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CCAC Meeting

March 1, 2023

Page 1
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CITIZENS COINAGE ADVISORY MEETING
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Day 2

4

Wednesday, March 1, 2023

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9:00 a.m. - 12:45 p.m.

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Held at:
HQ Washington DC [8th Floor]
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March 1, 2023

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IN ATTENDANCE:

2
CITIZENS COINAGE ADVISORY COMMITTEE MEMBERS:
3
LAWRENCE S. BROWN, MD, MPH, FACP, DFASAM,
4

Representative of General Public, Chair

5

ARTHUR BERNSTEIN
Representative of General Public

6
HARCOURT FULLER, Ph.D.
7

Recommended by Speaker of the House

8

SAMUEL H. GILL
Representative of General Public

9
DEAN J. KOTLOWSKI, Ph.D.
10

Specifically Qualified in American History

11

JOHN SAUNDERS
House Minority Leader Recommendation

12
MIKE MORAN (Remote)
13

Senate Majority Leader Recommendation

14

ROBIN R. SALMON (Remote)
Specially Qualified Sculpture/Medallic Arts

15
DENNIS TUCKER
16

Specially Qualified in Numismatics

17

PETER VAN ALFEN, Ph.D.
Specially Qualified in Numismatics

18
19

U.S. MINT STAFF:

20

JENNIFER WARREN, Liaison to the CCAC
Director of Legislative and

21

Intergovernmental Affairs
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IN ATTENDANCE (cont'd.):

2

APRIL STAFFORD
Chief, Office of Design Management

3
MEGAN SULLIVAN
4

Senior Design Specialist

5

ROGER VASQUEZ (Remote)
Senior Design Manager

6
PAM BORER
7

Design Manager

8

RUSSELL EVANS
Design Manager

9
BONEZA HANCHOCK
10

Design Manager

11

JOSEPH MENNA
Chief Engraver

12
MICHAEL COSTELLO
13

Manager of Design and Engraving

14

BRENDAN TATE
Senior Government Affairs Specialist

15

Office of Legislative and Intergovernmental
Affairs

16
GREG WEINMAN, ESQ.
17

Senior Legal Counsel

18

MIKE WHITE (Remote)
Office of Corporate Communication

19
20
21
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IN ATTENDANCE (cont'd.):

2

LIAISONS:

3

KAREN ROSS (Remote)
Liaison for Pauli Murray

4
OMER PARDILLO (Remote)
5

Liaison for Celia Cruz

6

GWENDOLYN MINK (Remote)
Liaison for Patsy Takemoto Mink

7
HOLLY BROWN OGLE (Remote)
8
MARK BONNIN (Remote)
9

Liaisons for Zitkala-Sa

10

GEORGE DeMASS (Remote)

11

THOMAS WORDEN (Remote)
Liaisons for Dr. Mary Edwards Walker

12
13

MEMBERS OF THE PRESS:

14

BRANDON HALL
Whitman Publishing, LLC

15
MIKE UNSER
16

Coin News Media Group, LLC

17
18

-oOo-

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I-N-D-E-X

2

AGENDA ITEM:

PAGE:

3

Call to Order

7

4

Roll Call

8

5
2024 AMERICAN WOMEN QUARTER: PAULI MURRAY
6
Report
7

15

April Stafford

8

Consideration

37

9

Scoring Results

67

Greg Weinman, Esq.
10
Motions and Vote

68

11
12

2024 AMERICAN WOMEN QUARTER: CELIA CRUZ

13

Report

73

April Stafford
14
Consideration

80

Scoring Results

90

15

16
17

Greg Weinman, Esq.
Motions and Vote

90

18
2024 AMERICAN WOMEN QUARTER: PATSY TAKEMOTO
19

MINK

20

Report

93

April Stafford
21
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I-N-D-E-X (Cont'd.)

2

Consideration

103

3

Scoring Results

123

Greg Weinman, Esq.
4
Motions and Vote

131

5
6

2024 AMERICAN WOMEN QUARTER: ZITKALA-SA

7

Report

147

April Stafford
8
Consideration

155

Scoring Results

168

9

10
11

Greg Weinman, Esq.
Motions and Vote

170

12
2024 AMERICAN WOMEN QUARTER: DR. MARY
13

EDWARDS WALKER

14

Report

172

April Stafford
15
Consideration

188

Scoring Results

213

16

17

Greg Weinman, Esq.

18

Motions and Vote

215

19

Motion to Adjourn

217

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M-E-E-T-I-N-G

2

9:01 a.m.

3

CALL TO ORDER

4

MS. WARREN:

Good morning,

5

everybody.

6

being recorded.

7

the CCAC, and I'm going to hand it off to

8

Dr. Brown for opening.

9

This is a reminder that this is
This is the second day of

THE CHAIR:

Good morning.

10

PARTICIPANTS:

11

THE CHAIR:

Good morning.

I call back to order

12

this meeting of the Citizens Coinage

13

Advisory Committee for Wednesday, March 1,

14

2023.

15

The time is 9:01.
This is the second and the final

16

day of this two-day public meeting that

17

began yesterday.

18

I would like to remind the public

19

that this is a listening only and to mute

20

your microphones, as well as any members of

21

the CCAC that are participating remotely.

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ROLL CALL

2

THE CHAIR:

Before we begin, I

3

want to reintroduce members of the

4

Committee.

5

call your name.

6
7

Arthur Bernstein, representing
the general public.

8
9
10
11

Please respond "present" when I

MR. BERNSTEIN:

Art Bernstein,

present.
THE CHAIR:

Dr. Harcourt Fuller,

recommended by the Speaker of the House.

12

DR. FULLER:

13

THE CHAIR:

14

representing the general public.

15

MR. GILL:

16

THE CHAIR:

17

Present.
Sam Gill,

Present.
Dr. Dean Kotlowski,

specifically qualified in American history.

18

DR. KOTLOWSKI:

19

THE CHAIR:

20
21

Present.

Mike Moran,

recommended by the Senate Majority Leader.
MR. MORAN:

Present.

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THE CHAIR:

Robin Salmon,

2

specifically qualified in medallic arts or

3

sculpture.

4

MS. SALMON:

5

THE CHAIR:

6

MR. TUCKER:

8

THE CHAIR:

10

Dennis Tucker,

specifically qualified in numismatics?

7

9

Present.

Present.
Dr. Peter van Alfen,

specifically qualified as a Numismatic
Curator?

11

DR. VAN ALFEN:

12

THE CHAIR:

Present.

And I am Dr. Lawrence

13

Brown, representing the general public, and

14

happen to have the honor and privilege of

15

serving as Chair of the CCAC.

16
17

MS. WARREN:
Brown.

Excuse me, Dr.

This is Jennifer Warren.

18

For those that just added on,

19

just a reminder to mute your mic with --

20

just click the microphone so there's a line

21

through it.

And then, when you want to

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speak, just click it back on so we don't get

2

feedback.

Thank you.

3

THE CHAIR:

4

I think we have a quorum.

5

The agenda for today's session

6

Thank you, Jennifer.

includes the following:

7

A review and discussion of the

8

reverse candidate designs for the 2024

9

American Women Quarters Program, honoring

10

the following prominent American women:

11

Pauli Murray, Celia Cruz, Patsy Takemoto,

12

Zitkala-Sa, and Dr. Mary Edwards Walker.

13

Before we resume our proceedings,

14

I ask Ms. Jennifer Warren, who is the

15

liaison to CCAC, if there are members of the

16

press who have signed in remotely.

17
18
19

MS. WARREN:

This is Jennifer

Warren.
Brandon Hall, Senior Editor of

20

Social Media, Whitman Publishing, LLC, and

21

Mike Unser, Founder and Editor of Coin News

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Media Group, LLC.

2

THE CHAIR:

Thank you so much.

3

For the record, I would like to

4

confirm the following Mint staff are

5

attending the session today.

6

indicate "present" after I have called your

7

name.

8
9

April Stafford, Chief, Office of
Design Management.

10

MS. STAFFORD:

11

THE CHAIR:

12

Present.

Megan Sullivan,

Senior Design Specialist.

13

MS. SULLIVAN:

14

THE CHAIR:

15

Please

Present.

Roger Vasquez, Senior

Design Manager.

16

MR. VASQUEZ:

17

THE CHAIR:

Pam Borer, Design

19

MS. BORER:

Present.

20

THE CHAIR:

Russell Evans, Design

18

21

Present.

Manager.

Manager.

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2

FEMALE SPEAKER:
stepped away.

3

THE CHAIR:

4

MS. HANCHOCK:

5

THE CHAIR:

6

Russ just

Boneza Hanchock -Present.

-- Design Manager.

Very good.

7

Joe Menna --

8

MR. MENNA:

Present.

9

THE CHAIR:

-- Engraver.

10
11

Michael Costello, Manager of
Design and Engraving.

12

MR. COSTELLO:

13

THE CHAIR:

Present.

Jennifer Warren,

14

Director of Legislative and

15

Intergovernmental Affairs and Liaison to the

16

CCAC.

17

MS. WARREN:

18

THE CHAIR:

19

Present.
Greg Weinman, Senior

Legal Counsel and Counsel to the CCAC.

20

MR. WEINMAN:

21

THE CHAIR:

Present.
Brendan Tate, Senior

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Government Affairs Specialist of the Office

2

of Legislative and Intergovernmental

3

Affairs.

4

MR. TATE:

5

THE CHAIR:

6

Present.
Mike White, Office of

Corporate Communication.

7

MR. WHITE:

Present.

8

THE CHAIR:

Have I missed anyone

9

of the staff?

10

(No Response.)

11

THE CHAIR:

Very good.

And

12

finally, I just want to note for the record

13

that we will be joined later on the call by

14

the liaisons for these famous American women

15

that include:

16
17
18
19
20
21

For Pauli Murray, we will be
joined by Karen Ross.
For Celia Cruz, we will be joined
by Omer Pardillo.
For Patsy Takemoto Mink, we will
be joined by her daughter, Gwendolyn "Wendy"

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Mink.

2

For Zitkala-Sa, her

3

great-granddaughter Holly Brown Ogle and her

4

great-great-grandson Mark Bonnin will be

5

joining us.

6

For Dr. Mary Edwards Walker,

7

excuse me, we will be joined by her

8

great-great-great-nephew Thomas Edwards and

9

George DeMass, who is a historian from the

10

Town of Oswego, New York.

11

I'd like to begin to ask the

12

Mint:

13

issues, that need to be clarified?

14
15

Are there any other issues, or any

(No Response.)
2024 AMERICAN WOMEN QUARTER:

16

THE CHAIR:

PAULI MURRAY

Hearing none, the

17

first item today for our review is the

18

reverse candidate designs for the 2024

19

American Women Quarter honoring Pauli

20

Murray.

21

April Stafford, Chief of the

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Mint's Office of Design Management, will

2

introduce the program and present the

3

obverse and reverse candidate designs for

4

the 2024 American Quarter honoring Pauli

5

Murray.

6
7
8
9
10
11

REPORT
MS. STAFFORD:

Thank you.

This

is April Stafford.
Some background information on
Reverend Dr. Pauli Murray:
Reverend Dr. Pauli Murray broke

12

barriers as a staunch advocate for the

13

rights of women and people of color who

14

fought tirelessly for civil rights.

15

As a poet, activist, lawyer, and

16

priest, Murray was directly involved in and

17

helped articulate the intellectual

18

foundations of two of the most important

19

social justice movements of the 20th

20

Century, specifically women's rights and

21

civil rights.

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In 1948, Murray wrote a 746-page

2

book, "States' Laws on Race and Color,"

3

which exposed the extent and absurdity of

4

segregation.

5

copies to law libraries, HBCUs, and human

6

rights organizations.

7

even kept stacks of the book around his

8

NAACP office and referred to Murray's work

9

as, quote, "the bible" of the landmark case

10

The ACLU began to distribute

Thurgood Marshall

Brown v. Board of Education.

11

When Ruth Bader Ginsberg argued

12

against gender discrimination in front of

13

the Supreme Court in 1971, plaintiff in Reed

14

v. Reed, she used an article cowritten by

15

Murray to argue the Equal Protection Clause

16

applied to women.

17

in Ginsberg's work that Ginsberg listed her

18

as a coauthor on her brief to the Supreme

19

Court.

20
21

Murray was so influential

Her spirituality was also
integral to her work for civil rights, and

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in 1977, Murray became the first Black woman

2

in the United States to become an Episcopal

3

priest and was sainted by the Episcopal

4

Church in 2012.

5

She fought and advocated

6

tirelessly her entire life and is regarded

7

as one of the most important social justice

8

advocates of the 20th Century.

9

Ms. Ross, thank you so much for

10

being here with us today.

11

appreciate it.

12

words to the Committee?

13

We really

Would you like to say a few

MS. ROSS:

Yes.

You pretty much

14

gave an overview of everything that I was

15

going to say, so I'm going to just give you

16

a blurb of what was left.

17

I am the great-niece of the

18

Reverend Dr. Pauli Murray, the executor of

19

her will and estate, and the founder of the

20

Pauli Murray Foundation, which is a

21

nonprofit organization that gives academic

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scholarships to financially-challenged

2

college students.

3

Reverend Murray lived with my

4

family in Baltimore, Maryland for three

5

years before she moved to Pittsburgh and

6

eventually passed.

7

Reverend Murray was a human

8

rights, human justice warrior.

She fought

9

every day of her life for women, minorities,

10

the poor, and the, quote, unquote,

11

"unacceptable" in our society.

12

Personally, she wanted to be

13

seen, accepted, and valued, and equal.

14

wanted this for everyone in our country.

15

She

Reverend Murray knew that she and

16

her work have been undervalued.

17

received the recognition for her

18

contributions to the equal rights struggle

19

and she knew that her lifelong endeavors

20

were important.

21

She never

She saved all of her paperwork,

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writings, documents, videos with the hope of

2

the future progress of the human rights --

3

with the hopes that it would have some

4

impact on the future progress of human

5

rights.

6

"Song in a Weary Throat."

Thus, she wrote the book called

7

At the end of her life, she found

8

personal acceptance through God and his

9

grace.

Through God, she fortified her

10

belief that, through God's eyes, all humans

11

were entitled to equal human rights.

12

The Pauli Murray Foundation and

13

her family selected Design Draft Number 2

14

because we like the symbolism that

15

represented the important aspects of her

16

life, also because it was the strongest

17

design that showed who she was and what she

18

believed.

19

Who You Proclaim Yourself to Be."

20
21

We love the slogan "America, Be

Over the last 35-plus years, the
Reverend Murray's family, the Pauli Murray

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Foundation, and a host of many others have

2

been obsessed with spreading her legacy of

3

accomplishments.

4

and the federal government for this

5

opportunity to educate the world on how

6

amazing she was and exactly what she

7

accomplished.

8

in history for years to come.

9

All of us thank the Mint

You have cemented her place

I would like to take this

10

opportunity to personally thank the Mint's

11

liaisons who walked our family through this

12

process.

13

supportive.

14
15
16

You have been extremely, extremely
Thank you.
MS. STAFFORD:

Thank you so much.

Thank you very much.
All right.

We'll move through

17

the candidate designs.

18

highlighting the preferences that have been

19

identified up to this point.

20
21

We'll start first by

So, in that regard, we will show
you Reverse 2.

This is the family liaison's

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preferred design as well as the

2

recommendation by the CFA.

3

request to add the cross necklace that you

4

can see in Design 2A.

5

when we move through the portfolio.

6

that is something that was not only

7

recommended by the CFA but also our family

8

liaison requested as well.

9

All right.

There is a

I'll point that out
And

Starting with the

10

candidate designs, Reverse 1 and 1A are

11

portraits of Reverend Dr. Pauli Murray's

12

eyeglass-framed face within the shape of the

13

word "Hope," which is symbolic of Murray's

14

belief that significant societal reforms

15

were possible when rooted in hope.

16

This is a sentiment anchored in

17

her poem "Dark Testament."

A line in that

18

poem, "Hope is a song in a weary throat,"

19

featured in additional inscription in

20

Reverse 1A, is also the title of her

21

autobiography.

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Reverses 2 and 2A depict Reverend

2

Dr. Pauli Murray with her characteristic

3

smile as her hands reverently cradle the

4

Scales of Justice, a symbol emblematic of

5

her life's work fighting for justice and

6

equal rights.

7

to her friendship and collaboration with

8

Eleanor Roosevelt, whose 2023 quarter design

9

similarly features scales.

10

These designs are also a nod

Reverse 2 features the quote:

11

"America, Be What You Proclaim Yourself to

12

Be."

13

the preference of our family liaison as well

14

as the recommendation by the CFA, although

15

there is a request to add the cross necklace

16

which can be seen in Design 2A, seen here.

17
18
19

And again, Reverse 2, seen here, is

And 2A features the inscription:
"Hope is a Song in a Weary Throat."
Moving on to Reverses 3 and 3A,

20

these designs depict Reverend Dr. Pauli

21

Murray in her element, sitting

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contemplatively at her desk as she prepares

2

to write.

3

Scales of Justice on a bookshelf.

4

wearing her clerical collar, a cross

5

necklace, and a seahorse pin, a symbol

6

representing how she viewed herself.

7
8

Murray is

Reverse 3 features Murray's name
in handwritten script.

9
10

Behind her are books and the

And that concludes the candidate
designs, Mr. Chairman.

11

THE CHAIR:

Thank you so much.

12

Are there any additional comments

13

or motions from any of the members -- my

14

apologies.

At this point, we're going to

15

then vote.

We're going -- okay.

16
17

Any additional comments from the
members at this time?

18

MR. BERNSTEIN:

I had a technical

19

question.

This is Art Bernstein.

20

Reverse 3, the signature, is that meant to

21

be her actual -- is that a facsimile of her

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signature or is that just a stylized

2

representation?

3

MS. STAFFORD:

4

in fact her signature.

5

Stafford.

The former.

It is

This is April

It is her signature.

6

MR. BERNSTEIN:

Thank you.

7

DR. VAN ALFEN:

This is Peter van

8

Alfen.

9

I've got a question about the

10

seahorse symbolism.

Was this a broach that

11

she actually would wear regularly?

12

MS. STAFFORD:

13

DR. VAN ALFEN:

Yes.
And could you say

14

a little bit more about the symbolism and

15

how this represented how she saw herself?

16

MS. STAFFORD:

Sure.

I'd ask

17

Boneza Hanchock, who is the Design Manager

18

for this program and worked predominantly

19

with our liaison to speak to that, and

20

perhaps invite Ms. Ross as well, if you'd

21

like.

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MS. HANCHOCK:

Absolutely.

2

Boneza Hanchock.

And please, Ms. Ross,

3

interject if I'm incorrect.

4

But she wore that broach because,

5

to her, it symbolized how she viewed herself

6

because seahorses -- and I'm not a Marine

7

Biologist, but they're able to change

8

themselves, change their gender in that way.

9

So, they were, in a way, genderless,

10

ineloquently speaking, so.

11
12

MS. STAFFORD:

anything you care to add on that point?

13
14

Ms. Ross, is there

MS. ROSS:

She was obsessed with

seahorses.

15

(Laughter.)

16

DR. VAN ALFEN:

17

MS. ROSS:

Fair enough.

I took my two-year-old

18

son to the aquarium in Baltimore, and she

19

spent all of her time observing and taking

20

pictures of seahorses.

21

all the time.

She wore that pin

Because it reflected

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uniqueness of who she was sexually.

2

So, I felt to honor the fact that

3

she didn't declare herself as being gay or

4

queer that maybe that should be a symbol

5

that embraces that part of her life.

6

MS. STAFFORD:

7

DR. VAN ALFEN:

8

Thank you so much.
This is Peter van

Alfen.

9

Joe, I've got a technical

10

question about Reverse 1.

11

reading this right, the letters of "Hope"

12

would be raised off of the field; is that

13

correct?

14

So, if I'm

The rest of that would be incuse?
MR. MENNA:

Yes.

Everything

15

black would be field, essentially.

16

"Hope" would be raised one level above that,

17

and then the portrait one level above that.

18

DR. VAN ALFEN:

19

MS. STAFFORD:

20
21

And so,

All right.
This is April

Stafford.
If I could add, since we're

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talking about Designs 1 and 1A, the Mint was

2

just so thrilled to be able to bring those

3

designs to you, and our Chief Engraver

4

worked closely with the artist in order to

5

ensure that their vision could be

6

represented in this portfolio.

7

But I think it's important to

8

share that several of our stakeholders,

9

while it certainly caught their eye, they

10

were slightly disquieted by the fact that

11

her face seemed to be partially hidden.

12

some of our stakeholders at the Smithsonian

13

as well as the Women's History Museum

14

remarked as such, and I believe our family

15

liaison felt similarly, so.

16
17

THE CHAIR:

So,

Are there any further

questions or comments from Committee?

18

MR. TUCKER:

Yes.

This is Dennis

19

Tucker, and this is a question for Joe and

20

Mike.

21

I suspect that we'll be moving

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towards the liaison's preference of Design 2

2

or 2A, but I'm very curious about 1 and 1A

3

because these look like art that we've never

4

seen before.

5

about it?

6

background of a cartouche, it's remarkable.

7

Is there anything that you can tell us about

8

this?

9

Can you talk a little bit

To see this face kind of in the

MR. MENNA:

I would just say

10

whenever an artist presents a design such as

11

this that's different, my job is just to

12

facilitate their being able to realize that,

13

and Mike's as well, and our Coinability team

14

and ODM, to make it doable.

15

So, it's the -- this is all the

16

artist.

This is -- you know, there's no --

17

the only guidance I gave on this was how to

18

stack the relief, frankly.

19

transparency.

20

percent the artist.

21

up with this one.

That's it.

Full
This is 100

You know, I wish I came

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1
2

MR. TUCKER:

This is Dennis

Tucker again.

3

I'm just curious; do you see this

4

as a challenging sculpt or would this be a

5

walk in the park?

It's so different.

6

MR. MENNA:

7

MR. TUCKER:

8

MR. MENNA:

9

As a sculpt, no.
Yeah.
The means -- as a

sculpt, I wouldn't think it's challenging.

10

I went over it very -- I did go over it with

11

Mike to make sure we can make it, you know.

12

But as I've said, and I don't mean this in

13

any kind of patronizing way, if you see it

14

on the screen, we can make it, you know.

15
16

MR. TUCKER:

I understand

that, yeah.

17

MR. MENNA:

18

know.

19

Menna, by the way.

So, yeah.

No, I

Every -- they all have -- this is Joe

20
21

Yes.

I apologize.

They all have their own unique
challenges.

Every coin is different.

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coin is a challenge in its own way; that's

2

what I would say.

3

MS. STAFFORD:

But if I may, Mr.

4

Tucker, and this is April Stafford, I think

5

what you were remarking on is that this

6

is -- it's unusual to see something like

7

this, which is why I note that our Chief

8

Engraver really worked very closely with the

9

artist in order to ensure that that artist's

10

vision could be seen in a form that could be

11

coinable.

12

There was a time when perhaps,

13

simply because of difficulties in executing

14

this, the original would have had to have

15

been set aside.

16

the artist to bring something forward that

17

could represent that.

18

MR. MENNA:

19

At the risk of editorializing, I

But he really engaged with

This is Joe again.

20

think what you may be commenting on is

21

you're starting to see -- I know for this

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particular artist, without naming

2

he/she/they, huge artistic leap forward, in

3

my opinion.

4

candidate or anything like that, but along

5

with other designs, I think you're seeing

6

the program grow as a team.

I'm not saying it's the best

7

THE CHAIR:

8

MR. WEINMAN:

9

I recognize Greg.
One more comment.

This is in no way commenting on the quality

10

or the appropriateness of any of the

11

family's preferences or otherwise.

12

But it is worth noting that this

13

legislation has a prohibition on busts or

14

head-and-shoulders portraits.

15

was clever of the artist to create a design

16

that is essentially a portrait but it

17

doesn't violate the statute because it is

18

part of another fundamental primary device

19

in the coin.

And so, it

20

So, it was a bit of a clever way

21

to get around the prohibition that's in the

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statute that way.

2

have to be fuller torso or showing an arm or

3

hand or something so as not to violate the

4

provision of the law that prohibits busts or

5

head-and-shoulders portraits.

6
7

DR. VAN ALFEN:

10
11

This is Peter van

Alfen.

8
9

The other depictions all

Can I just ask why the
prohibition exists?

Was there any reason

given?
MR. WEINMAN:

It's the same

12

prohibition that was in other quarter

13

programs before this.

14

a two-headed coin, essentially.

The idea was to avoid

15

DR. VAN ALFEN:

16

MR. WEINMAN:

Ah.

Right.

I think at the time

17

that this provision was built into the

18

legislation it was -- the legislation

19

evolved from what was essentially a sports

20

quarter program initially and then evolved

21

into the larger program.

And the

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prohibition on busts or head-and-shoulders

2

portraits, unfortunately, stayed in the

3

legislation even as we were going to have a

4

program that was going to honor individuals,

5

prominent American women.

6

So, the Mint has both carefully

7

but also very creatively found ways to honor

8

the honorees and portray their images

9

without violating the statute.

10

MR. MENNA:

At the risk of

11

overtalking, which I'm good at, no, I think

12

the Mint's -- I know other world mints, but

13

our Mint in particular, you know, I always

14

say the obverse is the main character and

15

the reverse is the supporting cast, when you

16

look at older coins particularly.

17

But in our case, these types of

18

programs, the main show is -- not to

19

denigrate President Washington, but the main

20

show are the reverses.

21

innovators, the same prohibition exists, but

And American

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there's no portrait on the obverse.

2

So, we're kind of ahead of the --

3

in my opinion -- I'm not a lawyer -- I think

4

legislation will eventually catch up to

5

where we are.

Does that make sense?

6

DR. VAN ALFEN:

7

THE CHAIR:

8

Are there any final

comments before we proceed with --

9
10

Mm-hmm.

DR. FULLER:
Chairman.

11

Thank you, Mr.

This is Harcourt Fuller.
This is a question for Joe.

12

think I know the answer, but I'll ask

13

anyway.

14

MR. MENNA:

15

DR. FULLER:

Yes, sir.
The coin as shown

16

has a black background.

17

where I'm going with this.

18

to be black, of course, right?

19

to be clear about that, right?

20

MR. MENNA:

21

DR. FULLER:

I

I think you know
It's not going
I just want

Correct.
And I guess, as a

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follow-up question, I was wondering why was

2

it not shown in the color in which it would

3

eventually be minted?

4

MR. MENNA:

There were some

5

policies enacted and codified in 2007 about

6

inducing and stuff like that using the color

7

black.

8

Some artists interpret that more broadly

9

like this artist, meaning -- black means

And April can stop me at any point.

10

polished field.

11

maybe perhaps the same design and the

12

background just be white.

13

Other artists, you'll see

And I think we're in the process

14

of working out a way that the artist can

15

express their intent without muting their

16

voices.

17

means polished field right now.

So, we're still -- black typically

18

DR. FULLER:

Okay.

19

MR. MENNA:

20

MS. STAFFORD:

21

MR. MENNA:

Thank you.

Incused.

Or incused.

Yes.

Which is still

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2

polished field, though.
MS. STAFFORD:

I was going to say

3

black symbolizes what is incused, but we are

4

aware that some artists apply it slightly

5

more liberally.

6

agreed internally as the designs move

7

through review to ensure that there's an

8

equity of application in that regard.

9

So, we are -- have all

MR. MENNA:

Yeah.

Any confusion

10

is my negligence, frankly, for not uniformly

11

paying -- taking it for granted all these

12

years, you know.

13

THE CHAIR:

If I may, for the

14

record, the last comment came from Joe

15

Menna, the comment before that April

16

Stafford, so the record can make sure that

17

we fully document --

18

MR. MENNA:

Sorry.

19

THE CHAIR:

No problem.

This

20

indicates, in fact, how interested this

21

Committee is about this design.

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1

CONSIDERATION

2
3

THE CHAIR:

So, let us begin our

consideration, if you will.

4

I would like to remind members to

5

please try to keep your comments to five

6

minutes or less.

7

any members who have questions or comments,

8

please hold those, and I promise you that we

9

will get back to them at the end.

10

Additionally, if there are

For the benefit of the Court

11

Reporter and those calling in, I ask that

12

you state your name when you begin speaking.

13

And let's try as much as possible to keep

14

our comments to five minutes or less.

15
16

Let us begin with Dr. Harcourt
Fuller.

17
18

DR. FULLER:

Thank you, Mr.

Chairman.

19

We welcome you to the Committee,

20

Ms. Ross.

It's always -- you know, one of

21

the joys of serving on this Committee is

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learning about great Americans that you

2

might have heard of but you don't have the

3

details.

4

opine on this coin.

5

So, I'm so honored to be able to

And I'm going to ask Ms. Ross's

6

forgiveness because I'm going to do

7

something that I don't think I've done

8

before, which is -- well, let me first say I

9

congratulate the artists.

10
11
12
13

These are all

great designs.
But can we go back to 1?

I've

never seen anything like this on a coin.
What is the purpose of a coin?

14

Dean and others have spoken about the

15

tabletop test, right?

16

I'm seeing 10 coins on a table, which one am

17

I going to pick up?

18

right, what am I going to look at, right?

19

Is that right?

If

In a sea of coins,

And if we are trying to educate

20

the American public and the world about

21

these outstanding Americans, we want coins

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that will make someone say, "What is this?"

2

When I see the word "Hope," that

3

means so much to so many people.

But just,

4

again, how her image comes through makes me

5

want to look at that coin and Google, or

6

Bing --

7

(Laughter.)

8

DR. FULLER:

9

I think, in my humble opinion,

-- Dr. Pauli Murray.

10

more people would do that than if they saw

11

some of the other designs because we're

12

going to have other designs of people on

13

coins.

14

I've never seen anything like

15

this.

With all due respect to the family,

16

to the stakeholders, to the artists, this is

17

my pick.

18

Thank you.

19

THE CHAIR:

20

We'll turn now to Dr. Dean

21

Thank you so much.

Kotlowski.

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2

DR. KOTLOWSKI:
Chairman.

3

Thank you, Mr.

This is Dean Kotlowski.
I have to agree with much of what

4

my colleague Dr. Fuller has said.

Ms. Ross,

5

I wrote down something that you said in your

6

remarks, that your great-aunt wanted to be

7

seen.

8

me toward Choice Number 2 because you can

9

see her very clearly and very obviously, and

And when you said that, that did pull

10

that is the choice of the family and the

11

CFA.

12

But as I think about this more

13

and more, the tabletop test.

14

your eye?

15

actually, I think I prefer 1A a little bit

16

more.

17

What catches

And it is 1 and it is 1A.

And

In terms of your great-aunt being

18

seen, I think she is seen in both 1 and 1A.

19

And if I'm stating what Joe said

20

correctly here, the background is incused,

21

"Hope" is then raised next, and then her

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portrait is the highest.

2

little hard for us to see how she's going to

3

be seen here on a coin and that the image of

4

her portrait will be more prominent than

5

maybe we're getting an impression of here.

6

So, maybe it's a

Number 1 is excellent.

What I

7

like about 1A -- if we can go to 1A,

8

please? -- is that the way the "O" is done,

9

you see a little more of her face.

And I

10

think it is genius by the artist -- I can

11

use that word -- the way you have the

12

complete quote here figured in:

13

Song In A Weary Throat."

14

"Hope - A

I think what you're getting there

15

is something more than the generic message

16

of hope, which is important.

17

getting an actual quotation, and you're

18

getting it in a stylistically sophisticated

19

and balanced way, the portrait and then the

20

quotation.

21

together by the word "Hope" really

But you're

And then it's all pulled

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brilliantly.

2

The nice thing about Number 2,

3

which is the family's preference, is that

4

you do have a very specific message there,

5

right?

6

Yourself To Be."

7

again to 1A, you've got a specific quotation

8

and a larger message.

9

"America, Be What You Proclaim
And then, if you go back

And I like all of the designs

10

that have the Reverend Dr. Pauli Murray

11

because I think the general public, when

12

they see that, if they have some awareness

13

of the Civil Rights Movement, that's going

14

to conjure up memories and thoughts of

15

Martin Luther King, Jr., the Reverend Dr.

16

Martin Luther King, Jr.

17

And people are going to think,

18

"Well, this is probably somebody who is like

19

that and maybe did some things that were

20

similar to the Reverend Martin Luther King,

21

Jr."

So, in that sense, 1, 1A, 2, and 2A

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are all very strong candidates.

2

But I love -- this is a great

3

person.

And it is not in my capacity to

4

label things great art, but to the extent to

5

which I can, I think 1A and 1 are great art

6

for a great American.

7

Thank you.

8

THE CHAIR:

9

I'm going to take the privilege

Thank you so much.

10

of the Chair to give my comments at this

11

point because I think that my colleagues

12

have raised facts and information that

13

certainly warrant and balance the

14

discussion.

15

Over time, we've had a lot of

16

beautiful designs; there's no question about

17

it.

18

balance between the beauty and the message.

19

Sometimes designs can be so subtle that it

20

may miss the general public.

21

it's really important that we balance them

And sometimes we in fact have to

And for me,

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well.

2

As much as I do appreciate that

3

Design Number 1 as a fantastic design that

4

we have not seen before, one has to ask the

5

question about why the family chose 2.

6

I look at the message that's in 2, the

7

question then became to me, somehow or

8

another, the message here was more powerful

9

than the message they felt for Number 1.

10

When

As much as Number 1 is a

11

fantastic and a beautiful design, the

12

question becomes:

13

resonate with the public?

14

going to be a circulating coin.

15

the case, you want to have the opportunity

16

for it to provide dividends.

17

will the dividends be realized if the design

18

is too subtle?

How is that going to
Because this is
That being

To what extent

19

So, in that respect, I'm going to

20

throw my vote along with that of the CFA and

21

the family.

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1

Thank you so much.

2

Let me now turn to Robin Salmon.

3

MS. SALMON:

4

Salmon.

5

This is Robin

Thank you, excuse me, Dr. Brown.
I'm really torn on this

6

particular coin.

As a person who thinks

7

first of art and more of the unusual ways

8

that a subject can be portrayed, I

9

absolutely am crazy about Design 1 and 1A.

10

It is so different, as everyone has said.

11

It reaches out and grabs you.

12

And despite the fact that

13

Reverend Dr. Murray's portrait may be

14

somewhat obscured in these designs, I think

15

because the word "Hope" really reaches out

16

that she would like that.

17

alone choose a design for this, I would say

18

1.

19

And if I could

However, 2 and 3 are also very

20

fine designs.

And I understand all of the

21

reasons why the family and the CFA might

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prefer this with the addition of the cross

2

necklace.

3

include a lovely portrait of her.

4

her quote, which is so powerful.

5

looks like a presidential portrait, if you

6

will.

7

It is straightforward.

It does
It has
And it

3 is also a very strong portrait.

8

I like the fact that she's sitting in her

9

own surroundings, that all of the important

10

imagery is there that's been referenced with

11

the scales, her work, her religion, the

12

symbolism that goes along with her life, as

13

well as the inclusion of the inscription of

14

her handwriting.

15

So, this is a very tough choice,

16

very tough choice.

And I'm still not

17

exactly sure where I'm going with it.

18

going to have to make up my mind soon, but I

19

appreciate everything that the family wants

20

with this, as well as any other stakeholder

21

who may be involved.

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So, thank you.

2

THE CHAIR:

3

Let's turn now to Art.

4

MR. BERNSTEIN:

Thank you so much.

Speaking of art,

5

this is Art Bernstein.

6

take these in reverse order, please.

7

And I'm going to

3 and 3A, I appreciated the same

8

things that Robin appreciated.

Seeing

9

Reverend Dr. Murray in her surroundings with

10

all those books scattered around I think

11

demonstrated the breadth of her role in our

12

society.

13

Design 2 has the quotation that I

14

find to be the strongest, and I prefer that

15

design over 2A because I think it's just a

16

little more simple in the design.

17

But I want to say from the bottom

18

of my heart with regard to Designs 1 and 2,

19

when I first saw the designs, I had rejected

20

those two.

21

side.

I just pushed them off to the

And the beauty of these meetings and

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hearing from my colleagues today has

2

completely flipped my thinking, and I

3

appreciate what everyone has shared.

4

see real value and real beauty in Designs 1

5

and 1A, and I'm leaning towards supporting

6

those designs.

And I

7

Thank you.

8

THE CHAIR:

9

Let's turn now to Mike Moran.

10

MR. MORAN:

Thank you so much.

I'm there.

I

11

couldn't get the cursor on the microphone.

12

I'm sorry.

13
14
15

Thank you, Dr. Brown.

This is

Mike Moran.
First of all, I'm proud that the

16

Reverend Pauli Murray chose the Episcopal

17

Church as her vehicle to promote and advance

18

her goals and aspirations.

19

Episcopalian as well as a Senior Warden to

20

the Bishop of the Diocese of Lexington, I

21

understand it was not always an easy journey

As a lifelong

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through the Episcopal Church, although it

2

was easier than it would have been through

3

some of the other mainstream Protestant

4

churches.

5

I have listened to the comments

6

made by the Committee, and I too am a bit

7

torn over this one.

8

I finally come down.

9

And I'll tell you where

First of all, I don't like 1

10

because I feel the ovals in the "O" and the

11

"P" distract from the portrait and they will

12

distract from the portrait in the coin.

13

I like 1A a lot.

But I also like

14

2.

15

quarters are more than just 25 cents to put

16

in a gum machine.

17

convey?

18

about the accomplishments of the women that

19

have been merited and recognized on the

20

backs of these coins?

21

But when I look at what -- these

What are we trying to

What have we conveyed in the past

And you can see instantly from

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1A, it's Pauli Murray and it's hope.

2

there's ever anything that this country

3

could use right now, it's hope that tomorrow

4

will be a better day than today.

5

will come across on that quarter.

6

And if

And that

And remember, we're dealing with

7

a quarter.

As good as the portrait looks on

8

2, and it's a good portrait, what's it going

9

to look like on a quarter?

And I just --

10

yesterday, when I was with you all, I bought

11

a set of the 2022 quarters frosted.

12

can tell you that's going to be a frosted

13

mess.

14

and the care and humanity that you see in

15

this sketch.

And I

You're not going to see the quality

16

And I think that while we have a

17

duty to portray these images accurately, we

18

also have a duty to the American public as

19

to the message that we want these quarters

20

to convey.

21

a lot of emphasis on 1A.

And therefore, I'm going to put

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1

Thank you, Dr. Brown.

2

THE CHAIR:

3

Thank you so much for

your thoughtful comments.

4

Let's turn now to Sam Gill.

5

MR. GILL:

6

Thank you, Mr.

Chairman.

7

I'm going to -- well, first of

8

all, Dr. Pauli Murray is just so

9

accomplished and a true intellectual.

10

And

it's a privilege to comment on her coin.

11

I'm going to concur with Dr.

12

Brown.

13

because the family is interested in Number 2

14

and the CFA is interested in Number 2, but I

15

think it is the correct choice with the

16

cross added because I like -- I think this

17

woman deserves a portrait.

18

be seen.

19

I believe that the -- not only

She deserves to

And she's been a part of recent

20

history, and she worked so hard and

21

contributed so much to the intellectual

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property of her work.

2

embraced her, like Ruth Bader Ginsberg, for

3

instance.

4

force.

5

portrait.

6

And so many others

I mean, she was just a huge

And I think she deserves an elegant

And that's -- I agree with the

7

family, and that's where I'm siding:

8

2 with cross.

9

Thank you.

10

THE CHAIR:

11

Let's turn now to Peter.

12

DR. VAN ALFEN:

13
14

Number

Thank you so much.

Thank you, Dr.

Brown.
I have to say, sitting here for

15

the last several minutes listening to all of

16

my colleagues express their views on all

17

this far more eloquently than I'm sure I

18

can, I have to say I sit here conflicted

19

over which way to go with this.

20
21

I find the opportunity to portray
Pauli Murray here and to represent her on

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this coin, you know, to be a tremendous

2

moment.

3

bring more recognition to her and her work

4

and all the rest of that.

5

Hopefully, this representation will

The question is, you know, how do

6

we convey that in the most powerful way

7

possible?

8

to be a perfectly adequate, accessible, nice

9

design.

And, you know, I do find Number 2

And I have to say that if Number

10

1A, particularly, were not an option, that

11

certainly would be a very easy choice.

12

But I am just drawn into the

13

power of 1A, particularly with that

14

portrait.

15

And it really is a powerful image.

16

that is absolutely a fantastic, innovative,

17

brilliant design.

I cannot take my eyes off of it.
I mean,

18

And the question is:

19

convey the message in the same way or in a

20

much more powerful way than Number 2?

21

certainly, you know, respect the family

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liaison, Ms. Ross's preferences as well as

2

the CFA.

3

come from, you know, with this.

4

I can see, you know, where they've

But again, I find myself just

5

drawn into 1A particularly as just an

6

amazing design.

7

convey that message perhaps a bit more

8

powerfully than 2, you know, would.

9

And that, I think, would

So, you know, again, I feel very

10

conflicted about this because, you know, I

11

do understand, you know, Dr. Brown and, you

12

know, his eloquent expression about that,

13

particularly with accessibility and the

14

rest, and honoring, you know, the family's

15

choices.

16

next few minutes, and we'll see.

So, I will make my decision in the

17

So, thank you.

18

THE CHAIR:

19

sentiments very much.

20

sharing.

21

We appreciate those
Thank you for

Let's turn now to Dennis, Dennis

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Tucker.

2
3

MR. TUCKER:
Brown.

4

Thank you, Dr.

This is Dennis Tucker.
And this is a challenge.

This is

5

a real challenge because we -- I'll echo the

6

sentiments of my colleagues here:

7

two very strong -- three very strong

8

designs, two that start to reach perfection,

9

I would say.

10

1A is wonderful.

We have

It's unique.

11

It's innovative and artistic in ways that we

12

don't always see in circulating coinage.

13

has art, symbolism, and messaging.

14

standalone piece of art and work of coinage,

15

it nears perfection.

16

It

As a

2 also has everything that a coin

17

needs.

18

symbolism, and the messaging.

19

different from 1A, and that's what makes it

20

a challenge.

21

It has the art, it has the
Very

I don't know if it's premature,

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but I would like to yield my time to Ms.

2

Ross and hear her analysis and her thoughts

3

on 1A versus 2, and see if maybe her

4

comments can guide us a bit.

5
6

THE CHAIR:

Dennis, I think you

were anticipating what I was going to do.

7

So, may I suggest that, before we

8

do that, let's hear from Mr. Saunders first.

9

Ms. Ross may want to hear his comments

10

before she offers hers.

11

MR. SAUNDERS:

12

you.

13

to say.

14

Dr. Brown, thank

John Saunders here, as I've been told

I'm going to be different than

15

everybody else.

I like the experimentalness

16

of 1 and 1A, particularly 1A being the

17

better of the two.

18

something -- a coin that was actually struck

19

kind of along those lines before I jump into

20

the field of fray and recommend something

21

that I'm not sure would come out as well as

But I would like to see

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I think it -- as the picture comes out.

2

So, that kind of leaves me

3

between the 2 and 3 design.

4

said anything nice about 3, but it was my

5

favorite.

6

And no one else

I like both 2 and 3.

I like the

7

fact that 3 shows her at work, shows her

8

working -- looking at perhaps a law that she

9

was supporting or something of that nature

10

with books in the background.

11

The other thing that I didn't

12

like about 2 is she's holding a balanced

13

scale.

14

times to weigh coins and other metals.

15

you can't hold a balanced scale and hold it

16

even like that.

17

it's a fake or it's -- it's impossible.

18

I just didn't like her holding the balanced

19

scale.

20
21

I've used a balanced scale many
And

I mean, that's -- either
And

I liked it much better being on
the bookshelf.

I mean, it shows what she's

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talking about, her thought that, you know,

2

equality, balancing things is the right way

3

to go.

4

bookshelf than I did someone holding it.

5

So, I'm going to go, I think,

But I liked it much better on the

6

unless, you know, all of us are reserving

7

our final judgment until we hear all the

8

comments, but I think I like 3 best.

9

I'll be the outlier here.

10

So,

I think all of them were good, by

11

the way.

I mean, don't get me wrong, but 3

12

was my favorite.

13

THE CHAIR:

Thank you so much.

14

Ms. Ross, you've heard the

15

comments from members of the Committee.

16

think it would be invaluable for us to -- my

17

apologies.

18

DR. KOTLOWSKI:

I wanted to add

19

something before we -- but also so did

20

Harcourt.

21

We

This is Dr. Dean Kotlowski.
Go ahead.

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DR. FULLER:

2

THE CHAIR:

May I?
So, let me -- if we

3

do that, may I suggest the following?

Let's

4

hear from Ms. Ross, and then we'll come back

5

to members of the Committee because I

6

suspect other members of the Committee may

7

want to comment as well.

8

So, let's first hear from Ms.

9

Ross and then we can take it back to any

10

further conversation.

11

Ms. Ross, again, you happen to be

12

the witness to one of the occasions when we

13

have a real robust conversation about a

14

design.

15

thoughts, having heard what we have shared

16

today.

17

And we're interested in your

MS. ROSS:

Well, the amazing

18

thing is that our family went through this

19

same back and forth.

20

1, but we felt like her face was obscured,

21

and plus the fact, as laypeople, we don't

We fell in love with

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have that artisan vision that you all have.

2

It was hard for us to

3

conceptualize the black being raised, you

4

know.

5

able to visualize what the coin would look

6

like minus the black.

7

black had to be there for design purposes,

8

guideline purposes, but that was one of our

9

big concerns.

We don't have the information to be

10

And I understand the

And we just felt like, as a

11

group, we felt like Number 2 spoke to her

12

journey more than the hope of the nation.

13

I think the family will be

14

comfortable with either one of those

15

designs.

16

initially, but then we wanted to become

17

all-inclusive of the aspects of her life.

18

As I said, it spoke to us

So, if you all go with 1, I would

19

hope that you would go with the one where

20

you can see more of her face than her

21

peeking through letters.

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So, if that makes it any easier

2

for you, we won't be devastated if you pick

3

1.

We did not like 3 at all.

4

(Laughter.)

5

MS. ROSS:

There's a picture that

6

that was drawn from, and if -- you know, we

7

wanted something more unique than a copy of

8

a picture.

9

So, thank you.

10

THE CHAIR:

11

We have a comment from our Chief

12

Thank you so much.

Engraver.

13

MR. MENNA:

This is Joe Menna.

14

Ms. Ross, pleasure to be able to talk to

15

you.

16

Something everyone in the room is

17

very familiar with but might -- just to give

18

a little more background, your -- everyone's

19

opinion about art counts, from my

20

perspective.

21

When it comes to coins, we have

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to think about scale and real estate.

2

as important as the symbolism on a coin, or

3

even the portrait -- I'm not editorializing

4

as to which one's better in any way, shape,

5

or form.

6

one.

But Design -- what is it? -- that

2?

7

MALE SPEAKER:

8

FEMALE SPEAKER:

9

MR. MENNA:

10

So,

1A.
1A.

No, 2.

2.

2.

With

the scales, with the scales.

11

With coins, everything is about

12

real estate in terms of visibility.

13

3-inch Congressional Gold Medal, everything

14

in this design would be evidently visible.

15

On a

But at the scale of a quarter,

16

even sculpted by the best sculptor, it would

17

be very challenging to get a likeness which

18

is only millimeters in length to be

19

readable.

20

the scales will be difficult to read at this

21

scale.

Additionally, the seahorse and

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So, the symbolism that helps

2

share the story and the portrait itself,

3

while acceptable by our coining standards --

4

and we never try to stifle any particular

5

artist's vision -- would not be as readable

6

as the portrait on the first two designs,

7

despite the intersection with the lettering.

8

That's just a technical observation about

9

scale.

10

So, thank you for your time.

11

THE CHAIR:

This is Lawrence

12

Brown.

And unless any member of the

13

Committee is going to offer --

14

MS. WARREN:

Sorry, Dr. Brown.

15

This is Jennifer Warren.

16

hand raised.

17

the screen.

Mike Moran has his

You can't see that because of

18

THE CHAIR:

Apology.

19

So, I'm going to ask the

20

Committee members that unless you're going

21

to offer something that's going to be

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different than what one has already

2

articulated, and given the time that we have

3

in front of us, I just want to make sure

4

that we balance that.

5

So that I'm going to recognize

6

Mike since he's there, then I'm going to

7

recognize anyone else, but remember that we

8

are beyond our time, and deservedly so.

9

So, let me make sure that we are

10

clear; I'm not saying that we should

11

minimize the importance of what we're doing,

12

but I do also recognize we want to maintain

13

quorum.

14

Mike?

15

MR. MORAN:

16

Dr. Brown, thank you.

This is Mike Moran.

17

In view of our sponsor's comments

18

about 1 versus 1A, let's not split our votes

19

between 1 and 1A.

20

for the image of "Hope," vote for 1A -- it's

21

clearly the better one -- so we don't have

If you're going to vote

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to make any motions at the end if we have a

2

split between the two.

3

on 1.

It's a wasted vote

4

THE CHAIR:

Dean?

5

MR. MORAN:

Does everybody

6

understand what I'm trying to say?

7

PARTICIPANTS:

8

MR. MORAN:

Thank you.

9

THE CHAIR:

Dean?

10
11
12

DR. KOTLOWSKI:

Yes.

This is Dean

Kotlowski.
And Ms. Ross, thank you so much

13

for your open-mindedness and your

14

encouragement and your humility.

15

everybody, we all have opinions on art, but

16

it's good to hear, you know, what you said.

17

Yes,

I want to add something to the

18

comments about 1A that I think also make it

19

very powerful.

20

line, you do see "Hope" and then, below

21

that, you see "The Reverend Dr. Pauli

If you look at the horizon

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Murray," and then, below that, you see "E

2

Pluribus Unum."

3

there's a parallel message here that I think

4

is also very powerful that makes this a

5

particularly powerful coin.

So, there is yet another --

6

THE CHAIR:

7

Any other members that feel the

8
9
10

Thank you so much.

need to?
(No Response.)
THE CHAIR:

Not hearing or seeing

11

any, I'm going to ask, Mike and Joe, do you

12

have anything else you want to share with

13

the Committee regarding the design?

14

MR. MENNA:

I have nothing.

15

MR. COSTELLO:

16

THE CHAIR:

17

Hearing none, the Committee will

18

now score the reverse candidate designs for

19

the 2024 American Woman Quarter honoring the

20

Reverend Dr. Pauli Murray.

21

should have in front of you the score

No, sir.

Thank you.

Each of you

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1
2
3
4
5

sheets.
Mike, you will send yours in
electronically.
When we have done, please give
them to Greg, who will tally them.

6

Let's take 10 minutes' recess.

7

MS. WARREN:

8
9
10
11

send them in.

Also, Robin, please

This is Jennifer.

We're going to go on recess.
MR. WEINMAN:

Thank you, sir.

We're in recess.

12

(Brief Recess.)

13

MS. WARREN:

14
15

Okay.

We are back.

SCORING RESULTS
THE CHAIR:

We are back, and I

16

recognize Greg Weinman, Counsel to the CCAC,

17

to present the results of the scoring.

18

MR. WEINMAN:

Once again, as with

19

yesterday, these are out of a possible score

20

of 30 points.

21

Design Number 1 received 3 votes.

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2

Design Number 1A received 25,
making it the high-scoring design.

3

Design Number 2 received 18.

4

Design 2A receiving 8.

5

Design 3 receiving 6.

6

And 3A receiving 6.

7

So, once again, out of a possible

8

30 points, Design 1A is the Committee's

9

high-scoring design at 25.

10

MOTIONS AND VOTE

11

THE CHAIR:

12

Are there any motions?

13

MR. TUCKER:

14

I ask the Committee:
Dennis?
This is Dennis

Tucker.

15

I don't think this requires a

16

motion, but I would just, for the record,

17

like to recommend that we recommend to the

18

Secretary of the Treasury Design 1A.

19
20
21

THE CHAIR:

Is there a second for

the motion?
DR. VAN ALFEN:

Peter van Alfen,

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second.

2
3

THE CHAIR:
second.

4
5

MS. SALMON:

Robin Salmon,

MS. WARREN:

I'm sorry.

second.

6
7

Jennifer, Dr. Brown.

8

hand raised.

9
10

Peter van Alfen,

This is

Mike Moran has his

MR. MORAN:

Well, I did, but I

wasn't quick enough.

11

I would like for the person that

12

voted for Number 1, because they didn't vote

13

for Number 1A, to consider shifting their

14

vote and for the simple reality that we have

15

to buck the CFA choice.

16

have a good chance of getting our 1A choice

17

in there, we need to get as many points on

18

it as we can.

19

it is.

20
21

And if we want to

It's just the reality of what

MR. WEINMAN:

Mr. Chairman, can I

comment?

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In fact, that is not one person.

2

That is -- the 3 represents other people's

3

votes.

4

votes to 1 also voted for 1A, both.

The people who voted for -- gave

5

MR. MORAN:

Okay.

6

THE CHAIR:

Counsel?

7

question for Counsel.

8

Brown.

This is a

Yes, this is Lawrence

A question for Counsel.

9
10

So be it.

To do what Mike is suggesting,
would we not have to take a revote?

11

MR. WEINMAN:

Yeah, and it isn't

12

the way -- in other words, it wasn't -- 1A

13

did not receive the maximum votes not

14

because people voted for 1 but because there

15

were other people who simply didn't vote for

16

1A.

So --

17

MR. MORAN:

I'm with it.

18

going to make a motion we make this

19

unanimous.

20
21

MR. WEINMAN:

I'm not

There is already a

motion on the table to make the

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recommendation, so that -- keeping in

2

mind -- this is Greg Weinman, Counsel.

3

scoring is a tool.

4

itself a recommendation.

The

The scoring is not

5

So, the tool that you used to

6

gauge interest has given you this score.

7

The motion on the table actually is the

8

recommendation of the Committee.

9

THE CHAIR:

So, we have a motion

10

on the table, and we have a second.

11

there any further conversation or discussion

12

on the motion?

13

Mr. Saunders?

14

MR. SAUNDERS:

15

18
19
20
21

I will amend to

make it a unanimous motion.

16
17

Is

THE CHAIR:

Dennis will agree

THE CHAIR:

This is a friendly

with that.

amendment to make it unanimous.
MR. TUCKER:

Oh, well, I think

our vote would do so, yes.

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THE CHAIR:

2

MR. TUCKER:

3

THE CHAIR:

4

So, is it accepted?
Yeah.
He's accepted the

friendly amendment.

5

All those in favor, "aye"?

6

(Chorus of "aye".)

7

THE CHAIR:

8

(No Response.)

9

THE CHAIR:

10

motion carries.

11

record.

Any opposition?

Hearing none, the

Unanimously.

For the

12

(Motion Carried Unanimously.)

13

THE CHAIR:

14

Are there any other

motions with respect to this program?

15

(No Response.)

16

THE CHAIR:

Seeing none, since

17

all discussion on this program has

18

concluded, I would like to thank, and really

19

thank from the depth of our hearts, Ms.

20

Ross, for your continued efforts to make

21

this known to all the American public about

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the phenomenal achievements of this

2

fantastic African American woman.

3

So, thank you so much.

And thank

4

you for attending today.

And you may just

5

continue to join with us if you desire, but

6

if you have other things to do, that's your

7

option as well.

8

2024 AMERICAN WOMEN QUARTER:

9

THE CHAIR:

CELIA CRUZ

The second item today

10

for our review is the reverse candidate

11

designs for the 2024 Women Quarter honoring

12

Celia Cruz.

13

April Stafford, again the Chief

14

of the Mint's Office of Design Management,

15

will introduce the program and present the

16

reverse candidate designs for this quarter.

17
18
19
20
21

REPORT
MS. STAFFORD:

Thank you.

This

is April Stafford.
Some background on this program.
Celiz Cruz was a distinguished Cuban

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American artist who became an international

2

superstar and cultural icon.

3

her Cuban culture, she also helped

4

Afro-Latino Americans embrace their own

5

heritage.

6

By celebrating

Cruz was a dazzling performer who

7

had a powerful voice, energetic stage

8

presence, and a unique style that endeared

9

her to fans worldwide and across

10

generations.

11

the male-dominated world of salsa music, the

12

Queen of Salsa performed all over the world

13

for more than five decades and recorded more

14

than 50 albums.

15

One of few women to succeed in

Her musical skills, combined with

16

her elaborate costumes and her signature

17

catchphrase "Azucar," "Sugar" in Spanish,

18

electrified audiences worldwide.

19

as a seemingly simple request for sugar in

20

her Cuban coffee while dining at a

21

restaurant, "Azucar" became so much more.

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Some attribute it to a rallying cry in

2

remembrance of all enslaved Afro-Latinos in

3

Cuba and the Caribbean forced to work the

4

sugarcane fields.

5

I believe we are honored to have

6

Omer Pardillo, our liaison for this program,

7

with us.

8
9
10

Thank you so much for being here,
Mr. Pardillo.

Would you care to say a few

words to the Committee?

11

You're on mute, sir.

12

MR. PARDILLO:

Sorry, sorry.

Hi.

13

Good morning.

14

former manager of Celia Cruz and executor of

15

her estate.

16

My name is Omer Pardillo,

With great honor in this meeting

17

honoring the late Celia Cruz with a coin I

18

think is one of the highest achievements

19

that Celia has had since her passing.

20

there have been many, but this is a very,

21

very important achievement for her legacy.

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I think you have made a summary

2

of Celia's career and on what she's getting

3

honored.

4

I'll be happy to answer.

5

If you have any questions for me,

The family and the estate have

6

chosen the Option Number 1 to be the primary

7

option for this design, and also Option

8

Number 3 would be our second choice.

9

CCR03.

10

It's

I'm happy here to answer any

11

questions in reference to the designs for

12

Celia's legacy.

13

MS. STAFFORD:

This is April.

14

Thank you so much, Mr. Pardillo.

15

And we'll move on to looking at the

16

preferences.

17

So, as was noted, Design 1 was

18

identified as the primary preference of our

19

liaison, as well as the recommendation by

20

the CFA.

21

All right.

So, this design is a

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dynamic portrait of Celia Cruz flashing her

2

dazzling smile while performing in a

3

rumba-style dress.

4

catchphrase "Azucar!" is inscribed on the

5

right.

6

Her signature

Again, this is the primary

7

preference of the estate and the

8

recommendation of the CFA.

9

Reverse 2 depicts Celia Cruz

10

singing while gesturing boldly with her left

11

hand and holding a microphone in her right,

12

with the additional inscription "Queen of

13

Salsa!" overlaid on the portrait.

14

background swirl represents her exhilarating

15

energy and rhythm of the music.

16

The

And Reverse 3 features a portrait

17

of the glamorous, vivacious Celia Cruz

18

singing and flashing her infectious and

19

exuberant smile.

20

is "Azucar!"

21

this is the estate's secondary preference.

The additional inscription

Again, as Mr. Pardillo noted,

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Reverse 4 depicts Celia Cruz in

2

motion as if captured in the midst of an

3

elaborate salsa dance move on stage.

4

the additional inscription includes the

5

"Queen of Salsa."

6

And

Finally, Reverses 5 and 5A depict

7

Celia Cruz mid-performance surrounded by

8

sculpted waves that symbolize the energy of

9

her powerful voice.

Below her, the straight

10

lines reminiscent of piano keys move the

11

viewer's eyes from the bottom left towards

12

her name, with musical notes radiating in

13

between the distinctive lines.

14
15

That concludes the candidate
designs.

16

THE CHAIR:

Thank you so much.

17

Are there any technical or legal

18

questions from the Committee about this

19

program or designs?

20
21

DR. VAN ALFEN:

This is Peter van

Alfen, and this is a question for Joe, Joe

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Menna.

2

On Reverse 1, if I'm reading this

3

correctly, "Celia" would be incuse and

4

"Cruz" would be relief; is that correct?

5
6

MR. MENNA:

This is Joe Menna.

Yes.

7

DR. VAN ALFEN:

Is there any

8

reason why there's one relief and the other

9

incuse?

10

MR. MENNA:

This is Joe Menna

11

again.

12

relief, everything that goes to the edge

13

needs to taper, but the body is fuller -- is

14

more full.

15

Yes, because of the nature of

I believe it's been -- when I see

16

portfolios visually, number one, I'm

17

assuming it's the artist's intent for

18

"Celia" to pop out, but number two, we

19

wouldn't be able to raise it as -- the

20

relief on the edge of the coin, the body is

21

necessarily going to be higher than the

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sleeve, so it would be more difficult.

2

Also, just technically, to have

3

the raised text above her body, the relief

4

height would not accommodate it.

5

height available at that part of the coin

6

would not accommodate it.

7

DR. VAN ALFEN:

8
9

The relief

All right.

Thank

you.
THE CHAIR:

Are there any other

10

questions or comments from the members of

11

the Committee regarding the legal or

12

technical matters?

13
14
15
16
17

(No Response.)
CONSIDERATION
THE CHAIR:

Hearing none, let us

begin our consideration.
I'd like to, again, remind our

18

members to please try to keep your comments

19

to five minutes or less.

20

members have additional questions, please

21

know that I will be -- we will have an

Additionally, if

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opportunity to share those -- for you to

2

pose those later on.

3

For the benefit of the Court

4

Reporter and those calling in, I ask that

5

you state your name before you begin

6

speaking.

7
8

Let us begin our considerations
with Sam Gill.

9
10
11

MR. GILL:
Chairman.

Well, thank you, Mr.

This is Sam Gill.
I too like Number 1.

This woman

12

was just a powerhouse.

13

ever seeing her perform on YouTube or

14

anything that you can find her on, I mean,

15

she's just fun, fun, fun to watch.

16

think Number 1 does capture her as well as

17

it's possible to capture her on a coin.

18

If you can remember

And I

I liked 5 and 5A from the

19

standpoint that I thought -- found them very

20

interesting, but the detail in them would

21

just get washed up in a quarter, from my

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taste.

2
3

So, with that said, my choice
would be Number 1.

Thank you, sir.

4

THE CHAIR:

5

Let's turn now to Peter.

6

DR. VAN ALFEN:

7

I have to say I really love
Number 1.

10
11

THE CHAIR:

I'm sorry, Peter.

You want to repeat your name for the record?

12
13

Thank you, Mr.

Chair.

8
9

Thank you.

DR. VAN ALFEN:

Peter van Alfen,

yeah.

14

I have to say I really love

15

Number 1.

16

dynamic, joyful portrait.

17

things I like about it also is the extended

18

left hand, which seems to engage the

19

audience and invite them, you know, into the

20

moment portrayed here.

21

I think that this is a really
And one of the

So, I'm more than happy to

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support that design.

I think it certainly

2

is the best of the lot here.

3

So, thank you.

4

THE CHAIR:

5

Let's turn now to Harcourt.

6

DR. FULLER:

7

Thank you, Mr.

Chairman.

8
9

Thank you so much.

Mr. Pardillo, bienvenido al
Comite.

Welcome to the Committee.

10

MR. PARDILLO:

11

DR. FULLER:

Muchas gracias.
This is an absolute

12

honor, and it just makes me, once again --

13

it reaffirms my love for this country, and

14

it makes me so proud to see someone who was

15

born in another country who became a United

16

States citizen, who did so much for this

17

country and who received so much for this

18

country, be honored in this way.

19

make it onto a coin, you know, you've made

20

it.

21

When you

And it just -- I'm emotional.

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love this woman.

2

into salsa and other forms of music.

3

this is just so great.

4

right words to express.

5

She brought so many of us
And

I don't have the

This reaffirms that this country

6

is moving in the right direction when we

7

recognize all Americans regardless of

8

national origin or anything like that.

9

just so proud today to be an American

10

citizen.

11

Thank you.

12

MR. WEINMAN:

13

DR. FULLER:

14

(Laughter.)

15

DR. FULLER:

16

THE CHAIR:

21

1A.

1A.

I'm sorry.

I

Let's turn now to

Dennis Tucker.

19
20

Design?

meant 1.

17
18

I'm

MR. TUCKER:

Thank you, Dr.

Brown.
And thank you, Dr. Fuller.

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want to echo what you just said.

2

personal connections to Puerto Rico, not to

3

Cuba, but I have listened to a lot of Latin

4

music and a lot of salsa and a lot of Celia

5

Cruz.

6

I'll tell you that.

7

I have

And I love Celia Cruz, Mr. Pardillo,

And I look at this coin and I can

8

hear her shouting, "Azucar!"

And if you've

9

ever heard her music, you can hear that in

10

your head when you look at this coin.

11

also -- I love its vibrancy, its action.

12

It's a wonderful portrait.

13

I

I want to talk a little bit about

14

how her name is depicted too, with "Celia"

15

being incuse.

16

this.

17

because, for salsa music, for Latin music,

18

if you say "Celia," people know who you're

19

talking about, right?

20

"Elvis" or "Dolly" or "Aretha" or "Elton."

21

You know, you don't have to say the last

And Peter, you mentioned

I do see that as a design choice

It's like saying

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name.

People know "Celia."

2

And so, I like having "Celia" set

3

apart like that.

I think there's an elegant

4

touch.

5

the artist, but I suspect it was.

I don't know if it was intended by

6

Number 1 is a beautiful design.

7

I'm very excited to see this in the nation's

8

pocket change.

9

So, thank you, Mr. Pardillo.

10

Thank you to the Mint's art staff

11

and for the artists for bringing a wonderful

12

portfolio.

13

Thank you, Dr. Brown.

14

THE CHAIR:

15

Let's turn now to John Saunders.

16

MR. SAUNDERS:

Thank you.

I like all three.

17

The last one I thought was very -- Number 5

18

was very artistic but not something I think

19

would go on a coin well.

20

I thought, wow, this is going to be a hard

21

decision.

But the first four

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And Number 1, I worry about just

2

a touch what it's going to look like after

3

it's been in circulation for 10 or 20 years.

4

But it is going to be so magnificent as a

5

proof with frosted highlights, and I wait to

6

see what our Mint personnel do with that,

7

that I have to be in favor of Number 1.

8

just -- it's a dynamic design and, okay, if

9

it wears a little bit, it wears a little

10

bit, but I want my proof.

11

THE CHAIR:

12

Let's turn now to Dean.

13

DR. KOTLOWSKI:

14
15

Chairman.

Thank you so much.

Thank you, Mr.

This is Dean Kotlowski.
I too am in favor of Number 1 for

16

all of the comments that were stated

17

earlier, and those are my comments.

18

it's a terrific coin.

19

THE CHAIR:

20
21

It

I think

Thank you so much.

Beauty and brevity, we appreciate that.
Let's turn now to Robin.

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2

MS. SALMON:
Chair.

Thank you, Mr.

This is Robin Salmon.

3

I never saw Celia Cruz perform

4

live, but I did see her on television.

And

5

what a dynamo, as well as a wonderful

6

singer.

7

audience and grab you individually, even if

8

you were watching on television.

She could just reach out to the

9

And I feel that Number 1 portrays

10

that dynamism.

11

it's energetic, which is so much what she

12

was about.

13
14

It's a good likeness.

So, my support goes with Number
1.

Thank you.

15

THE CHAIR:

16

Let's turn now to Art.

17

MR. BERNSTEIN:

18

And

Thank you.

This is Art

Bernstein.

19

Number 1.

20

(Laughter.)

21

THE CHAIR:

Mike Moran?

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MR. MORAN:

This is Mike Moran.

2

Number 1.

3

THE CHAIR:

4

This is Lawrence Brown, and I

Thank you so much.

5

want to articulate -- actually, to support

6

the comments by my colleagues about the

7

significance of the design and the beauty of

8

all the art here but especially Number 1.

9
10

Are there any additional comments
or motions from members at this time?

11

(No Response.)

12

THE CHAIR:

13

Mike and Joe, do you

have additional comments?

14

MR. COSTELLO:

15

MR. MENNA:

I have no comment.

16

THE CHAIR:

Okay.

17

Now the Committee will score.

18

No, sir.

Again, we will be in recess for 10 minutes.

19

(Brief Recess.)

20

MS. WARREN:

21

Thank you.

from recess.

Okay.

We're back

Dr. Brown?

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THE CHAIR:

We are back.

I

2

recognize Greg Weinman, Counsel to the CCAC,

3

to present the results from the scoring.

4

SCORING RESULTS

5

MR. WEINMAN:

Once again, out of

6

a possible score of 30, Design Number 1

7

received a total of 30 out of 30.

8

Design Number 2 received 3.

9

Design Number 3 received 7.

10
11

Design Number 4 received a score
of 4.

12
13

Design Number 5 received a score
of 2.

14
15

And Design 5A also received a
score of 2.

16

Once again, the high-scoring

17

design is Design Number 1, with a perfect

18

score of 30.

19
20
21

THE CHAIR:

Thank you so much,

Greg.
MOTIONS AND VOTE

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2

THE CHAIR:
motions?

3

Recognizing Art.
MR. BERNSTEIN:

4

Bernstein.

5

recommend Design 1.

6
7

Are there any

This is Art

I move that we unanimously

DR. VAN ALFEN:

Peter van Alfen.

Second.

8

THE CHAIR:

Thank you.

9

Any discussion on the motion?

10

(No Response.)

11

THE CHAIR:

12

Hearing none, all

those in favor, "aye"?

13

(Chorus of "aye.")

14

THE CHAIR:

15

Mike, you're an

"aye"?

16

(Brief Pause.)

17

MR. MORAN:

18

(Laughter.)

19

THE CHAIR:

Thank you.

20

MR. MORAN:

I've got some other

21

Yes, I'm an "aye."

things I'm doing here.

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2

THE CHAIR:
right.

We understand.

3
4

That's quite all

It sounds like the motion
carries.

5

(Motion Carried Unanimously.)

6

THE CHAIR:

Very good.

Since all

7

discussion on this program has concluded,

8

then I would like to take this moment again

9

to thank Mr. Pardillo for joining us and

10

helping us to really appreciate and

11

recognize the fantastic contributions of

12

Celia Cruz.

13

So, thank you so much for your

14

support of her as well as thank you for

15

attending with us today and sharing with us

16

the comments that you have.

17

MR. PARDILLO:

I want to thank

18

you and thank the U.S. Mint Office and the

19

U.S. Government to recognize this amazing

20

lady who was -- the persona behind the great

21

singer that we all know, it was better than

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the singer.

Her persona behind, the

2

humanitarian, that's the Celia Cruz that

3

everybody who knew her had the great

4

opportunity of knowing those qualities.

5

So, I want to thank you all for

6

your time and for honoring Celia this way.

7

THE CHAIR:

Thank you.

8

2024 AMERICAN WOMEN QUARTER:

9

MINK

10

THE CHAIR:

PATSY TAKEMOTO

The third item today

11

for our review is the reverse candidate

12

design for the 2024 American Women Quarter

13

honoring Patsy Takemoto Mink.

14

Ms. Stafford, again, the Chief of

15

the Mint's Office of Design and Development,

16

will introduce the program and present the

17

reverse candidate designs.

18
19
20
21

REPORT
MS. STAFFORD:

Thank you.

This

is April Stafford.
Some background on this quarter.

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Patsy Takemoto Mink was a third-generation

2

Japanese American born and raised on the

3

island of Maui in Hawaii.

4

discrimination throughout her life, which

5

affected and subsequently shaped her

6

education, career opportunities, and

7

convictions.

8
9

She endured

Ms. Mink continued to persevere
and succeed, eventually winning seats in the

10

Hawaii Territorial Legislature, the Hawaii

11

State Senate, and ultimately the U.S. House

12

of Representatives, becoming the first woman

13

of color to serve in the United States

14

Congress.

15

in Congress, from 1965 to 1977, and another

16

seven consecutive terms, from 1989 to 2002.

17

She served six consecutive terms

As a member of Congress, she

18

fought for gender and racial equality,

19

affordable childcare, support for low-income

20

women and families, environmental

21

protection, peace, and most notably, the

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landmark Title IX of the Education

2

Amendments of 1972.

3

Posthumously renamed the Patsy T.

4

Mink Equal Opportunity in Education Act,

5

Title IX states in part, quote:

6

in the United States shall, on the basis of

7

sex, be excluded from participation in, be

8

denied the benefits of, or be subjected to

9

discrimination under any education program

"No person

10

or activity receiving Federal financial

11

assistance."

12

Title IX not only opened up new

13

avenues of study for women but also opened

14

up real opportunity in sports at both the

15

collegiate and high school levels.

16

Patsy Takemoto Mink was a

17

dedicated civil servant whose lifelong

18

pursuit of racial and gender equality

19

cemented her legacy and is an inspiration to

20

many to continue the fight for equity.

21

We have family representative

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Wendy Mink with us today.

2
3

Ms. Mink, would you like to say a
few words to the Committee?

4

MS. MINK:

I don't actually have

5

a prepared statement, but I would like to

6

express my gratitude and my family's

7

gratitude for the inclusion of my mother in

8

this quarter series.

9

and we're very excited about having the

It's quite an honor,

10

coins actually in hand and being able to

11

celebrate this recognition.

12

I'd also like to thank folks for

13

including our voices along the way in this

14

process.

15

all discuss where we are in a few moments.

16

And I look forward to hearing you

I'll just leave it by saying that

17

the family would be very happy with Image

18

Number 4 or Number 5.

19

different reasons but commonly embracing

20

both because they contain the principal

21

signifiers of her work and her origins.

Liking both for

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And I'll just leave it at that.

2

MS. STAFFORD:

3

This is April Stafford.

4
5

Thank you so much.

We'll move through the
preferences.

6

So, first, we go to -- this is

7

Design 5.

8

of the family liaison as well as the

9

recommendation by the CFA.

10

Design 5 is the first preference

And we also have -- oh, we'll go

11

on to -- there's a secondary preference of

12

the family.

13

through the portfolio.

I'll note that as we move

14

All right.

15

MS. MINK:

16

So -Number 4 is the

secondary preference.

17

MS. STAFFORD:

Yes, ma'am.

18

So, starting with Reverse 1, this

19

reverse depicts Mink with her landmark

20

legislation, commonly known as Title IX.

21

She's encircled by a ring of symbols

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representing women, with the interior of the

2

symbols featuring a variety of sports and

3

educational opportunities now available to

4

women.

5

Reverses 2 and 2A feature an

6

enlarged image of Mink surrounded by symbols

7

representing women, filled with the icons of

8

opportunities women can pursue.

9

Design 4 depicts Mink with her

10

Title IX legislation in front of the Capitol

11

Building.

12

"Equal Opportunity In Education."

13

design is the secondary preference of the

14

family liaison.

15

The additional inscription is
This

And finally, Reverse 5 portrays a

16

seated portrait of Patsy Mink next to an

17

image of the Capitol Building.

18

additional inscription is "Equity In

19

Education."

20

preference of the family liaison as well as

21

the formal recommendation by the U.S.

The

This design is the first

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Commission of Fine Arts.

2

THE CHAIR:

Thank you so much.

3

From the Committee, are there any

4

technical or legal questions that you would

5

like to pose now?

6

Recognizing Art.

7

MR. BERNSTEIN:

8

Bernstein with a technical question.

9

This is Art

I noticed on Design 2 there are

10

dots separating the wording around the edge

11

of the coin.

12

where there are even more words around the

13

edge of the coin, there are no dots, which,

14

to me, made it a little hard to distinguish

15

between the different phrases.

16
17

And when we look at Reverse 5,

Is there a reason or philosophy
behind when dots are used and not used?

18

MR. MENNA:

This is Joe Menna.

19

The use of delimiters is artistic

20

discretion or the artist's choice.

21

suggest them sometimes.

We can

But, you know, I

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won't talk about what the Committee can or

2

can't do.

3

We're always open to suggestions

4

for stuff like that.

5

than putting a dot in there.

6

DR. VAN ALFEN:

7

Alfen.

8

about Number 5.

9

There's no easier fix

This is Peter van

I also have a technical question

The inclusion of the watch on her

10

wrist, at quarter-size scale, this is

11

essentially just going to be a line with

12

very little detail; is that correct?

13

it be possible to see that this is actually

14

a watch or more of a bracelet, or?

Will

15

MR. MENNA:

This is Joe Menna.

16

You know, basically, you would

17

have to -- the wristband and the rectangle

18

of the watch itself, it's going to read --

19

it can't read any more -- it'll read, but

20

it's going to read like -- you're not going

21

to see dials, you know.

I don't mean that

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1

sarcastically.

2
3

MS. STAFFORD:
Stafford.

4
5

This is April

The watch was a specific request
by the family to add into the portrait.

6

DR. VAN ALFEN:

7

MR. MENNA:

8

Like, you see her wedding ring.

9

This is Joe again.

MS. STAFFORD:

The wedding ring

as well.

12

DR. VAN ALFEN:

13

THE CHAIR:

14

DR. FULLER:

15

Right.

Harcourt?
This is Harcourt

Fuller.

16

Can we go back to, let's say, 1

17

and 2?

18

Greg and possibly Joe.

19

Thank you.

You know, you'll see it a little bit.

10
11

Okay.

I have a question.

I think it's for

I remember we had a -- let's see.

20

I want to -- I remember we had a discussion

21

about the portrayal of religious symbols on

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coins.

2

making a comment about religion.

3

do see what might be interpreted as crosses

4

there.

5

And let me preface this:

MR. WEINMAN:

I am not
However, I

I think this is

6

meant to not be a cross but rather female.

7

This is the symbol for female.

8

didn't evaluate it as a religious symbol

9

because, you're correct, we have -- when it

But we

10

comes to religious symbols, we tend to be

11

careful about how they're portrayed unless

12

it is integral to the wearer, for example

13

the device itself.

14

So, if these were meant to be

15

crosses, that's something -- we would have

16

done a different evaluation of this.

17

didn't -- from a legal standpoint, we didn't

18

look at these as crosses.

19

as the symbol for female.

20
21

DR. FULLER:

But we

We looked at them

And if I may, I know

that those are symbols for female, but I

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2

wanted to be -MR. WEINMAN:

But if you're

3

concerned about that, that's certainly

4

something to raise.

5
6
7

DR. FULLER:

Yes.

So, I just wanted to clarify.
THE CHAIR:

All right.
Thank you.

Are there any further

8

questions from the Committee regarding legal

9

or technical matters?

10

(No Response.)

11
12

CONSIDERATION
THE CHAIR:

Not hearing any

13

further, then let us begin our

14

consideration.

15

Again, as a friendly reminder,

16

let's keep our comments as much as we can to

17

five minutes or less.

18

have any further questions, please

19

understand that we will be able to come back

20

to those questions a little later.

21

Additionally, if you

For the benefit of the Court

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Reporter and for those calling in, I ask

2

that you state your name when you begin

3

speaking.

4

So, let us begin with our

5

considerations this time with Mike Moran

6

starting off.

7
8

MR. MORAN:
to get you.

9

(Laughter.)

10
11

Lawrence, I'm going

MR. MORAN:

Putting out fires

right now.

12

I really concur with the Number

13

5.

I think it's excellent and a good

14

choice, and I'd be quite happy with it.

15

THE CHAIR:

16

Sam Gill?

17

MR. GILL:

18

Thank you so much.

Thank you, Dr. Brown.

This is Sam Gill.

19

I remember Patsy Mink here in

20

Washington years ago, and she was just a

21

lovely woman.

And I'm sure all of us know

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families with girls, young girls, who are

2

coming along, going to college, and get to

3

play sports just like the boys do, which is

4

just a really fine thing.

5

I like Number 5 very much.

I

6

think that 1 and 2 and maybe 3 and 4 might

7

be a little too busy for a quarter size.

8

And I think Number 5 captures her just

9

perfectly.

10

Thank you, sir.

11

THE CHAIR:

12

Let's turn now to Peter.

13

DR. VAN ALFEN:

14

Brown.

15

Thank you.

Thank you, Dr.

This is Peter van Alfen.
I am very happy to support Number

16

5.

17

elegant portrayal and design.

18

negative space.

19

the elegance of it.

20
21

I think that this is a strong, simple,
I do like the

It just adds, I think, to

So, I'll go with Number 5.
you.

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THE CHAIR:

2

Let's turn back to Harcourt.

3

DR. FULLER:

4

This is Harcourt

Fuller.

5

Number 5.

6

THE CHAIR:

7

MR. TUCKER:

8

Thank you so much.

Brown.

Next, Mr. Tucker?
Thank you, Dr.

This is Dennis Tucker.

9

And hello to Ms. Mink.

It's nice

10

to see you.

11

and like your mother, she's a beautiful

12

soul.

13

My daughter is Asian American,

I always like to see Asian

14

American women on U.S. coins.

15

said something yesterday:

16

can help lead to inclusion.

17

the back of my mind as I looked at these

18

designs.

19

Dr. Fuller

Representation
And that was in

I actually like Number 4 better

20

than Number 5 for a couple reasons.

21

they're both very -- they're excellent

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designs and both of them would make nice

2

coins.

3

Number 4 is a little more active,

4

whereas Number 5 is a little more static.

5

In Number 4, she's -- it looks like she's

6

about to sign that Title IX.

7

Number 4 uses the specific language of the

8

Title IX Act, "Equal Opportunity In

9

Education."

10

And also,

I felt that that was a small

advantage over Number 5.

11

So, my preference is for Number

12

4, but I like all of the portraits, and I

13

like both 4 and 5 as designs.

14

So, thank you.

15

THE CHAIR:

16

Let's turn now to John Saunders.

17

MR. SAUNDERS:

18

conclude kind of the same things as

19

everybody else has said.

20

best.

21

little busy.

Thank you.

I'm going to just

I like Number 5

Number 4 is not bad.

I think it's a

Number 5 is more simple, so I

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like that in terms of design.

2

I too have Asian American

3

children, or half Asian American, so it's a

4

particular honor to have Ms. Mink on the

5

coin here.

6

And the other thing I would

7

comment on is what was brought up about the

8

dots between the factors of the legend.

9

Particularly on a lot of European coins,

10

sometimes the dots are very important.

11

often indicate the mint that it was made at

12

when the coin was made at multiple mints or

13

other things of significance.

14

They

And I do like -- I'd like to add

15

that I think adding dots to Design 5 would

16

make it a bit better.

17

fine the way it is, but I'm going to take

18

the priority -- the prerogative of meddling

19

with the design, and so I'm going to suggest

20

that we add dots between the legends to kind

21

of separate them.

I mean, it's just

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THE CHAIR:

2

Brown.

3

terminology.

This is Lawrence

We have a clarification for the

4

MR. MENNA:

This is Joe Menna.

5

For clarification for the record,

6

internally -- again, not trying to sound

7

pedantic or patronizing -- we call them

8

delimiters.

9

So, formally, just -- we know

10

they're dots, but delimiters, just, you

11

know.

12
13

MALE SPEAKER:
dashes.

They could be

Or stars.

14

MR. MENNA:

-- term is often used

15

among coin collectors, but this is -- it is

16

a different one than what you guys use --

17

MR. WEINMAN:

18

clarification.

19

requested?

20
21

That's a point of

Specifically, dots are

MR. SAUNDERS:

Any marks to

indicate the change would be fine.

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if you want to use a small diamond or

2

something else, a dot is -- I'll defer to

3

Joe's terminology here.

4

it open.

That way, it leaves

5

THE CHAIR:

6

Let's turn now to Dean.

7

DR. KOTLOWSKI:

8
9

Kotlowski.

Thank you so much.

This is Dean

Thank you, Mr. Chairman.
Oh dear, oh my.

I thought all

10

five of these were fine.

11

least inspired by was Number 5.

12

Number 5 is fine.

13

I would be perfectly happy of it.

14

The one that I was
I think

I think it's acceptable.

It reminds me of a couple of

15

images of Lyndon Johnson.

One is his

16

portrait in the National Portrait Gallery,

17

and the other is his image on the stamp that

18

was issued after his death that showed the

19

Capitol Building in the background and him

20

in the foreground.

21

of Congress.

He was very much a man

And I think this messaging is

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that Patsy Takemoto Mink was very much a

2

woman of Congress, and I think that's a

3

very, very good message.

4

But I liked the other designs

5

better.

Like Dennis, I like Number 4

6

better.

I don't think that this is too

7

busy.

8

essential story:

9

Congress, a member of Congress, an important

10

member of Congress, but it gives you an idea

11

of what she did specifically.

I think that this gives a lot of the

12

that she was a person of

And of course, she played a major

13

role in Congress in passing Title IX.

14

Richard Nixon signed it in 1972, it's very

15

interesting to note.

16

I like the "25 Cents."

But I want to focus on 1, 2, and

17

2A.

18

all busy and that they're too busy for a

19

quarter.

20

am, but I want to be contrarian here.

21

I bet I'm going to hear that these are

And I'm not persuaded.

Well, I

All of these designs are fun and

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engaging in the best sense of those words.

2

I think what you've got here is the sense of

3

opportunities opening to women done in a

4

very, very creative and very artistic way,

5

all of them.

6

portrait is larger in 2 and 2A, and I think

7

that that's very striking.

8
9

I mean, she's smiling.

The

And then I was thinking as we
were going through, you know, what is it I

10

particularly like about this?

11

period of the Space Age, and there's

12

something Space Age about this.

13

as if these are planets in some sort of

14

solar system, all of these images and this

15

iconography, and it's moving round and

16

round.

17

1970s were ready to blast off into a new

18

future.

19
20
21

This is the

It's almost

And it's almost like women in the

And so, 1, 2, and 2A I was just
very, very impressed by.
Thank you very much, Mr.

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Chairman.

2
3

THE CHAIR:

Thank you so much for

your thoughtful comments.

4

Let's turn now to Robin.

5

MS. SALMON:

6
7

Salmon.

This is Robin

Thank you, Mr. Chair.
I also was torn a lot with this

8

particular coin design.

The first two were

9

the ones that grabbed me instantly for all

10

of the reasons that others have said:

the

11

symbolism, the fact that all of these areas

12

were something that Patsy Takemoto Mink was

13

involved in, believed in and supported.

14

And I also don't necessarily

15

think that it's too busy either.

I agree

16

with Dean on that.

And if a

17

teacher were using these coins in the

18

classroom, the symbolism on the coins is

19

what tells the story, not so much the

20

portrait of the individual, although the

21

portrait is very important.

It's unique.

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So, with Number 4 and Number 5,

2

those are also very good designs.

Number 4

3

I think I might lean a little more toward

4

than Number 5, although 5 is a very

5

beautiful, elegant depiction of the woman,

6

who she was, and what she stood for.

7

"Equity In Education" lettering beneath her

8

is -- says it all, along with the Capitol.

The

9

I have to admit I'm confused

10

again this time, and I'll have to think

11

about it a bit more.

12

viable arguments for each of these.

But all of you present

13

Thank you.

14

THE CHAIR:

15

Let's turn now to Art.

16

MR. BERNSTEIN:

17
18

Thank you so much.

This is Art

Bernstein.
And I want to use the word that

19

Robin used a moment ago.

20

describes both Designs 4 and 5.

21

"Elegant" to me

With Design 4, I appreciated the

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specific mention of Title IX.

2

that was an important element to that

3

design.

4

I thought

I also like Design 5 because of

5

its elegance.

And if we end up going with

6

Design 5, John and I both agree that

7

delimiters should be used around the wording

8

on the edge of the coin.

9

Thank you.

10

THE CHAIR:

11

This is Lawrence Brown, and I too

Thank you so much.

12

are torn by the beauty of the spectrum of

13

options that we have in front of us.

14

would like also to tell Joe and Mike we

15

thank you for giving us this opportunity but

16

also this challenge.

17

And I

I must confess that, initially,

18

Designs 2 and 2A, I too thought they were a

19

bit busy.

20

colleagues, I must say I've now decided that

21

that should not be a basis for me to not

But hearing comments from our

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consider them because of the imagery that's

2

associated with that.

3

Design 4, I love the inscription.

4

I think that, to me, that was most valuable,

5

particularly the design element that has the

6

title of the law that's in her hand.

7

makes it very positive.

8
9

That

But I must also say that I was
also persuaded by the negative spaces in

10

Design 5.

11

standpoint of being able to see that, but

12

although I would also agree with the

13

delimiters because there needs to be

14

something for which there can be pauses

15

between reading the items that are on that

16

design.

17

That makes it, at least from the

So, I am going to then pause for

18

a couple seconds before I have to vote.

19

like all of us, I want to make sure that we

20

give an opportunity for Ms. Mink to be able

21

to comment based on what she has heard

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because this is extremely valuable to us as

2

we make important decisions going forward.

3
4

MS. MINK:

for me to say something?

5
6

Was that an invitation

THE CHAIR:

Yes, ma'am.

If you

choose to.

7

MS. MINK:

Yeah, well, no, I

8

mean, as I, I think, hinted that we're sort

9

of torn between 4 and 5.

10

We like them both.

But I agree with everybody who

11

said Number 4 has energy, which was part of

12

her persona and so it's nice to see

13

represented in that design.

14

the elegance and the simplicity that

15

conveys -- well, focuses the mind on the

16

nature of her work and the nature of her

17

accomplishment in the educational equity

18

arena.

19

Number 4 has

The reasons we didn't lean

20

towards the first two designs have to do

21

with clutter in part but also because

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neither of them really inform the person

2

with the coin in their hand who she is or

3

what she did or why she's being honored.

4

You know, we sort of thought it

5

was important to have the Capitol in the

6

background as a hint to the viewer, the

7

holder of the coin, that she had something

8

to do with legislation and public policy and

9

decision-making, whereas in the designs with

10

the sort of multiple balls in the air, it

11

wasn't clear whether it was supposed to

12

imply she was an athlete or was she -- you

13

know, did she go to school, was she a coach.

14

You know, there's nothing self-explanatory

15

or nothing directive about the coin in that

16

regard, so.

17

THE CHAIR:

Thank you so much.

18

Let me turn to our Engraving

19

Office so they can give us any further

20

guidance that they may have that may very

21

well be valuable to our consideration.

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2

MR. MENNA:

This is Joe Menna.

Greg, stop me if this is out of line.

3

I'm not advocating for one design

4

or another, but the two designs that

5

everyone is in favor of are very much the

6

same design told two different ways, as you

7

obviously see, one more dynamic, one more

8

stoic.

9

So, I think, just symbolically

10

speaking, both artistically, the

11

representation of the Capitol is there.

12

This first one, from just an artistic,

13

symbolic perspective, is giving you the

14

dynamic story of legislating.

15

one seems to me to -- because of the

16

rectilinear, the way she's planted on the

17

table, her statesperson-like -- not like.

18

Her statesperson presence.

19

And the other

They're just two different

20

versions of the same story, active and feet

21

on the -- like, this -- yeah, that would be

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like the portrait you might see in her

2

office, right?

3

the White House if she was president, that

4

kind of thing.

5

that's what it looks like to me.

6

better.

Like the painting of her in

So, just artistic speaking,

7

THE CHAIR:

8

MR. TUCKER:

9

Not one

I recognize Dennis.
Thank you, Dr.

Brown.

10

I will keep this brief, but I

11

would just like to make as strong a case as

12

I can for Number 4.

13

that it is more active, more dynamic, as Ms.

14

Mink said.

15

And I would just repeat

To me, it's important that it

16

uses the specific language of the Title IX

17

act, which was renamed in her honor the

18

Equal Opportunity in Education Act.

19

So, we sometimes talk about

20

someone picking up a coin, being intrigued

21

by it, but then having to look elsewhere,

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online or somewhere else, to find more

2

information.

3

"Equal Opportunity in Education" and this

4

will come up.

5

see on the paperwork there.

6

They can Google the words

Title IX as well, which we

Also, the use of the words "25

7

Cents" rather than "Quarter Dollar" affords

8

a better balance in that lettering.

9

not as cramped, and it avoids having to put

It's

10

in delimiters to make the -- to allow the

11

inscriptions to breathe.

12

I just think Number 4 is a much

13

stronger design than Number 5, which is

14

itself a strong design, so.

15

THE CHAIR:

Thank you so much.

16

This is Dr. Brown again.

And I want to

17

remind us that as much as we want to make

18

sure that this is a sufficient amount

19

telling of the story about how we came to

20

this decision, I also want to remind us

21

about making sure that we are efficient and

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with a rhythm.

2

Dean.

3

DR. KOTLOWSKI:

4

Chairman.

5

Thank you, Mr.

This is Dean Kotlowski.
We've had the debate before

6

between "Quarter Dollar" and "25 Cents."

7

think I made the point with one of the

8

American Women Quarters that in this case

9

it's okay to break rules.

I think it's

10

almost required to do something a little

11

different, and I like the "25 Cents."

12

Thank you.

13

THE CHAIR:

14

April, did you want to offer

15

I

Thank you.

anything?

16

MS. STAFFORD:

No, sir.

17

THE CHAIR:

18

Then, based on that, let us

Thank you.

19

then -- hearing no further, let's make sure

20

that we start the voting.

21

have your scoresheets in front of you.

You all should

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and Robin, you should have yours that you

2

can send electronically.

3
4

Let's take a 10-minute recess to
vote.

5

(Brief Recess.)

6

SCORING RESULTS

7

THE CHAIR:

We're back.

I

8

recognize Greg Weinman, Counsel to the CCAC,

9

to present the results of the scoring.

10

MR. WEINMAN:

Once again, out of

11

a possible score of 30, Design Number 1

12

received 5.

13

Design Number 2 received 6.

14

Design 2A received 6.

15

Design Number 4 received 19.

16

Design Number 5 received 19.

17

PARTICIPANTS:

18

THE CHAIR:

19

Ooh.

Are there any motions

from any of the Committee members?

20

MALE SPEAKER:

Wow.

21

MALE SPEAKER:

Hmm.

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(Laughter.)

2

THE CHAIR:

3

MR. WEINMAN:

Dennis?
As a point of

4

order, you can recommend two.

5

have to -- so, if you want to have a

6

discussion about this, of course.

7

can always say that you recommend them

8

equally.

With that in mind, please go
ahead, Dr. Brown.

11
12

But you

It is your prerogative.

9
10

You don't

MR. TUCKER:

Dr. Brown, this is

Dennis Tucker.

13

I would like to hear more

14

discussion.

15

who voted for 5 why they prefer 5.

16

more work.

17

moved around and/or delimiters added.

18

not as vibrant.

19

specific language of Title IX.

20
21

I would love to hear from those
5 needs

Either the lettering has to be
It's

It does not include the

I'm curious to hear why people
voted for 5.

Because I really feel that 4

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is much stronger on many points.

2

THE CHAIR:

3

DR. FULLER:

4

This is Harcourt

Greg, can I move my votes to 4?
Is that --

7
8

Harcourt?

Fuller.

5
6

Okay.

MR. WEINMAN:

Could you -- I

mean --

9

DR. FULLER:

10

MR. WEINMAN:

So that -My recommendation

11

would be to have a discussion and revote if

12

there's a motion to revote, I think.

13

But, I mean, there were,

14

obviously -- one, two, three, four -- five

15

members who gave 5 their highest score, so

16

they probably should speak to that.

17

THE CHAIR:

Point of

18

clarification, though, Greg.

19

sure.

20
21

I want to make

So that we can either have a
revote -- or a motion to revote and then

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revote --

2

MR. WEINMAN:

Or just somebody

3

make -- have a discussion and make a motion

4

for one of the designs.

5

THE CHAIR:

Okay.

6

Let's go to Peter.

7

DR. VAN ALFEN:

Thank you.

As one of the

8

people who did give 5 more points than

9

Number 4, I'm happy to address that.

I do

10

find 5 to be a much more elegant and more

11

simple design that I think on quarter size

12

will work better than Reverse 4.

13

I do find 4 to be a little more

14

cluttered.

15

dynamism and energy in that design, I do

16

prefer 5 just simply because I do think it

17

would work better on a quarter scale.

18

like the I guess you could say quietness and

19

elegance and simplicity of 5.

20
21

Even though there is some

I do

Also, I'm not a fan of the way
that, in Number 4, the way the name "Patsy

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Takemoto Mink," the typography in that

2

design.

3

typeface, if that is the proper word for it.

4

So, again, I'm much more in favor

I don't particularly like that

5

of 5, which I believe also is the family's

6

preference, as well as the CFA's preference,

7

if I'm not mistaken, and so would, you know,

8

again advocate for 5 over 4.

9

THE CHAIR:

Thank you so much.

10

Let's go to Mike Moran.

11

MR. MORAN:

12

I think we've discussed this

Thank you, Dr. Brown.

13

enough.

I think we all have our opinions.

14

Let's poll the membership and whichever one

15

comes up how the 11 or 10 of us that are

16

there, so be it.

17

THE CHAIR:

Dean?

18

DR. KOTLOWSKI:

Mr. Chairman, I

19

think John had his hand up first.

20

may be one of the people who voted for 5.

21

didn't, but I wanted to make a comment after

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all of the people who voted -- a brief

2

comment after John.

3
4

MR. SAUNDERS:

John Saunders

here.

5

I was just going to say that

6

Peter said everything that I was thinking

7

probably better than I could say it, so I'm

8

seconding his discussion points.

9

like 5 best.

10

THE CHAIR:

11

DR. KOTLOWSKI:

12

But I did

Dean?
Mr. Chairman,

this is Dean Kotlowski speaking to everyone.

13

I have in my hand the Red Book.

14

And what Number 4 reminds me of is the

15

George Washington Crossing the Delaware

16

quarter.

17

it's a little busy for a quarter.

18

know when we did this design.

And that is very active.

Maybe
I don't

19

But he's crossing the Delaware

20

and leading America into a better future,

21

and I see Patsy Mink and Title IX as leading

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America into a much better future.

And I

2

think Number 4 dynamically captures that

3

sentiment very much parallel to the George

4

Washington quarter.

5

THE CHAIR:

Thank you so much.

6

Joe, if you and Mike, you guys

7

may want to offer some information, your

8

perspective about the extent to which 4 and

9

5 will be reflected in the quarter.

10

MR. MENNA:

This is Joe Menna.

12

THE CHAIR:

Please.

13

MR. MENNA:

Much like the Pauli

11

If I may?

14

Murray design, while the succeeding design

15

with Ms. Mink -- Congresswoman Mink's elbows

16

on the table would present something that

17

would look really good perhaps on a

18

Congressional Gold Medal.

19

If the interest of the Committee,

20

if the interest of the family, is to engage

21

a dynamic image on a coin that will be

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readable, eminently readable at scale but

2

yet more dynamic and more likely to capture

3

people's attention when they see it at arm's

4

length, when they see it in their change

5

that they get at the counter, I think -- I'm

6

not saying it's a better design.

7

is a more dynamic and eye-catching design.

Number 4

8

What the intent is of the family

9

and of the program, I'm not editorializing.

10

But just visually, this is all -- diagonals

11

tend to be more dynamic.

12

she's -- I'm not talking about literals.

13

I'm talking about just the formal

14

understructure of this coin.

15

of diagonals, there's a lot of motion,

16

there's a lot of activity visually.

17

It's not because

There's a lot

The other one, very static, a lot

18

of gravitas, and like I said, like a

19

Congressional Gold Medal or presidential

20

portrait.

21

So, depending on what the intent

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is for the family in terms of what's going

2

to visually attract the most attention and

3

still be of the utmost artistic quality and

4

up to absolute United States Mint standards,

5

it's more a question of in what way does the

6

family want to draw visual attention to --

7

does the daughter of Ms. Mink want to --

8

does Ms. Mink want to draw attention to her

9

mother, if that makes sense.

10

THE CHAIR:

11

Dennis?

12
13

Thank you.

MOTIONS AND VOTE
MR. TUCKER:

Dr. Brown, having

14

heard the dialog of the Committee and with

15

that feedback from Joe Menna, I would like

16

to move that the Committee recommend to the

17

Secretary of the Treasury Design 4.

18
19
20
21

THE CHAIR:
this motion?

Is there a second for

I see Dean.

Is there discussion on the motion
on the table?

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(No Response.)

2

THE CHAIR:

Hearing none, all

3

those in favor of the motion, signify by

4

saying "aye."

5

(Chorus of "aye.")

6

THE CHAIR:

7

Please forgive me.

8

forgive me.

9
10

All those opposed?

Robin and Mike, please

Can you share with us how -MR. WEINMAN:

You might want to

do a roll-call vote.

11

THE CHAIR:

So, I think that in

12

order to make sure we get this correct,

13

we're going to do a roll-call vote.

14

MR. WEINMAN:

15

THE CHAIR:

16

to -- is to vote for 4.

17

on the table.

18

MR. WEINMAN:

19

THE CHAIR:

20
21

Say "4" or "5."
So, we'd like you
That's the motion

Yes or no on 4.
Yes or no that you're

in favor -MR. WEINMAN:

"Yay" or "nay."

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THE CHAIR:

2

Okay.

3

"Yay" or "nay."

So, let's start with

Dennis?

4

MR. TUCKER:

5

THE CHAIR:

6

DR. KOTLOWSKI:

7

THE CHAIR:

8

DR. FULLER:

9

THE CHAIR:

10
11

MR. GILL:

Yes.
Okay.

Yes.
Sam?
No, but I like 4 very

much and be happy if we end up with 4.
THE CHAIR:

13

MR. SAUNDERS:

14

my opinion best.

15

I'm okay with 4 too.

16

I think Sam said

I still like 5 better, but

Is that a "yes" or

a "no"?
THE CHAIR:

Is that a "yes" or

"no"?

20
21

John?

MR. WEINMAN:

18
19

Yes.

Harcourt?

12

17

Dean?

MR. SAUNDERS:

I guess it's a

"no."

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THE CHAIR:

2

DR. VAN ALFEN:

3

THE CHAIR:

4

MR. BERNSTEIN:

5

THE CHAIR:

6

MS. SALMON:

7

THE CHAIR:

Mike?

8

MR. MORAN:

No.

9

THE CHAIR:

The Chair is going to

10

Okay.

Peter?

No.

Art?
No.

Robin?
Yes.

abstain on this one.

11

(Laughter.)

12

THE CHAIR:

Because I sense that

13

this motion is going to be in difficulty.

14

So, this motion fails.

15

(Motion Failed.)

16

DR. VAN ALFEN:

17

Dr. Brown, this

is Peter van Alfen.

18

Would it be appropriate at this

19

point to ask Ms. Mink again if she has any

20

comments at this stage?

21

THE CHAIR:

I think that is

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indeed appropriate.

2

Ms. Mink, we're turning to you

3

again based on you having witnessed what you

4

have.

5

offer to the Committee that might be

6

helpful?

Do you have anything you want to

7
8

MS. MINK:

Well, I sort of hoped

that I had passed the buck to you all.

9

(Laughter.)

10

MS. MINK:

You know, truth be

11

told, in the whole sequence of reviewing the

12

designs, et cetera, our initial choice was

13

Number 4.

14

Number 5 that brought it to its current

15

state and we found it so striking both

16

because it's a better representation of her

17

face and because it's a pose or a physical

18

position that is very familiar to people who

19

worked with her like in an office or to me

20

as a daughter and whatever.

21

And then revisions were done to

So, it was that that kind of

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spoke to us all of a sudden when that

2

particular design was revised.

3

not diminish our love for Number 4.

But it did

4

Number 4, we love the energy.

5

like that she's smiling, which she's not

6

doing in Number 5.

7

So, I don't know if that helps

8

anybody.

9

going to take a position.

I'm not casting a vote, so I'm not
But, you know,

10

we'd be happy with either one.

11

the view that Number 5 is a little too

12

static.

13

simplicity is part of its elegance.
So, there you go.

15

THE CHAIR:

17

I understand

I also understand the view that the

14

16

We

Thank you so much for

your comments.
And as the Chair, I just would

18

like to offer for consideration by the

19

Committee members the following:

20

The stronger the recommendation

21

that we have, it would seem to me the more

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likely to be embraced.

2

that we, as much as we possibly can, have a

3

clear and unequivocal recommendation.

4

So, it's important

So, you will notice that I did

5

not take sides 4 or 5.

But I am suggesting

6

that we really need to be, as much as we

7

can -- if we end up saying to the Secretary,

8

"You can choose 4 or 5," so be it.

9

same time, I would probably not recommend

At the

10

that we take that stance.

11

make sure this is a realistic

12

recommendation -- reflection, rather, of the

13

CCAC.

14
15

Let's go Harcourt and then back
to Art.

16
17
18

But we do need to

DR. FULLER:

This is Harcourt

Fuller.
In light of the fact that we are

19

split right down the middle on this, and I

20

take it that Ms. Mink would be happy with

21

either choice, I would like to suggest that

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in this case it would appear to be

2

appropriate if the Chair would exercise his

3

right to be a tiebreaker.

4

whatever --

5

(Laughter.)

6

DR. FULLER:

And then

And then whatever he

7

decides, we understand that, I believe I'm

8

not speaking out of turn, that the liaison

9

would be happy with that choice, and that we

10

should all throw our support behind the

11

tiebreaker's vote.

12

Thank you.

13

MR. WEINMAN:

14

THE CHAIR:

Was that a motion?
Not quite.

It could

15

be.

I didn't want to have that represent a

16

motion.

17

recognize it as one.

18

discussion prior to making a motion.

That's the reason why I didn't

19
20
21

We're still in

So, I was going to do Art and
then Dean.
MR. BERNSTEIN:

Well, Mr.

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Chairman, I was going to make a motion --

2

(Laughter.)

3

MR. BERNSTEIN:

4

along.

But I defer to your request.

5

THE CHAIR:

6

Dean?

7

DR. KOTLOWSKI:

8

-- moving this

Chairman.

9

Thank you.

Thank you, Mr.

Dean Kotlowski.
After listening to Ms. Mink,

10

rather than putting it, you know, to the

11

Chair, to be very kind to the Chair, just

12

simply ask the other members of the

13

Committee, before we do any kind of revote

14

or any additional motion, has any member of

15

the Committee who maybe voted for Number 5

16

been moved in any way to change their vote?

17

Because we have done that in the past.

18

People have just said, "Oh, I want to change

19

my vote."

20
21

And again, I know that seems to
be putting pressure on Number 5s.

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also say for Number 4s as well if anybody

2

felt they wanted to switch their vote at

3

this point.

4
5

THE CHAIR:

To avoid confusion,

let's do one at a time, if I may suggest.

6

DR. KOTLOWSKI:

7

THE CHAIR:

Okay.

Yeah.

So, I would like to

8

suggest, for those who voted for Number 5,

9

do you want to reconsider or do you maintain

10

your position?

11

Okay.

12

MR. SAUNDERS:

13

Mr. Saunders?
I have a comment

rather than a change of vote.

14

THE CHAIR:

15

MR. SAUNDERS:

16

there's anything -- well, we have a

17

preference -- I like making it unanimous.

18

In fact, I made a motion to make it

19

unanimous for an earlier choice.

20
21

Please.
I don't think

But if we really are fairly
divided -- and, again, I'm happy with either

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design.

2

either one -- I don't think there's anything

3

wrong with us reporting that we like both of

4

these designs and it's equally well.

5

though maybe that diminishes our role in

6

here, but then we let those people decide

7

which, 4 or 5, it is.

8
9

I like 5 better, but I'm happy with

But I don't think there's
anything wrong with us saying, "We're

10

divided on this one.

11

two designs best."

12
13

Even

THE CHAIR:

We like both, these

Thank you so much for

your comment.

14

On the basis of that comment,

15

unless anyone has anything else to offer

16

that has not been already articulated, I

17

think we should consider a motion.

18

John?

19

MR. SAUNDERS:

I will make a

20

motion that we recommend 4 and 5, that we

21

like both of these very well, and we leave

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it at that.

2
3

THE CHAIR:
that motion?

4
5
6
7

Is there a second on

DR. VAN ALFEN:

Peter van Alfen.

Second.
THE CHAIR:

Okay.

Any further

discussion on the motion on the table?

8

(No Response.)

9

THE CHAIR:

Hearing none, all

10

those in favor of the motion on the table,

11

signify by saying "aye."

12

(Chorus of "aye.")

13

THE CHAIR:

Anyone opposed,

14

signify by saying "nay."

15

PARTICIPANTS:

16

MR. WEINMAN:

17

THE CHAIR:

18

(Motion Carried.)

19

THE CHAIR:

Nay.
Three nays.

The motion carries.

Ms. Mink, we're going

20

to really thank you.

Ms. Mink, feel free

21

that the next time you come before the

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Committee, feel free to be able to be

2

willing to offer your opinion decisively.

3

(Laughter.)

4

THE CHAIR:

5

MS. MINK:

6

You all are the role

models, right, for decisive.

7

(Laughter.)

8

THE CHAIR:

9

We'd be happy to.

Thank you so much for

all that you and your relative have done for

10

this country.

Thank you for continuing your

11

efforts at being able to allow us to tell

12

the story about your relative.

13

important.

14

day.

Have a great remainder of the

15

MS. MINK:

16

MR. WEINMAN:

17

MR. BERNSTEIN:

18

THE CHAIR:

19

MR. BERNSTEIN:

20
21

This is so

Thank you very much.
Thank you.
Mr. Chairman?

Please.
This is Art

Bernstein.
Since we didn't make a specific

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recommendation, I'm wondering what happened

2

to our idea with regard to delimiters on

3

Number 5.

4

Number 5, I wanted to --

5
6

MR. WEINMAN:

THE CHAIR:

Please.

Chair

recognizes --

9
10

That would be a

separate motion.

7
8

If the Secretary were going to do

MR. BERNSTEIN:

This is Art

Bernstein.

11

I wish to move that, should

12

Design 5 be the choice of the Secretary, we

13

recommend that delimiters be used on the

14

reverse.

15

THE CHAIR:

16

MR. SAUNDERS:

17

THE CHAIR:

18

Is there any discussion on the

19

Is there a second?
Me.

John Saunders second.

motion?

20

(No Response.)

21

THE CHAIR:

Hearing none, all

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those in favor, "aye"?

2

(Chorus of "aye.")

3

THE CHAIR:

4

MALE SPEAKER:

5

THE CHAIR:

6

one abstention.

7
8

Opposed, "nay"?
Abstain.

Any abstentions?

Okay.

MR. MENNA: Just an off-the-record
thing to John's point --

9

THE CHAIR:

Speak up.

10

MR. MENNA:

Oh, this is Joe

11

Got

Menna.

12

Kind of an -- circle would be the

13

logical delimiter.

14

semantic -- bringing up a semantic thing for

15

future reference.

16
17

MALE SPEAKER:

20
21

I love using the

word "delimiter."

18
19

I was just making a

MR. MENNA:

That's what we use in

THE CHAIR:

So, we'll leave that

the inside.

to the discretion of the Mint.

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So, the motion carries.

2

(Motion Carried.)

3

MR. WEINMAN:

And point of

4

clarification for the esteemed Chief

5

Engraver, when we are literally being

6

transcribed, everything here is on the

7

record.

8

MR. MENNA:

9

(Laughter.)

10
11

MALE SPEAKER:

Does that mean if

I -- never mind.

12

(Laughter.)

13

THE CHAIR:

14

No, I know.

Moving right along.

Okay.

15

2024 AMERICAN WOMEN QUARTER:

16

THE CHAIR:

ZITKALA-SA

The fourth item today

17

for review is the reverse candidate designs

18

for the 2024 American Women Quarter honoring

19

Zitkala-Sa.

20

the support of the Office of Design

21

Management.

And we're thankful that we have

April Stafford will in fact

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2
3
4

take us through this process.
REPORT
MS. STAFFORD:

Thank you.

This

is April Stafford.

5

Some background on this quarter.

6

Zitkala-Sa, meaning Red Bird, also known as

7

Gertrude Simmons, left her home on the

8

Yankton Sioux Reservation in South Dakota at

9

age 8 to attend a boarding school run by

10

White missionaries where her Native way of

11

life was prohibited.

12

As an adult, Zitkala-Sa

13

appreciated her education but felt torn

14

between her two worlds.

15

annihilation of Indigenous culture and

16

questioned why it was necessary to give up

17

one's Native culture and traditions in order

18

to receive western education.

19

She opposed the

She began writing about her

20

personal experiences, along with the values

21

learned from her mother.

She also collected

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Native stories, translated them into English

2

and Latin, and eventually published them.

3

Her writing helped in reconnecting to her

4

Native heritage as well as preserve her

5

traditions for posterity.

6

Zitkala-Sa was also a gifted

7

musician and violinist who collaborated on

8

what is considered the first known American

9

Indian opera.

Premiering in Utah in 1913,

10

the "Sun Dance" opera was centered on the

11

Sun Dance, a sacred ceremonial dance that

12

was outlawed by the U.S. Government at the

13

time.

14

Throughout her life, Zitkala-Sa

15

remained an outspoken advocate, activist,

16

and author for American Indian rights.

17

founded the National Council of American

18

Indians with her husband, Raymond T. Bonnin,

19

to advocate on issues including education,

20

economics, employment, health, religion, and

21

the right to vote.

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Her work directly led to the

2

passage of the Indian Citizenship Act of

3

1924, which granted U.S. citizenship to all

4

non-citizen Indians born within the

5

territorial limits of the United States.

6

Notably, the act did not require American

7

Indians to give up their tribal citizenship

8

in order to become U.S. citizens, which

9

allowed them to preserve their tribal

10

identity and rights to communal tribal

11

property.

12

Her writing and advocacy

13

continued to have an impact long after her

14

death in 1938.

15

As noted, we have family

16

representatives with us.

17

call on Ms. Ogle or Mr. Bonnin, would either

18

of you like to say a few words to the

19

Committee?

20
21

MS. OGLE:

So, if I could

Yes.

Hi.

Holly, and Zitkala-Sa was my

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great-grandmother.

2

And first, I want to say we're

3

really honored that a quarter would be

4

fashioned after her.

5

family is.

Very proud, the whole

And I just wanted to thank you.

6

MS. STAFFORD:

7

Mr. Bonnin?

8

MR. BONNIN:

9

is Mark Bonnin.

Thank you so much.

Yeah.

Hi.

My name

Holly is my aunt.

10

Zitkala-Sa was my great-great-grandmother,

11

so.

12

Yeah, just a great honor.

We're

13

very excited about the entire process and

14

really happy to see this come to fruition.

15
16

MS. STAFFORD:
Stafford.

17
18

This is April

Thank you so much for being with
us today.

19

We'll move to the candidate

20

designs, starting with identifying the

21

preferences of the family as well as the

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recommendations by the CFA.

2

So, we are looking at Design 3B.

3

This design is the preference of the family

4

liaisons as well as the recommendation by

5

the U.S. Commission of Fine Arts.

6

will give the description as we move through

7

the portfolio.

8
9

And we

But first, we'll start with
Candidate Design 1.

This design depicts a

10

juxtaposition of Zitkala-Sa's two worlds,

11

her Native culture and her missionary

12

education.

13

shape of a violin.

14

feather, triangles form a sun symbol.

15

Her profile is completed by the
Behind the eagle

Reverse 2 features an

16

interpretation of Zitkala-Sa's two cultures,

17

a sun symbol in the background as she plays

18

the violin.

19

Reverses 3, 3A, and 3B depict

20

Zitkala-Sa with a determined expression

21

holding a book, which represents her

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literary interests.

2

stylized sun are in the background.

3

A diamond pattern and a

Design 3 includes the additional

4

inscription "Red Bird," the translation of

5

Zitkala-Sa's name.

6

3A includes the additional

7

inscription "Red Bird" as well as a

8

cardinal.

9

And 3B includes the additional

10

inscriptions "Author," "Activist," and

11

"Composer" along with a cardinal.

12

Again, this design is the

13

preference of the family liaisons as well as

14

the recommendation of the CFA.

15

Design 4 portrays Zitkala-Sa with

16

a hopeful expression in front of a stylized

17

sun with additional inscriptions "Author,"

18

"Composer," "Activist."

19

Designs 5A and 5B feature

20

Zitkala-Sa with a book and violin,

21

representing writing and music, two of her

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passions and forms of advocacy.

2

Designs 6 and 6A depict

3

Zitkala-Sa in front of a stylized sun.

4

additional inscriptions are "Red Bird,"

5

"Author," "Composer," and "Activist."

6

Design 6A includes a violin.

7
8
9
10
11

The

And that concludes the candidate
designs.
THE CHAIR:

Outstanding.

Thank

you so much.
Are there any technical or legal

12

questions from members of the Committee

13

about this program or the designs that

14

you've just heard?

15

Peter?

16

DR. VAN ALFEN:

17

I do have a question about 3B.

Peter van Alfen.

18

The diamond-shaped line that appears across

19

the coin, is that -- does the diamond shape

20

there have any sort of symbolic significance

21

or is this just --

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MS. STAFFORD:

So, our Design

2

Manager, Pam Borer, confirmed by working

3

with the artist as well as checking the

4

source materials for this design that the

5

diamond pattern is tribally inspired.

6

DR. VAN ALFEN:

Okay.

And as a

7

technical question, how would this be

8

represented:

9
10

in relief or incuse?

MR. MENNA:

This is Joe Menna.

With any coin, we cannot incuse

11

into the field, so it would be raised.

12

Given that the artist has added some tone to

13

it -- from this point I can't really see --

14

that would likely be represented as a

15

sculpted texture, not a frosted texture, to

16

make it look darker because that's the

17

artist's intent there, it seems.

18

And so, in relief and possibly

19

with texture added.

Or possibly done

20

through frosting.

21

but not too -- like, about letter height.

But definitely raised,

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About letter height.

2
3

DR. VAN ALFEN:

All right.

Thank

you.

4

THE CHAIR:

Any other questions

5

or comments from members of the Committee

6

regarding legal or technical matters?

7
8

MS. STAFFORD:

Mr. Chair, if I

may, this is April Stafford.

9

I should have added that 3B is

10

the family's preference specifically for the

11

quality of the likeness as well as the

12

inclusion of the inscriptions that describe

13

her work.

14

THE CHAIR:

15
16
17

Thank you so much.

CONSIDERATION
THE CHAIR:

Let us begin our

consideration.

18

I'd like to remind members to

19

please try to keep your comments to five

20

minutes or less.

21

that if there are additional questions, we

And again, to remind you

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will certainly take them a little later.

2

For the benefit of the Court

3

Reporter and those calling in, I ask that

4

you state your name when you begin speaking.

5

Let us begin with Peter.

6

DR. VAN ALFEN:

7
8
9

Brown.

Thank you, Dr.

This is Peter van Alfen.
I'm happy to support the family's

choice of 3B as a preferred design.

I would

10

agree that the inclusion of the inscriptions

11

"Author," "Activist," "Composer" is

12

important in order to portray the

13

significance of her contributions.

14

I also find this just to be a

15

very engaging and attractive portrait, so

16

I'm very happy to support the family's

17

choice in this reverse design.

18

So, thank you.

19

THE CHAIR:

20

Next, turning to Harcourt.

21

DR. FULLER:

Thank you so much.

Thank you, Mr.

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Chairman.

2

These are all wonderful designs.

3

I'd be happy to support the family's choice

4

of 3B.

5

Thank you.

6

THE CHAIR:

7

MR. TUCKER:

8
9

Brown.

Dennis?
Thank you, Dr.

This is Dennis Tucker.
My eye was drawn to Number 1.

I

10

think that's a remarkable design.

11

doesn't include the wording that the family

12

prefers, but I just wanted to mention that I

13

think it's a very innovative use of the

14

design elements.

15

It

I was also drawn to 5A and 5B.

16

think they're beautiful, and I love the

17

sense of motion with her hair moving a bit

18

and, in 5A, the flight of the bird.

19

I

But an activist has to engage,

20

and for me, the eye contact that we see in

21

3, 3A, and 3B directly engages the viewer of

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this coin, so I'm very happy with 3B.

2

Also, I'm a writer by nature and

3

by profession, so I like to see a book.

4

also like to see things spelled out.

5

we have designs that are very similar, I

6

think sometimes I lean towards the one that

7

kind of gives the viewer a bit more and

8

spells it out, kind of similar to the Patsy

9

Mink design we looked at a few minutes ago,

10

where 4 and 5 were very similar in artistic

11

motif.

12

I

When

And so, with that equality, you

13

can kind of let the wording pull a bit more

14

weight, and I thought that Number 4 did that

15

with the inclusion of -- okay.

16

(Laughter.)

17

MR. TUCKER:

I'll stop.

But anyway, 3B is

18

lovely, and it does everything that a coin

19

needs to do, and so that has my endorsement.

20

Thank you, Dr. Brown.

21

THE CHAIR:

Thank you so much.

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Turn now to Dean.

2

DR. KOTLOWSKI:

3

Chairman.

4

Thank you, Mr.

This is Dean Kotlowski.
And I won't stop.

I think 3B

5

combines the best elements of the Patsy Mink

6

4 and 5, actually.

7

all together.

8
9

And this one brings us

So, I really liked Number 3B
because, again, it's like Dennis said, and

10

the liaisons and the family said, it has all

11

three aspects of her:

12

activist, and the composer.

13

engaging and very dignified design.

14

the author, the
It's a very

I have to say there were a lot of

15

designs in here that were truly excellent.

16

I actually liked, in a way, Number 6 and

17

Number 6A.

18

very compelling about this portrait and

19

profile.

20

direction; you can have the violin or the

21

more Native American symbolism of the sun.

I thought that there's something

And then you can go either

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I also want to point out sort of

2

secondarily, I'm giving almost all my

3

support to 3B, but I liked 1 and 2.

4

thought 2 had a lot of dynamism and it

5

reminded me a little bit of, you know, the

6

Maria Tallchief coins that we had done and

7

the Native Americans in Ballet, American

8

Indians in Ballet.

9

of her life.

10

I

But it's only one aspect

For a lot of the reasons stated

11

by Dennis, I liked Number 1.

12

was very innovative.

13

and contemplative.

14

stimulating.

15

uneasy because the artist did such a good

16

job of bringing the violin and the portrait

17

together that I felt the portrait had to

18

compete against a physical or inanimate

19

object that, to be sure, she's going to

20

animate when she plays it.

21

I thought this

It's very thoughtful
It was visually

But it also made me somewhat

But it just -- I think that a

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straight-up portrait, you know, honors the

2

person in this particular representation

3

much better.

4

And that would be 3B.

Where I would like to see 1 is as

5

a painting in a set of paintings of

6

different representations of Zitkala-Sa.

7

And I think where you would go through an

8

art gallery and you would say, "Oh, well,

9

you know, that's interesting.

10

You know,

that gives me something to think about."

11

But in many ways, this is going

12

to be, for a lot of people, the first

13

representation they're going to see of this

14

author, activist, and composer, and that

15

makes 3B the choice for me.

16
17

Thank you very much, Mr.
Chairman.

18

THE CHAIR:

19

Let's turn now to Robin.

20

MS. SALMON:

21

Salmon.

Thank you so much.

This is Robin

Thank you, Dr. Brown.

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All of these designs are

2

wonderful in their own right for a variety

3

of reasons.

4

I'll make it short.
I really was compelled by 6 and

5

6A.

I don't know whether the unbound hair

6

is not traditional or how -- quite why the

7

artist would have portrayed her that way as

8

opposed to the braided hair in the other

9

designs.

But to me, this is just an

10

absolutely beautiful design, and it has the

11

"Author, Activist, Composer" phrase as well.

12

I will not go against 3B being

13

the family's preference.

14

something about that particular design that

15

seems as if there's too much in it, but that

16

may be just me.

17

And there's

I like her looking directly at

18

the person holding the coin.

19

eye engagement or appearance of eye

20

engagement is important in who she was.

21

I think that

So, I will still support 3B, but

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I love the beauty of 6 and 6A.

Thank you.

2

THE CHAIR:

3

Let's turn now to Art Bernstein.

4

MR. BERNSTEIN:

5

Thank you.

This is Art

Bernstein.

6

I find 3B to be a striking

7

design, and I think I heard Robin just

8

say -- use the words "eye engagement."

9

me, in a less technical sense, I felt like

To

10

the honoree is looking right at us, and I

11

found that that's what made it striking for

12

me.

13

I prefer 3B to the other members

14

of the 3 family because the other two in the

15

3 grouping use the word "Red Bird."

16

up the "Red Bird" in B and get her

17

accomplishments, and we still get the red

18

bird, who is in the rays of the sun.

19

think we're getting the best of both worlds,

20

and I support 3B.

21

THE CHAIR:

Thank you.

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So, I

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Let's turn now to Mike Moran.

2

(Brief Pause.)

3

THE CHAIR:

Mike, you're on mute.

4

MR. MORAN:

Thank you, Dr. Brown.

5
6

This is Mike Moran.
I thought Number 1 was an

7

outstanding design, really beautiful, but it

8

belongs on a three-inch medal, not a

9

quarter, and that's the problem that we're

10
11

all having with it.
I like 5A and 6A.

They're

12

excellent designs.

13

to the family because 3B is just as good,

14

and that's where I put my votes.

15

Thank you.

16

THE CHAIR:

17

Let's turn now to Sam Gill.

18

MR. GILL:

19
20
21

But I'm going to defer

Thank you.

Thank you, Dr. Brown.

This is Sam Gill.
Well, first of all, I think the
whole portfolio is exquisite.

I compliment

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the artists tremendously.

2

beautiful, beautiful designs, each and every

3

one of them.

4

These are

Just, they all shine.

I think our quarter, I think it's

5

very important to tell a story about each

6

person that is fortunate enough to be

7

recognized.

8

story about this lady, and I like that very

9

much.

10

And 3B does tell the whole

But I want to recognize Number 1

11

because it shows her in both worlds.

It

12

shows her Native world and it shows her

13

western world with the violin.

14

it very much, and maybe it would look good

15

on a medal or something else.

16

tell the whole story; 3B does.

17

want to make mention that that is a very,

18

very striking coin.

And I liked

It doesn't
But I just

19

Thank you, sir.

20

THE CHAIR:

21

Let's turn to John Saunders.

Thank you.

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MR. SAUNDERS:

I'd like to

2

mention the second part of our voting, which

3

is the vote for artistic merit.

4

could give an artistic merit to every design

5

we've seen today.

6

times because you've got to have a contrast,

7

so we're expressing a preference.

8

can't say any designs we've seen for any of

9

the coins here lack artistic merit.

10

I probably

I didn't for all the

But I

But this particular design, I'd

11

like to give double artistic merit to all of

12

the designs here.

13

probably like the 5s the least, but even

14

that I would give one and three-quarters for

15

artistic merit and double for everything

16

else.

17

I mean, this was -- I

But I kind of agree with what a

18

couple people thought before I heard the

19

preferences.

20

the art.

21

asked about whether it was appropriate to

I like 6 best in terms of just

I don't know whether -- someone

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have straight hair as opposed to braided

2

hair.

3

depictions with braided hair, but I don't

4

know that that's necessarily something other

5

than a convention.

I mean, often, we see Native American

6

But I like this the best, so I'm

7

going to give this one three and a quarter.

8

And I liked the preference of 3B just fine

9

too, so I'm going to give that three.

But

10

I'm messing with the thing here, just saying

11

that I like the 6 a little bit better just

12

on artistic basis.

13

artistic merit for all designs in this

14

group.

15
16

But again, double

THE CHAIR:

Thank you so much.

love your innovative thinking.

17

I too, like my colleagues, was

18

really amazed at Design 1.

19

amazed about that.

20

stunning.

21

I was really

And that to me was

For the reasons that my

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colleagues have articulated and for the

2

reasons that was advanced by the family, my

3

vote is going to go with 3B as well because

4

it does tell not only the design elements

5

but it also tells the story, the message,

6

and to me, that's extremely valuable for a

7

circulating coin.

8
9

Are there any additional comments
or motions from the members at this time?

10

(No Response.)

11

THE CHAIR:

Not seeing any, Mike

12

and Joe, do you have any comments you would

13

like to offer?

14

MR. COSTELLO:

No, sir.

15

MR. MENNA:

No comments.

16

THE CHAIR:

Then, on the basis of

17

that, let us then begin our scoring.

18

will recess for 10 minutes to do the score.

19
20
21

We

(Brief Recess.)
SCORING RESULTS
THE CHAIR:

We back.

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Lawrence Brown, and I recognize Greg

2

Weinman, Counsel to the CCAC, to present the

3

results from the scoring.

4

MR. WEINMAN:

Once again, out of

5

a possible score of 30, Design Number 1

6

received 9.

7
8

Design Number 2 received 8
points.

9

Design Number 3 received 7.

10

Design Number 3A received 8.

11

Design Number 3B received 30,

12

making it the high vote-getter.

13

Design Number 4 received 5.

14

5A received 7.

15

5B received 8.

16

Design 6 received 11.

17

And Design 6A received 9.

18

So, the clear high vote-getter

19

was 3B with 30 votes.

20

THE CHAIR:

21

Outstanding.

you, Greg.

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MOTIONS AND VOTE

2

THE CHAIR:

Are there any motions

3

that the Committee would love us to

4

consider?

5

(No Response.)

6

THE CHAIR:

None necessary, then

7

the motion -- correction.

8

and tell us the direction of the CCAC.

9
10

The votes stand

Are there any further motions
that the Committee would like to consider?

11

(No Response.)

12

THE CHAIR:

Seeing that there is

13

no further need for any further discussion

14

on this program, I would like to thank Holly

15

Brown Ogle and Mr. Mark Bonnin for their

16

attendance of this meeting and for their

17

roles in bringing this fantastic program to

18

our attention and allow us to participate

19

with them in the telling of the story about

20

this famous American.

21

MR. BONNIN:

Thanks for letting

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us be part of the process.

2

THE CHAIR:

Thank you so much.

3

In light of the fact that a

4

number of members have in fact a tight

5

schedule, so that we maintain quorum, I'm

6

going to suggest that we go through the next

7

item.

8

step away for a second to be able to get

9

something to eat that you can do so, but

And for those in fact who desire to

10

we're going to make sure that we can go

11

forward in rhythm.

12

2024 AMERICAN WOMEN QUARTER:

13

DR. MARY EDWARDS WALKER

14

THE CHAIR:

Thus, the fifth item

15

today for our review is the reverse

16

candidate design for the 2024 American Women

17

Quarter honoring Dr. Mary Edwards.

18

MR. WEINMAN:

19

Mary Edwards

Walker.

20

THE CHAIR:

Mary Edwards Walker.

21

April Stafford, Chief of the

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Mint's Office of Design Management, will

2

introduce the program and present the

3

reverse candidate designs.

4

REPORT

5
6

MS. STAFFORD:

Thank you.

This

is April Stafford.

7

Some background information on

8

this quarter.

Dr. Mary Edwards Walker was

9

born in 1832 in New York to abolitionist

10

parents.

11

and question everything, including

12

conventional norms.

13

She was raised to be a freethinker

She was a Civil War-era surgeon

14

and a women's rights advocate who broke

15

gender customs of the time by not wearing

16

traditional women's clothing.

17

a working farm, she found women's clothing

18

of the era, including corsets, to be too

19

restrictive and unhealthy.

20

doctor, she found traditional men's clothing

21

or her bloomerized clothing to be practical,

Growing up on

Likewise, as a

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more comfortable, and more sanitary.

2

continued to advocate for dress reform

3

throughout her life.

4

She

Dr. Walker was relentless in her

5

efforts to serve as a surgeon in the Civil

6

War at a time when women were not permitted

7

to serve in the military.

8

1863, her request to practice as a surgeon

9

was finally accepted.

But finally, in

She became the first

10

woman U.S. Army surgeon as a contract acting

11

assistant surgeon, or civilian, with the

12

52nd Regiment, Ohio Volunteer Infantry.

13

Walker often crossed battlelines

14

to care for wounded soldiers.

15

Confederate troops as a suspected spy, she

16

was held as a prisoner of war for four

17

months at Castle Thunder Prison near

18

Richmond, Virginia, before being released as

19

part of a prisoner exchange.

20

Dr. Walker returned to medical service.

21

Captured by

Once released,

On November 11th, 1865, she was

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awarded the Medal of Honor by President

2

Andrew Johnson.

3

1917 when the government determined that

4

only soldiers who served in combat were

5

eligible to receive it.

6

return her medal and continued to wear it

7

for the remainder of her life.

8
9

The medal was rescinded in

She refused to

The medal was officially restored
by President Jimmy Carter in 1977, and Dr.

10

Walker remains the only woman to be awarded

11

the Medal of Honor.

12

We have with us a liaison with

13

whom we worked on this program, George

14

DeMass, who is Historian with the Town of

15

Oswego, New York.

16
17
18
19

Mr. DeMass, would you like to say
any words to the Committee?
MR. DeMASS:

Yes, I would.

Am I

coming through all right?

20

MS. STAFFORD:

21

MR. DeMASS:

Yes, sir.
Okay.

Thank you.

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I'm George DeMass, the Town of

2

Oswego Historian, and I speak today for the

3

people of the Town of Oswego as well as the

4

City of Oswego.

5

We're very honored to have Dr.

6

Mary Walker named for a quarter in 2024.

7

just want to thank you for making myself and

8

Tom Worden, who is a

9

great-great-great-nephew, part of this

10
11

process.

We really appreciate that.
I'm in my boyhood home, living

12

there, and I'm there today.

13

miles from where Dr. Mary lived on Bunker

14

Hill Road, on a hill called Bunker Hill.

15

And it's two

Her father and the Walkers came

16

from near Boston in the early 1800s, came

17

over here to central New York, and settled

18

near Lake Ontario.

19

the road Bunker Hill because he hoped that

20

it would be a place of battle for great

21

social justice and social reforms.

He named the hill and

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I knew people that knew Dr. Mary,

2

so I've grown up with her story and her life

3

in our midst.

4

And this is not the only honor

5

that Dr. Mary Walker is receiving in this

6

year or next year.

7

Hill in Virginia is going to be named Fort

8

Mary Walker.

9

The former Form A. P.

A week ago, Monday, February

10

21st, marked the 114th anniversary of her

11

death.

12

Dr. Bertha Van Hoosen, in Chicago.

13

Hoosen was younger than Dr. Mary, but they

14

became strong friends.

15

to visit Chicago so she could ride in Dr.

16

Van Hoosen's electric car at the time.

17

And Mary Walker had a great friend,
Dr. Van

And Dr. Mary liked

But at the time of her death, Dr.

18

Van Hoosen wrote these words, and I would

19

like to share them with you today:

20

Mary's life should stand out to remind us

21

that when people do not think as we do, do

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not dress as we do, and do not live as we

2

do, that they are more than likely to be a

3

half-century ahead of their time and that we

4

should have for them not ridicule but

5

reverence."

6
7
8
9
10
11

So, thank you very much for this
honor.
MS. STAFFORD:
This is April Stafford.

Thank you so much.
We really

appreciate that background.
And for the Committee, I will

12

share also that these designs were seen by

13

the Smithsonian American History Women's

14

Institute as well as the National Women's

15

History Museum historians with whom we work

16

closely as well.

17

They do very much like the family

18

preference that we will share with you, but

19

they also noted it might be important for

20

your consideration that her clothing style

21

was such an important part of who she was,

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and so some of these reviewers felt that

2

other designs in the portfolio that present

3

her in full clothing might be more

4

appropriate and representative of Dr.

5

Walker.

6

your mind.

So, please have that in the back of

7

We'll share that the family

8

preference was identified as Design 2.

9

this design was also part of a combination

And

10

recommendation by the CFA.

11

appreciated this portrait but preferred the

12

composition of 3A for reasons that I will

13

share with you now.

14

They very much

They felt that this design really

15

centered appropriately in large scale the

16

Medal of Honor, whereas if you go back to

17

the previous design, the Medal of Honor is

18

seen multiple times, including once in text,

19

but is not perhaps taking center stage as

20

3A, if we could go back there.

21

Also, 3A has the inscription

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"Civil War Surgeon," which they felt also

2

was critically important, whereas Design 2,

3

again, uses the "Medal of Honor" as an

4

inscription as opposed -- in addition to the

5

visual references.

6

So, they felt -- the CFA made,

7

actually, a combination that if there was a

8

way to do some kind of combination where you

9

use the portrait from 2 with the composition

10

of 3A.

Nevertheless, we will share with you

11

the whole portfolio for your deliberations.

12

We'll start with Design 1 and 1A.

13

These designs feature a full-length

14

depiction of Dr. Mary Edwards Walker in the

15

surgeon's uniform she created.

16

of her Medal of Honor is on the right.

17

stands with her hand on an inscription for

18

emphasis.

The detail
She

19

Design 1 includes the additional

20

inscription "Equality," representing one of

21

her lifelong causes.

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2

1A features the inscription "Dr.
Mary Edwards Walker, Civil War Surgeon."

3

Design 2 depicts a close-up

4

portrait of Dr. Walker holding her surgical

5

toolkit.

6

The additional inscription "Medal of Honor

7

1865" resides in a banner at the bottom of

8

the design.

9

preference of the family and part of a

10

On the left is the Medal of Honor.

Again, this is the identified

combination recommended by the CFA.

11

Moving on, Designs 3 and 3A

12

feature Dr. Walker in her, quote, unquote,

13

"bloomerized" clothing alongside the Medal

14

of Honor.

15

Design 3 includes the additional

16

inscriptions "Civil War" and "U.S. Army

17

Surgeon," while 3A features an enlarged

18

depiction of Dr. Walker and the additional

19

inscription "Civil War Surgeon."

20
21

Designs 4 and 4A depict close-up
versions of Dr. Walker alongside her Medal

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of Honor.

2

tents in the background.

3

Design 4 includes Civil War-era

Designs 5 and 5A portray a

4

full-length figure of Dr. Walker in her

5

surgeon's uniform with the Medal of Honor on

6

the right.

7

a crescent moon, a symbol for women's

8

empowerment.

9

Design 5A includes the shape of

Designs 6 and 6A depict a

10

full-length figure of Dr. Walker dressed in

11

her typical style of clothing.

12

includes the inscription "Dr. Mary Edwards

13

Walker" in her handwriting, along with the

14

additional inscriptions "Civil War Surgeon"

15

and "Medal of Honor," while 6A includes

16

incused text around the border and the

17

additional inscription "Civil War Surgeon."

Design 6

18

And finally, Designs 6B and 6C

19

feature Dr. Walker alongside her Medal of

20

Honor with the additional inscription "Medal

21

of Honor."

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2

That concludes the candidate
designs.

3
4

THE CHAIR:

Thank you so much.

This is Lawrence Brown again.

5

Let me ask the Committee members:

6

Are there any technical or legal questions

7

that you would like to offer?

8

(Brief Pause.)

9

THE CHAIR:

10

MR. WEINMAN:

11

THE CHAIR:

12

DR. FULLER:

13

I have a question -Dr. Harcourt -I'm sorry?

Harcourt?

Yes, this is

Harcourt Fuller.

14

I just wanted to clarify.

When

15

you said that 3A, which is the family's

16

preference, April, so, are you saying that

17

that is already reflective of the final

18

version of what they've asked to combine or

19

no?

20
21

MS. STAFFORD:

So, the family's

identified preference thus far is actually

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Design 2.

2

the portrait.

3

If we could see that?

Because of

And it was -- so, that's 2.

And then it was the CFA who made

4

this design part of a combination

5

recommendation.

6

portrait but somehow merging the composition

7

of 3A because they very much appreciated the

8

enlarged Medal of Honor and, in particular,

9

the inscription "Civil War Surgeon."

10

They suggested taking this

They felt that her role as a

11

Civil War surgeon for which she was honored

12

was really important, as well as, if you can

13

go back to 2, they noted that the Medal of

14

Honor is repeated three times in this

15

design, in the composition.

16

DR. FULLER:

And if I may

17

conclude my remarks, quite frankly, I think

18

it's difficult not seeing the final version

19

of what they're asking for.

20

to be, at least for me, difficult to make a

21

decision.

It's just going

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2

If I -- I don't know if Joe
wanted to -- is that --

3

MR. MENNA:

This is Joe Menna.

4

I'm not making any judgment about

5

the recommendation.

6

feeling is if April came to me and said,

7

"Joe, how can we adjust the design?

8

you work with the artist to make this design

9

work since it's the family's favorite?"

10

blah, blah, blah.

11

I'm just saying.

12

I don't see how -- my

How can

I don't mean that to --

I would say take away "Medal of

13

Honor" if that's a concern, put a different

14

inscription there, and perhaps even "E

15

Pluribus Unum" or "Dr. Mary Edwards Walker."

16

Give more space for the Medal of Honor.

17

Make the Medal of Honor bigger on the left

18

side.

19

Without revealing who did what,

20

I'd be very much against cutting off one

21

artist's head and putting it on another

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artist's body.

2

thing.

We don't do that kind of

3

(Laughter.)

4

MR. MENNA:

And so, since this --

5

the best way to honor it is to, I think,

6

solve -- this could be revisited in a way

7

that fully honors the family, the artist's

8

intent, and meets the CFA's concerns, and

9

whatever vote.

I'm not trying to influence

10

you.

That's how we would solve it.

11

saying that's how we would take care of it.

12

DR. FULLER:

I'm

And I'm saying, just

13

finally, I think I would have to see it

14

first before I can vote on it because --

15
16

MR. MENNA:
understandable.

17
18
19

That's fully

DR. FULLER:
my head.

-- I can't do it in

I'm sorry.
MS. STAFFORD:

Absolutely.

And

20

we share the CFA's recommendation just for

21

your awareness.

But I -- this is April

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Stafford, by the way.

2

And I agree with our Chief

3

Engraver.

4

behind their recommendation.

5

respected the preference of the family

6

because of the likeness, but they had a

7

concern with the number of times the Medal

8

of Honor appeared here and desired a

9

representation in some way of her work as a

10

It's really the spirit of the why
So, they

Civil War surgeon.

11

So, the example Joe gave is one

12

of what might be a couple of approaches that

13

the Mint could take.

14

Really, it's just for this

15

Committee's awareness, and we welcome

16

whatever observations or recommendations you

17

have on the portfolio as it's presented to

18

you.

19

DR. FULLER:

Thank you.

20

MS. STAFFORD:

21

THE CHAIR:

Thank you.

This is Lawrence

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Brown.

2

than a question.

3

I have somewhat of a comment more

And my comment is actually

4

reflecting of the fact that this is the only

5

woman to have received the Medal of Honor.

6

And at the same time, I want to share that I

7

actually had an opportunity to be at a

8

meeting with a lot of Medal of Honor

9

winners, all male.

And the way the medal is

10

portrayed is actually with a ribbon that's

11

around the neck with the medal hanging.

12

And I just wanted to make sure

13

that in the communications that we send this

14

out that we make that known about the

15

distinction.

16

And perhaps, had there been other

17

female Medal of Honor winners, it would have

18

been portrayed differently.

19

it would, but I think it's important so when

20

people see that they will see that Medal of

21

Honor.

I'm not sure if

And those particularly who have

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received it or that have family members who

2

have, will recognize the difference in that.

3
4

MS. STAFFORD:
April Stafford again.

5

Yes.

And this is

Thank you, Dr. Brown.

Just for the record, the Design

6

Manager has ensured that we have

7

photographic references that show Dr. Walker

8

wearing her medal this way is an accurate

9

representation historically.

10

So, we have

that assurance.

11

THE CHAIR:

Thank you.

12

Are there any other technical or legal

13

questions from the Committee members?

14

(No Response.)

15

CONSIDERATION

16
17

THE CHAIR:

Hearing none or

seeing none, let us begin our consideration.

18

I'd like to remind us again to

19

try to keep our comments to five minutes or

20

less.

21

questions, please understand we will in fact

And if there are additional

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undertake those questions after we go

2

through this process.

3

For the benefit of the Court

4

Reporter and for those calling in, I ask

5

that you state your name before you begin

6

speaking.

7
8

So, let us begin with Mr. John
Saunders.

9

MR. SAUNDERS:

John Saunders.

10

remembered to say my name this time.

11

I am going through these.

I like

12

3A best.

13

has mentioned cutting off the head of one

14

artist and putting it on the other is kind

15

of a bad thing, if you made the portrait

16

different on 3A, it's going to be so small

17

anyway that it's going to be fairly

18

meaningless.

19

I

I think, besides the fact that Joe

I found 2 to be my second choice.

20

Excuse me.

Anyway, I agree with 2 that, if

21

we went with 2, I think putting "Civil War

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Surgeon" where they say "Medal of Honor"

2

would be an improvement.

3

I think it was a horrible thing

4

to do, taking away the medal from this

5

woman.

6

sexist, I mean, she went over there.

7

a pretty horrible job being a surgeon in the

8

Civil War.

9

off.

I mean, besides it being completely
It was

I mean, you were cutting limbs

You were -- it was pretty rough.

And

10

from everything I've heard about it, those

11

prisoner-of-war camps were no fun, either.

12

I mean, that was a pretty horrid thing for

13

her to have to go through.

14

And someone that would go through

15

all that and then be awarded something and

16

then having it pulled back I think is very

17

bad form, to say the least.

18
19

So, my preference is 3A with a
strong second for Number 2.

20

THE CHAIR:

Thank you so much.

21

Let's turn now to Peter.

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2

DR. VAN ALFEN:

Thank you, Dr.

Brown.

3

I really am drawn to 1A, in part

4

because of the really forceful, strong pose

5

of Dr. Mary Walker here.

6

like the fact that she seems to be breaking

7

the fourth wall, you know, as it were by

8

placing her hand on the "Dr."

9

that's a really clever artistic move in that

10
11

But I also really

I think that

pose.
One of the other things that I do

12

like about 1, 1A, and 2 is that they also

13

depict her clearly as a young woman.

14

think that it is important to recognize the

15

fact that when she was doing this horrible

16

job as a Civil War surgeon she was doing

17

this at an age, you know, in her mid 30s

18

essentially, when she still was quite young.

19

And I

So, these portraits, these

20

depictions, really do underscore that,

21

whereas many of the others, she appears much

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later in life, it seems, and much more

2

matronly.

3

underscore the fact that she was quite young

4

when she was doing this and was awarded the

5

medal.

6

And I think it is important to

I also think it's important that

7

there be some note of or the inscription

8

"Medal of Honor" somewhere on the reverse

9

simply because I don't think many people are

10

going to understand what that medal is

11

without that.

12

not have any indication of what that medal

13

is, so I do think it is important to have

14

"Medal of Honor" as an inscription somewhere

15

on the reverse.

16

And many of these reverses do

Some of the concerns that I have

17

with 3A especially is that I think at

18

quarter size Dr. Walker standing in front of

19

the Medal of Honor there is going to look

20

like an amorphous blob and really is not

21

going to be particularly eye-catching.

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I think that being able to draw a

2

distinction between her and the medal and

3

having some negative space in between is

4

important.

5

So, all said, I am happy to

6

support Number 2 as the selection just

7

because it does depict her as a young woman,

8

does include "Medal of Honor" as an

9

inscription, and I think that it is an

10

attractive design, although, again, I really

11

do like Number 1A quite a bit.

12

So, thank you.

13

THE CHAIR:

14

Harcourt.

15
16

Let's turn now to

DR. FULLER:

Thank you.

This is

Harcourt Fuller.

17

I second Peter.
Yes.

I'm sorry.

I really like 1.

18

Is it 1?

1A, please.

I

19

just like the fact that she has her hand on

20

the "Dr.", right?

21

reinforces her confidence in terms of what

I think that it just

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she has done.

2

I'm not a big fan personally of

3

showing the whole body because I think that,

4

on that size quarter, I think you'll lose

5

some of the detail.

6
7

And so, that brings me to -let's go to 2, please.

8

What I really love about 2 is

9

"Medal of Honor" and the date because I

10

think that the date is very significant

11

because everybody knows, or should know,

12

what that date represents.

13

to be getting a Medal of Honor during that

14

time under those circumstances, I like how

15

it pops.

16

for this, keeping mind my previous comments.

And for a woman

And so, I will give consideration

17

Thank you.

18

THE CHAIR:

19

Let's turn now to Dennis Tucker.

20

MR. TUCKER:

21

Brown.

Thank you so much.

Thank you, Dr.

This is Dennis Tucker.

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And I'd like to greet Mr. DeMass.

2

You and I have met, and it's good to hear

3

your voice today.

4

For the benefit of my colleagues

5

here, I would mention that I was born in

6

Syracuse, New York, and I grew up in

7

Phoenix, New York, which is about 20 miles

8

south of Oswego.

9

opportunity for me to work on this

10

So, this is a nice

particular coin.

11

I did not know much about Dr.

12

Mary Edwards Walker when I was growing up.

13

She's not someone that we learned about in

14

school, even though she should have been a

15

local hero.

16

I find that interesting.
I like Design 2.

I endorse it

17

fully.

I would address the CFA's concerns

18

about the repetition of the concept of the

19

Medal of Honor.

20

very visually interesting piece of work.

21

And so, we have the architectural blueprint

The Medal of Honor is a

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view of it, if you will, which satisfies

2

that.

3

We have a view of the medal in

4

life as Dr. Walker wore it.

5

Brown has mentioned, that's different from

6

the way that you see it worn today, so

7

that's a unique aspect of her Medal of

8

Honor.

9

And as Dr.

And then, people learn and absorb

10

information differently.

11

visual; some people need to read things.

12

For the people who read things and absorb

13

information that way, we have the words

14

"Medal of Honor" and the date, as Dr. Fuller

15

pointed out.

16

Some people are

"1865" is helpful.

So, I don't see that repetition

17

as being onerous in any way.

18

actually a strength of this design.

19

I think it's

I would point out one other

20

thing.

Sometimes we look at the size of the

21

planchet and we get worried about what can

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be done on a coin the size of a quarter.

2

And I would remind the Committee and anyone

3

reading these comments in the future of what

4

the United States Mint has done on a

5

planchet the size of the $5 gold

6

commemorative coin.

7

millimeters.

8

dollar, which is 24.3 millimeters.

9

That's 21.6

It's smaller than a quarter

And if you look at the 2019

10

American Legion 100th Anniversary $5 gold

11

piece, look at the amount of detail that's

12

shown in the American Legion emblem on that

13

coin, which is shown in its entirety on a

14

tiny scale on the small canvas.

15

It is a small coin, but -- and

16

you will not be able to see microscopic

17

detail in the Medal of Honor, but I think

18

that you'll be able to get a feel for it.

19

So, I think 2 is a very strong

20

design.

I like seeing her in a more

21

youthful look, as Peter pointed out.

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was in her early 30s during the Civil War.

2

So, I'm not bothered by the lack

3

of the term "Surgeon."

4

captures that, and anyone interested can

5

look up more information.

6

I think "Dr."

And again, kind of addressing the

7

size of the coin, the fact that it is a

8

larger bust portrait of her is an advantage.

9

So, I think 2 is very strong, and

10

I like it.

It's going to get my strongest

11

endorsement.

12

Thank you, Dr. Brown.

13

THE CHAIR:

14

Let's turn to Robin Salmon.

15

MS. SALMON:

16
17

Salmon.

Thank you.

This is Robin

Thank you, Mr. Chair.
1 and 1A also attracted me.

The

18

hand on the lettering is powerful, and it's

19

also something different, something unique

20

in the designs, among the designs that we've

21

seen so far.

I think, though, that the full

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figure might be lost in the size of the

2

coin.

3

Number 2 is a lovely portrait.

4

And initially, I was leaning toward removing

5

the lettering "Medal of Honor 1865" and

6

replacing that with "Civil War Surgeon."

7

But I think the argument that most people

8

aren't going to recognize the Medal of Honor

9

swayed me that we do need to keep that

10

particular lettering and that perhaps "Civil

11

War Surgeon" isn't as significant in this

12

overall design.

13

significance of "Dr." indicates she was a

14

physician.

15

her name can be looked up and the rest of

16

the story can be revealed.

17

It's -- the word -- or the

And as someone said previously,

I'm putting my vote with Number

18

2.

19

as a significant symbol of who she was and

20

what she did.

21

I think it's a lovely rendition as well

Thank you.

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THE CHAIR:

2

Turn to Art Bernstein.

3

MR. BERNSTEIN:

4

Thank you.

This is Art

Bernstein.

5

I wanted to point out Design 4,

6

which hasn't been talked about.

I was

7

attracted to the background of the Civil War

8

soldiers' tents.

9

showed her role in the war and gave some

I thought that lent --

10

historical context to the world in which she

11

was serving.

12

out.

13

I wanted to just point that

There are a lot of different

14

preferences in this discussion.

15

preference would be with Design 3, not 3A.

16

And my reasoning is I heard all of the

17

discussion regarding the outfit that she

18

designed for herself, and I thought there

19

was value in showing her full length.

20

doesn't do that.

It looks like she's just

21

wearing a dress.

And so, that led me to go

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with 3.

2
3

And I thought that it was also a
good depiction of the Medal of Honor.

4

Thank you.

5

THE CHAIR:

6

Let's turn now to Mike Moran.

7

MR. MORAN:

8

sleep, Dr. Brown.

9

Thank you so much.

I did not go to

I am here.

I'll make it really short.

I

10

want to speak to one thing on 3A.

11

problem with that design is the fact that,

12

and it's already been noted, the figure runs

13

into the medal.

14

that on a quarter, the average person is

15

going to think that's a deputy sheriff's

16

badge, to be a bit cute about that.

17

mistake for a coin that size.

18

The

And by the time you get

It's a

Turning to 2A, it will get my

19

vote.

I don't see a thing wrong with the

20

way the signatures -- the inscriptions are

21

as is because, very simply, again, it's

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obviously a medal there, a military medal,

2

on that coin and easily seen as that.

3

average person in the United States is not

4

going to get that it's the Congressional

5

Medal of Honor.

6

Your

The fact that you've got the

7

"Dr." in front of her name, the date "1865,"

8

and the "Medal of Honor," that tells the

9

story.

And if anybody's interested in more

10

details than that, they'll look up the

11

history.

12

the closing days of the war.

But it will show her heroism in

13

So, that's it.

14

THE CHAIR:

15

Number 2A for me.

Thank you so much,

Mike.

16

Let's turn to Sam Gill.

17

MR. GILL:

18

Chairman.

19

Thank you, Mr.

This is Sam Gill.
My votes are going to go to

20

Number 2.

It tells the whole story.

21

am not troubled by the "Medal of Honor"

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being inscribed there with "1865."

2

clearly implies the Civil War.

3

That

And even though three

4

representations of the medal are here,

5

that's okay.

6

shows what it actually looked like and then

7

it tells the story that she won it.

8
9
10

It shows she wore it and it

And so, with that, I'm satisfied
with Number 2, although I did think 3A was a
very pretty coin.

11

Thank you.

12

THE CHAIR:

13
14
15
16
17

Thank you so much.

This is Lawrence Brown.
And I must confess that, like
many of you, I had some leaning towards -DR. KOTLOWSKI:

Dr. Brown, I

didn't go yet.

18

THE CHAIR:

Okay.

19

DR. KOTLOWSKI:

I'm sorry.

No,

20

did you want to make your comments and have

21

me go at the end?

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2

THE CHAIR:

No.

Then, let's have

you go.

3

DR. KOTLOWSKI:

Okay.

4

Brown.

This is Dean Kotlowski.

5

for interrupting like that.

6
7
8
9

THE CHAIR:

Sorry, Dr.
Apologies

No, apologies, my

apologies.
DR. KOTLOWSKI:

And I'm actually

going to -- Dr. Brown, maybe you should have

10

skipped me because I'm going to maybe do

11

something I'm not supposed to do here.

12

I'm going to use the iPad for something.

13

But

And I'm not sure if I'm allowed

14

to do that, but let's go to Number 2.

15

is the design that I favor for all of the

16

reasons everyone simply stated.

17

That

I also think there's very good

18

balance here.

The medal is not too big, and

19

she's wearing the medal.

20

largest of the portraits, so your eyes are

21

really drawn to her.

And it is the

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I'm going to give some points to

2

1A, and here is the reason why.

3

to show you this.

4

was issued.

This is the stamp that

5

MALE SPEAKER:

6

FEMALE SPEAKER:

7

DR. KOTLOWSKI:

It went away.
Oh, there it is.
Okay.

8

going to happen.

9

know if people can see that.

This is

So, there's -- I don't

10

of Honor."

11

think is very, very important.

12

I'm going

You see "Medal

You see she is youthful, which I

So, if you wanted to kind of move

13

the conversation along and put a -- you

14

know, this is from 40 years ago.

15

very different representation of her.

16
17
18

MR. TUCKER:

It's a

Could you identify

that for the record?
DR. KOTLOWSKI:

Yeah.

It is the

19

1982 U.S. Postal Service Dr. Mary Walker,

20

Army Surgeon, 20 Cent Medal of Honor

21

Commemorative Stamp.

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And I was just going to say if

2

you wanted a slightly different

3

representation of her that moves the

4

conversation along to how she engaged in

5

dress reform, I think 1A would be very

6

appropriate and very inspiring for the

7

reasons Peter said.

8
9

But I still -- you know, this is
a stamp that, you know, stamp collectors are

10

going to be familiar with.

11

engage in it and they can find it and they

12

can discover it and make comparisons.

13

And they can

I still think Design 2 is the

14

strongest design but giving some points to

15

1A.

16

Thank you, Dr. Brown.

17

THE CHAIR:

Thank you so much.

18

And we really appreciate you making the

19

connection for us.

20
21

Now, as I was going to say, that
I am leaning between 1A as well as 2.

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on the one hand, let me -- they both, in

2

fact, to me are striking.

3

2 because I can see more of herself there,

4

so that one is attractive.

5

I prefer perhaps

But the downside of that is that,

6

for the reader and the message "Civil War

7

Surgeon," you have to look that up.

8

know that most of the public would

9

appreciate that that "Dr." is associated

10

with a physician, number one, and number

11

two, as a Civil War surgeon.

12

I don't

With respect to Design 3A, if we

13

can show that quickly?

14

fact that this one has the "Civil War

15

Surgeon," but I'm not so sure that, again,

16

John Q. Public or Mary Q. Public is going to

17

realize what that medal is.

18

"Medal of Honor" sort of reinforces that.

19

I do appreciate the

So, saying

So, for that reason, my vote is

20

between those two, honestly, because the

21

message is not so much to me the art,

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although I appreciate the comments that many

2

of you have shared about the artistic

3

rendition.

4

is really important, particularly as we're

5

talking about a famous American.

It's the message here to me that

6

At this point, I'll entertain any

7

comments or motions from the members of this

8

Committee.

9

Harcourt?

10

DR. FULLER:

Very quickly, if I

11

may say so, this is Harcourt Fuller.

12

right arm appears to be, you know --

13

MALE SPEAKER:

14

DR. FULLER:

15

THE CHAIR:

MR. MENNA:

19

DR. FULLER:

21

This design here --

Mr. Menna, do you

want to respond to this or give guidance?

18

20

In which design?

cut off, to me, when I look at this.

16
17

Her

This is Joe Menna.
Sorry, Joe.

I

know -MR. MENNA:

No, Dr. Fuller, it's

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fine.

2

You know, I have the honor of

3

being the art director and working closely

4

with every artist on each design.

It was

5

something that we -- not cut off.

The

6

positioning of the arm is something I worked

7

with the artist on.

8
9

I try not -- I don't like to
change their vision.

I do my best to help

10

them realize that.

11

the artist felt that this is what the artist

12

wanted probably because he/she/they did not

13

want to obscure the medal.

14

Artist felt strongly --

And so, I think -- I see it as

15

going behind the back.

16

know, and I -- perhaps the artist did that

17

to not obscure the medal.

18

my -- sir.

19
20
21

MR. TUCKER:

I mean, what -- you

That would be

Dr. Brown, this is

Dennis Tucker.
Just for the record, which is

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text only -- this is what I was trying to

2

tell you -- and will not have the benefit of

3

visuals, I would mention that that

4

discussion was about Design 3A.

5

that would be -- that might be confusing if

6

that's not specified in the written record,

7

so I just wanted to say that verbally --

8

THE CHAIR:

9

MR. TUCKER:

10

I think

Thank you.
-- so people can

read along in the future.

11

THE CHAIR:

12

Joe, you have additional

13
14
15

Thank you.

comments?
MR. MENNA:

Could I make a

technical comment about Number 2?

16

THE CHAIR:

Please.

17

MR. MENNA:

So, for Design 2,

18

yes, it's a very, very beautiful portrait.

19

If we could go back to Design 2?

20

not the portrait alone that gives the grace

21

and elegance to this design.

But it's

I'm not

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advocating for it.

2

Every single element -- I worked

3

very, very closely with this artist on this

4

design.

5

orientation, relationship to the figure, the

6

negative space, all contributes the story of

7

Medal of Honor recipient.

8
9

Every element of text's position,

But the elegance of her portrait
isn't just the beauty of the depiction of

10

the portrait.

11

composition is a keystone.

12

were -- in my opinion, any changes to it

13

would be like pulling a keystone away from a

14

building and could, I'm not saying would,

15

but could lessen the impact of the portrait

16

that you're all feeling.

17

that's just my observation.

18
19
20
21

Every element of this

THE CHAIR:

And if you

I'm just saying

Thank you so much,

Joe.
At this point, unless there's any
additional comments or question, I think

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that we are at the point that it's time to

2

score.

3

Each of you, obviously, will have

4

the scoresheet in front of you.

5

Robin, you have received that

6

electronically.

7
8

Mike and

When you are done, please provide
those to Greg.

9

MS. WARREN:

10

sorry.

11

George has his hand up.

Oh, there's -- I'm

This is Jennifer Warren.

12

THE CHAIR:

13

MR. DeMASS:

Dr. Brown,

Mr. DeMass.
Okay.
Yes.

I'd just like

14

to say for that Number 2 the family was just

15

so satisfied with her face and the

16

determination, the determined look that they

17

saw in the artist's rendition of her face.

18

As well, of course, the way she wore the

19

Medal of Honor as well.

20

One of our favorite pictures of

21

her was taken by the Metropolitan Magazine

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in 1892.

And she wore her medal all the

2

time.

3

house.

4

and she has her arm around the neighbor's

5

neck and hanging on Mary Walker is that

6

medal, hanging right down as she pulls the

7

tooth.

And in that picture, she's in her
She's pulling a neighbor's tooth,

8

(Laughter.)

9

MR. DeMASS:

But they were --

10

they just liked the determination in her

11

face.

12

they call the Walker ears.

13

large size.

And she has, quote, unquote, what

14
15
16

THE CHAIR:
Mr. DeMass.

They're quite

Thank you so much,

We really appreciate that.
At this time, we'll continue the

17

process of the scoring.

18

a 10-minute recess for the scoring.

19
20
21

We're going to take

(Brief Recess.)
SCORING RESULTS
THE CHAIR:

Thank you so much.

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We are back.

2

I recognize Greg Weinman, Counsel

3

to the CCAC, to provide us the results of

4

the scoring.

5

MR. WEINMAN:

Once again, out of

6

a possible score of 30, Design Number 1

7

scored a 5.

8

Design Number 1A scored 14.

9

Design Number 2 scored 30, making

10

it the high-scoring design.

11

Design Number 3 received 8.

12

3A received 9.

13

4 received 9.

14

4A received 4.

15

5 received 3.

16

5A received 3.

17

6 received 3.

18

6A received 4.

19

6B received 5.

20

6C received 4.

21

Once again, Design Number 2 was

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the high vote-getter with 30.

2

MS. WARREN:

3

MOTIONS AND VOTE

4
5

Thank you, Greg.

THE CHAIR:
motions?

Are there any

Yes, Dennis?

6

MR. TUCKER:

Dr. Brown, this is

7

not necessary, I think, given the vote of

8

30, but I would be honored to make a motion,

9

since I'm from the area, that the Committee

10

recommends to the Secretary of the Treasury

11

Design 2 for this coin.

12
13

THE CHAIR:
the motion?

14
15
16
17

Is there a second on

MS. SALMON:

Robin Salmon,

second.
THE CHAIR:

Let the record show

that Robin Salmon seconded the motion.

18

Any discussion on the motion?

19

(No Response.)

20

THE CHAIR:

21

Hearing none, all

those in favor, "aye"?

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(Chorus of "aye.")

2

THE CHAIR:

3

(No Response.)

4

THE CHAIR:

5

(Motion Carried Unanimously.)

6

THE CHAIR:

Any opposed, "nay"?

Motion carries.

If all discussion has

7

concluded, then I would like to thank both

8

the liaisons, Mr. Worden as well as Mr.

9

DeMass, for participating in this process in

10

front of us, in front of the CCAC.

11

As that was the last --

12

MR. DeMASS:

13

THE CHAIR:

Thank you very much.
Thank you, Mr.

14

DeMass.

15

additional comments because they did add a

16

flavor that we would not have had without

17

them.

18

And thank you so much for your

As that was the last order of

19

business for today's session of this public

20

meeting, I would like to really, from the

21

bottom of my heart, thank the members of the

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CCAC, those in person and those

2

participating remotely.

3

I certainly want to thank the

4

Mint staff for their attendance yesterday

5

and today.

6

The next meeting is expected to

7

be in April, and there will be a Federal

8

Register notice that will announce the

9

meeting at that time.

10

MOTION TO ADJOURN

11
12

THE CHAIR:

At this point, I will

entertain a motion for adjournment.

13

DR. VAN ALFEN:

So, moved.

14

MR. BERNSTEIN:

Art Bernstein,

15
16

second.
THE CHAIR:

Okay.

The record

17

will show that Peter made the motion and Art

18

made the second.

19

All those in favor, "aye"?

20

(Chorus of "aye.")

21

THE CHAIR:

Opposed, "nay"?

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(No Response.)

2

(Motion Carried Unanimously.)

3

THE CHAIR:

We stand adjourned.

4

Have a pleasant remainder of the afternoon

5

and a safe time between now and the next

6

time we meet.

7

(Applause.)

8

MS. WARREN:

9
10

Warren.

It's 12:45.

This is Jennifer
Meeting is adjourned.

(Meeting adjourned at 12:45 p.m.)

11
12
13
14
15
16
17
18
19
20
21

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CERTIFICATE OF TRANSCRIPTIONIST

2

I, BRENDA STALEY, do hereby

3

certify that the proceedings were recorded

4

electronically at the time and place

5

mentioned on the cover sheet thereof, and,

6

thereafter, transcribed by me; that said

7

hearing is a true record of the statements

8

made; that I am neither counsel for, related

9

to, nor employed by any of the parties to

10
11

this proceeding;
And further, that I am not

12

financially or otherwise interested in the

13

outcome of this matter.

14
15

As Witness by my hand and
signature as indicated below.

16
17
18
19

<%11870,Signature%>
BRENDA STALEY

20
21

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48:4 49:9
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64:18,19 65:3
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76:17 79:2
81:11,16 82:3
82:9,15 84:16
86:6 87:1,7,15
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89:2,8 90:6,17
91:5 97:18
101:16 105:6
111:16 112:19
123:11 151:9
157:9 160:3,11
161:4 164:6
165:10 167:18
169:5 179:12
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123 6:3
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218:10
131 6:4
14 214:8
147 6:7
15 5:6
155 6:8
168 6:9
170 6:11
172 6:14
18 68:3
1800s 175:16
1832 172:9
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1892 213:1
19 123:15,16
1913 148:9
1917 174:3
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1938 149:14
1948 16:1
1965 94:15
1970s 112:17
1971 16:13

1972 95:2
111:14
1977 17:1
94:15 174:9
1982 205:19
1989 94:16
1a 21:10,20
27:1 28:2
40:14,15,18
41:7,7 42:7,21
43:5 45:9 48:5
49:13 50:1,21
53:10,13 54:5
55:10,19 56:3
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62:8 64:18,19
64:20 65:18
68:1,8,18
69:13,16 70:4
70:12,16 84:13
84:15 179:12
180:1 191:3,12
193:11,18
198:17 205:2
206:5,15,21
214:8
2
2 1:3 19:13
20:21 22:1,10
22:12 28:1
40:8 42:2,21
44:5,6 45:19
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204:14 206:13
206:21 207:3
210:15,17,19
212:14 214:9
214:21 215:11
20 87:3 195:7
205:20
2002 94:16
2007 35:5
2012 17:4
2019 197:9
2022 50:11
2023 1:4 7:14
22:8
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202:13
3
3 22:19 23:7,20
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105:6 151:19
152:3 157:21
163:14,15
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3b 151:2,19
152:9 153:17
155:9 156:9
157:4,21 158:1
158:17 159:4,8
160:3 161:3,15
162:12,21
163:6,13,20
164:13 165:7
165:16 167:8
168:3 169:11
169:19
4
4 78:1 90:10,11
96:18 97:15
98:9 105:6
106:19 107:3,5

107:7,12,13,20
111:5 114:1,2
114:20,21
116:3 117:9,11
117:13 120:12
121:12 123:15
124:21 125:5
126:9,12,13,21
127:8 128:14
129:2,8 130:6
131:17 132:14
132:16,18
133:10,11,15
135:13 136:3,4
137:5,8 141:7
141:20 152:15
158:10,14
159:6 169:13
180:20 181:1
200:5 214:13
214:14,18,20
40 205:14
4a 180:20
214:14
4s 140:1
5
5 78:6 81:18
86:17 90:12
96:18 97:7,7
98:15 99:11
100:8 104:13
105:5,8,16,20
106:5,20 107:4
107:10,13,19
107:21 108:15
110:11,12
114:1,4,4,20

www.CapitalReportingCompany.com
202-857-3376

115:4,6 116:10
117:9 121:13
123:12,16
124:15,15,15
124:21 125:15
126:8,10,16,19
127:5,8,20
128:9 129:9
132:14 133:14
135:14 136:6
136:11 137:5,8
139:15 140:8
141:1,7,20
144:3,4,12
158:10 159:6
169:13 181:3
197:5,10 214:7
214:15,19
50 74:14
52nd 173:12
5a 78:6 81:18
90:14 152:19
157:15,18
164:11 169:14
181:3,6 214:16
5b 152:19
157:15 169:15
5s 139:21
166:13
6
6 68:5,6 123:13
123:14 153:2
159:16 162:4
163:1 166:19
167:11 169:16
181:9,11
214:17

CCAC Meeting

[67 - adjourn]
67 5:9
68 5:10
6a 153:2,6
159:17 162:5
163:1 164:11
169:17 181:9
181:15 214:18
6b 181:18
214:19
6c 181:18
214:20
7
7 5:3 90:9
169:9,14
73 5:13
746 16:1
8
8 5:4 68:4
147:9 169:7,10
169:15 214:11
80 5:14
8th 1:8
9
9 169:6,17
214:12,13
90 5:15,17
93 5:20
9:00 1:5
9:01 7:2,14
a
a.m. 1:5 7:2
able 25:7 27:2
28:12 38:3
60:5 61:14
79:19 96:10
103:19 116:11

March 1, 2023

Page 3
116:20 143:1
143:11 171:8
193:1 197:16
197:18
abolitionist
172:9
above 26:16,17
80:3
absolute 83:11
131:4
absolutely 25:1
45:9 53:16
162:10 185:19
absorb 196:9
196:12
abstain 134:10
145:4
abstention
145:6
abstentions
145:5
absurdity 16:3
academic
17:21
acceptable
63:3 110:12
acceptance
19:8
accepted 18:13
72:1,3 173:9
accessibility
54:13
accessible 53:8
accommodate
80:4,6
accomplished
20:7 51:9

accomplishm...
117:17
accomplishm...
20:3 49:18
163:17
accurate 188:8
accurately
50:17
achievement
75:21
achievements
73:1 75:18
aclu 16:4
act 95:4 107:8
120:17,18
149:2,6
acting 173:10
action 85:11
active 107:3
119:20 120:13
128:16
activist 15:15
148:15 152:10
152:18 153:5
156:11 157:19
159:12 161:14
162:11
activity 95:10
130:16
actual 23:21
41:17
actually 24:11
40:15 56:18
71:7 89:5 96:4
96:10 100:13
106:19 159:6
159:16 179:7
182:21 187:3,7

www.CapitalReportingCompany.com
202-857-3376

187:10 196:18
203:6 204:8
add 21:3 22:15
25:12 26:21
58:18 65:17
101:5 108:14
108:20 216:15
added 9:18
51:16 124:17
154:12,19
155:9
adding 108:15
addition 46:1
179:4
additional
21:19 23:12,16
77:12,19 78:4
80:20 89:9,13
98:11,18
139:14 152:3,6
152:9,17 153:4
155:21 168:8
179:19 180:6
180:15,18
181:14,17,20
188:20 210:12
211:21 216:15
additionally
37:6 62:19
80:19 103:17
address 126:9
195:17
addressing
198:6
adds 105:18
adequate 53:8
adjourn 6:19
217:10

CCAC Meeting

[adjourned - apologize]
adjourned
218:3,9,10
adjournment
217:12
adjust 184:7
admit 114:9
adult 147:12
advance 48:17
advanced
168:2
advantage
107:10 198:8
advisory 1:1
2:2 7:13
advocacy
149:12 153:1
advocate 15:12
127:8 148:15
148:19 172:14
173:2
advocated 17:5
advocates 17:8
advocating
119:3 211:1
affairs 2:21
3:14,15 12:15
13:1,3
affected 94:5
affordable
94:19
affords 121:7
african 73:2
afro 74:4 75:2
afternoon
218:4
age 112:11,12
147:9 191:17

agenda 5:2
10:5
ago 104:20
114:19 158:9
176:9 205:14
agree 40:3 52:6
71:16 113:15
115:6 116:12
117:10 156:10
166:17 186:2
189:20
agreed 36:6
ah 32:15
ahead 34:2
58:21 124:10
177:3
air 118:10
al 83:8
albums 74:14
alfen 2:17 9:8
9:11 24:7,8,13
25:16 26:7,8
26:18 32:6,7
32:15 34:6
52:12 68:21,21
69:2 78:20,21
79:7 80:7 82:6
82:12,12 91:6
91:6 100:6,7
101:6,12
105:13,14
126:7 134:2,16
134:17 142:4,4
153:16,16
154:6 155:2
156:6,7 191:1
217:13

March 1, 2023

Page 4
allow 121:10
143:11 170:18
allowed 149:9
204:13
alongside
180:13,21
181:19
amazed 167:18
167:19
amazing 20:6
54:6 59:17
92:19
amend 71:14
amendment
71:19 72:4
amendments
95:2
america 19:18
22:11 42:5
128:20 129:1
american 2:10
5:5,12,18 6:6
6:12 8:17 10:9
10:10 13:14
14:15,19 15:4
33:5,20 38:20
43:6 50:18
66:19 72:21
73:2,8 74:1
84:9 93:8,12
94:2 106:10,14
108:2,3 122:8
146:15,18
148:8,16,17
149:6 159:21
160:7 167:2
170:20 171:12
171:16 177:13

www.CapitalReportingCompany.com
202-857-3376

197:10,12
208:5
americans 38:1
38:21 74:4
84:7 160:7
amorphous
192:20
amount 121:18
197:11
analysis 56:2
anchored
21:16
andrew 174:2
animate 160:20
annihilation
147:15
anniversary
176:10 197:10
announce
217:8
answer 34:12
76:4,10
anticipating
56:6
anybody 136:8
140:1
anybody's
202:9
anyway 34:13
158:17 189:17
189:20
apart 86:3
apologies 23:14
58:17 204:4,6
204:7
apologize
29:19

CCAC Meeting

[apology - attendance]
apology 63:18
appear 138:1
appearance
162:19
appeared
186:8
appears 153:18
191:21 208:12
applause 218:7
application
36:8
applied 16:16
apply 36:4
appreciate
17:11 44:2
46:19 48:3
54:18 87:20
92:10 175:10
177:10 206:18
207:9,13 208:1
213:15
appreciated
47:7,8 114:21
147:13 178:11
183:7
approaches
186:12
appropriate
134:18 135:1
138:2 166:21
178:4 206:6
appropriately
178:15
appropriaten...
31:10
april 3:2 5:7,13
5:20 6:7,14
11:8 14:21

March 1, 2023

Page 5

15:8 24:4
26:19 30:4
35:7 36:15
73:13,19 76:13
93:20 97:3
101:2 122:14
146:21 147:4
150:15 155:8
171:21 172:6
177:9 182:16
184:6 185:21
188:4 217:7
aquarium
25:18
architectural
195:21
area 215:9
areas 113:11
arena 117:18
aretha 85:20
argue 16:15
argued 16:11
argument
199:7
arguments
114:12
arm 32:2
208:12 209:6
213:4
arm's 130:3
army 173:10
180:16 205:20
art 8:8 23:19
28:3 43:4,5
45:7 47:3,4,5
55:13,14,17
61:19 65:15
86:10 88:16,17

89:8 91:2,3
99:6,7 114:15
114:16 134:3
137:15 138:19
143:19 144:9
161:8 163:3,4
166:20 200:2,3
207:21 209:3
217:14,17
arthur 2:5 8:6
article 16:14
articulate
15:17 89:5
articulated
64:2 141:16
168:1
artisan 60:1
artist 27:4
28:10,16,20
30:9,16 31:1
31:15 35:9,14
41:10 74:1
86:5 154:3,12
160:15 162:7
184:8 189:14
209:4,7,10,11
209:11,16
211:3
artist's 30:9
63:5 79:17
99:20 154:17
184:21 185:1,7
212:17
artistic 31:2
55:11 86:18
99:19 112:4
119:12 120:4
131:3 158:10

www.CapitalReportingCompany.com
202-857-3376

166:3,4,9,11
166:15 167:12
167:13 191:9
208:2
artistically
119:10
artists 35:8,10
36:4 38:9
39:16 86:11
165:1
arts 2:14 9:2
99:1 151:5
asian 106:10
106:13 108:2,3
aside 30:15
asked 166:21
182:18
asking 183:19
aspect 160:8
196:7
aspects 19:15
60:17 159:11
aspirations
48:18
assistance
95:11
assistant
173:11
associated
116:2 207:9
assuming
79:17
assurance
188:10
athlete 118:12
attend 147:9
attendance 2:1
3:1 4:1 170:16

CCAC Meeting

[attendance - best]
217:4
attending 11:5
73:4 92:15
attention 130:3
131:2,6,8
170:18
attract 131:2
attracted
198:17 200:7
attractive
156:15 193:10
207:4
attribute 75:1
audience 82:19
88:7
audiences
74:18
aunt 40:6,17
150:9
author 148:16
152:10,17
153:5 156:11
159:11 161:14
162:11
autobiography
21:21
available 80:5
98:3
avenues 95:13
average 201:14
202:3
avoid 32:13
140:4
avoids 121:9
awarded 174:1
174:10 190:15
192:4

March 1, 2023

Page 6
aware 36:4
awareness
42:12 185:21
186:15
aye 72:5,6
91:12,13,15,17
132:4,5 142:11
142:12 145:1,2
215:21 216:1
217:19,20
azucar 74:17
74:21 77:4,20
85:8
b
b 163:16
back 7:11 10:1
37:9 38:11
42:6 59:4,9,19
67:13,15 89:20
90:1 101:16
103:19 106:2
106:17 123:7
137:14 168:21
178:5,16,20
183:13 190:16
209:15 210:19
214:1
background
15:9 28:6
34:16 35:12
40:20 57:10
61:18 73:20
77:14 93:21
110:19 118:6
147:5 151:17
152:2 172:7
177:10 181:2

200:7
backs 49:20
bad 107:20
189:15 190:17
bader 16:11
52:2
badge 201:16
balance 43:13
43:18,21 64:4
121:8 204:18
balanced 41:19
57:12,13,15,18
balancing 58:2
ballet 160:7,8
balls 118:10
baltimore 18:4
25:18
banner 180:7
barriers 15:12
based 116:21
122:18 135:3
basically
100:16
basis 95:6
115:21 141:14
167:12 168:16
battle 175:20
battlelines
173:13
beautiful 43:16
44:11 86:6
106:11 114:5
157:16 162:10
164:7 165:2,2
210:18
beauty 43:18
47:21 48:4
87:20 89:7

www.CapitalReportingCompany.com
202-857-3376

115:12 163:1
211:9
becoming
94:12
began 7:17
16:4 74:18
147:19
belief 19:10
21:14
believe 27:14
51:12 75:5
79:15 127:5
138:7
believed 19:18
113:13
belongs 164:8
beneath 114:7
benefit 37:10
81:3 103:21
156:2 189:3
195:4 210:2
benefits 95:8
bernstein 2:5
8:6,8,8 23:18
23:19 24:6
47:4,5 88:17
88:18 91:3,4
99:7,8 114:16
114:17 134:4
138:21 139:3
143:17,19,20
144:9,10 163:3
163:4,5 200:2
200:3,4 217:14
217:14
bertha 176:12
best 31:3 58:8
62:16 83:2

CCAC Meeting

[best - brown]
107:20 112:1
128:9 133:14
141:11 159:5
163:19 166:19
167:6 185:5
189:12 209:9
bet 111:17
better 50:4
56:17 57:20
58:3 62:4
64:21 92:21
106:19 108:16
111:5,6 120:6
121:8 126:12
126:17 128:7
128:20 129:1
130:6 133:14
135:16 141:1
161:3 167:11
beyond 64:8
bible 16:9
bienvenido
83:8
big 60:9 194:2
204:18
bigger 184:17
bing 39:6
biologist 25:7
bird 147:6
152:4,7 153:4
157:18 163:15
163:16,18
bishop 48:20
bit 24:14 28:4
31:20 40:15
49:6 54:7 56:4
85:13 87:9,10
101:9 108:16

March 1, 2023

Page 7
114:11 115:19
157:17 158:7
158:13 160:5
167:11 193:11
201:16
black 17:1
26:15 34:16,18
35:7,9,16 36:3
60:3,6,7
blah 184:10,10
184:10
blast 112:17
blob 192:20
bloomerized
172:21 180:13
blueprint
195:21
blurb 17:16
board 16:10
boarding 147:9
body 79:13,20
80:3 185:1
194:3
boldly 77:10
boneza 3:9
12:3 24:17
25:2
bonnin 4:8
14:4 148:18
149:17 150:7,8
150:9 170:15
170:21
book 16:2,7
19:5 128:13
151:21 152:20
158:3
books 23:2
47:10 57:10

bookshelf 23:3
57:21 58:4
border 181:16
borer 3:6 11:17
11:19 154:2
born 83:15
94:2 149:4
172:9 195:5
boston 175:16
bothered 198:2
bottom 47:17
78:11 180:7
216:21
bought 50:10
boyhood
175:11
boys 105:3
bracelet 100:14
braided 162:8
167:1,3
brandon 4:14
10:19
breadth 47:11
break 122:9
breaking 191:6
breathe 121:11
brenda 219:2
219:19
brendan 3:14
12:21
brevity 87:20
brief 16:18
67:12 89:19
91:16 120:10
123:5 128:1
164:2 168:19
182:8 213:19

www.CapitalReportingCompany.com
202-857-3376

brilliant 53:17
brilliantly 42:1
bring 27:2
30:16 53:3
bringing 86:11
145:14 160:16
170:17
brings 159:6
194:6
broach 24:10
25:4
broadly 35:8
broke 15:11
172:14
brought 84:1
108:7 135:14
brown 2:3 4:7
7:8 9:13,17
14:3 16:10
45:4 48:13
51:1,12 52:13
54:11 55:3
56:11 63:12,14
64:15 69:7
70:8 84:20
86:13 89:4,21
104:17 105:14
106:8 109:2
115:11 120:9
121:16 124:10
124:11 127:11
131:13 134:16
156:7 157:8
158:20 161:21
164:4,18 169:1
170:15 182:4
187:1 188:4
191:2 194:21

CCAC Meeting

[brown - cfa's]
196:5 198:12
201:8 203:13
203:16 204:4,9
206:16 209:19
212:10 215:6
buck 69:15
135:8
building 98:11
98:17 110:19
211:14
built 32:17
bunker 175:13
175:14,19
business
216:19
bust 198:8
busts 31:13
32:4 33:1
busy 105:7
107:21 111:7
111:18,18
113:15 115:19
128:17
c
call 5:3,4 7:3
7:11 8:1,5
13:13 109:7
132:10,13
149:17 213:12
called 11:6
19:5 175:14
calling 37:11
81:4 104:1
156:3 189:4
camps 190:11
candidate 10:8
14:18 15:3

March 1, 2023

Page 8
20:17 21:10
23:9 31:4
66:18 73:10,16
78:14 93:11,17
146:17 150:19
151:9 153:7
171:16 172:3
182:1
candidates
43:1
canvas 197:14
capacity 43:3
capitol 98:10
98:17 110:19
114:8 118:5
119:11
capture 81:16
81:17 130:2
captured 78:2
173:14
captures 105:8
129:2 198:4
car 176:16
cardinal 152:8
152:11
care 25:12
50:14 75:9
173:14 185:11
career 76:2
94:6
careful 102:11
carefully 33:6
caribbean 75:3
carried 72:12
92:5 142:18
146:2 216:5
218:2

carries 72:10
92:4 142:17
146:1 216:4
carter 174:9
cartouche 28:6
case 16:9 33:17
44:15 120:11
122:8 138:1
cast 33:15
casting 136:8
castle 173:17
catch 34:4
catches 40:13
catching 130:7
192:21
catchphrase
74:17 77:4
caught 27:9
causes 179:21
ccac 2:20 7:7
7:21 9:15
10:15 12:16,19
67:16 90:2
123:8 137:13
169:2 170:8
214:3 216:10
217:1
ccr03 76:9
celebrate 96:11
celebrating
74:2
celia 4:5 5:12
10:11 13:18
73:8,12 75:14
75:17,19 77:1
77:9,17 78:1,7
79:3,18 85:4,5
85:14,18 86:1

www.CapitalReportingCompany.com
202-857-3376

86:2 88:3
92:12 93:2,6
celia's 76:2,12
celiz 73:21
cemented 20:7
95:19
cent 205:20
center 178:19
centered
148:10 178:15
central 175:17
cents 49:15
111:15 121:7
122:6,11
century 15:20
17:8 177:3
ceremonial
148:11
certainly 27:9
43:13 53:11,21
83:1 103:3
156:1 217:3
certificate
219:1
certify 219:3
cetera 135:12
cfa 21:2,7
22:14 40:11
44:20 45:21
51:14 54:2
69:15 76:20
77:8 97:9
151:1 152:14
178:10 179:6
180:10 183:3
cfa's 127:6
185:8,20
195:17

CCAC Meeting

[chair - chorus]
chair 2:4 7:9
7:11 8:2,10,13
8:16,19 9:1,5,8
9:12,15 10:3
11:2,11,14,17
11:20 12:3,5,9
12:13,18,21
13:5,8,11
14:16 23:11
27:16 31:7
34:7 36:13,19
37:2 39:19
43:8,10 47:2
48:8 51:2
52:10 54:18
56:5 58:13
59:2 61:10
63:11,18 65:4
65:9 66:6,10
66:16 67:15
68:11,19 69:2
70:6 71:9,16
71:18 72:1,3,7
72:9,13,16
73:9 78:16
80:9,15 82:4,7
82:10 83:4
84:17 86:14
87:11,19 88:2
88:15,21 89:3
89:12,16 90:1
90:19 91:1,8
91:11,14,19
92:1,6 93:7,10
99:2 101:13
103:7,12
104:15 105:11
106:1,6 107:15

March 1, 2023

Page 9
109:1 110:5
113:2,6 114:14
115:10 117:5
118:17 120:7
121:15 122:13
122:17 123:7
123:18 124:2
125:2,17 126:5
127:9,17
128:10 129:5
129:12 131:10
131:18 132:2,6
132:11,15,19
133:1,5,7,9,12
133:18 134:1,3
134:5,7,9,9,12
134:21 136:15
136:17 138:2
138:14 139:5
139:11,11
140:4,7,14
141:12 142:2,6
142:9,13,17,19
143:4,8,18
144:7,7,15,17
144:21 145:3,5
145:9,20
146:13,16
153:9 155:4,7
155:14,16
156:19 157:6
158:21 161:18
163:2,21 164:3
164:16 165:20
167:15 168:11
168:16,21
169:20 170:2,6
170:12 171:2

171:14,20
182:3,9,11
186:21 188:11
188:16 190:20
193:13 194:18
198:13,16
200:1 201:5
202:14 203:12
203:18 204:1,6
206:17 208:16
210:8,11,16
211:18 212:12
213:14,21
215:4,12,16,20
216:2,4,6,13
217:11,16,21
218:3
chairman
23:10 34:10
37:18 40:2
51:6 69:20
81:10 83:7
87:14 110:8
113:1 122:4
127:18 128:11
139:1,8 143:17
157:1 159:3
161:17 202:18
challenge 30:1
55:4,5,20
115:16
challenged
18:1
challenges
29:21
challenging
29:4,9 62:17

www.CapitalReportingCompany.com
202-857-3376

chance 69:16
change 25:7,8
86:8 109:21
130:4 139:16
139:18 140:13
209:9
changes 211:12
character
33:14
characteristic
22:2
checking 154:3
chicago 176:12
176:15
chief 3:2,11
11:8 14:21
27:3 30:7
61:11 73:13
93:14 146:4
171:21 186:2
childcare 94:19
children 108:3
choice 40:8,10
46:15,16 51:15
53:11 69:15,16
76:8 82:2
85:16 99:20
104:14 135:12
137:21 138:9
140:19 144:12
156:9,17 157:3
161:15 189:19
choices 54:15
choose 45:17
117:6 137:8
chorus 72:6
91:13 132:5
142:12 145:2

CCAC Meeting

[chorus - come]
216:1 217:20
chose 44:5
48:16
chosen 76:6
church 17:4
48:17 49:1
churches 49:4
circle 145:12
circulating
44:14 55:12
168:7
circulation
87:3
circumstances
194:14
citizen 83:16
84:10 149:4
citizens 1:1 2:2
7:12 149:8
citizenship
149:2,3,7
city 175:4
civil 15:14,21
16:21 42:13
95:17 172:13
173:5 179:1
180:2,16,19
181:1,14,17
183:9,11
186:10 189:21
190:8 191:16
198:1 199:6,10
200:7 203:2
207:6,11,14
civilian 173:11
clarification
109:2,5,18
125:18 146:4

March 1, 2023

Page 10
clarified 14:13
clarify 103:6
182:14
classroom
113:18
clause 16:15
clear 34:19
64:10 118:11
137:3 169:18
clearly 40:9
64:21 191:13
203:2
clerical 23:4
clever 31:15,20
191:9
click 9:20 10:1
close 180:3,20
closely 27:4
30:8 177:16
209:3 211:3
closing 202:12
clothing 172:16
172:17,20,21
177:20 178:3
180:13 181:11
clutter 117:21
cluttered
126:14
coach 118:13
coauthor 16:18
codified 35:5
coffee 74:20
coin 4:16 10:21
29:21 30:1
31:19 32:14
34:15 38:4,12
38:13 39:5
41:3 44:14

45:6 49:12
51:10 53:1
55:16 56:18
60:5 62:2 66:5
75:17 79:20
80:5 81:17
83:19 85:7,10
86:19 87:18
99:11,13 108:5
108:12 109:15
113:8 115:8
118:2,7,15
120:20 129:21
130:14 153:19
154:10 158:1
158:18 162:18
165:18 168:7
195:10 197:1,6
197:13,15
198:7 199:2
201:17 202:2
203:10 215:11
coinability
28:13
coinable 30:11
coinage 1:1 2:2
7:12 55:12,14
coining 63:3
coins 33:16
38:16,17,21
39:13 49:20
57:14 61:21
62:11 96:10
102:1 106:14
107:2 108:9
113:17,18
160:6 166:9

www.CapitalReportingCompany.com
202-857-3376

collaborated
148:7
collaboration
22:7
collar 23:4
colleague 40:4
colleagues
43:11 48:1
52:16 55:6
89:6 115:20
167:17 168:1
195:4
collected
147:21
collectors
109:15 206:9
college 18:2
105:2
collegiate
95:15
color 15:13
16:2 35:2,6
94:13
combat 174:4
combination
178:9 179:7,8
180:10 183:4
combine
182:18
combined
74:15
combines
159:5
come 20:8 49:8
50:5 54:3
56:21 59:4
103:19 121:4
142:21 150:14

CCAC Meeting

[comes - connections]
comes 39:4
57:1 61:21
102:10 127:15
comfortable
60:14 173:1
coming 105:2
174:19
comite 83:9
commemorat...
197:6 205:21
comment 31:8
36:14,15 51:10
59:7 61:11
69:21 89:15
102:2 108:7
116:21 127:21
128:2 140:12
141:13,14
187:1,3 210:15
commenting
30:20 31:9
comments
23:12,16 27:17
34:8 37:5,7,14
43:10 49:5
51:3 56:4,9
58:8,15 64:17
65:18 80:10,18
87:16,17 89:6
89:9,13 92:16
103:16 113:3
115:19 134:20
136:16 155:5
155:19 168:8
168:12,15
188:19 194:16
197:3 203:20
208:1,7 210:13

March 1, 2023

Page 11

211:21 216:15
commission
99:1 151:5
committee 2:2
7:13 8:4 17:12
27:17 36:21
37:19,21 49:6
58:15 59:5,6
63:13,20 66:13
66:17 68:11
71:8 75:10
78:18 80:11
83:9 89:17
96:3 99:3
100:1 103:8
123:19 129:19
131:14,16
135:5 136:19
139:13,15
143:1 149:19
153:12 155:5
170:3,10
174:17 177:11
182:5 188:13
197:2 208:8
215:9
committee's
68:8 186:15
commonly
96:19 97:20
communal
149:10
communicati...
3:18 13:6
communicati...
187:13
comparisons
206:12

compelled
162:4
compelling
159:18
compete
160:18
complete 41:12
completed
151:12
completely
48:2 190:5
compliment
164:21
composer
152:11,18
153:5 156:11
159:12 161:14
162:11
composition
178:12 179:9
183:6,15
211:11
concept 195:18
conceptualize
60:3
concern 184:13
186:7
concerned
103:3
concerns 60:9
185:8 192:16
195:17
conclude
107:18 183:17
concluded
72:18 92:7
216:7

www.CapitalReportingCompany.com
202-857-3376

concludes 23:9
78:14 153:7
182:1
concur 51:11
104:12
confederate
173:15
confess 115:17
203:14
confidence
193:21
confirm 11:4
confirmed
154:2
conflicted
52:18 54:10
confused 114:9
confusing
210:5
confusion 36:9
140:4
congratulate
38:9
congress 94:14
94:15,17
110:21 111:2,9
111:9,10,13
congressional
62:13 129:18
130:19 202:4
congresswo...
129:15
conjure 42:14
connection
206:19
connections
85:2

CCAC Meeting

[consecutive - cute]
consecutive
94:14,16
consider 69:13
116:1 141:17
170:4,10
consideration
5:8,14 6:2,8,15
37:1,3 80:14
80:16 103:11
103:14 118:21
136:18 155:15
155:17 177:20
188:15,17
194:15
considerations
81:7 104:5
considered
148:8
cont'd 3:1 4:1
6:1
contact 157:20
contain 96:20
contemplative
160:13
contemplativ...
23:1
context 200:10
continue 73:5
95:20 213:16
continued
72:20 94:8
149:13 173:2
174:6
continuing
143:10
contract
173:10

March 1, 2023

Page 12
contrarian
111:20
contrast 166:6
contributed
51:21
contributes
211:6
contributions
18:18 92:11
156:13
convention
167:5
conventional
172:12
conversation
59:10,13 71:11
205:13 206:4
convey 49:17
50:20 53:6,19
54:7
conveyed 49:17
conveys 117:15
convictions
94:7
copies 16:5
copy 61:7
corporate 3:18
13:6
correct 26:13
34:20 51:15
79:4 100:12
102:9 132:12
correction
170:7
correctly 40:20
79:3
corsets 172:18

costello 3:12
12:10,12 66:15
89:14 168:14
costumes 74:16
council 148:17
counsel 3:17
12:19,19 67:16
70:6,7,8 71:2
90:2 123:8
169:2 214:2
219:8
counter 130:5
country 18:14
50:2 83:13,15
83:17,18 84:5
143:10
counts 61:19
couple 106:20
110:14 116:18
166:18 186:12
course 34:18
111:12 124:6
212:18
court 16:13,19
37:10 81:3
103:21 156:2
189:3
cover 219:5
cowritten
16:14
cradle 22:3
cramped 121:9
crazy 45:9
create 31:15
created 179:15
creative 112:4
creatively 33:7

www.CapitalReportingCompany.com
202-857-3376

crescent 181:7
critically 179:2
cross 21:3
22:15 23:4
46:1 51:16
52:8 102:6
crossed 173:13
crosses 102:3
102:15,18
crossing
128:15,19
cruz 4:5 5:12
10:11 13:18
73:8,12,21
74:6 75:14,17
77:1,9,17 78:1
78:7 79:4 85:5
85:5 88:3
92:12 93:2
cry 75:1
cuba 75:3 85:3
cuban 73:21
74:3,20
cultural 74:2
culture 74:3
147:15,17
151:11
cultures 151:16
curator 9:10
curious 28:2
29:3 124:20
current 135:14
cursor 48:11
customs 172:15
cut 208:15
209:5
cute 201:16

CCAC Meeting

[cutting - design]
cutting 184:20
189:13 190:8
d
d 5:1 6:1
dakota 147:8
dance 78:3
148:10,11,11
dark 21:17
darker 154:16
dashes 109:13
date 194:9,10
194:12 196:14
202:7
daughter 13:21
106:10 131:7
135:20
day 1:3 7:6,16
7:16 18:9 50:4
143:14
days 202:12
dazzling 74:6
77:2
dc 1:8
dealing 50:6
dean 2:9 8:16
38:14 39:20
40:2 58:20
65:4,9,10
87:12,14 110:6
110:7 113:16
122:2,4 127:17
128:10,12
131:19 133:5
138:20 139:6,8
159:1,3 204:4
dear 110:9

March 1, 2023

Page 13
death 110:18
149:14 176:11
176:17
debate 122:5
decades 74:13
decide 141:6
decided 115:20
decides 138:7
decision 54:15
86:21 118:9
121:20 183:21
decisions 117:2
decisive 143:6
decisively
143:2
declare 26:3
dedicated
95:17
defer 110:2
139:4 164:12
definitely
154:20
delaware
128:15,19
deliberations
179:11
delimiter
145:13,17
delimiters
99:19 109:8,10
115:7 116:13
121:10 124:17
144:2,13
demass 4:10
14:9 174:14,16
174:18,21
175:1 195:1
212:11,13

213:9,15 216:9
216:12,14
demonstrated
47:11
denied 95:8
denigrate
33:19
dennis 2:15 9:5
27:18 29:1
54:21,21 55:3
56:5 68:12,13
71:16 84:18
106:8 111:5
120:7 124:2,12
131:11 133:3
157:6,8 159:9
160:11 194:19
194:21 209:20
215:5
depending
130:21
depict 22:1,20
78:6 151:19
153:2 180:20
181:9 191:13
193:7
depicted 85:14
depiction 114:5
179:14 180:18
201:3 211:9
depictions 32:1
167:3 191:20
depicts 77:9
78:1 97:19
98:9 151:9
180:3
depth 72:19

www.CapitalReportingCompany.com
202-857-3376

deputy 201:15
describe
155:12
describes
114:20
description
151:6
deservedly
64:8
deserves 51:17
51:17 52:4
design 3:2,4,5
3:7,8,10,13
11:9,12,15,17
11:20 12:5,11
15:1 19:13,17
21:1,4 22:8,16
24:17 28:1,10
31:15 35:11
36:21 44:3,3
44:11,17 45:9
45:17 47:13,15
47:16 53:9,17
54:6 57:3
59:14 60:7
62:5,14 66:13
67:21 68:1,2,3
68:4,5,8,9,18
73:14 76:7,17
76:21 83:1
84:12 85:16
86:6 87:8 89:7
90:6,8,9,10,12
90:14,17,17
91:5 93:12,15
97:7,7 98:9,13
98:19 99:9
105:17 108:1

CCAC Meeting

[design - discover]
108:15,19
113:8 114:21
115:3,4,6
116:3,5,10,16
117:13 119:3,6
121:13,14
123:11,13,14
123:15,16
126:11,15
127:2 128:18
129:14,14
130:6,7 131:17
136:2 141:1
144:12 146:20
151:2,3,9,9
152:3,12,15
153:6 154:1,4
156:9,17
157:10,14
158:9 159:13
162:10,14
163:7 164:7
166:4,10
167:18 168:4
169:5,7,9,10
169:11,13,16
169:17 171:16
172:1 178:8,9
178:14,17
179:2,12,19
180:3,8,15
181:1,6,11
183:1,4,15
184:7,8 188:5
193:10 195:16
196:18 197:20
199:12 200:5
200:15 201:11

March 1, 2023

Page 14
204:15 206:13
206:14 207:12
208:13,14
209:4 210:4,17
210:19,21
211:4 214:6,8
214:9,10,11,21
215:11
designed
200:18
designs 10:8
14:18 15:3
20:17 21:10
22:6,20 23:10
27:1,3 31:5
36:6 38:10
39:11,12 42:9
43:16,19 45:14
45:20 47:18,19
48:4,6 55:8
60:15 63:6
66:18 73:11,16
76:11 78:15,19
93:17 106:18
107:1,13 111:4
111:21 114:2
114:20 115:18
117:20 118:9
119:4 126:4
135:12 141:4
141:11 146:17
150:20 152:19
153:2,8,13
157:2 158:5
159:15 162:1,9
164:12 165:2
166:8,12
167:13 172:3

177:12 178:2
179:13 180:11
180:20 181:3,9
181:18 182:2
198:20,20
desire 73:5
171:7
desired 186:8
desk 23:1
despite 45:12
63:7
detail 81:20
100:12 179:15
194:5 197:11
197:17
details 38:3
202:10
determination
212:16 213:10
determined
151:20 174:3
212:16
devastated
61:2
development
93:15
device 31:18
102:13
dfasam 2:3
diagonals
130:10,15
dialog 131:14
dials 100:21
diamond 110:1
152:1 153:18
153:19 154:5
difference
188:2

www.CapitalReportingCompany.com
202-857-3376

different 28:11
29:5,21 45:10
55:19 56:14
64:1 96:19
99:15 102:16
109:16 119:6
119:19 122:11
161:6 184:13
189:16 196:5
198:19 200:13
205:15 206:2
differently
187:18 196:10
difficult 62:20
80:1 183:18,20
difficulties
30:13
difficulty
134:13
dignified
159:13
diminish 136:3
diminishes
141:5
dining 74:20
diocese 48:20
direction 84:6
159:20 170:8
directive
118:15
directly 15:16
149:1 157:21
162:17
director 2:20
12:14 209:3
discover
206:12

CCAC Meeting

[discretion - dressed]
discretion
99:20 145:21
discrimination
16:12 94:4
95:9
discuss 96:15
discussed
127:12
discussion 10:7
43:14 71:11
72:17 91:9
92:7 101:20
124:6,14
125:11 126:3
128:8 131:20
138:18 142:7
144:18 170:13
200:14,17
210:4 215:18
216:6
disquieted
27:10
distinction
187:15 193:2
distinctive
78:13
distinguish
99:14
distinguished
73:21
distract 49:11
49:12
distribute 16:4
divided 140:21
141:10
dividends
44:16,17

March 1, 2023

Page 15

doable 28:14
doctor 172:20
document
36:17
documents
19:1
doing 64:11
91:21 136:6
191:15,16
192:4
dollar 121:7
122:6 197:8
dolly 85:20
dominated
74:11
dot 100:5 110:2
dots 99:10,13
99:17 108:8,10
108:15,20
109:10,18
double 166:11
166:15 167:12
downside
207:5
dr 4:11 6:12
7:8 8:10,12,16
8:18 9:8,11,12
9:16 10:12
14:6 15:10,11
17:18 21:11
22:2,20 24:7
24:13 25:16
26:7,18 32:6
32:15 34:6,9
34:15,21 35:18
37:15,17 39:8
39:8,20 40:1,4
42:10,15 45:4

45:13 47:9
48:13 51:1,8
51:11 52:12,12
54:11 55:2
56:11 58:18,20
59:1 63:14
64:15 65:10,21
66:20 68:21
69:7 78:20
79:7 80:7 82:6
82:12 83:6,11
84:13,15,19,21
86:13 87:13
89:21 91:6
100:6 101:6,12
101:14 102:20
103:5 104:17
105:13,13
106:3,7,14
110:7 120:8
121:16 122:3
124:10,11
125:3,9 126:7
127:11,18
128:11 131:13
133:6,8 134:2
134:16,16
137:16 138:6
139:7 140:6
142:4 153:16
154:6 155:2
156:6,6,21
157:7 158:20
159:2 161:21
164:4,18
171:13,17
172:8 173:4,20
174:9 175:5,13

www.CapitalReportingCompany.com
202-857-3376

176:1,5,12,12
176:13,14,15
176:17,19
178:4 179:14
180:1,4,12,18
180:21 181:4
181:10,12,19
182:10,12
183:16 184:15
185:12,17
186:19 188:4,7
191:1,1,5,8
192:18 193:15
193:20 194:20
195:11 196:4,4
196:14 198:3
198:12 199:13
201:8 202:7
203:16,16,19
204:3,3,8,9
205:7,18,19
206:16 207:9
208:10,14,19
208:21 209:19
212:10 215:6
217:13
draft 19:13
draw 131:6,8
193:1
drawn 53:12
54:5 61:6
157:9,15 191:3
204:21
dress 77:3
173:2 177:1
200:21 206:5
dressed 181:10

CCAC Meeting

[due - engraver]
due 39:15
duty 50:17,18
dynamic 77:1
82:16 87:8
119:7,14
120:13 129:21
130:2,7,11
dynamically
129:2
dynamism
88:10 126:15
160:4
dynamo 88:5
e
e 5:1 6:1 7:1,1
66:1 184:14
eagle 151:13
earlier 87:17
140:19
early 175:16
198:1
ears 213:12
easier 49:2
61:1 100:4
easily 202:2
easy 48:21
53:11
eat 171:9
echo 55:5 85:1
economics
148:20
edge 79:12,20
99:10,13 115:8
editor 10:19,21
editorializing
30:19 62:3
130:9

March 1, 2023

Page 16
educate 20:5
38:19
education
16:10 94:6
95:1,4,9 98:12
98:19 107:9
114:7 120:18
121:3 147:13
147:18 148:19
151:12
educational
98:3 117:17
edwards 4:11
6:13 10:12
14:6,8 171:13
171:17,18,20
172:8 179:14
180:2 181:12
184:15 195:12
efficient 121:21
efforts 72:20
143:11 173:5
either 57:16
60:14 113:15
124:16 125:20
136:10 137:21
140:21 141:2
149:17 159:19
190:11
elaborate
74:16 78:3
elbows 129:15
eleanor 22:8
electric 176:16
electrified
74:18
electronically
67:3 123:2

212:6 219:4
elegance
105:19 115:5
117:14 126:19
136:13 210:21
211:8
elegant 52:4
86:3 105:17
114:5,19
126:10
element 22:21
115:2 116:5
211:2,4,10
elements
157:14 159:5
168:4
eligible 174:5
eloquent 54:12
eloquently
52:17
elton 85:20
elvis 85:20
emblem 197:12
emblematic
22:4
embrace 74:4
embraced 52:2
137:1
embraces 26:5
embracing
96:19
eminently
130:1
emotional
83:21
emphasis 50:21
179:18

www.CapitalReportingCompany.com
202-857-3376

employed
219:9
employment
148:20
empowerment
181:8
enacted 35:5
encircled 97:21
encouragement
65:14
endeared 74:8
endeavors
18:19
endorse 195:16
endorsement
158:19 198:11
endured 94:3
energetic 74:7
88:11
energy 77:15
78:8 117:11
126:15 136:4
engage 82:18
129:20 157:19
206:11
engaged 30:15
206:4
engagement
162:19,20
163:8
engages 157:21
engaging 112:1
156:15 159:13
english 148:1
engraver 3:11
12:9 27:3 30:8
61:12 146:5
186:3

CCAC Meeting

[engraving - fact]
engraving 3:13
12:11 118:18
enlarged 98:6
180:17 183:8
enslaved 75:2
ensure 27:5
30:9 36:7
ensured 188:6
entertain 208:6
217:12
entire 17:6
150:13
entirety 197:13
entitled 19:11
environmental
94:20
episcopal 17:2
17:3 48:16
49:1
episcopalian
48:19
equal 16:15
18:13,18 19:11
22:6 95:4
98:12 107:8
120:18 121:3
equality 58:2
94:18 95:18
158:12 179:20
equally 124:8
141:4
equity 36:8
95:20 98:18
114:7 117:17
era 172:13,18
181:1
especially 89:8
192:17

March 1, 2023

Page 17
esq 3:16 5:9,16
6:3,10,17
essential 111:8
essentially
26:15 31:16
32:14,19
100:11 191:18
estate 17:19
62:1,12 75:15
76:5 77:7
estate's 77:21
esteemed 146:4
et 135:12
european
108:9
evaluate 102:8
evaluation
102:16
evans 3:8 11:20
eventually 18:6
34:4 35:3 94:9
148:2
everybody 7:5
56:15 65:5,15
93:3 107:19
117:10 194:11
everyone's
61:18
evidently 62:14
evolved 32:19
32:20
exactly 20:6
46:17
example
102:12 186:11
excellent 41:6
104:13 106:21
159:15 164:12

exchange
173:19
excited 86:7
96:9 150:13
excluded 95:7
excuse 9:16
14:7 45:4
189:20
executing
30:13
executor 17:18
75:14
exercise 138:2
exhilarating
77:14
exists 32:9
33:21
expected 217:6
experiences
147:20
experimental...
56:15
explanatory
118:14
exposed 16:3
express 35:15
52:16 84:4
96:6
expressing
166:7
expression
54:12 151:20
152:16
exquisite
164:21
extended 82:17
extent 16:3
43:4 44:16

www.CapitalReportingCompany.com
202-857-3376

129:8
extremely
20:12,12 117:1
168:6
exuberant
77:19
eye 27:9 40:14
130:7 157:9,20
162:19,19
163:8 192:21
eyeglass 21:12
eyes 19:10
53:14 78:11
204:20
f
face 21:12
27:11 28:5
41:9 59:20
60:20 135:17
212:15,17
213:11
facilitate 28:12
facp 2:3
facsimile 23:21
fact 24:4 26:2
27:10 36:20
43:17 45:12
46:8 57:7
59:21 70:1
113:11 137:18
140:18 146:21
171:3,4,7
187:4 188:21
189:12 191:6
191:15 192:3
193:19 198:7
201:11 202:6

CCAC Meeting

[fact - first]
207:2,14
factors 108:8
facts 43:12
failed 134:15
fails 134:14
fair 25:16
fairly 140:20
189:17
fake 57:17
familiar 61:17
135:18 206:10
families 94:20
105:1
family 18:4
19:13,21 20:11
20:21 21:7
22:13 27:14
39:15 40:10
44:5,21 45:21
46:19 51:13
52:7 53:21
59:18 60:13
76:5 95:21
96:17 97:8,12
98:14,20 101:5
129:20 130:8
131:1,6 149:15
150:5,21 151:3
152:13 157:11
159:10 163:14
164:13 168:2
177:17 178:7
180:9 185:7
186:5 188:1
212:14
family's 31:11
42:3 54:14
96:6 127:5

March 1, 2023

Page 18
155:10 156:8
156:16 157:3
162:13 182:15
182:20 184:9
famous 13:14
170:20 208:5
fan 126:20
194:2
fans 74:9
fantastic 44:3
44:11 53:16
73:2 92:11
170:17
far 52:17
182:21 198:21
farm 172:17
fashioned
150:4
father 175:15
favor 72:5 87:7
87:15 91:12
119:5 127:4
132:3,20
142:10 145:1
204:15 215:21
217:19
favorite 57:5
58:12 184:9
212:20
feather 151:14
feature 98:5
152:19 179:13
180:12 181:19
featured 21:19
features 22:9
22:10,17 23:7
77:16 151:15
180:1,17

featuring 98:2
february 176:9
federal 20:4
95:10 217:7
feedback 10:2
131:15
feel 49:10 54:9
66:7 88:9
124:21 142:20
143:1 197:18
feeling 184:6
211:16
feet 119:20
fell 59:19
felt 26:2 27:15
44:9 59:20
60:10,11 107:9
140:2 147:13
160:17 163:9
178:1,14 179:1
179:6 183:10
209:10,11
female 12:1
62:8 102:6,7
102:19,21
187:17 205:6
field 26:12,15
35:10,17 36:1
56:20 154:11
fields 75:4
fifth 171:14
fight 95:20
fighting 22:5
figure 181:4,10
199:1 201:12
211:5
figured 41:12

www.CapitalReportingCompany.com
202-857-3376

filled 98:7
final 7:15 34:7
58:7 182:17
183:18
finally 13:12
49:8 78:6
98:15 173:7,9
181:18 185:13
financial 95:10
financially
18:1 219:12
find 47:14
52:20 53:7
54:4 81:14
121:1 126:10
126:13 156:14
163:6 195:15
206:11
fine 45:20 99:1
105:4 108:17
109:21 110:10
110:12 151:5
167:8 209:1
fires 104:10
first 14:17 17:1
20:17 38:8
45:7 47:19
48:15 49:9
51:7 56:8 59:8
63:6 86:19
94:12 97:6,7
98:19 113:8
117:20 119:12
127:19 148:8
150:2 151:8
161:12 164:20
173:9 185:14

CCAC Meeting

[five - generation]
five 37:5,14
74:13 80:19
103:17 110:10
125:14 155:19
188:19
fix 100:4
flashing 77:1
77:18
flavor 216:16
flight 157:18
flipped 48:2
floor 1:8
focus 111:16
focuses 117:15
folks 96:12
follow 35:1
following 10:6
10:10 11:4
59:3 136:19
force 52:4
forced 75:3
forceful 191:4
foreground
110:20
forgive 132:7,8
forgiveness
38:6
form 30:10
62:5 151:14
176:6 190:17
formal 98:21
130:13
formally 109:9
former 24:3
75:14 176:6
forms 84:2
153:1

March 1, 2023

Page 19
fort 176:7
forth 59:19
fortified 19:9
fortunate
165:6
forward 30:16
31:2 96:14
117:2 171:11
fought 15:14
17:5 18:8
94:18
found 19:7
33:7 81:19
135:15 163:11
172:17,20
189:19
foundation
17:20 19:12
20:1
foundations
15:18
founded
148:17
founder 10:21
17:19
four 86:19
125:14 173:16
fourth 146:16
191:7
framed 21:12
frankly 28:18
36:10 183:17
fray 56:20
free 142:20
143:1
freethinker
172:10

friend 176:11
friendly 71:18
72:4 103:15
friends 176:14
friendship 22:7
front 16:12
64:3 66:21
98:10 115:13
122:21 152:16
153:3 192:18
202:7 212:4
216:10,10
frosted 50:11
50:12 87:5
154:15
frosting 154:20
fruition 150:14
full 28:18
79:14 178:3
179:13 181:4
181:10 198:21
200:19
fuller 2:6 8:10
8:12 32:2 34:9
34:10,15,21
35:18 37:16,17
39:8 40:4 59:1
79:13 83:6,11
84:13,15,21
101:14,15
102:20 103:5
106:3,4,14
125:3,4,9
133:8 137:16
137:17 138:6
156:21 182:12
182:13 183:16
185:12,17

www.CapitalReportingCompany.com
202-857-3376

186:19 193:15
193:16 196:14
208:10,11,14
208:19,21
fully 36:17
185:7,15
195:17
fun 81:15,15,15
111:21 190:11
fundamental
31:18
further 27:16
59:10 71:11
103:7,13,18
118:19 122:19
142:6 170:9,13
170:13 219:11
future 19:2,4
112:18 128:20
129:1 145:15
197:3 210:10
g
g 7:1
gallery 110:16
161:8
gauge 71:6
gay 26:3
gender 16:12
25:8 94:18
95:18 172:15
genderless 25:9
general 2:4,5,8
8:7,14 9:13
42:11 43:20
generation
94:1

CCAC Meeting

[generations - granted]
generations
74:10
generic 41:15
genius 41:10
george 4:10
14:9 128:15
129:3 174:13
175:1 212:11
gertrude 147:7
gesturing
77:10
getter 169:12
169:18 215:1
getting 41:5,14
41:17,18 69:16
76:2 163:19
194:13
gifted 148:6
gill 2:8 8:13,15
51:4,5 81:8,9
81:10 104:16
104:17,18
133:10 164:17
164:18,19
202:16,17,18
ginsberg 16:11
16:17 52:2
ginsberg's
16:17
girls 105:1,1
give 17:15
43:10 61:17
67:4 116:20
118:19 126:8
147:16 149:7
151:6 163:15
166:4,11,14
167:7,9 184:16

March 1, 2023

Page 20

194:15 205:1
208:17
given 32:10
64:2 71:6
154:12 215:7
gives 17:21
111:7,10 158:7
161:10 210:20
giving 115:15
119:13 160:2
206:14
glamorous
77:17
go 29:10 38:11
41:7 42:6
52:19 58:3,5
58:21 60:18,19
67:9 86:19
97:6,10 101:16
105:20 118:13
124:9 126:6
127:10 136:14
137:14 159:19
161:7 162:12
168:3 171:6,10
178:16,20
183:13 189:1
190:13,14
194:7 200:21
201:7 202:19
203:17,21
204:2,14
210:19
goals 48:18
god 19:8,9
god's 19:10
goes 46:12
79:12 88:13

going 7:7 17:15
17:15 23:14,15
33:3,4 34:17
34:17 36:2
38:5,6,17,18
39:12 41:2
42:13,17 43:9
44:12,14,19
46:17,18 47:5
50:8,12,13,20
51:7,11 56:6
56:14 58:5
63:13,19,20,21
64:5,6,19
66:11 67:9
70:18 79:21
86:20 87:2,4
100:11,18,20
100:20 104:7
105:2 107:17
108:17,19
111:17 112:9
115:5 116:17
117:2 128:5
131:1 132:13
134:9,13 136:9
138:19 139:1
142:19 144:3
160:19 161:11
161:13 164:12
167:7,9 168:3
171:6,10 176:7
183:19 189:11
189:16,17
192:10,19,21
198:10 199:8
201:15 202:4
202:19 204:9

www.CapitalReportingCompany.com
202-857-3376

204:10,12
205:1,2,8
206:1,10,20
207:16 209:15
213:17
gold 62:13
129:18 130:19
197:5,10
good 7:4,9,10
12:6 13:11
33:11 50:7,8
58:10 65:16
69:16 75:13
88:10 92:6
104:13 111:3
114:2 129:17
160:15 164:13
165:14 195:2
201:3 204:17
google 39:5
121:2
government
3:14 13:1 20:4
92:19 148:12
174:3
grab 88:7
grabbed 113:9
grabs 45:11
grace 19:9
210:20
gracias 83:10
granddaughter
14:3
grandmother
150:1,10
grandson 14:4
granted 36:11
149:3

CCAC Meeting

[gratitude - hero]
gratitude 96:6
96:7
gravitas 130:18
great 14:3,4,4,8
14:8,8 17:17
38:1,10 40:6
40:17 43:2,4,5
43:6 75:16
84:3 92:20
93:3 143:13
150:1,10,10,12
175:9,9,9,20
176:11
greet 195:1
greg 3:16 5:9
5:16 6:3,10,17
12:18 31:7
67:5,16 71:2
90:2,20 101:18
119:2 123:8
125:5,18 169:1
169:21 212:8
214:2 215:2
grew 195:6
group 4:16
11:1 60:11
167:14
grouping
163:15
grow 31:6
growing
172:16 195:12
grown 176:2
guess 34:21
126:18 133:20
guidance 28:17
118:20 208:17

March 1, 2023

Page 21
guide 56:4
guideline 60:8
gum 49:16
guys 109:16
129:6
gwendolyn 4:6
13:21
h
h 2:8
hair 157:17
162:5,8 167:1
167:2,3
half 108:3
177:3
hall 4:14 10:19
hanchock 3:9
12:3,4 24:17
25:1,2
hand 7:7 32:3
63:16 69:8
77:11 82:18
96:10 116:6
118:2 127:19
128:13 179:17
191:8 193:19
198:18 207:1
212:11 219:14
hands 22:3
handwriting
46:14 181:13
handwritten
23:8
hanging 187:11
213:5,6
happen 9:14
59:11 205:8

happened
144:1
happy 76:4,10
82:21 96:17
104:14 105:15
110:13 126:9
133:11 136:10
137:20 138:9
140:21 141:1
143:4 150:14
156:8,16 157:3
158:1 193:5
harcourt 2:6
8:10 34:10
37:15 58:20
83:5 101:13,14
106:2,3 125:2
125:3 133:7
137:14,16
156:20 182:10
182:11,13
193:14,16
208:9,11
hard 41:2
51:20 60:2
86:20 99:14
hawaii 94:3,10
94:10
hbcus 16:5
head 31:14
32:5 33:1
85:10 184:21
185:18 189:13
headed 32:14
health 148:20
hear 56:2,8,9
58:7 59:4,8
65:16 85:8,9

www.CapitalReportingCompany.com
202-857-3376

111:17 124:13
124:14,20
195:2
heard 38:2
58:14 59:15
85:9 116:21
131:14 153:14
163:7 166:18
190:10 200:16
hearing 14:16
48:1 66:10,17
72:9 80:15
91:11 96:14
103:12 115:19
122:19 132:2
142:9 144:21
188:16 215:20
219:7
heart 47:18
216:21
hearts 72:19
height 80:4,5
154:21 155:1
held 1:7 173:16
hello 106:9
help 106:16
209:9
helped 15:17
74:3 148:3
helpful 135:6
196:15
helping 92:10
helps 63:1
136:7
heritage 74:5
148:4
hero 195:15

CCAC Meeting

[heroism - image]
heroism 202:11
hi 75:12 149:20
150:8
hidden 27:11
high 68:2,9
90:16 95:15
169:12,18
214:10 215:1
higher 79:21
highest 41:1
75:18 125:15
highlighting
20:18
highlights 87:5
hill 175:14,14
175:14,18,19
176:7
hint 118:6
hinted 117:8
historian 14:9
174:14 175:2
historians
177:15
historical
200:10
historically
188:9
history 2:10
8:17 20:8
27:13 51:20
177:13,15
202:11
hmm 34:6
123:21
hold 37:8 57:15
57:15
holder 118:7

March 1, 2023

Page 22
holding 57:12
57:18 58:4
77:11 151:21
162:18 180:4
holly 4:7 14:3
149:21 150:9
170:14
home 147:7
175:11
honestly
207:20
honor 9:14
26:2 33:4,7
75:16 83:12
96:8 108:4
120:17 150:12
174:1,11 176:4
177:7 178:16
178:17 179:3
179:16 180:5,6
180:14 181:1,5
181:15,20,21
183:8,14
184:13,16,17
185:5 186:8
187:5,8,17,21
190:1 192:8,14
192:19 193:8
194:9,13
195:19,19
196:8,14
197:17 199:5,8
201:3 202:5,8
202:21 205:10
205:20 207:18
209:2 211:7
212:19

honored 38:3
75:5 76:3
83:18 118:3
150:3 175:5
183:11 215:8
honoree 163:10
honorees 33:8
honoring 10:9
14:19 15:4
54:14 66:19
73:11 75:17
93:6,13 146:18
171:17
honors 161:1
185:7
hoosen 176:12
176:13,18
hoosen's
176:16
hope 19:1
21:13,15,18
22:18 26:11,16
39:2 40:21
41:12,16,21
45:15 50:1,3
60:12,19 64:20
65:20
hoped 135:7
175:19
hopeful 152:16
hopefully 53:2
hopes 19:3
horizon 65:19
horrible 190:3
190:7 191:15
horrid 190:12
host 20:1

www.CapitalReportingCompany.com
202-857-3376

house 2:7,11
8:11 94:11
120:3 213:3
hq 1:8
huge 31:2 52:3
human 16:5
18:7,8 19:2,4
19:11
humanitarian
93:2
humanity
50:14
humans 19:10
humble 39:9
humility 65:14
husband
148:18
i
icon 74:2
iconography
112:15
icons 98:7
idea 32:13
111:10 144:2
identified
20:19 76:18
178:8 180:8
182:21
identify 205:16
identifying
150:20
identity 149:10
image 39:4
41:3 53:15
64:20 96:17
98:6,17 110:17
129:21

CCAC Meeting

[imagery - intended]
imagery 46:10
116:1
images 33:8
50:17 110:15
112:14
impact 19:4
149:13 211:15
implies 203:2
imply 118:12
importance
64:11
important
15:18 17:7
18:20 19:15
27:7 41:16
43:21 46:9
62:2 75:21
108:10 111:9
113:21 115:2
117:2 118:5
120:15 137:1
143:13 156:12
162:20 165:5
177:19,21
179:2 183:12
187:19 191:14
192:2,6,13
193:4 205:11
208:4
impossible
57:17
impressed
112:20
impression
41:5
improvement
190:2

March 1, 2023

Page 23

inanimate
160:18
inch 62:13
164:8
include 13:15
46:3 124:18
157:11 193:8
includes 10:6
78:4 152:3,6,9
153:6 179:19
180:15 181:1,6
181:12,15
including
96:13 148:19
172:11,18
178:18
inclusion 46:13
96:7 100:9
106:16 155:12
156:10 158:15
inclusive 60:17
income 94:19
incorrect 25:3
incuse 26:13
79:3,9 85:15
154:8,10
incused 35:19
35:19 36:3
40:20 181:16
indian 148:9
148:16 149:2
indians 148:18
149:4,7 160:8
indicate 11:6
108:11 109:21
indicated
219:15

indicates 36:20
199:13
indication
192:12
indigenous
147:15
individual
113:20
individually
88:7
individuals
33:4
inducing 35:6
ineloquently
25:10
infantry
173:12
infectious
77:18
influence 185:9
influential
16:16
inform 118:1
information
15:9 43:12
60:4 121:2
129:7 172:7
196:10,13
198:5
initial 135:12
initially 32:20
60:16 115:17
199:4
innovative
53:16 55:11
157:13 160:12
167:16

www.CapitalReportingCompany.com
202-857-3376

innovators
33:21
inscribed 77:4
203:1
inscription
21:19 22:17
46:13 77:12,19
78:4 98:11,18
116:3 152:4,7
178:21 179:4
179:17,20
180:1,6,19
181:12,17,20
183:9 184:14
192:7,14 193:9
inscriptions
121:11 152:10
152:17 153:4
155:12 156:10
180:16 181:14
201:20
inside 145:19
inspiration
95:19
inspired
110:11 154:5
inspiring 206:6
instance 52:3
instantly 49:21
113:9
institute
177:14
integral 16:21
102:12
intellectual
15:17 51:9,21
intended 86:4

CCAC Meeting

[intent - kind]
intent 35:15
79:17 130:8,21
154:17 185:8
interest 71:6
129:19,20
interested
36:20 51:13,14
59:14 198:4
202:9 219:12
interesting
81:20 111:15
161:9 195:15
195:20
interests 152:1
intergovernm...
2:21 3:15
12:15 13:2
interior 98:1
interject 25:3
internally 36:6
109:6
international
74:1
interpret 35:8
interpretation
151:16
interpreted
102:3
interrupting
204:5
intersection
63:7
intrigued
120:20
introduce 15:2
73:15 93:16
172:2

March 1, 2023

Page 24
invaluable
58:16
invitation
117:3
invite 24:20
82:19
involved 15:16
46:21 113:13
ipad 204:12
island 94:3
issued 110:18
205:4
issues 14:12,13
148:19
it'll 100:19
item 5:2 14:17
73:9 93:10
146:16 171:7
171:14
items 116:15
ix 95:1,5,12
97:20 98:10
107:6,8 111:13
115:1 120:16
121:4 124:19
128:21
j
j 2:9
japanese 94:2
jennifer 2:20
9:17 10:3,14
10:17 12:13
63:15 67:8
69:7 212:10
218:8
jimmy 174:9

job 28:11
160:16 190:7
191:16
joe 12:7 26:9
27:19 29:18
30:18 34:11
36:14 40:19
61:13 66:11
78:21,21 79:5
79:10 89:12
99:18 100:15
101:7,18 109:4
115:14 119:1
129:6,10
131:15 145:10
154:9 168:12
184:1,3,7
186:11 189:12
208:18,19
210:12 211:19
joe's 110:3
john 2:11
56:12 86:15
107:16 115:6
127:19 128:2,3
133:12 141:18
144:17 165:21
189:7,9 207:16
john's 145:8
johnson 110:15
174:2
join 73:5
joined 13:13,17
13:18,21 14:7
joining 14:5
92:9
joseph 3:11

www.CapitalReportingCompany.com
202-857-3376

journey 48:21
60:12
joyful 82:16
joys 37:21
jr 42:15,16,21
judgment 58:7
184:4
jump 56:19
justice 15:19
17:7 18:8 22:4
22:5 23:3
175:21
juxtaposition
151:10
k
karen 4:3
13:17
keep 37:5,13
80:18 103:16
120:10 155:19
188:19 199:9
keeping 71:1
194:16
kept 16:7
keys 78:10
keystone
211:11,13
kind 28:5
29:13 34:2
56:19 57:2
107:18 108:20
120:4 135:21
139:11,13
145:12 158:7,8
158:13 166:17
179:8 185:1
189:14 198:6

CCAC Meeting

[kind - legislative]
205:12
king 42:15,16
42:20
knew 18:15,19
93:3 176:1,1
know 28:16,20
29:11,14,18
30:21 33:12,13
34:12,16 36:12
37:20 53:1,5,7
53:21 54:2,3,8
54:9,10,11,12
54:14 55:21
58:1,6 60:4
61:6 65:16
80:21 82:19
83:19 85:18,21
86:1,4 92:21
99:21 100:16
100:21 101:9
102:20 104:21
109:9,11 112:9
118:4,13,14
127:7 128:18
135:10 136:7,9
139:10,20
146:8 160:5
161:1,9,9
162:5 166:20
167:4 184:1
191:7,17
194:11 195:11
205:9,14 206:8
206:9 207:8
208:12,20
209:2,16
knowing 93:4

March 1, 2023

Page 25
known 72:21
97:20 147:6
148:8 187:14
knows 194:11
kotlowski 2:9
8:16,18 39:21
40:1,2 58:18
58:20 65:10,11
87:13,14 110:7
110:8 122:3,4
127:18 128:11
128:12 133:6
139:7,8 140:6
159:2,3 203:16
203:19 204:3,4
204:8 205:7,18
l
label 43:4
lack 166:9
198:2
lady 92:20
165:8
lake 175:18
landmark 16:9
95:1 97:19
language 107:7
120:16 124:19
large 178:15
213:13
larger 32:21
42:8 112:6
198:8
largest 204:20
late 75:17
latin 85:3,17
148:2

latino 74:4
latinos 75:2
laughter 25:15
39:7 61:4
84:14 88:20
91:18 104:9
124:1 134:11
135:9 138:5
139:2 143:3,7
146:9,12
158:16 185:3
213:8
law 16:5 32:4
57:8 116:6
lawrence 2:3
9:12 63:11
70:7 89:4
104:7 109:1
115:11 169:1
182:4 186:21
203:13
laws 16:2
lawyer 15:15
34:3
laypeople
59:21
lead 106:16
leader 2:11,13
8:20
leading 128:20
128:21
lean 114:3
117:19 158:6
leaning 48:5
199:4 203:15
206:21
leap 31:2

www.CapitalReportingCompany.com
202-857-3376

learn 196:9
learned 147:21
195:13
learning 38:1
leave 96:16
97:1 141:21
145:20
leaves 57:2
110:3
led 149:1
200:21
left 17:16 77:10
78:11 82:18
147:7 180:5
184:17
legacy 20:2
75:21 76:12
95:19
legal 3:17
12:19 78:17
80:11 99:4
102:17 103:8
153:11 155:6
182:6 188:12
legend 108:8
legends 108:20
legion 197:10
197:12
legislating
119:14
legislation
31:13 32:18,18
33:3 34:4
97:20 98:10
118:8
legislative 2:20
3:15 12:14
13:2

CCAC Meeting

[legislature - lyndon]
legislature
94:10
length 62:18
130:4 179:13
181:4,10
200:19
lent 200:8
lessen 211:15
letter 154:21
155:1
lettering 63:7
114:7 121:8
124:16 198:18
199:5,10
letters 26:11
60:21
letting 170:21
level 26:16,17
levels 95:15
lexington 48:20
liaison 2:20 4:3
4:5,6 10:15
12:15 21:8
22:13 24:19
27:15 54:1
75:6 76:19
97:8 98:14,20
138:8 174:12
liaison's 20:21
28:1
liaisons 4:2,9
4:11 13:14
20:11 151:4
152:13 159:10
216:8
liberally 36:5
libraries 16:5

March 1, 2023

Page 26

life 17:6 18:9
19:7,16 26:5
46:12 60:17
94:4 147:11
148:14 160:9
173:3 174:7
176:2,20 192:1
196:4
life's 22:5
lifelong 18:19
48:18 95:17
179:21
light 137:18
171:3
liked 57:20
58:3 81:18
111:4 159:8,16
160:3,11
165:13 167:8
176:14 213:10
likely 130:2
137:1 154:14
177:2
likeness 62:17
88:10 155:11
186:6
likewise 172:19
liking 96:18
limbs 190:8
limits 149:5
line 9:20 21:17
65:20 100:11
119:2 153:18
lines 56:19
78:10,13
listed 16:17
listened 49:5
85:3

listening 7:19
52:15 139:9
literally 146:5
literals 130:12
literary 152:1
little 24:14
28:4 40:15
41:2,9 47:16
61:18 85:13
87:9,9 99:14
100:12 101:9
103:20 105:7
107:3,4,21
114:3 122:10
126:13 128:17
136:11 156:1
160:5 167:11
live 88:4 177:1
lived 18:3
175:13
living 175:11
llc 4:14,16
10:20 11:1
local 195:15
logical 145:13
long 149:13
look 28:3 33:16
38:18 39:5
44:6 49:14
50:9 60:5
65:19 85:7,10
87:2 96:14
99:11 102:18
120:21 129:17
154:16 165:14
192:19 196:20
197:9,11,21
198:5 202:10

www.CapitalReportingCompany.com
202-857-3376

207:7 208:15
212:16
looked 102:18
106:17 158:9
199:15 203:6
looking 57:8
76:15 151:2
162:17 163:10
looks 46:5 50:7
107:5 120:5
200:20
lose 194:4
lost 199:1
lot 43:15 49:13
50:21 83:2
85:3,4,4 108:9
111:7 113:7
130:14,15,16
130:17 159:14
160:4,10
161:12 187:8
200:13
love 19:18 43:2
59:19 82:8,14
83:13 84:1
85:5,11 116:3
124:14 136:3,4
145:16 157:16
163:1 167:16
170:3 194:8
lovely 46:3
104:21 158:18
199:3,18
low 94:19
luther 42:15,16
42:20
lyndon 110:15

CCAC Meeting

[m - medal]
m
m 7:1
ma'am 97:17
117:5
machine 49:16
made 49:6 76:1
83:19 99:14
108:11,12
122:7 140:18
160:14 163:11
179:6 183:3
189:15 217:17
217:18 219:8
magazine
212:21
magnificent
87:4
main 33:14,18
33:19
mainstream
49:3
maintain 64:12
140:9 171:5
major 111:12
majority 2:13
8:20
make 28:14
29:11,11,14
34:5 36:16
39:1 46:18
54:15 64:3,9
65:1,18 70:18
70:18,21 71:15
71:19 72:20
83:19 107:1
108:16 116:19
117:2 120:11

March 1, 2023

Page 27
121:10,17
122:19 125:18
126:3,3 127:21
132:12 137:11
139:1 140:18
141:19 143:21
154:16 162:3
165:17 171:10
183:20 184:8
184:17 187:12
187:14 201:9
203:20 206:12
210:14 215:8
makes 39:4
55:19 61:1
66:4 83:12,14
116:7,10 131:9
161:15
making 68:2
102:2 118:9
121:21 138:18
140:17 145:13
169:12 175:7
184:4 206:18
214:9
male 62:7
74:11 109:12
123:20,21
145:4,16
146:10 187:9
205:5 208:13
man 110:20
management
3:2 11:9 15:1
73:14 146:21
172:1
manager 3:5,7
3:8,10,13

11:15,18,21
12:5,10 24:17
75:14 154:2
188:6
march 1:4 7:13
maria 160:6
marine 25:6
mark 4:8 14:4
150:9 170:15
marked 176:10
marks 109:20
marshall 16:6
martin 42:15
42:16,20
mary 4:11 6:12
10:12 14:6
171:13,17,18
171:20 172:8
175:6,13 176:1
176:5,8,11,13
176:14 179:14
180:2 181:12
184:15 191:5
195:12 205:19
207:16 213:5
mary's 176:20
maryland 18:4
materials
154:4
matronly 192:2
matter 219:13
matters 80:12
103:9 155:6
maui 94:3
maximum
70:13
md 2:3

www.CapitalReportingCompany.com
202-857-3376

mean 29:12
52:3 53:15
57:16,21 58:11
81:14 100:21
108:16 109:21
112:5 117:8
125:8,13
146:10 166:12
167:2 184:10
190:5,6,8,12
209:15
meaning 35:9
147:6
meaningless
189:18
means 29:8
35:9,17 39:3
meant 23:20
84:16 102:6,14
medal 62:13
129:18 130:19
164:8 165:15
174:1,2,6,8,11
178:16,17
179:3,16 180:5
180:6,13,21
181:5,15,19,20
183:8,13
184:12,16,17
186:7 187:5,8
187:9,11,17,20
188:8 190:1,4
192:5,8,10,12
192:14,19
193:2,8 194:9
194:13 195:19
195:19 196:3,7
196:14 197:17

CCAC Meeting

[medal - mink]
199:5,8 201:3
201:13 202:1,1
202:5,8,21
203:4 204:18
204:19 205:9
205:20 207:17
207:18 209:13
209:17 211:7
212:19 213:1,6
medallic 2:14
9:2
meddling
108:18
media 4:16
10:20 11:1
medical 173:20
meet 218:6
meeting 1:1
7:12,16 75:16
170:16 187:8
216:20 217:6,9
218:9,10
meetings 47:21
meets 185:8
megan 3:3
11:11
member 63:12
94:17 111:9,10
139:14
members 2:2
4:13 7:20 8:3
10:15 23:13,17
37:4,7 58:15
59:5,6 63:20
66:7 80:10,18
80:20 89:10
123:19 125:15
136:19 139:12

March 1, 2023

Page 28
153:12 155:5
155:18 163:13
168:9 171:4
182:5 188:1,13
208:7 216:21
membership
127:14
memories
42:14
men's 172:20
menna 3:11
12:7,8 26:14
28:9 29:6,8,17
29:19 30:18
33:10 34:14,20
35:4,19,21
36:9,15,18
61:13,13 62:9
66:14 79:1,5,5
79:10,10 89:15
99:18,18
100:15,15
101:7 109:4,4
109:14 119:1,1
129:10,10,13
131:15 145:7
145:10,11,18
146:8 154:9,9
168:15 184:3,3
185:4,15
208:16,18,18
208:21 210:14
210:17
mention 115:1
157:12 165:17
166:2 195:5
210:3

mentioned
85:15 189:13
196:5 219:5
merging 183:6
merit 166:3,4,9
166:11,15
167:13
merited 49:19
mess 50:13
message 41:15
42:4,8 43:18
44:6,8,9 50:19
53:19 54:7
66:3 111:3
168:5 207:6,21
208:3
messaging
55:13,18
110:21
messing 167:10
met 195:2
metals 57:14
metropolitan
212:21
mic 9:19
michael 3:12
12:10
microphone
9:20 48:11
77:11
microphones
7:20
microscopic
197:16
mid 78:7
191:17
middle 137:19

www.CapitalReportingCompany.com
202-857-3376

midst 78:2
176:3
mike 2:12 3:18
4:15 8:19
10:21 13:5
27:20 29:11
48:9,14 63:15
64:6,14,16
66:11 67:2
69:7 70:9
88:21 89:1,12
91:14 104:5
115:14 122:21
127:10 129:6
132:7 134:7
164:1,3,5
168:11 201:6
202:15 212:4
mike's 28:13
miles 175:13
195:7
military 173:7
202:1
millimeters
62:18 197:7,8
mind 46:18
71:2 106:17
117:15 124:9
146:11 178:6
194:16
mindedness
65:13
minimize 64:11
mink 4:6,6
5:19 13:20
14:1 93:9,13
94:1,8 95:4,16
96:1,2,4 97:15

CCAC Meeting

[mink - museum]
97:19 98:6,9
98:16 104:19
106:9 108:4
111:1 113:12
116:20 117:3,7
120:14 127:1
128:21 129:15
131:7,8 134:19
135:2,7,10
137:20 139:9
142:19,20
143:5,15 158:9
159:5
mink's 129:15
minorities 18:9
minority 2:11
mint 2:19 11:4
14:12 20:3
27:1 33:6,13
87:6 92:18
108:11 131:4
145:21 186:13
197:4 217:4
mint's 15:1
20:10 33:12
73:14 86:10
93:15 172:1
minted 35:3
mints 33:12
108:12
minus 60:6
minute 123:3
213:18
minutes 37:6
37:14 52:15
54:16 67:6
80:19 89:18
103:17 155:20

March 1, 2023

Page 29
158:9 168:18
188:19
missed 13:8
missionaries
147:10
missionary
151:11
mistake 201:17
mistaken 127:7
mm 34:6
models 143:6
moment 53:2
82:20 92:8
114:19
moments 96:15
monday 176:9
months 173:17
moon 181:7
moran 2:12
8:19,21 48:9
48:10,14 63:15
64:15,16 65:5
65:8 69:7,9
70:5,17 88:21
89:1,1 91:17
91:20 104:5,7
104:10 127:10
127:11 134:8
164:1,4,5
201:6,7
morning 7:4,9
7:10 75:13
mother 96:7
106:11 131:9
147:21
motif 158:11
motion 6:19
68:16,20 70:18

70:21 71:7,9
71:12,15 72:10
72:12 78:2
91:9 92:3,5
125:12,21
126:3 130:15
131:19,20
132:3,16
134:13,14,15
138:13,16,18
139:1,14
140:18 141:17
141:20 142:3,7
142:10,17,18
144:6,19 146:1
146:2 157:17
170:7 215:8,13
215:17,18
216:4,5 217:10
217:12,17
218:2
motions 5:10
5:17 6:4,11,18
23:13 65:1
68:10,12 72:14
89:10 90:21
91:2 123:18
131:12 168:9
170:1,2,9
208:7 215:3,5
move 20:16
21:5 36:6
76:15 78:3,10
91:4 97:4,12
125:5 131:16
144:11 150:19
151:6 191:9
205:12

www.CapitalReportingCompany.com
202-857-3376

moved 18:5
124:17 139:16
217:13
movement
42:13
movements
15:19
moves 206:3
moving 22:19
27:21 84:6
112:15 139:3
146:13 157:17
180:11
mph 2:3
muchas 83:10
multiple
108:12 118:10
178:18
murray 4:3 5:5
10:11 13:16
14:15,20 15:5
15:10,11,16
16:1,15,16
17:1,18,20
18:3,7,15
19:12,21 22:2
22:21 23:3
39:8 42:10
47:9 48:16
50:1 51:8
52:21 66:1,20
129:14
murray's 16:8
19:21 21:11,13
23:7 45:13
museum 27:13
177:15

CCAC Meeting

[music - number]
music 74:11
77:15 84:2
85:4,9,17,17
152:21
musical 74:15
78:12
musician 148:7
mute 7:19 9:19
75:11 164:3
muting 35:15
n
n 5:1 6:1 7:1
naacp 16:8
name 8:5 11:7
23:7 37:12
75:13 78:12
81:5 82:11
85:14 86:1
104:2 126:21
149:20 150:8
152:5 156:4
189:5,10
199:15 202:7
named 175:6
175:18 176:7
naming 31:1
nation 60:12
nation's 86:7
national 84:8
110:16 148:17
177:14
native 147:10
147:17 148:1,4
151:11 159:21
160:7 165:12
167:2

March 1, 2023

Page 30
nature 57:9
79:11 117:16
117:16 158:2
nay 132:21
133:1 142:14
142:15 145:3
216:2 217:21
nays 142:16
near 173:17
175:16,18
nears 55:15
necessarily
79:21 113:14
167:4
necessary
147:16 170:6
215:7
neck 187:11
213:5
necklace 21:3
22:15 23:5
46:2
need 14:13
66:8 69:17
137:6,10
170:13 196:11
199:9
needs 55:17
79:13 116:13
124:15 158:19
negative
105:18 116:9
193:3 211:6
negligence
36:10
neighbor's
213:3,4

neither 118:1
219:8
nephew 14:8
175:9
never 18:16
28:3 38:12
39:14 63:4
88:3 146:11
nevertheless
179:10
new 14:10
95:12 112:17
172:9 174:15
175:17 195:6,7
news 4:16
10:21
nice 42:2 53:8
57:4 106:9
107:1 117:12
195:8
niece 17:17
nixon 111:14
nod 22:6
non 149:4
nonprofit
17:21
norms 172:12
notably 94:21
149:6
note 13:12 30:7
97:12 111:15
192:7
noted 76:17
77:20 149:15
177:19 183:13
201:12
notes 78:12

www.CapitalReportingCompany.com
202-857-3376

notice 137:4
217:8
noticed 99:9
noting 31:12
november
173:21
number 19:13
40:8 41:6 42:2
44:3,9,10
51:13,14 52:7
53:7,9,20
60:11 67:21
68:1,3 69:12
69:13 76:6,8
79:16,18 81:11
81:16 82:3,9
82:15 86:6,17
87:1,7,15 88:9
88:13,19 89:2
89:8 90:6,8,9
90:10,12,17
96:18,18 97:15
100:8 104:12
105:5,8,15,20
106:5,19,20
107:3,4,5,7,10
107:11,19,20
107:21 110:11
110:12 111:5
114:1,1,2,4
117:11,13
120:12 121:12
121:13 123:11
123:13,15,16
126:9,21
128:14 129:2
130:6 135:13
135:14 136:3,4

CCAC Meeting

[number - oswego]
136:6,11
139:15,21
140:1,8 144:3
144:4 157:9
158:14 159:8
159:16,17
160:11 164:6
165:10 169:5,7
169:9,10,11,13
171:4 186:7
190:19 193:6
193:11 199:3
199:17 202:13
202:20 203:9
204:14 207:10
207:10 210:15
212:14 214:6,8
214:9,11,21
numismatic 9:9
numismatics
2:16,17 9:6
o
o 41:8 49:10
object 160:19
obscure 209:13
209:17
obscured 45:14
59:20
observation
63:8 211:17
observations
186:16
observing
25:19
obsessed 20:2
25:13

March 1, 2023

Page 31
obverse 15:3
33:14 34:1
obviously 40:9
119:7 125:14
202:1 212:3
occasions
59:12
odm 28:14
offer 63:13,21
122:14 129:7
135:5 136:18
141:15 143:2
168:13 182:7
offers 56:10
office 3:2,15,18
11:8 13:1,5
15:1 16:8
73:14 92:18
93:15 118:19
120:2 135:19
146:20 172:1
officially 174:8
ogle 4:7 14:3
149:17,20
170:15
oh 71:20 97:10
110:9,9 139:18
145:10 161:8
205:6 212:9
ohio 173:12
okay 23:15
35:18 67:13
70:5 87:8
89:16,20 101:6
122:9 125:2
126:5 133:2,5
133:15 134:1
140:6,11 142:6

145:6 146:14
154:6 158:15
174:21 203:5
203:18 204:3
205:7 212:12
217:16
old 25:17
older 33:16
omer 4:4 13:19
75:6,13
once 67:18
68:7 83:12
90:5,16 123:10
169:4 173:19
178:18 214:5
214:21
one's 62:4
147:17
onerous 196:17
ones 113:9
online 121:1
ontario 175:18
ooh 123:17
ooo 4:18 6:21
open 65:13
100:3 110:4
opened 95:12
95:13
opening 7:8
112:3
opera 148:9,10
opine 38:4
opinion 31:3
34:3 39:9
61:19 133:14
143:2 211:12
opinions 65:15
127:13

www.CapitalReportingCompany.com
202-857-3376

opportunities
94:6 98:3,8
112:3
opportunity
20:5,10 44:15
52:20 81:1
93:4 95:4,14
98:12 107:8
115:15 116:20
120:18 121:3
187:7 195:9
opposed 132:6
142:13 145:3
147:14 162:8
167:1 179:4
216:2 217:21
opposition 72:7
option 53:10
73:7 76:6,7,7
options 115:13
order 5:3 7:3
7:11 27:4 30:9
47:6 124:4
132:12 147:17
149:8 156:12
216:18
organization
17:21
organizations
16:6
orientation
211:5
origin 84:8
original 30:14
origins 96:21
oswego 14:10
174:15 175:2,3
175:4 195:8

CCAC Meeting

[outcome - permitted]
outcome
219:13
outfit 200:17
outlawed
148:12
outlier 58:9
outspoken
148:15
outstanding
38:21 153:9
164:7 169:20
ovals 49:10
overall 199:12
overlaid 77:13
overtalking
33:11
overview 17:14
own 29:20 30:1
46:9 74:4
162:2
p
p 49:11 176:6
p.m. 1:5 218:10
page 5:2 16:1
painting 120:2
161:5
paintings 161:5
pam 3:6 11:17
154:2
paperwork
18:21 121:5
parallel 66:3
129:3
pardillo 4:4
13:19 75:6,9
75:12,13 76:14
77:20 83:8,10

March 1, 2023

Page 32

85:5 86:9 92:9
92:17
parents 172:10
park 29:5
part 26:5 31:18
51:19 80:5
95:5 117:11,21
136:13 166:2
171:1 173:19
175:9 177:21
178:9 180:9
183:4 191:3
partially 27:11
participants
7:10 65:7
123:17 142:15
participate
170:18
participating
7:21 216:9
217:2
participation
95:7
particular 31:1
33:13 45:6
63:4 108:4
113:8 136:2
161:2 162:14
166:10 183:8
195:10 199:10
particularly
33:16 53:10,13
54:5,13 56:16
66:5 108:9
112:10 116:5
127:2 187:21
192:21 208:4

parties 219:9
passage 149:2
passed 18:6
135:8
passing 75:19
111:13
passions 153:1
past 49:17
139:17
patronizing
29:13 109:7
patsy 4:6 5:18
10:11 13:20
93:8,13 94:1
95:3,16 98:16
104:19 111:1
113:12 126:21
128:21 158:8
159:5
pattern 152:1
154:5
pauli 4:3 5:5
10:11 13:16
14:15,19 15:4
15:10,11 17:18
17:20 19:12,21
21:11 22:2,20
39:8 42:10
48:16 50:1
51:8 52:21
65:21 66:20
129:13
pause 91:16
116:17 164:2
182:8
pauses 116:14
paying 36:11

www.CapitalReportingCompany.com
202-857-3376

peace 94:21
pedantic 109:7
peeking 60:21
people 15:13
39:3,10,12
42:17 70:3,14
70:15 85:18
86:1 124:20
126:8 127:20
128:1 135:18
139:18 141:6
161:12 166:18
175:3 176:1,21
187:20 192:9
196:9,10,11,12
199:7 205:9
210:9
people's 70:2
130:3
percent 28:20
perfect 90:17
perfection 55:8
55:15
perfectly 53:8
105:9 110:13
perform 81:13
88:3
performance
78:7
performed
74:12
performer 74:6
performing
77:2
period 112:11
permitted
173:6

CCAC Meeting

[persevere - portrait]
persevere 94:8
person 43:3
45:6 69:11
70:1 95:5
111:8 118:1
161:2 162:18
165:6 201:14
202:3 217:1
persona 92:20
93:1 117:12
personal 19:8
85:2 147:20
personally
18:12 20:10
194:2
personnel 87:6
perspective
61:20 119:13
129:8
persuaded
111:19 116:9
peter 2:17 9:8
24:7 26:7 32:6
52:11 68:21
69:2 78:20
82:5,10,12
85:15 91:6
100:6 105:12
105:14 126:6
128:6 134:1,17
142:4 153:15
153:16 156:5,7
190:21 193:17
197:21 206:7
217:17
ph.d. 2:6,9,17
phenomenal
73:1

March 1, 2023

Page 33

philosophy
99:16
phoenix 195:7
photographic
188:7
phrase 162:11
phrases 99:15
physical
135:17 160:18
physician
199:14 207:10
piano 78:10
pick 38:17
39:17 61:2
picking 120:20
picture 57:1
61:5,8 213:2
pictures 25:20
212:20
piece 55:14
195:20 197:11
pin 23:5 25:20
pittsburgh
18:5
place 20:7
175:20 219:4
placing 191:8
plaintiff 16:13
planchet
196:21 197:5
planets 112:13
planted 119:16
play 105:3
played 111:12
plays 151:17
160:20
pleasant 218:4

please 8:4 11:5
25:2 37:5,8
41:8 47:6 67:4
67:7 80:18,20
103:18 124:9
129:12 132:7,7
140:14 143:18
144:7 155:19
178:5 188:21
193:18 194:7
210:16 212:7
pleasure 61:14
pluribus 66:2
184:15
plus 19:20
59:21
pocket 86:8
poem 21:17,18
poet 15:15
point 20:19
21:4 23:14
25:12 35:7
43:11 109:17
122:7 124:3
125:17 134:19
140:3 145:8
146:3 154:13
160:1 196:19
200:5,11 208:6
211:20 212:1
217:11
pointed 196:15
197:21
points 67:20
68:8 69:17
125:1 126:8
128:8 169:8
205:1 206:14

www.CapitalReportingCompany.com
202-857-3376

policies 35:5
policy 118:8
polished 35:10
35:17 36:1
poll 127:14
poor 18:10
pop 79:18
pops 194:15
portfolio 21:5
27:6 86:12
97:13 151:7
164:21 178:2
179:11 186:17
portfolios
79:16
portrait 26:17
31:16 34:1
41:1,4,19
45:13 46:3,5,7
49:11,12 50:7
50:8 51:17
52:5 53:14
62:3 63:2,6
77:1,13,16
82:16 85:12
98:16 101:5
110:16,16
112:6 113:20
113:21 120:1
130:20 156:15
159:18 160:16
160:17 161:1
178:11 179:9
180:4 183:2,6
189:15 198:8
199:3 210:18
210:20 211:8
211:10,15

CCAC Meeting

[portraits - process]
portraits 21:11
31:14 32:5
33:2 107:12
191:19 204:20
portray 33:8
50:17 52:20
156:12 181:3
portrayal
101:21 105:17
portrayed 45:8
82:20 102:11
162:7 187:10
187:18
portrays 88:9
98:15 152:15
pose 81:2 99:5
135:17 191:4
191:10
position 135:18
136:9 140:10
211:4
positioning
209:6
positive 116:7
possible 21:15
37:13 53:7
67:19 68:7
81:17 90:6
100:13 123:11
169:5 214:6
possibly 101:18
137:2 154:18
154:19
postal 205:19
posterity 148:5
posthumously
95:3

March 1, 2023

Page 34

power 53:13
powerful 44:8
46:4 53:6,15
53:20 65:19
66:4,5 74:7
78:9 198:18
powerfully
54:8
powerhouse
81:12
practical
172:21
practice 173:8
predominantly
24:18
preface 102:1
prefer 40:15
46:1 47:14
124:15 126:16
163:13 207:2
preference
22:13 28:1
42:3 76:18
77:7,21 97:7
97:11,16 98:13
98:20 107:11
127:6,6 140:17
151:3 152:13
155:10 162:13
166:7 167:8
177:18 178:8
180:9 182:16
182:21 186:5
190:18 200:15
preferences
20:18 31:11
54:1 76:16
97:5 150:21

166:19 200:14
preferred 21:1
156:9 178:11
prefers 157:12
premature
55:21
premiering
148:9
prepared 96:5
prepares 23:1
prerogative
108:18 124:8
presence 74:8
119:18
present 8:4,9
8:12,15,18,21
9:4,7,11 11:6
11:10,13,16,19
12:4,8,12,17
12:20 13:4,7
15:2 67:17
73:15 90:3
93:16 114:11
123:9 129:16
169:2 172:2
178:2
presented
186:17
presents 28:10
preserve 148:4
149:9
president
33:19 120:3
174:1,9
presidential
46:5 130:19
press 4:13
10:16

www.CapitalReportingCompany.com
202-857-3376

pressure
139:21
pretty 17:13
190:7,9,12
203:10
previous
178:17 194:16
previously
199:14
priest 15:16
17:3
primary 31:18
76:6,18 77:6
principal 96:20
prior 138:18
priority 108:18
prison 173:17
prisoner
173:16,19
190:11
privilege 9:14
43:9 51:10
probably 42:18
125:16 128:7
137:9 166:3,13
209:12
problem 36:19
164:9 201:11
proceed 34:8
proceeding
219:10
proceedings
10:13 219:3
process 20:12
35:13 96:14
147:1 150:13
171:1 175:10
189:2 213:17

CCAC Meeting

[process - quorum]
216:9
proclaim 19:19
22:11 42:5
profession
158:3
profile 151:12
159:19
program 10:9
15:2 24:18
31:6 32:20,21
33:4 72:14,17
73:15,20 75:6
78:19 92:7
93:16 95:9
130:9 153:13
170:14,17
172:2 174:13
programs
32:13 33:18
progress 19:2,4
prohibited
147:11
prohibition
31:13,21 32:9
32:12 33:1,21
prohibits 32:4
prominent
10:10 33:5
41:4
promise 37:8
promote 48:17
proof 87:5,10
proper 127:3
property 52:1
149:11
protection
16:15 94:21

March 1, 2023

Page 35
protestant 49:3
proud 48:15
83:14 84:9
150:4
provide 44:16
212:7 214:3
provision 32:4
32:17
public 2:4,5,8
7:16,18 8:7,14
9:13 38:20
42:11 43:20
44:13 50:18
72:21 118:8
207:8,16,16
216:19
published
148:2
publishing
4:14 10:20
puerto 85:2
pull 40:7
158:13
pulled 41:20
190:16
pulling 211:13
213:3
pulls 213:6
purpose 38:13
purposes 60:7
60:8
pursue 98:8
pursuit 95:18
pushed 47:20
put 49:15
50:20 121:9
164:14 184:13
205:13

putting 100:5
104:10 139:10
139:21 184:21
189:14,21
199:17
q
qualified 2:10
2:14,16,17
8:17 9:2,6,9
qualities 93:4
quality 31:9
50:13 131:3
155:11
quarter 5:5,12
5:18 6:6,12
14:15,19 15:4
22:8 32:12,20
50:5,7,9 62:15
66:19 73:8,11
73:16 81:21
93:8,12,21
96:8 100:10
105:7 111:19
121:7 122:6
126:11,17
128:16,17
129:4,9 146:15
146:18 147:5
150:3 164:9
165:4 167:7
171:12,17
172:8 175:6
192:18 194:4
197:1,7 201:14
quarters 10:9
49:15 50:11,19
122:8 166:14

www.CapitalReportingCompany.com
202-857-3376

queen 74:12
77:12 78:5
queer 26:4
question 23:19
24:9 26:10
27:19 34:11
35:1 43:16
44:5,7,12 53:5
53:18 70:7,8
78:21 99:8
100:7 101:17
131:5 153:17
154:7 172:11
182:9 187:2
211:21
questioned
147:16
questions
27:17 37:7
76:3,11 78:18
80:10,20 99:4
103:8,18,20
153:12 155:4
155:21 182:6
188:13,21
189:1
quick 69:10
quickly 207:13
208:10
quietness
126:18
quite 92:1 96:8
104:14 138:14
162:6 183:17
191:18 192:3
193:11 213:12
quorum 10:4
64:13 171:5

CCAC Meeting

[quotation - recommendation]
quotation
41:17,20 42:7
47:13
quote 16:9
18:10 22:10
41:12 46:4
95:5 180:12
213:11
r
r 2:14
race 16:2
racial 94:18
95:18
radiating 78:12
raise 79:19
103:4
raised 26:12,16
40:21 43:12
60:3 63:16
69:8 80:3 94:2
154:11,20
172:10
rallying 75:1
rather 102:6
121:7 137:12
139:10 140:13
raymond
148:18
rays 163:18
reach 55:8 88:6
reaches 45:11
45:15
read 62:20
100:18,19,19
100:20 196:11
196:12 210:10

readable 62:19
63:5 130:1,1
reader 207:6
reading 26:11
79:2 116:15
197:3
ready 112:17
reaffirms
83:13 84:5
real 48:4,4 55:5
59:13 62:1,12
95:14
realistic 137:11
reality 69:14
69:18
realize 28:12
207:17 209:10
realized 44:17
really 17:10
30:8,15 41:21
43:21 45:5,15
53:15 72:18
82:8,14,15
92:10 104:12
105:4 118:1
124:21 129:17
137:6 140:20
142:20 150:3
150:14 154:13
159:8 162:4
164:7 167:18
167:18 175:10
177:9 178:14
183:12 186:3
186:14 191:3,4
191:5,9,20
192:20 193:10
193:17 194:8

March 1, 2023

Page 36
201:9 204:21
206:18 208:4
213:15 216:20
reason 32:9
79:8 99:16
138:16 205:2
207:19
reasoning
200:16
reasons 45:21
96:19 106:20
113:10 117:19
160:10 162:3
167:21 168:2
178:12 204:16
206:7
receive 70:13
147:18 174:5
received 18:17
67:21 68:1,3
83:17 90:7,8,9
90:10,12,14
123:12,13,14
123:15,16
169:6,7,9,10
169:11,13,14
169:15,16,17
187:5 188:1
212:5 214:11
214:12,13,14
214:15,16,17
214:18,19,20
receiving 68:4
68:5,6 95:10
176:5
recent 51:19
recess 67:6,9
67:11,12 89:18

www.CapitalReportingCompany.com
202-857-3376

89:19,21 123:3
123:5 168:18
168:19 213:18
213:19
recipient 211:7
recognition
18:17 53:3
96:11
recognize 31:7
64:5,7,12
67:16 84:7
90:2 92:11,19
120:7 123:8
138:17 165:10
169:1 188:2
191:14 199:8
214:2
recognized
49:19 165:7
recognizes
144:8
recognizing
91:2 99:6
recommend
56:20 68:17,17
91:5 124:4,7
131:16 137:9
141:20 144:13
recommenda...
2:11,13 21:2
22:14 71:1,4,8
76:19 77:8
97:9 98:21
125:10 136:20
137:3,12 144:1
151:4 152:14
178:10 183:5
184:5 185:20

CCAC Meeting

[recommendation - reporter]
186:4
recommenda...
151:1 186:16
recommended
2:7 8:11,20
21:7 180:10
recommends
215:10
reconnecting
148:3
reconsider
140:9
record 11:3
13:12 36:14,16
68:16 72:11
82:11 109:5
145:7 146:7
188:5 205:17
209:21 210:6
215:16 217:16
219:7
recorded 7:6
74:13 219:3
rectangle
100:17
rectilinear
119:16
red 128:13
147:6 152:4,7
153:4 163:15
163:16,17
reed 16:13,14
reference 76:11
145:15
referenced
46:10
references
179:5 188:7

referred 16:8
reflected 25:21
129:9
reflecting
187:4
reflection
137:12
reflective
182:17
reform 173:2
206:5
reforms 21:14
175:21
refused 174:5
regard 20:20
36:8 47:18
118:16 144:2
regarded 17:6
regarding
66:13 80:11
103:8 155:6
200:17
regardless 84:7
regiment
173:12
register 217:8
regularly 24:11
reinforces
193:21 207:18
reintroduce
8:3
rejected 47:19
related 219:8
relationship
211:5
relative 143:9
143:12

March 1, 2023

Page 37
released
173:18,19
relentless
173:4
relief 28:18
79:4,8,12,20
80:3,4 154:8
154:18
religion 46:11
102:2 148:20
religious
101:21 102:8
102:10
remainder
143:13 174:7
218:4
remained
148:15
remains 174:10
remarkable
28:6 157:10
remarked
27:14
remarking
30:5
remarks 40:6
183:17
remember 50:6
64:7 81:12
101:19,20
104:19
remembered
189:10
remembrance
75:2
remind 7:18
37:4 80:17
121:17,20

www.CapitalReportingCompany.com
202-857-3376

155:18,20
176:20 188:18
197:2
reminded
160:5
reminder 7:5
9:19 103:15
reminds
110:14 128:14
reminiscent
78:10
remote 2:12,14
3:5,18 4:3,4,6
4:7,8,10,11
remotely 7:21
10:16 217:2
removing
199:4
renamed 95:3
120:17
rendition
199:18 208:3
212:17
repeat 82:11
120:12
repeated
183:14
repetition
195:18 196:16
replacing
199:6
report 5:6,13
5:20 6:7,14
15:6 73:17
93:18 147:2
172:4
reporter 37:11
81:4 104:1

CCAC Meeting

[reporter - right]
156:3 189:4
reporting
141:3
represent
30:17 52:21
138:15
representation
24:2 53:2
106:15 119:11
135:16 161:2
161:13 186:9
188:9 205:15
206:3
representations
161:6 203:4
representative
2:4,5,8 95:21
178:4
representatives
94:12 149:16
represented
19:15 24:15
27:6 117:13
154:8,14
representing
8:6,14 9:13
23:6 98:1,7
152:21 179:20
represents 70:2
77:14 151:21
194:12
request 21:3
22:15 74:19
101:4 139:4
173:8
requested 21:8
109:19

March 1, 2023

Page 38
require 149:6
required
122:10
requires 68:15
rescinded
174:2
reservation
147:8
reserving 58:6
resides 180:7
resonate 44:13
respect 39:15
44:19 53:21
72:14 207:12
respected
186:5
respond 8:4
208:17
response 13:10
14:14 66:9
72:8,15 80:13
89:11 91:10
103:10 132:1
142:8 144:20
168:10 170:5
170:11 188:14
215:19 216:3
218:1
rest 26:13 53:4
54:14 199:15
restaurant
74:21
restored 174:8
restrictive
172:19
results 5:9,15
6:3,9,16 67:14
67:17 90:3,4

123:6,9 168:20
169:3 213:20
214:3
resume 10:13
return 174:6
returned
173:20
revealed
199:16
revealing
184:19
reverence
177:5
reverend 15:10
15:11 17:18
18:3,7,15
19:21 21:11
22:1,20 42:10
42:15,20 45:13
47:9 48:16
65:21 66:20
reverently 22:3
reverse 10:8
14:18 15:3
20:21 21:10,20
22:10,12 23:7
23:20 26:10
33:15 47:6
66:18 73:10,16
77:9,16 78:1
79:2 93:11,17
97:18,19 98:15
99:11 126:12
144:14 146:17
151:15 156:17
171:15 172:3
192:8,15

www.CapitalReportingCompany.com
202-857-3376

reverses 22:1
22:19 33:20
78:6 98:5
151:19 192:11
review 10:7
14:17 36:7
73:10 93:11
146:17 171:15
reviewers
178:1
reviewing
135:11
revised 136:2
revisions
135:13
revisited 185:6
revote 70:10
125:11,12,21
125:21 126:1
139:13
rhythm 77:15
122:1 171:11
ribbon 187:10
richard 111:14
richmond
173:18
rico 85:2
ride 176:15
ridicule 177:4
right 20:16
21:9 26:11,18
32:15 34:18,19
35:17 38:15,15
38:18,18 42:5
50:3 58:2
76:21 77:5,11
80:7 84:4,6
85:19 92:2

CCAC Meeting

[right - score]
97:14 101:12
103:5 104:11
120:2 137:19
138:3 143:6
146:13 148:21
155:2 162:2
163:10 174:19
179:16 181:6
193:20 208:12
213:6
rights 15:13,14
15:20,21 16:6
16:21 18:8,18
19:2,5,11 22:6
42:13 148:16
149:10 172:14
ring 97:21
101:8,10
risk 30:19
33:10
road 175:14,19
robin 2:14 9:1
45:2,3 47:8
67:7 69:4
87:21 88:2
113:4,5 114:19
123:1 132:7
134:5 161:19
161:20 163:7
198:14,15
212:5 215:14
215:17
robust 59:13
roger 3:5 11:14
role 47:11
111:13 141:5
143:5 183:10
200:9

March 1, 2023

Page 39
roles 170:17
roll 5:4 8:1
132:10,13
room 61:16
roosevelt 22:8
rooted 21:15
ross 4:3 13:17
17:9,13 24:20
25:2,11,13,17
37:20 40:4
56:2,9 58:14
59:4,9,11,17
61:5,14 65:12
72:20
ross's 38:5 54:1
rough 190:9
round 112:15
112:16
rules 122:9
rumba 77:3
run 147:9
runs 201:12
russ 12:1
russell 3:8
11:20
ruth 16:11 52:2
s
s 2:3
sa 4:9 6:6 10:12
14:2 146:15,19
147:6,12 148:6
148:14 149:21
150:10 151:20
152:15,20
153:3 161:6
sa's 151:10,16
152:5

sacred 148:11
safe 218:5
sainted 17:3
salmon 2:14
9:1,4 45:2,3,4
69:4,4 88:1,2
113:5,6 134:6
161:20,21
198:14,15,16
215:14,14,17
salsa 74:11,12
77:13 78:3,5
84:2 85:4,17
sam 8:13 51:4
81:8,10 104:16
104:18 133:9
133:13 164:17
164:19 202:16
202:18
samuel 2:8
sanitary 173:1
sarcastically
101:1
satisfied 203:8
212:15
satisfies 196:1
saunders 2:11
56:8,11,12
71:13,14 86:15
86:16 107:16
107:17 109:20
128:3,3 133:13
133:20 140:11
140:12,15
141:19 144:16
144:17 165:21
166:1 189:8,9
189:9

www.CapitalReportingCompany.com
202-857-3376

saved 18:21
saw 24:15
39:10 47:19
88:3 212:17
saying 31:3
64:10 85:19
96:16 130:6
132:4 137:7
141:9 142:11
142:14 167:10
182:16 184:11
185:11,12
207:17 211:14
211:16
says 114:8
scale 57:13,13
57:15,19 62:1
62:15,21 63:9
100:10 126:17
130:1 178:15
197:14
scales 22:4,9
23:3 46:11
62:10,10,20
scattered 47:10
schedule 171:5
scholarships
18:1
school 95:15
118:13 147:9
195:14
score 66:18,21
67:19 71:6
89:17 90:6,10
90:12,15,18
123:11 125:15
168:18 169:5
212:2 214:6

CCAC Meeting

[scored - session]
scored 214:7,8
214:9
scoresheet
212:4
scoresheets
122:21
scoring 5:9,15
6:3,9,16 67:14
67:17 68:2,9
71:3,3 90:3,4
90:16 123:6,9
168:17,20
169:3 213:17
213:18,20
214:4,10
screen 29:14
63:17
script 23:8
sculpt 29:4,6,9
sculpted 62:16
78:8 154:15
sculptor 62:16
sculpture 2:14
9:3
sea 38:17
seahorse 23:5
24:10 62:19
seahorses 25:6
25:14,20
seated 98:16
seats 94:9
second 7:6,15
68:19 69:1,3,5
71:10 73:9
76:8 91:7
131:18 142:2,5
144:15,17
166:2 171:8

March 1, 2023

Page 40
189:19 190:19
193:17 215:12
215:15 217:15
217:18
secondarily
160:2
secondary
77:21 97:11,16
98:13
seconded
215:17
seconding
128:8
seconds 116:18
secretary 68:18
131:17 137:7
144:3,12
215:10
see 21:4 28:5
29:3,13 30:6
30:21 35:10
39:2 40:9 41:2
41:9 42:12
48:4 49:21
50:13,14 54:2
54:16 55:12
56:3,17 60:20
63:16 65:20,21
66:1 79:15
83:14 85:16
86:7 87:6 88:4
100:13,21
101:8,9,19
102:3 106:10
106:13 116:11
117:12 119:7
120:1 121:5
128:21 130:3,4

131:19 150:14
154:13 157:20
158:3,4 161:4
161:13 167:2
183:1 184:5
185:13 187:20
187:20 196:6
196:16 197:16
201:19 205:9,9
205:10 207:3
209:14
seeing 31:5
38:16 47:8
66:10 72:16
81:13 168:11
170:12 183:18
188:17 197:20
seem 136:21
seemed 27:11
seemingly
74:19
seems 82:18
119:15 139:20
154:17 162:15
191:6 192:1
seen 18:13
22:12,16,16
28:4 30:10
38:12 39:14
40:7,18,18
41:3 44:4
51:18 166:5,8
177:12 178:18
198:21 202:2
segregation
16:4
selected 19:13

www.CapitalReportingCompany.com
202-857-3376

selection 193:6
self 118:14
semantic
145:14,14
senate 2:13
8:20 94:11
send 67:2,8
123:2 187:13
senior 3:4,5,14
3:17 10:19
11:12,14 12:18
12:21 48:19
sense 34:5
42:21 112:1,2
131:9 134:12
157:17 163:9
sentiment
21:16 129:3
sentiments
54:19 55:6
separate
108:21 144:6
separating
99:10
sequence
135:11
series 96:8
servant 95:17
serve 94:13
173:5,7
served 94:14
174:4
service 173:20
205:19
serving 9:15
37:21 200:11
session 10:5
11:5 216:19

CCAC Meeting

[set - soon]
set 30:15 50:11
86:2 161:5
settled 175:17
seven 94:16
several 27:8
52:15
sex 95:7
sexist 190:6
sexually 26:1
shape 21:12
62:4 151:13
153:19 181:6
shaped 94:5
153:18
share 27:8 63:2
66:12 81:1
132:8 176:19
177:12,18
178:7,13
179:10 185:20
187:6
shared 48:3
59:15 208:2
sharing 54:20
92:15
sheet 219:5
sheets 67:1
sheriff's 201:15
shifting 69:13
shine 165:3
short 162:3
201:9
shoulders
31:14 32:5
33:1
shouting 85:8
show 20:20
33:18,20 188:7

March 1, 2023

Page 41
202:11 205:3
207:13 215:16
217:17
showed 19:17
110:18 200:9
showing 32:2
194:3 200:19
shown 34:15
35:2 197:12,13
shows 57:7,7
57:21 165:11
165:12,12
203:5,6
side 47:21
184:18
sides 137:5
siding 52:7
sign 107:6
signature
23:20 24:1,4,5
74:16 77:3
219:15,19
signatures
201:20
signed 10:16
111:14
significance
89:7 108:13
153:20 156:13
199:13
significant
21:14 194:10
199:11,19
signifiers 96:21
signify 132:3
142:11,14
similar 42:20
158:5,8,10

similarly 22:9
27:15
simmons 147:7
simple 47:16
69:14 74:19
105:16 107:21
126:11
simplicity
117:14 126:19
136:13
simply 30:13
70:15 126:16
139:12 192:9
201:21 204:16
singer 88:6
92:21 93:1
singing 77:10
77:18
single 211:2
sioux 147:8
sir 34:14 66:15
67:10 75:11
82:3 89:14
105:10 122:16
165:19 168:14
174:20 209:18
sit 52:18
sitting 22:21
46:8 52:14
six 94:14
size 100:10
105:7 126:11
192:18 194:4
196:20 197:1,5
198:7 199:1
201:17 213:13
sketch 50:15

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202-857-3376

skills 74:15
skipped 204:10
sleep 201:8
sleeve 80:1
slightly 27:10
36:4 206:2
slogan 19:18
small 107:9
110:1 189:16
197:14,15
smaller 197:7
smile 22:3 77:2
77:19
smiling 112:5
136:5
smithsonian
27:12 177:13
social 10:20
15:19 17:7
175:21,21
societal 21:14
society 18:11
47:12
solar 112:14
soldiers 173:14
174:4 200:8
solve 185:6,10
somebody
42:18 126:2
somewhat
45:14 160:14
187:1
son 25:18
song 19:6
21:18 22:18
41:13
soon 46:18

CCAC Meeting

[sophisticated - statesperson]
sophisticated
41:18
sorry 36:18
48:12 63:14
69:6 75:12,12
82:10 84:15
182:11 185:18
193:18 203:19
204:3 208:19
212:10
sort 112:13
117:8 118:4,10
135:7 153:20
160:1 207:18
soul 106:12
sound 109:6
sounds 92:3
source 154:4
south 147:8
195:8
space 105:18
112:11,12
184:16 193:3
211:6
spaces 116:9
spanish 74:17
speak 10:1
24:19 125:16
145:9 175:2
201:10
speaker 2:7
8:11 12:1 62:7
62:8 109:12
123:20,21
145:4,16
146:10 205:5,6
208:13

speaking 25:10
37:12 47:4
81:6 104:3
119:10 120:4
128:12 138:8
156:4 189:6
specialist 3:4
3:14 11:12
13:1
specially 2:14
2:16,17
specific 42:4,7
101:4 107:7
115:1 120:16
124:19 143:21
specifically
2:10 8:17 9:2,6
9:9 15:20
109:18 111:11
155:10
specified 210:6
spectrum
115:12
spelled 158:4
spells 158:8
spent 25:19
spirit 186:3
spirituality
16:20
split 64:18 65:2
137:19
spoke 60:11,15
136:1
spoken 38:14
sponsor's
64:17
sports 32:19
95:14 98:2

March 1, 2023

Page 42
105:3
spreading 20:2
spy 173:15
stack 28:18
stacks 16:7
staff 2:19 11:4
13:9 86:10
217:4
stafford 3:2 5:7
5:13,20 6:7,14
11:8,10 14:21
15:7,8 20:14
24:3,5,12,16
25:11 26:6,19
26:20 30:3,4
35:20 36:2,16
73:13,18,19
76:13 93:14,19
93:20 97:2,3
97:17 101:2,3
101:10 122:16
146:21 147:3,4
150:6,15,16
154:1 155:7,8
171:21 172:5,6
174:20 177:8,9
182:20 185:19
186:1,20 188:3
188:4
stage 74:7 78:3
134:20 178:19
stakeholder
46:20
stakeholders
27:8,12 39:16
staley 219:2,19
stamp 110:17
205:3,21 206:9

www.CapitalReportingCompany.com
202-857-3376

206:9
stance 137:10
stand 170:7
176:20 218:3
standalone
55:14
standards 63:3
131:4
standing
192:18
standpoint
81:19 102:17
116:11
stands 179:17
stars 109:13
start 20:17
55:8 122:20
133:2 151:8
179:12
starting 21:9
30:21 97:18
104:6 150:20
state 37:12
81:5 94:11
104:2 135:15
156:4 189:5
stated 87:16
160:10 204:16
statement 96:5
statements
219:7
states 16:2 17:2
83:16 94:13
95:5,6 131:4
149:5 197:4
202:3
statesperson
119:17,18

CCAC Meeting

[static - swayed]
static 107:4
130:17 136:12
stating 40:19
statute 31:17
32:1 33:9
staunch 15:12
stayed 33:2
step 171:8
stepped 12:2
stifle 63:4
stimulating
160:14
stoic 119:8
stood 114:6
stop 35:7 119:2
158:15 159:4
stories 148:1
story 63:2
111:8 113:19
119:14,20
121:19 143:12
165:5,8,16
168:5 170:19
176:2 199:16
202:9,20 203:7
211:6
straight 78:9
161:1 167:1
straightforwa...
46:2
strength
196:18
striking 112:7
135:15 163:6
163:11 165:18
207:2
strong 43:1
46:7 55:7,7

March 1, 2023

Page 43
105:16 120:11
121:14 176:14
190:19 191:4
197:19 198:9
stronger
121:13 125:1
136:20
strongest 19:16
47:14 198:10
206:14
strongly
209:10
struck 56:18
struggle 18:18
students 18:2
study 95:13
stuff 35:6
100:4
stunning
167:20
style 74:8 77:3
177:20 181:11
stylistically
41:18
stylized 24:1
152:2,16 153:3
subject 45:8
subjected 95:8
subsequently
94:5
subtle 43:19
44:18
succeed 74:10
94:9
succeeding
129:14
sudden 136:1

sufficient
121:18
sugar 74:17,19
sugarcane 75:4
suggest 56:7
59:3 99:21
108:19 137:21
140:5,8 171:6
suggested
183:5
suggesting 70:9
137:5
suggestions
100:3
sullivan 3:3
11:11,13
summary 76:1
sun 148:10,11
151:14,17
152:2,17 153:3
159:21 163:18
superstar 74:2
support 83:1
88:13 89:5
92:14 94:19
105:15 138:10
146:20 156:8
156:16 157:3
160:3 162:21
163:20 193:6
supported
113:13
supporting
33:15 48:5
57:9
supportive
20:13

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202-857-3376

supposed
118:11 204:11
supreme 16:13
16:18
sure 24:16
29:11 36:16
46:17 52:17
56:21 64:3,9
104:21 116:19
121:18,21
122:19 125:19
132:12 137:11
160:19 171:10
187:12,18
204:13 207:15
surgeon 172:13
173:5,8,10,11
179:1 180:2,17
180:19 181:14
181:17 183:9
183:11 186:10
190:1,7 191:16
198:3 199:6,11
205:20 207:7
207:11,15
surgeon's
179:15 181:5
surgical 180:4
surrounded
78:7 98:6
surroundings
46:9 47:9
suspect 27:21
59:6 86:5
suspected
173:15
swayed 199:9

CCAC Meeting

[swirl - thank]
swirl 77:14
switch 140:2
symbol 22:4
23:5 26:4
102:7,8,19
151:14,17
181:7 199:19
symbolic 21:13
119:13 153:20
symbolically
119:9
symbolism
19:14 24:10,14
46:12 55:13,18
62:2 63:1
113:11,18
159:21
symbolize 78:8
symbolized
25:5
symbolizes
36:3
symbols 97:21
98:2,6 101:21
102:10,21
syracuse 195:6
system 112:14
t
t 7:1 95:3
148:18
table 38:16
70:21 71:7,10
119:17 129:16
131:21 132:17
142:7,10
tabletop 38:15
40:13

March 1, 2023

Page 44
take 20:9 43:9
47:6 53:14
59:9 67:6
70:10 92:8
108:17 123:3
136:9 137:5,10
137:20 147:1
156:1 184:12
185:11 186:13
213:17
takemoto 4:6
5:18 10:11
13:20 93:8,13
94:1 95:16
111:1 113:12
127:1
taken 212:21
talk 28:4 61:14
85:13 100:1
120:19
talked 200:6
talking 27:1
58:1 85:19
130:12,13
208:5
tallchief 160:6
tally 67:5
taper 79:13
taste 82:1
tate 3:14 12:21
13:4
teacher 113:17
team 28:13
31:6
technical 23:18
26:9 63:8
78:17 80:12
99:4,8 100:7

103:9 153:11
154:7 155:6
163:9 182:6
188:12 210:15
technically
80:2
television 88:4
88:8
tell 28:7 49:7
50:12 85:6
115:14 143:11
165:5,7,16
168:4 170:8
210:2
telling 121:19
170:19
tells 113:19
168:5 202:8,20
203:7
tend 102:10
130:11
tents 181:2
200:8
term 109:14
198:3
terminology
109:3 110:3
terms 40:17
62:12 94:14,16
108:1 131:1
166:19 193:21
terrific 87:18
territorial
94:10 149:5
test 38:15
40:13
testament
21:17

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202-857-3376

text 80:3
178:18 181:16
210:1
text's 211:4
texture 154:15
154:15,19
thank 10:2,3
11:2 15:7 17:9
20:3,10,13,14
20:15 23:11
24:6 26:6 34:9
35:18 37:17
39:18,19 40:1
43:7,8 45:1,4
47:1,2 48:7,8
48:13 51:1,2,5
52:9,10,12
54:17,19 55:2
56:11 58:13
61:9,10 63:10
64:15 65:8,12
66:6,16 67:10
72:18,19 73:3
73:3,18 75:8
76:14 78:16
80:7 81:9 82:3
82:4,6 83:3,4,6
84:11,19,21
86:9,10,13,14
87:11,13,19
88:1,14,15
89:3,16 90:19
91:8,19 92:9
92:13,14,17,18
93:5,7,19
96:12 97:2
99:2 101:6
103:6 104:15

CCAC Meeting

[thank - three]
104:17 105:10
105:11,13,20
106:1,7 107:14
107:15 110:5,8
112:21 113:2,6
114:13,14
115:9,10,15
118:17 120:8
121:15 122:3
122:12,13,17
126:5 127:9,11
129:5 131:10
136:15 138:12
139:5,7 141:12
142:20 143:8
143:10,15,16
147:3 150:5,6
150:17 153:9
155:2,14 156:6
156:18,19,21
157:5,7 158:20
158:21 159:2
161:16,18,21
163:1,2,21
164:4,15,16,18
165:19,20
167:15 169:20
170:14 171:2
172:5 174:21
175:7 177:6,8
182:3 186:19
186:20 188:4
188:11 190:20
191:1 193:12
193:15 194:17
194:18,20
198:12,13,16
199:21 200:1

March 1, 2023

Page 45
201:4,5 202:14
202:17 203:11
203:12 206:16
206:17 210:8
210:11 211:18
213:14,21
215:2 216:7,12
216:13,14,21
217:3
thankful
146:19
thanks 170:21
thereof 219:5
thing 42:2
57:11 59:18
105:4 108:6
120:4 145:8,14
167:10 185:2
189:15 190:3
190:12 196:20
201:10,19
things 42:19
43:4 47:8 58:2
73:6 82:17
91:21 107:18
108:13 158:4
191:11 196:11
196:12
think 10:4 27:7
29:9 30:4,20
31:5 32:16
33:11 34:3,12
34:16 35:13
38:7 39:9
40:12,15,18
41:10,14 42:11
42:17 43:5,11
45:14 47:10,15

50:16 51:15,16
52:4 54:6 56:5
57:1 58:5,8,10
58:16 60:13
62:1 65:18
66:3 68:15
71:20 75:18
76:1 81:16
82:15 83:1
86:3,18 87:17
101:17 102:5
104:13 105:6,8
105:16,18
106:20 107:20
108:15 110:11
110:12,21
111:2,6,7
112:2,6 113:15
114:3,10 116:4
117:8 119:9
121:12 122:7,9
125:12 126:11
126:16 127:12
127:13,19
129:2 130:5
132:11 133:13
134:21 140:15
141:2,8,17
157:10,13,16
158:6 159:4
160:21 161:7
161:10 162:18
163:7,19
164:20 165:4,4
176:21 183:17
185:5,13
187:19 189:12
189:21 190:3

www.CapitalReportingCompany.com
202-857-3376

190:16 191:8
191:14 192:2,6
192:9,13,17
193:1,9,20
194:3,4,10
196:17 197:17
197:19 198:3,9
198:21 199:7
199:18 201:15
203:9 204:17
205:11 206:5
206:13 209:14
210:4 211:21
215:7
thinking 48:2
112:8 128:6
167:16
thinks 45:6
third 93:10
94:1
thomas 4:11
14:8
thought 58:1
81:19 86:17,20
110:9 115:1,18
118:4 158:14
159:17 160:4
160:11 164:6
166:18 200:8
200:18 201:2
thoughtful
51:3 113:3
160:12
thoughts 42:14
56:2 59:15
three 18:4 55:7
86:16 125:14
142:16 159:11

CCAC Meeting

[three - turn]
164:8 166:14
167:7,9 183:14
203:3
thrilled 27:2
throat 19:6
21:18 22:18
41:13
throw 44:20
138:10
thunder 173:17
thurgood 16:6
tiebreaker
138:3
tiebreaker's
138:11
tight 171:4
time 7:14 23:17
25:19,21 30:12
32:16 43:15
56:1 63:10
64:2,8 89:10
93:6 104:5
114:10 137:9
140:5 142:21
148:13 168:9
172:15 173:6
176:16,17
177:3 187:6
189:10 194:14
201:13 212:1
213:2,16 217:9
218:5,6 219:4
times 57:14
166:6 178:18
183:14 186:7
tiny 197:14
tirelessly 15:14
17:6

March 1, 2023

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true 51:9 219:7
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CCAC Meeting

[turn - version]
165:21 190:21
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198:14 200:2
201:6 202:16
turning 135:2
156:20 201:18
two 7:16 15:18
25:17 32:14
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65:2 79:18
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175:12 207:11
207:20
typeface 127:3
types 33:17
typical 181:11
typically 35:16
typography
127:1
u
u.s. 2:19 92:18
92:19 94:11
98:21 106:14
148:12 149:3,8
151:5 173:10
180:16 205:19
ultimately
94:11
unacceptable
18:11

March 1, 2023

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utah 148:9
utmost 131:3

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v
v 16:10,14
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191:1 217:13
variety 98:2
162:2
vasquez 3:5
11:14,16
vehicle 48:17
verbally 210:7
version 182:18
183:18

CCAC Meeting

[versions - war]
versions
119:20 180:21
versus 56:3
64:18
viable 114:12
vibrancy 85:11
vibrant 124:18
videos 19:1
view 64:17
136:11,12
196:1,3
viewed 23:6
25:5
viewer 118:6
157:21 158:7
viewer's 78:11
views 52:16
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32:3
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violin 151:13
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violinist 148:7
virginia 173:18
176:7
visibility 62:12
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vision 27:5
30:10 60:1
63:5 209:9
visit 176:15
visual 131:6
179:5 196:11
visualize 60:5
visually 79:16
130:10,16

March 1, 2023

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voted 69:12
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w
wait 87:5
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111:20 114:18
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186:10 189:21
190:8,11
191:16 198:1
199:6,11 200:7
200:9 202:12
203:2 207:6,11
207:14

CCAC Meeting

[warden - wording]
warden 48:19
warrant 43:13
warren 2:20
7:4 9:16,17
10:14,17,18
12:13,17 63:14
63:15 67:7,13
69:6 89:20
212:9,10 215:2
218:8,9
warrior 18:8
washed 81:21
washington 1:8
33:19 104:20
128:15 129:4
wasted 65:2
watch 81:15
100:9,14,18
101:4
watching 88:8
waves 78:8
way 25:8,9
29:13,19 30:1
31:9,20 32:1
35:14 41:8,11
41:19 52:19
53:6,19,20
58:2,11 62:4
70:12 83:18
93:6 96:13
108:17 110:3
112:4 119:16
126:20,21
131:5 139:16
147:10 159:16
162:7 179:8
185:5,6 186:1
186:9 187:9

March 1, 2023

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we've 28:3
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67:10,16,18
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90:2,5 102:5
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123:8,10 124:3
125:7,10 126:2

132:9,14,18,21
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169:2,4 171:18
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welcome 37:19
83:9 186:15
wendy 13:21
96:1
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western 147:18
165:13
whichever
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white 3:18 13:5
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whitman 4:14
10:20
willing 143:2
winners 187:9
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winning 94:9
wish 28:20
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219:14
witnessed
135:3
woman 17:1
51:17 66:19
73:2 81:11
84:1 94:12
104:21 111:2
114:5 173:10

www.CapitalReportingCompany.com
202-857-3376

174:10 187:5
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women 5:5,12
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146:15,18
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women's 15:20
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won 203:7
wonderful
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wondering
35:1 144:1
word 21:13
39:2 41:11,21
45:15 114:18
127:3 145:17
163:15 199:12
worden 4:11
175:8 216:8
wording 99:10
115:7 157:11

CCAC Meeting

[wording - zitkala]
158:13
words 17:12
70:12 75:10
84:4 96:3
99:12 112:1
121:2,6 149:18
163:8 174:17
176:18 196:13
wore 25:4,20
196:4 203:5
212:18 213:1
work 16:8,17
16:21 18:16
22:5 46:11
52:1 53:3
55:14 57:7
75:3 96:21
117:16 124:16
126:12,17
149:1 155:13
177:15 184:8,9
186:9 195:9,20
worked 24:18
27:4 30:8
51:20 135:19
174:13 209:6
211:2
working 35:14
57:8 154:2
172:17 209:3
world 20:5
33:12 38:20
74:11,12
165:12,13
200:10
worlds 147:14
151:10 163:19
165:11

March 1, 2023

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worldwide
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wristband
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writings 19:1
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wrong 58:11
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x
x 5:1 6:1
y
yankton 147:8
yay 132:21
133:1
yeah 29:7,16
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82:13 117:7
119:21 140:6
150:8,12

205:18
year 25:17
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yesterday 7:17
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yield 56:1
york 14:10
172:9 174:15
175:17 195:6,7
young 105:1
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younger
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youthful
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youtube 81:13
z
zitkala 4:9 6:6
10:12 14:2
146:15,19
147:6,12 148:6
148:14 149:21
150:10 151:10
151:16,20
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153:3 161:6

www.CapitalReportingCompany.com
202-857-3376