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Meeting

June 16, 2021

1
Citizens Coinage Advisory Committee Public Meeting

Moderated by Chairperson Mary Lannin
June 16, 2021
10:00 a.m.

Client Managed Remote - DC
Washington, DC 20001

Reported by: Carl Hellandsjo
JOB No.:

4614007

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A P P E A R A N C E S
CITIZENS COINAGE ADVISORY COMMITTEE MEMBERS:
. Mary Lannin, Chairperson
. Sam Gill
. Dr. Lawrence Brown
. Dr. Dean Kotlowski
. Thomas Uram
. Robin Salmon
. Donald Scarinci
. Dennis Tucker
. Dr. Peter van Alfen
. Arthur "Art" Bernstein
. Michael Moran

UNITED STATES MINT STAFF MEMBERS:
. April Stafford, Chief, Office of Design
Management
. Boneza Hanchock, Design Manager
. Pam Borer, Design Manager
. Russell Evans, Design Manager
. Roger Vasquez, Design Manager
. Joseph "Joe" Menna, Chief Engraver

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A P P E A R A N C E S (cont'd)
UNITED STATES MINT STAFF MEMBERS:
. Ron Harrigal, Manager, Design and Engraving
. Jennifer Warren, Director, Legislative and
Intergovernmental Affairs and Liaison to the CCAC
. Greg Weinman, Senior Legal Counsel and Counsel to
the CCAC and attorney assigned to the 2022
American Women Quarters Program
. Betty Birdsong, Deputy Director of Legislative
and Intergovernmental Affairs
. Ralph Conte, Deputy Chief Counsel and attorney
assigned to the 2022 Purple Heart Hall of Honor
Commemorative Coin Program

PROGRAM LIAISONS:
PURPLE HEART HALL OF HONOR COMMEMORATIVE COIN PROGRAM:
. Russell O. Vernon, Executive Director of the
National Purple Heart Honor Mission

2022 AMERICAN WOMEN QUARTERS PROGRAM:
. Kristina Kiehl, executor and friend of
Wilma Mankiller

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A P P E A R A N C E S (cont'd)
PROGRAM LIAISONS:
2022 AMERICAN WOMEN QUARTERS PROGRAM:
. Consuelo Althouse, family member of
Adelina Otero-Warren
. Katie Peters, family member of
Adelina Otero-Warren
. Nancy Kenney, family member of
Adelina Otero-Warren
. Anna Wong, family member of Anna May Wong

MEMBERS OF THE PRESS:
. Brandon Hall, senior associate editor of Coin
Update and Mint News blog
. Mike Unser, founder and editor of CoinNews Media
Group, LLC
. Paul Gilkes, senior editor of Coin World

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C O N T E N T S
PAGE
April Stafford

12, 23, 40, 61, 94, 107, 111, 128

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P R O C E E D I N G S
CHAIRPERSON LANNIN:
Good morning.

It is ten o'clock.

I call back to order this meeting of

the Citizens Coinage Advisory Committee for Wednesday,
June 16, 2021.

To ensure that we have a quorum, I'd

like to introduce the members of the committee.
Please respond "present" when I call your name.
Peter van Alfen.
DR. VAN ALFEN:

Present.

CHAIRPERSON LANNIN:
MR. BERNSTEIN:

Arthur Bernstein.

Present.

CHAIRPERSON LANNIN:

Lawrence Brown.

[No audible response.]
CHAIRPERSON LANNIN:
MR. GILL:

Present.

CHAIRPERSON LANNIN:
DR. KOTLOWSKI:

Dean Kotlowski.

Present.

CHAIRPERSON LANNIN:
MR. MORAN:

Sam Gill.

Mike Moran.

Present.

CHAIRPERSON LANNIN:

Robin Salmon.

MS. SALMON: Present.
CHAIRPERSON LANNIN:

Thank you, Robin.

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Dennis Tucker.
MR. TUCKER:

Present.

CHAIRPERSON LANNIN:

Donald Scarinci.

Donald is absent today.
Tom Uram.
MR. URAM:

Present.

CHAIRPERSON LANNIN:
Mary Lannin, chair of the CCAC.

And I am

And we have a quorum.

So before we continue the meeting, I would again like
to remind each member of the committee to mute his or
her phone or microphone on the Webex program when
talking -- or not talking.

And to announce your name

prior to speaking each time so the court reporter can
accurately attribute statements to you.
Additionally, I remind the public to
mute your phone, and that this is a listening-only
hearing for the public.
The agenda for today's portion of the
public meeting includes a review of the obverse and
reverse candidate designs for the 2022 Purple Heart
Hall of Honor Commemorative Coin Program which is
Public Law 116-247, as well as a review and discussion

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of the reverse candidate designs for the 2022 American
Women Quarters Program, Public Law 116-330, for the
following women:

Wilma Mankiller,

Adelina Otero-Warren, and Anna May Wong.
And Dr. Brown, may I have a "present"
from you?
DR. BROWN:

Present, Madam Chair.

CHAIRPERSON LANNIN:

Thank you.

All

right.
So for the record, I would also like to
confirm that the following Mint staff are on the call
today.

And Jennifer, I'll get back to you on the

press.
April Stafford, Chief, Office of Design
Management.
MS. STAFFORD:

I'm here, Mary, and I'll

just take this time to ask all of the attendees to
mute your mic if you are not speaking, because we
unfortunately are working through some technical
difficulties and so we're all going to have to be very
aware of that throughout the discussion.
CHAIRPERSON LANNIN:

Thank you.

Thanks, April.

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Boneza Hanchock.
MS. HANCHOCK:

Present.

CHAIRPERSON LANNIN:

Thank you, Boneza.

Pam Borer.
MS. BORER:

Present.

CHAIRPERSON LANNIN:

All right.

Russell Evans.
MR. EVANS:

Present.

CHAIRPERSON LANNIN:

Thank you.

Roger Vasquez.
MR. VASQUEZ:

Present.

CHAIRPERSON LANNIN:

Joe Menna, Chief

Engraver.
[No audible response.]
CHAIRPERSON LANNIN:

Okay.

I'll circle

back to that.
Ron Harrigal, Manager, Design and
Engraving.
MR. HARRIGAL:

Present.

CHAIRPERSON LANNIN:

Jennifer Warren,

Director of Legislative and Intergovernmental Affairs
and Liaison to the CCAC.

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MS. WARREN:

I am present.

And also,

real quick, is any of the liaisons, R. Williamson,
somebody e-mail me?

Because they're showing up as

waiting in the -- for it to -- and for me to start the
meeting.

I don’t understand what's going on, so -- I

think I know what it is.

Hold on.

CHAIRPERSON LANNIN:

Thank you.
Okay.

Greg Weinman, Senior Legal Counsel and
Counsel to the CCAC and attorney assigned to the 2022
American Women Quarters Program.
MR. WEINMAN:

Good morning, Mary.

I'm

here.
CHAIRPERSON LANNIN:

Good morning,

Greg.
Betty Birdsong, Deputy Director of
Legislative and Intergovernmental Affairs.
MS. BIRDSONG:

I'm here.

CHAIRPERSON LANNIN:

Good morning.

Betty.

Ralph Conte, Deputy Chief Counsel and
attorney assigned to the 2022 Purple Heart Hall of
Honor Commemorative Coin Program.
[No audible response.]

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CHAIRPERSON LANNIN:

Okay.

While we're

waiting for Ralph, I would like to ask Jennifer the
names of the members of the press that are on the call
today.
MS. WARREN:

Yes, Madam Chairwoman.

Brandon Hall, senior associate editor of Coin Update
and Mint News blog.

Mike Unser, founder and editor of

CoinNews Media Group, LLC.

Paul Gilkes, senior editor

of Coin World.
CHAIRPERSON LANNIN:
All right.

Thank you so much.

Let me turn the page here.

And so we have the following liaisons that will be on
the call today:

For the 2022 Purple Heart Hall of

Honor Commemorative Coin Program, we will have
Mr. Russell O. Vernon, who is the Executive Director
of the National Purple Heart Honor Mission.

And for

the 2022 American Women Quarters Program, for
Wilma Mankiller, we have Ms. Kristina Kiehl, who is
the executor and a friend of Ms. Mankiller.

For

Adelina Otero-Warren, we have Ms. Consuelo Althouse,
Katie Peters, Nancy Kennedy -- Nancy Kenney, sorry -who are family members of Ms. Otero-Warren.

And for

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Anna May Wong, we have Anna Wong, who is a family
member of Ms. Wong.
So thank you all for joining us today.
All right.

So now to get into the

business of the day, I'd like to begin with the Mint.
Are there any issues that we need to talk about before
we begin our meeting?
Hearing no issues, I would like to ask
April Stafford, Chief of the Mint Office of Design
Management, who will present the obverse and reverse
candidates for the 2022 Purple Heart Hall of Honor
Commemorative Coin Program.
April?
MS. STAFFORD:

Thank you, Madam Chair.

Public Law 116-247, the National Purple
Heart Hall of Honor Commemorative Coin Act, requires
the United States Mint to issue three coins:

a $5

gold coin, a $1 silver coin, and a half-dollar clad
coin, to be emblematic of the National Purple Heart
Hall of Honor, an institution which commemorates the
extraordinary sacrifice of America's estimated 1.8
million servicemen and servicewomen who have been

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killed or wounded by enemy action.
George Washington created the Badge of
Military Merit in 1782 to recognize meritorious
action.

It was intended as a military order for

soldiers who exhibited "not only instances of unusual
gallantry in battle, but also extraordinary fidelity
and essential service in any way."
to honor the common soldier.

It was the first

There are only three

known recipients of the Badge of Military Merit, all
from the American Revolutionary War.

Once the

American Revolution ended, the Badge of Merit was all
but forgotten until the 20th century.
In 1931, General Douglas MacArthur
reopened work on a new design for the award.
Elizabeth Will was named to redesign the newly revived
medal, which became known as the Purple Heart.

The

new design was issued on the bicentennial of
Washington's birth in 1932.

The Purple Heart is

awarded in the name of President of the United States
to any member of the Armed Forces of the United States
who has been wounded or killed.
In developing the portfolio of

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candidate designs, the Mint worked closely with
Colonel Russell Vernon, Executive Director of the
National Purple Heart Honor Mission, a nonprofit
organization that supports a variety of programs to
promote the National Purple Heart Hall of Honor, to
identify appropriate concepts and ensure historical
and technical accuracy.
The designs in this portfolio are
presented in pairs, as artists were asked to develop
an obverse and reverse design that work in concert
with one another.
Required inscriptions include a
designation of the value of the coin, an inscription
of the year 2022, and inscriptions of the words
"LIBERTY," "IN GOD WE TRUST," "UNITED STATES OF
AMERICA," and "E PLURIBUS UNUM."
The Mint is also considering the use of
colorization on a single coin in this program, but
this will depend largely on the suitability of the
designs.

To that end, we appreciate if this committee

considers colorization during today's deliberations
and design recommendations.

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So on the phone with us today is our
liaison, Colonel Russell Vernon.

Again, he is the

Executive Director of the Purple Heart Honor Mission.
Colonel Vernon, may I ask you to say a
few words to the committee?
COLONEL VERNON:

Thank you very much,

April.
Madam Chairwoman, I'd like to thank you
and the members of the Citizens Coinage Advisory
Committee for providing me the opportunity to speak
today about the National Purple Heart Hall of Honor
Commemorative coin created under Public Law 116-247.
My name is Colonel Russell Vernon.

I'm the Executive

Director of the National Purple Heart Honor Mission, a
national 501(c)(3) free nonprofit organization that
supports a variety of tribute programs to promote the
National Purple Heart Hall of Honor, recognize our
nation's Purple Heart recipients, and educate all
Americans about the sacrifice of those wounded or
killed in battle to ensure they are never forgotten.
We are proud to be designated the beneficiary of this
historic commemorative coin program.

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The phrase "Some gave all, all gave
some" is often said without full appreciation of the
true depth of its meaning.

Husbands, wives, sons,

daughters, young and old, the Purple Heart has been
awarded to Americans of all races, creeds, and
ethnicities.

From the beaches of Europe and the South

Pacific during World War II, and the mountains of
Korea to the jungles of Vietnam, the streets of Iraq,
and the mountains of Afghanistan and beyond, wherever
American service members have gone to advance freedom
and protect our great nation, the Purple Heart is a
reminder of the scars and sacrifice of war.

Here at

home, those who wear it are a testament to the service
of the fallen and living symbols to others that
freedom comes at a cost.
Before I detail the Mission's preferred
coin designs, and our reasoning behind those
selections, I'd like to first take a moment and thank
the members of the U.S. Mint's team, the designers,
and all that worked on this project over the past six
months.

We are incredibly grateful for your efforts,

your time, and your willingness to hear our feedback

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throughout this process, and to make revisions.

You

have honored us with your professionalism and your
passion for this historic project that will be
appreciated by millions across our nation.
As we reviewed the portfolio, we viewed
the coins as a set and individually.

It was important

that the three-coin set told the story of the medal
itself, the sacrifice made by the recipients, the
price families have paid, and the personnel who cared
for our heroes on the battlefield and get them home.
It was equally important that each coin be able to
stand alone.

We believe our preferred coins have

accomplished this goal.
For the Gold series, the Honor Mission
recommends, in order of preference, Pair 04, Pair 03,
and Pair 02.

The primary catalyst for these

recommendations is the prominent inclusion of the
Purple Heart on these three specific designs.
Additionally, including a representation of the Purple
Heart merit -- the Purple Heart medal and the Badge of
Military Merit provides a strong connection to the
award's history and its unique connection across

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generations.

The use of General Washington's

signature was a strong design feature for us.
Finally, on a minor note, we believe
that while Purple Heart recipients and their families
will instantly recognize the medal, we feel that the
inclusion of the award's name helps make it clear to
the public who and what is being recognized with this
commemorative coin.
For the Silver series, the Honor
Mission recommends Pair 02A obverse and Pair 01
reverse.

Alternatively, we would recommend the

obverse of Pair 02, again with the reverse Pair 01.
In this instance, we believe the inclusion of the
Purple Heart prominently featured on the front of 02A
and 02 designs continues to set the award and thus,
the recipients, as the center of the series.

Of

particular note, we felt a strong connection with the
use of the phrasing "COMBAT WOUNDED AND KILLED IN
ACTION" which again helps provide context around who
is being honored with this coin.
As it relates to the reverse, the
depiction of the nurse tending to the wounded soldier

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spoke to the role that nurses, especially women,
played in the lives of our Purple Heart recipients.
Our heroes almost universally express a deep
connection and profound sense of appreciation for
those who cared for them after they were wounded,
which we felt was well portrayed in this design.
For the Clad series, our preference
would be Pair 01, with Pair 03 being a secondary
choice.

We felt strongly that the generational impact

of our Purple Heart service and sacrifice is
particularly well represented by Pair 01.
Additionally, the artist's rendering strongly and
clearly represents the "ALL GAVE SOME, SOME GAVE ALL"
axiom known to so many in our military and the Purple
Heart community.
Again, I want to thank all of you for
your time and consideration.

We feel strongly that

the designs recommended here will not only have a deep
meaning for our nation's Purple Heart recipients, but
also provide an attractive series that will be of
interest to the broader coin-collecting community.

We

hope you share our enthusiasm for this process, and I

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look forward to taking your questions.
CHAIRPERSON LANNIN:
Colonel Vernon.

Thank you.

Thank you,

That was very moving.
So I'd like to ask before we look at

the designs if Joe Menna and Ron Harrigal have
anything to share with us on the committee on the
designs for this coin program, particularly in the
sense that we may be able to colorize one of them.
Ron?
MR. MENNA:
first, this is Joe Menna.

Unless Ron wants to go
I'll hold my comments if

Ron wants to go first.
MR. HARRIGAL:
Mary.

Thank you.

Yeah.

No.

I'm good,

I'll defer to Joe on this.

CHAIRPERSON LANNIN:
MR. MENNA:

Okay, Joe.

Talk.

Okay.

First of all, I know this is an
official meeting, so I hate to demean it by
apologizing for wearing a T-shirt.

I didn't think my

video -- I didn't think my connection was going to
work, but now it does, so here I am.
CHAIRPERSON LANNIN:

It's a U.S. Mint

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T-shirt.

Never mind.
MR. MENNA:

Yes, ma'am.

So anyway, my only recommendations to
the committee would be that if the border of the heart
is going to be colorized, to consider the scale of
that heart on the preferred colorized versions,
because if it's too small, then it may lose -- the
point of colorization might be lost.

So I recommend

that colorization be preferably engaged on designs
where the heart is bigger within the circle of the
coin.

That's all.

Thank you.

CHAIRPERSON LANNIN:
I guess I have a question.

Thanks, Joe.

And

Since I know -- I don't

know enough about the chemistry of the colorization
process.

It doesn't make any difference if it's on

gold or silver; correct?
MR. MENNA:
question for Ron.

That would be a better

I don’t mean to put my boss on the

spot, but there you go.
CHAIRPERSON LANNIN:
MR. HARRIGAL:
Ron.

It doesn't matter.

Yeah.

Okay.
Okay.

So this is

The real thing is to get

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adherence to the substrate.

Whether it's gold or

silver, it has to be clean of oil, and we do test for
that type of thing.
doesn't matter.

Clad, silver, or gold, it really

You just have to have a clean

substrate.
CHAIRPERSON LANNIN:

So are they

specially cleaned as opposed to our normal blanks that
we use?
MR. HARRIGAL:

After coining, yes.

Sometimes if -- you know, there is a bit of residue on
the coins, an oil that will evaporate over time, but
to actually clean them, we may bake them in an oven
before we would apply the paint, just to assure that
anything volatile on the surface bakes off.
all.

That's

It's just a minor step that we may or may not

have to apply based on, you know, the tests that we do
for the paint adherence.
MS. STAFFORD:

Madam Chair?

CHAIRPERSON LANNIN:
MS. STAFFORD:

Yes, April.

This is April.

I just

wanted to be sure that we shared with the committee
that while the United States Mint is considering

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colorization on one of the coins in this series, it
would not be the gold.
silver or the clad.

It would either be for the

So I just wanted to make sure we

had that point as we move forward.
CHAIRPERSON LANNIN:

Thanks for the

clarification, April.
So how about legal questions from the
committee, or technical, before we have April read the
descriptions.

Anybody from the committee have any

questions?
Okay.

Hearing none, April, would you

please go through the gold.
MS. STAFFORD:

Absolutely.

And I will

follow the same -- the same that we did yesterday.
Before reading out the materials, we will move through
the portfolio, and I will pause at the designs that
have been identified by our liaison as a preference,
and of course should any committee member request, I
can read into the record design descriptions for other
designs that are getting attention.

Beyond that, the

Mint will make sure that our transcriber has a copy of
the descriptions so that it can be included in the

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record for this meeting.
CHAIRPERSON LANNIN:
MS. STAFFORD:

Okay.

Thank you.
Starting with the

gold pair, we have Gold Pair 01, Gold Pair 02.
Gold Pair 02 obverse presents the
original Purple Heart designated as the Badge of
Military Merit as established by George Washington in
August 1782.

Although never abolished, the award of

the badge was not proposed again until after World
War I.
Reverse 02 for this pair features
George Washington's signature above the original Badge
of Merit.
I just note that Gold Pair 02 is a
tertiary preference of the liaison.

So this is the

third amongst his identified preferences for the gold.
Moving forward, we have Gold Pair 03.
Obverse 03 displays five stars representing each of
the branches of our military:
Guard, Air Force, and Marines.

Army, Navy, Coast
The obverse is paired

with the reverse 03, which features the Badge of
Military Merit, George Washington's signature, and the

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year 1782.
Gold Pair 03 is the secondary
preference of the liaison.
Now we have Gold Pair 04.

Obverse 04

features a Purple Heart medal with the inscription, "A
GRATEFUL NATION HONORS AND REMEMBERS."

The reverse

design places George Washington's signature under the
Badge of Military Merit and over a textured stripe.
The inscriptions "BADGE OF MILITARY MERIT" and "1782"
round out the design.
Gold Pair 04 is the liaison's preferred
gold coin design pair.
Moving on to Gold Pair 05, Gold Pair
06, Reverse 07, and Madam Chair, that concludes the
offerings -- sorry.

I apologize.

Reverse 7A.

That

concludes the options for the gold.
CHAIRPERSON LANNIN:

All right.

Thank

you.
And so before we begin talking about
this, remember our five-minute rule, and please
identify yourself because we have a new transcriber
today, and who doesn't recognize our voices.

So we're

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going to be keeping track of time, and we're going to
indicate when time is up, and ask the members to wrap
up their comments when they're close to their five
minutes.
And additionally, if any members have
questions or comments on any of the programs, please
refrain from asking or discussing it until you are
recognized at the end of the discussion on this
program when I ask for additional comments.
So I'd like to begin with Dennis,
please.
MR. TUCKER:

Thank you, Madam Chair.

And thank you, Colonel Vernon.
This is Dennis Tucker.

I want to

address a topic that comes up often when we discuss $5
gold coins.

The $5 gold coin is small.

getting around that.
work with.

There's no

That's the canvas we have to

But even on a coin this small, the Mint's

sculptors and technicians can produce a remarkable
amount of fine detail.

On coins of the 1980s and

'90s, you don’t see this as much.
more recent $5 gold coins.

But look at our

At a quick glance, you can

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see the design and understand its message.

Then, the

closer you look, the more richly you're rewarded with
details.
If we're capable of making such amazing
use of a tiny canvas, why not go for it?

We don't

need to simplify our gold coins just for the sake of
simplicity.

If a strong candidate design is well-

balanced, artistic, and tells a story, but it's
finely-detailed, well, let it be finely-detailed.
I'll briefly give three examples of how
the Mint has combined good design with fine detail on
$5 gold coins.
The first is the 2016 Mark Twain $5
gold.

Zoom out, look at the coin from a distance, and

you clearly see a steamboat on the Mississippi River.
Zoom in, and you can count every railing on the
steamboat's bow.
The second example is the 2011 Medal of
Honor $5 gold.

Zoom out, and you can clearly see the

entire physical construction of the Medal of Honor,
the bars, the ribbons, the rings, and the medal
itself.

Zoom in, and in the center of the medal is a

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round inset, and inside that is a perimeter of stars.
Within that tiny element within an element, you can
see the details of every individual star.
And the third and final example is the
2019 American Legion 100th Anniversary $5 gold.

Zoom

out, and you see an eagle in flight alongside the
emblem of the American Legion, clearly visible.

Zoom

in, and every feather on that eagle is individually
defined.
more.

That by itself is impressive.

But there's

To the left of the eagle is a badge.

middle of the badge is a star.
star is a medallion.

In the

In the center of the

The medallion is encircled by

rivets, and you can see every individual rivet.

Those

elements combined make up the emblem of the American
Legion.

We didn't have to sacrifice detail in this

important symbol just because the coin was small.
For the Purple Heart $5 gold coin that
we're considering today, our liaison, Colonel Vernon,
prefers design pair 04.

This is well-balanced, it's

artistic, it tells the story, and yes, it's finelydetailed.

It's an excellent candidate for the $5

gold.

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Thank you, Madam Chair.
CHAIRPERSON LANNIN:

Thank you very

much, Dennis.
Dr. Lawrence Brown.
DR. BROWN:
Lawrence Brown.

Good morning.

This is

And first and foremost, I'd like to

thank the artists, because this is a wonderful set of
designs.
I'd certainly like to thank our
liaison, Colonel Vernon, and thank you for your
service, sir.

I know that feeling of having served,

having been in the military myself, not as an officer,
so I can't say I have that experience, but I think
that it is always wonderful to be able to come back
from having provided service to our country.
Madam Chair, I'm going to make it very
simple.

I see no reason to deviate from the

preferences that were made by the liaison, and in that
respect, I am hoping that only that when we get to the
silver, to give comments about the size of that Purple
Heart.

Otherwise, Madam Chair, my vote would be the

preference of the liaison.

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CHAIRPERSON LANNIN:

Thank you,

Dr. Brown.
Mike Moran.
MR. MORAN:

Good morning, Mary.

Mike Moran.
First of all, I want to compliment
Colonel Vernon because I think his choices were
excellent.

They helped me, but we oftentimes do not

get a sponsor in here who has the eye that
Colonel Vernon has expressed on these three coins,
commemorative coins.
I too will go with what he has done,
with Pair 04, but I also want to call attention to
number 02 of the gold coin pairs, and that's being the
reason I call that to your attention is that the
Purple Heart will be incused, highlighting all the
more the portrait of General Washington.

And I think

that's worth merit, it's something we haven't done on
a consistent basis with our coins, and I will also
give that consideration as well.
Thank you, Mary.
CHAIRPERSON LANNIN:

All right.

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so much, Mike.
Tom Uram, please.
MR. URAM:

Thanks, Madam Chair.

And thanks, Dennis, also.

I had the

red book out, and I actually have that -- I actually
have the large copy, though, the large spiral.

But

you made a great point there with the badge and the
eagle, particularly in the American Legion part there,
so that's great.

And all of this will fit on that

planchet size.
Colonel Vernon, thank you for your
service as well.

I did not ever serve, but my

grandmother gave to me a Purple Heart which belonged
to one of our relatives, and so I'm entrusted to that
safekeeping, and that's an honor.
Madam Chair, I'm going with the choice
of number 04 as well.
CHAIRPERSON LANNIN:

Thank you very

much, Tom.
Robin Salmon.
MS. SALMON:

This is Robin Salmon.

Thank you, Madam Chair.

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These designs were wonderful, and I was
also drawn to Gold Pair 04 for all of the reasons that
have been stated previously.
Gold Pair 02, though, has great merit,
and I go along with what Mike said about the incusing
on the obverse of that design.
absolutely beautiful.

That could be

So think about it.

Thank you, Madam Chair.
CHAIRPERSON LANNIN:

Thanks so much,

Robin.
Sam Gill, please.
MR. GILL:

Thank you, Mary.

This is Sam Gill.
I'm going to make it easy and go with
pair 04 as well.

It was certainly my choice from the

very beginning before I knew what the preferences were
from Colonel Vernon, and so I -- but I compliment the
entire portfolio, and I also really was impressed with
pair 02.

But I certainly will be voting for pair 04.
Thank you.
CHAIRPERSON LANNIN:

Thank you very

much, Sam.

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Dean Kotlowski, please.
DR. KOTLOWSKI:

Thank you, Madam Chair.

When I first looked at the portfolio,
the first one that I saw was number 01, and I really
liked it, and I still like number 01.

I like the

centering, I like the symmetry, I like the simplicity,
working on a small canvas.
"The Purple Heart."

It doesn't have the phrase

I don't think it's needed.

I

think the Purple Heart is iconic enough, especially
for the people who will buy the coin.

So I'd like

people at least to consider pair number 01.
I too liked pair number 04, and I also
liked pair number 02 and the incusing of the Purple
Heart as a way of highlighting General and President
Washington's image.
Thank you very much, Madam Chair.
CHAIRPERSON LANNIN:

Thank you so much,

Dean.
Peter van Alfen, please.
DR. VAN ALFEN:
Madam Chair.

Thank you very much,

This is Peter van Alfen.
And thank you too, Colonel Vernon, for

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both your service as well as your presentation this
morning.
I also want to thank Dennis for his
overview on the recent gold coinage, because one of
the concerns that I had was in fact just the size of
the coin, but as Dennis has rightly pointed out, there
is no concern here, so I'm more than happy to support
the preference of Gold Pair 04.
So thank you very much.
CHAIRPERSON LANNIN:

Thank you so much.

Arthur Bernstein, please.
MR. BERNSTEIN:

This is Art Bernstein.

I agree with everything that was said with regard to
Pair 04.

I was particularly attracted to the reverse,

where I felt that the sizing of the Badge of Merit
seemed in the right proportion in comparison to the
medal which is on the obverse.

I'm all behind

Pair 04.
Thank you.
CHAIRPERSON LANNIN:

Thank you so much,

Art.
And I'm Mary Lannin.

I'm the chair.

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And I too will defer to the choice of Colonel Vernon
for number 04.
choice.

I think it's an absolutely wonderful

I love the graciousness of

George Washington's signature.

That really brought it

home for me.
I also agree with my colleagues on the
incused part of design number 02, which is very
interesting.

So I'm going to give some points to that

as well.
So anybody have any additional comments
of clarifications?
Colonel Vernon, do you have anything
else to add to this?
Okay.

In that silence, I'm going to

ask our committee to score the obverse and reverse
candidates for the 2022 -COLONEL VERNON:
Chairman, I'm sorry.

I'm sorry.

I was on mute.

Madam

This is

Colonel Vernon.
CHAIRPERSON LANNIN:
COLONEL VERNON:
question.

Yes, Colonel?

I just had a quick

On the incused version, is there any reason

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on coin 04 that treatment couldn't happen?

It looks

like the size of the Purple Heart is similar.
CHAIRPERSON LANNIN:
that up to the Mint to answer.

I'm going to leave

I don't know if the

artists are identical, and I don't know what they
would feel about having their design altered in that
way, of the two separate artists.
Greg, can you give us some guidance?
MR. WEINMAN:

I mean, obviously, the

CCAC is welcome to make recommendations.
CHAIRPERSON LANNIN:
MR. WEINMAN:
the designs, or the rights.

Thank you.

The Mint obviously owns
It is something that the

Mint would almost certainly want to go back and speak
to the artists about before it made a recommendation
to the Secretary.

But as always, the CCAC is an

advisory committee, and if it feels strongly about a
design matter, you can make the recommendation
presuming it's technically feasible, which I would of
course leave to Joe Menna.
CHAIRPERSON LANNIN:
next question.

Okay.

That was my

Thank you, Greg.

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Joe, what do you think?
MR. MENNA:

Thank you, Madam Chair.

I want to make a course correction.

My

comments about colorization were directed towards the
silver and clad.

I thought we were doing the

whole -- all three at once.
CHAIRPERSON LANNIN:

No.

Joe, excuse

me.
MR. MENNA:

For this in particular, for

this in particular -CHAIRPERSON LANNIN:

They wanted it

incused.
MR. MENNA:

For the incused question,

incusing this coin in question, the problem with that
would be, to my eye, looking at the silhouette of
George Washington, if you see the way the lower right
corner of it almost touches the edge of the heart, and
there's some pinched areas in there that are a little
tight.

I don't think that the portrait is probably

correctly centered as it should be, and that may be
artistic license being taken to provide more emphasis
on the portrait.

Because if you center this portrait,

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any way you try and center it, it's going to touch the
borders.

So it might look a little -- it won't look

symmetrical if it's incused the way it is.

It's going

to look like a letter C wrapping around
George Washington if that makes sense.
Thank you.
CHAIRPERSON LANNIN:
sense.

That does make

Thank you for your comment on that.
Does anybody else have any questions?
Colonel Vernon, did you understand what

Joe Menna meant on design number 04?
COLONEL VERNON:

Yes, I did, and I

was -- I was presenting that comment in reaction to
the committee's support of coin 02.
CHAIRPERSON LANNIN:

Exactly.

Exactly.

Thank you very much.
So I believe that we should score our
candidate designs for the gold and send your scores to
Greg Weinman for tabulation.

It is 10:38.

We should

be able to do this in -- by about 10 minutes to 11.
Thank you.
(Off the record.)

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CHAIRPERSON LANNIN:

Okay, Greg.

If

you would like to read off the scores for the designs,
that would be great.
MR. WEINMAN:

Yes.

For the Purple Heart Hall of Honor
Gold, out of 30 possible points, number obverse 01 has
seven points, obverse 02 has 18 points, obverse 03 has
four points, obverse 03A has five points, obverse 04
has 28 points, making it the high vote-getter.
Obverse 05 has three points, obverse 06 has two
points.
Moving on to reverses, reverse 01 has
five points, reverse 02 has 15 points, reverse 03 has
five points, reverse 04 has 26 points, making it the
high vote-getter.

Reverse 05 has two points, reverse

06 has three points, reverse 07 has two points, and
reverse 7A has two points.
CHAIRPERSON LANNIN:

Thank you, Greg.

I think that it's not unexpected, is it?
I think they were great designs, and I
hope Colonel Vernon is happy.
So April, if you would like to start to

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go through the silver.
Any further discussion on this at all?
Nothing from our members?

All right.

So April, please go through the
candidate designs for the silver, please.
MS. STAFFORD:

Yes, ma'am.

We will start with Silver Pair 01, and
I will point the committee members' attention to the
reverse in this pairing.

Reverse 01 shows a woman in

a World War I helmet as she bandages a wounded soldier
on a stretcher.

Supporting World War I soldiers were

more than 23,000 female nurses serving in the Army and
Navy.
Silver Reverse 01 is the liaison's
preferred silver reverse design.
Moving to Silver Pair 02, obverse 02
features the Purple Heart medal with the additional
inscription, "COMBAT WOUNDED AND KILLED IN ACTION."
It is this obverse 02 that is the
secondary preference of the liaison.

Let me just

pause and confirm with the design manager.
Russ, is that accurate?

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MR. EVANS:

Yes.

The preferred design

is 02A, is obverse 02A, and then obverse 02 as
appears -- yes.

And obverse 02 is the secondary.

MS. STAFFORD:
MR. EVANS:

Okay.

So what you're seeing on

the screen right now, obverse 02A, is the preferred.
MS. STAFFORD:
moving on to that.

Thank you.

And I'm just

I just wanted to make sure I had

obverse 02 correctly listed as the secondary
preference of our liaison.
So, moving on to obverse 02A, which is
in Silver Pair 02A, this features, again, the Purple
Heart medal with the additional inscription, "COMBAT
WOUNDED AND KILLED IN ACTION."

In this version,

however, five stars represent the five branches of the
military.
It is this obverse, obverse 02A, that
is our liaison's preferred silver obverse design.
I would like to note for the
committee's awareness that while the liaison
understands the artist's intentions behind employing
the five stars to represent the military branches, he

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is not necessarily married to that and does not know
if it conveys as intended, so that might be a point of
discussion should obverse 02A be in contention.
Moving on to Silver Pairs 03 and 03A,
and Silver Pair 04.
And Madam Chair, that concludes the
options for silver.
CHAIRPERSON LANNIN:

Thank you very

much.
I'd like to start with Dennis again,
please.
MR. TUCKER:

Thank you, Madam Chair.

And again, thank you, Colonel Vernon,
for your insight and work on this project.
your choices are excellent.

I think

I agree with both of

them.
Let me -- I have no comments on the use
of the five stars in obverse 02A.

My -- forgive me

for flipping around in my paperwork here.
I like reverse 01, and I think it's
very poignant, and I love the fact that we are
satisfying the memories of our service members who

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hold dear their memories of the personnel who assist
them on the battlefield.

My only -- the only thing I

don't like about this design is the way the
denomination is treated, as a dollar sign and then the
numeral 1.

I prefer "one dollar" spelled out.

think it's more traditional.

I

I especially prefer it

for military-themed commemoratives.
depiction was not used until 2013.

The "dollar one"
If I'm not

mistaken, that was the first time that that treatment
denomination has been used on our U.S. commemorative,
so it's a fairly recent design element, but the style
has crept into other designs for the $1 and $5 gold
coins since about 2015/2016.
year.

We see them almost every

Again, I prefer having "one dollar" spelled

out, but I also am not a big fan of design by
committee, so I will just leave that comment there,
and I'm not going to recommend that we change
necessarily.
Thank you, Madam Chair, and thank you,
Colonel Vernon.
CHAIRPERSON LANNIN:

All right.

you very much, Dennis.

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Dr. Lawrence Brown, please.
DR. BROWN:

Thank you, Madam Chair.

This is Lawrence Brown.
I also salute the liaison's choices,
and I want to add that we're not too far from having
celebrated Memorial Day, so having this opportunity to
talk about this coin design is especially poignant
given the fact that we just came from Memorial Day.
I appreciate Dennis's comments about
the $1.

I too understand that.

But I would not want

to do anything that would reduce the poignancy of that
reverse in reverse 01.

I think that is so phenomenal.

I also -- I must tell you that as much
as I do salute in fact and do support the Colonel's
suggestion for obverse 02A, I would recommend keeping
the five stars because I think that's an opportunity
to educate the public about what that means,
particularly given this award.
I love the reverses on 02 and 02A.

I

just wish there was a way in which we could
incorporate that, but I must confess that the reverse
01A is even more effective, and I like the fact that

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in the clad, we'll be talking about how to best salute
those who were descendants and the loved ones left
from those who were wounded and killed in battle.
So Madam Chair, again, I salute in fact
reverse 01 and obverse 02A.
CHAIRPERSON LANNIN:

Thank you,

Dr. Brown.
Mike Moran, please.
MR. MORAN:

Thank you, Mary.

Mike Moran.
I'm going to endorse Colonel Vernon's
choices.

I would make one suggestion, and that is, on

reverse -- obverse 02A -- no, reverse 01.

My bad.

I've got them up here in front of me.
If it were me doing this design, I
would put the denomination below the stretcher, and
let there be clear between the two of them and the
motto "E PLURIBUS UNUM," one for many.

I think that's

certainly appropriate placement of that inscription,
and the $1 gets in the way of the -- basically the
art, and the inscription in this case is part of the
art and the message.

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Thank you.
CHAIRPERSON LANNIN:

Thank you, Mike.

I will let you make that suggestion in our discussion.
Tom Uram, please.
MR. URAM:
Colonel Vernon.

Thanks, Madam Chair, and

You're making our job relatively easy

this morning because I too agree with the selections
that is the preference of yours as well as the
committee.
remain.

I too agree, the five stars I think should

I think that that identifies and, as

Dr. Brown mentioned, the fact that it could educate
the public, and that's what we want coins to do.

I

think that the stars should remain.
As far as the dollar goes, I agree;
however, you know, if the Mint finds it appropriate,
we've done a lot of edge-lettering, and we could also
just put $1 on the edge like we've done with some of
our other dollar denominations.
another option.

So that would be

And that would have a totally clean

field for reverse 01.
Thank you, Madam Chair.
CHAIRPERSON LANNIN:

Thank you, Tom.

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Robin Salmon, please.
MS. SALMON:

Thank you.

This is Robin Salmon.
Colonel Vernon on this.

I go along with

I think actually the

portfolio has a lot of great designs, and I was having
difficulty.

I'm glad that he made it so easy for me.

I would vote for obverse 02A and reverse 01.
Thank you.
CHAIRPERSON LANNIN:

Thank you so much,

Robin.
Sam Gill, please.
MR. GILL:

Thank you, Madam Chair.

This is Sam Gill.
Colonel Vernon's recommendations are
superb.

I certainly support obverse 02A, and I agree

that the five stars should remain.
I want to just comment on reverse 02
and 02A.

To me, they were very, very moving from the

standpoint of seeing what I would assume would be a
mother holding a picture of her son, and I just found
that to be very touching and very, very moving,
although I really do like reverse 01, and I will

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certainly support reverse 01 because I think it's
very, very important that the support people get their
credit, and particularly the nurses on the field, so
again, I support the recommendations of obverse 02A
and reverse 01.
Thank you very much, Mary.
CHAIRPERSON LANNIN:

Thank you so much,

Sam.
Dean Kotlowski, please.
DR. KOTLOWSKI:

Thank you, Madam Chair.

Colonel Vernon, I also support the
choices that you have made.

I think that they are

truly excellent, so this again would be obverse 02A
and reverse 01.

I have three further comments.
The first is, I think we should keep

the stars on obverse 02A, because I'm having trouble
visualizing that design without the stars, and so I
think we should play it safe.
My second comment builds on what
Dennis, Mike, and Tom have suggested, and that is on
reverse number 01, I imagine there would be enough
space at the very bottom under the stretcher and the

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head to put the words "one dollar," and I think that
would be a very, very good idea if the committee is
amenable.
And my third comment builds on what Sam
and Dr. Brown had said about reverse 02 and 02A.

I

will share this image if I'm able to in e-mail with
the committee.

It reminds me of a very poignant

painting that I use in class that I saw in Australia
of a post-World War I woman at a table, and on the one
side of the table is a picture, somebody who she has
lost, and on the other end of the table, she has her
head down on the table folded into her arms, and she's
obviously crying.

And it was very, very poignant, to

use a word that's been used, and very, very powerful.
And a shout-out to this artist who did reverse 02 and
02A.
Thank you very much, Madam Chair.
CHAIRPERSON LANNIN:

Thank you so much,

Dean.
Peter van Alfen.
DR. VAN ALFEN:

Thank you, Madam Chair.

Peter van Alfen.

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And thank you again, Colonel Vernon.
I don't have any reservations about the
selection of obverse 02A, and in terms of the design,
I don't have a lot of reservations about the selection
of reverse 01.

I do have some reservations, however,

about the way it's described.

And one of the concerns

that I have with this reverse is first, that it's a
bit anachronistic.
from World War I.

This is a depiction of a scene
This of course pre-dates the

creation of the Purple Heart, which is, you know, a
minor thing.

I mean, the World War I soldiers were

able to retroactively apply for a Purple Heart, but,
you know, the greater concern I have here is that it
does sort of -- this design, especially as described,
does underscore some sort of stereotypical gender
roles of the female nurse caring for the male soldier,
which might be taken as a diminishment of the women
who have received the Purple Heart.

And something we

might want to consider is just the way that this is
described.

If we shift the time frame from World War

I to World War II, you know, this World War I helmet,
the M1917, was still in use at the beginning of World

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War II, and the first female recipient of the Purple
Heart was Annie Fox, a nurse who served at Hickam
Field and was injured during the attack on Pearl
Harbor in December 1941.

So, you know, again, my only

reservation about this is, maybe try and find a way to
describe this reverse in a way that does incorporate
the women who have sacrificed as well and who have
also been awarded the Purple Heart.
And otherwise, I'm happy to support
these designs, so thank you very much.
CHAIRPERSON LANNIN:

Thanks so much for

the additional information, Peter.
Arthur Bernstein, please.
MR. BERNSTEIN:

This is Art Bernstein.

I too support obverse 02A.

I

particularly liked the shading on the right one-third
of the coin, which I thought was a very nice feature.
I share the comments that Peter just
made about the seeming inconsistency and the gender
issues, and so for that reason, I was attracted to the
more generic reverse 03, which has that very bold
five-pointed star, which I found attractive as well.

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Thank you.
CHAIRPERSON LANNIN:

Thank you very

much, Arthur.
All right.

And so it's my turn.

I support what Colonel Vernon has as
paired with the reverse being number 01, and the
obverse being -- of 02A being the obverse.
the stars there.
balance.

I prefer

I think it provides a lot of

I think it provides additional texture to

the right one-third of the coin which makes the Purple
Heart really pop out.
And to go back to what Peter said about
number 01 reverse, I mostly would like to see -- first
of all, I think number 01 should be -- the dollar sign
should be below the stretcher if we can do that.
can make a motion about that.

We

As long as the uniform

of the nurse is accurate to match the helmet, I think
if the helmet could reflect more toward World War II,
because Peter made the good point that this medal was
done in 1932, which is on the obverse.

So that being

said, I will support number 01 for the reverse and
number 02A for the obverse.

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Thank you very much.
MR. STAFFORD:

Madam Chairwoman,

Donald Scarinci joined us, so if he could also -CHAIRPERSON LANNIN:

All right.

Donald.
MR. SCARINCI:
So listen.

Hi, everybody.

To me, this is -- I'm

delighted everybody is as in love with reverse 02 as I
was.

I just think that's -- that's just a great

image, and the artists, again, you know, whatever went
on with this batch of coins and the artists, I mean,
we got some really good designs here.
I -- sorry for the -- I left my clock.
You know, to me, you know, when we're
presented with pairs that are designed by the same
artist, we're going in the right direction because the
pair is the completed vision of the artist, and for
me, you know, the -- you know, the medium is the
message, and the art is what sells the coin.

And the

artists, you know, what we should be doing with the
artists is highlighting them.

I mean, we have some

amazing artists working for us that don't just do

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coins and medals.

They do sculpture, they do other

things as well, and they're good -- they're great
artists in their own right.

And eventually, the Mint

will realize that and use the artists' -- and promote
the artists, you know, to promote the coins.
Eventually.

Right?

You know, but, you know, when we have an

opportunity to support coins that are presented to us
in a pair and keep the artist's visions intact, to me,
I don't want to miss that opportunity ever.

Because

that doesn't -- this doesn't happen all the time.
don't get this all the time.

We

So when we get it, I

want to support it.
And I personally like, you know, you
know, the pairing of 02A the way it is, you know,
without us meddling it up.

You know, redesigning it,

you know, moving things around in it, I mean, I -- the
vision is a great vision.
of art.

I think it's a great piece

I think it delivers a message.

improved upon?

Certainly not by us.

qualified to improve upon it.

Could it be

I don't feel

So I'm supporting the

pairing of 02A, and I'm encouraging by my support the
Mint to give us more pairings of one complete artist's

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vision.
You know, Leonne DeFink [ph] used to
say that a medal is a four-dimensional object.

You

know, she used to say that when you touch a medal, and
when you hold a medal out, and a coin is the same
thing, you know, it's -- it's not a picture on -- on
metal.

It's -- you know, there's an obverse and a

reverse to do something with, and the obverse and
reverse transports you through time as well.

So it

incorporates not only the three dimensions, but that
fourth dimension of time when you turn the medal,
which this design does.
medal itself.

You know, you've got the

You turn it around, and what are you --

what are you seeing?

You're seeing this beautiful

image, you know, of what, you know, what would purport
to be a wife or a mother with someone, you know, you
know, who's no longer with us.

So I really support --

support number 02 for all those reasons.

I encourage

the Mint to give us pairings from the same artists,
and I compliment the entire portfolio.

It should all

get -- it should all get a merit -- merit notices from
us.

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Thank you.
CHAIRPERSON LANNIN:

Thank you so much,

Don.
I'd like to ask Colonel Vernon if he
has any comments about -COLONEL VERNON:

Yes.

I do.

I appreciate all your feedback.

It's

incredibly helpful to me.
We did love the reverse of 02 and 02A,
but as I said in my opening comments, we look not only
at the coins individually, but as a three-coin set,
and we feel that in the clad series, the reverse of
coin 01 does represent the gold star families and the
sacrifice that families make, so that's why we felt
the -- having the caregivers, and to tell their story
in the reverse of 01 on the silver series really gave
us a continuum of the full story of the Purple Heart
medal and the recipients.
go below.

We agree that the $1 should

We would prefer if it was written out as

"one dollar" as well, but either way, we would
certainly prefer it under the stretcher.

And I guess

that covers it.

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But I really appreciate you educating
me.

And one of the things that's important to us is

that these coins sell, so you have a better
perspective on what the coin-collecting community will
appreciate, not only what we as veterans prefer.
Thank you.
CHAIRPERSON LANNIN:

Thank you,

Colonel Vernon.
And I'd like to toss this back to the
committee so that we can talk about the apparent
discrepancy between 1932 for the current version of
the Purple Heart that we use and the fact that Peter
brought up, that the preferred reverse has a World War
I type uniform.

So I'm opening up for discussion.

DR. VAN ALFEN:

Mary, this is

Peter van Alfen.
CHAIRPERSON LANNIN:
DR. VAN ALFEN:

Okay.

The World War -- or the

uniform used I believe by nurses in World War II is
rather similar to that depicted, so I don't think
there would need to be much modification.

And that

same helmet was used at the beginning of World War II

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as well, so, you know, all we would need to do is just
change the description really.
CHAIRPERSON LANNIN:
DR. VAN ALFEN:

Okay.

And maybe also

underscore Annie Fox, you know, as the first
recipient, female recipient, you know, who was a
nurse.
CHAIRPERSON LANNIN:

All right.

Thank

you.
Does anybody have anything to add to
what Peter just said?
DR. BROWN:
Lawrence Brown.

Madam Chair, this is

I'd just like to second Peter's

suggestion and recommend that the description actually
include the information that he shared.

I think that

would be educational to the public.
CHAIRPERSON LANNIN:

Thank you.

And

I'm sure the Secretary of the Treasury will appreciate
that extra information as well.
All right.

It is now 11:12.

I think

that with all that we've talked about, if we give it
ten minutes or so and return at 11:25, we can turn our

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scores into Greg.

Thank you.

(Off the record.)
CHAIRPERSON LANNIN:

I'm ready.

Please

go ahead.
MR. WEINMAN:

Purple Heart Hall of

Honor silver, silver design number 01 received seven
points, obverse 02 received four points, obverse 02A
received 30 out of 33 points, so it's the high votegetter.

Obverse 03 received five, obverse 03A

received five, and obverse 04 received two.
On the reverses, reverse 01 received 23
points, making it the high vote-getter.

Reverse 02

received 20 points, reverse 03 received nine, and
reverse 04 received two.
CHAIRPERSON LANNIN:

All right.

Thank

you so very much, Greg.
And let us begin talking about the
clad.
All right.

I would like to start out

with Dennis again.
MR. MORAN:

Excuse me.

CHAIRPERSON LANNIN:

This is Mike.

Oh, sure, Mike.

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Go ahead.
MR. MORAN:

Should we deal with the

placement of the denomination on the reverse of the
second choice?
CHAIRPERSON LANNIN:

We could do it

now, or we could do it after we've done all of the
coins.

Might as well do it now.
MR. MORAN:

All right.

Well, I move

that the denomination be moved to the open space below
the stretcher, and the Mint evaluate spelling it out
in full.
MR. BERNSTEIN:

Art Bernstein.

CHAIRPERSON LANNIN:

Okay.

Second.

So Mike and

Art.
All in favor of Mike's motion, say
"aye."
UNIDENTIFIED SPEAKERS:
CHAIRPERSON LANNIN:

Aye.

Anybody opposed?

[No audible response.]
CHAIRPERSON LANNIN:

Motion passes

unanimously.
All right.

Thank you.

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And why don't we go on to the clad
series.
April?
MS. STAFFORD:

All right.

So starting

with Clad Pair 01, obverse 01 shows a figure in
military fatigues and combat boots using a pair of
crutches.

The left leg has been amputated from the

thigh down.

The negative space below the amputated

knee shows the missing leg in silhouette.

The Purple

Heart medal appears behind the figure, and the
inscription "ALL GAVE SOME" sits below the
composition.

The background field has a subtle flag

motif.
The corresponding reverse, reverse 01,
features a young boy holding the dress cap of an
enlisted Marine.

The silhouette of a Marine in dress

blues stands behind him in negative space, emphasizing
the loss that affects the families of Purple Heart
recipients.

The inscription "SOME GAVE ALL" is

featured in the negative space around the boy in the
lower half.

The background field from the

corresponding obverse is repeated.

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Clad Pair 01 is the liaison's preferred
clad coin pairing.
And we have Clad Pair 02, Clad Pair 03.
Clad Pair 03's obverse shows an adult
hand lowering a Purple Heart into the hand of a youth,
passing on the knowledge of the Purple Heart to future
generations.
The complementary reverse design,
reverse 03, features the Badge of Military Merit as
created by George Washington in 1782 next to the
modern Purple Heart as recreated in 1932 in honor of
Washington.
Clad Pair 03 is the secondary paired
preference of the liaison.
And we also have Clad Pair 05.
And Madam Chair, that concludes the
clad candidate designs.
CHAIRPERSON LANNIN:

Thank you so much.

Dennis, would you like to begin?
MR. TUCKER:

Thank you, Madam Chair.

This is Dennis Tucker.
And thanks again to Colonel.

This is a

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remarkable portfolio.

Kudos to the Mint staff and AIP

artists who have submitted designs.

This is amazing.

Wonderful to be able to look through a portfolio of
designs this strong.
And Colonel Vernon, you've done a lot
of the work that we normally do when we try to go
through a large portfolio like this and make sure all
three coins tell the story and match up and work well
together.

I think the gold $5 tells the story of the

medal itself, the silver dollar talks about the
personnel on the field who helped service members, and
this clad design for Pair 01 is very emotional, speaks
to the sacrifice not only of the service members, but
also their families.

So I wholeheartedly agree with

this choice, and it will get all of my support.
Thank you, Colonel, and thank you,
Madam Chair.
CHAIRPERSON LANNIN:

Thank you so much,

Dennis.
Lawrence Brown, please.
DR. BROWN:

Yes, Madam Chair.

This is

Lawrence Brown.

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And I echo the comments of Dennis.

And

I guess to me, the only thing that I wonder about is
that sometimes, that we can be overly subtle with our
designs, so for example, the word "LIBERTY" on the
flag, I wonder how well that will be -- manifest on
the clad coin.

I know nothing about coinage and

stuff, but I just wonder just looking at this picture.
But I too like the combination of the obverse and
reverse, "ALL GAVE SOME," "SOME GAVE ALL," and I must
say that in part, that during the short time that I've
been on the CCAC, I do echo the comments of my
colleagues that we really get a liaison to lay out a
portfolio in the way that you have, Colonel.
But on the other hand, I must confess
that I'm not entirely surprised, because military
personnel tend in fact really appreciate the
significance especially of a Purple Heart.

I mean, of

all the medals that you can actually achieve while in
service, that is the one, besides the Congressional
Medal of Honor, I agree, but besides that, the Purple
Heart is the one for which almost every military
person in every branch would recognize of its

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significance.
And I really love this combination,
this clad obverse 01 and reverse 01 really fits to
tell a picture along with the entire coins that we
have already previously selected.
So Madam Chair, that's my vote:
Obverse 01 and reverse 01 on this clad design.
CHAIRPERSON LANNIN:

Thank you so much,

Dr. Brown.
Mike Moran.
MR. MORAN:

Thank you, Mary.

This is Mike Moran.
I'm going to just be an echo chamber.
It's Clad Pair 01.
I would point out one thing.

I think

the Mint design staff has an opportunity here through
frosting and polish to do an amazing coin.

There's so

much potential here.
Again, on the denomination, the halfdollar there just kind of floats out there on the
flag.

I think that by the way that delivers, that

first off, we give some polishing or some frosting to

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the flag in the background there.

But the half-

dollar, again, gets in the way of the eyesight of the
departed soldier and his son.
You know, Tom brought up in the last
one, and I thought it was maybe a bridge too far.

At

the end of the consideration of all three of these,
the half-dollar, if it were doable, it ought to be on
the rim.

And as far as that goes, on the dollar coin,

it would be good on the rim there too.

But the "half-

dollar" needs to move out of the soldier's eyesight.
Thank you.
CHAIRPERSON LANNIN:

Thank you so very

much, Mike.
Tom Uram, please.
MR. URAM:

Thank you, Madam Chair.

You know, I thought the law enforcement
half was really super, but this, I think this even
goes above and beyond as well.

You know, the half-

dollar as it relates to the whole series is the most
affordable to the collector and to people, and this is
probably one of the best halves that we're going to be
able to put out there.

And so once again, I thank

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Colonel Vernon for the keen eye here, and the
committee that helped.

And I too feel that the edge-

lettering, if possible, but we could discuss that at
the end regarding both the half and the dollar.
Thank you, Madam Chair.
CHAIRPERSON LANNIN:

Thank you so much,

Tom.
Robin Salmon.
MS. SALMON:

Thank you.

This is Robin Salmon.
Yes.

Pair 01 grabbed me from the very

beginning.

It's powerful, it's moving, and it's

beautiful.

I agree that there are so many

opportunities with this particular design to make a
spectacular coin.
I also agree about "half-dollar" being
located elsewhere, whether it's on the edge or whether
it's down below "SOME GAVE ALL" in a smaller point
size.
But all of these designs have just been
spectacular, and I do go with Pair 01.
Thank you.

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CHAIRPERSON LANNIN:

Thanks so much,

Robin.
Sam Gill, please.
MR. GILL:

Thank you, Madam Chair.

I'm going to echo what my colleagues
have already said and recommend Pair 01.
tells a compelling story.

It truly

It's very, very moving, and

anyone can look at this and really feel what a
sacrifice really means.

And not that we could totally

feel it, but it certainly demonstrates it, so I am all
in for Pair 01.
Thank you.
CHAIRPERSON LANNIN:

Thank you so

much.
Dean Kotlowski.
DR. KOTLOWSKI:

Pair 01 has a boldness

and audacity, in the best sense of the word, design
that is truly magnificent.

And I remember when I

joined the committee, Don Scarinci I believe said that
he really wanted to support designs that could win a
prize internationally.

And I don't have enough

expertise and I'm certainly not a fortune teller, but

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I would imagine that this design would be a strong
contender for some sort of international award.
think it's just simply superb.

I

There's a kind of

artistic inversion going on here with splitting the
quotation into two parts, the play of shadows and
silhouettes I think is magnificent.

In the years I've

been on the coin committee, we've seen a lot of
American flags.

I don't think we've quite seen them

from this angle and this perspective.
well.

That adds as

And when you speak of the poignancy, it's maybe

a little anachronistic, and I'm grateful to my fellow
historian, Dr. van Alfen, but from World War I,
Siegfried Sassoon's poem, The One-Legged Man, very,
very powerful, very poignant, and the obverse put that
in mind as well.
that poem.

And also through e-mail, I may share

I think it's just simply a magnificent

design, and I'm extremely happy to support it.
Thank you, Madam Chair.
CHAIRPERSON LANNIN:

Thank you so much.

Peter van Alfen.
DR. VAN ALFEN:

Thank you, Madam Chair.

This is Peter van Alfen.

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I am more than happy to support Clad
Pair 01.

I find this just artistically striking and

emotionally poignant as many of my colleagues have
pointed out, and I would also be happy to support
moving the "half-dollar" elsewhere.
So thank you.
CHAIRPERSON LANNIN:

Thank you.

Arthur Bernstein.
MR. BERNSTEIN:

This is Art Bernstein,

and I second everything that's been said about Pair
01.
Thank you.
CHAIRPERSON LANNIN:
MR. SCARINCI:
didn't need

Don Scarinci.

This was not -- we

a lot of thought for this, and I think

what I'm hearing across the board is the number 01
pairing, that's the coin.

And what's very cool about

that coin is, it is the clad.

And, you know, so what

Tom said, you know, the clad, the half-dollar clad is
obviously the most collectible and everybody can
afford it.

If you can only buy one collector's,

collect the half-dollar, blah, blah, blah, and yes.

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Assuming the sculpt does justice to this.

You know,

when I look at coins like this, this is very well -this is a great graphic design, and I try to put
blinders on my eyes.

I try not to see the pretty

graphic, right, because there are artists who are, you
know, some of our infusion artists are graphic
artists, and, you know, and some of them are better
than others in graphic arts.

So I try to, you know,

but this is not a two-dimensional object, you know.
It's a multi-dimensional object.

So I try not to look

at the art that we're presented.

And I can tell you

some funny stories about the past with this, but, you
know, so ignoring the art and looking past the art,
and trying to visualize what this will look like as a
coin with a good sculpt, I think, yes.

To Dean's

point, yes, this -- this is an award -- this could be
an award winner.
artistically.

It has everything you want to see

It's emotive, it's emotional, it's

inspirational, it's powerful.

You know, I -- you

know, I'm sorry to take so long to even talk about
this coin.

I wasn't intending to do that because this

is such a no-brainer and everybody seems to be saying

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the same thing, so to me, this is -- you could -assuming you don't hear anything different on the
call, I think you could do this coin by motion.
That's all I have to say.
CHAIRPERSON LANNIN:

Okay.

Well, I'm going to make it unanimous,
which makes it much easier.

Let's open it up.

There

are two things that I think the committee would like
to discuss, and I think the first thing which goes to
all three of the coins is if we do the denomination as
edge-lettering, so I would like to address that to
whoever would like to speak about that.
MR. MORAN:

Mary, this is Mike.

CHAIRPERSON LANNIN:
MR. MORAN:
should do it.

Yes, Mike?

I just simply think we

As far as I'm concerned, the

denominations on these commemorative coins is just
simple ground clutter.

It's meaningless.

CHAIRPERSON LANNIN:

So Mike, are you

then saying all three on the edges?
MR. MORAN:

I'd move all three of

them.

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CHAIRPERSON LANNIN:
MR. URAM:

All right.

Tom Uram.

CHAIRPERSON LANNIN:
MR. URAM:

Yeah.

Okay, Tom.

I'd like to make a

motion to recommend to the committee that all the
denominations be edge-lettering and then spell out the
denominations as edge-lettered.
MR. BERNTEIN:

Second from

Art Bernstein.
CHAIRPERSON LANNIN:

Okay.

Tom and

Art.
MS. WARREN:
Jennifer.

Madam Chairwoman, this is

I believe the liaison may want to speak.

He opened his mic.
Mr. Vernon?

Colonel Vernon?

COLONEL VERNON:

Oh, just very quickly.

I want you all to know that the Purple Heart is the
one medal no service member wants to ever receive, but
it's the one medal they're most proud of; and you, the
committee, the Mint, the designers, have really
honored us with these designs and your willingness to
listen to our input.

Thank you so much.

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CHAIRPERSON LANNIN:

You're very

welcome, Colonel Vernon.
So we have a motion in front of us to
move all the denominations to edge-lettering and to
spell them out as "five dollars," "one dollar," and
"half-dollar."
All in favor of the motion, say "aye."
UNIDENTIFIED SPEAKERS:
MR. TUCKER:
Dennis.

Aye.

Madam Chair, this is

Should we not have discussion first?
CHAIRPERSON LANNIN:

We discussed it.

Tom -- are you not voting for it?
MR. URAM.

No.

I -- that was Dennis.

CHAIRPERSON LANNIN:
MR. TUCKER:

Yeah.

I know.

Madam Chair, this is

Dennis.
CHAIRPERSON LANNIN:

I was clarifying

to Dennis -MR. TUCKER:

Yes.

CHAIRPERSON LANNIN:

-- saying that Tom

had made the motion, and Art seconded it.
on that motion.

So we voted

And so --

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MR. TUCKER:
Dennis again.

I apologize.

This is

I did not hear the call for discussion.
CHAIRPERSON LANNIN:

I said we had two

things to discuss, and the first thing that we were
going to discuss was the placement of the denomination
on the edge of each coin in the set.

And Mike spoke

first, Tom spoke second and made a motion, and Art
seconded that motion.
Do you have anything to add?
MR. TUCKER:

Yes.

Thank you.

This is Dennis Tucker.
I understand the temptation to move
elements to the -- to the edge of the coin.

We do

have a lot that's mandated by the legislation that we
need to fit on, you know, onto these coins.

The first

thing I think of though is one of the failures of the
American Arts' gold medallions in the early 1980s.
Those medallions didn't sell for a number of reasons,
but one of those reasons was because they had no
denomination on them.

They weren't legal tender

coins, so of course they wouldn't have a denomination,
but on the international market in particular, that

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really weakened their appeal.

I think there's

something very traditional and very strong about
having the legal tender aspect of an American coin
boldly shown on the coin.

So I -- I think that we --

I like the idea of spelling them out, "one dollar"
rather than the dollar sign and the numeral 1, for
example.

But I would rather see some other design

elements moved to the edge if we're doing that simply
to make space.

Otherwise, I would rather have the

denominations moved -- staying on the reverse but
moving them into more appropriate positions, as we did
have some discussion.
Thank you, Madam Chair.
CHAIRPERSON LANNIN:

Is there any

further discussion on Dennis' comments?

We do have a

motion that's open.
DR. BROWN:

Madam Chair, this is

Lawrence Brown.
I'd ask that the motion can be
restated.
MR. URAM:

The motion would be to have

all three denominations placed on the edge regarding

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where they are in the field now, and to have them
spelled out.

And if we start redesigning the whole

thing, we're going with design by committee, and these
are just too good to do that.
anything beyond that.

I wouldn't touch

So that my motion will stay --

will stay that, just having the denominations moved to
the edge-lettering, spelled out, same as what it was.
CHAIRPERSON LANNIN:
MS. WARREN:
Jennifer.

And Art --

Madam Chairwoman, this is

You may want to call on Ron and Joe just to

get any clarifications for this motion before you guys
vote.
CHAIRPERSON LANNIN:

Okay.

Ron, are we giving you headaches over
this?
MR. HARRIGAL:
Mary, yeah.

Yeah.

This is Ron.

We put the, you know, denomination and

inscriptions on the edge of the golden dollar because
it's in the legislation.

It does add cost, and it is

something we don't prefer to do.

It reduces

efficiency and adds costs, so if you do -- if we do go
down this path, these coins will sell -- these coins

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will cost more than other commemoratives that would
have it on the face of the coin in a standard reeded
collar.

I just want to make that point.
CHAIRPERSON LANNIN:

Okay.

Colonel Vernon, do you understand that
this could bring less money to -- as liaison to your
cause if we put the denomination on the edge?
MR. URAM:
would do that.

Mary, I don't think that

That would raise the price.

I don't

think that would affect the stakeholder.
CHAIRPERSON LANNIN:

Well, the Mint has

to recover their costs, so -MR. URAM:

Yeah.

That's right.

They

would be higher than -- say the $85 now might be,
what, 87 or 89 instead, but the stakeholders might be
the same.
CHAIRPERSON LANNIN:

Okay.

Colonel Vernon, you were about to say
something?
COLONEL VERNON:

Yeah.

So the only

thing I would say is, we clearly want the most
proceeds because it allows us to support these Purple

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Heart heroes.

But the coin-collecting community, what

we're interested in is what the coin collectors think
in terms of collectability.

So you might -- you might

have a coin that costs a little more, but more will be
sold.

So that's my question to the committee, is we

want to ensure the design not only tell the story,
which these have done, but they also are done in a way
that will result in sales.
CHAIRPERSON LANNIN:

Understood,

Colonel Vernon.
Any further discussion?
MR. MORAN:

Mary, this is Mike Moran.

CHAIRPERSON LANNIN:
MR. MORAN:

Okay.

Let me clarify on Tom's

comment about the commemorative coin surcharge so that
everybody understands it.

It's fixed by law as to

what the sponsor receives from it subject to recovery
of Mint costs.

So assuming that this is a popular

item, and it sells the maximum amount or any other
amount, as long as it -- the proceeds cover the cost,
they'll get their fixed surcharge per coin.
CHAIRPERSON LANNIN:

Thank you, Mike.

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Is that all right with you, Ron?
MR. HARRIGAL:

You know, my point being

is that we try to maximize the proceeds on that, and
you know, who's to say what the collectors would
prefer, with it on the edge or with it on the face?

I

do know that we have had some negative feedback on the
dollar coins, the golden dollars, because the date's
not on it, and we're doing privy marks on it to sort
of give that -- that impression that every year, it
changes.
thing.

We have different privy marks, that type of
So we have reacted in that fashion.

The

denomination thing, of course, you know, that's up to
you folks to decide whether you think that that's a
wise choice or not.

But, you know, the stated points

that the golden dollar has it in the legislation, the
tooling is more difficult to make.

You know, we have

a separate process for the ones that are made in
format versus the uncirculated and format itself, so,
you know, that's -- those are just all the points out
there I'd like to make.
Thank you.
CHAIRPERSON LANNIN:

Exactly.

Thank

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you so much.
And before we vote on this motion, I
would like to ask sort of a side technical question.
The next thing that we're going to be talking about is
the potential colorization of either the silver or the
clad.

If we vote on colorization as a positive for

either one of those coins, does that affect the
denomination on the edge at all?
the coloration is applied.

I'm not sure where

At the very end of the

process, or whatever.
MR. HARRIGAL:

This is Ron again.

The

colorization is done after the coin is made, so that
doesn't -CHAIRPERSON LANNIN:
MR. HARRIGAL:

Okay.

That will have no impact

on the process.
CHAIRPERSON LANNIN:
All right.

Okay.

Thank you.

So we have Tom's motion

to -- which Art seconded.
MR. URAM:

To recommend.

CHAIRPERSON LANNIN:

To recommend that

the denomination be spelled out on the gold five

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dollar, the silver one dollar, and the clad halfdollar, and we put on the edge of the coin.
MS. WARREN:
Chairwoman.

I'm sorry, Madam

This is Jennifer Warren.
One thing just came up from our sales

and marketing that they wanted me to highlight.
Anne Bailey [ph], are you on the call?
I guess she can't speak.

She just

wanted to make sure that it's stated that a higher
price does tend to impact sales, particularly if
similar to a similar coin, another commemorative in
the same year.
higher price.

So it can still impact sales with a
So just letting you know that.
CHAIRPERSON LANNIN:

Okay.

Thank you,

Jennifer.
And thank you, Anne, for bringing that
up to us.
So as I said, we still have this motion
that we need to vote on.

So all in favor of Tom's

motion to use edge-lettering to spell out the
denomination on all three coins -MS. BIRDSONG:

Madam Chair, this is

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Betty Birdsong.

Dr. Kotlowski has asked that you do a

roll call vote on the motion.
CHAIRPERSON LANNIN:

Certainly.

Thank

you.
All right.

I'd like to start with

Dennis on Tom's motion.
MR. TUCKER:

No.

CHAIRPERSON LANNIN:

Okay.

Lawrence Brown.
DR. BROWN:

No.

CHAIRPERSON LANNIN:
MR. MORAN:

Yes.

CHAIRPERSON LANNIN:
MR. URAM:

Tom Uram.

Yes.

CHAIRPERSON LANNIN:
MS. SALMON:

Robin Salmon.

No.

CHAIRPERSON LANNIN:
MR. GILL:

Mike Moran.

Sam Gill.

Yes.

CHAIRPERSON LANNIN:
DR. KOTLOWSKI:

No.

CHAIRPERSON LANNIN:
DR. VAN ALFEN:

Dean Kotlowski.

Peter van Alfen.

No.

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CHAIRPERSON LANNIN:
MR. BERNSTEIN:

Yes.

CHAIRPERSON LANNIN:
MR. SCARINCI:

Art Bernstein.

Donald Scarinci.

The coin is timeless.

Yes.
CHAIRPERSON LANNIN:

Mary Lannin, yes.

One, two, three, four, five, six.

The

motion passes six to five.
MR. TUCKER:

Madam Chairman, Dennis.

CHAIRPERSON LANNIN:
MR. TUCKER:

Yes, Dennis?

May I make a motion in the

event that Secretary Yellen does not agree with us,
can we provide a backup plan, you know, moving "halfdollar" along the arc of the reverse and moving "one
dollar" underneath the nurse and soldier, as we
discussed?
CHAIRPERSON LANNIN:

I think that I

will leave that up to the Mint and to
Secretary Yellen, and we will address that if she has
a problem with that.
MR. TUCKER:
approach this?

Is that the best way to

We are an advisory committee.

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we should give an option there.
CHAIRPERSON LANNIN:

Well, I think that

in the minutes, I will discuss how close this vote
was, and that in the letter that I write to
Secretary Yellen, that option will be made.
MR. TUCKER:

Thank you, Madam Chair.

CHAIRPERSON LANNIN:
MR. URAM:

Madam, Tom Uram.

CHAIRPERSON LANNIN:
MR. URAM:

Okay.

Yes, Tom?

I'd like to make the motion

that we accept the pairing of number 01 and 02, make
the pair for the clad half-dollar by acclimation, and
then we could still turn in our score for the merit
recognition.

We have not voted on the half, I don't

believe.
CHAIRPERSON LANNIN:

No, we have not.

So -MR. MORAN:

Mary, this is Mike Moran,

and I'll second.
CHAIRPERSON LANNIN:

Okay.

So Tom and

Mike, acclimation.
All in favor?

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MR. URAM:
mean, it's your call.

Or you could do it -- I

You could do a roll call, but

versus turning it in on the sheets for Greg.
CHAIRPERSON LANNIN:

I think we could

just do a voice vote.
MR. URAM:

That will be good.

CHAIRPERSON LANNIN:

Because I didn't

hear any of us talking much about anything else other
than Clad Pair number 01.

All right, Tom?

I'm sorry, Greg.
MR. WEINMAN:

What?

I'm saying you're welcome

to take a voice vote and see if you have any objection
when the vote's done.
CHAIRPERSON LANNIN:

Okay.

I'd like to

take a voice vote on Clad Pair number 01 be the coin
we recommend to the Secretary of the Treasury.
All in favor, say "aye."
UNIDENTIFIED SPEAKERS:
CHAIRPERSON LANNIN:

Aye.

Any opposed?

[No audible response.]
CHAIRPERSON LANNIN:

The vote passes

unanimously, and it's Clad Pair number 01.

Thank you.

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MR. URAM:
Tom Uram again.

And Madam Chair, it's

We should turn in our sheets for

merit recognition also.
CHAIRPERSON LANNIN:
MR. URAM:

Sure.

Somewhere along the trail

today.
CHAIRPERSON LANNIN:
11:54.

All right.

It is

We are scheduled to be back here at 1:40 p.m.

to begin our afternoon American Womens Quarter
program, and let's turn in the merit sheets to Greg,
and if you don't have to sign off, it might make it
easier on Jennifer.
MS. WARREN:

And if you do, please come

on about 1:30 just so we can make sure that everybody
is able to speak again.

So far, we've been able to do

that.
And thank you to the Colonel for
joining us on this.
CHAIRPERSON LANNIN:

Absolutely.

Thank you, Colonel Vernon.
COLONEL VERNON:

I appreciate you all.

Thank you for letting me join.

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CHAIRPERSON LANNIN:
COLONEL VERNON:
MR. WEINMAN:

Okay.

Bye-bye.

Bye.

Are we in recess?

CHAIRPERSON LANNIN:

We are in recess.

(Off the record.)
CHAIRPERSON LANNIN:

Okay.

Before we

move to the next order of business, I will take a
quick roll call of the CCAC members.

Please respond

"present" when I call your name.
Peter van Alfen.
DR. VAN ALFEN:

Present.

CHAIRPERSON LANNIN:
MR. BERNSTEIN:

Present.

CHAIRPERSON LANNIN:
DR. BROWN:

Sam Gill.

Present.

CHAIRPERSON LANNIN:
DR. KOTLOWSKI:

Dean Kotlowski.

Present.

CHAIRPERSON LANNIN:
MR. MORAN:

Lawrence Brown.

Present.

CHAIRPERSON LANNIN:
MR. GILL:

Art Bernstein.

Mike Moran.

Present.

CHAIRPERSON LANNIN:

Robin Salmon.

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MS. SALMON:

Present.

CHAIRPERSON LANNIN:
MR. SCARINCI:

Present.

CHAIRPERSON LANNIN:
MR. URAM:

Don Scarinci.

Tom Uram.

Present.

CHAIRPERSON LANNIN:

And I'm

Mary Lannin, and I'm chair of the CCAC, and before we
begin the 2022 American Women Quarters candidate
designs and the introduction of one of our liaisons, I
would be remiss if we didn't have something on the
record about the potential colorization of one of the
coins from the Purple Heart Commemorative Coin Program
that we finished before lunch.

And I'd like to call

on Tom for his thoughts.
MR. URAM:
Yeah.

Thanks, Madam Chair.

We kind of talked about the

Mint, that there is a possibility of colorization.
After the committee has decided all three designs, my
thought was that the most appropriate if we are going
to use color, if the Mint decides to use color, that
it would be placed on the -- or used on the silver
dollar.

That seems to be the one that has the most

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ability to really have an impact.

And the other

designs certainly -- I don't think we want to do
anything with the half.

And gold and color, it's --

some of the gold and color ones that I already have,
you know, aren't as well, but I think it would play
well only on the silver dollar in this case.

So I

just thought maybe we should have something on the
record if the committee's in agreement.
Thank you, Madam Chair.
CHAIRPERSON LANNIN:
Tom.

Thank you so much,

And as I said, it was presented to us that it

might be a possibility.
Would anybody else like to join in this
discussion before we go on to the American Women
Quarters?
MR. MORAN:

Mary, this is Mike Moran.

I just have one call -- question.

What's the cost of

colorization?
CHAIRPERSON LANNIN:

That would be Ron,

I believe.
MR. HARRIGAL:
We're still evaluating that.

Yeah.

This is Ron.

I don't want to quote

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anything right now.

It really depends on quantity.

And, you know, we did on the Basketball Hall of Fame
coin halves, there was a learning curve there, and we
are establishing what the cost would be right now,
but, you know, for me to speculate would -- would
possibly not be very accurate at this point.
DR. BROWN:

Mary, this is

Lawrence Brown.
CHAIRPERSON LANNIN:
DR. BROWN:

Yes, Dr. Brown.

I would like to see if we

can, I don't know if it's appropriate to have a motion
or a recommendation.

Nothing that would certainly

force anybody's hands, but I like Tom's suggestion
about where would be the most appropriate, and that,
you know, if the Mint feels that they can do it within
whatever constraints they have, I think that's
something that -- or certainly accepting that I would
embrace.
CHAIRPERSON LANNIN:

Thank you,

Dr. Brown.
MR. URAM:
right.

Dr. Brown, that's exactly

I think that's where the best place to be with

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it would be.
CHAIRPERSON LANNIN:

Okay.

Greg, I would like to check and see if
Tom made a motion and Dr. Brown seconded it, and if we
had any friendly amendments that we would add.

Since

we don't know that the Mint is going to do this, is it
a good idea if we do this?

Or should we just leave it

for the record that we discussed it?
MR. WEINMAN:

I think ultimately, this

is going to be a Mint decision, and the record always
speaks for itself.
this.

You don’t need to make a motion on

If it's something that you just want to lift up

and emphasize, you can do it as a motion.

But

otherwise, you're having a discussion right now,
you're reaching some consensus in your discussion.
You can -- that can be reflected in the minutes or
your letter.
CHAIRPERSON LANNIN:

Okay.

Thank you.

So Tom, do you feel like making a
motion just to make it more serious?
MR. URAM:

It's up to the committee.

I'll be happy to make a motion.

But I think Greg's

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right.

It kind of speaks for itself.

But maybe

the -- maybe so to make it more definitive, I suppose.
So my motion then would be that if the
Mint, the United States Mint, would decide to colorize
the Purple Heart Commemorative Coin series, that it
would only do so on the silver dollar.
CHAIRPERSON LANNIN:

And I need a

second.
MR. URAM:

The consideration would be

only towards the silver dollar.
DR. BROWN:

Lawrence Brown seconding.

CHAIRPERSON LANNIN:

Okay, Dr. Brown.

All those in favor of that motion, say
"aye."
UNIDENTIFIED SPEAKERS:
CHAIRPERSON LANNIN:

Aye.

Any opposed?

[No audible response.]
CHAIRPERSON LANNIN:

So the motion to

recommend passes.
All right.

So I thank you, Ms. Kiehl,

for letting us get that little bit of business out of
the way.

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Why don't we move forward and leave the
floor to April?
MS. STAFFORD:

Thank you so much.

Here's a little bit of background on the American
Women Quarters Program.
Public Law 116-330, the Circulating
Collectible Coin Redesign Act of 2020, requires the
Secretary of the Treasury to issue up to five quarter
dollars each year emblematic of prominent American
women beginning 2022 and continuing through 2025.

The

women to be featured on these quarters are selected in
accordance with a selection process approved by the
Secretary and in consultation with the Smithsonian
Institution's American Women's History Initiative, the
National Women's History Museum, and the Bipartisan
Women's Caucus.
The United States Mint intends to honor
five women in each year of the program, as authorized
by the legislation.

To meet its manufacturing

schedule, the Mint presented designs for two of the
five 2022 honorees at the March meeting and is
presenting the remaining three at this meeting.

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And Madam Chair, I'm just going to go
back and make sure you have the proper name of our
Smithsonian counterpart.

It's actually the

Smithsonian American Women's History Initiative, just
to have that on the record.
CHAIRPERSON LANNIN:
MS. STAFFORD:

Thank you so much.

So the reverse designs

for this program "shall be emblematic of the
accomplishments and contributions of one prominent
woman of the United States and may include
contributions to the United States in a wide spectrum
of accomplishments and fields, including but not
limited to suffrage, civil rights, abolition,
government, humanities, science, space, and arts, and
should honor women from ethnically, racially, and
geographically diverse backgrounds."
The 2022 reverse designs are presented
in alphabetic order by honoree name, and do not
necessarily reflect the order of release.

The

candidate designs have all been reviewed by experts at
the Smithsonian and the National Women's History
Museum, as well as family members or family

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representatives of the honorees.
Inscriptions on the reverse designs
include "UNITED STATES OF AMERICA," "E PLURUBIS UNUM,"
and "TWENTY-FIVE CENTS," "QUARTER DOLLAR," OR "25
cents" written out numerically.
While the obverse design will remain a
portrait of George Washington, a new obverse portrait
will replace the current George Washington crossing
the Delaware design.

The new design will remain on

the obverse of the quarter throughout the entire
American Women Quarters Program.
So first up, we have candidate design
honoring Wilma Mankiller.

In 1985, Wilma Mankiller

became the first female principal chief of the
Cherokee Nation.

She sought to improve the nation's

health care, education system, and government.

After

leaving office, Mankiller remained an activist for
Native American and women's rights until her death in
April 2010.

She was honored with many local, state,

and national awards, including the nation's highest
civilian honor, the Presidential Medal of Freedom, in
1998.

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All designs in this portfolio include
the additional inscription "WILMA MANILLER."
With us today is Kristina Kiehl, a
close friend of Wilma Mankiller, and representative of
her estate.
Ms. Kiehl, thank you so much for
joining us today.

Would you like to say a few words

to the committee?
MS. KIEHL:

Yes.

Thank you.

Thank you to the Mint and to the
artists.

There is a tendency to think of the Indians

and teepees and buckskin which is not at all the
Cherokee way, and what they have done -- and we have
worked with the team beautifully, they've been
terrific.

They captured Wilma's power, dignity, and

the symbols that are meaningful to not only to
Cherokees specifically, men with the clay beads, the
diamond symbol on the shawl, and the Cherokee star
which represents both of the Cherokee Nations, the
Eastern Band and the Oklahoma Cherokees, and we are
grateful and honored, and I'm here with Charlie Soap,
Wilma's widower.

So I -- we are thrilled with the

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design that we believe has been recommended and we
hope that you all agree.
MS. STAFFORD:

Thank you, Ms. Kiehl.

And the design Ms. Kiehl is referring
to is in fact our first candidate design under
consideration, so we will move to that.
that here.

You can see

Design 01B depicts Wilma Mankiller with a

resolute gaze to the future.

The wind is at her back,

and she is wrapped in a traditional shawl.

To her

left is the seven-pointed star of the Cherokee Nation.
The additional inscriptions are "PRINCIPAL CHIEF" and
"CHEROKEE NATION," which is written in the Cherokee
language.
Again, this is the preferred design of
Wilma Mankiller's representatives, and I should also
note that these designs have been viewed by the
Cherokee Nation, and they weighed in, and it was
actually their recommendation to include the Cherokee
language.
Moving on to design 02, and design 05.
Okay.

Madam Chair, those are the

options for the Wilma Mankiller quarter dollar.

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MS. WARREN:

Madam Chairwoman, you have

to unmute yourself.
CHAIRPERSON LANNIN:
that.

I'm so bad at

Sorry.
I'd like to thank the artists for such

terrific examples to look at, but I agree with number
01B, but I want to give everyone else a chance to talk
before I do.
So I'd like to call on Peter van Alfen
first.
DR. VAN ALFEN:

Thank you, Madam Chair.

Peter van Alfen.
I think of the three options, 01B is
certainly the strongest.

It's attractive.

like the portrait; I like the composition.

I really
I also

like the inclusion of the Cherokee script there, so
I'm fully behind supporting this as the selection.
Thank you very much.
CHAIRPERSON LANNIN:

Thank you so much.

Art Bernstein, please.
MR. BERNSTEIN:
I echo everything Peter said.

This is Art Bernstein.
I would also add I

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found the movement across the design in her hair and
the shawl, I thought that was very artistic.
Thank you.
MS. KIEHL:

I agree completely.

CHAIRPERSON LANNIN:

Thank you, Art.

Dr. Lawrence Brown.
DR. BROWN:

Good afternoon.

This is Lawrence Brown.
Thank you, Madam Chair, for this
opportunity to in fact share very briefly that I
concur with my colleagues who went before me.

I think

01B would be an excellent representation for this in
fact wonderful person who's done great things in her
life.
CHAIRPERSON LANNIN:

Thank you,

Dr. Brown.
Sam Gill, please.
MR. GILL:
I love 01B.

Thank you, Madam Chair.
I think it's just a

beautiful, beautiful portrait, and I think it's going
to make a very, very handsome coin.
Thank you.

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CHAIRPERSON LANNIN:

Thank you.

Dean Kotlowski.
DR. KOTLOWSKI:

Thank you, Madam Chair.

Ms. Kiehl, I have a personal connection
here.

I'm working on a book on Native American policy

in the late 20th century, and I've looked at
Wilma Mankiller's papers at the University of
Oklahoma, and I thoroughly concur with the choice of
01B for the obverse design -- the reverse design of
this coin.
Thank you.
CHAIRPERSON LANNIN:

Thank you.

Mike Moran.
MR. MORAN:

Mike Moran here.

I want to say one thing before I make
my choice, and that is that I'm fully aware of the
reason for the Eastern and Western wings of the
Cherokee Nation, and I think Wilma Mankiller being
honored with a quarter is very, very appropriate.

I'm

a 01B kind of person here.
Thank you.
CHAIRPERSON LANNIN:

Thank you, Mike.

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Robin Salmon.
MS. SALMON:

Thank you.

This is Robin Salmon.
01B was my choice from the very
beginning, although all of the designs were great.
From the artistic standpoint, it has movement, the
composition is wonderful.

It's a nice portrait.

And

it has all the elements that it needs to have to tell
the story, so 01B is my choice.
Thank you.
CHAIRPERSON LANNIN:

Thanks, Robin.

Donald Scarinci.
MR. SCARINCI:

Yeah.

There's only

three designs so I don't -- can you hear me?
CHAIRPERSON LANNIN:
MR. SCARINCI:

Yes.

Yeah.

There's only

three designs so I don't really have anything to say.
CHAIRPERSON LANNIN:

All right.

Dennis Tucker, please.
MR. TUCKER:

Thank you, Madam Chair.

And thank you, Ms. Kiehl, for your
guidance on this project.

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Reverse 01B is a beautiful, strong
portrait of Wilma Mankiller.

I like the wind at her

back, and as Art and Robin have pointed out, it's a
nice touch and one that elevates this from a
traditional profile into a scene with forward motion.
01B has my strong support.
MS. KIEHL:

Thank you.

CHAIRPERSON LANNIN:

Thanks, Dennis.

Tom Uram, please.
MR. URAM:
I concur as well with 01B.

Thank you, Madam Chair, and
I certainly like all of

the reasons that my colleagues have pointed out, and I
particularly like the comment on how the vision looks,
looking forward, not to mention the wind and details,
but the objects in particular really have really good
forward-looking point to them, so 01B will have all my
votes.
Thank you, ma'am.
CHAIRPERSON LANNIN:

Thank you so much.

And I think I'm correct in assuming
that the Cherokee is a matriarchal society?

Correct

me if I'm wrong, Ms. Kiehl, or --

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MS. KIEHL:

Yes.

CHAIRPERSON LANNIN:

Thank you.

So I

think it's incredibly appropriate that Wilma Mankiller
is our choice for this coin.
the Cherokee syllabary.

I like the inclusion of

This will be our second coin

that we've used that particular alphabet on, and I'm
giving all of my points to 01B.
Do you have anything else to say about
Wilma Mankiller or the designs that we have,
Ms. Kiehl, or Mr. Soap?
MS. KIEHL:
doing this.

We're thrilled that you're

It's been a great process.

And thank

you.
CHAIRPERSON LANNIN:

It's going to be a

beautiful coin.
Okay.

Joe and Ron, is this anything

that you want to talk about with us?

This particular

design?
MR. HARRIGAL:

This is Ron.

I'll defer

to Joe on it.
CHAIRPERSON LANNIN:
MR. MENNA:

All right.

Thank you, Ron.

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Thank you, Madam Chair.
Thank you, Ron.
I just want to clear up a few things.
Not that anyone has a question, but the grey in the
background is actually field.

It's going to pop out.

That will be field.
CHAIRPERSON LANNIN:
MR. MENNA:

Okay.

The areas that look like

field underneath the tassels, that will be sculpted.
That will be raised a bit because we can't have field
in those spots.

And the same thing under the wisps of

her hair.

So that's all.

Just want to, you know, let

you know.

Don't want to get any false expectations.

That's all.
CHAIRPERSON LANNIN:

Little

housekeeping details, right?
MR. MENNA:

Yes.

CHAIRPERSON LANNIN:

Okay.

Thank you

so much.
Anyone on the committee have any other
questions about this before we vote?
MR. URAM:

Madam Chair, I'd like to

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make a motion that we take a roll -- not a roll call,
but just a voice vote regarding this coin.
CHAIRPERSON LANNIN:

Okay.

I need a

second, I think.
DR. KOTLOWSKI:

This is Dean Kotlowski,

and I second.
CHAIRPERSON LANNIN:
seconds Tom.

Okay.

Dean

All right.
All in favor -UNIDENTIFIED SPEAKERS:
CHAIRPERSON LANNIN:

Aye.

Okay.

There are

no nay's, I can confidently predict that.
All right.

I think we have our first

quarter done, and it's a really stylish one.
And I'd like to thank Ms. Kiehl and
Mr. Soap very much for joining us.
MS. KIEHL:

Thank you.

Thanks for doing this.

CHAIRPERSON LANNIN:

All right.

I can

hardly wait till you get it.
All right.

We are now going on with

our second American Women quarter dollar.

And I would

like to introduce April again, and we're going to talk

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about Adelina Otero-Warren, and we're looking at the
designs.
April.
MS. STAFFORD:

Thank you, Madam Chair.

Thank you.
Adelina Otero-Warren, the first
Hispanic woman to run for U.S. Congress and the first
female superintendent of public schools in Santa Fe,
was a leader in New Mexico's woman's suffrage
movement.

She emphasized the necessity of using

Spanish language in the suffrage fight to reach
Hispanic women and spearheaded the lobbying effort to
ratify the 19th Amendment in New Mexico.

She strove

to improve education for all New Mexicans, working
especially to advance bicultural education and to
preserve cultural practices among the state's Hispanic
and Native American communities.
All designs in this portfolio include
the additional inscription "ADELINA OTERO-WARREN," and
I am pleased that we have family members of
Adelina Otero-Warren with us today on the phone.
should have Consuelo Althouse, Katie Peters, and

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Nancy Kenney.
Would you like to say a few words to
the committee?
MS. KENNEY:

Can you hear me?

This is

Nancy Kenney speaking.
CHAIRPERSON LANNIN:
MS. STAFFORD:
MS. KENNEY:

Yes, we can.

Yes, we can.
Hi.

I'm Nancy Kenney, and

I'm representing our family, and we are absolutely
very excited about this project and are very pleased
with the designs that you have revealed to us on the
most -- you know, it's been a challenge in a sense,
reviewing and thinking about all of Nina's
accomplishments, but I think that we have fully, you
know, embraced her -- her magnificence and the
wonderful opportunity this is to honor that.
CHAIRPERSON LANNIN:

Well, thank you so

much, Ms. Kennedy [sic].
Do any other members of your family
wish to make any comments?
MS. KENNEY:

Consi [ph], Katie, are you

there?

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You know -CHAIRPERSON LANNIN:
add their comments at the end.
MS. WARREN:

They could maybe

How's that?

Actually, I think Consuelo

is on.
If you want to go ahead, you can talk.
MS. ALTHOUSE:
Hi.

Sure.

This is Consuelo.

Yes.

I just

wanted to second that it's been a wonderful process.
We love all the designs.

I think we recommended maybe

the fourth for some of our family reasons, but we're
open and interested in what the committee has to say
and any input.

We would be happy with any design, but

the fourth was one that we spoke about.
CHAIRPERSON LANNIN:

So thank you.

Okay.

Thank you

so much for joining us, Consuelo.
So April, would you like to go through
the designs?
MS. WARREN:

Sorry.

This is Jen.

Ms. Peters is also on.

I don't know.

Ms. Peters, you looked like you were trying to come
in.

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CHAIRPERSON LANNIN:

I can't see people

in this format, who's on and who's off.
Ms. Peters?
MS. WARREN:

You might be still muted.

You have to hit the microphone, so it doesn't have the
X in it.
Nope.

Still.

UNIDENTIFIED SPEAKER:

Or if you're on

your phone, I think it's star 6.
MS. WARREN:

She's on her computer.

I

think one of her family members is trying to help her
hit the mute button.
CHAIRPERSON LANNIN:
MS. WARREN:

Okay.

There you are.

You're

open.
CHAIRPERSON LANNIN:
MS. PETERS:

Okay.

There I am.

I needed a

next generation to help me.
CHAIRPERSON LANNIN:
MS. PETERS:

We all do.

I just want to thank the

Mint and the artists and the people who looked to see
the importance of what Nina Otero-Warren did and to

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give her this great honor.

Thank you very much.

CHAIRPERSON LANNIN:

Thank you so much

for joining us, Ms. Peters.
All right.

I'm going to turn it over

to April, and she's going to go through the designs
with the committee and the family.
MS. STAFFORD:
We'll start with design 01.

Thank you, Madam Chair.
And design 02, 02A, and

design 03.
Design 03 features an image of
Adelina Otero-Warren on the left, flanked by three
Yucca blossoms, New Mexico's state flower.

The

additional inscription is "EL VOTO PARA LAS MUJERES,"
or, "The Vote for Women."
This is the preferred design identified
by the family.

They noted a suggestion that the Yucca

flowers by further defined, maybe made a little bit
larger, and asked if it were possible for her nickname
"Nina" to be added to the design.
We did actually reach out to our chief
engraver, Joe Menna, with those items, so if the
committee would like feedback on that, I'm sure he'll

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be more than happy to comment on both of those.
And Madam Chair, those are the options
for this quarter.
CHAIRPERSON LANNIN:

Thank you so very

much, April.
I'd like to begin with Dean Kotlowski,
please, if he's still with us.
DR. KOTLOWSKI:

Yes, I am.

Thank you,

Madam Chair.
I would like to begin with a question
for the liaisons, and I hope it doesn't count against
my time.

My question is very simple here.

Do any of

the family members have any photographs or have seen
any photographs or pictures or images of
Adelina Otero-Warren wearing the suffragist sash and
the uniform, if you want to call it a uniform, that we
see in 02 and 02A?

Because I Googled, and I couldn't

find any, and I'm just looking at trying to get an
accurate, as accurate as possible, representation of
her.

Do you have any insight or any information there

at all?
CHAIRPERSON LANNIN:

Nancy?

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MS. KENNEY:

This is Nancy Kenney

speaking, and I do not believe I've ever seen her with
the sash on.
Though, do you think, Katie?

Have you

seen -MS. PETERS:

No, but addressing the

other part of the question, this appears to be the
most accurate representation of her face.
CHAIRPERSON LANNIN:

Thank you,

Ms. Peters.
DR. KOTLOWSKI:
good to know.

Thank you.

That's very

I'm going to weigh that as well.

interested in 02 and 02A.

I was

I had a little bit of

difficulty here, because I think that there's a
cluster of different symbols and iconography, and even
if her face is very accurate, she seems to be
competing with that, her image with these other
symbols and iconography, and I was wondering if
showing her wearing clothing that -- that she didn't
actually wear, we might be creating an imagined view
of her.

There's a benefit to doing that, but there's

also a sense that -- that can be problematic.

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So I liked really number 01 quite a
bit.

I liked the youthful portrait of her.

I would

be interested if anyone else felt that way.
I'm perfectly happy to support number
03.

I want to raise just a couple of issues here.

The lettering here seems to be Art Deco and there's no
beginning date for Art Deco, but that conference in
Paris kind of launched that was in 1926, and again,
this would be image 03, "EL VOTO PARA LAS MUJERES,"
and, you know, that would be after 1920 when the
suffrage amendment was passed, and I was just
wondering that.
I'm going to say something here, and I
mean this devil's advocate and a little in a jocular
fashion, so don't take it too seriously.
wondering about the flowers.
flowers at all.

I'm

I'm not an enemy of

But, you know, they're put there for,

they say because it's the New Mexico state flower.

I

think we sometimes get a little carried away with
state pride.

That's point number 1.
Point number 2 is that I'm not sure

we're doing flowers with the other women who are being

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honored.
And point number 3, I'm wondering if
we're maybe sliding into a little bit of -- a little
bit of gender stereotyping of pairing women and
flowers.

I don't think anybody thought of putting the

Ohio state flower on the Larry Doby Congressional Gold
Medal, and I mean that, again, in a somewhat freethinking way.
seriously.

Don't take these comments too

Just something to think about and

consider.
Thank you very much, Madam Chair.
CHAIRPERSON LANNIN:

Thanks, Dean.

Peter van Alfen, please.
DR. VAN ALFEN:

All right.

Thank you,

Madam Chair.
I am happy to support number 03 as the
reverse for this.

I really did like the font quite a

bit in fact, for the "EL VOTO PARA LAS MUJERES" on the
reverse.

Dean's concern about this being

anachronistic, I'm sure I could find some examples of
this, or a similar type of font used before the
1925/26 Art Deco exhibition in Paris, so I'm not sure

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if it is anachronistic, but I think it works well.
like the portraits.

I

And I also am receptive to Dean's

concerns about the flowers as well.

I mean, they do

balance the lower portion of the field there, but
whether or not they're, you know, a necessity in terms
of just the symbolism, you know, is something, you
know, we might want to consider.

But I'm happy to

support this reverse.
Thank you.
CHAIRPERSON LANNIN:

Thanks, Peter.

Mike Moran.
Michael?
MR. MORAN:

Yes.

I'm here.

CHAIRPERSON LANNIN:
MR. MORAN:

Okay.

My arrow was somewhere

else.
I'm fine with number 03.

I think the

family's made a good choice, and that's all I need to
say.
CHAIRPERSON LANNIN:
Tom Moran.
everybody.

Tom.

Thank you.

I'm conflating

Thomas Uram.

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MR. URAM:

Thank you, Madam Chair.

I concur with number 03 in that it's a
very nice design, and I think the planchet size, it's
going to be very well received.

So that's how I'm

going to vote.
Thank you.
CHAIRPERSON LANNIN:

Thank you.

Robin Salmon.
MS. SALMON:

This is Robin Salmon.

First, for the record, Art Deco did
exist before mid-1920s, so we don't need to worry
about that.
Number 03 was my choice.
portrait.

I liked the font.

I liked the

And it's a -- it's a

strong portrayal of a strong woman, and my vote goes
there.
Thank you.
CHAIRPERSON LANNIN:

Thank you so much,

Robin, and thanks for the check on the Art Deco font.
Sam Gill.
MR. GILL:

Thank you, Mary.

I concur with number 03 as well.

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going to make a very, very handsome coin, and for a
very, very lovely lady, and I think that the flowers
are just fine.

She spent her life in New Mexico, and

I think that's actually a good thing.

So number 03 it

is for me.
Thank you.
CHAIRPERSON LANNIN:

Thank you so much.

Dennis Tucker.
MR. TUCKER:

Thank you, Madam Chair.

And thank you, Ms. Althouse,
Ms. Peters, and Ms. Kenney, for your guidance on this
program.
I like the portrait in reverse 03.

I

think it shows the quiet strength and non-anxious
presence that Ms. Otero-Warren needed to marshal in
order to fight for education, literacy, the right to
vote, and other reforms.

I also like the fact that it

is bilingual, and boldly so.

I can't think of very

many U.S. coins that have used Spanish in this way.
So a very nice design, and it has my full support.
Thank you.
CHAIRPERSON LANNIN:

Thanks, Dennis.

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Dr. Brown.
DR. BROWN:

Thank you, Madam Chair.

This is Lawrence Brown.
And first and foremost, I would really
love to thank the liaisons because I am sure that she
couldn't be doing the things that she has done without
your support.

So I want to thank you for your

contribution to what she's done and what this has
meant for this nation.
I would -- I'm surely going to vote for
reverse 03.

My only recommendation is the fact that I

would want to lean in the direction of including
"Nina," if that means that we have to do away with the
flowers, because I think it has significance
particularly for this part of America to be able to
have that way in which her family have recognized her.
I think that would be a strong recommendation, a
strong vote, that we continue to support the cultures
of many of the populations that we have in the U.S.A.
Thank you, Madam Chair.
CHAIRPERSON LANNIN:

Thank you so much,

Dr. Brown.

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Art?
MR. BERNSTSEIN:

This is Art Bernstein,

and I hear a consensus building for number 03, but
I -- I did want to put in a good word for design 02.
I was very attracted to the way the subjects were
looking over the horizon, looking forward.

It just --

it just seemed like a powerful gaze that came off the
coin for me.

I also liked the fact that it covered

more information about Ms. Otero-Warren.

It mentioned

that she was an educator, which I don't see in design
03, and I thought that seemed like a very important
part of her life, that it was worth mentioning; and it
did include her name, Nina, so just a positive comment
about 02, but I understand why everyone likes design
03.
Thank you.
CHAIRPERSON LANNIN:

Thanks so much,

Art.
Okay.

So I'm going to weigh in, and

I'm going to choose number 03 as well, but I would
like to make a suggestion, and I'll open it up for
discussion.

We could remove one or two of the

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blossoms and slip the name "Otero-Warren" down in that
spot and put "Nina" in quotation marks between
"Adelina" and "Otero-Warren" if we got rid of a couple
of the blossoms.

And so that would be my

recommendation.
Would anybody else like to comment on
that?
DR. KOTLOWSKI:

This is Dean Kotlowski.

I would definitely support that, Mary,
and if you were to make a motion or if you want me to
make the motion and have someone second it, I would be
willing to do that.

Either way.

CHAIRPERSON LANNIN:

Any further

discussion on the flowers?
DR. VAN ALFEN:
MS. WARREN:

Yes.

Madam Chair --

DR. VAN ALFEN:

This is

Peter van Alfen.
Before we make a motion on this, I'd
like to hear what either Joe or -- Joe recommends in
terms of including the nickname "Nina."
MR. MENNA:

Thank you, Peter.

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Madam Chair, we talked about this at
length, and so I -- and I feel adamant that this
design as it is is the best version that is possible,
frankly.
CHAIRPERSON LANNIN:
MR. MENNA:

All right.

The addition of the text

"Nina" would remove the flowers.
an imbalance, a visual imbalance.

It's going to create
Her arm would be

looking like it's floating in space.

You could draw

like a horizontal, which could be misread as an
exergue, you know, behind her elbow to indicate the
edge of a table, but then you're going to have these
two strong horizontals, and it kind of gives the
appearance of a flag or something that is not meant to
be.

If you were to remove any of the other text or

try and squeeze it around, it would just become
awkward.

I think the flowers -- I mean, I look at

designs kind of like a house of cards, some of them.
I don't mean in terms of fragility, but I mean in
terms of sometimes when you pull one element, the rest
of it could fall apart, and I think that's what doing
the removal of the flowers would do in this case.

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not saying it's a fragile design.
wonderful design.

I think it's a

But I think it would suffer greatly

if it was altered in any way.

I think everything is

very carefully calculated here.
CHAIRPERSON LANNIN:

Okay.

Thanks,

Joe.
MR. MENNA: Thank you.
CHAIRPERSON LANNIN:

I will withdraw my

idea et al.
Would anybody else like to make a
motion?

Or discuss anything?
UNIDENTIFIED SPEAKER:

You mean

regarding the Nina Otero -- Adelina "Nina" OteroWarren instead?
CHAIRPERSON LANNIN:

It sounds,

according to the Chief Engraver, that it is best to
leave the design as is, and we will not be able to put
her nickname, "Nina" in number 03.

And this is your

favorite design.
UNIDENTFIED SPEAKER:
DR. BROWN:

Okay.

Madam Chair, this is

Lawrence Brown.

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CHAIRPERSON LANNIN:

Okay.

Yes,

Lawrence.
DR. BROWN:

I do appreciate Joe's

comments, and Lord knows, in fact we rely upon him to
be able tao do the magic that the Mint does and is
really phenomenal.

I just wish that if we could

possibly include this, this nickname that is not
uncommon in this population of the United States.

And

since we're talking about phenomenal women, I think
that if it were possible -- and I'd leave it up to the
Mint to figure it out, but it just seems to me that we
are losing something by not including that nickname.
CHAIRPERSON LANNIN:

Well, see, I think

that Joe just told us it's -- we really shouldn't.
should leave it as-is.

We

And the only other option

would be to remove her first name and put the nickname
in, "Nina Otero-Warren."
DR. BROWN:
Chair.

And I appreciate it, Madam

Please, I don't mean to be argumentative.
CHAIRPERSON LANNIN:

Yeah.

No, no, no.

I can understand what Joe's saying here about the
balance and then having to add this line that would

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be -- you know, maybe she's resting her hands on a
desk, and that would make it less special, I think.
MS. WARREN:
Jennifer.
something.

Madam Chair, this is

I think some of the liaisons wanted to say
I saw them pop back up.
CHAIRPERSON LANNIN:

Okay.

Because I

can't see them.
MS. WARREN:

So they might want to.

CHAIRPERSON LANNIN:
MS. WARREN:

So go ahead.

Maybe not.

I saw

Ms. Peters undid her mic, and I just wanted to check.
Ms. Peters, did you want to say
something?
MS. PETERS:

At the chance of risking a

disagreement with my sister, I really think that
"Nina" is not necessary.
CHAIRPERSON LANNIN:

Thank you.

Any other comments from the family?
MS. KENNEY:

Well, this is

Nancy Kenney.
And her biography is entitled
"Nina Otero-Warren of Santa Fe."

Adelina isn't

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mentioned on the cover of her book.

That may mean

nothing, or it might mean something, just to add to
the mix and the thoughts.
Obviously, at the risk of disagreeing
with my sister, is to say "Nina Otero-Warren" would be
my preference.

But that -- it's -- I'm happy either

way.
CHAIRPERSON LANNIN:
with that.

I would concur

Nina Otero-Warren would be great.
MS. ALTHOUSE:

But --

This is Consuelo.

I

would also like to concur that Nina Otero-Warren would
be my preference, but I'd go with my mom and my auntie
on this one.
CHAIRPERSON LANNIN:

Okay.

The women

have spoken.
Joe, is that -- does that do anything
to the balance?
MR. MENNA:
hypocritical, Madam Chair.

No.

I don't want to sound

That will work fine.

I

mean, you know, justify Nina Otero, it will be just
fine.
CHAIRPERSON LANNIN:

All right.

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Nina, but without quotation marks.
MR. MENNA:

Yes.

DR. VAN ALFEN:
Peter van Alfen.

Just Nina.

Madam Chair, this is

I just want to ask if there is any

legal hindrance to using nickname instead of the given
name on the quarter?
MR. WEINMAN:
No.

This is Greg.

There's no -- no.

There's nothing

in the statute that requires us to use any legal name
as opposed to a nickname.

It is how the honoree, the

prominent woman, was known during her time.
CHAIRPERSON LANNIN:

And it seems that

Greg would have to go back to the three women that are
on the call with us right now, and they just agreed
it's Nina.
All right.
your input.
feel free.

Well, thank you so much for

If anybody would like to make a motion,
If not, we should turn our score sheets

into Greg.
MR. URAM:

Madam Chair, Tom Uram.

I'd like to just make a motion that we
vote by acclimation.

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DR. BROWN:

And this is Lawrence Brown.

I'd like to second that motion.
CHAIRPERSON LANNIN:

Okay.

All in favor that we use AOW-03 as our
recommendation with the substitution of the word
"Nina," name Nina, for Adelina, say "aye."
UNIDENTIFIED SPEAKERS:
CHAIRPERSON LANNIN:

Aye.

Any opposing

votes?
[No audible response.]
CHAIRPERSON LANNIN:

Thank you.

The

motion passes unanimously.
And thank you, ladies, for joining us
and seeing how this all works.

I think that you're

going to have an absolutely great coin.
MS. PETERS:

You were all very

impressive; and thank you very much.
CHAIRPERSON LANNIN:
All right.

Thank you, Katie.

Moving right along here.

Okay, April.

I'm going to toss it back

to you for our final coin of the day.
MS. STAFFORD:

Thank you.

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Appearing in over 60 movies throughout
her career, Anna May Wong was the first Chinese
American film star in Hollywood.

In addition to her

films, she had roles in silent films, television, and
stage.

For many years, she auditioned for leading

roles, often being cast only in supporting or
stereotypical roles.

She opened her own production

studio to be able to make films about her culture, and
Wong was cast as a lead in one of the first movies
made in Technicolor.

Her most famous film, "Shanghai

Express," was released in 1932.

Through her work, she

helped promote a more positive image of Chinese
Americans to mainstream American audiences during a
period of intense racism and discrimination.
All designs in the portfolio include
the additional inscription, "ANNA MAY WONG."
Now, we have extended an invitation to
Anna May Wong's niece, Anna Wong, to participate with
us today in our discussion.

I am not sure if she is

with us.
Anna Wong, are you there?
All right.

Madam Chair, if she joins

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us, we can of course go to her, but she did provide us
with feedback on this portfolio which I will be happy
to share with the committee.
CHAIRPERSON LANNIN:

That's wonderful.

Why don't you go through the designs, and tell us what
the feedback was?

Thank you, April.

MS. STAFFORD:

All right.

So we will start first with design 01.
Design 02.

Design 03, 03A, 04.
Design 05.

This design features an

image of Anna May Wong in a seated pose.

The outer

border of the design curls around to form the end of a
film strip, referencing her contributions to American
cinema.
This is one of two preferred designs of
the family liaison.
Moving on to Design 06, and Design 10.
This design features a close-up image of Anna May Wong
with her head resting on her hand, illuminated by the
bright lights of a marquee.
This is the second of two designs
preferred by the liaison, but to be fair, the liaison

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did reflect that she is unsure that the marquee lights
would read as such on the outer portion of the design.
And finally, Design 11.
And Madam Chair, that concludes the
options for this quarter.
CHAIRPERSON LANNIN:
MS. WARREN:

Great.

Madam Chair, this is

Jennifer.
She may be caller 21, and it says that
her mic is muted, so if that is Ms. Wong, if you hit
star 6, it should un-open your -- it should open your
line.
I just want to make sure that she
wasn't trying to speak.
Nope.

Still muted.

So I just wanted

to give her a shot.
CHAIRPERSON LANNIN:
All right.

Okay.

Thank you.

Let's begin the discussion.

So I assume that Ron and Joe are good with all the
designs.
MR. MENNA:

Madam Chair, can I

editorialize for a second?

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CHAIRPERSON LANNIN:
MR. MENNA:

Absolutely.

I just want -- can I brag?

This is not going out to myself.

I just want to say

that this performer represents the work of a
particular veteran U.S. Mint AIP, whatever, you know,
person, and I think you're getting some of the best,
best work you may have seen in this program and some
of the best designs that I've seen coming out of the
Mint in a long time.

I'm just really proud to be able

to show these to you.
CHAIRPERSON LANNIN:

Thanks, Joe.

And

we appreciate all the AIP artists and all the Mint
artists as well.
I know that Dean is kind of time
constrained, so I'd like to call on Dean first, if
he's still with us.
DR. KOTLOWSKI:

Yes, I am.

Thank you

very much, Madam Chair.
I echo what Joe said.
really excellent designs.

These were

And to compliment the

liaison, those were my two favorite designs.

I

especially like number 05, and of course the way the

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film reel curls around.

In a way, I looked at it at

another angle that it could be in a way the face of a
person and their hair curling around as well.
And I also liked number 10.
I think I like 05 better than 10, and
so I'll give most of my points to number 05.
But there were some other designs.

If

you look at number 01, I'm not sure I like the way
she's drawn there, but I like the -- the
acknowledgement of film where it says, "PRESENTS
ANNA MAY WONG."
And in a way, I kind of liked, at least
at first, number 06.

Because again, it seemed like

they were putting you in a place where she was being
filmed, and those are my comments, Madam Chair.
Thank you very much.
CHAIRPERSON LANNIN:

Thanks, Dean.

Dennis.
MR. TUCKER:

Thank you, Madam Chair.

And Ms. Wong, if you can hear us or
even if you can't, thank you as well.
I have to agree with Joe.

This is just

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a great portfolio.
these designs.

I had a lot of fun looking through

And on a more serious note, they also

brought to mind the Congressional Gold Medal that we
worked on for the Chinese American Veterans of World
War II, and the fact that those men were volunteering
to fight for the nation when the Chinese Exclusion Act
was still in effect.

That had been passed in the

early 1880s, and I think it wasn't until 1943 that the
Chinese Exclusion Act was taken off the books.

So I

think it's wonderful that we have an opportunity to
recognize a Chinese American actress and artist.
So looking at the designs, first and
foremost, number 01 just blew me away.
is a great design.
"Wow.

I think that

When I first saw it, I thought,

This is a little bit over the top."

really, it's -- it's a brilliant design.

But
I mean,

she -- I like the way it evokes the silent film era
with her kind of stylized movements, the hand to the
head, and the wording is amazing.

Nothing like that

has ever been done on a United States coin.

"UNITED

STATES OF AMERICA PRESENTS ANNA MAY WONG IN QUARTER
DOLLAR."

It's genius.

I love number 01.

I think

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that's a fantastic design.
Number 05 really didn't speak to me at
all, so I won't say much about that one.
Number 10, I like.

I think it's -- you

know, it's a nice portrait, it's eye-catching.

I do

think that the use of the lightbulbs from a theater
marquee is effective, and I think that people will get
that.

So I think that number 10 is a good design as

well.
But wow.

Number 01 just blew me away.

I think if you study Anna May Wong's life for any
length of time, you can't avoid the following quote
from her.

She said, "Success is not a jewel that you

can purchase and keep for your entire life.

On the

contrary, the brightest star can fall down at any time
and fade away into dust."

And thanks to this coin, no

matter which design Secretary Yellen chooses,
Anna May Wong is guaranteed a jewel that will never
fade.
Thank you, Ms. Wong.

Thank you to

the panel.
And thank you, Madam Chair.

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CHAIRPERSON LANNIN:

Thank you.

Sam Gill, please.
MR. GILL:

Thank you, Madam Chair.

I'm going to say that Dennis is
absolutely right about number 01.

It's -- it's

extremely clever and very, very interesting.

I won't

choose it, but I'm -- I -- I found it just to be most
interesting.
The portraits are very strong, they're
lovely.

I tend to like number 05.

That's because of

the reel, the film reel.
And I also like number 10 because I
think it's elegant.
But I guess I'm going to go with number
05 as my first choice with a few points going to 10.
Thank you.
CHAIRPERSON LANNIN:

Thanks, Sam.

Robin.
MS. SALMON:

This is Robin Salmon.

Thank you, Madam Chair.
Yes, number 01 also attracted me, and
"UNITED STATES OF AMERICA PRESENTS ANNA MAY WONG IN

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QUARTER DOLLAR" is -- is unique.

That's for sure.

I

won't vote for it, though.
I also liked 03A because it shows her
not only as an actor but as a producer and having her
own production studio, so I felt that this encapsuled
the more complete woman.
But then number 05 is very interesting.
I wish there was a little bit more of the film strip
to really emphasize that.
But number 10 focuses on her star power
that she's -- she is a major star.

And her face is

there on the marquee, advertising the film, the coin,
the honor, so I think I'm going to put my vote toward
number 10.
Thank you.
CHAIRPERSON LANNIN:

Thanks, Robin.

Mike Moran.
MR. MORAN:

Thank you, Mary.

Mike Moran here.
Dennis, sometimes you don't sway me.
think your points on number 01 were really good, and
as a result, I'm going to take another look at that.

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When I went through this portfolio
myself, I picked 05 first off.
I like 10, but I did not feel like that
the marquee lights would be very effective on a
quarter, as they might be on a medal.

But I still

think it's good.
Nobody's talked about 11 yet.

I like

her coming out of the star and the star overriding
everything else.

I just like the way it was

presented.
But I'll be giving most of my votes to
number 05.
Thank you.
CHAIRPERSON LANNIN:

Thank you, Mike.

Lawrence Brown.
DR. BROWN:

Good afternoon, Madam

Chair.
This is Lawrence Brown.
I too in fact leaned when I first saw
the designs, and again, Joe, I agree with you:

This

is an excellent portfolio, and please thank the artist
on our behalf because this is outstanding.

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But I will be giving most of my votes
to number 05, although I must confess, Dennis, I
really appreciate your comments, and I too had my
initial response that number 01 was a little over the
top.

And I did wonder whether or not we were

being -- exaggerating some things when I looked at
number 01, but I do admit that it has a beauty that
certainly is different than what we've seen on coins,
particularly "PRESENTING ANNA MAY WONG IN QUARTER
DOLLAR."

That's -- that was very innovative.
I think that with respect to number 10,

I agree with my colleagues that I'm not sure how well
that's going to come out on a quarter, particularly
being a marquee, so I really wonder about that.
But most of my votes will be going to
number 05.
CHAIRPERSON LANNIN:

Thank you,

Dr. Brown.
Peter van Alfen.
DR. VAN ALFEN:

Thank you, Madam Chair.

I can only concur that this is a great
portfolio.

I really enjoyed it.

I also very much

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agree with Dennis and Dean that the inscription on
number 01 is just genius.

I love it.

I'm not a fan

of the portrait, however.
And in terms of number 05, I do like
the curling film and do like the portrait.

The one

aspect of that design, though, that bothers me a
little bit is the left arm.

There's something about

this pose with the left arm disappearing in part out
of field there that just seems a little bit unnatural
and a little long to me, and that is something, in
going back to this design, that I just can't quite get
beyond.
And I really love 10 too.

I think that

this is a very strong design, and I think that
there's -- we really haven't produced anything quite
like this.

It's a strong design.

It conveys, as one

of my colleagues said, her star power.

And I'm going

to be voting for number 10.
Thank you.
CHAIRPERSON LANNIN:

Thanks, Peter.

Arthur Bernstein.
MR. BERNSTEIN:

This is Art Bernstein.

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And the more I listen to my colleagues,
the more confused I get because I'm having a hard time
choosing.

They really are all fantastic.
I am intrigued by the wording on design

01 and that will get some of my votes just because I
think it's so extraordinary and so unusual.
I did like designs 03 and 04 because
they had the camera in there and I hadn't thought
about the fact that that portrays her also as a
producer, which I now understand and it seems
noteworthy.

I also thought it gave a sense of time

when you looked at that old-fashioned camera.
So I'm still working on my ballot here,
but those were the things that I noticed.
Thank you.
CHAIRPERSON LANNIN:

Thanks, Art.

Tom Uram.
MR. URAM:

Thank you, Madam Chair.

I think you have the best of Hollywood
here.

That's for sure.
Number 01 certainly reminds me of a

poster, and I think it certainly is a great design.

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mean, these are all just super.

You have a little bit

of Hollywood and Broadway all combined here, and of
course you have the -- star -- number -- than some of
the others, and like Joe said, it's just phenomenal.
-- emphasized number 10 and said -virtual connectivity interruption.
I was originally going to go with
number 05.
But let me tell you:

I don't know what

it is about number 10, but it is striking.

I think if

you -- I think Peter mentioned also that, you know,
we've not done a three-quarter face.

You know, we

don't have any teeth showing so we're good there.
think -- I think it's just going to be striking.

I
I

mean, as I look at all the possibilities, the lights
really don't bother me as far as whether they're going
to be reflective enough or not.
his group can do his magic.

I think that Joe and

But I think when you put

that quarter down and if you lay it, as Mary would
say, on the table, you're going to look at it and
you're not going to look at the lights.
to say, "Who is that face?"

You're going

And it's going to draw

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you to say who it is.
it up.

It's going to ask you to pick

And so if Joe can make the lights even better

or brighter, so be it.
with number 10.

But her light will shine on

So I'm going to throw all of my votes

for number 10.
Thank you, Madam Chair.
CHAIRPERSON LANNIN:

Thanks, Tom.

Donald Scarinci.
Is Donald with us?
MS. WARREN:

Or did he leave?

This is Jennifer.

I

believe he's left the call.
CHAIRPERSON LANNIN:

Okay.

So now it's

up to me.
All right.

I was really glad, I think

it was Art who mentioned number 04.

Because that was

something that I initially looked at and thought,
"That woman is in charge."

And so she had her own

production company, she's not sitting like a demure
actress.

You know that she knows that she knows what

she's doing.

So I really did like number 04.
But, you know, I was listening to what

everybody said about number 01.

How many times do we

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just use the word "genius" for the wording on number
01?

I think that the Lannin tabletop test would work

just fine with number 01, and I predict that we're
going to get a lot of positive publicity about the
fact that we turned an American Woman Quarter into a
movie poster featuring a famous actress from the '20s
and '30s.

I love number 01.
I also love number 10.

I agree with

Joe, we've got the best of the best here, and it's
going to be really interesting.

Maybe we have a

three-way tie; I don't know.
But I think we should all get to work.
Has the other Ms. Wong joined us,
Jennifer?

Did you see anybody?
MS. WARREN:

Ms. Wong, are you on?

If

you're on your phone and you muted your phone, unmute
that, or hit star 6.
MR. WEINMAN:

This is Greg.

Unfortunately, I think she is tied up
on a work call, so I texted her.

She said she

can't -- last I heard was she could not get on the
call right now, so it does not look like she's going

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to be able to join us.
CHAIRPERSON LANNIN:

Well, thank you

for double checking, Greg.
So I think we've got lots of decisions
to make, and I think that they're all going to be
good.

So I would like to ask people to submit their

votes to Greg.

It is 2:37.

Shall we say at 2:50?

That's 13 minutes.
Is that enough time, Greg?
Whoops.

I can't hear --

MR. WEINMAN:

It depends entirely on

how quickly I'm going to get some more votes.
CHAIRPERSON LANNIN:
do that.

All right.

I'll

Thank you.
Tom, did you want to say something?
MR. URAM:

Just wanted to remind

everyone to submit their merit votes from the other
two.
CHAIRPERSON LANNIN:

Thank you.

(Off the record.)
CHAIRPERSON LANNIN:

Okay.

Greg, if you would like to read out the

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recommendations, please.
MR. WEINMAN:

Yes.

For Anna May Wong, this is out of 30
points, as Donald did not score.
number 01 had 18 points.

So out of 30 points,

Design number 02 had three.

Design number 03 had four points.
had four points.

Design number 04 had eight points.

Design number 05 had 14 points.
three.

Design number 03A

Design number 06 had

Design number 10 had 21, making it the high

vote-getter.

And Design number 11 had four points.
CHAIRPERSON LANNIN:
MR. TUCKER:

Dennis.

Wow.

Madam Chair, this is

I didn't catch part of that.
Greg, could you repeat 04 and 11?
MR. WEINMAN:

had eight points.

Sure.

Design number 04

Design number 11 had four points.

The closest vote-getters were number 01 with 18,
number 05 with 14, and number 10 with 21 points.
CHAIRPERSON LANNIN:

Well, all right.

Well, we need to keep her in lights, I guess.
great.
MR. BERNSTEIN:

Mary?

Mary?

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CHAIRPERSON LANNIN:

Does anybody have

any -MR. MORAN:

Madam Chair?

CHAIRPERSON LANNIN:
MR. MORAN:

Mike?

I'm first.

Mike Moran.

I

spoke loudest.
I think these two, number 01 and
number 10, are close enough to go to -- I'd like to
see a show of hands on the committee for the two of
them when we're not divided with our votes across all
of the portfolio.
CHAIRPERSON LANNIN:

So you're making a

motion?
MR. MORAN:

Making a motion to vote for

number 01 and number 10.
MR. BERNSTEIN:

Art Bernstein would

second that.
CHAIRPERSON LANNIN:

Okay.

Mike and

Art.
Okay.

Restate your motion, please.

MR. MORAN:

That the committee vote

between 01 and 10.

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MR. WEINMAN:

I guess that means you

should do a roll call for each one, Mary.
CHAIRPERSON LANNIN:

I will do a roll

call.
MR. TUCKER:
Dennis.

Madam Chair, this is

May we have discussion first?
CHAIRPERSON LANNIN:
MR. MORAN:
MR. TUCKER:

Certainly.

We've already had it.
I understand, Mike, but I

really want to make a strong case for number 01 again
if I may.

I think they're both lovely designs.

I

think number 01 brings an extra element of innovation
that number 10 does not have.

I think 01 gives us an

opportunity to really shine and do something
completely different, completely new in American
coinage.

Not that this program needs anything new

because it's already very innovative itself, but with
number 01, we can really go the extra mile.
CHAIRPERSON LANNIN:
Okay.

Thank you, Dennis.

So Greg, I would like --

DR. KOTLOWSKI:

Mary, this is

Dean Kotlowski.

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CHAIRPERSON LANNIN:
DR. KOTLOWSKI:
thing.

Yes.

I'm going to say one

I think there are ten people voting.

If this

somehow winds up a five/five tie, I think we should
submit them both equally and let the Mint make the
choice.
MR. WEINMAN:
clarification.

This is a point of

I was going to clarify that the CCAC

certainly can recommend two, that there's no bylaw
that says you have to recommend one design.

You could

recommend -- you could equally recommend two if you so
desired to do so.
CHAIRPERSON LANNIN:

So Mike, would you

like to restate the motion?
MR. MORAN:

I'd like to see a poll of

the committee between number 01 and number 10.
And Dennis, yes, I'm going to vote for
number 01.
CHAIRPERSON LANNIN:

All right.

So I'm

trying to figure out how to do this correctly.
All right.

Dean, which one do you want

to vote for?

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DR. KOTLOWSKI:

I'm actually going to

vote for number 01.
CHAIRPERSON LANNIN:

All right.

Dennis, what are you going to vote for?
MR. TUCKER:

Number 01.

CHAIRPERSON LANNIN:
MR. GILL:
last.

Sam Gill.

I was hoping I could go

I'm going to -- I'm going to vote for number 10

because I can see her face, although I am so torn, and
if number 01 wins, I'll be quite happy with that.
CHAIRPERSON LANNIN:

All right.

Robin Salmon.
MS. SALMON:

Number 10.

CHAIRPERSON LANNIN:
MR. MORAN:

Can I vote last?

CHAIRPERSON LANNIN:
MR. MORAN:

Lawrence Brown.

No.

Number 01.

CHAIRPERSON LANNIN:
DR. BROWN:

Mike Moran.

Lawrence Brown.

Even though -- this is

Even though I thought number 01 was

over the top, Madam Chair, I am going with number 01.
CHAIRPERSON LANNIN:

Thank you,

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Lawrence.
Peter van Alfen.
DR. VAN ALFEN:

Oh, man.

This is hard.

You know, I love the inscription on number 01.
just not a fan of the portrait.
in number 10.

I'm

I love the portrait

And I just flipped a coin actually

because I couldn't decide, and that coin came up
tails, which means number 10.

So I left it to the

coin to decide.
CHAIRPERSON LANNIN:

I promise not to

tell the Secretary.
Art Bernstein.
MR. BERNSTEIN:

Number 01, please.

CHAIRPERSON LANNIN:
MR. URAM:

Number 10.

CHAIRPERSON LANNIN:
for number 01.

Tom Uram.

I'm going to vote

One, two, three, four -- it is tied.

Oh, wait.
MR. WEINMAN:
vote for number 01?

No.

Number 01 -- did you

Then number 01 carries.

MS. STAFFORD:

Six to four.

CHAIRPERSON LANNIN:

It's six to four.

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Okay.
All right.

So it is number 01, which I

predict is going to get a lot of interesting
publicity, and when I write the letter to
Secretary Yellen, I'm going to describe our dilemma in
that we had such great art, we could have picked 10 or
11, but I will tell her about both 01 and our reasons
for it and both 10 and our reasons for it, so you can
count on that.

All right?
Joe Menna, can I ask you if you had a

favorite in this group?
MR. MENNA:

Yes.

CHAIRPERSON LANNIN:

Or is that

cheating?
MR. MENNA:

If April says I can say so,

I'll say so.
CHAIRPERSON LANNIN:

April, what do you

think?
MS. STAFFORD:
Engraver.

You're the Chief

Go for it.
MR. WEINMAN:

Absolutely.

Go ahead,

Joe.

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MR. MENNA:

Can I briefly tell you why,

or is that going to be too long?
CHAIRPERSON LANNIN:

No.

That's what

we want to know.
MR. WEINMAN:

Go ahead.

They've

already given their recommendation, Joe.
MR. MENNA:

Go ahead.

I'm in step with -- I'm in

step with you folks that number 01 is, like, just
awesome.

I mean, no.

The juxtaposition of her -- of

her pose with, you know, the text and the style of the
text, the fonts chosen, and then the breaking of the
fourth wall by inviting the holder of the coin to
become a participant in the coin's activity itself,
that's sizzling.

We don't do that a lot.

That's

pretty cool.
Thank you.
CHAIRPERSON LANNIN:

Joe, I love you.

Thank you very much.
MR. MENNA:

That was my most technical

way of putting it.
CHAIRPERSON LANNIN:

Okay.

Thank you.

I'm sorry we don't have Ms. Wong

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available and she's working.
Do we have any further debate on
anything?
DR. VAN ALFEN:
this.

No.

I can live with

I'm happy.
CHAIRPERSON LANNIN:

Absolutely.

I

think we'll all fall in love with it, you know?
All right.
for today.
meeting.

This concludes our business

I appreciate your attendance for this
If there's no further business to come

before the committee, I will entertain a motion to
adjourn.
MR. BERNSTEIN:

Art Bernstein.

Motion

for adjournment.
CHAIRPERSON LANNIN:

So Art is the

first.
MS. SALMON:

Robin Salmon.

CHAIRPERSON LANNIN:

Second.

Robin, you're

second.
All in favor of adjourning, say "aye."
UNIDENTIFIED SPEAKERS:
CHAIRPERSON LANNIN:

Aye.

So it is

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unanimous, and I will look forward to seeing you
possibly in August in person, and possibly in person
in October at some point.

So thank you very much for

everything, and have a wonderful summer, all.

Bye-

bye.
(Whereupon, the meeting concluded at
2:52 p.m.)

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CERTIFICATE OF NOTARY PUBLIC
I, CARL HELLANDSJO, the officer before whom
the foregoing proceedings were taken, do hereby
certify that any witness(es) in the foregoing
proceedings, prior to testifying, were duly sworn;
that the proceedings were recorded by me and
thereafter reduced to typewriting by a qualified
transcriptionist; that said digital audio recording of
said proceedings are a true and accurate record to the
best of my knowledge, skills, and ability; that I am
neither counsel for, related to, nor employed by any
of the parties to the action in which this was taken;
and, further, that I am not a relative or employee of
any counsel or attorney employed by the parties
hereto, nor financially or otherwise interested in the
outcome of this action.
CARL HELLANDSJO
Notary Public in and for the
District of Columbia

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CERTIFICATE OF TRANSCRIBER
I, SUSAN BUTLER, do hereby certify that this
transcript was prepared from the digital audio
recording of the foregoing proceeding, that said
transcript is a true and accurate record of the
proceedings to the best of my knowledge, skills, and
ability; that I am neither counsel for, related to,
nor employed by any of the parties to the action in
which this was taken; and, further, that I am not a
relative or employee of any counsel or attorney
employed by the parties hereto, nor financially or
otherwise interested in the outcome of this action.

SUSAN BUTLER

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