122:16
confusing
23:24 90:12
124:3
confusion
127:16
congratulate
83:9 205:21
congratulated
206:2,17
congratulatio...
60:17 84:2
congress 2:18
9:5 69:2 101:3
101:15,17
102:9
congruity
124:12

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conjunction
74:15
connect 121:18
140:1
connection
63:16 66:11
67:25 125:6,8
connections
10:10
consensus
20:18 73:22
79:8
conservative
101:8,16 102:8
104:5
consider 9:14
22:4 40:22
42:7 47:21
73:5 75:10,21
78:3 88:9
91:24 97:10
100:15 130:9
131:9 136:24
138:20 152:15
177:8 199:22
205:6
consideration
12:6 14:8 24:2
146:19
considerations
23:4 24:17
considered
68:16 191:24
considering
21:17 50:7
147:15 192:19
consistency
61:14,15 62:24

Meeting

[consistency - curator]
82:1 95:8 96:6
97:25 99:10,19
136:12
consistency's
187:14
consistent 26:1
63:3 79:11,17
89:7 91:25
94:24 107:1
198:11
constant 84:20
94:11
constantly 23:7
87:5
constitution
21:18 44:16
60:16 76:9
79:11 82:22
89:11 109:7,22
109:24 112:8
113:11 115:6
116:12 121:20
122:15 132:8
140:6 171:23
172:19 173:4
188:13 189:5,7
189:9,14,18,21
190:1,7,7,11
190:13
constitutional
174:5
constructing
82:17
construction
185:21
consult 196:19
consultation
197:6

October 16, 2024

Page 14

contemporary
48:12
content 119:4
context 154:4,5
continental
138:7,14
continentals
138:15
continuation
3:10 61:22
continue 60:24
126:8
continued
16:15 44:12
continuing
30:3
continuity
14:20,22 16:6
49:24 50:13
89:6 118:8
124:8,12
125:21,23
131:20 147:23
148:1 155:5
contractor
136:15
contrast 24:12
42:9 198:4
contribute
203:25
controversy
58:7 78:8
138:12 146:22
conversation
83:2 127:14
146:25 172:23
193:13 196:16

convey 36:3
151:3 184:22
206:6
conveying
139:16
conveys 106:11
150:1
convinced
60:15
cool 52:6,12
59:18 95:9
105:23
copper 138:4
cornerstone
64:8
cornet 17:13
18:7
coronet 11:6
14:25 18:7
19:6
correct 34:4
133:24 142:18
151:22 159:5
163:2,7 177:21
177:22 183:14
184:25 185:3,4
188:18 190:14
194:8 197:7
200:20 202:11
costello 2:12
8:5,7 107:6
costs 52:3
counsel 2:14,14
8:13,13 37:2
71:14 208:11
208:15
count 182:3
203:13

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counted 167:6
countless 122:2
country 22:7
59:21 70:21
84:21 91:7
134:20 155:17
couple 31:14
35:15 88:16
93:18 150:5
201:11
coupled 139:6
course 41:20
54:7 60:21
61:7 70:14
73:9,12,15
77:4 112:1
118:13 138:23
204:16 206:9
206:24 207:4
court 208:22
coverage 95:17
covered 92:3
crazy 24:11
create 66:25
155:15
creation 13:20
creativity 22:1
crickets 140:7
cried 20:11
critical 32:20
42:4 64:16
76:24
crown 12:1
culminated
76:10
curator 1:18
6:10

Meeting

[currency - design]
currency 10:15
73:15 138:7,14
current 9:20
21:25 29:25
35:20 41:3
55:3 60:10
77:24 104:3
144:16
currently 6:10
190:11,13
customs 75:11
cuts 131:2,3
d
d 4:1 9:23
d.c. 1:14
daily 67:16
damn 31:20
dampen 195:4
dark 133:18
143:10,12
dash 81:22,24
date 10:20
18:10 31:9
42:17 54:4
187:6 208:6
dates 17:14
21:3 106:18
187:17 198:3,7
daughter 91:10
91:24
day 4:6,6 16:12
67:19 82:13
days 67:20
82:6 207:4
dc 60:2 208:7
dead 26:6 87:5
87:6

October 16, 2024

Page 15
deal 51:12
144:21 158:20
197:4
dealt 6:18
death 9:22
decently 92:4
decide 74:3
197:3,7
decided 129:18
198:5 205:19
decidedly 29:5
decides 207:1
decision 81:16
175:6
decisions 168:2
declaration
21:18 28:21
44:15 59:15
60:1 73:17
76:3,6,8 79:10
82:21 84:24
89:24 90:2,7
111:22 114:16
115:1,21
116:13 121:5
121:10 125:13
132:5,8,12,21
134:12 137:3
137:16 141:23
170:24 174:20
174:22 175:14
184:1 185:3,15
declare 132:23
declared 115:2
decorative
11:14
deeper 75:17

defend 102:15
109:11
defer 118:23
204:16
define 74:25
defining 74:22
89:17,17
definitely
143:24
degree 28:12
158:3,3
delay 91:19
deliberate 35:9
199:8
deliberately
107:10,13
205:2
delimiter
106:18 198:16
198:19,25
delineation
155:16
delivering
101:3
demeanor
36:21 94:22,22
democracies
86:6
democracy
42:5 44:20
69:3 76:25
democratic
12:11 75:18
denomination
32:17 80:24
160:14
denominatio...
138:8

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202-857-3376

department
113:4
depending
21:13
depends
187:18
depict 10:13
11:4 12:17,20
13:3,17 21:8
43:5 183:13
202:10
depicted 21:20
41:18 89:15
174:21 200:18
203:8
depiction 10:3
15:9 42:12
67:13 89:12
depictions
21:12 29:1,4
87:7
depicts 43:23
45:13 89:13
deposition
208:13
deputy 2:8,14
8:12
described 22:4
describing
68:15,19
description
184:17
desegregation
204:12
design 2:8,9,9
2:10,10,11,12
7:10,13,16,19
7:22,25 8:6

Meeting

[design - dime]
9:15,19 11:6
12:25 14:17
15:19 16:1,19
19:21,23 20:3
23:8,18,19,23
24:12,15,23
25:15 26:10
27:24 28:4
32:20 36:14
38:11 40:4,17
40:23 41:3
43:12,15 44:10
48:20 49:11,21
50:11,22 51:16
52:4,11,23
53:5,5 54:24
55:8 59:6 60:9
60:12,20 65:24
66:4,16 71:6
72:3,12 74:19
78:18,19 81:2
81:18 89:5,25
90:6,10,23
91:5,8 95:12
98:9,24 100:9
103:18,23
104:2 105:1,4
106:20 109:12
110:15 113:14
113:16,23,25
114:2,7,22
117:3,16,25
118:9 121:7,21
121:23 122:3
123:8,25
124:21 125:3
126:6 127:13
129:7 130:5

October 16, 2024

Page 16
131:20 136:12
137:1,2,8
138:5,10 139:6
141:4,17 142:1
142:11,17
143:1,3 146:8
147:14 152:3
156:23 157:1
157:23 158:11
158:13 160:13
162:9,13,14
172:12 182:23
184:6 187:8,17
188:22 191:11
191:19 193:10
196:17 197:23
198:15 199:5
203:20 204:10
204:22 205:5
205:12,22
designed 74:13
136:15
designing
107:24
designs 3:3,4
6:15 10:13,23
11:3 12:19
14:1,5 15:4
23:6 24:7 27:1
27:6 28:14
42:6,12,18,23
43:4 44:5
45:22,25 48:14
49:7 52:16
58:4,6,17
59:25 62:17
65:3,11,17
66:15 72:25

73:2,5,10,21
74:4 77:4,6
79:8,21 84:11
85:9 88:25
89:10 92:9
96:20,23 98:11
101:4,21 102:2
102:3 104:1,2
104:10 105:2
119:5,12
122:20 124:19
125:25 128:12
128:13,25
133:16 142:13
145:2 156:8
162:2,2,3
172:7 182:12
182:13,24
187:5 206:10
detail 47:13,14
147:18
detailed 87:20
details 58:12
68:5 178:14
determination
13:6
determined
11:19
develop 75:17
developed
74:20 75:24
127:7
deviate 91:22
deviation 21:25
devised 127:3
diameter 15:18
diametrically
122:7

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202-857-3376

dictum 45:7
die 112:2
difference
37:14
different 22:8,8
38:11,15 39:13
51:10 55:22
60:4 77:14
94:14 119:16
162:7 172:11
187:8 204:6
difficult 24:21
103:12
dig 109:16
dime 3:3,7 6:15
8:24 9:15,20
9:21,24 10:2,9
11:1 13:11
14:5,15,23
15:2,18 16:1,7
16:21 17:8,11
20:1,6 21:25
23:6,8,14,20
24:6,15 25:2
26:9,17,19
28:4,9,16 29:7
29:25 30:11,13
31:10,22 32:18
33:13,19 34:25
35:7 37:1,20
38:4,16,19
41:13 42:1,11
76:1 77:10
78:16,18,25
79:24 81:18
83:2,3,21 86:8
86:13 87:3,11
88:5,12,19

Meeting

[dime - dollars]
89:2,6 90:1
93:1 94:1,7,9
94:14 96:7
98:13,20,23,25
99:5,16 102:22
103:3,8,10
104:13 110:21
122:21 123:2,6
123:7 125:12
125:14,20
129:1,5,10,25
131:25 161:13
162:17 164:15
169:19 170:9
170:19 182:19
182:20
dime's 9:19
10:5
dimensionality
144:2
dimensionally
145:4
dimensions
145:6
dimes 25:24
39:24,24 100:3
129:15
diminutive
129:10
direction 52:10
56:14 88:2
99:15 101:12
101:13,20
142:16 175:7
208:9
directions
55:22

October 16, 2024

Page 17
directly 118:15
director 2:8,13
2:17 8:9 9:1,3
disagreement
172:6
disappointed
90:17
disclosure
129:7
discretion 38:6
discuss 68:2
71:4 73:3,20
97:13 126:8
196:1
discussed
100:20 114:15
128:16
discussing
69:15
discussion 3:3
3:4,6,8,10 6:14
6:16 14:6
15:11 46:2,15
46:16,22 61:8
73:4 97:11
113:11 126:15
126:18 127:18
128:17,24
132:18 147:1
162:4 163:25
164:12 167:1
170:6 171:7
173:7 174:2
176:12 178:3
186:16 188:11
192:20 193:9
201:24

discussions
35:5 161:9
disjunction
124:16
disme 129:13
131:11
display 204:3
dispositive
127:12
distance 34:12
distinctive
105:4
diverse 21:16
75:6,11 130:18
diversify
202:15
diversity 50:16
200:19 203:9
203:24
divided 54:4
document
134:15,24
145:10
documents
44:14 134:8
dog 31:17
doing 6:20
16:10 52:10
62:5 74:9
77:14 91:24
102:5,7 104:9
139:16 152:15
157:24 158:16
207:7
dollar 3:5,7
6:16 8:25 10:8
28:17 29:13,13
33:14,17 37:10

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202-857-3376

37:21 39:5,6,7
39:10,16 40:24
41:4,9,12,18
41:21,24 42:2
43:3 46:1,25
47:4,13,21
50:12 51:16
52:12 54:2,8
56:11 58:1,5
58:11,22 59:14
62:15 63:14,23
64:1,4,4,12
69:18 70:10,16
71:6,16,21
76:21 77:11
78:13 81:2
82:23 90:20,23
90:24 91:9
94:24 96:18
98:4 100:6
102:15,18
104:4 106:1,4
106:6 108:14
110:24 111:14
111:17,21
115:25 118:6
123:17 148:18
150:20 153:4
155:20 181:8
181:25 196:2,9
196:13 205:7
dollar's 41:3
42:15
dollars 10:10
37:15 48:10
51:25 54:9
80:23 138:7

Meeting

[dome - either]
dome 44:6
dominant
26:11
don 120:22
154:8 190:18
191:2 196:24
donald 2:3
5:16 25:5
30:12 37:24
38:1,18 61:11
85:19 87:12
102:13 111:10
111:11 113:8
135:2 148:14
151:23,23
153:15 154:12
157:14 159:4
170:5 179:19
181:11 197:2
donald's 70:18
70:19 103:24
105:25
double 187:6
doubt 67:23
doubtless
139:22
douglas 107:22
douglass 80:5
88:25 92:17,21
97:6 99:15
104:25 105:4
105:19 106:24
107:21 133:8
155:5 191:25
192:11
douglass's
110:13

October 16, 2024

Page 18
dour 95:2
dr 1:22 4:22,25
20:14 46:8
94:18 95:6
drafted 144:5
drafting 42:6
76:3,9
dramatic 68:7
draw 174:14
drawing
119:21 133:11
144:2 151:16
drawn 103:2
133:17
dress 12:9
58:13 66:24,24
67:2,3
dresses 49:11
drop 177:11
dual 18:10 31:9
due 95:4
duly 208:8
duplication
195:10
dutch 86:3,4,5
dynamic 58:5
67:5
dynamism
12:10 30:15
61:2
e
e 3:1 4:1,1 11:1
13:19 25:20
43:3 79:11
106:18 150:11
153:24 159:12
159:15 208:1,1

eac 138:4
eagle 13:4,8,12
17:19 18:24
19:21 24:24
26:16,17 30:12
32:13,19 33:23
34:3 41:11
123:15 125:13
125:18,19,20
129:11,14,19
130:8 132:25
133:4 137:1,20
138:21 139:2
163:6 183:2,7
183:9,10,13
eagle's 13:5
eagles 129:16
138:22
eaglet 24:25
earlier 20:3
29:4,9,16 30:8
46:22 49:13
87:8 131:10
132:18 134:19
136:25 139:21
155:4 159:25
167:16 188:17
early 10:14
11:5,24 12:15
62:1,1 105:14
138:4
ease 145:6
easier 103:18
130:4
easiest 146:3
easily 32:4 90:2
90:9 146:18
192:2

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202-857-3376

easy 58:14
112:22 144:22
206:13
eating 70:13
echo 33:12
146:16 148:12
echoes 48:8
echoing 10:14
85:7
edge 105:4
editor 7:2,3
editorialize
36:14
educated 69:4
education
108:22
effect 54:13
effective 23:13
effectively 80:8
107:23 108:18
effort 43:25
44:12 112:19
169:22
egypt 147:8
eight 60:8
191:5,6
eighteen 72:9
either 15:24
19:16 25:9,18
57:7 64:17,19
79:19 85:15
90:14 100:7
111:14,15
115:20 133:3
142:15 149:16
156:17,17
159:10 189:14
205:11

Meeting

[elected - excuse]
elected 44:7
elegance
145:13
elegant 57:16
elegantly
144:24
element 106:20
158:18 187:8
elements 15:19
49:6 103:18
126:3 162:7
elevate 190:10
eleven 71:22
72:8
eliminates
31:14
elm 11:15
emanating
45:5
emblematic
10:23 137:2
embodied
10:24
emerging
20:18 82:17
emotion 91:11
empathy 75:10
emphasize 35:4
68:25 204:4
emphasized
108:19
emphasizes
42:4
emphasizing
76:23
empire 86:2
employed
187:20 208:12

October 16, 2024

Page 19
208:15
employee
208:14
empty 149:16
encounter
89:19
encourage 77:5
encouraged
42:7
encourages
131:23
endorse 184:13
endorsing
131:3
enduring 45:14
energy 67:5
engaged 73:13
engagement
75:2 77:5
engaging 12:5
engraver 2:11
8:3 194:17
engraving 2:12
8:6
enjoy 61:6
125:11
enjoyed 34:12
68:13
enlightenment
12:21
ensure 44:1
ensuring 36:2
131:20
enterprise
82:12
entertain
169:20

entire 69:15
98:22
entirely 195:21
entitled 37:5
71:10 126:19
160:20 207:16
envision
103:10
equal 193:16
equality 75:3
equally 126:12
equitable 75:13
era 10:6 11:15
76:1 184:17
202:3
esoteric 125:9
especially 23:9
39:5 46:23
47:12 85:2
103:13 112:10
112:11 113:1
118:5 158:9
167:25 189:4
192:19 204:11
204:14
essentially 74:1
74:7 92:17
93:10,23 144:4
et 58:14
eternal 16:10
58:21
ethnic 17:9
200:5
evans 2:10 7:18
7:20
evening 95:17
evenly 167:22

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eventually
204:7
everybody
27:23 70:5
98:14 99:25
112:21 128:3
154:3 176:19
186:20 206:16
everybody's
30:24
everyday
204:21
evocative 55:11
85:9
evoke 15:20
63:21 90:7
evokes 155:9
evoking 63:20
evolution 22:18
exact 123:13
exactly 38:6
55:6 62:2
86:24 108:25
example 43:11
66:19
excellent 32:13
84:10
exceptions 62:7
201:9
exchanges
34:24
excite 90:11
excited 16:23
85:17
exciting 15:5
58:6 65:24
excuse 50:21

Meeting

[execute - features]
execute 202:17
exergue 54:4
exist 111:25
131:12
exists 15:15
95:2
expanding
189:20
expensive
160:4
experienced
61:25
experiencing
61:19 84:20
experiment
35:11 75:19
101:15
expert 135:10
185:25 192:1
experts 8:22
34:7 74:17
133:25 134:2,7
137:21 139:13
146:20 150:17
184:10 195:17
196:20 197:7
202:15
explain 119:24
explained
119:22
explaining
203:23
explanatory
17:6 117:4
explicit 15:8
121:14
explicitly 15:13
22:20

October 16, 2024

Page 20
exploded 81:10
explore 42:23
explores 10:6
42:2 76:5
express 158:8
expressed
10:11 63:12,13
158:22
expresses
130:17
expression
15:8 27:4,8,11
35:6 88:7,9
95:2
extend 84:7
extended 12:5
extent 160:11
eye 55:5
eyes 29:5 43:13
53:16
eyesight 103:14
f
f 41:6 63:9,16
63:22 208:1
fabric 12:9
face 36:13,22
98:1 105:3
112:20 157:22
faces 11:21
96:2 99:7
facial 95:1
facilitate
193:13
facing 12:18
93:1,3,8,15,15
94:22,22 96:8
99:9,11,14,18

105:14,16,22
105:22 130:15
163:1
fact 56:1 59:20
90:1 133:10,16
192:12 194:21
200:7
fail 15:23
failed 166:19
188:17
fails 120:2
fair 60:13
75:12
fairly 126:2
familiar 15:3
23:10
familiarity
131:22
family 91:16
fan 55:13 95:16
138:23
fanatic 59:17
fanatically
58:20
fantastic 21:7
far 15:21 24:15
27:5 49:9 58:3
115:15
fashioned 29:8
faster 110:8
fathers 125:3,7
192:4
favor 51:15
120:17 141:3
164:14,18,23
165:2,11 167:3
167:5 168:20
168:25 169:6,7

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169:13 170:7
171:8 173:8
174:3 176:14
178:4,25 180:3
181:1,23
182:21 183:18
183:22,23
184:3 186:18
188:19 190:18
193:2 197:11
203:10 205:8
favorite 27:5
30:17 49:5,10
54:24 59:11
60:6,10 141:17
favorites 23:12
35:14 53:7
68:17
favors 169:17
feasible 195:3
feather 143:7,8
144:8
feathers 33:25
34:1,3 183:2,3
183:4,7,9,10
183:12
feature 10:3
11:11,18 12:13
42:13 44:23
45:10 66:5
featured 9:24
12:25 13:24
41:12 45:3
features 10:18
11:9 13:16
43:17,20 44:6
44:17 45:4,16
66:3 200:11,16

Meeting

[featuring - fool]
featuring 42:25
feel 54:17
60:24 67:18
120:12 165:17
165:22 175:12
206:11
feeling 155:9
189:3
feels 164:4
felt 18:13 35:6
82:1 91:20
139:18 144:18
144:19
fertile 44:19
field 39:10
153:1,1
fifteen 144:14
fifty 91:6 120:8
141:1
fight 13:15
204:12
figural 102:3
figurative
93:22
figure 43:10
202:10
figures 43:16
96:16 98:3
100:16 118:19
150:7 158:1
200:6 203:8
figuring 122:3
124:23
fill 80:8
fills 18:19
film 147:3,6,10
148:13

October 16, 2024

Page 21
final 41:25
74:8 76:20
100:22
finalizing 3:8
3:10
finally 4:11
8:19 72:12
76:17 140:19
181:8
financially
208:16
find 28:13
29:11 30:8
58:17 65:6
67:4 68:3 77:6
77:12 109:17
114:17 119:11
124:8,11 168:9
194:20
fine 88:21
152:9 156:17
171:20
fingertips
125:1
finish 59:10
finisher 114:6
first 9:13,21,24
23:25 24:11
26:22 41:4,9
41:15 49:20
51:2 61:3
65:10 72:18,23
75:25 76:7
77:17 78:4
79:9 81:9 86:1
87:24 89:19
93:9 94:13
97:15 111:22

116:25 119:12
119:16,18,25
120:2,19
123:24 127:5
129:17 131:1
138:25 150:5
150:21 162:9
162:13 166:19
175:25 183:3
188:25 189:2
190:1 193:15
fit 14:20 15:17
17:16 20:20
48:15 59:17
83:18 91:20
194:15,16,18
194:21 195:16
196:20
fits 50:13 60:7
84:19 113:25
150:23
fitting 195:1
five 10:9 14:10
28:21 46:5
56:11 72:1,6
76:6,18 77:10
108:16 116:1
164:25 165:1,6
165:11,11
167:9,22,23
171:12,12
173:15 179:6,7
189:24 193:2
195:25 196:14
200:11,16
fixtures 148:7
flag 43:6 45:3
53:23,24 58:14

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202-857-3376

65:5 149:5,6,7
150:17 151:9
flagged 134:16
flame 12:22
16:11 18:21
43:18 45:8,11
45:17 58:21
65:13,15
100:14 158:1
flames 23:25
flash 88:15
flatter 138:9
flight 13:4,13
33:25 34:3
183:2,3,10,12
flipping 50:3
105:17 158:15
158:17 162:5,6
floor 168:8
flow 80:6
flowing 10:1
12:14 105:2
122:8
flows 58:13
66:24
flowy 121:22
focus 61:22
164:11 186:9
folks 204:17
follow 97:20
135:3
following 7:6
8:25
follows 22:17
font 129:25
fonts 110:16
fool 27:19

Meeting

[forefront - generations]
forefront
204:10,22
forego 137:23
foregoing
208:2
forever 42:20
forget 94:20
forgot 135:5
forgotten 56:17
form 43:9
formed 13:18
86:2
former 95:5
forming 45:9
forth 29:2
74:18 118:22
148:11
forward 9:7
11:12 12:5
13:6 16:15
43:8 53:25
56:2,23 57:4
72:20 77:1
85:10 90:24
91:13 92:8
95:9,20 155:11
155:18 168:12
202:19
foster 75:12
founder 7:2
founding 10:12
44:13 75:18
76:1 125:3,7
134:8 139:17
184:17 192:4
four 41:5 68:18
119:15 164:20
164:23,25

165:19 167:4,5
171:12,12
173:15 182:21
fourteen 71:21
fourth 164:21
frame 38:20
framed 43:16
franklin 9:22
25:15 41:16
62:10 112:12
136:16 138:13
192:5
frederick 80:5
88:25 92:17,21
97:5 99:15
104:25 105:3
105:19 106:24
107:21,22
110:13 133:7
155:5 191:25
192:11
free 105:2
freedom 12:21
16:15 69:19
frequently 9:20
fresh 31:22
friendly 164:5
front 50:7 61:9
89:16,17
107:22 110:20
132:3 198:24
202:6
frontlines
204:13
frowning 83:23
fruition 85:18
fugio 111:25
114:21 115:14

October 16, 2024

Page 22
116:15 120:17
120:18 121:7
121:17 125:16
125:24 133:1
136:14
fulfill 44:13
66:18
full 25:25
92:24 129:7
149:15
fuller 4:23
fully 185:12
fun 27:12
functions 18:11
further 10:10
60:5 126:15,17
186:16,23
191:18 199:21
203:1,19 208:9
208:13
future 28:23
42:8 43:7,14
43:19 44:1,4
45:6,20 48:7
53:17 57:4,4
62:9 70:21
75:16 76:22
85:11 101:1,21
155:7
g
g 4:1
gate 61:1
gaze 36:13
43:21 44:3
gelberd 2:4
5:22,24 17:25
18:1,2 33:10

www.CapitalReportingCompany.com
202-857-3376

33:11 53:10,12
53:13 69:14
79:5 109:20,20
129:4,4 137:18
137:19 141:7,7
152:10,12,23
156:12,12
159:3,7,11,20
196:4,5 201:22
gelberd's
166:25
genders 60:4
general 1:20
2:5,5 4:20 6:1
6:6 24:3 46:1
92:11 113:12
117:2 124:23
126:24 128:24
130:3 134:10
134:20 139:16
184:16,25
203:22
generally 88:2
165:16 169:17
172:13
generation
43:22 44:24
45:12 50:2
62:5,23 63:10
63:17 64:3,3
64:14,20 75:20
111:18 156:5
158:6
generational
61:20 62:25
63:12
generations
43:7 44:1 45:6

Meeting

[generations - government]
45:20 57:4
generic 90:10
gentleman
202:4
gentlemen 7:4
george 38:12
38:14 109:25
192:5
getter 111:3
125:17 129:6
139:7 140:10
146:17
getters 140:14
146:8
getting 52:1
60:23 103:21
131:14 144:20
177:7
ghost 117:7
gilkes 7:3
girl 43:7,12
59:2 65:9,12
65:14 67:6
91:10
girl's 46:15
51:11 66:24
67:3
girls 96:15 97:8
give 65:25
69:19 79:1
86:22,22,23
127:21 190:7
given 101:4,15
101:17 102:8
gives 42:22
57:17 78:14
139:25

giving 33:5
123:22
glad 186:12
glance 67:19
98:25
glass 149:15
glibly 144:11
gnome 117:6
go 5:21 17:18
18:5 19:5,7
20:4,5 24:8
28:9 32:16,23
37:20 53:18
55:4,16 56:21
57:1,6,8,12
63:2 64:10,16
65:16 70:10
77:1 79:16
80:6 83:4
86:16 88:12,21
89:22 98:9
101:12 108:10
108:14 109:6
110:14 113:9
113:16 116:7
116:12 128:18
131:6 138:21
139:5 141:5
142:1 143:1
146:1,9,11
152:19 154:20
156:8 157:2,7
160:7 162:8
163:17 165:20
166:6 168:12
170:20 176:1
178:14 182:13
199:6 202:21

October 16, 2024

Page 23
203:1
god 10:19
42:16 54:3
goes 78:20
141:1,2 172:22
going 16:11
17:18 18:4
19:3,12 24:1
25:21 26:2,3,4
28:11 31:16
32:11 33:16
48:16 49:8
52:13 53:7
56:2,10,18,19
56:20,22 57:3
57:13,18 63:23
63:25 65:16,25
67:20 70:15,22
76:23 78:12
80:7,12,17
81:11 84:23
88:4 89:19,20
90:15,16,20
91:14 92:5
101:12,13,21
101:22 110:3
110:11,14,23
111:4,10 112:5
112:18 113:4
114:21 115:14
116:16 117:3
118:15,21
119:23 120:4,9
121:9,12
122:16 123:9
129:22 130:4
133:9,13,17,19
136:20,24

www.CapitalReportingCompany.com
202-857-3376

139:1,1,20
141:20 143:9
143:15 147:6
147:15,16
149:25 152:18
153:16 155:22
156:5 157:25
158:20 162:24
165:19 172:23
176:2 178:11
180:6 193:25
194:25
gold 51:20,22
52:7 56:11
157:16 158:9
160:5
good 4:3 9:18
16:7 17:20
19:11 20:16
23:2 27:6
31:19,22 34:10
49:23 50:8
55:24 56:1,9
81:15,19 88:17
98:3 113:1
116:11 120:14
126:5 152:7,8
154:16 159:21
178:20 186:14
192:22 199:17
201:15
goosey 139:19
gorgeous
148:16
gotten 104:10
govern 42:20
government
2:15 8:16 44:9

Meeting

[government - hand]
75:2
governors
42:21
grace 26:4
graceful 15:10
gracefully
95:22
graciously
95:22
graffiti 118:2
grandfather
65:11
grandparents
95:16
graphic 145:11
graphically
144:23
grasps 13:5
gratification
141:12
gratitude 84:8
great 18:19
23:15 25:14,15
35:12 47:20
54:18 68:12
69:9 77:15
78:6 80:11
81:16 84:13
85:10,15 123:1
143:5,6,6
147:18 149:22
153:19 160:13
174:8
greater 200:18
203:9
greg 2:14 8:12
37:2 71:7,14
71:17 72:14

October 16, 2024

Page 24

127:24 140:12
167:16
ground 31:10
44:19
grounds 64:22
64:23
group 7:3
17:10 84:2
98:14 106:19
108:7 128:12
128:13
grouping
202:15
growing 30:25
grown 24:10
guarantee
113:2
guardian 43:1
44:25 45:7
guess 27:16
61:23 62:5
85:25
guide 74:1,7
guides 43:10
guiding 43:24
guy 201:7
guys 78:22
79:1 90:18
111:7 156:15
h
hair 10:1 11:9
11:14,20 12:14
122:8
hairdo 51:11
half 3:5,7 6:16
8:24 10:8
28:17 33:13,17

37:10,15,21
38:8 39:5,5,7
39:10,16 40:24
41:3,4,9,12,18
41:21,24 42:1
42:15 43:3
46:1,25 47:4
47:13,21 48:10
50:12 51:16,24
52:12 54:2,8,9
58:1,5,10,22
59:13 62:15
63:14 64:4,12
69:17 70:10,16
71:16,21 76:21
77:11 78:13
80:23 81:1
82:13,22 90:20
90:23,24 91:9
96:18 98:4
100:6 102:14
102:18 104:3
105:19 106:1,4
106:5 108:14
110:24 111:14
111:16,21
112:1 115:25
118:6 122:1
123:16 129:13
129:15 131:11
149:15,15
153:4 155:20
181:8,25 205:7
207:5
hall 41:23
47:17 112:16
134:6 139:22
140:25 141:22

www.CapitalReportingCompany.com
202-857-3376

141:23 174:18
174:21 175:1
185:15,18
hallelujah
171:22
hanchock 2:10
7:21,23 9:16
40:25
hand 13:17
33:21 39:23
43:13 46:15
49:19,20 59:3
68:24 69:8
71:7 81:11
97:14 102:19
103:10 104:16
118:13 136:17
136:19 147:19
151:19 153:25
154:10 155:25
161:22,24
162:20 164:1
164:17,18
165:4 167:3,8
167:13 170:10
170:15 171:9
171:15 173:9
173:13 174:9
175:24 179:4,9
181:3 182:1,6
183:18 186:18
187:1 190:3,19
191:1,2 193:22
195:12 196:3
196:24 197:11
197:24 203:11
203:14

Meeting

[handed - hoard]
handed 68:23
69:7
handing 64:20
70:20 123:18
123:20
handoff 57:2
hands 12:5
44:17 45:16
49:22 50:5,16
50:21 53:1,2
59:3,7 64:15
64:17 100:13
147:3,12 148:9
158:14 159:1
164:24 165:5
168:17,19,25
169:5,8,13,15
170:11 171:10
171:16 173:10
173:14 174:5,6
176:17,18
179:5,10 181:4
182:2,7 183:19
186:19 190:20
190:22 197:12
197:16 203:12
happen 26:3
112:9 136:13
happened 91:5
185:25
happening
35:19 47:23
happiness
140:2
happy 56:5
59:8 66:21
70:8 78:21
79:22 80:18

October 16, 2024

Page 25
83:24 85:14
88:13 117:13
120:23 136:20
161:14 172:12
185:10
harcourt 4:22
hard 99:22
205:24 206:9
harken 29:4
harkening
14:18
harkens 23:13
49:13 140:25
harmoniously
133:14
harmonize
48:13
harping 198:2
hats 11:15
head 12:16
13:5 14:25
17:13 24:12
26:11 81:3,10
92:22,23 93:14
103:5,9 110:13
162:7
headache
53:18
headdress
19:16
heading 101:20
headlines
89:20
headpiece
15:12 36:21
hear 35:1 37:9
37:17,20 87:5
93:24 101:9

106:16 167:16
178:8 187:22
heard 18:3
30:23 53:21
114:20 119:15
148:22
hearing 9:7
34:12 61:10
68:13
heart 24:8
heavy 144:20
height 189:16
held 147:21
hell 26:23
109:16
help 35:10 74:7
117:6 143:13
160:14
helpful 60:23
169:23 186:5
186:11 199:10
199:17
helps 35:8,18
heraldic
137:20
heschel 202:5
hi 26:22 87:14
105:9 128:2
189:13 203:21
hidden 135:16
135:18 185:19
high 40:4,17
74:3 89:7
108:7 125:16
146:17 158:10
higher 72:25
highest 73:3
77:20 93:3

www.CapitalReportingCompany.com
202-857-3376

125:18
highlight 74:24
highlighting
16:14
historians
135:13
historic 14:24
historical 92:9
139:20 186:3
202:3,10
historically
91:4,20 141:24
150:16 151:12
185:2 204:19
histories 75:6
history 1:23
5:2 9:19 10:8
22:8,17 41:2
41:11 76:2,20
87:1 96:20
116:18 151:4
203:3
hit 55:1 80:12
92:11 155:23
hitting 112:20
hoard 2:5 6:1,2
14:12,14,15
57:24 88:23
102:21 103:16
121:3 130:25
131:1,6 136:19
142:8,19
154:11,21
161:25 162:16
164:2,3 167:15
167:21 172:4
176:1,10,10
178:7,8,15,20

Meeting

[hoard - inconsistency]
187:3,4,24
188:1,7 190:23
191:3 194:25
197:25 198:1
hogging 166:7
hold 45:16
102:14 190:21
holding 24:13
49:17,25 65:12
65:15 97:20
114:4 147:12
holds 13:9
43:12
home 189:11
honestly 19:1
109:11 131:15
202:16
honored 84:2
hope 21:8 45:5
57:18 150:1
hopefully
80:20
hoping 58:4
90:18 111:23
horizontal
126:3
horrible
149:17
hour 160:18
hours 68:2
112:1,2,2
122:2
house 2:1 4:23
5:11
huge 138:23
human 65:5
humanity
75:19

October 16, 2024

Page 26

hundred 91:6
hundreds
67:23
hung 135:17
hunt 8:25
34:22 68:16
hyphen 198:21
198:22
i
icon 32:4 115:3
iconic 44:6
62:21 67:13
115:19
idea 29:23
49:19 50:17
105:13 127:8
134:2,21
135:25 175:1
186:8
ideals 10:11
74:22
ideas 75:3
131:4
identical 94:23
identifiable
62:21
identification
6:16
identified
175:7
identify 14:10
46:6 149:11
162:12
identity 75:1
ignited 12:23
ignorance
42:20

ii 118:2
illegitimate
22:14
illusion 29:12
illusions 94:1
illustrate 58:8
76:19
image 21:15
29:12 41:16,22
46:22 47:1
67:25 115:3,10
130:21 192:2,5
204:14
imagery 42:10
121:12
images 9:25
21:9 26:5
30:15 36:3
46:13 48:13
70:9 119:7
144:23 151:17
imagine 164:6
immediately
62:20,21
immense
149:25
impact 23:9
58:23 84:14
159:17 195:4
impasse 165:17
imperative
204:9,20
implies 108:24
importance
23:8 69:2
important
16:18 21:14
22:19 25:1

www.CapitalReportingCompany.com
202-857-3376

61:17 63:24
70:20 88:1
204:4,8
impressed
83:11
impression
61:3 87:24
119:13,25
120:2
impressions
94:13
impressive
52:11 70:17
80:24 81:3
imprisonment
138:19
impugning
94:9
inaccurate
139:14
inadvisable
91:16
inappropriate
31:13
include 10:19
10:25 21:14
22:19 42:16
included 35:7
134:19
includes 6:14
44:10
including 75:1
76:3
inclusive 75:7
inclusivity 75:5
inconsistency
61:15 79:18
108:4

Meeting

[inconsistent - iterations]
inconsistent
62:16 64:5
incorporate
108:18
increase 39:8
incredible
111:7
incumbent
94:7
incuse 152:15
152:25
incused 143:22
152:19
independence
13:15 28:21
41:23 44:15
47:17 59:15
60:1 73:17
76:4,8 84:24
90:8 111:23
112:15 115:21
116:13 121:6
121:10 125:13
132:5,22 134:6
137:3,13,16
139:21 141:22
141:23,24
170:24 174:18
174:20,21,23
175:1 184:1
185:3,14,18
indicate 7:7
15:15 118:10
118:24 172:17
indicated 172:6
172:10
indifferent
64:18

individual
45:18 66:13
77:19 108:11
128:14 129:1
161:10 177:2
182:13
individualism
75:3
individually
73:8 96:23
individuals
200:17
indulgence
174:13
inflection
28:22 76:6,7
76:18
information
127:22 135:13
informed 59:24
185:18 194:17
infusion 144:16
inheritance
75:22
initially 54:21
105:20
initiatives 2:17
9:4
inner 12:22
107:3
innovative 92:8
input 74:16
inquiring
109:15
inscription
10:18 11:7
12:6 13:10,16
13:19 42:14,25

October 16, 2024

Page 27
44:11
inscriptions
10:19,25 42:16
43:2 103:5
107:22 195:23
inside 146:11
151:24 174:18
175:2
inspire 75:16
inspired 11:5
42:18 86:6
202:13,25
inspiring 58:6
instance 133:7
instances 35:15
instant 141:11
instantly
137:24 156:22
intensity 11:12
intent 107:21
intentional
81:22 82:5
interact 77:13
interest 33:3
39:8 127:13
interested 33:5
208:17
interesting
24:16 28:13
35:1 82:1 87:7
interfering
159:12
intergovernm...
2:13,16 8:9,17
interior 189:18
189:19
internal 36:7

www.CapitalReportingCompany.com
202-857-3376

interpret
149:16
interpretations
16:17
interview
111:11
intrigued 58:25
introduce 4:14
introduced
138:13
invalidate 94:4
94:5
invest 59:4
invite 68:10
involve 33:17
involved 70:9
83:15
iphones 124:24
ish 97:7
island 67:15
issuance 9:24
41:21
issue 24:25
39:23 123:10
128:5 145:25
148:20
issued 9:21
41:4,14 138:15
158:9 160:2
issues 9:10
154:15
it'll 71:1
108:23
item 65:9
iterations 9:23

Meeting

[james - know]
j
james 42:18,25
45:6
jarring 145:7
jeanne 1:24 5:6
17:1,4 18:3
22:4 25:10
33:21,23 34:1
47:25 48:2,24
83:6,8 84:4
116:3,5 117:25
130:10,13
132:16,18
142:22,23
143:17 144:9
145:4 149:13
151:12 157:5,6
162:20,23
163:11 173:6
182:25
jeanne's 95:1
jefferson 31:12
86:10
jennifer 2:13
6:23 7:1 8:8
128:1,2 160:24
180:5 182:16
jfk 63:13
joan 147:4
job 29:11 54:19
84:10 111:6
joe 36:1 100:23
101:22 106:23
107:2 108:1
143:13 145:15
152:13 189:4
190:2,8 198:12

October 16, 2024

Page 28
198:24
joe's 143:18
199:16
john 2:1 5:10
26:21 38:13,15
41:6 50:24
51:1 53:9
56:14 59:18
63:9,16,22
66:19 70:7
87:13,14 97:14
106:22 114:2
119:10 126:6
140:22 148:5
148:18 154:10
159:24 171:1
177:9,10 178:9
178:17 190:3,5
193:22,24
200:24 201:5
202:2
john's 86:5
94:12
join 8:25 28:11
88:4
joined 8:20
30:21
joining 6:4 9:6
joseph 2:11 8:2
36:6 93:17
107:4 143:21
152:25 189:13
194:14 198:14
199:4
judicious 78:8
july 21:24
135:12 184:19
185:23,23

jumping 101:9
k
keep 14:9 19:4
20:19 25:2
32:11 42:3
46:4 61:13
62:11 76:22
77:2 189:17
198:2 204:20
keeping 72:20
73:11 147:13
keeps 16:11
kellen 2:5 5:25
6:3 14:12,15
16:25 17:5
18:3 25:8,17
46:22 57:22
78:11 84:23
88:22 93:19,20
97:17 102:19
121:2 124:7,10
124:15 130:24
130:25 136:18
142:6,7,24
154:10 161:22
161:23 164:1,3
164:21 167:13
172:3 175:24
175:25 176:10
178:5,8 186:7
186:25 187:1,3
187:21 190:23
190:25 194:23
197:13,18,24
198:1,23 199:3
199:10,13,16

www.CapitalReportingCompany.com
202-857-3376

kellen's 56:7
57:21 140:23
142:21
kennedy 38:13
38:15 41:4,6,7
63:9,16,22,22
64:1,4,4
kerning 189:20
key 127:10
kid 158:21
killed 27:4 88:3
88:11,18
killing 98:15
kilroy 118:1
kind 14:18
15:13 18:13
27:14,21 28:7
51:10,14 52:5
52:6,14 53:24
60:22 62:19
63:21,24 64:2
82:16 88:9
90:10 95:9,10
100:12 103:4
103:17 112:24
117:11 119:14
131:8,19
134:20 135:24
139:16 140:24
144:19 149:5
150:23 157:25
159:16 175:9
186:1,6,8,10
187:19 198:10
202:18
knew 37:14
know 14:25
15:8 16:9,14

Meeting

[know - liberty]
20:23 21:21
22:6,7,13,22
25:16,18,23
26:2,4,13 27:9
27:18 28:20
29:17 30:5,11
31:15 33:7
35:9,18,19
36:1 37:11
39:9,10,11,12
39:14 46:14,21
46:23 47:1,10
48:11 51:21
52:2 56:19
58:13 59:2
60:11 61:13,16
61:18,23,25
62:4,6,8,8,10
62:11,12,15,18
62:19,20,22
63:1,4,8,9,13
63:16,20 64:2
64:11,16,19
66:11 69:1,3
69:15 82:15,24
85:4 86:23
90:18 94:17
95:15 98:17
100:23 106:3
107:11 109:8
110:2 112:4,19
112:23 115:12
116:25 117:10
118:21 120:6
122:21 128:6
130:16 136:4
142:25 144:14
149:6,6 152:17

October 16, 2024

Page 29
152:18 162:1,6
165:14 167:23
172:5 175:1
186:6 188:8
189:4,7,23
191:24 192:11
198:21 201:13
201:14,14
205:23
knowing
184:12
knowledge
42:5,19,22
43:1 44:25
45:7 58:22
69:3 76:25
124:25
known 98:19
99:24,25 120:4
knows 41:20
107:7 112:21
kristie 2:8
l
l 189:24
la 20:11
lack 54:1 138:8
lady 49:11 50:1
118:10,15
119:1 155:12
land 147:4
landed 55:15
language
174:22
laptop 123:3,7
large 58:10
64:7 68:6
113:17 157:21

larger 23:21
73:22 103:18
131:25
latch 110:8
130:2
late 26:23 62:1
laugh 34:17
laughter
193:21 205:14
laurel 11:9
12:3,15 17:12
18:6 19:4,17
25:12
laurels 12:1
layout 18:18
lays 14:24
lead 60:25
75:10 146:25
leader 2:1,2,3
5:12,14,17
leading 43:6,11
59:2 76:2
leaf 52:21
leaning 11:12
67:11 68:8
learn 110:4
learning 2:17
9:4
leave 65:18
78:22,25
102:17 108:3
135:22 175:16
176:23 192:6
leaves 11:16
led 28:20
lee 2:17 9:3
34:7 35:23
68:10 175:19

www.CapitalReportingCompany.com
202-857-3376

left 93:4,15
96:2 99:4
105:15,21,23
106:13 123:25
130:15 143:24
163:2,5 198:15
legal 14:3
45:24
legible 47:8
123:8
legislation
39:17
legislative 2:13
2:15 8:9,17 9:1
lends 122:13
lens 175:14
lesser 158:3
lesson 18:9
69:20
letter 184:14
184:15,22
lettering 130:1
152:14 159:13
letters 144:1
172:5,16
206:25
letting 35:21
level 47:13
liaison 2:13
6:22 8:10
liberties 21:6
21:17,20 92:25
93:9 96:10
97:6 99:8,11
99:13,14
150:21
liberty 9:25,25
10:3,5,13,15

Meeting

[liberty - look]
10:18,25 11:4
11:6,9,11,16
11:19,22 12:2
12:4,7,14,17
12:24 13:16,18
15:9 16:14
17:7,21 20:10
21:8,13,15
22:5,15 25:2
26:5 29:1,4,6
32:3,5 35:6
41:10,12,14,17
41:18 42:13,24
43:2,5,9,18,20
43:23 44:1,3
44:23 45:1,8
45:10,17,19
46:24 47:8
48:9 49:12
50:2,19 51:19
51:24 54:2
55:24 56:5,12
56:23,24 60:11
60:12,25 62:22
62:23 67:14,15
67:22 75:2
80:16 81:3
82:16,23 83:2
83:3 87:8
89:12,13,15
91:2,4,15 93:8
95:3 96:1,8,18
97:19,20 98:1
98:5,6 99:3
102:14 106:6
108:17 109:4
110:22 114:16
114:25 115:2,4

October 16, 2024

Page 30
115:8,19
116:15,23
118:10,14,15
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120:21 121:15
121:16,22
123:20,21
124:17,18
129:22 132:20
133:4 134:3,11
135:4,5 137:22
139:15 140:1,1
140:25 143:1
143:10 150:18
150:23 151:2,5
151:9 153:19
153:21 154:6
155:8,13,19,24
156:2,14,19,20
157:8,23 158:4
158:13,18,19
158:25 159:25
160:9 171:3
184:16,24
185:14 189:15
189:19 190:6
190:12,12
195:14,19,22
195:25
liberty's 12:9
12:20 24:12
43:15 45:4,14
92:21,22,23,24
library 2:17
9:5 69:1
life 53:14 203:1
lifetime 112:3

lifetimes 98:19
lift 65:9
light 43:18
45:5 67:21
lighting 12:21
43:24
likable 15:6
liked 19:20
66:4,4 88:5
98:24
likely 115:9
likes 27:23
85:15 154:4
limited 75:1
line 54:4 68:15
68:21 106:25
121:12
lines 59:6
165:21 177:11
linked 138:2,17
listen 60:19
149:17
listened 70:4
78:9 86:12
listening 4:13
97:16
literally 127:19
literalness
186:10
little 9:19
18:22 21:3
23:24 24:24
26:16 28:3
29:25 30:6,13
33:3 35:17
41:2 46:15
50:6 51:11,17
65:12,14 70:20

www.CapitalReportingCompany.com
202-857-3376

71:18 73:21
80:3,21 85:6
85:11 86:7
87:7 88:7
90:17 92:10
93:13 97:1,10
100:20 101:6,7
111:24 113:24
117:6,9 118:1
119:19 122:20
125:9 126:16
131:14 139:19
141:5 143:14
147:19 148:25
161:6 187:7
201:16
live 4:10 79:19
81:2 109:10
110:18 130:8
lived 83:13
lives 67:14
lobby 95:23
137:20
lock 147:9
london 60:2
long 23:11
38:12 127:4
135:11 205:24
longer 175:19
175:20
look 9:7 16:11
19:15,24 20:9
21:12 24:16
32:6 36:10
52:20 54:1,19
59:10 70:8
72:20 73:2,9
77:4,19 79:17

Meeting

[look - makes]
81:10,18 82:20
87:21,25 88:15
88:17 92:8
95:14 98:21,22
98:25 101:1
103:9,11,19
104:24 108:6
108:16 109:16
113:22 118:1
128:11,11,14
133:16 141:14
143:8 144:25
145:2 175:13
183:25 189:12
206:22
looked 20:8
27:2 37:15
49:4 52:23
73:7 111:25
112:14 119:18
119:19 202:2
looking 16:9
23:6 28:15,19
29:6 30:5
31:22 32:7
35:25 42:8
44:3 48:6 50:4
55:23 56:13,23
57:3 66:10,14
69:17 72:24
77:17 80:21
86:25 87:20
90:24 92:14
93:7 94:15
95:20 101:22
102:4 103:7,25
104:1,2,19
112:15 117:7

October 16, 2024

Page 31
123:2 131:14
131:23 133:6
133:11,15
142:11,25
144:12 149:14
188:17
looks 15:2 20:1
29:24 43:13
51:19 53:17
76:21 88:7
95:9 105:6
114:3 116:22
126:4 147:11
149:20 169:17
loosey 139:19
lore 134:14
135:15 136:8
137:7 186:1
lost 32:8 78:15
100:8 177:5
lot 16:22 27:2
27:12,25 28:3
36:2,7,17 52:8
52:16 53:4,21
80:13,23 95:6
106:9 110:7
111:19 124:14
138:22 141:4
144:12 145:1
loudly 115:2
love 30:15
47:19 50:16
54:3 68:5
88:25,25 89:1
109:23 116:2
139:2 155:8
160:11

loved 23:17
54:21 80:23
106:3
lovely 17:16
48:21
low 145:12
lower 20:1
lukewarm
84:25 85:11
90:6 92:10
lumberjacks
201:11
lunch 128:1,10
128:20 145:25
160:17,18,25
m
made 6:19
15:21 16:22
22:4 24:8 29:8
30:7 34:16
35:11 36:9
56:14 63:11
65:10 93:18
94:2 200:4
madison 42:25
68:25
madison's
42:19 45:7
magic 85:25,25
main 33:18
98:2 102:24
107:14 121:7
136:24
maintain 44:21
45:19
maintains
38:12

www.CapitalReportingCompany.com
202-857-3376

majestic 26:18
26:18 30:13
majority 2:2
5:14 56:15
make 23:9
30:18 31:2,6
37:13,25 47:2
49:8 57:2
59:23 70:17
77:13 80:17
100:23 102:16
105:10 107:5
108:15 111:12
113:20 121:13
129:3 131:12
131:21 136:1,5
137:8 139:4
146:1,7 156:2
160:19 162:9
165:15,23
166:1 167:23
168:2 176:2,5
177:3 178:21
183:6 186:2
189:15 190:1,4
190:5 191:19
191:20 193:19
194:3 196:21
198:10 199:21
200:10,15
201:6 202:22
202:23 203:1
205:11,16
makes 47:8
57:15 64:21
107:1 145:14
148:25 153:19

Meeting

[making - member]
making 10:10
21:19 40:3,16
57:20 72:2,11
85:5 128:21
142:11 156:13
185:13 188:5
196:11 199:15
management
2:8 7:10
205:22
manager 2:10
2:10,11,12
7:19,22,25 8:6
marchers
202:6
marches 200:5
marching
150:22 151:5,6
margarine
27:18 34:15
mark 11:7
18:14 155:24
156:21
marketing
113:3,4
markup 160:3
marry 145:13
marshal 83:15
mass 94:17
massive 65:15
match 68:21
121:24 122:4
122:11,17
133:9 141:20
143:9,12
matching
142:10

October 16, 2024

Page 32
math 18:9 31:8
69:20 127:7
matter 8:21
34:7 37:5
71:10 74:17
103:19 126:19
133:25 134:1,7
135:9 137:1,21
139:13 146:20
150:17 160:20
184:10 185:24
192:1 195:17
196:19 197:7
202:15 207:16
208:3
mcnally 2:8
mean 27:12
28:3 32:12
42:20 51:24
52:13 57:10,14
83:23 88:20
96:22 100:8,9
103:10,21
107:11 112:6
113:7 117:7,8
117:12 120:5
141:21 144:11
148:9,15,16,21
149:9 154:3
172:7 189:3
meaning
137:12
means 75:22
92:16 127:13
meant 19:23
35:11 127:11
202:4

measure
127:12
medal 51:18
113:2,4 148:15
148:16,17
medallic 1:25
5:7
medals 148:17
media 7:2
meet 34:23
36:20
meeting 1:5 4:7
6:14,25 8:21
43:21 60:9
70:14 135:9
meets 14:21
156:21
megan 2:9 7:12
melt 160:1,1
member 1:17
1:22,24 2:4
4:18,21 5:1,3,6
5:9,18,22,24
6:2,7,9 14:14
17:3 18:1
19:11 20:16
23:1 25:7
26:22 30:23
31:3 32:11
33:1,10,22
37:13 39:4,18
39:21 46:10
48:1 49:2 51:1
51:9 53:12
55:20 57:24
61:13 65:1
69:14,22 70:2
70:4,25 78:2

www.CapitalReportingCompany.com
202-857-3376

79:5 81:6,14
82:6,9 83:7
84:6 85:20,23
86:3,4,21,23
87:14 88:23
97:16 98:17
99:20 100:2,4
102:11,13,21
103:16 104:18
104:22 105:9
105:24 106:23
107:19 108:12
109:20 111:13
113:10,12
114:11 116:4
117:21 119:11
121:3 123:19
129:4 130:12
130:25 131:6
132:17 135:3
136:7,11,19
137:18 139:10
140:9,22 141:7
142:8,19,23
146:6,14 148:6
148:15 149:13
150:4 151:1,11
151:21 152:7
152:10,23
153:16 154:8
154:11,21
155:2 156:12
157:6,15 159:3
159:6,7,9,11
159:14,20,23
161:17,25
162:16,21
163:3,8,21

Meeting

[member - modern]
164:2 166:1,4
166:7,10,14,16
167:15,21
168:10,16,21
169:3,22 171:2
171:5 172:4,21
173:19 176:1,6
176:10 177:10
177:22,25
178:7,13,15,20
179:6,11,18,25
181:10,12,17
182:25 183:8
183:16 184:8
185:4,7,10
186:12 187:3
187:24 188:1,7
188:24 189:2
190:4,15,23
191:3,20,23
192:9,15,18
193:12,20,24
194:3,9,25
195:13 196:4
197:1,13,25
198:23 199:3
199:10,16
200:3,21,25
201:5,18,22
202:1 203:5,21
205:1 207:9,11
members 1:16
4:11,15 6:23
14:9 46:4
67:12 74:15
77:22 83:10
85:2 92:1
145:1

October 16, 2024

Page 33
memory 63:21
menna 2:11 8:2
8:4 36:6,6
93:16,17 96:3
107:4,4 143:21
143:21 145:9
152:22,24,25
189:13,13
194:13,14
198:14,14
199:1,4,4
mention
133:21 134:4
mentioned
18:8 33:13
37:25 59:18
136:25 146:10
159:11
mercury 23:14
86:17,17 100:3
merit 54:17
109:13
message 50:14
100:8 147:20
153:20 155:11
messaging
123:22
met 27:13
metal 80:6
107:7
metaphorical
137:12
methods 86:18
mic 109:9
133:6 180:23
michael 2:2,12
5:13 8:5 145:4

microphone
131:2 139:11
mid 138:6
middle 146:19
155:6 187:10
187:11
mike 7:2 30:21
55:19,21 67:7
70:3 78:1,3
79:5,24 80:7
81:17 100:1
107:6 108:11
108:13 109:21
181:17,21
183:16 186:17
191:23 192:8
192:13 195:7
204:25
mike's 110:25
202:21
military 55:12
millimeter
15:18
mind 60:17
61:24 72:20
73:11 75:23
77:3,18,23
78:10 87:24
103:19 137:4,8
minds 70:5
121:19
minimum 78:7
minor 104:11
minority 2:1,3
5:11,17
mint 1:1 2:7
6:22 7:6 9:9
81:8 84:8 94:3

www.CapitalReportingCompany.com
202-857-3376

94:5 111:7
144:10 165:20
196:19 197:2,3
197:6 198:10
200:10 205:21
206:15 207:5
208:5
mint's 113:3
mintage 158:10
minted 41:9
147:17 157:20
minute 37:3
71:9 126:17
minutes 14:10
26:24 46:5
128:1,10
mirror 105:15
mischievous
27:9
missed 18:14
109:2
missing 20:2
33:6 78:17
90:21
misspoke 19:23
mistaken
129:17
misunderstood
145:10
mitch 127:7
modern 14:23
15:4 16:12
29:5 42:7
49:13 54:1,19
56:5 59:19
65:21,22 86:1
110:3 115:9
119:15

Meeting

[modernistic - name]
modernistic
102:2
modification
193:9
modifications
162:14 182:14
182:22 184:4
186:23 188:21
191:10,18
197:22 199:21
199:24 203:19
205:4,10
modified 183:7
200:6
modify 183:6,9
183:12 193:4
203:8
moment 8:18
22:20 73:13
77:24 92:20,22
93:3 96:21
141:15 163:13
164:10,11
166:22 168:6
170:2 206:3,22
momentarily
111:11 161:20
momentous
12:11 73:12
moments 76:19
momentum
45:12
monarch 10:15
monarchy
11:21 12:11
22:13
monetary
129:18

October 16, 2024

Page 34

money 80:16
80:21 115:16
months 41:5
198:7
moran 2:2 5:13
30:21,23 31:3
32:11 55:19,20
55:21 69:22
70:2,4 78:1,2,3
86:21 100:2
102:11,13
107:19 108:12
108:13 166:1,4
166:7,10,14,16
168:10,16,21
181:17,17,21
183:16,16
191:20,23,23
192:15 195:7
200:3,21 205:1
morning 4:3
9:19 19:11
20:17 23:2
34:10
mother 27:15
27:19,21 34:14
motifs 119:6
motion 73:19
162:11 163:11
163:14,18,20
163:22,24
164:7,14 166:2
166:19,22,24
167:3,11 168:9
168:13,15,19
168:24 169:2
169:21 170:1,4
170:5,16 171:9

171:18 172:24
172:24 173:2
173:16,18,23
174:12 176:2,5
176:21 177:16
177:24 178:24
179:13,18,21
181:14 182:10
183:6,11,18,24
184:22 185:6
185:11 186:13
186:16,18,21
188:5,17,18
190:5,6,10,17
190:19 191:8
192:10,13,17
193:19 194:2,4
194:5,21
196:11,22
197:1,5,11,20
198:10 199:14
200:15,23
201:21 203:7
203:10,18
205:2 207:8
motions 128:21
146:1 161:4,9
161:14 162:10
162:15,19
171:1 172:19
175:23 177:9
179:17 181:9
motto 54:3
move 37:11
38:8 40:21
97:18 98:8
121:6 132:5
140:6 145:16

www.CapitalReportingCompany.com
202-857-3376

146:4 161:7,10
162:24 166:4
166:10 170:23
171:2 173:20
175:22 176:7
177:11 179:15
183:9 184:14
188:12 192:24
196:7 197:3
199:20 200:10
202:18 207:9
movement
76:10 84:17,20
204:1,5
moving 12:19
40:10 53:25
68:3 85:10
92:21 94:18
115:22 121:8
155:11,18
161:2 171:20
171:23 172:18
177:4 191:12
muddling
153:25
multi 200:5
multiple
165:15 167:18
167:24 168:3
mushroom
117:10
n
n 3:1,1 4:1
n.w. 1:13
nailed 104:14
name 4:12,16
7:8 120:12

Meeting

[name - nurturing]
128:4
names 191:24
narratively
106:8
nation 10:16
11:24 12:18
13:20 26:5
45:15 69:5
77:15 86:1
186:8
nation's 11:8
43:19
national 9:2
34:24 59:5
185:17
naturally
122:13
nature 27:15
27:19,21 34:15
44:20 145:11
near 92:24
neat 103:23
neatly 103:4
necessarily
16:2 38:23
74:2,8 104:8
112:5 114:23
131:12 134:13
138:17 144:11
150:24 180:9
196:17
necessary
43:25 105:15
195:14 203:9
necessity
203:24
neck 52:8

October 16, 2024

Page 35
need 9:10 18:9
25:11,23 28:18
31:9 33:24
78:22,25 89:3
98:6 102:13,17
107:20 108:3
108:15 118:9
120:13 121:13
121:13 124:11
133:16 141:11
149:4 150:8,16
151:3 153:17
154:2 157:2
165:22 180:17
183:1 194:20
196:17 202:21
needed 45:18
59:21
needs 26:11,12
100:20 112:9
189:16
negative 18:20
32:18
neither 208:11
neocolonial
120:19
nerdy 112:12
112:24
network 32:9
never 56:16
64:6 98:19
127:11
nevertheless
29:15 30:14
96:4
new 10:16
12:18 13:20
38:13,14 42:12

44:24 45:12
63:10,17 64:3
95:5 101:3,12
136:8
news 89:19
nice 18:10
27:19,24 28:8
48:18 51:15
52:14,18 53:5
53:5 82:25
89:12 100:9
117:3,4 121:22
131:19 143:3,4
175:3 192:22
nicely 110:12
144:7 192:1
nickel 198:6,25
night 59:22
nine 174:7,8
183:20,21,23
188:19 203:13
203:15,16,17
nineteen 72:10
nineteenth
76:11,16
nitpicking
88:20
nobody's
116:16
nod 11:14 12:9
non 39:6 52:7
60:3 65:24
norman 95:13
note 8:19
noted 174:17
notes 135:8
notice 81:21
82:7 104:24

www.CapitalReportingCompany.com
202-857-3376

121:10
noticed 81:22
98:18
number 21:2
29:10,21 33:24
48:15 49:9
50:10 54:7
55:2,16 56:8
57:1,8,9 60:3
63:2,3,4 66:17
68:4 70:10,16
74:21 79:1
83:22 86:22
88:5 93:6,12
93:13 94:7,19
94:21 96:1,6,7
99:7,12,17,23
102:25 104:14
108:16,19,20
123:10,13
142:14,17
158:22 166:11
166:11,12
168:11 170:25
numbers 19:21
173:1
numismatic
1:18 6:10 80:9
96:20
numismatics
2:4 5:23
numismatists
80:14
nurture 50:18
nurturing
43:10

Meeting

[o - oh]
o
o 3:1 4:1
o4a 40:7
o6 40:8
oak 44:18
52:21 141:2,21
142:19,20,25
object 26:13
objection 135:7
objections
56:18
objectives
74:20
obligated
165:22
obscure 15:25
observation
42:19 105:7
191:21
observations
68:14 102:16
observe 82:14
obverse 9:14
10:4,13,19
11:2,22 14:15
18:4 19:3,5,14
20:24,24,25
21:11 23:23
24:13 27:1,6
29:3 30:19
31:1,3,15
38:11,12 40:1
40:2,3,5,5,23
41:7,10,17
42:12 43:5,17
43:20,23 44:2
46:12,21 47:4

October 16, 2024

Page 36
48:3,5,22 49:9
49:22,25 50:20
50:21 51:2
53:15,19 54:6
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obverse's 12:13
12:17
obverses 11:4
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15:23 18:13
21:7 23:12
49:7,21,24
53:13,14 54:16
55:14,23 68:1
71:20 77:17,18
80:3 81:1

www.CapitalReportingCompany.com
202-857-3376

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obvious 47:11
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obviously
29:14 36:8
96:17 124:10
occasion 73:13
occupied
190:12
occurred 125:2
occurs 97:18
october 1:8 4:5
odd 188:3
oddly 106:19
offer 77:22
108:10 164:5
167:24 168:3
offers 23:18
office 2:8,15
7:9 8:16
205:22
officials 44:8
oh 32:23
132:18 136:19
137:16 142:7
142:20 146:5
148:5 154:9,10
159:14 163:16
166:6,21 172:2
177:5 178:4

Meeting

[oh - own]
183:8 184:7
185:22 187:1
188:10,16
190:21 191:4
194:11 197:24
199:3 200:2
okay 19:1
24:23 27:22
31:4 37:19
39:22,24 51:6
53:3,3,3,21
79:14,25 89:10
96:4 102:12
105:24,24
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122:25 132:10
133:20 137:22
141:2 154:22
159:11 163:10
163:17 167:7
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168:18,23
169:25 170:22
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177:15 178:15
180:21,24
181:14 182:18
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186:17,20
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188:10 190:2
190:16 191:4
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October 16, 2024

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ongoing 137:12
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operate 115:19
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opportunities
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ought 168:12
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202-857-3376

outdated 89:16
outfit 147:25
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9:4
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overall 18:18
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overarching
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overnight
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overthrowing
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own 16:16
28:10 42:21
59:19,23 60:21
66:9 90:14
168:2

Meeting

[p - period]

Page 38

participant
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p.m. 4:8 160:21
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packaged
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painting 95:13
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particularly
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pairings
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parchment
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pardon 137:25 pass 43:21 62:7
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p

October 16, 2024

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202-857-3376

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percent 120:8
percentage
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108:23
perfectly 27:24
79:6 85:14
89:3 120:23
period 38:25
76:2 87:4
134:8 137:4
144:14

Meeting

[periphery - point]
periphery
152:14
permission
94:2
perpetuate
69:5
person 87:21
117:7,9
personality
95:21
personally
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168:4
personification
118:14
personified
10:14 41:10
42:13
perspective
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93:24 94:6
95:5,11
peter 1:14,17
5:19 6:9 18:1
32:22 33:10
53:12 55:20
78:2 104:22
105:12 108:12
128:9 160:24
196:4
peter's 32:1
pharaohs
147:4
phase 105:14
phenomenal
111:6
philadelphia
41:19

October 16, 2024

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piggyback
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pivot 92:18
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planchet 36:1
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planned 100:10
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www.CapitalReportingCompany.com
202-857-3376

pleasure 15:20
pluribus 11:1
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pods 11:16
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159:24 161:13
165:13 169:20
175:5,11 180:6
184:9 185:12
195:7,13 201:1
201:6 202:21
205:25

Meeting

[pointed - presenting]
pointed 66:19
67:7 69:16
114:2 132:19
203:4
pointing
174:19,24
196:6,10
points 28:22
33:5,7 40:2,3,3
40:12,12,13,14
40:15,16,18,18
47:23 66:1
70:22 71:21,23
71:23,24,25
72:2,5,8,9,10
72:11,13 76:7
76:18 85:7
89:7 104:10
106:10 109:24
150:5
polished
143:25
polling 114:6
pop 58:24
144:6 151:16
151:16
populace 69:4
popular 14:25
157:21 158:10
158:13 162:3
popularized
138:6
population
120:6
portfolio 9:13
21:19 22:21
23:5 26:7
28:16 40:21

October 16, 2024

Page 40

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portrayal 67:6
portrayed
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position 190:11
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positive 48:8
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positively
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possibilities
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possibility
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possible 40:2
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post 95:17
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potter 2:17 9:3
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68:12
power 42:22
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68:25 101:5
powerful 64:8
83:12 117:15
158:8
powerfully
13:4
praise 91:25
precursor
69:22

www.CapitalReportingCompany.com
202-857-3376

preeminent
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prefer 18:17
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preference
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preferences 9:8
preferred 60:9
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prejudice
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prescriptions
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present 1:16
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5:24 6:2,7 7:7
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7:23 8:1,4,7,11
8:14 9:16
40:25 71:15
75:15
presentation
190:8
presented
95:19,21
187:18
presenting
96:16

Meeting

[presents - putting]
presents 94:21
preserve 16:15
45:18
president 9:22
41:6
presidential
41:8,22
presidents 26:6
26:6 87:5,6
presiding 1:15
press 6:24
pressing
147:11
pretty 52:11,12
67:19 80:18
84:13 113:7
121:4 123:4
142:10
previous 9:23
46:16 89:25
142:10
primarily
109:23
primary
131:10
principles
75:18
prior 14:11
37:17 46:6
private 136:15
privilege 78:3
151:6
probably 19:1
25:19 26:9
27:12 32:1
39:2 51:15
52:9 53:7
94:13 111:23

October 16, 2024

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process 75:18
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producing 30:4
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professional
2:17 9:4
professor
127:7
professors
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profile 12:13
41:7
program 14:4
38:3,9,10
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74:12 75:24
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programs 8:22
progression
28:19,25 29:19
30:2,2 92:20
project 205:23
projecting
122:3 133:12
prolong 103:25
prominently
10:18 42:13
promise 45:6
107:19
promote 75:9
promoting
74:21

prompting
60:5
proof 3:9,11
proportion
65:8
propose 87:9
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proposed 170:1
protect 45:17
59:4 135:19
protective 45:9
proud 48:7
78:5
proudly 43:5
43:14
public 1:21 2:5
2:5 4:7,9,13,20
6:1,6,13,25
14:24 15:6
16:1,16 51:22
56:16 59:25
61:5,6 84:14
85:1,2 89:18
92:4 109:15
110:3 113:13
113:14 114:22
117:2 123:19
124:23 125:10
126:25 130:3
134:10 137:24
138:1 142:12
pull 114:14
140:14
pulling 114:12
pun 137:25
purdie 2:5 6:5
6:7 22:25 23:1
23:3 48:25

www.CapitalReportingCompany.com
202-857-3376

49:2,3 84:6
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192:9,18 203:5
203:21,22
purdy 192:9
purpose 11:12
17:17 18:12
45:12 131:25
156:3
purposeful
36:13
pursuing 16:19
82:12
pursuit 140:2
push 139:5
pushing 147:22
put 24:9 31:24
33:7 50:9 51:3
51:20 52:6,12
52:18 70:22
78:11 87:15
88:19 91:15,16
98:3 107:21
136:19 148:7
149:4 153:6
187:14 190:12
190:21 192:1,4
193:25 203:14
204:9 205:17
putting 21:1,2
26:16 27:11
28:6 29:23
51:23 120:12
148:2,2 150:25
156:7 158:17
191:24 205:20
206:4

Meeting

[qualified - read]
q
qualified 1:17
1:23,25 2:4 5:1
5:7,23 6:9
quality 94:9
quarter 10:10
38:8,9,10 51:3
51:5 59:15
66:20 79:13,15
80:5 89:13,24
91:15 97:19
98:1,8 99:19
109:19,22,25
110:11,18
113:25 115:1
120:5,10 121:1
121:6,21
122:12 125:13
126:7 132:6
137:16 138:25
139:3 140:7
142:4 145:11
145:17 147:16
147:24 148:19
150:12,20
152:5 156:25
170:24 172:19
173:4 174:5,20
175:22 176:15
177:5,8 179:16
181:3 184:1
188:11,13
191:13 192:25
195:23 196:9
196:13 198:5
199:22,23
204:3

October 16, 2024

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quarters 21:14
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99:8,13 124:17
145:19 150:22
170:23
quest 10:24
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question 33:1
63:25 80:6
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152:12 162:1
172:1,3,5
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188:24 189:2
195:1 198:23
questions 14:4
32:24 33:9
34:6 35:23
36:24 45:24
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146:2
quick 69:14
87:22 102:22
110:7 136:22
159:3 161:25
187:4 198:23
quickly 88:16
quill 141:19
quincentennial
71:16
quite 15:5,13
27:3 58:19
68:6 82:20
88:24 89:9

96:25 103:8,11
103:12,17
104:10 109:11
135:16 155:23
185:19
quorum 6:12
quote 68:25
69:6
quoting 42:25
r
r 4:1 208:1
rabbi 202:5,8
race 130:19
races 60:4
radical 104:9
radio 5:19
rail 113:16
railing 116:23
raise 56:19
61:9 164:18
165:3 167:3,8
167:10 169:5
169:13 170:9
170:14 171:9
171:15 173:9
173:13 174:5,9
176:17 179:4,8
181:3,25 182:5
183:18 186:18
188:2 190:19
195:1 197:11
197:16 203:11
raised 30:12
33:21 89:23
97:15 102:20
104:17 107:8,9
124:11 126:6

www.CapitalReportingCompany.com
202-857-3376

136:17 144:1
151:20 152:16
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164:1 165:5
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171:10,16
173:10,14
174:6 175:25
176:18 179:5
179:10 181:4
182:2,7 183:19
186:19 187:2
190:3,20
193:23 195:12
196:3,25
197:12,24
203:12
raising 13:18
rang 135:12
136:8,8,9
185:22
range 10:20
21:20 42:17
ranges 50:17
rather 29:21
90:22 96:6
103:2 113:21
115:13 119:6
147:12 164:17
rays 45:5
reach 165:17
reached 81:16
reaching
147:19
read 21:15
37:22 103:12

Meeting

[read - reconsideration]
117:1 129:11
133:13,13
137:13 172:25
180:10
readable
131:13,21
readily 141:13
reads 13:11
19:25 21:16
190:13
ready 39:25
41:1 71:17
85:20,21
160:17
readying 43:21
real 58:23
72:15 97:7,24
129:23,23
142:25 159:3
180:6,23
202:25
realistic 65:4,7
reality 183:14
really 14:17
15:5,12 16:5
18:5,9,13,17
25:9 26:10
32:2 34:1,19
35:8 39:11
48:8,20 50:19
54:5,13,18
55:7 57:16
58:3,19,23
59:8 60:18
64:16 65:14
67:25 68:4,6
68:20 70:15
78:5,6,18,21

79:6 80:22
81:9 82:20,25
83:5,5 84:18
88:24 89:9
90:3,21 91:24
92:3 99:21,22
100:6,14
101:18 103:4,6
104:14 107:8
109:1,17,22
110:6,7,19
111:2 116:16
116:17,25
120:1,11
122:10,23
123:24 125:11
127:19 131:7
133:3 136:13
136:22 138:6
139:5 150:2
156:22 158:6
159:17 186:1
188:1 189:15
206:2,5
rearrange
195:24
rearranged
195:20
reason 18:23
33:18 49:16
55:13 58:2
59:16 98:24
99:2,3 102:25
121:7 131:10
131:15 136:24
198:24 199:5
reasonably
109:2

October 16, 2024

Page 43
reasons 25:8
93:6 142:13
157:3 204:2
rebuilt 135:17
135:19
recall 36:8
125:17
receive 92:5
received 40:2,3
40:5,6,6,6,7,7
40:7,8,8,8,9,11
40:12,13,13,14
40:16,17,18
71:21,22,23,24
71:25 72:1,2,4
72:5,6,6,7,8,9
72:10,10,13,25
73:3 77:19
85:8 90:16
91:25 93:2
recognizable
32:4 64:13
115:3 137:24
156:22 158:2
192:2
recognize
35:10 55:6
125:11 138:12
156:22 204:7
recognizing
75:6
recommend
111:20 157:12
162:9,24
163:11,19
165:19,20
166:20,22
169:23 170:2

www.CapitalReportingCompany.com
202-857-3376

172:25 173:3
173:20,23
176:7 177:17
179:22 181:15
182:14,24
184:5 188:23
191:11 199:25
205:19 206:11
recommenda...
6:19 82:5
162:13 163:9
165:18,23
169:18 170:18
172:16 178:19
182:12 191:16
193:3,6
recommenda...
3:8,10 6:17
72:22 128:22
160:19 161:2
165:15 168:1
204:17 206:23
recommended
2:1,2,3 4:23
5:11,13,16
184:2 188:13
191:14 193:1
200:1 205:7
recommending
33:16 167:18
170:8 174:3
176:14 178:18
179:1 181:2
reconsider
87:11 88:5
93:13 157:10
reconsiderati...
88:20

Meeting

[record - resembling]
record 7:5 8:20
37:6 46:6
71:11 126:20
160:21 180:9
207:17 208:10
recorded 208:8
records 9:2
redbook 98:21
redesign 38:3
73:14
redundant
17:14
reexamine
106:2 120:13
reference 11:16
11:24 29:16
30:7 134:20
201:7
references 94:8
94:11
referencing
38:18
referred 9:20
198:18
referring
157:16
reflect 10:16
74:24 75:7
77:4 200:6
203:9
reflections
95:17
reflective 203:3
refrain 73:19
refuel 160:18
regard 19:20
57:7 65:2 66:2
103:24 114:1

October 16, 2024

Page 44

121:5,20 123:2
123:16
regarding 36:8
regardless
105:21
register 118:12
related 59:1
73:1 115:20
208:11
relationship
145:20 175:10
relative 208:14
relatively
119:4
relief 145:7,12
152:16
remain 195:14
remains 96:19
remarkable
14:17 82:20
remember
27:20 33:13
34:14,18 35:19
95:14
remembering
22:6
remind 4:11
14:8 27:14
46:4 72:18
73:24 114:5
129:12
reminded
195:8
reminder 44:12
128:3 193:14
reminding
34:19

reminds 27:21
87:17 99:5
129:25 147:10
reminiscent
51:20 137:2
remiss 91:23
remotely 6:4
6:24
remove 18:8
removing
193:5
rendition 53:25
54:7,22 56:1
67:5 80:16
renewal 32:2
renewals 22:17
reorient 52:10
repeat 25:11
157:11
repeatedly
91:18 102:23
repetition
119:6
replace 97:19
116:2,19 193:7
194:6
replaced 10:15
41:17,22
replacing
133:3 191:17
replicas 138:7
replicate 24:21
157:11
replicated
177:19 179:3
reporter
208:22

www.CapitalReportingCompany.com
202-857-3376

represent 13:1
25:13 28:25
29:18 44:8,14
58:21 59:20
125:5 132:1
200:18
representations
124:18
representative
134:6,14
135:24 202:23
203:2
represented
41:13
representing
1:20 2:5,5 4:20
6:1,5 11:10
12:18 13:14,24
43:7,25 44:19
45:5,17 113:12
134:23 186:7
represents
12:22 17:8
112:11
republic 12:12
42:3 44:22
62:11 76:22
86:2,6
request 36:20
requesting
12:6
require 112:18
required 42:2
44:12,21
195:23
resembling
35:16

Meeting

[resentful - revert]
resentful 27:9
88:8
resolute 19:15
resolution
36:17 73:23
82:21 95:10
resolve 11:20
resolves 154:14
resonance 85:1
139:23
resonant
121:17
resonate 23:16
35:3,8 112:5
137:25
respect 29:10
95:4 107:20
203:23
respectfully
129:12
respects 66:18
respond 4:15
144:22 202:2
response
105:12
responsibility
45:19
rest 17:15
20:20 97:2
102:4,6 105:7
124:24
results 3:6
resumed 37:6
71:11 126:20
160:21
retaining 87:3
rethink 116:7

October 16, 2024

Page 45
return 37:1,3
74:11 80:15
128:14
revelation
82:11
reverse 9:14
10:23 12:19
13:8,15,17,22
16:4,19 17:18
18:17 19:2,7
20:4 21:21,22
22:2,23 24:19
25:16,24 26:12
26:17 28:1
30:16,20 31:1
31:4,25 32:20
33:17,24 38:12
38:15 40:11,12
40:12,13,14,16
40:17,18,19,23
41:8,11,18
42:18 43:2
44:5,5,17 45:2
45:4,13,16
47:5,6,18,21
48:16,16,22
50:1,21,22
54:22 55:1,3
55:15 56:21,25
57:14 58:16,18
58:19,25 59:5
63:1 64:15
66:5 68:3,20
69:18 70:18,19
71:5 72:4,4,5,5
72:6,6,8,9,9,10
72:11,12 73:2
73:5,21 74:4

93:14 96:1
99:7 100:11,14
100:17 102:15
106:1,3,8,10
107:10,15
108:3 109:6,18
109:24 110:10
110:17,18,21
111:16,20,21
113:12,19
114:1,16,19
115:10 116:9
118:4 119:12
121:9 122:5,19
123:18,24
128:12,15,25
129:5,20
132:21 133:8
137:20 139:21
140:14,15,16
140:17,18,19
140:20 141:8
145:11 149:15
150:19 152:1
153:7,18,22,24
154:12 157:1,9
157:12 158:14
158:19 159:21
162:3,13 163:4
163:12,19
164:6,10,15
166:15,16,17
166:20,23
169:24 170:2,8
170:19 171:3
172:25 173:1,4
173:9,21,24
174:4 176:8,15

www.CapitalReportingCompany.com
202-857-3376

177:18,19
178:12 179:1
179:23 181:2
181:13,15,24
182:12,21,24
183:13 184:2,5
188:14,15,19
188:22 191:11
191:15,16
193:1,4 194:7
195:9 197:8,23
200:1,12,18
203:8,20 204:3
204:14 205:5,8
205:12
reverses 12:20
13:3,12 16:4
16:21 18:16,24
18:25 19:20
20:7 24:7 29:2
29:22 30:9
40:10 44:23
45:10 49:7,24
50:6,10 52:13
54:17,21,25
55:10 57:2
66:2 87:16
88:2,14,15
108:6,7 112:25
116:8 117:22
119:3 121:4
124:13 126:10
133:7 140:10
175:11
reversing
157:25
revert 26:3
63:23,25

Meeting

[reverts - rosette]
reverts 38:4,6
38:16
review 3:3,4
6:14 113:17
reviewed 9:13
reviewing 8:22
revisit 175:6
177:2 178:18
revolution
11:19 12:10
13:14 22:12
185:20
revolutionary
10:6 11:15
ribbon 10:1
19:22,24,25,25
20:4,5 32:14
32:17
ribbons 11:14
richard 8:25
34:22 68:16
rid 19:5 31:19
ride 26:24
ridiculous
56:18
right 9:11 14:7
15:14 16:25
18:11 19:8
20:12,16 27:8
31:5 32:24
33:8,20 36:23
36:24 37:8
39:1,3,20 46:3
46:10 53:9
59:13,13,21
60:16 62:6,6
62:22 64:7
66:7 67:21

October 16, 2024

Page 46
68:10 69:24,24
70:12,13,23
71:1,3 77:25
79:3,4 80:1
82:9 83:19,22
86:5,11,11,24
89:3 93:1,8,15
96:2,8 99:7,9
99:11,18 100:7
100:10 102:1,7
102:8 105:14
105:21 106:13
106:25 107:18
108:6,9 110:20
111:9,15 112:9
114:10,11
115:7 116:14
117:16 121:2
124:6 126:22
130:10,24
132:15 136:5
136:11 140:6,7
140:8,21 142:4
145:16,23
146:4 148:5
151:14 152:5
153:3,18
154:21,25
155:1,6 157:4
158:17,24
160:17,23
161:23 163:18
163:23 164:5,8
164:13,19,22
165:1,6,25
166:3,18,25
167:2,11 169:4
169:10,11,16

170:1,6,13,16
171:14,18
172:18,21
173:2,6,16,18
173:22 175:17
175:21 176:4
176:11,13,20
177:4,11,16
178:2,23
179:13,15,19
180:14,21,24
181:1,6,18
182:9 183:5,17
183:23,25
184:7 185:5
186:14,15,21
187:21 188:7,8
188:10 189:1
189:12 190:9
191:6,10,22
192:7 196:3,12
197:10,14,18
197:20 198:13
199:13,18
200:2,13
201:19,23
202:4,11,24
203:16 205:3,6
205:13 207:10
207:13
rights 22:18
44:7,16 51:4,5
51:6 76:17
79:13 83:16
89:1 110:17
116:9 123:1
126:1,4 152:5
177:5 179:16

www.CapitalReportingCompany.com
202-857-3376

181:3 199:23
203:25
ring 43:16
132:23 134:13
135:5 185:23
rings 136:12
rising 12:18
risk 106:5
156:13
robes 156:1
rockwell 95:13
95:16
roger 2:9 7:15
205:17,20
roger's 144:17
role 42:4 66:13
76:24
roll 3:2 72:15
139:1
roman 86:2
119:17
room 20:18
206:14,16
roosevelt 9:21
9:23 14:23
16:7 26:4 89:6
94:9,14 98:20
98:23,25 99:5
103:3,20
rosette 114:6
126:12 146:7
146:11,16
147:25 148:2
148:21,23
149:4,24
150:14 151:24
196:8

Meeting

[roughly - second]
roughly 37:3
round 206:18
row 92:5 95:8
150:10 159:7
159:10 202:6
ruby 83:16
85:13 105:17
110:20 187:17
200:3
rule 12:22
38:19
rules 15:24
run 4:8 156:13
rung 184:19
185:2
runner 126:11
russell 2:10
7:18
s
s 3:1 4:1
sad 55:7
safe 47:12
safest 22:23
safety 147:19
sake 59:20
187:14
sam 2:4 5:22
17:25 18:2
19:8 33:9,11
53:10,13 55:18
69:13 79:4
109:20 111:9
113:13 129:3,4
131:6 137:17
137:19 139:8
141:6,7 142:3
152:9,11

October 16, 2024

Page 47
156:10,12
159:2 166:25
174:1 196:3,4
sanders 127:7
sapling 44:18
52:21,24,24
57:10
saplings 52:22
sash 23:24 24:1
24:20
satisfied 84:22
192:23
saturday 95:17
saunders 2:1
5:11 26:21,22
50:25 51:1,2,9
70:7 86:3
87:14,14 97:16
106:23 119:11
140:9,22,22
148:6 154:8
159:23,24
171:2 177:10
177:10,22
178:13 190:4,5
190:15 193:24
193:24 194:3,9
200:25 201:5,5
201:18
save 86:21
saw 21:24
23:17 65:11
96:12 116:25
saying 93:25
109:22 148:18
156:4 187:22
says 17:21 20:5
22:5 28:5

48:17
scale 94:12,17
95:7
scarinci 2:3
5:16,18 25:6,7
39:4,18,21
61:12,13 70:25
85:20,23 86:4
86:23 98:17
99:20 100:4
111:13 135:3
136:7,11
148:15 153:16
157:15 159:6,9
159:14 179:18
181:10,12
188:24 189:2
197:1,2
scheduled 4:7
scheme 198:11
school 204:12
schumer 5:18
scope 51:13
score 36:25
37:2 71:5,5,7
scored 37:10
scores 37:9,14
37:17,20,23
71:15 73:1,3
74:2,6 77:20
127:2,2,21
scoring 3:6
33:4 39:23
40:4,17 72:3
72:12 73:25
74:4 108:7
127:8,10,11,19
127:20

www.CapitalReportingCompany.com
202-857-3376

screen 32:12
163:12 177:12
205:12,18
206:23
script 141:19
sculpt 133:12
133:12 143:15
144:10,21
145:7
sculpted
133:17 143:11
143:19 144:1,9
144:24
sculptors
144:10
sculptural
145:14
sculpture 1:25
5:7
seal 41:8,22
searching 32:6
seattle 60:2
second 4:6
54:24 76:5
78:15,21
105:18,24
114:5 125:17
153:23 154:12
163:14,20,22
166:24,25
169:2 170:4,5
173:5,6,25
177:23 178:1
179:24 181:16
181:17 183:15
183:16 185:6,8
185:11 190:17
192:10 200:23

Meeting

[second - seven]
201:20,21,22
secondary 34:1
183:3
seconded
163:24 186:12
seconding
201:3
seconds 171:6
176:10 180:1
181:19,22
207:12
secretary 168:2
184:23 206:12
207:1
see 14:22 16:23
21:9 23:21
25:11 31:7
50:1 51:22
55:12 59:2,3
65:14 79:23
80:7,15,22
81:20 82:3
84:13 85:17
90:25 94:13
103:3 108:16
110:12 111:3
112:16 113:22
114:2 117:3,6
118:20 119:16
119:16 120:8
122:11,19
123:15 140:9
143:22 145:19
145:19 148:9
148:10,10
150:9 152:21
160:11 163:12
167:13 168:9

October 16, 2024

Page 48
168:10,11,19
168:25 172:21
175:24 191:4
206:25
seed 11:16
seeing 20:10
79:7 83:17,17
95:5 96:22
110:10 139:2
seeking 65:21
seem 27:8
58:23 65:7
116:13 127:17
147:21 200:2
seemed 55:2
seems 27:22
48:18 53:1,15
56:25 58:6
65:8 67:5
83:18 97:22
106:19 108:13
133:9 172:8
202:10
seen 11:6,8,22
12:1,8 13:8,22
21:22 24:14
46:12 56:16,17
91:17 112:17
138:14 141:22
148:13
sees 22:7
select 206:10
selected 93:2
182:11
selection 77:24
93:12 104:3
177:1

selectively
200:12,21,22
205:2
self 75:2
semantic
104:12
semi 50:13
155:23
semiquincent...
3:3,5,8,10 6:17
10:9,21 11:8
13:10 21:12
33:14 40:22
41:25 47:3
73:16 74:24
133:23 161:3
162:18 164:15
170:9 181:25
senate 2:2,3
5:14,17
send 197:1,3
sending 101:22
senior 2:9,9,15
7:3,13,16 8:16
sense 15:21
16:9,23 74:20
77:8 82:11
145:14 156:3
167:23 184:15
sent 59:25
sentiment
192:19
separate 53:23
separated
187:7
separately
161:8

www.CapitalReportingCompany.com
202-857-3376

separation
67:2
serene 36:13
serenity 83:25
series 6:19
19:13,19,23
20:21 29:21
33:4,15 36:9
47:23 48:19
54:20 55:10
65:2 68:17,17
87:8 101:14
113:5 130:1
serve 67:25
served 33:19
serves 18:11
156:3
service 77:15
185:17
session 4:4,7
49:4
set 10:7 64:9,23
66:17 71:2
77:8,9,9,13
92:15,19 93:8
96:10 97:5
104:23,23
105:7 107:1
124:9 126:13
147:7 155:20
155:23 184:13
seven 72:5
92:16 161:5
171:12,13,13
182:3,4 184:2
190:22 197:18
197:19 205:8
205:18

Meeting

[seventy - soon]
seventy 149:17
149:18
several 60:11
74:13 88:24
134:16 152:1
200:4
severity 36:10
shade 43:13
shape 94:17
share 20:18,23
36:5 81:17
105:7 124:14
202:13
shared 10:20
59:16 74:25
75:21 97:2
136:6
sheet 33:5
sheets 37:2
71:7
shield 53:16
shift 12:11
61:20 62:4,25
63:12
shirt 72:16
shorter 20:3,5
113:25
shortly 71:4
shoulders
92:23
shout 78:4
show 31:22
42:12 58:9
131:13 156:25
168:16,19,24
showing 24:13
64:15 138:17
203:24

October 16, 2024

Page 49
shows 41:7
44:2 52:8 63:5
91:8 107:23
shrink 148:6
shuttling
127:14
side 21:3 97:7
101:8 105:16
105:19 131:8,9
163:3 187:19
187:19 206:15
206:15
sides 97:8
177:20 179:3
206:14
sidewalls 144:3
144:4
sign 90:3 131:8
signifies 47:7
silhouette
94:16 150:7
silver 129:19
similar 41:13
52:16 61:23
similarity 94:8
94:12 103:3
simple 16:20
24:14 26:7
28:3 57:11
63:4,5 89:5
simpler 28:7
simply 59:17
127:12 144:8
189:20
simultaneous
86:20 103:15
104:21 108:8
131:5 161:15

163:15 167:19
170:21 171:21
171:24 178:6
178:16 180:4
181:20 192:14
194:24 201:2
simultaneously
161:5
single 13:20
89:7
sitting 87:18
six 71:24,25
72:6 88:5
108:19,20
116:2,2 153:13
169:9,11
170:12,13,20
171:11,12,12
173:15 182:21
190:21 197:17
200:17 203:8
size 23:5,20
24:2,5,17
30:11 39:11
47:13 80:4
89:5 103:1
123:5 148:7
sized 123:7
148:18,19
skip 111:10
slavery 138:19
sleeves 72:16
slept 60:14
slight 21:23
81:24
slightly 52:10
60:15,15 88:10

www.CapitalReportingCompany.com
202-857-3376

slogan 146:18
153:25 177:14
slogans 149:7
small 18:22
26:11,19 28:4
28:8 30:11
33:4 36:1
82:22 103:8,11
103:12
smaller 62:17
68:24
soapbox 61:10
society 75:13
sold 157:19
sollman 1:24
5:6,9 17:1,3,4
33:22,23 34:2
37:13 47:25
48:1,2 83:7,8
116:4,5 130:12
130:13 132:17
132:19 142:23
142:24 149:13
149:14 151:1
152:7 157:6,7
161:17 162:21
162:23 163:3,8
182:25 183:1,8
207:9
solution 115:4
150:13,15
somebody 52:1
67:14 99:1
160:10 171:25
somewhat
137:9 160:3
soon 9:22
206:25

Meeting

[sorceress - statement]
sorceress 60:10
sorry 19:23
40:14 76:11
114:12 137:18
145:9 152:10
163:16 166:9
166:21 169:12
169:14 172:2
175:24 177:5
178:4,7 179:22
181:12 182:15
188:16 194:11
sort 21:16 22:6
22:13 29:18
30:1 34:21
35:2 47:11
48:13 66:15,24
66:25 67:25
73:22 105:13
115:2 119:20
127:14 184:16
198:10
sorting 104:11
sounds 131:3
178:20
sovereignty
13:7
space 18:19,20
22:1 32:18
58:10 75:4
80:8 196:20
198:17
spacing 25:20
spark 12:23
28:20 82:21
114:25
sparking
103:21

October 16, 2024

Page 50

speak 17:7
102:11 107:15
114:21 136:20
142:12 144:17
speaker 4:23
68:18 178:9
speakers 68:19
speaking 4:12
14:11 34:21
46:7 86:20
88:3 94:2,3,4
99:21 103:15
104:21 108:8
131:5 161:15
163:15 165:16
167:19 170:21
171:21,24
178:6,16 180:4
181:20 192:14
194:24 201:2
speaks 57:17
special 74:17
151:4
specialist 2:9,9
2:15 7:13,16
8:16
specially 1:17
1:22,24 2:4 5:1
5:7,22 6:9
specific 120:16
specifically
43:1
speech 63:11
spend 87:22
spending
115:15
spent 112:1,15
122:2 206:3

spirit 10:24
137:11 186:7
splat 113:16
split 142:10
167:22 172:8
spoke 46:22
136:3 185:17
sports 38:9,9
spread 27:16
27:17
sprout 52:23
squiggle 187:7
187:11,20
198:4,8
squiggles
198:11
stacked 198:3,7
stacking
198:16,17,19
staff 2:7 7:6
81:8 83:9 84:8
207:6
stafford 2:8 7:9
7:11 9:16,18
35:25 38:17,24
39:1 40:24
41:2 132:7,10
133:25 134:5
135:7 136:10
140:16,18
142:6 145:5,18
153:8,10,12
174:13 175:19
176:22 185:16
187:16 202:12
202:25
stage 10:7
29:16 57:10

www.CapitalReportingCompany.com
202-857-3376

85:12
stakeholders
8:21 133:22
134:16 136:3
174:17 203:3
stance 48:7
stand 189:6
standard 91:21
standing 158:1
207:14
standout 14:16
stands 71:1
star 97:20
106:17
stars 11:23
12:15,25 13:2
13:24 18:18
43:16 44:14
55:25 56:2
58:14 67:7
start 9:11 11:2
31:4 57:25
74:11 77:17
81:7 120:17
128:4,21 161:2
172:23 182:19
started 9:12
155:17 167:12
starting 71:20
108:11 114:24
129:1
state 33:12
stated 25:8
131:10 157:3
statement
26:18 64:21
83:12

Meeting

[staten - suffrage]
staten 67:14
states 1:1 2:7
10:25 22:14
42:14 189:8
200:9
stationary
120:24
statue 20:9
32:3 44:3
45:14 46:24
51:19,23 56:12
56:22 59:19
60:24 66:6
67:13,15,22
81:3 90:19,22
91:3,15 95:3
97:19 98:1,5,6
102:14 106:6
108:17 109:3
119:1 123:20
153:19,21
154:6 155:8,19
156:1,13,19,20
157:22,23
158:18,18
159:25 160:8
statute 38:4
47:7 67:20
91:2
statutory 38:22
stay 93:12
140:4 157:1
stayed 84:18
steadfast 11:20
44:3
stellar 58:3
stevens 1:24
5:6,9 17:1,3,4

October 16, 2024

Page 51
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149:14 151:1
152:7 157:6,7
161:17 162:21
162:23 163:3,8
182:25 183:1,8
207:9
stewardship
42:24
stick 65:17
150:6
sticking 80:9
stone 60:12
82:18
stood 204:15
story 56:3 75:8
78:7 107:16,16
109:18 135:11
175:2,3
straight 34:4
59:24 183:10
street 1:13
65:13
strength
138:18
strengthen
75:12
stretch 13:6
stretching
189:21
stride 49:15

striking 46:18
52:5 80:8
stripes 11:23
strong 36:17
43:17 58:16
96:24 116:10
117:16 143:1,2
200:4 202:14
stronger 95:7
strongest 16:5
47:6
strongly 35:7
36:20 113:15
131:9 154:2
165:17 175:12
struck 92:15
structured
107:13
struggle 62:10
62:12
stuck 116:14
205:1
students 60:19
study 60:22
110:4
studying 87:19
stuff 28:6
36:11 95:18
144:21
stunning 89:4
stunningly
58:13
style 11:5 42:7
65:22 89:16,21
92:6 93:22
96:9
stylistic 96:15
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202-857-3376

125:22 141:19
156:2
stylistically
36:16 121:25
122:4 140:24
145:8 155:21
stylized 43:20
subject 8:21
34:7 74:17
133:25 134:1,7
135:9 137:21
139:13 146:20
150:17 184:10
185:24 191:25
195:17 196:19
197:7 202:14
subsequent
162:10,15
substitute
178:11
subtle 145:12
succeeded
79:23
success 25:13
successful
32:20
succession
61:22
succinctly 79:6
suffering 120:5
120:9 121:1
126:7
suffrage 22:19
51:8 66:20
76:10,15 79:15
110:15 114:1
116:9 120:2,7
122:24 126:1,4

Meeting

[suffrage - talking]
126:12 146:4
146:21 147:1
148:9 149:2,5
149:10,15,23
149:25 150:20
151:13,24
152:2 177:8,14
180:18 192:25
193:15,16
194:1,7,9,15
194:18 195:1,8
195:14,19,24
196:8 199:22
suffrages 51:7
89:1
suffragette
70:8,11
suggest 126:14
suggested
190:8 191:16
205:4
suggesting
93:18 162:4
suggestion
98:10 151:23
154:17 178:10
suggestions
85:5 193:14
suite 81:1
sukrita 2:11
7:24
sullivan 2:9
7:12,14 82:3
summation
82:23
summed 79:6
summer 36:10

October 16, 2024

Page 52
summit 71:15
sun 12:18
117:7
sunk 152:15
sunrise 94:22
super 123:13
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145:12
superhighway
119:21
supervisor
107:7
support 31:21
36:17 123:17
200:8
supporting
31:21
suppose 80:10
supposed 111:2
116:24 117:9
119:20
supposition
177:12
sure 21:19
23:19,25 37:25
47:3 50:12
51:11 52:9
59:23 67:24
81:21 85:22
86:12 92:4
97:2 105:15
107:5 113:18
115:7 117:16
121:11 131:4
131:21 136:1,6
136:25 147:16
178:21 180:11
185:11 186:3

195:22 202:22
203:2
surely 61:6
surface 123:9
surprised
120:7
suspended
84:19
swap 120:16
124:1 189:14
190:6
swapping
189:25
switch 88:8
98:10 120:23
switching
152:20
symbol 11:23
44:6 45:14
52:25 60:25
61:4 118:15
134:22 146:21
149:2 184:25
196:7
symbolic 10:16
13:6
symbolizes
12:2
symbolizing
13:19 44:20
symbols 147:1
symmetry 87:2
system 127:8
127:10,11
129:18

www.CapitalReportingCompany.com
202-857-3376

t
t 3:1,1 208:1,1
table 108:10
128:18 140:4
164:9 166:22
173:3,23
177:16 179:21
183:12 184:22
190:10 194:6
197:6 203:7
tail 31:15
take 15:4 37:3
67:21 71:8
101:13 108:6
126:14,16
139:12 143:10
146:19 160:18
161:14 183:25
188:8 206:22
taken 62:3
208:13
takes 43:9
147:8
talk 39:4,14
53:22 56:7
61:7 73:1
83:21 86:7
100:18,19
110:15 116:20
178:13
talked 36:2
58:18 65:20
90:13 106:9
154:23 175:8
talking 69:2
91:12 94:18
103:20 128:4,6

Meeting

[talking - think]
158:5
talks 36:7
tally 180:8
talons 13:13
task 101:14,17
102:9 206:13
tasked 101:3
tastefully 15:13
tate 2:15 8:15
191:2
taxed 65:21
teachable
141:15
team 202:16
technical 14:3
45:24 194:13
technology
132:13
teleconference
2:19
tell 78:6 109:17
175:3
tells 56:3
ten 126:16
tend 144:25
tepidly 90:16
term 29:22
54:1 138:8
terms 28:1 32:4
46:20 49:15
50:3,16 70:21
85:1,10 91:21
93:20 94:1,16
104:14 115:25
118:7,8 120:16
125:12,22,25
127:1 134:12
134:23 146:18

October 16, 2024

Page 53
146:23 147:23
153:1 155:5,10
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test 14:19
119:25 120:2
text 103:11
115:18 116:20
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139:25 143:22
texts 115:19,24
thank 4:19 5:4
5:10,21,25 9:6
9:18 14:2,14
16:23 17:1,3,5
17:23,24 18:1
19:7,9 20:11
20:13 22:24
23:1 25:3,5
26:20 33:10,20
35:22 36:23
40:20 45:23
46:10 47:24
48:1,23,24
49:2 50:23,24
51:1 53:10,12
55:19,20 57:24
61:11 66:6,8
68:12 69:9,11
69:24,25 70:23
72:14 78:2,11
81:4,5 82:7
83:6,7 84:4,6
85:18 87:12
88:22,23 92:12
92:13 95:24
108:12 111:8
114:9 116:4
117:18,19,21

119:9,10 121:3
124:4,6 127:24
128:7,8 130:12
130:22,23
131:1 132:3,19
133:19 135:1
137:13 139:7,8
142:3 143:16
143:17 145:15
146:14 148:3,4
149:12 150:2
152:22 153:2,5
154:9,22,25
155:2 156:8
157:3,4 159:22
160:23 162:16
162:21 164:2
167:15 175:15
175:17 178:22
179:20 180:2
180:16,25
190:2 192:7,21
196:4 197:25
199:9,12,19
200:13 203:6
204:23,24
205:3
thanks 35:20
36:22 61:10
84:7 113:8
174:1
thematic 14:20
15:7 16:13,17
90:4 95:8
thematically
15:25 90:12
124:9 131:24
206:6

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202-857-3376

theme 10:5,17
35:9 42:8,15
51:10 57:9
58:8 60:6,7
61:2,16,17
63:7 75:5,14
84:16 90:23
91:21,22
108:20 109:4
111:16 121:13
121:18 122:15
125:22 136:5
158:7
themes 39:13
56:22 74:19
75:23 92:5,9
thing 22:10,11
26:10 31:4,11
34:17 35:4,18
50:8 62:5
68:24 73:18
82:14 92:15
95:9 100:4
112:13,24
115:17 120:3
125:2 133:5,20
152:11 166:8
189:10
things 27:3,20
31:7 39:12
51:13 69:22
73:1,11 77:5
88:8 100:5
114:18 144:22
161:5 202:17
think 15:6,12
16:1,5,7,8,17
17:10,14,16,19

Meeting

[think - three]
17:20 18:4,11
18:18 20:17,25
21:2,4,21,25
22:3,5,23
23:13,13,14,16
24:4,11,15,18
24:20 25:1,3,8
25:14,18,23
26:10 27:2,4
27:24 28:2,8
28:18,24 29:10
29:16,24 30:14
32:13,19 33:18
33:24 34:20
35:12 36:12,16
38:17 46:12,14
46:16 47:5,8
47:12,16,18
48:7,12,15,20
49:5,10,14,23
50:3,6,10,11
50:15 51:17,23
52:4,6,8,17
53:5,6 54:5,8
54:11,18 55:4
55:7 56:1
58:20,22 61:16
63:2 64:8,21
64:22,22 65:8
65:12,17 66:2
66:16,25 67:7
67:9 68:5,18
68:21 70:2,17
70:19,25 72:19
77:12,23 78:6
78:17,18,22
79:5,25 80:12
80:17,25 81:8

October 16, 2024

Page 54
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90:15,20 91:2
91:14,16,23
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93:5,7,19 96:5
96:6,9,22
97:10,14 98:2
98:15 99:20,21
99:22,23 100:6
100:20,24
101:6,11,20
102:7,13,17
103:7,16,22
104:13 105:25
106:4,8,12,24
106:25 107:2,9
107:20,24
108:15 109:1,2
109:3,8,12,21
110:6,7,8,11
110:13,21
111:13,14,24
112:8,18,25
113:23 114:14
114:20,23,24
115:14 116:1,8
116:10,16
117:2,4,17
118:18,24
119:4,8 120:1
120:4,5,10,13
120:14,21,25

121:4,6,8,12
121:15 122:10
122:14,15,17
122:20,25
123:12 124:2
124:19,21
125:8,14 126:1
126:4,9,12
127:16 129:23
130:3,8,20,22
131:7,11,19
132:24,25
133:3,10,12,16
135:20 136:2
136:23 137:6
137:10,23,25
139:5,15 140:4
140:23,25
141:2,4,9,14
141:25 143:2,2
143:5,9,11,12
143:13 145:3,5
146:17,24,24
147:18 148:13
148:16,21
149:14,22
150:6,8,15
151:10 152:9
153:22 154:2
154:14 155:9
155:12,15
156:16 157:1,2
157:15,24
158:12,24
159:15 160:7
160:13,17
161:4 164:4,16
167:16,21

www.CapitalReportingCompany.com
202-857-3376

172:13 176:3
183:1 186:5,7
189:3 192:23
197:17 198:9
200:25 204:8
204:20 206:6
206:16 207:2
thinking 20:21
23:7 30:1
34:17 36:15
61:14 63:3
66:12 68:22
90:25 91:5
97:4,5 104:23
115:18,23
137:7 155:4
thinness 23:7
third 75:14
106:15
thirteen 71:23
thirteenth
76:13
thomas 31:12
86:10
thought 19:17
56:14 60:22
64:23 65:23
81:11,25 97:17
98:6 105:20
114:7 134:25
159:13 191:25
thoughts 9:8
106:16 114:13
142:15 152:17
152:20
three 14:19,21
15:24 41:25
44:14 51:3

Meeting

[three - towards]
66:12 67:9
72:7,13 75:25
79:2,24 83:22
86:22 88:6
93:6,9,13
94:19,21 96:6
99:3,10,14,17
105:10 116:10
119:15 123:10
130:22 136:2
149:18 164:19
164:20,25
171:11,12,17
173:11,12,15
179:11 182:8,9
184:3 193:2
197:20 205:8
206:7
threes 35:1,13
thrilled 134:2
137:22
throwing
144:19
tie 90:4 93:9,16
96:17,25
110:11,14
165:9
tied 122:15
166:19
ties 61:1 66:18
131:24
tight 103:6
tightly 103:5
tilde 198:22
time 4:5 14:17
15:12 21:10
27:3 30:8
33:12 35:20,24

October 16, 2024

Page 55
38:20 39:9
45:25 49:14
51:21 61:18,23
61:25 62:4,16
63:12,18,18
65:10 66:3
69:15 73:9
75:4 77:3 86:1
89:7 90:1,3
91:17 95:14
98:22 101:11
101:15 112:15
113:19 134:8
134:15,24
135:16 137:3
138:18 145:22
149:19 151:4
157:21 161:1
184:11 185:2
185:19 188:5
193:8,17
201:20 202:13
times 21:1
103:20 108:14
114:20 128:6
144:12
timey 89:21
93:20,23
tiny 129:23,23
today 4:24 6:20
7:7 8:23 9:6,14
40:1 98:2
109:12 132:14
160:4
today's 4:7
6:13
together 44:18
50:18 59:4

73:6,10 75:4
81:20 84:12
87:15 93:9
96:25 107:11
114:13 115:24
124:20 126:2
126:11 145:8
145:19 147:13
205:21 206:4,8
told 149:1
tombs 147:8
tondo 31:23
tone 144:14,20
took 82:6
tool 74:1,7
127:12
top 15:14 20:23
72:3,12 79:12
95:8 111:3
129:6 139:7
140:10,14
146:8 153:11
158:1,2
torch 12:20
13:18,22 17:20
18:21 20:9,10
24:9,13 25:18
25:23 28:2
29:23 32:1,2
33:18,18 35:15
43:15,22,24
44:24 45:4,11
45:14 46:24
47:14 48:6
49:17,17 50:1
50:2 51:14
53:19,22 54:22
57:3 59:9

www.CapitalReportingCompany.com
202-857-3376

61:25 63:6,8
63:10,17 64:20
65:7,18 66:6
68:5,23 69:7
70:19 82:22,24
98:15 100:10
100:13 106:11
108:17,24
109:4,5 110:25
111:1,4,17,21
116:23,23
117:13 118:7,7
118:11 119:2
120:24,24
123:12,18,21
123:22 129:8
130:6,9 154:13
155:12 156:1
156:24 157:8,9
157:10 158:2,2
158:14,21
166:11
torches 58:17
torn 18:5
totally 105:10
125:23
tough 25:22
toughest 26:9
toward 31:1
43:19 44:4,11
47:19 48:17
57:3 108:20,23
127:14
towards 67:12
68:8 72:21
73:22 76:21
92:21 93:3
99:15 119:6

Meeting

[towards - understandably]
128:21 161:2
track 177:5
traditional
10:3 30:6
42:10 65:25
93:21 115:8
trailing 45:11
train 31:16
transcribed
208:8
transcript 4:13
180:13 208:2,9
transfer 90:9
transformation
104:9
transition
130:4
transitioned
90:2
transitioning
131:18
translate
143:15 147:17
transmittal
172:5
tread 60:21
treasurer
168:1
treasury 168:1
184:23 206:12
207:1
treated 192:3
treatment
145:14
tree 11:16
44:18 141:21
142:19,20,25
143:15

tremendous
124:16 206:1
trend 19:12
31:1
trends 28:11
tricorn 11:15
trouble 104:19
120:25
true 43:2 44:25
45:8 86:5
208:10
truly 83:10
trust 10:20
42:16 54:3
try 14:9 20:19
31:16 36:20
77:6 79:16
110:4 161:4
trying 26:24
50:14 53:16
54:19 59:22
62:7 92:14
93:23 94:3,5
95:23 114:17
124:8 131:25
138:3 149:18
151:14 154:5,6
156:25 206:10
turn 150:21
turning 94:19
106:5 115:1
tweaked 85:6
twelve 72:5
twenty 60:8
189:24 195:25
196:14
twice 89:16,21

October 16, 2024

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174:16 175:9
177:11 179:11
193:2,14,17,25
207:4,5
type 15:16
117:7 124:19
types 14:25
50:17
typo 33:4
tyrannical
12:22
tyranny 10:6
11:10,13,21
13:16,23 16:14
17:22 22:5,16
25:2 35:6
110:22 115:20
129:22 140:1
u
u.s. 29:9,17
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www.CapitalReportingCompany.com
202-857-3376

44:15 83:15
96:20 102:2
144:10 171:23
172:18 189:5,7
189:8,14,18,21
190:1,6,7,11
190:13 208:5
uber 26:23
ultimately
55:14 79:25
80:11,17,25
125:10 141:16
141:25 156:18
unanimous
176:20
unanimously
181:7 186:22
191:15 200:1
undemanding
15:19
under 25:2
38:22 189:19
192:5 208:9
underneath
159:1 191:24
underscore
42:8
understand
16:2 30:10
31:25 52:25
60:7,19 67:11
67:16 75:9
85:6 116:17
134:21 138:5
143:14 154:3
184:18 185:1
understandably
155:10

Meeting

[understanding - van]
understanding
144:5 185:12
understands
14:24 15:18
120:7 184:24
understood
134:9 135:23
204:18
union 44:11
47:20 48:18
108:21,24
unique 109:12
unite 74:25
united 1:1 2:7
10:25 42:14
189:8 200:9
universal
146:21
unrealistic
65:6
unrelated
105:11
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unusual 15:25
update 23:15
updated 16:8,9
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upper 19:25
uproar 138:16

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upset 138:4
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usages 47:17
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val 94:18
valuable 22:9
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van 1:14,17 4:3
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202-857-3376

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180:21,24
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181:21 182:4,9

Meeting

[van - wanted]
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184:21 185:5,9
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189:1 190:2,9
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variations
41:12
varied 75:8
varies 38:24
varieties 112:2
various 8:22
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93:6 147:12
vasquez 2:9
7:15,17
versa 94:20
verses 169:1
version 20:3

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voted 79:22
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202-857-3376

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65:23 69:20
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135:19 136:1,5

Meeting

[wanted - wondering]
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174:14 175:5
175:11 178:15
178:21 186:2
187:14 188:2,8
189:17 200:6
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washed 136:4

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ways 22:9
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we've 18:10
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202-857-3376

widely 185:22
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wonderfully
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wondering
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Meeting

[wondering - zoomed]
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word 113:21
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writing 206:24
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yeah 33:9 36:7
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www.CapitalReportingCompany.com
202-857-3376

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