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Capital Reporting Company
DEPARTMENT OF TREASURY
UNITED STATES MINT
CITIZENS OF COINAGE ADVISORY COMMITTEE MEETING

Tuesday, July 22, 2014
3:09 p.m.

801 9th Street, NW
Washington, DC 20220

Reported by:

Chaz Bennett, RPR/CSR,
Capital Reporting Company

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Capital Reporting Company
A P P E A R A N C E S

Committee Members:
Gary Marks, Chairman
Robert Hodge
Heidi Wastweet
Michael Bugeja
Jeanne Stevens
Erik Jansen
Tom Uram
Mary Lannin
Donald Scarinci
Michael Moran

Also present, from the United States Mint:
April Stafford
Marc Landry
Jason Laurie

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P R O C E E D I N G S
THE CHAIRMAN:

Great.

Okay, so we’re ready.

Then I’m going to call this Tuesday, July 22nd, 2014,
meeting of the Citizens Coinage Advisory Committee to
order.

So, note for the record that all current 10

members of the board are present and on the phone.
And our agenda today is a rather short one.
And it is to discuss the concept of a 2015 24-carat
Gold Ultra High Relief Coin and a silver medal.

And

so, before the committee engages in its discussion, I
want to ask April or whoever is appropriate from the
Mint staff to update us on this session.
MS. STAFFORD:

Okay.

I was going to ask,

since it is a telephonic meeting, if you could please
mute your phones unless you’re speaking.
have a full list of members.

And we do

So we’ll supply the court

reporter their full names for reference.

But before

you speak, if you could identify yourself by first
name, that way the court reporter should have
everything he needs.
Also, as we indicated earlier, with us today
from sales and marketing is Marc Landry, the acting

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associate director, and as well as the program manager,
Jason Laurie.

So they will be taking any questions and

expanding on the information after I present it.
As Gary said, this is to discuss two potential
products:

the 2015 24-carat Gold Ultra High Relief

Coin and a silver medal.

Some background:

As a result

of the success and popularity of the 2009 Ultra High
Relief Double Eagle Gold Coin, the United States Mint
is considering producing a 2015 24-carat Gold Ultra
High Relief Coin.
The CCC recommended a new eagle design for the
reverse of the American eagle silver one-ounce coin, a
change the Mint is not pursuing, opting instead to
consider showcasing the beauty and intricacies of the
recommended design on a 2015 24-carat gold UHR coin.
To complement such a reverse, the Mint would
consider featuring a new, modern rendition of Liberty
on the obverse of the 2015 24-carat gold UHR coin.

If

developed, a 2015 24-carat gold UHR coin would be
comparable to the 2009 UHR Double Eagle Gold Coin, in
that it would also be one troy ounce.

The denomination

would also have to be determined.

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To make such a design accessible to various
ranges of collectors, the Mint is considering the
possibility of producing a medal, struck in silver,
bearing the same designs as the 2015 24-carat gold UHR
coin.

Striking these medals in silver would provide an

additional opportunity to showcase the intricacy of the
design features and the beauty of the artwork.
If this concept is pursued, the United States
Mint would seek Secretary of the Treasury approval to
strike this gold coin under authority of 31 U.S.C. 5112
subsection (i)(4)(c).

And if the concept is pursued

for the silver medal, the Mint would seek authority
from the Secretary of the Treasury under 31 USC 5111
subsection (a)(2).
In 2009, the United States Mint fulfilled the
original vision of Augustus Saint-Gaudens, with the
release of the 2009 Ultra High Relief Double Eagle Gold
Coin, closing one chapter of American coin design and
beginning a new one.

If produced, 2015 24-carat gold

UHR coins could be viewed as a follow-up to the 2009
double eagle UHR, contrasting classic American coin
design with modern American coin design.

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That concludes the background and design
history information, Mr. Chairman.
THE CHAIRMAN:

Okay.

Thank you, April.

Just a few comments from me before we get
going here.

This I think is where some institutional

memory on the committee comes in handy.

I believe

Donald and I -- anyone else speak up if you were on the
committee in 2009.

But I think Donald and I are the

only ones remaining who were on the committee at the
time that this was -- a 2009 UHR gold coin was
produced.
And just a little bit of background there,
because what the Mint is proposing here actually makes
a nice bookend to the original intent of the 2009 coin.
In 2009, or it actually started in 2008, the effort
here, then-Director Ed Moy was pushing this idea of an
ultra high gold relief for 2009 on the basis that he
wanted to go back to the failed effort in 1907 to
produce the ultra high relief of the Saint-Gaudens
double eagle coin on the double branches, the 27millimeter branches.
And at the time, in 1907, the ability of the

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Mint to strike that coin wasn’t quite there.

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And so,

for Director Moy, he wanted to undertake a 2009 coin so
that that could be accomplished and a past failure
could be corrected and the successor could be put in
its place.
And I remember distinctly him announcing that,
once that was accomplished, he was hopeful that future
gold coins, ultra high relief coins, could then be
produced with modern design on them.
So, for the Mint to now come around full
circle and propose the coin that we have before us
today for 2015 really kind of keeps us on that track of
the original idea of producing the 2009 coin.
So, with that, today I think we need to talk
about several issues with the ultra high gold relief.
I know I’ve had some discussions with Michael Moran
about the size of the planchet.

I know he’ll have some

important things to talk to us about there.
And also, the silver medal, which is a concept
that I’d like to, if possible, look at as maybe an
initiating medal for the medal program that the
committee recommended back on April 8th this year.

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If those on the phone will recall, we, the
committee, proposed an arts medal program that would
produce medals of various designs and, in that way,
give our artists both internal and external the
opportunity to design medals, free of some of the
strictures that are on coins typically.
And at this point, we have only made a
recommendation for an arts medal program.

We really

haven’t gotten into any detail with that.

So, towards

the end of the meeting today, I want to explore some
ideas there for a medals program, going forward.
But initially, for the meeting, we need to
focus on the proposal that the Mint has put on the
table before us.
So, I’m personally very excited about what’s
been proposed here, the idea of having a recommended
design produced on the gold coin, and then hopefully
also produced on a silver medal, which I personally
would recommend we use the one-dollar silver eagle
planchet for the size of it and to produce a one-ounce
silver medal much like was done with the 9/11 medal in
2011.

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So, I think there’s a lot of exciting
possibilities here.

And what I want to do is kind of

work through the various members on the committee and
give each of you an opportunity to offer your comments
about the proposal that’s been put before us.

That’s

simply the ultra high gold relief coin and the silver
medal.
And please know that there’s going to be some
more discussion, once we’re done with that, about the
medals programs specifically.
So with that, I’m going to go through the
order of the committee by -- this is kind of different;
I’ve never done this before -- by our position numbers.
When we’re appointed, we have a position number.

So,

just to mix it up some, I’m going to do it that way
today.
So, Robert is in position number one.
MR. HODGE:

I am?

THE CHAIRMAN:

Robert, do you have any

comments about the proposal?
MR. HODGE:
my comment.

I’m in favor of it.

That’s really

I just am very happy about this.

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have anything else at this point.
MR. HODGE:

Okay.

Position two is Heidi,

Heidi Wastweet.
MS. WASTWEET:

Oh, hi.

This is Heidi.

My question is more geared toward the artwork,
and I’ll let the others talk about the sizing and
(inaudible) and that sort of thing.
I have a question, an open question for
whoever can answer.
to the art?

How will this design be assigned

Which artist will be allowed to submit?

And how will that work?
MS. STAFFORD:

This is April.

Heidi, we -- because this is concept only,
we’re talking about the possibility of this product, we
haven’t, obviously, had those discussions.

I think

you’re familiar with the fact that, you know, we have a
cadre of sculptor-engravers, which are all available to
provide designs for any program.

We also have an

artistic infusion program, currently a pool of 19
artists with whom we work.
And while we cannot give assignments to each
and every one of them, our common practice is to

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balance the other work that the Mint has going on, as
well as the subject matter that’s depicted on those
coins or medals.
And we look at the artists’ strengths in terms
of their ability, subject matter they prefer to design
to, if they can juggle more than one assignment at a
time, that kind of thing, in order to identify the
artist that would be participating at any given time.
MS. WASTWEET:

Well, typically would an artist

in the ASE be able to request that they get that
assignment?

Would that be possible?

MS. WASTWEET:
those discussions.

Well, again, we haven’t had

In the past, when an artist has

made it known that they have been particularly
interested in a program, we’ve done our best to
accommodate it.

Sometimes, that’s not possible.

But,

certainly, we want to make that a chief consideration.
MS. WASTWEET:

Thank you.

I just want to make note that we want a
variety of submissions.

I know some products that

we’ve seen in the past may only be submitted by one or
two artists.

And though I’d like to see a wide

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variety, because I think this is a really important
project.

So if we could make a note that I personally

would like to see a wide variety of artists submit for
this if that’s possible.
MS. STAFFORD:

Okay.

MS. WASTWEET:

And that’s all the comments I

THE CHAIRMAN:

Okay.

had.
Thank you, Heidi.

Committee position three is currently vacant.
So I’ll go to position four, and that would be Mr.
Michael Bugeja.
MR. BUGEJA:

Thank you, Gary.

You know, I think this is a lovely concept
that’s going to bring in more and more people into the
hobby.

And in that sense, I am totally for it.
I think the real brilliance of this proposal

is that we have coin collectors, we have hobbyists, and
we have bullion investors.

I think this just may be

the product to bring some of those bullion investors
into the beauty and artistry of coins.
So I don’t have -- like Robert, I don’t have
much to say other than I’m fully in support of the

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program.
THE CHAIRMAN:

Thank you, Michael.

That would take us to position five, which is
Jeanne.
MS. STEVENS:

Thank you, Gary.

I have a question about production.

I’m

looking at the images that you sent of the coin.
this -- where will this be struck, April?

Will

You might be

able to tell me.
MS. STAFFORD:

I’m actually deferring that to

our sales and marketing acting associate director.
Again, because this is conceptual, I don’t even know if
something like that has been discussed or thought of.
MS. STEVENS:

Okay.

Thank you.

Because it’s

a way -MS. STAFFORD:
MR. LANDRY:
MS. STAFFORD:

Where will it be produced?
Oh, where would it be?
Yeah.

The question is where

would it be produced?
MR. LANDRY:

Yeah.

And that’s something that

we would sit down as a team and work out.

The gold

coin, I would say, most likely would be struck at West

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Point, but I won’t commit to that.
MS. STEVENS:
THE CHAIRMAN:
MR. LANDRY:

Who’s speaking?
This is Marc Landry.

THE CHAIRMAN:
MR. LANDRY:

Oh, hi, Mike.
Marc.

THE CHAIRMAN:
MR. LANDRY:
more up in the air.

All right.

Go ahead.
Silver coin would certainly be

I would say probably a likely

point would be Philadelphia.

But again, I wouldn’t

commit to that either.
MS. STEVENS:

Well, the reason for my question

is -- and I realize this is just a proposal, and I
think it’s a grand thing.

I’m very excited about it.

I agree with Michael Bugeja about bringing new people
into the field as collectors.
But if this proposal is going to be both
convex and concave?

I mean, I see that the resource

now is, you know, equally as convex.
it offers the reverse.

It’s the reverse,

I was wondering if there was a

plan for that, or is this just an idea?
MR. LANDRY:

Just an idea at this point.

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MS. STEVENS:

Okay.

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Thank you.

Thank you

very much.
And again, I approve of this idea very much
and am looking forward to seeing the results.

Thank

you, Gary.
THE CHAIRMAN:

Thank you, Jeanne.

Position number six is the Chair.

And I guess

I’m going to focus on some design ideas here.
The packet of information that went out to us
for this meeting showed the reverse of the design that
the committee recommended, with a silver eagle, back in
April.

But it also put in some very familiar images,

the Saint-Gaudens Double Eagle Coin.

And of course,

there are some similarities with that reverse.
Personally, I want to stress that simply
because there is a similarity with the eagle, I really
hope that we as a committee, when we come to review the
actual designs, get to look at something more than just
an updated Liberty -- the forward-walking Liberty
that’s on the Saint-Gaudens Double Eagle.
I’d like to see something creative, modern,
and not necessarily a standing figure.

I think

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certainly some standing figures would be interesting.
Walking figures would be interesting.
interesting.

Busts would be

I’d like the artists to really feel,

treat them to try to pull out of their souls some new
ideas about what Liberty might look like in the twentyfirst century.

So I’m hopeful that we will see some

real creative designs there.
I would also just throw in there that as the
Mint goes through the process of assigning who the
project is assigned to as far as the artists go, that
the artists who did the reverse that we’ve recommended
already be included in that mix.

Not that we would

know who that is, but certainly they may have an idea
already of a pairing.
I know that’s near and dear to Donald’s heart,
as well as mine, that if we ended up with a paired
obverse–reverse from the same artist, that would be
kind of cool.
that.

Not necessarily that we have to have

In fact, I think we could end up with something

pretty spectacular coming from two different artists.
But just for the record, I’d like to know that
an artist was able to produce a pairing design for this

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reverse that we already have.
So, at least at this point, I don’t think I
have any other remarks.

But at this point, I wanted to

address some other design things.
So with that, that takes us down to position
number seven, who is my friend Erik, who is sitting
here in my office with me.
MR. JANSEN:

I hope this doesn’t put an echo

through your phone, Gary.
I’m going to reiterate Michael Bugeja’s
comment that I think this is an extraordinary, positive
opportunity to expand the demand of products from the
Mint from both the dealer’s side, the hobbyist’s side,
the collector’s side.

I think there’s something here

for everyone.
And although I don’t want to ignore some of
the artistic issues here, I want to kind of get some
thoughts from, again, we pretty near here this
initiative idea we’re floating.

And I think Gary wants

to pull together a subcommittee here.

So I don’t want

to prolong or solve any of that.
But I’m curious.

To me, this is a good

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program if it expands the demand for the overall Mint’s
products.

That doesn’t mean that it is a pure business

decision.

That’s not my point.

But I think if it

expands demand, it expands the number of interested
parties out there.
And I personally am always interested in
trying to find a way to make Mint products cheaper for
collectors.

So, I would ask, has anybody in the

marketing department considered any other ways that,
say, a medal program might be paired with the monetized
eagle, sold as a combination so one could -- let’s just
say the price of an eagle is x.
This being on the same plan with the same
basic production line, that this could be paired with
that eagle and, instead of being sold for 2x, sold for
90 percent of 2x.

So that we might sell more eagles

and more medals at a price point that the public sees
as not higher, but lower.
I think I see a lot of talk in the press about
prices going up on products.

And although they had to

write a bigger set, they’d be getting twice the silver
for that.

So that would be something I would put out

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there as one of the angles.

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But I think the program

could bring the expanded demand.
I wrote a note, I think to April, commending
you guys on the 9.95 Kennedy half product.
loved seeing that under-$10 product.

I just

So thank you for

that.
I want to go back after UHF gold.

I

personally was disappointed in the quality of the edge
lettering on that.

And I can appreciate that there’s a

lot of pressure necessary to strike that coin, and so
you end up getting some leakage around the collar.
And technically, I would just like to launch
that out there, that on these ultra high relief gold,
I’d like to see a little more attention paid to that so
we don’t get the kind of bleed that we got on the edge
lettering.

Just a technical issue that I thought

detracted from otherwise a really, really attractive
coin.
Let’s see.

Curious, and really a question

here for the Mint here.

What other consistent or

inconsistent -- by that I mean freed in every issue in
the future could vary.

What other consistent design,

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features, product, marketing, packaging features -have you given any thought to this, April?
MS. STAFFORD:

Again I’m deferring to our

sales and marketing colleagues.
MR. LANDRY:

Hey, Erik.

I thank you for your

compliment on the Kennedy products.

I mean, one of the

things -MR. JANSEN:

Oh, brilliant move.

MR. LANDRY:

Thank you.

One of the things we’re trying to look at is
offer products, and that’s why we have three Kennedy
products that will be available this year.

One at a

low price point, very affordable to all collectors.
Then the silver option, also at what we would say a
very reasonable price point.

And then the gold, the

24-carat option.
So, as we look at our portfolio, we are trying
to make those decisions to bring prices down, but offer
options at lower price points for more people to
afford.

That’s one of the things I love about pairing

silver metal with a UHR gold.

If we could duplicate

the design in a silver medal, obviously, the price

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point is much more affordable for many, many more
collectors.

And we would just be able to distribute a

lot more of them.
THE CHAIRMAN:

Thank you.

I would love to also see edge lettering
integrated into this medals program, whether it’s a
place to put the assay, whether it’s a place to put
some related artistic text, whether it’s a place to put
some consistent feature of the series.

I personally

think of -- you think of silver from the Mint, you
think of gold from the Mint, you think, “Whoa, those
are eagles.”
And I would love to see the series getting
kind of a common nickname.

Go for “Liberties.”

So

that we don’t -- again, it’s kind of a business
thought.

But it’s really more of a collector’s ability

to have this collection separated from the other
collection, because collectors like to fill holes for
completion in a series.
And if we give the supplies industry the
ability to issue a binder called the Liberty, the Mint
Medal Liberty Artistic Medals Program, we give it a

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consistent marketing front.
I think -- or you take that with edged
lettering, which has typically not been used on this
silver planchet size, I think you have a real
interesting differentiation point to expand demand at
price points that are popular, at bullion content,
which is popular, and artistic freedom, which is
popular.
And I think, quite honestly, one of the
outgrowths of this program might be a whole lot, and I
always say this because a flood is not a good thing.
But we’re going to get a lot of input from the public
as to, “Hey, do one like this,” or “Do one like that.”
And we might want to be prepared for that.
Thank you.
THE CHAIRMAN:
those comments.

Thank you, Erik.

I appreciate

I agree with everything you had to say

there.
Next up, in committee position number eight,
would be Tom.
MR. URAM:

Are you there?

Okay.

My only comment is I think it’s a great idea.

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I think that pretty much everything has been said, and
it’s going to be interesting to see the different
designs and topics.

But I think it’s going to create a

lot of enthusiasm, especially doing a silver and the
gold built, or high relief.
And the only other thing to consider, since
this is -- we’re talking about 2015; is that correct?
MS. STAFFORD:

Yes.

THE CHAIRMAN:

Yes.

MR. URAM:

As I’d mentioned in one of the

other calls, 2016 is the 30th anniversary of the ASE.
And it might be nice to somehow, marketing-wise, tie
that event in with some of the medals that might be
considered and have an ASE with one of the medals or
some ultra high relief ASE for the anniversary, with
one of the medals as well.

I think, going forward and

looking out to 2016 might be a thought for that.
And then, just the last comment, I think
everyone understood how I stood on the ASE program.
And I think the Mint made the right decision, and I
congratulate them for maintaining the ASE bullion
program intact.

It’s certainly exciting to look

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forward.

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Thank you.
THE CHAIRMAN:
Okay.

Thank you, Tom.

That takes us to our committee position

nine, and that’s Mary Lannin.
MS. LANNIN:

Hi.

I agree with pretty much

everything everyone said before.

I am intrigued by

Erik’s concept of alpha Liberty series.

I like the

idea very much.
I am an owner of a 2009 ultra high relief.
And much as I love the coin, I’ve always been rather
puzzled by certain anatomical inconsistencies in
Liberty.
(Laughter.)
MS. LANNIN:
left arm.

Her right arm doesn’t match her

And her forehead and nose look as though

it’s a mask, to me, and rather thick through the waist
in size.

And so I hope whichever artist grabs this

concept, that she could be perhaps a little slimmer and
presented in a current body, I guess I should say.
But anyway, I’m excited about this.
THE CHAIRMAN:
MS. LANNIN:

Is that all, Mary?
That’s it.

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THE CHAIRMAN:

Okay.

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Thank you.

That takes us to position 10, and that would
be Donald.
MR. SCARINCI:

Hi, this is Donald Scarinci.

I think this is an historic initiative by the
U.S. Mint.

And I think history may well consider the

decision to make this coin as the fulfillment of the
promise that Ed Moy made at the FIDEM conference held
in Colorado Springs in 2007.
And I was (inaudible) when that occurred.

And

I remember I was physically in Colorado Springs,
listening to Ed Moy’s speech at FIDEM.

And that was

the second FIDEM conference that was ever held in the
United States since 1935 when FIDEM was created.
And, you know, when the Director of the United
States Mint went to that conference and gave a keynote
speech to representatives of 32 countries around the
world and said that we would -- he would -- he as Mint
Director of the United States promises a Renaissance, a
neo-Renaissance, he called it, in American coin design,
I was very, very hopeful.

And I think we all were.

There was really a lot of electricity in the

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room, and for some time after there was hope and
expectation that, you know, we would begin to see the
kind of beautiful designs that are being produced in
many other countries of the world.
And I think that, you know, after years had
passed, his decision to remake the Augustus SaintGaudens design, you know, was in his mind the closing
of one era in American coin design in order to begin a
new era of American coin design.
And I think that, since that event occurred,
up until very recently, that was a promise unfulfilled.
And I think that what we have all been looking at in
our coin designs, you know, over these -- certainly
over these last, you know, year, maybe more, probably
several years, you know, we are seeing sparks of -we’re seeing some very beautiful designs.
seeing some really good art.

And we’re

And we’re seeing some

American art.
Some of those designs, you know, have made
their way onto coins and medals.
have not.

Some of those designs

But what’s important is, you know, what’s

really going on in that Atelier in Philadelphia.

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And I think there is an energy among the Mint
artists.

I think there is competition.

I think that

the vision at the United States Mint today and the
leadership, you know, that’s being presented at the
United States Mint today is nurturing and encouraging
the artists, doing exactly what we had hoped and
expected would happen with the blueprint that we voted
on several years ago, the blueprint for improved coin
designs.
And I think that this initiative, the fact
that it comes to us from the Mint, I think that it’s
bold.

I think there’s going to be a lot of hope,

certainly in the art community, in the collector
community, a lot of hope that we’re going to see
something new and something bold.
I think the willingness to go along with a
medal program, you know, so that the artists can be
creative and begin to introduce, you know, more modern,
more twenty-first century designs to the American
people, I think these are all things in the right
direction.
And if this plays out, this coin may very well

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be the beginning.

28

And this meeting and this

conversation and this initiative that the Mint has
proposed and had us convened in a special meeting to
consider may very well be the point of demarcation.
And I’m hopeful for it.

I think we’ve all

been seeing this, you know, for quite some time now in
the things that we’ve been considering and reviewing.
There’s a lot of good designs that we’re looking at
right now and that we’ve been looking at.
So I’m hopeful.

You know, I don’t want to

give any instruction in any way that would in any way
inhibit or limit the artists.
artists, “Be bold.

I would say to the

Be creative.

Consider images of

Liberty for the twenty-first century.

Consider symbols

that have not been considered for the twenty-first
century.

And express our Americanism.”
And this is the perfect coin to do it with.

You know, it certainly will complement and be collected
side by side with the Augustus Saint-Gaudens high
relief.

And I can think of no better way to showcase

what we can expect to see in the future than this coin.
So, all that being said, I know I’ve, you

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know, certainly raised the bar considerably for you.
But you’re up to it.
THE CHAIRMAN:
for those comments.

Thank you, Donald.

Thank you

I agree with everything you had to

say there.
Next is position number 11, which is Michael
Moran.
MR. MORAN:

I’m bringing up the rear, but I’ve

got plenty to say on this issue, Gary.
First of all, I agree with what everybody has
said; this is a home run.
behind it.

I’m all for it.

I think it’s great.

I’m really

I think it also is, as

Donald said, it is a pivotal point for the Mint.

I

think it is the next logical step for which the Mint
becomes in its artistic programs, a benchmark against
which other mints will compare themselves.
I’m also assuming that, unlike -- this is a
home run and that this is only the first year, and the
series will continue beyond 2015.
That being said, I think there are some
details that need to be talked about in terms of the
implementation of this.

First of all, you bill it as

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an ultra high relief.

30

That has a specific, at least,

connotation and understanding within the numismatic
community, although not necessarily the artistic
community.

And that is a relief, the equivalent of

what Saint-Gaudens originally submitted in his first
model for the double eagle.
That was a relief that was ridiculously high.
And it was done by Saint-Gaudens to see what the Mint’s
capabilities were, not necessarily what was a practical
and good design.

And then it backed off from there.

I think that if you are shooting for an ultra
high relief specifically tied to that definition, you
will limit yourself in terms of the viability of the
designs you will get for the obverse, as well as the
reverse, going forward.

Because there are certain

designs that just don’t work as well with an extreme
relief as opposed to a more modest, what I would call a
high relief or a very high relief.
I think you need to leave the depth of relief
open to the artistic model that you are dealing with,
both obverse and reverse.

And stay away from a

specifically measured, understood ultra high relief.

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And it’s not that I’m not pushing for relief.
pushing relief.

I am

I think it is the third dimension that

always should be considered in coin design.
I just think that you need to allow yourself
the flexibility to present the relief that goes best
with the paired designs of obverse and reverse.

And

remember also that Saint-Gaudens’s obverse and reverse
did not pair with (inaudible).
Secondly, when you look at the ultra high
relief that was put out in ’09 and compare it to an
ultra high relief, or even a high relief that was done
in ’07, it doesn’t compare well.
because it wasn’t a good job.

And that’s not

It was because it was on

a smaller-diameter planchet.
Saint-Gaudens’s design does not reduce.
was designed for a $20 gold piece, period.

It

Demand

actually went so far in 1907, or 1908, I should say, to
prepare -- it was originally intended that that design
be on all four coins.
They actually went to the point of preparing a
pattern of the Saint-Gaudens standing Liberty with a
flying eagle on the reverse with the five-dollar gold

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piece.

32

It went to the melting pile; it looked

horrible.

And then you got the design from (inaudible)

that you now measure with.
You must be aware of planchet size.

And I

think that argues for a $20 gold piece planchet size
from two perspectives.

One, it gives the artist more

room to work with in terms of his model, more
flexibility in what he presents.

And larger is better

in that regard.
And two, it also gives you a coin or a medal
of roughly the same diameter that you would come up
with for the silver piece.

And again, you need to be

recognizing that what works for, say, a -- I call it
checker size or eagle size double-thick planchet on a
$20 gold piece does not necessarily work on a silver
piece unless it’s exactly the same size.
So I think you need to be aware of that.

And

we admit in its press, in anything that has come out so
far has not said much of anything about diameter.

I

think you do need to consider the original double-eagle
as the proper diameter there, stay with the silver
dollar sized silver coin.

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I would also argue that you need to consider
putting the third piece in line here, making it three
pieces, and then that being bronze.

Because if it’s

going to have relief, it’s going to show better in
bronze than it does in silver.

And that’s the coin

that a lot of these collectors are going to be able to
afford, more than a one-ounce gold piece.
But that being said, I think a lot of details
need to be worked out in this.
than 100 percent for this.

Nevertheless, I’m more

I think it is an

opportunity to get Liberty designed the way we’ve
envisioned, and the way we’ve envisioned with the
Liberty Coin Act, which was stalled in Congress.
It will allow the artists to show what was the
original concept of the American coin, and without some
of the clinking, as the Saint-Gaudens would say in his
corrections, that you necessarily have on its
circulating legal tender U.S. coin.
That’s it, Gary.
THE CHAIRMAN:

Thank you, Michael.

I’m going to chime in with Michael.

And I

want to encourage the Mint to consider striking a

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balance -- pun intended -- between relief and use of
the full-sized double-eagle planchet.

I think, as per

many of the reasons that Michael noted, you’re going to
get a more beautiful coin.

You’re going to allow, I

think, some better detail.
And I think that’s the next step to really
capture people’s imagination with this gold coin.

I

think you can still have some decent relief there,
although it’s not going to be a double thickness.
So, I do have some additional comments, as I
spoke before.

But before we do that, I just can’t let

this moment go by, because like Donald, I think this is
a historic moment for the United States Mint.

And it

just wouldn’t be appropriate for us to simply make
comments on this.
So I’m going to recognize the senior member of
the committee, and that is Donald, and invite him to
make a motion endorsing and supporting the Mint’s
proposal to create an ultra high relief gold coin
paired with a matching silver medal.
MR. SCARINCI:

I am honored to make that

motion, Gary.

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MS. STEVENS:
THE CHAIRMAN:

35

I’ll second it.
Okay.

It’s been moved and --

Jeanne, you second?
MS. STEVENS:
THE CHAIRMAN:
MS. STEVENS:
THE CHAIRMAN:

Yes, Jeanne.
Jeanne on the second?
Yes, yes.
Okay.

So it’s been moved and

seconded to -- just a minute.
(Pause.)
THE CHAIRMAN:

Okay.

It’s been moved and

seconded to recommend -- to endorse and support the
United States Mint’s proposal to produce in 2015 an
ultra high gold relief coin paired with a matching
silver medal.
Is there any discussion on the motion?
(Pause.)
THE CHAIRMAN:

All those in favor, please say

Aye.
(Chorus of “Aye.”)
THE CHAIRMAN:

Opposed?

(Pause.)
THE CHAIRMAN:

For the record, let it be noted

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that that was a unanimous vote of all current members
of the Citizens Coinage Advisory Committee.
(The motion to endorse and support the United
States Mint’s proposal to produce in 2015 an ultra high
relief gold coin paired with a matching silver medal
was approved unanimously.)
THE CHAIRMAN:

So now, now that we’ve

accomplished this piece of business, I want to talk
about the medals program.

Because this is kind of a

natural launching point for that discussion.
In April, April 8th, actually, the committee
met.

And as one of the items addressed at that

meeting, a motion was approved unanimously to recommend
that an arts medal program be developed and put forward
at the United States Mint.
The idea there was to foster innovation in
coin design and production of coins and all the
technical aspects that go with that.

And that would

open up the doors for all sorts of different techniques
and design options that currently aren’t typically
available when we look at all of the requirements
typically put on coin legislation.

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But then, working with the more open ability
to do medals (inaudible), we would be able to encourage
our artists to have some artistic expression beyond
what they’re typically able to do.
So, with this silver medal as a proposal, part
of this ultra high gold relief program, potentially, I
wanted to share with the committee and those on the
line my own vision as simply a member of the committee,
but one who has had a discussion with Marc Landry and
has had a few discussions with April at this point,
about this idea of a medal program, and specifically a
silver medal program.
I want to share with you a vision, and then
what I want folks to take this vision as is simply a
draft, a draft, a concept for the committee to then
look at and develop further, and to develop a consensus
recommendation to the Mint.
So here’s my vision.

My vision is in a medals

program, arts medals program, two elements, two facets
to the program.

The first is something I’m calling an

American Liberty’s Silver Medal Program.

This is the

program that would at long last allow the Mint and the

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artists to produce new and modern images of Liberty and
have them produced in medal form.
Now, for years, many of us have longed for and
have even worked for the ability for us to have Liberty
on our coins, to advance new and modern ways of
depicting Liberty.

And we just haven’t really had a

lot of traction on that.
Imagine a dated silver medal program produced
in proof quality on silver eagle planchets, where every
year you have a new Liberty design paired with a new
reverse design.

This is a dated series, which I’m

specifically recommending that because it then gets
into the collector mentality of a series and something
to be collected as a series.
So, that would be one element, the first of
the two elements that I have in mind.

That would be

limited to Liberty.
My other element is something that, for lack
of a better term right now, I’m just calling the freeform element.

This would be the second medal.

There

would be two medals produced each year in this medals
program that I have in mind.

The first is the Liberty.

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The second would be this thing that I’m calling the
freestyle medal.
The only restriction that we would put on this
medal would be that you have an American theme.

The

artist would be free of required inscriptions and
completely able to render images and artwork out of
their own imagination and out of their own souls.

That

would express various American themes.
It would have to be a vetting process
internally at the Mint, as these designs are produced
on an annual basis for the legality of the design, for
the suitability of the design, and so forth.

Those

that would make it through that vetting process would
then be put in a portfolio for the committee to review.
These might be recommended as silver medals, as bronze
medals, even gold medals.
The committee would then review, have an
annual review of the designs and a few for the
freestyle medal.
go forward.

One of those would be recommended to

The Commission on Fine Arts would, of

course, have their opportunity to recommend one of
those, with the idea that one freestyle medal is

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40

produced alongside the Liberty medal.
Any design that we thought was worthy of
production as a freestyle medal beyond the one that we
produced in any given year could be held over in the
queue for consideration in the next batch the following
year.
So that is simply one committee member’s idea,
a committee member who has given some considerable
thought to what an arts medal program might look like
for the Mint.

And what I want to do is I’d like to use

that as kind of a starting point for some work within
the committee to develop a consensus of recommendations
with a little more detail than the motion we passed in
April, which was simply recommending an arts medal
program.
So, what I would like to do is I’d like to
appoint a working group -- call it a subcommittee if
you wish -- a working group that would look at a draft
of a resolution and develop it further to a point that
it’s something that we could present before the
committee, hopefully by September, and hopefully be
able to act on that as a formal, somewhat detailed

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recommendation to the Mint concerning a medals program.
So with that, I’ve of course given some
thought to who I’d like to have on the committee.

And

my conclusion is that we have, to a member, all 10
members right now are infinitely qualified to serve on
this working group.

So I am not going to specify the

exact individuals I’d like to have on this committee,
because I would feel good about any combination being
on this committee.
I want to keep it less than a quorum, so that
means six.

And I will be part of this working group.

So I’m going to ask for five volunteers to serve with
me on this working group.

Jeanne has asked me in

advance if she could be on that committee, and I told
her that I thought that would be fine.
So, I’ll tell you what I’m going to do.
going to open this up.
myself.

I’m

And first, we’ve got Jeanne and

The first four other people on the committee

who express a desire to be on the committee, you’ll be
on the committee.
an email.

So I’m going to ask you to send me

And don’t do it during the meeting because I

won’t recognize it.

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(Laughter.)
THE CHAIRMAN:

But as soon as this meeting is

over, the first four emails I get expressing a desire
to be on the working group, I’m going to make that
appointment.

And I’ll notify all of you as to who is

on this working group.
It’s going to be a simple task.

It’s simply

going to be to develop a resolution with some detail
about a national arts medal program for the Mint.
So, with that, I wanted to give the members a
chance to react or to comment on all that I have put
forward here.

So, is there anyone who wants to

comment?
MS. STEVENS:
MR. BUGEJA:

I think it’s a great idea.
Michael Bugeja.

I just wanted to make a brief comment.
support what you are recommending.

I

The comment that I

would like to make concerning the word “liberty”
historically has meant freedom of movement, the freedom
to go where one wants without government restriction.
We use the term “liberty” -- well, walking
Liberty is a perfect icon embodiment of that, a long-

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forgotten concept.

43

We typically confused liberty with

rights, which is more of a legal concept.

But, you

know, when sailors go on liberty, or I’m at liberty to
go here or there.
This is a necessary concept in terms of coin
design and medal design because once realized for what
it is, freedom of movement -- many places in the world
right now do not have that freedom.

No need for me to

give you current events.
But this idea of free movement also enlivens
medal and coin design, which too often is static.
we talked about storyboards before.
lyric moments and symbolism.

So

We’ve talked about

But the idea of movement

and the precious gift we have in this country about
liberty could be embraced not only to celebrate that
freedom, but also to educate people through art design
about what it truly means.
And I say that not only as a numismatist, but
also as a journalist and former journalist, who has
covered some situations in which liberty is not
embraced or fully realized.
So I wanted to add that to the record, because

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coins and medals also educate, as well as reflect
beauty.

And the chief problem I’ve had with many

recent coin designs, not in the commemorative program
particularly, is the static nature of those images.
And the classic coins have less of that, from the windblown hair of our first coins to some pretty good work
we have done in the flag series.
So I leave that for those who would like to
contemplate that word and what it means in terms of art
and education.

Thank you, Gary.

THE CHAIRMAN:

Thank you, Michael.

Any other comments?
MS. WASTWEET:

It’s Heidi.

THE CHAIRMAN:

Heidi.

MS. WASTWEET:

I’d like to add that, beyond

the program itself, there’s another value that we
haven’t talked about.

And that is what it’s going to

do for other programs in the future.
This art medal program will give us a chance
to do some experimenting and stretching of our own
artistic wing that will then resonate in future
projects.

And as we’ve seen in past projects,

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sometimes what holds us back creativity-wise is the
stakeholders, because they don’t see what’s possible.
And an art medals program could inform future
stakeholders on what’s possible, and it would help the
artist to then bring that creativity to the new
projects, and the stakeholders will have faith in what
that will look like because they can see it in the art
medals program and see what is truly possible.
And it gives us a worldwide reputation, as
well as -- a world power that has the creativity and
artistic vision to put up this kind of program.

So

beyond what the program is itself, I think the
repercussions are going to be fantastic.
That’s it.
THE CHAIRMAN:

Thank you, Heidi.

Anyone else?
MR. JANSEN:

Let me chime in.

This is Erik.

I think a number of the comments I made
earlier certainly apply here.
Heidi’s thoughts here.

And I would add, though,

It’s going to be an interesting

experience to have a green-field kind of Liberty, for
the artist to inspire coin-of-the-year awareness

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worldwide.
Donald’s comments about the Renaissance that
date back many, many years are so appropriate here.
And I’m energized.

I’m so optimistic as to the product

offerings the Mint could pair here.
We’re not a for-profit entity, but we do need
to cover our costs.

And to the extent we do that, we

benefit the American citizens.
citizenry on this committee.

I represent the general
And so I’m constantly

trying to think in terms of what I hear collectors
saying they want and what benefits the populace at
large.

And the more we can do with products and

revenue-generation with the assets the Mint has for its
sovereign obligation to create currency, the better.
So I am optimistic with the business
perspective, the collectors’ perspective, the artists’
perspective.

I can’t think of a more open, engaged,

and better-run kind of opportunity for the infusion
program.

Wow.

Wow.

This is tremendous.

THE CHAIRMAN:

Thank you, Erik, and thank you

for using the word “pairing,” because it reminded me of
something, just a little something I wanted to throw in

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there.
I envision a pairing of the silver medal that
might be produced along with this ultra high gold
relief.

I see it paired with a pro-seller eagle, you

know, in a paired product, which I think would just be
fabulous.

I think it would be a major home run, just

those two packaged together, just associating it.
And then there’s several other options that
could be looked at, too, as far as how do you bring
that medal forward?
MR. JANSEN:

Well, one more idea there, again

just on the pairing thought.

It’s been, what, half-a-

dozen years here since the ultra high relief gold was
put out first, or recently, this decade or so.

And not

that I would think that the Mint would want to create a
precedent of doing an ultra high relief gold every
year, but it certainly would give the Mint the
opportunity every second or third, in an ad hoc kind of
basis, to do another UHF kind of design.
If the product works, it’s popular, it again
covers overhead, makes a little bit of the return in
profits to the Treasury.

I think that it’s an open-

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ended opportunity, and there’s nothing I love better
than high-energy programs that continue to carry
openness and opportunity.
THE CHAIRMAN:

Thank you, Erik.

Are there any other members who wish to
comment?
(Pause.)
THE CHAIRMAN:

Okay.

Then I’m going to start

wrapping the meeting up.

And I guess my parting

comments would be these:

I believe that this is the

single most impactful and advancing idea that the Mint
could pursue at this moment in time to further the
craft of medallic art in the United States.
For too many years, we’ve been confined by all
the requirements that needed to be on the coins.

And

with a medals program such as this, finally we can have
the freedom to let the art come forward and let artists
express themselves.
And then as far as the Liberty program, the
Liberty medals program that I described, finally
Liberty will be liberated.
(Laughter.)

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THE CHAIRMAN:

49

And I cannot describe to you

all here how excited I am, as your chairman, to be
chairman of this committee at this point in its
history.

I just hope that this can all come together

in some form, as we talked about here.

And I’m looking

forward to working with all of you, with the Mint
staff, on how we can make something like what we’ve
talked about here today a reality.
Because I think if we can, this will be the
single most impactful and meaningful contribution we
can make towards medallic art in the United States
since that time that is known as the great Renaissance
of American coins.
So, with that, I believe we’ve concluded our
business here today.

I’ll be looking for emails from

members expressing their interest in being on the
subcommittee, or the working group.

And are there any

other quick comments before we part?
MR. JANSEN:

I’ll only make one comment.

sitting here next to Gary.

I’m

And if you had been sitting

here next to him just now, you would have been reminded
of that classic film of Teddy Roosevelt standing at the

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podium, banging his finger on the podium.

50

And I can

only imagine him at the time saying, “And this guy,
August -- August” -- I don’t know, I can’t think of his
last name.
MS. STEVENS:

Augustus, Augustus.

(Laughter.)
MR. JANSEN:

“He’s got some ideas that we

ought to be paying attention to.”
So, maybe it is a Renaissance.
THE CHAIRMAN:

Well, thank you, Erik.

And with that, just let the record show that
the committee is energized and encouraging of the Mint
and inspired of what we’ve seen the Mint bring forward
here today.
And with that, I will adjourn this meeting.
Thank you all.
(Chorus of “Thank you, Gary.”
(Whereupon, at 4:04 p.m., the meeting was
adjourned.)

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CERTIFICATE OF TRANSCRIBER

I, Ellen Sanders, do hereby certify that this
transcript was prepared from audio to the best of my
ability.

I am neither counsel for, nor party to this
action nor am I interested in the outcome of this
action.

_________________

_______________________

July 29, 2014

Ellen Sanders

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