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Meeting

March 11, 2020
1

____________________________________________________

Citizens Coinage Advisory Committee Meeting

____________________________________________________
DATE:

Wednesday, March 11, 2020

TIME:

9:02 a.m. to 12:04 p.m.

LOCATION:

U.S. Mint
801 9th Street, NW
Washington, DC 20220

REPORTED BY: Felicia A. Newland, CSR

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A P P E A R A N C E S
The Mint Staff:
Greg Weinman, Esquire CCAC
Elizabeth Young, Esquire CCAC
Jennifer Warren, Liaison to CCAC
April Stafford, Chief
Megan Sullivan, Program Manager (phone)
Pam Borer, Program Manager (phone)
Ron Harrigal, Program Manger (phone)
Betty Birdson
April Stafford, Chief
Roger Vasquez
Boneza Hanchock, Program Manager
Joe Menna, Mint Chief Engraver (phone)

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A P P E A R A N C E S (Cont'd)
**Telephonically**
Tom Uram (Chairman)
Sam Gill
Robert Hoge
Dr. Dean Kotlowski
Mary Lannin
Michael Moran
Robin Salmon
Jeanne Stevens-Sollman
Dennis Tucker
Dr. Lawrence Brown
Donald Scarinci
Brandon Hall (Press)

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P R O C E E D I N G S
* * * * * * * *
CHAIRMAN TOM URAM:
everyone.

Good morning

I'd like to call back to order the

meeting of the Citizens Coinage Advisory Committee
for Wednesday, March 11th.

And please -- I'll do

roll call and please say present when I call your
name.
Sam Gill?
SAM GILL:

Present.

CHAIRMAN TOM URAM:
ROBERT HOGE:

Present.

CHAIRMAN TOM URAM:
DEAN KOTLOWSKI:

Mary Lannin?

Present.

CHAIRMAN TOM URAM:
MICHAEL MORAN:

Michael Moran?

Present.

CHAIRMAN TOM URAM:
ROBIN SALMON:

Dean Kotlowski?

Present.

CHAIRMAN TOM URAM:
MARY LANNIN:

Robert Hoge?

Robin Salmon?

Present.

CHAIRMAN TOM URAM:

Donald Scarinci?

Jeanne Stevens-Sollman?

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JEANNE STEVENS-SOLLMAN:
CHAIRMAN TOM URAM:
DENNIS TUCKER:

Present.

Dennis Tucker?

Present.

CHAIRMAN TOM URAM:

And Dr. Larry

Brown?
GREG WEINMAN:

You have a quorum.

CHAIRMAN TOM URAM:

If we have anyone

jumping in, we'll follow back up.
I'm Tom Uram, the Acting Chair for
the -- I mean the Chairman of the Citizens
Coinage Advisory Committee.

Welcome back

everyone.
And today's agenda for the CCAC
includes a review and discussion of candidate
designs for the Innovation $1 Coin Program.

That

will be our focus today.
Before we continue our proceedings,
are there members of the press in attendance on
the phone, if you could identify yourself?
BRANDON HALL:

Yes.

It's Brandon

Hall with Coin Update in Atlanta, Georgia.
CHAIRMAN TOM URAM:

Brandon, welcome

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back.

Maggie was on yesterday.
Anyone else?
Okay.

with us.

Thanks for being on the call

Finally, for the record, I'd like to

also acknowledge the following Mint Staff that
are participating in today's reconvened public
meeting:

April Stafford, Chief, Office of Design

Management.

And then we have our program

managers from that office, Megan Sullivan, Boneza
Hanchock and Pam Borer.
I take it, all three are here
today?
MEGAN SULLIVAN:

Yes.

This is Megan,

I'm here.
CHAIRMAN TOM URAM:

Okay.

Perfect.

Perfect.
Joe Menna, Mint Chief Engraver?
JOE MENNA:

Present.

CHAIRMAN TOM URAM:

Ron Harrigal,

Manager of Design and Engraving?
RON HARRIGAL:

Present.

CHAIRMAN TOM URAM:

And our Liaison

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to the CCAC, Jennifer Warren is with us, as well as
counsel to the CCAC, Greg Weinman.
GREG WEINMAN:

Present.

And I'm here

with my -- I'm here with my colleague, Liz Young as
well.
CHAIRMAN TOM URAM:
well.

Welcome.
Okay.

Mint.

Liz Young as

I'd like to begin with the

Are there any issues that need to be

addressed this morning?
Okay.

If not, let's turn back to

the business of the committee.

We'll start with

April Stafford, Chief of the Mint's Office of
Design Management.

April will present the

candidate designs for the 2021 American
Innovation $1 Coin Program.

The first portfolio

to be considered is the reverse candidate designs
for the New Hampshire 2021 American Innovation
$1.

April.
APRIL STAFFORD:

Thank you, sir.

But first a little background on
this program.

It is Public Law 115-197, the

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American Innovation $1 Coin Act that requires the
Secretary of the Treasury to mint and issue $1
coins with a reverse design honoring innovation
or innovators from each of the 50 states, the
territories, and the District of Columbia.

In

accordance with the legislation, the United
States Mint worked with the governors of the four
states being honored in 2021 to develop design
concepts for the coins.

These concepts have been

approved by the Secretary of the Treasury.
The Governors were asked to propose
from one to three design concepts and artists
created designs based on all concepts proposed
and subsequently approved by the Secretary.

The

advisory committees are not obligated to choose a
theme and then select a design from that theme;
rather they can recommend the design they believe
will create the best coin.

The states that feel

strongly about a particular theme may choose to
submit only one theme, others choose to highlight
the variety of innovations or innovators tied to
their state.

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The Mint worked with liaisons and
experts from each state in developing the
following designs:
So for New Hampshire, we have the
theme of Ralph Baer, Inventor of the in-home
video game system.

In 1966, while working in New

Hampshire, Ralph Baer began to investigate how to
play games on a television.

Baer and his team

developed the "Brown Box," a prototype for the
first multiplayer, multi-program video game
system.

The Brown Box paved the way for all

video game systems that followed.

Baer is known

as, "The Father of Video Games."
The Governor's office of New
Hampshire has weighed in and identified a
preference.

They've identified New Hampshire

Design 1 as their preference.

Design 1 depicts

Ralph Baer holding a brown box controller while
demonstrating a game, portrayed by a rectangular
box with incused shapes illustrating the ping-pong
game that was programmed into the brown box game
console.

Above the box Ralph Baer's name is shown

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in raised lettering.
Design 2 depicts the brown box and
the controllers connected with wrapped wires strung
in a decorative manner.

A banner displayed across

the label -- of the box labels the invention:
"Ralph Baer's Brown Box" in incused lettering.
Design 3 features Ralph Baer's iconic
pong game on an incused background meant to
symbolize the vast blank field of a TV screen with
the words "NEW HAMPSHIRE!" at the top of which
mimics early games' 8-bit typography.

At the

bottom a wooden texture symbolizes "the brown box."
Two knobs that are fashioned after the actual knobs
on the brown box are located underneath, "United
States of America," which was created to look like
the labels Ralph Baer used on his original game
console.
Design 4 depicts a blank incused
field which represents the screen of a TV with the
three squares of Ralph Baer's handball game.

At

the top "New Hampshire" is shown in 8-bit
typography along with the name "Ralph Baer" in a

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font similar to his Odyssey game's font.
Design 5 depicts Ralph Baer's brown
box game "Handball" on the right side of the coin.
The left side features "New Hampshire" and "Player
1" on an incused background.

"In Home Video Game

System" is encircling the outside of the
composition in a text that is meant to pay homage
to Ralph Baer's Odyssey game.

The design of the

coin is also symbolic of an arcade token.
Design 6 features the brown box game
console in the center, along with the three squares
of Ralph Baer's Handball game above the box.
Mr. Chairman, that includes New
Hampshire's Candidate designs.

Would you like to

pause for discussion or would you like to go on to
Virginia?
CHAIRMAN TOM URAM:

Is this a

preference of the group?
I think we can just continue on
with the other states.
APRIL STAFFORD:

Very well.

Moving on to Virginia.

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design concept is Barbara Rose Johns.

In 1951,

Barbara Rose Johns was a junior at an all-black
Virginia high school.

Across town was a high

school opened exclusively to white students.

The

resources and quality of the facilities of the
two schools were unequal.

In protest, Johns led

her classmates on the nation's first educational
walk-out to demand equal conditions for students
of color.

The strike lasted two weeks, after

which two NAACP attorneys assisted the students
in filing suit to demand an integrated school
system.

This case was ultimately consolidated

into Brown v. Board of Education.

As Johns later

described the challenge, "It seemed like reaching
for the moon."
The Governor's office of Virginia
have weighed in on a preference as well and they've
identified Virginia Design 1 as their preference.
Although, there were some small requests, which
I'll review after we go over the design
description.
Virginia Design 1 shows Barbara Rose

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Johns as an academic graduate holding two textbooks
level to each other symbolizing her campaign for
equal education opportunities and resources for all
regardless of socioeconomic class and race.

This

design also represents her future role as a
librarian.

The crescent in the background

symbolizes her quote, "It seemed like reaching for
the moon."
So some comments from the Governor's
office was a request to move the crescent since the
quote of Ms. Johns is not included, and just take a
second look to ensure that her hair reflects how
she wore it at the time.
Moving on.

Design 2 shows Barbara

Rose Johns holding a hand-made strike sign while
leading other students in a strike at Robert Russa
Moton High School in 1951.

The umbrella she

discards behind her symbolizes the conditions at
the high school, where tar paper shacks with leaky
roofs meant students had to hold umbrellas over
their desks if it rained.

Miss Johns' courage was

clear as she figuratively exchanged her umbrella

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for a protest sign and boldly convinced her fellow
students to protest their school's conditions
instead of attending classes.

Her actions resulted

in her school's situation becoming visible to the
nation; she was trading obscurity for dangerous,
but important, visibility, symbolized by the change
from silhouette to detailed figure.
Design 3 depicts a large open book
with blank pages, symbolizing the poor facilities
and lack of resources that characterized the public
schools attended by Barbara Rose Johns and her
African-American classmates during the 1940s and
1950s.

Resting atop the book is a mortarboard and

tassel, a symbol of higher education.

As she later

described the challenges she and fellow students
faced, she would remark, "It seemed like reaching
for the moon," the central inscription on this
design.

Below the book is inscribed, "Barbara Rose

Johns – Civil Rights Pioneer."
Design 4 is a representation of the
first educational walk-out in American History led
by Barbara Rose Johns.

Johns described the

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challenge of leading the walk-out with these words,
"It seemed like reaching for the moon."

Again, a

central inscription on this design.
Moving on to Virginia's second design
concept, the Chesapeake Bay Bridge Tunnel.

Opened

in 1964 and spanning over 17 miles of open water,
the Chesapeake Bay Bridge Tunnel connects
Southeastern Virginia to the entire Delmarva
Peninsula.

It is a first-of-its-kind bridge tunnel

complex that has been recognized as an engineering
marvel of the modern world.

It consists of 12

miles of low-level trestle, two one-mile-long
tunnels, two bridges, two miles of causeway, and
four man-made islands.
Virginia Design 5 depicts a view of
the Chesapeake Bay Tunnel as a cross section cut
away, illustrating the ingenuity involved in
constructing it.
Design 6 depicts an aerial view of
the Thimble Shoal Channel entry to the Chesapeake
Bay Tunnel.
Design 7 depicts a cross section view

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of the Chesapeake Bay Tunnel.
Design 8 depicts a split-view image
of the Chesapeake Bay Tunnel, with the top section
showing the bridge looking south from Fisherman
Island and the bottom depicting a view of one of
the tunnels from the driver's point of view.

The

design underscores how the bridge complex is viewed
as a modern-day engineering marvel.
Design 9 features a U.S. Naval
destroyer from nearby Virginia shipyards passing
over an underwater tunnel.

These are between two

artificial islands with the ventilation buildings
and connecting overwater bridge structure on each
side.
Design 10 depicts an aerial view of
North and South Thimble Islands with the sea gull
fishing pier jutting out to the side and a
destroyer passing between them.
That concludes Virginia's candidate
designs.

Moving on to New York.
The first design concept is the Erie

Canal.

In 1825, New York opened the Erie Canal, a

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waterway that opened the way for the Atlantic
Seaboard to the North American interior and helped
establish New York as a leader in population,
industry, and wealth for much of the 19th Century.
Construction took eight years and was a significant
effort for laborers.

Surveyors, engineers, and

excavators carved out 363 miles of canal through
breaks in mountain ranges.

The project had been

considered, quote, little short of madness, end
quote, but unlocked the western interior for trade
and settlement and played a critical role in the
development of the state as well as our nation.
The Governor's office weighed in from
New York and they identified a preference of New
York Design 1.
New York Design 1 depicts a
historical image of commercial barge activity on
the Erie Canal during its 19th Century Heyday.

The

irregular border along the bottom shows how the
canal rises 600 feet in elevation from the Hudson
River at Albany to the city of Buffalo, with both
cities' names being inscribed as well as Erie

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Canal.
Design 2 depicts a boy and two mules
towing a boat along the Erie Canal with a map of
New York State in the background.

"New York State

Erie Canal Opened 1825" is written across the
bottom of the design.
Design 3 shows a mule pulling a boat
along the Erie Canal.

The boat illustrated here

was known as a "packet boat" and was used in the
early years of the canal for personal
transportation before the expanding railroad became
a faster mode of travel.

The boats were very

common during the early years of the Erie Canal.
This design shows the boat traveling west, a
symbolic salute to the enormous role the Erie Canal
played in the opening of the western frontier for
trade and immigration.
Design 4 shows an early canal packet
boat captain at the rudder of his boat crossing the
Erie Canal.
Design 5 depicts a packet boat being
pulled from a city in the east toward the country

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areas to the west.
The next design concept is baseball.
While the story of Abner Doubleday inventing
baseball in New York is more a myth than fact, New
York is traditionally considered the epicenter of
the baseball world.

Alexander J. Cartwright, a

bank employee from New York City, is often
considered the father of modern baseball after
codifying various rules of the game in the 1840s,
including the diamond-shaped base pattern and the
90-foot distance between bases.

The first major

league was established in Manhattan, the first
admission fee was charged in New York, and Jackie
Robinson was the first African-American player to
play Major League baseball when he joined the
Brooklyn Dodgers in 1947.
New York Designs 6, 7, and 7A
represent the game of baseball with an American
Eagle flying high over a baseball.

In Designs 7

and 7A, "New York" is written on the baseball in
bold script lettering.
Design 8 features a baseball player

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at bat, a catcher and an umpire on a baseball field
as the ball speeds to the plate.
Design 9 features a rendering of a
baseball player in action with an image of a
standard baseball diamond layout behind the player.
The additional inscription reads, "New York Rules
since the 1840s."
Design 10 features early baseball
equipment:

Caps, bats, a glove and ball, and a

copy of the New York rules.

The additional

inscription reads, "New York Rules since the
1840s."
Moving on to the last design concept
for New York, the lunar module.
The moon landing could not have
happened without the lunar module, which was built
in Bethpage, New York.

It remains the only crewed

transport vehicle designed to function solely in
the vacuum of space.

Designed to land men on the

moon and return them safely to the command module,
it was never flight tested due to the impossibility
of replicating the moon's environment.

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Apollo Program, a total of 13 lunar modules were
built in New York and six made lunar landings.

All

of them bear a nameplate reading, "Made in
Bethpage, New York."
Designs 11 and 12 feature the lunar
module on the moon with the earth in the background
and a flag planted on the surface of the moon.
Design 12 also depicts the silhouette of Long
Island with a star noting the location of Bethpage.
Design 13 depicts the lunar module on
the surface of the moon with the earth in the
background.
Design 14 depicts a lunar module
about to touch down on the moon's surface.
Designs 15 and 16 depict a lunar
lander with the added inscription, "Landed on the
moon, built in New York."
Design 17 features a lunar module on
the surface of the moon with the earth in the
distance.
And Design 18 features a lunar module
at the ascent stage returning to its command module

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on the surface of the moon with the earth in the
distance.
Moving on to North Carolina, our
last state for consideration.

The design concept

of higher education was submitted.
North Carolina has a long tradition
of innovation in creating opportunities for
higher education for all.

The University of

North Carolina became the first public university
to formally open when it convened classes in
1795.

The first class graduated in 1798, making

it the only public institution to confer degrees
in the 18th Century.

Founded in 1865, Shaw

University in North Carolina is the oldest
historically black institution of higher learning
in the south.

And less than a year later, it

accepted its first female class.
As of now there's no Governor's
office preference that has been identified.
North Carolina Design 1 features a
graduation cap with tassel and a diploma sitting
on a coastline with a lighthouse in the

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background.

"Innovation in Higher Education" is

written above the graduation cap.
Design 2 depicts Minerva, the Roman
Goddess of Wisdom, looking onward with quiet
confidence and readiness.

The owl of Minerva,

the classic symbol of knowledge and wisdom,
perches atop her shield, donned with a lone pine
branch, emblematic of the state tree of North
Carolina.
Design 3 features the inscription,
"Innovation in Higher Education" over a textbook.
Corinthian-style columns surround the text and a
lamp of knowledge sits on a pedestal above.
Design 4 features a stack of three
textbooks with, "Innovations in Higher Education"
on the spine of the middle book.

A lamp of

knowledge is perched atop the books and an olive
branches curve around the edge of the design.
Design 5 features Minerva, the
Goddess of Wisdom, holding a lamp of knowledge.
On her shield, an African Adinkra representing
the continued quest for knowledge is displayed.

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This cross-cultural reference was used by the
artist to underscore North Carolina's early
involvement in higher education for all.
Mr. Chairman, that concludes the
candidate designs for consideration.
CHAIRMAN TOM URAM:

Thank you, April.

You can have breakfast now after all that.
great.

That's

Thank you very much.
Are there any -- first of all, this

whole design and the whole concept of the
Innovation $1 series, as someone who puts
together exhibits and displays at the end of the
program, is going to be a tremendous learning
experience and be able to have some really good
knowledge here for a lot of different ways to go
with this program.
So with that, is there any
technical questions before we begin our general
discussion?
And did Dr. Brown or Donald join us
yet?
DR. BROWN:

This is Dr. Brown, I

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joined.
CHAIRMAN TOM URAM:

Okay.

Thank you,

Doctor.
Is Donald Scarinci on yet?
All right.
consideration.

Okay.

Let us begin our

And if we could keep our comments

directed towards all the positive aspects of the
designs and please focus on those that you like
best in order to -- for the relevance of our
time.
Dean -- Dr. Dean, can we start with
you?
DEAN KOTLOWSKI:
Mr. Chairman.

Sure.

Thank you,

Just a little point, are we just

doing the -CHAIRMAN TOM URAM:

Yes, exactly,

we're just going to do New Hampshire.

We're just

going to do New Hampshire.
DEAN KOTLOWSKI:

Okay.

The last coin

design that we considered yesterday was Barbara
Bush.

And that put into my head a quotation from

her husband from 1988, in his inaugural address,

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"Thank you, New Hampshire," because I like these
designs a lot for New Hampshire.
With respect to No. 1, which was
the choice of the Governor's office, I think
No. 1 is fine.

I think it tells the story.

Mr. Chairman, to use a phrase you used a little
earlier in one of our discussions, I think it's a
very warm portrait.

You have the inventor and

you have the brown box and so forth.
go with that.

And I can

That's wonderful.
The ones that really put a smile on

my face were No. 3, No. 4, and No. 5.

And I

think I -- I don't think, I know I like No. 3 the
best.

I think it's just a stunning design.

I'm

not sure whether it gets you what you want in
terms of the narrative in explaining the
significance.

But to, again, use a quote from

another colleague much earlier in our discussions
a few meetings ago, this is a fun coin.
think No. 5 is fun as well.

And I

And No. 4 is very

good.
I -- I am a little curious as to

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why No. 5 seems to be on its side the way it is.
And maybe somebody can answer that at some point.
I mean, it's a coin, you can flip it any way you
want in terms of looking at it.

I think No. 2

and No. 6 are just a little less interesting.
They're focused more on the -- on the brown box.
No. 6 looks a lot like the brown box that's in
the Smithsonian.
So those are my thoughts,
Mr. Chairman.

I would be interested to see what

everyone else has to say.
CHAIRMAN TOM URAM:

Okay.

Thank you,

Dr. Dean.
Robert.
ROBERT HOGE:

Thank you, Mr. Chair.

I -- in my opinion, I think No. 1
is probably the most satisfactory of these,
perhaps not the most fun indeed.

But the others,

No. 6, for example, just looks a little strange
for a coin design, it just feels somewhat boring.
And No. 3, 4, and 5 are actually more
interesting, more innovative perhaps, but these

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are basically two dimensional.

And I think that

that is probably lacking in some way.
My preference among those three
would be for No. 3.

But I think I would probably

go with No. 1, although, it would be the State's
recommendation, too.

It does have the name of

Ralph Baer, which I think it's important to
designate what's going on here.

It shows really

what he was doing, he was arranging these things.
And the question is what it is, which is
explained, the inventor of the first in-home
video game.

So I think that probably hits all

the major points.

Thank you.

CHAIRMAN TOM URAM:
Robert.

All right,

Thank you.
Mary.
MARY LANNIN:

Excuse me.

I was

intrigued, much like Dean and Robert, 3, 4, and 5.
I think 3 hits the mark with the woodgrain and the
statute of the knobs used to turn it.

No. 1, which

was the choice of the state, it seems old fashion,
of course, we're all old fashion, this was what one

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of the first video games looked like.

It does have

Ralph Baer's name on it, which carries a lot going
forth, and it does say, "Inventor of the first home
video game console."
I did not care for No. 6, because
it was a little -- what is this?
a box of something.

You know, it's

And No. 2, which says pretty

much what needs to be said, just -- the design
just didn't move me.
I guess the question is, who's
going to pick up these coins?
kid?

Is it the young

I think No. 3 would work.

certainly would work.
that says, "Player 1."

No. 5 would

They'll pick up anything
But I guess I would cast

my votes first for No. 3 and secondly for No. 1.
That's it, Mr. Chair.
CHAIRMAN TOM URAM:

Thank you.

Thank you, Mary.

Question regarding the circulating
of these.

I know that there was some discussion

on the earlier groups of some of them being
circulated.

Can anyone at the Mint answer

regarding the opportunities that some of these

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would be circulating are or they just going to be
available otherwise?
GREG WEINMAN:

Well, at this point

all $1 coins are sold as numismatic items.
circulates coins.

The Fed

And at the moment, the Fed does

not need any more coins and so we don't have -- we
don't have plans to issue these as circulating
coins.
CHAIRMAN TOM URAM:

Okay.

So that

adds another dimension on to how this gets marketed
beyond the numismatic world as we look at these
considerations.

I'm just throwing that out there.

Okay.

Robin.

ROBIN SALMON:
grabbed me the most.
elements in it.

No. 5 is the one that

I like the -- all of the

I like, "Player 1."

it's showing the game.

The fact that

And that the two fonts also

represent the fonts that were used in two of the
early games.
No. 1, I understand why the
Governor's office would prefer that one.

It does

say exactly what it needs to say, but it's just

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not exciting.

I would have to go with No. 5.
CHAIRMAN TOM URAM:

Okay.

Robin,

thank you.
Sam.
SAM GILL:

Thank you, Mr. Chairman.

I like No. 1 because it tells a
story.

All the pieces are there.

Ralph Baer.

It describes

I mean, it shows him, it shows him

making his game.

And it describes what he did.

I just think that's really important because I
think some of the other designs don't do that.
I would make one suggestion to
No. 1, and that is add a date to it, "1966,"
somewhere because it puts it in context of when
that -- when that game was actually invented.
Those are my comments.
CHAIRMAN TOM URAM:
good point.

Thank you.

Okay.

That's a

Very good.
Dennis.
DONALD SCARINCI:

I'm -- I'm here,

this is Donald -CHAIRMAN TOM URAM:

You can record

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Donald accordingly.

Thank you, Donald.

Dennis.
DENNIS TUCKER:

Thank you, Mr. Chair.

CHAIRMAN TOM URAM:

Excuse me real

quick.
Donald, we are on just the review
of the designs and you'll be the last one.

It

will be for New Hampshire is where we are right
now.
Dennis, go ahead.
DENNIS TUCKER:

Thank you again,

Mr. Chair.
My initial preference was for No.
5.

And to answer Dean's question, I believe the

design is oriented that way in order to capture
the look and feel of the original pong video
game, which had a by second line, like a tennis
court or a ping-pong table.

And then the players

would be one on the left and one on the right
with the ping-pong ball going back and forth
between them.

I like the innovation of that

unusual perspective of the coin.

And I like the

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phrasing, "Player 1."

I think that will

capture -- capture attention.
And we also have a bit of
explanatory text around the outside into the
gaming system in a video game font, which I found
appealing.

So I -- I think No. 5 is maybe not as

painterly as No. 1, but it does have different
elements of communicating the theme of the coin.
No. 1, I -- as several of my
colleagues have said, I can understand the
Governor's decision here.

It illustrates quite

well what is being honored and who is being
honored.

And it literally spells it out down

along the lower arch.

So I will give a lot of

consideration to both No. 5 and to No. 1.
Thank you.
CHAIRMAN TOM URAM:

Okay.

Dennis.

Thank you.
Dr. Brown.
DR. BROWN:

Thank you, Mr. Chair.

I must confess that I prefer Design
No. 1 because it seems to capture everything

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about who the designer is.

And while I

appreciate, again, the great work of the artists,
my vote would still be No. 1.

Thank you.

CHAIRMAN TOM URAM:

Okay.

Dr. Brown,

thank you.
Jeanne.
JEANNE STEVENS-SOLLMAN:

Thank you,

Mr. Chair.
I agree with my colleagues in that
No. 1, the Governor's choice, is understandable.
However, in the beginning I -- I thought that
might have been the best of the six designs, but
going over it and thinking about what our coins
represent in that we want -- or at least I want
to have a wow factor in the designs that say, you
know, U.S. Mint is doing some innovative work.

I

believe that Design No. 3, 4, and 5 have that
power.
No. 1 is -- is good, but it's
expected.

And I think that we need to go beyond

expectation.
the future.

We really need to jump farther into
You know, this is what this

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innovative game did, it went far.

So I think

that No. 3 is -- is very much fun.

And No. 5, as

Dennis said, it captures the attention of the
handler of the -- you know, that you -- you have
to look at.

And I love the fact that you have

sort of the motion of the -- the tennis -- the
ping pong ball going back and forth over the net.
So my -- my choices are going to be 3 and 5.
Thank you, Mr. Chair.
CHAIRMAN TOM URAM:

Thank you,

Jeanne.
Donald.
DONALD SCARINCI:
me say this:

Well, you know, let

The elected officials might like

No. 1 because they wouldn't be expected to really
know the series of coins.

You know, that's not

within their -- that's not within their world of
view, right.

They -- they don't sit there and

study coins the way we do.

And they certainly

wouldn't be expected to know what the other coins
in the American Innovation series look like or what
we are trying to achieve with this series of coins.

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UNIDENTIFIED SPEAKER:

And, Donald,

are you still on?
DONALD SCARINCI:

Can you hear me?

CHAIRMAN TOM URAM:

Yeah, we're good,

Donald, we're good.
DONALD SCARINCI:

So -- so, you know,

that's just not within their purview.

And so if

you -- you know, on its face, you know, yeah, this
is a plain, simple -- No. 1 is a simplist ordinary
coin design.
(Uninterrupted noise.)
DONALD SCARINCI:

That wasn't me.

So, you know, I mean, one -- No. 1
is just a boring coin, to be honest with you, and
it doesn't -- it doesn't -- and it certainly
doesn't go with the rest of the coins in this
particular series.

The coins in this

particular -- what is making this series so
incredible is these bold -- you know, these bold,
kind of, techno designs.

And when -- and -- and

this reverse proof thing that the -- that the
director and Ron are doing, is really -- really

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pretty awesome.
And -- and I was very skeptical
about the series, you know, in the very
beginning, but this series is turning out to be
very artistic and very, you know -- very, you
know -- it may be one of our most brilliant
series of coins since I've been on the committee.
You know, the most creative.

It's creative.

And -- and in part because of designs like No. 5
in this packet.
Not because of same ole, same ole,
same ole No. 1.
ole, same ole.

Right.

No. 1, same ole, same

We don't want No. 1 for this

series.

We just don't.

It doesn't belong in the

series.

It'll stand out like a sore thumb.

It

doesn't belong with these -- with the other coins
in the series.

And hopefully it isn't going to

belong in the series of future coins that we're
going to be picking.
So I really think, you know -- and
it's okay, you know, it's just not -- it's not -it's not the Governor's fault.

You know, it's

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expected that somebody who doesn't know the
series would pick a coin like that.
it just doesn't belong.

It just --

So it doesn't fit, it's

too boring, I -- I wouldn't -- I don't even want
to consider it.
I don't want to consider No. 2 and
I don't want to consider No. 6.

So I -- you

know, and -- and so that leaves you No. 3, No. 4,
and No. 5.

And what Dennis said is right on the

money, Dennis -- Dennis -- Dennis hit it on the
nail.

You know, I can't argue it any better than

he did.
No. 5 is definitely the coin.
sits beautifully.

It's going to look great.

it's a reverse proof.
wow."

It
And

It's going to be, "Oh,

No-brainer here, No. 5 is the coin.
CHAIRMAN TOM URAM:

Thank you,

Donald.
MARY LANNIN:

Chair, this is Mary.

Donald and Dennis have completely convinced me.
I'm going to throw all my weight in on that.
CHAIRMAN TOM URAM:

Thank you, Mary.

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I would agree as well.

To

resurrect a term that we used in the last
beautiful -- America the Beautiful Series, No. 1
is too postmark, right.

I mean, it's -- we're

getting back to it's a great design, had it been
just formal, but the fact is it's also is a
(indiscernible) coin and it's not one for the
numismatic world.

I think No. 5 is going to be

the pick here.
And the only thing that I would add
here is, is there any way, Joe, I'd like to get
your thoughts anyhow, above, in small, could we
put -- since No. 5 does have what it is, could
you put, "Ralph Baer 1966" on either side there?
Would it mess up anything there if
you did have it say that slightly above the
hemisphere there?
JOE MENNA:

I'm sorry, I was on mute.

Tom, I think that would be a challenge.

I think

it's just very well -- I think all the elements are
very well disposed.

And I think the addition of

any text that would be big enough to read would

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necessarily either need to move the pong game
elements into some different configuration where it
would look less like the game.

And I -- my -- my

gut feeling would be to leave it as is, but I
totally understand your concern.
CHAIRMAN TOM URAM:
leave it as it is.

Okay.

We'll

Would you like to make any

other comments since we're here?
JOE MENNA:

Sure.

I have a couple of comments.

I appreciate that.

I'm still feeling out

what the parameters are, what I can and can't say.
I want everyone to understand that I fully
recognize that I'm not a member of the committee
and I'm not trying to be presumptuous in any way,
I'm just being honest.

So if I go too far, just

stop me.
The No. 5 -- my reservations on
No. 5, being -- you know, I mean, I've been
playing video games since 1975, and I played the
next generation version of this -- of this
system, and, you know, I had other systems that
this gentleman designed later on, and so I -- you

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know, this is a hero of mine.
"Player 1" to me automatically
evokes Steven Spielberg's film, "Ready Player
One" and the book that it was based on.

This is

a direct commercial connection to the phrase,
"Player 1" to something that is very prominent in
video game culture and made me a reference to
that.

In my opinion, I could be wrong.
No. 1, I agree totally with Donald,

I think it's kind of boring, like it might work
on a CDM, or something, where we're illustrating
a story of his life on this series.

I don't know

that it applies.
I really like No. 3, because I
think that esthetically it shows the game of pong
very clearly.

It depicts New Hampshire.

the video game font.

I love

I love the label -- you

know, the label -- I forget, the label, whatever
you call it, of The United States of America as
was viewed on the game console itself in
different texts.

And I think the background

versus the -- I think the pong game is very

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illustrated because it has the midline on the
tennis court there.

And I just think -- I think

generations and -- every success of generation of
gamer knows what pong is.

They love pong.

It is

the -- it is -- it is the origin of the entire
culture.
And, I mean, my kid's a gamer, I
was a gamer, the kids in between us were gamers,
there's going to be gamers in perpetuity going
forward.

And I think that it really just speaks

to the fullness of the classic game play that
everyone will know and will provide a really
unique opportunity to attract younger collectors
that we haven't -- many we've never had before.
So that's all I have to say.

And I appreciate

your time.
CHAIRMAN TOM URAM:

Okay.

At this

point are there any other further questions or
comments, otherwise we'll go to scoring?
And why don't we take five minutes
to -MICHAEL MORAN:

Hey, Tom, this is

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Mike.

I was in the parking lot.

Did you pass over

me?
CHAIRMAN TOM URAM:

Got you.

Okay.

Go ahead.
MICHAEL MORAN:
going to make it quick.

Okay.

Well, I'm

I'm just going to simply

say that the stars are in alignment for a rare time
that Donald, Dennis and Mike all agree on No. 5.
That's mine.
I will say this, to me, these coins
are about innovation, not the innovator.

I think

No. 1 crosses that line a little bit too much for
me.

And we'll get to that with Virginia, I'm

okay with it, but in this case, I'm not.
the innovation, it's not the innovator.

It's
So my

votes are going for No. 5.
CHAIRMAN TOM URAM:

Okay, Mike.

And

we got your directions, we know where you're
headed.
MICHAEL MORAN:
I had to redial in.

I'm sorry about that.

I lost you when I got in the

car.

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CHAIRMAN TOM URAM:
GREG WEINMAN:

No problem.

Everybody please vote.

And email me or text me your scoring.

This is Greg

Weinman.
CHAIRMAN TOM URAM:

And let's just

say we'll be back at maybe 9:50, a five-minute
break.
(Recess from 9:46 a.m. to 9:53 a.m.)
GREG WEINMAN:

Okay.

We are back on

the record.
For New Hampshire:

Design No. 1

has 10 votes; Design No. 2 has 0; Design No. 3
has 10 votes; Design No. 4 has 2; Design No. 5
has 28 votes; and Design No. 6 has 0.
Thus, the committee's
recommendation would be Design No. 5.
CHAIRMAN TOM URAM:

Okay.

Greg,

thank you.
GREG WEINMAN:

Thank you, sir.

CHAIRMAN TOM URAM:

Are there any

motions at this time, if not, we'll move on to our
next design of Virginia?

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Hearing none we'll move on to our
design discussions for Commonwealth of Virginia.
And we'll start with Dennis Tucker.
Dennis.
DENNIS TUCKER:

Thank you, Mr. Chair.

I actually jotted down some notes
as I was looking over this portfolio, notes about
the American Innovation Program as a whole.

And

I'd like to ask the Committee's indulgence if I
could just share these thoughts.
I expect that over the course of
this seven-coin program, there will be many coins
that focus on innovation, science, technology,
engineering, medicine, and physical inventing.
That's what we tend to think of first.

And the

very first coin in the program actually referred
to the U.S. Patent.

So for 2019, we had Salk

classification, the polio vaccine, invention of
the lightbulb, and horticultural (indiscernible).
For 2020, I don't think the
Secretary has publicized his choices yet, but
what the Committee recommended was the Gerber

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Variable Scale, the invention of the telephone,
the Hubble Space Telescopes, and set them apart
advocating for literacy as part of the Civil
Rights Movement.

So two years in we're very

heavily weighted toward physical inventions and
scientific innovation.
My recommendation to the Committee
is that when we have opportunities to consider
other kinds of innovation; cultural, educational,
literary, artistic, spiritual, or otherwise,
let's give them special weight, or at the very
least let's not discount them.

And let's keep in

mind, too, that all of the themes that have come
to us have already been vetted and approved by
the Governor's office and by the people of the
states involved.
Let's look for the stories that
have not already been told a million times.

We

have a unique opportunity with this coinage
system -- or this coinage program.

Let's look to

the unsung American heros who deserve the
publicity that a national coin will bring.

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seen the excitement and the state-wide public
interest of Alaska, right, for its Native
American Dollar that involves a famous Alaskan
Elizabeth Peratrovich.
circulating there.

Those coins will end up

And this is a noncirculating

legal-tendered program.
So those are just some thoughts that
guide me as I look at the themes that are presented
within this American Innovation Program.

And for

those reasons, as important as the Chesapeake Bay
Bridge Tunnel is, I was drawn to the Barbara Rose
Johns designs.

And I was pleased to see that the

Governor's choice was Virginia 1.

It's -- you

know, I suppose there's -- the argument might be
that this is a typical coin design, it's not
innovative in an artistic or design sense, perhaps,
but it's certainly innovative in the theme that it
portrays.

So I am going to give great weight to

the choice of the Governor's office, Virginia 1.
Thank you, Mr. Chair.
CHAIRMAN TOM URAM:

Okay.

thank you.

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Donald.
DONALD SCARINCI:

Well, you know, I

have to disagree with Dennis on this.

I -- I

think -- I think the -- I think that this coin -- I
think that this program, I think the -- I think the
intention of this program is -- is very similar to
the intention and to the program that South Africa
is doing.

And the South African program, and this

program, is about innovations in technology and
about American's contribution to technology and
advances in -- you know, in -- in technology.
And I -- and, you know, I'm looking
through the legislation itself, you know, to -to look for the language, you know, that might
give me that.

And I'm, you know -- you know, I'm

not finding it.
finding it.

And, Greg, maybe -- maybe you're

You know, but I guess if you found

it, you would have rejected the designs and not
let us see these designs.

But if we open the

door -- if we -- if we open the door to social
innovations, that will be a floodgate -GREG WEINMAN:

Donald --

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DONALD SCARINCI:

-- in a program --

in a program that we -- that we, you know, are
talking about -- you know, that we have the
opportunity to talk about our technical innovations
in each state.

That opportunity could potentially

be dorphed (sp) by each state trying to outdo the
other with its social innovations and -ELIZABETH YOUNG:

This is Elizabeth

Young, the program attorney for the American
Innovation $1 Coin Program.

And I just want to

clarify that the legislation is silent as to
specifying any type of innovation.

There's no

requirement that the innovation be tech or stem
driven.

That's really up to interpretation.

So to

the extent that you all have opinions about that,
that's all well and good, but the legislation
itself does not require that the innovation be
specific to technology.
CHAIRMAN TOM URAM:

And, Donald, may

I -- may I stop you for a moment?
DONALD SCARINCI:

I kind of -- I kind

of figure it was silent because you would -- you

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would have rejected these designs and not let us
see them if it -- if it -- if it spoke to it.
DENNIS TUCKER:
Dennis.

Donald, this is

May I -- may I interrupt for one moment?
DONALD SCARINCI:
DENNIS TUCKER:

Yeah, of course.

Because I wanted to

address your specific question.

I think you're

setting all -- you're setting up the false duality.
You're saying that innovation is neither social or
it's technological.

Let me give you an example and

tell me where these two American innovations fall.
Braille and American Sign Language, are those
social or are they technological?
DONALD SCARINCI:

They're both, but

they celebrate -- but they celebrate the -- but
there certainly is a technological achievement that
allows for social events.

So they're both.

DENNIS TUCKER:
humanities?

Do they evolve as

They -- these are social scientists.

I think that your creation of two buckets, either
social or technological, I think that does a
disservice to the vast panorama of American

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innovation.

I think it's a mistake to focus purely

on technological, scientific, medical, and
patentable innovation.
innovation than that.

There's more to American
We're bigger than that.

That's big, but we're bigger than that.
DONALD SCARINCI:

I think -- I think

the -- you know, listen, I'm all for social
innovation.

I mean, I -- you know, I'm not -- I'm

not -- I'm not -- I'm all for social innovation,
but I'm just not sure that's what we're suppose -I just don't think that's what we're doing with
this coin program.

And I think if we open this --

I think if we open this door, this is going to
become -DENNIS TUCKER:

It's not --

DONALD SCARINCI:

-- it's going to

fall over into -- it's going to fall over to the
other states to show that they're more socially
innovative than the state and we're going to
lose -- and we're going to lose -DENNIS TUCKER:

You can say the same

thing about technology, you can say that they would

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fall over themselves to see who's the most
technologically innovative.
DONALD SCARINCI:
what we want to do.

Yeah.

Yeah, that's

We want to show -- we want to

show -- we want to show the world, you know, the
greatest of our -- of our -- of our technological
innovations.
Look at what little South Africa is
doing with that coin program.
they're doing.

It's amazing what

They're showing the world what

that little tiny, crazy little country has done
in technology.

And they're a --

(Crosstalk.)
DONALD SCARINCI:

-- and a little

tiny coin program.
GREG WEINMAN:

I'll remind you all

that this is being transcribed.
over each other.
speak.
meeting.

Please don't speak

And identify yourself when you

This is very difficult on a telephonic
Thank you.
DENNIS TUCKER:

This has been Dennis

and Donald going back and forth.

This is Dennis.

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DONALD SCARINCI:

I think there's a

place -- I think there's a place for -- for our
social innovations to be.

And certainly, you know,

a lot to be proud of and a lot to be -- and a lot
to be ashamed about, honestly, and a lot to be -and a lot to be -- and a lot to be commemorated and
a lot to be taken to task for, you know.

But --

but -- you know, but -- but this program, in my
mind, you know -- you know, from the very
beginning, you know, with our discussion and our -and our -- and our focus on the years, you know,
and on patents and on, you know -- on -- and, you
know, the whole emphasis of the program was on
patents and on technical innovations.

I mean, you

know, leading -- leading right up to -- to putting
the man on the moon, you know, and -- and to show
the world, you know, that our leadership, you know,
in -- you know, to the present day, in computers
and technology and, you know, in all of the things
that we've done.
And it's an opportunity for each
state to show what it did and what it -- and --

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and be -- and where it led in technology.

And --

and -- and, you know, I think that opportunity
exists with this program.

And I'm not saying

that there's not other opportunities in coins to
do these other things, you know.

And certainly

Virginia -- you know, Virginia should be very
proud, you know, of -- of -- of what it did.
Look, notwithstanding how it got
there, right, but -- but -- but it should be -it certainly should be proud of the results.
And -- and, you know, but -- but the other
coins -- you know, I think it could be done in
other coin programs, just not the coin program
that began with, you know, a coin about patents
and -- and, you know, the creation of patents and
the protection of -- of patents and -- and
technical innovations.
And I think, you know, even if the
legislation was silent as to that, I think -- I
think the intention is to showcase our
technological greatness.

And -- and, you know --

and if we -- and, you know, my concern is that

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this won't be a one of.

My concern is that

Virginia is not going to be a one of.
And look at what we're seeing in -in North Carolina.

I mean, look at what we're

seeing that's submitted in this packet, you know.
So it begins.

And where does -- and where -- is

it going to end?

No, it's not going to end.

The

other states are going to fall over themselves to
go with social innovation.

And we're going to

lose what we really want here, which is to show
the world our -- our capabilities in technical
innovation.
And there's not another program
that's going to be like this program to show
that.

There's going to be plenty of programs

that congress is going to pass that are going to
show social innovation.

Plenty of programs.

But

there's not going to be another program like this
one that's going to allow us to showcase each
state's technical innovation.
DENNIS TUCKER:

Donald -- Donald,

this is Dennis again.

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DONALD SCARINCI:

Wait, wait.

Let me

just finish.
For me, I'm not -- I'm not -- I'm
not even going to listen to 1 through 4.
want to hear about it.

I don't

I'm not voting for it.

And I'm not voting for anything that's of social
innovation in this program.
want to know about it.

I don't -- I don't

I want to vote about -- I

want to talk about technical innovation and
look -- look at the designs strictly for
technical innovation in this program.

So that's

where I'm coming from.
CHAIRMAN TOM URAM:

Okay.

Let's

focus back on -- thank you, Donald and Dennis.
Let's focus back on to what your
choices would be for Virgina for innovation.
DENNIS TUCKER:

For -- for Virginia,

I mean, we're faced with two choices in my mind,
we're faced with -- you know, we're faced with -you know, we're faced with one choice really, I
mean, that's the Chesapeake Bay Bridge.
And, you know, looking at the

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designs for the bridge, you know, I think -- you
know, I think, you know, Designs 5, 6 or 7, you
know, are -- are the ones to choose from, you
know, most artistically.

And probably --

probably No. 5, you know, because of the way
the -- the way the bridge is cut and because of
the way the -- it goes over the rim, you know, it
probably makes the most appealing design.
Unless -- unless Joe thinks otherwise, I would
probably go with No. 5.
CHAIRMAN TOM URAM:

Okay.

Donald,

thank you.
APRIL STAFFORD:

Mr. Chairman.

CHAIRMAN TOM URAM:
APRIL STAFFORD:
April Stafford.

Yes.

Hi.

Sorry, this is

There's just a few of us, we were

talking at headquarters and we thought it would be
important to add to the record, not to revisit the
topic of the question that Donald and Dennis just
discussed thoroughly, but just so that all of the
Committee members would know affirmatively that
actually the question of social innovation was

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discussed and addressed at the last meeting that
the CCAC reviewed the American Innovation designs
for 2020.
In fact, the innovation for South
Carolina that was recommended by the Governor's
office as well as the CCAC and the CFA was for
Septima Clark, who spearheaded citizenship
schools and was the advent of the Civil Rights
Movement there, mother of the Civil Rights
Movement.

And so while there hasn't been an

announcement as to what the Secretary has
selected, we can confirm that that was, again,
the recommendation of the Governor's office for a
theme.

And it also comported with the

recommendations of this Committee and the CFA.
So that was for 2020, just for your information.
Thank you.
CHAIRMAN TOM URAM:
Okay.

Thank you, April.

Dr. Dean.

DEAN KOTLOWSKI:

April -- thank you,

Mr. Chairman.
And, April, thank you very much.

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Because that was the first question that I was
going to ask about Septima Clark, because I think
we've crossed this line.

And I am open to

innovation whether it's social.

I think a lot of

the innovations here are specifically tied to
social, they're tied heavily to education, at
least thus far.

So let's see what we get.

I'm

open to social, educational, technological,
medical, whatever.
I want to look at the designs of
Virginia.

I spent some time thinking about them.

And I'm going to start out with Barbara Rose
Johns.

And I didn't care for No. 4.

You have a

quotation there without quotation marks.
have a lot of feet walking and legs.

And you

And so

you've got something on the top about a moon and
then you've got these legs at the bottom.

And I

think it's very integrated together.
No. 3 is kind of a standard design.
I like the quotation.

I like the fact that it

was reaching for the moon, which put me in a mind
of another kind of innovation, a technological

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innovation of a moonshot, which people would have
vaguely been thinking about in the 1950s, maybe
not as early as 1951, but it's not an immensely
interesting design to say the least.
I think that this would work,
No. 3, if we were doing a Barbara Rose Johns
specific coin where this was the reverse, the
explanatory reverse and the off versus had her
image on it.
No. 1 and No. 2 are what I'm drawn
to.

And I think No. 1 is the -- is basically the

forest and I think No. 2 is the trees.
it that way.

Let's put

I think No. 1, the way it's written

gives you a sweep of what's happened in Prince
Edward County in 1951.
Just briefly, what happened we had
students strike.

The African-American school was

an inferior school, as April was reading.

And

what they were arguing for initially was
essentially an equalized brand-new school within
the context of segregation.

So that's one form

of equal education.

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And then it got translated with the
help of the NAACP into one of the several class
action lawsuits that were part of the Brown
decision, which pushed for another kind of equal
education and integrated education.
So when you had equal education,
you see Barbara Johns there.
both aspects of this.

I think this covers

All right.

And I believe

they're talking about eliminating the crescent
moon.

Is that correct, Mr. Chairman?
CHAIRMAN TOM URAM:

I hadn't -- I had

not heard anything yet.
APRIL STAFFORD:

That was a potential

suggestion by the Governor's office, given that the
quote was not included in the composition.
DEAN KOTLOWSKI:

Yeah.

Yeah.

Thank

you, April.
I think that that probably would be
a good idea, leave some blank space.

But, you

know, the moon there, it doesn't make very much
sense without the quotation.
I really wrestled with No. 2.

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wanted to like it.

What I did was to read -- my

first reaction to this, without reading the notes
and not remembering the details of the strike, is
what's the deal with the umbrella?
on here?

What's going

And then you read it and you look up

and you get what's going on.

And that's fine.

I

think there's going to be a lot of people who are
like me at the beginning and they're going to
wonder what the deal is with the umbrella.

"We

want a new school" was actually a sign that she
carried.

But if you -- and back to what I just

said, this sort of stops the story at the fight
for a new school within the context of racial
segregation.
So, Joe, this is where I'm going to
turn to you and ask a question.

Can we change

the sign, the sign that Barbara Rose Johns
carries at the Virginia Civil Rights Memorial in
Richmond -- which I have not seen personally,
I've even it online -- she's carrying a sign that
says, "We want an equal education"?
And if you put that on this -- if

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this coin -- if this design has any kind of
support, that would kind of continue the story in
this nebulous, but all-encompassing, idea of
quote, unquote, equal education.

You might have

to make the sign a little bit bigger, "We want an
equal education."
JOE MENNA:

You might have to make

the sign a lot bigger.
DEAN KOTLOWSKI:
JOE MENNA:

Yeah.

I think we -- we may need

to consider putting it somewhere else.

It may need

to stay the way it, Barbara Rose Johns -- it would
be challenging if we change it.

I understand what

you're saying.
DEAN KOTLOWSKI:

Yeah.

If there's no

significant support from the Committee for No. 2, I
don't think we have a problem.

So I guess within

the context of the four designs for Barbara Rose
Johns, I would be for No. 1.
And then for the Chesapeake Bay
Bridge Tunnel, if we decide we want to move in
that direction, I don't know how many of you have

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traveled on the Chesapeake Bay Bridge Tunnel, I
have a few times, it scares me, to be honest.
And so anything that scares me should be on a
coin, I think.
And I guess I agree a lot with Don.
Although, I like No. 6.
eloquent and sleek.

And I think 5 is very

Maybe 7 a little less so.

think 8 gets the job done.

I

But 5, 6, and 7, and

those of the two ship designs, I didn't much care
for those.
I want to be very respectful to our
people who serve in the Armed Services, but we do
a lot of -- and I don't want to be anti-military
in any sense, but we do a lot of coins of this
type.

We've been looking at a lot of naval

designs.

Of the two, I think No. 10 is a little

bit better.

But, again, you're not really going

to be clear from the text what that really is.
So, Mr. Chairman, thank you.

Those

are my comments.
CHAIRMAN TOM URAM:

Dr. Dean, thank

you.

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Sam.
SAM GILL:

Thank you, Mr. Chairman.

Well, I'm a native Virginian, as
most of you know, and I certainly am familiar
with both of these depictions.

I think that the

Barbara Rose Johns coin is extremely important to
Virginia.

I will say that.

It is a social

innovation for sure, as Don said.

I personally

would prefer to stay away from social innovation
on these coins because I think of innovation in a
technical way, invention way, that kind of thing.
But having stated that, I'll just
say that No. 1 is my choice for the Barbara Rose
Johns side of this.

It depicts a sweet girl in

good spirits, but obviously brave, took a
position, did something that turned out to be a
really, really important thing.
Moving on to the Chesapeake Bay
Bridge Tunnel.

I agree with Dean, it's -- it's

kind of scary to ride on that thing.

I've done

it many, many times.

And it's -- it is a huge --

huge accomplishment.

The choices for me there --

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I'm not going to go as far as on the -- on the
artistic side of things.
as you know.

I like to tell a story,

No. 9 shows what I -- I think of

down that way because it's the largest naval base
that we have.

The Navy goes in and out of

that -- over that Chesapeake Bay Tunnel all the
time.

So when you're down there, you often see

that depiction.
And then I like No. 8, because
it -- it's -- it's just a good rendition, I
think, of what the Bay Bridge Tunnel looks like.
Those are my comments.
CHAIRMAN TOM URAM:

Okay.

Sam, thank

you.
Robert.
ROBERT HOGE:

Thank you,

Mr. Chairman.
My preference probably would be to
go with the selection of No. 1.
does the job.

I think this

I -- I don't think it's

appropriate for me to really so much address this
question of social versus technological

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innovation, whatever its importance, and what the
state selects, I think is okay.
The bay bridge, the Chesapeake Bay
Bridge, is truly, you know, a momentous
accomplishment and worthy of celebration.

I

think, however, though, it certainly doesn't lend
itself very well to be detected on a coin design.
I would probably select No. 8 as being one that
gets the job done the best.

It's less confusing

than the others and it's a little bit more
realistic.
Barbara Rose Johns is probably not
as well known, certainly not as well known to the
general public as she should well be.

I think

No. 1 conveys the imagine of the idea of equal
education for all fairly well.

I do agree with

the suggestion that was brought up that the
so-called crescent moon should be eliminated.
Technically that actually is not a crescent moon
shown on the piece, it's actually a waiting moon.
And although it does allude to her quotation,
since that is not cited, I think it's probably

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not really relevant.
So in all, I appreciate the
difficulties coming up here, but I would -- I
would have to select No. 1 for my preference, and
give credit to No. 8 the most for the bridge
representation.

Thank you.

CHAIRMAN TOM URAM:

All right.

Robert, thank you.
Dr. Brown.
DR. BROWN:

So listening to the

comments from my colleagues, I must say that the
discussion of technical versus social has really
captivated me.

I must confess that from my area of

health care, as much as the technological is
important, the social has had an equal importance
about how we are able to achieve the technological.
I am impressed with a lot of the designs by the
artists, and I will commend them for doing so, but
my vote goes to No. 1.
Thank you, Mr. Chair.
CHAIRMAN TOM URAM:

Okay.

thank you.

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Jeanne.
JEANNE STEVENS-SOLLMAN:

Thank you,

Mr. Chair.
This definitely was one of the more
lively discussions that we've had on coins for a
while.

And I thank Donald and Dennis for their

input.

I -- I -- I don't really want to get

involved with one social versus technology.

I am

mostly interested in the power of the design,
because this is what you're going to -- you know,
this is the story in your pocket, this is what
you're going to pass to the next person.
And looking at -- I like No. 1.

I

appreciate what the Governor wants to do, and
think this is an important piece.

I like No. 2

because it gives you a little bit more of the
shakeup in what Barbara Rose Johns did.
However, I keep going back to
No. 5.

And No. 5, I'm looking at purely for

design, not for social comments versus technology
or anything, but the fact that this design, like
Donald said, moves out of the circle and it comes

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into the rim.

You see the tunnel, which is a

difficult achievement that Virginia was able to
accomplish.

So I like -- I like this design very

much as opposed to the other two, No. 6 and
No. 7.

And so I'm -- I'm -- I'm looking at it in

the design perspective.

I like No. 1 for what it

represents.
Those are my comments.

Thank you

very much.
CHAIRMAN TOM URAM:
Jeanne.

Thank you,

I appreciate that breath of fresh air

because you were that way with a couple of the
other designs, so you might get your turnpike here
if it goes -JEANNE STEVENS-SOLLMAN:

I would love

one.
(Crosstalk.)
CHAIRMAN TOM URAM:

That's right.

Robin.
ROBIN SALMON:

Thank you,

Mr. Chairman.
As important as equal education is,

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I cannot ignore the technological advance of the
Chesapeake Bay Bridge Tunnel.

And something that

is described as a modern-day engineering marvel,
I think, needs to be included.

I will say one

thing about the No. 2 design related to Barbara
Rose Johns, the artist may have seen the memorial
that's on the state house grounds in Richmond for
this particular subject matter where the figures
walk out from the central block on all four
sides, and this design is reminiscent of that
particular monument, which is very beautiful and
compelling.
I -- I was drawn to No. 5 for the
reasons that others have given, that -- the pure
design aspect of it, but I'm -- I'm bothered by
the fact that it doesn't say "Chesapeake Bay
Bridge Tunnel."

And I want it to say that.

So No. 8 or No. 9 would be my
preferred choices with, I think, No. 9 giving
more of a picture of what goes on with the Bay
Bridge Tunnel, what its significance is.

And we

certainly can't ignore the fact that military use

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is a major part of the daily activity there.

So

No. 8 and No. 9 would be my preferred choices.
Thank you.
CHAIRMAN TOM URAM:

Okay.

Robin,

thank you.
Mary.
MARY LANNIN:

Thank you.

Can you

hear me?
GREG WEINMAN:

Yes.

CHAIRMAN TOM URAM:
MARY LANNIN:

Okay.

Yes.
Because I've

been going on and off mute because I've got
construction going on here.
So one of the things that I look at
when we have such a disparity of designs here, or
choices I should say, is what -- what does the
state have that could be no where else?

And for

me, it was the Chesapeake Bay Bridge Tunnel.
For all that Barbara Rose Johns
did, she happens to live in Virginia.

She could

have happened to have lived other places and
accomplished the same things because she would

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have been that person.

She could have been in a

terrible school in another state.

But what

they've done in Virginia, which they do describe
as an engineering marvel, that can't be anywhere
else except Virginia.

So that's why I want to

consider the Chesapeake Bay Bridge Tunnel design.
I'm with Donald that I like size
very much, but I'm also in agreement with Robin
that I don't know if it's possible to put
"Chesapeake Bay Bridge Tunnel" anywhere.
love that it's an engineering marvel.

But I

And this

could be a coin design-like marvel where it keeps
going, your mind -- your mind keeps those cars
just driving straight ahead.
No. 6 has the word "tunnel," but
we'll never be able to read it.

No. 7 is a

possibility where we actually have room to add
"Chesapeake Bay Bridge Tunnel," I would assume,
if Joe could weigh in on that.

Eight is more

utilitarian, it gets the job done.

It does say

"Virginia," it does say, "Chesapeake Bay Bridge
Tunnel."

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I also kind of like the majesty of
No. 9.

That ship is coming home and it's coming

home through a bridge that is open to let it get
there.

So I would throw my weight behind either

No. 8, No. 5 or No. 9.

Thank you very much.

CHAIRMAN TOM URAM:

Okay.

Mary,

thank you.
And Michael.
MICHAEL MORAN:

Hi, Tom.

I looked at

this set of drawings in total and what it told me,
first of all, you never want to drive this tunnel
(indiscernible) a car.
technology.

I don't care about the

I think that the artist had realized

too much on gray scale here.
this will work.

And I question how

Maybe with some texturing.

Because 5 and 7 are pretty decent, in terms of
explaining the technology.
I'm sorry, I'm on I26 and this is a
miserable highway.

And there's not enough

technology in South Carolina, if you want to talk
about it, on I26.
CHAIRMAN TOM URAM:

You should

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actually be focusing on the road.
MICHAEL MORAN:

The ship going

through the gap there through the -- just not the
theme for me.
by default.

So I'm back to the first four almost

And, although, No. 4 doesn't convey

the theme really for me.

3 is boring.

me of the Morton Salt girl.
with No. 1.

2 reminds

And that leaves me

And so that's where I am, guys.
CHAIRMAN TOM URAM:

Okay.

Michael,

thank you.
Okay.

And as far as, you know, if

we go with No. 1 or No. 2, as far as the Barbara
Rose, I would, you know, prefer No. 1, if it went
that way.

And as far as the technical side of

the house, which is where I'm really going to
focus, it's going to be No. 5, No. 8, and No. 9.
I think that -- I think Mary was
spot on there.
observation.

That was an interesting
And I also agree with Jeanne on --

and all of -- all of the discussions have been
very well thought out and in a great dialogue.
So at this time why don't we just

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go ahead and take -- I think we better take five
to ten minutes for both.
GREG WEINMAN:

I think we can

probably do this in five minutes.

This is Greg.

Once again, everybody send me your scoring, either
via text or via email.
I received it.

You don't need to ask me if

If I have not received it, I will

reach out to you.

But go forward.

And, Dr. Brown, once again, just a
reminder, please score each design on a
qualitative score of 0 to 3, which is how the
scoring system works.
JOE MENNA:

This is Joe.

Does anyone

feel it's necessary to -GREG WEINMAN:

Hold on.

Please, yes.

Mr. Chairman, do you want to hear
from Joe Menna?
CHAIRMAN TOM URAM:

That will be

fine.
JOE MENNA:

Okay.

I mean, just

purely artistically, 5 is like ridiculously
challenging in sculpt.

I mean that in a very

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positive way.
think.

That would be a heck of a coin, I

And it could also be pulled off.

Out of

respect, Mike's comments on the gray scale, I think
that was -- that was employed in order to -- in
order to articulate the different planes and
curvature and values.

I mean, if you look at them,

they almost look like model cars.

It just -- you

could reach into this coin and pick up these cars
with your hands.

There's such depth -- there's

such dynamic perspective going into the coin.

I

just think it's a really, really exciting coin.
The Mint will never present
anything less than its best, but just like any
great sports team, some players are stronger and
some players aren't as good.

And for the -- for

the -- the final three designs, I think that in
terms of just artistic value, I think this is the
weakest of their portfolio.
That's all I have to say.

I'm

really -- I'm really excited by the whole -- this
whole grouping.

I mean, I think it's just a

wonderful -- wonderful set of designs.

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you.
CHAIRMAN TOM URAM:

Okay.

Joe, thank

you.
Okay.

Greg will be capturing all

of the tallying and votes.
(Recess from 10:33 a.m. to 10:41 a.m.)
GREG WEINMAN:

Okay.

We can go back

on the record.
Mr. Chairman, are you ready?
CHAIRMAN TOM URAM:
GREG WEINMAN:

Yes.

Okay.

For Virginia:

Design No. 1 received 19 points; Design No. 2
received 1, Design No. 3 received 0; Design No. 4
received 0, Design No. 5 received 20, which is the
highest vote getter, although very close to Design
No. 1; Design No. 6 received 5, Design No. 7
received 5; Design No. 8 received 15, Design No. 9
received 11; and Design No. 10 received 1.
So the Committee's first choice by
a hair is Design No. 5, with Design No. 1 coming
in a close second.
CHAIRMAN TOM URAM:

Okay.

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any motions at this time?
If not, we'll go ahead and review
designs for the New York Innovation Dollar.

Why

don't we go ahead and start out with Dr. Dean.
DEAN KOTLOWSKI:

Thank you,

Mr. Chairman.
CHAIRMAN TOM URAM:

Is it morning or

evening where you are?
DEAN KOTLOWSKI:
question.

Well, that's a good

It's 1:41 in the morning.

fine for me.
2:00 or 3:00.
stimulating.

So this is

When I'm home, I can stay up until
This has been -- this has been very
And I hope that I can add to this.

I

am a native of New York State and I'm a native of
Buffalo, New York, and I'm a fan of the New York
Yankees, so there's a lot of baggage here and a lot
of -UNIDENTIFIED SPEAKER:

Much like

snow, too.
DEAN KOTLOWSKI:
snow.

Yeah, I do like

And as a kid we learned the Erie Canal song,

which I won't sing, but I've got a mule, her name

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is Sal, 15 miles on the Erie Canal.

And we always

had to sing that in music.
And so there are three different
designs here.

And as I was working through them,

I thought of three things.

We have the obvious,

we have the claimed and we have the assertive.
Now, the obvious is the Erie Canal.

And then

Mary helped me because what does New York State
have that no other state has?
Canal.

And it's the Erie

And the Erie Canal was huge.
While we were totaling up the

votes, I looked up the classic book, and it's an
old one, it was called, "The Transportation
Revolution of the 19th Century" -- it was called,
"The Transportation Revolution," by George Rogers
Taylor.
era.

And he has a whole chapter on the canal

And the first subheading is, "The Erie

Canal and the Beginning of the Boom."

So this

was huge.
And I won't go into all of the
details here, but I very much like No. 1.

I like

the fact that Buffalo is mentioned, as well as

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Albany.

I think this gives you a majestic sweep.

I think it may be more of a traditional coin, but
I don't care, I think it's a very beautiful coin.
You see the boats and so on and so forth.
And here, Joe, question to you.
You have a small figure there.
that stuff is very fine.

Maybe some of

Do you think it's --

are there any sort of technical issues about it
being, you know, too finely grained as a coin?
JOE MENNA:

Dr. Dean, we pretty

much -- I hope do you don't mind me calling you
that.
DEAN KOTLOWSKI:

No, go ahead.

Call

me Dean.
JOE MENNA:

Yes, sir.

You know, we -- all -- every design
in the portfolio passed a rigorous coin-ability
review by our product design specialist team,
and, you know, and they communicated all that
stuff to me.

And, you know, we do multiple

passes on that kind of thing, a lot of time.

If

we present a design to you, it means that we do

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believe that it is coinable.
DEAN KOTLOWSKI:

All right.

That's

why I've never asked you that question before.

I

just wanted to be sure with No. 1.
JOE MENNA:

It's going to be rather

impressionistic at this certain scale.

But, like,

if you look at that -- what is it, the platinum
series that we did before, it had like a little
stagecoach in the background, it was very teeny.

I

think it was platinum, I just remember I sculpted
it, Justin Coots designed it.

But I remember

having to sculpt this teeny stagecoach.

And I

honestly didn't think it would show up on the coin,
but it did show up on the coin.
So we'll make it work.

You can see it.

But that's what the -- if

that's what you focus ultimately vote on as your
choice, we'll make it work.
DEAN KOTLOWSKI:

Well, I think that

No. 1 gives you a sense of the sweep from Albany to
Buffalo.

You get the canal boat, you get New York.

I think it's very serviceable and accurate.
think there's a real eloquence here.

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I think No. 2 is trying to do the
same thing.

And it just -- the design is just a

little clunky to me.

And No. 3 is the, I've got

a mule, her name is Sal.
canal here.
that.

And Sal is trumping the

And I'm not sure that I care for

I -- again, I don't want to sound like I'm

anti-animal, but in this case, I think I am, so
I'm going to let it stay there.
So No. 4, I don't like it at all.
I don't think that gives you the sense of the
sweep.

And No. 5 is just a pretty picture.

And

I'm not sure -- it's not necessarily inspiring to
me.
Now we get to baseball, which is
declaimed here.

And I'm not an expert on the

origins of baseball, I -- but I think a lot of
people now believe that Abner Doubleday is a pure
myth.

And this Cartwright guy is really

important.

But as I understand it, forms of

baseball were being played before the 1840s.

And

then rule changes are going to happen after the
1845, what we'll call the Knickerbocker rules.

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think we can assume they didn't have a designated
hitter in 1845.

So I think New York is trying to

claim something here.

And I think it's going to

fall short.
Also we had -- we discussed
basketball at one point being invented in
Massachusetts.

I remember that being a very

short conversation.

I wouldn't say we were

dismissive, but something close to it.

I'm going

to listen very closely, I think the last would be
asserted.

And these are the designs of the lunar

landing module.

And I think what New York is

trying to do is to assert their relevance to the
moon landing.

And I'm not saying that's

unconvincing.
As I found it -- as I looked at
these, they were so similar -- because, again,
I'm going to be listening carefully to the debate
as it unfolds.

I looked and I looked and these

are some thoughts.
much to No. 11.

I ultimately was drawn very

I think it gets the job done.

That's what I would imagine the lunar surface

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looks like.

I don't know if that's the way the

earth works.

I suspect it isn't.

earth looks like No. 13.

I suspect the

And we might want to do

a situation substitution and take the earth from
13 and put it in either 11, or, if you guys go
with, No. 12.
No. 12, they decided to shrink the
lunar module to make space for Long Island.
I know that's Long Island.

And

And I appreciate the

geography lesson, but that might look like some
sort of extraterrestrial, creepy crawly, going
across the moon's surface, somebody unfamiliar
with New York geography.
I read the notes, that the
importance of that page, New York.
No. 13 is nice.

I think

There's some blank space there

and it's a little simple and plain.

No. 14, that

looks like the lunar module is landing somewhere
in Kansas.

I don't know why I'm thinking that,

it's just an impression.
I don't think 15 and 16 are
particularly interesting.

17 is okay.

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some reason I didn't much like the activity in
No. 18.

It's supposed to be, I think, either --

I think it's supposed to be blasting off there,
but that looks like water that's shooting out and
I wasn't immensely impressed.
I guess the last thing I would say
is that I like some of the texts that said,
"Landed on the moon, built in New York."

I think

that's good, taut, simple, muscular language, but
it's probably better to just show it landing on
the moon.

And that concludes my comments there.
CHAIRMAN TOM URAM:

Dr. Dean.

Thank you,

And then as you referred to the Erie

Canal, there were many (indiscernible) spots as
well.

And there are numerous medals regarding the

Erie Canal as well.

So with that, I'm -- a medal

guy can take this discussion, and that's Mike
Moran.
Mike.
MICHAEL MORAN:

I'm here, Tom.

You

caught me by surprise there.
When I was doing the research for

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my last book, one thing that came out loud and
clear was that before the Erie Canal, the
financial center of was on Chestnut Street in
Philadelphia.

After the Erie Canal, it was on

Wall Street in New York City.

It is significant

and it's very important to New York.

But I still

got to let the art dictate how I'm going to vote
here.
In terms of the Erie Canal designs,
No. 1 is head and shoulders above the others.

I

think the elevation from Albany to Buffalo that
runs across the coin, I think that's unique.

The

others are too simplistic for my taste.
I'm not into baseball in New York.
I think that there's (indiscernible) that needs
to be brought up effectively that we ought to
stay clear of.
When it comes to the lunar lander,
I don't think in No. 12, the outline of Long
Island really is necessary.
11 or 13.

I can go with either

15 is nice and clean, and it's not the

lunar lander, it's something else.

I think that

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if you try and get the notion that's shown in 14
or 18 onto a dollar coin, you're just going to
mess it up, so I would not be doing those.

In

this case, I believe that if we can get No. 1
sculpted well, that's where I'm going to go.
Thank you, Tom.
CHAIRMAN TOM URAM:

Okay.

Thank you.

Donald.
DONALD SCARINCI:

Well, first of all,

everybody knows that Hoboken, New Jersey is the
birth place of baseball, and New York cannot steal
it with a coin.

So -- so -- so their attempts to

do that here is misplaced and they're not getting
away with it.

So forget the baseball coins.

not voting for any of that.
perpetrate that myth.

I'm

And I'm not going to

So that's off the table for

me.
The -- now, with that being said,
by the way, for the artists who did these
designs, particularly 6, 7, and 8, kudos to the
artist.

You know, when we do New Jersey,

let's -- let's recycle those with New Jersey on

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it.

And -- and -- and, you know, I also like the

artist who did No. 8.
well.

Kudos to that artist as

The perspective with a -- with a focus on

the ball.

If this were a dollar size -- you

know, full silver dollar size, that would be a
really nice design on a $1 commemorative coin.
You know, so -- so, you know, I like the art
there.

The topic, no.
In terms of what's the most

important innovation in New York, and if you had
to really pick one, I think -- I think everyone's
correct, I mean, the Erie Canal clearly was
probably one of the significant things.

And, you

know -- you know, probably but for the Erie
Canal, Alexander Hamilton was right, but for the
Erie Canal that Jersey City would have been the
financial capital of America and not Wall Street.
The Erie Canal changed all that.

And the Erie

Canal, you know -- you know, to a great extent,
changed America.
So it's clearly -- it's clearly
something that should be commemorated.

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is also -- Mike right, I mean, I have to let the
designs govern the coin.

And I really -- I just

don't like the designs for 1, 2, 3, 4 or 5.

And

I just don't like -- I don't like the designs for
this series.

You know, I don't think -- I just

don't think they stand out.
they go with the other coins.

I just don't think
I just don't -- I

just don't like them.
And so -- and so with that being
said, I look at them in contrast to, you know,
the lunar lander and -- and now, you know, I
think we need to do a fact-check that this is
true, right, let's just assume that it is true,
and I just did a little preliminary check on the
internet, it does appear that this is true, that
these -- that the lunar lander was constructed in
Bethpage, New York.

So if this is true, then --

then there's no question at all that all things
pass due Sal, so, you know -- and since -- since
we, The Mint, are -- you know even though we
don't like to say it, we are in the business of
selling coins, right, and, you know -- and, you

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know, there is -- there is precedent that things
that are space related do tend to -- do tend to
sell.

People like space.
You know, this is -- this is a --

this is certainly -- this is certainly a good -you know, this is certainly a good topic.

It

certainly does represent the high watermark of
America achievement, you know.

And no one else

in the world has replicated this achievement
and -- in 50-plus years, 60-plus years.

No one

has replicated this achievement.
So I think it certainly warrants -and in contrast, you know, only us nerds
understand the significance of the Erie Canal,
right.

Let's be honest.

You know, we understand

the significance of the Erie Canal, but most of
Americans can kind of get the -- the significance
of man walking on the moon.

And giving New York

its credit for the construction of the lunar
lander is probably -- you know, is probably
something that's a little overdue and warranted.
So, you know -- but the real reason

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that I'm supporting -- the real reason I would
support one of these designs is exactly what Mike
said, you know, I have to let design govern
and -- and even though I know better that the
Erie Canal was -- was very important, these
designs are crisp, they will look good on the
sides of the pallet, they are simple, plain and
popular.

So they have everything you want for

this coin.

And really the only thing it now

comes down to is which one do you pick.
So, you know, let's go by process
of elimination, which one you don't pick, you
don't pick a team.

It kind of looks like a sick

bird and on a small planet, it looks like a big
bird.

On something bigger, it would look better,

but not on a small planet.
You know, I'm drawn, you know, to
No. 12.

You know, I cringe when I see little

maps and things like that, you know, on the -the little flag, little earth, little map, little
star, you know, too much.

So I -- I discount --

I throw away No. 12, right.

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You know, No. 15 is clean, but too
clean and too many words.

And so I kind like,

you know, as to what -- among what's left, you
know, I -- I'm kind of liking this, you know -I'm going to be very anxious to hear what Joe has
to say, but I'm kind -- I'm kind of liking the
No. 11, because it's clearly the lunar lander on
the moon.

You know, I'm -- you know, I -- I

think it's a little nicer and more simplistic
than having the No. 14, that kind has the -- has
the exhaust coming down the moon, makes it a
little more complicated.

It's a little more busy

than No. 13, so I could see it -- I can see a
very strong argument to go with No. 13.

So Joe

could persuade me to go with No. 13 versus 11
very easily.

I could blow that up very easily.
And I think for me, that's the

choice, it's either 11 or 13.
simplistic, clean, simple.

We can go with the

And 13 -- and what I

like about 13 is it's clean.

For the size of the

coin, this coin is all about the lunar lander.
No. 13 is clean, the focus -- the eye is about

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the lunar lander.

You know, it does it for me.

So I can go with 13 or 11.

You know, I'll be

persuaded by Joe.
JOE MENNA:

Is that an invitation?

I'm sorry.

This is Joe by the way.

DONALD SCARINCI:
JOE MENNA:

It really is, Joe.

Well, I think I -- I

would go with 13, and for different reasons.

I

don't -- I mean, again, best foot forward every
time.

I think 11's a fine design, but, you know,

whenever something's symmetrical, it's kind of
boring.

So the bilateral symmetry to No. 11, I

think, kind of counts against it.

And then the

realistic treatment of the lander versus the
stylized treatment of the stars, I think adjust the
position, even though they'll be teeny, for me,
it's a little -- it's a little bit off.

I think I

would -- I think that your choice of 13 is -- is -it sounds like -- it's very astute and I like it.
DONALD SCARINCI:
Thirteen it is.

It's clean.

Thirteen it is.

Thirteen is clean,

especially for the size of the coin.

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to the lunar lander.

And I think -- and I think

it's -- and I think -- hey, look, I think -- I
think it's a popular coin.

I think it's a seller,

I think it's a popular coin.

And, you know, I

think it would look good on brochures and people
will buy it.

So that's -- that's -- that's my --

that's -- that's my piece.
MARY LANNIN:
Mary.

Mr. Chair, this is

May I go next after Donald?
CHAIRMAN TOM URAM:

New Yorker.

You're the next

Go ahead.
MARY LANNIN:

And one of the newest

New Yorkers.
Okay.

So regarding what I said

about what does the state has that no other state
has.

Certainly the Erie Canal fits that nail on

the head.

But I need to tell you that I honestly

laughed when I saw the language on 15 and 16.

If

that's not New York, I don't know what it is,
"Landed on the Moon.

Built in New York."

So I like what Donald just
depicted, it's something that's very clean.

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only thing that I would like to do is can we made
substitute, "Made in Bethpage," for, "Built in
Bethpage, Built in New York," on that one.

And

then I think that would just be an absolutely
awesome coin.

So I would put my votes toward

No. 15, with a motion to change the words -- the
verbiage.

And if not, I actually do like No. 4,

for sort of a symbolic Erie Canal.
And I'm going to never argue with
Donald about where baseball was started, so we're
going to stop all that.
No. 13.

So my choice would be

Thank you very much.
CHAIRMAN TOM URAM:

Thank you, Mary.

Robert.
ROBERT HOGE:

Thank you, Mr. Chair.

So this is somewhat a difficult
selection.

I kind of like the Erie Canal as a

theme because of its momentos importance in the
development of the country.

Design No. 1 is

nice, but I find that design a little bit
confusing.

In the background, I suppose that's a

wall of the side of the canal lock or something,

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but it seems to me that the small size, it's very
likely it just looks like another body of water,
and so I'm a little uncertain about what we're
seeing.

Because the lower edge, which is the

path of the Erie Canal, all lead to Buffalo,
seems to be not what you would expect of the edge
of the side of the canal, so I don't know.

It's

just -- I -- I -- I understand what Joe said,
this would be imminently sculptable.

And since

this is the state preference, I wanted to give it
some consideration here.

I just -- just don't

know if this is the best presentation that we can
see of the canal.
Now, the others are quite clear.
The No. 5, I agree, is a very, very nice picture,
but maybe that's the best selection of the Erie
Canal.
promise.

It's something that gives a lot of
I won't go into the baseball

controversy here.

I don't know that it's that

important for the development of the state as a
single-standing innovation.

It seems like the

innovation came from many sources.

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Now, of course, the lunar lander is
a momentos thing.

And one thing that I was

struck with was the very different perspectives
that are shown here of the same -- the same
object in the way the artist interpreted the
presentations of it.

And the fisherman himself

is kind of remarkable.
I like a number of these and think
that they could be made to work probably
virtually any one of them could.

I do have some

trepidation about the map in No. 12 with its
little star.

I mean, I think it's understandable

what it is, but I agree, it does look like
possibly some sort of alien extraterrestrial
monster.

Maybe that's what Long Island is, I

don't know.
But the lunar module looks as
though -- it's not really the same vehicle in all
these representations.

The angles of the legs

look a little bit different.

Is there drapery or

something on some of these or is that dirt,
affects of birding that shows a different

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perspective on the sides?

I'm not really sure

which is the best sort of representation to go
with, and so I hesitate to specify one of these
more so than another.

Although, I do like the

cleanliness of the effect of Design No. 13.

That

probably would be my favorite with my
reservations.

Thank you.
CHAIRMAN TOM URAM:

Thank you,

Robert.
Dennis.
DENNIS TUCKER:

Thank you, Mr. Chair.

I am actually a New Yorker as well.
I grew up in Oswego County and went to school in
Rochester.

Oswego County being the Syracuse

area, so Erie Canal is dear to my heart.
Tom, if -- if it's okay, I'd like
to take a quick review.

You mentioned a

conundrum that I'm starting to see in the past
regarding this program and then I want to get
back to New York and focus on that.
It seems to me like we need to
figure out whether we should vote first on themes

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and then once we've decided on a theme, vote on
the art within that theme or if we should vote on
the art across the entire portfolio and let that
land wherever it might.

I see some problems with

the latter approach and I see some -- I see some
advantages to voting first on the theme, because
even if we don't like the art within a theme, we
can then go back to where it mentioned and say we
would like to see another portfolio or we'd like
to see this changed.
GREG WEINMAN:

Dennis, this is Greg.

This is based on past practices,
based on the way the scoring comes out, you're
always welcome to make individual motions that
could encompass any strategy to that effort.
DENNIS TUCKER:
GREG WEINMAN:

Thank you.
So at least as we've

been doing this these last couple of years, you all
have been simply scoring all of the designs that
are in the portfolio and then taking that
information and utilizing it.

Because at the end

of the day, this is just a tool, the scoring

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system, a tool that you can then use to craft
individual motions should you desire to do so.
CHAIRMAN TOM URAM:

The other thing,

Dennis, prior to you -DENNIS TUCKER:

Thank you.

CHAIRMAN TOM URAM:

-- coming on,

what we used to do is, just if we had 12 designs,
we would say which picks we're going to focus on,
those would be the only -- or eight, or whatever it
was, if anyone had a preference to talk about a
particular design that was put on the table and
then anything that wasn't put on the table was not
discussed.

So we've done it that way as well.
DENNIS TUCKER:

Yeah.

I guess these

are just different ways of looking at and thinking
about what we're presented.

This particular

program is different from a lot of programs that
the Mint works on because the Governors are not
limited to a single theme or even two themes.

I

think there's a -- they can propose up to three
so -CHAIRMAN TOM URAM:

And having said

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that, you're right, and I think it kind of puts us
in an awkward situation; however, if they're giving
us three, then I think equal weight has to be
given, or discussion, to the three, or whatever it
might be, one, two or three, so it's programmatic
otherwise.
DENNIS TUCKER:

Yes.

The -- let me

give an illustration of what I see as the conundrum
in that.
moment.

Let's take -- just to divert for a
If we take a theoretical coinage program

on the presidency, let's say, if we're presented
with a portfolio that consists of 15 amazing great
portraits of James Buchanan and one bad portrait of
George Washington, then James Buchanan would become
the theme, because -- if you're looking at art only
because you're comparing amazing great portraits
for a bad portrait, or if we're presented two great
portraits of George Washington and ten great
portraits of Abraham Lincoln, then the votes for
Lincoln would be diffused among ten candidates, and
the votes for Washington would be concentrated
among two candidates and George Washington would

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win.

And you can argue for or against either of

these outcomes.

I'm just saying that

mathematically, the -- the forces at work tend to
favor one over the other possibly unfairly.
So I think we need to -- I
recommend that we -- that we think about this a
bit.

And I'm not making a motion and I'm not

saying we need to set a policy, of course, but
I'm just saying that we need to be conscious of
these mathematical possibilities as we look at
designs.
CHAIRMAN TOM URAM:

And at the same

token, you can give weight to three different
designs, three different themes if you voted three
for three -- you know, three different ones.

So

everyone can do that and is aware of that, but
we'll look at options as well.
DONALD SCARINCI:

Can I make a

comment, Mr. Chairman?
CHAIRMAN TOM URAM:
DONALD SCARINCI:

Yes.

Mr. Chairman, you

know I -- I -- I kind of modified Mike Moran's

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position because Mike -- Mike's position, you know,
was -- was look at the art, right.

I took it,

like -- I kind of modified it and I said, yes, he's
right, look at the art, but let's -- let's -- let's
consider one more thing.

When you do look at the

art and you discount the five Erie Canal coins
because of the art, also consider the fact that
while we all get the importance of the Erie Canal
because we're nerds, you know, we're essentially
nerds, and we get it, most of America is really not
going to get it.

And most of America is going to

get the lunar lander.

And -- and that's all I'm

saying.
When you consider Erie Canal versus
lunar lander, most of America is going to get
lunar lander.

And since the art is better in the

lunar lander anyway, these -- the equities weigh
in favor of the lunar lander versus -- versus
Erie Canal.
Now, if I had a great piece of art
that really, you know, was "oh wow" for Erie
Canal, you know, you're right, I'd probably go

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with Erie Canal, but I don't.
CHAIRMAN TOM URAM:

You bring out a

point there, because you're also saying what we're
really trying to focus on what New York
significance is and then we're also looking at what
the numismatic world would buy.

So -- but I kind

of lean in favor of what is the most for New York,
kind of what Dr. Dean was starting out with.
But, Dennis, go head and finish up.
DENNIS TUCKER:

Okay.

Thank you,

Mr. Chair.
Okay.

Numismatically speaking, I

would point out that the Mint has honored
baseball on coins, it's honored lunar landing on
coins, but it has never recognized the importance
of the Erie Canal on a coin.
Tom pointed out that there have
been medals, very significant historical medals.
But this is an opportunity for the Mint to
recognize a great New York State innovation.

So

I -- I believe that the Erie Canal is far
outweighed the best theme for this coin program.

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Design 1, I think even with the
forest perspective and the bright light in the
back, it's visually flat.

And there's no single

element that really stands out as the primary
focus for your eye.

So, for me, No. 1 really

doesn't work as a coin.
No. 2 has kind of a Disney quality
to it.

I imagine some people might find it

hokey, I actually like it.

And I like the fact

that No. 2 has some explanatory text just in case
you weren't born in the Syracuse, New York area,
or in Buffalo, then you need to be informed of
what this coin is all about, you've got it
spelled out right there.
I like No. 3.
mule named Sal.

Dean, I like that

That's a nice illustration.

I

like No. 5 as well, I think it's a good
illustration.

No. 4 is nice, but I don't think

it says enough about the canal.

It says a lot

about the man tending this boat and the boat
itself.

I think it's well done and I -- I like

the way it's laid out and balanced.

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prefer No. 2.

I think it would make a nice

coinable sculpture.

And I think it communicates

a lot of romance and adventure and just
day-to-day utility of the Great Erie Canal.
Thank you, Mr. Chair.
CHAIRMAN TOM URAM:
SAM GILL:

Okay.

Sam.

Thank you, Mr. Chairman.

I'm going to take you back off of
Dennis here.
in general.

And I agree with what he's saying
With all due respect to Bethpage,

NASA could have chosen any state probably to make
that lunar lander, so I'm not sure that is unique
enough for New York.

The baseball, I don't think

it can make that claim.

But the Erie Canal, they

sure can.
And it's something that, thank
goodness for Dean, he still teaches history, but
maybe a lot of young people today are not getting
enough history, but all of us certainly remember
the Erie Canal, reading about the Erie Canal when
we were coming along.
I like -- I like No. 1.

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No. 2.

No. 1, I prefer only because it tells

more of the story; although, I really do like the
looks of No. 2.

But No. 1, I -- I would like to

see a date added there if they could, "1825," if
there's room for it, if it makes sense, only
because it puts a time perspective on it.
Because it was such a great achievement,
engineering achievement, it's such an early
period of our history.
Thank you, Mr. Chairman.
CHAIRMAN TOM URAM:

Thank you, Sam.

Robin.
ROBIN SALMON:

Thanks.

Yeah, this -- this is tough.
The -- the Erie Canal, there's no doubt it's so
important in American history and innovation.
And I just wish we had a little bit better
designs to work with.
1 and 2.

Of the five, I'm drawn to

No. 2, I think, could be less

cartoon-ish and more eloquent in the manner it's
sculpted, of course.

But the fact that it does

have the course of the canal there in the

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background, of course, as the opening date is
important because everybody doesn't know these
things.
And No. 1 is a beautiful scene.
I'm not sure how well it's going to translate
into a coin design that will be compelling.

I'm

not including baseball in this discussion.
Everybody has already talked about that.
There is -- I will say something
about the lunar module.

I -- I agree with

everyone who has spoken in favor of it.
it could be a great coin.

I think

And the only issue

that I have is that it's -- it's made in New
York, but where was it designed?
it?

Who designed

To me, that is what is the significant

innovation.

And for that reason, I -- I really

think that I'm going to go with the Erie Canal as
the important innovation for New York.
I would add with the Apollo design,
that No. 17 says to me the -- what needs to be
said with a nice image of the landing craft, but
also the statement, "Apollo Lunar Modules," that

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everybody, again, does not know what this is.
And if I had to choose one from this series, I
would go with -- with that for that reason.
Thank you, Mr. Chairman.
CHAIRMAN TOM URAM:

Thank you, Robin.

And a good point on that -- thought on that.
Dr. Brown.
DR. BROWN:

I'm a New Yorker as well.

And as much as I love the myth about baseball, I
think I'm -- I'm intrigued by the Apollo landing.
I like to focus on what would New Yorkers, they
would like to have rest of the world focus on, and
in that regard.

I think the Erie Canal is the best

way to do that.

And in that respect, my vote goes

to options No. 1 and 2.

Thank you.

CHAIRMAN TOM URAM:

Thank you,

Dr. Brown.
Jeanne.
JEANNE STEVENS-SOLLMAN:

Thank you,

Mr. Chairman.
I'd just like very much to talk
about what Dr. Brown spoke of, that the New

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Yorkers would focus on the Erie Canal.

I think

it's a very important aspect of history.
especially, you know, 1825.

And

I think, part of our

coinage program is to teach a bit of history.

I

think it can -- the only thing that I think I
question about No. 1, and I may just not know
enough about the Erie Canal, but it seems to me,
how is -- how are those barges powered, you know,
if we don't the mule in there?

And I'm a little

concerned about it.
When I go back to our enlarged
image, you do see that this is a stonewall, it's
not miles of ocean, the smaller image leads us to
believe.

So it would take, I think, a lot of

sculpting to convince people that that's not
water, but it is a wall.
I like No. 2, because yes, we do
have the mules pulling the barge.
map of the canal.
informative.

And I like the

I think that that's very

And I do agree with Mary, that it

it's a bit cartoon-ish, so perhaps in sculpting
that, that might change, where we would have

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something a little more eloquent.

So if I'm

going to go with the theme of the canal, I would
have to go with 1 or 2.
And then we're not going to talk
about baseball because Donald has convinced me
that New York doesn't own it.
the lunar modules.

And I go back to

And, you know, in the

beginning I was just dismissing them because I
thought they were a little confusing, the module
itself, and maybe not going to transfer
correctly, but we do have a good sculptor in
charge of this, so I'm going to let you know I
think lunar module could work very well.
So it leaves me with 13 or 17 in
that series, mainly because they're both simple,
we have a lot of negative space in there.
do like 17 and the text that's involved.

And I
I

think -- I'm in a conundrum here, I just don't
know which one, either the canal or the lunar
landing, to support.
But, Donald, you did convince me to
look at those images, so thank you.

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Thank you very much, Mr. Chair.
CHAIRMAN TOM URAM:

Okay.

Jeanne,

thank you.
And as I reflect on these designs
as well, I kind of -- I look at the sacrifice
that was done to make the Erie Canal, and every
employee or person that worked on that did get
those medals done, if I'm not mistaken, and there
was a lot of sacrifice involved.
So as far as the theme goes, I
think that, yes, the lunar certainly has its
presence, but maybe we can reinvigorate the
importance of the Erie Canal, so I'm going to
lean more towards that.

I feel like Jeanne and

Donald both have good aspects.

And I think all

of us have said that, so I'm going to lean more,
though, towards 1, 2, and 3, and count on the
Mint to have good artwork, as they do.
So with that, why don't we take
five minutes and -GREG WEINMAN:

Does Joe Menna want to

speak more?

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Mr. Chairman, do you want to ask
the Chief of -CHAIRMAN TOM URAM:

No, that's fine.

Yeah, no, I know he's made some comments, but go
ahead.
JOE MENNA:

Thank you very much.

I

just thought what you said earlier in one of the
meetings, after everybody went through that, I was
just going to put my five cents in, but I -- I
tried to keep it two cents.
But I -- I mean, you know, this is
a very diverse portfolio.

I just think that, you

know, my -- I think artistically, I think New
York No. 13, just artistically, not personally,
but artistically, I think, it's a strong design.
And if you -- if you look at one
from each group, I would -- I would describe as
picturesque, I think No. 5 for New York is very
attractive.

I think it would make a great coin,

with the lead-in and the polishing of the water
and the sky would contrast very nicely with the
landscape of the boat.

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And for baseball, I think we've
done some baseball, we've done a big baseball on
a coin before.

No. 8, I think, artistically is

also most interesting, because you're
capturing -- you're -- you're actually in the
main of the ball coming towards the batter.
That's kind of interesting, I think,
artistically.
So that's all I have to say.

And

thank you for your time.
CHAIRMAN TOM URAM:

Okay.

Thank you,

Joe.
And everyone takes five minutes.
ROBERT HOGE:

Tom, this is Robert.

Could I make one additional comment?
CHAIRMAN TOM URAM:
ROBERT HOGE:
what Joe just said.

Certainly.

I really appreciate

And I find that I'm in

absolute agreement with him on what he said.
And also Dennis had mentioned that
there was no representation of the Erie Canal
previously, but actually on the New York State

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quarter, which came out in 2001, it's very
clearly depicted, although, not mentioned, as
connecting the Hudson river system with the -with the eastern part of Lake Erie.

So although

its inscription means gateway of freedom, not
referenced to the Erie Canal, it is depicted
there, along with an additional map of New York.
Thank you for that.
CHAIRMAN TOM URAM:
DEAN KOTLOWSKI:

Okay.

Tom, this is Dean,

could I make -- mention a couple brief comments?
CHAIRMAN TOM URAM:
DEAN KOTLOWSKI:

Certainly.

Very, very brief

here.
Robert, I'm trying to remember the
New York State quarter.

I think that the

principal image, though, on that coin was the
Statute of Liberty and the State of New York.
And I think the Erie Canal was -- was not really
very prominent.

There was a stamp issued in 1967

to celebrate the centennial and the building of
the Erie Canal, but that was a long time ago.

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ROBERT HOGE:

That's correct, but the

Erie Canal is actually depicted pretty clearly even
though it's not mentioned.

And the principal

design is, you just said, the state outline,
typical state outline.

Thank you.

CHAIRMAN TOM URAM:

Okay.

Thank you.

Greg, you can let us know what
ballots you don't receive in the next three
minutes.
GREG WEINMAN:

Absolutely.

Everybody please forward.
(Recess from 11:27 a.m. to 11:33 a.m.)
GREG WEINMAN:
We have:
votes.

Back on the record.

Design No. 1 received 16

That is the top vote getter; Design No. 2

received 11; Design No. 3 received 3; 4 received
3; 4A, I guess -- is it 4A -- received 5.
Is there -- oh, there's just one 4?
BETTY BIRDSON:

Yes, there's just one

4.
GREG WEINMAN:

Okay.

Let's just --

then 4 received 6, not that it's relevant, but 4

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received 6; 5 received 6; 6 received 3; 7 received
3; 7A received 0; 2 received 2; 9 received 0; 10
received 0; 11 received 2; 12 received 0; 13
received 13, 14 received 2; 15 received 2; 16
received 1; 17 received 3; 18 received 0.
So once again the top vote getter
was Design No. 1 with 16, and then Design No. 13
with 13.
CHAIRMAN TOM URAM:

Okay.

Thank you,

Greg.
Okay.

After that, is there -- are

there any motions at this time?
DENNIS TUCKER:

Yes, Mr. Chair.

This

is Dennis.
CHAIRMAN TOM URAM:
DENNIS TUCKER:

Go ahead.

I think just given

the lay of the land with our voting tally, there's
an obvious preference for the Erie Canal as the
theme; however, I do feel strongly that No. 1 is
not the best design from a coin viewpoint, so I
would move that we take another vote after
discussion and possibly fine tune or change our

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recommendation to the Secretary on which design we
would like to see for the Erie Canal theme, if
that's acceptable.
CHAIRMAN TOM URAM:

Okay.

So we have

a motion by Dennis to review the top vote getters
there for the Erie Canal.

Is there a second?

JEANNE STEVENS-SOLLMAN:
CHAIRMAN TOM URAM:

I second it.

Jeanne seconds

it.
Any discussion?
Go ahead.
DENNIS TUCKER:

Yes.

Well, in terms

of discussion, I would just repeat what I said
earlier; and that's there is no single element in
this design that really engages your eye.

And I

feel that it's going to be a very flat-looking
coin.
I think No. 2, No. 3 and No. 5 all
offer greater opportunities for the sculptor,
certainly greater opportunities for different
formats, reverse proof, or what have you.

Now, I

think 2, 3, and 5 are all stronger coin designs

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then No. 1 would be.
DONALD SCARINCI:

Could I ask a

question?
I mean, look, the little -- the
little man here, that's -- that's -- that -- the
little man has to go, right.

I mean, but -- but

is it -- is it out of the question to ask for new
designs on the Erie Canal theme, and then maybe
we can get something that is nice for this
series?
Not that these aren't nice.

I

don't want to say -- I'm not suggesting, because
this is the nicer, kinder, gentler Donald, right,
so I'm not -- I'm not suggesting that these
designs are not nice, I'm just suggesting that
these designs are not consistent with the other
designs in the series and that we can produce a
design that's more consistent with the series
that would -- that would commemorate -- you know,
that would honor the Erie Canal.

And that's the

only reason that I didn't support the Erie Canal
is because the designs, you know --

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CHAIRMAN TOM URAM:

So why don't we

ask April or Megan, whoever has worked on this, to
give us an opinion.
GREG WEINMAN:

Megan, are you on the

line?
MEGAN SULLIVAN:

I am, yes.

So I really appreciate all of the
opinions here.

Unfortunately, with this program,

as we have been dealing with in the last couple
of years, we're still playing catch-up a bit in
terms of timeline.

So I think that from a

manufacturing standpoint, since this is a 2021
program, I think that would be a major challenge
for the manufacturing team.
I mean, I can't outright say yes or
no on that simply because I'm not the production
fiddler.

But I do know that it would cause

significant difficulty.

Again, as we are still

trying to catch up from the late, I guess for
lack of a better word, passing of legislation.
DENNIS TUCKER:

Mr. Chair --

CHAIRMAN TOM URAM:

Yes, go ahead.

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DENNIS TUCKER:

-- this is Dennis.

Megan, thank you for that -- for
that information.
Donald, I see where you're coming
from.

I would actually suggest that there is not

a strong design template that's been established
for this program yet.

We've only had four

coins -- I'm sorry, five coins come out.

One of

them has a silhouette, a couple of them actually
use silhouette.

One of them is very drawing

like, the Georgia coin with the trustees' garden.
So, you know, No. 2 is not that different.

No. 3

and No. 5, these are not that different from the
Georgia coin.
So I think just in terms of design
style, I don't think 2, 3 or 5 depart from
something that's been strongly established in the
series.

I think any of them would be a good

additions to the program.

So I -- I could not be

in favor of a motion to ask the Mint to come back
with more designs.

I think we have good designs

in 2, 3, and 5.

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Keep in mind what Dr. Dean had also
mentioned that No. 1 does relay in Albany and
Buffalo and New York, it incorporates a lot of
New York in that design, which is one of the
reasons that drew me on the Erie Canal preference
for that one; whereas, the others don't
necessarily.
For instance, No. 5, I -- it
doesn't say Erie Canal anywhere there, it's just
going to look like another one of the state
quarters to me.

If I -- if I was looking at it,

1, 2 or 3 might, you know, be more -- more -- so
even 4, 4 at least mentions it.

Because we have

to define it, I don't think, we'll have a state
park coin here if we do otherwise.
But any further discussion?
So we have a motion by Dennis to -DEAN KOTLOWSKI:

Tom, Mr. Chairman,

it's Dean.
CHAIRMAN TOM URAM:
DEAN KOTLOWSKI:

Go ahead.

I just wanted to

say, following on something that Jeanne said, and

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Joe, I still am attracted to No. 1.
And, Jeanne, you made the point
that when you looked at the bigger image, it was
clearly a wall.

And that's what I found, too.

So I felt more comfortable with the design.
Joe said that he could sculpt it.
little man is there.

And

I do think the

Just a reminder that that

was the choice of the Governor's office in New
York.
CHAIRMAN TOM URAM:
good point.

That's a good point.
Okay.

motion.

Yes, that's a

Let's take a vote on this

We have a motion by Dennis to look at

other designs in relation to the Erie Canal
theme, seconded by Jeanne.

If you would like to

do that, signify by saying yes, if you are okay
with the selected No. 1, you can vote no.
GREG WEINMAN:

Are we taking --

CHAIRMAN TOM URAM:
GREG WEINMAN:

Dr. Dean?

Sorry.

Go take the

roll, please.
CHAIRMAN TOM URAM:

I was just going

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to do a roll call on this.
GREG WEINMAN:

Please, go ahead.

CHAIRMAN TOM URAM:
DEAN KOTLOWSKI:

No.

CHAIRMAN TOM URAM:
ROBERT HOGE:

Dr. Dean?

Robert?

Excuse me.

Vote --

"no" means we -- I'm in favor of this motion, so I
say "yes"?
CHAIRMAN TOM URAM:

You say you want

to review.
ROBERT HOGE:

Yes.

CHAIRMAN TOM URAM:

You would like to

review the design?
ROBERT HOGE:

Yes.

CHAIRMAN TOM URAM:
MARY LANNIN:

Okay.

Mary?

We want to review the

five designs, is that what the motion is?
CHAIRMAN TOM URAM:

Yes.

Or if you

say "no," then you're voting for No. 1, which was
already voted on, either way.
MARY LANNIN:

I'll say yes.

CHAIRMAN TOM URAM:

Robin?

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ROBIN SALMON:

Yes.

CHAIRMAN TOM URAM:
SAM GILL:

Sam?

No.

CHAIRMAN TOM URAM:

Dr. Brown?

I'll come back to Dr. Brown.
Donald?
DONALD SCARINCI:

Yes, because it

can't get any worse.
CHAIRMAN TOM URAM:

Jeanne?

JEANNE STEVENS-SOLLMAN:

Yes.

I'm

saying this with reservations because are we only
going to review the five?
CHAIRMAN TOM URAM:

That's it.

JEANNE STEVENS-SOLLMAN:
CHAIRMAN TOM URAM:
DENNIS TUCKER:

can get worse.

So I vote no.

Yes.

Dennis?

Yes.

CHAIRMAN TOM URAM:
MICHAEL MORAN:

Okay.

Mike?

As to Donald, yes, it
No, I'm fine with

No. 1.
CHAIRMAN TOM URAM:
DR. BROWN:

Okay.

No.

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CHAIRMAN TOM URAM:

No.

Okay.

So it looks like we have six yeses
and five nos.

Correct, is that what you have -GREG WEINMAN:

That's what I have as

well, therefore, the motion -- motion passes.

And

you can have a conversation just about these Erie
Canal designs.
CHAIRMAN TOM URAM:

Okay.

The floor

is open regarding discussion on 1, 2, 3, 4, and 5,
without sending them back.
UNIDENTIFIED SPEAKER:

Could you

repeat what you just said?
CHAIRMAN TOM URAM:

We're reviewing

Designs 1, 2, 3, 4, and 5, without consideration of
returning them.
JEANNE STEVENS-SOLLMAN:
in here?

Can I jump

This is Jeanne.
CHAIRMAN TOM URAM:

Go ahead.

JEANNE STEVENS-SOLLMAN:

I like very

much -- Joe mentioned No. 5, where he said that -you know, this could clean up very lovely; however,
it does not say anything about the Erie Canal, so

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if we did look at this again, is it possible that
we can insert the text in No. 2, "New York Erie
Canal opened in 1825," in that -- you know,
underneath, "The United States of America"?
And then we would understand this
isn't a -- you know, America the Beautiful
quarter, this is something else.

I think that,

you know, we do have a mule in here, which I'm
excited about, and so we know that this barge is
being pulled by good ole Sal.
GREG WEINMAN:

You can always make a

motion.
CHAIRMAN TOM URAM:

Joe, would you

comment on that, the adding of the inscription?
UNIDENTIFIED SPEAKER:

I think -- I'm

sorry, Tom, I didn't mean to cut you off.
CHAIRMAN TOM URAM:
JOE MENNA:

Go ahead.

Yeah, because of the

circular template like border and sizing of the
text, I think that you could easily swing "New
York" off to the left and then add "Erie Canal."
And then it would be very explicit as to what the

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coin represented in that way.
JEANNE STEVENS-SOLLMAN:

Okay.

Thank

you.
CHAIRMAN TOM URAM:

Are there any

comments further on No. 5?
ROBERT HOGE:

This is Robert.

CHAIRMAN TOM URAM:
ROBERT HOGE:

Yes.

My feelings are exactly

the same as what Mary and Joe have expressed.

I

think that having that mirror image of the Erie
Canal would give us a great deal of prominence.
And adding words would make it no mistaken what the
intent was.
CHAIRMAN TOM URAM:

Yes.

the whole underlying problem with it.
Okay.

Okay.

So go ahead, Dennis.

DEAN KOTLOWSKI:
was me, Dean.

That was

It's Dean.

Oh, Tom, actually it

Yeah, I think that's a

good idea.
CHAIRMAN TOM URAM:

Okay.

Jeanne,

would you then like to make a motion to accept
No. 5 with the modifications accordingly.

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JEANNE STEVENS-SOLLMAN:

Yes, I will

do that.
I move that we accept No. 5, and
add "Erie Canal."

And, Joe, if you could even

put "1825" on there, I think it would be even
better.
MARY LANNIN:

This is Mary.

I second

Jeanne's motion.
JEANNE STEVENS-SOLLMAN:

Thank you,

Mary.
CHAIRMAN TOM URAM:

Okay.

All in

favor signify by saying aye.
(Multiple ayes.)
CHAIRMAN TOM URAM:
MICHAEL MORAN:

Okay.

Can I abstain, Tom?

This is -CHAIRMAN TOM URAM:
DONALD SCARINCI:
Mike, you're not alone.

Yes, you can.

And, you know what,

This is Dean.

I'm going

to abstain as well.
CHAIRMAN TOM URAM:
Okay.

Dean abstained.

Motion carried.

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GREG WEINMAN:

Motion carried.

CHAIRMAN TOM URAM:

Okay.

Moving

along now to our next candidate design for the
American Innovation $1 Coin.

Now, turning the page

to another one of Donald's favorites, we're going
to go with North Carolina.
Don, you already kind of started
out there, if you want to continue on.
Donald?
DONALD SCARINCI:

Yes.

You want me

to go first?
CHAIRMAN TOM URAM:
DONALD SCARINCI:

Go ahead.

I guess -- I guess

my question is, is -- are they forcing us to do
higher education because there's nothing else that
happens in North Carolina that is a technical
innovation like flight, like -MICHAEL MORAN:
question exactly is on that.

This is Mike.

My

This is a -- this is

a messed-up package.
DONALD SCARINCI:
any of these.

I'm not voting on

I'm just not voting on any of these.

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I would like to make a motion to reject all the
designs.
MARY LANNIN:

I second that motion.

UNIDENTIFIED SPEAKER:

I second that.

I agree.
CHAIRMAN TOM URAM:

Is there any

discussion further on this?
DONALD SCARINCI:
MARY LANNIN:

No.

The only discussion

that I think there is, Megan said, it's a timeline
situation so -- but I think that there are -- none
of these designs fit into our -DONALD SCARINCI:

And I don't think

we should be forced to select one -- one theme.
mean, they're -- so they -- this is ridiculous.
MARY LANNIN:

Mr. Chair, this is

Mary.
The thing that I would like to say
about this is that, yes, I think all of -- the
single concept of the design should be returned,
but I don't want the State of North Carolina to
be embarrassed that they couldn't think of

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something any better.

Is that right?

I mean

really.
DEAN KOTLOWSKI:

Tom, can I jump in?

This is Dean.
Just to refresh my memory, I looked
up the North Carolina -- I expected the Wright
Brothers, too.

I looked up the North Carolina

State quarter, and it has -(Crosstalk.)
DEAN KOTLOWSKI:
bring this up earlier.

I -- I was going to

I thought of sending it

back to the State of North Carolina.

I don't think

it's worth -CHAIRMAN TOM URAM:

But before we

take a vote, Megan -SAM GILL:

Hey, Tom, this is Sam.

The question is, for me, what are
the political ramifications to go back -- and I
agree with Mary, to go back to North Carolina.

I

think that's an extremely awkward position to put
the Mint in.
CHAIRMAN TOM URAM:

Well, that's what

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I was going to ask Megan right now to say, what
kind of dialogue has the staff had with the
Governor's office?

And where there others

considered or was this it?

If you would give us

some background, Megan.
MEGAN SULLIVAN:
Megan.

Sure.

This is

I do want to add that not only was this the

single theme recommended by the Governor's office,
but it also was approved by the Secretary.
theme has been reviewed and vetted.

So this

So I'm not

sure what the procedure would be to even go back.
We'd -- I'd -- we'd have to review that, Greg and
Liz, would have to review that -GREG WEINMAN:

Uh-huh.

MEGAN SULLIVAN:

-- if we can.

Again, as I said, it's been vetted by the Secretary
and approved.
recommended.

But this was what North Carolina
And as someone mentioned, sorry I

didn't catch who, flight was considered, but it was
already honored on a coin and so they wanted to
highlight something different.
DEAN KOTLOWSKI:

What exactly is the

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innovation in education that they're claiming?
DENNIS TUCKER:

That's spelled out in

the narrative by the Mint.
DEAN KOTLOWSKI:
sorry to jump in.

Yeah, but -- I'm

This is Dean.

From what I

remember of the narrative supplied by the Mint, it
was -- the innovation was the state university.
When I saw this, I thought that they were
referring, you know, innovation, higher education,
the redevelopment of the research triangle.
was my assumption.

That

And they didn't want to be

specific because they didn't want to maybe offend.
I don't want to read too much into this because I
don't know.

In other words, they didn't want to

pick and choose among different universities.
But, Dennis, what you're saying is
they did identify the University of North
Carolina.

And what did it say, that that was the

first public university in the United States, or
something like that?
I think it was founded before the
United States, correct?

Wasn't it 1765?

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DENNIS TUCKER:

The first public

university to formally open when it conduced its
first class was in 1795, making it the only the
public institution to confer degrees in the 18th
Century.

Shaw University was also pointed out as

the oldest historically black institution in the
south.

And less than a year later, Shaw University

accepted its first female class.
(Crosstalk.)
GREG WEINMAN:

Once again, please

state -- please, we are transcribing this, speak
one at a time and identify yourself.
(Crosstalk.)
CHAIRMAN TOM URAM:

Hold on.

Let's

talk one at a time.
Somebody -- Dennis, you go ahead
and make it brief and then we'll go on to whoever
will be next.
DENNIS TUCKER:

Yes, thank you,

Mr. Chair.
I think that we should not
second-guess the Governors of the states and the

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Secretary of the Treasury when they present a
theme to us as a possibility.

You're right, I

mean, the fact that we've only been presented
with one theme in this particular case is
challenging and it does raise questions of why
others weren't presented.
I'm looking at a website right now
that points out North Carolina innovations on
Goody's Headache Powder, overhauls, and, you know,
various firearms and themes.
are other themes out there.

So, you know, there
But I don't think that

we could say that innovations in higher learning
are unacceptable or inappropriate for this program.
I think that if this was one of two or three, then
I don't think we'd be having the same discussion.
I think what's bothering people is
the fact that this was the only one that was
presented when the Governor could have also said,
Goody's Headache Powder or the Gatlin Gun.

But no,

I think that innovations in higher learning are
very appropriate for this program.
JOE MENNA:

Tom, can I offer just

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some artistic comments quickly?
CHAIRMAN TOM URAM:
DONALD SCARINCI:

Go ahead, Joe.

Well, I don't know

that we're going to get to that.

As far as I'm

concerned, I'd like a vote on my motion.

And I --

I have no problem second-guessing an elected
official because -- because we're -- we're
responsible for the nation's coinage.

And we're

about to vote on a very vague North Carolina
innovation in higher education, which nobody knows
exactly what that means.

Right?

And we're about to put this on a
United States coin because some Governor decided
that that's what they want to do and they want to
shove it down our throats by not giving us any
other options.

And I'm not going to accept that.
So I made my motion.

Let's vote on

my motion, because if we're going to consider one
of these coins, then I have other things to do.
I'm not voting for this.
call.

I'll just get off the

So let's -- let's vote on my motion and

then you can continue to discuss this nonsense

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coin that makes no sense to me.
going to waste my time on it.

And I'm not
So let's vote on

my motion, please.
DENNIS TUCKER:
Dennis.

Donald, this is

You're not the only one -(Crosstalk.)
GREG WEINMAN:

One at a time.

DONALD SCARINCI:

I'm on the call.

I'm not wasting my time -- I'm not wasting my time
on a vague innovation higher education, which
nobody knows what it means, but we're going to vote
for it, right, and we're going to put it on a coin.
CHAIRMAN TOM URAM:

But the people of

North Carolina are listening to you right now,
number one.

Number two, this is as appropriate an

innovation as any other.
DONALD SCARINCI:
innovation?

What is it?

What is the

What is it?

JEANNE STEVENS-SOLLMAN:
can call for the question.

I think we

This is Jeanne, call

for the question.
DEAN KOTLOWSKI:

Tom, I want to say

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something.

This is Dean.

I want to say

something -CHAIRMAN TOM URAM:

Dean -- Dean,

hold on one second.
I would agree with Don, that Joe is
not germane yet to the conversation on the
artistic side.

So let's just get closer to

voting on this motion.
Go ahead, Dean.
DEAN KOTLOWSKI:

Okay.

I wonder if

there's some kind of -- I mean, I agree with Dennis
that innovation in higher education is important,
and I think that that's appropriate.
that this is horribly vague.

I also agree

And I wonder if

there's a middle road where we can send something
back to the Governor -- the Governor's office and
suggest, you know, those comments from the Mint to
be more specific and to say something about the
founding of the University of North Carolina.
Maybe there's a design that could emerge about -with the logo, with a date on it, or something
along those lines, you know, something like, "First

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Public University to Confer Degrees," or something
along those lines.
UNIDENTIFIED SPEAKER:

Something that

would give us -GREG WEINMAN:

You can make a --

DEAN KOTLOWSKI:
GREG WEINMAN:

I would like -You can make a

friendly amendment if you'd like.
DEAN KOTLOWSKI:

I will make -- that

as -- is that -- am I making a friendly amendment
to -GREG WEINMAN:

Yes.

You would be

making a friendly amendment to Donald's motion.
DONALD SCARINCI:
DEAN KOTLOWSKI:

Yeah.
Okay.

I would make

this friendly, that we send it back to the Governor
with the recommendation that they follow through
and become more specific based on the information
that they provided about the University of North
Carolina.
I don't know how you want to reword
that.

There's a lot of words that I gave you.

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But the spirit of this seems to be something
about the University of North Carolina in 1795,
conferring degrees as a public university and
that they come back with some designs that are
more reflective of that.

excuse me.

ROBERT HOGE:

I think that this --

This is Robert.

I think that this

could be fairly easily addressed by referring the
designs back to the appropriate parties with the
request that they look at this from a design
standpoint, that we find that these five designs do
not adequately convey the overall impression of
higher education.
I mean, I think we should go with
the idea of higher education as their innovation
for the state since this is what they've chosen
and this is fine with the Secretary.

But,

frankly, I'm very, very disappointed with these
designs.

They just don't seem to do the job.

And I think if we explain we would just like to
have more amplification because we find these
designs each a little bit lacking in the overall

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idea of conveying the concept.
CHAIRMAN TOM URAM:

Okay.

So Don has

a motion on the table, and it's seconded by Mike.
If they want to accept the friendly amendment,
they'll have to do so, if they don't, then we'll
still send it back.

And the Mint will word it in a

way which is conducive to what Dean and Robert have
just said.
I don't know that we'll need an
amendment.

We could leave it up the Mint to

convey it appropriately and properly.
Don and Mike, how do you feel?
DONALD SCARINCI:

I think the Mint --

if the Mint is concerned about sending this, they
can word it however they'd like.

But I'd like to

know if they -- if North Carolina thinks they've
made innovations in education, the design should
reflect what that innovation is.

Right?

Because

this -- these designs do not reflect what that
innovation is.
And, you know, so they should take
these designs back.

You know, give us -- give us

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a design that reflects whatever that innovation
is that they think they made and insist on one
thing for their coin.
more clear.

Right?

It be should be a little

That's all.

GREG WEINMAN:

So Donald is -- Donald

essentially is accepting Robert's friendly
amendment?
CHAIRMAN TOM URAM:

Exactly.

Exactly, that's what it is.
DONALD SCARINCI:

You can word it

however you want to be polite.
GREG WEINMAN:

Okay.

CHAIRMAN TOM URAM:

And I think -- do

we -- we do not want any suggestion of additional
themes?

We want the educational themes?
JEANNE STEVENS-SOLLMAN:

think -- this is Jeanne.
educational theme.

Correct.

I

I think just do the

That's all.

And even if the

design adds text to the rim that says, "North
Carolina," I think several of these could add, you
know, the state university and the date.
that would add --

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DONALD SCARINCI:

But listen, the

caveat is, there better be an innovation here.
JEANNE STEVENS-SOLLMAN:
DONALD SCARINCI:

Correct.

There better be

something that they've done that's different than
any other state has done with their university
system.

So I don't know that that's the case.
(Crosstalk.)
DONALD SCARINCI:

I don't know that

this state has done anything different than other
states have done.
(Crosstalk.)
DONALD SCARINCI:

They're at risk

that they're claiming an innovation that's not
real.

I mean, they haven't made their case.
GREG WEINMAN:

a motion on the table.

Mr. Chairman, there's

I think it's fairly clear.

Once again, you're -- and, Bob, do you want to
rephrase your friendly amendment so that we
understand what the motion is?
ROBERT HOGE:

This is Robert.

you suggesting I rephrase it?

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GREG WEINMAN:
ROBERT HOGE:

Yes, just to -To advise further

design elements for new designs which can more
fully reflect the idea of the innovation of higher
education.
DEAN KOTLOWSKI:
something on to that.

And if I could add

Including, but not limited

to, the University of North Carolina.
GREG WEINMAN:

Actually we may object

to that.
ELIZABETH YOUNG:

Yes.

This is

Elizabeth Young, the legal adviser on this program.
The Mint can't endorse a specific university on its
coinage, so that -- that's an issue.
ROBERT HOGE:

I withdraw my friendly

amendment.
DEAN KOTLOWSKI:

And I think what Don

is saying is that, okay, they better send the first
innovation or what difference could it make if it's
the same as everywhere else.

Correct, Don?

DONALD SCARINCI:
to have a backup to that.

And they might want

They might want to

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recommend some backup to this innovation in higher
education theme.

They're running out of time.

CHAIRMAN TOM URAM:

Okay.

has been made, it's been seconded.

A motion

All of those in

favor of returning the theme with the Mint's
prerogative to address it appropriately, all those
in favor signify by saying aye.
(Multiple ayes.)
CHAIRMAN TOM URAM:

Opposed?

Motion carries unanimously.
DONALD SCARINCI:

Thank you,

everybody.
GREG WEINMAN:

Thank you.

CHAIRMAN TOM URAM:
conclusion.
thank you.

Okay.

That's the

All of those that are on the phone,
Have a -- if we don't talk, have a

blessed Easter.
And, Brandon, and any other press
that were on, thank you for being with us for
about three hours.

And everyone over there,

thanks for all your help and we'll be in touch.
GREG WEINMAN:

You need a motion to

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dismiss.

Motion to dismiss?
JEANNE STEVENS-SOLLMAN:

This is

Jeanne, so moved.
ROBIN SALMON:

Robin, so moved.

CHAIRMAN TOM URAM:

Robin.

A motion to adjourn second.
ROBERT HOGE:

This is Robert.

I

second.
CHAIRMAN TOM URAM:

Robert seconded.

All those in favor signify by
saying aye.
(Multiple ayes.)
CHAIRMAN TOM URAM:
Have a great day.
GREG WEINMAN:

Opposed?
Thanks.

Meeting adjourned.

(Whereupon, at 12:05 p.m., the meeting in
the above-entitled matter was concluded.)

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CERTIFICATE OF NOTARY PUBLIC
I, FELICIA A. NEWLAND, CSR, the officer before
whom the foregoing meeting was taken, do hereby
certify that the meeting was duly sworn taken down
by me; that the said meeting was taken by me in
stenotypy and thereafter reduced to typewriting
under my direction; that said meeting is a true
record of the meeting; that I am neither counsel
for, related to, nor employed by and of the parties
to the action in which this meeting was taken; and,
further, that I am not a relative or employee of any
counsel or attorney employed by the parties hereto,
nor financially or otherwise interested in the
outcome of this action.

FELICIA A. NEWLAND, CSR

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