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Meeting

July 15, 2024

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CCAC Meeting

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Moderated by Peter van Alfen

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Monday, July 15, 2024

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10:00 a.m.

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Department of Treasury

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801 9th Street NW

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Washington, DC 20220

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(800) 872-6468

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Reported by:

Matthew K Livingston

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Job No. CS6719393

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Meeting

July 15, 2024

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A P P E A R A N C E S

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List of Attendees:

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Dr. Peter van Alfen, CCAC Chair and Specifically

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Qualified in Numismatic Curator

5

Arthur Bernstein, Representing the General Public

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Dr. Harcourt Fuller, Recommended by the Speaker of the

7

House

8

Dr. Christopher Capozzola, Member Specially Qualified

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in American History

10

Jeanne Stevens-Sollman, Member Specially Qualified in

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Sculpture or Medallic Arts

12

John Saunders, Recommended by the House Minority

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Leader

14

Michael Moran, Recommended by the Senate Majority

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Leader

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Donald Scarinci, Recommended by the Senate Minority

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Leader

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Sam Gelberd, Member Specially Qualified in Numismatics

19

Kellen Hoard, Representing the General Public

20

Annelisa Purdie, Representing the General Public

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Jennifer Warren, Director of Legislative and

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Intergovernmental Affairs, Mint Liaison to the CCAC

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A P P E A R A N C E S (Cont'd)

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Mike Unser, Founder and Editor of CoinNews Media

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Louis Golino, Senior Editor, Coin World

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Paul Gilkes, Senior Editor, Coin World

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April Stafford, Mint Staff, Chief, Officer of Design

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Management

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Megan Sullivan, Mint Staff, Senior Design Specialist

8

Roger Vasquez, Mint Staff, Senior Design Manager

9

Boneza Hanchock, Mint Staff, Design Manager

10

Sukrita Baijal, Mint Staff, Design Manager

11

Joseph Menna, Mint Staff, Chief Engraver

12

Michael Costello, Mint Staff, Manager of Design and

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Engraving

14

Greg Weinman, Senior Legal Counsel, Counsel to the

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CCAC

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Brendan Tate, Senior Government Affairs Specialist,

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Office of Legislative and Intergovernmental Affairs

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C O N T E N T S

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PAGE
Ms. April Stafford

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Meeting

July 15, 2024

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P R O C E E D I N G S

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THE CHAIRMAN:

Good Morning.

I call to

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order this meeting of the Citizens Coinage Advisory

4

Committee for Monday, July 15, 2024.

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10:00 a.m.

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public meeting.

The time is

This is the first day of a two-day CCAC

7

I would like to remind members that as

8

we are all participating via videoconference to please

9

mute your phone or microphone on your Microsoft Teams

10

program when not talking and to announce your name

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when you speak.

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well as the listening public.

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This aids both the transcriber as

Before we begin, I want to introduce

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the members of the Committee, so please respond

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.present. when I call your name.

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17

Arthur Bernstein, representing the
General Public.

18

MR. BERNSTEIN:

19

THE CHAIRMAN:

20

Present.
Dr. Harcourt Fuller,

recommended by the speaker of the house.

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DR. FULLER:

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THE CHAIRMAN:

Present.
Thank you.

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2

Dr. Christopher Capozzola, the member
specially qualified in American history.

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DR. CAPOZZOLA:

4

THE CHAIRMAN:

5

Jeanne Stevens-Sollman, specially

6

Present.
Thank you.

qualified in sculpture or medallic arts.

7

MS. STEVENS-SOLLMAN:

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THE CHAIRMAN:

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John Saunders, recommended by the House

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Present.

Thank you.

Minority Leader.

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MR. SAUNDERS:

Present.

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THE CHAIRMAN:

Thank you.

13

Michael Moran, recommended by the

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Senate Majority Leader.

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MR. MORAN:

16

THE CHAIRMAN:

17

Present.
Donald Scarinci,

recommended by the Senate Minority Leader.

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MR. SCARINCI:

Present.

19

THE CHAIRMAN:

Thank you.

20

Sam Gelberd, the member specially

21
22

qualified in numismatics.
MR. GELBERD:

Present.

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THE CHAIRMAN:

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Kellen Hoard, representing the general

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public.

Mr. Hoard is not yet with us.

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5

Thank you.

Annelisa Purdie, representing the
general public.

6

MS. PURDIE:

7

THE CHAIRMAN:

8

And I am Peter van Alfen, the member

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specially qualified as a numismatic curator and the

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chairperson of the CCAC.

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Present.
Thank you.

I believe we have a quorum.

The agenda for today's public meeting

12

includes approval of the minutes and letters to the

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Secretary from the June 18, 2024, public meeting;

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review and discussion of the candidate designs for the

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2026 Semiquincentennial dime; review and discussion of

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the candidate designs for the 2026 Semiquincentennial

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Quarter commemorating the Declaration of Independence;

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review and discussion of the candidate designs for the

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2026 American Eagle proof platinum coin; and review

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and discussion of the candidate designs for the 2026

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Semiquincentennial Quarter commemorating the

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Constitution.

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Before we begin our proceedings, I ask

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Mint liaison to the CCAC, Ms. Jennifer Warren, if we

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are aware of any members of the press who are remotely

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watching this public meeting.

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MS. WARREN:

Good morning.

This is

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Jennifer Warren.

7

CoinNews Media, Louis Golino, American Numismatic

8

Association, and Paul Gilkes, Coin World senior

9

editor.

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Mike Unser, founder and editor of

And also, Chairman, Kellen should be on

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shortly.

He's just having some technical

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difficulties, so when he's on, we'll let you know.

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And I think he just got on.

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THE CHAIRMAN:

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I believe Mr. Hoard, now, has joined us

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as well, and I welcome the members of the press to the

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meeting.

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All right.

Wonderful.

And for the record, I would also like

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to confirm that the following Mint staff are in

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attendance today, so please indicate "present" after

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I've called your name.

22

April Stafford, Chief, Office of Design

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Management.

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MS. STAFFORD:

Present.

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THE CHAIRMAN:

Thank you.

4

Megan Sullivan, senior design

5

specialist.

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MS. SULLIVAN:

Present.

7

THE CHAIRMAN:

Thank you.

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Roger Vasquez, senior design manager.

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MR. VASQUEZ:

10
11

Present.

THE CHAIRMAN:

Russell Evans, design

manager.

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UNIDENTIFIED SPEAKER:

13

THE CHAIRMAN:

Boneza Hanchock, design

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MS. HANCHOCK:

Present.

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THE CHAIRMAN:

Sukrita Baijal, design

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manager.

manager.

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MS. BAIJAL:

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THE CHAIRMAN:

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Not present.

Present.
Joseph Menna, Chief

Engraver.

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MR. MENNA:

Present.

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THE CHAIRMAN:

Michael Costello,

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manager of design and engraving.

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MR. COSTELLO:

Present.

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THE CHAIRMAN:

Jennifer Warren,

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Director of Legislative and Intergovernmental Affairs

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and liaison to the CCAC.

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MS. WARREN:

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THE CHAIRMAN:

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Greg Weinman, senior

legal counsel and counsel to the CCAC.

9
10

Present.

MR. WEINMAN:

Good morning, Peter.

Present.

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THE CHAIRMAN:

Thank you, Greg.

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Brendan Tate, senior government affairs

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specialist, Office of Legislative and

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Intergovernmental Affairs.

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MR. TATE:

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THE CHAIRMAN:

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All right.

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the Mint.

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addressed before we start?

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Present.
Thank you.

And I.d like to begin with

Are there any issues that need to be

All right.

Hearing none, the first

21

order of business for this committee is the review and

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approval of the CCAC minutes and letters to the

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Secretary of the Treasury from our public meeting on

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June 18, 2024.

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documents?

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motion to approve the minutes and letters?

All right.

5
6

Are there any comments on the
Hearing none, is there a

MR. BERNSTEIN:
Bernstein.

This is Arthur

I move approval of the minutes.

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THE CHAIRMAN:

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Is there a second?

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MR. HOARD:

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I can second that, Peter.

This is Kellen Hoard.

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THE CHAIRMAN:

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Very good.

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Thank you, Art.

Thank you, Kellen.

All those in favor of the

motion, please signify by saying .aye..

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MULTIPLE SPEAKERS:

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THE CHAIRMAN:

Aye.

All right.

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any objections to the motion?

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none, without objection, the minutes and the letters

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are approved.

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All right.

Are there
So hearing

Before we begin and move on to our

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first portfolio of the day, I would like to make a few

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comments.

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for all of us attending this meeting for CCAC members

Today is an important and long-awaited day

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and Mint staff alike.

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first portfolios for the circulating dime and quarters

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for the Semiquincentennial celebration in 2026.

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celebration provides, thanks to the United States

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Semiquincentennial Commission Act of 2016 and the

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Circulating Collectible Coin Redesign Act of 2020, the

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first time in generations that we are allowed to

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completely redesign the circulating coinage for 2026,

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something I know that all of us are really very

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11

Today, we began to review the

The

excited about.
Portfolios that we will be reviewing

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today and tomorrow reflect years of diligent work

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seeking input from the public, from specialists, and

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from a CCAC working group, and it is important to note

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that this meeting is yet another step in the process.

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We are providing today feedback on designs of the

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circulating coinage to further hone and perfect those

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that we will ultimately recommend to the Secretary of

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the Treasury later this year.

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And I'm sure it is the hope of all of

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us involved that the designs we do ultimately

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recommend will not just be artistically spectacular

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but will fully represent our exceptional nation, its

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centuries of democratic initiative, and the

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wonderfully diverse citizen body that makes this

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country so great.

5

So let's get at it.

The first portfolio for us to consider

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is the obverse and reverse design candidate designs

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for the 2026 Semiquincentennial dime.

8

Circulating Collectible Coin Redesign Act, which is

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Public Law 116-330, authorizes the redesign of both

As I noted, the

10

the obverse and reverse of all authorized coinage in

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2026 to celebrate the nation's 250th birthday.

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CCAC has already reviewed the proposed penny and

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nickel privy mark or date range for 2026, as the

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designs on those coins will not otherwise be changed.

The

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Today, we will start to review the

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dime, the first two quarter designs, and the half

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dollar tomorrow.

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Hanchock will now present the candidate obverse and

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reverse designs for the 2026 Semiquincentennial dime.

And April Stafford and Boneza

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So April, all yours.

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MS. STAFFORD:

22

And before we start moving through the

Thank you.

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dime portfolios, just a little more background on the

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Semiquincentennial coin program.

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material and information is provided to you to aid in

4

your review today of candidate designs for the dime,

5

the quarters, the half dollar, and the American Eagle

6

Platinum Proof.

7

on these works in progress, as we're terming them,

8

will inform how the candidate designs for the

9

Semiquincentennial coins are further refined, revised,

10

The following

As you noted, the feedback we receive

and developed.

11

Again, background on how we arrived at

12

this moment:

13

2022 by consulting with the U.S. Semiquincentennial

14

Commission, as required by the authorizing act.

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on consultation with the commission and its

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operational arm, the America250 Foundation, the Mint

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developed the Semiquincentennial coin design selection

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process approved by, as again required by the act,

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Secretary Yellen, in October of 2022.

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The United States Mint began its work in

Based

As we move through executing this

21

design selection process, the Mint identified subject

22

matter experts with whom to work, and they included

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representatives from the Smithsonian Institution, the

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Library of Congress, the National Archives and Records

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Administration, and the National Parks Service.

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addition, the Citizens Coinage Advisory Committee also

5

formed a working group to provide input to the

6

Semiquincentennial design development.

In

7

So after considerable collaboration

8

with our subject matter experts and through public

9

feedback required by the act, the Mint identified

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themes for the 2026 circulating coins that celebrate

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America's defining ideals, reflect our shared

12

histories, and inspire civic engagement in the

13

democratic process.

14

So those themes include the following:

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The dime is emblematic of the spark that ignited the

16

founding of our nation.

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depiction of Liberty, and the reverse will explore the

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theme Liberty Over Tyranny.

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The obverse will feature a

The five quarters explore historic

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inflection points across our 250 years, at which our

21

founding principles were espoused and then revisited

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and reasserted in a way that collectively moved our

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nation forward.

2

explore the themes of the Declaration of Independence

3

and the U.S. Constitution, those are two that you'll

4

be reviewing today, as well as Abolitionism, Suffrage,

5

and Civil Rights.

6

will feature depictions of Liberty and/or historic

7

Americans to support those individual themes.

8
9

The reverses for these quarters will

And the obverses of those quarters

And then finally looking to the future,
the half dollar, we'll consider the civic action

10

that's necessary to maintain our republic for another

11

250 years, where an obverse will depict Liberty and a

12

reverse will explore a James Madison quote that calls

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for a participatory and knowledge-based democracy.

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In addition, the coins will be

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connected by several design elements.

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coin in the program will feature a double date, so

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they will bear 1776 through 2026, akin to the

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Bicentennial circulating coins, and also the obverses

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of the circulating coins will amplify one of the

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required inscriptions to reinforce that coin's themes

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and to challenge us as Americans to reexamine the

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meaning behind those required inscriptions.

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First, each

As such,

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the dime on its obverse will prominently feature

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"Liberty"; the quarters, "E Pluribus Unum"; and the

3

half dollar, "United States of America."

4

Lastly, a new three-year theme for The

5

American Eagle Platinum Proof Coin Program will begin

6

in 2026 to coincide with the Semiquincentennial, and

7

this new series called "Charters of Freedom" will

8

explore our nation's founding documents, specifically

9

the Declaration of Independence in 2026, the U.S.

10

Constitution for 2027, and the Bill of Rights for

11

2028.

12

Again, we present these portfolios to

13

you today as a first look and request your feedback on

14

the quality of the designs and the extent to which the

15

various designs explore the themes and concepts for

16

each coin.

17

to rework the portfolios for presentation to you again

18

this fall.

19

Using feedback from these designs, we plan

All right.

Moving on to the dime.

20

Again, the dime's theme is Liberty Over Tyranny, and

21

it will explore the period leading up to and including

22

the American Revolution, as I said before, the spark,

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if you will, that ignited the pursuit of a burgeoning

2

nation's aspirations and ideals, setting the stage for

3

the next 250 years of American history.

4

The obverse designs that you see here

5

will show an image of Liberty, and again, the reverse,

6

the theme Liberty Over Tyranny.

7

inscriptions are "Liberty" -- again, as indicated,

8

artists were asked to make Liberty prominent, a

9

prominent feature of their obverses -- as well as "In

Required obverse

10

God We Trust," and 1776 to 2026.

11

inscriptions that are required are "United States of

12

America, "E Pluribus Unum," and "one dime."

13

The reverse

And as we decided earlier,

14

Mr. Chairman, I will not be reading any design

15

descriptions or anything like that, just moving

16

through the portfolio so we can get right to

17

discussion.

18

So for obverses, we share with you

19

obverse 1, 2, 3, 4, 5, and 6.

20

share with you today are reverse 1, 2, 3, 3A, 4, and

21

5.

22

The reverses that we'll

Back to you, Mr. Chairman.

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THE CHAIRMAN:

April, thank you very

2

much, and thank you, too, for the other important

3

background to the Semiquincentennial coinage program.

4

All right, are there any technical or

5

legal questions from the committee about this program

6

or these designs for the 2026 Semiquincentennial dime

7

before we begin our general discussion?

8

don't hear or see any, so let's begin our

9

consideration.

10

All right.

I'd like to remind members to please

11

try to keep your comments to five minutes or less and

12

to identify yourselves for the record prior to

13

speaking.

14
15

So let me begin with Dr. Christopher
Capozzola.

16

If you would, please, Chris.

17

DR. CAPOZZOLA:

18

morning.

19

off this conversation, and --

Good

So, I have -- I have the honor of kicking

20

MR. CHAIRMAN:

21

DR. CAPOZZOLA:

22

All right.

You do, indeed.
I appreciate that.

Maybe I'll take advantage of that, Mr. Chairman, by

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just saying a couple things about -- about

2

independence and about liberty before we get into the

3

specifics of dimes.

4

THE CHAIRMAN:

5

DR. CAPOZZOLA:

Please do.
And that I think this

6

is a great opportunity for us to -- you know, to mark

7

the moment of the 250th anniversary of independence,

8

which, as I'm sort of thinking about this, is a moment

9

not at which liberty is born, but -- but liberty as a

10

kind of human condition that has been, you know,

11

around from the very beginning, is protected by

12

democratic institutions.

13

And so for me, you know, although the

14

tyranny of -- of the British monarchy was something

15

that the colonists sought to overthrow, and they

16

overthrew it with a liberty that already inhered in

17

them as -- as humans, rather than one -- a liberty

18

that they achieved through the violent overthrow of

19

the monarchy.

20

framing my response to some of the designs that

21

-- that come forward.

22

And I say this as a way of kind of

Also, broadly speaking, I approached

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the -- this -- this portfolio and all the -- the

2

Semiquincentennial portfolios with the sense that

3

these are designs that have to work on circulating

4

coins in the pockets of more than 300 million American

5

people who will bring -- and foreign visitors to our

6

country, and who will bring very varied understandings

7

of American traditions and very different levels of

8

understanding of specific facts in the American past.

9

So symbols that may be very familiar to

10

coin collectors that might work well on -- on other

11

coins or medals, I think, you know, simpler is better

12

is -- was sort of my -- my approach in this, not just

13

aesthetically but -- but in terms of the content.

14

So to that end, on the obverse side, I

15

particularly liked obverse 1 and obverse 2.

Obverse,

16

it's very straightforward, it's very simple.

17

actually feel -- this is -- this may sound

18

oversimplified, but I actually think having the number

19

"250" somewhere on -- on all of the Semiquincentennial

20

coins is important, even if we do have the double

21

date.

22

both the "250" and the double date on the same

I

It doesn't have to be -- in this case, we have

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obverse.

2

I liked 250s when I saw them.

3

That may be too much.

But I -- in general,

And I think number -- obverse 2,

4

aesthetically, I think is really fantastic.

5

artistic merit here is really great and shows to me

6

Liberty as an already existing precious possession to

7

be protected from the incursions of -- of the British

8

monarchy.

9

think, my -- my overall preference.

10

You know,

And so in some ways, obverse 2 may be, I

I thought 3 and 4, which are meant

11

-- which are designed to convey intensity of purpose

12

and determination, might not read that way to -- to

13

people without more information and might just seem

14

sort of unhappy or negative, and so I was less

15

persuaded by those.

16

love Phrygian caps, but again, I don't know how

17

legible those will be to most Americans.

18

know, it's -- the Semiquincentennial dime is a great

19

teachable moment, but of all the things to teach, you

20

know, "What is a Phrygian cap?" might not be the

21

lesson I would -- I would pick.

22

And -- and just briefly on 5, I

And so, you

Moving quickly to the reverse designs,

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again, and I thought sort of, again, simpler is

2

better.

3

you know, reminds people of dimes they've seen before,

4

but it's different, it updates it, feels like 2026,

5

and as long as they -- as long as it's paired with an

6

obverse that conveys the 250th very clearly, I think

7

it could work quite successfully.

8
9

I thought reverse 1 is fantastic.

It both,

I thought, you know, many others are
-- are good and have artistic merit that I'll explain,

10

I -- I did have concerns about 3A and 4, and I will

11

say, it is not easy to evaluate some of these, you

12

know, given what's happened in the country over the

13

weekend and the political violence that we confront

14

today, which is distinct, I think, from the collective

15

sort of political violence that realized our nation in

16

1776.

17

But you know, so I realize I may be

18

biased in looking at 4 this morning in ways that I

19

wouldn't have been even just a couple of days ago.

20

But I would argue against visions -- and -- and I see

21

it in 3A in the crushing of the teapot as well

22

-- visions that -- that highlight violence as the

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source of our -- of our independence.

2

just very last thing, I like, but I -- I would love to

3

hear other people's thoughts on how that would read on

4

-- on a dime in a pocket.

5

And I'll stop there.

6

THE CHAIRMAN:

And -- and 5,

Thank you.

Chris, thank you very

7

much for those comments, and I do appreciate as our

8

resident historian, the introduction that you provided

9

as well.

So thank you again.

10

Arthur Bernstein, if you would, please.

11

MR. BERNSTEIN:

Good morning from

12

Cleveland, Ohio.

13

happy to share my thoughts about these preliminary

14

designs.

15

This is Arthur Bernstein, and I'm

I -- as Chris said, I -- I -- design 2,

16

obverse 2, I thought was very expressive.

I -- I felt

17

there was a feeling of -- there was a feeling of

18

steadfastness in the look of Lady Liberty, and I found

19

that to be my favorite design.

20

thought had an intensity of purpose, her -- Lady

21

Liberty staring forward, and I found this to be a very

22

compelling option as well.

Obverse 3, also, I

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Obverse 6, which may have been

2

overlooked by some because it was not in the original

3

document we received, obverse 6, I thought, had a nice

4

balance, and I appreciated the -- the torch, which I

5

think is a call back to the previous design of our

6

dime.

7

On the reverses, again, reverse 1 has a

8

torch, which -- which I find compelling.

Obverses

9

-- excuse me, reverses 3 and 3A I found to be just too

10

busy.

And with regard to 3A and reverse 4, I echo

11

Chris's comments with regard to sensitivity towards a

12

display of political violence.

13

Thank you.

14

THE CHAIRMAN:

15

very much for your comments.

All right.

Thank you

16

Annelisa Purdie, if you would, please.

17

MS. PURDIE:

18

Good morning, everyone.

19

Annelisa Purdie.

20

as brief as possible.

21
22

Thank you, Mr. Chairman.
This is

I will also try and keep my response

One of the main considerations that I
had when looking through this portfolio is the fact

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that these are circulating coins versus commemorative

2

medals and the impressions of those who will have them

3

in their pockets or will collect them on their own and

4

how they would approach these designs.

5

For the obverse, I am also leaning

6

toward design 6 in the fact that it's very engaging

7

with the viewer.

8

concept of Lady Liberty engaging with the person who

9

is holding the dime, and the fact that it embodies the

I like the perspective, I like the

10

sense of Liberty calling back to previous designs

11

while also updating it for something that someone

12

would also find appealing.

13

on Lady Liberty's face.

14

between serious but also engaging and affecting.

15

I also like the expression

It seems to strike a balance

I also was fond of design number 2, as

16

has been previously stated, in the sense that this

17

spark can easily be -- have different perceptions of

18

Liberty depending on how people think about it, but

19

her expression, too, is very introspective, and it's a

20

reminder of something that we should all -- even as we

21

look at these dimes.

22

For the reverse designs, I am drawn to

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design number 3, was my preference with the eagle.

2

do have some concerns about the activities with the

3

stars surrounding the eagle in terms of busyness, but

4

I do like the concept.

5

emphasizing the 250 years and the fact that the eagle

6

is still holding these arrows with his talons, again

7

harkening back to previous designs.

8
9

I

I like the banner, again,

And for design number 6 on the reverse,
I do like the concept.

I think that possibly because

10

of the way that the torch is constructed, that could

11

be tweaked a little bit.

12

the design and the way that everything is positioned

13

well with the "E pluribus unum."

14

how also that could fit, because the dime is very

15

small, about visibility and whether that would be

16

something that's easy to see on first glance, but I do

17

think that it's very impressive.

18

I also like the flames breaking the yoke of tyranny,

19

and I think it works very well.

20
21
22

I think it's very clever,

I'm just wondering

I like the border.

And that's it for me.

Thank you very

much.
THE CHAIRMAN:

Thank you very much,

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Annelisa.

2

Kellen Hoard, if you would, please.

3

MR. HOARD:

4

As I looked through the dime portfolio

Yeah.

Thank you.

5

and specifically all of the portfolios, I was really

6

looking for kind of three metrics here.

7

because these are circulating coins, I was looking for

8

some level of visual continuity.

9

the exact same aesthetic.

10

One was

It didn't have to be

In fact, I think that's

part of what we're doing here is moving beyond that.

11

But for the public to be able to

12

recognize easily "This is a United States coin" in

13

line with what they understand as money, because that

14

really is a common language that -- that they're used

15

to, and so I think we're in that transition phase.

16

There's some level of visual continuity.

17

I was also looking for thematic

18

clarity.

You know, we see with each of these that

19

there's kind of a very specific intentional approach

20

of what a coin's actually supposed to be saying, and

21

some designs in this portfolio and other portfolios

22

are better expressed, I think, the -- the theme that

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we're going for, than others.

2

lens I was looking through.

3

So that's the other

And finally, artist fit, actually

4

understanding not only that this is art on a coin,

5

which is a specific kind of art, but also what coin

6

it's on.

7

going to be a different thing to me.

A dime or a quarter or a half dollar is

8
9

So when I look at the dime, for the
obverses, my standout favorite is design 1, far and

10

away.

The clear -- there's a clear visual continuity

11

with the Roosevelt dime, which is a modern coin the

12

public understands.

13

we see some of these historic, like, Coronet Head

14

types, which I think would be popular with collectors.

15

This is a familiar language to them as well.

16

has, to me, thematic clarity.

17

cohesive expression of this anniversary.

18

But at the same time, you know,

It also

It's an explicit but

Like Chris, I like "250 years," whose

19

depiction of Liberty is -- is graceful, it's

20

confident, it's capable.

21

exactly what we're going for here.

22

artistic fit.

It is thematically, I think,
And it also has

The dime is, like, just under 18

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millimeters with -- you know, we need kind of clear,

2

undemanding design elements, and this is what we have

3

here, but it still evokes this aesthetic pleasure, so

4

I think it kind of combines all three.

5

To me, design 2 lacks that clarity or

6

continuity or fit, and I was also with Chris that

7

design 3 and 4 -- I think, rather than reading resolve

8

or intensity, I found anger and contempt in the faces,

9

and I think the public would, too.

10

I lost thematic

clarity there on both 3 and 4.

11

Design 5 certainly has, I think,

12

artistic merit.

13

young people might not resonate, again, with the cap

14

or just the very hyper-classical design, and I'm

15

-- but I'm most hesitant about its artistic fit with a

16

dime.

17

not read well on a coin that small, and also, we just

18

have such a great choice in obverse 1.

19

I'm a little hesitant that maybe

I think it's a -- it's a -- a piece which might

I would be more inclined, if anything,

20

to place it on the obverse of the Declaration of

21

Independence quarter.

22

out really well there.

I think that this would turn
Its classical designs align, I

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think, with the Founding Fathers' admirations

2

themselves of the classics and how Liberty kind of

3

manifested from those ideas on a -- on a value level.

4

So I would appreciate later this year seeing this

5

design in that portfolio for our consideration of the

6

Declaration of Independence quarter just for our

7

future conversation.

8
9

Design 6 I like if the sun behind her
is removed to increase the negative space.

I think

10

the sun's unnecessary there.

11

this is -- has too many complex and tiny design

12

elements for that 18 millimeter dime.

13

design, I really like it, but I think it would not

14

turn out well on the dime itself.

15

would be, again stunning as a quarter, and so I'd love

16

to see this one on the Constitution quarter in that

17

portfolio later this year if possible.

18

But again, I think that

It's a cool

And I think it

Liberty, to me, is, you know, clearly

19

here carrying on that torch from our founding document

20

in the 1780s until today.

21

there.

22

quarters have had so many innovative quarter reverses,

There's thematic clarity

And I think in the last several years, because

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we -- Americans are familiar enough with dynamic

2

quarter designs.

3

continuous for them on a both artistic and design

4

level.

5

Constitution quarter obverses later this year for our

6

consideration, but not quite yet on the dime.

This one might be visually

So I'd love to see this one in the U.S.

7

For the reverse, I believe, really, a

8

lot of them don't quite artistically fit with the dime

9

denomination.

Some of them just have really complex

10

design elements that I think, again, turned up kind of

11

poorly on that really small piece, and some are a

12

little aesthetically over the top in ways that I think

13

might be misinterpreted by the public.

14

To me, the design closest to our aim is

15

reverse 1.

Like Chris, I really like the pairing of

16

obverse 1 and reverse 1.

17

really symbolizes kind of this durable, steady

18

persistence of Liberty Over Tyranny.

19

visual continuity with the torch on the reverse of the

20

Roosevelt dime but revitalizes kind of that old, tired

21

design by bringing the torch literally closer to the

22

viewer, shining the light, basically, in their face

I think it's a design which

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and asking them, you know, "What's your role in

2

preserving liberty at this point?"

3

cleans things up.

4

artistically with both the simplicity and size of the

5

design and with the obverse 1.

6

And it -- and it

It has thematic clarity, it fits

If I was to give a little bit of

7

feedback, I might even encourage them to go simpler,

8

to go for impact, to have confidence in the quiet,

9

persistent strength of this design, and I'd appreciate

10

seeing an option later this year, like, an additional

11

one, which excludes either the chains or the stars or

12

both, maybe, I think, especially the chains.

13

it would not only create a negative space, which would

14

be nice and would remove crowding in there, but even

15

removing both I think would just be an impact

16

statement.

17

I think

I actually -- I went into Microsoft

18

Paint and I erased the stars and the chains just to

19

see what that would look like, and it looks

20

phenomenal.

21

later this year without that option just for, again,

22

consideration, because I think, you know, with a

And so I'd appreciate seeing one formally

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-- with a statement as bold as this one or as -- as

2

clear and concise as this one, that would really be

3

quite powerful.

4
5

And that's all I have to say.

Thank

you.

6

THE CHAIRMAN:

Thank you very much.

7

Sam Gelberd, if you would, please.

8

MR. GELBERD:

9

This is Sam Gelberd.

Thank you, Peter.
I do echo a lot

10

of the similar sentiments of members who've already

11

shared their thoughts today.

12

obverse 2 is my definite favorite with obverse 1 being

13

a very close second, again, primarily because of the

14

simplicity of obverse 1 and its similarity to the

15

current Roosevelt dime.

16

of people would be able to latch onto.

17

The obverse, I think

I think it's a design a lot

Sometimes we're -- when we see change

18

with our change.

I think it would still resonate very

19

well with the public as well as if it were coupled

20

with reverse 1.

21

need to consider here with as we're considering the

22

obverse, we cannot separate which reverse it would go

I think that's something we really

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with.

2

With that being said, obverse 2, I

3

think it really does kind of tie in well with reverse

4

4.

5

revolution and showing the minuteman, albeit a bit

6

violent as a theme, I can understand that, but it also

7

shows the urgency, you know, a lot of farmers that

8

were, you know, thrust into revolution and standing up

9

for the ideals of the early colonists.

10

If we're talking about a spark that ignited the

I just think

it would really resonate well.

11

Some of the designs we've had on our

12

dimes over the years have been a little bit busy with

13

the reverse.

14

several elements on there.

15

dime reverse, even though there's a torch, you still

16

have some other elements, but they do still translate

17

somewhat well to circulating coinage, so I think that

18

would be all right.

19

The Mercury dime reverse, there's
Even with the Roosevelt

Obverse -- obverses 3 and 4, I do

20

understand, yes, the intensity, but yeah, I don't

21

think they'll read as well.

22

somewhat mean, not necessarily the purposeful that I

They do come off as

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think that we were really going for.

2

Obverse 5, yes, Phrygian caps are

3

great.

I -- I don't think it would read as well, a

4

little bit busy, but I do love the -- the hair, the

5

-- hair as well as the sunburst design.

6

think it could work as well.

7

of that on a dime.

8

design.

Obverse 6, I

I do like the direction

That would be a pretty decent

I would be okay with it.

9

With some of the other reverses, the

10

-- the eagles, I am a fan of eagles on coins, of

11

course.

12

number 3 as well as "one dime" on -- on 3A.

13

5, interesting, maybe with some changes, but yeah,

14

that would be an interesting one to see as well.

15

again, I'd have to go with obverses 1 and 2 as the

16

directions I really want to see us head in, and for

17

the reverse, obverse 1, very, very clean, as well as

18

obverse 4.

I like the font of "one dime" on reverse

19
20

THE CHAIRMAN:

Wonderful.

Reverse

Sam, thank

you very much.

21

Mike Moran, if you would, please.

22

MR. MORAN:

Thank you, Peter.

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This is Mike Moran.

First of all, I

2

want to compliment April, her staff, and the Mint for

3

what I think is a really strong portfolio across the

4

-- the dimes, the two quarters, and the half dollar.

5

They're excellent.

6

general comment here before I launch into my review on

7

the dime.

But then I also want to make a

8

Some of the designs in the portfolio

9

are overtly in a style best described as comic book

10

art.

11

design portfolio.

12

inappropriate for our circulating coin celebrating our

13

250th anniversary.

14

artistic concept that is experimental and has yet to

15

prove that its style will stand the test of time.

16

Furthermore, they will shock the large majority of the

17

American public.

18

I'm opposed to their inclusion in the final
In my opinion, they're

This is the wrong place to push an

Some ten years ago, a subcommittee that

19

I chaired included Donald and Jeanne as members,

20

recommended an art medal program.

21

reason, the Mint shelved this proposal.

22

would be ideally suited to explore the concept of this

For whatever

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new style before rolling it out on a permanent basis

2

in our circulating and commemorative coinage.

3

support a reconsideration of the art medal program for

4

this specific purpose.

5

I

Now, as for the dime, I really

6

approached this from things that I saw that were

7

problems with these designs as opposed to selling on

8

one in particular, feeling like I'd like to have one

9

more bite at that apple after we got the designs

10

refined.

The outburst designs, I think, are all good,

11

worthy of inclusion in the final package.

12

that the design obverse 6 would be better on a

13

quarter.

14

pushing it.

I do agree

It might work on a dime, but it's -- it's
It'd be much better on a quarter.

15

I find the phrase "250 Years" is a

16

redundant inscription given the dual date and the

17

-- and particularly troublesome to include on the

18

dime.

19

have -- are cluttered, particularly given the coin

20

size.

21

with the symbolism.

22

It should not be there.

Reverses 3, 3A, and 4

Also, I think reverse 4 tries to do too much

I dislike the use of "tyranny" on

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reverse 5.

To me, it's a needless inscription and

2

better to use such a device as a broken chain in its

3

place.

4

torch is constructed is really brilliant.

5

that.

However, I also do think that the model as the
I like

6

Those are my comments, Peter.

7

THE CHAIRMAN:

8

much for that.

9
10
11
12
13
14

Michael, thank you very

Much appreciated.
Dr. Harcourt Fuller, if you would,

please.
DR. FULLER:

Thank you.

This is

Dr. Harcourt Fuller.
Thank you, Mr. Chairman.

Greetings

from Atlanta, Georgia.

15

Let me just first say that it -- it was

16

and it is an honor to -- to be a part of the team that

17

is reviewing these designs that speak to the past,

18

present, and future of our great country, and I always

19

enjoy our discussions about these designs because I

20

think we all have different ideas, different

21

expertise, different opinions about designs, and these

22

discussions, I think, lead to a -- a better outcome,

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so it's just an honor for me to serve on this

2

committee.

3

I think that as far as the -- the

4

obverse designs are concerned, I really like 1, and I

5

must say, I'm glad that Chris went first because I

6

think he really laid it out quite well in terms of the

7

symbolism, the history, and the significance of these

8

designs.

9

colleagues that number 1 is a great design.

So I definitely agree with most of my
I think

10

that it's very -- it's very direct, it -- it pops, and

11

I think that a lot of people will -- will like this

12

design.

13

I also want to give some credit to

14

obverse 6.

I -- you know, I think that it's -- it's

15

just -- if -- if you're looking at the -- at the coin,

16

as one of my colleagues said, you know, Lady Liberty

17

is staring back at you.

18

strong design, and -- and so I'll -- I'll give it, you

19

know, due consideration.

I just think that it's a very

20

Moving on to the reverses, I really

21

like reverse 2, and I also like reverse 5 as well.

22

And those are my comments.

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1
2

THE CHAIRMAN:
very much.

3
4

Jeanne Stevens-Sollman, if you would,
please.

5
6

Dr. Fuller, thank you

MS. STEVENS-SOLLMAN:
Mr.

Thank you,

Chairman.

7

This is, indeed, a very interesting

8

portfolio, and I agree with my colleagues in most

9

things, and I'm -- I'm very happy that Christopher

10

went first.

11

If I can speak to obverse 1 -- yes.

I

12

-- I liked his comment about the 250 years on -- on

13

her headpiece.

I also think it's interesting to note

14

her hairstyle.

It's very contemporary, this design is

15

very simple, and I think it would work well.

16

However, my favorite is design number 2

17

because -- the spark was what intrigued me.

18

that this is -- says something about the creativity of

19

the artists who, you know, incorporate this concept,

20

so I -- I love this one very much.

21
22

I think

And the -- number 3, where she
-- Liberty is so determined, I -- I kind of -- she's

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determined but almost angry, and maybe -- maybe in

2

1776, she needed to be angry, so I do give some points

3

to her.

4

translate correctly in a benign Liberty.

5

-- what number am I at?

6

number 4?

7

-- little bit too determined and angry.

Number 4 I just don't think is going to

Yeah.

8
9

This is 3.

I mean

Can we get to

Yeah, I think she's just a little

And when we go down to number -- where
are we, 6?

Can I go to 6?

I like this very much.

10

However, I think the design is a little too

11

complicated, and I do agree with Annelisa where she

12

says that the starburst could maybe be eliminated, and

13

I think that Liberty could actually be -- this design

14

could be on the obverse of a quarter.

15

a good design.

16

number -- number 2 is my favorite.

17

I mean, this is

So my total preference is, you know,

Going on to the reverse, I like reverse

18

number 1 because it is very simple.

I would like to

19

see the elimination of the stars.

20

complicated.

21

the chain and the fact that it is a breakaway from

22

tyranny, and maybe that would be a good design

It makes it too

I don't think we need it.

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element.

As far as number 5, we could go down to

2

number 5 where I don't know if "tyranny" is going to

3

read correctly.

4

about that.

5

good for this particular size of coin.

6

I think we have to sort of think

It's a good idea, but I don't think it's

And number -- number 4 is just too

7

busy.

8

great on a medal, and I do agree with Michael Moran we

9

should, you know, begin to think about medallic art.

10

I think the concept is great.

So some of these designs could be used for that.

11
12

I'm sorry about my dog in the
background.

13
14
15
16

It would be

She hates the phone, by the way.
Those are my comments.

Thank you very

much.
THE CHAIRMAN:

All right, Jeanne.

Thank you very much.

17

Donald Scarinci, if you would, please.

18

MR. SCARINCI:

19

And thank you, Chris, for really

Thank you, Peter.

20

setting the -- setting the stage for what we're going

21

to be doing today and tomorrow and what we're going to

22

be talking about, you know, for the -- for the next

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several meetings, which is the foundation of America.

2

And you know, in America, nobody took hostages, nobody

3

raped women and played catch with their severed

4

breasts.

5

population as human shields.

6

things.

7

Nobody built tunnels and used the civilian
Nobody did any of those

In America, we dump tea into the water.

8

We refuse to pay our taxes.

And only after the

9

British refused to talk and the talking stopped and

10

they sent troops instead did people bear arms, and

11

-- and even then, it was soldier-to-soldier fighting.

12

And so it was a fierce war, but it was

13

soldier-to-soldier.

14

in this country.

15

And I think that's our tradition

I think that, you know, with respect

16

to, you know, the specific designs, and I think -- you

17

know, that tradition is something that I think this

18

whole program and the coins -- the coin designs

19

represented demonstrates, by the way.

20

removing the dead presidents from our coins is long

21

overdue.

22

and you know, trying to put some -- you know, create a

I think that

It's been over 100 years of dead presidents,

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new American renaissance with new versions of Liberty.

2

Liberty characterized in new and 21st century ways

3

that school kids can identify and relate to is -- is

4

really the most important thing, you know, that this

5

portfolio does.

6

And I, you know, I -- I think that, you

7

know, the Phrygian cap, I -- I mean, let's just pull,

8

you know, any -- any -- let's pull anyone and see if

9

they even know -- other than -- other than the people

10

in this -- you know, real collectors know what -- know

11

what the origins of a Phrygian cap were and why -- you

12

know, why it existed in our first coins and why they

13

existed in the French Revolution coins of the same

14

period.

15

You know, I think we need to get rid of

16

the -- you know, I -- you know, I -- I don't mind the

17

-- the new style.

18

the new, but you know, I -- I would kill the -- you

19

know, on all the -- on all the images of women, I

20

think we're in the right church but the wrong pew;

21

right?

22

don't know what we're doing with the hair pieces, but

I mean, I think we need to embrace

I think the hair -- the hair pieces, I -- I

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I think they all have to go.

2

I think if -- I think I'd love to see a

3

portfolio that, you know, didn't have these crazy hair

4

things on -- on all the -- on all the women and,

5

instead, you know, focused on women not dressed in

6

what looks like armor or, you know, something from

7

Wonder Woman in O2, you know, but -- you know, just in

8

a -- in a regular way.

9

flowers in O2.

10

I mean, we don't need the

I happen to like O1, you know, but

11

again, you know, the -- the headdress looks like

12

something you would see in Savannah, Georgia for some

13

Bachelorette party, or you would see it in New

14

Orleans.

15

just -- I think you've got to just kill this headwear

16

on -- on -- you know, on these depictions of Liberty.

17

I mean, you know, you know, it just -- it

Number 6, I -- number 6 just reminds me

18

of the next generation coins, and the public spoke

19

about the -- what they think about our next generation

20

of commemoratives; right?

21

didn't buy them.

22

you know, this is just way too small for the reverse

They didn't like it.

They

So I -- I think -- and for a dime,

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of a dime, anyway, so we don't really even have to

2

talk about it.

3

So I -- you know, I think -- I think

4

that -- you know, that what we're -- what we're doing

5

today, right, and correct me if I'm wrong, when we

6

score, Peter, I think we're just going to score not

7

for design selections, but to tell you our

8

preferences, you know, or are we just merit scoring

9

today and you're going to come back with new design

10

-- a new design portfolio in the future?

11

So maybe I -- I need a clarification on

12

that a little bit, you know, because I'm a little

13

confused, and the agenda for today, you know, didn't

14

-- didn't have the dime on it.

15

old agenda or that agenda was replaced with some new

16

agenda because we're talking about the dime.

17

-- I could use some guidance on that, Peter.

18

THE CHAIRMAN:

So I guess I have an

All right.

So I

Thank you,

19

Donald.

Yes, so we will be scoring the portfolios

20

today, but these scores will be used, essentially, to

21

indicate which of the designs we, as the committee,

22

feel essentially make the grade and those that should

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essentially go forward to a portfolio in the fall.

2

And those that do not do particularly well with the

3

scoring then will essentially be dropped potentially

4

from those future portfolios.

5

MR. SCARINCI:

Thank you.

6

THE CHAIRMAN:

So you know, again,

7

those designs that you feel should go forwards, you

8

know, score high, and those that you feel should not,

9

then give them low scores.

10

MR. SCARINCI:

Thank you.

11

THE CHAIRMAN:

All right.

12

John Saunders, if you would, please.

13

MR. SAUNDERS:

14

This is John Saunders.

Very good.

Thank you, Peter.
I wanted to

15

make a couple of comments about Liberty too, that

16

-- since we started out with that and also Liberty

17

being the super theme or the -- the emphasis of the

18

dime.

19

If you remember, in 1776, America was a

20

nation primarily of farmers, very independent, many of

21

them going out and homesteading, creating their own

22

farms.

They were looking for freedom not just from

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the British Government, but freedom from people

2

telling them what to do and freedom to live their

3

lives as they chose, so I -- I think freedom has a

4

broader concept than just the fight against England,

5

but of course, that being very important.

6

Getting into the design features, I

7

like the good things about -- that's been said about

8

obverse 1.

9

dime looks like today.

It, you know, kind of looks like what a
It -- it's got a lot on it,

10

but it doesn't seem too busy.

11

expression of Lady Liberty I don't particularly like.

12

I'm not quite sure what it is, but it just -- it

13

doesn't totally appeal to me.

14

Something about the

Design 2 I think is an attractive

15

design.

It's got a lot on it for a dime, though, a

16

lot of detail in the hair, a lot of detail in the

17

dress, but I -- I still like it.

18

little bit less.

19

-- determination's one thing, but it looks -- it

20

really looks angered.

21

appropriate for the coin.

22

awfully wide truncation of the bust between the front

Two things:

Design 3 I liked a

I think it's

I see that.

I'm not sure it's

And it seems like an

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and the back, the truncation, I mean, almost like it

2

would have to be a huge person to have truncation like

3

that, so I -- I didn't favor one.

4

Design 4 I find very interesting, the

5

design.

What I don't like is the expression on Lady

6

Liberty's face.

7

I was in real trouble.

8

get it now, kid," so -- but I do like the way it -- it

9

sets up with the -- the legends and Liberty.

It kind of looks like my mother when
She was like, "You're going to

10

hairstyle's fine.

11

and the fancy hairstyle, unlike Donald.

12

5:

And the

I don't -- I don't mind the caps

5 is still -- is -- is fairly nice.

13

I don't really object to the Phrygian cap.

14

like the incuse Liberty to emphasize it, but it

15

wouldn't be one of my -- my favorites, but I don't

16

dislike it.

17

people have said.

18

would be simpler with more negative space without the

19

-- and without the sun behind it, and also maybe

20

suitable for a larger coin.

21
22

I kind of

And 6, I kind of agree with what other
I like the design.

Going on to reverses.

I think it

Reverse 1, I

agree with what Kellen and Jeanne have said.

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little too busy, but it's -- the basic elements are

2

great.

3

different than they said.

4

stars and/or the stars and chains, I would eliminate

5

the stars where they are and put stars, maybe three

6

stars on each side where the chains are.

7

the stars -- we eliminate the chains, and we have

8

three stars on each side there.

9

I like design 2.

I -- I would suggest something a little bit
Rather than eliminating the

So you have

It is a little bit

10

busy for a dime, but I still like it.

11

like, but I agree with what was said earlier.

12

little bit too busy.

13

where you don't have the -- just have the simple "one

14

dime" below the eagle, but you don't have the teapot,

15

either.

16

teapot was, and I realized Boston Tea Party, maybe tea

17

being symbolic of Englishmen.

18

teapot on there, but if you have just the eagle of 3

19

above the "one dime" of 3A, I think that makes a lot

20

of sense.

21
22

Design 3 I
It's a

You kind of merged 3 with 3A

It took me a while to figure out what the

4:

But I didn't like the

I also find it too complicated,

particularly for a dime.

I -- I realize that the

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symbol of the earthquake is -- they're talking about

2

splitting the nation apart, which it did.

3

living in California, the first thing I said, "What's

4

the earthquake doing there?"

5

too busy, anyway.

6

However,

But I -- I think it's

On design 5, I agree with what Jeanne

7

said.

8

me a while to look at it and figure out that was

9

tyranny.

10
11

I -- I like Old English lettering, but it took

And you know, the average person looking at

it quickly, I don't -- I don't think would do it.
I kind of like how -- the E pluribus

12

unum torch thing.

13

that design someplace else.

14

have it breaking tyranny.

15

for -- necessarily for the dime, though, if you got

16

rid of the "tyranny" and just had the -- the torch

17

being held up with the rest of the design there, I

18

think would probably be an acceptable design.

19

I don't know whether we can use
I'm not sure we want to
Again, I don't think it's

I'd also like to mirror what a couple

20

other people said is to complement the -- the Mint and

21

the Mint artists for particularly the dime portfolio

22

and portfolio in general.

I -- I think it's a

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situation where we really can't make too bad a choice

2

here.

3

like better than others, and -- and again, with

4

perhaps a little change in expression with

5

Ms. Liberty, good designs, so thank you all.

You know, it's all pretty nice stuff.

6
7

THE CHAIRMAN:

John, thank

you very much.

8
9

All right.

Some I

For my own comments, like many of my
colleagues, I do find this design, obverse 1, to be a

10

really rather strong and compelling design.

11

I found this rather reminiscent of Charles Barber's

12

design for the nickel that appeared between 1883 and

13

1913.

14

riffs, it seems, on that design, and I think that this

15

would certainly work.

16

In fact,

There are certain elements and compositional

Design obverse number 2 is a beautiful

17

design.

It has sort of a pre-Raphaelite quality to

18

it, which I found really quite interesting and just

19

lovely.

20

too lovely in a way to appear on the coins.

21

you know, dynamic portrait or dynamic representation

22

of Liberty, and I did like the dynamism of this, but

I do wonder, though, if it is just a little

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again, it just seems, perhaps, a little too intense, a

2

little too angry.

3

bust truncation is a little strange in that regard.

4

And as John noted, I think that the

4 to me seemed to be a bit of a riff on

5

the Peace dollar, the 1921 Peace dollar.

6

of the same compositional elements.

7

representation of Liberty here seems, perhaps, a

8

little too young and girlish and angry also at the

9

same time.

10
11

It has some

The

And while I like the image to some degree,

I'm not sure if it's suitable in its current form.
5:

I didn't read this so much as a

12

Phrygian cap, as rather a helmet, a -- in fact, this

13

representation of Liberty here looks much like the

14

helmeted Athena that appears on a lot of classical

15

coinage, and if so, this would be the very first time

16

that we would have a helmeted Liberty as a

17

representation on our coinage.

18

And you know, as Kellen and some others

19

have noted, I think that this could possibly work on a

20

quarter rather than a dime.

21

image, but again, one thing we'd want to consider is

22

just the symbolism of the helmet and just, again, the

It is an interesting

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way that this, in a sense, ties into that

2

representation of Athena on classical coinage and

3

whether or not that would be appropriate.

4

We saw number 6, or at least a version

5

of that earlier in a portfolio some months ago in the

6

American Liberty portfolio, and at that time, even

7

though I do find this to be a rather strong and

8

engaging image, one thing that worries me in this case

9

is the fact that Liberty is holding arrows, which

10

really would be the very first time Liberty is

11

represented holding arrows.

12

Of course, the eagle, as Annelisa did

13

note, that appears on the reverse of much U.S.

14

coinage, does typically hold a cluster of arrows, but

15

in this case, I think the symbolism is a little

16

confused in the sense that, you know, the arrows are

17

not really an attribute of Liberty and also adds a

18

decidedly martial quality to her, and I'm not sure if

19

that is necessarily the direction we want to go.

20

In terms of the reverses, I think that

21

number 1 is perfectly suitable and certainly works.

22

My only reservation about this is that we've had a

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torch on the reverse of the dime since 1946, and it

2

might be time to have something else, at least for a

3

brief moment.

4

fantastic dynamic design.

5

the favorite, and I think paired with obverse number 2

6

would make a really rather interesting combination and

7

again would be a very dynamic obverse and reverse

8

combination.

9

Number 2, I think, is really a
This, for me, actually was

3 and 3A I found just too cluttered,

10

and in some ways, it's just too reminiscent to a lot

11

of 19th century eagle reverses, such as those that

12

appear on the seated Liberty quarters and others, and

13

I'm not a fan of the broken teapot, and I'm certainly

14

not a fan of minutemen on coinages.

15

there have been far too many minutemen that have

16

appeared on U.S. coins over the years, and I don't

17

really find it to be a particularly interesting image.

18

And I'm, like John, a little disturbed and concerned

19

about the earthquake appearing, you know, between this

20

figure's legs.

21
22

I think that

And finally, the final reverse design I
really found to be quite interesting.

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that the "E Pluribus Unum" here is being used as the

2

torch handle.

3

like the way that the inscriptions "United States of

4

America" and "one-dime" are presented.

5

tyranny bands I'm not so fond of, partly because I

6

think it would be very difficult to read what that is

7

on the dime, but also, as I believe Mike mentioned, I

8

don't really think it's necessary to have the word

9

"tyranny" on the coinage.

10

I think that that's very clever.

I do

The broken

So that's what I have to say.

Having

11

said that, are there any other questions or comments

12

from the committee at this time?

13
14

All right.

I see somebody has raised

their hand, but I can't see who it is.

15

Chris, if you would.

16

DR. CAPOZZOLA:

Sure.

So just another

17

bite at the apple, and thanks to everyone for their

18

-- their comments along the way.

19

little bit about process and if this is something, you

20

know, since we will see these again, if there are ways

21

of communicating things we might want to see.

22

example, I'll just toss out 3, which people could

I'm wondering a

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concur with or not.

2

obverse 2 if there's a -- if there's a version with

3

the -- the head reversed so that it sort of aligns

4

more with the historic pattern of -- of the heads on

5

the obverse of dimes in our history.

6

You know, one -- we could ask for

A second would be maybe we would want

7

to see reverse 4 again but with the traditional Daniel

8

Chester French pose of the statue rather than the

9

soldier, you know, taking up arms.

And it -- but I

10

think the one I would really push for, I think a lot

11

of people were really interested in 5 but thought

12

maybe the banner doesn't work or it's too small for a

13

dime, and maybe, you know, rather than just sort of

14

-- you know, we could just invite another view of it

15

in some -- some point in the next meeting.

16
17
18

THE CHAIRMAN:

All right.

Thank you,

Chris.
And -- and again, just to reiterate,

19

what we are doing today with the dime portfolios and

20

the quarter portfolios, especially, is just to provide

21

critique and criticism and possible paths forward for

22

the designs in these portfolios and to also indicate

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those that, perhaps, shouldn't go forward, and those

2

that should go forward but, perhaps, with some

3

modifications.

4

So John, your hand is raised, I see.

5

MR. SAUNDERS:

Yes, I'm kind of along

6

the same ways as Chris.

I would suggest that we score

7

it as is and then maybe have a second column saying

8

this is what I think it would score if we did a

9

suggestion to it.

Again, I like reverse 1, but I

10

-- I'd like it with the stars eliminated or the stars

11

moved to the side.

12

So that -- that's the number one thing

13

I had to say that it's -- it's -- I think it's a place

14

to make comments as well as just to give -- make a

15

score.

16

in by email.

And then Greg had asked that everybody send it

17

Greg, would you bear with me and take a

18

text from me, because I don't have email capacity from

19

my house.

I can email it to you --

20

MR. WEINMAN:

Sure, no problem.

21

And if I can make a comment on that.

22

THE CHAIRMAN:

Yes, please.

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MR. WEINMAN:

It would be significantly

2

easier for me not to add a column and just vote for it

3

and then have a conversation about it, because

4

otherwise it's -- that'll -- we don't -- our system's

5

just not set up for that very well.

6

THE CHAIRMAN:

7

MR. WEINMAN:

Okay.
I'd prefer -- I'd prefer

8

just to score or not score the design as it is and

9

then have a conversation that follows from it.

10

THE CHAIRMAN:

And -- and again, in

11

terms of the process, so we will be scoring today, but

12

Greg will present the scores tomorrow.

13

MR. WEINMAN:

14

THE CHAIRMAN:

Yes.
So after we are finished

15

with the discussion on the dime, the two quarters, and

16

then the half dollar tomorrow morning, we will then

17

have a discussion where Greg will present the scores

18

and we can continue with the critique.

19

So we will score today, but we will not

20

have the scores presented to us today, but rather

21

tomorrow where we will continue this discussion, so

22

-- and the other concern that I have about presenting

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scores or presenting comments on the sheet is that I

2

-- I think it's best that we keep these comments on

3

the public record as much as we possibly can, and that

4

is also, I think beneficial for the Mint staff as

5

well, just to hear our comments as we go along.

6

MR. WEINMAN:

7

THE CHAIRMAN:

8

Agreed.
Any other comments,

then, on this dime portfolio?

9

MR. MORAN:

Peter, this is Mike Moran.

10

THE CHAIRMAN:

11

MR. MORAN:

Mike, please.

For a change, I actually

12

wrote my comments up ahead of time, and -- because I

13

felt like that the -- for the Mint staff, they either

14

have to wait for the transcript or take notes, and you

15

can lose some of the give and take in taking the

16

notes.

17

available to April and her staff.

18

they wrote theirs up, I think it would help.

19

I'm certainly willing to make my write-up

THE CHAIRMAN:

Anybody else, if

All right.

We do have a

20

bit of time left.

We are quite a bit ahead of

21

schedule, so one suggestion is, perhaps, that we just

22

move through each one of these designs individually,

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and we can just make some comments on them in the time

2

that we have remaining, and then we can score, then

3

take a break and move on to the next portfolio.

4
5

So April, would you like to just set it
up so we can move through these designs individually?

6
7

MS. STAFFORD:

So in the

remaining -- although I do see Kellen's hand is up.

8
9

Absolutely.

THE CHAIRMAN:

Yeah.

Kellen.

Yeah.

So Kellen, please.

10

MR. HOARD:

Thank you.

This is Kellen

11

Hoard.

I was -- I really have no problem with that.

12

I was just going to say, though, just for use of time,

13

I didn't think we necessarily needed to move through

14

these individually since we -- we kind of did just go

15

through them, and I'm not sure how much new commentary

16

we could add just by going one by one by one by one.

17

I -- I like the idea of providing some more nuance

18

because, again, I know we had different suggestions

19

about things, but I just didn't know what utility

20

there would be in -- in going through them again.

21
22

THE CHAIRMAN:
you for that.

All right.

Well, thank

Let's just move through them quickly,

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then.

2

does seem to be general agreement that this is a

3

fairly successful design, it certainly could work.

4

Any other additional commentary on that?

5
6
7

I think, you know, for this first one, there

Although Donald, I know you were not a
fan of the hairband.
MR. SCARINCI:

No, I -- I think -- I

8

think we need to -- I think the hairband is -- looks

9

kind of ridiculous.

10

THE CHAIRMAN:

Thank you.

11

Mike, your hand was up.

12

MR. MORAN:

I'm going to reinforce

13

Donald on that, particularly because it's my pet

14

peeve, it's got "250 years" on it, it's too big, it

15

detracts from the overall element and the beauty of

16

the face and the hair.

It just needs to go.

17

THE CHAIRMAN:

18

On to number 2.

All right.

Thank you.

Again, this seems to

19

have been a generally popular design for most of the

20

committee members.

21

John, you have your hand raised.

22

MR. SAUNDERS:

I was actually

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commenting on number 1, just commenting on how much it

2

looks like the $20 gold piece.

3

interesting to show a picture of -- of the Coronet

4

Head 20 against the design number 1.

It would be almost

5

THE CHAIRMAN:

Thank you.

6

Donald, your hand is raised again.

7

MR. SCARINCI:

Yeah, I think -- I think

8

this -- I -- I love the expression.

9

into the spark.

I could even buy

I think that's kind of interesting.

10

I -- I think again, it's the flowers on the hair.

11

Just get rid of the flowers on the hair, right, and

12

-- and the -- and whatever it is she's wearing, you

13

know, just make it look like something that somebody

14

would wear today, in the 21st century, today.

15

wrong with this; right?

16

THE CHAIRMAN:

All right.

What's

Thank you.

17

Although, I believe that's an oak leaf wreath, not

18

-- not flowers so much, if I'm reading that correct.

19
20

MR. SCARINCI:

Whatever it is.

Whatever it is, it looks silly.

21

THE CHAIRMAN:

22

All right.

Yeah.

No, I get it.

Sam, you have a comment?

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MR. GELBERD:

Hi, Peter.

2

This is Sam Gelberd.

With the -- I do

3

like the idea for obverse 2 maybe facing the other way

4

as was suggested earlier.

5

appears on this, and of course, with the theme of the

6

dime, Liberty Over Tyranny.

7

compromise instead of the oak wreath, which is more of

8

a symbol of wisdom that's gained over time, because we

9

were just a fledgling, I mean, not even really a

I love how large Liberty

And maybe a nice

10

nation yet, perhaps a laurel or a wreath or olives

11

-- olive wreath might be a nice compromise instead,

12

reflecting more peaceful intentions.

13

Just one idea.

But yes, facing the other way, and you

14

mentioned earlier, we can get to it more without

15

obverse 4, but facing the other way as well so it is

16

more similar to the Peace dollar design as you had

17

mentioned previously.

18

That's all.

19

THE CHAIRMAN:

20

raised, I believe.

21
22

Jeanne, your hand is

You're muted.

MS. STEVENS-SOLLMAN:
you.

Yes, yes.

Thank you.

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If we changed the direction of her

2

view, you know, from right to left, the whole design

3

is going to have to change because the right hand is

4

holding the spark.

5

have the correct design -- virtual connectivity

6

interruption -- and as far as the headpiece goes,

7

there's nothing wrong with these head pieces.

8

-- they're -- they're ribbons, they're --

9
10

So I don't know if you're going to

THE REPORTER:
court reporter here.

11

I'm sorry.

They're

This is the

We're having --

MS. STEVENS-SOLLMAN:

I think it's a

12

-- a -- that's very much needed, and we -- we can't

13

disregard the headpieces.

14

-- are very good.

15

her face around.

16

turn around.

I think the oak leaves are

So -- but please reconsider turning
Her whole -- the whole thing would

The whole design would --

17

Thank you.

18

THE CHAIRMAN:

19

All right.

Thank you, Jeanne.

3 and 4 there didn't seem

20

to be as much enthusiasm for, so unless there's a

21

desire to dwell on these, we could just move on to

22

number 5 and 6.

5, there did seem to be some interest

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in this.

Again, my concern here is that I believe

2

that this is a helmeted Liberty, which would be rather

3

novel and something for us to consider.

4

think, as many of the others on the committee -- do

5

see this as a rather strong potential candidate

6

design, if not for the design -- or not for the dime,

7

then for, perhaps, one of the quarters.

But I -- I do

8

Any other comments on this?

9

All right, then.

10

April, Yes?

11

MS. STAFFORD:

12

May I just go back,

because there were a few comments on -- on design 3.

13

THE CHAIRMAN:

Okay.

14

MS. STAFFORD:

There were a few members

15

who did say that they appreciated that kind of leaning

16

in, although I think we -- there's a theme we're

17

hearing for some of these designs to kind of dial down

18

on the anger or what's perceived as anger and kind of

19

focus in on resolve or determination.

20

heard the -- the feedback about the breadth of the

21

where the bust ends.

22

And I also

Again, so -- so if there's anything

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else, unless we see through the score sheets that

2

members score this as zero, zero, zero or gets very

3

little support, if it were brought back in October,

4

those would be the -- the changes unless there's other

5

items that we're hearing.

6

And then, again, 4:

Again, if it were

7

to be brought back, I heard she seems a bit young, a

8

bit too angry, and then just, in general, the idea

9

about what does any kind of hairpiece or head wear, if

10

any -- what's appropriate for Liberty and that it was

11

a -- a little too busy.

12

indicate that there is an interest in seeing a version

13

of this move forward, those would be some of the

14

pieces we would work with artists on.

15
16

So again, if the score sheets

And again, if I'm missing anything, I
invite folks to correct that.

17

THE CHAIRMAN:

Thank you.
All right.

18

April.

19

skipping over those so quickly.

Thank you,

Thank you very much, and apologies for

20

Arthur, Art, you had a hand raised.

21

MR. BERNSTEIN:

22

Yes, I did.

This is

Arthur Bernstein, and my comment relates to obverse 5,

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which you had just gone to.

2

THE CHAIRMAN:

3

MR. BERNSTEIN:

Yeah.
My comment, which I

4

didn't offer the first time I spoke, I would like to

5

see a little less emphasis on the hair of Lady

6

Liberty, and in this particular design, there's

7

-- it's clever having that one curl go outside the

8

border and -- and circle the word in, but I just think

9

it draws too much attention to hair, which I don't

10

think is an important part of the depiction of Lady

11

Liberty.

12

THE CHAIRMAN:

13

Donald, your hand is raised.

14
15

All right.

Thank you.
You're

muted.
MR. SCARINCI:

Yes, thank you.

Yeah,

16

listen, as to -- as to obverse 5, I -- I -- you know,

17

again, I -- I don't get the helmet, I don't get the

18

-- you know, I just don't -- I don't get what's going

19

on at the top of her head; right?

20

very compelling design once you get -- once you get to

21

the hairline, and then above the hairline, it's weird.

22

It looks like a porcupine or something weird, so I

It's a -- it's a

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would -- you've got to do something about the -- the

2

-- whatever's on top of her head.

3

THE CHAIRMAN:

Again, the way that I

4

read this, the imagery is making a very clear

5

reference to the type of helmet that appears on

6

Athena, particularly on Athenian coinage, where you

7

have these upright laurel leaves.

8

in this case, is designed with the sun, and then the

9

crest of the helmet has "Liberty" engraved in it as

The helmet itself,

10

well.

So you know, again, this is a very classical

11

reference to Athena's helmet on ancient coinage.

12

Anyone else for this?

13

All right, number 6.

14

All right,

then --

15

Kellen?

16

MR. HOARD:

Yeah, I was just going to

17

say for number 6, I would love to see a design option,

18

I think some members mentioned this, without the sun

19

in the background just to kind of see what that would

20

look like with having that space there, and also

21

potentially in a quarter portfolio.

22

people mentioned including myself, that it might look

I know multiple

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nice on a larger coin given how complex the design

2

elements are.

3

THE CHAIRMAN:

All right.

4

Sam, your hand is raised.

5

MR. GELBERD:

Thank you, Peter.

This

6

is Sam Gelberd.

I do concur with what Kellen just

7

said.

8

they would lend themselves better renditions on the

9

quarters, design 5 on the Declaration of Independence

Designs 5 and 6, a bit busier, and I do think

10

quarter, and design 6 for the Constitution,

11

respectively.

12

Thank you.

13

THE CHAIRMAN:

14

I cannot see whose hand is --

15

Jeanne, your hand is raised.

16

MS. STEVENS-SOLLMAN:

All right.

17

This is Jeanne Stevens-Sollman.

18

6, if this should come back to us.

19

need --

20
21
22

THE CHAIRMAN:

Thank you.

Yes, thank you.

One comment on number
I think we

Jeanne, I'm sorry.

You're breaking up a little bit at the moment.
MS. STEVENS-SOLLMAN:

Is that going to

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be better?

2
3

THE CHAIRMAN:

Yes, that's better.

Thank you.

4

MS. STEVENS-SOLLMAN:

Okay.

I think

5

the artist needs to pay attention to the forearms of

6

Lady Liberty, which look like they're kind of broken

7

somewhere.

8

at again.

9

That's all.

10
11

14

Thank you.

THE CHAIRMAN:
thank you.

12
13

This is -- the anatomy needs to be looked

All right.

Jeanne,

That's a very useful comment.
Any else?

Any other comments on number

6?
Again, my own reservation about number

15

6 largely has to do with the symbolism, particularly

16

of the arrows that she's holding in one of her hands.

17

And again, this would be something rather novel in

18

terms of the representation of Liberty, and I'm not

19

sure, again, if that martial attribute is something

20

that we necessarily want to underscore.

21

John, your hand is raised.

22

MR. SAUNDERS:

Yes, Peter.

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kind of echo your comments on the Athenian head.

I

2

mean, obviously from the Athens tetradrachm, it's kind

3

of the ultimate classic, along with the Alexander the

4

Great stater has a -- it doesn't have a crest on it,

5

but it has a helmet.

6

for this series because, while that design has been

7

adopted as, you know Britannia and you see that on the

8

Britannia gold coins, the helmet it had, I mean, this

9

-- this wasn't war against Britain, the War of

I'm not sure it's appropriate

10

Independence, so maybe we should not have one of their

11

symbols that they've appropriated there.

12

I mean, it's -- it's used by other

13

people too.

14

is very much Pallas Athena, and so forth.

15

do think on -- on -- after hearing your comment, I

16

-- I must say that we probably shouldn't have -- have

17

a -- the helmet that resembles the Britannia helmet on

18

the series.

19

I mean, it's -- it's the -- Dutch Maiden

THE CHAIRMAN:

But I -- I

John, thank you very

20

much for making that clear and I very much appreciate

21

that comment.

22

Is there anything else on the obverses?

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We have a little bit more time for the reverse design,

2

so --

3
4

Sam, did you have another comment on
the obverse?

5

MR. GELBERD:

Yeah, just one last note

6

on design 5.

Because it is that classic, like we

7

said, you know, Athena and even the -- you know, the

8

Head of Herakles, Alexander, I think a lot of

9

collectors might latch on because it is evocative of

10

Barber's design that was used on the dime, quarter,

11

and half dollar, but it also has a little bit of some

12

of the elements of George Morgan's dollar, even though

13

it's facing the other way.

14

interesting hybrid of both designs.

15

collectors might be able to latch on to that, but

16

again, as -- on a larger coin like the quarter.

I think it's an
I think

17

THE CHAIRMAN:

All right.

Thank you.

18

Let's briefly consider the reverses,

19

then, in the few minutes that we have remaining.

20

There seems to be a lot of enthusiasm for reverse

21

design 1, and there have been some suggestions that

22

the chain and the stars be removed.

This has been

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repeated a number of times.

2

comments on this design?

3

All right.

Are there any other

Number 2 there did not seem

4

to be much enthusiasm for, nor for 3 or 3A.

5

received some support.

4

6

April, you have your hand raised.

7

MS. STAFFORD:

8

just wanted to ask:

9

they really liked reverse 2.

I -- I apologize.

I

I did hear a few members say that
I don't know that it was

10

a groundswell.

11

-- will show us one way or another, but I -- but I

12

just wanted to kind of -- this is why I think it's

13

helpful to go through the portfolio one more time

14

because, you know, we -- we take different things out.

15

And I know that the scoring will

So as I was taking notes, I did hear

16

several voices in support of reverse 2, although

17

there's a question about, I know, in general, the idea

18

of repeating 250 years, if that's redundant or what

19

have you.

20
21
22

So I just wanted to submit that.
THE CHAIRMAN:

we can go back to 2.

Yeah.

Thank you.

I personally quite like 2.

Arthur, your hand was raised, I

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believe.

2

MR. BERNSTEIN:

Well, I -- this is

3

Arthur Bernstein, and I appreciate April making that

4

point because I was enthusiastic about design 2, and I

5

have it down as a three-pointer on my score sheet.

6

THE CHAIRMAN:

7

And Mike, your hand is raised.

8

MR. MORAN:

9

Mike Moran.

All right.

Very good.

Thank you, Peter.

This is

For the last, well, more than 100 years,

10

the -- the reverse on the dime has been dominated by

11

one central vertical design element.

12

silly "250 years" ribbon, and you've got an impressive

13

eagle that works on a dime.

14

You drop out the

You might want to raise -- enlarge the

15

denomination a bit but, the "E Pluribus Unum" is where

16

you can read it.

17

point in time in terms of the -- the times, and it's

18

not a bad design at all this way.

19

gets us away from the central vertical element.

It is the dominant motto at this

And as I said, it

20

THE CHAIRMAN:

Wonderful.

21

Anything else?

22

All right, what about 3 and 3a, then?

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2

Somebody's hand is raised, although I
can't see whose hand it is.

3

Annelisa.

4

MS. PURDIE:

Thank you, Mr. Chairman.

5

This is Annelisa Purdie.

I just want to -- agreement

6

-- for the teapot, how it doesn't work, not just in

7

terms of historical inaccuracy -- but also the theme

8

of stomping on tyranny in the form of a teapot just

9

doesn't really fit.

Even though it harkens back to

10

the Boston Tea Party, I think that -- would likely

11

wonder what the eagle has against this teapot in the

12

first place.

13

it's just not working here.

It's just -- I -- I get the concept, but

14

Thank you.

15

THE CHAIRMAN:

16

Yes,

thank you very much.

17

Any other comments on 3 or 3A?

18

right.

19

comments on 4.

What about 4?

All

We did hear quite a few

20

Sam, again.

21

MR. GELBERD:

22

The poor teapot.

Yes, Peter.

Yeah, I

think I may have been one of the only people that did

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think 4 might work as the reverse on this, and my main

2

inclination for saying that was because of the theme

3

Liberty Over Tyranny.

4

yes, we've had many minutemen on our coins before.

5

Looks like the -- commemorative half dollar.

6

You've got a minuteman, and

But because, you know, you've got a

7

farmer facing the east, or facing England, I just

8

think the symbolism works well, but yeah, the -- the

9

earthquake, yeah, I cannot respect why that may play

10

as well.

But I did just want to say I do think it

11

could work, albeit a little bit busy, so I can

12

understand some reluctance.

13

really does represent the theme exceptionally well.

14

That's all.

15

THE CHAIRMAN:

16

Sam.

But again, I think it

All right.

Thank you,

Thank you.

17

And yeah, we've also had a lot of

18

Liberties and Eagles on our coins as well, too, so

19

fair enough.

20

Any other comments on 4?

Then 5?

And

21

again, there seemed to be a lot of support for the

22

torch handle, the way that this is represented here,

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but other elements had more problems.

2

John, I see your hand is raised.

3

MR. SAUNDERS:

I'm kind of echoing what

4

you just said after I put my hand up.

5

the Mint bring it back to us with the "tyranny" gone,

6

the -- the --

7

THE CHAIRMAN:

8

Okay.

9

I'd like to see

All right.

Thank you.

Do we have any final comments,

then, before we score this portfolio?

And again, I

10

ask that you email, if you can, your score sheets to

11

Greg, and we will then review the scores tomorrow.

12

And as you are emailing your scores to Greg, we will

13

also take a 15-minute break, so we will reconvene at

14

11:45.

So see you in a few moments.

15

(Off the record.)

16

THE CHAIRMAN:

All right.

So we are

17

now back from break, and we will move on to our next

18

order of business, which is the consideration of the

19

2026 Semiquincentennial quarter commemorating the

20

Declaration of Independence and the 2026 platinum

21

American Eagle proof coin.

22

the theme of these two coins are identical, and that

I will note that because

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is the Declaration of Independence, that we will be

2

considering them together but discussing each

3

sequentially.

4

So April will momentarily introduce

5

both portfolios, but then we will discuss the quarter

6

design portfolio, and then after lunch, we will

7

discuss the platinum candidate design portfolio and

8

then have a broader discussion.

9

enough time for that.

10
11

I believe we'll have

So April, if you would like to walk us
through the portfolios, please.

12

MS. STAFFORD:

Absolutely.

And as

13

before, I'll share the program background, and again,

14

I'll share the background for the quarter as well as

15

the American Eagle Platinum Proof when we go into the

16

candidate designs.

17

Okay.

So starting with the circulating

18

quarter.

In 2026, as a reminder, the Mint will

19

release five quarter dollars with all new obverse and

20

reverse designs.

21

Semiquincentennial, these quarters will explore

22

historic inflection points across our 250 years during

In commemoration of the

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which our founding principles were revisited,

2

reaffirmed, and reasserted to collectively move us

3

forward as a nation.

4

Taken together, the quarters will tell

5

the story of liberty in America, illustrate the

6

expansion of our hard-earned liberties, and exemplify

7

what is required of its people when we face great

8

obstacles.

9

of Independence, the U.S. Constitution, Abolitionism,

The five quarter themes are:

Declaration

10

Suffrage, and Civil Rights.

11

quarter will depict Liberty and/or historic figures,

12

while the reverses will explore the inflection points

13

more in depth.

14

The obverses of each

So as background for the Declaration of

15

Independence quarter, specifically, it was on July 2,

16

1776, that the Second Continental Congress voted to

17

declare independence from Great Britain.

18

later, the Congress approved the language of the

19

Declaration of Independence to solemnly publish and

20

declare to the world what -- what forced this

21

momentous step and the birth of a new nation unlike it

22

before.

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On May 8, 1825, Thomas Jefferson wrote

2

to Henry Lee explaining about the Declaration of

3

Independence, that it was, quote, "intended to be an

4

expression of the American mind."

5

revolution, the American mind had been influenced by

6

the Enlightenment and was focused on essentially four

7

principles:

8

of law and the social contract.

9

At the time of the

Natural rights, popular sovereignty, rule

Quote, "We hold these truths to be

10

self-evident," Thomas Jefferson and his fellow

11

drafters proclaimed, and launched ideas that shook the

12

foundation of the 18th century established order.

13

Quote, "All men are created equal, endowed by their

14

creator with certain unalienable rights, that among

15

these are life, liberty, and the pursuit of happiness,

16

that to secure these rights, governments are

17

instituted among men, deriving their just powers from

18

the consent of the governed," end quote.

19

So within the quarter theme of

20

inflection points, the Declaration of Independence can

21

be considered America's first and, perhaps, boldest

22

expression of the values and aspirations that came to

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define our national identity.

2

Revolution at Lexington and Concord was the shot heard

3

'round the world,' then the Declaration of

4

Independence can be considered the shout heard 'round

5

the world.'

6

If the spark of the

Obverse designs again will feature

7

Liberty, and the reverses will commemorate the

8

Declaration of Independence as an expression of

9

American ideals and a reasoned, irrefutable argument

10

for independence.

11

As the chairman noted, because these

12

quarter candidate designs share the same theme with

13

the platinum proof portfolios, these designs could be

14

applied to the American Eagle Platinum Proof program

15

and vice versa, so if you see designs that you'd like

16

formatted for the other portfolio, please just

17

identify them.

18

Required obverse inscriptions for this

19

quarter are "E Pluribus Unum," "In God We Trust," and

20

the dual date 1776 through 2026.

21

artists were asked to feature "E Pluribus Unum" as a

22

unifying convention across the five quarters on the

As a reminder,

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obverses, as well as to underscore how the idea of

2

"out of many, one" has provided a foundational concept

3

across our 250 years.

4

are "Liberty," "United States of America," and the

5

denomination.

6

Required reverse inscriptions

Optionally, artists were asked to

7

include the inscription "Declaration of Independence"

8

to identify the coin as commemorating this particular

9

document.

10

So we'll start with the obverses, please,

of the Declaration of Independence quarters.

11

We had them up on the screen, so if the

12

person who's sharing their screen could go back to the

13

obverses.

14

obverse 1, 2, 3, 4, 5, 6, 7, 8, 9, and 10.

15

on to the reverses for the Declaration of Independence

16

quarter, we have reverse 1, 1A, 2, 2A, 3, 4, 5, 6, 7,

17

8, 9, 10, 11, 12, 12A, and finally, 13.

18

Thank you.

All right.

We'll move through
And moving

Moving on to the American Eagle

19

platinum proof coin program for 2026.

The current

20

series, First Amendment to the United States

21

Constitution, launched in 2021 and will conclude in

22

2025.

As a reminder, since 2018, a common reverse has

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united these coins and features an eagle in flight

2

carrying an olive branch along with the inscriptions

3

"United States of America," "$100," "1 OZ," and ".9995

4

Platinum."

5

"Liberty," "E Pluribus Unum," and the year of minting,

6

and "In God We Trust."

The obverse includes inscriptions

7

In 2026, to coincide with our

8

Semiquincentennial, we will launch the Charters of

9

Freedom platinum proof coin series.

The Charters of

10

Freedom series, inspired by the National Archive

11

Museum's Rotunda for the Charters of Freedom, where

12

these treasures are housed, will consist of three

13

platinum proof coins produced over three years, each

14

dedicated to one of three essential documents to the

15

founding of the United States, the Declaration of

16

Independence, the U.S. Constitution, and the Bill of

17

Rights.

18

This series will honor the core

19

principles of the nation as mapped out in these

20

charters and inspire a deeper understanding and

21

appreciation for the documents that have guided the

22

United States.

Kicking off the series in 2026, the

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Declaration of Independence candidate designs

2

illustrate how this document embodies the seismic

3

shift when American colonists first asserted

4

themselves as citizens, not subjects beholden to the

5

British Crown.

6

the rights of the people and the consent of the

7

governed, will reverberate across the foundational

8

documents yet to come, together shaping our new

9

American democracy.

10

Its founding principles, grounded in

As I indicated for the quarters,

11

because this portfolio shares the same theme with one

12

of the quarters, the designs may be shared across, and

13

so if you see things you would like formatted, please

14

identify them.

15

development for the second and third years in this

16

three-year series, we ask that you identify the 2026

17

platinum designs that you believe are strong

18

candidates for the program, that you would like to see

19

again, and you would like us to base the second and

20

third years from.

21

candidate designs for the second and third

22

installments for you to review at a future date.

As the Mint will soon be in

We will then ask artists to develop

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So moving on to these obverse candidate

2

designs, we have obverse 1, 1A, 2, 3, and 3A, 4, 5,

3

5A, 6, and 7.

4
5

And, Mr. Chairman, that concludes the
candidate designs.

6
7

THE CHAIRMAN:

10

Are there any technical or legal
questions on either one of these programs or designs
from the committee at this point?

11
12

April, thank

you very much for that.

8
9

All right.

I do see a hand raised.

I cannot see

whose hand that is.

13

DR. CAPOZZOLA:

14

THE CHAIRMAN:

15

DR. CAPOZZOLA:

It's Chris Capozzola.
I'm sorry?
This is -- it's Chris

16

Capozzola here.

This is a very basic question.

17

should know it.

How big is this coin when it is

18

minted; what's the dimensions?

19
20

THE CHAIRMAN:

I assume you mean the

platinum coin; is that correct?

21
22

I

DR. CAPOZZOLA:

Yeah, the platinum.

Yeah, yeah.

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2

MS. STAFFORD:

I will get those for

you.

3

DR. CAPOZZOLA:

Okay.

Thank you.

4

THE CHAIRMAN:

5

Any other technical or legal questions?

6

Okay.

All right.

Thank you.

As I mentioned earlier, I would

7

like to discuss each of these portfolios individually

8

before we then consider any sharing or possible

9

switching between the two portfolios, simply because

10

the quarter portfolio is rather large, and I would

11

like to be able to focus on each of these

12

individually, focusing initially on artistic merit,

13

and then we can have a further discussion, and I

14

believe we will have time for that.

15

So let me begin our discussion.

And

16

again, if you could try with this very large portfolio

17

to keep your discussion to five minutes or less, it

18

would be most appreciated.

19

We'll begin with Mike Moran.

20

If you would, please.

21

MR. MORAN:

22

Peter, do you want me just

to talk about the quarter on the Declaration of

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Independence?

2
3

THE CHAIRMAN:

Yes, just the quarter

portfolio to begin with.

4

MR. MORAN:

Okay.

This is Mike Moran.

5

The Phrygian cap makes its appearance here, and this

6

cap was worn by freed former slaves of the Roman

7

Empire.

8

American coins.

9

designs for the Abolition and Civil Rights themed

10

Thomas Jefferson objected to its use on
I believe it more appropriate for

quarters.

11

Both these quarters, the motto "In God

12

We Trust" should be minimized, as it did not appear on

13

our coinage in 1864 when talking about the Declaration

14

of Independence until 1864.

15

on the reverse, even though you've got it on the

16

obverse.

17

And I would even put it

Turning to the quarter, specifically, I

18

agree with the Mint's questioning of the treatment of

19

Liberty's eyes in 3 and 3A, and I'm struck by the

20

beauty and emotion imparted to the treatment of

21

Liberty's hair in 3.

22

clutter.

6:

Design 6 falls victim to

"In God We Trust" moved to the reverse would

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help, allowing the reduction in the size of the "E

2

Pluribus Unum," would fix -- also fix this issue.

3

9's excellent.

10 falls victim to the

4

clutter problem again.

The Declaration of

5

Independence should appear as an inscription on the

6

reverse.

7

numismatic heritage.

8

and I disagree with that.

9

I do not like the scratch-out in reverse 11, and the

Reverse 3 with the chain is of strong
The SMA suggested the softening,
Reverse 8 is too cluttered.

10

heraldic eagle in number 13 needs feet.

11

concept, but I'm afraid we put the feet in there, it's

12

going to get everything -- the symmetry out of whack

13

on that one.

14

Those are my comments.

15

THE CHAIRMAN:

16

All right.

I do like the

Mike, thank

you very much.

17

Donald Scarinci, if you would, please.

18

MR. SCARINCI:

19

I'm sorry, I just had to

unmute.

20

I'll be brief.

I like -- I like

21

obverse 2.

I don't -- you know, I -- you know, I

22

think we don't need the Phrygian cap, but I like it.

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I like obverse 9 without the stars and without the

2

hat, you know, and maybe, you know, with a different

3

-- with some different clothing, but I think that's

4

more of the right idea.

5

close.

6

of their hair.

7

obverse 8 work for an obverse design, maybe at some

8

point for a reverse design, but not for an obverse

9

design.

10

You know, I think we're

I mean, again, it's all the stuff in -- in all
I -- I also don't think obverse 7 or

So that's the obverses.
I -- I think the -- in terms of

11

reverses, you know, since I -- you know, I'm very

12

-- you know, I'm -- I'm certainly -- I think -- I

13

think here's where I wouldn't really have much of a

14

problem with, you know, Independence Hall, the image

15

of Independence Hall.

16

My preference would be 1A as between

17

the two of them.

I think -- I think, you know, since

18

I collected Fugio cents by die variety, and actually,

19

at one point before I sold the collection to Syd

20

Martin, and it just auctioned off, by the way, I had

21

53 of the varieties of Fugio cents.

22

obviously, I'm partial on a personal basis to number

And so,

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3, you know, the -- the chain linking of -- of the 13

2

original colonies being an original conception by

3

Benjamin Franklin himself, so -- in a resolution

4

passed by the Continental Congress authorizing the

5

Fugio cent.

6

So and I -- and I think 6, as simple

7

-- as plain and simple as it is, is -- is something

8

very identifiable in this theme.

9

like -- you know, it is a quarter, so it's a small

And you know, and I

10

-- the -- but the -- you know, so the negative space

11

really lets the -- lets the bell stand out.

12

That's -- those are my thoughts.

13

THE CHAIRMAN:

14

John Saunders, if you would, please.
believe you're muted.

17

MR. SAUNDERS:

18

back on.

19

machines.

20

Donald,

thank you very much.

15
16

All right.

I pushed it and it went

I don't -- I'm not very good at these
Anyway, Peter, thank you very much.
I like obverse 1 far away better than

21

any other obverses.

I just thought it was -- it was

22

dynamic, there's nothing wrong with it, it's

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attractive.

I just thought it was really nice.

2

Obverse 2 is okay.

3

looking.

4

obverse 1, but it's okay.

5

thought it was okay, but I wasn't excited about it

6

like 1.

It's kind of -- kind of simple

I don't think it has the dynamicism of
I liked 3A.

Again, I

Kind of the same comment on 5.

7

6 struck me as too busy, probably 7,

8

also.

8, I was reminded of -- of Mike's comment to

9

start with.

Looks like Wonder Woman going into battle

10

here.

Plus, I think it's really too busy for a -- a

11

coin.

Kind of interesting design for maybe something

12

down the road, but not for a quarter obverse.

13

okay.

14

as -- as really too busy again.

15

number 1 guy here on this -- this obverse.

16

Again, I wasn't excited about it.

The reverses:

9 was

10 struck me

So I'm -- I'm a

1 and 1A, I don't have a

17

problem with the Independence Hall.

It's kind of

18

nice.

19

and pursuit of happiness," which is 1A, better than

20

"We hold these truths," but I also like where 1 has

21

the quarter dollar and the other one says "Declaration

22

of Independence."

I -- I like the idea of having "Life, liberty,

I'd kind of take 1A with the two

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reversed.

2

2:

It's awfully busy, but it's okay.

3

It's kind of -- 2A is even worse in terms of business,

4

I think.

5

collector, you've got to love Fugio cents.

6

of this is E Pluribus Unum, and 13 interlocking rings

7

certainly brings out "E Pluribus Unum," all of us

8

together, though it might be more suitable for a

9

-- whether you want it on the obverse, but it be

Number 3:

You know, being a U.S. coin
The theme

10

really nice if you could put "E Pluribus Unum" with

11

the rings, but I guess it's against the instruction,

12

so forget that.

13

I think 4 is too busy.

5, you know, I

14

-- I guess is okay, but it didn't really strike me.

15

has got me.

16

of negative space, it's got pretty much everything I'd

17

like to see.

18

looked at these designs, I gravitated to that

19

completely.

20

be wonderful.

21
22

6

It's dynamic, it's action, it's got a lot

I mean, it's just -- when I -- when I

I think pairing it with obverse 1 would
I mean, it's dynamics on both sides.
Going on to 8, it -- it's too busy,

particularly for a quarter.

9 emphasizes Liberty,

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which was what was supposed to be emphasized on the

2

dime.

3

like it here for the quarter.

4

like -- I understand the theme of -- of "We're

5

citizens, not subjects anymore," but I -- I didn't

6

like things crossed out, and it didn't appeal to me.

7

12 and -- and 12A, I'm not quite sure

It might be suitable for the dime, but I don't
10 is okay.

I don't

8

what the Doric column is that symbolic of stuff.

I

9

mean, obviously we -- we used the Greek columns in a

10

lot of our government buildings, but I -- I didn't see

11

that as a -- a super theme.

12

but it -- it's a little busy, and as someone has

13

pointed out, it doesn't have the bottom of the eagle.

14

So I -- I'm a strong believer in 1 for

15

the obverse and 6 for the reverse.

16
17

THE CHAIRMAN:

All right.

John, thank

you very much for that.

18
19

And 13 struck me as okay,

Dr. Harcourt Fuller, if you would,
please.

20

DR. FULLER:

21

The theme of independence is -- is a

22

Thank you, Mr. Chairman.

very important theme in world history, you know,

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particularly from the 18th century, right up to the

2

20th century, and that's why I think this coin is so

3

significant.

4

you know, specific time periods, you know, Silver

5

Jubilees, Golden Jubilees, Diamond Jubilees.

6

country, we're celebrating, you know, 250 years of

7

independence, and that's why this series is one of my

8

favorite series.

9

You know, countries generally celebrate,

In this

And the coin on the screen right now is

10

one of my favorites.

11

It's -- it's dynamic, you know, there's action in it,

12

and it's -- it's just an amazing coin.

13

know, I'll be giving that, you know, full -- full

14

points.

15

It's just a beautiful coin.

And so, you

I'd like to go to 3 and 4.

And that's

16

why this portfolio was a bit tough, because I'm not

17

-- I don't necessarily -- I'm not really sure what to

18

think about these -- these particular coins, 3 and 4.

19

We've had some discussions about hair, but I just

20

think it's -- these are very iconic, dynamic,

21

different coins; right?

22

what some of my other colleagues feel about them.

And so I would love to hear

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the only thing I can say is that they're very bold,

2

they're very different, and I'm curious to know what

3

the public would think about them.

4

Can we go to 8, please?

5

I -- I guess I -- I also thought about

6

the sort of Wonder Woman effect, but not in a negative

7

way.

8

current generation, and so I'm not -- I -- I don't

9

necessarily have an opinion on this one.

You know, we -- we are producing coins for the

I think it's

10

interesting, I think it could work, but -- but in this

11

case, I'd -- I'd really love to -- to hear what other

12

colleagues have to say about it.

13

a -- a different kind of coin and a unique coin.

14

But it is definitely

And then with respect to the reverse,

15

I'd have to say 6.

You know, 1 and 1A are great, but

16

there's just -- 6, you know, it's -- it's

17

identifiable, it's -- you know, it's a Liberty Bell,

18

it pops, and it's just a -- a unique, simple coin that

19

makes -- makes a -- a great statement.

20

Thank you.

21

THE CHAIRMAN:

22

All right.

Dr. Fuller.

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Sam Gelberd, if you would, please.

2

MR. GELBERD:

3

Thank you, Mr. Chairman.

This is Sam Gelberd.

4

Of course, because this is the semi

5

-- I really want to see designs that really are

6

reverent of the respect due of our nation's 250th

7

anniversary.

8

like for the Declaration of Independence quarter are

9

with design 1, 3, 4, 5, and 6.

With that being said, the direction I do

With that being said,

10

3 is my favorite.

11

dynamic.

12

"E Pluribus Unum" is represented with the date, and

13

just the entire layout.

14

a -- a circulating quarter design.

15

I like the -- the hair, very

I love the font, especially the way

I think it would -- great to

Numbers 2 and 9 are okay, I just think

16

they missed the mark a little bit.

17

modern theme ideas with design 7, 8, and 10, but for

18

this particular program, I don't think 7 and 8 really

19

fully convey that theme.

20

Personally, I think it would be better as the platinum

21

proof if we were going to repurpose it or use that.

22

I do enjoy the

10 is very dynamic.

Obverse 1, I really do like that a lot.

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I think it would tie in nicely with the overall

2

"Semi-Q" program if we went with obverse 2 from the

3

dime, the portfolio we previously discussed.

4

symbolism with Ms. Liberty holding the scroll and the

5

torch facing toward England, I just really do like

6

that a lot.

The

7

Design 4, 5, and 6:

I'd be remiss if I

8

didn't mention how similar they are to the Morgan

9

dollar design, and again, one of the most popularly

10

collected United States designs.

11

people to latch on to -- to this particular quarter, I

12

think one of those designs should really be looked at

13

seriously.

14

If we really want

I do agree with some of the others,

15

what some of my colleagues have stated, design 6 does

16

get a little bit too busy, so maybe some rework might

17

be able to work that a little bit.

18

4 and 5, I think, are instant classics as well, but

19

design 3 for the obverse, really do think that would

20

be the best overall.

21
22

But yeah, numbers

As to the reverses, I have to go back
to the -- some of the earliest designs of the early

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U.S. Mint when we have a free-floating shield really

2

representing how we were on our own as our own nation

3

with some of the rules of heraldry.

4

said, reverse 4, of course, very reminiscent of the

5

Fugio cents and Continental currency.

6

that to -- with the other chain reverse of reverse 3.

7

I do think 4 is a little bit better.

8

considered, though, looks a little bit busier, but

9

again, this is for a circulating quarter design, so we

10

With that being

I do prefer

All things

may be able to get away with it.

11

Reverses 2 and 2A really do convey the

12

theme.

I think I'd have to go 2A as my absolute

13

favorite just because of the overall layout.

14

think it -- it just, you know, recalls the classic

15

designs of a -- some of the earliest U.S. Mint coins

16

that we've had.

17

on to that.

18

I just

I think collectors would really latch

Reverses 9 and 10:

I do like those

19

with a defiant young eagle also facing toward England,

20

but I believe it was John that stated it may be better

21

suited to the reverse of the dime, and I have to agree

22

in that sense.

It was really tough, but again,

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reverse 2A is my favorite, especially if it was

2

coupled with obverse 3.

3

The other reverses that we mentioned,

4

the Liberty Bell, I could live with that, but the

5

other ones just really don't do a whole lot for me.

6

Again, reverse 3, 13, they're okay, but not the exact

7

direction that I was looking for.

8

And those are my comments.

9

THE CHAIRMAN:

10

Wonderful, Sam.

Thank

you very much.

11
12

Thank you.

Dr. Christopher Capozzola, if you
would, please.

13

DR. CAPOZZOLA:

All right.

14

This is Christopher Capozzola.

I have

15

-- Once again, I'll -- I'll take a little bit of

16

liberty, no pun intended, for a brief history lesson,

17

on a couple different directions.

18

about -- is about our Declaration of Independence, and

19

the second is about sort of how we have commemorated

20

it over time.

21
22

So the first is

And I think that, just to give a sense
of -- of how people understand this, one of my

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favorite books to recommend is by my late MIT

2

colleague, Pauline Maier, a book called "American

3

Scripture" which is about sort of the -- the

4

Declaration of Independence and really sort of

5

arguing, which is the historians' new consensus, that

6

it emerges from many different places, that Americans

7

all around North America declared independence in

8

different ways.

9

And the text that we, you know, ended

10

up adopting in -- in Philadelphia is, in fact, you

11

know, a -- a group effort and not the single product

12

of the mind of -- of Thomas Jefferson.

13

centering Americans declaring independence is always

14

great for me in this.

15

So kind of

And then in terms of how we commemorate

16

this, I feel like, you know, my approach with coins

17

all along is:

18

America's past, but also documenting where America is

19

in 2026.

20

-- this -- that whatever we choose for any of these

21

"Semi-Q" coins feel like things that 50 years from now

22

will look like reflections of -- of our moment.

Is there a way of -- of documenting

And I'm really, you know, hopeful that this

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And so, you know, that will guide me in

2

this as well, with the added bit that we -- these, I

3

think, are also going to be -- and this quarter in

4

particular, will be in dialogue with the 1976

5

Bicentennial quarter.

6

you know, sort of -- that's what many people will

7

compare it to.

8

to, you know, kind of create some -- some dialogue

9

there.

10

And so it's important that we,

They'll engage with it, and we want

In terms of the obverses, I'm going to

11

-- I -- you know, with all due respect to the Mint and

12

the artists, my response is "None of the above."

13

think that the obverse for this quarter is a big deal,

14

in part because we're taking George Washington off of

15

it, and if we do that, we need to very clearly

16

communicate to the American public why George

17

Washington is not there and why the thing that

18

replaces him is.

19

-- although the individual designs are very strong, I

20

think that we're not succeeding in that task at this

21

moment.

22

I

And I think -- you know, I

That said, let me talk about some of

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the ones that -- that I did like.

I -- you know, I

2

think obverse 1 is -- is very good.

3

clear, it's very straightforward, I love the energy,

4

and you know, if -- if it can -- and it's certainly a

5

possibility.

6

before, I don't think Phrygian caps are going to work

7

with the American public.

8

request for feedback on Liberty's expression.

9

this is too -- this would read as "sleepy," I think to

It's -- it's very

I think -- number 2, as I've said

For obverse 3, there was a
I think

10

-- to many people with the eyes in the way that they

11

are.

12

they are aesthetically beautiful, don't necessarily

13

convey what happened at Philadelphia in 1776, and so I

14

have a little bit of concern about that.

15

I think all of them, 3, 4 and 5 and 6, although

I will say on the -- on the obverse

16

-- I -- I'm going to go out on a limb, and I know I

17

will have opponents here.

18

version of 7 again, and I -- I don't know that this

19

one hits it, either, but this is the one that, you

20

know, could only be made in 2026.

21
22

I would love to see some

It reflects our moment.

It's a

different -- it's a Liberty who does not look like

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other Lady Liberties of the past.

2

in our society since 1976, both aesthetic and -- both

3

in our aesthetic and visual culture, as well as our

4

politics.

5

to be simplified, if her facial expression would need

6

to be changed, but I'm -- you know, I would -- I would

7

like to see some -- some version of this again.

8
9

It reflects changes

So, you know, I don't know if it's -- needs

8, I do think, as others have said, is
maybe not -- not the one to -- to rework.

It may be a

10

little bit too superhero-ish for the obverse of our

11

"Semi-Q" quarter.

12

it doesn't work as it is; right?

13

cap and the classical outfit.

14

just -- they cancel each other out a little bit or

15

confuse people or sort of mixing and matching too many

16

things, and I'm also not sure that we need the stars.

17

I think there's also an opportunity to

9, also, I think can be fixed, but
We have the colonial

I think they kind of

18

-- to take O9, obverse 9, and make this version of

19

Liberty either more multiracial or more racially

20

indeterminate, or, you know, some -- some figure that

21

sort of all Americans could imagine themselves into

22

this figure, which could make her a -- a Liberty for

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2026.

That wouldn't -- happen in 1976.

2

again, I think is great but -- but busy.

3
4

And 10,

All right, let me keep moving because I
know I'm going long.

5

On the reverses, I thought -- again, I

6

-- I like 1 and 1A.

I think between the two of them,

7

I have a slight preference for 1.

8

need the -- the three dots, you know, I -- I think we

9

can just simplify that for -- for the American public.

I don't think you

10

I will -- my concern here is:

11

very good reverse for a 1976 coin, and I don't

12

actually know that it -- it speaks specifically to

13

-- to our moment.

14

them.

15

I think this would be a

But you know, I do -- I do like

I think -- I'm going to be a downer on

16

3 and 4.

17

for coin collectors and maybe it works for the

18

platinum proof set, but the American public is -- it's

19

a little too inside baseball for the American public

20

for something of -- of this significance.

21
22

I think this -- you know, I think that works

Number 6 certainly works.

I think

people will -- will get it, and they will need to be

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reminded that we don't know whether the Liberty Bell

2

rang on July 4, 1776, although it certainly was in

3

Philadelphia at the time, so we do need to kind of,

4

you know, check in with our subject matter experts on

5

-- on how they feel about that.

6

Reverse 7 I want to draw our attention

7

to.

As I said in my discussion about the dime, I

8

think just somewhere having a really big -- numbers,

9

two, five, zero, is what the American public is going

10

to need to understand what has happened to their coins

11

in 2026.

12

clear about, you know, sort of the -- the various ways

13

that people engage with our money.

14

design, I think, is a little too busy, but I -- you

15

know, I think centering a 250 on this or another

16

quarter could be a -- a really good contribution to

17

what we're doing.

18

I'm not being condescending, I'm just being

And I have other comments, but I think

19

others have captured them from here.

20

much.

21
22

This particular

THE CHAIRMAN:

Thank you very

All right.

very much, Chris.

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1
2

Jeanne Stevens-Sollman, if you would,
please.

3
4

MS. STEVENS-SOLLMAN:

Thank you,

Mr. Chairman.

5

This is Jeanne Stevens-Sollman.
Yes.

I

6

would like to go to obverse 1.

And I agree with

7

my colleagues.

8

design.

9

I'm more inclined to choose obverse 3 because it is

I think this is a -- quite a beautiful

However, looking over the entire portfolio,

10

more simple.

11

her eyes were a little more open, that would be very

12

interesting.

13

And yes, she looks a little sleepy.

If

But I think this is a very crisp design

14

and it would work very well with reverse 6, which is

15

the Liberty Bell that we're talking about.

16

think that we could have a complete coin talking about

17

independence, liberty.

18

any of the other designs because I think everyone else

19

has spoken to them very well, and I do agree with my

20

colleagues.

And I just

I'm not going to talk about

21

So thank you, Mr. Chairman.

22

THE CHAIRMAN:

All right.

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Jeanne.

2

Annelisa Purdie, if you would, please.

3

MS. PURDIE:

Thank you, Mr. Chairman.

4

This is Annelisa Purdie.

5

things brief, as brief as possible.

6

I'm also going to keep

For the obverse designs, I found that 3

7

through 6 generally did seem like variations on the

8

same theme.

9

way, which I'm not mad at, but I'm not sure how -- for

4 is reminiscent of Betty Davis in some

10

this particular coin how it would function.

11

preference for the obverse were number 1, number 9,

12

and slightly number 10.

13

My

I agree that 10 is very busy, but I

14

also think that with some modifications, this could

15

possibly work.

16

different elements going on.

17

the sunbursts and the clouds and the asymmetrical rays

18

aren't necessary, but with some possible tweaking and

19

maybe some perspective changes, I think that this

20

could function.

21
22

I think that there's a lot of
Perhaps the stars and

I was drawn to number 9, obverse 9,
because of the fact that we see someone in action and

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how it relates to the Declaration of Independence.

2

Again, I agree with Christopher's assertion about

3

possibly making the model more -- ambiguous, so to

4

reflect all of America and some modifications with the

5

dress design, but overall, I like this idea of Liberty

6

in action, how it relates to the Declaration of

7

Independence and being inspired by the Declaration of

8

Independence and how it works.

9

the stars, maybe they can be rebalanced around the

I also do think that

10

coin overall, but I don't think that they're

11

necessary, the 13 stars, for the overall look of the

12

coin.

13

For the reverse designs, I did like 1

14

and 1A.

15

designs on coins, but I think that this works well if

16

-- particularly since it's emphasizing the elements of

17

the Declaration of Independence, which are necessary

18

reminders for all of us and for the public.

19

I'm not usually a fan of overtly textural

I also did like design number 9 as

20

-- for the reverse as well.

I think that the shield

21

works.

22

text a bit smaller, but I think it's very dynamic and

Perhaps omitting the "Liberty" or making the

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very appealing in the sense, and I don't feel that the

2

representation of the eagle is too crushed or

3

compacted within the border.

4

For design number 7, reverse number 7,

5

I think it does have some -- I do like the idea of the

6

contrasting hands working around, but when I first saw

7

this design, it took me a while to realize exactly

8

what I was looking at at first.

9

they were eagle feathers or whether there was a scrap

I wasn't sure whether

10

of paper, and then I realized, "Oh, this is a hand

11

writing with a quill pen."

12

juxtaposition could also be worked in another reverse

13

design, but there's something about it that also does

14

have some appeal.

15

So perhaps that

And I also did like reverse number 3

16

just for the sense of the symmetry, and I like the

17

three stars in the middle and the way that they harken

18

back to the concepts of life, liberty, and the pursuit

19

of happiness, which is something that can be

20

reinforced and something that you can use as a

21

conversation point with the coin as well.

22

Thank you.

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2

THE CHAIRMAN:

All right.

Thank you

very much, Annelisa.

3

Kellen Hoard, if you would, please.

4

MR. HOARD:

5
6

Thank you.

This is Kellen

Hoard.
It's getting to the point now where

7

every meeting, whenever Chris speaks, there's always a

8

portfolio that he and I have the exact same opinions

9

on but -- and -- but he says it much more beautifully

10

than I ever could.

11

Where I landed on this one was I really

12

was not drawn to any of the obverse designs here for a

13

similar reason in that, I think, having spoken with

14

peers and with the public about the change in 2022

15

where they just turned George Washington's head

16

around, that was already of such a sufficient degree

17

that I had people come to me and be confused and

18

scared and -- and uncertain why we would -- we would

19

dare to do such a thing.

20

removing him from the obverse, I think there needs to

21

be really a clear connection to this theme, and I'm

22

not sure any of them currently get there for me.

So in order to justify

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I -- I mentioned in the dime -- the

2

dime portfolio there were a couple obverse designs

3

which I think would appear much better as a quarter,

4

and I would love to have some of those pulled over in

5

our future meeting to look at for this.

6

think many of them connect better to the Declaration

7

of Independence theme, like dime design 5.

8

pull over some from the platinum proof set.

9

some there that I could be more behind.

10

I actually

Or even
There's

In fact, one of the ones I thought

11

would be kind of interesting, which is from neither of

12

those, is from the Constitution quarter portfolio, the

13

Statue of Liberty obverse over on that side, which

14

we'll see later, so we don't have to pull that up now.

15

That one, I think, ties way better to Declaration of

16

Independence than it does to the Constitution and is

17

an iconic symbol of liberty that I think is accessible

18

to people, and which they -- we could justify as

19

having reason to replace for this anniversary.

20

those were the ones I was drawn to in different

21

portfolios, which I'd like to bring into here, if

22

possible.

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For the reverse, which I'm more excited

2

about with this particular portfolio, I like the

3

reverse 3, though I think Chris is right, it might be

4

a little inside baseball, but I thought the -- the

5

tieback to the Fugio cent was -- was great, and it

6

fits artistically, there's thematic clarity, visual

7

continuity.

8
9

I also think reverse 7 hasn't gotten
enough love.

It is really aesthetically pleasing

10

visual symmetry.

11

celebrating and emphasizing the Semiquincentennial to

12

me.

13

simplification, I think it is really emphasizing the

14

fact that this is 250 years, explicitly.

15

It is a -- a stand-out in

Even though I think it could use maybe some

I think it's going to be another piece

16

in sharing with the public, "Hey, here's why we are

17

revamping something that you have been familiar with

18

for 100 years," not just for the sake of reinvention

19

itself, but actually to celebrate how far we've come,

20

and I think making that explicit with the 250 will be

21

key.

22

So the reverses I think there's some

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exciting options; the obverses, I'd like to pull from

2

some different portfolios to make more explicit what

3

we're doing and to capture the Declaration of

4

Independence, specifically, better.

5

last thing here, which is some of the middle designs

6

here, 3, 4, 5, 6, I -- I wasn't a particular fan of

7

those.

8

seductive, and that may just be how it appears on the

9

-- the coin designs here.

I want to say one

I didn't read it as tired, I read it as

10

Sorry, not those, for the -- I'm sorry.

11

Yeah, 3, 4, 5, and 6 for the obverse here.

12

I read those a little bit differently.

13

differently on a coin, but again, in terms of

14

justifying the replacement of George Washington, I

15

think that's a -- a difficult thing to -- to sell with

16

the public, so I would be in favor of bringing some

17

other ones in.

18

And that's it for me.

19

THE CHAIRMAN:

20

So anyway,

It may appear

All right.

Kellen,

thank you very much.

21

Art, if you would, please.

22

MR. BERNSTEIN:

This is Arthur

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Bernstein, and I would like to add my enthusiasm to

2

obverse 1.

3

I wanted to call attention to the fact that Liberty is

4

holding the document.

5

Declaration of Independence to the coin, and I like

6

the way she is -- that -- that bold stride that is

7

exemplified.

8

really like obverse 1.

I -- I think it's a beautiful design, and

I thought that ties the

I thought it was an action coin, and I

9

When it comes to designs 3 and 4, I

10

guess I put my -- I -- I may have been the one who

11

raised the discussion about hair when we were talking

12

about the dime.

13

category, and -- and I'm not supportive of these

14

designs, which seem to emphasize a woman's hair.

15

-- I think it just draws attention away from the

16

concept of liberty.

17

And I put myself in the anti-hairdo

Design number -- obverse 7:

I

I

18

appreciated the way the -- the edging with the stars

19

around the edge.

20

nicely.

21

flag dress, I find it a little busy, and I -- if we're

22

talking about modifications, I wonder how this coin

I thought it sets off the coin

The -- the dress that Liberty is wearing, the

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might appear if her dress were more simple and didn't

2

have the -- the stars and stripes.

3

Lastly, on the obverses, design 9, I

4

-- I would support this design strongly as well.

5

found it to be very eloquent.

6

holding of the quill, I think Annelisa pointed to this

7

as well, action.

8

Declaration of Independence.

9

from the Mint with regard to the clothing design, and

The -- the quill, the

It shows -- it relates to the
There was a question

10

I don't find it distracting.

11

That would be my comments on the obverses.

12

I

I think it's elegant.

With regard to the reverses, when we

13

look at 1 and 1A, I think there's an opportunity here

14

when we -- throughout the quarter portfolio, as well

15

as maybe the half dollar, to use historical buildings

16

as a consistent carry-through between the different

17

designs, and we've seen -- we will be seeing other

18

buildings in -- in some of the offerings.

19

Continuing with the reverses, I guess I

20

have a technical question with reverse 6, and I'm

21

going to leave this question to those who are more

22

scientific than I.

I like this design, but I wondered

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about the clapper and gravity.

2

bell, it seems to me that the clapper is defying

3

gravity and is in the wrong direction with the way in

4

which the -- the bell is tilted.

5

know if that was a technical concern of any, but I

6

think the design is attractive.

7

As I looked at the

And I -- I didn't

With regard to reverse 8, as a graduate

8

of the University of Virginia, I -- I wanted to

9

acknowledge the portrayal of the Founding Fathers.

10

am a graduate of Mr. Jefferson's University, but I'm

11

not -- I find this design to be very busy, and I'm

12

just not sure it would -- it would work.

13
14

That concludes my comments,
Mr. Chairman.

15
16

I

Thank you.
THE CHAIRMAN:

All right.

Art, thank

you very much.

17

As for my comments, I'll preface this

18

by saying that I have to admit I wasn't particularly

19

thrilled by this portfolio.

20

I do think that number 1 certainly could work.

21

find this to be an attractive design.

22

don't think really will work at all.

In terms of the obverses,

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I do

Number 2 I
To me, at first

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impression, it seemed that Liberty here was a little

2

strung out and that the Phrygian cap here looks a

3

little too much like a watch cap and that she's just

4

been standing on deck for far too long.

5

Number 3, 4, 5, and 6:

To me, they all

6

seem to be very reminiscent of a 19th century Parisian

7

poster artist by the name of Alphonse Mucha, who is a

8

Czech artist and did a great deal of work that looks

9

very much like this.

And rather than appearing

10

sleepy, to my eye, the Liberties on many of these

11

obverses appear sultry and perhaps a little too sultry

12

for what we are trying to convey in terms of the

13

-- the dignity of Liberty.

14

7 and 8:

Again with 8, I'm not, at

15

this point, particularly fond of the Wonder Woman

16

effect.

17

strength of this design and think that with a little

18

bit more rearranging of the elements, it has potential

19

and possibility.

20

I do think 7 has potential.

Number 9:

I do see the

I'm not fond of this at all,

21

in part because of the mixing of the dress and the

22

bonnet, as Chris noted, but also having spent far too

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much time on Zoom over the last several years and

2

looking up people's noses, I'm just not thrilled by

3

this particular prospective.

4

far too cluttered.

5

Number 10 for me is just

In terms of the reverses, as Chris

6

noted, there is a potential here for dialogue with the

7

Bicentennial coinage of 1996.

8

did appear on the reverse of the half dollar, and

9

there, it was labeled Independence Hall.

And Independence Hall

And my

10

concern with 1 and 1A, although there is strength in

11

the design, I think it's going to be lost on a lot of

12

the public what the structure is without an

13

inscription indicating that this is, in fact,

14

Independence Hall.

15

most of the general public as, say, the capital

16

building is.

17

It's not as iconic, I think, to

Two, 2A, 3, and 4:

Again, to use

18

Chris's comment, they're -- numismatic inside

19

baseball.

20

Two and 2A are -- the eagle here just is a little too

21

reminiscent of those 19th century eagle chickens that

22

seem to appear on things like the seated Liberty.

Three, of course is an attractive design.

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just, you know, while the numismatists, I think, will

2

appreciate it, the general public, I think, again,

3

will be a little bit lost at that.

4

6 I do find to be a strong design, and

5

I would say that of the reverse design candidates,

6

this would be my favorite.

7

there, done that" with the Franklin half dollar.

8

Liberty Bell was prominent on that, and again, this,

9

perhaps, might be a little too reminiscent of that,

But again, we have "been

10

although again, I do think that this is a rather

11

strong design.

12

9 and 10, the shields:

The

This is

13

attractive, but of course, we've had the shield on the

14

penny recently, and I'm not sure if we'd necessarily

15

want to revisit the shield on the quarter for this

16

upcoming program.

17

12A, I think they're going to be totally lost on the

18

public, and I'm not sure if they'll even recognize,

19

you know, what these are and what the symbolic

20

significance of them would be.

21
22

The Ionic column capitals on 12 and

And as for the rest, I find them just a
little too cluttered, too complicated, or frankly,

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just too dull.

2

Those are my comments.

3

We are now at 12:40 p.m.

I'm sure

4

after this very long morning that we've had in

5

discussion that we are all ready for a little break

6

and some lunch, so we will take a lunch break, and we

7

will reconvene in an hour at 1:45 p.m., when we will

8

discuss the obverse candidate designs for the platinum

9

coin and then any potential sharing of designs between

10
11
12

these portfolios.
So enjoy your lunch, enjoy your break,
and I will see all of you in an hour, roughly.

13

(Off the record.)

14

THE CHAIRMAN:

All right.

We are back

15

from lunch, and I want to take a quick roll call of

16

the CCAC members to ensure we still have a quorum, so

17

please say "aye" when I call your name.

18

Mike Moran.

19

MR. MORAN:

20

THE CHAIRMAN:

21

Donald Scarinci.

22

MR. SCARINCI:

Present.
Thank you.

Aye.

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1

THE CHAIRMAN:

Thank you.

2

John Saunders.

3

MR. SAUNDERS:

Present.

4

THE CHAIRMAN:

Thank you.

5

Dr. Harcourt Fuller.

6

DR. FULLER:

7

THE CHAIRMAN:

8

Sam Gelberd.

9

MR. GELBERD:

Present.
Thank you.

Present.

10

THE CHAIRMAN:

Thank you.

11

Dr. Christopher Capozzola.

12

DR. CAPOZZOLA:

13

THE CHAIRMAN:

14

Jeanne Stevens-Sollman.

15

MS. STEVENS-SOLLMAN:

16

THE CHAIRMAN:

17

Annelisa Purdie.

18

MS. PURDIE:

19

THE CHAIRMAN:

20

Kellen Hoard.

21

MR. HOARD:

22

THE CHAIRMAN:

Aye, aye, Captain.
Thank you.

Present.

Thank you.

Present.
Thank you.

Present.
Thank you.

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1

MR. BERNSTEIN:

2

THE CHAIRMAN:

3

And I am here as well, Dr. Peter van

4
5

Alfen.

Present and aye.
Thank you.

Thank you.
So we have a quorum, and we will now

6

continue with the discussion of the 2026

7

Semiquincentennial quarter and the 2026 platinum

8

American Eagle proof coin, both commemorating the

9

Declaration of Independence.

10

So before our lunch break, we were

11

considering the designs for the 2026

12

Semiquincentennial quarter designs, and now let us

13

consider the designs for the 2026 platinum American

14

Eagle proof coin in light of our previous discussion

15

on the quarter designs.

16

So as you are discussing the platinum

17

designs, if there are any of the quarter designs that

18

you feel might be appropriate for the platinum coin,

19

this would be a good time to indicate that as well as

20

you're making your comments on the design portfolio

21

for the platinum coin.

22

please try to keep your comments to five minutes or

And again, if at all possible,

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less.

2
3

And we will start with Arthur
Bernstein, if you would, please.

4

MR. BERNSTEIN:

This is Arthur

5

Bernstein, and with regard to the platinum coins,

6

design 1 and 1A, I -- it took me a while to figure out

7

what that meandering quill was doing, and I -- I just

8

-- I didn't find it compelling.

9

around almost in the shape of a tornado.

10

The quill twisted

I did like designs 3 and 3A, although I

11

found the calligraphy to be a little overly

12

decorative, maybe a little overly ornate, and hard to

13

read.

14

wanting us to be citizens, not subjects, was

15

important, but I found that the calligraphy was

16

distracting.

I thought the story about Thomas Jefferson and

17

Design 4 I found very intriguing.

It's

18

quite unusual.

It's extremely modern, but it caught

19

my eye, and I was particularly entranced by the -- the

20

rubble at the bottom of the carving, the -- the pieces

21

of loose rock that came out when Liberty was carving

22

the word "Liberty" into the stone, and I found that

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design to be appealing.

2
3

That concludes my comments,
Mr. Chairman.

4
5

THE CHAIRMAN:

All right.

Thank you

very much, Art.

6

Kellen Hoard, if you would, please.

7

MR. HOARD:

8

So a couple of the designs stood out to

9

me here.

Sure.

Thank you.

Design 2 I -- I thought was really kind of

10

interesting.

I would almost prefer one without the

11

stars.

12

than they need to, and actually having the stars

13

removed I think would be kind of an interesting space

14

with -- you know, negative space over in this upper

15

right quadrant.

I feel they end up cluttering the space more

16

But it's still kind of, I just thought,

17

a really compelling, interesting design which

18

well-captures this Declaration of Independence theme

19

almost better than any of the other ones while still

20

being engaging.

21
22

I could also get behind 5A.

I just

thought that was another one that was really kind of

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compelling.

2

ones we've seen with regard to Declaration of

3

Independence previously in the platinum series, and I

4

also just really enjoyed it, though I did think it was

5

a little bit busy.

6

It was different than some of the other

And if you really pushed me and you

7

said, "Kellen, down in your heart of hearts, what do

8

you actually -- you know, where could we get you to

9

go?" you could get me to 3A as well, which is one that

10

I initially kind of shied away from.

11

platinum series is a really great opportunity to

12

actually push for with this artistic vision a little

13

bit and do things we haven't done before.

14

But I think the

Especially because the Declaration of

15

Independence has been featured in different forms and

16

formats on the platinum series before, this is an

17

opportunity to do something entirely new and actually

18

set this series apart from the older one, and so I

19

feel this would do it quite well, even though it is

20

definitely a little out there for my taste.

21

-- if the committee liked it, I could -- I could find

22

myself coming around to it.

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2

And that's all I have to say.
Thanks, Mr. Chairman.

3
4

THE CHAIRMAN:

All right.

Kellen,

thank you very much.

5

Annelisa Purdie, if you would, please.

6

MS. PURDIE:

7

This is Annelisa Purdie.

Thank you, Mr. Chairman.
Of all the

8

collections of portfolios, I have to say that these

9

for the platinum proof coin were some of my least

10

favorite.

I was expecting some slightly more dynamic

11

designs for the Declaration -- virtual connectivity

12

interruption -- some of these could be worked on

13

possibly, but there were none that really stood out to

14

me that made me say, "Yes, yes."

15

that have some potential.

16

But there were a few

I also do like the design of 3A.

I

17

think that this is one of the few examples where the

18

"From Subjects to Citizens" line actually does work,

19

possibly changing the font from this very -- although

20

it's very dynamic, I like the shadows -- this sort of

21

gothic style to something that may fit a little easier

22

on the coin.

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But I like the way that the quill is

2

connected with the message and the way that it's

3

connected with the paper.

4

crowded.

5

and see it as a standout as well.

It doesn't feel very

So I could definitely see this one going on

6

And 5A was another one that I see the

7

potential with.

The only caveat I have with this one

8

is, again, the position of the stars.

9

the purpose for their inclusion, but the way that they

I understand

10

fit around the hand does come off as a bit too

11

cluttered.

12

it could be, perhaps repositioning it somewhere so

13

that it's prominent or changing the composition.

14

the details on this one are beautiful, and I think

15

that it really emphasizes the physical writing of this

16

document and how important it is to our country.

Also, the "2026" isn't quite as visible as

17

And that's all I have.

18

THE CHAIRMAN:

19

22

Thank you.

All right.

Thank you

very much, Annelisa.

20
21

But

Jeanne Stevens-Sollman, if you would,
please.
MS. STEVENS-SOLLMAN:

Thank you,

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Mr. Chairman.

2

This is Jeanne Stevens-Sollman.

I am

3

going -- virtual connectivity interruption -- to go

4

back to -- 1, design 1, obverse.

5

MS. WARREN:

6

turn off your camera.

7

bit.

8
9

Thank you.

Jeanne, you might want to

It's breaking up just a little

MS. STEVENS-SOLLMAN:

Okay.

Is that

-- is that better I hope?

10

MS. WARREN:

11

THE CHAIRMAN:

Yes.
Yes.

Thank you.

12
13
14
15

MS. STEVENS-SOLLMAN:

All right.

I

-- thank you.
I liked the concept of 1 and 1A, and I

16

think that, although it's a little complicated

17

-- virtual connectivity interruption -- with my

18

colleague that it looks like a tornado kind of thing,

19

but it seems to me this could maybe work if it were a

20

little -- you know, if we didn't have these lines

21

going out from the -- the point of the inkwell.

22

know, if -- if those lines were omitted, maybe this

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would maybe work, but I -- I liked the very fact that

2

it had "Declaration of Independence" on 1A.

3

-- I think this could possibly be a candidate.

4

I think

I also liked -- and I agree with

5

Annelisa with candidate 3, is it?

6

think are very good.

7

"citizens" could be maybe toned down a bit and would

8

choose a different style.

9

Yes, 3.

3 and 3A I

However, we have -- the font on

And lastly, I think that the

10

possibility would be for 5, yes, 5, which is a

11

thoughtful piece that does speak directly to the

12

declaration.

13

could be a -- maybe a little bit more simple, but "all

14

men are created equal" I think was -- it's nice to

15

have on --

16
17

Thank you very much.
THE CHAIRMAN:

22

All right.

Jeanne,

thank you very much.

20
21

It

So those are my choices. Mr. Chairman.

18
19

And I -- I think this is simple.

Dr. Chris Capozzola, if you would,
please.
DR. CAPOZZOLA:

Sure thing.

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Chris Capozzola.

Good afternoon.

2

For me, what you get to do with a

3

platinum proof that you don't with a circulating

4

quarter is you can have a great deal more detail and

5

you might also be able to sort of work with the

6

history of coinage at a -- at a greater level.

7

that's sort of shaped me here.

8
9

I think -- I'll speak to 2.
number 2 is the -- is the safe bet.

So

I think

You know, it's

10

sort of -- it works.

11

but it would be, you know, quite familiar.

12

with Kellen that we could eliminate the stars.

13

think that the ocean motif mentioned in the

14

description will probably not resonate with people

15

unless they're really looking very carefully or know

16

what to look for.

17

very solid option.

18

It's a little bit innovative,
I agree
I also

But it's certainly, you know, a

I think the breakout option is -- is

19

3A.

That -- again, this, you know, sort of looks like

20

it was -- it is -- you know, looks like a 2026 coin.

21

I think it depicts the document itself, and -- which

22

is why it's better than 3.

I share the -- the concern

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about the font on "citizens," and I think it could

2

easily be the font used in -- in the Declaration of

3

Independence, you know, sort of what's called the

4

"engrossed copy," and which is the one that everybody

5

-- the font that people know when they think about the

6

Declaration of Independence.

7

very strong.

8
9

So I thought those were

I think, you know, again, 5 is a very
safe choice or -- and I -- I think I do like the idea

10

of "All men are created equal."

11

-- that really resonates.

12

and 3A over 5A if I had a choice.

It's a phrase that

But I think I would pick 2

13

Thank you very much.

14

THE CHAIRMAN:

15

All right.

Thank you

very much, Chris.

16

Sam Gelberd, if you would, please.

17

MR. GELBERD:

18

This is Sam Gelberd.

Thank you, Mr. Chairman.
I would prefer to

19

see some better designs for the platinum proof, to be

20

honest.

21

layout of 1 and 1A.

22

layout is just very well balanced.

But with that being said, I do like the
1A is -- just think the overall
And it may look

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like a tornado to some, but it was a very turbulent

2

time, so with that being said, I do like 1A --

3

Design 2:

It's also pretty nice.

4

a lot of design elements, but I don't think it's

5

terribly or overtly busy for a platinum proof.

6

think it would translate pretty well for this

7

particular program.

8

work with some redesigns.

9

of my other colleagues.

Designs 3 and 3A:

It's

I

They might

Again, I do agree with some
The font does read a little

10

bit difficult, but it is interesting the way it -- it

11

flows, especially the quill going right into the word

12

"Citizen," so I could live with that if the rest of

13

the committee did decide that way.

14

With number 4, it's a very interesting

15

modern take, and I'm not entirely opposed to it, I

16

just don't know if it is the best selection for this

17

particular program.

18

-- of the word "Liberty," and yes, with the little

19

chunks of rubble down at the bottom, excellent

20

symbolism as we're carving out in our nation's

21

freedom.

22

My favorite thing is the font in

Design 5 and 5A:

They're okay.

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could live with them.

2

little weird to me.

3

thumb.

4

biggest fan of it.

5

-- the building stages of our democracy.

6

symbolism there, not a problem, but I think it misses

7

the mark a bit, along with design 7.

8

exactly what I think -- for us for a platinum coin.

9
10

Just anatomically, it reads a
Just -- I couldn't get past the

I'm not sure why.

I tried, I'm just not the

6 is okay.

It's interesting, the
I get the

Also, just not

And that's all I have to say about
that.

11

THE CHAIRMAN:

12

Dr. Harcourt Fuller, if you would,

13

Great.

Thank you, Sam.

please.

14

DR. FULLER:

Thank you, Mr. Chairman.

15

Can we go to 1, please?

16

I actually like 1 and 1A.

The way how

17

I read it is that, you know, the -- the sun is -- is

18

breaking through or shining through the dark clouds,

19

right, the dark clouds of -- of, you know,

20

colonialism, you know, of -- of the British monarchy,

21

and this new nation is shining through; right?

22

you have a little bit of darkness, but you -- but you

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have an emerging or an emergent light.

2

And I -- I see the feather of the pen

3

sort of encapsulating that -- that brighter future

4

that is to come.

5

-- I -- some of the other elements, like the lines at

6

the -- sort of at the bottom of -- of the -- pen, I'm

7

not a big fan of that, but I -- but I -- I get the

8

symbolism, and I think that this coin has a lot of

9

potential.

And that's kind of how I read it.

10

Let's go to 5, please.

11

I think this is a safe coin.

I

I -- I do

12

like the fact that it focuses on both the pen and the

13

hand that's wielding the pen.

14

-- I know there was a comment about the stars.

15

don't really bother me that much, but I -- I think it

16

-- this just centers your eyes on the drafting of

17

-- of this -- this document.

18

It's not very busy.

I

They

I do have to say, though, and I know

19

that this is a historical phrase, "All men are created

20

equal," I think that if we're talking about our

21

current generation, our current time, 2026 and beyond,

22

you know, this is the part of history where -- one of

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the great things about -- about history, right, and

2

about our societies that we question some of the ideas

3

and the ideology from this -- this time of

4

independence and beyond; right?

5

What does it mean in 2026 when we say

6

"All men are created equal," emphasis on "men," at a

7

time when we've gone through, you know, over a century

8

of -- you know, of suffrage and when, of course, we're

9

having conversations about all different kinds of

10

equality:

Gender equality, et cetera.

And so I'm

11

just kind of throwing it out there as far as what

12

-- how relevant is that when we've kind of moved on

13

from centering our Liberty on -- on males?

14

Let's see 7, please.

15

When I look at this, I think it's too

16

busy.

In fact, one possible reading of it with the

17

crown is that it is actually promoting the monarchy;

18

you know, but just because it's there; right?

19

it requires you to sort of analyze and dissect, you

20

know, even though it seems like it's -- it's moving

21

away from the British monarchy, but it just -- the

22

-- the crown there, to me, is -- it's almost like it

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-- it's promoting it.

I know that's not the intent or

2

the intention of the artist, but -- but that's kind of

3

-- I think that's one possible interpretation of it,

4

which is not what we're trying to go for.

5

Those are my comments.

6

THE CHAIRMAN:

7

Thank you.

All right.

Thank you,

Dr. Fuller.

8

John Saunders, if you would, please.

9

MR. SAUNDERS:

10

Thank you, Peter.

John Saunders here.

On looking at the

11

designs, my favorite was 4 with a couple "buts" on it.

12

I don't like the face of Liberty at all, the way it

13

-- it kind of comes down in their eyes, and I mean, to

14

my mind, you'd have to redesign the face of it.

15

also don't like the font of "2026," particularly the

16

six.

17

But with -- with those two exceptions, that was

18

-- that was my favorite.

19

beautiful full-color poster.

20

coin.

21

the stars.

22

I

It looks like -- more like a -- a weird G to me.

2 would be okay.

1, 1A I think would make a
I don't see it as a

Again, I prefer it without

As a general comment to the Mint, which

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was looking for feedback, I think maybe a lot of

2

designs try to get too much stuff in.

3

bit less stuff is -- is good.

4

Maybe a little

I think 3A would be fine with the same

5

comment that we've heard before about the font.

6

don't particularly like a cursive on a coin.

7

-- I'd go to some sort of box letters for the whole

8

thing.

9

as well.

10

I'd

I think 5 or 5A would be perfectly acceptable
Again, I would prefer without the stars,

but, you know, they're not horrible.

11

I thought 6 was kind of boring, quite

12

honestly.

13

I didn't like it at all.

14

I

And 7, well, I guess I get the symbolism.
What I really like best --

And I don't know whether, Peter, we're

15

supposed to be talking about it now or you want to

16

talk about it afterwards.

17

I would like to go back to some of the

18

quarter obverse designs better than any of these.

19

like 3 of the quarter design for the platinum coin.

20

think the -- the swirling hair would really show up on

21

a bigger coin that you have here.

22

quarter design 7 would be good.

I also think
I don't like what

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-- I'm not quite sure what it is.

2

drapery or something coming off of behind her head

3

that goes between "In God We Trust" and the lady's

4

standing Liberty figure.

5

but I think that's nice.

6

It's a -- it's a

I'd get rid of the drapery,

And again, I supported design 1

7

wholeheartedly for the quarter, but if for -- and I

8

think it had general support, which to the extent if

9

for some reason we don't use -- use it on the quarter,

10

I think it's such a dynamic design that we can use it

11

on the platinum instead.

12

So those are my -- my main comments,

13

but I -- I would like to see 4 redesigned with a

14

different face on Liberty and a different font on

15

"2026."

16
17

THE CHAIRMAN:

All right.

John, thank

you very much.

18

Donald Scarinci, if you would, please.

19

MR. SCARINCI:

This is actually my

20

favorite series of United States coins.

21

think -- so starting with the hands, 5 and 5A, you

22

know, I think -- I think I prefer 5 to 5A because it's

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less busy, and even in 5, I would eliminate the stars.

2

I mean, there seems to be an obsession with, you know,

3

hair, things on people's heads, and stars, right, in

4

this whole portfolio.

5

So you know, maybe I'm just missing

6

-- I'm just not understanding it, right, which is

7

probably the case.

8

-- than what we're used to seeing.

9

know, I agree with -- I think it was Harcourt who

So this is very different art and
You know, I -- you

10

said, you know, we're -- this -- this is actually a

11

"one of."

12

-- so this is a good opportunity to do something a

13

little different and special.

It's -- it's in between series, I think, so

14

3, as between 3 and 3A, my preference,

15

again is 3A.

You know, I think -- I think I prefer

16

the -- you know, the -- the parchment with the quill

17

as opposed to the bell and the quill, which are two

18

unrelated items.

19

-- you know, I think -- I -- I -- you know, I think

20

we're -- I think it makes a very interesting

21

statement, I'm just not sure if the statement is

22

"subject to citizens" or some other way of saying

The -- the -- and I'm not sure about

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that.

So, but again, I don't -- I don't want to, you

2

know, design the coin.

3

As between 1 and 1A, again, I prefer 1A

4

because it's cleaner.

It's -- you know, it's -- it's

5

cleaner.

6

didn't just write and think our way, you know, into

7

-- into independence.

8

we kind of fought our way through it.

9

-- and -- and as the Declaration was being written,

And you know, we did kind of -- you know, we

You know, we -- we -- you know,
But you know,

10

people were dying, and people were fighting, and the

11

colonies were communicating.

12

So you know, again, I can't say I'm

13

-- I'm wild about any of these designs, and I -- but I

14

-- you know, but -- but that could be more for my

15

-- because of my lack of understanding and the fact

16

that it's so very different, you know, than anything

17

in the platinum coin series so far.

18

done some very novel things with that series, very

19

symbolic things, you know.

20

And I think we've

This -- so -- so this is certainly a

21

place to try out art, certainly, you know, certainly,

22

for those of you who have said that you're concerned

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about the circulating coins going to the public, you

2

know, and moving change, you know, that rapidly, you

3

know, this is -- this is a series, you know, that

4

doesn't circulate, it's collected, and -- and you

5

know, so these types of series of coins are where we

6

should be experimenting and exploring and thinking

7

outside of the box and doing different and unique

8

things.

So this portfolio does achieve that for sure.

9
10

THE CHAIRMAN:

Mike Moran, if you would, please.
You're muted.

13
14

Donald,

thank you very much.

11
12

All right.

MR. MORAN:

Still?

No, I should be

good now.

15

THE CHAIRMAN:

16

MR. MORAN:

There you go.

Okay.

This is Mike Moran.

17

After listening to everybody, I've -- I've got a lot

18

to choose from here.

19

got the second one, which is starry nights, and then

20

the third one, I have to admit, I've got my own name

21

for it, because when I looked at it the first time, I

22

thought, "Good Lord, that looks like a token you'd get

I've got the tornado coin, I've

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tossed off of a float in the Mardi Gras parade."

2

it's the bell and the -- the plume and the way the

3

quill is stylized there that really does that for me.

4

And

5 is a safe one, and I really suspect

5

that what we'll end up doing is going back to the

6

quarter designs and picking a -- a runner-up there for

7

-- for this one, because this is -- there's just

8

-- there's nothing more than just safe designs here

9

for me.

10

That's it.

11

THE CHAIRMAN:

12
13

All right.

Mike, thank

you very much.
As for my own comments, I have to say I

14

agree with Annelisa that this is probably my least

15

favorite portfolio that we've looked at to date, just

16

too many quills and too much parchment for my taste.

17

And I mean, I understand the necessity of it, I

18

understand the reference, but nothing here really just

19

struck a chord with me.

20

And there is a certain beauty and

21

elegance I certainly understand to 1 and 1A, but

22

again, as many of my colleagues have noted, there are

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quirks in this design that are a little difficult for

2

me to get over.

3

again with some modification of the gothic -- or the

4

font there.

5

really didn't -- just didn't resonate with me at all.

6

3 or 3A for me could possibly work,

And the rest of them, frankly, just

We do have now roughly half an hour

7

before the time for our break, and what I would like

8

to do is now have a discussion about this series, the

9

platinum coin series, in light of the quarter series

10

as well, and to discuss possibility of bringing

11

designs from one portfolio to another.

12

And also, I would like to remind

13

everybody, as April mentioned at the beginning of the

14

discussion, that for the platinum coin, this is the

15

first coin in a series of three that will be looking

16

at the founding documents.

17

comments, in this case, do keep in mind the fact that

18

this is the first coin of three in a series, and be

19

thinking about how, potentially, each of those three

20

coins in the series looking at documents, again a lot

21

of parchment and quills, you know, might all be

22

related to one another.

So as you make your

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So I'm happy to just open up the

2

discussion here, if anybody wants to raise their hands

3

and just make comments, then, about this.

4

Donald, I see your hand is raised.

5

MR. SCARINCI:

Yeah, I think, you know,

6

Peter, you hit on something that, you know, I think

7

-- you know -- you know, we have in the past

8

considered the entire series as a whole to see what

9

it's going to look like.

And you know -- and in fact,

10

you know, the -- the -- when we did that last, you

11

know it -- it resulted in -- you know, in -- you know,

12

in -- in a really nice miniseries.

13

These are -- these platinum coins, you

14

know, as -- as we all know, right are collected this

15

way.

16

series from the beginning, but they're also collected

17

as miniseries; right?

18

collected as miniseries, making them more affordable

19

as a collection and still very interesting.

20

They're collected not necessarily as an entire

And -- and they can be

So I wonder if it's possible for us to

21

really see this portfolio, you know, see the -- see

22

all three coins in the series and get an artist vision

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-- get -- get an artist's vision for what the series

2

of three coins would look like, and I -- I don't know

3

if that's possible within the timeframe, you know, but

4

I would love to hear from -- I guess from April.

5

THE CHAIRMAN:

Yeah, and there she is.

6

MS. STAFFORD:

Thank you.

7

THE CHAIRMAN:

April, if you wouldn't

8
9

mind answering that question.
MS. STAFFORD:

Thank you.

Absolutely.

10

That -- that is -- and I apologize if I didn't make

11

that very clear in some of the -- the leadup to the

12

background of this program.

13

hopefully have a subset of designs identified by the

14

committee today that you feel are strong or with

15

changes might be strong options, have potential to be

16

strong options, for the platinum proof year one.

17

then we would work with those artists to also develop

18

options for year two and year three, so you would see

19

how they would work together.

20

But yes, our plan is to

And

And so, even if we have -- you see a

21

certain something in a particular design, but -- you

22

know, we can absolutely go back and revise it, but

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then we would work with that artist, engage with that

2

artist or a couple of the other artists that you

3

identified, to build out the series, and therefore

4

we'd be bringing back a smaller portfolio, maybe three

5

or four artists, but you would see their concept

6

across the three coin designs of how they would

7

differentiate, you know, from year one, Declaration of

8

Independence, to year two, Constitution, to year

9

three, Bill of Rights, so you could see what -- what

10

that might look like, if that -- if that makes sense.

11
12

THE CHAIRMAN:

All right.

Thank you,

April.

13

Any other comments?

14

John Saunders, your hand is raised.

15

MR. SAUNDERS:

Yes, I wanted to comment

16

on number 5, something Annelisa said.

17

the date needs to be bolder here, if it's in the same

18

place or maybe it's repositioned or something like

19

that, but it -- it almost fades out and it's a really

20

important feature.

21
22

I -- I think

The other thing I think we might want
to think about, and this is for the -- excuse me, for

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the Declaration of Independence, which happened in

2

1776.

3

was later.

4

anniversary, not just of the -- American independence,

5

but of the Declaration of Independence, so this one,

6

we might want to put 1776, hyphen, 1926, like we did

7

on the circulating coins.

I mean, the Constitution and the Bill of Rights

8
9

So this one, it's actually the 250th

And I kind of said my thoughts.

I'd

sure love to see some of the quarter designs here even

10

more than the designs for the platinum, I think.

11

Again, I think quarter design 1 is so lovely we have

12

to use it somewhere, hopefully at the quarter, but if

13

not, here, and --

14
15

THE CHAIRMAN:
you.

John, sorry to interrupt

You mean obverse design 1 in the quarter series?

16

MR. SAUNDERS:

Yes -- yes.

17

THE CHAIRMAN:

Okay.

18

MR. SAUNDERS:

For the -- for the

Yeah.

19

quarter.

And 3 and 7, I think, would be good.

20

Possibly even something with 8.

21

Don said, if we're going to be experimental, the

22

platinum is the coin to be experimental on rather than

I mean, if we -- as

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the quarter.

2

And so I -- I would like for us to

3

seriously consider some of the quarter designs, which

4

I think were more innovative than the designs we have

5

for the platinum.

6

think, you know, 5 with the date a little bit more

7

prominent and maybe the stars gone would certainly be

8

acceptable.

9

But if we do with the platinum, I

THE CHAIRMAN:

Okay.

Thank you, John.

10

And just to be clear, you were suggesting that from

11

the quarter portfolio that obverse 1, 5, was it, and 8

12

might be considered for the platinum series; is that

13

correct?

14

MR. SAUNDERS:

Right, if we don't use 1

15

on -- on the quarter.

16

quarter.

17

thought, I thought, "Possibly even 8."

18
19

Hopefully, we do use it on the

And it would be 1, 3, 7, and then, on second

THE CHAIRMAN:

Okay.

All right.

you.

20

April, your hand is raised.

21

MS. STAFFORD:

22

Thank

I just wanted to clarify

with you, Mr. Saunders, those were all from the

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quarter obverses?

2

MR. SAUNDERS:

Yes.

3

MS. STAFFORD:

Did you -- were there

4

any reverses in the quarter portfolio that you

5

-- might be appropriate for the platinum?

6

wanted to confirm.

7

MR. SAUNDERS:

Yeah.

I just

I didn't get as

8

excited about the reverses as I did the obverses,

9

quite honestly.

You know, reverse 8, which is -- we

10

kind of kicked out for being too busy, could work on a

11

larger coin, but I -- I like the obverse designs

12

better.

13

MS. STAFFORD:

Thank you.

14

THE CHAIRMAN:

All right.

15

Chris Capozzola, your hand is raised.

16

DR. CAPOZZOLA:

Hi.

Thank you.

This is Chris.

17

think this is for -- for April and others, that I

18

think -- having spoken against reverse 3 on the

19

quarters for the circulating quarter as quote,

20

unquote, inside baseball, I do think, you know, 3 or

21

4, but particularly 3, could be compelling for the

22

platinum proof coin.

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I

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MS. STAFFORD:

Thank you.

2

THE CHAIRMAN:

All right.

3

Thank you.

Thank you very much.

4

Anyone else?

5

Sam Gelberd, your hand is raised.

6

MR. GELBERD:

Yes, Peter.

Yeah, I just

7

wanted to add, since we're talking about the

8

Declaration quarter designs as potential platinum

9

designs, I still just want to reiterate that obverse

10

10, I think -- very powerful, very dynamic.

11

that might translate well to a platinum proof.

12

all.

13

THE CHAIRMAN:

14

Any other comments?

15

All right.

16

All right.

I think
That's

Thank you.

I don't see or hear any

other comments.

17

I would like to ask April, since we do

18

have a few moments, if she would like clarification on

19

any of the comments that were made previously about

20

either the quarter portfolio or the platinum

21

portfolio.

22

MS. STAFFORD:

Just in -- I believe

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that there are a few designs in the current platinum

2

portfolio, or two or three at least, that I'm hearing

3

the committee would be open to seeing what the artists

4

would do for years two and three; is that -- is that

5

accurate?

6

conversation around 3 and 3A, design 5.

7

if 1 and 1A would be in that -- in that category.

8

certainly, I -- we can also consult the score sheets

9

to get a feel for that as well.

10

I know that there was some, you know,

THE CHAIRMAN:

Yeah.

I don't know
But

That was my

11

understanding as well, that 3 and 3A and 5 and 5A

12

received a fair amount of comments and enthusiasm, 1

13

and 1A a little bit less so, and then the remaining

14

designs in the portfolio -- and 2, also, I believe

15

also had some commentary.

16

Kellen, your hand was raised.

17

MR. HOARD:

Sorry, I was also going to

18

raise -- raise 2 there, Peter.

19

couple different comments about that one, and I -- I

20

liked it as well.

21

artist had in mind for the other parts of the series.

22

I -- I had heard a

I'd be anxious to see what the

THE CHAIRMAN:

All right.

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Annelisa, your hand is raised.

2

MS. PURDIE:

Thank you, Mr. Chairman.

3

This is Annelisa Purdie.

4

more from number 4, the design of Ms. Liberty with her

5

chisel.

6

of my favorites, but I don't dislike it.

7

other ones in the series and what the artist is going

8

for with the progression, I would be interested in

9

hearing more from.

10
11
12

I would be willing to see

There's something -- I don't -- it wasn't one

THE CHAIRMAN:

All right.

Seeing the

Thanks very

much.
All right.

Are there any other

13

questions or comments about either one of these two

14

portfolios at this time?

15

All right.

Well, at this point, then,

16

what I would suggest is that we score the portfolios,

17

both the obverse and reverse candidate designs for the

18

2026 Semiquincentennial quarter, commemorating the

19

Declaration of Independence, and the portfolio for the

20

candidate designs of the 2026 platinum American Eagle

21

proof coin, which also is celebrating the Declaration

22

of Independence.

And if you could, then, please

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email, if you are able to do so, the score sheets to

2

Greg Weinman, CCAC counsel, he will tally those scores

3

and present them to us tomorrow morning.

4
5

Arthur, I think I saw your hand raised
briefly for a moment.

6

Did you have a question?

MR. BERNSTEIN:

Yes, I -- yes, this is

7

Arthur Bernstein.

8

relating to what you just mentioned.

9

It was a technical question

Greg, do you want these as separate

10

emails?

Does it matter?

11

which we should transmit these?

12

What -- what is the way in

MR. WEINMAN:

No, a single email is

13

fine.

I just -- because I -- I will -- I'll break out

14

the forms.

15

next to me, and I'm going to need to -- it helps me

16

create a printer record.

I just need to have a -- I have a printer

17

And Peter are we -- are -- I know we're

18

reporting all the -- all the Semiquincentennial scores

19

tomorrow.

20

then?

Does that include the platinum as well,

21
22

THE CHAIRMAN:

Yeah, we'll present

those as well.

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MR. WEINMAN:

Okay.

We'll deal with

2

-- we'll deal with all that tomorrow.

3

So yes.

4

THE CHAIRMAN:

5

MR. WEINMAN:

6

Yeah, so just send me -- send me

7

Okay.

Yeah, we will.

Wonderful.

emails.

8
9

Yeah.

Got it.

THE CHAIRMAN:
moment, we are at 2:26 p.m.

Okay.

And at the

We're a bit ahead of

10

schedule.

I would suggest that we take a break until

11

2:40 p.m., and we will reconvene and continue on with

12

our order of business.

13

14 minutes.

All right.

So I will see you in roughly
Thank you.

14

(Off the record.)

15

THE CHAIRMAN:

All right.

So we are

16

back from our break, and we now move on to the last

17

order of business for today.

18

the second of five quarters for 2026.

19

will present the candidate designs for the obverse and

20

reverse of the 2026 Semiquincentennial quarter

21

commemorating the Constitution.

22

We will be considering

April, all yours.

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April Stafford

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MS. STAFFORD:

Thank you.

2

The Constitution of the United States

3

is the charter drafted and approved by the

4

Constitutional Convention in 1787 to replace the

5

Articles of Confederation.

6

ratified by the states in 1788 and took effect in

7

March 1789, after the first federal election selected

8

the representatives to serve in the U.S. House of

9

Representatives, the Senators to serve in the U.S.

The Constitution was

10

Senate, and George Washington as the first president

11

selected by the Electoral College.

12

The U.S. Constitution is the world's

13

oldest written national government charter still in

14

operation.

15

the American people are the source of sovereignty for

16

the nation, distinguishing it from the 18th century

17

nations that base sovereignty on the divine right of

18

kings.

19

The Constitution's preamble declares that

"We, the people," the founders

20

declared, "established this Constitution to form a

21

more perfect union."

22

fundamental rights, the Constitution also separated

To protect liberty and

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government powers among the executive, judicial, and

2

legislative branch -- branches to provide checks and

3

balances to prevent one branch from assuming unlimited

4

authority.

5

The articles of the Constitution also

6

described a federal system where -- which -- where

7

defined powers are ascribed to the federal government,

8

but other powers remain with the states, or the

9

people, providing another level of separation and

10

balance in the distribution of governmental authority

11

and power over the nation.

12

Obverse designs for this quarter

13

feature Liberty.

The reverse will commemorate the

14

U.S. Constitution and its ratification as a critical

15

inflection point in our nation's history, a point at

16

which the founders made practical the values and

17

aspirations expressed in the Declaration of

18

Independence.

19

This framework, the United States

20

Constitution, that depends on the consent of the

21

governed, has three distinct branches of government

22

with the revolutionary idea of checks and balances and

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power and authority distributed broadly, and it marked

2

a momentous shift for Americans and the world.

3

Constitution established a mechanism through which

4

Americans could revisit, reassert, and reaffirm our

5

principles of liberty and freedom that our country was

6

founded upon.

7

The

So obverses, we'll start with obverse

8

1, 2, 3, 4, 5, 6, 7, 8, and 9.

9

reverse 1, 1A, 2, 3, 4, 4A, 5, 5A, 6, 7, 8, 8A, 9, 10,

10

and 11.

11
12
13

For reverses we have

And that concludes the candidate designs.
THE CHAIRMAN:

Thank you very much,

April.
Are there any technical or legal

14

questions from the committee about this program or the

15

designs for the 2026 Semiquincentennial quarter

16

commemorating the Constitution before we begin our

17

general discussion?

18

All right.

I don't hear or see any, so

19

let's begin our consideration.

And again, as always,

20

I'd like to remind the members to please keep your

21

comments to five minutes or less and identify yourself

22

prior to speaking.

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2

And let us begin with Annelisa Purdie,
if you would, please.

3

MS. PURDIE:

Thank you, Mr. Chairman.

4

This is Annelisa Purdie.

I'd like to

5

start with the reverse designs.

These are the ones

6

that I looked at first.

7

is actually design number 6.

8

really just like the concept of "We the People" in

9

thinking about the past but also the present and the

My preference for the reverse
This one, in general, I

10

future, and I think that this theme overall represents

11

this idea of the nation, of the people, by the people,

12

for the people, and the fact that we all have a stake

13

in our country as set out in the Constitution.

14

The only concern that I have with this

15

design is the shadow work in the way that the hands

16

are meeting the "We the People" element, but I was

17

really drawn to this idea.

18

like that sort of idea of people holding this up

19

outside of stone.

20

It looks like stone, and I

I also like design number 5A for the

21

reverse.

Again, I'm starting to think ideas about

22

this one, the "in order to form a more perfect" on the

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back of the quarter, specifically, versus some other

2

coins, even though there's still some -- still some

3

concerns about the overuse of text, I think I'm still

4

-- design.

5

I really like this one.
For the obverse designs, again, nothing

6

really that stood out to me where I said, "This is

7

something that I really want to put there," but I do

8

think that they all have some level of merit.

9

that I like the most is obverse design 2, mainly

The one

10

because of the construction showing the actual laying

11

of the foundation in terms of bricks versus chiseling.

12

I feel like we've been seeing a lot of chiseling

13

activity with different coin designs lately.

14

the idea of tying it with stone masonry and actually

15

working to build up this republic.

16

I like

For designs 7, 8, and 9, in particular,

17

I think that these all -- I would like to see these

18

revisited in some way.

19

about each of these three that could be worked on, but

20

as they are now, with number 9, in particular, the

21

spacing of the letters is just throwing me off a bit.

22

There are certain elements

Also, with number 7, I like the

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concept.

2

1776 to 2026 in her hair itself.

3

appreciate -- I'm really excited to see a different

4

representation -- on the design with this coin, but

5

not the way that the year is -- the position, you

6

know, I think takes away from the dynamism of the

7

design itself.

8
9

I am not crazy about the idea of putting the
You know, I

Same thing with number 8.
the potential in this.

I can see

Not sure about the Liberty in

10

the diadem so much, perhaps if it could be placed on

11

another part of the coin.

12

positioning of the bust and the expression here as

13

well.

But overall, I like the

14

And those are my comments.

15

THE CHAIRMAN:

16

Wonderful.

Thank you.
Thank you,

Annelisa.

17

John Saunders, if you would, please.

18

MR. SAUNDERS:

19

Going through these, I liked obverse 1

Thank you, Peter.

20

best.

It gives an impression about how hard it was to

21

come up with the Constitution.

22

states fought over this for a -- a long time, and it

We -- the -- the

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damn near didn't happen.

2

together, it was kind of like chiseling stone to do

3

it, and I think it's a good depiction of Liberty.

4

think the design works for a quarter-size coin.

5

don't think it's too busy.

6

To -- to get everybody

I
I

I like it.

2 I didn't like as much, but it isn't

7

bad.

I didn't like it as much.

8

experimental, a little interesting.

9

whether I -- I liked it a little bit or hated it, so I

10

went on.

11

there.

12

of -- of Liberty.

3 is kind of
I couldn't decide

4, I didn't particularly like the design
I don't like the full -- full body depiction

13

She's awfully well-endowed.

Going on to 5 -- 5 and 6, I did not

14

like the expression on Liberty, on either one of them.

15

She's -- maybe she's supposed to be looking serious,

16

but it -- it looked like she was almost disappointed,

17

and -- and so forth.

18

think I'd like to support it, but I -- I find it kind

19

of an interesting different.

20

7 is interesting.

I -- I don't

8 is not a bad design, but it looks

21

like -- an awful lot like one of the commemorative of

22

first ladies.

It seems like I've seen that design

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before.

I don't know whether it was Dolley Madison,

2

or one of them was -- was very close to that.

3

is -- I think it's -- it's a little bit of a -- of a

4

powerful design, too.

5

artistic merit.

6

but I'm -- I'm still in favor of -- of 1.

7

The O9

I -- it's different, certainly

I -- I kind of -- kind of like O9,

In terms of reverses, I wasn't

8

tremendously excited about anything on the reverse,

9

quite honestly.

I like 5 or -- or 5A if we don't use

10

that design on one of the other coins we've looked at

11

where we have the Independence Hall, and I also like

12

6.

13

interesting design.

14

I mean, I -- I think that -- that is an

1 is okay.

1 and 1A are okay.

Struck

15

me as a little bit boring.

16

the hell was going on with 2.

17

there, but it's -- 3, again, is -- is okay, but a

18

little bit on the boring side, I thought.

19

are kind of interesting.

20

what everybody else thinks of those guys.

21
22

I -- I wasn't sure what
Excuse my language

4 and 4A

Kind of interested to see

7, I felt kind of boring, and all the
versions of 8 are -- didn't jump out at me at all,

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including 8A and 9 and 10.

And 11 is, again, the

2

chiseling theme, but I thought the action picture in 1

3

was just much better than 11, if we're going to go

4

with that -- that theme, I guess 1, 1 on the obverse.

5

So I've kind of rambled around here,

6

but my -- my preference again is 1 on the -- on the

7

obverse with the possible exception of doing 9, and on

8

the reverse, 5 or 6 were the ones that impressed me.

9

Make -- 4, 5, and 6.

10

there.

11
12

Let me -- let me include 4 on

THE CHAIRMAN:

All right.

John, thank

you very much.

13

Jeanne Stevens-Sollman -- please.

14

MS. STEVENS-SOLLMAN:

15

Okay.

Thank you

very much, Mr. Chairman.

16

I think I was most disappointed with

17

this portfolio.

I was hoping to see something more

18

exciting, but this is what we have, and I will talk

19

about design number 1 and 2, which are my first -- at

20

first, I did not like these.

21

little bit more promising than 2, and if we -- if we

22

paired this with -- I think it's 4, 4A in the reverse

However, 1 seems to be a

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where, you know, we have a building, that might work.

2

That's not the right one.

3

THE CHAIRMAN:

4

Yeah, 5, I believe, is

what you mean.

5

MS. STEVENS-SOLLMAN:

Five.

Yes, five.

6

Five -- five -- those two would work, although I think

7

it would be a rather boring coin.

8

4A, the one that we just saw, was pretty exciting for

9

a reverse, you know.

However, you know,

You have the pen actually

10

pulling that fiber across the Constitution.

11

liked this one a lot.

12

very excited about -- about this portfolio.

13
14

I -- I

I was -- like I said, I was not

I think that's all I have to say.
Thank you.

15

THE CHAIRMAN:

Thank you, Jeanne.

16

Sam Gelberd, if you would, please.

17

MR. GELBERD:

18

And this is Sam Gelberd.

Thank you, Peter.
Of course, we

19

have to consider the obverse and reverse die marriage

20

very carefully.

21

a design element and just want to make sure it's not

22

on both sides, of course.

"We the People" should absolutely be

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So with that being said, I do like the

2

direction for obverses 2 and 4.

Obverse 4, the dress,

3

I instantly thought of Adolf Weinman's Walking Liberty

4

design, very similar look.

5

though it's a full-bodied Liberty, I do think it's

6

pretty impactful.

7

could also accept obverse 1, the chiseling.

8

obverse 2 does read a bit better as far as building

9

our nation the cornerstone.

I -- I just think even

I think it could work.

It -- I
I do

You know, having the date

10

right there, I think that's a -- pretty powerful

11

imagery.

12

Obverse 3, with the Statue of Liberty,

13

of course, it was not, you know, contemporary to the

14

time, but it would be a nice nod to our -- the French,

15

who did assist us greatly in the -- in the Revolution,

16

so I'd be okay with that, but I think it may be better

17

served with a different program later on, perhaps.

18

Obverse number 9, also pretty powerful.

19

like it for a quarter just yet, maybe not the

20

Constitution quarter.

Not sure if I

21

If we go back to design 7, obverse 7.

22

Very interesting, yeah.

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bit strange with the date, but I do like the direction

2

that that one is heading in.

3

Obverse 8, if we could go to that.

4

While I do like on the headband or the

5

diadem, the word "Liberty," instantly makes me think

6

of a Longacres Indian Head cent or a Barber's Liberty

7

Head nickel with "Liberty" in the headband there.

8

pretty interesting for that, just not as powerful as

9

obverses 2 and 4.

10

So

And with that being said, the reverses,

11

8A, I do like a lot if it was paired with obverse

12

number 4, or perhaps reverse 2 if it were paired with

13

obverse number 4.

14

need to -- obverse 4 to say "U.S. Constitution"

15

instead of "We the People," just so we're avoiding

16

having "We the People" on there too much.

17

Of course, if we did that, we may

Reverse 2 is interesting.

I didn't

18

realize, of course, that that is the back of the chair

19

that Washington was sitting in as president of the

20

Constitutional Convention in 1787.

21

difficult for a lot of people to latch onto, even

22

established numismatists, but it's a teachable moment,

So it may be

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and as a former classroom teacher, I'm all about

2

teachable moments whenever we can, especially using

3

our coinage.

4

Again, obverse 8, going back to 8A

5

-- I'm sorry, 8, rather, it does feel like -- gold

6

coin, as John alluded to.

7

only because of the 1976 Bicentennial half dollar, I

8

think those designs would be better suited to the

9

"Semi-Q" half dollar, just because it may help

Reverse 5 and reverse 5A,

10

translate a little bit better because people may not

11

understand the close up image if it doesn't say

12

Independence Hall, so I almost want to reserve those

13

for judgment when we look at the half dollar "Semi-Q"

14

designs.

15

But with that being said, some of the

16

designs that are safe for the reverse are 4, 4A, 8,

17

8A, 9, and 10.

18

--

19

it could work.

20

and reverse 8A or reverse 2 I'd have to say are my

21

favorite picks.

22

Reverse -- with the hands holding

"We the People" is a pretty cool concept.

I think

But again, yeah, obverse 2, obverse 4,

Thank you.

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2

THE CHAIRMAN:

All right.

Sam, thank

you very much.

3

Mike Moran, if you would, please.

4

MR. MORAN:

5

Thank you, Peter.

6

This is Mike Moran.

There we go.

I think the figure

7

in number 1 needs to be enlarged.

Otherwise, I think

8

it's a great design.

9

have the motto "E Pluribus Unum" on it rather than "In

In number 2, the plinth should

10

God We Trust."

11

the foundation.

12

inappropriate for this quarter because it's out of

13

historical context.

14

columns I believe is going to be lost on a quarter,

15

and the same for number 6.

16

I think that's more appropriate for
The Statue of Liberty I think is

The imagery in 5 of the five

7, I believe, is better suited for

17

either Abolition or Civil Rights.

And on number 9,

18

what is that on the top of her head?

19

guess that it's a helmet, but the guy on the street is

20

just going to be lost with that.

21

be done with that.

22

like that the -- the inscriptions on this one, I -- I

Maybe I could

Something needs to

Otherwise, it's okay.

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would want to change the lettering on "In God We

2

Trust" so that it's not as large as -- anywhere near

3

as large as "E Pluribus Unum."

4

On the reverse, the chair's a unique,

5

beautiful concept, but it's going to get lost.

6

know, John hit the nail on the head.

7

what it was.

8

it looked like latticework to me until I saw and

9

figured out that that was the rising sun, or the

You

He didn't know

I had to look at it for a minute because

10

setting sun, depending upon Franklin's point of view

11

on that.

12

Anyway, I prefer the inscription "We

13

the People" over "in order to form a more perfect

14

union."

15

perfect union" really belongs on the half dollar if

16

we're going to use any phraseology at all.

17

feel like the style on number 11 in the reverse is out

18

of sync with what we've seen for the possible obverse

19

pairs for the Constitution quarter.

I think the phrase "in order to form a more

20

That's it, Peter.

21

THE CHAIRMAN:

22

And I also

Mike, thank you very

much.

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Donald Scarinci, if you would, please.

2

MR. SCARINCI:

So you know, I'm dying

3

to tell the story about, you know, "We the People" and

4

-- versus the states, "We the States," but I'm not

5

going to tell that story.

6

The -- the -- I think I've been looking at this -- at

7

these coins as pairings as opposed to looking at

8

obverse/reverse.

9

to me a great deal, you know, and -- and one of them

10

I'll save it for Chris.

And there's two pairings that appeal

is with obverse 7.

11

Now, having -- before I talk about the

12

pairing, like, you've got to lose the date in the

13

hair; right?

14

thing is with this portfolio about the hair, you know,

15

but, like, let's just -- let's just -- I think -- I

16

think the quarters, there's something, I think, that

17

-- that spoke to me during, you know, reviewing this

18

portfolio, and that is, you know, we get to use these

19

-- the obverses of Liberty on the -- on the quarters

20

to show the diversity of America; right?

21
22

I mean, you know, I don't know what the

And they -- they don't all have to be
white women, and -- and they don't even have to be

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women at all; right?

I mean, they could be -- you

2

know, they -- you know, what -- what about a different

3

Liberty -- a different Liberty on each of the

4

quarters, you know, that might reflect the diversity

5

of what America -- you know, the ideal of America,

6

right, the ideal that America looks for.

7

And you know -- and -- and you know,

8

but the hair or the -- the lettering in the hair is

9

just -- is just -- like, it's a non-starter.

But if

10

you pair this one with -- if you pair this one with

11

reverse 6, you know, with the -- you know, with the

12

"We the People," that kind of looks cool.

13

-- I think that would make a nice coin, you know, for

14

-- for this -- for Constitution.

15

something similar to it with -- you know, with the

16

other quarters, you know -- you know, it's in the

17

pairing; right?

You know, I

And then we can do

18

The other -- the other pairing that's

19

interesting in this quarter would be with obverse 1,

20

and if you go with obverse 1, you -- you want to look

21

at reverse 1A.

22

have the crafting, you know, the -- you know, the

And you know -- and you know, here you

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creating, and on the -- on the reverse, you have the

2

building, you know, and -- and that -- that appeals to

3

me.

4

And using -- using -- you know, using

5

this -- you know, this idea of, you know, the

6

Constitution as your building block document; right?

7

It is the building block document, and as Thomas

8

Jefferson, you know, said at the time, you know, it

9

needs to be changed periodically as -- as society

10

changes, as the world advances.

11

And amending the Constitution, you

12

know, hasn't happened as often as I think the founders

13

would have anticipated because the document -- the

14

founders anticipated amendments to the document and

15

made many amendments while they were still alive in

16

their lifetime.

17

So you know, we -- we tend to -- we

18

tend to -- we'd rather just complain and tweet on

19

social media instead of, you know, doing a petition,

20

you know, to -- you know, to change the Constitution

21

to reflect what the population -- you know, how the

22

population has changed, how people have changed, how

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society's changed.

2

But anyway, those are the two -- those

3

are the two pairings that I like the most.

4

-- I just -- you know, and -- and I -- I certainly

5

think, you know, both 1 and 2, you know, are -- are

6

nice designs.

7

think there's so much potential in this whole

8

portfolio, but you know, the -- you know, why can't

9

people just look like people; right?

I think there's a lot of potential.

I

They're people.

10

And -- and Liberty is us; isn't it, really?

11

end, it's us, it's people.

12

I just

In the

So I don't know that we need all this

13

stuff going on in the hair and the -- the, you know

14

-- you know, the antennas coming out of people's head,

15

the, you know, flowers, the rays, and all this stuff.

16

But anyway, I've said that.

17

about "We the People" versus "We the States," very

18

interesting story leading to the Civil War.

19

THE CHAIRMAN:

20

much.

21
22

So another time, we talk

Donald, thank you very

Entertaining for midafternoon.

Appreciate it.

Dr. Harcourt Fuller, if you would,
please.

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DR. FULLER:

Thank you, Mr. Chairman.

2

This is Harcourt Fuller.

I think that

3

there -- there are many things in this portfolio that

4

appeal to me, and there are many things -- there are

5

other things that I have questions about that I'm

6

-- I'm not sure about.

7

I definitely like 1 in the obverse.

8

think it's a stunning image.

9

says to me is -- is this idea of America being

I

When I see it, what it

10

self-made, its liberty, you know, the carving herself

11

out of, you know, the -- the stone; right?

12

-- it's just -- it's -- yeah, I just think that it's

13

-- it's stunning.

14

often see.

15

know, the shape.

16

I see a lot of motion in it, a lot of doing, a lot of

17

action.

18

So it's

It's not something that you -- you

I -- I like all the dimensions, the -- you
I -- I just think it's -- you know,

So I think that's one of my favorites.
I also like 2.

The -- the idea of

19

-- of Liberty, you know, you know, building

20

-- building, building America, building this house,

21

you know, with the cornerstone, with -- with the

22

-- you know, the dates, I think that's very appealing.

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I think it's a very strong coin and not a depiction

2

that we -- we normally see.

3

I also like 4.

It's a very stern look.

4

It's saying, you know, "We" -- you know, "We the

5

People"; right?

6

saying, you know, we are the source of power in this

7

country, and it's no nonsense, you know, she's not

8

smiling.

9

It's -- it's almost in your face

It's a very serious thing.
Can we go to 5, please?

10

So there are a -- a couple of these

11

images in this portfolio that I think don't quite

12

portray what -- what I -- I think we're trying to

13

portray.

14

I would also add that she looks sad here.

15

she -- her -- you know, her head is -- is hung, she's

16

-- she looks kind of like things are not working out,

17

and I don't think that that's the -- the message that

18

we're trying to send.

I think someone said she looks disappointed.
You know,

19

Let's see 6, please.

20

It's the same sentiment here.

21

And 7.

22

Now, I -- you know, I think that -- I

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just want to echo what I think I heard Donald saying.

2

I think, of course, oftentimes, you know, the

3

portrayal of -- of Lady Liberty is of a -- you know, a

4

-- a white female, and you know, I -- I think I had

5

said before that a couple of years ago, I remember

6

getting a -- a gold Black Lady Liberty commemorative

7

coin and how my daughters were so excited because they

8

could see themselves in that coin.

9

Now, I'm not necessarily saying that it

10

needs to be an African American woman.

It could be

11

any other woman of color, so to speak.

But I just

12

think that it is a stunning image.

13

doesn't work for this series, I would love to see this

14

as a -- as a coin elsewhere, I think Mike mentioned as

15

part of, you know, the -- the Civil Rights or the

16

Abolition set.

17

I think that if it

But I also think that it could work for

18

this, because if we're trying to -- I mean, we've

19

already seen a particular type of image for over

20

-- you know, for a very long time, over two centuries.

21

I think that we can change it up.

22

new era.

We're going into a

We need new kinds of representation.

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about inclusion and not -- you know, so I -- so I -- I

2

really like this.

3

-- as one of the coins in this series or -- or some

4

other series.

5

And again, I'd love to see it as

With respect to the reverses, I think

6

number 1, I like -- I like that.

7

the -- you're seeing all the tools that are used to

8

make this country, this structure, this house.

9

the font on it as well.

10

You know, I think

1A I also like.

I like

I like the

addition of "We the People" there.

11

Let's go to 4, please.

12

Yeah. So 4 and I believe 5 or 4A

13

-- let's see if it's -- yes.

I -- I like the contrast

14

between the light and dark, you know, the hand holding

15

the pen.

16

make a great coin.

I think that works very well.

I think it'll

17

Let's go to 6, please.

18

I really, really love this one.

I

19

think Annelisa said the same thing.

It's -- I mean, I

20

think it's -- it's self-evident, it's obvious, you

21

know, the people, we the people, we are the source of

22

-- of life and power in this country.

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People" writing, it almost looks like a plant that is

2

emerging out of the soil that's being nourished by the

3

people.

4

-- that I would probably like to see different shades

5

in the hands to represent the diversity of -- of the

6

people in the country.

I -- I think my only comment would be that

7

Those are my comments.

8

THE CHAIRMAN:

9

Wonderful.

Thank you,

Dr. Fuller.

10
11

Thank you.

Dr. Chris Capozzola, if you would,
please.

12

DR. CAPOZZOLA:

All right.

13

This is Chris Capozzola, and it's

14

-- it's a pleasure to go toward the end of the -- of

15

the sequence this time because it allows me to learn

16

from other people along the way.

17

It's really hard to put the Constitution into visual

18

-- you know, to communicate it visually, and I think

19

that's what we're struggling with.

20

but incredibly important document, and so I think

21

that's -- that's part of the challenge.

22

I'll just observe:

It's an abstract

I will say -- and I'm -- I'm also

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struck by -- you know, I think everything I think sort

2

of depends on what we do with some of the other

3

Semiquincentennial coins; right?

4

about them as a collection in a sequence, I think

5

there may be some solutions.

6

And if we think

Once again, I will just emphasize,

7

like, it's really important that we're changing the

8

obverse of the quarter and that George Washington is

9

departing the coin.

And especially in our current

10

political environment, some people will take that as

11

an attack on the founding.

12

sure that it's conveyed as an affirmation of the

13

founding and -- and that we do it in a way that

14

conveys, you know, the value of the founding four, you

15

know, for 2026.

16

doing that is by having across the sequence a range of

17

different obverses that will work for -- for all

18

Americans.

19

I think we have to make

And I think that one of the ways of

So on the obverses, I -- I like obverse

20

1.

I feel like we've seen this before.

21

it a lot before.

22

I just want to raise, I would -- there's a little

I like it now.

I -- I liked

Here and elsewhere,

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complication for how we handle dates on the

2

Constitution quarter because it -- it's marking the

3

Semiquincentennial, so it's 1776, 2026.

4

250th of the Constitution itself, which dates to 1789.

It's not the

5

I personally don't like a dash, and if

6

it -- if the dates can be separated, you know, either

7

one above the other or with a dot or a star, looking

8

at this, it just looks like a birth and death date of

9

the -- of our republic, which I really am hoping is

10

not the case.

11

that.

12

And so, you know, I would just request

I'll also flag in 1 that the torch is

13

specifically the torch from the Statue of Liberty.

14

don't think that's a problem.

15

makes it legible to most people, whereas, you know, I

16

-- I concur with others that -- that O3, while

17

fantastic, is -- is not appropriate for -- for this

18

particular -- this particular portfolio for the

19

historic accuracy reasons.

20

I

I actually think it

On the -- in terms of other obverses,

21

you know, I think others have -- have said things

22

pretty clearly on some of the others.

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think this could work as one of -- one of a range of

2

obverses that -- that kind of reimagine, you know,

3

sort of the founders, and -- and this could certainly

4

work.

5

of the hair, and I think -- I'm not sure that the

6

flames and the stars are going to be really legible or

7

-- or will communicate.

8

people's hands and pockets, but they might not

9

communicate clearly what's being communicated.

And just concurring the dates have to come out

They might be visible in

But I

10

liked this as being a coin that could only have been

11

made in 2026, so I appreciated that.

12

And 9, I -- initially, I really didn't

13

like, but you all have won me over a little bit.

14

think -- I think with maybe a different headpiece and

15

-- and just taking out the stars and just making them

16

-- you know, making "E Pluribus Unum" legible would

17

-- would go a long way here on the obverse.

18

again, I think number 1 is my preference.

19

I

But

On the reverses, again, I -- I think

20

I'm informed by what other people have said along the

21

way.

22

was really interesting and promising.

I think my top choice here is O6.

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course, what you pair it with.

2

what Harcourt just said, maybe, you know, a range of

3

different hands, which doesn't necessarily have to be

4

in the shading of skin tone but could also be

5

communicated through age, size, you know, adult child,

6

et cetera, just to kind of show all Americans building

7

-- building and holding that -- that up.

8
9

I would concur with

I loved O2 with the chair.
great story.

It's just not going to work.

That's a
It's too

10

-- you know, it's just too much for -- for most

11

Americans to -- to process in a circulating coin.

12

then the other one, I -- obviously, 5 and 5A are

13

-- are solid and strong.

14

of this on the Declaration quarter.

15

to do both. You know, then it would get boring.

16

of -- between 5 and 5A, I think I -- I prefer 5.

17

Again, as with Sam, I feel like "We the People" is

18

just a really important feature to include along the

19

way.

20

And

I liked the -- the version
I wouldn't want
And

The safest, easiest one is -- is 8 or

21

8A.

People will recognize it.

It has a little bit of

22

a Schoolhouse Rock feel to it, I'm afraid.

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-- it's maybe too safe for -- for what we need to do,

2

but -- but I did appreciate it for sure.

3

Thank you.

4

THE CHAIRMAN:

Thank you, Chris, and

5

thanks for the Schoolhouse Rock reference there, too,

6

which on the younger generation might be a little bit

7

lost.

Thank you.

8

Kellen Hoard, if you would, please.

9

MR. HOARD:

10

Thank you.

Let me see here.

So as I mentioned

11

earlier in the dime portfolio, I thought dime design

12

6, which we don't have to pull up here, would really

13

be great for this piece, and we can -- I'd love to see

14

it later this fall, dime design 6 as one of the

15

obverses to consider.

16

the theme, fits this piece well.

17

I think it really just captures

I also find myself drawn in this

18

portfolio to obverse 3, which is a little out there.

19

I -- I think -- I think the public would really just

20

be interested to have this in their hands, and it's

21

one that we could justify with this replacement of

22

George Washington into this idea that -- of Liberty

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2

that a lot of Americans hold.
It's different than what people are

3

used to for an obverse, but it's a way for us to be

4

innovative with our circulating coinage.

5

opposed to all the other kind of options we have,

6

which is an allegorical depiction of Liberty from the

7

same distance away, just in different states of

8

motion, this one is a little bit different that that,

9

and I appreciate that.

10

You know, as

I think many of my student peers

11

associate this -- the Statue of Liberty with their

12

idea of what liberty is, and I think it would in the

13

public at large, though I also don't think it

14

necessarily ties to the Constitution quite as well as

15

it does the Declaration of Independence, so I would

16

even be fine with it on that quarter, which had no

17

obverses I liked on that last quarter.

18

I'd also like to see, if we did pursue

19

this design, the lettering redone rather than having

20

them on the banners.

21

newspaper and -- and I'd be -- as editor of my

22

newspaper, and the students would be trying to figure

When I was on my high school

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out how to fit text creatively in the page, they'd

2

always just put a banner exactly like that one and

3

just kind of plop it down on the page and put text

4

over it, and I think there's more creative ways we

5

could rework that.

6

I guessed when I was writing my notes

7

up that a lot of my colleagues like design 1 for the

8

obverse, and I would urge us to move actually away

9

from that design.

I think it's an artistically very

10

nice design, but when we last saw this option for the

11

American Liberty coin and medal series, I noted at

12

that time, and I still believe, that the design

13

basically sends the wrong message thematically.

14

-- to me, it shows Liberty as responsible for her own

15

preservation, like, she is the one preserving herself,

16

she is the one breaking herself free.

17

-- it's not true.

It's

And I think it

18

It's our jobs -- as citizens, it's our

19

jobs to actually actively, you know, help protect and

20

defend and promote her.

21

of the times we're living in, it's more important that

22

we don't mislead the public by saying "We can leave it

I think, especially in light

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to Liberty to do it all herself."

2

the wrong message to send.

3

I -- I think that's

For the reverse -- actually, for both

4

sides, I'm really not a fan of the brick motif.

5

interesting, but I don't think it translates well

6

numismatically.

I do, however, like reverse designs

7

2, 3, 4, and 5.

Design 2, you know, just really

8

catches your eye, it feels stately, in line with the

9

Constitution dynamic, but I don't -- I agree with my

10

colleagues.

11

understand what it is.

It's

I don't think the -- the public will

12

3 would be kind of the safe, classic

13

choice.

I don't think that necessarily makes it bad,

14

but I think we can do a little bit better.

15

riskier but definitely ties in with that theme of the

16

Constitution, creative symbolism.

17

4 is a bit

I would ask if subject matter experts

18

would have an opinion -- I -- I don't really

19

-- whether the stars in this flag should be -- it

20

should be a 50-star flag or a 13-star flag.

21

seems to be 50.

22

-- a preference there.

This

I didn't know whether there was a
I can see the merit to both.

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And then 5 wasn't my favorite at first,

2

but I've -- I've grown on it a little bit here, or

3

it's grown on me, rather, and I'd be interested to

4

hear more discussion about it.

5

little bit in that I -- if we did do Independence Hall

6

on this quarter, I'd actually recommend doing it on

7

both.

8

but I think it'd be a way to actually tie our two

9

different -- our -- our first two quarter designs

I actually differ a

I -- I might not have much agreement on that,

10

together a little bit, and I don't think that's

11

necessarily a bad thing.

12

A couple last comments:

Regarding

13

obverse 7, I would also urge us to move maybe a little

14

bit away from obverse 7 here in that, to me, how I

15

interpreted it, at -- at first glance and in further

16

thought, was that she looked almost like a sorceress.

17

Rather than actually, like, holding fire or nurturing

18

it, it's actually like -- you know, like dark magic,

19

in, like -- in -- with a negative connotation.

20

worry it could be misinterpreted as such, not that it

21

necessarily is.

22

And then for the reverses here, I

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wanted to -- reverse 6, which I know some people liked

2

as well.

3

a little bit and how I, again, read this one is that

4

it almost looked to me like "We the People" was

5

crumbling in their hands.

6

are -- are actually broken off, and to me, I worry

7

about the symbolic meaning thereof.

And this one's okay.

8
9

What I do worry about

The bottom of the letters

It almost feels as though in the state
of America today, there's so many hands grasping for

10

what "We the People" actually means, fighting over it,

11

contesting it; that in that process they are, in fact,

12

breaking the very meaning of it, that democracy and

13

liberty is in many ways crumbling as people grasp

14

after their narrow idea of what "We the People"

15

exactly is.

16

that kind of crumbling style, because, to me, that

17

felt far too close to home.

18
19
20
21
22

And so I -- I didn't love the letters in

And that's all I have to say about
that.

Thanks so much.
THE CHAIRMAN:

Wonderful.

Kellen,

thank you very much.
I believe somebody's hand was just

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raised.

2

Harcourt.

3

DR. FULLER:
Thank you.

Yes.

This is Harcourt

4

Fuller.

Can we -- I just want to pick up

5

on a couple of things Kellen was saying.

6

Can we go back to obverse 7, please?

7

Something that I actually forgot to

8

point out myself, the -- the -- you know, the -- the

9

stars and the flames that she's holding in her hands,

10

they -- it -- it almost looks like a -- a pistol, like

11

-- like a gun, and I'm not -- it's not a value

12

judgment either way, but I just wanted to throw it out

13

there to see if that's, you know, what -- what people

14

think about that.

15
16

So I just wanted to throw that out.

And the -- and if we could go to
reverse 6, please.

17

I would say if those -- if those hands

18

were -- were clenched, then I would agree with -- with

19

Kellen.

20

fighting over, you know, power or fighting over, you

21

know, the country.

22

-- the fact that their hands are -- they're open,

I don't really see it as people sort of

If you look at how, you know, the

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they're not clenched, they -- they look more like they

2

are supporting something as opposed to sort of tearing

3

down or ripping something.

4

to make that observation.

5

Thank you.

6

THE CHAIRMAN:

7

And Art, let's have your comments.

8

MR. BERNSTEIN:

9

Bernstein.

So that's -- I just wanted

Okay.

Thank you.

This is Arthur

I put myself in the camp of a big

10

proponent of obverse 1 for all the reasons stated by

11

many of my colleagues.

12

is not a design I support, but if we're going to use

13

the design, I question the -- the sideburns -- the

14

-- side curls on the Statue of Liberty.

15

those are on the statue.

16

Liberty as portrayed on the Presidential Golden

17

Dollars, and it doesn't have those side curls, so I

18

would just -- I just wondered about what that little

19

detail was -- was for, and I wonder if it should be

20

included.

With regard to obverse 3, this

I don't think

I looked at the Statue of

21

With regard to obverse 4, I also like

22

this design for the reasons stated by my colleagues,

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and I would add:

2

document is showing, that she's holding something

3

that's meant to replicate, to represent the

4

Constitution itself.

5

I appreciate the fact that a

Obverse 5, I appreciate the depiction

6

of the three branches of government, but we were

7

talking about the Statue of Liberty not being

8

contemporary with the Constitution.

9

buildings representing those three branches of

None of the

10

government would be contemporary with the

11

Constitution, either, so I -- I think that would be a

12

mistake.

13

Obverse 8:

The lettering of

14

"E Pluribus Unum" certainly embraces the direction

15

given to the artists that that phrase be prominently

16

featured.

17

of "E Pluribus Unum."

18

It's -- I appreciated the large lettering

With regard to the reverses, the 1 and

19

1A, what is meant to represent the cornerstone, to me,

20

looks like a big-box store, and I just -- that's what

21

-- what struck me about that design.

22

Reverse 2:

I was surprised to hear

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from some of my colleagues that they were not familiar

2

with -- with that story.

3

teenager visiting Independence Hall, I remember the

4

park ranger telling us that story in great detail, and

5

when I was back in Philadelphia a couple years ago for

6

a CCAC meeting, the rangers are still telling that

7

story, the same story about Benjamin Franklin's

8

observation.

9

remark about "This is a teachable moment."

I have to tell you, as a

And I -- I would attach myself to Sam's
While not

10

everyone knows the story, I think it's a great story,

11

and it creates a terrific design with that latticework

12

of the chair.

13

2.

So I would -- I would support reverse

14

I share support for reverses 5 and 5A.

15

Again, as I mentioned in -- in our last discussion of

16

the other quarter, I think there's an opportunity

17

here, and I think Kellen was saying the same thing, to

18

create a connection between the different quarters by

19

using a famous architectural feature.

20
21
22

That concludes my comments,
Mr. Chairman.
THE CHAIRMAN:

All right.

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1

you very much.

2

As for my own comments, obverse 1 I

3

really do find to be a rather compelling design.

My

4

concern, however, is whether or not this is actually

5

appropriate for an obverse of a coin.

6

Liberty coinage of the 1830s asides, most seated

7

figures like this typically appear on the reverse of

8

coins, such as, you know, the seated Britannia with

9

British coins and various seated figures on

The seated

10

Hellenistic coins and so forth.

11

it just seems a little heavy and cumbersome to my eye

12

for an obverse design, even though, again, it is

13

really rather compelling.

14

And so, now, again,

Obverse 3, the Statue of Liberty, I

15

agree with my colleagues that this is lovely, but I

16

don't think it's appropriate for this series.

17

Kellen saw a sorceress; Harcourt saw her raising a

18

pistol; I saw a Bond girl with a pistol, you know,

19

raised as well.

20

really interesting, but I think it would have to be

21

reworked and certainly take the date out of the hair

22

and perhaps do something with the stars and the flame

I love this design.

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I think it's

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1

and the rest, but I think that this is one that could

2

potentially go forward.

3

Obverse number 8:

I agree with John.

4

I saw initially something along the lines of one of

5

the presidential wives, but the more I looked at it,

6

it actually just struck me more as "Karen," you know,

7

that meme of the privileged complaining woman.

8

there's something about her expression that I just

9

cannot get beyond "Karen."

And I think that while

10

this is, you know, potentially one that could go

11

forward, I think the expression would have to be

12

reworked to some degree.

13

And

Number 9, I found the expression on

14

Liberty's face here just a little too intense, and "In

15

God We Trust" in that context, almost seemed like a

16

threat, and it seemed like she's about to do something

17

rude with that flaming torch.

18

that -- while this design is quite, again,

19

interesting, I'm not sure with that expression and

20

what seems to me to be overly large hands should be

21

something that should go forward.

22

And I would suggest

In terms of reverses, I'm really not a

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fan of the bricks and the wall.

Number 2 I think is a

2

lovely design, but again, I think it would be lost on

3

most of the public.

4

favorites.

5

just a fantastic design, and I think it would work

6

very well on these.

7

and 5A, again, made comments about this Independence

8

Hall in the previous portfolio, and as somebody who

9

was alive at the time of the 1976 Bicentennial, to me,

Reverses 4 and 4A, are by far my

I agree with Jeanne that this is really

And those, I think are -- and 5

10

this Independence Hall image just strikes me as a

11

little bit too 1976.

12

get away from that half dollar reference that appeared

13

on the Bicentennial coinage.

14

I just, for some reason, cannot

So that's what I've got to say.

We

15

certainly can entertain some more comments in the time

16

that we have left.

17

So are there any additional comments or

18

questions from the members of the committee at this

19

time?

20

John Saunders, your hand is raised.

21

MR. SAUNDERS:

22

John Saunders.

I'm off of mute now.

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I want to make a comment on 4 and 4A,

2

which I like the design.

I'm just questioning:

It

3

almost looks like someone's cutting through something.

4

You know, you -- I guess this is supposed to be a

5

stream of letters or words that are coming -- have

6

come out of the pen, but I just thought that was

7

something that should be made clear.

8

with the comment about the bricks being a -- a big-box

9

thing, so I -- I like that a little bit less now that

And Art got me

10

-- after, you know, once you hear something like that,

11

every time you look at it, you think it.

12

know, I still like 1, and I -- also, I -- I like the

13

Independence Hall, so some good choices.

14
15

Yeah, we do.

Other

MR. SAUNDERS:

That's all I've got to

THE CHAIRMAN:

Thank you, John.

say.

18
19

THE CHAIRMAN:
comments?

16
17

But you

Thank

you.

20

Any other comments?

21

I see two people raise their hands, but

22

I'm not sure, yet, who those two people are.

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1

Annelisa, if you would, please.

2

MS. PURDIE:

3

This is Annelisa Purdie.

Thank you, Mr. Chairman.
Just very

4

quickly, we do remember Schoolhouse Rock.

5

actually been singing the lyrics to the preamble entry

6

by Lynn Ahrens as I've been looking through these

7

coins since this morning, so --

8

THE CHAIRMAN:

9

All right.

I've

You and me, both.

Yeah, it really was a

10

wonderful thing, Schoolhouse Rock, for those of us who

11

were kids, you know, decades ago and those who have

12

had exposure to it since.

13

morning program that allowed you to learn various

14

things to music, which stays in your head for decades,

15

I'll tell you that.

It was a wonderful Saturday

16

Any other comments?

17

April, are there any questions that you

18

have or any clarification that you would like from the

19

committee about anything that has been discussed or

20

said so far?

21
22

MS. STAFFORD:

Any of this?

I do not believe so, but

the design development team and I will kind of get

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together and just go through our notes and certainly

2

let you know before tomorrow's meeting if there's

3

anything we need clarification on.

4

this has been extremely helpful, and I think, as well,

5

the score sheets will go some way into indicating the

6

designs that the committee would -- would definitely

7

want us to go back and rework and -- and see again, so

8

we appreciate it very much.

9
10

Thank you.

THE CHAIRMAN:
All right.

Again, I think

Certainly.

So if we have no further

11

discussion on this portfolio, again, I would just ask

12

all of you to score the obverse and reverse candidate

13

designs for the 2026 Semiquincentennial quarter

14

commemorating the Constitution.

15

email those to Greg Weinman, the CCAC counsel, who

16

will tally the scores and will present them to us

17

tomorrow morning.

18

And again, please do

One thing I do want to mention about

19

tomorrow morning, we will be reviewing the candidate

20

designs for the Semiquincentennial half dollar as our

21

first order of business, and then we will have a

22

discussion following that where we will be presented

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with the scores for all the various Semiquincentennial

2

candidate designs as well as the platinum proof.

3

we will then have a discussion to follow up and be

4

thinking about different aspects of this program.

5

And

One thing that April did raise with me

6

was whether we should be considering how to present

7

the Liberties that we've been seeing in the various

8

portfolios and whether or not this is something that,

9

perhaps, could be presented as an entire portfolio,

10

just the Liberties, and then we could work through

11

those, trying to find ways to attach a Liberty to a

12

particular coin within the program.

13

So please do be thinking about that,

14

and also be thinking, too, about ways that we can

15

-- as various members of the committee have brought up

16

in various moments today, about sequencing the various

17

ways to pull all of these together into some sort of

18

collective hole.

19

So little things to be considering

20

prior to tomorrow's meeting, but in the meantime, if

21

all of our discussion has concluded today, I would

22

like to thank the CCAC members, the Mint staff, and

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the public for their attendance.

We will recess until

2

tomorrow, Tuesday, July 16, 2024, at 10 a.m., when

3

again, we will continue the review of this

4

Semiquincentennial program with the half dollar and

5

then the Best of the Mint silver series.

6

will entertain a motion to recess.

7

motion?

So now I

Do I have a

8

MR. SAUNDERS:

I so motion.

9

THE CHAIRMAN:

Thank you, John.

10
11

MR. BERNSTEIN:
seconds the motion.

12
13

THE CHAIRMAN:

Brilliant.

And all of those in favor of the motion
to recess until tomorrow, please say "aye."

16

MULTIPLE SPEAKERS:

17

THE CHAIRMAN:

18
19
20
21
22

Thank you,

Art.

14
15

Arthur Bernstein

have it.

All right.

Aye.

All right.

The ayes

Thank you.

MR. WEINMAN:

Thank you all, and send

me your -- send me your sheets.
THE CHAIRMAN:

Thank you so much.

Yup.

So this meeting

stands in recess until 10 a.m. tomorrow, and it is now

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3:38 p.m.

2

(Whereupon, the meeting concluded at

3

3:38 p.m.)

4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
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1
2

CERTIFICATE
I, MATTHEW K LIVINGSTON, the officer before

3

whom the foregoing proceedings were taken, do hereby

4

certify that any witness(es) in the foregoing

5

proceedings, prior to testifying, were duly sworn;

6

that the proceedings were recorded by me and

7

thereafter reduced to typewriting by a qualified

8

transcriptionist; that said digital audio recording of

9

said proceedings are a true and accurate record to the

10

best of my knowledge, skills, and ability; that I am

11

neither counsel for, related to, nor employed by any

12

of the parties to the action in which this was taken;

13

and, further, that I am not a relative or employee of

14

any counsel or attorney employed by the parties

15

hereto, nor financially or otherwise interested in the

16

outcome of this action.
<%29853,Signature%>

17

MATTHEW K LIVINGSTON

18

Notary Public in and for the

19

State of Michigan

20
21
22

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1

CERTIFICATE OF TRANSCRIBER

2

I, JENNIFER ZAVATTARO, do hereby certify

3

that this transcript was prepared from the digital

4

audio recording of the foregoing proceeding, that said

5

transcript is a true and accurate record of the

6

proceedings to the best of my knowledge, skills, and

7

ability; that I am neither counsel for, related to,

8

nor employed by any of the parties to the action in

9

which this was taken; and, further, that I am not a

10

relative or employee of any counsel or attorney

11

employed by the parties hereto, nor financially or

12

otherwise interested in the outcome of this action.

13
14
<%30754,Signature%>
15

JENNIFER ZAVATTARO

16
17
18
19
20
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22

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[1 - 2]
1
1 18:19,20
21:15 23:2
25:7 29:9
30:18 32:15,16
32:16 33:5
34:12,14,20
36:15,17 40:4
40:9 41:11
42:18 49:8
50:21 53:9
55:21 59:9
64:1,4 74:21
84:14,16 85:3
87:2 92:20
93:4,6,15,16
93:20 94:19
95:14 97:15
98:9,22 104:2
106:6,7 108:6
109:11 110:13
116:2,8 117:13
118:20 120:10
125:6 130:4,4
130:15 133:21
135:15,16
138:18 140:6
142:3 144:21
149:11,15
150:11,14,16
153:7,12 159:8
159:9 162:19
164:6,14,14
165:2,4,4,6,19
165:20 167:7
170:7 173:19
173:20 175:5

July 15, 2024

Page 1
176:7 179:6
181:20 182:12
183:18 187:7
192:10 193:18
195:2 198:12
10 84:14,17
90:3 93:13
95:3 98:17,19
100:18 106:1
109:12,13
120:3 121:12
152:10 159:9
165:1 169:17
202:2,22
100 44:21 76:9
85:3 114:18
10:00 1:6 5:5
11 84:17 90:9
159:10 165:1,3
171:17
116-330 13:9
11:45 79:14
12 84:17 95:7
121:16
12:40 122:3
12a 84:17 95:7
121:17
13 4:3 84:17
90:10 92:1
94:6 95:11
101:6 110:11
188:20
14 156:13
15 1:5 5:4
79:13
157 4:3
16 202:2

1776 16:17
131:2 133:21
18:10 23:16
133:21 134:2
42:2 48:19
135:16 138:18
81:16 83:20
142:3,3 144:21
104:13 107:2
153:7,13 159:9
149:2,6 162:2
164:14 173:21
182:3
179:9 193:19
1780s 31:20
2
1787 157:4
2 18:19,20
168:20
21:15 22:3,8
1788 157:6
24:15,16 26:15
1789 157:7
30:5 34:12
182:4
35:2 36:15
18 7:13 11:2
40:21 41:16
29:22 31:12
42:16 49:14
1825 82:1
51:9 53:16
1830s 195:6
56:3,5 58:2
1864 89:13,14
63:18 65:3
1883 53:12
75:3,9,16,21
18th 82:12 96:1
75:21 76:4
157:16
81:15 84:14,16
1913 53:13
87:2 90:21
1921 54:5
93:2 94:2
1926 149:6
98:15 99:2
1946 56:1
100:11 104:5
1976 103:4
118:21 126:9
105:2 106:1,11
132:8,9 133:11
169:7 197:9,11
134:3 138:20
1996 120:7
153:14,18
19th 56:11
159:8,9 161:9
119:6 120:21
163:6 164:16
1:45 122:7
165:19,21
1a 84:16 87:2
167:2,8 168:9
91:16 93:16,19
168:12,17
93:22 97:15
169:19,20
106:6 110:14
170:8 175:5
117:13 120:10
176:18 188:7,7
125:6 130:15

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[2 - 4a]
193:22 194:13
197:1
20 64:2,4
2016 12:5
2018 84:22
2020 12:6
2021 84:21
2022 14:13,19
112:14
20220 1:11
2024 1:5 5:4
7:13 11:2
202:2
2025 84:22
2026 7:15,16
7:19,20 12:3,8
13:7,11,13,19
15:10 16:17
17:6,9 18:10
19:6 23:4
79:19,20 80:18
83:20 84:19
85:7,22 86:16
102:19 104:20
106:1 107:11
124:6,7,11,13
129:11 132:20
136:21 137:5
138:15 140:15
154:18,20
156:18,20
159:15 162:2
181:15 182:3
183:11 200:13
2027 17:10
2028 17:11
20th 96:2

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21st 45:2 64:14
250 15:20
16:11 18:3
21:19,22 27:5
29:18 38:15
41:12 63:14
75:18 76:12
80:22 84:3
96:6 107:15
114:14,20
250s 22:2
250th 13:11
20:7 23:6
37:13 98:6
149:3 182:4
29853 204:16
2:26 156:9
2:40 156:11
2a 84:16 94:3
100:11,12
101:1 120:17
120:20
3
3 18:19,20
22:10 24:19
25:9 27:1 30:7
30:10 35:19
36:12 38:18
41:21 42:5
49:17 51:10,12
51:18 53:20
56:9 57:22
66:19 67:12
75:4 76:22
77:17 84:14,16
87:2 89:19,21
90:6 92:1 94:4

96:15,18 98:9
98:10 99:19
100:6 101:2,6
104:7,11
106:16 108:9
109:6 111:15
114:3 115:6,11
116:9 119:5
120:17 125:10
131:5,5,5
132:22 134:7
139:19 141:14
141:14 145:2
149:19 150:16
151:18,20,21
153:6,11 159:8
159:9 163:7
164:17 167:12
185:18 188:7
188:12 192:11
195:14
300 21:4
30754 205:14
3:38 203:1,3
3a 18:20 23:10
23:21 25:9,10
36:12 38:18
51:12,19 56:9
75:4 76:22
77:17 87:2
89:19 93:4
125:10 127:9
128:16 131:5
132:19 133:12
134:7 139:4
141:14,15
145:2 153:6,11

www.CapitalReportingCompany.com
202-857-3376

4
4 18:19,20
22:10 23:10,18
25:10 30:7,10
35:4,19 36:18
38:18,20 42:3
42:6 43:6 50:4
51:21 54:4
58:7 65:15
66:19 68:6
75:4 77:18,19
78:1,20 84:14
84:16 87:2
94:13 96:15,18
98:9 99:7,18
100:4,7 104:11
106:16 107:2
109:8 115:6,11
116:9 119:5
120:17 125:17
134:14 138:11
140:13 151:21
154:4 159:8,9
163:10 164:18
165:9,9,22
167:2,2 168:9
168:12,13,14
169:16,19
177:3 179:11
179:12 188:7
188:14 192:21
197:3 198:1
4a 159:9
164:18 165:22
166:8 169:16
179:12 197:3
198:1

Meeting

[5 - absolute]
5
5 18:19,21
22:15 24:1
30:11 36:2,13
39:1 40:21
43:1,2 50:12
50:12 52:6
54:11 58:11
66:22,22 68:22
69:16 71:7,9
74:6 78:20
84:14,16 87:2
93:6 94:13
98:9 99:7,18
104:11 113:7
115:6,11 119:5
131:10,10
133:8 134:22
136:10 139:8
140:21,22
141:1 144:4
148:16 150:6
150:11 153:6
153:11 159:8,9
163:13,13
164:9 165:8,9
166:3 169:6
170:13 177:9
179:12 184:12
184:16,16
188:7 189:1
193:5 194:14
197:6
50 102:21
188:20,21
53 91:21

July 15, 2024

Page 3
5a 87:3 126:21
129:6 133:12
134:22 139:8
140:21,22
153:11 159:9
160:20 164:9
169:6 184:12
184:16 194:14
197:7
6
6 18:19 25:1,3
26:6 27:8 31:8
36:5 38:12
40:14 42:9,9
46:17,17 50:16
55:4 66:22
70:13,17 71:7
71:10,18 72:13
72:15 84:14,16
87:3 89:21,21
92:6 93:7
94:14 95:15
97:15,16 98:9
99:7,15 104:11
106:21 108:14
109:7 115:6,11
117:20 119:5
121:4 135:4
139:11 159:8,9
160:7 163:13
164:12 165:8,9
170:15 173:11
177:19 179:17
185:12,14
190:1 191:16

7
7 84:14,16 87:3
91:6 93:7
98:17,18
104:18 107:6
111:4,4 114:8
116:17 119:14
119:16 135:7
137:14 139:12
139:22 149:19
150:16 159:8,9
161:16,22
163:17 164:21
167:21,21
170:16 172:10
177:21 189:13
189:14 191:6
8
8 82:1 84:14,17
90:8 91:7 93:8
94:21 97:4
98:17,18 105:8
118:7 119:14
119:14 149:20
150:11,17
151:9 159:8,9
161:16 162:8
163:20 164:22
168:3 169:4,5
169:16 184:20
193:13 196:3
80 4:3
800 1:12
801 1:10
872-6468 1:12
8a 159:9 165:1
168:11 169:4

www.CapitalReportingCompany.com
202-857-3376

169:17,20
184:21
9
9 84:14,17 91:1
93:12 94:22
98:15 100:18
105:11,18
109:11,21,21
110:19 117:3
119:20 121:12
159:8,9 161:16
161:20 165:1,7
167:18 169:17
170:17 183:12
196:13
9's 90:3
9995 85:3
9th 1:10
a
a.m. 1:6 5:5
202:2,22
ability 204:10
205:7
able 28:11
34:16 74:15
88:11 99:17
100:10 132:5
155:1
abolition 89:9
170:17 178:16
abolitionism
16:4 81:9
above 51:19
69:21 103:12
182:7
absolute
100:12

Meeting

[absolutely - amazing]
absolutely 62:6
80:12 147:9,22
166:20
abstract
180:19
accept 167:7
acceptable
52:18 139:8
150:8
accessible
113:17
accuracy
182:19
accurate 153:5
204:9 205:5
achieve 143:8
achieved 20:18
acknowledge
118:9
act 12:5,6 13:8
14:14,18 15:9
action 16:9
94:15 96:11
109:22 110:6
116:7 117:7
165:2 176:17
204:12,16
205:8,12
actively 187:19
activities 27:2
activity 161:13
actual 161:10
actually 21:17
21:18 28:20
29:3 33:17
42:13 56:4
61:11 63:22
91:18 106:12

July 15, 2024

Page 4

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187:8,19 188:3
189:4,6,8,17
189:18 190:6
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195:4 196:6
199:5
add 60:2 62:16
116:1 152:7
177:14 193:1
added 103:2
addition 15:4
16:14 179:10
additional
33:10 63:4
197:17
addressed
10:19
adds 55:17
administration
15:3
admirations
31:1
admit 118:18
143:20
adolf 167:3
adopted 73:7
adopting
102:10
adult 184:5

advances
174:10
advantage
19:22
advisory 5:3
15:4
aesthetic 28:9
30:3 105:2,3
aesthetically
21:13 22:4
32:12 104:12
114:9
affairs 2:22
3:16,17 10:4
10:12,14
affecting 26:14
affirmation
181:12
affordable
146:18
afraid 90:11
184:22
african 178:10
afternoon
132:1
age 184:5
agenda 7:11
47:13,15,15,16
ago 23:19
37:18 55:5
178:5 194:5
199:11
agree 38:11
40:8 41:8
42:11 43:8
50:16,22 51:11
52:6 89:18
99:14 100:21

www.CapitalReportingCompany.com
202-857-3376

108:6,19
109:13 110:2
131:4 132:11
134:8 141:9
144:14 188:9
191:18 195:15
196:3 197:4
agreed 61:6
agreement 63:2
77:5 189:7
ahead 61:12,20
156:9
ahrens 199:6
aid 14:3
aids 5:11
aim 32:14
akin 16:17
albeit 35:5
78:11
alexander 73:3
74:8
alfen 1:4 2:3
7:8 124:4
align 30:22
aligns 58:3
alike 12:1
alive 174:15
197:9
allegorical
186:6
allowed 12:7
199:13
allowing 90:1
allows 180:15
alluded 169:6
alphonse 119:7
amazing 96:12

Meeting

[ambiguous - approved]
ambiguous
110:3
amending
174:11
amendment
84:20
amendments
174:14,15
america 17:3
18:12 44:1,2,7
48:19 57:4
81:5 84:4 85:3
102:7,18 110:4
172:20 173:5,5
173:6 176:9,20
190:9
america's
15:11 82:21
102:18
america250
14:16
american 2:9
6:2 7:19 8:7
14:5 17:5,22
18:3 21:4,7,8
37:17 45:1
55:6 79:21
80:15 82:4,5
83:9,14 84:18
86:3,9 89:8
102:2 103:16
104:7 106:9,18
106:19 107:9
124:8,13 149:4
154:20 157:15
178:10 187:11
americans 16:7
16:21 22:17

32:1 102:6,13
105:21 159:2,4
181:18 184:6
184:11 186:1
amount 153:12
amplify 16:19
analyze 137:19
anatomically
135:1
anatomy 72:7
ancient 70:11
anger 30:8
67:18,18
angered 49:20
angry 42:1,2,7
54:2,8 68:8
annelisa 2:20
7:4 25:16,19
28:1 42:11
55:12 77:3,5
109:2,4 112:2
117:6 123:17
128:5,7 129:19
131:5 144:14
148:16 154:1,3
160:1,4 162:16
179:19 199:1,3
anniversary
20:7 29:17
37:13 98:7
113:19 149:4
announce 5:10
answering
147:8
antennas
175:14
anti 116:12

July 15, 2024

Page 5
anticipated
174:13,14
anxious 153:20
anybody 61:17
146:2
anymore 95:5
anyway 47:1
52:5 92:19
115:11 171:12
175:2,16
apart 52:2
127:18
apologies 68:18
apologize 75:7
147:10
appeal 49:13
95:6 111:14
172:8 176:4
appealing
26:12 111:1
126:1 176:22
appeals 174:2
appear 53:20
56:12 89:12
90:5 113:3
115:12 117:1
119:11 120:8
120:22 195:7
appearance
89:5
appeared
53:12 56:16
197:12
appearing
56:19 119:9
appears 54:14
55:13 65:5
70:5 115:8

www.CapitalReportingCompany.com
202-857-3376

apple 38:9
57:17
applied 83:14
appreciate
19:21 24:7
31:4 33:9,20
73:20 76:3
121:2 162:3
175:20 185:2
186:9 193:1,5
200:8
appreciated
25:4 39:8
67:15 88:18
116:18 183:11
193:16
appreciation
85:21
approach
21:12 26:4
28:19 102:16
approached
20:22 38:6
appropriate
49:21 55:3
68:10 73:5
89:8 124:18
151:5 170:10
182:17 195:5
195:16
appropriated
73:11
approval 7:12
10:22 11:6
approve 11:4
approved
11:18 14:18
81:18 157:3

Meeting

[april - back]
april 3:5 4:3
8:22 13:17,20
19:1 37:2
61:17 62:4
67:10 68:18
75:6 76:3 80:4
80:10 87:6
145:13 147:4,7
148:12 150:20
151:17 152:17
156:18,22
159:12 199:17
201:5
architectural
194:19
archive 85:10
archives 15:2
argue 23:20
arguing 102:5
argument 83:9
arm 14:16
armor 46:6
arms 44:10
58:9
arrived 14:11
arrows 27:6
55:9,11,14,16
72:16
art 11:7 29:4,5
37:10,20 38:3
43:9 68:20
115:21 118:15
126:5 141:7
142:21 192:7
194:22 198:7
202:13
arthur 2:5 5:16
11:5 24:10,12

July 15, 2024

Page 6
68:20,22 75:22
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155:7 192:8
202:10
articles 157:5
158:5
artist 29:3 72:5
119:7,8 138:2
146:22 148:1,2
153:21 154:7
artist's 147:1
artistic 22:5
23:9 29:22
30:12,15 32:3
37:14 88:12
127:12 164:5
artistically
12:22 32:8
33:4 114:6
187:9
artists 18:8
41:19 52:21
68:14 83:21
84:6 86:20
103:12 147:17
148:2,5 153:3
193:15
arts 2:11 6:6
ascribed 158:7
asides 195:6
asked 18:8
59:15 83:21
84:6
asking 33:1
aspects 201:4
aspirations
18:2 82:22

158:17
asserted 86:3
assertion 110:2
assist 167:15
associate
186:11
association 8:8
assume 87:19
assuming
158:3
asymmetrical
109:17
athena 54:14
55:2 70:6
73:14 74:7
athena's 70:11
athenian 70:6
73:1
athens 73:2
atlanta 39:14
attach 194:8
201:11
attack 181:11
attendance
8:20 202:1
attendees 2:2
attending
11:22
attention 69:9
72:5 107:6
116:3,15
attorney
204:14 205:10
attractive
49:14 93:1
118:6,21
120:19 121:13

www.CapitalReportingCompany.com
202-857-3376

attribute 55:17
72:19
auctioned
91:20
audio 204:8
205:4
authority
158:4,10 159:1
authorized
13:10
authorizes 13:9
authorizing
14:14 92:4
available 61:17
average 52:9
avoiding
168:15
awaited 11:21
aware 8:3
awful 163:21
awfully 49:22
94:2 163:12
aye 11:13,14
122:17,22
123:12,12
124:1 202:15
202:16
ayes 202:17
b
bachelorette
46:13
back 18:22
25:5 26:10
27:7 40:17
47:9 50:1
67:11 68:3,7
71:18 75:21

Meeting

[back - bit]
77:9 79:5,17
84:12 92:18
99:21 111:18
122:14 130:4
139:17 144:5
147:22 148:4
156:16 161:1
167:21 168:18
169:4 191:6
194:5 200:7
background
14:1,11 19:3
43:12 70:19
80:13,14 81:14
147:12
bad 53:1 76:18
163:7,20
188:13 189:11
baijal 3:10
9:16,18
balance 25:4
26:13 158:10
balanced
133:22
balances 158:3
158:22
bands 57:5
banner 27:4
58:12 187:2
banners 186:20
barber's 53:11
74:10 168:6
base 86:19
157:17
baseball
106:19 114:4
120:19 151:20

July 15, 2024

Page 7
based 14:14
16:13
basic 51:1
87:16
basically 32:22
187:13
basis 38:1
91:22
battle 93:9
bear 16:17
44:10 59:17
beautiful 53:16
96:10 104:12
108:7 116:2
129:14 138:19
171:5
beautifully
112:9
beauty 63:15
89:20 144:20
began 12:1
14:12
beginning
20:11 145:13
146:16
beholden 86:4
believe 7:10
8:15 32:7 57:7
64:17 65:20
67:1 76:1 80:8
86:17 88:14
89:8 92:16
100:20 152:22
153:14 166:3
170:14,16
179:12 187:12
190:22 199:21

believer 95:14
bell 92:11
97:17 101:4
107:1 108:15
118:2,4 121:8
141:17 144:2
belongs 171:15
beneficial 61:4
benign 42:4
benjamin 92:3
194:7
bernstein 2:5
5:16,18 11:5,6
24:10,11,12
68:21,22 69:3
76:2,3 115:22
116:1 124:1
125:3,4,5
155:6,7 192:8
192:9 202:10
202:10
best 37:9 61:2
99:20 134:16
139:13 162:20
202:5 204:10
205:6
bet 132:9
better 21:11
23:2 28:22
38:12,14 39:2
39:22 53:3
71:8 72:1,2
92:20 93:19
98:20 100:7,20
113:3,6,15
115:4 126:19
130:9 132:22
133:19 139:18

www.CapitalReportingCompany.com
202-857-3376

151:12 165:3
167:8,16 169:8
169:10 170:16
188:14
betty 109:8
beyond 28:10
136:21 137:4
196:9
biased 23:18
bicentennial
16:18 103:5
120:7 169:7
197:9,13
big 63:14 87:17
103:13 107:8
136:7 192:9
193:20 198:8
bigger 139:21
biggest 135:4
bill 17:10 85:16
148:9 149:2
birth 81:21
182:8
birthday 13:11
bit 27:11 33:6
35:5,12 36:4
42:7 47:12
49:18 51:2,9
51:12 54:4
57:19 61:20,20
68:7,8 71:7,21
74:1,11 76:15
78:11 96:16
98:16 99:16,17
100:7,8 101:15
103:2 104:14
105:10,14
110:22 115:12

Meeting

[bit - c]
119:18 121:3
127:5,13
129:10 130:7
131:7,13
132:10 134:10
135:7,22 139:3
150:6 153:13
156:9 161:21
163:9 164:3,15
164:18 165:21
167:8 168:1
169:10 183:13
184:21,22
185:6 186:8
188:14,14
189:2,5,10,14
190:3 197:11
198:9
bite 38:9 57:17
black 178:6
block 174:6,7
bodied 167:5
body 13:3
163:11
bold 34:1 97:1
116:6
bolder 148:17
boldest 82:21
bond 195:18
boneza 3:9
9:13 13:17
bonnet 119:22
book 37:9
102:2
books 102:1
border 27:17
69:8 111:3

July 15, 2024

Page 8
boring 139:11
164:15,18,21
166:7 184:15
born 20:9
boston 51:16
77:10
bother 136:15
bottom 95:13
125:20 134:19
136:6 190:5
box 139:7
143:7 193:20
198:8
branch 85:2
158:2,3
branches 158:2
158:21 193:6,9
breadth 67:20
break 62:3
79:13,17 122:5
122:6,11
124:10 145:7
155:13 156:10
156:16
breakaway
42:21
breaking 27:18
52:14 71:21
130:6 135:18
187:16 190:12
breakout
132:18
breasts 44:4
brendan 3:16
10:12
brick 188:4
bricks 161:11
197:1 198:8

brief 25:20
56:3 90:20
101:16 109:5,5
briefly 22:15
74:18 155:5
brighter 136:3
brilliant 39:4
202:12
bring 21:5,6
79:5 113:21
bringing 32:21
115:16 145:10
148:4
brings 94:7
britain 73:9
81:17
britannia 73:7
73:8,17 195:8
british 20:14
22:7 44:9 49:1
86:5 135:20
137:21 195:9
broader 49:4
80:8
broadly 20:22
159:1
broken 39:2
56:13 57:4
72:6 190:6
brought 68:3,7
201:15
build 148:3
161:15
building
120:16 135:5
166:1 167:8
174:2,6,7
176:19,20,20

www.CapitalReportingCompany.com
202-857-3376

176:20 184:6,7
buildings 95:10
117:15,18
193:9
built 44:4
burgeoning
18:1
busier 71:7
100:8
business 10:21
79:18 94:3
156:12,17
200:21
bust 49:22 54:3
67:21 162:12
busy 25:10
35:12 36:4
43:7 49:10
51:1,10,12
52:5 68:11
78:11 93:7,10
93:14 94:2,13
94:21 95:12
99:16 106:2
107:14 109:13
116:21 118:11
127:5 134:5
136:13 137:16
141:1 151:10
163:5
busyness 27:3
buts 138:11
buy 46:21 64:8
c
c 2:1 3:1 4:1
5:1

Meeting

[california - chairman]
california 52:3
call 5:2,15 25:5
116:3 122:15
122:17
called 8:21
17:7 102:2
133:3
calligraphy
125:11,15
calling 26:10
calls 16:12
camera 130:6
camp 192:9
cancel 105:14
candidate 7:14
7:16,18,20
13:6,18 14:4,8
67:5 80:7,16
83:12 86:1,21
87:1,5 122:8
131:3,5 154:17
154:20 156:19
159:10 200:12
200:19 201:2
candidates
86:18 121:5
cap 22:20
30:13 45:7,11
50:13 54:12
89:5,6 90:22
105:13 119:2,3
capable 29:20
capacity 59:18
capital 120:15
capitals 121:16
capozzola 2:8
6:1,3 19:15,17
19:21 20:5

July 15, 2024

Page 9

57:16 87:13,13
87:15,16,21
88:3 101:11,13
101:14 123:11
123:12 131:20
131:22 132:1
151:15,16
180:10,12,13
caps 22:16 36:2
50:10 104:6
captain 123:12
capture 115:3
captured
107:19
captures
126:18 185:15
carefully
132:15 166:20
carry 117:16
carrying 31:19
85:2
carving 125:20
125:21 134:20
176:10
case 21:21 55:8
55:15 70:8
97:11 141:7
145:17 182:10
catch 44:3
catches 188:8
category
116:13 153:7
caught 125:18
caveat 129:7
ccac 1:1 2:3,22
3:15 5:5 7:10
8:2 10:5,8,22
11:22 12:14

13:12 122:16
155:2 194:6
200:15 201:22
celebrate 13:11
15:10 96:3
114:19
celebrating
37:12 96:6
114:11 154:21
celebration
12:3,4
cent 92:5 114:5
168:6
centering
102:13 107:15
137:13
centers 136:16
central 76:11
76:19
cents 91:18,21
94:5 100:5
centuries 13:2
178:20
century 45:2
56:11 64:14
82:12 96:1,2
119:6 120:21
137:7 157:16
certain 53:13
82:14 144:20
147:21 161:18
certainly 30:11
53:15 55:21
56:13 61:16
63:3 91:12
94:7 104:4
106:21 107:2
118:20 132:16

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202-857-3376

142:20,21,21
144:21 150:7
153:8 164:4
175:4 183:3
193:14 195:21
197:15 200:1,9
certificate
204:1 205:1
certify 204:4
205:2
cetera 137:10
184:6
chain 39:2
42:21 74:22
90:6 92:1
100:6
chains 33:11
33:12,18 51:4
51:6,7
chair 2:3
168:18 184:8
194:12
chair's 171:4
chaired 37:19
chairman 5:2
5:19,22 6:4,8
6:12,16,19 7:1
7:7 8:10,14 9:3
9:7,10,13,16
9:19,22 10:3,7
10:11,16 11:7
11:11,15 18:14
18:22 19:1,20
19:22 20:4
24:6 25:14,17
27:22 34:6
36:19 39:7,13
41:1,6 43:15

Meeting

[chairman - citizens]
47:18 48:6,11
53:6 58:16
59:22 60:6,10
60:14 61:7,10
61:19 62:8,21
63:10,17 64:5
64:16,21 65:19
66:18 67:13
68:17 69:2,12
70:3 71:3,13
71:20 72:2,10
73:19 74:17
75:20 76:6,20
77:4,15 78:15
79:7,16 83:11
87:4,6,14,19
88:4 89:2
90:15 92:13
95:16,20 97:21
98:2 101:9
107:21 108:4
108:21,22
109:3 112:1
115:19 118:14
118:15 122:14
122:20 123:1,4
123:7,10,13,16
123:19,22
124:2 126:3,4
128:2,3,6
129:18 130:1
130:11 131:16
131:18 133:14
133:17 135:11
135:14 138:6
140:16 143:9
143:15 144:11
147:5,7 148:11

July 15, 2024

Page 10

149:14,17
150:9,18
151:14 152:2
152:13 153:10
153:22 154:2
154:10 155:21
156:4,8,15
159:11 160:3
162:15 165:11
165:15 166:3
166:15 170:1
171:21 175:19
176:1 180:8
185:4 190:20
192:6 194:21
194:22 198:14
198:18 199:2,8
200:9 202:9,12
202:17,21
chairperson
7:10
challenge
16:21 180:21
change 34:17
34:18 53:4
61:11 66:3
112:14 143:2
171:1 174:20
178:21
changed 13:14
66:1 105:6
174:9,22,22
175:1
changes 36:13
68:4 105:1
109:19 147:15
174:10

changing
128:19 129:13
181:7
characterized
45:2
charles 53:11
charter 157:3
157:13
charters 17:7
85:8,9,11,20
check 107:4
checks 158:2
158:22
chester 58:8
chickens
120:21
chief 3:5,11
8:22 9:19
child 184:5
chisel 154:5
chiseling
161:11,12
163:2 165:2
167:7
choice 30:18
53:1 133:9,12
183:21 188:13
choices 131:16
198:13
choose 102:20
108:9 131:8
143:18
chord 144:19
chose 49:3
chris 19:16
24:6,15 29:18
30:6 32:15
40:5 43:19

www.CapitalReportingCompany.com
202-857-3376

57:15 58:17
59:6 87:13,15
107:22 112:7
114:3 119:22
120:5 131:20
132:1 133:15
151:15,16
172:5 180:10
180:13 185:4
chris's 25:11
120:18
christopher 2:8
6:1 19:14 41:9
101:11,14
123:11
christopher's
110:2
chunks 134:19
church 45:20
circle 69:8
circulate 143:4
circulating
12:2,6,8,17
13:8 15:10
16:18,19 21:3
26:1 28:7
35:17 37:12
38:2 80:17
98:14 100:9
132:3 143:1
149:7 151:19
184:11 186:4
citizen 13:3
134:12
citizens 5:3
15:4 86:4 95:5
125:14 128:18
131:7 133:1

Meeting

[citizens - colleagues]
141:22 187:18
civic 15:12
16:9
civil 16:5 81:10
89:9 170:17
175:18 178:15
civilian 44:4
clapper 118:1,2
clarification
47:11 152:18
199:18 200:3
clarify 150:21
clarity 28:18
29:16 30:5,10
31:20 33:3
114:6
classic 73:3
74:6 100:14
188:12
classical 30:14
30:22 54:14
55:2 70:10
105:13
classics 31:2
99:18
classroom
169:1
clean 36:17
cleaner 142:4,5
cleans 33:3
clear 29:10,10
30:1 34:2 70:4
73:20 104:3
107:12 112:21
147:11 150:10
198:7
clearly 23:6
31:18 103:15

July 15, 2024

Page 11

182:22 183:9
clenched
191:18 192:1
cleveland
24:12
clever 27:11
57:2 69:7
close 34:13
91:5 164:2
169:11 190:17
closer 32:21
closest 32:14
clothing 91:3
117:9
clouds 109:17
135:18,19
cluster 55:14
clutter 89:22
90:4
cluttered 38:19
56:9 90:8
120:4 121:22
129:11
cluttering
126:11
cohesive 29:17
coin 3:3,4 7:19
8:8 12:6 13:8
14:2,17 16:16
17:5,16 21:10
28:12 29:4,5
29:11 30:17
37:12 38:19
40:15 43:5
44:18 49:21
50:20 71:1
74:16 79:21
84:8,19 85:9

87:17,20 93:11
94:4 96:2,9,10
96:12 97:13,13
97:18 106:11
106:17 108:16
109:10 110:10
110:12 111:21
115:9,13 116:5
116:7,19,22
122:9 124:8,14
124:18,21
128:9,22
132:20 135:8
136:8,11
138:20 139:6
139:19,21
142:2,17
143:18 145:9
145:14,15,18
148:6 149:22
151:11,22
154:21 161:13
162:4,11 163:4
166:7 169:6
173:13 177:1
178:7,8,14
179:16 181:9
183:10 184:11
187:11 195:5
201:12
coin's 16:20
28:20
coinage 5:3
12:8,17 13:10
15:4 19:3
35:17 38:2
54:15,17 55:2
55:14 57:9

www.CapitalReportingCompany.com
202-857-3376

70:6,11 89:13
120:7 132:6
169:3 186:4
195:6 197:13
coinages 56:14
coincide 17:6
85:7
coinnews 3:2
8:7
coins 13:14
14:9 15:10
16:14,18,19
21:4,11,20
26:1 28:7
36:10 44:18,20
45:12,13 46:18
53:20 56:16
73:8 78:4,18
79:22 85:1,13
89:8 96:18,21
97:7 100:15
102:16,21
107:10 110:15
125:5 140:20
143:1,5 145:20
146:13,22
147:2 149:7
161:2 164:10
172:7 179:3
181:3 195:8,9
195:10 199:7
collaboration
15:7
colleague 102:2
130:18
colleagues 40:9
40:16 41:8
53:9 96:22

Meeting

[colleagues - complain]
97:12 99:15
108:7,20 134:9
144:22 187:7
188:10 192:11
192:22 194:1
195:15
collect 26:3
collected 91:18
99:10 143:4
146:14,15,16
146:18
collectible 12:6
13:8
collection
91:19 146:19
181:4
collections
128:8
collective 23:14
201:18
collectively
15:22 81:2
collector 94:5
collectors
21:10 29:14
45:10 74:9,15
100:16 106:17
college 157:11
colonial 105:12
colonialism
135:20
colonies 92:2
142:11
colonists 20:15
35:9 86:3
color 138:19
178:11

July 15, 2024

Page 12

column 59:7
60:2 95:8
121:16
columns 95:9
170:14
combination
56:6,8
combines 30:4
come 20:21
35:21 47:9
71:18 86:8
112:17 114:19
129:10 136:4
162:21 183:4
198:6
comes 116:9
138:13
comic 37:9
coming 127:22
140:2 175:14
198:5
commemorate
83:7 102:15
158:13
commemorat...
101:19
commemorat...
7:17,21 79:19
84:8 124:8
154:18 156:21
159:16 200:14
commemorat...
80:20
commemorat...
26:1 38:2 78:5
163:21 178:6
commemorat...
46:20

comment 37:6
41:12 59:21
64:22 68:22
69:3 71:17
72:11 73:15,21
74:3 93:6,8
120:18 136:14
138:22 139:5
148:15 180:3
198:1,8
commentary
62:15 63:4
153:15
commenting
64:1,1
comments 11:2
11:21 19:11
24:7 25:11,15
39:6 40:22
43:13 48:15
53:8 57:11,18
59:14 61:1,2,5
61:7,12 62:1
67:8,12 72:12
73:1 75:2
77:17,19 78:20
79:8 90:14
101:8 107:18
117:11 118:13
118:17 122:2
124:20,22
126:2 138:5
140:12 144:13
145:17 146:3
148:13 152:14
152:16,19
153:12,19
154:13 159:21

www.CapitalReportingCompany.com
202-857-3376

162:14 180:7
189:12 192:7
194:20 195:2
197:7,15,17
198:15,20
199:16
commission
12:5 14:14,15
committee 5:4
5:14 10:21
15:4 19:5 40:2
47:21 57:12
63:20 67:4
87:10 127:21
134:13 147:14
153:3 159:14
197:18 199:19
200:6 201:15
common 28:14
84:22
communicate
103:16 180:18
183:7,9
communicated
183:9 184:5
communicati...
57:21 142:11
compacted
111:3
compare 103:7
compelling
24:22 25:8
53:10 69:20
125:8 126:17
127:1 151:21
195:3,13
complain
174:18

Meeting

[complaining - cont'd]
complaining
196:7
complement
52:20
complete
108:16
completely
12:8 94:19
complex 31:11
32:9 71:1
complicated
42:11,20 51:21
121:22 130:16
complication
182:1
compliment
37:2
composition
129:13
compositional
53:13 54:6
compromise
65:7,11
concept 26:8
27:4,9 37:14
37:22 41:19
43:7 49:4
77:12 84:2
90:11 116:16
130:15 148:5
160:8 162:1
169:18 171:5
conception
92:2
concepts 17:15
111:18
concern 60:22
67:1 104:14

July 15, 2024

Page 13

106:10 118:5
120:10 132:22
160:14 195:4
concerned 40:4
56:18 142:22
concerns 23:10
27:2 161:3
concise 34:2
conclude 84:21
concluded
201:21 203:2
concludes 87:4
118:13 126:2
159:10 194:20
concord 83:2
concur 58:1
71:6 182:16
184:1
concurring
183:4
condescending
107:11
condition
20:10
confederation
157:5
confidence
33:8
confident
29:20
confirm 8:19
151:6
confront 23:13
confuse 105:15
confused 47:13
55:16 112:17
congress 15:2
81:16,18 92:4

connect 113:6
connected
16:15 129:2,3
connection
112:21 194:18
connectivity
66:5 128:11
130:3,17
connotation
189:19
consensus
102:5
consent 82:18
86:6 158:20
consider 13:5
16:9 34:21
54:21 67:3
74:18 88:8
124:13 150:3
166:19 185:15
considerable
15:7
consideration
19:9 31:5 32:6
33:22 40:19
79:18 159:19
considerations
25:21
considered
82:21 83:4
100:8 146:8
150:12
considering
34:21 80:2
124:11 156:17
201:6,19
consist 85:12

www.CapitalReportingCompany.com
202-857-3376

consistent
117:16
constitution
7:22 16:3
17:10 31:16
32:5 71:10
81:9 84:21
85:16 113:12
113:16 148:8
149:2 156:21
157:2,5,12,20
157:22 158:5
158:14,20
159:3,16
160:13 162:21
166:10 167:20
168:14 171:19
173:14 174:6
174:11,20
180:17 182:2,4
186:14 188:9
188:16 193:4,8
193:11 200:14
constitution's
157:14
constitutional
157:4 168:20
constructed
27:10 39:4
construction
161:10
consult 153:8
consultation
14:15
consulting
14:13
cont'd 3:1

Meeting

[contemporary - cutting]
contemporary
41:14 167:13
193:8,10
contempt 30:8
content 21:13
contesting
190:11
context 170:13
196:15
continental
81:16 92:4
100:5
continue 60:18
60:21 124:6
156:11 202:3
continuing
117:19
continuity 28:8
28:16 29:10
30:6 32:19
114:7
continuous
32:3
contract 82:8
contrast
179:13
contrasting
111:6
contribution
107:16
convention
83:22 157:4
168:20
conversation
19:19 31:7
60:3,9 111:21
153:6

conversations
137:9
convey 22:11
98:19 100:11
104:13 119:12
conveyed
181:12
conveys 23:6
181:14
cool 31:12
169:18 173:12
copy 133:4
core 85:18
cornerstone
167:9 176:21
193:19
coronet 29:13
64:3
correct 47:5
64:18 66:5
68:16 87:20
150:13
correctly 42:4
43:3
costello 3:12
9:22 10:2
counsel 3:14,14
10:8,8 155:2
200:15 204:11
204:14 205:7
205:10
countries 96:3
country 13:4
21:6 23:12
39:18 44:14
96:6 129:16
159:5 160:13
177:7 179:8,22

July 15, 2024

Page 14
180:6 191:21
couple 20:1
23:19 48:15
52:19 101:17
113:2 126:8
138:11 148:2
153:19 177:10
178:5 189:12
191:5 194:5
coupled 34:19
101:2
course 36:11
49:5 55:12
65:5 98:4
100:4 120:19
121:13 137:8
166:18,22
167:13 168:13
168:18 178:2
184:1
court 66:10
crafting 173:22
crazy 46:3
162:1
create 33:13
44:22 103:8
155:16 194:18
created 82:13
131:14 133:10
136:19 137:6
creates 194:11
creating 48:21
174:1
creative 187:4
188:16
creatively
187:1

www.CapitalReportingCompany.com
202-857-3376

creativity
41:18
creator 82:14
credit 40:13
crest 70:9 73:4
crisp 108:13
critical 158:14
criticism 58:21
critique 58:21
60:18
crossed 95:6
crowded 129:4
crowding
33:14
crown 86:5
137:17,22
crumbling
190:5,13,16
crushed 111:2
crushing 23:21
cs6719393 1:22
culture 105:3
cumbersome
195:11
curator 2:4 7:9
curious 97:2
curl 69:7
curls 192:14,17
currency 100:5
current 34:15
54:10 84:19
97:8 136:21,21
153:1 181:9
currently
112:22
cursive 139:6
cutting 198:3

Meeting

[czech - design]
czech 119:8
d
d 5:1
damn 163:1
daniel 58:7
dare 112:19
dark 135:18,19
179:14 189:18
darkness
135:22
dash 182:5
date 13:13
16:16 21:21,22
38:16 83:20
86:22 98:12
144:15 148:17
150:6 167:9
168:1 172:12
182:8 195:21
dates 176:22
182:1,4,6
183:4
daughters
178:7
davis 109:8
day 5:5,5 11:20
11:21
days 23:19
81:17
dc 1:11
dead 44:20,21
deal 103:13
119:8 132:4
156:1,2 172:9
death 182:8
decades 199:11
199:14

July 15, 2024

Page 15
decent 36:7
decide 134:13
163:8
decided 18:13
decidedly
55:18
deck 119:4
declaration
7:17 16:2 17:9
30:20 31:6
71:9 79:20
80:1 81:8,14
81:19 82:2,20
83:3,8 84:7,10
84:15 85:15
86:1 88:22
89:13 90:4
93:21 98:8
101:18 102:4
110:1,6,7,17
113:6,15 115:3
116:5 117:8
124:9 126:18
127:2,14
128:11 131:2
131:12 133:2,6
142:9 148:7
149:1,5 152:8
154:19,21
158:17 184:14
186:15
declare 81:17
81:20
declared 102:7
157:20
declares
157:14

declaring
102:13
decorative
125:12
dedicated
85:14
deeper 85:20
defend 187:20
defiant 100:19
define 83:1
defined 158:7
defining 15:11
definite 34:12
definitely 40:8
97:12 127:20
129:4 176:7
188:15 200:6
defying 118:2
degree 54:9
112:16 196:12
democracy
16:13 86:9
135:5 190:12
democratic
13:2 15:13
20:12
demonstrates
44:19
denomination
32:9 76:15
84:5
departing
181:9
department
1:9
depending
26:18 171:10

www.CapitalReportingCompany.com
202-857-3376

depends
158:20 181:2
183:22
depict 16:11
81:11
depiction 15:17
29:19 69:10
163:3,11 177:1
186:6 193:5
depictions 16:6
46:16
depicts 132:21
depth 81:13
deriving 82:17
described 37:9
158:6
description
132:14
descriptions
18:15
design 3:5,7,8
3:9,10,12 8:22
9:4,8,10,13,16
10:1 13:6
14:17,21 15:6
16:15 18:14
24:15,19 25:5
26:6,15 27:1,8
27:12 29:9
30:2,5,7,11,14
31:5,8,11,13
32:3,10,14,16
32:21 33:5,9
34:15 36:5,8
37:11 38:12
40:9,12,18
41:14,16 42:10
42:13,15,22

Meeting

[design - different]
47:7,9,10 49:6
49:14,15,17
50:4,5,17 51:9
51:10 52:6,13
52:17,18 53:9
53:10,12,14,16
53:17 56:4,21
60:8 63:3,19
64:4 65:16
66:2,5,16 67:6
67:6,12 69:6
69:20 70:17
71:1,9,10 73:6
74:1,6,10,21
75:2 76:4,11
76:18 80:6,7
89:21 91:7,8,9
93:11 98:9,14
98:17 99:7,9
99:15,19 100:9
107:14 108:8
108:13 110:5
110:19 111:4,7
111:13 113:7
116:2,17 117:3
117:4,9,22
118:6,11,21
119:17 120:11
120:19 121:4,5
121:11 124:20
125:6,17 126:1
126:9,17
128:16 130:4
134:3,4,22
135:7 139:19
139:22 140:6
140:10 142:2
145:1 147:21

July 15, 2024

Page 16
149:11,15
153:6 154:4
160:7,15,20
161:4,9 162:4
162:7 163:4,10
163:20,22
164:4,10,13
165:19 166:21
167:4,21 170:8
185:11,14
186:19 187:7,9
187:10,12
188:7 192:12
192:13,22
193:21 194:11
195:3,12,19
196:18 197:2,5
198:2 199:22
designed 22:11
70:8
designs 7:14,16
7:18,20 12:16
12:21 13:6,14
13:16,19 14:4
14:8 17:14,15
17:16 18:4
19:6 20:20
21:3 22:22
24:14 26:4,10
26:22 27:7
28:21 30:22
32:2 35:11
37:8 38:7,9,10
39:17,19,21
40:4,8 43:10
44:16,18 47:21
48:7 53:5
58:22 61:22

62:5 67:17
71:7 74:14
80:16,20 83:6
83:12,13,15
86:1,12,17,21
87:2,5,9 89:9
94:18 98:5
99:10,12,22
100:15 103:19
108:18 109:6
110:13,15
112:12 113:2
115:5,9 116:9
116:14 117:17
122:8,9 124:11
124:12,13,15
124:17,17
125:10 126:8
128:11 133:19
134:7 138:11
139:2,18
142:13 144:6,8
145:11 147:13
148:6 149:9,10
150:3,4 151:11
152:8,9 153:1
153:14 154:17
154:20 156:19
158:12 159:10
159:15 160:5
161:5,13,16
169:8,14,16
175:6 188:6
189:9 200:6,13
200:20 201:2
desire 66:21
detail 49:16,16
132:4 192:19

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194:4
details 129:14
determination
22:12 67:19
determination's
49:19
determined
41:22 42:1,7
detracts 63:15
develop 86:20
147:17
developed
14:10,17
development
15:6 86:15
199:22
device 39:2
diadem 162:10
168:5
dial 67:17
dialogue 103:4
103:8 120:6
diamond 96:5
die 91:18
166:19
differ 189:4
different 21:7
23:4 26:17
29:7 39:20,20
39:21 51:3
62:18 75:14
91:2,3 96:21
97:2,13 101:17
102:6,8 104:22
109:16 113:20
115:2 117:16
127:1,15 131:8
137:9 140:14

Meeting

[different - dollar]
140:14 141:7
141:13 142:16
143:7 153:19
161:13 162:3
163:19 164:4
167:17 173:2,3
180:4 181:17
183:14 184:3
186:2,7,8
189:9 194:18
201:4
differentiate
148:7
differently
115:12,13
difficult 57:6
115:15 134:10
145:1 168:21
difficulties
8:12
digital 204:8
205:3
dignity 119:13
diligent 12:12
dime 7:15 12:2
13:7,16,19
14:1,4 15:15
17:1,19 18:12
19:6 22:18
24:4 25:6 26:9
27:14 28:4
29:6,8,11,22
30:16 31:12,14
32:6,8,20
34:15 35:13,15
36:7,11,12
37:7 38:5,13
38:18 46:21

July 15, 2024

Page 17
47:1,14,16
48:18 49:9,15
51:10,14,19,22
52:15,21 54:20
56:1 57:4,7
58:13,19 60:15
61:8 65:6 67:6
74:10 76:10,13
95:2,2 99:3
100:21 107:7
113:1,2,7
116:12 185:11
185:11,14
dime's 17:20
dimensions
87:18 176:14
dimes 20:3
23:3 26:21
35:12 37:4
58:5
direct 40:10
direction 36:6
55:19 66:1
98:7 101:7
118:3 167:2
168:1 193:14
directions
36:16 101:17
directly 131:11
director 2:21
10:4
disagree 90:8
disappointed
163:16 165:16
177:13
discuss 80:5,7
88:7 122:8
145:10

discussed 99:3
199:19
discussing 80:2
124:16
discussion 7:14
7:15,18,20
18:17 19:7
60:15,17,21
80:8 88:13,15
88:17 107:7
116:11 122:5
124:6,14 145:8
145:14 146:2
159:17 189:4
194:15 200:11
200:22 201:3
201:21
discussions
39:19,22 96:19
dislike 38:22
50:16 154:6
display 25:12
disregard
66:13
dissect 137:19
distance 186:7
distinct 23:14
158:21
distinguishing
157:16
distracting
117:10 125:16
distributed
159:1
distribution
158:10
disturbed
56:18

www.CapitalReportingCompany.com
202-857-3376

diverse 13:3
diversity
172:20 173:4
180:5
divine 157:17
document 25:3
31:19 84:9
86:2 116:4
129:16 132:21
136:17 174:6,7
174:13,14
180:20 193:2
documenting
102:17,18
documents
11:3 17:8
85:14,21 86:8
145:16,20
dog 43:11
doing 28:10
43:21 45:22
47:4 52:4
58:19 107:17
115:3 125:7
143:7 144:5
165:7 174:19
176:16 181:16
189:6
dollar 13:17
14:5 16:9 17:3
29:6 37:4 54:5
54:5 60:16
65:16 74:11,12
78:5 93:21
99:9 117:15
120:8 121:7
169:7,9,13
171:15 197:12

Meeting

[dollar - either]
200:20 202:4
dollars 80:19
192:17
dolley 164:1
dominant
76:16
dominated
76:10
don 149:21
donald 2:16
6:16 37:19
43:17 47:19
50:11 63:5,13
64:6 69:13
90:17 92:13
122:21 140:18
143:9 146:4
172:1 175:19
178:1
doric 95:8
dot 182:7
dots 106:8
double 16:16
21:20,22
downer 106:15
dr 2:3,6,8 5:19
5:21 6:1,3
19:14,17,21
20:5 39:9,11
39:12 41:1
57:16 87:13,15
87:21 88:3
95:18,20 97:22
101:11,13
123:5,6,11,12
124:3 131:20
131:22 135:12
135:14 138:7

July 15, 2024

Page 18
151:16 175:21
176:1 180:9,10
180:12 191:3
drafted 157:3
drafters 82:11
drafting
136:16
drapery 140:2
140:4
draw 107:6
drawn 26:22
109:21 112:12
113:20 160:17
185:17
draws 69:9
116:15
dress 49:17
110:5 116:20
116:21 117:1
119:21 167:2
dressed 46:5
drop 76:11
dropped 48:3
dual 38:16
83:20
due 40:19 98:6
103:11
dull 122:1
duly 204:5
dump 44:7
durable 32:17
dutch 73:13
dwell 66:21
dying 142:10
172:2
dynamic 32:1
53:21,21 56:4
56:7 92:22

94:15 96:11,20
98:11,19
110:22 128:10
128:20 140:10
152:10 188:9
dynamicism
93:3
dynamics
94:20
dynamism
53:22 162:6
e
e 2:1,1 3:1,1
4:1 5:1,1 17:2
18:12 27:13
52:11 57:1
76:15 83:19,21
85:5 90:1 94:6
94:7,10 98:12
170:9 171:3
183:16 193:14
193:17
eagle 7:19 14:5
17:5 27:1,3,5
51:14,18 55:12
56:11 76:13
77:11 79:21
80:15 83:14
84:18 85:1
90:10 95:13
100:19 111:2,9
120:20,21
124:8,14
154:20
eagles 36:10,10
78:18

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202-857-3376

earlier 18:13
51:11 55:5
65:4,14 88:6
185:11
earliest 99:22
100:15
early 35:9
99:22
earned 81:6
earthquake
52:1,4 56:19
78:9
easier 60:2
128:21
easiest 184:20
easily 26:17
28:12 133:2
east 78:7
easy 23:11
27:16
echo 25:10
34:9 73:1
178:1
echoing 79:3
edge 116:19
edging 116:18
editor 3:2,3,4
8:6,9 186:21
effect 97:6
119:16 157:6
effort 102:11
either 33:11
51:15 61:13
87:9 104:19
105:19 152:20
154:13 163:14
170:17 182:6
191:12 193:11

Meeting

[election - everybody]
election 157:7
electoral
157:11
elegance
144:21
elegant 117:10
element 43:1
63:15 76:11,19
160:16 166:21
elements 16:15
30:2 31:12
32:10 35:14,16
51:1 53:13
54:6 71:2
74:12 79:1
109:16 110:16
119:18 134:4
136:5 161:18
eliminate 51:4
51:7 132:12
141:1
eliminated
42:12 59:10
eliminating
51:3
elimination
42:19
eloquent 117:5
email 59:16,18
59:19 79:10
155:1,12
200:15
emailing 79:12
emails 155:10
156:7
emblematic
15:15

July 15, 2024

Page 19

embodies 26:9
86:2
embrace 45:17
embraces
193:14
emergent 136:1
emerges 102:6
emerging
136:1 180:2
emotion 89:20
emphasis 48:17
69:5 137:6
emphasize
50:14 116:14
181:6
emphasized
95:1
emphasizes
94:22 129:15
emphasizing
27:5 110:16
114:11,13
empire 89:7
employed
204:11,14
205:8,11
employee
204:13 205:10
encapsulating
136:3
encourage 33:7
ended 102:9
endowed 82:13
163:12
ends 67:21
energy 104:3
engage 103:7
107:13 148:1

engagement
15:12
engaging 26:6
26:8,14 55:8
126:20
england 49:4
78:7 99:5
100:19
english 52:7
englishmen
51:17
engraved 70:9
engraver 3:11
9:20
engraving 3:13
10:1
engrossed
133:4
enjoy 39:19
98:16 122:11
122:11
enjoyed 127:4
enlarge 76:14
enlarged 170:7
enlightenment
82:6
ensure 122:16
entertain
197:15 202:6
entertaining
175:20
enthusiasm
66:20 74:20
75:4 116:1
153:12
enthusiastic
76:4

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entire 98:13
108:8 146:8,15
201:9
entirely 127:17
134:15
entranced
125:19
entry 199:5
environment
181:10
equal 82:13
131:14 133:10
136:20 137:6
equality 137:10
137:10
era 178:22
erased 33:18
es 204:4
especially
33:12 58:20
98:11 101:1
127:14 134:11
169:2 181:9
187:20
espoused 15:21
essential 85:14
essentially
47:20,22 48:1
48:3 82:6
established
82:12 157:20
159:3 168:22
et 137:10 184:6
evaluate 23:11
evans 9:10
everybody
59:15 133:4
143:17 145:13

Meeting

[everybody - farmers]
163:1 164:20
evident 82:10
179:20
evocative 74:9
evokes 30:3
exact 28:9
101:6 112:8
exactly 29:21
111:7 135:8
187:2 190:15
example 57:22
examples
128:17
excellent 37:5
90:3 134:19
exception
165:7
exceptional
13:1
exceptionally
78:13
exceptions
138:17
excited 12:10
93:5,13 114:1
151:8 162:3
164:8 166:12
178:7
exciting 115:1
165:18 166:8
excludes 33:11
excuse 25:9
148:22 164:16
executing
14:20
executive 158:1
exemplified
116:7

July 15, 2024

Page 20

exemplify 81:6
existed 45:12
45:13
existing 22:6
expansion 81:6
expecting
128:10
experimental
37:14 149:21
149:22 163:8
experimenting
143:6
expertise 39:21
experts 14:22
15:8 107:4
188:17
explain 23:9
explaining 82:2
explicit 29:16
114:20 115:2
explicitly
114:14
explore 15:17
15:19 16:2,12
17:8,15,21
37:22 80:21
81:12
exploring
143:6
exposure
199:12
expressed
28:22 158:17
expression
26:12,19 29:17
49:11 50:5
53:4 64:8 82:4
82:22 83:8

104:8 105:5
162:12 163:14
196:8,11,13,19
expressive
24:16
extent 17:14
140:8
extremely
125:18 200:4
eye 119:10
125:19 188:8
195:11
eyes 89:19
104:10 108:11
136:16 138:13
f
face 26:13
32:22 50:6
63:16 66:15
81:7 138:12,14
140:14 177:5
196:14
faces 30:8
facial 105:5
facing 65:3,13
65:15 74:13
78:7,7 99:5
100:19
fact 25:22 26:6
26:9 27:5 28:9
42:21 53:10
54:12 55:9
102:10 109:22
113:10 114:14
116:3 120:13
131:1 136:12
137:16 142:15

www.CapitalReportingCompany.com
202-857-3376

145:17 146:9
160:12 190:11
191:22 193:1
facts 21:8
fades 148:19
fair 78:19
153:12
fairly 50:12
63:3
fall 17:18 48:1
185:14
falls 89:21 90:3
familiar 21:9
29:15 32:1
114:17 132:11
194:1
famous 194:19
fan 36:10 56:13
56:14 63:6
110:14 115:6
135:4 136:7
188:4 197:1
fancy 50:11
fantastic 22:4
23:2 56:4
182:17 197:5
far 29:9 40:3
43:1 56:15
66:6 92:20
114:19 119:4
119:22 120:4
137:11 142:17
167:8 190:17
197:3 199:20
farmer 78:7
farmers 35:7
48:20

Meeting

[farms - focusing]
farms 48:22
fathers 31:1
118:9
favor 11:12
50:3 115:16
164:6 202:14
favorite 24:19
29:9 34:12
41:16 42:16
56:5 96:8
98:10 100:13
101:1 102:1
121:6 128:10
134:17 138:11
138:18 140:20
144:15 169:21
189:1
favorites 50:15
96:10 154:6
176:17 197:4
feather 136:2
feathers 111:9
feature 15:16
16:6,16 17:1
18:9 83:6,21
148:20 158:13
184:18 194:19
featured
127:15 193:16
features 49:6
85:1
federal 157:7
158:6,7
feedback 12:16
14:6 15:9
17:13,16 33:7
67:20 104:8
139:1

July 15, 2024

Page 21
feel 21:17
47:22 48:7,8
96:22 102:16
102:21 107:5
111:1 124:18
126:11 127:19
129:3 147:14
153:9 161:12
169:5 170:21
171:17 181:20
184:17,22
feeling 24:17
24:17 38:8
feels 23:4 188:8
190:8
feet 90:10,11
fellow 82:10
felt 24:16 61:13
164:21 190:17
female 178:4
fiber 166:10
fierce 44:12
fight 49:4
fighting 44:11
142:10 190:10
191:20,20
figure 51:15
52:8 105:20,22
125:6 140:4
170:6 186:22
figure's 56:20
figured 171:9
figures 81:11
195:7,9
final 37:10
38:11 56:21
79:8

finally 16:8
29:3 56:21
84:17
financially
204:15 205:11
find 25:8 26:12
38:15 50:4
51:21 53:9
55:7 56:17
116:21 117:10
118:11,21
121:4,21 125:8
127:21 163:18
185:17 195:3
201:11
fine 50:10
139:4 155:13
186:16
finished 60:14
fire 189:17
first 5:5 10:20
11:20 12:2,7
13:5,16 16:15
17:13 27:16
37:1 39:15
40:5 41:10
45:12 52:3
54:15 55:10
63:1 69:4
77:12 82:21
84:20 86:3
101:17 111:6,8
118:22 143:21
145:15,18
157:7,10 160:6
163:22 165:19
165:20 189:1,9
189:15 200:21

www.CapitalReportingCompany.com
202-857-3376

fit 27:14 29:3
29:22 30:6,15
32:8 77:9
128:21 129:10
187:1
fits 33:3 114:6
185:16
five 15:19
19:11 80:19
81:8 83:22
88:17 107:9
124:22 156:18
159:21 166:5,5
166:6,6 170:13
fix 90:2,2
fixed 105:11
flag 116:21
182:12 188:19
188:20,20
flame 195:22
flames 27:18
183:6 191:9
flaming 196:17
fledgling 65:9
flight 85:1
float 144:1
floating 100:1
flowers 46:9
64:10,11,18
175:15
flows 134:11
focus 67:19
88:11
focused 46:5
82:6
focuses 136:12
focusing 88:12

Meeting

[folks - generation]
folks 68:16
follow 201:3
following 8:19
14:2 15:14
200:22
follows 60:9
fond 26:15
57:5 119:15,20
font 36:11
98:11 128:19
131:6 133:1,2
133:5 134:9,17
138:15 139:5
140:14 145:4
179:9
forced 81:20
forearms 72:5
foregoing
204:3,4 205:4
foreign 21:5
forget 94:12
forgot 191:7
form 54:10
77:8 157:20
160:22 171:13
171:14
formally 33:20
formats 127:16
formatted
83:16 86:13
formed 15:5
former 89:6
169:1
forms 127:15
155:14
forth 73:14
163:17 195:10

July 15, 2024

Page 22
forward 16:1
20:21 24:21
48:1 58:21
59:1,2 68:13
81:3 196:2,11
196:21
forwards 48:7
fought 142:8
162:22
found 24:18,21
25:9 30:8
53:11,18 56:9
56:22 109:6
117:5 125:11
125:15,17,22
196:13
foundation
14:16 44:1
82:12 161:11
170:11
foundational
84:2 86:7
founded 159:6
founder 3:2 8:6
founders
157:19 158:16
174:12,14
183:3
founding 15:16
15:21 17:8
31:1,19 81:1
85:15 86:5
118:9 145:16
181:11,13,14
four 82:6 148:5
181:14
framework
158:19

framing 20:20
franklin 92:3
121:7
franklin's
171:10 194:7
frankly 121:22
145:4
free 100:1
187:16
freed 89:6
freedom 17:7
48:22 49:1,2,3
85:9,10,11
134:21 159:5
french 45:13
58:8 167:14
front 49:22
fugio 91:18,21
92:5 94:5
100:5 114:5
full 96:13,13
138:19 163:11
163:11 167:5
fuller 2:6 5:19
5:21 39:9,11
39:12 41:1
95:18,20 97:22
123:5,6 135:12
135:14 138:7
175:21 176:1,2
180:9 191:3,4
fully 13:1
98:19
function
109:10,20
fundamental
157:22

www.CapitalReportingCompany.com
202-857-3376

further 12:17
14:9 88:13
189:15 200:10
204:13 205:9
furthermore
37:16
future 16:8
31:7 39:18
47:10 48:4
86:22 113:5
136:3 160:10
g
g 5:1 138:16
gained 65:8
gelberd 2:18
6:20,22 34:7,8
34:9 65:1,2
71:5,6 74:5
77:21 98:1,2,3
123:8,9 133:16
133:17,18
152:5,6 166:16
166:17,18
gender 137:10
general 2:5,19
2:20 5:17 7:2,5
19:7 22:1 37:6
52:22 63:2
68:8 75:17
120:15 121:2
138:22 140:8
159:17 160:7
generally 63:19
96:3 109:7
generation
46:18,19 97:8
136:21 185:6

Meeting

[generations - greg]
generations
12:7
george 74:12
103:14,16
112:15 115:14
157:10 181:8
185:22
georgia 39:14
46:12
getting 49:6
112:6 178:6
gilkes 3:4 8:8
girl 195:18
girlish 54:8
give 33:6 40:13
40:18 42:2
48:9 59:14
61:15 101:21
given 23:12
38:16,19 71:1
193:15
gives 162:20
giving 96:13
glad 40:5
glance 27:16
189:15
go 33:7,8 34:22
36:15 42:8,9
43:1 46:1 48:1
48:7 55:19
59:1,2 61:5
62:14 63:16
67:11 69:7
75:13,21 80:15
84:12 96:15
97:4 99:21
100:12 104:16
108:6 127:9

July 15, 2024

Page 23
130:3 135:15
136:10 138:4
139:7,17
143:15 147:22
165:3 167:21
168:3 170:4
173:20 177:9
179:11,17
180:14 183:17
191:6,15 196:2
196:10,21
200:1,5,7
god 18:10
83:19 85:6
89:11,22 140:3
170:10 171:1
196:15
goes 66:6 140:3
going 29:1,7,21
36:1 42:3,17
43:2,20,21
47:6,9 48:21
50:7,21 62:12
62:16,20 63:12
66:3,4 69:18
70:16 71:22
90:12 93:9
94:21 98:21
103:3,10 104:6
104:16 106:4
106:15 107:9
108:17 109:4
109:16 114:15
117:21 120:11
121:17 129:4
130:3,21
134:11 143:1
144:5 146:9

149:21 153:17
154:7 155:15
162:19 163:13
164:16 165:3
169:4 170:14
170:20 171:5
171:16 172:5
175:13 178:21
183:6 184:9
192:12
gold 64:2 73:8
169:5 178:6
golden 96:5
192:16
golino 3:3 8:7
good 5:2 8:5
10:9 11:12
19:17 23:9
24:11 25:18
38:10 42:15,22
43:4,5 48:11
49:7 53:5
66:14 76:6
92:18 104:2
106:11 107:16
124:19 131:6
132:1 139:3,22
141:12 143:14
143:22 149:19
163:3 197:21
198:13
gothic 128:21
145:3
gotten 114:8
governed 82:18
86:7 158:21
government
3:16 10:12

www.CapitalReportingCompany.com
202-857-3376

49:1 95:10
157:13 158:1,7
158:21 193:6
193:10
governmental
158:10
governments
82:16
graceful 29:19
grade 47:22
graduate 118:7
118:10
gras 144:1
grasp 190:13
grasping 190:9
gravitated
94:18
gravity 118:1,3
great 13:4 20:6
22:5,18 30:18
36:3 39:18
40:9 43:7,8
51:2 73:4 81:7
81:17 97:15,19
98:13 102:14
106:2 114:5
119:8 127:11
132:4 135:11
137:1 170:8
172:9 179:16
184:9 185:13
194:4,10
greater 132:6
greatly 167:15
greek 95:9
greetings 39:13
greg 3:14 10:7
10:11 59:15,17

Meeting

[greg - heard]
60:12,17 79:11
79:12 155:2,9
200:15
grounded 86:5
groundswell
75:10
group 12:14
15:5 102:11
grown 189:2,3
guess 47:14
94:11,14 97:5
116:10 117:19
139:12 147:4
165:4 170:19
198:4
guessed 187:6
guidance 47:17
guide 103:1
guided 85:21
gun 191:11
guy 93:15
170:19
guys 164:20
h
hair 36:4,5
45:21,21,22
46:3 49:16
63:16 64:10,11
69:5,9 89:21
91:6 96:19
98:10 116:11
116:14 139:20
141:3 162:2
172:13,14
173:8,8 175:13
183:5 195:21

July 15, 2024

Page 24
hairband 63:6
63:8
hairdo 116:12
hairline 69:21
69:21
hairpiece 68:9
hairstyle 41:14
50:11
hairstyle's
50:10
half 13:16 14:5
16:9 17:3 29:6
37:4 60:16
74:11 78:5
117:15 120:8
121:7 145:6
169:7,9,13
171:15 197:12
200:20 202:4
hall 91:14,15
93:17 120:7,9
120:14 164:11
169:12 189:5
194:3 197:8,10
198:13
hanchock 3:9
9:13,15 13:18
hand 57:14
59:4 62:7
63:11,21 64:6
65:19 66:3
68:20 69:13
71:4,14,15
72:21 75:6,22
76:7 77:1,2
79:2,4 87:11
87:12 111:10
129:10 136:13

146:4 148:14
150:20 151:15
152:5 153:16
154:1 155:4
179:14 190:22
197:20
handle 57:2
78:22 182:1
hands 72:16
111:6 140:21
146:2 160:15
169:17 180:5
183:8 184:3
185:20 190:5,9
191:9,17,22
196:20 198:21
happen 46:10
106:1 163:1
happened
23:12 104:13
107:10 149:1
174:12
happiness
82:15 93:19
111:19
happy 24:13
41:9 146:1
harcourt 2:6
5:19 39:9,12
95:18 123:5
135:12 141:9
175:21 176:2
184:2 191:2,3
195:17
hard 81:6
125:12 162:20
180:17

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202-857-3376

harken 111:17
harkening 27:7
harkens 77:9
hat 91:2
hated 163:9
hates 43:12
head 29:13
36:16 58:3
64:4 66:7 68:9
69:19 70:2
73:1 74:8
112:15 140:2
168:6,7 170:18
171:6 175:14
177:15 199:14
headband
168:4,7
headdress
46:11
heading 168:2
headpiece
41:13 66:6
183:14
headpieces
66:13
heads 58:4
141:3
headwear
46:15
hear 19:8 24:3
61:5 75:8,15
77:18 96:21
97:11 147:4
152:15 159:18
189:4 193:22
198:10
heard 67:20
68:7 83:2,4

Meeting

[heard - ideology]
139:5 153:18
178:1
hearing 10:20
11:3,16 67:17
68:5 73:15
153:2 154:9
heart 127:7
hearts 127:7
heavy 195:11
held 52:17
hell 164:16
hellenistic
195:10
helmet 54:12
54:22 69:17
70:5,7,9,11
73:5,8,17,17
170:19
helmeted 54:14
54:16 67:2
help 61:18 90:1
169:9 187:19
helpful 75:13
200:4
helps 155:15
henry 82:2
herakles 74:8
heraldic 90:10
heraldry 100:3
hereto 204:15
205:11
heritage 90:7
hesitant 30:12
30:15
hey 114:16
hi 65:1 151:16
high 48:8
186:20

July 15, 2024

Page 25
highlight 23:22
historian 24:8
historians
102:5
historic 15:19
16:6 29:13
58:4 80:22
81:11 182:19
historical 77:7
117:15 136:19
170:13
histories 15:12
history 2:9 6:2
18:3 40:7 58:5
95:22 101:16
132:6 136:22
137:1 158:15
hit 146:6 171:6
hits 104:19
hoard 2:19 7:2
7:3 8:15 11:9
11:10 28:2,3
62:10,11 70:16
112:3,4,5
123:20,21
126:6,7 153:17
185:8,9
hold 55:14 82:9
93:20 186:1
holding 26:9
27:6 55:9,11
66:4 72:16
99:4 116:4
117:6 160:18
169:17 179:14
184:7 189:17
191:9 193:2

hole 201:18
home 190:17
homesteading
48:21
hone 12:17
honest 133:20
honestly
139:12 151:9
164:9
honor 19:18
39:16 40:1
85:18
hope 12:20
130:9
hopeful 102:19
hopefully
147:13 149:12
150:15
hoping 165:17
182:9
horrible
139:10
hostages 44:2
hour 122:7,12
145:6
house 2:7,12
5:20 6:9 59:19
157:8 176:20
179:8
housed 85:12
huge 50:2
human 20:10
44:5
humans 20:17
hung 177:15
hybrid 74:14
hyper 30:14

www.CapitalReportingCompany.com
202-857-3376

hyphen 149:6
i
i.d 10:17
iconic 96:20
113:17 120:14
idea 43:4 62:17
65:3,12 68:8
75:17 84:1
91:4 93:18
110:5 111:5
133:9 158:22
160:11,17,18
161:14 162:1
174:5 176:9,18
185:22 186:12
190:14
ideal 173:5,6
ideally 37:22
ideals 15:11
18:2 35:9 83:9
ideas 31:3
39:20 82:11
98:17 137:2
160:21
identical 79:22
identifiable
92:8 97:17
identified
14:21 15:9
147:13 148:3
identify 19:12
45:3 83:17
84:8 86:14,16
159:21
identity 83:1
ideology 137:3

Meeting

[ignited - inspired]
ignited 15:15
18:1 35:4
illustrate 81:5
86:2
image 18:5
54:9,21 55:8
56:17 91:14
169:11 176:8
178:12,19
197:10
imagery 70:4
167:11 170:13
images 45:19
177:11
imagine 105:21
impact 33:8,15
impactful
167:6
imparted 89:20
important
11:21 12:14
19:2 21:20
45:4 49:5
69:10 95:22
103:5 125:15
129:16 148:20
180:20 181:7
184:18 187:21
impressed
165:8
impression
119:1 162:20
impressions
26:2
impressive
27:17 76:12
inaccuracy
77:7

July 15, 2024

Page 26
inappropriate
37:12 170:12
inclination
78:2
inclined 30:19
108:9
include 15:14
38:17 84:7
155:19 165:9
184:18
included 14:22
37:19 192:20
includes 7:12
85:4
including
17:21 70:22
165:1
inclusion 37:10
38:11 129:9
179:1
incorporate
41:19
increase 31:9
incredibly
180:20
incursions 22:7
incuse 50:14
independence
7:17 16:2 17:9
20:2,7 24:1
30:21 31:6
71:9 73:10
79:20 80:1
81:9,15,17,19
82:3,20 83:4,8
83:10 84:7,10
84:15 85:16
86:1 89:1,14

90:5 91:14,15
93:17,22 95:21
96:7 98:8
101:18 102:4,7
102:13 108:17
110:1,7,8,17
113:7,16 115:4
116:5 117:8
120:7,9,14
124:9 126:18
127:3,15 131:2
133:3,6 137:4
142:7 148:8
149:1,4,5
154:19,22
158:18 164:11
169:12 186:15
189:5 194:3
197:7,10
198:13
independent
48:20
indeterminate
105:20
indian 168:6
indicate 8:20
47:21 58:22
68:12 124:19
indicated 18:7
86:10
indicating
120:13 200:5
individual 16:7
103:19
individually
61:22 62:5,14
88:7,12

www.CapitalReportingCompany.com
202-857-3376

inflection
15:20 80:22
81:12 82:20
158:15
influenced 82:5
inform 14:8
information
14:3 22:13
informed
183:20
inhered 20:16
initially 88:12
127:10 183:12
196:4
initiative 13:2
inkwell 130:21
innovative
31:22 132:10
150:4 186:4
input 12:13
15:5
inscription
38:16 39:1
84:7 90:5
120:13 171:12
inscriptions
16:20,22 18:7
18:11 57:3
83:18 84:3
85:2,4 170:22
inside 106:19
114:4 120:18
151:20
inspire 15:12
85:20
inspired 85:10
110:7

Meeting

[installments - k]
installments
86:22
instant 99:18
instantly 167:3
168:5
instituted
82:17
institution 15:1
institutions
20:12
instruction
94:11
intended 82:3
101:16
intense 54:1
196:14
intensity 22:11
24:20 30:8
35:20
intent 138:1
intention 138:2
intentional
28:19
intentions
65:12
interest 66:22
68:12
interested
58:11 154:8
164:19 185:20
189:3 204:15
205:12
interesting
36:13,14 41:7
41:13 50:4
53:18 54:20
56:6,17,22
64:3,9 74:14

July 15, 2024

Page 27
93:11 97:10
108:12 113:11
126:10,13,17
134:10,14
135:4 141:20
146:19 163:8
163:17,19
164:13,19
167:22 168:8
168:17 173:19
175:18 183:22
188:5 195:20
196:19
intergovernm...
2:22 3:17 10:4
10:14
interlocking
94:6
interpretation
138:3
interpreted
189:15
interrupt
149:14
interruption
66:6 128:12
130:3,17
intrigued 41:17
intriguing
125:17
introduce 5:13
80:4
introduction
24:8
introspective
26:19
invite 58:14
68:16

involved 12:21
ionic 121:16
irrefutable
83:9
ish 105:10
issue 90:2
issues 10:18
it'd 38:14
189:8
it'll 179:15
items 68:5
141:18
j
james 16:12
jeanne 2:10 6:5
37:19 41:3
43:15 50:22
52:6 65:19
66:18 71:15,17
71:20 72:10
108:1,5 109:1
123:14 129:20
130:2,5 131:18
165:13 166:15
197:4
jefferson 82:1
82:10 89:7
102:12 125:13
174:8
jefferson's
118:10
jennifer 2:21
8:2,6 10:3
205:2,15
job 1:22
jobs 187:18,19

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202-857-3376

john 2:12 6:9
48:12,14 53:6
54:2 56:18
59:4 63:21
72:21 73:19
79:2 92:15
95:16 100:20
123:2 138:8,10
140:16 148:14
149:14 150:9
162:17 165:11
169:6 171:6
196:3 197:20
197:21 198:18
202:9
joined 8:15
joseph 3:11
9:19
jubilees 96:5,5
96:5
judgment
169:13 191:12
judicial 158:1
july 1:5 5:4
81:15 107:2
202:2
jump 164:22
june 7:13 11:2
justify 112:19
113:18 185:21
justifying
115:14
juxtaposition
111:12
k
k 1:17 204:2,17

Meeting

[karen - know]

July 15, 2024

Page 28

karen 196:6,9
67:18 68:9
keep 19:11
70:19 72:6
25:19 61:2
73:1,2 75:12
88:17 106:3
79:3 93:2,2,6
109:4 124:22
93:11,17,22
145:17 159:20
94:3 97:13
kellen 2:19 7:2
102:12 103:8
8:10 11:10,11
105:13 107:3
28:2 50:22
113:11 126:9
54:18 62:8,9
126:13,16,22
62:10 70:15
127:10 130:18
71:6 112:3,4
136:4 137:11
115:19 123:20
137:12 138:2
126:6 127:7
138:13 139:11
128:3 132:12
142:5,8 149:8
153:16 185:8
151:10 163:2,7
190:20 191:5
163:18 164:5,5
191:19 194:17
164:19,19,21
195:17
165:5 173:12
kellen's 62:7
177:16 183:2
key 114:21
184:6 186:5
kicked 151:10
187:3 188:12
kicking 19:18
190:16 199:22
85:22
kinds 137:9
kid 50:8
178:22
kids 45:3
kings 157:18
199:11
know 8:12 12:9
kill 45:18 46:15
20:6,10,13
kind 20:10,19
21:11 22:4,16
28:6,19 29:5
22:18,20 23:3
30:1,4 31:2
23:8,12,17
32:10,17,20
28:18 29:12
35:3 41:22
30:1 31:18
49:8 50:6,13
33:1,22 35:7,8
50:16 51:12
40:14,16,19
52:11 59:5
41:19 42:15
62:14 63:9
43:2,9,22 44:2
64:9 67:15,17
44:15,16,17,22

44:22 45:4,6,7
45:8,9,10,10
45:10,12,15,16
45:16,18,19,22
46:3,5,6,7,7,10
46:11,14,14,16
46:22 47:3,4,8
47:12,13 48:6
48:8 49:8 52:9
52:12 53:2,21
54:18 55:16
56:19 57:20
58:1,9,13,14
62:18,19 63:1
63:5 64:13
66:2,4 69:16
69:18 70:10,21
73:7 74:7,7
75:9,10,14,17
78:6 87:17
90:21,21 91:2
91:2,4,11,11
91:12,14,17
92:1,8,9,10
94:4,13 95:22
96:3,4,4,6,11
96:13,13 97:2
97:7,15,16,17
100:14 102:9
102:11,16,19
103:1,6,8,11
103:18 104:1,4
104:16,18,20
105:4,4,6,20
106:4,8,12,13
106:16 107:1,4
107:12,15
118:5 121:1,19

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202-857-3376

126:14 127:8
130:20,22
132:9,11,15,16
132:19,20
133:3,5,8
134:16 135:17
135:19,20
136:14,18,22
137:7,8,18,20
138:1 139:10
139:14 140:20
140:22 141:2,5
141:8,9,10,15
141:16,19,19
142:2,4,5,5,6,7
142:7,8,12,14
142:16,19,21
143:2,2,3,3,5
145:21 146:5,6
146:7,7,9,10
146:11,11,11
146:14,14,21
147:2,3,22
148:7 150:6
151:9,20 153:5
153:5,6 155:17
162:2,6 164:1
166:1,7,9
167:9,13 171:6
171:6 172:2,3
172:9,13,13,14
172:17,18
173:2,2,4,5,7,7
173:11,11,12
173:13,15,16
173:16,21,21
173:22,22
174:2,4,5,5,8,8

Meeting

[know - liberty]
174:12,17,19
174:20,20,21
175:4,5,5,8,8
175:12,13,14
175:15 176:10
176:11,15,15
176:19,19,21
176:22 177:4,4
177:6,7,14,15
177:22 178:2,3
178:4,15,20
179:1,6,14,21
180:18 181:1
181:14,15
182:6,10,15,21
183:2,16 184:2
184:5,10,15
186:4 187:19
188:7,21
189:18 190:1
191:8,13,20,21
191:21 195:8
195:18 196:6
196:10 198:4
198:10,12
199:11 200:2
knowledge
16:13 204:10
205:6
knows 194:10
l
labeled 120:9
lack 142:15
lacks 30:5
ladies 163:22
lady 24:18,20
26:8,13 40:16

July 15, 2024

Page 29
49:11 50:5
69:5,10 72:6
105:1 178:3,6
lady's 140:3
laid 40:6
landed 112:11
language 28:14
29:15 81:18
164:16
large 37:16
65:4 88:10,16
171:2,3 186:13
193:16 196:20
largely 72:15
larger 50:20
71:1 74:16
151:11
lastly 17:4
117:3 131:9
latch 34:16
74:9,15 99:11
100:16 168:21
late 102:1
lately 161:13
latticework
171:8 194:11
launch 37:6
85:8
launched 82:11
84:21
laurel 65:10
70:7
law 13:9 82:8
laying 161:10
layout 98:13
100:13 133:21
133:22

lead 39:22
leader 2:13,15
2:17 6:10,14
6:17
leading 17:21
175:18
leadup 147:11
leaf 64:17
leaning 26:5
67:15
learn 180:15
199:13
leave 117:21
187:22
leaves 66:13
70:7
lee 82:2
left 61:20 66:2
197:16
legal 3:14 10:8
19:5 87:8 88:5
159:13
legends 50:9
legible 22:17
182:15 183:6
183:16
legislative 2:21
3:17 10:4,13
158:2
legs 56:20
lend 71:8
lens 29:2
lesson 22:21
101:16
lettering 52:7
171:1 173:8
186:19 193:13
193:16

www.CapitalReportingCompany.com
202-857-3376

letters 7:12
10:22 11:4,17
139:7 161:21
190:5,15 198:5
level 28:8,16
31:3 32:4
132:6 158:9
161:8
levels 21:7
lexington 83:2
liaison 2:22 8:2
10:5
liberties 78:18
81:6 105:1
119:10 201:7
201:10
liberty 15:17
15:18 16:6,11
17:2,20 18:5,6
18:7,8 20:2,9,9
20:16,17 22:6
24:18,21 26:8
26:10,18 29:19
31:2,18 32:18
33:2 40:16
41:22 42:4,13
45:1,2 46:16
48:15,16 49:11
50:9,14 53:5
53:22 54:7,13
54:16 55:6,9
55:10,17 56:12
65:4,6 67:2
68:10 69:6,11
70:9 72:6,18
78:3 81:5,11
82:15 83:7
84:4 85:5

Meeting

[liberty - looking]
93:18 94:22
97:17 99:4
101:4,16
104:22 105:19
105:22 107:1
108:15,17
110:5,21
111:18 113:13
113:17 116:3
116:16,20
119:1,13
120:22 121:8
125:21,22
134:18 137:13
138:12 140:4
140:14 154:4
157:21 158:13
159:5 162:9
163:3,12,14
167:3,5,12
168:5,6,7
170:11 172:19
173:3,3 175:10
176:10,19
178:3,6 182:13
185:22 186:6
186:11,12
187:11,14
188:1 190:13
192:14,16
193:7 195:6,14
201:11
liberty's 26:13
50:6 89:19,21
104:8 196:14
library 15:2
life 82:15 93:18
111:18 179:22

July 15, 2024

Page 30
lifetime 174:16
light 32:22
124:14 136:1
145:9 179:14
187:20
liked 21:15
22:2 41:12
49:17 75:9
93:4 127:21
130:15 131:1,4
153:20 162:19
163:9 166:11
181:20 183:10
184:13 186:17
190:1
likely 77:10
limb 104:16
line 28:13
128:18 188:8
lines 130:20,22
136:5 196:4
linking 92:1
list 2:2
listen 69:16
listening 5:12
143:17
literally 32:21
little 14:1
27:11 30:12
32:12 33:6
35:12 36:4
42:6,7,10
47:12,12 49:18
51:1,2,9,12
53:4,19 54:1,2
54:3,8 55:15
56:18 57:19
68:3,11 69:5

71:21 74:1,11
78:11 95:12
98:16 99:16,17
100:7,8 101:15
104:14 105:10
105:14 106:19
107:14 108:10
108:11 114:4
115:12 116:21
119:1,3,11,17
120:20 121:3,9
121:22 122:5
125:11,12
127:5,12,20
128:21 130:6
130:16,20
131:13 132:10
134:9,18 135:2
135:22 139:2
141:13 145:1
150:6 153:13
163:8,9 164:3
164:15,18
165:21 169:10
181:22 183:13
184:21 185:6
185:18 186:8
188:14 189:2,5
189:10,13
190:3 192:18
195:11 196:14
197:11 198:9
201:19
live 49:2 101:4
134:12 135:1
lives 49:3
living 52:3
187:21

www.CapitalReportingCompany.com
202-857-3376

livingston 1:17
204:2,17
long 11:21 23:5
23:5 44:20
106:4 119:4
122:4 162:22
178:20 183:17
longacres
168:6
look 17:13
24:18 26:21
29:8 33:19
52:8 64:13
70:20,22 72:6
102:22 104:22
110:11 113:5
117:13 132:16
133:22 137:15
146:9 147:2
148:10 167:4
169:13 171:7
173:20 175:9
177:3 191:21
192:1 198:11
looked 28:4
72:7 94:18
99:12 118:1
143:21 144:15
160:6 163:16
164:10 171:8
189:16 190:4
192:15 196:5
looking 16:8
23:18 25:22
28:6,7,17 29:2
40:15 48:22
52:9 93:3
101:7 108:8

Meeting

[looking - matter]
111:8 120:2
132:15 138:10
139:1 145:15
145:20 163:15
172:6,7 182:7
199:6
looks 33:19
46:6,11 49:8,9
49:19,20 50:6
54:13 63:8
64:2,20 69:22
78:5 93:9
100:8 108:10
119:2,8 130:18
132:19,20
138:16 143:22
160:17 163:20
173:6,12
177:13,14,16
180:1 182:8
191:10 193:20
198:3
loose 125:21
lord 143:22
lose 61:15
172:12
lost 30:9
120:11 121:3
121:17 170:14
170:20 171:5
185:7 197:2
lot 32:8 34:9,15
35:7 40:11
49:9,15,16,16
51:19 54:14
56:10 58:10
74:8,20 78:17
78:21 94:15

July 15, 2024

Page 31
95:10 98:22
99:6 101:5
109:15 120:11
134:4 136:8
139:1 143:17
145:20 161:12
163:21 166:11
168:11,21
175:6 176:16
176:16,16
181:21 186:1
187:7
louis 3:3 8:7
love 22:16 24:2
31:15 32:4
36:4 41:20
46:2 56:22
64:8 65:4
70:17 94:5
96:21 97:11
98:11 104:3,17
113:4 114:9
147:4 149:9
178:13 179:2
179:18 185:13
190:15 195:19
loved 184:8
lovely 53:19,20
149:11 195:15
197:2
low 48:9
lunch 80:6
122:6,6,11,15
124:10
lynn 199:6
lyrics 199:5

m
machines
92:19
mad 109:9
made 104:20
128:14 152:19
158:16 174:15
176:10 183:11
197:7 198:7
madison 16:12
164:1
magic 189:18
maiden 73:13
maier 102:2
main 25:21
78:1 140:12
maintain 16:10
majority 2:14
6:14 37:16
make 11:20
18:8 37:5
47:22 48:15
53:1 56:6
59:14,14,21
61:16 62:1
64:13 105:18
105:22 115:2
138:18 145:16
146:3 147:10
165:9 166:21
173:13 179:8
179:16 181:11
192:4 198:1
makes 13:3
42:19 51:19
89:5 97:19,19
141:20 148:10

www.CapitalReportingCompany.com
202-857-3376

168:5 182:15
188:13
making 70:4
73:20 76:3
110:3,21
114:20 124:20
146:18 183:15
183:16
males 137:13
management
3:6 9:1
manager 3:8,9
3:10,12 9:8,11
9:14,17 10:1
manifested
31:3
mapped 85:19
march 157:7
mardi 144:1
mark 13:13
20:6 98:16
135:7
marked 159:1
marking 182:2
marriage
166:19
martial 55:18
72:19
martin 91:20
masonry
161:14
matching
105:15
material 14:3
matter 14:22
15:8 107:4
155:10 188:17

Meeting

[matthew - mislead]
matthew 1:17
204:2,17
mean 35:22
42:4,14 45:7
45:17 46:8,14
50:1 65:9 73:2
73:8,12,13
87:19 91:5
94:17,20 95:9
137:5 138:13
141:2 144:17
149:2,15,20
164:12 166:4
172:13 173:1
178:18 179:19
meandering
125:7
meaning 16:22
190:7,12
means 190:10
meant 22:10
193:3,19
mechanism
159:3
medal 37:20
38:3 43:8
187:11
medallic 2:11
6:6 43:9
medals 21:11
26:2
media 3:2 8:7
174:19
meeting 1:1 5:3
5:6 7:11,13 8:4
8:17 11:1,22
12:15 58:15
112:7 113:5

July 15, 2024

Page 32

160:16 194:6
200:2 201:20
202:21 203:2
meetings 44:1
megan 3:7 9:4
member 2:8,10
2:18 6:1,20 7:8
members 5:7
5:14 8:3,16
11:22 19:10
34:10 37:19
63:20 67:14
68:2 70:18
75:8 122:16
159:20 197:18
201:15,22
meme 196:7
men 82:13,17
131:14 133:10
136:19 137:6,6
menna 3:11
9:19,21
mention 99:8
200:18
mentioned
57:7 65:14,17
70:18,22 88:6
101:3 113:1
132:13 145:13
155:8 178:14
185:10 194:15
mercury 35:13
merged 51:12
merit 22:5 23:9
30:12 47:8
88:12 161:8
164:5 188:22

message 129:2
177:17 187:13
188:2
metrics 28:6
michael 2:14
3:12 6:13 9:22
39:7 43:8
michigan
204:19
microphone
5:9
microsoft 5:9
33:17
midafternoon
175:20
middle 111:17
115:5
mike 3:2 8:6
36:21 37:1
57:7 61:9,10
63:11 76:7,9
88:19 89:4
90:15 122:18
143:11,16
144:11 170:3,6
171:21 178:14
mike's 93:8
millimeter
31:12
millimeters
30:1
million 21:4
mind 45:16
50:10 82:4,5
102:12 138:14
145:17 147:8
153:21

www.CapitalReportingCompany.com
202-857-3376

minimized
89:12
miniseries
146:12,17,18
minority 2:12
2:16 6:10,17
mint 2:22 3:5,7
3:8,9,10,11,12
8:2,19 10:18
12:1 14:12,16
14:21 15:9
37:2,21 52:20
52:21 61:4,13
79:5 80:18
86:14 100:1,15
103:11 117:9
138:22 201:22
202:5
mint's 89:18
minted 87:18
minting 85:5
minute 79:13
171:7
minuteman
35:5 78:3
minutemen
56:14,15 78:4
minutes 7:12
10:22 11:4,6
11:17 19:11
74:19 88:17
124:22 156:13
159:21
mirror 52:19
misinterpreted
32:13 189:20
mislead 187:22

Meeting

[missed - need]
missed 98:16
misses 135:6
missing 68:15
141:5
mistake 193:12
mit 102:1
mixing 105:15
119:21
model 39:3
110:3
moderated 1:4
modern 29:11
98:17 125:18
134:15
modification
145:3
modifications
59:3 109:14
110:4 116:22
moment 14:12
20:7,8 22:19
56:3 71:21
102:22 103:21
104:21 106:13
155:5 156:9
168:22 194:9
momentarily
80:4
momentous
81:21 159:2
moments 79:14
152:18 169:2
201:16
monarchy
20:14,19 22:8
135:20 137:17
137:21

July 15, 2024

Page 33
monday 1:5 5:4
money 28:13
107:13
months 55:5
moran 2:14
6:13,15 36:21
36:22 37:1
43:8 61:9,9,11
63:12 76:8,9
88:19,21 89:4
89:4 122:18,19
143:11,13,16
143:16 170:3,4
170:6
morgan 99:8
morgan's
74:12
morning 5:2
8:5 10:9 19:18
23:18 24:11
25:18 60:16
122:4 155:3
199:7,13
200:17,19
mother 50:6
motif 132:13
188:4
motion 11:4,13
11:16 176:16
186:8 202:6,7
202:8,11,14
motto 76:16
89:11 170:9
move 11:6,19
14:20 61:22
62:3,5,13,22
66:21 68:13
79:17 81:2

84:13 156:16
187:8 189:13
moved 15:22
59:11 89:22
137:12
moving 13:22
17:19 18:15
22:22 28:10
40:20 84:14,18
87:1 106:3
137:20 143:2
mucha 119:7
multiple 11:14
70:21 202:16
multiracial
105:19
museum's
85:11
music 199:14
mute 5:9
197:22
muted 65:20
69:14 92:16
143:12
n
n 2:1 3:1 4:1,1
5:1
nail 171:6
name 5:10,15
8:21 119:7
122:17 143:20
narrow 190:14
nation 13:1
15:16 16:1
23:15 48:20
52:2 65:10
81:3,21 85:19

www.CapitalReportingCompany.com
202-857-3376

100:2 135:21
157:16 158:11
160:11 167:9
nation's 13:11
17:8 18:2 98:6
134:20 158:15
national 15:2,3
83:1 85:10
157:13
nations 157:17
natural 82:7
near 163:1
171:2
necessarily
35:22 52:15
55:19 62:13
72:20 96:17
97:9 104:12
121:14 146:15
178:9 184:3
186:14 188:13
189:11,21
necessary
16:10 57:8
109:18 110:11
110:17
necessity
144:17
need 10:18
30:1 34:21
42:20 45:15,17
46:8 47:11
63:8 71:19
90:22 103:15
105:5,16 106:8
106:22 107:3
107:10 126:12
155:14,15

Meeting

[need - obverse]
168:14 175:12
178:22 185:1
200:3
needed 42:2
62:13 66:12
needless 39:1
needs 63:16
72:5,7 90:10
105:4 112:20
148:17 170:7
170:20 174:9
178:10
negative 22:14
31:9 33:13
50:18 92:10
94:16 97:6
126:14 189:19
neither 113:11
204:11 205:7
new 17:4,7
38:1 45:1,1,2
45:17,18 46:13
47:9,10,15
62:15 80:19
81:21 86:8
102:5 127:17
135:21 178:22
178:22
newspaper
186:21,22
nice 25:3 33:14
50:12 53:2
65:6,11 71:1
93:1,18 94:10
131:14 134:3
140:5 146:12
167:14 173:13
175:6 187:10

July 15, 2024

Page 34
nicely 99:1
116:20
nickel 13:13
53:12 168:7
nights 143:19
nod 167:14
non 173:9
nonsense 177:7
normally 177:2
north 102:7
noses 120:2
notary 204:18
note 12:14
41:13 55:13
74:5 79:21
noted 13:7 14:6
54:2,19 83:11
119:22 120:6
144:22 187:11
notes 61:14,16
75:15 187:6
200:1
nourished
180:2
novel 67:3
72:17 142:18
nuance 62:17
number 21:18
22:3 26:15
27:1,8 36:12
40:9 41:16,21
42:3,5,6,8,16
42:16,18 43:1
43:2,6,6 46:17
46:17 53:16
55:4,21 56:3,5
59:12 63:18
64:1,4 66:22

70:13,17 71:17
72:12,14 75:1
75:3 90:10
91:22 93:15
94:4 104:5
106:21 109:11
109:11,12,21
110:19 111:4,4
111:15 116:17
118:20,21
119:5,20 120:3
132:9 134:14
148:16 154:4
160:7,20
161:20,22
162:8 165:19
167:18 168:12
168:13 170:7,8
170:15,17
171:17 179:6
183:18 196:3
196:13 197:1
numbers 98:15
99:17 107:8
numismatic 2:4
7:9 8:7 90:7
120:18
numismatically
188:6
numismatics
2:18 6:21
numismatists
121:1 168:22
nurturing
189:17
nw 1:10

www.CapitalReportingCompany.com
202-857-3376

o
o 4:1 5:1
o1 46:10
o2 46:7,9 184:8
o3 182:16
o6 183:21
o7 182:22
o9 105:18
164:2,5
oak 64:17 65:7
66:13
object 50:13
objected 89:7
objection 11:17
objections
11:16
observation
192:4 194:8
observe 180:16
obsession
141:2
obstacles 81:8
obverse 13:6
13:10,18 15:16
16:11 17:1
18:4,6,19
21:14,15,15,15
22:1,3,8 23:6
24:16,19 25:1
25:3 26:5
30:18,20 32:16
33:5 34:11,12
34:12,14,22
35:2,19 36:2,5
36:17,18 38:12
40:4,14 41:11
42:14 49:8

Meeting

[obverse - order]
53:9,16 56:5,7
58:2,5 65:3,15
68:22 69:16
74:4 80:19
83:6,18 84:14
85:4 87:1,2
89:16 90:21
91:1,6,7,7,8
92:20 93:2,4
93:12,15 94:9
94:19 95:15
98:22 99:2,19
101:2 103:13
104:2,7,15
105:10,18
108:6,9 109:6
109:11,21
112:12,20
113:2,13
115:11 116:2,8
116:17 122:8
130:4 139:18
149:15 150:11
151:11 152:9
154:17 156:19
158:12 159:7
161:5,9 162:19
165:4,7 166:19
167:2,7,8,12
167:18,21
168:3,11,13,14
169:4,19,19
171:18 172:8
172:10 173:19
173:20 176:7
181:8,19
183:17 185:18
186:3 187:8

July 15, 2024

Page 35
189:13,14
191:6 192:10
192:11,21
193:5,13 195:2
195:5,12,14
196:3 200:12
obverses 16:5
16:18 18:9,18
25:8 29:9 32:5
35:19 36:15
73:22 81:10
84:1,9,13 91:9
92:21 103:10
115:1 117:3,11
118:19 119:11
151:1,8 159:7
167:2 168:9
172:19 181:17
181:19 182:20
183:2 185:15
186:17
obvious 179:20
obviously 73:2
91:22 95:9
184:12
ocean 132:13
october 14:19
68:3
offer 69:4
offerings
117:18
office 3:17 8:22
10:13
officer 3:5
204:2
oftentimes
178:2

oh 111:10
ohio 24:12
okay 36:8 60:6
67:13 72:4
79:8 80:17
88:3,6 89:4
93:2,4,5,13
94:2,14 95:3
95:11 98:15
101:6 130:8
134:22 135:4
138:20 143:16
149:17 150:9
150:18 156:1,2
156:8 164:14
164:14,17
165:14 167:16
170:21 190:2
192:6
old 32:20 47:15
52:7
older 127:18
oldest 157:13
olive 65:11
85:2
olives 65:10
omitted 130:22
omitting
110:21
once 69:20,20
101:15 181:6
198:10
one's 190:2
ones 101:5
104:1 113:10
113:20 115:17
126:19 127:2
154:7 160:5

www.CapitalReportingCompany.com
202-857-3376

165:8
open 108:11
146:1 153:3
191:22
operation
157:14
operational
14:16
opinion 37:11
97:9 188:18
opinions 39:21
112:8
opponents
104:17
opportunity
20:6 105:17
117:13 127:11
127:17 141:12
194:16
opposed 37:10
38:7 134:15
141:17 172:7
186:5 192:2
option 24:22
33:10,21 70:17
132:17,18
187:10
optionally 84:6
options 115:1
147:15,16,18
186:5
order 5:3 10:21
79:18 82:12
112:19 156:12
156:17 160:22
171:13,14
200:21

Meeting

[original - people]
original 25:2
92:2,2
origins 45:11
orleans 46:14
ornate 125:12
outburst 38:10
outcome 39:22
204:16 205:12
outfit 105:13
outside 69:7
143:7 160:19
overall 22:9
63:15 99:1,20
100:13 110:5
110:10,11
133:21 160:10
162:11
overdue 44:21
overlooked
25:2
overly 125:11
125:12 196:20
oversimplified
21:18
overthrew
20:16
overthrow
20:15,18
overtly 37:9
110:14 134:5
overuse 161:3
own 26:3 48:21
53:8 72:14
100:2,2 143:20
144:13 187:14
195:2
oz 85:3

July 15, 2024

Page 36
p
p 2:1,1 3:1,1
5:1
p.m. 122:3,7
156:9,11 203:1
203:3
package 38:11
page 4:2 187:1
187:3
paint 33:18
pair 173:10,10
184:1
paired 23:5
56:5 165:22
168:11,12
pairing 32:15
94:19 172:12
173:17,18
pairings 172:7
172:8 175:3
pairs 171:19
pallas 73:14
paper 111:10
129:3
parade 144:1
parchment
141:16 144:16
145:21
parisian 119:6
park 194:4
parks 15:3
part 28:10
39:16 69:10
103:14 119:21
136:22 162:11
178:15 180:21

partial 91:22
participating
5:8
participatory
16:13
particular 38:8
43:5 69:6 84:8
96:18 98:18
99:11 103:4
107:13 109:10
114:2 115:6
120:3 134:7,17
147:21 161:16
161:20 178:19
182:18,18
201:12
particularly
21:15 38:17,19
48:2 49:11
51:22 52:21
56:17 63:13
70:6 72:15
94:22 96:1
110:16 118:18
119:15 125:19
138:15 139:6
151:21 163:10
parties 204:12
204:14 205:8
205:11
partly 57:5
parts 153:21
party 46:13
51:16 77:10
passed 92:4
past 21:8 39:17
102:18 105:1
135:2 146:7

www.CapitalReportingCompany.com
202-857-3376

160:9
paths 58:21
pattern 58:4
paul 3:4 8:8
pauline 102:2
pay 44:8 72:5
peace 54:5,5
65:16
peaceful 65:12
peers 112:14
186:10
peeve 63:14
pen 111:11
136:2,6,12,13
166:9 179:15
198:6
penny 13:12
121:14
people 21:5
22:13 23:3
26:18 30:13
34:16 40:11
44:10 45:9
49:1 50:17
52:20 57:22
58:11 70:22
73:13 77:22
81:7 86:6
99:11 101:22
103:6 104:10
105:15 106:22
107:13 112:17
113:18 132:14
133:5 142:10
142:10 157:15
157:19 158:9
160:8,11,11,12
160:16,18

Meeting

[people - please]
166:20 168:15
168:16,21
169:10,18
171:13 172:3
173:12 174:22
175:9,9,9,11
175:17 177:5
179:10,21,21
180:1,3,6,16
181:10 182:15
183:20 184:17
184:21 186:2
190:1,4,10,13
190:14 191:13
191:19 198:21
198:22
people's 24:3
120:2 141:3
175:14 183:8
perceived
67:18
perceptions
26:17
perfect 12:17
157:21 160:22
171:13,15
perfectly 55:21
139:8
period 17:21
45:14
periodically
174:9
periods 96:4
permanent
38:1
persistence
32:18

July 15, 2024

Page 37
persistent 33:9
person 26:8
50:2 52:9
84:12
personal 91:22
personally
75:21 98:20
182:5
perspective
26:7 109:19
persuaded
22:15
pet 63:13
peter 1:4 2:3
7:8 10:9 11:9
34:8 36:22
39:6 43:18
47:6,17 48:13
61:9 65:1 71:5
72:22 76:8
77:21 88:21
92:19 124:3
138:9 139:14
146:6 152:6
153:18 155:17
162:18 166:17
170:5 171:20
petition 174:19
pew 45:20
phase 28:15
phenomenal
33:20
philadelphia
102:10 104:13
107:3 194:5
phone 5:9
43:12

phrase 38:15
133:10 136:19
171:14 193:15
phraseology
171:16
phrygian 22:16
22:20 36:2
45:7,11 50:13
54:12 89:5
90:22 104:6
119:2
physical
129:15
pick 22:21
133:11 191:4
picking 144:6
picks 169:21
picture 64:3
165:2
piece 30:16
32:11 64:2
114:15 131:11
185:13,16
pieces 45:21,22
66:7 68:14
125:20
pistol 191:10
195:18,18
place 30:20
37:13 39:3
59:13 77:12
142:21 148:18
placed 162:10
places 102:6
plain 92:7
plan 17:16
147:12

www.CapitalReportingCompany.com
202-857-3376

plant 180:1
platinum 7:19
14:6 17:5
79:20 80:7,15
83:13,14 84:19
85:4,9,13
86:17 87:20,21
98:20 106:18
113:8 122:8
124:7,13,16,18
124:21 125:5
127:3,11,16
128:9 132:3
133:19 134:5
135:8 139:19
140:11 142:17
145:9,14
146:13 147:16
149:10,22
150:5,5,12
151:5,22 152:8
152:11,20
153:1 154:20
155:19 201:2
play 78:9
played 44:3
please 5:8,14
8:20 11:13
19:10,16 20:4
24:10 25:16
28:2 34:7
36:21 39:10
41:4 43:17
48:12 59:22
61:10 62:9
66:14 80:11
83:16 84:9
86:13 88:20

Meeting

[please - potential]
90:17 92:15
95:19 97:4
98:1 101:12
108:2 109:2
112:3 115:21
122:17 124:22
125:3 126:6
128:5 129:21
131:21 133:16
135:13,15
136:10 137:14
138:8 140:18
143:11 154:22
159:20 160:2
162:17 165:13
166:16 170:3
172:1 175:22
177:9,19
179:11,17
180:11 185:8
191:6,16 199:1
200:14 201:13
202:15
pleasing 114:9
pleasure 30:3
180:14
plinth 170:8
plop 187:3
plume 144:2
pluribus 17:2
18:12 27:13
52:11 57:1
76:15 83:19,21
85:5 90:2 94:6
94:7,10 98:12
170:9 171:3
183:16 193:14
193:17

July 15, 2024

Page 38
plus 93:10
pocket 24:4
pockets 21:4
26:3 183:8
point 33:2
58:15 76:4,17
87:10 91:8,19
111:21 112:6
119:15 130:21
154:15 158:15
158:15 171:10
191:8
pointed 95:13
117:6
pointer 76:5
points 15:20
42:2 80:22
81:12 82:20
96:14
political 23:13
23:15 25:12
181:10
politics 105:4
poor 77:15
poorly 32:11
pops 40:10
97:18
popular 29:14
63:19 82:7
popularly 99:9
population
44:5 174:21,22
porcupine
69:22
portfolio 11:20
13:5 18:16
21:1 25:22
28:4,21 31:5

31:17 37:3,8
37:11 41:8
45:5 46:3
47:10 48:1
52:21,22 55:5
55:6 61:8 62:3
70:21 75:13
79:9 80:6,7
83:16 86:11
88:10,16 89:3
96:16 99:3
108:8 112:8
113:2,12 114:2
117:14 118:19
124:20 141:4
143:8 144:15
145:11 146:21
148:4 150:11
151:4 152:20
152:21 153:2
153:14 154:19
165:17 166:12
172:14,18
175:8 176:3
177:11 182:18
185:11,18
197:8 200:11
201:9
portfolios 12:2
12:11 14:1
17:12,17 21:2
28:5,21 47:19
48:4 58:19,20
58:22 80:5,11
83:13 88:7,9
113:21 115:2
122:10 128:8
154:14,16

www.CapitalReportingCompany.com
202-857-3376

201:8
portrait 53:21
portray 177:12
177:13
portrayal
118:9 178:3
portrayed
192:16
pose 58:8
position 129:8
162:5
positioned
27:12
positioning
162:12
possession 22:6
possibility
104:5 119:19
131:10 145:10
possible 25:20
31:17 58:21
88:8 109:5,18
113:22 124:21
137:16 138:3
146:20 147:3
165:7 171:18
possibly 27:9
54:19 61:3
109:15 110:3
128:13,19
131:3 145:2
149:20 150:17
poster 119:7
138:19
potential 67:5
119:16,18
120:6 122:9
128:15 129:7

Meeting

[potential - promoting]
136:9 147:15
152:8 162:9
175:6,7
potentially
48:3 70:21
145:19 196:2
196:10
power 158:11
159:1 177:6
179:22 191:20
powerful 34:3
152:10 164:4
167:10,18
168:8
powers 82:17
158:1,7,8
practical
158:16
pre 53:17
preamble
157:14 199:5
precious 22:6
preface 118:17
prefer 60:7,7
100:5 126:10
133:18 138:20
139:9 140:22
141:15 142:3
171:12 184:16
preference
22:9 27:1
42:15 91:16
106:7 109:11
141:14 160:6
165:6 183:18
188:22
preferences
47:8

July 15, 2024

Page 39

preliminary
24:13
prepared 205:3
present 5:15,18
5:21 6:3,7,11
6:15,18,22 7:6
8:20 9:2,6,9,12
9:15,18,21
10:2,6,10,15
13:18 17:12
39:18 60:12,17
122:19 123:3,6
123:9,15,18,21
124:1 155:3,21
156:19 160:9
200:16 201:6
presentation
17:17
presented 57:4
60:20 200:22
201:9
presenting
60:22 61:1
preservation
187:15
preserving
33:2 187:15
president
157:10 168:19
presidential
192:16 196:5
presidents
44:20,21
press 8:3,16
pretty 36:7
53:2 94:16
134:3,6 166:8
167:6,10,18

168:8 169:18
182:22
prevent 158:3
previous 25:5
26:10 27:7
124:14 197:8
previously
26:16 65:17
99:3 127:3
152:19
primarily
34:13 48:20
principles
15:21 81:1
82:7 85:19
86:5 159:5
printer 155:14
155:16
prior 19:12
159:22 201:20
204:5
privileged
196:7
privy 13:13
probably 52:18
73:16 93:7
132:14 141:7
144:14 180:4
problem 59:20
62:11 90:4
91:14 93:17
135:6 182:14
problems 38:7
79:1
proceeding
205:4
proceedings
8:1 204:3,5,6,9

www.CapitalReportingCompany.com
202-857-3376

205:6
process 12:15
14:18,21 15:13
57:19 60:11
184:11 190:11
proclaimed
82:11
produced
85:13
producing 97:7
product 102:11
program 5:10
14:2 16:16
17:5 19:3,5
37:20,21 38:3
44:18 80:13
83:14 84:19
86:18 98:18
99:2 121:16
134:7,17
147:12 159:14
167:17 199:13
201:4,12 202:4
programs 87:9
progress 14:7
progression
154:8
prominent
18:8,9 121:8
129:13 150:7
prominently
17:1 193:15
promising
165:21 183:22
promote
187:20
promoting
137:17 138:1

Meeting

[proof - quarters]
proof 7:19 14:6
17:5 79:21
80:15 83:13,14
84:19 85:9,13
98:21 106:18
113:8 124:8,14
128:9 132:3
133:19 134:5
147:16 151:22
152:11 154:21
201:2
proponent
192:10
proposal 37:21
proposed 13:12
prospective
120:3
protect 157:21
187:19
protected
20:11 22:7
prove 37:15
provide 15:5
58:20 158:2
provided 14:3
24:8 84:2
provides 12:4
providing
12:16 62:17
158:9
public 2:5,19
2:20 5:6,12,17
7:3,5,11,13 8:4
11:1 12:13
13:9 15:8
28:11 29:12
30:9 32:13
34:19 37:17

July 15, 2024

Page 40
46:18 61:3
97:3 103:16
104:7 106:9,18
106:19 107:9
110:18 112:14
114:16 115:16
120:12,15
121:2,18 143:1
185:19 186:13
187:22 188:10
197:3 202:1
204:18
publish 81:19
pull 45:7,8
113:8,14 115:1
185:12 201:17
pulled 113:4
pulling 166:10
pun 101:16
purdie 2:20 7:4
7:6 25:16,17
25:19 77:4,5
109:2,3,4
123:17,18
128:5,6,7
154:2,3 160:1
160:3,4 199:2
199:3
purpose 22:11
24:20 38:4
129:9
purposeful
35:22
pursue 186:18
pursuit 18:1
82:15 93:19
111:18

push 37:13
58:10 127:12
pushed 92:17
127:6
pushing 38:14
put 44:22 51:5
79:4 89:14
90:11 94:10
116:10,12
149:6 161:7
180:17 187:2,3
192:9
putting 162:1
q
quadrant
126:15
qualified 2:4,8
2:10,18 6:2,6
6:21 7:9 204:7
quality 17:14
53:17 55:18
quarter 7:17
7:21 13:16
29:6 30:21
31:6,15,16,22
32:2,5 38:13
38:14 42:14
54:20 58:20
70:21 71:10
74:10,16 79:19
80:5,14,18,19
81:8,11,15
82:19 83:12,19
84:16 88:10,22
89:2,17 92:9
93:12,21 94:22
95:3 98:8,14

www.CapitalReportingCompany.com
202-857-3376

99:11 100:9
103:3,5,13
105:11 107:16
113:3,12
117:14 121:15
124:7,12,15,17
132:4 139:18
139:19,22
140:7,9 144:6
145:9 149:9,11
149:12,15,19
150:1,3,11,15
150:16 151:1,4
151:19 152:8
152:20 154:18
156:20 158:12
159:15 161:1
163:4 167:19
167:20 170:12
170:14 171:19
173:19 181:8
182:2 184:14
186:16,17
189:6,9 194:16
200:13
quarters 12:2
14:5 15:19
16:1,5 17:2
31:22 37:4
56:12 60:15
67:7 71:9
80:21 81:4
83:22 84:10
86:10,12 89:10
89:11 151:19
156:18 172:16
172:19 173:4
173:16 194:18

Meeting

[question - really]
question 75:17
87:16 117:8,20
117:21 137:2
147:8 155:5,7
192:13
questioning
89:18 198:2
questions 19:5
57:11 87:9
88:5 154:13
159:14 176:5
197:18 199:17
quick 122:15
quickly 22:22
52:10 62:22
68:19 199:4
quiet 33:8
quill 111:11
117:5,6 125:7
125:8 129:1
134:11 141:16
141:17 144:3
quills 144:16
145:21
quirks 145:1
quite 23:7 32:6
32:8 34:3 40:6
49:12 53:18
56:22 61:20
75:21 77:18
95:7 108:7
125:18 127:19
129:11 132:11
139:11 140:1
151:9 164:9
177:11 186:14
196:18

July 15, 2024

Page 41
quorum 7:10
122:16 124:5
quote 16:12
82:3,9,13,18
151:19
r
r 2:1 3:1 5:1
racially 105:19
raise 76:14
146:2 153:18
153:18 181:22
198:21 201:5
raised 57:13
59:4 63:21
64:6 65:20
68:20 69:13
71:4,15 72:21
75:6,22 76:7
77:1 79:2
87:11 116:11
146:4 148:14
150:20 151:15
152:5 153:16
154:1 155:4
191:1 195:19
197:20
raising 195:17
rambled 165:5
rang 107:2
range 13:13
181:16 183:1
184:2
ranger 194:4
rangers 194:6
raped 44:3
raphaelite
53:17

rapidly 143:2
rather 20:17
30:7 51:3
53:10,11 54:12
54:20 55:7
56:6 58:8,13
60:20 67:2,5
72:17 88:10
119:9 121:10
149:22 166:7
169:5 170:9
174:18 186:19
189:3,17 195:3
195:13
ratification
158:14
ratified 157:6
rays 109:17
175:15
read 22:12
24:3 30:17
35:21 36:3
43:3 54:11
57:6 70:4
76:16 104:9
115:7,7,12
125:13 134:9
135:17 136:4
167:8,22 190:3
reading 18:14
30:7 64:18
137:16
reads 135:1
ready 122:5
reaffirm 159:4
reaffirmed
81:2

www.CapitalReportingCompany.com
202-857-3376

real 45:10 50:7
realize 23:17
51:22 111:7
168:18
realized 23:15
51:16 111:10
really 12:9
22:4,5 28:5,14
30:22 31:13
32:7,9,11,15
32:17 34:2,20
35:3,10 36:1
36:16 37:3
38:5 39:4 40:4
40:6,20 43:19
45:4 47:1
49:20 50:13
53:1,10,18
55:10,17 56:3
56:6,17,22
57:8 58:10,11
62:11 65:9
75:9 77:9
78:13 91:13
92:11 93:1,10
93:14 94:10,14
96:17 97:11
98:5,5,18,22
99:5,10,12,19
100:1,11,16,22
101:5 102:4,19
107:8,16
112:11,21
114:9,13 116:8
118:22 126:9
126:17,22
127:4,6,11
128:13 129:15

Meeting

[really - reminiscent]
132:15 133:11
136:15 139:13
139:20 144:3,4
144:18 145:5
146:12,21
148:19 160:8
160:17 161:4,6
161:7 162:3
171:15 175:10
179:2,18,18
180:17 181:7
182:9 183:6,12
183:22 184:18
185:12,15,19
188:4,7,18
191:19 195:3
195:13,20
196:22 197:4
199:9
rearranging
119:18
reason 37:21
112:13 113:19
140:9 197:11
reasoned 83:9
reasons 182:19
192:10,22
reassert 159:4
reasserted
15:22 81:2
rebalanced
110:9
recalls 100:14
receive 14:6
received 25:3
75:5 153:12
recently 121:14

July 15, 2024

Page 42

recess 202:1,6
202:15,22
recognize
28:12 121:18
184:21
recommend
12:18,22 102:1
189:6
recommended
2:6,12,14,16
5:20 6:9,13,17
37:20
reconsider
66:14
reconsiderati...
38:3
reconvene
79:13 122:7
156:11
record 8:18
19:12 61:3
79:15 122:13
155:16 156:14
204:9 205:5
recorded 204:6
recording
204:8 205:4
records 15:2
redesign 12:6,8
13:8,9 138:14
redesigned
140:13
redesigns
134:8
redone 186:19
reduced 204:7
reduction 90:1

redundant
38:16 75:18
reexamine
16:21
reference 70:5
70:11 144:18
185:5 197:12
refined 14:9
38:10
reflect 12:12
15:11 110:4
173:4 174:21
reflecting
65:12
reflections
102:22
reflects 104:21
105:1
refuse 44:8
refused 44:9
regard 25:10
25:11 54:3
117:9,12 118:7
125:5 127:2
192:11,21
193:18
regarding
189:12
regular 46:8
reimagine
183:2
reinforce 16:20
63:12
reinforced
111:20
reinvention
114:18

www.CapitalReportingCompany.com
202-857-3376

reiterate 58:18
152:9
relate 45:3
related 145:22
204:11 205:7
relates 68:22
110:1,6 117:7
relating 155:8
relative 204:13
205:10
release 80:19
relevant
137:12
reluctance
78:12
remain 158:8
remaining 62:2
62:7 74:19
153:13
remark 194:9
remember
48:19 178:5
194:3 199:4
remind 5:7
19:10 145:12
159:20
reminded 93:8
107:1
reminder 26:20
80:18 83:20
84:22
reminders
110:18
reminds 23:3
46:17
reminiscent
53:11 56:10
100:4 109:8

Meeting

[reminiscent - reverses]
119:6 120:21
121:9
remiss 99:7
remotely 8:3
remove 33:14
removed 31:9
74:22 126:13
removing
33:15 44:20
112:20
renaissance
45:1
renditions 71:8
repeated 75:1
repeating
75:18
replace 113:19
157:4
replaced 47:15
replacement
115:14 185:21
replaces
103:18
replicate 193:3
reported 1:17
reporter 66:9
66:10
reporting
155:18
repositioned
148:18
repositioning
129:12
represent 13:1
78:13 180:5
193:3,19
representation
53:21 54:7,13

54:17 55:2
72:18 111:2
162:4 178:22
representatives
15:1 157:8,9
represented
44:19 55:11
78:22 98:12
representing
2:5,19,20 5:16
7:2,4 100:2
193:9
represents
160:10
republic 16:10
161:15 182:9
repurpose
98:21
request 17:13
104:8 182:10
required 14:14
14:18 15:9
16:20,22 18:6
18:11 81:7
83:18 84:3
requires
137:19
resembles
73:17
reservation
55:22 72:14
reserve 169:12
resident 24:8
resolution 92:3
resolve 30:7
67:19
resonate 30:13
34:18 35:10

July 15, 2024

Page 43
132:14 145:5
59:9 74:1,20
resonates
75:9,16 76:10
133:11
78:1 80:20
respect 44:15
84:3,16,22
78:9 97:14
89:15,22 90:6
98:6 103:11
90:6,8,9 91:8
179:5
95:15 97:14
respectively
100:4,6,6,21
71:11
101:1,6 106:11
respond 5:14
107:6 108:14
response 20:20
110:13,20
25:19 103:12
111:4,12,15
responsible
114:1,3,8
187:14
117:20 118:7
rest 52:17
120:8 121:5
121:21 134:12
151:9,18
145:4 196:1
154:17 156:20
resulted 146:11
158:13 159:9
revamping
160:5,6,21
114:17
164:8 165:8,22
reverberate
166:9,19
86:7
168:12,17
reverent 98:6
169:6,6,16,17
reverse 13:6,10
169:20,20
13:19 15:17
171:4,17 172:8
16:12 18:5,10
173:11,21
18:20 22:22
174:1 188:3,6
23:2 25:7,10
190:1 191:16
26:22 27:8
193:22 194:12
32:7,15,16,19
195:7 200:12
34:20,22 35:3
reversed 58:3
35:13,13,15
94:1
36:11,12,17
reverses 16:1
38:20 39:1
18:19 25:7,9
40:21,21 42:17
31:22 36:9
42:17 46:22
38:18 40:20
50:21 55:13
50:21 55:20
56:1,7,21 58:7
56:11 74:18

www.CapitalReportingCompany.com
202-857-3376

Meeting

[reverses - sake]
81:12 83:7
84:15 91:11
93:16 99:21
100:11,18
101:3 106:5
114:22 117:12
117:19 120:5
151:4,8 159:8
164:7 168:10
179:5 183:19
189:22 193:18
194:14 196:22
197:3
review 7:14,15
7:18,19 10:21
12:1 13:15
14:4 37:6
79:11 86:22
202:3
reviewed 13:12
reviewing
12:11 16:4
39:17 172:17
200:19
revise 147:22
revised 14:9
revisit 121:15
159:4
revisited 15:21
81:1 161:18
revitalizes
32:20
revolution
17:22 35:5,8
45:13 82:5
83:2 167:15
revolutionary
158:22

July 15, 2024

Page 44
rework 17:17
99:16 105:9
187:5 200:7
reworked
195:21 196:12
ribbon 76:12
ribbons 66:8
rid 45:15 52:16
64:11 140:4
ridiculous 63:9
riff 54:4
riffs 53:14
right 8:14
10:17,20 11:3
11:15,16 17:19
18:16 19:4,7
19:17 25:14
35:18 43:15
45:20,21 46:20
47:5,18 48:11
53:6 57:13
58:16 61:19
62:21 63:17
64:11,15,16,22
66:2,3,19 67:9
68:17 69:12,19
70:13,13 71:3
71:13 72:10
74:17 75:3
76:6,22 77:18
78:15 79:7,16
84:13 87:6
88:4 90:15
91:4 92:13
95:16 96:1,9
96:21 97:21
101:13 105:12
106:3 107:21

108:22 112:1
114:3 115:19
118:15 122:14
126:4,15 128:3
129:18 130:13
131:18 133:14
134:11 135:19
135:21 137:1,4
137:18 138:6
140:16 141:3,6
143:9 144:11
146:14,17
148:11 150:14
150:18 151:14
152:2,13,15
153:22 154:10
154:12,15
156:13,15
157:17 159:18
165:11 166:2
167:10 170:1
172:13,20
173:1,6,17
174:6 175:9
176:11 177:5
180:12 181:3
194:22 199:9
200:10 202:17
202:18
rights 16:5
17:10 81:10
82:7,14,16
85:17 86:6
89:9 148:9
149:2 157:22
170:17 178:15
rings 94:6,11

www.CapitalReportingCompany.com
202-857-3376

ripping 192:3
rising 171:9
riskier 188:15
road 93:12
rock 125:21
184:22 185:5
199:4,10
roger 3:8 9:8
role 33:1
roll 122:15
rolling 38:1
roman 89:6
roosevelt 29:11
32:20 34:15
35:14
rotunda 85:11
roughly 122:12
145:6 156:12
round 83:3,4
rubble 125:20
134:19
rude 196:17
rule 82:7
rules 100:3
runner 144:6
russell 9:10
s
s 2:1 3:1 4:1
5:1
sad 177:14
safe 132:9
133:9 136:11
144:4,8 169:16
185:1 188:12
safest 184:20
sake 114:18

Meeting

[sam - seeing]
sam 2:18 6:20
34:7,9 36:19
64:22 65:2
71:4,6 74:3
77:20 78:16
98:1,3 101:9
123:8 133:16
133:18 135:11
152:5 166:16
166:18 170:1
184:17
sam's 194:8
saturday
199:12
saunders 2:12
6:9,11 48:12
48:13,14 59:5
63:22 72:22
79:3 92:15,17
123:2,3 138:8
138:9,10
148:14,15
149:16,18
150:14,22
151:2,7 162:17
162:18 197:20
197:21,21
198:16 202:8
savannah
46:12
save 172:5
saw 22:2 38:6
55:4 111:6
155:4 166:8
171:8 187:10
195:17,17,18
196:4

July 15, 2024

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saying 11:13
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42:12 93:21
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scared 112:18
scarinci 2:16
6:16,18 43:17
43:18 48:5,10
63:7 64:7,19
69:15 90:17,18
122:21,22
140:18,19
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schedule 61:21
156:10
school 45:3
186:20
schoolhouse
184:22 185:5
199:4,10
scientific
117:22
score 47:6,6
48:8 59:6,8,15
60:8,8,19 62:2
68:1,2,11 76:5
79:9,10 153:8
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scores 47:20
48:9 60:12,17
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79:11,12 155:2
58:7 59:4 62:7
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67:5 68:1 69:5
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scoring 47:8,19
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75:10
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scrap 111:9
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scratch 90:9
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screen 84:11,12
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96:9
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scripture 102:3
119:16 122:12
scroll 99:4
129:4,5,6
sculpture 2:11
133:19 136:2
6:6
137:14 138:19
seated 56:12
140:13 146:4,8
120:22 195:5,6
146:21,21,21
195:8,9
147:18,20
second 11:8,9
148:5,9 149:9
34:13 58:6
152:15 153:20
59:7 81:16
154:3 156:12
86:15,19,21
159:18 161:17
101:19 143:19
162:3,8 164:19
150:16 156:18
165:17 176:8
seconds 202:11
176:14,16
secretary 7:13
177:2,19 178:8
11:1 12:18
178:13 179:2
14:19
179:13 180:4
secure 82:16
185:10,13
seductive 115:8
186:18 188:22
see 18:4 19:8
191:13,19
23:20 27:16
198:21 200:7
28:18 29:13
seeing 31:4
31:16 32:4
33:10,20 68:12
33:19 34:17
117:17 141:8
36:14,16 42:19
153:3 154:6
45:8 46:2,12
161:12 179:7
46:13 49:20
201:7
57:13,14,20,21

www.CapitalReportingCompany.com
202-857-3376

Meeting

[seeking - sheets]
seeking 12:13
seem 22:13
49:10 63:2
66:19,22 75:3
109:7 116:14
119:6 120:22
seemed 54:4
78:21 119:1
196:15,16
seems 26:13
49:21 53:14
54:1,7 63:18
68:7 74:20
118:2 130:19
137:20 141:2
163:22 165:20
188:21 195:11
196:20
seen 23:3
117:17 127:2
163:22 171:18
178:19 181:20
seismic 86:2
selected 157:7
157:11
selection 14:17
14:21 134:16
selections 47:7
self 82:10
176:10 179:20
sell 115:15
selling 38:7
semi 98:4 99:2
102:21 105:11
169:9,13
semiquincent...
7:15,16,21
12:3,5 13:7,19

July 15, 2024

Page 46
14:2,9,13,17
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19:6 21:2,19
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senate 2:14,16
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senators 157:9
send 59:15
156:6,6 177:18
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202:20
sends 187:13
senior 3:3,4,7,8
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9:8 10:7,12
sense 21:2
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55:1,16 100:22
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sensitivity
25:11
sent 44:10
sentiment
177:20
sentiments
34:10
separate 34:22
155:9

separated
157:22 182:6
separation
158:9
sequence
180:15 181:4
181:16
sequencing
201:16
sequentially
80:3
series 17:7 73:6
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85:9,10,18,22
86:16 96:7,8
127:3,11,16,18
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serious 26:14
163:15 177:8
seriously 99:13
150:3
serve 40:1
157:8,9
served 167:17
service 15:3
set 60:5 62:4
106:18 113:8

www.CapitalReportingCompany.com
202-857-3376

127:18 160:13
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sets 50:9
116:19
setting 18:2
43:20,20
171:10
seven 195:16
several 16:15
31:21 35:14
44:1 75:16
120:1
severed 44:3
shades 180:4
shading 184:4
shadow 160:15
shadows
128:20
shape 125:9
176:15
shaped 132:7
shaping 86:8
share 18:18,20
24:13 80:13,14
83:12 132:22
194:14
shared 15:11
34:11 86:12
shares 86:11
sharing 84:12
88:8 114:16
122:9
sheet 61:1 76:5
sheets 68:1,11
79:10 153:8
155:1 200:5
202:20

Meeting

[shelved - sort]
shelved 37:21
shied 127:10
shield 100:1
110:20 121:13
121:15
shields 44:5
121:12
shift 86:3 159:2
shining 32:22
135:18,21
shock 37:16
shook 82:11
shortly 8:11
shot 83:2
shout 83:4
show 18:5 64:3
75:11 139:20
172:20 184:6
showing 35:5
161:10 193:2
shows 22:5
35:7 117:7
187:14
side 21:14 51:6
51:8 59:11
113:13 164:18
192:14,17
sideburns
192:13
sides 94:20
166:22 188:4
signature
204:16 205:14
significance
40:7 106:20
121:20
significant 96:3

July 15, 2024

Page 47
significantly
60:1
signify 11:13
silly 64:20
76:12
silver 96:4
202:5
similar 34:10
65:16 99:8
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173:15
similarity
34:14
simple 21:16
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51:13 92:6,7
93:2 97:18
108:10 117:1
131:12,13
simpler 21:11
23:1 33:7
50:18
simplicity 33:4
34:14
simplification
114:13
simplified
105:5
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singing 199:5
single 102:11
155:12
sitting 168:19
situation 53:1
six 138:16
size 33:4 38:20
43:5 90:1

163:4 184:5
skills 204:10
205:6
skin 184:4
skipping 68:19
slaves 89:6
sleepy 104:9
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slight 106:7
slightly 109:12
128:10
sma 90:7
small 27:15
30:17 32:11
46:22 58:12
92:9
smaller 110:22
148:4
smiling 177:8
smithsonian
15:1
social 82:8
174:19
societies 137:2
society 105:2
174:9
society's 175:1
softening 90:7
soil 180:2
sold 91:19
soldier 44:11
44:11,13,13
58:9
solemnly 81:19
solid 132:17
184:13
sollman 2:10
6:5,7 41:3,5

www.CapitalReportingCompany.com
202-857-3376

65:21 66:11
71:16,17,22
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123:14,15
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166:5
solutions 181:5
somebody
57:13 64:13
197:8
somebody's
77:1 190:22
someone's
198:3
someplace
52:13
somewhat
35:17,22
soon 86:14
sorceress
189:16 195:17
sorry 43:11
66:9 71:20
87:14 90:18
115:10,10
149:14 153:17
169:5
sort 20:8 21:12
22:14 23:1,15
43:3 53:17
58:3,13 97:6
101:19 102:3,4
103:6 105:15
105:21 107:12
128:20 132:5,7
132:10,19

Meeting

[sort - step]
133:3 136:3,6
137:19 139:7
160:18 181:1
183:3 191:19
192:2 201:17
sought 20:15
sound 21:17
source 24:1
157:15 177:6
179:21
sovereignty
82:7 157:15,17
space 31:9
33:13 50:18
70:20 92:10
94:16 126:11
126:13,14
spacing 161:21
spark 15:15
17:22 26:17
35:4 41:17
64:9 66:4 83:1
speak 5:11
39:17 41:11
131:11 132:8
178:11
speaker 2:6
5:20 9:12
speakers 11:14
202:16
speaking 19:13
20:22 159:22
speaks 106:12
112:7
special 141:13
specialist 3:7
3:16 9:5 10:13

July 15, 2024

Page 48
specialists
12:13
specially 2:8,10
2:18 6:2,5,20
7:9
specific 21:8
28:19 29:5
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96:4
specifically 2:3
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81:15 89:17
106:12 115:4
161:1 182:13
specifics 20:3
spectacular
12:22
spent 119:22
splitting 52:2
spoke 46:18
69:4 172:17
spoken 108:19
112:13 151:18
staff 3:5,7,8,9
3:10,11,12
8:19 12:1 37:2
61:4,13,17
201:22
stafford 3:5 4:3
8:22 9:2 13:17
13:21 62:6
67:11,14 75:7
80:12 88:1
147:6,9 150:21
151:3,13 152:1
152:22 156:18
157:1 199:21

stage 18:2
43:20
stages 135:5
stake 160:12
stand 37:15
92:11 114:10
standing 35:8
119:4 140:4
standout 29:9
129:5
stands 202:22
star 182:7
188:20,20
starburst 42:12
staring 24:21
40:17
starry 143:19
stars 27:3
33:11,18 42:19
51:4,4,5,5,6,7
51:8 59:10,10
74:22 91:1
105:16 109:16
110:9,11
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117:2 126:11
126:12 129:8
132:12 136:14
138:21 139:9
141:1,3 150:7
183:6,15
188:19 191:9
195:22
start 10:19
13:15,22 84:9
93:9 125:2
159:7 160:5

www.CapitalReportingCompany.com
202-857-3376

started 48:16
starter 173:9
starting 80:17
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state 190:8
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stated 26:16
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stately 188:8
statement
33:16 34:1
97:19 141:21
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stater 73:4
states 12:4
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18:11 28:12
57:3 84:4,20
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99:10 140:20
157:2,6 158:8
158:19 162:22
172:4,4 175:17
186:7
statue 58:8
113:13 167:12
170:11 182:13
186:11 192:14
192:15,15
193:7 195:14
stays 199:14
steadfastness
24:18
steady 32:17
step 12:15
81:21

Meeting

[stern - sure]
stern 177:3
stevens 2:10
6:5,7 41:3,5
65:21 66:11
71:16,17,22
72:4 108:1,3,5
123:14,15
129:20,22
130:2,8,13
165:13,14
166:5
stomping 77:8
stone 125:22
160:17,19
161:14 163:2
176:11
stood 126:8
128:13 161:6
stop 24:5
stopped 44:9
store 193:20
story 81:5
125:13 172:3,5
175:18 184:9
194:2,4,7,7,10
194:10
straightforwa...
21:16 104:3
strange 54:3
168:1
stream 198:5
street 1:10
170:19
strength 33:9
119:17 120:10
stride 116:6
strike 26:13
94:14

July 15, 2024

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strikes 197:10
stripes 117:2
strong 37:3
40:18 53:10
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147:14,15,16
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strongly 117:4
struck 89:19
93:7,13 95:11
144:19 164:14
181:1 193:21
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structure
120:12 179:8
struggling
180:19
strung 119:2
student 186:10
students
186:22
stuff 53:2 91:5
95:8 139:2,3
175:13,15
stunning 31:15
176:8,13
178:12
style 37:9,15
38:1 45:17
128:21 131:8
171:17 190:16
stylized 144:3
subcommittee
37:18

subject 14:21
15:8 107:4
141:22 188:17
subjects 86:4
95:5 125:14
128:18
submit 75:19
subset 147:13
succeeding
103:20
successful 63:3
successfully
23:7
sufficient
112:16
suffrage 16:4
81:10 137:8
suggest 51:2
59:6 154:16
156:10 196:17
suggested 65:4
90:7
suggesting
150:10
suggestion 59:9
61:21
suggestions
62:18 74:21
suitable 50:20
54:10 55:21
94:8 95:2
suited 37:22
100:21 169:8
170:16
sukrita 3:10
9:16
sullivan 3:7 9:4
9:6

www.CapitalReportingCompany.com
202-857-3376

sultry 119:11
119:11
sun 31:8 50:19
70:8,18 135:17
171:9,10
sun's 31:10
sunburst 36:5
sunbursts
109:17
super 48:17
95:11
superhero
105:10
support 16:7
38:3 68:3 75:5
75:16 78:21
117:4 140:8
163:18 192:12
194:12,14
supported
140:6
supporting
192:2
supportive
116:13
supposed 28:20
95:1 139:15
163:15 198:4
sure 12:20
49:12,20 52:13
54:10 55:18
57:16 59:20
62:15 72:19
73:5 95:7
96:17 105:16
109:9 111:8
112:22 118:12
121:14,18

Meeting

[sure - thank]
122:3 126:7
131:22 135:3
140:1 141:18
141:21 143:8
149:9 162:9
164:15 166:21
167:18 176:6
181:12 183:5
185:2 196:19
198:22
surprised
193:22
surrounding
27:3
suspect 144:4
swirling 139:20
switching 88:9
sworn 204:5
syd 91:19
symbol 52:1
65:8 113:17
symbolic 51:17
95:8 121:19
142:19 190:7
symbolism
38:21 40:7
54:22 55:15
72:15 78:8
99:4 134:20
135:6 136:8
139:12 188:16
symbolizes
32:17
symbols 21:9
73:11
symmetry
90:12 111:16
114:10

July 15, 2024

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sync 171:18
system 158:6
system's 60:4
t
t 4:1,1
take 19:22
59:17 61:14,15
62:3 75:14
79:13 93:22
101:15 105:18
122:6,15
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taken 81:4
204:3,12 205:9
takes 162:6
talk 44:9 47:2
88:22 103:22
108:17 139:16
165:18 172:11
175:16
talking 5:10
35:4 43:22
44:9 47:16
52:1 89:13
108:15,16
116:11,22
136:20 139:15
152:7 193:7
tally 155:2
200:16
talons 27:6
task 103:20
taste 127:20
144:16
tate 3:16 10:12
10:15

taxes 44:8
tea 44:7 51:16
51:16 77:10
teach 22:19
teachable
22:19 168:22
169:2 194:9
teacher 169:1
team 39:16
199:22
teams 5:9
teapot 23:21
51:14,16,18
56:13 77:6,8
77:11,15
tearing 192:2
technical 8:11
19:4 87:8 88:5
117:20 118:5
155:7 159:13
teenager 194:3
tell 47:7 81:4
172:3,5 194:2
199:15
telling 49:2
194:4,6
ten 37:18
tend 174:17,18
terming 14:7
terms 21:13
27:3 40:6
55:20 60:11
72:18 76:17
77:7 91:10
94:3 102:15
103:10 115:13
118:19 119:12
120:5 161:11

www.CapitalReportingCompany.com
202-857-3376

164:7 182:20
196:22
terribly 134:5
terrific 194:11
test 37:15
testifying 204:5
tetradrachm
73:2
text 59:18
102:9 110:22
161:3 187:1,3
textural 110:14
thank 5:22 6:4
6:8,12,19 7:1,7
9:3,7 10:11,16
11:7,11 13:21
19:1,2 24:5,6,9
25:13,14,17
27:20,22 28:3
34:4,6,8 36:19
36:22 39:7,11
39:13 40:22
41:1,5 43:13
43:16,18,19
47:18 48:5,10
48:13 53:5,6
58:16 62:10,21
63:10,17 64:5
64:16 65:21,22
66:17,18 68:16
68:17,18 69:12
69:15 71:5,12
71:13,16 72:3
72:9,11 73:19
74:17 75:20
76:8 77:4,14
77:16 78:15,16
79:7 84:13

Meeting

[thank - think]
87:6 88:3,4
90:15 92:14,19
95:16,20 97:20
97:21 98:2
101:8,9 107:19
107:21 108:3
108:21,22
109:3 111:22
112:1,4 115:20
118:14,15
122:20 123:1,4
123:7,10,13,16
123:19,22
124:2,4 126:4
126:7 128:4,6
129:17,18,22
130:4,11,14
131:17,19
133:13,14,17
135:11,14
138:5,6,9
140:16 143:10
144:11 147:6,9
148:11 150:9
150:18 151:13
151:14 152:1,2
152:3,13
153:22 154:2
156:13 157:1
159:11 160:3
162:14,15,18
165:11,14
166:14,15,17
169:22 170:1,5
171:21 175:19
176:1 180:7,8
185:3,4,7,9
190:21 191:4

July 15, 2024

Page 51
192:5,6 194:22
198:18,18
199:2 200:8
201:22 202:9
202:12,18,19
202:20
thanks 12:4
57:17 128:2
154:10 185:5
190:19
theirs 61:18
thematic 28:17
29:16 30:9
31:20 33:3
114:6
thematically
29:20 187:13
theme 15:18
17:4,20 18:6
28:22 35:6
48:17 65:5
67:16 77:7
78:2,13 79:22
82:19 83:12
86:11 92:8
94:5 95:4,11
95:21,22 98:17
98:19 100:12
109:8 112:21
113:7 126:18
160:10 165:2,4
185:16 188:15
themed 89:9
themes 15:10
15:14 16:2,7
16:20 17:15
81:8

thereof 190:7
thing 24:2 29:7
45:4 49:19
52:3,12 54:21
55:8 59:12
66:15 97:1
103:17 112:19
115:5,15
130:18 131:22
134:17 139:8
148:21 162:8
172:14 177:8
179:19 189:11
194:17 198:9
199:10 200:18
201:5
things 20:1
22:19 33:3
38:6 41:9 44:6
46:4 49:7,18
57:21 62:19
75:14 86:13
95:6 100:7
102:21 105:16
109:5 120:22
127:13 137:1
141:3 142:18
142:19 143:8
176:3,4,5
177:16 182:21
191:5 199:14
201:19
think 8:13 20:5
21:11,18 22:3
22:4,9 23:6,14
25:5 26:18
27:9,11,17,19
28:9,15,22

www.CapitalReportingCompany.com
202-857-3376

29:14,20 30:4
30:7,9,11,16
30:21 31:1,9
31:10,13,14,21
32:10,12,16
33:12,12,15,22
34:11,15,18,20
35:3,9,17,21
36:1,3,6 37:3
38:10,20 39:3
39:20,22 40:3
40:6,9,11,14
40:17 41:13,15
41:17 42:3,6
42:10,13,20
43:3,3,4,7,9
44:13,15,16,17
44:19 45:6,15
45:17,20,21
46:1,2,2,15,19
46:21 47:3,3,6
49:3,14,18
50:17 51:19
52:4,10,14,18
52:22 53:14
54:2,19 55:15
55:20 56:3,5
56:14 57:2,6,8
58:10,10 59:8
59:13 61:2,4
61:18 62:13
63:1,7,8,8 64:7
64:7,9,10
66:11,13 67:4
67:16 69:8,10
70:18 71:7,18
72:4 73:15
74:8,13,14

Meeting

[think - throwing]
75:12 77:10,22
78:1,8,10,12
90:22 91:3,4,6
91:10,12,13,17
91:17 92:6
93:3,10 94:4
94:13,19 96:2
96:18,20 97:3
97:9,10 98:13
98:15,18,20
99:1,12,18,19
100:7,12,14,16
101:21 103:3
103:13,18,20
104:2,5,6,8,9
104:11 105:8
105:11,13,17
106:2,6,7,8,10
106:15,16,16
106:21 107:8
107:14,15,18
108:7,13,16,18
109:14,15,19
110:8,10,15,20
110:22 111:5
112:13,20
113:3,6,15,17
114:3,8,12,13
114:15,20,22
115:15 116:2
116:15 117:6
117:10,13
118:6,20,22
119:16,17
120:11,14
121:1,2,10,17
126:13 127:4
127:10 128:17

July 15, 2024

Page 52
129:14 130:16
131:2,3,6,9,12
131:14 132:8,8
132:13,18,21
133:1,5,8,9,11
133:21 134:4,6
135:6,8 136:8
136:11,15,20
137:15 138:3
138:18 139:1,4
139:8,20,21
140:5,8,10,21
140:22,22
141:9,11,15,15
141:19,19,20
142:6,17 146:5
146:6 148:16
148:21,22
149:10,11,19
150:4,6 151:17
151:18,20
152:10,10
155:4 160:10
160:21 161:3,8
161:17 162:6
163:3,4,5,18
164:3,12
165:16,22
166:6,13 167:4
167:5,6,10,16
168:5 169:8,18
170:6,7,10,11
171:14 172:6
172:15,16,16
173:13 174:12
175:5,6,7
176:2,8,12,15
176:17,22

177:1,11,12,13
177:17,22
178:1,2,4,12
178:12,14,17
178:21 179:5,6
179:15,15,19
179:20 180:3
180:18,20
181:1,1,3,4,11
181:15 182:14
182:14,21
183:1,5,14,14
183:18,19,21
184:16 185:15
185:19,19
186:10,12,13
187:4,9,16,20
188:1,5,10,13
188:14 189:8
189:10 191:14
192:14 193:11
194:10,16,17
195:16,19,20
196:1,9,11
197:1,2,5,6
198:11 200:3,4
thinking 20:8
143:6 145:19
160:9 201:4,13
201:14
thinks 164:20
third 86:15,20
86:21 143:20
thomas 82:1,10
89:7 102:12
125:13 174:7
thought 22:10
23:1,2,8 24:16

www.CapitalReportingCompany.com
202-857-3376

24:20 25:3
58:11 92:21
93:1,5 97:5
106:5 113:10
114:4 116:4,7
116:19 125:13
126:9,16,22
133:6 139:11
143:22 150:17
150:17 164:18
165:2 167:3
183:21 185:11
189:16 198:6
thoughtful
131:11
thoughts 24:3
24:13 34:11
92:12 149:8
threat 196:16
three 17:4 28:6
30:4 51:5,8
76:5 85:12,13
85:14 86:16
106:8 111:17
120:19 145:15
145:18,19
146:22 147:2
147:18 148:4,6
148:9 153:2,4
158:21 161:19
193:6,9
thrilled 118:19
120:2
throw 191:12
191:14
throwing
137:11 161:21

Meeting

[thrust - trying]
thrust 35:8
thumb 135:3
tie 35:3 99:1
189:8
tieback 114:5
ties 55:1
113:15 116:4
186:14 188:15
tilted 118:4
time 5:4 12:7
29:12 37:15
54:9,15 55:6
55:10 56:2
57:12 61:12,20
62:1,12 65:8
69:4 74:1
75:13 76:17
80:9 82:4
88:14 96:4
101:20 107:3
120:1 124:19
134:2 136:21
137:3,7 143:21
145:7 154:14
162:22 167:14
174:8 175:16
178:20 180:15
187:12 197:9
197:15,19
198:11
timeframe
147:3
times 75:1
76:17 187:21
tiny 31:11
tired 32:20
115:7

July 15, 2024

Page 53
today 8:20
11:21 12:1,12
12:16 13:15
14:4 16:4
17:13 18:20
23:14 31:20
34:11 43:21
47:5,9,13,20
49:9 58:19
60:11,19,20
64:14,14
147:14 156:17
190:9 201:16
201:21
today's 7:11
together 80:2
81:4 86:8 94:8
147:19 163:2
189:10 200:1
201:17
token 143:22
tomorrow
12:12 13:17
43:21 60:12,16
60:21 79:11
155:3,19 156:2
200:17,19
202:2,15,22
tomorrow's
200:2 201:20
tone 184:4
toned 131:7
took 44:2 51:15
52:7 111:7
125:6 157:6
tools 179:7
top 32:12 69:19
70:2 170:18

183:21
torch 25:4,8
27:10 31:19
32:19,21 35:15
39:4 52:12,16
56:1 57:2
78:22 99:5
182:12,13
196:17
tornado 125:9
130:18 134:1
143:18
toss 57:22
tossed 144:1
total 42:15
totally 49:13
121:17
tough 96:16
100:22
toward 26:6
99:5 100:19
180:14
towards 25:11
tradition 44:13
44:17
traditional
58:7
traditions 21:7
transcriber
5:11 205:1
transcript
61:14 205:3,5
transcriptionist
204:8
transition
28:15
translate 35:16
42:4 134:6

www.CapitalReportingCompany.com
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152:11 169:10
translates
188:5
transmit
155:11
treasures 85:12
treasury 1:9
11:1 12:19
treatment
89:18,20
tremendously
164:8
tried 135:3
tries 38:20
troops 44:10
trouble 50:7
troublesome
38:17
true 187:17
204:9 205:5
truncation
49:22 50:1,2
54:3
trust 18:10
83:19 85:6
89:12,22 140:3
170:10 171:2
196:15
truths 82:9
93:20
try 19:11 25:19
88:16 124:22
139:2 142:21
trying 44:22
119:12 138:4
177:12,18
178:18 186:22
201:11

Meeting

[tuesday - using]
tuesday 202:2
tunnels 44:4
turbulent
134:1
turn 30:21
31:14 66:16
130:6
turned 32:10
112:15
turning 66:14
89:17
tweaked 27:11
tweaking
109:18
tweet 174:18
twisted 125:8
two 5:5 13:16
16:3 37:4
49:18 60:15
79:22 81:17
88:9 91:17
93:22 106:6
107:9 120:17
120:20 138:17
141:17 147:18
148:8 153:2,4
154:13 166:6
172:8 175:2,3
178:20 189:8,9
198:21,22
tying 161:14
type 70:5
178:19
types 29:14
143:5
typewriting
204:7

July 15, 2024

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typically 55:14
195:7
tyranny 15:18
17:20 18:6
20:14 27:18
32:18 38:22
42:22 43:2
52:9,14,16
57:5,9 65:6
77:8 78:3 79:5
u
u.s. 14:13 16:3
17:9 32:4
55:13 56:16
81:9 85:16
94:4 100:1,15
157:8,9,12
158:14 168:14
ultimate 73:3
ultimately
12:18,21
unalienable
82:14
uncertain
112:18
undemanding
30:2
under 29:22
underscore
72:20 84:1
understand
28:13 35:6,20
78:12 95:4
101:22 107:10
129:8 144:17
144:18,21
169:11 188:11

understanding
21:8 29:4
85:20 141:6
142:15 153:11
understandings
21:6
understands
29:12
unhappy 22:14
unidentified
9:12
unifying 83:22
union 157:21
171:14,15
unique 97:13
97:18 143:7
171:4
united 12:4
14:12 17:3
18:11 28:12
57:3 84:4,20
85:1,3,15,22
99:10 140:20
157:2 158:19
university
118:8,10
unlimited
158:3
unmute 90:19
unnecessary
31:10
unquote
151:20
unrelated
141:18
unser 3:2 8:6
unum 17:2
18:12 27:13

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52:12 57:1
76:15 83:19,21
85:5 90:2 94:6
94:7,10 98:12
170:9 171:3
183:16 193:14
193:17
unusual 125:18
upcoming
121:16
updates 23:4
updating 26:11
upper 126:14
upright 70:7
urge 187:8
189:13
urgency 35:7
use 38:22 39:2
47:17 52:12
62:12 89:7
98:21 111:20
114:12 117:15
120:17 140:9,9
140:10 149:12
150:14,15
164:9 171:16
172:18 192:12
used 28:14
43:10 44:4
47:20 57:1
73:12 74:10
95:9 133:2
141:8 179:7
186:3
useful 72:11
using 17:16
169:2 174:4,4
174:4 194:19

Meeting

[usually - ways]
usually 110:14
utility 62:19
v
value 31:3
181:14 191:11
values 82:22
158:16
van 1:4 2:3 7:8
124:3
variations
109:7
varied 21:6
varieties 91:21
variety 91:18
various 17:15
107:12 195:9
199:13 201:1,7
201:15,16,16
vasquez 3:8 9:8
9:9
versa 83:15
version 55:4
58:2 68:12
104:18 105:7
105:18 184:13
versions 45:1
164:22
versus 26:1
161:1,11 172:4
175:17
vertical 76:11
76:19
vice 83:15
victim 89:21
90:3
videoconfere...
5:8

July 15, 2024

Page 55
view 58:14
66:2 171:10
viewer 26:7
32:22
violence 23:13
23:15,22 25:12
violent 20:18
35:6
virginia 118:8
virtual 66:5
128:11 130:3
130:17
visibility 27:15
visible 129:11
183:7
vision 127:12
146:22 147:1
visions 23:20
23:22
visiting 194:3
visitors 21:5
visual 28:8,16
29:10 32:19
105:3 114:6,10
180:17
visually 32:2
180:18
voices 75:16
vote 60:2
voted 81:16
w
wait 61:14
walk 80:10
walking 167:3
wall 197:1
want 5:13
36:16 37:2,5

40:13 52:13
54:21 55:19
57:21 58:6
72:20 76:14
77:5 78:10
88:21 94:9
98:5 99:10
103:7 107:6
115:4 121:15
122:15 130:5
139:15 142:1
148:21 149:6
152:9 155:9
161:7 166:21
169:12 171:1
173:20 178:1
181:22 184:14
191:4 198:1
200:7,18
wanted 48:14
72:22 75:8,12
75:19 116:3
118:8 148:15
150:21 151:6
152:7 190:1
191:12,14
192:3
wanting
125:14
wants 146:2
war 44:12 73:9
73:9 175:18
warren 2:21
8:2,5,6 10:3,6
130:5,10
washington
1:11 103:14,17
115:14 157:10

www.CapitalReportingCompany.com
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168:19 181:8
185:22
washington's
112:15
watch 119:3
watching 8:4
water 44:7
way 15:22
20:19 22:12
27:10,12 43:12
44:19 46:8,22
50:8 53:20
55:1 56:22
57:3,18 65:3
65:13,15 70:3
74:13 75:11
76:18 78:22
91:20 97:7
98:11 102:17
104:10 109:9
111:17 113:15
116:6,18 118:3
129:1,2,9
134:10,13
135:16 138:12
141:22 142:6,8
144:2 146:15
155:10 160:15
161:18 162:5
180:16 181:13
183:17,21
184:19 186:3
189:8 191:12
200:5
ways 22:8
23:18 32:12
45:2 56:10
57:20 59:6

Meeting

[ways - yeah]
102:8 107:12
181:15 187:4
190:13 201:11
201:14,17
we've 35:11
55:22 78:4,17
96:19 100:16
114:19 117:17
121:13 122:4
127:2 137:7,12
139:5 142:17
144:15 161:12
164:10 171:18
178:18 181:20
201:7
wear 64:14
68:9
wearing 64:12
116:20
weekend 23:13
weinman 3:14
10:7,9 59:20
60:1,7,13 61:6
155:2,12 156:1
156:5 200:15
202:19
weinman's
167:3
weird 69:21,22
135:2 138:16
welcome 8:16
went 33:17
40:5 41:10
92:17 99:2
163:10
whack 90:12
whatever's
70:2

July 15, 2024

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white 172:22
178:4
who've 34:10
wholehearted...
140:7
wide 49:22
wielding
136:13
wild 142:13
willing 61:16
154:3
wisdom 65:8
witness 204:4
wives 196:5
woman 46:7
93:9 97:6
119:15 178:10
178:11 196:7
woman's
116:14
women 44:3
45:19 46:4,5
172:22 173:1
won 183:13
wonder 46:7
53:19 77:11
93:9 97:6
116:22 119:15
146:20 192:19
wondered
117:22 192:18
wonderful 8:14
36:19 76:20
94:20 101:9
156:5 162:15
180:8 190:20
199:10,12

wonderfully
13:3
wondering
27:13 57:18
word 57:8 69:8
125:22 134:11
134:18 168:5
words 198:5
work 12:12
14:12,22 21:3
21:10 23:7
36:6 38:13
41:15 53:15
54:19 58:12
63:3 68:14
77:6 78:1,11
91:7 97:10
99:17 104:6
105:12 108:14
109:15 118:12
118:20,22
119:8 128:18
130:19 131:1
132:5 134:8
145:2 147:17
147:19 148:1
151:10 160:15
166:1,6 167:6
169:19 178:13
178:17 181:17
183:1,4 184:9
197:5 201:10
worked 111:12
128:12 161:19
working 12:14
15:5 77:13
111:6 161:15
177:16

www.CapitalReportingCompany.com
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works 14:7
27:19 55:21
76:13 78:8
106:16,17,21
110:8,15,21
132:10 163:4
179:15
world 3:3,4 8:8
81:20 83:3,5
95:22 159:2
174:10
world's 157:12
worn 89:6
worries 55:8
worry 189:20
190:2,6
worse 94:3
worthy 38:11
wreath 64:17
65:7,10,11
write 61:16
142:6
writing 111:11
129:15 180:1
187:6
written 142:9
157:13
wrong 37:13
45:20 47:5
64:15 66:7
92:22 118:3
187:13 188:2
wrote 61:12,18
82:1
y
yeah 28:3
35:20 36:13

Meeting

[yeah - zoom]
42:6,6 62:8,8
64:7,21 69:2
69:15 70:16
74:5 75:20,20
77:21 78:8,9
78:17 87:21,22
87:22 99:17
115:11 146:5
147:5 149:17
151:7 152:6
153:10 155:21
156:4,4,6
166:3 167:22
169:19 176:12
179:12 198:14
199:9
year 12:19 17:4
31:4,17 32:5
33:10,21 85:5
86:16 147:16
147:18,18
148:7,8,8
162:5
years 12:12
15:20 16:11
18:3 27:5
29:18 31:21
35:12 37:18
38:15 41:12
44:21 56:16
63:14 75:18
76:9,12 80:22
84:3 85:13
86:15,20 96:6
102:21 114:14
114:18 120:1
153:4 178:5
194:5

July 15, 2024

Page 57
yellen 14:19
yoke 27:18
young 30:13
54:8 68:7
100:19
younger 185:6
yup 202:21
z
zavattaro
205:2,15
zero 68:2,2,2
107:9
zoom 120:1

www.CapitalReportingCompany.com
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Meeting

July 16, 2024

Page 1
1

CCAC Public Meeting

2
3
4
5
6

Moderated by Jennifer Warren

7

Tuesday, July 16, 2024

8

10:00 a.m.

9
10
11
12
13

Remote Proceeding
Department of the Treasury

14

U.S. Mint

15

801 9th Street Northwest

16

Washington, D.C. 20220

17

jennifer.warren@usmint.treas.gov

18

(202) 360-3154

19
20

Reported by: Ashtyn Plunkett

21
22

Job No. CS6719415

www.CapitalReportingCompany.com
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Meeting

July 16, 2024
Page 2

1

A P P E A R A N C E S

2

List of Attendees:

3

Arthur Bernstein, Representing the General Public

4

Dr. Harcourt Fuller, Recommended by the Speaker of the

5

House

6

Dr. Christopher Capozzola, the member Specially

7

Qualified in American History

8

Jeanne Stevens-Sollman, Specially Qualified in Sculpture

9

or Medallic Arts

10

John Saunders, Recommended by the House Minority Leader

11

Michael Moran, Recommended by the Senate Majority Leader

12

Sam Gelberd, the member Specially Qualified in

13

Numismatics

14

Kellen Hoard, Representing the General Public

15

Annelisa Purdie, Representing the General Public

16

Peter van Alfen, the member Specially Qualified as a

17

Numismatic Curator and the Chairperson of the CCAC

18

April Stafford, Chief, Office of Design Management

19

Megan Sullivan, Senior Design Specialist

20

Roger Vasquez, Senior Design Manager

21

Boneza Hanchock, Design Manager

22

Sukrita Baijal, Design Manager

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Meeting

July 16, 2024

Page 3
1

A P P E A R A N C E S

2

List of Attendees:

3

Joseph Menna, Chief Engraver

4

Michael Costello, Manager of Design and Engraving

5

Jennifer Warren, Director of Legislative and

6

Intergovernmental Affairs and Liaison to the CCAC

7

Greg Weinman, Senior Legal Counsel and Counsel to the

8

CCAC

9

Brendan Tate, Senior Government Affairs Specialist,

10

Office of Legislative and Intergovernmental Affairs

11

Mike Unser, Founder and Editor of CoinNews

12

Louis Golino, American Numismatic Association

13

Paul Gilkes, Senior Editor Coin World

14
15
16
17
18
19
20
21
22

www.CapitalReportingCompany.com
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Meeting

July 16, 2024
Page 4

1

P R O C E E D I N G S

2

DR. VAN ALFEN:

All right.

Good morning.

3

call back in order the meeting of the Citizens

4

Coinage Advisory Committee for Tuesday, July 16,

5

2024.

6

I

The time is 10 a.m.
This is the second of two days that the CCAC

7

will be meeting.

I would like to remind members

8

that as we are all participating via

9

videoconference to please mute your phone or

10

microphone on your Microsoft Teams program when not

11

talking and to enunciate when you speak for the

12

benefit of the transcriber as well as for the

13

listening public.

14

But before we begin, I would like to

15

reintroduce members of committee.

16

respond "present" when I call your name.

17
18

So please

Arthur Bernstein, representing the general
public?

19

MR. BERNSTEIN:

Present.

20

DR. VAN ALFEN:

Dr. Harcourt Fuller,

21
22

recommended by the Speaker of the House?
[NO RESPONSE]

www.CapitalReportingCompany.com
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Meeting

July 16, 2024
Page 5

1
2

Dr. Christopher Capozzola, the member
specially qualified in American history?

3

DR. CAPOZZOLA:

Present.

4

DR. VAN ALFEN:

Jeanne Stevens-Sollman,

5

specially qualified in sculpture or medallic arts?

6

MS. STEVENS-SOLLMAN:

7

DR. VAN ALFEN:

8
9
10
11

John Saunders, recommended by

the House Minority Leader?
MR. SAUNDERS:
DR. VAN ALFEN:

Present.
Michael Moran, recommended by

the Senate Majority Leader?

12

MR. MORAN:

13

DR. VAN ALFEN:

14

Present.

Present.
Donald Scarinci, recommended

by the Senate Minority Leader?

15

[NO RESPONSE]

16

Sam Gelberd, the member specially qualified in

17

numismatics?

18

MR. GELBERD:

19

DR. VAN ALFEN:

20

Present.
Kellen Hoard, representing the

general public?

21

[Silence]

22

Annalisa Purdie, representing the general

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Meeting

July 16, 2024
Page 6

1

public?

2

MS. PURDIE:

Present.

3

DR. VAN ALFEN:

And I am Peter van Alfen, the

4

member specially qualified as a numismatic curator

5

and the chairperson of the CCAC.

6

And I believe we have a quorum.

7

So the agenda for today's public meeting

8

includes review and discussion of the candidate

9

designs for the 2026 Semiquincentennial half

10

dollar; and overall discussion of

11

Semiquincentennial circulating portfolios that we

12

have reviewed yesterday and today; and review and

13

discussion of the candidate designs for the 2026

14

Semiquincentennial "Best of the Mint" Silver

15

Medals.

16

Before we begin our proceedings, I ask the

17

Mint liaison to the CCAC, Ms. Jennifer Warren, if

18

we are aware of any members of the press who are

19

remotely watching the public meeting?

20

MS. WARREN:

Good morning.

This is Jennifer

21

Warren.

Mike Unser, founder and editor of

22

CoinNews; Louis Golino from the American Numismatic

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Meeting

July 16, 2024
Page 7

1

Association; and Paul Gilkes, from -- Senior Editor

2

of Coin World.

3

joined as well.

4

DR. VAN ALFEN:

5

right.

6

today's meeting.

7

And also, Chairman, Kellen just

Wonderful, thank you.

All

And welcome our members of the press at

For the record, I would also like to confirm

8

that the following Mint staff are in attendance

9

today.

10
11
12

So please indicate "present" after I've

called your name.
April Stafford, Chief of Office of Design
Management?

13

MS. STAFFORD:

14

DR. VAN ALFEN:

15

MS. SULLIVAN:

17

DR. VAN ALFEN:

MR. VASQUEZ:

20

DR. VAN ALFEN:

22

Megan

Present.
Roger Vasquez, senior design

manager?

19

21

Thank you, April.

Sullivan, senior design specialist?

16

18

Present.

Present.
Thank you.

Russel Evans,

design manager?
MS. STAFFORD:

Not present.

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1
2

DR. VAN ALFEN:

MS. HANCHOCK:

4

DR. VAN ALFEN:

Present.

MS. BAIJAL:

7

DR. VAN ALFEN:

8

Chief Engraver?

9

MR. MENNA:

11

Thank you.

Sukrita Baijal,

design manager?

6

10

Boneza Hanchock,

design manager?

3

5

Thank you.

Present.
Thank you.

Joseph Menna,

Present.

DR. VAN ALFEN:

Michael Costello, Manager of

Design and Engraving?

12

MR. COSTELLO:

Present.

13

DR. VAN ALFEN:

Jennifer Warren, Director of

14

Legislative and Intergovernmental Affairs and

15

liaison to the CCAC?

16

MS. WARREN:

17

DR. VAN ALFEN:

18

Present.
Greg Weinman, senior legal

counsel and counsel to the CCAC?

19

MR. WEINMAN:

20

DR. VAN ALFEN:

Present.
Thank you.

Brendan Tate,

21

senior government affairs specialist, Office of

22

Legislative and Intergovernmental Affairs?

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MR. TATE:

Present.

2

DR. VAN ALFEN:

Thank you.

So I'd like to

3

begin with the Mint.

4

that need to be addressed before we start today?

5

[NO RESPONSE]

6

All right.

Are there any other issues

Hearing none we will move right on

7

to the first portfolio for consideration which is

8

the 2026 Semiquincentennial half dollar.

9

Stafford and Boneza Hanchock will present the

April

10

candidate designs for the obverse and reverse of

11

this portfolio.

12

April, all yours, please.

MS. STAFFORD:

Thank you.

Some background;

13

Following the Constitutional Convention in 1787,

14

Benjamin Franklin was said to have asked "what type

15

of" -- was said to have been asked "What type of

16

government the United States was going to adopt, a

17

republic or a monarchy?"

18

republic...if you can keep it." - emphasized the

19

difficult work that lay ahead for the American

20

people.

21
22

His famous reply - "A

The 2026 half dollar coin explores what is
required from us to keep our Republic for the next

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250 years, and emphasizes the critical role of the

2

citizen in a participatory and knowledge-based

3

democracy. As Supreme Court Justice Louis D.

4

Brandeis said, "the only title in our democracy

5

superior to that of President is the title of

6

citizen."

7

So the obverse for the half dollar in 2026

8

will feature a depiction of Liberty, and the

9

reverse designs, as previously noted, will explore

10

what is required to keep the United States for the

11

next 250 years.

12

call to action" for a participatory and

13

knowledge-based democracy so that the reverse

14

designs could inspire a renewed interest in civics

15

and highlight the role that citizens play in

16

preserving democracy, specifically the importance

17

of knowledge and reason and rational informed

18

debate.

19

Artists were asked to consider "a

Specifically, the artists were asked to give

20

special consideration to the following James

21

Madison quotes, - "knowledge will forever govern

22

ignorance; and a people that mean to be their own

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governors must arm themselves with the power that

2

knowledge gives."

3

diffusion of knowledge is the only Guardian of true

4

liberty".

5

And, - "the advancement and

Required obverse inscriptions for the half

6

dollar are "United States of America" which is

7

[sic] mentioned in yesterday's meeting.

8

the required inscription that artists were asked to

9

probably feature in their obverse designs.

That is

As well

10

as the inscriptions "In God We Trust" and "1776"

11

and "2026".

12
13
14

Reverse inscriptions that are required include
"Liberty", "half dollar", "E pluribis unum".
So we'll move on to show you the new candidate

15

designs for the half dollar obverse, starting with

16

Obverse 1, 2, 3, 3A, 4, 5, 6, 7, 8, 9, 10, and 11.

17

Moving on to the reverse designs, for your

18

consideration we have Reverse 1, 1A, 2, 3, 4, 5, 6,

19

7, 8, and 8A.

20

candidate designs.

21
22

Mr. Chairman, that concludes the

DR. VAN ALFEN:

Beautiful.

Thank you, April.

Before we begin our consideration, are there any

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technical or legal questions from the Committee

2

about this program or the designs for the 2026

3

Semiquincentennial Half Dollar?

4

hand is raised.

5

MR. BERNSTEIN:

Yes.

Arthur, I see your

Thank you.

This is

6

Arthur Bernstein.

7

the use of the word "circulating".

8

in fact be produced in quantities to be distributed

9

as circulating coins?

10

MS. STAFFORD:

I have a question with regard to
Will this coin

That is a great question.

So

11

we -- we produce the amount of coins requested --

12

ordered by the Federal Reserve.

13

had previous conversations with the

14

semiquincentennial work group that was formed by

15

the CCAC, that this kind of straddles that.

16

idea of circulating and -- those coins that are

17

merely connected.

18

or isn't anticipated to circulate the same way the

19

other circulating coins will.

20

there might be -- I think there is an understanding

21

in general about the new programs that the United

22

States Mint takes on that we work with all of the

So I believe we

The

It certainly will not circulate

But I believe, Greg,

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agencies and entities to try to widely disperse

2

these as -- as much as possible.

3

there's any specific provision -- (crosstalk) --

4

MR. WEINMAN:

I don't know if

There is a provision.

It's not

5

a mandate, but it's one that we -- (inaudible) --

6

will work with us to ensure a wider distribution of

7

the circulation coins.

8

that this has been specifically discussed, with

9

respect to the halfs, but if it's the opinion of

I don't know -- I can't say

10

the committee that this is something that you'd

11

like to address, I'm sure that's something -- that

12

we can do so.

13

legislation that authorizes us to -- encourages the

14

-- (inaudible) -- to work with us.

15

in that type of circulation.

16
17
18

There is a provision in the

DR. VAN ALFEN:

To -- to aide

Jen, I see your hand is

raised.
MS. WARREN:

Yeah.

I was just going to add, I

19

am aware that at least the last couple of years

20

there has been some orders of half dollars by the

21

FRB for circulating.

22

this year, it's unclear, but it has been happening

Whether that would happen in

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periodically.

2

something has been bought for circulating.

3

there was a demand by the banks for half dollars,

4

they would be purchasing them.

5
6

Not large amounts, but at least

DR. VAN ALFEN:

All right.

So if

Any other

questions or comments before we --

7

MR. SAUNDERS:

8

DR. VAN ALFEN:

9

MR. SAUNDERS:

Peter, it's John Saunders.
Sure, go ahead.
Can't seem to raise my hand.

10

Something went wrong.

Anyway, I'm old enough to

11

remember before the Kennedy halves and then all the

12

silver got hoarded.

13

change.

14

got a half dollar, a quarter, a dime, and a nickel.

15

And I think this would be occasion to, you know,

16

push the half dollar again.

17

real effort made to increase the circulation.

18

mean, people are going to want to get one just to

19

have one if they get the other two coins.

20

it -- it's a good reason to go out and make them

21

more available to the public.

22

see that as a goal.

The half dollar was used in

You know, if you got 90 cents change, you

I'd like to a -- a
I

And

So I -- I'd like to

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DR. VAN ALFEN:

I -- I have a question for the

2

Mint staff, perhaps they -- in order for us to

3

encourage the circulation of the half dollar, would

4

we then make a motion at the end of our discussion,

5

and have that as a part of our recommendation?

6

MR. WEINMAN:

I mean, it's -- admittedly, it's

7

a little bit outside the scope of the CCAC's review

8

of designs, but I don't -- so don't think it's

9

official.

But there's -- because there is

10

something in the legislation about this, I don't

11

think it would be inappropriate for the committee

12

to -- to express on the record -- if you want on

13

the record or just during -- discussion during the

14

meeting and we'll take that into consideration.

15

The minutes from this meeting and there having been

16

a recording of it are evidence enough.

17

DR. VAN ALFEN:

Wonderful.

All right.

Thank

18

you.

Any other questions or comments before we

19

begin?

20

consideration.

21

members to please try to keep your comments to five

22

minutes or less and to identify yourself prior to

All right then.

Let's begin our

And I would, again, like to remind

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speaking.

2

If you would, please.

3

Let's begin with Jeanne Stevens-Sollman.

MS. STEVENS-SOLLMAN:

Thank you, Mr. Chairman.

4

I always prefer to come after Christopher because

5

he -- he's just such a -- (inaudible) -- history

6

and I am not qualified for that.

7

I will start with -- let's see, the obverse,

8

if we can go to obverse -- yeah, Obverse 1, please.

9

Yes, thank you.

I don't have very much to say

10

about this one, because it's just kind of plain and

11

I felt that we needed to have -- say something a

12

little more on the half dollar.

13

my colleague, who just spoke, about having this

14

half dollar circulated.

15

beautiful.

16

And I agree with

I think that would be

So that being said, I want to skip down to

17

number 3, so 3, please.

Yes.

To me this is

18

something very powerful about what's happened in

19

our last 250 years.

20

fills the space and that Liberty is extremely happy

21

and determined.

22

know, her hands as though she's searching --

I love the fact that the flag

And the child that's with her, you

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searching.

2

something very powerful.

3

And I think that this is -- says

The -- number 4 -- 3A or 4 -- the next one,

4

yep.

3A, this is comparable and very good, but I

5

think 3 is a little more powerful.

6

flag, sort of, composition -- design, it fills --

7

it fills the space.

8

little sandals on, you know, it's a very

9

contemporary costume.

Again, the

And I love that they have

So congratulations to the

10

artist who, you know, proposed this -- these

11

designs.

12

We can go to number 4.

I think this is great.

13

We have a lot of diversity in the children.

14

However, it's very complicated and I have sort of

15

put this one aside because of its, kind of,

16

confusion.

17

will be recognized.

18
19
20
21
22

I'm not sure if all those little people

Number 5, it's just a little bit too
contemporary for me.

So I'm going to pass that by.

And 6 is the same.

I -- I like it, but I

don't think it fits this particular series.
Number 7, again, I think this is just a little

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too much of a comic image.

The laurel on her

2

head -- sorry Donald isn't here to speak to this,

3

but the laurel on her head kinda looks like horns.

4

So you're never going -- you're never going to

5

forget that, Michael.

6

lighting the torch is very endearing, but I don't

7

think it fits this program.

But the child, you know,

8

Next, number 8, I ended up passing this by.

9

9 -- 9, it's -- it's just not very mature.

10

Liberty and the child, it's -- I think it's more

11

powerful in design number 3.

12

Number 10 -- yes, number 10.

I love the fact

13

that this is an ethnic child, I think this is

14

really perfect.

15

complicated, the design isn't quite working.

16

her -- I think it's a little confusing, so I'm not

17

going with that.

18

But I also think it's a little too

Now if we can go with reverse please?

And

Number

19

11, okay -- this number 1, I think this would be

20

great, but I think we need to say "knowledge over

21

ignorance".

22

don't think this particular design fits this

It would be better.

You know, we -- I

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purpose.

2

And the same with number 2 -- or 1A.

Great.

Number 2, I can understand the reason

3

for having the obvious oak tree here, but I believe

4

we have better designs.

5

Number 3.

In the beginning, I really thought

6

this would pair very nicely with design number 3.

7

I like the fact that we have the different hands,

8

this diversity, a child's hand, and older person's

9

hand.

This is really wonderful.

But wondering if

10

we use this design we could put in "knowledge over

11

ignorance" which I think is a really important part

12

of the reverse.

13

And to skip down to number 5, please.

This is

14

very simple.

15

defined that might be good.

16

this is more of a -- kind of a Native American

17

influence with feathers bursting up from the flame.

18

It makes it a little bit more interesting.

19

"Knowledge over ignorance", I think is important.

20

If the hands were a little more

We can go to the next.

I like the fact that

This is good.

I love

21

this, but it isn't as powerful to me as some of the

22

other designs.

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And 7, it's a possibility.

8, is a

2

possibility.

3

last few are possibilities, but I think it would be

4

nice, since we have used the torch in so many other

5

designs, maybe we can change.

6

Jennifer, I did not turn off my camera.

7

were able to hear me.

8

MS. WARREN:

9

MS. STEVENS-SOLLMAN:

10
11
12
13

And 9 -- or 8A, yeah.

These -- these

Now, I'm sorry,
I hope you

We were -- (crosstalk) -That's the end, thank

you.
DR. VAN ALFEN:
very much.

All right, Jeanne.

Thank you

Kellen Hoard, if you would, please.

MR. HOARD:

Sure.

Thank you.

To me, the

14

obverse really even -- even in close question is

15

Obverse 3.

16

lives up to that intergenerational theme

17

beautifully, it's patriotic.

18

what a literal allegorical -- uses -- (inaudible)

19

-- of the half dollar well.

20

structured.

21

Liberty Coin and Medal series in part because they

22

didn't have -- (inaudible) -- and I just think it's

It's exciting, it's compelling, it

The perfect mix of

It's beautifully

We passed on this one for the American

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wonderful and that's pretty much all I have to say

2

about that.

3

I think this is the clear choice.

On the reverse, I have no superstrong

4

preferences.

5

best ties that theme of preserving Liberty

6

--(inaudible) -- probably best or maybe towards

7

Reverse 8.

8

dime with a touch of continuity, especially with --

9

(inaudible) --

10

Maybe toward Reverse 3, which kind of

It was just kind of a -- a clean, solid

The one thing I move just away from is

11

probably Reverse 1, mostly because I don't think me

12

personally or the American public is super

13

confident in the U.S. Capitol aka Congress.

14

isn't exactly leading us towards a more perfect

15

union at the moment.

16

some -- some laughter about that.

17

would probably not lean towards.

18

part I'm excited about Obverse 3 and Reverses 3 and

19

8.

20
21
22

It

I think there might be
So that's what I
But for the most

Thank you.
DR. VAN ALFEN:

Thank you very much.

Annelisa

Purdie, if you would, please.
MS. PURDIE:

Thank you, Mr. Chairman.

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Annelisa Purdie, good morning everybody.

Of the

2

portfolios that we've been looking at for this

3

meeting, this is the one I'm excited about the

4

most.

5

and the general enthusiasm for this coin.

6

say that there definitely is an interest in it.

7

During my outreach work with children, they were

8

fascinated by the half dollar, even though many of

9

them likely weren't around when they were

I echo the excitement about the half dollar
I can

10

circulating heavily.

But they all did want to get

11

their hands on them.

They were really -- really

12

enjoyed them.

13

exciting.

14

So these designs are really

My preference for the Obverses are 3 and 3A,

15

with a general leaning more towards number 3 as

16

well.

17

movement, I love her hairstyle.

18

evocative of Langston Hughes "I, Too Sing America"

19

which I think is a necessary reminder.

20

that it gets across the overall message of trying

21

that we're trying to put in with the half dollar.

22

I kept coming back to that one.

I love the expressions, I love the forward
It's very

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I also did like number 7, Obverse number 7.

I

2

think that this particular design, there's -- the

3

thing about it that, sort of, put me off slightly

4

was the fact that her covering the child, she looks

5

disjointed a little bit.

6

you don't see where there -- she's connected to

7

her.

8

the child and guiding her to the next generation of

9

preservation and carefully watching over her.

You see the hands, but

But I do like this concept of her shielding

I

10

just think that there's just some tweaking -- I

11

also agree about the horns on the -- on her hair.

12

Less Athena more Hecate, which I don't think that

13

anyone was particularly going for.

14

I also was interested in Obverse number 5.

I

15

think it's very evocative in some ways of what we

16

were -- I like the style.

17

coming up for the coin -- I'm not sure that it

18

works very well for the half dollar, but the

19

overall style of emphasizing the torch and moving

20

towards Liberty, I think this is something that has

21

potential.

22

I was noticing this

For the Reverses, my strong preference was

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Reverse number 6.

And this is another one that

2

when looking through the designs, I kept coming

3

back to.

4

think the activity in the back is a bit busy.

5

Because there is so much with the American flag in

6

the background, I'm not sure how well that would

7

show up on the reverse, whether it's going to be

8

recessed, whether there's some shading involved.

9

And I'm also not sure about the message of

My only caveat with this one is that I

10

"knowledge being the guardian of true liberty"

11

being conveyed all the way, but I really like the

12

concept of passing the torch along.

13

My other preference for the reverse is Reverse

14

number 3.

This is another one that I kept

15

reviewing, thinking back to.

16

all people working together in order to, not just

17

grow liberty, but mature it, which is necessary.

18

And it's again evocative of -- referencing a lot of

19

tree imagery lately in these portfolios.

20

like the idea of -- putting forth this message of

21

the necessity of growing the tree, of growing

22

liberty, of keeping it maintained and nurturing it.

I love the concept of

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It's also very gentle -- perhaps with greater

2

definition around the edge, because the people's

3

hands do sort of blend into the outside of the

4

coin.

5

And I think that it would make an impact on others

6

too, especially if this is going to enter

7

circulation.

8

you.

9
10
11

But this one I was also very compelled by.

And those are my thoughts.

DR. VAN ALFEN:
you very much.

Thank

Wonderful, Annelisa.

Thank

Art Bernstein, if you will.

MR. BERNSTEIN:

Good morning.

This is Art

12

Bernstein.

13

into the specific designs.

14

something that Chris Capozzola mentioned yesterday,

15

which would apply to this coin as well as to the

16

quarters.

17

with regard to the dash between the dates.

18

just wanted to lend my support to his concept that

19

it shouldn't be a dash, it should be some other

20

kind of mark, so that it doesn't look like a born

21

and die date.

22

Two opening comments before getting
I wanted to go back to

I've been thinking about his comment

My other comment, I just wanted to lend

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support to the concept that April had discussed

2

which was, I would like to see this be a

3

circulating coin.

4

available to us, I'd like to support that -- that

5

concept.

6

And by whatever means we have

Going to the specific designs on the obverse,

7

I heard Jeanne's comment about 1 being a little

8

simple.

9

it -- I guess it could be both, simple and elegant.

I -- I found it to be elegant.

I guess

10

I liked the fact that Lady Liberty is looking

11

towards the rising sun.

12

Obverse 2, I thought the Liberty figure seems

13

to be holding a crystal ball and I rejected that

14

design.

15

With regard to Obverses 3 and 3A, I also love

16

the look of 3.

17

3A.

18

child holding a torch struck me as a little

19

dangerous and unrealistic.

20

going with that design, I -- I'd head towards

21

design 3.

22

I'm a little less inclined towards

As a father and a grandfather, the idea of the

So I would -- if we're

Annelisa mentioned an interest in design 5.

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too liked design 5 and I wanted to give credit to

2

the artist who I think followed the direction to

3

create a bold, modern style.

4

bold, modern style and I like it.

5

This is definitely a

And I would say the same thing about design

6

Obverse 6.

7

sure we're ready for this boldness yet, but I do

8

support the concept.

9
10

Again, a bold, modern style.

With design 7,

I'm not

I also saw the giant horns.

With design Obverse 9, I thought it was an

11

attractive design.

12

thought that on Liberty's chest, there seems to be

13

an odd clump.

14

gown, it looked like a baseball.

15

we're going with that design, I thought the clump

16

needed a little bit of modification.

17

I was a little -- well, I just

I assume it's the gathering of her
And I just -- if

I only have one comment with regard to the

18

reverses.

And that is 1 and 1A, I've mentioned

19

this each time we looked at the quarters as well.

20

I see using historic buildings as a common theme

21

that could be on each of the reverses, and I would

22

support that concept.

Thank you, Mr. Chairman.

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1
2
3

DR. VAN ALFEN:
much.

All right.

Thank you very

John Saunders, if you would, please.
MR. SAUNDERS:

Thank you, Peter.

It's John

4

Saunders here.

First, kind of, historical -- I

5

mean, not to steal Chris's thunder, but if you

6

compare our democracy with the Athenian democracy

7

or the Florence democracy or the Dutch Republic

8

democracy, ours is much more inclusive.

9

started out not being totally inclusive, but where

I mean, it

10

we started was more inclusive then the ones that

11

were previously.

12

show how we expanded with Woman's Suffrage and

13

Civil Rights to make it inclusive.

14

that's kind of one half -- I kind of like something

15

that looks a little bit historic because this is --

16

we're celebrating history here, we're not

17

celebrating, like, you know, a new invention or

18

a -- something like that.

19

traditional.

20

And as our series goes on, we

So I think

So I -- I'm a little bit

With the designs, I thought 1 was okay, but

21

not inspiring.

I thought 2 was beautiful.

22

didn't like the crystal ball.

I -- I

I'd prefer -- prefer

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a book or something of that nature to symbolize

2

knowledge, but I thought the Liberty and the way it

3

was presented was beautiful.

4

hate me for this, but I like the spikes in her

5

hair.

6

And I know Don will

Going -- my favorite is kind of combination

7

between 3 and 3A.

I think Art saying we don't want

8

our kids playing with fire -- but I like the little

9

girl holding the torch.

The other one the girl's

10

kind of got her hand up and I -- I guess she's

11

looking out, but it also could be like she's got a

12

headache.

13

Liberty's carrying the flag better in 3.

14

would be -- a combination of 3 with the girl from

15

3A, would be my super thought.

So I do like the -- the way this
So I

16

I think the next one's too busy.

17

I'm not quite ready for the next one, though

18

it is good.

19

O6, I think I've commented on this artist

20

before, this kind of looks like the Sphinx, it

21

looks too Egyptian to me.

22

7, I agree with -- with the 7 we'd have to get

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rid of the horns.

2

kind of pretty.

I kind of like that sun.

It's

3

8 was kind of okay, but I wasn't inspired.

4

9 -- 9 was okay.

5

10, I like this for Civil Rights.

I don't

6

think it's appropriate for the -- the constitution,

7

but it would be great for Civil Rights.

8

I don't think 11 works on a coin very well.

9

Going to reverses, if we don't use from the

10

quarter and -- (inaudible) -- idea I -- I kind of

11

like the Liberty Hall with the -- Independence

12

Hall, excuse me.

13

"towards a more perfect union" I would say

14

something like "knowledge is the only guardian

15

of -- of true liberty" or "knowledge over

16

ignorance" as opposed to that.

17

need for the stars.

18

I like 2.

But I'd -- I'd rather than

And I don't see a

It reminds me of the Connecticut

19

quarter, the -- (inaudible) -- there.

20

trees, I like trees.

21
22

I like oak

I think it's a nice design.

3, I thought it was too busy with all those
hands in there.

I -- I -- everybody else seems to

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like it, but I was -- there wasn't anything that

2

turned me on there.

3

4, I think it's too busy.

4

5, is kind of okay.

5

6, I think is too busy.

6

And then of the torches I like 8 better than 7

7

or 8A.

8

So my thought on the reverse should be either

9

the Independence Hall, the oak tree, or the torch.

10

And on the obverse, I think 3 is hands down the

11

winner, but I would rather see the girl with a

12

torch or doing something other than having her hand

13

to her head.

14

without her hand to her head, I -- I would prefer

15

that.

16
17
18

I mean, even if it's just walking

Thank you very much.
DR. VAN ALFEN:

Thanks, John.

Thank you.

Sam

Gelberd, if you would, please.
MR. GELBERD:

Thank you, Peter.

This is Sam

19

Gelberd.

Before I begin, I just wanted to say --

20

how we were discussing about whether or not the

21

half dollar is truly designed for circulation.

22

know it doesn't really circulate widely amongst the

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American public.

2

able to come up with designs that are very powerful

3

and effective, we may be able to sway the public's

4

opinion about using this as actual money.

5

that's kind of what I'm hoping for.

6

But I'm optimistic that if we are

So

And in accord with the theme, you know,

7

"knowledge over ignorance", Obverse design 1, it's

8

very simple and elegant as Art said and a couple

9

others have stated.

It just -- I think it misses

10

the mark if what we're going for is a more modern

11

interpretation.

12

With that being said, I really enjoyed Obverse

13

number 2.

14

that the artist is trying to go for a halo effect

15

-- trying to guard, you know, the young sapling of

16

an oak with the acorn.

17

bit like a crystal ball, so maybe that element

18

could be replaced.

19

beautiful design.

20

translate well to a half dollar size coin.

21
22

I love the layout of it.

I understand

It does come off a little

But just overall, just elegant,
I think it would really

Obverse 3 and 3A, it's tough to argue against
them.

They are gorgeous.

I prefer 3A if only for

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the reason that the "In God We Trust" and the dual

2

date are in exergue, underneath that line.

3

like that look, you don't see it enough on too many

4

modern United States coins.

5

earlier and a couple of others have alluded to

6

with -- the way the flag fills the space on design

7

3, I really do like that.

8

maybe hybrid thereof -- of both of those coins

9

maybe would work.

10

I do

But as Jeanne said

So as John just said,

Obverse 4, it's a little bit too cutesy for

11

me.

12

and I'm still not sure why there's the Corinthian

13

helmet in there, but -- yeah, I wasn't a big fan of

14

that.

15

I understand the idea.

It's a little bit busy

Regarding the modern designs of 5, 6, 7, and

16

8, 5 I agree, very powerful.

17

we're ready for that.

Just not sure if

18

6, wasn't a huge fan of.

19

7, there is no getting past the horns.

I

20

think we all pretty much felt that that was the

21

feel there, but I really do like the layout.

22

love the Art Deco font.

So 7 maybe with some

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1

rework of -- of the laurel wreath especially, it

2

maybe could happen.

3

Design 8, not a big fan.

4

Design 9, read kind of strange.

It's almost

5

like a dancing Liberty half dollar.

6

that would really work too well.

7

that would be received by the collecting public

8

very well.

9

Wasn't sure if

I don't think

Design 13 -- I'm sorry, design 10, I also

10

agree that might be better received on the Civil

11

Rights Quarter.

12

albeit a little busy with the background.

13

So maybe we reserve it for that,

Obverse 11, not for me.

I get the not so

14

subtle symbolism of the torch being passed.

Just

15

kind of came off a little corny for my tastes.

16

That's just personal opinion.

17

With the reverses, I understand with Reverse 1

18

and 1A, especially with Reverse 1, how we're trying

19

to say "toward a more perfect union." I can't get

20

past what Kellen said, seeing the Capitol dome and

21

saying we're trying to go toward a more perfect

22

union.

So maybe if we did replace that inscription

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with something to the effect of "knowledge over

2

ignorance".

3

them, I'd be okay either way.

4

And the stars, take them or leave

I did like Reverse 2 with the young oak tree.

5

I'm not exactly sure exactly what the book it's

6

growing out of -- the words may be a little bit

7

tricky to read, even on a larger size coin like a

8

half dollar.

9

think it fills the space very well even with

But I do like trees on coins, I do

10

Liberty being as large as it is.

11

great on a half dollar sized coin.

12

Reverse 4, I do love eagles on our coins, just

13

not a big fan of this one.

14

in my opinion.

15

I think it's

Reads a bit strangely

Reverse 5 is pretty clean.

It's simple.

I do

16

like a bit more of the Native American theme there,

17

but I don't like it if we paired it with Obverse 2

18

or -- or I'm sorry, Obverse 2 or 3A.

19

Reverse 6 is very patriotic.

It's a better

20

rendition of a torch being passed as opposed to

21

Obverse 11 for sure, just not sure if it's the

22

right one to go with.

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1
2

Reverse 7, it just fills the space way too
much to me.

3

It just swallows the entire reverse.

That's why I think the clear winner would be

4

Reverse 8.

I just love the way it's laid out as

5

opposed to 8A, where it says "knowledge" at the

6

base of the torch.

7

the motto as well as the denomination in 8A, but I

8

think Reverse 8 just really shows it better.

9

don't like the sentence fragment in 8A, so I think

I do love the positioning of

10

it would lose something there.

11

had to lend up [sic] with this portfolio.

12

you, Peter.

13
14

DR. VAN ALFEN:

And that's what I

Wonderful, Sam.

Thank

Thank you.

Mike Moran, if you would, please.

15
16

I

MR. MORAN:
Peter.

Thought you'd lost me there,

This is Mike Moran.

17

DR. VAN ALFEN:

18

MR. MORAN:

Don't worry.

I know.

With the exception of the

19

stylistic power, all the obverses have really been

20

well executed.

I agree with everybody, 3 and 3A

21

are standouts.

I also feel like 3 is better than

22

3A.

I suspect this one is going to get chosen when

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1

we get through with everything in October.

2

only caution I have is that the figures being stuck

3

in such a way that they stand out against that

4

flag, otherwise the little girl's hand might get

5

lost and what would otherwise be negative space on

6

3.

7

The

But it -- it's a clear winner.
I also want to point out that 10 is good.

I

8

like it.

9

a quarter, particularly with the background designs

10
11

It is a bit busy, if we downsize it into

there.
And 2, featuring an oak sprout seems to me

12

inappropriate for the half dollar theme "looking

13

forward".

14

Turning to the reverse, the Capitol dome, I

15

agree with everybody else, it seems inappropriate.

16

It wasn't even completed until 1864.

17

Again, I have trouble here with the planting

18

of the oak sappling.

19

that we're planting an oak sappling after 250 years

20

of nation.

21
22

It just doesn't seem right

It just doesn't make sense to me.

And finally on 8A, Sam just touched on it.
You put "knowledge" on the base of that torch,

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nobody will see it.

2

the -- the perimeter of the coin and the key

3

subject matter's missing.

4

won't -- (inaudible) -- won't work.

5

Peter.

6

DR. VAN ALFEN:

7

very much.

8

would, please.

You have a half phrase on

So that won't -- that
That's it,

All right, Mike.

Thank you

Dr. Christopher Capozzola, if you

9

DR. CAPOZZOLA:

10

This is Chris Capozzola.

11

last actually, because some of you see things

12

that -- that I don't otherwise see.

13

actually going to be aligned with much of what has

14

been said already, so I will be brief.

15

and again, you know, I feel like I'm trying to make

16

a virtue of the fact that this is a circulating and

17

not quite circulating coin and that it's a

18

little -- and that it's larger; right?

19

quarter; right?

20

you would in a quarter or a dime.

21
22

All right.

Good morning.

It's a pleasure to go

But I'm

On the --

Then

You can get some more detail than

For me on the obverse is, I -- my preference
is also for -- for 3.

And this is, you know, one

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that we've talked about and seen before.

I think

2

it's -- you know, I think it's a fantastic design

3

for the reasons Jeanne laid out at the beginning.

4

I think it's -- it works well as the third vision

5

of Liberty in this series.

6

chronologically speaking, it's forward-looking.

7

You know, maybe you could tweak the little girl's

8

hand a little bit, but I do -- I prefer the hand to

9

the -- to the torch.

And just

It just really clearly

10

communicates that it's looking forward.

11

that -- you know, that's my -- that's my number

12

one.

13

And so

I would also draw some attention to Obverse 1.

14

I really like it.

15

thought it all through, if it would work on -- on a

16

different quarter, you know, on one of the

17

quarters.

18

Liberty's yesterday, I think it's just a really,

19

you know, a nice, clean design.

20

you know, is a good feature there as well.

21

just wanted to draw some attention to that.

22

I actually wonder, and I haven't

When we looked at some of the other

I think the sun,
So I

And then also I'm going to give a lot of

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points to O5, Obverse 5.

And, you know, we've

2

wanted to go with a bold modern design that

3

doesn't -- you know, that shakes people up, it

4

draws their attention, but doesn't get out ahead of

5

where they might be aesthetically or historically.

6

And I think actually, like, this artist nailed it.

7

And, you know, maybe it won't happen on this half

8

dollar, but, you know, I think this is exactly the

9

kind of thing that we have been waiting -- waiting

10

to see.

11

visual vocabulary without -- you know, and bring --

12

and bring the American public along to that -- in

13

that vocabulary along the way.

14

will say about the obverses.

15

For some who can bring that different

So basically all I

On the reverses, obviously I'll -- I'll start

16

with 1 and 1A.

Having, you know, endorsed them

17

on -- for other coins, I think they could also work

18

here.

19

that Independence Hall makes the most sense for

20

forward-looking, which is the third of the three,

21

you know, sort of dime -- dime, quarter, half --

22

half dollar sort of approach or any of the other

Although, oddly maybe not.

I don't know

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places we might use it.

2

hundred percent sure that it -- that it would work

3

for the half dollar.

4

it's quite successful.

5
6

And so I'm just not a

But obviously as a design,

I thought, certainly, 3 works.

And I -- and I

think I support that.

7

I also support O -- (inaudible) -- O 6, this

8

Obverse 6.

This is, you know, used as an aesthetic

9

like the dime reverse 5, like some of the

10

Constitution quarters.

It could be worth keeping

11

in the mix as we think about, you know, just sort

12

of aesthetic unity across the whole

13

Semiquincentennial portfolio.

14

And then, I'll just second what others, I

15

think Sam said most clearly and most recently.

16

works but not 8A in terms of the word, you know,

17

"knowledge" gets hidden on 8A.

18

torches in 7, 8, and 8A, I prefer 8.

19

you.

20

DR. VAN ALFEN:

8

I think of the

All right, Chris.

And so, thank

Thank you

21

very much.

For my own comments, I have to say, I

22

really find the half dollar to be a really cool

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coin in the hands.

2

coin produced at least since the Eisenhower dollars

3

of my youth, you know, dropped out of circulation.

4

I think that most people who do get a half dollar

5

in hands rejoice when they do so and do spend a few

6

moments looking over the coin, perhaps more so than

7

the quarters and dimes.

8

that is worthwhile trying to push this coin into

9

circulation in 2026 as much as possible.

10

You know, it is the largest

You know, so I do think

And also to go with just wonderful exceptional

11

designs, I don't have a whole lot to add to what

12

has already been said.

I find Obverse 3 to be a --

13

a clear winner choice.

I think that this is an

14

exceptional design.

15

of the mother and child as the future, I love the

16

flag, big and bold as it is there.

17

I love it.

I love the imagery

I think it would pair very well with Reverse

18

6.

I really do quite like Reverse 6.

19

half dollar would be really quite impressive.

20

know, the flag as it carries from the obverse to

21

the reverse and then the hands of -- of perhaps an

22

older person handing the torch to a younger person,

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1

you know, would reflect the obverse as well.

2

I also had no problem with Reverses 8 and 8A.

3

I -- just in closing, I also want to mention that I

4

do find Obverse 10 actually also to be really quite

5

compelling.

6

I'm just not sure it would be as appropriate for

7

this portfolio.

8

further discussion about this portfolio before we

9

score it?

10
11

So with that said, do we have any

MR. SAUNDERS:

I don't know if my hand went

up, but --

12
13

I really liked the design elements,

DR. VAN ALFEN:

No, John.

You're still muted.

So -- so whatever glitch is happening there just --

14

MR. SAUNDERS:

I'm going to echo what I think

15

Annelisa said, particularly on the obverse.

The

16

Mint really needs -- should be complemented for

17

these obverse designs of the half dollars.

18

you know, a couple people made comments with some

19

of the other coins, they were a little disappointed

20

with this or that.

21

here.

22

So congratulations to the Mint.

I -- I,

I don't see any disappointment

I mean, I could've liked almost all of them.
And I also echo

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what you say about getting the half dollar into

2

circulation.

3

but maybe the Mint and/or some officials can talk

4

to companies like Walmart or other good retailers

5

to have a program -- they were doing the -- the

6

bicentennial coins -- would like for you to use

7

that, take the half dollars and use them.

8

get, you know, 10, 12, big retailers doing that

9

you -- you got a pretty good distribution there.

I don't know how you'd do it, but --

But you

10

And there may be some other ways of doing it too so

11

I -- (inaudible) -- those comments.

12

DR. VAN ALFEN:

Well, thanks, John.

13

good.

14

score the half dollar portfolio.

15

a break.

16

minutes?

17

Very

So what we will do at this point then is
We will then take

Greg, do you think you'll need 10 or 15

MR. WEINMAN:

I think it should -- give me 10

18

minutes to score -- or to compile the scores for

19

the half dollar and then we'll be ready to go and

20

we can talk about what all this scoring looks like.

21
22

DR. VAN ALFEN:

Okay.

That sounds good.

the Committee will know score the obverse and

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reverse design candidates for the 2026

2

Seminquincentennial Half Dollar.

3

everyone should have your score sheets and please

4

do send them to Greg by email if you're able.

5

once we return from our break at the top of the

6

hour at 11:00 o'clock, Greg will present not just

7

the scores from this portfolio, but all of the

8

portfolios that we reviewed yesterday.

9

then have a discussion about the Semiquincentennial

10

program as a whole.

11

minutes.

And once again,

And

And we will

So I will see you in ten

12

(Break from 10:50 a.m. to 11:00 a.m.)

13

DR. VAN ALFEN:

So we are back.

I recognize

14

Greg Weinman, counsel to the CCAC to present the

15

results from the scoring sheets.

16

Greg.

17

MR. WEINMAN:

If you're ready,

Do you want to start with the

18

half dollar or do you want to go all the way back

19

to the dime?

20
21
22

DR. VAN ALFEN:

Let's go all the way back to

the dime.
MR. WEINMAN:

Okay.

So -- so let's begin with

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the dime that we reviewed yesterday.

2

you're all ready.

3

1 -- this was out of a possible 33 points.

4

Yesterday everybody attended so out of a possible

5

33 points.

6

Tell me if

Obverse is first, Obverse number

Design number 1 received 25 points making it

7

the high-scoring design.

Number -- Obverse 2

8

received 24 points, very close behind.

9

number 3 received 12, Obverse number 4 received 12,

Obverse

10

Obverse number 5 received 10, Obverse number 6

11

received 14 points.

12

Moving on to the dime reverses.

Reverse

13

number 1 received 21 points, making it the high

14

vote-getter.

15

behind in the scoring.

16

10, Reverse 3A received 4, Reverse 4 received 4,

17

and Reverse 5 received 11 points.

18

dime.

19

Declaration of Independence quarter?

Reverse number 2 received 20, close

That is the

Do you want to move forward to the

20

DR. VAN ALFEN:

21

MR. WEINMAN:

22

Reverse number 3 received

possible 33 points.

Yeah, let's do that.
Okay.

Once again, out of a

Design number -- obverse,

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obverse is first.

2

points making it the high vote-getter.

3

Obverse 2 received 8, Obverse 3 received 14,

4

Obverse 4 received 8, Obverse 5 received 7, Obverse

5

6 received 6, Obverse 7 received 6, Obverse 8

6

received 5, Obverse 9 received 13, and Obverse 10

7

received 5 points.

8
9

Obverse number 1 received 25

Moving on to the reverses.
received 16.

Number 2 --

Reverse number 1

Reverse number 1A received 20, making

10

it the high vote-getter tied with another one,

11

which I will get to in a moment.

12

received 9, 2A received 12, 3 received 17, 4

13

received 9, 5 received 4.

14

20 points.

15

8, 4 points.

16

points.

Reverse 11, 4 points.

17

points.

Reverse 12A received 5 points and Reverse

18

13 received 6 points.

Reverse 9, 9 points.

DR. VAN ALFEN:

20

MR. WEINMAN:

22

Reverse 6 also received

Reverse 7 received 12 points, Reverse

19

21

Reverse number 2

Reverse 10, 9

Reverse 12, 3

All good?
Yep.

Do you want to move on to the

other quarter or do you want to go back -DR. VAN ALFEN:

-- (Crosstalk) -- platinum.

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1

MR. WEINMAN:

Do platinum first, okay.

In

2

this case once again, out of a possible 33 points.

3

Platinum number 1 received 11 points, 1A received

4

14 points, 2 received 12 points, 3 received 6

5

points, 3A received 17 points making it the

6

high-scoring design.

7

received 9 points, 5A received 14 points, 6

8

received 3 points, 7 received 3 points.

9
10

DR. VAN ALFEN:
MR. WEINMAN:

4 received 7 points, 5

All right.
We will go toward the

11

Constitution quarter.

12

possible 33 points.

13

received 24 points, making it the high-scoring

14

design.

15

received 7 points, Obverse 4 received 12 points,

16

Obverse 5 received 1 point, Obverse 6 received 2

17

points, Obverse 7 received 18 points, Obverse 8

18

received 11 points, and Obverse 9 received 10

19

points.

20

Once again, out of a
Obverse is first.

Obverse 1

Obverse 2 received 16 points, Obverse 3

Moving onto the reverses.

Reverse 1 received

21

10 points, Reverse 1A received 13 points, Reverse 2

22

received 15 points, Reverse 3 received 10 points,

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Reverse 4 received 18 points, Reverse 4A received

2

15 points, Reverse 5 received 19 points, making it

3

the highest-scoring design along with another

4

one -- tied, coming up.

5

points, Reverse 6 also received 19 points.

6

7 received 4 points, Reverse 8 received 10 points,

7

Reverse 8A received 12 points, Reverse 9 received

8

6, Reverse 10 received 8, and Reverse 11 received 2

9

points.

Reverse 5A received 13
Reverse

Are you ready to move to the half?

10

DR. VAN ALFEN:

11

MR. WEINMAN:

Yes, we are.
Okay.

Once again, this is --

12

this would be out of 27 -- possible 27 points.

13

We're missing two scorers, missing Mr. Scarinci and

14

Dr. Fuller, so out of 27 possible points.

15

the obverses.

16

Obverse 2 received 7 points, Obverse 3, the

17

high-scoring design received 24 points.

18

received 19 points, Obverse 4 received 6 points,

19

Obverse 5 received 11 points, Obverse 6 received 8

20

points, Obverse 7 received 8 points, Obverse 8

21

received 3 points, Obverse 9 received 5 points,

22

Obverse 10 received 7 points, and Obverse 11

First

Obverse 1 received 10 points,

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2

received 3 points.
Moving to the reverses.

Reverse 1 received 14

3

points, Reverse 1A received 13 points, Reverse 2

4

received 10 points, Reverse 3 received 12 points,

5

Reverse 4 received 4 points, Reverse 5 received 8

6

points, Reverse 6 received 16 points, making it the

7

high-scoring design along with another.

8

received 5 points, Reverse 8 also received 16

9

points, and 8A received 3 points.

10

DR. VAN ALFEN:

Fantastic.

Reverse 7

Thank you, Greg,

11

very much for all of this.

And again, since we are

12

not asked to make recommendations on these

13

portfolios at this time, the scores are simply

14

going to be used as a tool for the Mint to gauge

15

what will go forward into the portfolios that we

16

will review again in October.

17

don't want to dwell a great deal on the scores

18

themselves since the scores are what they are at

19

this time.

20

raise a number of questions, and have some

21

discussions along the lines of these questions,

22

pertaining to some of the issues that were raised

So at this time, I

What I would like to do, however, is

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yesterday.

2

presentation of Liberty on the obverse of -- of the

3

coins.

4

And mostly these have to do with the

Donald yesterday raised the question about

5

accoutrements in the hair, you know, the various

6

wreaths and crowns and things of the sort.

7

like to just have a brief discussion about that

8

very issue to see what the rest of the committee

9

feels about that.

I would

Donald, again, was adamantly

10

against any sort of hair accoutrements, but I would

11

like to hear from the rest of the Committee about

12

their thoughts on that.

13

just go down the list, I'm more than happy just to

14

have people raise their hands and offer their

15

thoughts on that.

16

MR. HOARD:

And we will -- rather than

Kellen?
Yes.

I really don't have a

17

problem with it inherently, having anything in the

18

hair.

19

done on the dime Obverse 1, where we saw that kind

20

of really kind of nice coronet.

21

I think that fit seamlessly into the design, it

22

wasn't distracting, it actually added positively to

In fact, I think it was really tastefully

I like that style.

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the design and made it more clear about what it's

2

about.

3

perfectly and I think the design actually would be

4

lesser off without it.

5

(inaudible) where the head piece is way too much.

6

Like they did on the half dollar portfolio, where

7

it almost -- looked like horns; right?

8

be -- you know, stylistically it could be fitting

9

or not, there's a negative or positive with each

To me --(inaudible) -- of hey, that works

But there are --

It can

10

rendition and -- (inaudible) -- as case-by-case

11

rather than seeking an overall design aesthetic

12

that excludes it altogether.

13

adds positively or not.

14

any broad -- (inaudible) -- about whether we should

15

include them or not.

16

design.

17
18
19
20

DR. VAN ALFEN:

Whether it actually

So I -- I wouldn't make

Just simply take it design by

All right.

Thank you, Kellen.

Anyone else?
MR. SAUNDERS:

Again, my hand doesn't work so

I'll --

21

DR. VAN ALFEN:

22

MR. SAUNDERS:

Yeah, please John, go ahead.
Sure.

I'm kind of in agreement

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with Kellen.

I think it often adds to things.

I

2

would be three quarters away to continue what we're

3

doing and one quarter maybe cut it back a little.

4

But I do think we should give everybody warnings

5

about horns, and some of them could look like a

6

unicorn, unless you want the unicorn look.

7

things that -- there's one quarter design I think

8

that had the -- (inaudible) -- cap and you couldn't

9

really see the cap and I wasn't sure where the hair

And

10

or the -- the helmet was.

11

busy up there.

12

stuff in the hair.

13

they were used in classical figures.

14

Liberty obviously and classical figures add stuff

15

in here very frequently so I -- I'm not against it.

But generally speaking, I like
I mean, it's -- lots of times

16

All right, John.

17

I see your hand is raised.

18

It was a little bit too

DR. CAPOZZOLA:

You know,

Thank you very much.

Chris,

Yeah, just briefly, you know,

19

seconding Kellen's "it depends" conclusion.

20

think -- part of what I think Donald was conveying

21

yesterday is that if overall women appear on our

22

coins only in these kind of allegorical kind of

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stylistic ways, that's -- that's not great.

2

think that -- you know, that obverse on the half

3

dollar that we just saw, I think it addresses that

4

across the portfolio.

5

value in hairpieces to convey this is Lady Liberty,

6

especially if we're breaking her out of other molds

7

of -- of robes and so on and so forth.

8

it's really up to the artist, I think.

9
10

DR. VAN ALFEN:

And I

But there are -- there is a

All right.

So I think

Thank you.

Jeanne, your hand was raised?

11

MS. STEVENS-SOLLMAN:

Yes.

Thank you,

12

Mr. Chairman.

I think we need to think about what

13

the purpose of a hat is.

14

it is a piece of clothing that is protective of the

15

head.

16

tiaras, I think that there is all kind of reasons

17

to have adornment in the -- on the head.

18

our one Lady Liberty where the dates were in her

19

hair, that was a beautiful rendition of Liberty.

20

And if she had a band with the dates on her hair,

21

it would have read a little -- it would have read

22

easily -- or more easily.

It often denotes status,

You know, cowboys wear hats, queens wear

And in

So I think we need to

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remember what a headpiece is for.

I think Donald

2

forgets that we need a hat to protect ourselves

3

from the rain, from the mosquitoes, from the ticks

4

that are falling from the skies. I think it's

5

important -- important.

6

predecessor who said each design is for itself.

7

And yes, let the artist decide.

8

disregard the headpiece.

9

DR. VAN ALFEN:

So I agree with my

But please do not

Thank you.

All right.

Wonderful, Jeanne.

10

Any other comments on this particular issue?

11

Arthur, your hand was raised?

12

MR. BERNSTEIN:

Yes, thank you.

This is

13

Arthur Bernstein.

14

issue.

15

headbands.

16

some of the designs placed too much emphasis on the

17

hairstyle.

18

think I referred to myself as anti-hairdo.

19

I -- I saw that as a related issue to the one that

20

Donald raised.

21
22

I wanted to speak to a related

I have no problem with hats, tiaras,
What I spoke to yesterday was I thought

That there was too much hair and I

DR. VAN ALFEN:

Thank you, Art.

And

As somebody

who has about the same amount of hair as you do,

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I'm sure that this isn't much of a problem that we

2

face, but -- all right.

3

particular issue?

4

the use of 250, the number 250.

5

Chris raised this yesterday as something that

6

might, in fact, be very useful and on this

7

particular series of coins, the Semiquincentennial

8

particularly, because there would be dramatic

9

changes in many of the coinages across the board

10

and to underscore to the general population what

11

all this is about, 250 represented prominently

12

either on the obverse or reverse might be a way to

13

convey what is special about that.

14

is raised?

15

apparently you can't overcome the mute with just

16

your voice.

17

Any other comments on this

There was another question about

You're muted.

MR. MORAN:

I believe that

Mike, your hand

And unlike John,

I got it.

I'm the one that raised

18

that the first I think.

I particularly don't want

19

it on the dime, because the dime doesn't have the

20

room to put on there.

21

can do the math between 2026 and 1776 to come up

22

with 250.

I'm sorry that our people

I just -- I don't think it adds

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anything.

And in the dime, I don't think the dime

2

has the space to carry it.

3

the quarter and the half dollar, but please don't

4

put it on the dime.

5

DR. VAN ALFEN:

I can live with it on

That's it.
Right.

Thank you, Mike.

6

other comments on this particular question?

7

Jeanne?

8
9

MS. STEVENS-SOLLMAN:

Yes.

Thank you.

was a comment on the dash between the years.

Any

There
And I

10

don't -- I think if we used a bullet or a period

11

that's not going to make too much sense.

12

if we use an underlaying dash?

13

a wave and it would be more -- a more continuing

14

process.

15

end years, but something that continued through

16

those years.

17

you.

18
19
20

But what

So it would be like

So that it wasn't like the end or book

Hopefully -- (inaudible) -- thank

DR. VAN ALFEN:

Thank you.

Kellen, your hand

is raised?
MR. HOARD:

Yeah.

If I remember correctly,

21

for the cent and the nickel we did an underlaying

22

dash as well and so there might be some level of

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continuity there to actually have that across the

2

design if I remember correctly about -- (inaudible)

3

--

4
5
6

DR. VAN ALFEN:

Wonderful.

Mike, was your

hand raised again?
MR. MORAN:

It was, but Jeanne took care of

7

it -- or Kellen did with the underlaying dash,

8

whichever.

9

and the nickel, which it is.

10
11

I thought it was that way on the penny
We need to be

consistent.
DR. VAN ALFEN:

All right.

Thank you.

Any

12

other comments on this particular question then?

13

All right.

14

also a question raised yesterday about whether or

15

not Liberty should be facing right or left, and

16

there were some voices expressed firmly in support

17

of left facing, others more facing towards the

18

right.

19

comments on that very question and whether or not

20

any of the Committee members feel particularly

21

strongly about which way Liberty faces on -- on

22

these coins.

Let's return to Liberty.

There was

And I would like to get some further

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MR. SAUNDERS:

I think Liberty looks all

2

around at everything and I think it's up to the

3

artist.

4
5
6

DR. VAN ALFEN:

Take it straight on --

(inaudible) -MR. MORAN:

Peter, this is Mike.

In the 19th

7

century when you had the tiaras or the diadems of

8

Liberty, reading from right to left it made sense

9

for it to start at the top of her head and go down.

10

So Liberty was always looking to the left.

11

don't really have that here.

12

got to be the left.

13

no reason to worry about it, whichever way she

14

looks.

15
16
17

DR. VAN ALFEN:

You

If we do, then it's

And other than that, there's

Thank you, Mike.

Sam, your

hand was raised?
MR. GELBERD:

Hi, Peter.

Yeah, this is Sam

18

Gelberd.

Yesterday I did mention a couple of times

19

where I thought on some of the earlier quarter

20

designs where Liberty should perhaps be facing

21

toward England, only because of the symbolism of --

22

that was our direct conflict throughout the

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revolution.

2

facing any direction.

3

the artist ultimately.

4

But again, yeah, Liberty could be

DR. VAN ALFEN:

I think it should be up to

All right.

Thank you, Sam.

5

Any other comments on -- on this question of which

6

way Liberty should be facing or might be facing --

7

could be facing?

8

MS. PURDIE:

9

Annalisa Purdie.

Annalisa, your hand was raised?
Thank you, Mr. Chairman.

This is

I also think that it depends on

10

the overall composition of the coin itself.

11

don't have a particular preference for which way

12

Liberty's facing as long as the overall message

13

gets across.

14

decision and decide that she looks best to the left

15

or the right, that's one thing.

But overall, I

16

think it depends on the design.

Thank you.

17

I

For continuity, if we come to a

DR. VAN ALFEN:

All right.

Thank you.

Any

18

other comments on -- on this particular question?

19

Right.

20

April explains, as she was introducing many of the

21

portfolios yesterday, that the conceptual -- or the

22

concept behind this series of coins, the dime, the

Moving up to the next question.

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five quarters, and the half dollar, would in many

2

ways reflect a sort of progression.

3

you know, would be the spark, liberty over tyranny,

4

moving on that into points of inflection, and then

5

finally the future with the half dollar.

So the dime,

6

So one of the questions raised -- or we

7

discussed this a little bit yesterday, but one --

8

one question I do want to bring up is whether or

9

not Liberty -- as she is presented on the dime and

10

then the quarters, and then on the half dollar,

11

whether or not that Liberty should also reflect

12

some sort of progression as well.

13

understanding is that with the dime, for example,

14

the artists were instructed to present a Liberty

15

that was perhaps a little bit more intense, a

16

little bit more purposeful.

17

quarters then would be perhaps a little bit more

18

mature.

19

would then be something looking more towards the

20

future.

21

would we want to support that sort of progression

22

of Liberty's -- progression of expressions, you

So my

The Liberty on the

And then the Liberty on the half dollar

So the question here then is, do we --

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know, as it were, from say a more intense mature to

2

something that looks forward a little bit more?

3

Or -- or perhaps more of a commonplace expression

4

on all of the Liberty's.

5

your hand is raised?

6

MR. HOARD:

Yes.

And Kellen, I see that

Thank you.

I would say we

7

go for both of them potentially.

I think beyond

8

the members in this room and the artists, not one

9

person's going to know about that progression

10

that's happening.

They're going to be viewing the

11

coins discreetly and aren't necessarily going to

12

see that.

13

should really just prioritize generally choosing

14

the best version of Liberty for each individual

15

design.

16

individually rather than a series, like we still

17

don't even know how much the half dollar's going to

18

circulate.

I think when we -- I think also we

So I -- because people experience it quite

I think we just go with each.

19

Another thing I would add kind of aside there

20

is I think the issue we ran into with the dime and

21

some other designs was that the intensity was

22

interpreted not that way.

Or resolve was

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interpreted not that way.

2

you know, say hey, we really want to focus on that,

3

prioritizing that, we end up with some designs that

4

haven't -- (inaudible) -- well, so yeah.

5

just move away from them, that idea of a

6

progression, if it interferes with our choosing the

7

best designs.

8

way.

9

And so I think when we,

I would

No one else will see that in that

DR. VAN ALFEN:

Wonderful.

Thank you, Kellen.

10

Any other comments on... all right.

11

has their -- Annalisa.

Well, somebody

Yes, please.

12

MS. PURDIE:

Thank you, Mr. Chairman.

This is

13

Annalisa Purdie.

14

I think that if we're looking in terms of a

15

progression, then that would put pressure to choose

16

different styles that fit the overall theme and

17

don't necessarily convey the messages or don't

18

necessarily speak to us, especially if a particular

19

artist has a style that doesn't necessarily reflect

20

something else that we like.

21

overall should take precedence.

22

is some sort of continuity people are able to see,

I agree 100 percent with Kellen.

And the best design
If by chance there

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then that's great as well, but I wouldn't put any

2

undue pressure on anyone to feel that we have to

3

choose this particular design to fit with the

4

overall set.

5
6

Thank you.

DR. VAN ALFEN:

Yeah, thank you, Annelisa.

April, your hand was raised?

7

MS. STAFFORD:

Yes.

Thank you.

I just,

8

obviously, I agree completely with Kellen and

9

Annelisa.

Our goal always in offering assignments

10

to artists are to give them the least amount of

11

constraints and see what they -- what they come up

12

with.

13

it as an opportunity, is that we are going back out

14

to those artists for revisions.

15

Committee's views on these it's -- we're not

16

asking -- this isn't necessarily a -- an or, but

17

this could be an and.

18

seeing, the direction that -- that you have

19

responded positively in, in our discussions as well

20

as scoring, that will remain.

21

out to the artist, the opportunities that we have

22

for them developing a version that might give, you

In this instance what's unusual, and we see

And so the

So the designs that you're

But in going back

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know, a more complete picture -- or, you know, to

2

have your cake and eat it too so to speak.

3

know, where we can connect these things.

4

want to necessarily miss that -- that opportunity.

5

So I think that's -- I would just share that

6

with -- with the Committee.

You
We don't

7

Yes, these coins will be seen individually,

8

but we are conceiving them as -- as a suite, not

9

just the five quarters but the entirety of the

10

series.

11

And so if there is a potential there to have a

12

through line, given that we're restoring Liberty,

13

bringing Liberty to circulating coins for the first

14

time in -- in a generation at least, it's just

15

something that we wanted to ask the community, if

16

there's something there -- if there is something

17

there that is an opportunity that again, have an

18

art -- have the artist explore a version to go in a

19

particular way.

20

directions altogether.

21
22

And the themes, obviously, are connected.

But not to replace, not to change

DR. VAN ALFEN:

Thank you, April.

to comment on April's comments there?

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hand is raised?

2

MR. HOARD:

Thank you.

This is less with

3

regard to the particular themes and more in regard

4

to the scoring we just got from Greg and how that

5

implicates the opportunity to go back and revise.

6

There's something I noticed is that several of our

7

high scores barely clear 15 points.

8

some they're barely clearing like half of the total

9

points that can be allocated.

You know, in

To me, that's a bit

10

of an indicator that there maybe is more room for a

11

revision or review there -- for like Mint time

12

spent -- I know there's limited time in the day.

13

And so for my part at least, for some of these

14

portfolios which, you know, the high scores were

15

barely clearing 15 or, you know, half -- barely

16

clearing half of the points, I would ask that the

17

Mint maybe emphasize time and revision and focus on

18

those, over the ones that were scoring, you know,

19

27, 28 points.

20

my end.

21
22

But that's just -- that's just on

DR. VAN ALFEN:

Thank you, Kellen.

have one other question -- oh, Arthur.

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2

is raised?
MR. BERNSTEIN:

Yes.

3

Bernstein.

4

besides Lady Liberty now?

This is Arthur

Are we talking about other subjects

5

DR. VAN ALFEN:

We will in a moment.

6

MR. BERNSTEIN:

Okay.

7

DR. VAN ALFEN:

I -- I had one more question

8

about Liberty and then I will have -- just open it

9

up for other comments.

So my final question within

10

about Liberty -- and this is a point that Chris

11

Capozzola made yesterday, that we are replacing

12

Washington on the quarter, Roosevelt on the dime,

13

and Kennedy on the half dollar.

14

to be a major change in US coinage, you know, the

15

first time in generations, in fact 100 years, if

16

I'm correct, that Liberty has appeared on US

17

coinage.

18

and Liberty, obviously, is going to have to be

19

something special on the obverse of these coins.

20

And so the question here then is, do we want to try

21

to find some sort of continuity between the various

22

Libertys that appear on these coins or do we want

And this is going

So this is a major and significant change

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Liberty to appear as she is, individually, on the

2

coins?

3

sort of commonality across the Libertys on the

4

coins or not?

5

you're muted.

6

In other words, do we want there to be some

Mike, your hand is raised?

MR. MORAN:

And

Got my hand up but didn't put the

7

microphone on.

We've had commonality in the past

8

and in the 19th century and we broke that mold in

9

1960.

We don't need to go back.

10

more, the better.

11

continuity.

12
13
14

DR. VAN ALFEN:
else?

And I think the

I'm definitely against

Wonderful, thank you.

Anyone

Chris, your hand is raised?
DR. CAPOZZOLA:

Yeah.

So I mean -- I guess

15

since I spoke about this yesterday, all I'm going

16

to say is I don't -- I'm not sure that continuity

17

is necessarily the solution to -- to -- and I'm not

18

sure that it's a problem -- I'm not saying it's a

19

problem.

20

the quarter portfolio in particular overall,

21

because there will be five of them.

22

five different obverses, that's an awful lot to

I'm just saying we need to think about

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communicate and to -- to people who are just

2

getting change in their pockets.

3

that's something that I think the artists can --

4

can handle.

5

yesterday and here today.

6

you, Chris.

8

question?

9

But I just wanted to raise that

DR. VAN ALFEN:

7

And so, you know,

All right.

Wonderful.

Thank

Any other comments on that particular
All right.

MR. HOARD:

Kellen, your hand is raised?

Sorry, I -- Chris's comment just

10

brought something up in me that I haven't

11

considered before and I'm just curious, you know,

12

if there's any thoughts on this.

13

having five different obverse and reverse designs

14

in one year on a quarter, I'm not necessarily

15

opposed to that, but that, you know, in terms of

16

actually making it clear to the public that this

17

all one denomination -- I'm not sure ever in our

18

history had [sic] that, you know, variety with one

19

denomination in one year, especially out of nowhere

20

for the public, completely unfamiliar with changing

21

the coin designs.

22

again, this idea just came to me, of having either

But in terms of

And so I would be open to it --

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a common obverse or a reverse in order actually

2

indicate hey, this is the same denomination.

3

to have some kind of visual quick -- for the people

4

using this in quick commerce.

5

confusion levels.

6

DR. VAN ALFEN:

And

And just to lower

Well, thank you for that.

And

7

I'm not sure how -- if that would be possible from

8

the five different themes, but we shall see.

9

Jeanne, your hand is raised?

10

MS. STEVENS-SOLLMAN:

And you're muted.

Thank you.

This is

11

Jeanne Stevens-Sollman and I agree with Kellen

12

about having maybe one -- one face that -- you

13

know, universal face on -- on the quarters.

14

know, we choose one theme, because the reverse is

15

going to, you know, be complicated.

16

to have a presentation of obverse and reverses and

17

then from that choose one -- one reverse or obverse

18

that's going to, you know, help commerce.

19

think that Kellen has a good point.

20

DR. VAN ALFEN:

Thank you.

You

It might help

And I

Thank you.

Before I open it

21

up just to general discussion, there is one other

22

issue that I just wanted to raise.

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going to be the presentation of the Libertys in the

2

October portfolios and portfolio.

3

that I have in mind is that the Mint staff can

4

present us the Libertys in the individual

5

portfolios as -- as conceived.

6

Libertys, the quarter Libertys, and so forth.

7

that they also then present us all of the Libertys

8

together within a common portfolio, so that we can

9

then see all the Libertys and perhaps pick and

And one thing

Say the dime
But

10

choose from that larger group of Libertys which we

11

think might be more appropriate.

12

are your thoughts on that presentation of Liberty

13

and Libertys in the October meeting?

14
15
16
17
18

MR. SAUNDERS:

So what -- what

Peter, I had one more comment

on what Kellen said before.
DR. VAN ALFEN:

Oh, yeah sure, John.

Go

ahead.
MR. SAUNDERS:

Partly personal taste, partly

19

the fact that it was by far one of the cases where

20

one design really stood up and won by a big thing,

21

I think the Obverse 1 of the Declaration Quarter,

22

that's got Liberty boldly walking forward with the

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torch, if we did do a common side on the quarter,

2

that would be by far my choice to -- (inaudible) --

3

so I thought that I'd throw that one out.

4

DR. VAN ALFEN:

Oh, thank you, John.

So

5

returning to the question I had about sort of the

6

presentation of Libertys in the portfolios, are

7

there any suggestions on what we might do

8

differently or are you all comfortable with that

9

idea?

10

[NO RESPONSE]

11

DR. VAN ALFEN:

So I'm hearing crickets so I

12

assume that everyone's comfortable with the idea.

13

So I would just -- like to just ask April if she

14

has any further questions for the Committee before

15

I just open up the floor for a few moments.

16

MS. STAFFORD:

No, those are very helpful.

17

Thank you all very much.

18

DR. VAN ALFEN:

All right.

Thank you, April.

19

So I'm happy just to open up the floor for a few

20

moments for any other thoughts or comments on these

21

portfolios if anybody has any.

22

MR. BERNSTEIN:

Yes.

Arthur, yes?

So this is Arthur

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Bernstein and my comment relates to the Declaration

2

Quarter.

3

the top scorers.

4

that didn't get much attention, and I recognize

5

that physics was not my strongest subject in

6

school.

7

inside the Liberty Bell.

8

Googled images of ringing bells and every image has

9

the clapper going the other way in -- when the bell

Reverse 6 was one that was tied as one of
And I made a comment yesterday

But I was speaking about the clapper
And I -- I actually

10

is swinging upward the clapper should be downward.

11

Call me crazy, I just feel like the design may have

12

a scientific problem with it.

13

MS. STAFFORD:

-- (Crosstalk) -- sorry, this

14

is -- this is April.

Yes, we took that item down

15

yesterday and -- and made note that a revision

16

would be required.

Thank you.

17

MR. BERNSTEIN:

Okay.

Wow, I'm not crazy.

18

DR. VAN ALFEN:

Yeah.

Thank you for your

19

observation -- (crosstalk) -- just give it a little

20

bit more time.

21

from the Committee?

22

will now take a lunch break.

Any other comments or questions
Right.

Thank you all.
It is 11:35.

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happy to return in 45 rather than a full hour if

2

people are in agreement with that.

3

45 minutes rather than a full hour, please signify

4

by saying nay at this point.

5

MR. MORAN:

Any opposed to

I've got a cat litter box that I

6

got to clean -- (inaudible) -- would approximate a

7

cleanup.

8
9

DR. VAN ALFEN:

So you'd like the

full hour then --

10

MR. MORAN:

11

DR. VAN ALFEN:

12

MR. MORAN:

13

All right.

No.

No, I'm joking.
Okay.

I do have a cat litter box I got

to clean now, but 45 minutes will get it.

14

DR. VAN ALFEN:

Okay.

So we will then return

15

at 12:15.

16

I think that would give everyone enough time.

17

we'll return at 12:15 to review the best of the

18

Mint Silver Medal portfolios.

19

then.

20
21
22

It's a little less than 45 minutes, but

MR. SAUNDERS:

So see everyone

For you West Coast folks, have

a coffee break.
DR. VAN ALFEN:

So

Yes.

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(Break from 11:35 p.m. to 12:15 p.m.)

2

DR. VAN ALFEN:

And we are back.

And I will

3

take a quick roll call to ensure that everyone is

4

present on the CCAC.

5

when I call your name.

6

Not yet with us.

Members please say "present"
Jeanne Stevens-Sollman?

Kellen Hoard?

7

MR. HOARD:

Present.

8

DR. VAN ALFEN:

9

MS. PURDIE:

Annelisa Purdie?

Present.

10

DR. VAN ALFEN:

Thank you.

11

MR. BERNSTEIN:

Present.

12

DR. VAN ALFEN:

John Saunders?

13

MR. SAUNDERS:

14

DR. VAN ALFEN:

15

MR. GELBERD:

16

DR. VAN ALFEN:

17

MR. MORAN:

18

DR. VAN ALFEN:

19

Arthur Bernstein?

Present.
Okay.

Sam Gelberd?

Present.
Mike Moran?

Present.
Donald Scarinci?

Dr. Harcourt Fuller?

20

[NO RESPONSE]

21

Dr. Christopher Capozzola?

22

DR. CAPOZZOLA:

Present.

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DR. VAN ALFEN:

And I'm Peter van Alfen, and I

2

believe we do have a quorum.

So we will now move

3

to consider the obverse and reverse candidate

4

designs for the 2026 Semiquincentennial Best of the

5

Mint Silver Medals.

6

remind the members of the Committee that for this

7

portfolio, we will be seeking to make

8

recommendations at the conclusion of our review

9

today to the Secretary of the Treasury.

And I would also like to

So we will

10

be voting a little bit later and then we'll

11

hopefully come to a conclusion about

12

recommendations.

13

over to April Stafford to present the obverse and

14

reverse design candidates -- or candidate designs.

15

April, all yours.

16

MS. STAFFORD:

And I will know gladly turn it

Thank you.

And some background

17

to this program.

As part of the commemoration of

18

the Semiquincentennial, the Mint will release a one

19

year series of five 24 karat gold coins featuring

20

historic designs from the last 250 years of US

21

coinage.

22

24k Gold Coins will be released over the course of

These Best of the Mint Semiquincentennial

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2026 in sizes approximating the original coins.

2

These coins will faithfully present the historic

3

designs and feature their original dates of issue.

4

And to indicate their issuance as part of the

5

Semiquincentennial in 2026, the coins will bear a

6

special Semiquincentennial privy mark featuring the

7

Liberty Bell and the numerals 250.

8

released as part of the Best of the Mint

9

Semiquincentennial 24k Gold Coin and Silver Medal

The gold coins

10

program will -- we plan to include the 1804 Silver

11

Dollar Class 1 version, the 1907 Saint-Guadens High

12

Relief Double Eagle, the 1916 Winged Liberty Head

13

or Mercury Dime, the 1916 Standing Liberty Quarter

14

Dollar, and the 1916 Walking Liberty Half Dollar.

15

So about the companion Silver Medal candidate

16

designs themselves, the Mint plans to, in keeping

17

with these historic coins, gold coins, release five

18

companion silver medals.

19

1.598 inches in diameter and will feature new

20

modern designs inspired by one of the historic 24k

21

gold coins.

22

silver medals are going to be reviewed today.

Each silver medal will be

Candidates designs for the companion

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Each artist, in developing their candidate

2

designs for a companion silver medal, took

3

inspiration from a Best of the Mint Gold Coin.

4

They were not limited to portraying only the

5

subjects and devices presented in the originals.

6

As part of their design development artists were

7

encouraged to consider any of the following.

8

historic coin design itself, and noting that though

9

the medal isn't intended to replicate the coin,

The

10

artists could reinterpret the coin design or

11

individual elements within the design or a

12

combination of elements that they thought were

13

important or they were inspired by.

14

considered the message of the historic coin, which

15

could include reflecting on the historical context

16

for the original or reinterpreting in -- that kind

17

of message through a modern lens.

18

the artist may have considered the historic coins

19

original artist or sculptor.

20

could be an homage to the broader work of the

21

original artist themselves.

22

They may have

And then lastly,

Because this medal

So first we will look at candidate designs for

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the silver medals that respond or were inspired by

2

the 1804 Silver Dollar.

3

portfolio.

4

1804 Silver Dollar.

5

designs.

So we can open that

And presented to you here first is the
And moving onto the candidate

6

Obverse 1 and Reverse 1 draw inspiration from

7

elements in the 1804 Silver Dollars design and its

8

mission.

9

reflected in the flowing ribbon-like hair in this

The flowing ribbon in Liberty's hair is

10

obverse.

11

historic coin appear in the braid encircling

12

Liberty's head on this obverse and also around the

13

globe on this reverse, symbolic of the diplomatic

14

journey of the famed 1804 dated Silver Dollars.

15

The clouds arced above the eagle on the

The second set of candidate designs for this

16

silver medal take their inspiration from the

17

depiction of Liberty on the 1804 Silver Dollar and

18

the historic coin's diplomatic voyage on the USS

19

Peacock to secure trade deals with several East

20

Asian countries, among them modern-day Oman,

21

Thailand, and Vietnam.

22

blossoming tree of relations, these countries are

In homage to this

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symbolized also by their modern-day national --

2

with official and unofficial flowers.

3

define an outline of the countries on the reverse.

4

Obverse 3 and Reverse 3 are a nod to the

Clouds

5

diplomatic mission of the 1804 Silver Dollar and

6

the growing global presence of the United States.

7

An allegorical depiction of Liberty as the

8

figurehead of a ship is featured on the obverse and

9

reimagined vision of the USS Peacock on the

10
11

reverse.
Candidate designs Obverse 4 and Reverse 4 are

12

inspired by elements in the 1804 Silver Dollar's

13

design and its mission.

14

an enlargement of Liberty's hair from the historic

15

obverse while the eagle on the reverse raises his

16

head toward the stars above the coin colloquial

17

moniker, the king of coins.

18

The USS Peacock sails on

And finally the fifth option, Obverse 5 and

19

Reverse 5, pay homage to the 1804 Silver Dollar

20

through the flowing drapery of Liberty on the

21

obverse and the commemoration of the Mint's first

22

chief engraver Robert Scott.

And those are the

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candidate designs for the first set of Silver

2

Medals.

3

to the others or would --

Mr. Chairman, would you like me to go on

4

DR. VAN ALFEN:

5

MS. STAFFORD:

6

DR. VAN ALFEN:

7

MS. STAFFORD:

Yes, yes.
Okay.
Yes, let's do all of them.
Wonderful.

All right.

Moving

8

on to the 1907 Saint-Gaudens High Relief 20 Dollar

9

Gold Coin or Double Eagle, pictured here.

10

The silver medal candidates designs will start

11

with pairing 1.

12

dual suns on the obverse and reverse of the 1907 20

13

Dollar Gold Coin and to sculptor Augustus

14

Saint-Gaudens' broader body of work.

15

Saint-Gaudens' "Diana of the Tower", the designs

16

are meant to invoke classicism which informs

17

Saint-Gaudens' works through balanced understated

18

design and encapsulate its essence through the

19

inscription "virtus" which translates to virtue in

20

Latin.

21
22

These designs pay tribute to the

Inspired by

The second grouping of candidate designs,
Obverse 2 and Reverse 2, pay homage to sculptor

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Augustus Saint-Gaudens.

2

depicts the 1907 20 Dollar Gold Coin held in the

3

hands of a collector.

4

dare mighty things" end quote, is a quote from

5

Theodore Roosevelt who recognized Saint-Gaudens'

6

talents and entrusted him with the task of

7

elevating American coinage.

8
9

On the reverse, the artist

Quote "far better it is to

The third option for the silver medal, these
designs interpret elements of the 1907 20 Dollar

10

Gold Coin through a reimagined view of

11

Saint-Gaudens' Liberty.

12

eagle's wings as an American flag in a new vision

13

of strength and pride.

14

Carrying a torch and the

And finally, the fourth option for this silver

15

medal, Obverse 4 and Reverse 4 harken to

16

iconography of the 1907 20 Dollar Gold Coin.

17

torch is held by Liberty who heralds in a new era

18

of US coinage.

19

radiate behind Liberty on the obverse and the eagle

20

on the reverse.

21
22

The

As in the historical coin, suns

Moving to the third historic coin, the 1916
Mercury Dime and the candidate designs inspired by

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2

them.
We'll start with Obverse 1 and Reverse 1.

3

These designs evoke the prominent elements of the

4

Mercury Dime.

5

of the inscription "united" are meant to represent

6

a more realized and mature nation willing to open

7

its ideals to all creeds and cultures.

8
9

The larger wing and the prominence

Obverse 2 and Reverse 2 feature Liberty in a
pose of quiet focus, a nod to the freedom of

10

thought symbolized in the Mercury Dime.

11

reverse, a dove continues the theme of hope and

12

echos the wings in Weinman's obverse.

13

rendered in a visual style common among Alaskan

14

Native artists.

15

On the

The dove is

Obverse 3 and Reverse 3 recall the period of

16

1916 through 1945 when the Mercury Dime was in

17

circulation, representing years of great change and

18

upheaval, both foreign and domestic for the United

19

States.

20

United States would enter two World Wars, the

21

artist depicts Liberty in both defensive and

22

offensive positions.

Observing that during this period the

The obverse design extends to

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the reverse with rays emanating from the tip of the

2

sword, symbolic of hope at the end of conflict.

3

The Great Depression is represented by Hooverville

4

shacks and the Dust Bowl by the swirling waves in

5

the background.

6

Option 4, Obverse 4 and Reverse 4 are inspired

7

by the mythological references in the Mercury Dime.

8

And these designs explore other elements of

9

mythical iconography.

Liberty is clad in armor,

10

including a winged Phrygian helmet.

11

shows an imagined version of Washington DC, that

12

includes the existing US Capitol Building and

13

Washington monument, as well as the unrealized

14

Washington National Sphinx, a proposed statue

15

designed by J. Goldsborough Bruff depicting an

16

American folklore version of the iconic Egyptian

17

Sphinx.

18

coin appears in the column behind the Sphinx.

19

The reverse

A subtle nod to the fasces in the historic

Moving onto the 1916 Standing Liberty Quarter

20

and the candidate designs for silver medal inspired

21

by this coin.

22

We start with Obverse 1 and Reverse 1.

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obverse is inspired by Hermon MacNeil's original

2

1916 Standing Liberty Quarter and his unused

3

redesign proposal, which added elements such as

4

laurels and sandals, and Liberty's hair blowing in

5

the wind.

6

work of Weinman whose proposals for the quarter

7

were replaced by MacNeil's designs for the sake of

8

artistic variety.

9

Similarly the reverse is inspired by the

Obverse 2 and Reverse 2 in this portfolio are

10

inspired by the 1916 Standing Liberty Quarter.

11

windswept Liberty turns to offer a distant eagle

12

the olive branches in her hand.

13

a close up of the olive branches in the eagle's

14

talons that Liberty was holding up on the obverse.

15

Obverse 3 and Reverse 3 draw inspiration from

The reverse shows

16

the 1916 Standing Liberty Quarter featuring a

17

modernized Liberty ascending steps prepared to

18

protect and defend.

19

reverse, showing a mother eagle with her wings

20

spread around young.

21
22

A

The theme is mirrored on the

And finally, Obverse 4 and Reverse 4 take
their cue from the period of circulation of the

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1916 Standing Liberty Quarter, during which the

2

United States entered World War I.

3

show how Americans banded together to protect their

4

country and secure peace for their futures.

5

feature a hand firmly grasping an olive branch and

6

a depiction of one of the many women who worked to

7

harvest the nation's food supply during World War

8

II.

9

The designs

They

The 1916 Liberty Walking Half Dollar --

10

Walking Liberty Half Dollar.

11

Reverse 1 reimagining the elements from the half

12

dollar as a single scene across the obverse and

13

reverse illustrated in the Art Deco style that

14

succeeded Weinman's neoclassical style.

15

We have Obverse 1 and

Obverse 2 and Reverse 2 draw inspiration from

16

design elements and the feeling of determination

17

and movement in the composition of the Walking

18

Liberty Half Dollar by highlighting the importance

19

of freedom and self-expression through the arts.

20

Obverse 3 and Reverse 3 pay homage to Adolph

21

A. Weinman.

The obverse depicts him positioned in

22

front of his "Destiny Pediment" which he sculpted

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for the National Archives Building.

2

by two eagles and other elements of the pediment.

3

On the reverse Weinman is shown working on the

4

original coin in the negative plaster stage at

5

model scale.

6

"Descending Night" which was perched on the high

7

platform in his New York City studio.

8
9

He is flanked

Behind him is his masterpiece

Obverse 4 and Reverse 4 are tributes to the
Walking Liberty Half Dollar and its sculptor.

In

10

the reverse Adolph Weinman is shown drawing the

11

design for the reverse of the original coin with

12

the figure of Liberty behind him, guiding his

13

inspiration.

14

And finally, Obverse 5 and Reverse 5 are a nod

15

to key elements of the original coin.

16

extended hand and the sun referenced on the

17

obverse, while a man and stylized eagle

18

representing strength and resilience are featured

19

on the reverse.

20
21
22

Liberty's

And that concludes the candidate designs for
the Silver Medal Portfolio.
DR. VAN ALFEN:

Thank you very much, April.

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Before we begin our consideration -- and I do want

2

to suggest that we consider all of the five groups

3

together simultaneously rather than break it into

4

individual components, simply because there are

5

possibilities of grouping themes such as

6

reinterpretation or historic context or focus on

7

the artist and I think it would be good for all of

8

us to express what we feel about perhaps continuity

9

or theme across the portfolios or not.

I will

10

ask -- before we get to those considerations,

11

whether there are any technical or legal questions

12

from the committee about the program or the designs

13

for the 2026 Semiquincentennial Best of the Mint

14

Silver Medals Portfolio.

15

raised?

16

DR. CAPOZZOLA:

Sure.

Chris, I see your hand is

This is a question on

17

the -- and maybe it was in the statute, but are

18

there any -- it seems there are no required

19

inscriptions on the medals themselves and that any

20

that we see there are the artists -- part of the

21

artist's design and presumably we could add them or

22

subtract them as we see them.

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2

DR. VAN ALFEN:

the Mint like to address that question?

3

MS. STAFFORD:

4

DR. VAN ALFEN:

5
6

April or would someone from

That -- that is correct.
Thank you.

Sam, your hand is

raised?
MR. GELBERD:

Thank you, Peter.

This is Sam

7

Gelberd.

8

will they be in both uncirculated and proof or just

9

one or the other?

10
11

Just curious, the finish of these medals,

MS. STAFFORD:

I will -- (crosstalk) -- I will

get that -- oh, Roger, do you have it?

12

MR. VASQUEZ:

Yes.

13

MR. GELBERD:

Okay.

14

They will be uncirculated.
Thank you, Roger.

I

appreciate that.

15

DR. VAN ALFEN:

Arthur, your hand is raised?

16

MR. BERNSTEIN:

Yes.

This is Arthur Bernstein

17

with a question about the reverses for the Silver

18

Dollar version.

19

hand a little bit about the designs that I find

20

attractive, on Reverse 2 the -- the flowers that

21

are at the bottom of the design, can you -- can

22

someone tell us which flower is which and what

Two questions and this may tip my

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countries they represent?

2

question.

3

Reverse 5, where there are tools featured on the

4

shield.

5

representative of -- of the types of tools that

6

Robert Scott would've used at that time.

7

That's my first

And my second question relates to

And I just wondered if those tools are

MS. STAFFORD:

I will ask Roger Vasquez, who's

8

the design manager for this program.

9

the artist include the specifics, the names of the

10

flowers, and the tools depicted in the two designs

11

that Art just mentioned?

12

MR. VASQUEZ:

Roger, did

Yes, to the flowers.

The tools

13

are, as I understand it, meant to be engraving

14

tools.

15

the time or not.

16

I cannot tell you if those are accurate to

MS. STAFFORD:

And do you have the names of

17

the flowers that you can share with Art

18

--(crosstalk) -- you could put them in the chat as

19

well, if you'd like -- if that's okay.

20

MR. BERNSTEIN:

Thank you.

21

DR. VAN ALFEN:

All right.

22

Okay.

Are there any

other questions before --

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MR. SAUNDERS:

2

DR. VAN ALFEN:

3
4

Yes.
Oh, yeah.

John, please go

ahead.
MR. SAUNDERS:

Peter, my hand thing doesn't

5

work so -- can you tell us the denominations that

6

are going to go with the gold coins or as

7

companions for this?

8
9

MS. STAFFORD:

Roger, please correct me if I'm

wrong, but the original inscriptions from the

10

original coins will be included, and so the

11

original denominations would be used in the 24k

12

gold coins.

13

MR. SAUNDERS:

-- (crosstalk) -- dollar.

14

MS. STAFFORD:

Yes.

15

DR. VAN ALFEN:

All right.

Any other

16

questions before we begin?

All right.

Well,

17

hearing or seeing that there are none, let's begin

18

our consideration.

19

large portfolio and rather complex, and since I

20

think it is best that we consider all five groups

21

simultaneously, I will allow each member some

22

additional time for consideration, but again, we'll

Now, since this is a rather

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ask that please keep your comments as brief as

2

possible.

3

yourself for the record prior to speaking.

4

I'd like to begin with Mike Moran, considering his

5

special relationship with Gus, that is Augustus

6

Saint-Gaudens and the fact that he has a very large

7

book on that very person coming out sometime soon

8

let's hope.

9

And is always, please do identify
Now,

Mike, would you like to begin?

MR. MORAN:

I just sent an email to my

10

publisher asking when that was going to be.

11

fact is we intend to do it. Let me start out with a

12

few general statements here before I fall off the

13

cliff on this.

14

really.

15

The

I'm kind of sorry I'm going first

When I first got involved with this, and we

16

were working through the best of the best, some of

17

us were on that committee picking the ones that --

18

we started with 25 by the way.

19

when we do this silver, what we'll get because the

20

Mint can't do silver legal tender coins unless

21

they're authorized by legislation like we did with

22

the silver dollars in 2021.

I thought, well,

And what we'll see is

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the exact same coin without all the clanking models

2

and the date and everything else.

3

see it in a pure artistic form.

4

didn't.

5

was absent when we -- we got to the second version

6

of this which would be modernization of these best

7

of the best.

8

would've agreed with it because it -- it just kind

9

of made natural sense.

And we'll just
Well, no.

We

And somewhere along the line, I think I

And if I'd been there, I think I

What we have this kind of a

10

conglomeration really now as you look at all these.

11

We got some storyboards in here, we got some -- I

12

think there's a couple of them that are really

13

pretty good, and we got some decent

14

interpretations.

15

right off the cliff.

16

the -- the delivery of these Silver Dollar to the

17

-- (inaudible) -- for great purposes.

18

collector doesn't give a damn about that.

19

interested only in the 1804 Silver Dollar.

20

never going to be able to do it, and their liable

21

enough to be able to do the 1804 in gold, because

22

it's going to be pushing more than an ounce, and

But then we got some that just go
And I think particularly of

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Your average
They're
They're

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gold is $2400 an ounce now.

2

about the time the Mint marks it up, it's going to

3

be $26 -- $2800.

4

Anyway, you don't want to hear the rest of that.

5

Let's go through them.

6

So you're looking

So that gives me a problem.

I happened to like -- on the Silver Dollar I

7

think the first obverse -- the first set of obverse

8

and reverse is okay.

9

rendition of the delivery is not okay with me.

As I said, the historical
One

10

other thing I'm going to say -- I'm going to say

11

some of these are not to my liking at all.

12

the same group of people that gave us, I think

13

really an outstanding group of images for our

14

Semiquincentennial consideration over the last two

15

days.

16

these are good artists.

17

is we've asked them to do -- to improve upon the

18

best of the best, another artist's work and that's

19

a lot easier said than done.

20

about some of these designs, I don't mean it

21

personally.

22

professional abilities.

This is

And I think what has happened here is -I think that problem is,

So when I'm critical

I don't mean it in regards to their
I just think they're given

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a very difficult and nigh impossible assignment.

2

So you go down to number 5 on this.

3

Let's move on to the Double Eagle.

Horrible.
I will --

4

I'll get this done in five minutes, Peter.

5

you're wrong to bring Diane into this.

6

this is a step too far in terms of a modern

7

interpretation of the High Relief Double Eagle and

8

that's what we're looking at here.

9

Relief -- not the Ultra High Relief and not the

10

I think

I think

It's the High

coin relief.

11

Okay.

The next one is -- this is just flat

12

wrong.

It's a storyboard which means it's down a

13

point on me to begin with.

14

need to understand that Saint-Gaudens never modeled

15

his own important medals.

16

modeled a medal.

17

would design it, it would be a sketch and he would

18

give it to one of his assistants to actually

19

model -- or bring somebody else on board to do the

20

modeling, and then he would critique it and refine

21

it.

22

did this one, got it from a painting done by Kenyon

But first of all you

I'm not sure he ever

He always assigned that.

So you have him here modeling?

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No.

He

Whoever

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Cox.

2

which he would do.

3

factually incorrect because February and March of

4

1907, Saint-Gaudens was dying of cancer.

5

paralyzed in one leg.

6

the studio.

7

for maybe 30 minutes at a time.

8

stepping up and modeling the -- the high relief

9

medal eagle.

10
11

Saint-Gaudens working on a bronze relief

wrong.

The other thing that is

He was

They had to carry him into

He could concentrate due to the pain
No way he's

This one just needs to go away.

It's

Factually, historically, incorrect.

Okay.

Next one.

Number 3, this is probably

12

one in the design portfolio that I would've

13

envisioned a modernization of -- to really be like.

14

You do a close up of Liberty, it's factually

15

correct, but at the same time it's modernized.

16

I really like the treatment of the American flag on

17

the eagle's wings.

18

modernization of the design.

19

would wholeheartedly support.

20

anymore on the Saint-Gaudens images.

21
22

And

To me that's an update, a
That's one that I
Let's not belay

I will say that one's nice, but I'm troubled
by the standing eagle version as opposed to a

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flying eagle.

I'll give it some points.

2

deserves that because it's good.

It

3

Let's go onto the Mercury Dime.

Eh, next.

4

Stylized, I'm not sure that -- that image of

5

-- if it's Liberty symbolizes the freedom of

6

thought to me. I know the birds are there.

7

it's far from a winged Pegasus.

8

on the reverse.

9

But

I do like the dove

So maybe it is modernized.

I kind of like this.

Next.

I do -- I don't -- the

10

shacks look like shacks, there's nothing artistic

11

about them, but I guess there's not supposed to be.

12

And I like the continuity of the design from the

13

obverse to the reverse and the fact that it deals

14

with the time period from '16 to '45 -- while

15

that's not modernizing the original design, it's a

16

stretch from the assignment, but I'll give it some

17

points.

18

Moving on -- let's go on to the -- oh, number

19

4.

The sphinx there, Goldsborough Bruff was acting

20

as a treasurer employee in the 1850s.

21

time, out of place and shouldn't be there and I

22

won't be giving that any points as a result.

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It's out of

It's

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just historically incorrect.

2

Quarter.

Eh, it's okay. I get it -- that

3

the -- MacNeil actually kind of forced the quarter

4

reverse, his ideas were -- he just -- he fell apart

5

creatively on the reverse of the Standing Liberty

6

Quarter and Weinman had better ideas.

7

not sure that's true to the intent of the best of

8

the best.

9

Okay.

Number 2.

So I -- I'm

The eagle's not -- even on a

10

coin that -- it's going to be about the size of

11

what we see on the screen there, an inch and a

12

half.

13

there's something about looking at a rear end of an

14

eagle that doesn't do anything for me.

That's going to get lost in the image and

15

3, I don't like at all.

16

4, I -- there's no modernization to that.

17

That's just like somebody else did it from that

18

same point and period of time.

19

no sense to me.

20

Moving to the half dollar.

And it just makes

Again, somewhere

21

in here -- that one's -- the first one is not bad.

22

I can live with that.

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I don't like the second one.

2

The third one, storyboard.

3

Fourth, what a mess.

4

Fifth, I don't see the relationship to the

I don't like it.

5

original coin design.

6

decided to design something entirely -- just start

7

from scratch.

8
9

So there I am.

It just looks like they

I think I may be within my

five minutes, but I've got one last thing to say on

10

this.

11

exceptions, they're nothing more than curiosities.

12

If I'm a collector, looking at the best of the

13

best, I don't think I'm buying this.

14

from a marketing standpoint this is going to be a

15

success at all.

I think, as I said, it's going to

16

be a curiosity.

I think the Mint would be better

17

off just eliminating the required inscriptions and

18

going with the artistic devises on a silver medal

19

and leaving it at that.

20
21
22

The way these are looking now with a couple

DR. VAN ALFEN:

I don't think

So I've said my piece.

Indeed you have, Mike.

you very much -- (crosstalk) -- I'm sorry?
MR. MORAN:

I don't like the concept.

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2
3

DR. VAN ALFEN:

Clearly.

Chris Capozzola, if

you would, please?
DR. CAPOZZOLA:

All right.

So thanks.

I'm

4

going to -- I will also try to be brief, although

5

there's a lot to get through here.

6

speaking here without the, you know, the kind of

7

deep expertise on the history of these particular

8

coins and their -- and their stories that Mike gave

9

us and that many other people in this call have.

And I'm -- I'm

10

So I'm just going to go through with my -- with my

11

reactions to this.

12

On the -- so starting with the silver dollar,

13

I do think 1 and -- 1O and 1R underneath -- you

14

know, the number 1 pairing, certainly works.

15

clear and straightforward.

16

It's

I think of the others the -- only number 2 --

17

of the ones that try to address the diplomacy

18

theme, I felt like number 2 was the more successful

19

pairing.

20
21
22

I thought that number 3 seems -- doesn't
communicate enough.

It's just -- just a ship.

And number 4, just, you know, seems a little

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2

bit wonky.
And number 5, it's not clear to me why Liberty

3

is wrapped up in quite that much drapery.

4

are my thoughts on the -- on the first.

5

So those

On the gold coin, on the Saint-Gaudens, I will

6

say I actually visually, aesthetically, et cetera,

7

I really like 1.

8

moving from Liberty to Diana might be a bridge too

9

far and maybe that could be revisited.

And I take Mike's point that that

But

10

certainly, you know, aesthetically I just really,

11

you know, like this as an update.

12

certainly appreciate that.

13

So I do

On number 3, I was less persuaded by the

14

American flag on the Eagle.

I certainly like

15

Liberty as pictured here quite a lot.

16

could be convinced to see her on a -- a

17

Semiquincentennial Quarter in that format but --

18

but, yeah.

19

about that eagle with the flag on it in that

20

regard.

And in fact,

I'm just not -- I wasn't quite sure

21

Moving onto the Liberty Head Dime, I will say

22

I thought number 1 is -- is kind of an interesting

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pairing.

I understand what the artist is doing and

2

it has a nice crispness to it, but I'm worried --

3

especially, you know, on the reverse that it's

4

actually almost too imitative, the fact she's

5

there.

6

but that was a bridge too far for me.

7

I think -- I also like number 3.

And maybe that could be revisited, but --

It's the one

8

that I like a lot.

I -- I don't -- you know, maybe

9

the -- the Committee would advise a few changes

10

along the way, but I did like the continuity

11

from -- from obverse to reverse.

12

you know, sort of addressing the period.

13

you know, just distinct in that regard from -- from

14

the assignment, but it would certainly draw

15

attention and be appreciated by -- by the public.

16

I thought it was,
It is,

On the Standing Liberty Quarter, here -- here

17

I -- I struggled.

I think of them I thought number

18

2 is probably the strongest.

19

there -- I actually kind of like the eagle in

20

flight.

21

address Mike's concerns, but I actually kind of

22

liked the motion of it.

You know, I think

Maybe you could get a little more eagle to

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And I -- and number 1, just to back up, I did

2

like the eagle on the reverse.

3

configuration there is just not -- not going to --

4

not going to work for -- for a coin.

5

that.

6

I thought the front

So I'll say

And then on number 4, just an observation, it

7

has stars -- has 13 stars on both the front and the

8

back.

9

in my view.

10

And that's just an awful lot of stars for --

On the Walking Half Dollar, here I actually --

11

I liked number -- number 1.

12

real departure in many ways, aesthetically and so

13

forth, but I think it captures some of the spirit

14

of -- of what's, you know, what was in the original

15

Walking Half Dollar.

16

that I appreciate more than most.

17

It is -- again, it's a

And so that would be the one

On number 2, I just felt like -- on 2 in the

18

obverse I thought it just seemed like she's

19

carrying a few too many things.

And then this

20

stride is a bit too -- too far.

Almost

21

unrealistically wide stride there for someone who's

22

walking.

And so -- I could go on, but I'll just

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2

leave it at that.

Thank you very much.

DR. VAN ALFEN:

All right, Chris.

Thank you

3

very much.

Art Bernstein, if you would please --

4

oh, April.

I see your hand is raised?

5

MS. STAFFORD:

It is.

That's okay.

I just

6

wanted to say, obviously, the committee members

7

responses to these designs will be what they are.

8

But I did want to offer that the assignment that

9

was given to the artists was to create modern

10

designs that are inspired by the original coins,

11

not -- not necessarily to update or modernize the

12

original designs themselves.

13

artist took that approach and that is what

14

committee members like or they feel is appropriate

15

for this program, but it might be just something

16

like the artist themselves or the time period it

17

was released or an element that -- of the original

18

design that they then riff on.

19

letting me add that.

20

DR. VAN ALFEN:

21

you for the comments.

22

to continue.

It might be that an

So thank you for

Sure thing, April.

And thank

Art Bernstein, if you'd like

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MR. BERNSTEIN:

Yes.

This is Arthur

2

Bernstein.

With regard to the Silver Dollar

3

designs, unlike my friend Mike I think the story of

4

the diplomatic voyage is compelling.

5

of people know about it and therefore Obverse 2 and

6

Reverse 2 to me have merit.

7

the diplomatic voyage and I like including the

8

countries that were a part of that visitation.

9

think that acknowledging them through the use of

I think a lot

I like connection to

I

10

their flowers and plants, I think it's worthwhile.

11

With regard to Reverse 4 in the Silver Dollar

12

collection, I made a comment yesterday about "big

13

box stores", today I'm going to make comment about

14

"the king of coins" which to me recalls the

15

Budweiser commercial for the King of Beers.

16

I -- I just was turned off by that -- that phrase.

17

Moving to the -- oh, still on the Silver

And

18

Dollar, Obverse 5 and Reverse 5, I thought there

19

was value in recognizing Robert Scott.

20

the reverse to be very simple and very elegant.

21

And the -- on the obverse, there is a lot of

22

drapery, Chris, but I thought it was -- I thought

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2

it was attractive.
On the Saint-Gaudens Double Eagle, Mike I

3

think said it all.

4

with Obverse 3 and Reverse 3.

5

Liberty jumping off the coin very dramatic.

6

reverse is very traditional and to me very grand.

7
8
9
10
11

If I had to pick one I would go
I find the image of
The

On the Mercury Dime, I support everything that
was said about Obverse 3 and Reverse 3.
I also like Reverse 4.

It was a fantastical

image that I just thought was intriguing.
For the Liberty Quarter, I liked design 1 --

12

designs 1 and designs 2.

13

brilliant modernizations which were part of what

14

was called for.

15

flying off of the reverse of the coin, I don't

16

think we've ever seen anything like that before.

17

And I thought it was intriguing.

18

Both of them seemed to me

And I agreed with Chris, the eagle

With regard to the Walking Half Dollar, the

19

comment was already made about Obverse 2 with her

20

carrying too much stuff.

21

comment.

22

again, I like the concept of acknowledging the

I agree with that

Obverse 3 and Obverse -- Reverse 3,

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artist and this coin certainly does that.

2

regard to the reverse, when we were looking at the

3

Declaration Quarter, one of the questions posed to

4

us by the Mint was, did the image of Liberty with

5

an off-shoulder dress show too much skin?

6

I -- I didn't feel it did.

7

coin certainly shows a lot of skin.

8

it, but I just thought we should note that there's

9

a lot of skin in that reverse.

10
11
12

With

And

The reverse on this
I'm fine with

And that concludes

my comments.
DR. VAN ALFEN:
Thank you.

Yes, skin in the game there.

Annelisa Purdie, if you would, please.

13

MS. PURDIE:

14

Annelisa Purdie.

15

comments as brief as I possibly can and just focus

16

on the ones that stood out as well.

17

Thank you, Mr. Chairman.

This is

I'm also going to keep my

I'm going to start with the 1804 Silver

18

Dollar.

Truth be told, none of these designs stood

19

out to me.

20

disliked the least, it would be design number 1.

21

think the details of the ship are beautifully done.

22

I'm not sure that it works well on a coin in terms

If I had to go with one that I was --

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of representing the diplomatic voyage.

2

the reverse for number 5 and the focus on the

3

engraver.

4

in the context of a coin.

5

wings so much, which also seemed to be a

6

combination of eagle wings and the American flag.

7

I'm not sure if that was the intention behind it.

8

But I do like also calling attention to the

9

originators of the designs for the coins.

10

I also like

I'm not sure that, again, it would work
Perhaps not using the

For the Saint-Gaudens Medals, I really did

11

enjoy design number 4 for both the obverse and the

12

reverse.

13

perspective of the eagle, that branch looks a

14

little strange with the foreshortening.

15

you're not quite sure whether the eagle is going to

16

take off, whether he's sitting or thinking.

17

looks like a young eagle too which is why the

18

design may be a little bit different, but if that

19

were tweaked, otherwise this looks fine.

20

the representation of Liberty, I like the way that

21

she's positioned on the coin.

22

hairstyle, and I think that the lettering as well

The only caveat with this one is from the

It's as if

It

I like

Really enjoy her

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is a good reference, good throwback for the time

2

period.

3

I also do like number 1, both the obverse and

4

the reverse.

5

looks as if she's shooting the eagle.

6

though perspective-wise this would be flipped -- it

7

may not come across that way, if it could be

8

repositioned or so, because of the way the eagle

9

encircles the center of the coin it does come off a

10
11

My only concern with this one is it
And even

bit strange.
For Obverse number 2, I really like the

12

concept of portraying on a coin the fact that these

13

go into the hands of collectors and that there's a

14

process in going from having an idea about what

15

these coins look like, their creation, to

16

eventually going into one's hands themselves.

17

not sure if this could be worked into a future

18

design.

19

sweet and serves a purpose, but I would like to

20

come back to this idea later.

21

merit.

22

I'm

I mean, as it is now I think it's very

I think it does have

For the Mercury Dime, my favorite design far

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and away was also number 3.

I like the continuity.

2

I think that we're getting a lot of designs in

3

these portfolios too that show the continuity

4

between the obverse and the reverses.

5

representation of the time changes.

6

didn't come out immediately to me as I was reading

7

through the notes.

8

background behind the windmill and the skyscrapers.

9

I know it's supposed to represent the Dust Bowl,

I like the
Dust Bowl

It looks like the ocean in the

10

but perhaps that could be tweaked.

11

with the continuity, if there could be some

12

adjustment of the sword, I'm thinking of looking at

13

the reverse by itself if -- without having any

14

reference to the front of the coin, it may come

15

across as a little strange with light.

I'm not

16

sure how those rays would be rendered.

They would

17

have to be very -- indented very strongly for

18

someone to see the light rays.

19

concept, very great concept.

20

Also again,

But I like this

I also love the reverse for number 2 with the

21

dove.

I like the idea of updating the dove in a

22

different manner reflecting our different

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experiences.

2

with it comes across well too.

3

And I think that concept of peace

Going to my notes for the Standing Liberty

4

Quarter Dollar, I appreciate with all of these the

5

detail that went into them.

6

the reverse, the leg doesn't -- doesn't bother me

7

that much.

8

pose.

9

feathers of the eagle for the reverse are

For 1, the obverse and

You know, I think it's a very dynamic

She's walking forward.

The detail on the

10

beautiful, but because they take up so much of the

11

coin's space, I'm wondering again, in the final

12

rendering what that would look like.

13

And Obverse and Reverse design number 4, I'm

14

not sure that this fits with the overall theme of

15

the coin even though I get the concept.

16

personally really enjoyed looking at coinage that

17

show domestic or everyday activities involving the

18

populace and I think that this would in some way

19

serve as a reminder of those who are on the ground

20

and doing these things that may seem inane but are

21

necessary to our maintenance.

22

Okay.

But I

For the half dollar, the Walking

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Liberty Half Dollar, also did not understand the

2

concept completely behind design number 5, the

3

obverse and the reverse, although I think the

4

stonesque design of the reverse is done very

5

detailed, it's lovely.

6

My favorite from this portfolio was number 1.

7

The obverse and the reverse with the continuity, I

8

think it's done very well.

9

perfect amount of detail that's not too much,

I think it has the

10

that's not scant.

11

sun is rendered on both sides.

12

works well with that one.

13

thoughts.

14

went overtime, but I tried my best.

15

Okay.

Thank you very much.

DR. VAN ALFEN:

16

Perfect time.

17

please.

18

And I also like the way that the

MR. HOARD:

I think continuity
And those are my
I'm not sure if I

Annelisa, thank you very much.

So Kellen Hoard, if you would,

Thank you.

I'm glad I'm going at

19

this point because I'm undecided and remain

20

undecided by many of them.

21

with the 1804 Dollar.

22

super taken by many of these designs here.

But if we could start

Like Annelisa, I wasn't

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overwhelming kind of lens through which I looked at

2

all of these pieces was that, we were talking

3

yesterday about inside baseball and the reverse of

4

that one coin -- (inaudible) -- these are -- these

5

are more inside baseball.

6

buying these are going to be people who already

7

love the coins.

8

the Silver Dollar or if you love the Mercury Dime.

9

And so I think that we have an opportunity to get

Like the only people

If you collect coins, if you love

10

A, a little artistic freedom and B, a little bit

11

more niche with what kind of themes or images we're

12

representing.

13

The 1804 Dollar, if you could go to 3, please.

14

I thought this was interesting because again it

15

does tie to that diplomatic background which was

16

only discovered in like 1962 or at least like

17

figured out by -- (inaudible) -- in that year.

18

so I think, you know, it's kind of an iconic story

19

deeply tied with these coins.

20

like the reverse, the ship.

21

really kind of a -- (inaudible) -- design

22

--(inaudible) -- with the obverse I'm more

And

This one, I really
I thought it was

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ambivalent about -- but I think it'll be fine with

2

the reverse.

3

Could you go to number 5 as well, please?

And

4

for 5, I did not like the reverse -- I actually

5

really did like the obverse.

6

-- (inaudible) -- I think it's kind of a creative

7

reinterpretation, modernization, of this piece in

8

that style.

9

and with collectors.

I think she's really

I think it would resonate with people
So I really kind of engaged

10

well with that even though I was a little hesitant

11

about 13 stars given how many -- there were not 13

12

states in 1834.

13

and 3 as a reverse potentially -- (inaudible) --

14

kind of bring these two together, both the

15

classical sculpture style and the diplomatic

16

background.

17

But I really love 5 as an obverse

If you could go to the Double Eagle?

You

18

know, I'm really disappointed that Mike gave us all

19

this fact checks, because I was actually really

20

drawn to design number 2.

21

drawn to that, and I think other collectors would

22

be.

As a collector I was

I think people -- part of the story, which

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goes with Doubles Eagles is him.

2

inextricably intertwined with them in ways that I

3

think sculptors of these other coins are not.

4

so for collectors to potentially have him and have

5

his story represented on these coins, I think the

6

-- (inaudible) -- is a way for a collector to be

7

represented on that reverse or whoever the hands

8

are supposed to represent.

9

be really quite compelling, which is too bad that

10

it's not realistic.

11

say about that.

12

of these.

13

He is so

And

So I found this one to

And that's about all I have to

As a collector, I would want one

For the Mercury Dime -- I'm sorry I have one

14

more thing to say about the -- the Double Eagle

15

which is the one with the flag wing that was

16

popular among some.

17

begging us not to choose the one with the flag as

18

the wing of reverse.

19

Shopping Network esque. and not even -- it's a well

20

sculpted design, but the flag on the wing

21

specifically comes across to me kind of kitschy.

22

And I -- and I would ask us to avoid that.

I'm fine with the obverse, I'm

To me it is deeply Home

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even be fine if we just did like a regular wing.

2

Please not the flag.

3

about that.

4

And that's all I have to say

For the Mercury Dime, I'm with everybody else.

5

I really love 3.

6

between the obverse and reverse wonderful, and

7

there's nothing I have to say about them that

8

already hasn't been said.

9

I found the -- the continuity

For the Standing Liberty Quarter, again, a

10

little ambivalent on some of these.

In fact could

11

you go down to number 2, please?

12

that I was drawn to the most.

13

issue with the eagle and I thought it was kind of

14

an exciting revamp and one that the Standing

15

Liberty collectors would like quite a bit and would

16

be inclined to add to their collection and for the

17

set.

18

Liberty Quarters which is what we should aim for if

19

we're aiming at collectors of those.

This is the one

I didn't really have

I think it fits nicely with a set of Standing

20

And then finally the Walking Liberty Half

21

Dollar, again ambivalent, but I would go for number

22

1 there above all else.

Again, for similar reasons

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I think this is just -- this is what I had in mind

2

when we thought about, you know, kind of modern

3

reinterpretation of it and kind of a modern play,

4

building off of these past designs.

5

will get my points.

6

Thanks very much, Peter.

7

DR. VAN ALFEN:

8
9

And so that

And I think that's it for me.

All right.

Thank you, Kellen.

Sam Geldberd, if you would please?
MR. GELBERD:

Thank you, Peter.

This is Sam

10

Geldberd.

11

five minutes, but as a collector of these -- many

12

of these coins, albeit I have no 1804 Silver

13

Dollars and no Saint-Gaudens 20 Dollar Gold pieces

14

in my collection, they -- all five of these designs

15

mean an awful lot to me -- since my childhood.

16

I know I've looked up to sports figures and other

17

figures in music and entertainment as my heroes,

18

but artists like Scott, Saint-Gaudens, MacNeil, and

19

Wienman, these are some of my childhood heros.

20

I will do my very best to stay within

And

So with that being said, I am more of a fan of

21

the -- the designs inspired by the classic designs

22

rather than designs that showcase the artist

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themselves directly.

2

Saint-Gaudens is inexorably tied to the 20 dollar

3

piece, in fact that's how we usually refer to

4

the -- that Double Eagle, the Augustus

5

Saint-Gaudens 20 Dollar Gold Piece.

6

that with the other designs.

7

said, I think there's another program that down the

8

line that maybe we could, you know, pay that

9

tribute as an homage to those artists.

10

Sure, as Kellen just said,

You don't see

But with that being

But with that being said, let's get right into

11

it with the 1804 Dollar inspired designs.

12

think that Obverse and Reverse 1 would be the best

13

pick in this selection, I think it's the most

14

loving rendition inspired by the original 1804

15

Silver Dollars, the Class 1's.

16
17
18
19
20

I do

Design 2, obverse and reverse, don't really do
it for me.
Design 3, I like both, the obverse and
reverse.

This would be my second choice.

And design 4, both obverse and reverse,

21

yeah -- like Art said, I'm -- I'm getting Budweiser

22

vibes from "the king of coins" on the reverse.

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It's just -- I don't think it needs to be stated.

2

It's known as the king of coins, I just don't see

3

collectors clamoring to buy something that says

4

"the king of coins" on it.

5

colloquially in numismatic circles, it's -- don't

6

like it.

7

Liberty's hair, it just misses the mark in -- in my

8

opinion.

9

It's known as that

I understand the ship sailing on Ms.

Design 5, I think we can do better.

Again,

10

I'm not a fan of the designs that really focus more

11

on the artists themselves.

12

With the Saint-Gaudens 20 Dollar Gold Piece,

13

the image of Diana and the eagle, very dynamic on

14

Obverse 1 and Reverse 1.

15

it's okay.

16

translate well as a silver dollar.

17

Not my favorite though,

I could live with it.

I think it could

Obverse 2 and Reverse 2, again, because of the

18

anachronism as Mike pointed out earlier.

19

just don't think -- wouldn't go over as well with

20

collectors truth be told.

21
22

Yeah, I

The design 3, this is my second favorite one.
I really do like it.

I do have to side with Kellen

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a little bit as far as the eagle on the reverse.

2

think it would translate better if it were just

3

eagle's wings instead of the actual American flag

4

rendition.

5

interpretation of the original design.

6

I

But very powerful, very dynamic

But my overall favorite is design 4, for

7

obverse and reverse.

I love the Art Nouveau

8

design.

9

that would just look absolutely gorgeous as a piece

It's a contemporary rendition -- rendition

10

of medallic artwork.

11

lettering, the overall design elements on both

12

sides.

13

for sure.

14

I love the layout, the

Absolutely I think that's the -- the winner

Now moving onto the Winged Liberty aka Mercury

15

Dime Design.

16

3, obverse and reverse 3.

17

do like that continuity, I just can't get past

18

feeling that Ms. Liberty's being portrayed as a

19

mermaid in a lot of ways.

20

seafaring vibes in that regard.

21
22

I know a lot of people were taken by
Great medallic choice, I

I get a -- you know,

I do like Obverse 1, but paired with Reverse
2.

I just think those two together would really go

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well.

2

have been going for, a contemplative Liberty, but

3

she just seems more preoccupied.

4

Native Alaskan dove on the reverse.

5

that along with Obverse 1 for this particular coin

6

would go over very, very well.

7

Obverse 2, I understand what the artist may

I love that
I just think

Obverse and Reverse 4, I think that would be

8

great to help people latch onto the superhero coins

9

that will be coming out before too long.

10
11

not my overall favorite.
With the Standing Liberty Quarter designs,

12

this was my favorite portfolio to see.

13

of my all-time favorite US coins.

14

Reverse 1, very powerful, very good.

15

obverse more than the reverse.

16

But just

This is one

Obverse 1 and
I like the

But I just can't accept anything else than

17

Obverse and Reverse 2.

I think the second design

18

here, when I think of the Standing Liberty Quarter,

19

this just does it for me.

20

incredible rendition.

21

would almost like to see this as our new quarter

22

design starting in 2031 if -- if, you know, we were

I think this is an

The layout, everything -- I

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able to.

2

love this.

3

-- the background.

4

it's a perfect rendition of the eagle.

5

problem with it at all.

6

I just can't say enough how much I just
The teardrop shield, the eagle in the
And then on the reverse I think
I have no

And because of that, I couldn't really get

7

into designs 3 and 4 as much.

I mean, they're

8

great, I prefer Obverse 3 to the reverse.

9

I side with a lot of my colleagues, what they

With 4,

10

stated about it already so I won't go into that

11

much more.

12

With the Liberty Walking Half Dollar, or as

13

most collectors will refer to it, the Walking

14

Liberty Half, Obverse 1 and Reverse 1 almost had --

15

at first when I saw it, it looked very dramatic and

16

then almost anime inspired.

17

probably translate very well.

18

design.

19

I think this would
Really interesting

With Obverse 2 and Reverse 2, I'm not wild

20

about the obverse.

Again, a little bit too busy,

21

just too many things going on, even for a large

22

silver medal.

I do love the reverse and I think

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that's my favorite of the reverses.

And I'd almost

2

like to see that paired with the obverse for number

3

4.

4

But I just think that Obverse 4 with Reverse 2,

5

would be an absolute winner in my opinion.

6

And -- yeah, Obverse 5 and Reverse 5,

I know it's a little bit busy, a lot going on.

7

interesting but the thing I like about it most is

8

the font on both sides.

9

offer, Peter.

10
11

And that's what I have to

Thank you.

DR. VAN ALFEN:

Thank you very much, Sam.

Dr.

Harcourt Fuller, if you're with us?

12

DR. FULLER:

Thank you, Mr. Chairman.

And I

13

want to thank Mike for his expertise on this --

14

with this portfolio.

15

going to say is, you know, inspired by his

16

expertise with this portfolio.

17

come up with some better or similar analogies

18

--(inaudible) -- Budweiser, mermaid.

19

well I'll do with that.

20

A lot of what I'm -- I'm

And I also have to

Let's see how

1804 Silver Dollar, I really like 1, the first

21

one.

I think like a lot of my colleagues it has a

22

lot of great potential.

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1
2
3

2, I believe that's too crowded, so I'm not
going to give that a lot of points.
3, I really like this coin.

I actually do

4

like the fact that the sails, you know, the sails

5

are the American flag.

6

of, you know, diplomacy I think it works well.

7

I like the obverse as well as the reverse.

8

this is a great coin.

9

4, the -- yes.

And I think that in terms
So

I think

I -- I wasn't -- I didn't like

10

the phrase "the king of coins".

11

colleagues have used a Budweiser analogy, I was

12

thinking more historically, you know, the British

13

monarchy, et cetera.

14

analogy that I was using.

15

on the -- on the coin.

16

Again, my

So that's -- that's the
Having the word "king"

And then 5, I actually really love this.

I

17

like the obverse, I don't -- I don't think it's too

18

sort of busy.

19

beautifully designed coin.

20

obverse than the reverse on that one.

21
22

I just think it's a -- it's a
I -- I prefer the

Onto the next one, the Double Eagle.

Let's

see, I agree with Annelisa, that's the first thing.

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I -- I thought that the eagle was being shot or

2

shot at.

3

like that because it's two sides of -- of the coin,

4

but I think if they could somehow flip it, I'd be

5

fine with that.

6

I like the way how the eagle's wings sort of

7

encircle the coin and I like the lines as well.

8

think that it has great symmetry and I -- I think

9

it's -- it's a great -- it's a great coin.

I know that, you know, it won't appear

But I actually do like the design.

10

On 2, I did like this coin, showing the

11

designer and the finished product, but, you know,

12

given what Mike said, I'll take that into

13

consideration as well.

I

14

On 3, I actually love the reverse.

I actually

15

do like the eagle's wings in the form of the

16

American flag.

17

United States and I just think it's a perfect fit.

18

It's a perfect match to -- to symbolize the -- you

19

know, what -- the history of this country and

20

what -- and what the eagle means to this -- to this

21

country.

22

do like the -- the obverse as well, but the reverse

The eagle is synonymous with the

So I really like that.

So -- and I -- I

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1
2

I think it's a great -- great design.
4, please.

If my memory serves me right, I

3

believe Mike wasn't very fond of this.

4

it, however I think the font for me is a little bit

5

too out there.

6

streamline font, even though I know some of my

7

colleagues like it.

8

not the font as much.

9

I would like to see a more

But I like the -- the images,

Moving on to the Mercury Dime.

10

really sure about 1.

11

we can -- we can go to 2.

12

sure what to say about it.

13

I do like

I wasn't

It -- so -- I think we can -I think it's -- I wasn't

I'm not -- I think Annelisa -- I don't know --

14

I can't recall if this is the -- one of the coins

15

you were referring to, but I'm wondering if it has

16

too much skin on the obverse.

17

my only comment.

18

or no.

19

appropriateness of -- of that much skin on -- on

20

the coin.

21
22

That -- that's just

I'm not deciding, you know, yes

It's -- it's merely a question as to the

Next one, please.

This is probably --

(crosstalk) -- yes?

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DR. VAN ALFEN:

I wonder if I could just

2

interrupt, I think Annelisa was about to just make

3

a correction there.

4

DR. FULLER:

Please.

5

MS. PURDIE:

Okay.

This is Annelisa Purdie.

6

Thank you, Mr. Chairman.

7

Yes, that is -- I like the reverse.

8

dove for that one.

9

obverse for number 2 because of the droopy nature.

10

I know it's supposed to be contemplative, but it's

11

not coming off that way.

12

DR. VAN ALFEN:

13

Thank you, Harcourt.
I like the

I wasn't crazy about the

Thank you.

Yep.

Okay, Harcourt.

Go

ahead.

14

DR. FULLER:

15

appreciate that.

16

is one of the strongest coins that -- the

17

continuity between the obverse and the reverse, I

18

really like.

19

Thank you, Annelisa.
Next one, please.

Next one, please.

I

I think this

My -- my comments about

20

this I think -- I think this is one of those coins

21

that Mike wasn't that fond of.

22

gaudy if I may say so as well.

I think it's a bit

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Let's go to the Liberty Quarter, please.

On 1

2

again, I have the same question about, you know,

3

the -- the amount of skin that's showing.

4

you know -- of course it's a modern rendition, so I

5

suppose it's okay.

6

question out there.

7

I guess,

But I -- I wanted to put that

And number 2, I actually did like this coin.

8

I don't have a problem with seeing the behind of

9

the eagle, trying to find the right word.

But I

10

think the eagle you could -- you can see the

11

strength in its legs, you know, as -- as it's

12

flying.

13

It's very -- you know, it has a lot of detail, a

14

lot of texture.

15

points.

16

So I -- I think that it's a great design.

3, please?

So -- so I'll give that one some

What I wrote down, it looks very

17

sketchy as in a pencil sketch. I -- I couldn't

18

really wrap my -- my head around it.

19

it needs a bit more grit or a bit more texture, if

20

you will.

21
22

I think that

And that's my comments for that.

Next, please?

I wasn't too fond of this one.

I think it's too simple.

Again, it looks like it's

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a -- you know, very pencil sketchy.

2

sure that the message that's -- that the artist is

3

trying to convey is what's necessarily coming

4

through.

5

And I'm not

And now let's go to the -- the next one, the

6

half dollar, please.

On -- on 1, I do think it

7

looks sort of anime, I do -- but it's a very strong

8

design and I think it's one of the more

9

beautiful -- beautiful ones.

It -- it looks

10

three-dimensional, it has a lot of texture to it, a

11

lot of character, and a lot of movement.

12

that's why I actually like that one.

13
14
15

Next one, please.

And

Mike wasn't too fond of

that one, therefore I'm not too fond of this one.
Next one, please.

I did like this one, but

16

again, I have some questions.

17

Sam or someone else brought this up, there's a lot

18

of skin in the reverse.

19

mark around that one.

20
21
22

Next one, please, 4.
too busy.

I can't recall if

And so I have a question

I think 4 is just simply

There's too much going on.

5, please.

I would say the same thing about

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this.

2

very -- very busy as well, so I'll skip that one.

3

Those are my comments.

4

It's a bit sort of pencil sketchy, kind of

DR. VAN ALFEN:

Thank you.

All right.

5

you very much.

6

offer your comments, please?

7

Dr. Fuller, thank

John Saunders, if you would like to

MR. SAUNDERS:

Sure.

Going to the -- well,

8

first of all general comments.

I agree with Mike.

9

I'd be surprised if this -- if this program's a big

10

seller.

11

did when he made his comments, but -- you know it's

12

interesting.

13

against it, but not -- I don't see it being a big

14

success.

15

And I'll try to mince my words like Mike

Certainly can't hurt anything, not

But for designs, I kind of like the 1 on the

16

obverse and I also like 3 on the obverse.

I'm not

17

sure I like her hair out behind it, but it's --

18

it's kind of -- Liberty there versus Liberty in the

19

O4 on the floor part of the ship, I thought it was

20

a good combination.

21

that is a pretty great design.

22

back of 1 was okay, but kind of mediocre.

I think it's pretty -- back of
And I thought the

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are kind of my -- I like the front of 1 and the

2

back of -- of 3.

3

symbol of the countries on the back if it's a

4

diplomatic thing, but I always heard it was the

5

King of Siam and -- (inaudible) -- the ruler of

6

Oman was for the two things.

7

(inaudible) -- when I lived in London, the Sphinx

8

family owned one of the sets so it was always the

9

dream to be able to buy it -- (inaudible) sold to

10

Maybe put some -- some sort of

So -- so this coin --

somebody else quickly.

11

In terms of the Saint-Gaudens Gold Piece,

12

Annelisa and I have been on the same wavelength two

13

or three times today.

14

thought it was -- Diana was shooting the eagle.

15

think it was probably put -- pushed to me a little

16

bit because on the next page the sword goes

17

through, it connects the front and the back.

18

if you don't see them pictured beside each other,

19

you just see them on a coin, I don't think it's a

20

problem.

21

aiming up a little bit more, but I don't think it's

22

necessary because it's -- again, we're looking at

I looked at this thing and
I

But

If you want to you can rotate Diana

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the two of them side by side.

So I like the

2

obverse, I like the reverse of this.

3

Mike killed the next one.

4

Number 3, I like the obverse of Liberty there.

5

That's -- that's a good -- (inaudible) -- I like

6

the concept of the eagle.

7

two kind of a dippity doo [sic].

8

coming out but then another flag coming up

9

underneath it.

I don't know why it has
It's got the flag

It seems like to me if you're

10

looking at an eagle's wing, it should be just one

11

flag.

12

on there.

13

could like it if it didn't have the dippity -- the

14

double dip sort of thing.

15

It -- it wouldn't have the dippity doo [sic]
So I don't like the way it is, but I

Moving to the Mercury Dime, I kind of like

16

design 1.

17

it's an Asian lady on the obverse, is that -- am I

18

interpreting that right?

19

necessary to do that.

20

more standardized Liberty.

21
22

And -- and -- obverse, reverse I presume

I don't know that that's

Maybe you would just use a

Design 2, I really like the reverse, but not
for this program.

I don't see it coming here --

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I'd love to see it come back on maybe Native

2

American -- or some other program.

3

3, gets it.

I like the fact that the helmet

4

and head of -- of Liberty is here.

My question is

5

what she's -- what's she doing with the hand that's

6

held up here?

7

My one main thought is just it's too bad this is a

8

medal and not a coin.

9

getting a coin of the year award if it was a coin.

Maybe gripping something to hang on?

We might have Donald here

10

But I like the continuation, I think it's very

11

innovative.

12
13
14

I think the obverse of 4 is okay.
like the reverse.

I don't

It's not one of my favorites.

Moving onto Standing Liberty Quarters.

My

15

first comment is it will be lovely to get -- if

16

O'Neil had a studio picture similar to the half

17

dollar of 3R.

18

the skin on this thing, well, you know, everyone's

19

aware of 1916, the -- she was topless and they --

20

they came back in -- (inaudible) -- 1917, covered

21

her with a male frock but it was -- it would be

22

cool to have something like -- again, the half

You know, they made comments about

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dollar.

2

whether O'Neil did anything like that, but it's

3

reminiscent of that.

4

that if you look on Dutch coins, which I collect,

5

it may have Pallas Athena as Hollandia on a lot of

6

coins.

7

not topless, she's topless, she's not topless.

8

it's interesting how tastes go.

9

A different author, and I don't know

I find it also interesting

Depending on the time, she's topless, she's

But in terms of designs for the Standing

10

Liberty Quarter, I like 1.

11

little bit thick there.

12

big as her waist.

13

1, it's okay.

14

I think her leg is a

I mean, it looks almost as

Just a thought.

I liked the obverse of 2,

The reverse of

that's my favorite.

15

I'm not as excited about the reverse, but it's

16

okay.

17

3, the gal is just too stern and too mad.

18

know, it's -- let's go out and destroy someone.

19

The reverse isn't bad.

20
21
22

So

You

And the -- for 4, I don't think it fits the
theme.
Going on to the half dollar.

Obverse 1 kills

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it.

I think that was an artistic interpretation of

2

what was there before.

3

Reverse of 1, eh.

I like it an awful lot.

It's okay.

4

I don't like Obverse 2, and reverse is okay.

5

I -- on 4 [sic], I wouldn't vote for it.

6

I mean, again, it's too bad we can't get something

7

with O'Neil to go with the quarter like 3R.

8
9

4, the obverse I thought was okay.
awfully busy, but it's okay.

But

It's

The reverse of 4,

10

really grabbed me.

11

Liberty inspiring the artist I think that's a cool

12

concept, I think it's nicely done here, it's just

13

-- I thought this was a wonderful design.

14

I first looked at this, I thought we had to take a

15

pair, but if we just switch around, I'd sure love

16

to see Obverse 1 with Reverse 4.

17

think much at the time at all -- sorry.

18

those are my thoughts.

19
20
21
22

DR. VAN ALFEN:

This reverse where you have

And when

And I didn't
Anyway,

John, thank you very much.

Jeanne Stevens-Sollman, if you would, please?
MS. STEVENS-SOLLMAN:

Thank you, Mr. Chairman

-- (inaudible) -- what can I say?

This was an

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amazing -- amazing set of portfolios.

2

-- (inaudible) -- a huge --

3

MS. WARREN:

I think the

Hey, this is Jennifer.

I would

4

turn off your camera because I think you're cutting

5

out, at least on my end.

6
7

MS. STEVENS-SOLLMAN:

Okay.

Okay.

Can you

here me now?

8

DR. VAN ALFEN:

Yes.

9

MS. STEVENS-SOLLMAN:

Can you -- right.

Okay.

10

Good.

11

task for the artists, you know, this is a -- being

12

charged with remaking contemporary medals inspired

13

by -- (inaudible) -- coinage, you know, very

14

difficult.

15
16
17
18
19

I was saying, I think this was a very huge

So with that in mind --

DR. VAN ALFEN:
you.

Jeanne, I think we've lost

Jeanne, can you hear me?
MS. WARREN:

I'll email her and ask her to

call in, Peter.
DR. VAN ALFEN:

Okay.

All right while we're

20

waiting for Jeanne to reconnect, I'll offer my own

21

comments.

22

For the 1804 Dollar, I'm a nautical nerd so

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always happy to see ships on -- on any coin or

2

medal, although I wasn't particularly thrilled with

3

any of these.

4

Number 3, of course, is a rather interesting

5

reimagine, but the artist here has taken a rather

6

elegant ship swoop peacock and turned her into a

7

rather bloated monstrosity on the reverse with

8

confused rigging on the rest.

9

design is interesting, I just, I'm afraid, can't

10

get beyond the details.

11
12

So -- and while the

I do like number 1.

I think that is probably

the strongest in this portfolio.

13

For the 1907 Double Eagle, I -- I'm happy with

14

number 3.

15

Kellen did raise concerns about the kitschyness of

16

the flag on the wings -- and for some reason here I

17

do think that the kitschyness works.

18

quite put my finger on why I think that is the

19

case.

20

I think that that would work.

And while

And I can't

Number 4 is a design, obverse, reverse, that I

21

really love and I would love to see this struck at

22

some point.

Whether as part of this program or

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perhaps as an American Liberty rendition at some

2

point in the future.

3

this reverse as part of the American Liberty

4

portfolio recently.

5

standout and something I would like to see struck

6

at some point.

7

In fact, I believe we saw

So this, for me, is really a

With the dime, I'm happy to confer with my --

8

or happy to agree with my colleagues.

Number 3 I

9

think is probably the standout design here.

And

10

this does have motion, does have continuity between

11

the obverse -- (inaudible) --

12

For the Standing Liberty Quarter portfolio, I

13

too am rather drawn to the motion of number 2.

14

think that that is a fitting homage and -- to the

15

original quarter.

16

of it.

17

depiction of the eagle on the reverse.

18

that this really does convey motion in a way that

19

we've never seen before on a US coin.

20

I

I really quite like the motion

And I'm not particularly bothered by the
I think

For the Walking Liberty Half, I'm perfectly

21

happy with number 1.

I think that is a lovely

22

reinterpretation of -- of the original coin and

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it's something that I'd like to see struck.

2

Jeanne, I see that you're back with us.

3

offered my comments --

4

MS. STEVENS-SOLLMAN:

5

DR. VAN ALFEN:

I'm happy -- happy to return

to you to have you offer yours now.

7

A.

Well, I'm so sorry.

8

disconnect.

9

that -- can you hear me?

10

DR. VAN ALFEN:

11

MS. STEVENS-SOLLMAN:

12

MS. WARREN:

13

MS. STEVENS-SOLLMAN:

15
16

And I

Yes, I am.

6

14

So

I was just -- Internet

So I was going to try to go to -- wait.

Is

Yes, we can.
Jennifer?

Yeah.
Okay.

So if we go to

the silver dollar -- (inaudible) -DR. VAN ALFEN:

-- (inaudible) -- we lost you.

We lost you, Jeanne.

17

MS. STEVENS-SOLLMAN:

18

MS. WARREN:

19

MS. STEVENS-SOLLMAN:

Okay.

There you are.
-- (inaudible) -- so if

20

we could go to number 1, please?

21

design 1.

22

opened the portfolio.

Okay.

For the dollar,

I was astounded by this when I
I thought that this was

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quite -- quite beautiful and I believe that the

2

artist was totally inspired and, you know, just hit

3

it right on.

4

particular group.

5

So this is my favorite of this

If we could go down to number 5, is it 5?

6

Okay.

7

very much, I just didn't think it was exactly as

8

beautiful as number 1.

9

5, I know a lot of people liked this one

And then if we could go to number -- well, I

10

can't -- (inaudible) -- I wanted to go back to the

11

ship design.

12

one where we have Liberty as -- yes, perfect.

13

Number 3, okay.

14

put Liberty on -- (inaudible) -- you know, going

15

out and reaching out to different nations.

16

that if we don't use this on this program, we

17

should keep these two.

18

number 3, was a little bit too intense, not enough

19

information.

20

We were looking at the -- the first

I thought this was brilliant.

To

I think

I feel like the reverse,

And I did like the fact that we had on one of

21

these designs, number 2 I believe -- if we could

22

put the reverse of 2 with the reverse -- on the

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obverse of 3, we might have a nice combination.

2

Because now we are recognizing those countries that

3

we did traffic with.

4

those are my comments for this portfolio.

5

So that is my comments --

And then if we could go to the next, please?

6

Next portfolio, please?

Yeah, okay.

7

complement the artist for this rendition of --

8

actually doing what -- what they were charged for,

9

to be inspired by, you know, Saint-Gaudens Double

10

Eagles.

11

-- (inaudible) -- this particular coin is --

12

(inaudible) -- you know we -- (inaudible) -- but I

13

think this was a very good one.

14

I think this was quite good.

Again, I -- I

Next, please?

And I think

This is my choice.

Next design, please?

Number 2?

15

Yes.

16

Saint-Gaudens as much as Mike does.

17

agree with Mike, this probably is not the --

18

(inaudible) -- appropriate for this coin.

19

Saint-Gaudens, I love Saint-Gaudens.

And number 3, please?
Hello?

Yes.

I love

And I have to

Design number 3,

20

please?

I agree with my colleagues

21

this is a very dynamic piece.

22

But when I -- when we talk about the little eagle

I like it very much.

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wings if -- if -- if the wings were redesigned to

2

be one flag that would sort of my match the flight

3

feathers of the eagle I think this would make a

4

little bit more sense.

5

that group.

6

Those are my comments for

And the next, please?

Yes.

Right.

I love

7

this piece.

8

Liberty is well-designed and I think well-deserved.

9

So I thought that this was my favorite one.

10
11

I think that putting an Asian image as

Not

sure on the reverse, but I did like this one piece.
Next, please?

I agree with Annelisa.

I love

12

this dove.

13

a key?

14

great, but to have this on our coinage -- it's a

15

great Native American piece.

16

although I see the -- it's the crown of Lady

17

Liberty and her background and -- I'm not sure that

18

would be convincing to everyone.

19

I'm not sure what it's carrying, is it

If someone could tell me that would be

Number 3, please?

I think the obverse,

Now this is loved by so

20

many people.

I think it's very dynamic.

I'm not

21

sure I like the reverse with the sword penetrating

22

whatever it is, history I guess.

So I was not -- I

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was a little confounded with that.

2
3

Next slide, please?

Yep.

I thought each one

of these, although interesting, were too busy.

4

So can we go to our next portfolio?

So

5

Walking -- Walking -- this eagle, we have never

6

had.

7

forward.

8

like this very much.

9

really standing up to something, although he's not

And eagle with his -- (inaudible) -- going
I mean, this is just very powerful.

I

You -- he looks like he's

10

flying, he's probably stretching his wings.

11

Liberty, I agree with my colleagues, this leg is a

12

little too chunky -- (inaudible) the rest of her

13

body.

14

And

Design number 2, is probably my favorite of

15

this group.

I just like it.

It's very well done.

16

It's crisp and it's a different look at our eagle.

17

We -- we just have so many eagles, and this is

18

different.

19

tail feathers are underlining America.

20

statement so -- so -- (inaudible) --

And like the fact that the tail -- the

21

Next one please, hello?

22

DR. VAN ALFEN:

It makes a

Yep --(inaudible) --

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MS. STEVENS-SOLLMAN:

Okay.

All right.

This

2

one, I don't have anything to say for it.

3

can just move on to the next group.

4

Half Dollar, yes.

5

number 1.

6

And I think that I don't really have anything more

7

to say about this group.

8

so... I think I've covered everybody.

9
10

13

The Walking

Okay, this was my favorite,

It's very dynamic, it's very modern.

DR. VAN ALFEN:

This is my favorite one

All right, Jeanne.

Well,

thank you very much.

11
12

So if we

MS. STEVENS-SOLLMAN:
say.

That's all I have to

Thank you.
DR. VAN ALFEN:

Yes, thank you, Jeanne.

14

appreciated.

15

opportunity to comment on this portfolio, all five

16

groups.

17

additional questions, maybe motions from members?

18

Mike, I see your hand is raised?

19

All right.

Much

So we have now all had an

And at this time, do we have any

MR. MORAN:

Yes, I had a question for April.

20

April, are these silver medals going to be in coin

21

turn or medal turn?

22

MS. STAFFORD:

Medal.

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2

MR. MORAN:

And the regular 24k will be in

coin turn?

3

MS. STAFFORD:

4

MR. MORAN:

5

DR. VAN ALFEN:

6
7

Yes, sir.

Okay.

Thank you.

All right.

Sam, I see your

hand is raised?
MR. GELBERD:

Thank you, Peter.

Just one question.

This is Sam

8

Gelberd.

And again, these are

9

medals not coins, so will these be rendered as high

10

relief designs similar to the American Liberty

11

Silver Medals that we've seen in recent years?

12
13

MS. STAFFORD:

MR. VASQUEZ:

15

MS. STAFFORD:

17
18
19

Roger, have

we heard from manufacturing definitively on that?

14

16

Let me ask Roger.

No, ma'am.
Yeah, so we don't have that --

that specification?
MR. VASQUEZ:

That is correct.

We do not have

that specification.
MR. GELBERD:

If I may, I just recommend of

20

course.

You know, as a die hard numismatist, the

21

higher the relief the better on these.

22

medals, not circulating coins, so hopefully we can

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get away with this.

2

you.

3

DR. VAN ALFEN:

4

MR. MORAN:

High relief as possible, thank

Mike, your hand's raised?

How about a motion from Sam to

5

that affect and I'll second it.

6

formal motion from the committee.

7

MR. GELBERD:

Let's make it a

I'll -- I'll make a formal

8

motion, yes.

I do believe these should be rendered

9

as high relief silver medals.

10

MR. MORAN:

I second.

11

DR. VAN ALFEN:

Okay.

So there is a motion on

12

the table to render these as high relief silver

13

medals.

14

that?

15

motion.

16

by Sam seconded by Mike to render these as high

17

relief silver medals as signified by saying "Aye".

Do we have any comments or discussion on
All right.

Hearing none, let's vote on that

All those in favor of this motion proposed

18

[SEVERAL AYES]

19

Are there any opposed?

20

carries.

21

or motions at this time?

22

All right.

MR. SAUNDERS:

All right.

The motion

Are there any other questions

Peter, it's John again with my

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hand raised.

2

I was looking at the reverse of the Standing

3

Liberty Quarter, the one with the tail of the

4

eagle, and as much controversy as we've had on the

5

Morgan Silver Dollar about how the tail feathers

6

were portrayed, probably be a good idea for the

7

Mint to check to make sure that the tail feathers

8

are correct.

9

I just -- it's kind of whimsical, but

DR. VAN ALFEN:

Sure.

We can certainly

10

address that question again if -- if we adopt or

11

recommend one of those reverses.

12

like to ask the Mint, Joe Menna or Mike Costello,

13

if they have anything to share with the committee

14

on the designs for this medal program?

15

MR. COSTELLO:

Hi, this is Mike Costello, I

16

have nothing additional.

17

DR. VAN ALFEN:

18

At this point I'd

Thank you.

All right.

Thank you, Mike.

Joe, do you have any comments?

19

MR. MENNA:

I -- I have no comments.

20

DR. VAN ALFEN:

All right, Joe.

All right.

Thank you

21

very much.

So if there's any further

22

discussion before we -- if there's no further

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discussion, I would at this point like for the

2

Committee to score the obverse and reverse

3

candidate designs for the 2026 Seimquincentennial

4

Best of the Mint Silver Medals.

5

should have received the five score sheets

6

electronically.

7

those to CCAC counsel Greg Weinman, who will tally

8

the scores and will present the results.

9

you think 10 minutes will be enough?

10

And everyone

And when you're done please e-mail

MR. WEINMAN:

Greg, do

I think we're going to need more

11

than that.

12

realistically speaking -- let's -- let's say at

13

least 15 minutes and then, depending how fast

14

people -- everybody gets it to me.

15

where we are at that point.

16

This is going to -- I think

DR. VAN ALFEN:

Okay.

And we'll see

Let's -- it is now

17

approximately ten minutes before 2:00 p.m. so why

18

don't we meet back at 2:05 p.m.

19

(Break from 1:48 p.m. til 2:10 p.m.)

20

DR. VAN ALFEN:

Okay.

All right.

So we are

21

back and I recognize Greg Weinman, counsel to the

22

CCAC to present the results from these scoring

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2

sheets.

Greg, all yours.

MR. WEINMAN:

This time we are out of 30

3

points, a possible 30 points.

4

the 1804, Obverse number 1 received 22 points,

5

making it the high-scoring design.

6

2 received 10, number -- Obverse 3 received 14.

7

Obverse 4 received 4 and Obverse 5 received 14.

8
9

To start off with

Obverse number

Moving on to the 1804 reverses.

Reverse

number 1 received 19 points, making it the

10

high-scoring design.

11

Reverse number 3 received 16, Reverse number 4

12

received 4 and Reverse number 5 received 10.

13

that we can move on to the 1907.

14

DR. VAN ALFEN:

15

MR. WEINMAN:

Reverse number 2 received 9,

Ready?

Yes.
Again out of 30 points.

16

number 1 received 17 points.

17

received 13.

18

the high-scoring design.

19

19 points.

20

So at

Obverse

Obverse number 2

Obverse number 3 received 27 points,
Obverse number 4 received

Moving onto the reverses.

Reverse 1 received

21

17 points, Reverse 2 received 10, and Reverse 3 and

22

Reverse 4 were each tied at 20 points each.

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1
2

3, 20 for 4.
Moving on to the dime.

The Winged Mercury --

3

-- moving on to -- okay.

4

obverses.

5

received 5 points, Obverse 3 received 26 points,

6

making it the high-scoring design.

7

received 10.

8
9

Starting with the

Obverse 1 received 16 points.

Moving on to the reverses.

Obverse 2

Obverse 4

Reverse 1 received

17 points, Reverse 2 received 12 points, Reverse 3

10

received 27 points, making it the high-scoring

11

design, and Reverse 4 received 6 points.

12

Moving on to Standing Liberty.

Obverses,

13

Obverse 1 received 13 points, Obverse 2 received 24

14

points, making it the high-scoring design.

15

3 received 7 points and Obverse 4 received 5

16

points.

17

Onward to the reverses.

Obverse

Reverse 1 received 10

18

points, Reverse 2 received 23 points, making it the

19

high-scoring design.

20

and Reverse 4 received 5 points.

21

one -- Walking --

22

DR. VAN ALFEN:

Reverse 3 received 7 points,
And did I miss

Walking Liberty.

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MR. WEINMAN:

Yes, Walking Liberty.

2

Okay.

3

number 1 received 27 points, making it the

4

high-scoring design.

5

received 6, Obverse 3 received 9, Obverse 4

6

received 10 points, and Obverse 5 received 4.

7

Walking Liberty obverse.

Sorry.

Walking Liberty

Walking number -- Obverse 2

Finally the reverses.

Reverse 1 received 25

8

points, making it the high-scoring design.

9

2 received 13 points, Reverse 3 received 8 points,

10
11

Reverse

Reverse 4 received 7 and Reverse 5 received 5.
DR. VAN ALFEN:

All right, Greg.

12

very much.

13

entertain any motions if there are any?

14

hand is raised.

15

MR. MORAN:

Thank you

At this time, I'll be happy to
Mike, your

Let me make discussion first,

16

Peter.

This is Mike Moran.

We've got a dilemma

17

with the reverse on the Double Eagle.

18

going to help it any because I will tell you that

19

Saint-Gaudens at the very last in May of '07,

20

proposed to Theodore Roosevelt, which he never saw,

21

the standing eagle rather than the flying eagle for

22

the reverse for the Double Eagle.

And I'm not

So therefore, I

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have no real preference as to which eagle goes.

2

know that there are issues with the flag and I

3

share them a little bit honestly.

4

they put a permanent curl in that flag. I'm sure it

5

was because of the wind and they wanted to do a

6

fold, but it doesn't exactly look all that good.

7

And even choked on that a bit when I looked at it

8

at first and then I got used to it.

9

I

It's like if

We -- the problem I have with coin -- or

10

motion for either one or the other, is that the

11

fonts are so radically different.

12

at the reverse on -- what is it?

13

look at reverse number 4, versus the obverse of

14

number 3.

15

terms of the difference of them.

16

to either font, but I don't really think that the

17

font from number 4 on the obverse would go -- play

18

all that well on the obverse of number 3.

19

answer is I don't know what the hell to do.

20

not going to be able to make a motion on this I

21

don't think.

22

were to force me to vote, I think I would be voting

And if you look
Number 4?

Let's

They're pretty much in-your-face in
I'm not opposed

So the
I'm

If I were, I think I would -- if you

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for number -- number 4 for the reverse with a

2

modified inscription -- (crosstalk) --

3

DR. VAN ALFEN:

Thank you, Mike.

Perhaps what

4

we could do is set aside the 1907 Double Eagle for

5

the moment and see if there is a motion for the

6

other four groups.

7

entertain that for the moment.

8

could then just move through each one of the groups

9

individually which might then be the best way to do

10

that.

And if not, we

So I would suggest then --

11

MR. MORAN:

12

DR. VAN ALFEN:

13

MR. MORAN:

14

If anybody would like to

Peter, this is Mike again.
Yeah.

I'm fine with the high votes, I'll

make the motion for the other four.

15

DR. VAN ALFEN:

Okay.

So we have a motion on

16

the table proposed by Mike to recommend the high

17

vote-getters for the 1804, the Winged or Mercury

18

Head Dime, the Standing Liberty Quarter, and the

19

Walking Half.

Is there a second on that motion?

20

MR. BERNSTEIN:

Arthur Bernstein seconds.

21

DR. VAN ALFEN:

All right.

22

much.

Any discussion?

Thank you very

All those in favor of this

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motion to adopt the high vote getters for the 1804,

2

the -- sorry, the Mercury Dime, the Standing

3

Liberty Quarter, and the Walking -- Walking Liberty

4

Half, please signify by saying "Aye".

5

[SEVERAL AYES]

6

Are there any opposed?

7

carries.

8

1907 Metal.

9

All right.

The motion

So let's return to the problem of the
Art, I see your hand is raised?

MR. BERNSTEIN:

Yes.

This is Arthur

10

Bernstein.

11

conversation along.

12

with -- do we let obverse drive this or do we let

13

the reverse drive this.

14

that the obverse got 27 out of 30 points and that

15

leads me to think that maybe we should let the

16

obverse drive this, which would then take us to the

17

Obverse 3, Reverse 3 combination.

18
19
20

I'm just going to try to help move the

DR. VAN ALFEN:

I heard Mike struggling

And I would just point out

Thank you.

April, your hand

is raised?
MS. STAFFORD:

I just wanted to ask for

21

clarity because I'm messaging with the Chief

22

Engraver.

If it -- is there -- can you

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articulate -- you said there was a concern or a

2

problem with -- I think it was the 1907 Reverse 3.

3

Is there -- is there something that we're trying to

4

solve?

5

know Joe Menna is on and he might be able to help

6

with -- with the discussion.

7

it's appropriate or not appropriate for the flag to

8

be incorporated into the wing, but then I also

9

heard separately that it seems like there's almost

If you could just repeat that because I

I have heard whether

10

two levels of wing rather than one because it's got

11

that fold in the wing.

12

determine -- I'm trying to understand, is it one or

13

the other or both?

14

could -- could help out.

15

DR. VAN ALFEN:

So I'm trying to

And that perhaps Joe Menna

Sure.

My -- my understanding

16

is that there was one or two of the members who

17

were not particularly fond of the depiction of the

18

flag on the wing.

19

who raised questions about the way that the fold in

20

the flag/wing is depicted.

And that would need

21

presumably to be resolved.

Because there -- there

22

seems to be some concern about that.

But that there were more members

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that there are a number hands raised.

2

believe your hand was raised first.

3

MR. HOARD:

Kellen, I

Yeah, thank you, Peter.

Just on

4

my end, April, and -- (inaudible) -- as well -- for

5

me I'm pretty opposed to the flag on the wing.

6

like the design, but if we could do it with just

7

like a feathered wing, a regular feathered wing, I

8

think that would solve both problems, of the weird

9

turn in the flag and in my view the flag itself.

10

So I just didn't know if that was even a

11

possibility, of just a feathered wing, in which

12

case I would full heartedly endorse the design.

13
14
15
16

DR. VAN ALFEN:

Okay.

I

Art, was your hand

raised?
MR. BERNSTEIN:

No.

It was to make that point

that I made about the obverse.

17

DR. VAN ALFEN:

18

MR. SAUNDERS:

19

DR. VAN ALFEN:

20

MR. SAUNDERS:

Okay.

All right, thank you.

Peter -John, yes.
My thing doesn't work.

I think

21

it was Jeanne and I that didn't like the two flags

22

in the dippy doo da [sic].

I would either make a

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motion that if we do the flag, then we have one

2

flag there, without the dippy doo da [sic], but I

3

could live with what Kellen said and just have a --

4

a feathered wing instead.

5

What would work well?

6

MR. MENNA:

Joe, what do you think?

Mr. Chairman and -- and Committee

7

members, this is Joseph Menna.

Please don't take

8

this in any type of snobbish "I'm the art expert"

9

kind of way, but, you know, historically with the

10

exception of early American 90s sculptures,

11

Adolph -- from Adolph Weinman to almost every type

12

of architectural sculpture that you see

13

representation -- representing of the American

14

Eagle on any edifice in the country, particularly

15

public -- particularly municipal buildings and

16

especially governmental buildings, on federal

17

buildings, eagles are always stylized.

18

have -- none of them -- none of them are realistic.

19

Weinman's famous eagle with -- with the wings going

20

down, that's an impossible configuration for an

21

eagle's wings.

22

artist of what the eagle's wings represent.

They always

It's his interpretation as an

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think sometimes all of us tend -- it's natural to

2

bring a certain literalism when looking at images

3

to -- when one interprets them.

4

But if you think about this dimensionally and

5

sculpturally, what this artist has done, I think in

6

a very poetic way, has created a beautifully

7

flowing singular wing, added that wave to give the

8

effect of a flag, and made a juxtaposition of the

9

American flag and an American Eagle in a way that's

10

never been -- and you have to remember, this is

11

going to be robustly sculpted, even in low relief.

12

It's not going to look like this.

13

to look like a doo dad [sic] as -- as Mr. Saunders

14

said. And I don't mean that as -- as a jab or

15

anything seriously.

16

insculptured, it will read dimensionally, and it

17

will be one of the most uniquely sculptural -- and

18

I'm not lobbying for this design, I support every

19

design as a winner, that's my job.

20

in this looking at it as a sculpture is an

21

opportunity to make one of the most uniquely

22

allegorical sculptural representations of -- of one

It's not going

It will be beautifully

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of our nation's most dear symbols and our flag at

2

the same time.

3

innovative.

4

for it, you asked me to speak to this design, so

5

that's what I did.

6

It's -- for me I think it's highly

And I'll stop there.

DR. VAN ALFEN:

I'm not lobbying

-- (Crosstalk) -- Thank you

7

very much.

I think before we proceed any further,

8

we do need to make a decision about whether or not

9

we do in fact want the flag on the reverse, on the

10

wing, as sculpted initially.

11

decide I think for the conversation about what we

12

could do.

13

motion to either remove the flag or retain the

14

flag.

15
16
17
18
19

And that then will

So I would be happy to entertain a

MR. BERNSTEIN:

This is Arthur Bernstein, I'll

make a motion.
DR. VAN ALFEN:

All right.

What is the

motion?
MR. BERNSTEIN:

I move that considering

20

Reverse 3, we remain with the design as it was

21

submitted.

22

DR. VAN ALFEN:

All right.

Is there a second?

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MR. MORAN:

Second.

2

DR. VAN ALFEN:

3

there any discussion?

4

DR. FULLER:

5

DR. VAN ALFEN:

6

DR. FULLER:

This is Mike Moran.

Mike, thank you very much.

Is

Yes.
Harcourt, please.

Thank you.

This is Harcourt

7

Fuller.

I -- I just wanted to thank Joe for always

8

providing the right artistic and interpretive

9

context just when we need him.

I think it is

10

important to have his voice heard and to have his

11

expertise help guide us in terms of how we look at

12

some of these designs.

13

Joe for that.

14
15
16

Thank you.

DR. VAN ALFEN:
Harcourt.

So I just wanted to thank

All right.

Thank you,

Jeanne, I see your hand is raised?

MS. STEVENS-SOLLMAN:

Yes.

Thank you, Peter.

17

I -- (inaudible) -- explanation of the flag --

18

(inaudible) -- artist interpretation.

19

we keep this -- (inaudible) -- maybe it might

20

behoove us to have that flag fluttering a little

21

bit more.

22

it's whipping correctly.

I think if

For some reason it doesn't look like
Maybe if the tip of the

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flag were extended out more like the flight

2

feathers on the eagle, it might help those who

3

find -- that don't like the flag.

4

suggestion.

5
6
7
8
9

DR. VAN ALFEN:

All right.

That's just a

Thank you, Jeanne.

Any other comments on this motion -- (crosstalk)
-MR. MORAN:

Peter, I'm sorry.

I couldn't get

the hand and the microphone at the same time.

10

DR. VAN ALFEN:

11

MR. MORAN:

All right.

I guess this is a question for

12

April and Joe first of all.

13

rendition of this reverse in September?

14

screw up the production cycle?

15

MS. STAFFORD:

Can we see a -- a new
Will that

Well, for -- for us -- before

16

kind of answering that question, for us we just

17

need to kind of understand what the consensus of

18

the Committee is.

19

the flag, yes.

20

that goes to the other question of whether that

21

kind of -- the -- the way it's currently presented,

22

my understanding is some folks are viewing that as

So I've heard definitely we --

The flag should stay.

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like -- like two layers instead of -- instead of

2

one that's kind of waving.

3

our Chief Engraver could speak to that if -- if

4

kind of as a body the consensus is the Committee

5

are disquieted than not perhaps our Chief Engraver

6

could -- could address specific concern.

7

is that kind of the -- the sense of the whole body

8

or just something that's --

9
10

MR. BERNSTEIN:
MR. MORAN:

And so I think perhaps

But is --

That -- that's my feeling.

I -- I think you would get a much

11

stronger vote for this reverse if we -- we had a

12

little bit more comfort in terms of the flag, yes.

13

I think the flag will stay, I just think that

14

the -- the treatment of it needs to be refined just

15

a bit.

16

DR. VAN ALFEN:

Okay.

I will return to Joe

17

Menna in just a moment to discuss that a little bit

18

further because I see his hand was raised and I do

19

think we need some more comments.

20

hand was raised before so if you would like to go

21

ahead?

22

MR. HOARD:

But Kellen, your

No -- I was going to be brief

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here.

I'm just -- you know, it sounds like we're

2

leaning one direction, but just to put it on the

3

record again, that I -- I think the flag is just

4

the wrong direction to go at the moment.

5

I understand the Committee does -- to me it just

6

comes off as gaudy more than, you know, innovative.

7

And ends up layering symbols and metaphors in ways

8

that aren't necessary and end up, like I said,

9

looking more kitschy then I think we intend to.

You know,

10

Rather than actually merging -- (inaudible) -- into

11

kind of a new -- (inaudible) -- eagle, I think it

12

ends up looking, to me, thrown together.

13

know, amalgamating elements into one thing that

14

ends up just looking aesthetically worse and not

15

fitting in quite as well as it could have

16

otherwise.

17

I -- you

And so I would appreciate it, a least on my

18

end, if we do have a chance to see this portfolio

19

again, an option with feathered wings -- I don't

20

know if we're going to have the opportunity, but

21

even just for consideration.

22

would in itself be aesthetically more cohesive with

Because I think that

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the obverse and also would bring -- bring forward

2

that symbolism and that meaning that we're looking

3

for without distracting away by putting everything

4

together all at once.

5

many students here when they think about imagery

6

and associating with America, they end up having

7

kind of similar concerns that where they see this

8

over the top gaudy -- gaudy form of, like,

9

patriotism, too raa-raa [sic] then end up actually

I know from talking with

10

moving away from that.

11

cents for the record here.

12

DR. VAN ALFEN:

So that was just my two

All right.

Thank you.

We

13

still do have this motion on the table, so we've

14

not yet made a decision about that.

15

like to hear some further comments from you, if you

16

--

17

MR. MENNA:

Hey.

But Joe, I'd

With all -- great respect

18

Kellen, and my -- Kellen, my high school buddy, my

19

high school classmate is the head of the Home

20

Shopping Network if that helps.

21

think because we're looking at this as a graphic

22

symbol and literal juxtaposition -- I'm not a

But I think -- I

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historian, but I'm pretty well versed in the

2

lexicon of visual symbolism in terms of our history

3

going -- going back to 10,000 years.

4

to sound ostentatious, I just -- I'm old and I'm a

5

student of this stuff til this day.

6

look at it as -- as -- as an American Eagle native

7

to this land, this land itself, and the country

8

that sprang forth from it, you know?

9

another way to interpret it symbolically.

10

I don't want

You could even

That's

But sculpturally, and addressing Jeanne's

11

concerns, there's a lot of darks, there's a lot of

12

shadows, and there's a lot of contrast that makes

13

this look differently than it will in sculpture.

14

As a sculptured element, it'll be more organic,

15

more unified, more subtle -- when I say robust

16

sculpture I'm talking about the relief high [sic],

17

but over -- but within that relief, there's relief

18

on relief.

19

it's not going to stand out like a toy or -- or I

20

don't -- I think -- I would hope you could trust

21

the United States Mint sculpting staff to not make

22

something gaudy and make something beautiful.

It's not going to stand out like a --

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I wouldn't -- I wouldn't be offering you these

2

comments if I didn't think that we could make this

3

a very successful and beautiful coin.

4

a member of the Committee and I'm not trying to

5

change anyone's mind.

6

Chairmen's opportunity to offer my artistic

7

observations only.

8

opinion.

9

But I am not

I'm just again answering the

I'm not trying to sway anyone's

Thank you.

DR. VAN ALFEN:

10

for your comments.

11

MR. SAUNDERS:

(Crosstalk) -- thank you again
John, did you have a comment?
Yes.

I kind of started this

12

thing.

13

out fine.

14

for some reason it's not coming out, you know, with

15

a doo da [sic] spanning out, I'm sure he'll fix it.

16

So I'm willing to go along with things as is, and

17

trust Joe.

18

I'm willing to trust Joe that it'll come
And he's aware of our concerns, and if

DR. VAN ALFEN:

All right.

Thank you.

So we

19

still do have the motion on the table, that if we

20

do recommend this reverse that we stick with the

21

flag -- that we retain the flag.

22

further discussion on this motion?

Is there any

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Then let's vote on a motion.

2

favor of the motion of retaining the flag on this

3

reverse, please signify your approval by saying

4

"Aye".

5

[SEVERAL AYES]

6

MS. WARREN:

7

MR. HOARD:

8

MS. STEVENS-SOLLMAN:

9

DR. VAN ALFEN:

10

So all of those in

All those opposed, nay?
Nay.
Nay.

So I think that that is 10 --

or 8 to 2; is that correct?

11

MR. WEINMAN:

Yes.

12

MS. STEVENS-SOLLMAN:

13

DR. VAN ALFEN:

Yes.

All right.

So the motion

14

carries.

15

So we -- we -- at this stage, we have indicated

16

that if we do adopt this reverse, that we will

17

retain the flag.

18

or not we -- we recommend the obverse to go along

19

with this reverse.

20

So are there any further motions then?

We still have not decided whether

MR. BERNSTEIN:

Arthur, your hand is raised?
This is Arthur Bernstein.

Let

21

me try to help with a motion, that for the

22

Saint-Gaudens Silver Medal, we recommend Obverse 2

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2
3

and Reverse 2 [sic].
DR. VAN ALFEN:

All right.

Do we have a

second on that motion?

4

MR. SAUNDERS:

I think you mean 3, don't you?

5

DR. VAN ALFEN:

Oh -- I'm sorry, yes.

6

MR. BERNSTEIN:

Sorry, I misspoke.

7

DR. VAN ALFEN:

Yes.

Thank you.

So the motion is to

8

recommend Obverse 3 and Reverse 3, do I have a

9

second on that motion?

10

MR. SAUNDERS:

11

DR. VAN ALFEN:

12
13
14
15
16

Second.
John, thank you very much.

Any discussion?
DR. FULLER:

Yes, this is Harcourt Fuller.

Are we recommending any changes to Obverse 3?
MR. BERNSTEIN:

This is Arthur Bernstein.

That was not my intent, no.

17

DR. FULLER:

Okay.

18

DR. VAN ALFEN:

Thank you.

All right.

All right.

Any other

19

discussion?

So all of those in favor

20

of recommending Obverse 3 and Reverse 3, please

21

signify by saying "Aye".

22

[SEVERAL AYES]

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DR. VAN ALFEN:

Any opposed?

Okay.

All right.

The

2

motion carries.

If all discussion then has

3

concluded, I would like to thank the CCAC members,

4

the Mint staff, and the public for their attendance

5

today, since we have now concluded all business.

6

The next meeting of the CCAC will be in September

7

and will be announced in the Federal Register

8

Notice.

9

to the fact that the CCAC will be hosting a public

Also, I would like to turn your attention

10

forum at the American Numismatics Associations

11

World Fair of Money on August 7th at 10:00 a.m. in

12

Rosemont, next to Chicago in Illinois, where we

13

will be talking about what we do and more

14

importantly providing members of the public the

15

opportunity to engage with us and hear directly

16

from us.

17

World Fair of Money in Rosemont this summer, please

18

do take time to come and participate in our public

19

forum there.

20

you there and to meeting you.

21

a motion to adjourn.

22

So if you will be attending the AMAs

We very much look forward to seeing

MR. SAUNDERS:

Now I will entertain

I'll move.

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Meeting

July 16, 2024
Page 170

1

DR. VAN ALFEN:

John, was that you?

2

MR. SAUNDERS:

3

DR. VAN ALFEN:

All right.

4

DR. CAPOZZOLA:

I'll second, it's Chris.

5

DR. VAN ALFEN:

All right.

Yes.

6

very much.

7

please signify by saying "Aye".
[SEVERAL AYES]

9

DR. VAN ALFEN:

10

stands adjourned.

11

very much.

13

Chris, thank you

All those in favor of this motion,

8

12

Is there a second?

All right.

This meeting

It is now 2:40 p.m.

Thank you

THEREUPON the meeting was concluded at 2:40
p.m.

14
15
16
17
18
19
20
21
22

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Meeting

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1
2

CERTIFICATE OF TRANSCRIBER
I, ASHTYN PLUNKETT, do hereby certify that this

3

transcript was prepared from the digital audio recording

4

of the foregoing proceeding, that said transcript is a

5

true and accurate record of the proceedings to the best

6

of my knowledge, skills, and ability; that I am neither

7

counsel for, related to, nor employed by any of the

8

parties to the action in which this was taken; and

9

further, that I am not a relative, or employee of any

10

counsel or attorney employed by the parties hereto, nor

11

financially otherwise interested in the outcome of this

12

action.

13

Dated:

14

July 22nd, 2024

15
16
17

ASHTYN PLUNKETT

18
19
20
21
22

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Meeting

[07 - 2]
0
07 151:19
1
1 11:16,18 16:8
18:19 21:11
26:7 27:18
28:20 32:7
34:17,18 39:13
40:16 46:3,6
46:13 47:1,8
48:3,12,16,20
49:15 50:2
51:19 71:21
77:11 79:6,6
81:11 83:2,2
84:22,22 86:10
86:11 100:13
100:14 101:7
101:22 103:1
103:11 106:11
106:12 107:20
109:3 111:5
112:6 116:22
118:12 119:14
119:14 120:21
121:5,13,14
122:14,14
123:20 126:10
128:1 129:6
130:15,22
131:1 132:16
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10,000 165:3
100 63:13
67:15
10:00 1:8
169:11
10:50 45:12
11 11:16 18:19
30:8 34:13
35:21 46:17
47:16 48:3,18
49:8,19,22
11:00 45:6,12
11:35 73:22
75:1
12 44:8 46:9,9
47:12,14,16
48:4,15 49:7
50:4 150:9
12:15 74:15,17
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12a 47:17

13 34:9 47:6,18
48:21 49:4
50:3 103:7
114:11,11
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14 46:11 47:3
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15 44:15 48:22
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16 1:7 4:4 47:9
48:14 50:6,8
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17 47:12 48:5
149:16,21
150:9
1776 11:10
56:21
1787 9:13
18 48:17 49:1
1804 77:10
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80:5,12,19
93:19,21
107:17 112:21
113:13 117:12
118:11,14
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149:4,8 153:17
154:1
1834 114:12
1850s 97:20
1864 37:16
19 49:2,5,18
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1907 77:11
81:8,12 82:2,9
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153:4 154:8
155:2
1916 77:12,13
77:14 82:21
83:16 84:19
85:2,10,16
86:1,9 133:19
1917 133:20
1945 83:16
1960 68:9
1962 113:16
19th 59:6 68:8
1:48 148:19
1a 11:18 19:1
27:18 34:18
40:16 47:9
48:3,21 50:3
1o 100:13
1r 100:13
2
2 11:16,18 19:1
19:2 26:12
28:21 30:18
32:13 35:4,17
35:18 37:11
46:7,14 47:2,3
47:11 48:4,14
48:16,21 49:8
49:16 50:3
81:22,22 83:8
83:8 85:9,9
86:15,15 89:20
98:9 100:16,18

Meeting

[2 - 4]
102:18 103:17
103:17 105:5,6
106:12,19
109:11 110:20
114:20 116:11
118:16 119:17
119:17 120:22
121:1,17
122:19,19
123:4 124:1
125:10 126:11
127:9 128:7
132:21 134:14
135:4 138:13
140:21,22
141:14 143:14
149:6,10,16,21
150:4,9,13,18
151:4,9 167:10
167:22 168:1
20 46:14 47:9
47:14 81:8,12
82:2,9,16
117:13 118:2,5
119:12 149:22
149:22 150:1
202 1:18
2021 92:22
20220 1:16
2024 1:7 4:5
171:14
2026 6:9,13 9:8
9:21 10:7
11:11 12:2
42:9 45:1
56:21 76:4
77:1,5 88:13
148:3

July 16, 2024

Page 2
2031 121:22
21 46:13
22 149:4
22nd 171:14
23 150:18
24 46:8 48:13
49:17 76:19
150:13
2400 94:1
24k 76:22 77:9
77:20 91:11
145:1
25 46:6 47:1
92:18 151:7
250 10:1,11
16:19 37:19
56:4,4,11,22
76:20 77:7
26 94:3 150:5
27 49:12,12,14
66:19 149:17
150:10 151:3
154:14
28 66:19
2800 94:3
2:00 148:17
2:05 148:18
2:10 148:19
2a 47:12
3
3 11:16,18
16:17,17 17:5
18:11 19:5,6
20:15 21:4,18
21:18 22:14,15
24:14 26:15,16
26:21 29:7,13

29:14 30:21
31:10 32:21
33:7 36:20,21
37:6 38:22
41:5 42:12
46:9,15 47:3
47:12,16 48:4
48:8,8,14,22
49:16,21 50:1
50:4,9 80:4,4
83:15,15 85:15
85:15 86:20,20
96:11 98:15
100:20 101:13
102:7 106:4,4
106:8,8,21,21
110:1 113:13
114:13 116:5
118:18 119:21
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122:7,8 124:3
125:14 128:16
130:16 131:2
132:4 133:3
134:17 137:4
137:14 138:8
140:13,18
141:1,19,19
142:19 149:6
149:11,17,21
150:1,5,9,15
150:19 151:5,9
152:14,18
154:17,17
155:2 159:20
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30 96:7 149:2,3
149:15 154:14
33 46:3,5,22
48:2,12
360-3154 1:18
3a 11:16 17:3,4
22:14 26:15,17
29:7,15 32:21
32:22 35:18
36:20,22 46:16
48:5 49:17
3r 133:17
135:7
4
4 11:16,18 17:3
17:3,12 31:3
33:10 35:12
46:9,16,16,16
47:4,12,13,15
47:16 48:6,15
49:1,6,18 50:5
50:5 80:11,11
82:15,15 84:6
84:6,6 85:21
85:21 87:8,8
97:19 98:16
100:22 103:6
105:11 106:9
108:11 111:13
118:20 120:6
121:7 122:7,8
123:3,4 124:9
126:2 129:20
129:20 133:12
134:20 135:5,8
135:9,16
137:20 149:7,7

Meeting

[4 - additional]
149:11,12,18
149:22 150:1,6
150:11,15,20
151:5,6,10
152:12,13,17
153:1
45 74:1,3,13,15
97:14
4a 49:1
5
5 11:16,18
17:18 19:13
23:14 26:22
27:1 31:4
33:15,16 35:15
40:1 41:9
46:10,17 47:4
47:6,7,13,17
48:6,16 49:2
49:19,21 50:5
50:8 80:18,19
87:14,14 90:3
95:2 101:2
105:18,18
108:2 112:2
114:3,4,12
119:9 123:6,6
124:16 129:22
140:5,5,6
149:7,12 150:5
150:15,20
151:6,10,10
5a 48:7 49:4
6
6 11:16,18
17:20 24:1
27:6 31:5

July 16, 2024

Page 3
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7
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7th 169:11
8
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47:3,4,5,15
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801 1:15
8a 11:19 20:2
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37:21 41:16,17

41:18 43:2
49:7 50:9
9
9 11:16 18:9,9
20:2 27:10
30:4,4 34:4
47:6,12,13,15
47:15,15 48:7
48:18 49:7,21
149:10 151:5
90 14:13
90s 157:10
9th 1:15
a
a.m. 1:8 4:5
45:12,12
169:11
abilities 94:22
ability 171:6
able 20:7 32:2
32:3 45:4
63:22 93:20,21
122:1 131:9
152:20 155:5
above 79:10
80:16 116:22
absent 93:5
absolute 123:5
absolutely
120:9,12
accept 121:16
accord 32:6
accoutrements
51:5,10
accurate 90:14
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acknowledging
105:9 106:22
acorn 32:16
acting 97:19
action 10:12
171:8,12
activities
111:17
activity 24:4
actual 32:4
120:3
actually 38:11
38:13 39:14
40:6 43:4
51:22 52:3,12
58:1 69:16
70:1 73:7
95:18 98:3
101:6 102:4,19
102:21 103:10
114:4,19 124:3
124:16 125:5
125:14,14
128:7 129:12
141:8 163:10
164:9
adamantly
51:9
add 13:18
42:11 53:14
62:19 88:21
104:19 116:16
added 51:22
85:3 158:7
additional
91:22 144:17
147:16

Meeting

[address - america]
address 13:11
89:2 100:17
102:21 147:10
162:6
addressed 9:4
addresses 54:3
addressing
102:12 165:10
adds 52:13
53:1 56:22
adjourn 169:21
adjourned
170:10
adjustment
110:12
admittedly
15:6
adolph 86:20
87:10 157:11
157:11
adopt 9:16
147:10 154:1
167:16
adornment
54:17
advancement
11:2
advise 102:9
advisory 4:4
aesthetic 41:8
41:12 52:11
aesthetically
40:5 101:6,10
103:12 163:14
163:22
affairs 3:6,9,10
8:14,21,22

July 16, 2024

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affect 146:5
afraid 137:9
agencies 13:1
agenda 6:7
agree 16:12
23:11 29:22
33:16 34:10
36:20 37:15
55:5 63:13
64:8 70:11
106:20 124:22
130:8 138:8
141:17,20
142:11 143:11
agreed 93:8
106:14
agreement
52:22 74:2
ahead 9:19
14:8 40:4
52:21 71:17
91:3 127:13
162:21
aide 13:14
aim 116:18
aiming 116:19
131:21
aka 21:13
120:14
alaskan 83:13
121:4
albeit 34:12
117:12
alfen 2:16 4:2
4:20 5:4,7,10
5:13,19 6:3,3
7:4,14,17,20
8:1,4,7,10,13

8:17,20 9:2
11:21 13:16
14:5,8 15:1,17
20:11 21:20
25:9 28:1
31:16 36:13,17
38:6 41:20
43:12 44:12,21
45:13,20 46:20
47:19,22 48:9
49:10 50:10
52:17,21 54:9
55:9,21 57:5
57:18 58:4,11
59:4,15 60:4
60:17 63:9
64:5 65:21
66:21 67:5,7
68:12 69:6
70:6,20 71:16
72:4,11,18
73:18 74:8,11
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159:6,17,22
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161:5,10
162:16 164:12
166:9,18 167:9
167:13 168:2,5
168:7,11,18
169:1 170:1,3
170:5,9
aligned 38:13
allegorical
20:18 53:22
80:7 158:22
allocated 66:9
allow 91:21
alluded 33:5
altogether
52:12 65:20
amalgamating
163:13
amas 169:16
amazing 136:1
136:1
ambivalent
114:1 116:10
116:21
america 11:6
22:18 143:19
164:6

Meeting

[american - artists]
american 2:7
3:12 5:2 6:22
9:19 19:16
20:20 21:12
24:5 32:1
35:16 40:12
82:7,12 84:16
96:16 101:14
108:6 120:3
124:5 125:16
133:2 138:1,3
142:15 145:10
157:10,13
158:9,9 165:6
169:10
americans 86:3
amount 12:11
55:22 64:10
112:9 128:3
amounts 14:1
anachronism
119:18
analogies
123:17
analogy 124:11
124:14
anime 122:16
129:7
annalisa 5:22
60:7,9 63:11
63:13
annelisa 2:15
21:20 22:1
25:9 26:22
43:15 64:5,9
75:8 107:12,14
112:15,21
124:22 126:13

July 16, 2024

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anymore 96:20
anyone's 166:5
166:7
anyway 14:10
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apart 98:4
apparently
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appear 53:21
67:22 68:1
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appeared
67:16
appears 84:18
apply 25:15
appreciate
89:14 101:12
103:16 111:4
127:15 163:17
appreciated
102:15 144:14
approach
40:22 104:13
appropriate
30:6 43:6
71:11 104:14

141:18 155:7,7
appropriaten...
126:19
approval 167:3
approximate
74:6
approximately
148:17
approximating
77:1
april 2:18 7:11
7:14 9:8,11
11:21 26:1
60:20 64:6
65:21 72:13,18
73:14 76:13,15
87:22 89:1
104:4,20
144:19,20
154:18 156:4
161:12
april's 65:22
arced 79:10
architectural
157:12
archives 87:1
argue 32:21
arm 11:1
armor 84:9
art 25:10,11
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articulate
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artist 17:10
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82:1 83:21
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117:22 121:1
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137:5 140:2
141:7 157:22
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artist's 88:21
94:18
artistic 85:8
93:3 97:10
99:18 113:10
135:1 160:8
166:6
artists 10:11,19
11:8 61:14
62:8 64:10,14
69:3 78:6,10

Meeting

[artists - believe]
83:14 88:20
94:16 104:9
117:18 118:9
119:11 136:11
arts 2:9 5:5
86:19
artwork
120:10
ascending
85:17
ashtyn 1:20
171:2,17
asian 79:20
132:17 142:7
aside 17:15
62:19 153:4
asked 9:14,15
10:11,19 11:8
50:12 94:17
159:4
asking 64:16
92:10
assigned 95:16
assignment
95:1 97:16
102:14 104:8
assignments
64:9
assistants
95:18
associating
164:6
association
3:12 7:1
associations
169:10
assume 27:13
72:12

July 16, 2024

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attorney
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audio 171:3
august 169:11
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118:4
author 134:1
authorized
92:21
authorizes
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available 14:21
26:4
average 93:17
avoid 115:22
award 133:9
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13:19 133:19

166:13
awful 68:22
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135:2
awfully 135:9
aye 146:17
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ayes 146:18
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b
b 113:10
back 4:3 22:22
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66:5 68:9 75:2
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background
9:12 24:6
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142:17
bad 98:21
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balanced 81:17
ball 26:13
28:22 32:17
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banded 86:3
banks 14:3
barely 66:7,8
66:15,15
base 36:6 37:22
baseball 27:14
113:3,5
based 10:2,13
basically 40:13
bear 77:5
beautiful 11:21
16:15 28:21
29:3 32:19
54:19 111:10
129:9,9 140:1
140:8 165:22
166:3
beautifully
20:17,19
107:21 124:19
158:6,15
beers 105:15
begging 115:17
beginning 19:5
39:3
behoove
160:20
belay 96:19
believe 6:6
12:12,19 19:3
56:4 76:2
124:1 126:3
138:2 140:1,21
146:8 156:2

Meeting

[bell - busy]
bell 73:7,9 77:7
bells 73:8
benefit 4:12
benjamin 9:14
bernstein 2:3
4:17,19 12:5,6
25:10,11,12
55:12,13 67:2
67:3,6 72:22
73:1,17 75:10
75:11 89:16,16
90:20 104:3,21
105:1,2 153:20
153:20 154:9
154:10 156:15
159:15,15,19
162:9 167:20
167:20 168:6
168:15,15
best 6:14 21:5
21:6 60:14
62:14 63:7,20
74:17 76:4,21
77:8 78:3
88:13 91:20
92:16,16 93:6
93:7 94:18,18
98:7,8 99:12
99:13 112:14
117:10 118:12
148:4 153:9
171:5
better 18:21
19:4 29:13
31:6 34:10
35:19 36:8,21
68:10 82:3
98:6 99:16

July 16, 2024

Page 7
119:9 120:2
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beyond 62:7
137:10
bicentennial
44:6
big 33:13 34:3
35:13 42:16
44:8 71:20
105:12 130:9
130:13 134:12
birds 97:6
bit 15:7 17:18
19:18 23:5
24:4 27:16
28:15,18 32:17
33:10,11 35:6
35:13,16 37:8
39:8 53:10
61:7,15,16,17
62:2 66:9
73:20 76:10
89:19 101:1
103:20 108:18
109:10 113:10
116:15 120:1
122:20 123:3
126:4 127:21
128:19,19
130:1 131:16
131:21 134:11
140:18 142:4
152:3,7 160:21
162:12,15,17
blend 25:3
bloated 137:7
blossoming
79:22

blowing 85:4
board 56:9
95:19
body 81:14
143:13 162:4,7
bold 27:3,4,6
40:2 42:16
boldly 71:22
boldness 27:7
boneza 2:21
8:1 9:9
book 29:1 35:5
57:14 92:7
born 25:20
bother 111:6
bothered
138:16
bottom 89:21
bought 14:2
bowl 84:4
110:5,9
box 74:5,12
105:13
braid 79:11
branch 86:5
108:13
branches 85:12
85:13
brandeis 10:4
break 44:15
45:5,12 73:22
74:21 75:1
88:3 148:19
breaking 54:6
brendan 3:9
8:20
bridge 101:8
102:6

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202-857-3376

brief 38:14
51:7 92:1
100:4 107:15
162:22
briefly 53:18
brilliant
106:13 140:13
bring 40:10,11
40:12 61:8
95:5,19 114:14
158:2 164:1,1
bringing 65:13
british 124:12
broad 52:14
broader 78:20
81:14
broke 68:8
bronze 96:1
brought 69:10
129:17
bruff 84:15
97:19
buddy 164:18
budweiser
105:15 118:21
123:18 124:11
building 84:12
87:1 117:4
buildings 27:20
157:15,16,17
bullet 57:10
bursting 19:17
business 169:5
busy 24:4
29:16 30:21
31:3,5 33:11
34:12 37:8
53:11 122:20

Meeting

[busy - chris]
123:3 124:18
129:21 130:2
135:9 143:3
buy 119:3
131:9
buying 99:13
113:6
c
c 2:1 3:1 4:1
cake 65:2
call 4:3,16
10:12 73:11
75:3,5 100:9
136:18
called 7:10
106:14
calling 108:8
camera 20:6
136:4
cancer 96:4
candidate 6:8
6:13 9:10
11:14,20 76:3
76:14 77:15
78:1,22 79:4
79:15 80:11
81:1,21 82:22
84:20 87:20
148:3
candidates
45:1 76:14
77:21 81:10
cap 53:8,9
capitol 21:13
34:20 37:14
84:12

July 16, 2024

Page 8
capozzola 2:6
5:1,3 25:14
38:7,9,10
53:18 67:11
68:14 75:21,22
88:16 100:1,3
170:4
captures
103:13
care 58:6
carefully 23:9
carries 42:20
146:20 154:7
167:14 169:2
carry 57:2 96:5
carrying 29:13
82:11 103:19
106:20 142:12
case 48:2 52:10
52:10 137:19
156:12
cases 71:19
cat 74:5,12
caution 37:2
caveat 24:3
108:12
ccac 1:1 2:17
3:6,8 4:6 6:5
6:17 8:15,18
12:15 45:14
75:4 148:7,22
169:3,6,9
ccac's 15:7
celebrating
28:16,17
cent 57:21
center 109:9

cents 14:13
164:11
century 59:7
68:8
certain 158:2
certainly 12:17
41:5 100:14
101:10,12,14
102:14 107:1,7
130:12 147:9
certificate
171:1
certify 171:2
cetera 101:6
124:13
chairman 7:2
11:19 16:3
21:22 27:22
54:12 60:8
63:12 81:2
107:13 123:12
127:6 135:21
157:6
chairmen's
166:6
chairperson
2:17 6:5
chance 63:21
163:18
change 14:13
14:13 20:5
65:19 67:14,17
69:2 83:17
166:5
changes 56:9
102:9 110:5
168:14

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202-857-3376

changing 69:20
character
129:11
charged 136:12
141:8
chat 90:18
check 147:7
checks 114:19
chest 27:12
chicago 169:12
chief 2:18 3:3
7:11 8:8 80:22
154:21 162:3,5
child 16:21
18:5,10,13
23:4,8 26:18
42:15
child's 19:8
childhood
117:15,19
children 17:13
22:7
choice 21:2
42:13 72:2
118:19 120:16
141:13
choked 152:7
choose 63:15
64:3 70:14,17
71:10 115:17
choosing 62:13
63:6
chosen 36:22
chris 25:14
38:10 41:20
53:16 56:5
67:10 68:13
69:7 88:14

Meeting

[chris - colleagues]
100:1 104:2
105:22 106:14
170:4,5
chris's 28:5
69:9
christopher 2:6
5:1 16:4 38:7
75:21
chronologica...
39:6
chunky 143:12
circles 119:5
circulate 12:17
12:18 31:22
62:18
circulated
16:14
circulating
6:11 12:7,9,16
12:19 13:21
14:2 22:10
26:3 38:16,17
65:13 145:22
circulation
13:7,15 14:17
15:3 25:7
31:21 42:3,9
44:2 83:17
85:22
citizen 10:2,6
citizens 4:3
10:15
city 87:7
civics 10:14
civil 28:13 30:5
30:7 34:10
clad 84:9

July 16, 2024

Page 9
clamoring
119:3
clanking 93:1
clapper 73:6,9
73:10
clarity 154:21
class 77:11
118:15
classic 117:21
classical 53:13
53:14 114:15
classicism
81:16
classmate
164:19
clean 21:7
35:15 39:19
74:6,13
cleanup 74:7
clear 21:2 36:3
37:6 42:13
52:1 66:7
69:16 100:15
101:2
clearing 66:8
66:15,16
clearly 39:9
41:15 100:1
cliff 92:13
93:15
close 20:14
46:8,14 85:13
96:14
closing 43:3
clothing 54:14
clouds 79:10
80:2

clump 27:13,15
coast 74:20
coffee 74:21
cohesive
163:22
coin 3:13 7:2
9:21 12:7
20:21 22:5
23:17 25:4,15
26:3 30:8
32:20 35:7,11
38:2,17 42:1,2
42:6,8 60:10
69:21 77:9
78:3,8,9,10,14
79:11 80:16
81:9,13 82:2
82:10,16,18,21
84:18,21 87:4
87:11,15 93:1
95:10 98:10
99:5 101:5
103:4 106:5,15
107:1,7,22
108:4,21 109:9
109:12 110:14
111:15 113:4
121:5 124:3,8
124:15,19
125:3,7,9,10
126:20 128:7
131:6,19 133:8
133:9,9 137:1
138:19,22
141:11,18
144:20 145:2
152:9 166:3

www.CapitalReportingCompany.com
202-857-3376

coin's 79:18
111:11
coinage 4:4
67:14,17 76:21
82:7,18 111:16
136:13 142:14
coinages 56:9
coinnews 3:11
6:22
coins 12:9,11
12:16,19 13:7
14:19 33:4,8
35:8,12 40:17
43:19 44:6
51:3 53:22
56:7 58:22
60:22 62:11
65:7,13 67:19
67:22 68:2,4
76:19,22 77:1
77:2,5,7,17,17
77:21 78:18
80:17 91:6,10
91:12 92:20
100:8 104:10
105:14 108:9
109:15 113:7,7
113:19 115:3,5
117:12 118:22
119:2,4 121:8
121:13 124:10
126:14 127:16
127:20 134:4,6
145:9,22
colleague 16:13
colleagues
122:9 123:21
124:11 126:7

Meeting

[colleagues - conceiving]
138:8 141:20
143:11
collect 113:7
134:4
collecting 34:7
collection
105:12 116:16
117:14
collector 82:3
93:18 99:12
114:20 115:6
115:11 117:11
collectors
109:13 114:9
114:21 115:4
116:15,19
119:3,20
122:13
colloquial
80:16
colloquially
119:5
column 84:18
combination
29:6,14 78:12
108:6 130:20
141:1 154:17
come 16:4 32:2
32:16 56:21
60:13 64:11
76:11 109:7,9
109:20 110:6
110:14 123:17
133:1 166:12
169:18
comes 111:2
115:21 163:6

comfort 162:12
comfortable
72:8,12
comic 18:1
coming 22:22
23:17 24:2
49:4 92:7
121:9 127:11
129:3 132:8,8
132:22 166:14
commemorat...
76:17 80:21
comment 25:16
25:22 26:7
27:17 57:9
65:22 69:9
71:14 73:1,3
105:12,13
106:19,21
126:17 133:15
144:15 166:10
commented
29:19
comments 14:6
15:18,21 25:12
41:21 43:18
44:11 55:10
56:2 57:6
58:12,19 60:5
60:18 63:10
65:22 67:9
69:7 72:20
73:20 92:1
104:21 107:10
107:15 127:19
128:20 130:3,6
130:8,11
133:17 136:21

July 16, 2024

Page 10
139:3 141:3,4
142:4 146:13
147:18,19
161:6 162:19
164:15 166:2
166:10
commerce 70:4
70:18
commercial
105:15
committee 4:4
4:15 12:1
13:10 15:11
44:22 51:8,11
58:20 65:6
72:14 73:21
76:6 88:12
92:17 102:9
104:6,14 146:6
147:13 148:2
157:6 161:18
162:4 163:5
166:4
committee's
64:15
common 27:20
70:1 71:8 72:1
83:13
commonality
68:3,7
commonplace
62:3
communicate
69:1 100:21
communicates
39:10
community
65:15

www.CapitalReportingCompany.com
202-857-3376

companies
44:4
companion
77:15,18,21
78:2
companions
91:7
comparable
17:4
compare 28:6
compelled 25:4
compelling
20:15 43:5
105:4 115:9
compile 44:18
complement
141:7
complemented
43:16
complete 65:1
completed
37:16
completely
64:8 69:20
112:2
complex 91:19
complicated
17:14 18:15
70:15
components
88:4
composition
17:6 60:10
86:17
conceived 71:5
conceiving
65:8

Meeting

[concentrate - counsel]
concentrate
96:6
concept 23:7
24:12,15 25:18
26:1,5 27:8,22
60:22 99:22
106:22 109:12
110:19,19
111:1,15 112:2
132:6 135:12
conceptual
60:21
concern 109:4
155:1,22 162:6
concerns
102:21 137:15
164:7 165:11
166:13
concluded
169:3,5 170:12
concludes
11:19 87:20
107:9
conclusion
53:19 76:8,11
confer 138:7
confident
21:13
configuration
103:3 157:20
confirm 7:7
conflict 59:22
84:2
confounded
143:1
confused 137:8
confusing
18:16

July 16, 2024

Page 11

confusion
17:16 70:5
conglomerati...
93:10
congratulatio...
17:9 43:22
congress 21:13
connect 65:3
connected
12:17 23:6
65:10
connecticut
30:18
connection
105:6
connects
131:17
consensus
161:17 162:4
consider 10:11
76:3 78:7 88:2
91:20
consideration
9:7 10:20
11:18,22 15:14
15:20 88:1
91:18,22 94:14
125:13 163:21
considerations
88:10
considered
69:11 78:14,18
considering
92:4 159:19
consistent
58:10
constitution
30:6 41:10

48:11
constitutional
9:13
constraints
64:11
contemplative
121:2 127:10
contemporary
17:9,19 120:8
136:12
context 78:15
88:6 108:4
160:9
continuation
133:10
continue 53:2
104:22
continued
57:15
continues
83:11
continuing
57:13
continuity 21:8
58:1 60:13
63:22 67:21
68:11,16 88:8
97:12 102:10
110:1,3,11
112:7,11 116:5
120:17 127:17
138:10
contrast
165:12
controversy
147:4
convention
9:13

www.CapitalReportingCompany.com
202-857-3376

conversation
154:11 159:11
conversations
12:13
convey 54:5
56:13 63:17
129:3 138:18
conveyed 24:11
conveying
53:20
convinced
101:16
convincing
142:18
cool 41:22
133:22 135:11
corinthian
33:12
corny 34:15
coronet 51:20
correct 67:16
89:3 91:8
96:15 145:17
147:8 167:10
correction
127:3
correctly 57:20
58:2 160:22
costello 3:4
8:10,12 147:12
147:15,15
costume 17:9
could've 43:21
counsel 3:7,7
8:18,18 45:14
148:7,21 171:7
171:10

Meeting

[countries - depiction]
countries 79:20
79:22 80:3
90:1 105:8
131:3 141:2
country 86:4
125:19,21
157:14 165:7
couple 13:19
32:8 33:5
43:18 59:18
93:12 99:10
course 76:22
128:4 137:4
145:20
court 10:3
covered 133:20
144:8
covering 23:4
cowboys 54:15
cox 96:1
crazy 73:11,17
127:8
create 27:3
104:9
created 158:6
creation
109:15
creative 114:6
creatively 98:5
credit 27:1
creeds 83:7
crickets 72:11
crisp 143:16
crispness 102:2
critical 10:1
94:19
critique 95:20

July 16, 2024

Page 12

crosstalk 13:3
20:8 47:22
73:13,19 89:10
90:18 91:13
99:21 126:22
153:2 159:6
161:6 166:9
crowded 124:1
crown 142:16
crowns 51:6
crystal 26:13
28:22 32:17
cs6719415 1:22
cue 85:22
cultures 83:7
curator 2:17
6:4
curiosities
99:11
curiosity 99:16
curious 69:11
89:7
curl 152:4
currently
161:21
cut 53:3
cutesy 33:10
cutting 136:4
cycle 161:14
d
d 4:1 10:3
d.c. 1:16
da 156:22
157:2 166:15
dad 158:13
damn 93:18

dancing 34:5
dangerous
26:19
dare 82:4
darks 165:11
dash 25:17,19
57:9,12,22
58:7
date 25:21 33:2
93:2
dated 79:14
171:13
dates 25:17
54:18,20 77:3
day 66:12
79:20 80:1
165:5
days 4:6 94:15
dc 84:11
deal 50:17
deals 79:19
97:13
dear 159:1
debate 10:18
decent 93:13
decide 55:7
60:14 159:11
decided 99:6
167:17
deciding
126:17
decision 60:14
159:8 164:14
declaration
46:19 71:21
73:1 107:3
deco 33:22
86:13

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202-857-3376

deep 100:7
deeply 113:19
115:18
defend 85:18
defensive 83:21
define 80:3
defined 19:15
definitely 22:6
27:3 68:10
161:18
definition 25:2
definitively
145:13
delivery 93:16
94:9
demand 14:3
democracy
10:3,4,13,16
28:6,6,7,8
denomination
36:7 69:17,19
70:2
denominations
91:5,11
denotes 54:13
department
1:13
departure
103:12
depending
134:6 148:13
depends 53:19
60:9,16
depicted 90:10
155:20
depicting 84:15
depiction 10:8
79:17 80:7

Meeting

[depiction - difficult]
86:6 138:17
155:17
depicts 82:2
83:21 86:21
depression
84:3
descending
87:6
deserved 142:8
deserves 97:2
design 2:18,19
2:20,21,22 3:4
7:11,15,17,21
8:2,5,11 17:6
18:11,15,22
19:6,10 23:2
26:14,20,21,22
27:1,5,9,10,11
27:15 30:20
32:7,19 33:6
34:3,4,9,9 39:2
39:19 40:2
41:3 42:14
43:5 45:1 46:6
46:7,22 48:6
48:14 49:3,17
50:7 51:21
52:1,3,11,15
52:16 53:7
55:6 58:2
60:16 62:15
63:20 64:3
71:20 73:11
76:14 78:6,8
78:10,11 79:7
80:13 81:18
83:22 86:16
87:11 88:21

July 16, 2024

Page 13

89:21 90:8
95:17 96:12,18
97:12,15 99:5
99:6 104:18
106:11 107:20
108:11,18
109:18,22
111:13 112:2,4
113:21 114:20
115:20 118:16
118:18,20
119:9,21 120:5
120:6,8,11,15
121:17,22
122:18 125:5
126:1 128:12
129:8 130:21
132:16,21
135:13 137:9
137:20 138:9
139:21 140:11
141:14,19
143:14 149:5
149:10,18
150:6,11,14,19
151:4,8 156:6
156:12 158:18
158:19 159:4
159:20
designed 31:21
84:15 124:19
142:8
designer
125:11
designs 6:9,13
9:10 10:9,14
11:9,15,17,20
12:2 15:8

17:11 19:4,22
20:5 22:12
24:2 25:13
26:6 28:20
32:2 33:15
37:9 42:11
43:17 55:16
59:20 62:21
63:3,7 64:17
69:13,21 76:4
76:14,20 77:3
77:16,20,21
78:2,22 79:5
79:15 80:11
81:1,10,11,15
81:21 82:9,22
83:3 84:8,20
85:7 86:2
87:20 88:12
89:19 90:10
94:20 104:7,10
104:12 105:3
106:12,12
107:18 108:9
110:2 112:22
117:4,14,21,21
117:22 118:6
118:11 119:10
121:11 122:7
130:15 134:9
140:21 145:10
147:14 148:3
160:12
destiny 86:22
destroy 134:18
detail 38:19
111:5,8 112:9
128:13

www.CapitalReportingCompany.com
202-857-3376

detailed 112:5
details 107:21
137:10
determination
86:16
determine
155:12
determined
16:21
developing
64:22 78:1
development
78:6
devices 78:5
devises 99:18
diadems 59:7
diameter 77:19
diana 81:15
101:8 119:13
131:14,20
diane 95:5
die 25:21
145:20
difference
152:15
different 19:7
39:16 40:10
63:16 68:22
69:13 70:8
108:18 110:22
110:22 134:1
140:15 143:16
143:18 152:11
differently
72:8 165:13
difficult 9:19
95:1 136:14

Meeting

[diffusion - donald]
diffusion 11:3
digital 171:3
dilemma
151:16
dime 14:14
21:8 38:20
40:21,21 41:9
45:19,21 46:1
46:12,18 51:19
56:19,19 57:1
57:1,4 60:22
61:2,9,13
62:20 67:12
71:5 77:13
82:22 83:4,10
83:16 84:7
97:3 101:21
106:7 109:22
113:8 115:13
116:4 120:15
126:9 132:15
138:7 150:2
153:18 154:2
dimensional
129:10
dimensionally
158:4,16
dimes 42:7
dip 132:14
diplomacy
100:17 124:6
diplomatic
79:13,18 80:5
105:4,7 108:1
113:15 114:15
131:4
dippity 132:7
132:11,13

July 16, 2024

Page 14
dippy 156:22
157:2
direct 59:22
direction 27:2
60:2 64:18
163:2,4
directions
65:20
directly 118:1
169:15
director 3:5
8:13
disappointed
43:19 114:18
disappointme...
43:20
disconnect
139:8
discovered
113:16
discreetly
62:11
discuss 162:17
discussed 13:8
26:1 61:7
discussing
31:20
discussion 6:8
6:10,13 15:4
15:13 43:8
45:9 51:7
70:21 146:13
147:22 148:1
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discussions
50:21 64:19
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162:5
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51:22 164:3
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12:8
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13:6 44:9
diversity 17:13
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dollar 6:10 9:8
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11:13,15 12:3
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42:19 44:1,14
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52:6 54:3 57:3
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www.CapitalReportingCompany.com
202-857-3376

77:14 79:2,4
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118:11 119:12
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123:20 129:6
133:17 134:1
134:22 136:22
139:14,20
144:4 147:5
dollar's 62:17
80:12
dollars 13:20
14:3 42:2
43:17 44:7
79:7,14 92:22
117:13 118:15
dome 34:20
37:14
domestic 83:18
111:17
don 29:3
donald 5:13
18:2 51:4,9
53:20 55:1,20
75:18 133:8

Meeting

[doo - eagle's]
doo 132:7,11
156:22 157:2
158:13 166:15
double 77:12
81:9 95:3,7
106:2 114:17
115:14 118:4
124:21 132:14
137:13 141:9
151:17,22
153:4
doubles 115:1
dove 83:11,12
97:7 110:21,21
121:4 127:8
142:12
downsize 37:8
downward
73:10
dr 2:4,6 4:2,20
4:20 5:1,3,4,7
5:10,13,19 6:3
7:4,14,17,20
8:1,4,7,10,13
8:17,20 9:2
11:21 13:16
14:5,8 15:1,17
20:11 21:20
25:9 28:1
31:16 36:13,17
38:6,7,9 41:20
43:12 44:12,21
45:13,20 46:20
47:19,22 48:9
49:10,14 50:10
52:17,21 53:18
54:9 55:9,21
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July 16, 2024

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drawing 87:10
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drawn 114:20
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draws 40:4
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dropped 42:3
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dual 33:1 81:12
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due 96:6
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dust 84:4 110:5
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dutch 28:7
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dwell 50:17
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dying 96:4
163:11 165:6
dynamic 111:7 eagle's 82:12
119:13 120:4
85:13 96:17
141:21 142:20
98:9 120:3
144:5
125:6,15
132:10 157:21
157:22

www.CapitalReportingCompany.com
202-857-3376

Meeting

[eagles - example]
eagles 35:12
87:2 115:1
141:10 143:17
157:17
earlier 33:5
59:19 119:18
early 157:10
easier 94:19
easily 54:22,22
east 79:19
eat 65:2
echo 22:4
43:14,22
echos 83:12
edge 25:2
edifice 157:14
editor 3:11,13
6:21 7:1
effect 32:14
35:1 158:8
effective 32:3
effort 14:17
egyptian 29:21
84:16
eh 97:3 98:2
135:3
eisenhower
42:2
either 31:8
35:3 56:12
69:22 152:10
152:16 156:22
159:13
electronically
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elegant 26:8,9
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emphasize
66:17
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9:18
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10:1
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employee
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encapsulate
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encourages
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entertain
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entertainment
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enthusiasm
22:5
entire 36:2
entirely 99:6

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202-857-3376

entirety 65:9
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everyday
111:17
everyone's
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evidence 15:16
evocative 22:18
23:15 24:18
evoke 83:3
exact 93:1
exactly 21:14
35:5,5 40:8
140:7 152:6
example 61:13

Meeting

[exception - fills]
exception
36:18 157:10
exceptional
42:10,14
exceptions
99:11
excited 21:18
22:3 134:15
excitement
22:4
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62:15
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expertise 100:7
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160:11
explains 60:20
explanation
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explore 10:9
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explores 9:21
express 15:12
88:8
expressed
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July 16, 2024

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family 131:8
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favorites
133:13
feathered
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feathers 19:17
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202-857-3376

161:2
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140:17
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feels 51:9
fell 98:4
felt 16:11 33:20
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fifth 80:18 99:4
figure 26:12
87:12
figured 113:17
figurehead
80:8
figures 37:2
53:13,14
117:16,17
fills 16:20 17:6
17:7 33:6 35:9
36:1

Meeting

[final - forward]
final 67:9
111:11
finally 37:21
61:5 80:18
82:14 85:21
87:14 116:20
151:7
financially
171:11
find 41:22
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67:21 89:19
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134:3 161:3
fine 107:7
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125:5 153:13
166:13
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finish 89:7
finished 125:11
fire 29:8
firmly 58:16
86:5
first 9:7 28:4
46:2 47:1 48:1
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56:18 65:13
67:15 78:22
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81:1 90:1
92:13,15 94:7
94:7 95:13
98:21 101:4
122:15 123:20
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July 16, 2024

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fold 152:6
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followed 27:2
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202-857-3376

78:7
fond 126:3
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fonts 152:11
food 86:7
force 152:22
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171:4
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foreshortening
108:14
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forget 18:5
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form 93:3
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formal 146:6,7
format 101:17
formed 12:14
forth 24:20
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103:13 165:8
forum 169:10
169:19
forward 22:16
37:13 39:6,10
40:20 46:18
50:15 62:2
71:22 111:8
143:7 164:1
169:19

Meeting

[found - goes]
found 26:8
105:19 115:8
116:5
founder 3:11
6:21
four 153:6,14
fourth 82:14
99:3
fragment 36:9
franklin 9:14
frb 13:21
freedom 83:9
86:19 97:5
113:10
frequently
53:15
friend 105:3
frock 133:21
front 86:22
103:2,7 110:14
131:1,17
full 74:1,3,9
156:12
fuller 2:4 4:20
49:14 75:19
123:11,12
127:4,14 130:4
160:4,6,7
168:13,13,17
further 43:8
58:18 72:14
147:21,22
159:7 162:18
164:15 166:22
167:14 171:9
future 42:15
61:5,20 109:17
138:2

July 16, 2024

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g
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geldberd 117:8
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general 2:3,14
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generally 53:11
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generation
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gentle 25:1
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getting 25:12
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giant 27:9
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girl 29:9,14
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girl's 29:9 37:4
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gives 11:2 94:3
giving 97:22
glad 112:18
gladly 76:12
glitch 43:13
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202-857-3376

globe 79:13
go 14:8,20 16:8
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91:2,6 93:14
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97:3,18 100:10
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114:17 116:11
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135:7 139:8,13
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143:4 152:17
162:20 163:4
166:16 167:18
goal 14:22 64:9
god 11:10 33:1
goes 28:11
115:1 131:16
152:1 161:20

Meeting

[going - half]
going 9:16
13:18 14:18
17:19 18:4,4
18:17 23:13
24:7 25:6 26:6
26:20 27:15
29:6 30:9
32:10 36:22
38:13 39:22
43:14 50:14
57:11 62:9,10
62:11,17 64:13
64:20 67:13,18
68:15 70:15,18
71:1 73:9
77:22 91:6
92:10,13 93:20
93:22 94:2,10
94:10 98:10,12
99:14,15,18
100:4,10 103:3
103:4 105:13
107:14,17
108:15 109:14
109:16 111:3
112:18 113:6
121:2 122:21
123:3,15 124:2
129:21 130:7
134:22 139:8
140:14 143:6
144:20 148:10
148:11 151:18
152:20 154:10
157:19 158:11
158:12,12
162:22 163:20
165:3,3,18,19

July 16, 2024

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goldsborough
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golino 3:12
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good 4:2 6:20
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googled 73:8
gorgeous 32:22
120:9
govern 10:21
government
3:9 8:21 9:16
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157:16
governors 11:1
gown 27:14
grabbed
135:10

grand 106:6
grandfather
26:17
graphic 164:21
grasping 86:5
great 12:10
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19:2 30:7
35:11 50:17
54:1 64:1
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93:17 110:19
120:16 121:8
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142:14,15
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greater 25:1
greg 3:7 8:17
12:19 44:15
45:4,6,14,16
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148:7,8,21
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gripping 133:6
grit 128:19
ground 111:19
group 12:14
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143:15 144:3,7
grouping 81:21
88:5
groups 88:2
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www.CapitalReportingCompany.com
202-857-3376

grow 24:17
growing 24:21
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80:6
guadens 77:11
guard 32:15
guardian 11:3
24:10 30:14
guess 26:8,9
29:10 68:14
97:11 128:3
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guide 160:11
guiding 23:8
87:12
gus 92:5
h
hair 23:11 29:5
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53:9,12 54:19
54:20 55:17,22
79:8,9 80:14
85:4 119:7
130:17
hairdo 55:18
hairpieces 54:5
hairstyle 22:17
55:17 108:22
half 6:9 9:8,21
10:7 11:5,13
11:15 12:3
13:20 14:3,12
14:14,16 15:3
16:12,14 20:19
22:4,8,21
23:18 28:14
31:21 32:20

Meeting

[half - high]
34:5 35:8,11
37:12 38:1
40:7,21,22
41:3,22 42:4
42:19 43:17
44:1,7,14,19
45:2,18 49:9
52:6 54:2 57:3
61:1,5,10,18
62:17 66:8,15
66:16 67:13
77:14 86:9,10
86:11,18 87:9
98:12,20
103:10,15
106:18 111:22
112:1 116:20
122:12,14
129:6 133:16
133:22 134:22
138:20 144:4
153:19 154:4
halfs 13:9
hall 30:11,12
31:9 40:19
halo 32:14
halves 14:11
hanchock 2:21
8:1,3 9:9
hand 12:4
13:16 14:9
19:8,9 29:10
31:12,14 37:4
39:8,8 43:10
52:19 53:17
54:10 55:11
56:13 57:18
58:5 59:16

July 16, 2024

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hang 133:6
happen 13:21
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happened
16:18 94:6,15
happening
13:22 43:13
62:10
happy 16:20
51:13 72:19
74:1 137:1,13
138:7,8,21
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159:12
harcourt 2:4
4:20 75:19
123:11 127:6
127:12 160:5,6
160:15 168:13
hard 145:20
harken 82:15
harvest 86:7
hat 54:13 55:2
hate 29:4
hats 54:15
55:14
he'll 166:15
head 18:2,3
26:20 31:13,14
52:5 54:15,17
59:9 77:12
79:12 80:16
101:21 128:18
133:4 153:18
164:19
headache
29:12
headbands
55:15
headpiece 55:1
55:8
hear 20:7
51:11 94:4
136:16 139:9
164:15 169:15
heard 26:7
131:4 145:13
154:11 155:6,9
160:10 161:18
hearing 9:6
72:11 91:17

www.CapitalReportingCompany.com
202-857-3376

146:14
heartedly
156:12
heavily 22:10
hecate 23:12
held 82:2,17
133:6
hell 152:19
hello 141:20
143:21
helmet 33:13
53:10 84:10
133:3
help 70:15,18
121:8 151:18
154:10 155:5
155:14 160:11
161:2 167:21
helpful 72:16
helps 164:20
heralds 82:17
hereto 171:10
hermon 85:1
heroes 117:17
heros 117:19
hesitant 114:10
hey 52:2 63:2
70:2 136:3
164:17
hi 59:17 147:15
hidden 41:17
high 46:7,13
47:2,10 48:6
48:13 49:17
50:7 66:7,14
77:11 81:8
87:6 95:7,8,9
96:8 145:9

Meeting

[high - inaudible]
146:1,9,12,16
149:5,10,18
150:6,10,14,19
151:4,8 153:13
153:16 154:1
164:18,19
165:16
higher 145:21
highest 49:3
highlight 10:15
highlighting
86:18
highly 159:2
historian 165:1
historic 27:20
28:15 76:20
77:2,17,20
78:8,14,18
79:11,18 80:14
82:21 84:17
88:6
historical 28:4
78:15 82:18
94:8
historically
40:5 96:10
98:1 124:12
157:9
history 2:7 5:2
16:5 28:16
69:18 100:7
125:19 142:22
165:2
hit 140:2
hoard 2:14
5:19 20:12,13
51:16 57:20
62:6 66:2 69:9

July 16, 2024

Page 22
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hollandia
134:5
homage 78:20
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home 115:18
164:19
honestly 152:3
hooverville
84:3
hope 20:6
83:11 84:2
92:8 165:20
hopefully
57:16 76:11
145:22
hoping 32:5
horns 18:3
23:11 27:9
30:1 33:19
52:7 53:5
horrible 95:2
hosting 169:9
hour 45:6 74:1
74:3,9
house 2:5,10
4:21 5:8
huge 33:18
136:2,10

hughes 22:18
hundred 41:2
hurt 130:12
hybrid 33:8
i
iconic 84:16
113:18
iconography
82:16 84:9
idea 12:16
24:20 26:17
30:10 33:11
63:5 69:22
72:9,12 109:14
109:20 110:21
147:6
ideals 83:7
ideas 98:4,6
identify 15:22
92:2
ignorance
10:22 18:21
19:11,19 30:16
32:7 35:2
ii 86:8
illinois 169:12
illustrated
86:13
image 18:1
73:8 97:4
98:12 106:4,10
107:4 119:13
142:7
imagery 24:19
42:14 164:5
images 73:8
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202-857-3376

113:11 126:7
158:2
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imitative 102:4
immediately
110:6
impact 25:5
implicates 66:5
importance
10:16 86:18
important
19:11,19 55:5
55:5 78:13
95:15 160:10
importantly
169:14
impossible
95:1 157:20
impressive
42:19
improve 94:17
inane 111:20
inappropriate
15:11 37:12,15
inaudible 13:5
13:14 16:5
20:18,22 21:6
21:9 30:10,19
38:4 41:7
44:11 52:2,5
52:10,14 53:8
57:16 58:2
59:5 63:4 72:2
74:6 93:17
113:4,17,21,22
114:6,13 115:6
123:18 131:5,7
131:9 132:5

Meeting

[inaudible - involved]
133:20 135:22
136:2,13
138:11 139:14
139:15,19
140:10,14
141:11,12,12
141:18 143:6
143:12,20,22
156:4 160:17
160:18,19
163:10,11
inch 98:11
inches 77:19
inclined 26:16
116:16
include 11:12
52:15 77:10
78:15 90:9
included 91:10
includes 6:8
84:12
including
84:10 105:7
inclusive 28:8
28:9,10,13
incorporated
155:8
incorrect 96:3
96:10 98:1
increase 14:17
incredible
121:20
indented
110:17
independence
30:11 31:9
40:19 46:19

July 16, 2024

Page 23

indicate 7:9
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indicated
167:15
indicator 66:10
individual
62:14 71:4
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individually
62:16 65:7
68:1 153:9
inexorably
118:2
inextricably
115:2
inflection 61:4
influence 19:17
information
140:19
informed 10:17
informs 81:16
inherently
51:17
initially 159:10
innovative
133:11 159:3
163:6
inscription
11:8 34:22
81:19 83:5
153:2
inscriptions
11:5,10,12
88:19 91:9
99:17
insculptured
158:16

inside 73:7
113:3,5
inspiration
78:3 79:6,16
85:15 86:15
87:13
inspire 10:14
inspired 30:3
77:20 78:13
79:1 80:12
81:14 82:22
84:6,20 85:1,5
85:10 104:10
117:21 118:11
118:14 122:16
123:15 136:12
140:2 141:9
inspiring 28:21
135:11
instance 64:12
instructed
61:14
intend 92:11
163:9
intended 78:9
intense 61:15
62:1 140:18
intensity 62:21
intent 98:7
168:16
intention 108:7
interest 10:14
22:6 26:22
interested
23:14 93:19
171:11
interesting
19:18 101:22

www.CapitalReportingCompany.com
202-857-3376

113:14 122:17
123:7 130:12
134:3,8 137:4
137:9 143:3
interferes 63:6
intergenerati...
20:16
intergovernm...
3:6,10 8:14,22
internet 139:7
interpret 82:9
165:9
interpretation
32:11 95:7
120:5 135:1
157:21 160:18
interpretations
93:14
interpreted
62:22 63:1
interpreting
132:18
interpretive
160:8
interprets
158:3
interrupt 127:2
intertwined
115:2
intriguing
106:10,17
introducing
60:20
invention
28:17
invoke 81:16
involved 24:8
92:15

Meeting

[involving - know]
involving
111:17
issuance 77:4
issue 51:8
55:10,14,19
56:3 62:20
70:22 77:3
116:13
issues 9:3
50:22 152:2
it'll 114:1
165:14 166:12
item 73:14
j
j 84:15
jab 158:14
james 10:20
jeanne 2:8 5:4
16:1 20:11
33:4 39:3
54:10 55:9
57:7 58:6 70:9
70:11 75:5
135:20 136:15
136:16,20
139:2,16 144:9
144:13 156:21
160:15 161:5
jeanne's 26:7
165:10
jen 13:16
jennifer 1:6 3:5
6:17,20 8:13
20:6 136:3
139:11
jennifer.warren
1:17

July 16, 2024

Page 24
job 1:22 158:19
joe 147:12,18
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155:13 157:4
160:7,13
161:12 162:16
164:14 166:12
166:17
john 2:10 5:7
14:7 28:2,3
31:16 33:7
43:12 44:12
52:21 53:16
56:14 71:16
72:4 75:12
91:2 130:5
135:19 146:22
156:19 166:10
168:11 170:1
joined 7:3
joking 74:10
joseph 3:3 8:7
157:7
journey 79:14
july 1:7 4:4
171:14
jumping 106:5
justice 10:3
juxtaposition
158:8 164:22
k
karat 76:19
keep 9:18,22
10:10 15:21
92:1 107:14
140:17 160:19

keeping 24:22
41:10 77:16
kellen 2:14
5:19 7:2 20:12
34:20 51:15
52:17 53:1
57:18 58:7
62:4 63:9,13
64:8 65:22
66:21 69:8
70:11,19 71:15
75:6 112:16
117:7 118:1
119:22 137:15
156:1 157:3
162:19 164:18
164:18
kellen's 53:19
kennedy 14:11
67:13
kenyon 95:22
kept 22:22 24:2
24:14
key 38:2 87:15
142:13
kids 29:8
killed 132:3
kills 134:22
kind 12:15
16:10 17:15
19:16 21:4,7
25:20 28:4,14
28:14 29:6,10
29:20 30:1,2,3
30:10 31:4
32:5 34:4,15
40:9 51:19,20
52:22 53:22,22

www.CapitalReportingCompany.com
202-857-3376

54:16 62:19
70:3 78:16
92:13 93:8,9
97:9 98:3
100:6 101:22
102:19,21
113:1,11,18,21
114:6,9,14
115:21 116:13
117:2,3 130:1
130:15,18,22
131:1 132:7,15
147:1 157:9
161:16,17,21
162:2,4,7
163:11 164:7
166:11
kinda 18:3
king 80:17
105:14,15
118:22 119:2,4
124:10,14
131:5
kitschy 115:21
163:9
kitschyness
137:15,17
know 13:2,7
14:13,15 16:22
17:8,10 18:5
18:21 28:17
29:3 31:22
32:6,15 36:18
38:15,22 39:2
39:7,11,16,19
39:20 40:1,3,7
40:8,11,16,18
40:21 41:8,11

Meeting

[know - liberty]
41:16 42:1,3,7
42:20 43:1,10
43:18 44:2,8
44:22 51:5
52:8 53:13,18
54:2,15 61:3
62:1,9,17 63:2
65:1,1,3 66:7
66:12,14,15,18
67:14 69:2,11
69:15,18 70:13
70:14,15,18
76:12 97:6
100:6,14,22
101:10,11
102:3,8,12,13
102:18 103:14
105:5 110:9
111:7 113:18
114:18 117:2
117:16 118:8
120:15,19
121:22 123:3
123:15 124:4,6
124:12 125:2,2
125:11,19
126:6,13,17
127:10 128:2,4
128:11,13
129:1 130:11
132:6,18
133:17,18
134:1,18
136:11,13
140:2,6,14
141:9,12
145:20 152:2
152:19 155:5

July 16, 2024

Page 25
156:10 157:9
163:1,4,6,13
163:20 164:4
165:8 166:14
knowledge
10:2,13,17,21
11:2,3 18:20
19:10,19 24:10
29:2 30:14,15
32:7 35:1 36:5
37:22 41:17
171:6
known 119:2,4
l
lady 26:10 54:5
54:18 67:4
132:17 142:16
laid 36:4 39:3
land 165:7,7
langston 22:18
large 14:1
35:10 91:19
92:6 122:21
larger 35:7
38:18 71:10
83:4
largest 42:1
lastly 78:17
latch 121:8
lately 24:19
latin 81:20
laughter 21:16
laurel 18:1,3
34:1
laurels 85:4
lay 9:19

layering 163:7
layers 162:1
layout 32:13
33:21 120:10
121:20
leader 2:10,11
5:8,11,14
leading 21:14
leads 154:15
lean 21:17
leaning 22:15
163:2
leave 35:2
104:1
leaving 99:19
left 58:15,17
59:8,10,12
60:14
leg 96:5 111:6
134:10 143:11
legal 3:7 8:17
12:1 88:11
92:20
legislation
13:13 15:10
92:21
legislative 3:5
3:10 8:14,22
legs 128:11
lend 25:18,22
36:11
lens 78:17
113:1
lesser 52:4
lettering
108:22 120:11
letting 104:19

www.CapitalReportingCompany.com
202-857-3376

level 57:22
levels 70:5
155:10
lexicon 165:2
liable 93:20
liaison 3:6 6:17
8:15
liberty 10:8
11:4,13 16:20
18:10 20:21
21:5 23:20
24:10,17,22
26:10,12 29:2
30:11,15 34:5
35:10 39:5
51:2 53:14
54:5,18,19
58:13,15,21
59:1,8,10,20
60:1,6 61:3,9
61:11,14,16,18
62:14 65:12,13
67:4,8,10,16
67:18 68:1
71:12,22 73:7
77:7,12,13,14
79:17 80:7,20
82:11,17,19
83:8,21 84:9
84:19 85:2,10
85:11,14,16,17
86:1,9,10,18
87:9,12 96:14
97:5 98:5
101:2,8,15,21
102:16 106:5
106:11 107:4
108:20 111:3

Meeting

[liberty - lot]
112:1 116:9,15
116:18,20
120:14 121:2
121:11,18
122:12,14
128:1 130:18
130:18 132:4
132:20 133:4
133:14 134:10
135:11 138:1,3
138:12,20
140:12,14
142:8,17
143:11 145:10
147:3 150:12
150:22 151:1,2
151:2 153:18
154:3,3
liberty's 27:12
29:13 39:18
60:12 61:22
62:4 79:8,12
80:14 85:4
87:15 119:7
120:18
libertys 67:22
68:3 71:1,4,6,6
71:7,9,10,13
72:6
light 110:15,18
lighting 18:6
liked 26:10
27:1 43:5,21
102:22 103:11
106:11 134:14
140:6
likely 22:9

July 16, 2024

Page 26
liking 94:11
limited 66:12
78:4
line 33:2 65:12
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lines 50:21
125:7
list 2:2 3:2
51:13
listening 4:13
literal 20:18
164:22
literalism
158:2
litter 74:5,12
little 15:7
16:12 17:5,8
17:16,18,22
18:14,16 19:14
19:18 23:5
26:7,16,18
27:11,16 28:15
28:18 29:8
32:16 33:10,11
34:12,15 35:6
37:4 38:18
39:7,8 43:19
53:3,10 54:21
61:7,15,16,17
62:2 73:19
74:15 76:10
89:19 100:22
102:20 108:14
108:18 110:15
113:10,10
114:10 116:10
120:1 122:20
123:3 126:4

131:15,21
134:11 140:18
141:22 142:4
143:1,12 152:3
160:20 162:12
162:17
live 57:2 98:22
119:15 157:3
lived 131:7
lives 20:16
lobbying
158:18 159:3
london 131:7
long 60:12
121:9
look 25:20
26:16 33:3
53:5,6 78:22
93:10 97:10
109:15 111:12
120:9 134:4
143:16 152:6
152:11,13
158:12,13
160:11,21
165:6,13
169:19
looked 27:14
27:19 39:17
52:7 113:1
117:16 122:15
131:13 135:14
152:7
looking 22:2
24:2 26:10
29:11 37:12
39:6,10 40:20
42:6 59:10

www.CapitalReportingCompany.com
202-857-3376

61:19 63:14
94:1 95:8
98:13 99:10,12
107:2 110:12
111:16 131:22
132:10 140:11
147:2 158:2,20
163:9,12,14
164:2,21
looks 18:3 23:4
28:15 29:20,21
44:20 59:1,14
60:14 62:2
99:5 108:13,17
108:19 109:5
110:7 128:16
128:22 129:7,9
134:11 143:8
lose 36:10
lost 36:15 37:5
98:12 136:15
139:15,16
lot 17:13 24:18
39:22 42:11
68:22 94:19
100:5 101:15
102:8 103:8
105:4,21 107:7
107:9 110:2
117:15 120:15
120:19 122:9
123:3,14,21,22
124:2 128:13
128:14 129:10
129:11,11,17
134:5 135:2
140:6 165:11
165:11,12

Meeting

[lots - megan]
lots 53:12
louis 3:12 6:22
10:3
love 16:19 17:7
18:12 19:20
22:16,16,17
24:15 26:15
32:13 33:22
35:12 36:4,6
42:14,14,15
110:20 113:7,7
113:8 114:12
116:5 120:7,10
121:3 122:2,22
124:16 125:14
133:1 135:15
137:21,21
141:15,15
142:6,11
loved 142:19
lovely 112:5
133:15 138:21
loving 118:14
low 158:11
lower 70:4
lunch 73:22
m
ma'am 145:14
macneil 98:3
117:18
macneil's 85:1
85:7
mad 134:17
made 14:17
43:18 52:1
59:8 67:11
73:3,15 93:9

July 16, 2024

Page 27
105:12 106:19
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156:16 158:8
164:14
madison 10:21
mail 148:6
main 133:7
maintained
24:22
maintenance
111:21
major 67:14,17
majority 2:11
5:11
make 14:20
15:4 25:5
28:13 37:20
38:15 50:12
52:13 57:11
76:7 105:13
127:2 142:3
146:5,7 147:7
151:15 152:20
153:14 156:15
156:22 158:21
159:8,16
165:21,22
166:2
makes 19:18
40:19 98:18
143:19 165:12
making 46:6,13
47:2,9 48:5,13
49:2 50:6
69:16 149:5,9
150:6,10,14,18
151:3,8

male 133:21
man 87:17
management
2:18 7:12
manager 2:20
2:21,22 3:4
7:18,21 8:2,5
8:10 90:8
mandate 13:5
manner 110:22
manufacturing
145:13
march 96:3
mark 25:20
32:10 77:6
119:7 129:19
marketing
99:14
marks 94:2
masterpiece
87:5
match 125:18
142:2
math 56:21
matter's 38:3
mature 18:9
24:17 61:18
62:1 83:6
mean 10:22
14:18 15:6
28:5,8 31:13
43:21 53:12
68:14 94:20,21
109:18 117:15
122:7 134:11
135:6 143:7
158:14 168:4

www.CapitalReportingCompany.com
202-857-3376

meaning 164:2
means 26:3
95:12 125:20
meant 81:16
83:5 90:13
medal 20:21
74:18 77:9,15
77:18 78:2,9
78:19 79:16
81:10 82:8,15
84:20 87:21
95:16 96:9
99:18 122:22
133:8 137:2
144:21,22
147:14 167:22
medallic 2:9
5:5 120:10,16
medals 6:15
76:5 77:18,22
79:1 81:2
88:14,19 89:7
95:15 108:10
136:12 144:20
145:9,11,22
146:9,13,17
148:4
mediocre
130:22
meet 148:18
meeting 1:1 4:3
4:7 6:7,19 7:6
11:7 15:14,15
22:3 71:13
169:6,20 170:9
170:12
megan 2:19
7:14

Meeting

[member - moment]
member 2:6,12
2:16 5:1,16 6:4
91:21 166:4
members 4:7
4:15 6:18 7:5
15:21 58:20
62:8 75:4 76:6
104:6,14
144:17 155:16
155:18 157:7
169:3,14
memory 126:2
menna 3:3 8:7
8:9 147:12,19
155:5,13 157:6
157:7 162:17
164:17
mention 43:3
59:18
mentioned
11:7 25:14
26:22 27:18
90:11
mercury 77:13
82:22 83:4,10
83:16 84:7
97:3 106:7
109:22 113:8
115:13 116:4
120:14 126:9
132:15 150:2
153:17 154:2
merely 12:17
126:18
merging
163:10
merit 105:6
109:21

July 16, 2024

Page 28

mermaid
120:19 123:18
mess 99:3
message 22:20
24:9,20 60:12
78:14,17 129:2
messages 63:17
messaging
154:21
metal 154:8
metaphors
163:7
michael 2:11
3:4 5:10 8:10
18:5
microphone
4:10 68:7
161:9
microsoft 4:10
mighty 82:4
mike 3:11 6:21
36:14,16 38:6
56:13 57:5
58:4 59:6,15
68:4 75:16
92:4,8 99:20
100:8 105:3
106:2 114:18
119:18 123:13
125:12 126:3
127:21 129:13
130:8,10 132:3
141:16,17
144:18 146:3
146:16 147:12
147:15,17
151:13,16
153:3,11,16

154:11 160:1,2
mike's 101:7
102:21
mince 130:10
mind 71:3
117:1 136:14
166:5
minority 2:10
5:8,14
mint 1:14 6:14
6:17 7:8 9:3
12:22 15:2
43:16,22 44:3
50:14 66:11,17
71:3 74:18
76:5,18,21
77:8,16 78:3
88:13 89:2
92:20 94:2
99:16 107:4
147:7,12 148:4
165:21 169:4
mint's 80:21
minutes 15:15
15:22 44:16,18
45:11 74:3,13
74:15 95:4
96:7 99:9
117:11 148:9
148:13,17
mirrored 85:18
misses 32:9
119:7
missing 38:3
49:13,13
mission 79:8
80:5,13

www.CapitalReportingCompany.com
202-857-3376

misspoke 168:6
mix 20:17
41:11
model 87:5
95:19
modeled 95:14
95:16
modeling 95:20
95:21 96:8
models 93:1
moderated 1:6
modern 27:3,4
27:6 32:10
33:4,15 40:2
77:20 78:17
79:20 80:1
95:6 104:9
117:2,3 128:4
144:5
modernization
93:6 96:13,18
98:16 114:7
modernizatio...
106:13
modernize
104:11
modernized
85:17 96:15
97:8
modernizing
97:15
modification
27:16
modified 153:2
mold 68:8
molds 54:6
moment 21:15
47:11 67:5

Meeting

[moment - new]
153:5,7 162:17
163:4
moments 42:6
72:15,20
monarchy 9:17
124:13
money 32:4
169:11,17
moniker 80:17
monstrosity
137:7
monument
84:13
moran 2:11
5:10,12 36:14
36:15,16,18
56:17 58:6
59:6 68:6 74:5
74:10,12 75:16
75:17 92:4,9
99:22 144:19
145:1,4 146:4
146:10 151:15
151:16 153:11
153:13 160:1,1
161:8,11
162:10
morgan 147:5
morning 4:2
6:20 22:1
25:11 38:9
mosquitoes
55:3
mother 42:15
85:19
motion 15:4
102:22 138:10
138:13,15,18

July 16, 2024

Page 29
146:4,6,8,11
146:15,15,19
152:10,20
153:5,14,15,19
154:1,6 157:1
159:13,16,18
161:6 164:13
166:19,22
167:1,2,13,21
168:3,7,9
169:2,21 170:6
motions 144:17
146:21 151:13
167:14
motto 36:7
move 9:6 11:14
21:10 46:18
47:20 49:9
63:5 76:2 95:3
144:3 149:13
153:8 154:10
159:19 169:22
movement
22:17 86:17
129:11
moving 11:17
23:19 46:12
47:8 48:20
50:2 60:19
61:4 79:4 81:7
82:21 84:19
97:18 98:20
101:8,21
105:17 120:14
126:9 132:15
133:14 149:8
149:20 150:2,3
150:8,12

164:10
municipal
157:15
music 117:17
mute 4:9 56:15
muted 43:12
56:14 68:5
70:9
mythical 84:9
mythological
84:7
n
n 2:1 3:1 4:1
nailed 40:6
name 4:16 7:10
75:5
names 90:9,16
nation 37:20
83:6
nation's 86:7
159:1
national 80:1
84:14 87:1
nations 140:15
native 19:16
35:16 83:14
121:4 133:1
142:15 165:6
natural 93:9
158:1
nature 29:1
127:9
nautical 136:22
nay 74:4 167:6
167:7,8
necessarily
62:11 63:17,18

www.CapitalReportingCompany.com
202-857-3376

63:19 64:16
65:4 68:17
69:14 104:11
129:3
necessary
22:19 24:17
111:21 131:22
132:19 163:8
necessity 24:21
need 9:4 18:20
30:17 44:15
54:12,22 55:2
58:9 68:9,19
95:14 148:10
155:20 159:8
160:9 161:17
162:19
needed 16:11
27:16
needs 43:16
96:9 119:1
128:19 162:14
negative 37:5
52:9 87:4
neither 171:6
neoclassical
86:14
nerd 136:22
network
115:19 164:20
never 18:4,4
93:20 95:14
138:19 143:5
151:20 158:10
new 11:14
12:21 28:17
77:19 82:12,17
87:7 121:21

Meeting

[new - obverse]
161:12 163:11
nice 20:4 30:20
39:19 51:20
96:21 102:2
141:1
nicely 19:6
116:17 135:12
niche 113:11
nickel 14:14
57:21 58:9
nigh 95:1
night 87:6
nod 80:4 83:9
84:17 87:14
northwest 1:15
note 73:15
107:8
noted 10:9
notes 110:7
111:3
notice 169:8
noticed 66:6
noticing 23:16
noting 78:8
nouveau 120:7
number 16:17
17:3,12,18,22
18:8,11,12,12
18:18,19 19:1
19:2,5,6,13
22:15 23:1,1
23:14 24:1,14
32:13 39:11
46:2,6,7,9,9,10
46:10,13,14,15
46:22 47:1,2,8
47:9,11 48:3
50:20 56:4

July 16, 2024

Page 30
95:2 96:11
97:18 98:9
100:14,16,18
100:20,22
101:2,13,22
102:7,17 103:1
103:6,11,11,17
107:20 108:2
108:11 109:3
109:11 110:1
110:20 111:13
112:2,6 114:3
114:20 116:11
116:21 123:2
127:9 128:7
132:4 137:4,11
137:14,20
138:8,13,21
139:20 140:5,8
140:9,13,18,21
141:14,19,19
142:19 143:14
144:5 149:4,5
149:6,9,10,11
149:11,12,16
149:16,17,18
151:3,4 152:12
152:13,14,17
152:18 153:1,1
156:1
numerals 77:7
numismatic
2:17 3:12 6:4
6:22 119:5
numismatics
2:13 5:17
169:10

numismatist
145:20
nurturing
24:22
o
o 4:1 41:7,7
o'clock 45:6
o'neil 133:16
134:2 135:7
o4 130:19
o5 40:1
o6 29:19
oak 19:3 30:19
31:9 32:16
35:4 37:11,18
37:19
observation
73:19 103:6
observations
166:7
observing
83:19
obverse 9:10
10:7 11:5,9,15
11:16 16:7,8,8
20:14,15 21:18
23:1,14 26:6
26:12 27:6,10
31:10 32:7,12
32:21 33:10
34:13 35:17,18
35:21 38:21
39:13 40:1
41:8 42:12,20
43:1,4,15,17
44:22 46:2,2,7
46:8,9,10,10

www.CapitalReportingCompany.com
202-857-3376

46:22 47:1,1,3
47:3,4,4,4,5,5
47:6,6 48:12
48:12,14,14,15
48:16,16,17,17
48:18 49:15,16
49:16,17,18,19
49:19,20,20,21
49:22,22 51:2
51:19 54:2
56:12 67:19
69:13 70:1,16
70:17 71:21
76:3,13 79:6
79:10,12 80:4
80:8,11,15,18
80:21 81:12,22
82:15,19 83:2
83:8,12,15,22
84:6,22 85:1,9
85:14,15,21
86:10,12,15,20
86:21 87:8,14
87:17 94:7,7
97:13 102:11
103:18 105:5
105:18,21
106:4,8,19,21
106:21 108:11
109:3,11 110:4
111:5,13 112:3
112:7 113:22
114:5,12
115:16 116:6
118:12,16,18
118:20 119:14
119:17 120:7
120:16,21

Meeting

[obverse - original]
121:1,5,7,13
121:15,17
122:8,14,19,20
123:2,4,6
124:7,17,20
125:22 126:16
127:9,17
130:16,16
132:2,4,16,17
133:12 134:14
134:22 135:4,8
135:16 137:20
138:11 141:1
142:15 148:2
149:4,5,6,7,7
149:15,16,17
149:18 150:4,4
150:5,6,13,13
150:14,15
151:2,4,5,5,6
152:13,17,18
154:12,14,16
154:17 156:16
164:1 167:18
167:22 168:8
168:14,20
obverses 22:14
26:15 36:19
40:14 49:15
68:22 150:4,12
obvious 19:3
obviously
40:15 41:3
53:14 64:8
65:10 67:18
104:6
occasion 14:15

July 16, 2024

Page 31
ocean 110:7
october 37:1
50:16 71:2,13
odd 27:13
oddly 40:18
offensive 83:22
offer 51:14
85:11 104:8
123:9 130:6
136:20 139:6
166:6
offered 139:3
offering 64:9
166:1
office 2:18 3:10
7:11 8:21
official 15:9
80:2
officials 44:3
oh 66:22 71:16
72:4 89:11
91:2 97:18
104:4 105:17
168:5
okay 18:19
28:20 30:3,4
31:4 35:3
44:21 45:22
46:21 48:1
49:11 67:6
73:17 74:11,14
75:14 81:5
89:13 90:19,19
94:8,9 95:11
96:11 98:2,9
104:5 111:22
112:12 119:15
127:5,12 128:5

130:22 133:12
134:13,16
135:3,4,8,9
136:6,6,9,19
139:13,17,21
140:6,13 141:6
144:1,4 145:4
146:11 148:16
148:20 150:3
151:2 153:15
156:13,17
162:16 168:17
169:2
old 14:10 165:4
older 19:8
42:22
olive 85:12,13
86:5
oman 79:20
131:6
once 45:2,5
46:21 48:2,11
49:11 164:4
one's 29:16
96:21 98:21
109:16
ones 28:10
66:18 92:17
100:17 107:16
129:9
onward 150:17
open 67:8
69:21 70:20
72:15,19 79:2
83:6
opened 139:22
opening 25:12

www.CapitalReportingCompany.com
202-857-3376

opinion 13:9
32:4 34:16
35:14 119:8
123:5 166:8
opportunities
64:21
opportunity
64:13 65:4,17
66:5 113:9
144:15 158:21
163:20 166:6
169:15
opposed 30:16
35:20 36:5
69:15 74:2
96:22 146:19
152:15 154:6
156:5 167:6
169:1
optimistic 32:1
option 80:18
82:8,14 84:6
163:19
order 4:3 15:2
24:16 70:1
ordered 12:12
orders 13:20
organic 165:14
original 77:1,3
78:16,19,21
85:1 87:4,11
87:15 91:9,10
91:11 97:15
99:5 103:14
104:10,12,17
118:14 120:5
138:15,22

Meeting

[originals - periodically]
originals 78:5
originators
108:9
ostentatious
165:4
ounce 93:22
94:1
outcome
171:11
outline 80:3
outreach 22:7
outside 15:7
25:3
outstanding
94:13
overall 6:10
22:20 23:19
32:18 52:11
53:21 60:10,12
60:15 63:16,21
64:4 68:20
111:14 120:6
120:11 121:10
overcome
56:15
overtime
112:14
overwhelming
113:1
own 10:22
41:21 95:15
136:20
owned 131:8
p
p 2:1,1 3:1,1
4:1

p.m. 75:1,1
148:17,18,19
148:19 170:10
170:13
page 131:16
pain 96:6
painting 95:22
pair 19:6 42:17
135:15
paired 35:17
120:21 123:2
pairing 81:11
100:14,19
102:1
pallas 134:5
paralyzed 96:5
part 15:5 19:11
20:21 21:18
53:20 66:13
76:17 77:4,8
78:6 88:20
105:8 106:13
114:22 130:19
137:22 138:3
participate
169:18
participating
4:8
participatory
10:2,12
particular
17:21 18:22
23:2 55:10
56:3,7 57:6
58:12 60:11,18
63:18 64:3
65:19 66:3
68:20 69:7

July 16, 2024

Page 32
100:7 121:5
140:4 141:11
particularly
23:13 37:9
43:15 56:8,18
58:20 93:15
137:2 138:16
155:17 157:14
157:15
parties 171:8
171:10
partly 71:18,18
pass 17:19
passed 20:20
34:14 35:20
passing 18:8
24:12
past 33:19
34:20 68:7
117:4 120:17
patriotic 20:17
35:19
patriotism
164:9
paul 3:13 7:1
pay 80:19
81:11,22 86:20
118:8
peace 86:4
111:1
peacock 79:19
80:9,13 137:6
pediment
86:22 87:2
pegasus 97:7
pencil 128:17
129:1 130:1

www.CapitalReportingCompany.com
202-857-3376

penetrating
142:21
penny 58:8
people 9:20
10:22 14:18
17:16 24:16
40:3 42:4
43:18 51:14
56:20 62:15
63:22 69:1
70:3 74:2
94:12 100:9
105:5 113:5,6
114:8,22
120:15 121:8
140:6 142:20
148:14
people's 25:2
percent 41:2
63:13
perched 87:6
perfect 18:14
20:17 21:14
30:13 34:19,21
112:9,16 122:4
125:17,18
140:12
perfectly 52:3
138:20
perimeter 38:2
period 57:10
83:15,19 85:22
97:14 98:18
102:12 104:16
109:2
periodically
14:1

Meeting

[permanent - portfolio]
permanent
152:4
person 42:22
42:22 92:7
person's 19:8
62:9
personal 34:16
71:18
personally
21:12 94:21
111:16
perspective
108:13 109:6
persuaded
101:13
pertaining
50:22
peter 2:16 6:3
14:7 28:3
31:18 36:12,16
38:5 59:6,17
71:14 76:1
89:6 91:4 95:4
117:6,9 123:9
136:18 145:7
146:22 151:16
153:11 156:3
156:18 160:16
161:8
phone 4:9
phrase 38:1
105:16 124:10
phrygian 84:10
physics 73:5
pick 71:9 106:3
118:13
picking 92:17

picture 65:1
133:16
pictured 81:9
101:15 131:18
piece 52:5
54:14 99:19
114:7 118:3,5
119:12 120:9
131:11 141:21
142:7,10,15
pieces 113:2
117:13
place 97:21
placed 55:16
places 41:1
plain 16:10
plan 77:10
plans 77:16
planting 37:17
37:19
plants 105:10
plaster 87:4
platform 87:7
platinum 47:22
48:1,3
play 10:15
117:3 152:17
playing 29:8
please 4:9,15
7:9 9:11 15:21
16:2,8,17
18:18 19:13
20:12 21:21
28:2 31:17
36:14 38:8
45:3 52:21
55:7 57:3
63:11 74:3

July 16, 2024

Page 33
75:4 91:2,8
92:1,2 100:2
104:3 107:12
112:17 113:13
114:3 116:2,11
117:8 126:2,21
127:4,15,19
128:1,16,21
129:6,13,15,20
129:22 130:6
135:20 139:20
141:5,6,14,14
141:19,20
142:6,11,19
143:2,21 148:6
154:4 157:7
160:5 167:3
168:20 169:17
170:7
pleasure 38:10
plunkett 1:20
171:2,17
pluribis 11:13
pockets 69:2
poetic 158:6
point 37:7
44:13 48:16
67:10 70:19
74:4 95:13
98:18 101:7
112:19 137:22
138:2,6 147:11
148:1,15
154:13 156:15
pointed 119:18
points 40:1
46:3,5,6,8,11
46:13,17,22

www.CapitalReportingCompany.com
202-857-3376

47:2,7,14,14
47:15,15,16,16
47:17,17,18
48:2,3,4,4,5,5
48:6,7,7,8,8,12
48:13,14,15,15
48:17,17,18,19
48:21,21,22,22
49:1,2,2,5,5,6
49:6,7,9,12,14
49:15,16,17,18
49:18,19,20,20
49:21,21,22
50:1,3,3,4,4,5
50:6,6,8,9,9
61:4 66:7,9,16
66:19 97:1,17
97:22 117:5
124:2 128:15
149:3,3,4,9,15
149:16,17,19
149:21,22
150:4,5,5,9,9
150:10,11,13
150:14,15,16
150:18,18,19
150:20 151:3,6
151:8,9,9
154:14
populace
111:18
popular 115:16
population
56:10
portfolio 9:7
9:11 36:11
41:13 43:7,8
44:14 45:7

Meeting

[portfolio - produced]
52:6 54:4
68:20 71:2,8
76:7 79:3 85:9
87:21 88:14
91:19 96:12
112:6 121:12
123:14,16
137:12 138:4
138:12 139:22
141:4,6 143:4
144:15 163:18
portfolios 6:11
22:2 24:19
45:8 50:13,15
60:21 66:14
71:2,5 72:6,21
74:18 88:9
110:3 136:1
portrayed
120:18 147:6
portraying
78:4 109:12
pose 83:9 111:8
posed 107:3
positioned
86:21 108:21
positioning
36:6
positions 83:22
positive 52:9
positively
51:22 52:13
64:19
possibilities
20:3 88:5
possibility 20:1
20:2 156:11

July 16, 2024

Page 34

possible 13:2
42:9 46:3,4,22
48:2,12 49:12
49:14 70:7
92:2 146:1
149:3
possibly 107:15
potential 23:21
65:11 123:22
potentially
62:7 114:13
115:4
power 11:1
36:19
powerful 16:18
17:2,5 18:11
19:21 32:2
33:16 120:4
121:14 143:7
precedence
63:21
predecessor
55:6
prefer 16:4
28:22,22 31:14
32:22 39:8
41:18 122:8
124:19
preference
22:14 23:22
24:13 38:21
60:11 152:1
preferences
21:4
preoccupied
121:3
prepared 85:17
171:3

presence 80:6
present 4:16,19
5:3,6,9,12,18
6:2 7:9,13,16
7:19,22 8:3,6,9
8:12,16,19 9:1
9:9 45:6,14
61:14 71:4,7
75:4,4,7,9,11
75:13,15,17,22
76:13 77:2
148:8,22
presentation
51:2 70:16
71:1,12 72:6
presented 29:3
61:9 78:5 79:3
161:21
preservation
23:9
preserving
10:16 21:5
president 10:5
press 6:18 7:5
pressure 63:15
64:2
presumably
88:21 155:21
presume
132:16
pretty 21:1
30:2 33:20
35:15 44:9
93:13 130:20
130:21 152:14
156:5 165:1
previous 12:13

www.CapitalReportingCompany.com
202-857-3376

previously 10:9
28:11
pride 82:13
prior 15:22
92:3
prioritize
62:13
prioritizing
63:3
privy 77:6
probably 11:9
21:6,11,17
96:11 102:18
122:17 126:21
131:15 137:11
138:9 141:17
143:10,14
147:6
problem 43:2
51:17 55:14
56:1 68:18,19
73:12 94:3,16
122:5 128:8
131:20 152:9
154:7 155:2
problems
156:8
proceed 159:7
proceeding
1:12 171:4
proceedings
6:16 171:5
process 57:14
109:14
produce 12:11
produced 12:8
42:2

Meeting

[product - quite]
product 125:11
production
161:14
professional
94:22
program 4:10
12:2 18:7 44:5
45:10 76:17
77:10 88:12
90:8 104:15
118:7 132:22
133:2 137:22
140:16 147:14
program's
130:9
programs
12:21
progression
61:2,12,21,22
62:9 63:6,15
prominence
83:4
prominent
83:3
prominently
56:11
proof 89:8
proposal 85:3
proposals 85:6
proposed 17:10
84:14 146:15
151:20 153:16
protect 55:2
85:18 86:3
protective
54:14
providing
160:8 169:14

July 16, 2024

Page 35
provision 13:3
13:4,12
public 1:1 2:3
2:14,15 4:13
4:18 5:20 6:1,7
6:19 14:21
21:12 32:1
34:7 40:12
69:16,20
102:15 157:15
169:4,9,14,18
public's 32:3
publisher
92:10
purchasing
14:4
purdie 2:15
5:22 6:2 21:21
21:22 22:1
60:8,9 63:12
63:13 75:8,9
107:12,13,14
127:5,5
pure 93:3
purpose 19:1
54:13 109:19
purposeful
61:16
purposes 93:17
push 14:16
42:8
pushed 131:15
pushing 93:22
put 17:15
19:10 22:21
23:3 37:22
56:20 57:4
63:15 64:1

68:6 90:18
128:5 131:2,15
137:18 140:14
140:22 152:4
163:2
putting 24:20
142:7 164:3
q
qualified 2:7,8
2:12,16 5:2,5
5:16 6:4 16:6
quantities 12:8
quarter 14:14
30:10,19 34:11
37:9 38:19,20
39:16 40:21
46:19 47:21
48:11 53:3,7
57:3 59:19
67:12 68:20
69:14 71:6,21
72:1 73:2
77:13 84:19
85:2,6,10,16
86:1 98:2,3,6
101:17 102:16
106:11 107:3
111:4 116:9
121:11,18,21
128:1 134:10
135:7 138:12
138:15 147:3
153:18 154:3
quarters 25:16
27:19 39:17
41:10 42:7
53:2 61:1,10

www.CapitalReportingCompany.com
202-857-3376

61:17 65:9
70:13 116:18
133:14
queens 54:15
question 12:6
12:10 15:1
20:14 51:4
56:3 57:6
58:12,14,19
60:5,18,19
61:8,20 66:22
67:7,9,20 69:8
72:5 88:16
89:2,17 90:2,2
126:18 128:2,6
129:18 133:4
144:19 145:8
147:10 161:11
161:16,20
questions 12:1
14:6 15:18
50:20,21 61:6
72:14 73:20
88:11 89:18
90:22 91:16
107:3 129:16
144:17 146:20
155:19
quick 70:3,4
75:3
quickly 131:10
quiet 83:9
quite 18:15
29:17 38:17
41:4 42:18,19
43:4 62:15
101:3,15,18
108:15 115:9

Meeting

[quite - received]
116:15 137:18
138:15 140:1,1
141:10 163:15
quorum 6:6
76:2
quote 82:3,4,4
quotes 10:21
r
r 2:1 3:1 4:1
raa 164:9,9
radiate 82:19
radically
152:11
rain 55:3
raise 14:9
50:20 51:14
69:4 70:22
137:15
raised 12:4
13:17 50:22
51:4 53:17
54:10 55:11,20
56:5,14,17
57:19 58:5,14
59:16 60:7
61:6 62:5 64:6
66:1 67:1 68:4
68:13 69:8
70:9 88:15
89:5,15 104:4
144:18 145:6
146:3 147:1
151:14 154:8
154:19 155:19
156:1,2,14
160:15 162:18
162:20 167:19

July 16, 2024

Page 36
raises 80:15
ran 62:20
rather 30:12
31:11 51:12
52:11 62:16
74:1,3 88:3
91:18,19
117:22 137:4,5
137:7 138:13
151:21 155:10
163:10
rational 10:17
rays 84:1
110:16,18
reaching
140:15
reactions
100:11
read 34:4 35:7
54:21,21
158:16
reading 59:8
110:6
reads 35:13
ready 27:7
29:17 33:17
44:19 45:15
46:2 49:9
149:13
real 14:17
103:12 152:1
realistic 115:10
157:18
realistically
148:12
realized 83:6
really 18:14
19:5,9,11

20:14 22:11,11
22:12 24:11
31:22 32:12,19
33:7,21 34:6
36:8,19 39:9
39:14,18 41:22
41:22 42:18,19
43:4,5,16
51:16,18,20
53:9 54:8
59:11 62:13
63:2 71:20
92:14 93:10,12
94:13 96:13,16
101:7,10
108:10,21
109:11 111:16
113:19,21
114:5,5,9,12
114:18,19
115:9 116:5,12
118:16 119:10
119:22 120:22
122:6,17
123:20 124:3
124:16 125:21
126:10 127:18
128:18 132:21
135:10 137:21
138:4,15,18
143:9 144:6
152:16
rear 98:13
reason 10:17
14:20 19:2
33:1 59:13
137:16 160:21
166:14

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202-857-3376

reasons 39:3
54:16 116:22
recall 83:15
126:14 129:16
recalls 105:14
received 34:7
34:10 46:6,8,9
46:9,10,11,13
46:14,15,16,16
46:17 47:1,3,3
47:4,4,5,5,6,6
47:7,9,9,12,12
47:12,13,13,13
47:14,17,18
48:3,3,4,4,5,6
48:7,7,8,8,13
48:14,15,15,16
48:16,17,18,18
48:20,21,22,22
49:1,1,2,4,5,6
49:6,7,7,8,8,15
49:16,17,18,18
49:19,19,20,21
49:21,22 50:1
50:2,3,4,4,5,5
50:6,8,8,9
148:5 149:4,6
149:6,7,7,9,10
149:11,12,12
149:16,17,17
149:18,20,21
150:4,5,5,7,8,9
150:10,11,13
150:13,15,15
150:17,18,19
150:20 151:3,5
151:5,6,6,7,9,9
151:10,10

Meeting

[recent - represent]
recent 145:11
recently 41:15
138:4
recessed 24:8
recognize
45:13 73:4
148:21
recognized
17:17 82:5
recognizing
105:19 141:2
recommend
145:19 147:11
153:16 166:20
167:18,22
168:8
recommenda...
15:5
recommenda...
50:12 76:8,12
recommended
2:4,10,11 4:21
5:7,10,13
recommending
168:14,20
reconnect
136:20
record 7:7
15:12,13 92:3
163:3 164:11
171:5
recording
15:16 171:3
redesign 85:3
redesigned
142:1
refer 118:3
122:13

July 16, 2024

Page 37
reference 109:1
110:14
referenced
87:16
references 84:7
referencing
24:18
referred 55:18
referring
126:15
refine 95:20
refined 162:14
reflect 43:1
61:2,11 63:19
reflected 79:9
reflecting
78:15 110:22
regard 12:6
25:17 26:15
27:17 66:3,3
101:20 102:13
105:2,11
106:18 107:2
120:20
regarding
33:15
regards 94:21
register 169:7
regular 116:1
145:1 156:7
reimagine
137:5
reimagined
80:9 82:10
reimagining
86:11
reinterpret
78:10

reinterpretati...
88:6 114:7
117:3 138:22
reinterpreting
78:16
reintroduce
4:15
rejected 26:13
rejoice 42:5
related 55:13
55:19 171:7
relates 73:1
90:2
relations 79:22
relationship
92:5 99:4
relative 171:9
release 76:18
77:17
released 76:22
77:8 104:17
relief 77:12
81:8 95:7,9,9
95:10 96:1,8
145:10,21
146:1,9,12,17
158:11 165:16
165:17,17,18
remain 64:20
112:19 159:20
remaking
136:12
remember
14:11 55:1
57:20 58:2
158:10
remind 4:7
15:20 76:6

www.CapitalReportingCompany.com
202-857-3376

reminder 22:19
111:19
reminds 30:18
reminiscent
134:3
remote 1:12
remotely 6:19
remove 159:13
render 146:12
146:16
rendered 83:13
110:16 112:11
145:9 146:8
rendering
111:12
rendition 35:20
52:10 54:19
94:9 118:14
120:4,8,8
121:20 122:4
128:4 138:1
141:7 161:13
renewed 10:14
repeat 155:4
replace 34:22
65:19
replaced 32:18
85:7
replacing
67:11
replicate 78:9
reply 9:17
reported 1:20
repositioned
109:8
represent 83:5
90:1 110:9
115:8 157:22

Meeting

[representation - reverses]
representation
108:20 110:5
157:13
representations
158:22
representative
90:5
represented
56:11 84:3
115:5,7
representing
2:3,14,15 4:17
5:19,22 83:17
87:18 108:1
113:12 157:13
republic 9:17
9:18,22 28:7
requested
12:11
required 9:22
10:10 11:5,8
11:12 73:16
88:18 99:17
reserve 12:12
34:11
resilience
87:18
resolve 62:22
resolved
155:21
resonate 114:8
respect 13:9
164:17
respond 4:16
79:1
responded
64:19

response 4:22
5:15 9:5 72:10
75:20
responses
104:7
rest 51:8,11
94:4 137:8
143:12
restoring 65:12
result 97:22
results 45:15
148:8,22
retailers 44:4,8
retain 159:13
166:21 167:17
retaining 167:2
return 45:5
58:13 74:1,14
74:17 139:5
154:7 162:16
returning 72:5
revamp 116:14
reverse 9:10
10:9,13 11:12
11:17,18 18:18
19:12 21:3,4,7
21:11 24:1,7
24:13,13 31:8
34:17,18 35:4
35:12,15,19
36:1,2,4,8
37:14 41:9
42:17,18,21
45:1 46:12,14
46:15,16,16,17
47:8,9,11,13
47:14,14,15,15
47:16,16,17,17

July 16, 2024

Page 38
48:20,21,21,22
49:1,1,2,4,5,5
49:6,7,7,8,8
50:2,3,3,4,5,5
50:6,7,8 56:12
69:13 70:1,14
70:17 73:2
76:3,14 79:6
79:13 80:3,4
80:10,11,15,19
81:12,22 82:1
82:15,20 83:2
83:8,11,15
84:1,6,10,22
85:5,9,12,15
85:19,21 86:11
86:13,15,20
87:3,8,10,11
87:14,19 89:20
90:3 94:8 97:8
97:13 98:4,5
102:3,11 103:2
105:6,11,18,20
106:4,6,8,9,15
106:21 107:2,6
107:9 108:2,12
109:4 110:13
110:20 111:6,9
111:13 112:3,4
112:7 113:3,20
114:2,4,13
115:7,18 116:6
118:12,16,19
118:20,22
119:14,17
120:1,7,16,21
121:4,7,14,15
121:17 122:3,8

www.CapitalReportingCompany.com
202-857-3376

122:14,19,22
123:4,6 124:7
124:20 125:14
125:22 127:7
127:17 129:18
132:2,16,21
133:13 134:12
134:15,19
135:3,4,9,10
135:16 137:7
137:20 138:3
138:17 140:17
140:22,22
142:10,21
147:2 148:2
149:8,10,11,11
149:12,20,21
149:21,22
150:8,9,9,11
150:17,18,19
150:20 151:7,8
151:9,10,10,17
151:22 152:12
152:13 153:1
154:13,17
155:2 159:9,20
161:13 162:11
166:20 167:3
167:16,19
168:1,8,20
reverses 21:18
23:22 27:18,21
30:9 34:17
40:15 43:2
46:12 47:8
48:20 50:2
70:16 89:17
110:4 123:1

Meeting

[reverses - score]
147:11 149:8
149:20 150:8
150:17 151:7
review 6:8,12
15:7 50:16
66:11 74:17
76:8
reviewed 6:12
45:8 46:1
77:22
reviewing
24:15
revise 66:5
revision 66:11
66:17 73:15
revisions 64:14
revisited 101:9
102:5
revolution 60:1
rework 34:1
ribbon 79:8,9
rid 30:1
riff 104:18
rigging 137:8
right 4:2 7:5
9:6,6 14:5
15:17,19 20:11
28:1 35:22
37:18 38:6,9
38:18,19 41:20
48:9 52:7,17
53:16 54:9
55:9 56:2 57:5
58:11,13,15,18
59:8 60:4,15
60:17,19 63:10
69:6,8 72:18
73:21 74:8

July 16, 2024

Page 39
81:7 90:21
91:15,16 93:15
100:3 104:2
117:7 118:10
126:2 128:9
130:4 132:18
136:9,19 140:3
142:6 144:1,9
144:14 145:5
146:14,19,20
147:17,20,21
148:20 151:11
153:21 154:6
156:17 159:17
159:22 160:8
160:14 161:5
161:10 164:12
166:18,22
167:13 168:2
168:18,19
169:1 170:3,5
170:9
rights 28:13
30:5,7 34:11
ringing 73:8
rising 26:11
robert 80:22
90:6 105:19
robes 54:7
robust 165:15
robustly
158:11
roger 2:20 7:17
89:11,13 90:7
90:8 91:8
145:12,12
role 10:1,15

roll 75:3
room 56:20
62:8 66:10
roosevelt 67:12
82:5 151:20
rosemont
169:12,17
rotate 131:20
ruler 131:5
russel 7:20
s
s 2:1 3:1 4:1
sailing 119:6
sails 80:13
124:4,4
saint 77:11
81:8,14,15,17
82:1,5,11 92:6
95:14 96:1,4
96:20 101:5
106:2 108:10
117:13,18
118:2,5 119:12
131:11 141:9
141:15,15,16
151:19 167:22
sake 85:7
sam 2:12 5:16
31:16,18 36:13
37:21 41:15
59:15,17 60:4
75:14 89:4,6
117:8,9 123:10
129:17 145:5,7
146:4,16
sandals 17:8
85:4

www.CapitalReportingCompany.com
202-857-3376

sapling 32:15
sappling 37:18
37:19
saunders 2:10
5:7,9 14:7,7,9
28:2,3,4 43:10
43:14 52:19,22
59:1 71:14,18
74:20 75:12,13
91:1,4,13
130:5,7 146:22
156:18,20
158:13 166:11
168:4,10
169:22 170:2
saw 27:9 51:19
54:3 55:19
122:15 138:2
151:20
saying 29:7
34:21 68:18,19
74:4 136:10
146:17 154:4
167:3 168:21
170:7
says 17:1 36:5
119:3
scale 87:5
scant 112:10
scarinci 5:13
49:13 75:18
scene 86:12
school 73:6
164:18,19
scientific 73:12
scope 15:7
score 43:9
44:14,18,22

Meeting

[score - series]
45:3 148:2,5
scorers 49:13
73:3
scores 44:18
45:7 50:13,17
50:18 66:7,14
148:8
scoring 44:20
45:15 46:7,15
48:6,13 49:3
49:17 50:7
64:20 66:4,18
148:22 149:5
149:10,18
150:6,10,14,19
151:4,8
scott 80:22
90:6 105:19
117:18
scratch 99:7
screen 98:11
screw 161:14
sculpted 86:22
115:20 158:11
159:10
sculpting
165:21
sculptor 78:19
81:13,22 87:9
sculptors 115:3
sculptural
158:17,22
sculpturally
158:5 165:10
sculpture 2:8
5:5 114:15
157:12 158:20
165:13,16

July 16, 2024

Page 40
sculptured
165:14
sculptures
157:10
seafaring
120:20
seamlessly
51:21
searching
16:22 17:1
second 4:6
41:14 79:15
81:21 90:2
93:5 99:1
118:19 119:21
121:17 146:5
146:10 153:19
159:22 160:1
168:3,9,10
170:3,4
seconded
146:16
seconding
53:19
seconds 153:20
secretary 76:9
secure 79:19
86:4
see 12:3 13:16
14:22 16:7
23:5,6 26:2
27:20 30:16
31:11 33:3
38:1,11,12
40:10 43:20
45:10 51:8
53:9,17 62:4
62:12 63:7,22

64:11,12 70:8
71:9 74:18
88:14,20,22
92:22 93:3
98:11 99:4
101:16 104:4
110:18 118:5
119:2 121:12
121:21 123:2
123:18 124:22
126:5 128:10
130:13 131:18
131:19 132:22
133:1 135:16
137:1,21 138:5
139:1,2 142:16
144:18 145:5
148:14 153:5
154:8 155:22
157:12 158:19
160:15 161:12
162:18 163:18
164:7
seeing 34:20
64:18 91:17
128:8 169:19
seeking 52:11
76:7
seem 14:9
37:18 111:20
seemed 103:18
106:12 108:5
seems 26:12
27:12 30:22
37:11,15 88:18
100:20,22
121:3 132:9
155:9,22

www.CapitalReportingCompany.com
202-857-3376

seen 39:1 65:7
106:16 138:19
145:11
seimquincent...
148:3
selection
118:13
self 86:19
seller 130:10
seminquince...
45:2
semiquincent...
6:9,11,14 9:8
12:3,14 41:13
45:9 56:7 76:4
76:18,21 77:5
77:6,9 88:13
94:14 101:17
senate 2:11
5:11,14
send 45:4
senior 2:19,20
3:7,9,13 7:1,15
7:17 8:17,21
sense 37:20
40:19 57:11
59:8 93:9
98:19 142:4
162:7
sent 92:9
sentence 36:9
separately
155:9
september
161:13 169:6
series 17:21
20:21 28:11
39:5 56:7

Meeting

[series - sollman]
60:22 62:16
65:10 76:19
seriously
158:15
serve 111:19
serves 109:19
126:2
set 64:4 79:15
81:1 94:7
116:17,17
136:1 153:4
sets 131:8
several 66:6
79:19 146:18
154:5 167:5
168:22 170:8
shacks 84:4
97:10,10
shading 24:8
shadows
165:12
shakes 40:3
share 65:5
90:17 147:13
152:3
sheets 45:3,15
148:5 149:1
shield 90:4
122:2
shielding 23:7
ship 80:8
100:21 107:21
113:20 119:6
130:19 137:6
140:11
ships 137:1
shooting 109:5
131:14

July 16, 2024

Page 41
shopping
115:19 164:20
shot 125:1,2
shoulder 107:5
show 11:14
24:7 28:12
86:3 107:5
110:3 111:17
showcase
117:22
showing 85:19
125:10 128:3
shown 87:3,10
shows 36:8
84:11 85:12
107:7
siam 131:5
sic 11:7 36:11
69:18 132:7,11
135:5 156:22
157:2 158:13
164:9 165:16
166:15 168:1
side 72:1
119:22 122:9
132:1,1
sides 112:11
120:12 123:8
125:3
significant
67:17
signified
146:17
signify 74:3
154:4 167:3
168:21 170:7
silence 5:21

silver 6:14
14:12 74:18
76:5 77:9,10
77:15,18,18,22
78:2 79:1,2,4,7
79:14,16,17
80:5,12,19
81:1,10 82:8
82:14 84:20
87:21 88:14
89:17 92:19,20
92:22 93:16,19
94:6 99:18
100:12 105:2
105:11,17
107:17 113:8
117:12 118:15
119:16 122:22
123:20 139:14
144:20 145:11
146:9,12,17
147:5 148:4
167:22
similar 116:22
123:17 133:16
145:10 164:7
similarly 85:5
simple 19:14
26:8,9 32:8
35:15 105:20
128:22
simply 50:13
52:15 88:4
129:20
simultaneously
88:3 91:21
sing 22:18

www.CapitalReportingCompany.com
202-857-3376

single 86:12
singular 158:7
sir 145:3
sitting 108:16
size 32:20 35:7
98:10
sized 35:11
sizes 77:1
sketch 95:17
128:17
sketchy 128:17
129:1 130:1
skies 55:4
skills 171:6
skin 107:5,7,9
107:11 126:16
126:19 128:3
129:18 133:18
skip 16:16
19:13 130:2
skyscrapers
110:8
slide 143:2
slightly 23:3
snobbish 157:8
sold 131:9
solid 21:7
sollman 2:8 5:4
5:6 16:1,3 20:9
54:11 57:8
70:10,11 75:5
135:20,21
136:6,9 139:4
139:11,13,17
139:19 144:1
144:11 160:16
167:8,12

Meeting

[solution - stay]
solution 68:17
solve 155:4
156:8
somebody
55:21 63:10
95:19 98:17
131:10
soon 92:7
sorry 18:2 20:5
34:9 35:18
56:20 69:9
73:13 92:13
99:21 115:13
135:17 139:7
151:1 154:2
161:8 168:5,6
sort 17:6,14
23:3 25:3
40:21,22 41:11
51:6,10 61:2
61:12,21 63:22
67:21 68:3
72:5 102:12
124:18 125:6
129:7 130:1
131:2 132:14
142:2
sound 165:4
sounds 44:21
163:1
space 16:20
17:7 33:6 35:9
36:1 37:5 57:2
111:11
spanning
166:15
spark 61:3

July 16, 2024

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speak 4:11 18:2
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special 10:20
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specialist 2:19
3:9 7:15 8:21
specially 2:6,8
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specific 13:3
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162:6
specifically
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specification
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specifics 90:9
spend 42:5
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sphinx 29:20
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spikes 29:4
spirit 103:13
spoke 16:13
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sports 117:16

sprang 165:8
spread 85:20
sprout 37:11
staff 7:8 15:2
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stafford 2:18
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144:22 145:3
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stand 37:3
165:18,19
standardized
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standing 77:13
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96:22 98:5
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116:9,14,17
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133:14 134:9
138:12 143:9
147:2 150:12
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standout 138:5
138:9

www.CapitalReportingCompany.com
202-857-3376

standouts
36:21
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99:14
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35:2 80:16
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114:11
start 9:4 16:7
40:15 45:17
59:9 81:10
83:2 84:22
92:11 99:6
107:17 112:20
149:3
started 28:9,10
92:18 166:11
starting 11:15
100:12 121:22
150:3
stated 32:9
119:1 122:10
statement
143:20
statements
92:12
states 9:16
10:10 11:6
12:22 33:4
80:6 83:19,20
86:2 114:12
125:17 165:21
statue 84:14
status 54:13
statute 88:17
stay 117:10
161:19 162:13

Meeting

[steal - sure]
steal 28:5
step 95:6
stepping 96:8
steps 85:17
stern 134:17
stevens 2:8 5:4
5:6 16:1,3 20:9
54:11 57:8
70:10,11 75:5
135:20,21
136:6,9 139:4
139:11,13,17
139:19 144:1
144:11 160:16
167:8,12
stick 166:20
stonesque
112:4
stood 71:20
107:16,18
stop 159:3
stores 105:13
stories 100:8
story 105:3
113:18 114:22
115:5
storyboard
95:12 99:2
storyboards
93:11
straddles 12:15
straight 59:4
straightforwa...
100:15
strange 34:4
108:14 109:10
110:15

July 16, 2024

Page 43
strangely 35:13
streamline
126:6
street 1:15
strength 82:13
87:18 128:11
stretch 97:16
stretching
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stride 103:20
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strong 23:22
129:7
stronger
162:11
strongest 73:5
102:18 127:16
137:12
strongly 58:21
110:17
struck 26:18
137:21 138:5
139:1
structured
20:20
struggled
102:17
struggling
154:11
stuck 37:2
student 165:5
students 164:5
studio 87:7
96:6 133:16
stuff 53:12,14
106:20 165:5
style 23:16,19
27:3,4,6 51:20

63:19 83:13
86:13,14 114:8
114:15
styles 63:16
stylistic 36:19
54:1
stylistically
52:8
stylized 87:17
97:4 157:17
subject 38:3
73:5
subjects 67:3
78:5
submitted
159:21
subtle 34:14
84:17 165:15
subtract 88:22
succeeded
86:14
success 99:15
130:14
successful 41:4
100:18 166:3
suffrage 28:12
suggest 88:2
153:10
suggestion
161:4
suggestions
72:7
suite 65:8
sukrita 2:22
8:4
sullivan 2:19
7:15,16

www.CapitalReportingCompany.com
202-857-3376

summer 169:17
sun 26:11 30:1
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112:11
suns 81:12
82:18
super 21:12
29:15 112:22
superhero
121:8
superior 10:5
superstrong
21:3
supply 86:7
support 25:18
26:1,4 27:8,22
41:6,7 58:16
61:21 96:19
106:7 158:18
suppose 128:5
supposed 97:11
110:9 115:8
127:10
supreme 10:3
sure 13:11 14:8
17:16 20:13
23:17 24:6,9
27:7 33:12,16
34:5 35:5,21
35:21 41:2
43:6 52:22
53:9 56:1
68:16,18 69:17
70:7 71:16
88:16 95:15
97:4 98:7
101:18 104:20
107:22 108:3,7

Meeting

[sure - thank]
108:15 109:17
110:16 111:14
112:13 118:1
120:13 126:10
126:12 129:2
130:7,17
135:15 142:10
142:12,17,21
147:7,9 152:4
155:15 166:15
surprised
130:9
suspect 36:22
swallows 36:2
sway 32:3
166:7
sweet 109:19
swinging 73:10
swirling 84:4
switch 135:15
swoop 137:6
sword 84:2
110:12 131:16
142:21
symbol 131:3
164:22
symbolic 79:13
84:2
symbolically
165:9
symbolism
34:14 59:21
164:2 165:2
symbolize 29:1
125:18
symbolized
80:1 83:10

July 16, 2024

Page 44
symbolizes
97:5
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163:7
symmetry
125:8
synonymous
125:16
t
table 146:12
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tail 143:18,19
147:3,5,7
take 15:14 35:2
44:7,14 52:15
59:4 63:21
73:22 75:3
79:16 85:21
101:7 108:16
111:10 125:12
135:14 154:16
157:7 169:18
taken 112:22
120:15 137:5
171:8
takes 12:22
talents 82:6
talk 44:3,20
141:22
talked 39:1
talking 4:11
67:3 113:2
164:4 165:16
169:13
tally 148:7

talons 85:14
task 82:6
136:11
taste 71:18
tastefully 51:18
tastes 34:15
134:8
tate 3:9 8:20
9:1
teams 4:10
teardrop 122:2
technical 12:1
88:11
tell 46:1 89:22
90:14 91:5
142:13 151:18
ten 45:10
148:17
tend 158:1
tender 92:20
terms 41:16
63:14 69:12,15
95:6 107:22
124:5 131:11
134:9 152:15
160:11 162:12
165:2
texture 128:14
128:19 129:10
thailand 79:21
thank 7:4,14
7:20 8:1,4,7,20
9:2,12 11:21
12:5 15:17
16:3,9 20:9,11
20:13 21:19,20
21:22 25:7,9
27:22 28:1,3

www.CapitalReportingCompany.com
202-857-3376

31:15,16,18
36:11,13 38:6
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52:17 53:16
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55:12,21 57:5
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62:6 63:9,12
64:4,5,7 65:21
66:2,21 68:12
69:6 70:6,10
70:19,20 72:4
72:17,18 73:16
73:18,21 75:10
76:16 87:22
89:4,6,13
90:20 99:20
104:1,2,18,20
107:12,13
112:13,15,18
117:7,9 123:9
123:10,12,13
127:6,6,11,14
130:3,4 135:19
135:21 144:10
144:12,13
145:4,7 146:1
147:16,17,20
151:11 153:3
153:21 154:18
156:3,17 159:6
160:2,6,7,12
160:13,14,16
161:5 164:12
166:8,9,18
168:6,11,17

Meeting

[thank - thought]
169:3 170:5,10
thanks 31:16
44:12 100:3
117:6
theme 20:16
21:5 27:20
32:6 35:16
37:12 63:16
70:14 83:11
85:18 88:9
100:18 111:14
134:21
themes 65:10
66:3 70:8 88:5
113:11
theodore 82:5
151:20
thereof 33:8
thick 134:11
thing 21:10
23:3 27:5 40:9
60:15 62:19
71:2,20 91:4
94:10 96:2
99:9 104:20
115:14 123:7
124:22 129:22
131:4,13
132:14 133:18
156:20 163:13
166:12
things 38:11
51:6 53:1,7
65:3 82:4
103:19 111:20
122:21 131:6
166:16

July 16, 2024

Page 45
think 12:20
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21:15 22:19,19
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23:20 24:4
25:5 27:2
28:13 29:7,16
29:19 30:6,8
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35:9,10 36:3,8
36:9 39:1,2,4
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63:1,14 65:5
68:9,19 69:3
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74:16 88:7

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128:12,18,22
129:6,8,20
130:20 131:15
131:19,21
133:10,12
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135:1,11,12,17

www.CapitalReportingCompany.com
202-857-3376

136:1,4,10,15
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thinking 24:15
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third 39:4
40:20 82:8,21
99:2
thought 19:5
26:12 27:10,12
27:15 28:20,21
29:2,15 30:21
31:8 36:15
39:15 41:5
55:15 58:8
59:19 72:3
78:12 83:10
92:18 97:6

Meeting

[thought - trying]
100:20 101:22
102:11,17
103:2,18
105:18,22,22
106:10,17
107:8 113:14
113:20 116:13
117:2 125:1
130:19,21
131:14 133:7
134:12 135:8
135:13,14
139:22 140:13
142:9 143:2
thoughts 25:7
51:12,15 69:12
71:12 72:20
101:4 112:13
135:18
three 40:20
53:2 129:10
131:13
thrilled 137:2
throw 72:3
throwback
109:1
thrown 163:12
thunder 28:5
tiaras 54:16
55:14 59:7
ticks 55:3
tie 113:15
tied 47:10 49:4
73:2 113:19
118:2 149:22
ties 21:5
time 4:5 27:19
50:13,16,19

July 16, 2024

Page 46
65:14 66:11,12
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times 53:12
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tip 84:1 89:18
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title 10:4,5
today 6:12 7:9
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today's 6:7 7:6
together 24:16
71:8 86:3 88:3
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told 107:18
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took 58:6 73:14
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tool 50:14
tools 90:3,4,5
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top 45:5 59:9
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topless 133:19
134:6,7,7,7

torch 18:6 20:4
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26:18 29:9
31:9,12 34:14
35:20 36:6
37:22 39:9
42:22 72:1
82:11,17
torches 31:6
41:18
total 66:8
totally 28:9
140:2
touch 21:8
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tough 32:21
toward 21:4
34:19,21 48:10
59:21 80:16
towards 21:6
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23:20 26:11,16
26:20 30:13
58:17 61:19
tower 81:15
toy 165:19
trade 79:19
traditional
28:19 106:6
traffic 141:3
transcriber
4:12 171:1
transcript
171:3,4
translate 32:20
119:16 120:2
122:17

www.CapitalReportingCompany.com
202-857-3376

translates
81:19
treasurer
97:20
treasury 1:13
76:9
treatment
96:16 162:14
tree 19:3 24:19
24:21 31:9
35:4 79:22
trees 30:20,20
35:8
tribute 81:11
118:9
tributes 87:8
tricky 35:7
tried 112:14
trouble 37:17
troubled 96:21
true 11:3 24:10
30:15 98:7
171:5
truly 31:21
trust 11:10
33:1 165:20
166:12,17
truth 107:18
119:20
try 13:1 15:21
67:20 100:4,17
130:10 139:8
154:10 167:21
trying 22:20,21
32:14,15 34:18
34:21 38:15
42:8 128:9
129:3 155:3,11

Meeting

[trying - van]
155:12 166:4,7
tuesday 1:7 4:4
turn 20:6 76:12
136:4 144:21
144:21 145:2
156:9 169:8
turned 31:2
105:16 137:6
turning 37:14
turns 85:11
tweak 39:7
tweaked
108:19 110:10
tweaking 23:10
two 4:6 14:19
25:12 49:13
83:20 87:2
89:18 90:10
94:14 114:14
120:22 125:3
131:6,12 132:1
132:7 140:17
155:10,16
156:21 162:1
164:10
type 9:14,15
13:15 157:8,11
types 90:5
tyranny 61:3
u
u.s. 1:14 21:13
ultimately 60:3
ultra 95:9
uncirculated
89:8,12
unclear 13:22

July 16, 2024

Page 47
undecided
112:19,20
underlaying
57:12,21 58:7
underlining
143:19
underneath
33:2 100:13
132:9
underscore
56:10
understand
19:2 32:13
33:11 34:17
90:13 95:14
102:1 112:1
119:6 121:1
155:12 161:17
163:5
understanding
12:20 61:13
155:15 161:22
understated
81:17
undue 64:2
unfamiliar
69:20
unicorn 53:6,6
unified 165:15
union 21:15
30:13 34:19,22
uniquely
158:17,21
united 9:16
10:10 11:6
12:21 33:4
80:6 83:5,18
83:20 86:2

125:17 165:21
unity 41:12
universal 70:13
unofficial 80:2
unrealistic
26:19
unrealistically
103:21
unrealized
84:13
unser 3:11 6:21
unum 11:13
unused 85:2
unusual 64:12
update 96:17
101:11 104:11
updating
110:21
upheaval 83:18
upward 73:10
use 12:7 19:10
30:9 41:1 44:6
44:7 56:4
57:12 105:9
132:19 140:16
used 14:12
20:4 41:8
50:14 53:13
57:10 90:6
91:11 124:11
152:8
useful 56:6
uses 20:18
using 27:20
32:4 70:4
108:4 124:14
usmint.treas....
1:17

www.CapitalReportingCompany.com
202-857-3376

uss 79:18 80:9
80:13
usually 118:3
v
value 54:5
105:19
van 2:16 4:2,20
5:4,7,10,13,19
6:3,3 7:4,14,17
7:20 8:1,4,7,10
8:13,17,20 9:2
11:21 13:16
14:5,8 15:1,17
20:11 21:20
25:9 28:1
31:16 36:13,17
38:6 41:20
43:12 44:12,21
45:13,20 46:20
47:19,22 48:9
49:10 50:10
52:17,21 54:9
55:9,21 57:5
57:18 58:4,11
59:4,15 60:4
60:17 63:9
64:5 65:21
66:21 67:5,7
68:12 69:6
70:6,20 71:16
72:4,11,18
73:18 74:8,11
74:14,22 75:2
75:8,10,12,14
75:16,18 76:1
76:1 81:4,6
87:22 89:1,4

Meeting

[van - way]
89:15 90:21
91:2,15 99:20
100:1 104:2,20
107:11 112:15
117:7 123:10
127:1,12 130:4
135:19 136:8
136:15,19
139:5,10,15
143:22 144:9
144:13 145:5
146:3,11 147:9
147:17,20
148:16,20
149:14 150:22
151:11 153:3
153:12,15,21
154:18 155:15
156:13,17,19
159:6,17,22
160:2,5,14
161:5,10
162:16 164:12
166:9,18 167:9
167:13 168:2,5
168:7,11,18
169:1 170:1,3
170:5,9
variety 69:18
85:8
various 51:5
67:21
vasquez 2:20
7:17,19 89:12
90:7,12 145:14
145:17
versed 165:1

July 16, 2024

Page 48
version 62:14
64:22 65:18
77:11 84:11,16
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96:22
versus 130:18
152:13
vibes 118:22
120:20
videoconfere...
4:9
vietnam 79:21
view 82:10
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viewing 62:10
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views 64:15
virtue 38:16
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virtus 81:19
vision 39:4
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visitation 105:8
visual 40:11
70:3 83:13
165:2
visually 101:6
vocabulary
40:11,13
voice 56:16
160:10
voices 58:16
vote 46:14 47:2
47:10 135:5
146:14 152:22
153:17 154:1
162:11 167:1

votes 153:13
voting 76:10
152:22
voyage 79:18
105:4,7 108:1
w
waist 134:12
wait 139:8
waiting 40:9,9
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walking 31:13
71:22 77:14
86:9,10,17
87:9 103:10,15
103:22 106:18
111:8,22
116:20 122:12
122:13 138:20
143:5,5 144:3
150:21,22
151:1,2,2,4
153:19 154:3,3
walmart 44:4
want 14:18
15:12 16:16
22:10 29:7
37:7 43:3
45:17,18 46:18
47:20,21 50:17
53:6 56:18
61:8,21 63:2
65:4,21 67:20
67:22 68:2
88:1 94:4
104:8 115:11
123:13 131:20
159:9 165:3

www.CapitalReportingCompany.com
202-857-3376

wanted 25:13
25:18,22 27:1
31:19 39:21
40:2 55:13
65:15 69:4
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128:5 140:10
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160:7,12
war 86:2,7
warnings 53:4
warren 1:6 3:5
6:17,20,21
8:13,16 13:18
20:8 136:3,17
139:12,18
167:6
wars 83:20
washington
1:16 67:12
84:11,13,14
watching 6:19
23:9
wave 57:13
158:7
wavelength
131:12
waves 84:4
waving 162:2
way 12:18
24:11 29:2,12
33:6 35:3 36:1
36:4 37:3
40:13 45:18,20
52:5 56:12
58:8,21 59:13
60:6,11 62:22
63:1,8 65:19

Meeting

[way - wrapped]
73:9 92:18
96:7 99:10
102:10 108:20
109:7,8 111:18
112:10 115:6
125:6 127:11
132:12 138:18
153:9 155:19
157:9 158:6,9
161:21 165:9
ways 23:15
44:10 54:1
61:2 103:12
115:2 120:19
163:7
we've 22:2 39:1
40:1 68:7
94:17 106:16
136:15 138:19
145:11 147:4
151:16 164:13
wear 54:15,15
weinman 3:7
8:17,19 13:4
15:6 44:17
45:14,17,22
46:21 47:20
48:1,10 49:11
85:6 86:21
87:3,10 98:6
148:7,10,21
149:2,15 151:1
157:11 167:11
weinman's
83:12 86:14
157:19
weird 156:8

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welcome 7:5
went 14:10
43:10 111:5
112:14
west 74:20
whichever 58:8
59:13
whimsical
147:1
whipping
160:22
wholehearted...
96:19
wide 103:21
widely 13:1
31:22
wider 13:6
wienman
117:19
wild 122:19
willing 83:6
166:12,16
wind 85:5
152:5
windmill 110:8
windswept
85:11
wing 83:4
115:15,18,20
116:1 132:10
155:8,10,11,18
155:20 156:5,7
156:7,11 157:4
158:7 159:10
winged 77:12
84:10 97:7
120:14 150:2
153:17

wings 82:12
83:12 85:19
96:17 108:5,6
120:3 125:6,15
137:16 142:1,1
143:10 157:19
157:21,22
163:19
winner 31:11
36:3 37:6
42:13 120:12
123:5 158:19
wise 109:6
woman's 28:12
women 53:21
86:6
won 71:20
wonder 39:14
127:1
wondered 90:4
wonderful 7:4
15:17 19:9
21:1 25:9
36:13 42:10
55:9 58:4 63:9
68:12 69:6
81:7 116:6
135:13
wondering
19:9 111:11
126:15
wonky 101:1
word 12:7
41:16 124:14
128:9
words 35:6
68:2 130:10

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work 9:19
12:14,22 13:6
13:14 22:7
33:9 34:6 38:4
39:15 40:17
41:2 52:19
78:20 81:14
85:6 91:5
94:18 103:4
108:3 137:14
156:20 157:5
worked 86:6
109:17
working 18:15
24:16 87:3
92:16 96:1
works 23:18
30:8 39:4 41:5
41:16 52:2
81:17 100:14
107:22 112:12
124:6 137:17
world 3:13 7:2
83:20 86:2,7
169:11,17
worried 102:2
worry 36:17
59:13
worse 163:14
worth 41:10
worthwhile
42:8 105:10
would've 90:6
93:8 96:12
wow 73:17
wrap 128:18
wrapped 101:3

Meeting

[wreath - youth]
wreath 34:1
wreaths 51:6
wrong 14:10
91:9 95:5,12
96:10 163:4
wrote 128:16
y
yeah 13:18
16:8 20:2
33:13 46:20
52:21 53:18
57:20 59:17
60:1 63:4 64:5
68:14 71:16
73:18 91:2
101:18 118:21
119:18 123:6
139:12 141:6
145:15 153:12
156:3
year 13:22
69:14,19 76:19
113:17 133:9
years 10:1,11
13:19 16:19
37:19 57:9,15
57:16 67:15
76:20 83:17
145:11 165:3
yep 17:4 47:19
127:12 143:2
143:22
yesterday 6:12
25:14 39:18
45:8 46:1,4
51:1,4 53:21
55:15 56:5

July 16, 2024

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58:14 59:18
60:21 61:7
67:11 68:15
69:5 73:3,15
105:12 113:3
yesterday's
11:7
york 87:7
young 32:15
35:4 85:20
108:17
younger 42:22
youth 42:3

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