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Meeting

January 24, 2023

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CCAC MEETING

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Tuesday, January 24, 2023

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1:05 p.m.

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Reported by: Shondra Dawson

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JOB No.:

5602037
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202-857-3376

Meeting

January 24, 2023

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A P P E A R A N C E S

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Arthur Bernstein

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Harcourt Fuller

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Sam Gill

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Dean Kotlowski

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John Saunders

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Mike Moran

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Robin Salmon

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Donald Scarinci

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Dennis Tucker

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Peter van Alfen

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Lawrence Brown

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Ventris Gibson

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April Stafford

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Megan Sullivan

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Roger Vasquez

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Pam Borer

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Russell Evans

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Boneza Hanchock

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Joseph Menna

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Michael Costello

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Jennifer Warren

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Greg Weinman

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Robin Terry

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Brendan Tate
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Meeting

January 24, 2023
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P R O C E E D I N G S

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THE CHAIR:

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I call this to order, this meeting of

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the Citizens Coinage Advisory Committee for Tuesday,

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January 24, 2023.

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a look back at 2022, this meeting in fact will actually

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demonstrate the excitement that we have for this coming

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year.
I would like to remind each member of the

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9

While we will pause for a second to take

Committee to mute his or her phone or microphone on the

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Microsoft Teams program, when not talking, and to please,

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dear sir/dear ma'am, announce your name at the beginning of

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each time that you speak.

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the public that this is a listening-only hearing and to

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mute their microphones as well.
Before we begin, I want to introduce the members

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of the Committee.

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your name.

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public.

Please respond "present" when I call

Arthur Bernstein; representing the general

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MR. BERNSTEIN:

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THE CHAIR:

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MR. FULLER:

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THE CHAIR:

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Present.

Dr. Harcourt Fuller; recommended by

the speaker of the House.

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Additionally, I'd like to remind

Present.
Sam Gill, representing the general

public.
MR. GILL:

Present.

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Meeting

January 24, 2023
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THE CHAIR:

Dr. Dean Kotlowski; specifically

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qualified in American history.

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MR. KOTLOWSKI:

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THE CHAIR:

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in medallic arts or sculpture.

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MS. SALMON:

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THE CHAIR:

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Present.

Robin Salmon; specifically qualified

Present.
Mike Moran; recommended by the Senate

majority leader.

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MR. MORAN:

Present.

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THE CHAIR:

Dennis Tucker; specifically qualified

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in numismatics.

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MR. TUCKER:

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THE CHAIR:

Present.
Dr. Peter van Alfen; specifically

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qualified as a numismatic curator.

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MR. VAN ALFEN:

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THE CHAIR:

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Present.

John Saunders; recommended by the

House minority leader.

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MR. SAUNDERS:

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MS. WARREN:

Present.
And, excuse me, this is Jennifer

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Warren.

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could just mute your phone, don't go ahead and mute in the

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system, and then unmute, that would be helpful because we

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get feedback.

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is Jennifer Warren.

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Mr. Saunders, when you're not speaking, if you

So, I just appreciate it.

MR. SAUNDERS:

Okay.

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Thank you.

This

Meeting

January 24, 2023
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THE CHAIR:

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Based on what I've heard, I know that

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we are not expecting Donald to join us, so we do have a

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quorum.
The agenda for today's public meeting includes the

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5

following.

Swearing in of our new CCAC member, John

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Saunders; approval of the minutes and letters to the

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secretary for the November 15, 2022, meeting.

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Fiscal Year 2022 accomplishment as reflected in the annual

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report.

A summary of

And finally, a review and discussion of the

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candidate designs for the Harlem Hellfighters Congressional

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Gold Medal.
Before we begin these proceedings, I ask that the

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Mint Liaison to the CCAC, Ms. Jennifer Warren, if we are

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aware of any members of the press who have remotely signed

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on to this public meeting?
MS. WARREN:

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Yes, sir.

This is Jennifer Warren.

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Mike Unser, founder and editor of CoinNews Media Group,

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LLC.

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Media.

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now on through the internet rather than the phone.

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that's awesome.

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And Paul Gilkes, Coin World senior editor, Amos
And sir, I believe that's because Mr. Saunders is

THE CHAIR:

Thank you.

And

For the record, I would

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like to confirm that the following Mint staff are attending

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the meeting today.

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present after I've called your name.

Please, sir/dear ma'am, please indicate

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Meeting

January 24, 2023
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April Stafford, chief, Office of Design
Management.

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MS. STAFFORD:

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THE CHAIR:

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Present.

Megan Sullivan, senior design

specialist.

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MS. SULLIVAN:

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THE CHAIR:

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MR. VASQUEZ:

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THE CHAIR:

Pam Borer, design manager.

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MS. BORER:

Present.

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THE CHAIR:

Russell Evans, design manager.

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MR. EVANS:

Present.

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THE CHAIR:

Boneza Hanchock, design manager.

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MS. HANCHOCK:

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THE CHAIR:

Joseph Menna, chief engraver.

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MR. MENNA:

Present.

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THE CHAIR:

Mike Costello, manager of design and

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Present.

Roger Vasquez, senior design manager.
Present.

Present.

engraving.

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MR. COSTELLO:

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THE CHAIR:

Present.

Jennifer Warren, director of

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legislative and intergovernmental affairs and liaison to

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the CCAC.

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MS. WARREN:

Present.

And I also want to note

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that Director Gibson, Ventris Gibson is on the call as well

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because she's not on your list.
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Meeting

January 24, 2023
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THE CHAIR:

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MR. SCHORN:

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THE CHAIR:

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Robin Terry, legal counsel to the Harlem

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John Schorn, chief counsel.
Present, it's Schorn.
Schorn.

My apologies.

Hellfighters Congressional Gold Medal.

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MS. TERRY:

Present.

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THE CHAIR:

Brendan Tate, senior government

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affairs specialist, Office of Legislative and

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Intergovernmental Affairs.

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MR. TATE:

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THE CHAIR:

Present.
And finally, I want -- just want to

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note for the record that we will be joined -- actually we

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have been joined, as you can see them now, the liaisons for

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the Harlem Hellfighters Congressional Gold Medal.

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Richard Harris, who is the John L. McMullen Professor of

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Humanities at Webb Institute in Glen Cove, New York, and a

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member of the Board of Trustees and chair of Exhibits

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Committee of the North Shore Historical Museum in Glen

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Cove, New York.

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Dr.

And Dr. Salter, who is a retired U.S. Army

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Colonel, and military historian, and African American

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historian, and currently serves as president of the

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Pritzker Military Museum and Library.

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I'd like to begin with the Mint.

Are there any

issues that need to be addressed before we begin?
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Meeting

January 24, 2023
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MS. WARREN:

Dr. Brown, this is Jennifer Warren.

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I did see that Donald Scarinci just got on as well, so we

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should have all members on the call.

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THE CHAIR:

Outstanding, and thank you.

I'd like

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to take just a moment to acknowledge our outgoing member,

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Mary Lannin.

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was initially appointed by then Deputy Secretary Raskin and

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then reappointed by then Secretary, Mnuchin, in 2018, on

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the recommendation of the then House Minority Leader, Nancy

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Mary served on the CCAC since 2014, which she

Pelosi.
During her time on the CCAC, Mary served on the

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CCAC Working Group and also served as chair of the CCAC in

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2015 and in 2021.

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American Numismatic Association and the American Numismatic

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Society, as well as a member of numerous numismatic

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societies including the Royal Numismatic Society, the Swiss

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Numismatic Society, the San Francisco Ancient Numismatic

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Society, the Pacific Coast Numismatic Society and the New

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York Numismatic Club.

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Mary is a life member of both the

I consider, and I think as many members of a CCAC

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here, consider Mary a dear friend and colleague.

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know that many of us on the CCAC will miss her

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contributions because -- and we will continue to embrace

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them as we go forward because you could not be a member of

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the CCAC and learn from the experience with Mary.
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And I

Meeting

January 24, 2023
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Now we will move to the first order of business.

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And the introduction is swearing it on Mr. John Saunders,

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who was appointed by Secretary Yellen on December 6, 2022,

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for the position recommended by the then House Minority

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Leader, Kevin McCarthy.

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I'd like to also introduce and welcome John

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Saunders, who was appointed -- sorry about that.

So, to

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welcome him, John, you know, I know that you've been a

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professional numismatists for many years and coin

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collector. I often like to say I'm a coin collector more

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than a numismatist.

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feeling.

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Belgium from Ancient to Modern Times. I like to welcome

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John to the Citizens Coinage Advisory Committee and look

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forward to his contributions.

I know you and I probably share that

But he is a co-author of The Gold Coinage of

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MR. SAUNDERS:

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THE CHAIR:

Thank you.

Director Gibson, the Director of the

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Mint will administer the oath to Mr. Saunders.

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it over to Director Gibson.

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MS. GIBSON:

So, I turn

Good afternoon, and thank you, and

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welcome you all, and specifically Mr. John Saunders.

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Dr. Brown mentioned, you are a lifelong numismatists.

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you have attended many coin shows, you've owned and sold

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ancient coins, and you taught college classes on the

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history of coinage.

So, for that, we say thank you.

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As
And

And

Meeting

January 24, 2023
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we enthusiastically welcome you to the CCAC.
Mr. Saunders, in just a moment I have the honor of

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administering the oath of office to you.

And with this

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oath, you will fill the position on the CCAC appointment

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based on the recommendation of the House Minority Leader,

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now a House Majority Leader.

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Speaker of the House, and join a very select and

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prestigious group of individuals invested in U.S. coins and

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medals.

And -- I'm sorry, now the

Mr. Saunders, would you please do me the honor of

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raising your right hand and then repeating after me?

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it clearly.

Yes.

I do solemnly swear.

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MR. SAUNDERS:

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MS. GIBSON:

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MR. SAUNDERS:

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MS. GIBSON:

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MR. SAUNDERS:

MS. GIBSON:

That I will support and defend.
The Constitution of the United

The Constitution of the United

Against all enemies, foreign and

domestic.
MR. SAUNDERS:

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That I will support and defend.

States.

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I do solemnly swear.

States.

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I see

Against all enemies, foreign and

domestic.

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MS. GIBSON:

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MR. SAUNDERS:

That I will bear true faith.
That I will bear true faith.

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Meeting

January 24, 2023
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MS. GIBSON:

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MR. SAUNDERS:

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MS. GIBSON:

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MR. SAUNDERS:

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MS. GIBSON:

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MR. SAUNDERS:

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MS. GIBSON:

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MR. SAUNDERS:

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MS. GIBSON:

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MR. SAUNDERS:

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MS. GIBSON:

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MR. SAUNDERS:

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And allegiance to the same.
That I take this obligation freely.
That I take this obligation freely.
Without any mental reservation.
Without any mental reservations.
Or purpose of evasion.
Or purpose of evasion.
And that I will and well.
And that I will and well.
And faithfully discharge the duties.
And faithfully discharge the

duties.
MS. GIBSON:

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And allegiance to the same.

Of the office on which I'm about to

enter.
MR. SAUNDERS:

Of the office which -- of which I'm

about to enter.
MS. GIBSON:

Ms. Saunders, you may let your hand

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down now. And congratulations and welcome to the Citizens

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Coinage Advisory Committee.

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forward to working with you, but having your input and your

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support as we chart a path for the Mint and for the

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American public going forward.

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to say a few words.

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MR. SAUNDERS:

And not only do we look

So, I'd like to invite you

Well, thank you all.

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And, you

Meeting

January 24, 2023
Page 12

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know, with the one meeting beforehand, I've figured out

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that I'm joining quite an elite group of people, quite a --

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people that have, you know, consistent interests in

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numismatics coinage along with my interests.

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pleased to be part of this group.

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contribute in some way that's useful.

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to meeting, really know everybody better. It's quite a nice

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group of background.

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committee has got something special going.

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And I'm very

And hope that I can
And I look forward

It does seem like everybody on the
So, I thank you

for letting me be part of your group.

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MS. GIBSON:

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THE CHAIR:

Dr. Brown, your microphone is muted.
I apologize.

That's one of the

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handicaps when we are in fact having these virtual

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meetings.

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aboard once again, and to let you know that each member of

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the CCAC will do so in their unique way when we get

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together next month, I have no doubt about that.

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But Mr. Saunders, I want to again welcome you

Moving on to the next order of business, and that

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is to -- and I know that many of the members have received

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a revised minutes.

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a motion to say if any comments based on the revised

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minutes of the meeting of November 15, 2022, the revision

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was in fact…

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25

MR. GILL:

So, I'd like to in fact entertain first

Mr. Chairman, this is Sam Gill.

I do

have one correction, and that is that I was not present at
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Meeting

January 24, 2023
Page 13

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that meeting, I had a travel conflict.

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the record to reflect that accurately.
THE CHAIR:

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Thank you, Sam.

And so, I'd like

So, we need a motion

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to in fact approve the minutes with the revision of in fact

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not having Sam being present during that meeting…

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MR. VAN ALFEN:

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THE CHAIR:

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MR. VAN ALFEN:

Hi, this is Peter van Alfen.

MR. BERNSTEIN:

And this is Arthur Bernstein,

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Go ahead, Peter.
So,

moved.

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Mr. Chairman, this is Peter.

second.

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THE CHAIR:

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those in favor, aye.

Based on a motion and a second.

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UNIDETIFIED SPEAKERS:

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THE CHAIR:

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motion?

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approved.

All

Aye.

Are there any objections to the

If not, without objection, the minutes will be

Now I'd like to have a motion to approve the

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letters to the secretary from our meeting of November 15,

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2022.

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MR. VAN ALFEN:

This is Peter van Alfen, so moved.

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MR. GILL:

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THE CHAIR:

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UNIDETIFIED SPEAKERS:

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THE CHAIR:

This is Sam Gill, I second.
All those in favor, aye.
Aye.

Are there any objections to the

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Meeting

January 24, 2023
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motion?

If not, and without objection, the minutes and the

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letters are now approved.

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like us to spend a few moments about is to recognize the

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Fiscal Year 2022 accomplishments as reflected in the annual

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report of the Citizens Coinage Advisory Committee.

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it is important that we recognize this, particularly since

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we have returned from virtual meetings to in fact the in-

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person meetings during, the first one in June of 2022.

The next order of business I'd

I think

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The CCAC met a total of five times in fiscal year

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2022, reviewing 15 design portfolios for programs including

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three Congressional Gold Medals, five circulating coins,

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one bullion, and six numismatic products, such as the

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American Innovation dollar, and a Native American dollar.

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With finally being in-person, we have the

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opportunity to say formal good-byes to several of our CCAC

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colleagues, including Tom Uram, who was recommended by the

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United States speaker of the House, and Jeanne Stevens-

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Sollman, who represented the interest of the general

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public, and Robert Hoge, who was specifically qualified in

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numismatic curation.

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As this meeting is the last under my term as CCAC

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chair, I will be starting the second term probably at the

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next meeting that we need at the end of this month.

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forward working with the CCAC because we have a lot of

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great things ahead of us in 2023, including receiving
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I look

Meeting

January 24, 2023
Page 15

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reports from the Future Numismatic Themes Working Group, as

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well as the Semiquincentennial Working Group, which they

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will report to us and we will in fact share that with the

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full CCAC and the public in the upcoming year.
Having then spoken about those, I'd like to move

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6

to the next item on the agenda, which is a review of the

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candidate designs for the Harlem Hellfighters Congressional

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Gold Medal.

9

the interest of full transparency, I'm an Army veteran.

I must tell you that and for our liaisons in

10

So, I know I have a thousand questions.

But as a chair, I

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will defer to my colleagues to let them ask the questions

12

as I know they will have.
But before we do so, I'd like to turn it over to

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14

April Stafford, who's the Chief of the Mint's Office of

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Design Management, who will introduce the program and

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present the obverse and reverse candidate designs with a

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Congressional Gold Medal to the Hellfighters.
MS. STAFFORD:

18

Thank you so much.

First, a little

19

background on this program.

It is Public Law 117-38 that

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awards a Congressional Gold Medal to the 369th Infantry

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Regiment, commonly known as the Harlem Hellfighters, in

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recognition of their bravery and outstanding service during

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World War I.

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originally organized in 1916 as the 15th New York National

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Guard.

The unit known as the Harlem Hellfighters was

They gave themselves the nickname "The Rattlers"

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Meeting

January 24, 2023
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and adopted the image of a rattlesnake as their symbol.
They were transported to France, re-designated the

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3

369th Infantry Regiment and assigned to support the French

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in spite of an official U.S. policy to keep all American

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troops under American control.

6

Hellfighters received abbreviated training, and were issued

7

French equipment, including rifles and the Adrian helmet,

8

but maintained their Doughboy Uniforms.

There, the Harlem

The Harlem Hellfighters were known not only for

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10

their bravery, but also for their morale-boosting marching

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band.

12

introduced jazz music to European audiences.

13

ended on November 11, 1918, the Harlem Hellfighters had

14

served more days in the combat zone than any other American

15

regiment.

16

citation, and 171 members were individually awarded the

17

Croix de Guerre for bravery.

Under the direction of James Reese Europe, the band
When the war

They were awarded a French Croix de Guerre unit

The Harlem Hellfighters faced unconscionable

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19

discrimination before, during and after the war.

For this,

20

their story is disturbing and often infuriating.

However,

21

it is also about the extraordinary bravery, dedication, and

22

sacrifice about the amazing courage and dignity the Harlem

23

Hellfighters exhibited in the face of battle and racial

24

prejudice.

25

As you noted before, Mr. Chairman, the Mint worked

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Meeting

January 24, 2023
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with two experts in the development of this portfolio;

2

doctors Harris and Salter.

3

this discussion.

4

your time.

5

committee?

Doctors Harris and Salter, appreciate

Would you like to say a few words to the

MR. SALTER:

6

They are joining us today for

Absolutely.

First of all, it is my

7

honor to be here.

I am a veteran as well.

And I happen to

8

be a military historian and an African American military

9

historian having the opportunity to put the history

10

together with Richard.

11

what I'm going to do is just sit and answer any questions

12

you may have.

13

and so just happy to be here.

And I think

I am aware of the two initial selections,

MR. HARRIS:

14

It has been an honor.

I also -- this is Richard Harris.

15

also am honored to be here and to be involved in the

16

discussion of the Congressional Gold Medal for the Harlem

17

Hellfighters.

18

the medal began several years ago when I found out that

19

there were, in fact, from Glen Cove, a small town on Long

20

Island, there were over three dozen members of the Harlem

21

Hellfighters on that one town.

22

and mounted an exhibit, and that was what more or less set

23

things off and finally ended up with the Congress passing

24

that and it's been signed by President Biden on August 21,

25

2021.

This -- I think this whole movement towards

And I began doing research

So, again, I certainly appreciate this opportunity.
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I

Meeting

January 24, 2023
Page 18

MS. STAFFORD:

1

Thank you so much.

And so, without

2

further ado, we'll share the portfolio of candidate

3

designs.

4

liaisons identified as their preferences, as well as the

5

recommendations from the U.S. Commission of Fine Arts.

6

if we could advance ahead, you'll first see Obverse 4, this

7

is the preference of both of our liaisons that are with us

8

here today.

At the top, we will feature the designs that our

And it is also the recommendation of the CFA.

Moving on to reverses, you'll see Reverse 2.

9

So,

This

10

is the identified preference of our liaisons.

11

you'll see Reverse 3, which is the recommendation of the

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CFA.

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to the Harlem Hellfighters' musical contribution, their

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cultural contribution with jazz music, and appreciated very

15

much the designs, this one in particular that incorporated

16

a reference to that.

17

portfolio, that if recommended to go to the secretary, we

18

would have to reverse the position so that the American

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flag is on the left.

20

And then

The CFA felt very strongly that the design should nod

And we do have two designs in the

In addition to preferring this design because of

21

the musical instruments, the CFA recommended should it move

22

forward that the Croix de Guerre, which they understand is

23

very, very important to our liaisons, to be included in the

24

composition, actually become a medal and hang from a

25

ribbon, as you can see in some of the other designs, and so

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Meeting

January 24, 2023
Page 19

1

that would mean shifting the inscriptions appropriately.

2

They also recommended that the flag depict the

3

flag that would have been in use at the time and have the

4

appropriate number of stars.

5

removing the inscription, "LET'S GO," "RATTLERS," and

6

wanted to know, you know, if the liaisons felt very

7

strongly that the campaigns that the Harlem Hellfighters

8

were involved in, if that was very, very important to be

9

included on the reverse, perhaps that is something that

They suggested considering

10

could be discussed.

11

liaisons as well as the recommendation of the U.S.

12

Commission of Fine Arts.

13

So, those are the preferences of our

We'll go ahead and go through the portfolio of

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obverse designs.

15

depicts a battle-hardened Harlem Hellfighters affixing his

16

bayonet as he prepares to join his comrades in a charge.

17

The flames in the background represent battlefields

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conditions and the infamous name of their regiment.

19

inscription is "HARLEM HELLFIGHTERS."

20

depict a uniformed World War I American infantry men from

21

the 369th Regiment with a prominent Croix de Guerre emblem.

22

The inscriptions are "HARLEM HELLFIGHTERS," "RATTLERS,"

23

"15TH NEW YORK NATIONAL GUARD," and "U.S. ARMY 369TH

24

INFANTRY REGIMENT."

25

Starting with Obverse 1.

Obverse 1

The

Obverses 2 and 3

This is 2 and 3.

Moving on to Obverse 4, which again is the
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1

preference of our liaisons as well as the recommendation of

2

the CFA.

3

American infantry men from the 369th Regiment.

4

inscriptions are "HARLEM HELLFIGHTERS," "15TH NEW YORK

5

NATIONAL GUARD," and "U.S. ARMY 369TH INFANTRY REGIMENT."

6

This design depicts three uniformed World War I

Moving on to reverses 5 and 6.

The

I'm sorry,

7

observes 5 and 6.

These designs depict the Harlem

8

Hellfighters in uniform along with the inscription "HARLEM

9

HELLFIGHTERS."

In Design 5, seen here, he stands in a

10

World War I trench.

11

a draped American and French flag.

12

features the inscriptions "U.S. ARMY 369TH INFANTRY

13

REGIMENT" and "15TH NEW YORK NATIONAL GUARD".

14

And in Design 6, he stands in front of
This design also

Obverse 7 features a portrait of a Harlem

15

Hellfighter.

16

INFANTRY REGIMENT," "15TH NEW YORK NATIONAL GUARD", and

17

"ACT OF CONGRESS 2021".

18

Harlem Hellfighter in full uniform carrying his rifle.

19

inscriptions are "CHAMPAGNE-MARNE DEFENSIVE," "AISNE-MARNE

20

OFFENSIVE," and the "MEUSE-ARGONNE OFFENSIVE."

21

The inscriptions are "U.S. ARMY 369TH

Obverse 8 features a portrait of a
The

Obverse 9 depicts two Harlem Hellfighters on a

22

battlefield in France during World War I.

23

American Doughboy uniform with the French Adrian helmet and

24

an armed -- and armed with the Lebel Model 1886 rifle.

25

inscriptions are "U.S. ARMY 369TH INFANTRY REGIMENT,"
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The

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1

"HARLEM HELLFIGHTERS," and the "15TH NEW YORK NATIONAL

2

GUARD."
Obverse 10 depicts four Harlem Hellfighters

3
4

charging forward from the trenches during World War I.

5

inscription is "HARLEM HELLFIGHTERS."

6

three Harlem Hellfighters in a fierce charge and the

7

inscription, "HARLEM HELLFIGHTERS."

8

Harlem Hellfighters in a trench on the battlefront.

9

inscriptions are "CHAMPAGNE-MARNE DEFENSIVE," the "AISNE-

Obverse 11 features

Obverse 12 depicts

10

MARNE OFFENSIVE," and the "MEUSE-ARGONNE OFFENSIVE".

11

And finally, Obverse 13 depicts two Harlem

The

12

Hellfighters on the battlefront.

13

"U.S. ARMY 369TH INFANTRY REGIMENT" and "ACT OF CONGRESS

14

2021."

15

on to the reverse designs.

16

The inscriptions are

Those are the obverse candidate designs.

I'll move

Reverse 1 features the Croix de Guerre atop

17

crossed American and French flags.

18

the design is the musical score for a passage from James

19

Reese Europe's, On Patrol in No Man's Land.

20

inscriptions are, "OVER THE TOP," "LET'S GO," "MEUSE-

21

ARGONNE," "CHAMPAGNE-MARNE," and "AISNE-MARNE."

22

The

Arched over the top of

The

Reverse 2 features the Croix de Guerre Medal,

23

crossed American and French flags, and the coiled rattler

24

insignia, representing the accomplishments of the Harlem

25

Hellfighters.

Crossed olive branches represent the peace
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they helped bring to Europe.

2

MARNE OFFENSIVE," "MEUSE-ARGONNE OFFENSIVE," and

3

"CHAMPAGNE-MARNE DEFENSIVE."

4

preferred design of our liaisons.

5

move forward to the secretary for consideration, we will

6

have to be switching the placement of the American and

7

French flags.

Again, this reverse is the
And note, if it is to

Reverse 3 represents a commemorative crest

8
9

The inscriptions are "AISNE-

assembled from elements significant to the 369th Infantry

10

Regiment.

A coiled rattlesnake insignia, the French and

11

American flags, the Croix de Guerre, a French Berthier

12

rifle, and a tenor saxophone.

13

ARMY 369TH INFANTRY REGIMENT," "LET'S GO," "RATTLERS,"

14

"2021," "AN ACT OF CONGRESS."

The inscriptions are "U.S.

Please note, this is the recommendation of the CFA

15
16

and there are several suggested edits that they have noted.

17

I've shared those at the top of the meeting.

18

again, if this were to move forward, the American flag

19

would necessarily be placed on the left and the French on

20

the right.

21

And the Mint,

Reverses 4 and 4A feature a detailed view of a

22

Doughboy Uniform with the Croix de Guerre medal.

23

inscription is "U.S. ARMY 369th INFANTRY."

24

inscription on Design 04 is "RATTLERS."

25

The

The additional

And 4A.

Reverse 5 depicts elements closely associated with

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the Harlem Hellfighters.

The Croix de Guerre, adorned with

2

a bronze star, crossed American and French flags, the

3

coiled rattler patch, a crossed rifle and saxophone, and

4

three campaign streamers representing the "CHAMPAGNE-MARNE

5

DEFENSIVE," the "AISNE-MARNE OFFENSIVE," and the "MEUSE-

6

ARGONNE OFFENSIVE."

7

Croix de Guerre, representing the total number of medals

8

awarded to the 369th Regiment.

The inscription "171" is below the

Reverse 6 depicts the Croix de Guerre and the

9
10

inscriptions "U.S. ARMY 369TH INFANTRY REGIMENT," and "ACT

11

OF CONGRESS 2021."

12

Guerre and The Rattlers insignia, along with the

13

inscriptions "THE OLD 15TH," "U.S. ARMY 369TH INFANTRY

14

REGIMENT," and "ACT OF CONGRESS 2021."

Reverses 7 and 7A depict the Croix de

Reverse 8 depicts a crossed rifle and trombone

15
16

with American and French flags hanging, representing both

17

the bravery and the music that the Harlem Hellfighters

18

brought to Europe.

19

star and The Rattlers insignia.

20

"HARLEM HELLFIGHTERS," "AISNE-MARNE OFFENSIVE," "MEUSE-

21

ARGONNE OFFENSIVE" and "CHAMPAGNE-MARNE DEFENSIVE."

22

finally, reverses 9 and 9A feature The Rattlers insignia.

23

The inscriptions are "HARLEM HELLFIGHTERS" and "RATTLERS."

The inscriptions are

Mr. Chairman, that concludes the candidate

24
25

The design also features a five-pointed

designs.
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THE CHAIR:

1

Thank you so much, April.

I'm

2

pointing now back to the Committee and asking are there any

3

technical or legal questions from the Committee about this

4

program or these designs for the Harlem Hellfighters

5

Congressional Gold Medal before we begin our general

6

discussion.

7

to mention your name before you offer your comments or

8

questions.

Again, ladies and gentlemen, please remember

MR. VAN ALFEN:

9

Dr. Brown, this is Peter van

10

Alfen.

I do have a question -- a technical question for

11

gentlemen concerning reverse number 4 and 4a.

12

that there should be sort of textured, if I understand the

13

representation here.

14

this texturing be done in production?
MR. MENNA:

15

It seems

And if that's so, is -- how would

This is Joe Menna, Peter.

We would

16

simply take the very same texture file that the designer

17

used to generate this image extensively in Photoshop or

18

perhaps SketchBook Pro and would -- we would be able to

19

actually use that to emboss the texture.

20

was necessary, we have the liberty to slightly scale it up

21

to make it readable, 3 inches.

And if we felt it

And same thing, the stitching would also be done

22
23

by hand.

And everything here would be eminently legible.

24

The only thing I'd say we might cheat a little bit, and I

25

don't mean that, you know, you know, you know what I mean,
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the badge below "infantry", the finesse of those lines, we

2

would come up with a device to make that readable as

3

corrugated the way it is as well.

4

all this work at three inches, basically.

5

MR. VAN ALFEN:

6

THE CHAIR:

7

All right.

Thank you.

Are there any other questions from

members of the committee?
MS. WARREN:

8
9

All this -- we can make

Sorry, this is Jennifer.

Donald has

his hand up.
MR. SCARINCI:

10

A question for April.

You know, I

11

think that, you know, Obverse 1 looks to me to be the most

12

artistic one.

13

committee.

14

Was it not in their consideration at all, or just a little

15

bit?

Is -- was Obverse 1 close, you know, for the

How did the constituent feel about Obverse 1?

MS. STAFFORD:

16

So, I will say for the CFA, they

17

did not have much, if any discussion, over Obverse 1.

18

we do have our two liaisons here, doctors Salter and

19

Harris.

20

Obverse 1 as an option?

Would you like to comment on your perspective of

MR. HARRIS:

21

But

Sure.

This is Richard Harris.

22

Well, we do.

We finally decided that, well, with Obverse

23

1, we didn't spend a lot of time considering that either.

24

And we decided that we liked Obverse 4 the best for several

25

reasons.

For, one, it depicts several soldiers and we
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wanted to recognize the 369th as a unit as opposed, for

2

example, to focusing on one of the greatest hero, Henry

3

Johnson.

4

and I were discussing this that there's a photo essay, I

5

guess you call it book links (ph), titled Willing Patriots.

And also I know I had mentioned when Dr. Salter

And I think one thing that really struck me in

6
7

going through that book was the look of -- the sense of

8

dignity that you could tell on the soldiers pictured there.

9

And I think that's one thing we wanted to try to capture

10

here.

11

would say were one that we wanted to suggest with three

12

figures the sense of the whole regiment, so to speak.

13

for me, personally, as I said, I'm so struck by the

14

photographs of that book that I hope we would be able to

15

convey something of that.

16

So, the two considerations, I think, as far as I

And

If I could mention one thing, I also think that

17

here that the -- on this edition, with this copy, it has

18

"15TH NEW YORK NATIONAL GUARD" and "U.S. ARMY 369TH" on the

19

obverse and the reverse, and I don't think we need to

20

repeat those.

21

actually just had the "15TH NEW YORK NATIONAL GUARD" on the

22

front with HARLEM HELLFIGHTERS and then the 369TH U.S. ARMY

23

INFANTRY REGIMENT on the reverse.

24
25

I think the last design we were looking at

THE CHAIR:

Thank you so much.

an additional question?
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MR. SCARINCI:

Yeah.

If I may follow up.

On

2

that reverse, how did you feel, I mean, with the Commission

3

on Fine Arts suggestion for Reverse 3, if we change -- you

4

know, if by motion after the vote, we change the legend on

5

the top?

6

picked by including the instrument?

7

I'm asking.
MR. SALTER:

8
9

You think it's better or worse than the one you

No.

I guess that's what

We spoke about this.

So, we do

actually like this one with the instrument because it --

10

with the weapon and the instrument, it does highlight two

11

of the significant importance of the 369th.

12

lot of folks know the Harlem Hellfighters because of the

13

369th band.

14

that they were in the trenches and fighting longer than any

15

other regiment, so that's why the rifle.

16

this.

You know, a

But what we really wanted people to know is

And so, we like

17

We would recommend that it would be reversed,

18

that you would have the rifle overtop of the saxophone.

19

And I guess when you're talking about the text, I'm

20

assuming you're referring to the U.S. Army 369th Infantry

21

Regiment.

22

reasons we like this combination as well is you do get both

23

of the historic names on the coin.

24
25

So, going back to Richard's point, one of the

On the front side, you get the original name, the
National Guard name.

And on the backside, you'll get the

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Army designation name.

2

So, we would recommend, as Richard said, that only the --

3

you know, the 15TH NEW YORK be on the front side because

4

you do have the 369TH on the back.

5

the two questions you asked.
MR. SCARINCI:

6
7
8
9

So, now you're showing front four.

Yes.

And I think those are

That's very helpful.

Thank

you.
MR. SALTER:

Yeah.

And the only -- the other

thing I want to say is, you know, we had a long discussion

10

when we were writing the historical overview.

11

one of the things, you know, you know, being a military

12

historian and an African-American history historian and

13

combining both of those, the African-American military

14

experience, which is what I've been studying and writing

15

about and teaching for the last 30-some-odd years, you

16

know, the magnitude of the African-American service.

17

You know,

So, to go back to that first coin, you know, you

18

have one individual as very artistic, you know.

But we

19

wanted to show as many folks as possible and we figured

20

that, you know, three would be the maximum.

21

that distinguish focus look of a soldier who was either

22

going into combat or soldier who has been in combat and who

23

was proud to be serving for his country.

24

know, why we like four the best because you do get these

25

three striking images.

You know, with

So, that's, you

And one of the things -- and now as

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I'm looking at this when the change has been made, I see in

2

the middle soldier the chin strap does match the others.

3

MR. HARRIS:

Also if I could add the -- as far

4

as the reverse is concerned, if we could go back to that

5

for just a second.

6

-- it's the other one, the R-3.

7

talked last night about this for a while.

8

the flags have to be reversed with the American flag on the

9

left.

Thank you.

A couple of other -- by the
Krewasky and I actually
And certainly

Also we thought that it is -- because when we

10

thought about it, it is important to have the

11

acknowledgement of the significance of the band.
But as he said, we got -- we put the rifle on

12
13

top.

There were soldiers first and also musicians.

In

14

terms of the overall design of this, we thought probably

15

too we could eliminate the text, "LET'S GO," "RATTLERS"

16

because we have the unit's insignia with -- with the stake

17

on it.

18

recommended that the Croix de Guerre be shown as a medal to

19

be worn.

20

with the ribbon.

And so, also the fine arts -- the arts committee

And so, what they suggested was that it be shown

21

And we agreed that to do so, what we would need

22

to do with this design would be to make the insignia, the

23

rattlesnake smaller, so we could have that design of the

24

Croix de Guerre with a ribbon on it.

25

were the main -- I think those were the main points we had

And I think those

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So, that, again, just to sum up have

1

discussed last night.

2

the lettering at the top, make the -- switch the position

3

of the flags, put the rifle over the saxophone, delete

4

"LET'S GO," "RATTLERS," and put a ribbon with the Croix de

5

Guerre.

6

THE CHAIR:

Much appreciated.

7

MR. SCARINCI:

Mr. Chairman, before I relinquish

8

to Joe, you know, I mean, maybe we should consider -- I

9

mean, that was very articulate and very thoughtful analysis

10

of these two designs.

11

time, maybe to streamline the conversation when we're ready

12

to talk about the designs, those of us who are supporting -

13

- who would support obverse 4 and reverse 3 with an

14

amendment to make the changes as suggested, maybe we don't

15

need to speak.

16

others who feel that there is another candidate that they

17

prefer to support, maybe they could just -- I think they

18

could be the ones to speak and see if they could persuade

19

us better than the constituents have certainly persuaded

20

me…

And we can save a little time.

THE CHAIR:

21
22

comments.

23

But let's turn to Joe.

24

times there.

25

And maybe in order to save some

And the

Well, thank you so much for your

We will certainly take that under consideration.

MR. MENNA:

He had his hand up a couple of

Thank you, Mr. Chairman.

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This is Joe

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Speaking to Mr. Harris' point, I was -- I paid

1

Menna.

2

attention when the CFA mentioned lowering the medal over

3

the insignia.

4

consideration, instead of really shrinking the insignia as

5

the award is gifted to these heroes, you could lower the --

6

you could lower the medal so it overlaps the insignia just

7

a little bit, maybe shrink the insignia a touch, but by

8

having the insignia overlap -- lowering the insignia, so it

9

overlaps, not touches the snake but overlaps a little bit

And I would say just as a point of

10

as it's been gifted, it's awarded to these heroes and then

11

we can give you the top of the ribbon too but not too much

12

of it, like not sure of the full ribbon.

13

if you shrink the insignia, you might lose some -- I'm not

14

going to editorialize as to what your wisdom is.

15

the insignia is important to you, that's just another

16

option I would present.
THE CHAIR:

17

Because I think

But if

That's all.

Thank you, Joe.

Now I have a couple

18

of questions, I think, maybe instructive to the Committee

19

members.

20

feedback.

21

uniform?

22

about having served in the military, but it'll be

23

interesting to hear from your stories about where that came

24

from.

25

So, if I can pose them to the liaison to get some
Can you share with us the term of Doughboy
Where did that come from?

MR. SALTER:

I have never heard

You want me to take that one,

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1

You know, that is --

Richard?

2

MR. HARRIS:

Sure.

3

MR. SALTER:

-- a loaded question.

There are --

4

this is one of those questions that, you know, you have

5

different answers.

6

going back to marching and your uniform getting caked up

7

with a lot of the soil and the dust.

8

know, several different interpretations.

9

you're hitting the nail on the head.

But one of the ones that I stick to is

But there's, you
So, I think

There is no one

10

historical tie to that, but that is the one that I have

11

heard the most.
THE CHAIR:

12
13

Richard, do you have additional

comments?

14

MR. SALTER:

I think you're on mute, Richard.

15

MR. HARRIS:

And Krewasky, correct me if I'm

16

wrong.

17

well go back to the Mexican War 1845-'48.
MR. SALTER:

18
19

But as I remember, this -- that term Doughboy may

Yeah.

That's what I'm talking

about, the marching in the --

20

MR. HARRIS:

Right.

21

MR. SALTER:

And that's the first footage we have

22

of soldiers.

Matter of fact, we have footage of buffalo

23

soldiers and rough riders as early as the Mexican -- no,

24

not the Mexican.

25

War.

You're talking about the Spanish-American

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1

MR. HARRIS:

Yeah.

Well, I've read also that

2

this -- the term may go back to the Mexican War, but

3

certainly was used during the 1898 Spanish-American War.

4
5

MR. SALTER:

MR. HARRIS:

10

As you've said, I don't think

there's any final agreement on it.
MR. SALTER:

8
9

Spanish-American War is where

I heard it from.

6
7

Yes.

You're right.

And of course, that

has no significance on the Congressional Gold Medal.

I

mean, they are wearing the U.S. Army Doughboy Uniform.
THE CHAIR:

11

My next question has to do with the

12

musical aspect of this.

13

the fact that they were in the trenches? So, when did that

14

manifest itself to become part of this historical picture?
MR. SALTER:

15

How did that manifest itself given

That is -- that's actually from the

16

very beginning.

So, Richard Hayward (ph) and I know

17

Richard can jump in as well.

18

commander who was picked to recruit African-American

19

soldiers in New York.

20

thing about the Harlem Hellfighters is they had a low

21

number of African-American officers.

22

officers.

23

and his men recruited is, guess who, James Reese Europe.

24

It's just like any other thing, you know, what will allow

25

you to go out and recruit.

You know, he was the

And one of -- and this interesting

They only have five

And one of the first individuals that Hayward

So, really from the very

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1
2

beginning, our -- look like someone else was talking.
So, really from the very beginning, the musical
Pomp and Circumstance has always been

3

component was there.

4

a part of military units.

5

Europe, although the majority of the soldiers do stay

6

downrange in the trenches, the band, just like in a lot of

7

units today, is a separate entity of a regiment, of a

8

brigade, of a division or corps.

9

went on tours while the majority of the other soldiers did

10
11

And then when they get to

And so, the band actually

actually stay in the trenches.
So, it was concurrent.

And the reason I said at

12

the beginning, that's what most people know them about

13

because that is a part of the genesis also of jazz being

14

brought to Europe.

15

can go back to a few stories before then.

16

the popular vision that a lot of the French had and a lot

17

of the Americans remember from the 369th.

18

Of course, you know, there was -- you
And so, that is

It's almost like the entertainment arena gets

19

more visualization today.

But we thought the weapon needed

20

to be there because they were American soldiers. They did

21

spend 191 days in the trenches.

22

German casualties as early as 14 15 April.

23

individuals who shot one of the first Germans, and those of

24

you who are artists know of Horace Pippin.

25

was a 369th Infantry soldier.

They had their first

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Horace Pippin

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1

So, I mean I could go on and on but the genesis

2

of the saxophone and the band really goes back to the very

3

beginning with recruiting and it lasted throughout.

4

unfortunately, as we know, James Reese Europe lost his life

5

just months after coming back and getting into a scuffle

6

with a band member.

I believe they were in New York.

I

7

don't know if you want to add anything else, Richard.

I

8

think you went back on mute, Richard.

9

and went back on mute.

10

MR. HARRIS:

That's right.

And

You came off of mute

As you said, the band

11

was a very important element of the 369TH.

12

February of 1919 when the 369th returned, there was a march

13

up, a parade up Fifth Avenue and the band was a big part of

14

that also from basically, Madison Square around 23rd Street

15

up into Harlem.

16

And in fact, in

And the band was a big part of that.

So, that's why we thought about at least

17

recognizing the band not only for that but also of course

18

it's said because it was really the James Europe's band

19

that brought jazz to Europe, to France.

20

from everything I've read was not simply interesting to the

21

French, but they went crazy over jazz.

22

MR. SALTER:

Yeah.

And evidently,

They loved it.

From the time they stepped

23

off the ship that they were playing jazz music. And playing

24

the French national anthem actually is one of their first

25

songs they played when they arrived on New Year's Eve, New
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1

Year's Day of 1918.

2

THE CHAIR:

One of the benefits of being on the

3

CCAC is to hear about the historical context of the

4

programs that we are reviewing.

So, for that reason that

5

I've asked you these questions.

I have one other question

6

that has to do with context, and then I'll turn to design

7

issue.

8

century since these, in fact, soldiers, in fact did their

9

heroic events.

I'm sort of curious, out of almost more than a

What do you think are the factors that explain

10
11

that has taken us as a country so long?

12

you shared with us, were it not for those members from Glen

13

Cove, New York, I'm not sure that we might be where we are

14

now today.

15

you, whether you can help us to appreciate the importance

16

of this real gold medal, Congressional Gold Medal, in light

17

of what you know about the historical context why are we

18

here today?

19

And that, Richard,

So, I'm just curious about -- from the two of

MR. HARRIS:

Well, I think the one thing, it was

20

very interesting, when we had at the museum I worked with,

21

in November of 2017, we had a celebration there of the

22

Harlem Hellfighters and actually a -- the Purple Heart was

23

given to the daughter, Sophie (ph) of Long Island, the

24

daughter of one of the Harlem Hellfighters.

25

It's been very difficult for us to locate other
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It's something that the Committee -- the

1

descendants.

2

Harlem Hellfighter Recognition Committee that I've been

3

chair of, that we've been working on.

4

very quickly that at that gathering in the museum, I am

5

sure that we were far over the limit for people as far as

6

the fire marshal was concerned.

But I would say this

But half a block away, there was a fire on that

7
8

very morning.

And he ended up being up there and didn't

9

come down to see if we have far too many people in the

10

museum.

But it's -- I think, in part, it's just a

11

fascinating story.

12

interested in the First World War and I knew who the Harlem

13

Hellfighters were.

And as I said, what I -- I've long been

But when I started going through old newspaper

14
15

articles from 1918 in the local library and I saw here the

16

names of all these people, here's -- this happened, that

17

happened, I thought it was an absolutely fascinating story

18

that really should be brought to the attention, at least,

19

of the community.

20

Glen Cove who were Tuskegee Airmen, and my wife and I

21

interviewed one of them.

22

together.

23

And there were also a couple of men from

And so, the whole thing then came

Mr. Krewasky, if you want to, Salter?
MR. SALTER:

Okay, yes, so I'll try to give you a

24

historical overview that actually kind of starts back in

25

the era of 1918.

But first, let me just kind of start, you
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This is when I was

1

know, holding up, you know, this book.

2

at the Smithsonian, We Return Fighting, an exhibition that

3

I had the opportunity to curate as well.

4

African-American experience during World War I.

It's about the

So, why is it so important today?

5

Number one, by

6

the time you get to World War I, African-Americans have

7

been serving this country in uniform since pre-American

8

Revolution.

9

wars.

So, first of all, they have been in all those

And so, when you get to World War I and you just

10

think about the 369th, which is one of eight regiments,

11

African-Americans and their white officers, especially for

12

the 369th had to fight for the right to fight.
We hear that for World War II.

13

But they had to

14

fight for the right to fight because people still didn't

15

think that they were able to be good soldiers on the

16

battlefield.

17

after the war because we had Red Summer and we were still

18

in, you know, separate but equal and a racial environment.

19

We had the Read Summer.

So, that brings you up to 1918.

And then,

Most African-Americans were really forced and

20
21

encouraged to take off their uniforms and not wear their

22

uniforms because some folks felt that going overseas and

23

the equal treatment that they had received, that they were

24

bringing back this attitude that now they were equal in

25

America.
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1

And so, I always tell folks that I believe World

2

War I generation, these men and women planted the seeds for

3

the World War II generation to execute the civil rights

4

movement, white and black.

5

World War II, you're still fighting to prove that you are a

6

soldier.

7

really celebrated.

8
9

Because still when you get to

And so, African-American military history was not

And this is to go real fast to the sweep, it was
the movie Glory in '18 -- in 1998, '99, that really got

10

people interested, well, man, there were African-Americans

11

in the Civil War.

12

oversweep, until we get to the centennial.

13

point, why is it so important now?

14

And then, I can give you a historical
But to your

It was the centennial that made most of America

15

and most of the world really aware of the significant

16

contribution of the American experience and also that there

17

was an African-American experience.

18

curator at the Smithsonian, which is right across from the

19

Met, we were still finding that there are African-Americans

20

who are living today who are just now finding out that they

21

had a grand uncle, or a grand cousin, grandfather who

22

served in World War I because all of that stuff was either

23

destroyed or put in a box because they were forced to

24

suppress it.

25

And while I was a

So, now with this medal band out there, it's no
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People will begin to start researching

1

longer suppressed.

2

their history, people with African-American descent.

3

to Richard's point, when they had the exhibition up in his

4

region, you know, once people find out that African-

5

Americans were there, they come out and their pride in

6

being an American begins to flow out even more because now

7

they know that, hey, I had a relative who was instrumental

8

in World War I.

And

And I just like to close because as a historian,

9
10

you give us the mic and we might talk too long.

I would

11

like to close by saying, you know, the 369th was one of

12

eight regiments.

13

19 percent of all of African-Americans who served during

14

World War I.

15

million served overseas.

And those eight regiments were less than

Four million African-Americans served, 2

And that was approximately 10 percent of the

16
17

American unit -- units that served -- 400,000 I mean

18

because there were 4 million Americans, approximately 10

19

percent.

20

important today because now it illuminates not only them,

21

but the other experiences of African-Americans during World

22

War I.

23

So, that's my historical overview why this is so

THE CHAIR:

So, I want to thank both of you

24

because as I mentioned that one of the benefits of being on

25

the CCAC is to hear the context of the design portfolios
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And while I do understand and

1

that we are reviewing.

2

praise my colleagues on the CCAC, please forgive me, I know

3

that our normal rhythm is that we don't typically take this

4

amount of time.
But I felt that this was so critical since we

5
6

were considering in this program and at this time that when

7

there's going to be future versus we're going to look at

8

the history of this that the record will be able to assist

9

them to further explore this in a way that helps to reveal

10

even more information.
Turning to the design, I'm sort of curious

11
12

between your -- two of you.

They lay -- the designs that

13

have, in fact, our obverse 10, 11 and 12 have designs that

14

have soldiers in action.

15

thinking about not embracing those above the one that you

16

favored, particularly given the fact that you mentioned

17

that the rifle was more important than the saxophone.

18

There you've gotten three designs where soldiers are in

19

action.

20

your favor compared to the ones that you selected.

I'm sort of curious as to your

I'm sort of curious why those did not in fact meet

MR. SALTER:

21

I think for myself, and I'll just go

22

first, and you kind of hit on it, you know, when you say

23

the rifle is more important than the saxophone.

24

if I said that, I'm not sure. I mean, they're both very

25

important.

I'm not --

But I wanted to make sure that for the American
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1

public, and it really is true as a historian, I heard it

2

more times than I would like to have heard that everyone

3

knew about James Reese Europe and the band.

4

knew what the soldiers did in the battlefield.

They rarely

And so, when you look at these three designs,

5
6

there is nothing that talks about the band.

There is no

7

instrument there.

8

Richard and I talked about.

9

make sure that both of those aspects came out.

So, that was one of the things that
You know, we really wanted to
You're

10

showing the three, you know, you see them in the trenches,

11

but you don't see the other aspects.

12

any medal on them, there's nothing about their insignia,

13

the Rattler.

14

when you look at a soldier, sailor, airmen or marine's eyes

15

and you can kind of see the determination.

16

I shied away from these three personally.

And I just kind of like, personally, the fact

THE CHAIR:

17

I don't think there's

So, that's why

Regarding obverse 11, I have sort of

18

curiosity.

19

curious to ask you whether or not, I'm sorry.

20

that one.

21

in fact, two of them have the same type of weapon that's

22

different from the third.

23

with soldiers of the same rank?

24

MR. SALTER:

25

I can demonstrate obverse 11.

And I'm sort of
Yes.

Yes,

So, with this, it seems that the soldiers have,

Would that have been the case

And so, you know, that's one of the

things as a technician, you know, I'm a military historian,
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1

kind of the history, the cultural aspect, and when you

2

start talking about weapons.

3

and it's a show rifle.

4

actual scene?

5

about, you know, having two rifles and a soldier charging

6

in the center because World War I was a trench warfare

7

battle.

8

Vietnam War, where you would see a scene like this.

9

soldiers were like this and they were going across the

So, yes, they used a Lebel

So, but would this have been an

I just, you know, I was just concerned also

It wasn't like World War II, the Korean War or the
If

10

battlefield, number one, you would see the no man's land

11

and all of the dents and the terrain barbed wire, which you

12

do see in others.

13

of more of an artistic, heroic charge, which I'm not sure

14

would have been accurate for 1918.

15
16
17

This one just kind of gave me the feel

THE CHAIR:

Thank you.

Peter, actually, you have

a comment or question?
MR. VAN ALFEN:

Yeah.

In fact, this just touches

18

on the depiction of the weapons.

19

there seem to be a number of inaccuracies and possible

20

problems with the depictions.

21

not sure, I wasn't able to find out for myself and I

22

couldn't find any depictions that were clear enough.

23

were issued Lebel or Berthier rifle, do you know, or both?

24
25

MR. SALTER: No.

Because I did notice that

One question that I had, I'm

They

I think they were issued both.

And that's one of the things, like I said, I'm not really
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1

clear on when they transitioned and got some of the French

2

weapons.

3

from.

4

know, called two of my best friend scholars, and they say,

5

yes, you know, both weapons were used, but all historians,

6

they didn't really go into detail about when and where and

7

when they would have used each particular weapon.

8
9

So, that's one of the other reasons I shied away

And I looked at a lot of readings.

MR. VAN ALFEN:

I even, you

I don't want to delay this too

long, but if we do go ahead with reverse, I believe it's 3

10

with the depiction.

Yeah, reverse 3 with the depiction of

11

the Berthier rifle.

That seems to me to be the three

12

rounds version and not the five-round version, which would

13

have a protruding magazine below the stock.

14

1918 or 1917, April 1917, the French were using the five

15

round version almost exclusively.

16

being issued to the Hellfighters, I'm sure would've been

17

the five-round magazine.

18

be modified with a protruding magazine for more accuracy.

19

So, I'll leave it at that.

20

we can make an amendment to make that modification.

21

And I think by

And so, if this was

So, this would, I think, need to

MR. SALTER: Right.

If we go ahead with reverse 3,

And I think we answered the

22

question about the weapons and said that we weren't quite

23

sure exactly which one would be the best one to depict.

24

But I do agree that further research should be done to make

25

sure the right weapon for 1918 is in this image.
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1

Thank you so much.

THE CHAIR:

And unless

2

there's any other questions from other members of the

3

committee, technical or legal, then I suggest that we begin

4

our consideration.

5

please try to keep their comments to 5 or minutes or less,

6

except for those, in fact, we feel that they have something

7

that might be especially beneficial for the consideration.

8

Additionally, if any members have questions or comments

9

about the program other than those that we've spoken about

I would like to remind members to

10

already, let's hold these until you are recognized and or

11

wait until the end of the discussion of the program when we

12

will have the opportunity to ask those questions.

13

benefit of the court reporter, again, for those calling in,

14

I ask that you state your name when you begin speaking.

15

So, let us begin our deliberations with Dr. Dean Kotlowski.
MR. KOTLOWSKI:

16

For the

Thank you, Mr. Chairman.

17

Just to say congratulations to Mr. Saunders on joining us

18

with his appointment.

19

on your reappointment as chair for another year.

20

before, it's not only an honor, it's a pleasure to work

21

with you.

22

and Salter.

23

century.

24

this depth with the Harlem Hellfighters, but I do mention

25

them, and I do think it's very important.

And congratulations, Mr. Chairman,
As I said

And the heartiest of welcomes to Doctors Harris
I am a U.S. political historian of the 20th

So, I teach World War I, I don't go into quite

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1

persuaded me about something, now I'm going to try to

2

persuade you on something.

3

do an exchange here.

4

that way.

5

important.

6

War era, some of these jazz musicians engaged in cultural

7

diplomacy through the U.S. Government.

8

articles written about this, and I think it's kind of

9

important.

10
11

So, let's see if we can maybe

We don't, it doesn't have to be quite

But, you know, the jazz music was very
And, you know, if you fast forward, in the Cold

There's been

So, you know, where I'm going to start is, is

with the reverse and take a look at what was there.
You know, the obverse and the reverse that the

12

liaisons pick, I usually am very deferential to what the

13

liaisons want here, and they make good recommendations.

14

And if you match them up, your original preferences,

15

obverse and reverse, they make a nice solid, you know,

16

congressional gold medal, looks a lot like the gold medals

17

that we issue.

18

It's good to go back and forth here.

19

obverse, you do have three and you have them more or less

20

in profile.

It was a very classic design, you know.
I mean, with the

And I'm talking about, you know, if you look at

21
22

obverse 4.

And then if you go to the original reverse,

23

which I think is reverse 2, this is the original

24

preference.

25

And I like how the medal hangs there.

Yeah, that's a good solid, you know, design.
I have to say,

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1

Chairman Brown mentioned Mary Lannin, Mary, I have to give

2

her the credit here.

3

coined, no pun intended, the phrase, the tabletop test.

4

You have some coins on the table and what really catches

5

your eye?

And what caught my eye is, again, looking at the

6

reverses.

I don't think I'm going to get very far with

7

this, so this is not the persuasive part, Dr. Salter and

8

Harris, but the one that caught my eye was number 4,

9

because I thought number 4 had great artistry and 4 and 4A

She developed this concept.

She

10

both really zero in on the Croix de Guerre and on the

11

soldier's uniform.
And, you know, we see a lot of military designs,

12
13

you know, things for military-themed coins and medals.

14

this has got a level of detail, a close-up, a perspective

15

that we really don't see.

16

this.

17

even liked 4A where Rattlers was missing, and it was a

18

little bit more of a cleaner design.

19

colleagues are going to feel about that.

20

And

I don't remember anything like

I really like the, this design.

I like 4, and I

Not sure, how my

But if we go back to what I'm hearing, which is

21

an openness, quite a bit of openness to design three.

This

22

is Obverse -- excuse me, Reverse 3.

23

look at reverse 3.

24

we're doing a lot of -- well, we're talking about a lot of

25

changes, and I'm getting a little trouble trying to

We can just take a

I guess maybe one of my concerns is

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visualize the changes.

2

I have to say, Dr. Salter and Harris, you did

3

persuade me, you got me to drop my reservation about the

4

saxophone, this was my reservation.

5

almost all of the members of the 369th carried a gun, a

6

rifle, used it, but not all of them obviously played jazz

7

music.

8

the rifle over the saxophone.

9

very creative design that at least gets people thinking

We could assume that

So, where you all helped me was the idea of putting
And I do think this is a

10

about the contributions of the interactions of peoples from

11

two different countries.

12

different races, and what that meant.

13

that's very important.

And you could even say two
And I think that

Now, as we go back to the obverse.

14

I do think it

15

is important, even when we talk to the liaisons and when

16

we're deferential to what they want to just give some shout

17

outs to the designs of the artists.

18

some terrific designs here, and you know, just a really

19

brief shout out to obverses 2 and 3.

20

soldier depicted here is very nice-looking, he is very

21

determined.

22

number 9.

23

combat type situation, as you might expect, what I'm

24

leading up to here is the, using the tabletop test, what

25

caught my eye was obverse 1, it really strongly caught my

So, because there are

I think that the

And also, just a little bit of a shout out to
You see a couple of soldiers in combat, in a

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I normally do not like depictions of people,

1

eye.

2

individuals where, you know, it's a frontal view and not a

3

profile or a side view.

4

was a little concerned as I was looking at this, about the

5

fire in the background, if people, if that would be clear,

6

I'm dropping that concern.

7

what you have here, and I wonder if there's any

8

appreciation of this by the liaisons or my member -- my

9

colleagues on the committee.

But I thought this one worked.

I think it is clear.

I

I think

You have the individual

10

soldier, and you have the unit, and you have action, and

11

you have activity.

12

the Appalachian Harlem Hellfighters, you get the sense that

13

these guys really were going through hell, if you don't

14

mind me putting it that way.

And with the inclusion of the fire and

So, I felt that this was a very, very strong

15
16

design.

17

be is -- we could call it an emerging alternative design to

18

the original preference.

19

one with the saxophone and the rifle.

20

And, I think it would pair well with what seems to

That's a mouthful, which is the

So, that was a lot to say, and there's a lot

21

there for consideration.

But this is a rich portfolio, a

22

lot of interesting designs.

23

other members of the committee ask you some excellent

24

questions, and we're very, very grateful for your

25

participation in the way in which you have illuminated

And we have our chair and

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And I'm going to say one more thing.

I loved Dr.

1

this.

2

Salter, how you mentioned the film Glory.

3

who knows anything about the film will say, "What, that was

4

about the Civil War."

5

start in a mass way of creating knowledge about African-

6

American military contributions, you know, beginning with -

7

- you think it could go earlier, but let's just say from

8

the Civil War onward, extremely important.

9

much, Mr. Chairman.

10
11
12

THE CHAIR:

Because anybody

But no, this is where you really

Thank you very

Thank you so much, Dean.

Well, let's

turn now to Robin.
MS. SALMON:

This is Robin Salmon.

Thank you,

13

Dr. Brown, and thank you so much, everyone, for this most

14

interesting history lesson.

15

Carolina, so the Battle of Secessionville is something that

16

I know a lot about.

17

lot of Western ancestors.

18

African American in the West, the Buffalo soldiers, and

19

then really the first real cowboys were African American.

20

This is all something that is very much in my mind

21

representing art.

I really want to go more with the, the

22

artistic designs.

And of course, the one that passed

23

Mary's tabletop test for me was Obverse 1.

24

single soldier representing so many, I think is powerful.

25

Not only does it symbolize the importance of the African-

I'm a native of South

And on my father's side, there are a
And so, the significance of the

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1

American in World War I, but farther back in our country's

2

history, the soldiers running in the background that -- in

3

incused design is, I think adds to the beauty of this

4

particular design of the medal.

5

And I'm happy to have confirmed that that is fire
I wasn't able to get the descriptions

6

in the background.

7

of the design.

8

thinking maybe that was the coast of France, but fire makes

9

a lot more sense.

So, I was a little bit at a loss, and I was

The other single designs that I

10

especially liked were number five, showing the single

11

soldier in the trench, very much what those soldiers were

12

doing during World War I, and underscoring the significance

13

of that.
Also, number six, same soldier, but with the

14
15

flags in the background.

It just takes it a little bit to

16

a different thought process of -- he's finished his work

17

now and he's being honored.

18

reverse?

Are we going on to the

19

THE CHAIR:

Yes, please.

20

MS. SALMON:

21

also immediately caught my eye.

22

symbolism, the significance of the Croix de Guerre being

23

given, I think can't be underestimated or overestimated.

24

And this just appeals to me on so many different levels.

25

And I think, it represents, again, that important symbol of

Yes.

Okay.

The reverse, number 4,

Again, the very heavy

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1
2

Let's see.

the history.

Having said all of that, I would not go against

3

any of the designs that you have preferred and will lend my

4

support where it may be best utilized.

5

shout out some of these really beautiful designs in my

6

estimation.

7
8
9

But I did want to

Thank you.

THE CHAIR:

Thank you so much, Robin.

Let's turn

now to Art.
MR. BERNSTEIN:

This is Arthur Bernstein.

With

10

regard to the obverses, I lean towards the preferred design

11

of the liaisons and the CFA.

12

appreciate the perspective of going down the line of the

13

free soldiers.

14

medal for a group, I prefer a design which incorporates

15

multiple individuals.

16

That would be Obverse 4.

I

And as has been mentioned because this is a

That being said, Obverse 8 was attracted to me.

17

Again, that's a solo soldier.

18

very stiff.

And to me, that added a life-like element to

19

the design.

I could just see the soldier diligent in his

20

duties and standing at attention.

21

was exciting.

22

reverses, the preferred design of the liaisons, 02, would

23

also be my first choice.

24
25

I found the depiction to be

And to me, the stiffness

That's my comment on the obverses.

On the

I appreciate the balance, that it incorporates
all the details, the medal, the flags, the emblem, the
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But I also want to support something said by

1

campaigns.

2

two of the previous speakers, the 4 and 4A designs I found

3

to be attractive.

4

that small portion of the uniform.

5

texture that Peter mentioned in his technical question, the

6

texture of the uniform, which presumably is, is that heavy

7

wool that those soldiers had to wear.

I really appreciate the

And I think showing that pocket flap on the

8
9

They're non-traditional, incorporating

reverse ties in nicely with what might be the obverse,

10

where you see the whole uniform also featuring those

11

pockets on the three soldiers going across.

12

Chairman.

13
14
15

THE CHAIR:

Thank you so much.

Thank you, Mr.

Let's turn now to

Mike Moran.
MR. MORAN:

Thank you, Dr. Brown.

Let me take a

16

personal observation first.

I can remember growing up, and

17

I was always a student of war, being just -- it was just

18

part of me.

19

And one of the pieces there was on the Lost Battalion,

20

World War I, and the bravery those men showed.

21

they had no choice, their backs were against the wall.

22

two weeks ago, I was out in Nashville on a Saturday morning

23

and going for a walk.

24

did, there was Sergeant York in heroic size, prominently

25

displayed on the hill there with the Capitol.

And watching Walter Cronkite you are there.

Problem was

I did the Capitol Grounds.

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And

As I

He's a folk

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1

hero.

2

And I just opened the portfolio on the 369.

And

3

when I did, I went, oh, my God, none of these people held a

4

candle to what this unit did.

5

question, Lawrence, was somebody took an eraser to their

6

history.

7

disgusting.

8

this and saw that, oh, wow, these people really, really

9

were good.

And the answer to your

We all know who did it.

We did.

And it's

I really felt like screaming as I got into

But look at the way they were treated.

They

10

didn't get to finish their advanced infantry training

11

because the supplies were building up at the ports in

12

France, and they needed some truck drivers, so they just

13

shipped them over.

14

And then when Pershing gets all his troops there

15

or some of them there, and the French and the English want

16

to piecemeal out into the slaughterer houses of their own

17

trenches, Pershing wouldn't let them do that.

18

fight an individual area with Americans under his

19

generalship.

20

again, the 369th was part of that solution.

21

disgusting.

22

No, he did have a solution.

He wanted to

And there we go
It's

And being a Saint-Gaudens person, I know the

23

movie Glory and what that showed, as well as the Memorial

24

in Boston Common is that these people were human and they

25

died just like the rest of us, for a cause.
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1

facts that is not really well known is that a significant

2

number in the Union Army at the end of the Civil War were

3

African American, a significant number.

4

that.

So, enough of

Turn to these, yes, the tabletop test is number

5
6

one on the obverse.

7

Somebody give me paper, number 1, up there.

8

there, it's not art, but it is very, very effective.

9

art, yes, but it's not artsy.

10

So, let's look at it for a second.
What you have

And it grabs you.

It is

And it

represents the whole unit.
You have the dividing line between the individual

11
12

separated by the bayonet and the unit in combat.

And the

13

way the sculptor has depicted the unit in combat, basically

14

gives you the anonymous horror of war.

15

soldiers against flames.

16

of the Mint that is this strong, this emotional.

17

just spell by me, but it's not artsy.

Silhouetted

I've not seen anything come out
It is

And you want to have somebody take a look at

18
19

something and recognize the grit of these people, what they

20

went through.

21

number 4.

This does it, and it does it better than

22

Number 4 is three soldiers in a line.

And I'm

23

not sure that the detail and the emotion that come out in

24

this sketch will completely translate when you put it into

25

medal.

But I also tell you that we've done this before.
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None of this committee was

1

We did it at Montford point.

2

there except for Donald when we did that one.

3

were three African American soldiers just like this.

4

has been done before, and it's okay, but after I looked at

5

what these people went through, I want the best for them

6

and the best.

7

the best I've seen come out of this Mint, period, for a

8

medallic design, and that's number 1.

9

it, and I'm not going to back off.

But those
This

It's not just tabletop, it's not artsy, it's

So, I'm strongly for

Reverse, here we go, designed by committee.

10
11

Jesus Christ, we're going to do it.

I can see us doing it.

12

It's going to be number 3, and we're going to have all

13

sorts of motions at the end of it.

14

idea what this thing is going to look like when you shrink

15

down that insignia and hang the ribbon from the Croix de

16

Guerre.

17

to point out that the best work is 4 and 4A, the only

18

reason I wouldn't be pushing 4 and 4A is it completely

19

ignores the physical aspect of this unit.

20

is just as, almost as important, not quite.

21

deserves to be recognized somewhere on this medal.

22

don't think you can work it in on the guy's lapel or his

23

pocket.

24

medals I would've ever seen would've been number 1 on the

25

obverse and number 4 on the reverse.

And none of us have any

But I'll be right there with you.

So, I hate to pass that one up.

But I do want

And that, to me,
And it
And I

One of the best

But you can't do it.

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1

So, here we go.

2

done, Lawrence.
THE CHAIR:

3
4

We're going to design by committee.

appreciate it.

5

I'm

Thank you so much, Mike, really

Let's turn now to Sam Gill.

MR. GILL:

Thank you, Dr. Brown.

Well, my

6

colleagues are eloquent as usual in bringing up all sorts

7

of things that make me think, which I appreciate very much.

8

The truth is, I could have accepted any single design on

9

the obverse or the reverse from this, this group.

I think

10

they're all very well done.

11

appreciated each and every one of them.

12

anything that that really affected me negatively in any

13

way.

14

were well reasoned.

15

going to start with number 1 obverse.

16

and others that this is a real standout design.

17

certainly grabs you when you look at it, and I appreciate

18

it very, very much, the determination in this man and what

19

he's obviously going through.

20

4 is a, represents the entire regiment.

21

understand that, I appreciate that, and I'm going to

22

support that.

23

For the reverses, 4 and 4A were superb.

24

very much.

25

don't bring in the history of the regiment.

The art is great.

I

I didn't see

But having said that, I think the liaison's choices
I'm going to go back to, but I am
I do agree with Mike
It

But I also agree that number
And I can

I like them very,

The only negative I have with them is they

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1

the history of the regiment is really, really important

2

here.

3

persuaded now that their contributions to music was

4

exceptional.

5

such a way with the parade, their band.

6

were stuck in the trenches with the other soldiers fighting

7

for everything, they still managed to do that too, which

8

was, gives them two contributions.

9

So, I would certainly be happy with number 2, but I think

So, that would take us to two or three.

I am

And when they came back, they were honored in
And whereas they

And I appreciate that.

10

it would be generous and good to recognize their

11

contribution to the jazz and the music.
But at the end of the day, whatever the choices

12
13

of those are all going to make a very fitting tribute to

14

these fine soldiers.

15

know more about them and to learn about this whole history

16

thing.

17

what a terrible, terrible fighting event it was.

18

I'm very, very thrilled that these soldiers can be honored.

19

Thank you, Mr. Chairman.

And it's just a real thrill for me to

And anyone who has studied World War I realizes

20

THE CHAIR:

Thank you.

21

MR. VAN ALFEN:

And so,

Let's turn now to Peter.

Thank you, Dr. Brown.

I have to

22

say that my colleagues -- well, in fact, before I turn to

23

the designs, I also would like to congratulate Mr. Saunders

24

for joining the CCAC, and Chairman Brown for the second

25

term as Chair.

And I also would very much like to thank
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1

our liaisons for their very informative and instructive

2

contribution earlier this afternoon.

3

And that said, I do have to join, I feel, with my

4

colleagues, Dean, Robin and Mike, who I think have all

5

expressed support for obverse 1 and reverse 4 much more

6

eloquently and probably forcefully than I could.

7

that these are two very, very strong designs.

8

this would make an exceptionally beautiful and attractive

9

and just stunningly appropriate medal for honoring the

10

I think

And I think

Hellfighters.
I find reverse or Obverse 4, the preference to be

11
12

fine, to be adequate.

And I certainly do understand the

13

notion of having the unit rather than the individual as

14

representing units of the importance.

15

Obverse 1 to be a much, much more powerful design.

16

terms of the reverses, I believe its 2 and 3, are adequate

17

and I think that they would do all right.

18

they're particularly striking.

19

Reverse 4, I do think is an outstanding design.

But I do find
And in

I don't think

But 4, I think is really --

And again, I think that that would be just a --

20
21

make a wonderful medal.

22

of Reverses 2 and 3 or Obverse 4, but I do think you'd be

23

much better served with obverses or Obverse 1 and Reverse

24

4.

25

I certainly won't stand in the way

So, thank you very much.
THE CHAIR:

Thank you.

Turn now to Harcourt

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1

Fuller.

MR. FULLER:

2
3

Dr. Fuller?

All right.

I'm sorry.

Thank you.

I guess I was muted.

Can you hear me now?

4

THE CHAIR:

Yes, well.

5

THE CHAIR:

All right.

Thanks.

Well, first of

6

all, again, I'd like to join my colleagues in welcoming Mr.

7

Saunders to our team, and also to congratulate Dr. Brown

8

for his second term.

9

to everyone on this call who has served their country, our

I also want to express my gratitude

10

beloved country in the military.

I'm very happy that we

11

are reviewing this portfolio on the cusp of Black History

12

Month.
Mr. Chairman, I hope I can stay in within the 5

13
14

minutes.

15

said, as historians you sometimes have to cut us off, but

16

I'll try to keep it short.

17

participation of blacks, Africans, people of African

18

descent, African-American in military history.

19

certainly General Colin Powell's PBS special that he did,

20

where he narrated the participation of African-Americans in

21

the various theaters of American military history certainly

22

piqued my interest in that.

23

But as how my colleague, one of the liaisons

I have a great interest in the

And

And also, I think what this program, the Harlem

24

Hellfighters, the reason why I really love this is because

25

it not only allows us to look at the participation of
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But for me, it

1

African-Americans in the First World War.

2

also helps us to think of it in a larger context of the

3

participation of people from the -- blacks from the

4

Caribbean, as well as Africans from the continent who also

5

served in the First and the Second World War, et cetera.

6

And there's a lot of research going on about that as well.

7

So, I think this will only highlight that, which is good

8

for everyone.

9

With that said, I would like to endorse Obverse 4

10

and Reverse 2, which are the choices of the liaisons.

11

if I may, I just wanted to give a shout out and make some

12

comments about some of the other ones, which my colleagues

13

have already opined on.

14

But

So, if we can go to Obverse 1.

I agree with everyone that this, to me, is

15

probably the most striking design.

16

person, I get emotional.

17

it makes you feel like you want to serve.

18

It just -- this person is a human being.

19

I look at this person, I feel like I'm looking at my uncle

20

or someone that I know, personally.

21

patriot, this person is a fighter.

22

just -- it grabs me.

23

marks to this even though as I said, I'll go along with the

24

recommendations of the liaisons.

25

When I look at this

I feel like -- I mean, sincerely,

This person, when

This person is a
And it just makes, it

And so, I will be giving some high

If we could go to Obverse 2 as well.
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1

also like 2 as well as 3, because I think they do, they

2

allow you to get into sort of the fact that we're talking

3

about human beings.

4

They're not just drawings, right, they represent actual

5

people.

You almost feel like these are real.

If we could go to 5, please.

6

I really, really

7

like this one because we are talking about the First World

8

War.

9

feel that brings you into the trenches.

And I think this is one of the few of them that I
I know that there

10

are other designs that show the trenches but they don't

11

give you that close up of the soldier's face and his

12

determination.

13

would give high marks to that.

14

And just to wrap up, if we could go to the reverses,

15

reverse -- let's go to 1, please.

16

also gave marks to 5 and six.

17

8.

18

So, I really like this one again, and I

I like 1 as well.

I

But I will end with Reverse

Yes, I particularly like this one.

I think

19

again, it shows, both flags.

I really like the artistry on

20

the rifle overlapping with the trumpet.

21

homage to the fact that they were soldiers, as well as

22

musicians.

23

these deliberations.

24

those who have served this great country.

25

forward to these medals coming out, whichever ones we

Again, paying

So, once again, I'm honored to be a part of
Again, thanks for your service for

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1

decide on.

THE CHAIR:

2
3

Thank you.
Thank you so much.

Let's turn to

Dennis Tucker.
MR. TUCKER:

4

Thank you.

And Dr. Brown, I want to

5

applaud you and thank you for facilitating this excellent

6

conversation.

7

question, why did it take so long for this medal to be

8

authorized.

9

Congressional Gold Medals is representation.

And in particular, I appreciate your

One of the important functions of
And now,

10

finally, thanks to Congress, thanks to Dr. Harris, Dr.

11

Salter, the Harlem Hellfighters will take their rightful

12

place in the pantheon of officially recognized American war

13

heroes.

14

see you, we recognize you, and we honor you.

15

very important messages.

It's been a long time coming.

This medal says we
Those are all

Mike, thank you for your analysis of Obverse 1.

16
17

I agree that this satisfies what Joe Menna has called the

18

arm's length test, what Mary calls the tabletop test.

19

going to give some merit points for Obverse 1.

20

cinematic in style.

21

often see in Congressional Gold Medal design, it looks like

22

a movie poster.

23

contrary, it's part of its appeal.

24

design.

25

I'm

It's

And that's something that we don't

And that's not a criticism.

On the

I think it's a great

On the reverse, I, like Dean, I initially
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1

preferred Reverse 2 to Reverse 3, the one that does not

2

show the saxophone.

3

frivolous compared to the weight of the combat service of

4

the Harlem Hellfighters.

5

discussion, I, like Dean, I've changed my mind on that.

6

And I do like Dr. Salter's idea of imposing the rifle over

7

the saxophone.

8

their combat service.

9

The saxophone, to me, almost felt

But thanks to our liaisons'

I think that would give more weight to

All of this said, I think the liaisons' design

10

preferences, I think the Obverse 4 will make a dignified

11

and handsome medal.

12

Congressional Gold Medal design.

13

It's a good traditional, solid

So, for that reason, I endorsed that choice.

14

endorse the choice of Reverse 3.

15

States Mint for its work, its excellent work.

16

Dr. Brown.

17

THE CHAIR:

Thank you.

18

MR. SCARINCI:

I

And I thank the United
Thank you,

Let's turn to Donald.

So, I really think -- I really

19

liked Mike's exposition of obverse 1, and that's clearly

20

the most artistic of the group, and the most the most

21

stunning, really, of the group and an obverse that would

22

definitely stand out.

23

sorry, Obverse 4, which is what the liaison wants, I

24

understand why they like it.

25

other congressional medals, gold medals of the military

The Obverse 3, which is -- I'm

It's kind of very similar to

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That doesn't really

1

nature that we've issued in the past.

2

stand out to me in any way.

3

But the constituents have, seem to have thought this

4

through.

5

Medals, I don't really like to substitute our judgment for

6

theirs, unless they seem a little less engaged or if they

7

disagree.

8

committed to Obverse 4.

9

in the way of that, even though it's not the best choice

10

here.

And you know how I feel about Congressional Gold

In this case, the constituent group seems to be
So, I'm not really going to stand

I vote for that.
You know, and the reverse that they want, we'll

11
12

have to do amendments after the vote, but, it's as good as

13

any.

14

the musical instruments above the gun because I think

15

there's a symbolism to that, putting the musical instrument

16

above the gun.

17

that it should be the other way around, I'll support that

18

amendment as well.

19

So, I'm being very agreeable to the constituent group and I

20

applaud the fact that you have clearly thought this

21

through.

22

can articulate your support for.

23

So, I could live with that.

I would personally keep

But if the constituent group feels strongly

And you have clearly made a selection that you

So, I'm just going to go along with it even

24

though I don't think it's -- I don't think the obverse is

25

the best but so be it.
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1
2

THE CHAIR:

Turn now

to Mr. John Saunders.
MS. WARREN:

3
4

Thank you so much, Donald.

Sir, your microphone is muted, Mr.

Saunders.

5

MR. SAUNDERS:

6

THE CHAIR:

7

MR. SAUNDERS:

How's it now?

Good.
Before I get into individual

8

designs, couple of overall comments.

First is I would like

9

to agree with what Mike said, very eloquently, that World

10

War I was an awful thing for everybody in it.

It decimated

11

a generation.

12

outstanding bravery and were among the best of the best,

13

and they got pooped upon and not -- didn't receive credit

14

and it's time to do something about it.

15

really agree with the idea of the medal.

And this particular group clearly showed

So, I think -- I

The second thing is, this is my first meeting, I

16
17

was very impressed with the work that the consultants, the

18

experts, the Mint, everybody has done in bringing a group

19

of designs.

20

When you have the little checkmark for artistic merit, I

21

had to get every one of them a checkmark.

22

that the consideration that's gone into this is very, very

23

good.

24
25

I couldn't say that I hate any one of them.

I just think

And I'm quite frankly impressed.
I'm going make some comments for a couple of

designs, and I want to make a comment in general first.
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1

all are numismatists, interested in coins, interested in

2

our job here.

3

rifle should have three bullets or six bullets, I mean

4

that's detail we get into, which is good.

5

a lot of people who look at things, the first impression is

6

what is good.

7

impression basis but I didn't like some of the things in

8

the first impression basis.

9

that as well as details.

10
11

We study these designs, we -- whether the

But I also think

And I like some of the things on a first

So, I'm going to talk about

I'm not going to go into a whole

lot with this.
In terms of Obverse designs, initially, I gave 3

12

and 4, 3 points, and 2, almost 3 points.

But looking at

13

design 1, I didn't like it, and again, this is my first

14

impression thing.

15

guy was holding an umbrella.

16

looked closer, figured out.

17

favor of Obverse 1 strongly if we can show the point of the

18

bayonet, so it's real clear that's a bayonet on a first-

19

impression basis.

When I first looked at it, I thought the
You know, I looked at it,
So, I think I would be in

20

The other comment I have on it is, to echo

21

something Robin said, I didn't get that it was a flames at

22

first, I thought it might be a map too.

23

looked at it and said that doesn't look like any coast of,

24

any part of Europe because I particularly know of, unless

25

there was some particular battle there.
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One, you show the point of

1

So, I would suggest two things.

2

the bayonet and making clear that it's a bayonet.

3

if there's anything to make it more clear that the flames

4

are flames, maybe some textures in the flames would do it.

5

But if we can fix that, I would strongly favor Obverse 1.

And two,

That said, I like the -- I like 4 just fine as

6
7

well.

I appreciate the comment on 5, that it shows the

8

trench warfare, I like the design of it better.

9

like 7, because when I first looked at it, maybe this

I didn't

10

reminds me of a picture of the New York firefighter.

11

don't know what firefighter refer with that.

But I

I didn't like 10 because until you see the guy in

12
13

the trench, it looked like people were stepping off a stage

14

rather than coming out of the trench.

15

coming out of the trench, behind people are going forward.

16

On those bases, I didn't really like it.

17

struck me.

When I first looked at it, looks like some

18

gangsters.

I mean they're shooting machine guns.

19

like something out of Eliot Ness.

20

liked it better, but I hope you don't mind me giving a few

21

off-the-cuff first impressions.

And why is some guy

Eleven kind of

It looks

On consideration, I

Going on to reverse, I think number 3 is the

22
23

best.

I wasn't in love with 4 and 4A as much as some other

24

people.

25

coins, it kind of reminded me of a matte proof, i.e., I'm

Maybe it's because I never did like matte proof

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1

not sure how well it technically is going to come up.

2

I like 3, so, I'd like to go with 3.

3

strong comment about 3.

4

But

I have one other

I like the saxophone on top, as Don just said.

5

Not so much for the symbolic reason, is I like the detail

6

of the saxophone.

7

We don't need the detail of the rifles there.

8

the way that the saxophone, the detail of the buttons on

9

the thing.

Everybody knows what a rifle looks like.

And I think you'd lose something if we put the

10

saxophone underneath.

11

the saxophone on top.

12

But I like

So, I would very much support having

In terms of the medal, I don't see a need to

13

shrink it.

14

do it like number 2 by creating a gap in the legend, so you

15

could do it, I wouldn't -- I think it's fine as it is, I

16

wouldn't put it on top of the badge.

17

please keep the saxophone on top.

18

If you wanted to show the -- on a suspension,

So, I like 3, just

And let me see if there is anything else here.

I

19

think that's about my comments.

20

dislike the ones where I said gave me a weird first

21

impression.

22

first impressions on things as well as our detailed study

23

of things.

24
25

And again, I didn't

I just still think we should be aware of our

Thank you.

THE CHAIR:
welcome aboard.

Thank you so much, John.

And again,

My colleagues, I want to extend…
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MR. SAUNDERS:

Thank you.

Thanks everybody for

2

the welcome to -- congratulations, Dr. Brown, for your re-

3

appointment as well.

4

forward to that dinner the next month, get to see -- get to

5

meet everybody in person.

6

THE CHAIR:

So, I'm looking forward to -- looking

We are looking forward to it as well.

7

Joe, if -- I saw your hand up, but if you would give me a

8

second and let me in fact first give my quick comments.

9

MR. MENNA:

Oh, yes.

I apologize.

10

THE CHAIR:

Again, I want to thank all the

11

members of the CCAC for your contribution.

12

like many of you, I give deference to the stakeholders.

13

Although I think this is a wonderful opportunity to

14

actually ask the stakeholders if they might evolve in their

15

decisions based on the comments that they have heard.

16

I, like you,

Before we do that though, very quickly for me,

17

with respect to the obverse.

18

Obverse 4, I sort of like obverses or -- or in fact design

19

elements that are action since this is military.

20

ones that have 10, 11 and 12, I was really persuaded by it

21

because of the fact that they had the action.

22

As much as I would support

So, the

With respect to the reverse, I particularly, I

23

see the value of the decision by the stakeholders,

24

particularly with Reverse 2 that has the campaigns, the

25

military campaigns by this distinguished unit.
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1

time, I agree that reverse 3 would probably be my favorite

2

in reverse.

3

see why my colleagues embrace those.

4

I'm not so sure that I would embrace them, needing to have

5

the ribbon above the medal to me is not as critical.

6

maybe the colonel can tell me because I remember wearing my

7

uniform and I wore it with the small ribbon that's to the

8

right of it, and didn't have the medal on it.

9

medal on a case by itself.

10
11

With respect to the reverses 4 and 4A, I can
But I must say that

And

I'd have the

But then on the other hand, I

understand the significance.
But I want to end up by saying that again, while

12

I agree with my colleagues that Obverse 1 is certainly more

13

striking but I also understand the reason why they embrace

14

the stakeholders' Obverse 4.

15

the inscriptions of the units on the obverse makes sense.

16

And with respect to, if I had to choose a reverse to go

17

with that obverse, I probably would have chosen a

18

modification of Reverse 2.

19

would be important.

20

At the same time, I probably would have wanted to have the

21

instruments and the rifle.

22

of looking at the medal to say what does this mean, that

23

would prompt me as a student to look it up more rather than

24

meet and say, well, I have to look up to see what military

25

campaigns they were engaged in.

Being able to in fact have

Having the military campaigns

Because to me from a standpoint

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So, those are my comments.

And I'd like to now

2

then move on to the next item on this meeting.

And again,

3

thanking my colleagues for your contribution to this

4

conversation because it was particularly rich for me.

5

I thank you for your indulgence.

And

So, next I'd like to ask, are there any

6
7

additional comments or motions from members of the

8

committee at this time based on what you have heard?

9

I see, in fact a -- from Dean, I see his hand up, and I see

10

Mike's.

So, let's go in the order of Dean and then go to

11

Mike.

12

please forgive me, Joe, for not reflecting recognizing you

13

then.

And then let me then go to Joe after that, because,

So, Dean first.
MR. KOTLOWSKI:

14

Sure.

Thank you very much, Mr.

15

Chairman.

16

up with the liaisons, to see if their thoughts had evolved

17

in any way, based on the really lengthy discussion that we

18

gave.

19

liaisons.

20

the discussion that you heard?

21

Mr. Chairman, you mentioned earlier, following

And I would just direct that question to the
Has your thoughts in any way changed based on

And I would say, maybe in particular, would you

22

find -- let's just focus on Obverse 1, would you find that

23

in any way acceptable?

24

original thinking, you wanted a perspective that included a

25

number of different soldiers, you had three of them in

From what I remember of your

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And here you got essentially more than three,

1

Obverse 4.

2

with a focus on one in particular.

3

curious, your thoughts on that?
MR. HARRIS:

4

I'm just kind of

So, Richard Harris.

And I

5

think with the -- I think the image on 1 is certainly very

6

striking.

7

talking, for example, about the -- whether or not the rifle

8

had been presented in an accurate way.

9

fire, I think, obviously, symbolic of war.

Two things that I thought about, we were

When I saw the
But by the time

10

the Harlem Hellfighters got to France, no man's land was

11

pretty much a lot of dirt and when it rained mud, and

12

certainly that's not to say there was -- there still more

13

fires.

14

the many photographs of no man's land show, at this point,

15

in 1918, as being essentially barren.

16

But -- especially in the destruction of towns.

But

The other thing that struck me is that on 01, we

17

have just one line, which is sort of two lines, with Harlem

18

Hellfighters.

19

that when we got to the back of it, there also was -- I'm

20

trying to look at my notes -- also, there was almost

21

nothing there in terms of lettering.

22

reason that Krewasky and I talked about, one reason we

23

thought it would be a good idea to include the 15th New

24

York National Guard is because many of the soldiers started

25

out in the National Guard.

And I thought with one of the other designs,

And, for example, one

And then the 15th, New York

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National Guard, when we entered the war, was re-designated

2

with 369th.

3

themselves, during and after the war, as members of the old

4

15th.

Many of those soldiers still refer to

So, that was very important to them.
I think that if we were to take the design 01, we

5
6

would need to fill in some details maybe on the reverse, so

7

that we had the 15th New York National Guard, the 369th,

8

among other things.

9

to do with the -- if we can just look at number 4, excuse

But the other point that struck me had

10

me, 04.

Think that one.

Here, there -- as I said on the

11

first, on the obverse, I think we should remove 369th

12

because it does appear on the back.

13

understand I think the figure, the face in -- on Obverse 1

14

is very striking and so forth.

15

particular depiction as the appropriate one.

And again, I

I mentioned why I like this

I think that -- again, I would say the points are

16
17

well-taken.

I was never sitting here saying no, no way or

18

whatever.

19

thought that R4, I think it was.

I think there was excellent points made.

To me, this was not particularly striking.

20

I

I do

21

like the idea of showing the Croix de Guerre with the

22

ribbon.

23

think if we were to combine 01 with R4, that there's an

24

awful lot of basic information that wouldn't appear, the

25

New York 15th and the 369th and so forth that I will, which

I think that was a very good suggestion.

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And I think somebody raised an

1

I think might be puzzling.

2

excellent point about was this a medal that might cause

3

somebody to look at the front and the back and say, let me

4

go to Google or whatever and find out more about this unit.

5

And I didn't think that 04 really, really would encourage

6

that.

7

indications of preferences and explanations for them.

8

at any rate, just a couple of comments, I'll keep it brief.
THE CHAIR:

9
10

But at any rate, as I said, I think some excellent
So,

Dr. Salter, do you have additional

comments?
DR. SALTER:

11

I'm going to keep it -- yes.

Yeah,

12

I'm just going to keep it to 2 minutes to just address a

13

technical piece to your question about R4 because I do take

14

everyone's comments and, you know, I'm just happy that a

15

Congressional Gold Medal will be presented, you know, so

16

anyone could go forward, but I have not been swayed from 04

17

and 03.

18

technical question if you want to use that.

19

military folks on here will probably know this.

20

actually have is you actually have a medal and a ribbon.

21

And at no time, would you wear the same medal and the same

22

ribbon at the same time.

23

So, I want to go to R3 and just answer your

Now, if -- let's go to R4.

And some other
What you

So, if you're looking

24

at R4, that's the -- your medal hanging from the ribbon,

25

that's fine.

But you would not have your ribbon but you
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1

could have another ribbon next to the medal, which is

2

actually what you have here.

3

same medal in the ribbon because the medals in the ribbon

4

look the same.

5

ribbon under Croix de Guerre, you're going to see that the

6

stripes and the lines are the same.

7

technical thing I would add.

8

But I stand by my two choices.

9

going to issue a Congressional Gold Medal for the 369th.

So, if you were to Google the medal and the

10

THE CHAIR:

11

Dean, back to you.

12

MR. KOTLOWSKI:

13

Chairman.

Both of these are not the

So, that's the only

But I could go with anyone.
I'm just pleased that we're

Thank you, both.

Thank you very much, Mr.

I don't have anything to add at this point.

14

THE CHAIR:

Thank you, sir.

15

John, if you can hold for a second, let me get

16

back to in fact, Joe, as I didn't recognize him earlier.

17

Maybe Joe has something that he'd like us to consider.
MR. MENNA:

18

Thank you, Dr. Brown.

My name is Joe

19

Menna.

I don't mean to interrupt your discussion.

And I

20

beg your indulgence just for a second.

21

to editorialize on any committee members' choices, but

22

there's certain issues, sculptural issues in the various

23

ones that have been highlighted so far that I think are

24

worthy of attention.

25

number one in particular, Dennis hit it right on the nail -

I would never bench

If you wanted to look at obverse

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1

- the nail on the head when he described it as like a movie

2

poster because I think that's what most folks are drawn to.

3

When you look at this, it's a graphic image.

4

of sculpture realization, I typically recommend that the

5

artists do not make full frontal portraits at any scale.

6

There's something that I missed, if you look off

But in terms

7

the left to the side, this silhouettes, the figures are not

8

intersecting the border, and that would be my fault

9

exclusively, no one else's, for not catching that.

But in

10

general, if you look at the layers of relief, if you look

11

at Harlem Hellfighters, this is the first layer of relief.

12

And then the hand strangely holding the bleed of the

13

bayonet as the second layer of relief, and then the hand

14

behind that is the third layer of relief.

15

body and figure as the fourth layer back is space relief,

16

and then the silhouetted figures, and then the ground, and

17

then ultimately the flames.

And then the

That face is -- the soldier's face will have to

18
19

be -- the soldier's helmet and face are going to look flat,

20

frankly.

21

is conceived graphically, but not three dimensionally.

22

this happens because when artists choose devices, it's not

23

my place to intercede -- interrupt their voices, their own

24

artistic choices.

But I do offer comments on anatomy and

25

things like that.

This artist anatomy is very fluid and I

Because in order to accommodate all of that, was

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1

would say expressionistic, it's not very realistic.

2

could work with that.

3

We

But this fleet -- this face will be pancake flat,

4

as opposed to Obverse 4 where the figures are very

5

monumental, where the text is at the bottom of the coin,

6

medal rather.

7

towards the edge of the coin, so that text will not

8

compromise the quality of relief.

9

presented in a very robust, sculptural manner that would --

So, when -- the relief is necessary lower

These figures would be

10

that will be a true memorial to these veterans, these

11

deceased veterans.

12

sculpturally flaccid, and I don't think we've honored --

13

that's editorializing, I don't think would present -- would

14

be as powerful, sculpturally, when you, yes, the test of

15

seeing it at arm's length.

16

holding your hand as a sculpture.

17

sculpturally active design.

18

necessarily much more flat.

19

Whereas, the other one is going to be

But there's also just a test of
This is a much more

The other design would be

The thing in highest relief would be the text.

20

And I don't know -- I'm just offering that.

21

Thank you.

22

THE CHAIR:

23

John, I see you have the hand up.

24

MR. SAUNDERS:

25

Two things.

I'll stop.

Thank you so much, Joe.

Okay, I'm unmuted now.
When Joe was talking, I couldn't

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1

help but think that he's not liking facing portraits.

2

he's facing the same thing the ancient Greeks did.

3

Greeks tried that it was a long time before they could come

4

up with a really attractive facing-forward coin.

5

it with the Larissa pieces, (inaudible) Rhodian drachms and

6

tetradrachms, but, you know, it's a problem that's been

7

around for 2500 years, Joe, so I just -- I couldn't help

8

but make that comment.

9

MR. MENNA:

No, and I agree.

I agree.

That

The

They did

I agree.

10

I think they solved it much more successfully with those

11

handwrought dies.

12

MR. SAUNDERS:

Yeah, a lot of difference from

13

what you could do today.

14

with Obverse 1, I wanted to agree very much with what

15

Richard said is, maybe we take some of the things like New

16

York -- 15th New York, and put it on reverse.

17

reverse, we all seem to be favoring three, the fact that

18

this is act of Congress -- by the fact that this

19

congressional medal, it's done by an act of Congress.

20

thought that was kind of irrelevant.

21

know, 15th New York there, if we did go with Obverse 1.

22

But I think Joe's point about the -- how it would turn out.

23

THE CHAIR:

The other thing is, if we did go

On the

I

And we could put, you

Thank you so much, John.

Appreciate

24

your comments.

And I ask, are there any other?

25

you or Mike have any other comments that you'd like to
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1

offer or share with the committee on the design?

2

MR. MENNA:

I happen to jump into my boss' office

3

because we're right next to each other.

But I did want to

4

also comment on Reverse 4.

5

successfully but that is also very graphically conceived

6

instead of classically conceived.

7

stakeholder.

8

except on American quarters and stuff, the obverse is the

9

main character and the reverse is supporting cast.

As I say, we could make it

But the reverses are the

No, reverses are often supporting, usually,

I think

10

the elegant graphic structure of the stakeholders' reverse

11

choices are -- will look -- will work better sculpturally.

12

This is just going to be flat too, I hate to say, sorry.

13
14

THE CHAIR:

Understood.

Mike, so you have your

MR. MORAN:

I have a question for Joe.

hand up?

15

Joe, if

16

you incuse Harlem Hellfighters on Obverse 1 and eliminate

17

one layer of relief, does that allow you to give more

18

relief to the face?
MR. MENNA:

19

And your mic -- most sorry, Mr.

20

Moran.

21

running back to my office.

22

MR. MORAN:

23

This is Joe Menna.

Okay.

Could you repeat that?

I was

If you incuse Harlem

Hellfighters, the phrase Harlem Hellfighters on Obverse 1…

24

MR. MENNA:

You can…

25

MR. MORAN:

-- does that help?

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MR. MENNA:

If you look at the -- if you think

2

about the cross-section, right?

3

of stuff in here.

If you think -- got a lot

Imagine the cross-section, this is greater

4
5

relief.

And this is -- imagine the cross-section of the

6

body incusing text along the topology like that.

7

all the draft detail that goes inside, it doesn't work.

8

don't -- we -- no, sir, it doesn't work well.

9

MR. MORAN:

Okay.

10

MR. MENNA:

I get what you're saying.

And then

But we try

11

to incuse on the -- incusing texts works on the most

12

nominal topology in terms of its depth.

13

Really active topology is like the enemy of incusing.

14

THE CHAIR:

15

MR. TUCKER:

Thank you.

We

It just works.

Let's turn to Dennis.

Thank you, Dr. Brown.

This is

16

Dennis Tucker.

I would like to make a motion.

17

this will capture everything that our liaisons have guided

18

us on if you feel the time is right to do that.
THE CHAIR:

19

Okay.

And I think

So, if you can hold for one

20

second, let me make sure that I get all the questions from

21

anyone that's still remaining.

22

up.

23

John.

24
25

I see John, your hand is

Do you have additional comments?
Okay.

You're on mute,

Thank you.

And Mike, your hand is still up.
you have an additional comment?
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No.

1

MIKE:

2

THE CHAIR:

3

Right.

One of the joys of having

virtual meetings.
Dennis, I think at this point, let me make sure,

4
5

before you offer your motion, let's see, April, you or your

6

team have any additional comments, or the liaisons?
MS. STAFFORD:

7
8
9
10
11

team.

None from our design management

Thank you.
THE CHAIR:

Okay.

And on that basis, Dennis,

let's proceed with your motion.
MR. TUCKER:

Thank you, Dr. Brown.

This is Mr.

12

Dennis Tucker again.

I would just preface this by saying

13

Obverse 4, or by noting that Obverse 4 has both the

14

National Guard and the U.S. Army numbers of the Harlem

15

Hellfighters as Dr. Harris pointed out.

16

would be this, that the committee recommends Obverse 4 as

17

it stands now, and Reverse 3 with the following changes.

18

The name of the 369th infantry removed because it would be

19

repetitive.

20

of the Croix de Guerre added at the top of the design.

So, my motion

"LET'S GO," "RATTLERS" removed and the ribbon

21

MR. TUCKER:

I think that satisfies all of the…

22

MR. SALTER:

I have a pointed question.

23

I have a

pointed question on the…

24

THE CHAIR:

25

MR. SALTER:

The question is coming from whom?
Dr. Salter.

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1

THE CHAIR:

2

MR. SALTER:

Okay.
Okay.

So, the one I'm looking at,

3

the obverse, has the 15th New York and a 369th on the

4

front.

5

would take the 369th off the front.

6

in the motion and just have the 15th?
MR. TUCKER:

7
8

MR. SALTER:

MR. TUCKER:

12

THE CHAIR:

14

This is Dennis Tucker again.

My

Oh, and leave the obverse with both

on the front?

11

13

Is that what I heard

recommendation was to remove it from the reverse.

9
10

I want to make sure I understood that he said we

motion.

Yes, sir.
Okay.

I got it.

Dennis has made a

Is there a second to Dennis's motion?
MR. VAN ALFEN:

I'd say, Dr. Brown, before we

15

proceed with that, I would add to Dennis' motion that the

16

rifle -- that we just make sure that the rifle is

17

historically accurate for that period.

18

slight change, if it's not the rifle, if it's historically

19

accurate.

20

THE CHAIR:

21

MR. TUCKER:

22
23
24
25

There might be a

-- do you accept that change?
-- I would accept that -- yes, I

accept that.
THE CHAIR:

So, we have a motion from Dennis.

we have a second?
MR. VAN ALFEN:

This is Peter, I second that.

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1

Dr. Brown, this is Dean

MR. KOTLOWSKI:

2

Kotlowski.

I got my hand up.

3

jump in like this.

4

recommend these two designs with changes?

5

just point out that there's -- we haven't scored anything

6

yet.

But are these motions to actually

7

THE CHAIR:

8

MR. KOTLOWSKI:

9

Are these -- I'm sorry to

Because I would

Yes.
And I would feel more comfortable

if we scored first and see where we're at and then we

10

entertain motions.

11

THE CHAIR:

Dean, I appreciate your point of

12

view, and it has some merit.

13

passes, then we still would score.

14

scoresheets.

15

is my understanding, and counsel who's assisting us here

16

can advise on this, but I understand if the motion passed,

17

then that in fact has preference even though we would still

18

be asked to score our votes.

But the motion would then be, the thing that

my interpretation…
MR. SCHORN:

21
22

We'd still hand in our

Hearing no objection from counsel, I'm assuming

19
20

Let's see if the motion

Yes -- yes, Dr. Brown, I agree with

your interpretations.

It's John Schorn speaking.

23

THE CHAIR:

Okay.

24

Dennis, a second by Peter.

25

motion?

So, we have a motion by
Any questions or debate on the

Hearing none, seeing none, all those in favor of
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the motion say aye.

2

(A chorus of ayes.)

3

THE CHAIR:

4

All those opposed to the motions, say

nay?

5

(A chorus of nays.)

6

MR. SCARINCI:

7

THE CHAIR:

I am abstaining, Mr. Chairman.

So, on my account, based on 11

8

members voting, we have three nays, one abstention.

9

means we have seven in favor of.
THE CHAIR:

10
11

carries.

12

to this program?

14

Could you just once again clarify

exactly what that was on, so?

15

MR. TUCKER:

16

THE CHAIR:

17

MR. HARRIS:

18

right.

19

about…

Okay.

That was Dr. Harris?
Dr. Harris…
Oh, yes.

I'm sorry, Dr. Harris,

So, that was for the 04.

20

MR. TUCKER:

21

THE CHAIR:

22

MR. HARRIS:

23

Then, based on that, then the motion

Are there any other further motions with respect

MR. HARRIS:

13

That

MR. TUCKER:

We were talking

Dr. Brown, this is Dennis Tucker.
Please proceed, Dennis.
Okay.
The committee recommends Obverse 4.

24

And when I say recommends, I mean recommends to the

25

Secretary of the Treasury, of course.

Obverse 4 as

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The

1

designed and Reverse 3 with the following changes.

2

name of the 369th Infantry removed.

3

removed.

4

accuracy of the rifle checked and confirmed or changed if

5

needed.

7

And I think the rifle laying on top

MR. TUCKER:

That was not part of my motion.

preferred the saxophone on top.

11

make that part of the motion.
THE CHAIR:

12

corrected.

Then I'm wrong.

-- this is Dr. Salter.

16

have to flip the flags, correct?

17

THE CHAIR:

18

MR. SALTER:

I don't think I

One last thing I didn't hear is, we

Yes, Dr. Salter, that is correct.
Okay.

And I didn't hear that in the

I just wanted to make sure.
MR. HARRIS:

20

And I stand

And one last thing.

15

motion.

So, I did not technically

Thank you, Dennis.

MR. SALTER:

14

19

My

sense from the conversation was that the committee

10

13

And the

of the saxophone.

8
9

The ribbon of the Croix de Guerre added.

THE CHAIR:

6

"LET'S GO," "RATTLERS"

Okay.

This is Richard Harris.

Thanks.
I also just

21

had a question.

So, if we're going to put -- we're talking

22

about deleting the 369th Infantry Regiment from the back,

23

then we're going to keep that on the front and put New York

24

National Guard on the back of the -- I'm sorry, on the

25

reverse?
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2

THE CHAIR:

So, Obverse 4 already includes both

of those.
MR. SALTER:

3

Yeah, this is Dr. Salter.

So, Dr.

4

Harris, if you're looking at the one that's on the screen,

5

that's the one we're going to go with that has both.

6

MR. HARRIS:

7

THE CHAIR:

Okay.

I understand.

Thank you.

So, for the record, can we get a

8

motion so that the flags are flipped and reversed, that has

9

just been approved by the committee.

10

MR. TUCKER:

11

MR. VAN ALFEN:

12

THE CHAIR:

13

Dennis Tucker, so moved.

We have a second.

I'll second.

That was Peter,

correct?

14

MR. VAN ALFEN:

15

THE CHAIR:

16

Peter van Alfen.

Correct.

Any debates or discussion on the

motion?

17

MR. HARRIS:

18

THE CHAIR:

19

MR. HARRIS:

If I can…
Hearing none -- go ahead.

Yes.

Oh, I'm sorry, Dr. Harris again.

20

Apropos, a comment that was made earlier, on the R3, then

21

is there any, I guess, is it your -- you have to call on

22

this, but would we want to keep or drop "ACT OF CONGRESS

23

2021"?

24

Medal, so that is -- that fact is pretty much inherent in

25

the title.

Someone made the point it's a Congressional Gold

So, I don't know whether we would want to
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eliminate that.

2

reverse of the medal a little less crowded, just as by

3

taking out, "LET'S GO," the "RATTLERS".

4
5

It makes -- it would make the back, the

MR. TUCKER:

Dr. Brown, this is Dennis Tucker.

I

would answer to that, if I might.

6

THE CHAIR:

7

MR. TUCKER:

Please proceed.
Dr. Harris, that terminology "ACT OF

8

CONGRESS" and the date of authorization is not required on

9

Congressional Gold Medals, but it's often considered

10

traditional.

11

Congressional Gold Medals like to see that wording.

12

does add a certain level of gravitas.

13

a bronze example of this medal in your hand, either the

14

one-and-a-half-inch size or the three-inch that you've

15

purchased or been given as a memento, it just makes it

16

immediately clear that this was more than just a private

17

issue, something that was made by a private firm, and that

18

it does have the imprimatur of the U.S. Congress.

19

just something to consider.

20

that in my motion because it's something that we've seen on

21

many Congressional Gold Medals.

22
23

And many of our liaisons for military-themed

MR. HARRIS:
very convincing.

Okay.

If you were to have

THE CHAIR:

25

MR. TUCKER:

That is

I did not include removing

Thank you very much.

Thank you.

24

It

Mike Moran?
Yes, sir.

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2

THE MORAN:

Question is, is that a 50-star flag

or 48?
MS. STAFFORD:

3

This is April.

It's 50.

And the

4

CFA recommended it be shifted to be appropriate to the

5

historical time when the Hellfighters fought.
MR. MORAN:

6
7

amendment to that effect?
MR. TUCKER:

8
9

no.

10

it.

If it means we have to vote again,

But if we can quickly do a new motion, I would second

THE CHAIR:

11
12

Dennis, would you accept a friendly

Let's make that a new motion, if we

could, gentleman.

13

MR. MORAN:

Okay.

Fine.

14

MR. TUCKER:

15

THE CHAIR:

16

Any questions or debate on the new motion?

17

Hearing none, all those in favor, aye.

I second it.
Dennis has seconded.

18

(A chorus of ayes.)

19

THE CHAIR:

20
21
22
23

I move.

Those oppose, nay.

The motion

passes.
Are there any further comments, suggestions or
questions with respect to this program?
Hearing none.

And at this point, I would like to

24

again thank from the depth of our hearts, our liaisons, Dr.

25

Harris and Dr. Salter.

I'd like to also thank Joe Menna

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and Mike Costello for the fantastic work by your team of

2

artists.

3

that you and your team have done and your collaboration

4

with the liaisons.

I'd like to thank April for the fantastic work

That was the last order of business for today.

5
6

On that basis, I'd like to thank the members of the CCAC,

7

the Mint staff for their attendance today by

8

videoconference.
The next CCAC public meeting is set for two days,

9
10

starting on February the 28th.

11

be announced on the Federal Register several weeks in

12

advance.

13
14

All upcoming meetings will

And I will entertain a motion to adjourn.
MR. BERNSTEIN:

This is Art Bernstein.

I move

that we adjourned.

15

MR. VAN ALFEN:

And also I second that.

16

MR. KOTLOWSKI:

And this is Dean Kotlowski.

17

THE CHAIR:

Gentlemen and ladies, members of the

18

committee, please remember, you're still required to score

19

your seats and turn them into the Mint.

20

think you turn them into April and Pam, they will take

21

those seats.

22

saying aye.

23
24
25

In this case, I

All those in favor of adjournment signify by

(A chorus of ayes.)
THE CHAIR:

It appears for me, from the guy from

Brooklyn that the ayes have it.

Wish you all a great

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remainder of the day, and fantastic week.

2

UNIDENTIFIED SPEAKER:

Okay.

3

UNIDENTIFIED SPEAKER:

Thank you.

4

UNIDENTIFIED SPEAKER:

Thank you.

5

UNIDENTIFIED SPEAKER:

Bye.

6

UNIDENTIFIED SPEAKER:

Thank you.

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8
9
10
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18
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22
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CERTIFICATE OF NOTARY PUBLIC

2

I, SHONDRA DAWSON, the officer before whom the

3

foregoing proceedings were taken, do hereby certify that

4

any witness(es) in the foregoing proceedings, prior to

5

testifying, were duly sworn; that the proceedings were

6

recorded by me and thereafter reduced to typewriting by a

7

qualified transcriptionist; that said digital audio

8

recording of said proceedings are a true and accurate

9

record to the best of my knowledge, skills, and ability;

10

that I am neither counsel for, related to, nor employed by

11

any of the parties to the action in which this was taken;

12

and, further, that I am not a relative or employee of any

13

counsel or attorney employed by the parties hereto, nor

14

financially or otherwise interested in the outcome of this

15

action.

16
<%27143,Signature%>
17

SHONDRA DAWSON

18

Notary Public in and for the

19

District of Columbia

20
21
22
23
24
25
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2

CERTIFICATE OF TRANSCRIBER
I, WINJOY VIJAYAN, do hereby certify that this

3

transcript was prepared from the digital audio recording of

4

the foregoing proceeding, that said transcript is a true

5

and accurate record of the proceedings to the best of my

6

knowledge, skills, and ability; that I am neither counsel

7

for, related to, nor employed by any of the parties to the

8

action in which this was taken; and, further, that I am not

9

a relative or employee of any counsel or attorney employed

10

by the parties hereto, nor financially or otherwise

11

interested in the outcome of this action.

12
13
<%17539,Signature%>
14

WINJOY VIJAYAN

15
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19
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25
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Meeting

[01 - 4a]
0
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74:23
02 52:22
03 75:17
04 22:24 74:10
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1
1 19:14,14
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171 16:16 23:6
17539 93:13
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191 34:21
1916 15:24
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1998 39:9
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21:22 40:14
46:23 48:19
58:9 59:16,22
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2014 8:6
2015 8:13

2017 36:21
2018 8:8
2021 8:13
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2022 3:5 5:7,8
9:3 12:22
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27143 92:16
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400,000 40:17
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Meeting

[4a - ago]
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71:2
5
5 20:6,7,9
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50 89:1,3
5602037 1:25
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abbreviated
16:6
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aboard 12:15
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accurate 43:14
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acknowledge
8:5
acknowledge...
29:11
act 20:17 21:13
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action 41:14,19
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activity 49:11
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administer
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administering
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Meeting

[agree - armed]
agree 44:24
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agreeable
65:19
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big 35:13,15
bit 24:24 25:15
31:7,9 47:18
47:21 48:21
51:7,15
black 39:4
60:11
blacks 60:17
61:3
bleed 77:12
block 37:7
board 7:17
body 77:15
81:6
boneza 2:19
6:13
book 26:5,7,14
38:1
boosting 16:10
border 77:8
borer 2:17 6:9
6:10
boss 80:2
boston 54:24
bottom 78:5
box 39:23
branches 21:25
bravery 15:22
16:10,17,21
23:17 53:20
66:12
brendan 2:25
7:7
brief 48:19
75:8

brigade 34:8
bring 22:1
57:25
bringing 38:24
57:6 66:18
brings 38:16
62:9
bronze 23:2
88:13
brooklyn 90:25
brought 23:18
34:14 35:19
37:18
brown 2:12 8:1
9:22 12:11
24:9 47:1
50:13 53:15
57:5 58:21,24
60:7 63:4
64:16 70:2
76:18 81:15
82:11 83:14
84:1,21 85:20
88:4
buffalo 32:22
50:18
building 54:11
bullets 67:3,3
bullion 14:12
business 9:1
12:18 14:2
90:5
buttons 69:8
bye 91:5
byes 14:15

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202-857-3376

c
c 2:1 3:1
caked 32:6
call 3:2,16 6:24
8:3 26:5 49:17
60:9 87:21
called 5:25
44:4 63:17
calling 45:13
calls 63:18
campaign 23:4
campaigns
19:7 53:1
70:24,25 71:18
71:25
candidate 5:10
15:7,16 18:2
21:14 23:24
30:16
candle 54:4
capitol 53:23
53:25
capture 26:9
81:17
caribbean 61:4
carolina 50:15
carried 48:5
carries 85:11
carrying 20:18
case 42:22 65:7
71:9 90:19
cast 80:9
casualties
34:22
catches 47:4
catching 77:9

Meeting

[caught - closer]

January 24, 2023

Page 6

caught 47:5,8
89:4
48:25,25 51:21 chair 3:2,20,23
4:1,4,7,10,13
cause 54:25
4:16 5:1,22 6:4
75:2
6:7,9,11,13,15
ccac 1:12 5:5
6:17,20 7:1,3,7
5:13 6:22 8:6
7:11,17 8:4,12
8:11,12,12,20
9:17 12:12
8:22,25 10:1,4
13:3,7,12,15
12:16 14:9,15
13:23,25 14:22
14:21,24 15:4
15:10 24:1
36:3 40:25
25:6 26:24
41:2 58:24
30:6,21 31:17
70:11 90:6,9
32:12 33:11
celebrated 39:7
36:2 37:3
celebration
40:23 42:17
36:21
43:15 45:1,19
centennial
49:22 50:10
39:12,14
51:19 52:7
center 43:6
53:13 57:3
century 36:8
58:20,25 59:25
45:23
60:4,5 63:2
certain 76:22
64:17 66:1,6
88:12
69:24 70:6,10
certainly 17:25
75:9 76:10,14
29:7 30:19,22
78:22 79:23
33:3 57:17
80:13 81:14,19
58:9 59:12,21
82:2,9,24 83:1
60:19,21 71:12
83:12,20,23
73:5,12
84:7,11,23
certificate 92:1
85:3,7,10,16
93:1
85:21 86:6,12
certify 92:3
86:17 87:1,7
93:2
87:12,15,18
cetera 61:5
88:6,24 89:11
cfa 18:8,12,12
89:15,19 90:17
18:21 20:2
90:24
22:15 25:16
31:2 52:11

chairman
12:24 13:6
16:25 23:24
30:7,25 45:16
45:18 47:1
50:9 53:12
58:19,24 60:13
72:15,15 76:13
85:6
champagne
20:19 21:9,21
22:3 23:4,21
change 27:3,4
29:1 83:18,20
changed 64:5
72:19 86:4
changes 30:14
47:25 48:1
82:17 84:4
86:1
character 80:9
charge 19:16
21:6 43:13
charging 21:4
43:5
chart 11:22
cheat 24:24
checked 86:4
checkmark
66:20,21
chief 6:1,15 7:1
15:14
chin 29:2
choice 52:23
53:21 64:13,14
65:9
choices 57:13
58:12 61:10

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202-857-3376

76:8,21 77:24
80:11
choose 71:16
77:22
chorus 85:2,5
89:18 90:23
chosen 71:17
christ 56:11
cinematic
63:20
circulating
14:11
circumstance
34:3
citation 16:16
citizens 3:3
9:14 11:19
14:5
civil 39:3,11
50:4,8 55:2
clarify 85:13
classes 9:24
classic 46:17
classically 80:6
cleaner 47:18
clear 43:22
44:1 49:5,6
67:18 68:2,3
88:16
clearly 10:12
64:19 65:20,21
66:11
close 25:12
40:9,11 47:14
62:11
closely 22:25
closer 67:16

Meeting

[club - congressional]
club 8:19
coast 8:18 51:8
67:23
coiled 21:23
22:10 23:3
coin 5:18 9:9
9:10,23 27:23
28:17 78:5,7
79:4
coinage 3:3
9:12,14,25
11:20 12:4
14:5
coined 47:3
coinnews 5:17
coins 9:24 10:8
14:11 47:4,13
67:1 68:25
cold 46:5
colin 60:19
collaboration
90:3
colleague 8:21
60:14
colleagues
14:16 15:11
41:2 47:19
49:9 57:6
58:22 59:4
60:6 61:12
69:25 71:3,12
72:3
collector 9:10
9:10
college 9:24
colonel 7:21
71:6

January 24, 2023

Page 7

columbia 92:19
combat 16:14
28:22,22 48:22
48:23 55:12,13
64:3,8
combination
27:22
combine 74:23
combining
28:13
come 25:2
31:21 37:9
40:5 55:15,23
56:7 69:1 79:3
comfortable
84:8
coming 3:6
35:5 62:25
63:13 68:14,15
82:24
commander
33:18
commemorat...
22:8
comment 25:19
43:16 52:21
66:25 67:20
68:7 69:3 79:8
80:4 81:25
87:20
comments
12:21 24:7
30:22 32:13
45:5,8 61:12
66:8,24 69:19
70:8,15 72:1,7
75:8,10,14
77:24 79:24,25

81:22 82:6
89:21
commission
18:5 19:12
27:2
committed
65:8
committee 3:3
3:9,16 7:18
9:14 11:20
12:9 14:5 17:5
24:2,3 25:7,13
29:17 31:18
37:1,2 45:3
49:9,23 56:1
56:10 57:1
72:8 76:21
80:1 82:16
85:23 86:9
87:9 90:18
common 54:24
commonly
15:21
community
37:19
compared
41:20 64:3
completely
55:24 56:18
component
34:3
composition
18:24
compromise
78:8
comrades
19:16

www.CapitalReportingCompany.com
202-857-3376

conceived
77:21 80:5,6
concept 47:2
concern 49:6
concerned 29:4
37:6 43:4 49:4
concerning
24:11
concerns 47:23
concludes
23:24
concurrent
34:11
conditions
19:18
confirm 5:23
confirmed 51:5
86:4
conflict 13:1
congratulate
58:23 60:7
congratulatio...
11:19 45:17,18
70:2
congress 17:23
20:17 21:13
22:14 23:11,14
63:10 79:18,19
87:22 88:8,18
congressional
5:10 7:5,14
14:11 15:7,17
15:20 17:16
24:5 33:9
36:16 46:16
63:9,21 64:12
64:25 65:4
75:15 76:9

Meeting

[congressional - dean]
79:19 87:23
88:9,11,21
consider 8:20
8:21 30:8
76:17 88:19
consideration
22:5 25:14
30:22 31:4
45:4,7 49:21
66:22 68:19
considerations
26:10
considered
88:9
considering
19:4 25:23
41:6
consistent 12:3
constituent
25:13 65:7,16
65:19
constituents
30:19 65:3
constitution
10:16,18
consultants
66:17
context 36:3,6
36:17 40:25
61:2
continent 61:4
continue 8:23
contrary 63:23
contribute 12:6
contribution
18:13,14 39:16
58:11 59:2
70:11 72:3

January 24, 2023

Page 8

contributions
8:23 9:15
48:10 50:6
58:3,8
control 16:5
conversation
30:11 63:6
72:4 86:9
convey 26:15
convincing
88:23
copy 26:17
corps 34:8
correct 32:15
86:16,17 87:13
87:14
corrected
86:13
correction
12:25
corrugated
25:3
costello 2:21
6:17,19 90:1
counsel 7:1,4
84:15,19 92:10
92:13 93:6,9
countries 48:11
country 28:23
36:11 38:7
60:9,10 62:24
country's 51:1
couple 29:5
30:23 31:17
37:19 48:22
66:8,24 75:8
courage 16:22

course 33:8
34:14 35:17
50:22 85:25
court 45:13
cousin 39:21
cove 7:16,19
17:19 36:13
37:20
cowboys 50:19
crazy 35:21
creating 50:5
69:14
creative 48:9
credit 47:2
66:13
crest 22:8
critical 41:5
71:5
criticism 63:22
croix 16:15,17
18:22 19:21
21:16,22 22:11
22:22 23:1,7,9
23:11 29:18,24
30:4 47:10
51:22 56:15
74:21 76:5
82:20 86:3
cronkite 53:18
cross 81:2,4,5
crossed 21:17
21:23,25 23:2
23:3,15
crowded 88:2
cuff 68:21
cultural 18:14
43:1 46:6

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curate 38:3
curation 14:20
curator 4:14
39:18
curiosity 42:18
curious 36:7,14
41:11,14,19
42:19 73:3
currently 7:22
cusp 60:11
cut 60:15
d
d 3:1
date 88:8
daughter 36:23
36:24
dawson 1:23
92:2,17
day 36:1 58:12
91:1
days 16:14
34:21 90:9
de 16:15,17
18:22 19:21
21:16,22 22:11
22:22 23:1,7,9
23:11 29:18,24
30:4 47:10
51:22 56:15
74:21 76:5
82:20 86:3
dean 2:5 4:1
45:15 50:10
59:4 63:25
64:5 72:9,10
72:13 76:11
84:1,11 90:16

Meeting

[dear - dimensionally]
dear 3:11,11
5:24 8:21
debate 84:24
89:16
debates 87:15
deceased 78:11
december 9:3
decide 63:1
decided 25:22
25:24
decimated
66:10
decision 70:23
decisions 70:15
dedication
16:21
defend 10:14
10:15
defensive 20:19
21:9 22:3 23:5
23:21
defer 15:11
deference
70:12
deferential
46:12 48:16
definitely
64:22
delay 44:8
delete 30:3
deleting 86:22
deliberations
45:15 62:23
demonstrate
3:6 42:18
dennis 2:10
4:10 63:3
76:25 81:14,16

January 24, 2023

Page 9

82:4,9,12 83:7
83:12,15,23
84:24 85:20,21
86:13 87:10
88:4 89:6,15
dennis's 83:13
dents 43:11
depict 19:2,20
20:7 23:11
44:23
depicted 48:20
55:13
depiction 43:18
44:10,10 52:17
74:15
depictions
43:20,22 49:1
depicts 19:15
20:2,21 21:3,7
21:11 22:25
23:9,15 25:25
depth 45:24
81:12 89:24
deputy 8:7
descendants
37:1
descent 40:2
60:18
described 77:1
descriptions
51:6
deserves 56:21
design 6:1,4,7
6:9,11,13,17
14:10 15:15
18:12,20 20:2
20:9,10,11
21:18 22:4,24

23:18 26:20
29:14,22,23
36:6 40:25
41:11 46:17,24
47:16,18,21
48:9 49:16,17
51:3,4,7 52:10
52:14,19,22
56:8 57:1,8,16
59:15,19 61:15
63:21,24 64:9
64:12 67:13
68:8 70:18
74:5 78:17,17
80:1 82:7,20
designated
16:2 74:1
designation
28:1
designed 56:10
86:1
designer 24:16
designs 5:10
15:7,16 18:3,3
18:15,16,25
19:14 20:7
21:14,15 23:25
24:4 30:10,12
41:12,13,18
42:5 47:12
48:17,18 49:22
50:22 51:9
52:3,5 53:2
58:23 59:7
62:10 66:8,19
66:25 67:2,11
73:18 84:4

www.CapitalReportingCompany.com
202-857-3376

destroyed
39:23
destruction
73:13
detail 44:6
47:14 55:23
67:4 69:5,7,8
81:7
detailed 22:21
69:22
details 52:25
67:9 74:6
determination
42:15 57:18
62:12
determined
48:21
developed 47:2
development
17:1
device 25:2
devices 77:22
died 54:25
dies 79:11
difference
79:12
different 32:5,8
42:22 48:11,12
51:16,24 72:25
difficult 36:25
digital 92:7
93:3
dignified 64:10
dignity 16:22
26:8
diligent 52:19
dimensionally
77:21

Meeting

[dinner - ended]
dinner 70:4
diplomacy 46:7
direct 72:18
direction 16:11
director 6:20
6:24 9:17,17
9:19
dirt 73:11
disagree 65:7
discharge
11:11,12
discrimination
16:19
discussed
19:10 30:1
discussing 26:4
discussion 5:9
17:3,16 24:6
25:17 28:9
45:11 64:5
72:17,20 76:19
87:15
disgusting 54:7
54:21
dislike 69:20
displayed
53:25
distinguish
28:21
distinguished
70:25
district 92:19
disturbing
16:20
dividing 55:11
division 34:8
doctors 17:2,3
25:18 45:21

January 24, 2023

Page 10
doing 17:21
47:24 51:12
56:11
dollar 14:13,13
domestic 10:21
10:23
don 69:4
donald 2:9 5:2
8:2 25:8 26:24
56:2 64:17
66:1
doubt 12:17
doughboy 16:8
20:23 22:22
31:20 32:16
33:10
downrange
34:6
dozen 17:20
dr 3:20 4:1,13
7:14,20 8:1
9:22 12:11
24:9 26:3
45:15 47:7
48:2 50:1,13
53:15 57:5
58:21 60:1,7
63:4,10,10
64:6,16 70:2
75:9,11 76:18
81:15 82:11,15
82:25 83:14
84:1,21 85:15
85:16,17,20
86:15,17 87:3
87:3,19 88:4,7
89:24,25

drachms 79:5
draft 81:7
draped 20:11
drawings 62:4
drawn 77:2
drivers 54:12
drop 48:3
87:22
dropping 49:6
duly 92:5
dust 32:7
duties 11:11,13
52:20
e
e 2:1,1 3:1,1
earlier 50:7
59:2 72:15
76:16 87:20
early 32:23
34:22
echo 67:20
edge 78:7
edition 26:17
editor 5:17,18
editorialize
31:14 76:21
editorializing
78:13
edits 22:16
effect 89:7
effective 55:8
eight 38:10
40:12,12
either 25:23
28:21 39:22
88:13

www.CapitalReportingCompany.com
202-857-3376

elegant 80:10
element 35:11
52:18
elements 22:9
22:25 70:19
eleven 68:16
eliminate 29:15
80:16 88:1
eliot 68:19
elite 12:2
eloquent 57:6
eloquently 59:6
66:9
else's 77:9
emblem 19:21
52:25
emboss 24:19
embrace 8:23
71:3,4,13
embracing
41:15
emerging
49:17
eminently
24:23
emotion 55:23
emotional
55:16 61:16
employed
92:10,13 93:7
93:9
employee
92:12 93:9
encourage 75:5
encouraged
38:21
ended 16:13
17:23 37:8

Meeting

[endorse - far]
endorse 61:9
64:14
endorsed 64:13
enemies 10:20
10:22
enemy 81:13
engaged 46:6
65:6 71:25
english 54:15
engraver 6:15
engraving 6:18
enter 11:15,17
entered 74:1
entertain 12:20
84:10 90:12
entertainment
34:18
enthusiastica...
10:1
entire 57:20
entity 34:7
environment
38:18
equal 38:18,23
38:24
equipment
16:7
era 37:25 46:6
eraser 54:5
es 92:4
especially
38:11 45:7
51:10 73:13
essay 26:4
essentially 73:1
73:15
estimation 52:6

January 24, 2023

Page 11
et 61:5
europe 16:11
22:1 23:18
33:23 34:5,14
35:4,19 42:3
67:24
europe's 21:19
35:18
european
16:12
evans 2:18 6:11
6:12
evasion 11:7,8
eve 35:25
event 58:17
events 36:9
everybody 12:7
12:8 66:10,18
69:6 70:1,5
everyone's
75:14
evidently 35:19
evolve 70:14
evolved 72:16
exactly 44:23
85:14
example 26:2
73:7,21 88:13
excellent 49:23
63:5 64:15
74:18 75:2,6
except 45:6
56:2 80:8
exceptional
58:4
exceptionally
59:8

exchange 46:3
excitement 3:6
exciting 52:21
exclusively
44:15 77:9
excuse 4:19
47:22 74:9
execute 39:3
exhibit 17:22
exhibited 16:23
exhibition 38:2
40:3
exhibits 7:17
expect 48:23
expecting 5:2
experience
8:25 28:14
38:4 39:16,17
experiences
40:21
experts 17:1
66:18
explain 36:10
explanations
75:7
explore 41:9
exposition
64:19
express 60:8
expressed 59:5
expressionistic
78:1
extend 69:25
extensively
24:17
extraordinary
16:21

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extremely 50:8
eye 47:5,5,8
48:25 49:1
51:21
eyes 42:14
f
face 16:23
62:11 74:13
77:18,18,19
78:3 80:18
faced 16:18
facilitating
63:5
facing 79:1,2,4
fact 3:5 12:13
12:20,23 13:4
13:4 14:7 15:3
17:19 32:22
33:13 35:11
36:8,8 41:13
41:16,19 42:13
42:21 43:17
45:6 58:22
62:2,21 65:20
70:8,18,21
71:14 72:9
76:16 79:17,18
84:17 87:24
factors 36:10
facts 55:1
faith 10:24,25
faithfully 11:11
11:12
fantastic 90:1,2
91:1
far 26:10 29:3
37:5,5,9 47:6

Meeting

[far - foreign]
76:23
farther 51:1
fascinating
37:11,17
fast 39:8 46:5
father's 50:16
fault 77:8
favor 13:13,23
41:20 67:17
68:5 84:25
85:9 89:17
90:21
favored 41:16
favoring 79:17
favorite 71:1
feature 18:3
22:21 23:22
features 20:12
20:14,17 21:5
21:16,22 23:18
featuring 53:10
february 35:12
90:10
federal 90:11
feedback 4:23
31:20
feel 25:13 27:2
30:16 43:12
45:6 47:19
59:3 61:16,17
61:19 62:3,9
65:4 81:18
84:8
feeling 9:12
feels 65:16
felt 18:12 19:6
24:19 38:22
41:5 49:15

January 24, 2023

Page 12
54:7 64:2
fierce 21:6
fifth 35:13
fight 38:12,12
38:14,14 54:18
fighter 61:21
fighting 27:14
38:2 39:5 58:6
58:17
figure 74:13
77:15
figured 12:1
28:19 67:16
figures 26:12
77:7,16 78:4,8
file 24:16
fill 10:4 74:6
film 50:2,3
final 33:7
finally 5:9 7:11
14:14 17:23
21:11 23:22
25:22 63:10
financially
92:14 93:10
find 40:4 43:21
43:22 59:11,14
72:22,22 75:4
finding 39:19
39:20
fine 18:5 19:12
27:3 29:17
58:14 59:12
68:6 69:15
75:25 89:13
finesse 25:1
finish 54:10

finished 51:16
fire 37:6,7 49:5
49:11 51:5,8
73:9
firefighter
68:10,11
fires 73:13
firm 88:17
first 9:1 12:20
14:8 15:18
17:6 18:6
28:17 29:13
32:21 33:22
34:21,23 35:24
37:12,25 38:8
41:22 50:19
52:23 53:16
60:5 61:1,5
62:7 66:8,16
66:25 67:5,6,8
67:13,14,18,22
68:9,17,21
69:20,22 70:8
72:13 74:11
77:11 84:9
fiscal 5:8 14:4
14:9
fitting 58:13
five 14:9,11
23:18 33:21
44:12,14,17
51:10
fix 68:5
flaccid 78:12
flag 18:19 19:2
19:3 20:11
22:18 29:8
89:1

www.CapitalReportingCompany.com
202-857-3376

flags 21:17,23
22:7,11 23:2
23:16 29:8
30:3 51:15
52:25 62:19
86:16 87:8
flames 19:17
55:15 67:21
68:3,4,4 77:17
flap 53:8
flat 77:19 78:3
78:18 80:12
fleet 78:3
flip 86:16
flipped 87:8
flow 40:6
fluid 77:25
focus 28:21
72:22 73:2
focusing 26:2
folk 53:25
folks 27:12
28:19 38:22
39:1 75:19
77:2
follow 27:1
following 5:5
5:23 72:15
82:17 86:1
footage 32:21
32:22
forced 38:20
39:23
forcefully 59:6
foregoing 92:3
92:4 93:4
foreign 10:20
10:22

Meeting

[forgive - going]
forgive 41:2
72:12
formal 14:15
forth 46:18
74:14,25
forward 8:24
9:15 11:21,23
12:6 14:24
18:22 21:4
22:5,18 46:5
62:25 68:15
70:3,4,6 75:16
79:4
fought 89:5
found 17:18
52:17 53:2
founder 5:17
four 21:3 28:1
28:24 40:14
fourth 77:15
france 16:2
20:22 35:19
51:8 54:12
73:10
francisco 8:17
frankly 66:23
77:20
free 52:13
freely 11:3,4
french 16:3,7
16:15 20:11,23
21:17,23 22:7
22:10,11,19
23:2,16 34:16
35:21,24 44:1
44:14 54:15
friend 8:21
44:4

January 24, 2023

Page 13
friendly 89:6
frivolous 64:3
front 20:10
26:22 27:24
28:1,3 75:3
83:4,5,10
86:23
frontal 49:2
77:5
full 15:4,9
20:18 31:12
77:5
fuller 2:3 3:20
3:22 60:1,1,2
functions 63:8
further 18:2
41:9 44:24
85:11 89:21
92:12 93:8
future 15:1
41:7
g
g 3:1
gangsters
68:18
gap 69:14
gathering 37:4
gaudens 54:22
general 3:17,23
14:18 24:5
60:19 66:25
77:10
generalship
54:19
generate 24:17
generation
39:2,3 66:11

generous 58:10
genesis 34:13
35:1
gentleman
89:12
gentlemen 24:6
24:11 90:17
german 34:22
germans 34:23
getting 32:6
35:5 47:25
gibson 2:13
6:24,24 9:17
9:19,20 10:14
10:16,20,24
11:1,3,5,7,9,11
11:14,18 12:11
gifted 31:5,10
gilkes 5:18
gill 2:4 3:23,25
12:24,24 13:22
13:22 57:4,5
give 31:11
37:23 39:11
40:10 47:1
48:16 55:7
61:11 62:11,13
63:19 64:7
70:7,8,12
80:17
given 33:12
36:23 41:16
51:23 88:15
gives 55:14
58:8
giving 61:22
68:20

www.CapitalReportingCompany.com
202-857-3376

glen 7:16,18
17:19 36:12
37:20
glory 39:9 50:2
54:23
go 4:21 8:24
13:7 18:17
19:5,13,13
21:20 22:13
28:17 29:4,15
30:4 32:17
33:2,25 34:15
35:1 39:8
41:21 44:6,9
44:19 45:23
46:18,22 47:20
48:14 50:7,21
52:2 54:19
56:10 57:1,14
61:13,23,25
62:6,14,15
65:23 67:9
69:2 71:16
72:10,10,11
75:4,16,17,23
76:7 79:13,21
81:24 82:19
86:2 87:5,18
88:3
god 54:3
goes 35:2 81:7
going 11:23
12:9 17:11
26:7 27:21
28:22 31:14
32:6 37:14
38:22 41:7,7
43:9 46:1,9

Meeting

[going - harlem]
47:6,19 49:13
50:1 51:17
52:12 53:11,23
56:9,11,12,12
56:14 57:1,14
57:15,19,21
58:13 61:6
63:19 65:8,23
66:24 67:8,9
68:15,22 69:1
75:11,12 76:5
76:9 77:19
78:11 80:12
86:21,23 87:5
gold 5:11 7:5
7:14 9:12
14:11 15:8,17
15:20 17:16
24:5 33:9
36:16,16 46:16
46:16 63:9,21
64:12,25 65:4
75:15 76:9
87:23 88:9,11
88:21
good 9:20
14:15 38:15
46:13,18,24
54:9 58:10
61:7 64:11
65:12 66:6,23
67:4,6 73:23
74:22
google 75:4
76:4
gotten 41:18
government
7:7 46:7

January 24, 2023

Page 14
grabs 55:9
57:17 61:22
grand 39:21,21
grandfather
39:21
graphic 77:3
80:10
graphically
77:21 80:5
grateful 49:24
gratitude 60:8
gravitas 88:12
great 14:25
47:9 57:10
60:16 62:24
63:23 90:25
greater 81:4
greatest 26:2
greeks 79:2,3
greg 2:23
grit 55:19
ground 77:16
grounds 53:23
group 5:17
8:12 10:8 12:2
12:5,8,10 15:1
15:2 52:14
57:9 64:20,21
65:7,16,19
66:11,18
growing 53:16
guard 15:25
19:23 20:5,13
20:16 21:2
26:18,21 27:25
73:24,25 74:1
74:7 82:14
86:24

guerre 16:15
16:17 18:22
19:21 21:16,22
22:11,22 23:1
23:7,9,12
29:18,24 30:5
47:10 51:22
56:16 74:21
76:5 82:20
86:3
guess 26:5 27:6
27:19 33:23
47:23 60:2
87:21
guided 81:17
gun 48:5 65:14
65:16
guns 68:18
guy 67:15
68:12,14 90:24
guy's 56:22
guys 49:13
h
half 37:7 88:14
hanchock 2:19
6:13,14
hand 10:11
11:18 24:23
25:9 30:23
70:7 71:9 72:9
77:12,13 78:16
78:23 80:14
81:21,24 84:2
84:13 88:13
handicaps
12:13

www.CapitalReportingCompany.com
202-857-3376

handsome
64:11
handwrought
79:11
hang 18:24
56:15
hanging 23:16
75:24
hangs 46:25
happen 17:7
80:2
happened
37:16,17
happens 77:22
happy 17:13
51:5 58:9
60:10 75:14
harcourt 2:3
3:20 59:25
hardened
19:15
harlem 5:10
7:4,14 15:7,21
15:23 16:5,9
16:13,18,22
17:16,20 18:13
19:7,15,19,22
20:4,7,8,14,18
20:21 21:1,3,5
21:6,7,8,11,24
23:1,17,20,23
24:4 26:22
27:12 33:20
35:15 36:22,24
37:2,12 45:24
49:12 60:23
63:11 64:4
73:10,17 77:11

Meeting

[harlem - idea]
80:16,22,23
82:14
harris 7:15
17:2,3,14,14
25:19,21,21
29:3 31:1 32:2
32:15,20 33:1
33:6 35:10
36:19 45:21
47:8 48:2
63:10 73:4,4
82:15 85:13,15
85:16,17,17,22
86:20,20 87:4
87:6,17,19,19
88:7,22 89:25
hate 56:23
66:19 80:12
hayward 33:16
33:22
head 32:9 77:1
hear 31:23
36:3 38:13
40:25 60:3
86:15,18
heard 5:1
31:21 32:11
33:5 42:1,2
70:15 72:8,20
83:5
hearing 3:13
47:20 84:19,25
87:18 89:17,23
heart 36:22
heartiest 45:21
hearts 89:24
heavy 51:21
53:6

January 24, 2023

Page 15
held 54:3
hell 49:13
hellfighter
20:15,18 37:2
hellfighters
5:10 7:5,14
15:7,17,21,23
16:6,9,13,18
16:23 17:17,21
18:13 19:7,15
19:19,22 20:4
20:8,9,21 21:1
21:3,5,6,7,8,12
21:25 23:1,17
23:20,23 24:4
26:22 27:12
33:20 36:22,24
37:13 44:16
45:24 49:12
59:10 60:24
63:11 64:4
73:10,18 77:11
80:16,23,23
82:15 89:5
helmet 16:7
20:23 77:19
help 36:15 79:1
79:7 80:25
helped 22:1
48:7
helpful 4:22
28:6
helps 41:9 61:2
henry 26:2
hereto 92:13
93:10
hero 26:2 54:1

heroes 31:5,10
63:13
heroic 36:9
43:13 53:24
hey 40:7
hi 13:8
high 61:22
62:13
highest 78:19
highlight 27:10
61:7
highlighted
76:23
hill 53:25
historian 7:21
7:22 17:8,9
28:12,12 40:9
42:1,25 45:22
historians 44:5
60:15
historic 27:23
historical 7:18
28:10 32:10
33:14 36:3,17
37:24 39:11
40:19 89:5
historically
83:17,18
history 4:2
9:25 17:9
28:12 39:6
40:2 41:8 43:1
50:14 51:2
52:1 54:6
57:25 58:1,15
60:11,18,21
hit 41:22 76:25

www.CapitalReportingCompany.com
202-857-3376

hitting 32:9
hoge 14:19
hold 45:10
76:15 81:19
holding 38:1
67:15 77:12
78:16
homage 62:21
honor 10:2,10
17:7,10 45:20
63:14
honored 17:15
51:17 58:4,18
62:22 78:12
honoring 59:9
hope 12:5
26:14 60:13
68:20
horace 34:24
34:24
horror 55:14
house 3:21
4:17 8:9 9:4
10:5,6,7 14:17
houses 54:16
how's 66:5
human 54:24
61:18 62:3
humanities
7:16
i
i.e. 68:25
idea 48:7 50:23
56:14 64:6
66:15 73:23
74:21

Meeting

[identified - intergovernmental]
identified 18:4
18:10
ignores 56:19
ii 38:13 39:3,5
43:7
illuminated
49:25
illuminates
40:20
image 16:1
24:17 44:25
73:5 77:3
images 28:25
imagine 81:4,5
immediately
51:21 88:16
importance
27:11 36:15
50:25 59:14
important 14:6
18:23 19:8
29:10 31:15
35:11 38:5
39:13 40:20
41:17,23,25
45:25 46:5,9
48:13,15 50:8
51:25 56:20
58:1 63:8,15
71:19 74:4
imposing 64:6
impressed
66:17,23
impression
67:5,7,8,14,19
69:21
impressions
68:21 69:22

imprimatur
88:18
inaccuracies
43:19
inaudible 79:5
inch 88:14,14
inches 24:21
25:4
include 73:23
88:19
included 18:23
19:9 72:24
includes 5:4
87:1
including 8:16
14:10,16,25
16:7 27:6
inclusion 49:11
incorporated
18:15
incorporates
52:14,24
incorporating
53:3
incuse 80:16,22
81:11
incused 51:3
incusing 81:6
81:11,13
indicate 5:24
indications
75:7
individual
28:18 49:9
54:18 55:11
59:13 66:7
individually
16:16

January 24, 2023

Page 16
individuals
10:8 33:22
34:23 49:2
52:15
indulgence
72:5 76:20
infamous 19:18
infantry 15:20
16:3 19:20,24
20:3,5,12,16
20:25 21:13
22:9,13,23
23:10,13 25:1
26:23 27:20
34:25 54:10
82:18 86:2,22
information
41:10 74:24
informative
59:1
infuriating
16:20
inherent 87:24
initial 17:12
initially 8:7
63:25 67:11
innovation
14:13
input 11:21
inscription
19:5,19 20:8
21:5,7 22:23
22:24 23:6
inscriptions
19:1,22 20:4
20:12,15,19,25
21:9,12,20
22:1,12 23:10

www.CapitalReportingCompany.com
202-857-3376

23:13,19,23
71:15
inside 81:7
insignia 21:24
22:10 23:12,19
23:22 29:16,22
31:3,4,6,7,8,8
31:13,15 42:12
56:15
institute 7:16
instructive
31:18 59:1
instrument
27:6,9,10 42:7
65:15
instrumental
40:7
instruments
18:21 65:14
71:21
intended 47:3
interactions
48:10
intercede 77:23
interest 14:18
15:9 60:16,22
interested
37:12 39:10
67:1,1 92:14
93:11
interesting
31:23 33:19
35:20 36:20
49:22 50:14
interests 12:3,4
intergovernm...
6:21 7:9

Meeting

[internet - krewasky]
internet 5:20
interpretation
84:20
interpretations
32:8 84:22
interrupt 76:19
77:23
intersecting
77:8
interviewed
37:21
introduce 3:15
9:6 15:15
introduced
16:12
introduction
9:2
invested 10:8
invite 11:23
involved 17:15
19:8
irrelevant
79:20
island 17:20
36:23
issue 36:7
46:17 76:9
88:17
issued 16:6
43:23,24 44:16
65:1
issues 7:25
76:22,22
it'll 31:22
item 15:6 72:2

January 24, 2023

Page 17

j
james 16:11
21:18 33:23
35:4,18 42:3
january 1:14
3:4
jazz 16:12
18:14 34:13
35:19,21,23
46:4,6 48:6
58:11
jeanne 14:17
jennifer 2:22
4:19,24 5:13
5:16 6:20 8:1
25:8
jesus 56:11
job 1:25 67:2
joe 24:15 30:8
30:23,25 31:17
63:17 70:7
72:11,12 76:16
76:17,18 78:22
78:25 79:7,24
80:15,15,20
89:25
joe's 79:22
john 2:6 4:16
5:5 7:1,15 9:2
9:6,8,14,21
66:2 69:24
76:15 78:23
79:23 81:21,23
84:22
johnson 26:3
join 5:2 10:7
19:16 59:3

60:6
joined 7:12,13
joining 12:2
17:2 45:17
58:24
joseph 2:20
6:15
joys 82:2
judgment 65:5
jump 33:17
80:2 84:3
june 14:8
k
keep 16:4 45:5
60:16 65:13
69:17 75:8,11
75:12 86:23
87:22
kevin 9:5
kind 37:24,25
41:22 42:13,15
43:1,12 46:8
64:24 67:22
68:16,25 73:2
79:20
knew 37:12
42:3,4
know 5:1 8:22
9:8,8,11 12:1,3
12:7,15,19
15:10,12 19:6
19:6 24:25,25
24:25 25:10,11
25:12 26:3
27:4,11,12,13
28:3,9,10,11
28:11,16,17,18

www.CapitalReportingCompany.com
202-857-3376

28:20,20,24
30:8 32:1,4,8
33:16,17,24
34:12,14,24
35:4,7 36:17
38:1,1,18 40:4
40:7,11 41:2
41:22 42:8,10
42:24,25 43:4
43:5,23 44:4,5
46:4,5,9,11,15
46:17,21,24
47:12,13 48:18
49:2 50:6,16
54:6,22 58:15
61:20 62:9
65:4,11 67:15
67:24 68:11
75:14,15,19
78:20 79:6,21
87:25
knowledge
50:5 92:9 93:6
known 15:21
15:23 16:9
55:1
knows 50:3
69:6
korean 43:7
kotlowski 2:5
4:1,3 45:15,16
72:14 76:12
84:1,2,8 90:16
90:16
krewasky 29:6
32:15 37:22
73:22

Meeting

[l - love]

January 24, 2023

Page 18

legislative 6:21
7:8
l 7:15
lend 52:3
ladies 24:6
length 63:18
90:17
78:15
land 21:19
43:10 73:10,14 lengthy 72:17
lannin 8:6 47:1 lesson 50:14
lettering 30:2
lapel 56:22
73:21
larger 61:2
letters 5:6
larissa 79:5
13:19 14:2
lasted 35:3
letting 12:10
law 15:19
level 47:14
lawrence 2:12
88:12
54:5 57:2
levels 51:24
lay 41:12
layer 77:11,13 liaison 5:13
6:21 31:19
77:14,15 80:17
64:23
layers 77:10
liaison's 57:13
laying 86:6
liaisons 7:13
leader 4:8,17
15:8 18:4,7,10
8:9 9:5 10:5,6
18:23 19:6,11
leading 48:24
20:1 22:4
lean 52:10
25:18 46:12,13
learn 8:25
48:15 49:8
58:15
52:11,22 59:1
leave 44:19
60:14 61:10,24
83:9
64:4,9 72:16
lebel 20:24
72:19 81:17
43:2,23
82:6 88:10
left 18:19 22:19
89:24 90:4
29:9 77:7
liberty 24:20
legal 7:4 24:3
library 7:23
45:3
37:15
legend 27:4
life 8:13 35:4
69:14
52:18
legible 24:23
lifelong 9:22
l

light 36:16
54:9 55:6,18
liked 25:24
56:14 57:17
47:17 51:10
60:25 61:15,19
64:19 68:20
62:24 67:5,23
liking 79:1
71:23,24 73:20
limit 37:5
74:9 75:3 76:4
line 52:12
76:24 77:3,6
55:11,22 73:17
77:10,10,19
lines 25:1
80:11 81:1
73:17 76:6
looked 44:3
links 26:5
56:4 67:14,15
list 6:25
67:16,23 68:9
listening 3:13
68:13,17
little 15:18
looking 26:20
24:24 25:14
29:1 47:5
30:15 31:7,9
48:20 49:4
47:18,25 48:21
61:19 67:12
49:4 51:7,15
70:3,3,6 71:22
65:6 66:20
75:23 83:2
88:2
87:4
live 65:13
looks 25:11
living 39:20
46:16 63:21
llc 5:18
68:17,18 69:6
loaded 32:3
lose 31:13 69:9
local 37:15
loss 51:7
locate 36:25
lost 35:4 53:19
long 17:19 28:9 lot 14:24 25:23
36:11,23 37:11
27:12 32:7
40:10 44:9
34:6,16,16
63:7,13 79:3
44:3 46:16
longer 27:14
47:12,24,24
40:1
49:20,20,22
look 3:5 9:14
50:16,17 51:9
11:20 12:6
61:6 67:5,10
14:23 26:7
73:11 74:24
28:21 34:1
79:12 81:2
41:7 42:5,14
love 60:24
46:10,21 47:23
68:23

www.CapitalReportingCompany.com
202-857-3376

Meeting

[loved - memorial]
loved 35:21
50:1
low 33:20
lower 31:5,6
78:6
lowering 31:2
31:8
m
ma'am 3:11
5:24
machine 68:18
made 29:1
39:14 65:21
74:18 83:12
87:20,23 88:17
madison 35:14
magazine
44:13,17,18
magnitude
28:16
main 29:25,25
80:9
maintained
16:8
majority 4:8
10:6 34:5,9
make 24:21
25:2,3 29:22
30:2,14 41:25
42:9 44:20,20
44:24 46:13,15
57:7 58:13
59:8,21 61:11
64:10 66:24,25
68:3 77:5 79:8
80:4 81:16,20
82:4 83:4,16

January 24, 2023

Page 19
86:11,19 88:1
89:11
makes 51:8
61:17,21 71:15
88:1,15
making 68:2
man 39:10
57:18
man's 21:19
43:10 73:10,14
managed 58:7
management
6:2 15:15 82:7
manager 6:7,9
6:11,13,17
manifest 33:12
33:14
manner 78:9
map 67:22
march 35:12
marching
16:10 32:6,19
marine's 42:14
marks 61:23
62:13,16
marne 20:19
20:19 21:9,10
21:21,21 22:2
22:3 23:4,5,20
23:21
marshal 37:6
mary 8:6,6,11
8:13,21,25
47:1,1 63:18
mary's 50:23
mass 50:5
match 29:2
46:14

matte 68:24,25
matter 32:22
maximum
28:20
mccarthy 9:5
mcmullen 7:15
mean 19:1
24:25,25 27:2
30:8,9 33:10
35:1 40:17
41:24 46:18
61:16 67:3
68:18 71:22
76:19 85:24
means 85:9
89:8
meant 48:12
medal 5:11 7:5
7:14 15:8,17
15:20 17:16,18
18:24 21:22
22:22 24:5
29:18 31:2,6
33:9 36:16,16
39:25 42:12
46:16,25 51:4
52:14,25 55:25
56:21 59:9,21
63:7,13,21
64:11,12 66:15
69:12 71:5,8,9
71:22 75:2,15
75:20,21,24
76:1,3,4,9 78:6
79:19 87:24
88:2,13
medallic 4:5
56:8

www.CapitalReportingCompany.com
202-857-3376

medals 10:9
14:11 23:7
46:16 47:13
56:24 62:25
63:9 64:25,25
65:5 76:3 88:9
88:11,21
media 5:17,19
meet 41:19
70:5 71:24
meeting 1:12
3:2,5 5:4,7,15
5:24 12:1,7,22
13:1,5,19
14:21,23 22:17
66:16 72:2
90:9
meetings 12:14
14:7,8 82:3
90:10
megan 2:15 6:4
member 3:8
5:5 7:17 8:5,13
8:15,24 12:15
35:6 49:8
members 3:15
5:14 8:3,20
12:19 16:16
17:20 25:7
31:19 36:12
45:2,4,8 48:5
49:23 70:11
72:7 74:3
76:21 85:8
90:6,17
memento 88:15
memorial
54:23 78:10

Meeting

[men - musicians]
men 19:20 20:3
33:23 37:19
39:2 53:20
menna 2:20
6:15,16 24:15
24:15 30:25
31:1 63:17
70:9 76:18,19
79:9 80:2,19
80:20,24 81:1
81:10 89:25
mental 11:5,6
mention 24:7
26:16 45:24
mentioned
9:22 26:3 31:2
40:24 41:16
47:1 50:2
52:13 53:5
72:15 74:14
merit 63:19
66:20 84:12
messages 63:15
met 14:9 39:19
meuse 20:20
21:10,20 22:2
23:5,20
mexican 32:17
32:23,24 33:2
mic 40:10
80:19
michael 2:21
microphone
3:9 12:11 66:3
microphones
3:14
microsoft 3:10

January 24, 2023

Page 20
middle 29:2
mike 2:7 4:7
5:17 6:17
53:14 57:3,15
59:4 63:16
66:9 72:11
79:25 80:13
81:24 82:1
88:24 90:1
mike's 64:19
72:10
military 7:21
7:23 17:8,8
28:11,13 31:22
34:4 39:6
42:25 47:12,13
50:6 60:10,18
60:21 64:25
70:19,25 71:18
71:24 75:19
88:10
million 40:14
40:15,18
mind 49:14
50:20 64:5
68:20
minority 4:17
8:9 9:4 10:5
mint 5:13,23
7:24 9:18
11:22 16:25
22:17 55:16
56:7 64:15
66:18 90:7,19
mint's 15:14
minutes 5:6
12:20,22 13:4
13:16 14:1

45:5 60:14
75:12
missed 77:6
missing 47:17
mnuchin 8:8
model 20:24
modern 9:13
modification
44:20 71:18
modified 44:18
moment 8:5
10:2
moments 14:3
montford 56:1
month 12:17
14:23 60:12
70:4
months 35:5
monumental
78:5
morale 16:10
moran 2:7 4:7
4:9 53:14,15
80:15,20,22,25
81:9 88:24
89:1,6,13
morning 37:8
53:22
motion 12:21
13:3,12,16,18
14:1 27:4
81:16 82:5,10
82:15 83:6,13
83:13,15,23
84:12,14,16,23
84:25 85:1,10
86:8,11,19
87:8,16 88:20

www.CapitalReportingCompany.com
202-857-3376

89:9,11,16,19
90:12
motions 56:13
72:7 84:3,10
85:3,11
mounted 17:22
mouthful 49:18
move 9:1 15:5
18:21 21:14
22:5,18 72:2
89:13 90:13
moved 13:9,21
87:10
movement
17:17 39:4
movie 39:9
54:23 63:22
77:1
moving 12:18
18:9 19:25
20:6
mud 73:11
multiple 52:15
museum 7:18
7:23 36:20
37:4,10
music 16:12
18:14 23:17
35:23 46:4
48:7 58:3,11
musical 18:13
18:21 21:18
33:12 34:2
65:14,15
musicians
29:13 46:6
62:22

Meeting

[mute - obverse]
mute 3:9,14
4:21,21 32:14
35:8,8,9 81:22
muted 12:11
60:2 66:3
n
n 2:1 3:1
nail 32:9 76:25
77:1
name 3:11,17
5:25 19:18
24:7 27:24,25
28:1 45:14
76:18 82:18
86:2
names 27:23
37:16
nancy 8:9
narrated 60:20
nashville 53:22
national 15:24
19:23 20:5,13
20:16 21:1
26:18,21 27:25
35:24 73:24,25
74:1,7 82:14
86:24
native 14:13
50:14
nature 65:1
nay 85:4 89:19
nays 85:5,8
necessarily
22:19 78:18
necessary
24:20 78:6

January 24, 2023

Page 21
need 7:25 13:3
14:23 26:19
29:21 30:15
44:17 69:7,12
74:6
needed 34:19
54:12 86:5
needing 71:4
negative 57:24
negatively
57:12
neither 92:10
93:6
ness 68:19
never 31:21
68:24 74:17
76:20
new 5:5 7:16
7:19 8:18
15:24 19:23
20:4,13,16
21:1 26:18,21
28:3 33:19
35:6,25,25
36:13 68:10
73:23,25 74:7
74:25 79:15,16
79:21 83:3
86:23 89:9,11
89:16
newspaper
37:14
nice 12:7 46:15
48:20
nicely 53:9
nickname
15:25

night 29:7 30:1
nod 18:12
nominal 81:12
non 53:3
normal 41:3
normally 49:1
north 7:18
notary 92:1,18
note 6:23 7:12
22:4,15
noted 16:25
22:16
notes 73:20
notice 43:18
noting 82:13
notion 59:13
november 5:7
12:22 13:19
16:13 36:21
number 19:4
23:7 24:11
33:21 38:5
43:10,19 47:8
47:9 48:22
51:10,14,20
55:2,3,5,7,21
55:22 56:8,12
56:24,25 57:15
57:19 58:9
68:22 69:14
72:25 74:9
76:25
numbers 82:14
numerous 8:15
numismatic
4:14 8:14,14
8:15,16,17,17
8:18,19 14:12

www.CapitalReportingCompany.com
202-857-3376

14:20 15:1
numismatics
4:11 12:4
numismatist
9:11
numismatists
9:9,22 67:1
o
o 3:1
oath 9:18 10:3
10:4
objection 13:16
14:1 84:19
objections
13:15,25
obligation 11:3
11:4
observation
53:16
observes 20:7
obverse 15:16
18:6 19:14,14
19:14,25 20:14
20:17,21 21:3
21:5,7,11,14
25:11,12,13,17
25:20,22,24
26:19 30:13
41:13 42:17,18
46:11,15,19,22
47:22 48:14,25
50:23 52:11,16
53:9 55:6
56:25 57:9,15
59:5,11,15,22
59:23 61:9,13
61:25 63:16,19

Meeting

[obverse - passed]
64:10,19,21,22
64:23 65:8,24
67:11,17 68:5
70:17,18 71:12
71:14,15,17
72:22 73:1
74:11,13 76:24
78:4 79:14,21
80:8,16,23
82:13,13,16
83:3,9 85:23
85:25 87:1
obverses 19:19
48:19 52:10,21
59:23 70:18
obviously 48:6
57:19 73:9
odd 28:15
offensive 20:20
20:20 21:10,10
22:2,2 23:5,6
23:20,21
offer 24:7
77:24 80:1
82:5
offering 78:20
office 6:1 7:8
10:3 11:14,16
15:14 80:2,21
officer 92:2
officers 33:21
33:22 38:11
official 16:4
officially 63:12
oh 54:3,8 70:9
83:9 85:17
87:19

January 24, 2023

Page 22
okay 4:25
37:23 51:20
56:4 78:24
80:22 81:9,19
81:23 82:9
83:1,2,12
84:23 85:18,22
86:18,19 87:6
88:22 89:13
91:2
old 23:13 37:14
74:3
olive 21:25
once 12:15
40:4 62:22
85:13
ones 30:18 32:5
41:20 61:12
62:25 69:20
70:20 76:23
onward 50:8
opened 54:2
openness 47:21
47:21
opined 61:13
opportunity
14:15 17:9,25
38:3 45:12
70:13
oppose 89:19
opposed 26:1
78:4 85:3
option 25:20
31:16
order 3:2 9:1
12:18 14:2
30:10 72:10
77:20 90:5

organized
15:24
original 27:24
46:14,22,23
49:18 72:24
originally
15:24
outcome 92:14
93:11
outgoing 8:5
outs 48:17
outstanding
8:4 15:22
59:19 66:12
overall 29:14
66:8
overestimated
51:23
overlap 31:8
overlapping
62:20
overlaps 31:6,9
31:9
overseas 38:22
40:15
oversweep
39:12
overtop 27:18
overview 28:10
37:24 40:19
own 54:16
77:23
owned 9:23
p
p 2:1,1 3:1
p.m. 1:15

www.CapitalReportingCompany.com
202-857-3376

pacific 8:18
paid 31:1
pair 49:16
pam 2:17 6:9
90:20
pancake 78:3
pantheon
63:12
paper 55:7
parade 35:13
58:5
part 12:5,10
33:14 34:4,13
35:13,15 37:10
47:7 53:18
54:20 62:22
63:23 67:24
86:8,11
participation
49:25 60:17,20
60:25 61:3
particular
18:15 44:7
51:4 63:6
66:11 67:25
72:21 73:2
74:15 76:25
particularly
14:6 41:16
59:18 62:18
67:24 70:22,24
72:4 74:20
parties 92:11
92:13 93:7,10
pass 56:23
passage 21:18
passed 50:22
84:16

Meeting

[passes - praise]
passes 84:13
89:20
passing 17:23
past 65:1
patch 23:3
path 11:22
patriot 61:21
patriots 26:5
patrol 21:19
paul 5:18
pause 3:4
paying 62:20
pbs 60:19
peace 21:25
pelosi 8:10
people 12:2,3
27:13 34:12
37:5,9,16
38:14 39:10
40:1,2,4 48:9
49:1,5 54:3,8
54:24 55:19
56:5 60:17
61:3 62:5 67:5
68:13,15,24
peoples 48:10
percent 40:13
40:16,19
period 56:7
83:17
pershing 54:14
54:17
person 14:8,14
54:22 61:16,18
61:18,19,20,21
70:5
personal 53:16

January 24, 2023

Page 23
personally
26:13 42:13,16
61:20 65:13
perspective
25:19 47:14
52:12 72:24
persuade 30:18
46:2 48:3
persuaded
30:19 46:1
58:3 70:20
persuasive
47:7
peter 2:11 4:13
13:6,7,8,21
24:9,15 43:15
53:5 58:20
83:25 84:24
87:11,12
ph 26:5 33:16
36:23
phone 3:9 4:21
5:20
photo 26:4
photographs
26:14 73:14
photoshop
24:17
phrase 47:3
80:23
physical 56:19
pick 46:12
picked 27:6
33:18
picture 33:14
68:10
pictured 26:8

piece 75:13
piecemeal
54:16
pieces 53:19
79:5
pippin 34:24
34:24
piqued 60:22
place 63:12
77:23
placed 22:19
placement 22:6
planted 39:2
played 35:25
48:6
playing 35:23
35:23
please 3:10,16
5:24,24 10:10
22:15 24:6
41:2 45:5
51:19 62:6,15
69:17 72:12
85:21 88:6
90:18
pleased 12:5
76:8
pleasure 45:20
pocket 53:8
56:23
pockets 53:11
point 27:21
31:1,3 39:13
40:3 56:1,17
67:17 68:1
73:14 74:8
75:2 76:13
79:22 82:4

www.CapitalReportingCompany.com
202-857-3376

84:5,11 87:23
89:23
pointed 23:18
82:15,22,23
pointing 24:2
points 29:25
63:19 67:12,12
74:16,18
policy 16:4
political 45:22
pomp 34:3
pooped 66:13
popular 34:16
portfolio 17:1
18:2,17 19:13
49:21 54:2
60:11
portfolios
14:10 40:25
portion 53:4
portrait 20:14
20:17
portraits 77:5
79:1
ports 54:11
pose 31:19
position 9:4
10:4 18:18
30:2
possible 28:19
43:19
poster 63:22
77:2
powell's 60:19
powerful 50:24
59:15 78:14
praise 41:2

Meeting

[pre - r4]
pre 38:7
preface 82:12
prefer 30:17
52:14
preference
18:7,10 20:1
46:24 49:18
59:11 84:17
preferences
18:4 19:10
46:14 64:10
75:7
preferred 22:4
52:3,10,22
64:1 86:10
preferring
18:20
prejudice
16:24
prepared 93:3
prepares 19:16
present 3:16,19
3:22,25 4:3,6,9
4:12,15,18
5:25 6:3,6,8,10
6:12,14,16,19
6:23 7:2,6,10
12:25 13:5
15:16 31:16
78:13
presented 73:8
75:15 78:9
president 7:22
17:24
press 5:14
prestigious
10:8

January 24, 2023

Page 24
presumably
53:6
pretty 73:11
87:24
previous 53:2
pride 40:5
prior 92:4
pritzker 7:23
private 88:16
88:17
pro 24:18
probably 9:11
14:22 29:14
59:6 61:15
71:1,17,20
75:19
problem 53:20
79:6
problems
43:20
proceed 82:10
83:15 85:21
88:6
proceeding
93:4
proceedings
5:12 92:3,4,5,8
93:5
process 51:16
production
24:14
products 14:12
professional
9:9
professor 7:15
profile 46:20
49:3

program 3:10
15:15,19 24:4
41:6 45:9,11
60:23 85:12
89:22
programs
14:10 36:4
prominent
19:21
prominently
53:24
prompt 71:23
proof 68:24,25
protruding
44:13,18
proud 28:23
prove 39:5
public 3:13,18
3:24 5:4,15
11:23 14:19
15:4,19 42:1
90:9 92:1,18
pun 47:3
purchased
88:15
purple 36:22
purpose 11:7,8
pushing 56:18
put 17:9 29:12
30:3,4 39:23
55:24 69:9,16
79:16,20 86:21
86:23
putting 48:7
49:14 65:15
puzzling 75:1

www.CapitalReportingCompany.com
202-857-3376

q
qualified 4:2,4
4:10,14 14:19
92:7
quality 78:8
quarters 80:8
question 24:10
24:10 25:10
26:25 32:3
33:11 36:5
43:16,20 44:22
53:5 54:5 63:7
72:18 75:13,18
80:15 82:22,23
82:24 86:21
89:1
questions
15:10,11 17:11
24:3,8 25:6
28:5 31:18
32:4 36:5 45:2
45:8,12 49:24
81:20 84:24
89:16,22
quick 70:8
quickly 37:4
70:16 89:9
quite 12:2,2,7
44:22 45:23
46:3 47:21
56:20 66:23
quorum 5:3
r
r 2:1 3:1 29:6
r3 75:17 87:20
r4 74:19,23
75:13,23,24

Meeting

[races - related]
races 48:12
racial 16:23
38:18
rained 73:11
raised 75:1
raising 10:11
rank 42:23
rarely 42:3
raskin 8:7
rate 75:6,8
rather 5:20
59:13 68:14
71:23 78:6
rattler 21:23
23:3 42:13
rattlers 15:25
19:5,22 22:13
22:24 23:12,19
23:22,23 29:15
30:4 47:17
82:19 86:2
88:3
rattlesnake
16:1 22:10
29:23
read 33:1
35:20 38:19
readable 24:21
25:2
readings 44:3
ready 30:11
real 36:16 39:8
50:19 57:16
58:14 62:3
67:18
realistic 78:1
realization
77:4

January 24, 2023

Page 25
realizes 58:16
really 12:7
26:6 27:13
31:4 33:25
34:2 35:2,18
37:18 38:20
39:7,9,15 42:1
42:8 43:25
44:6 47:4,10
47:15,16 48:18
48:25 49:13
50:4,19,21
52:5 53:4 54:7
54:8,8 55:1
57:3,12 58:1,1
59:18 60:24
62:6,6,12,19
64:18,18,21
65:1,5,8 66:15
68:16 70:20
72:17 75:5,5
79:4 81:13
reappointed
8:8
reappointment
45:19
reason 34:11
36:4 56:18
60:24 64:13
69:5 71:13
73:22,22
reasoned 57:14
reasons 25:25
27:22 44:2
receive 66:13
received 12:19
16:6 38:23

receiving 14:25
recognition
15:22 37:2
recognize 14:3
14:6 26:1
55:19 58:10
63:14 76:16
recognized
45:10 56:21
63:12
recognizing
35:17 72:12
recommend
27:17 28:2
77:4 84:4
recommenda...
8:9 10:5 18:8
18:11 19:11
20:1 22:15
83:8
recommenda...
18:5 46:13
61:24
recommended
3:20 4:7,16 9:4
14:16 18:17,21
19:2 29:18
89:4
recommends
82:16 85:23,24
85:24
record 5:22
7:12 13:2 41:8
87:7 92:9 93:5
recorded 92:6
recording 92:8
93:3

www.CapitalReportingCompany.com
202-857-3376

recruit 33:18
33:25
recruited 33:23
recruiting 35:3
red 38:17
reduced 92:6
reese 16:11
21:19 33:23
35:4 42:3
refer 68:11
74:2
reference 18:16
referring 27:20
reflect 13:2
reflected 5:8
14:4
reflecting
72:12
regard 52:10
regarding
42:17
regiment 15:21
16:3,15 19:18
19:21,24 20:3
20:5,13,16,25
21:13 22:10,13
23:8,10,14
26:12,23 27:15
27:21 34:7
57:20,25 58:1
86:22
regiments
38:10 40:12,12
region 40:4
register 90:11
related 92:10
93:7

Meeting

[relative - right]
relative 40:7
92:12 93:9
relief 77:10,11
77:13,14,15
78:6,8,19
80:17,18 81:5
relinquish 30:7
remainder 91:1
remaining
81:21
remember 24:6
32:16 34:17
47:15 53:16
71:6 72:23
90:18
remind 3:8,12
45:4
reminded
68:25
reminds 68:10
remotely 5:14
remove 74:11
83:8
removed 82:18
82:19 86:2,3
removing 19:5
88:19
repeat 26:20
80:20
repeating
10:11
repetitive
82:19
report 5:9 14:5
15:3
reported 1:23
reporter 45:13

January 24, 2023

Page 26
reports 15:1
represent
19:17 21:25
62:4
representation
24:13 63:9
represented
14:18
representing
3:17,23 21:24
23:4,7,16
50:21,24 59:14
represents 22:8
51:25 55:10
57:20
required 88:8
90:18
research 17:21
44:24 61:6
researching
40:1
reservation
11:5 48:3,4
reservations
11:6
respect 70:17
70:22 71:2,16
85:11 89:22
respond 3:16
rest 54:25
retired 7:20
return 38:2
returned 14:7
35:12
reveal 41:9
reverse 15:16
18:9,11,18
19:9 21:15,16

21:22 22:3,8
22:25 23:9,15
24:11 26:19,23
27:2,3 29:4
30:13 44:9,10
44:19 46:10,11
46:15,22,23
47:22,23 51:18
51:20 53:9
56:10,25 57:9
59:5,11,19,23
61:10 62:15,16
63:25 64:1,1
64:14 65:11
68:22 70:22,24
71:1,2,16,18
74:6 79:16,17
80:4,9,10
82:17 83:8
86:1,25 88:2
reversed 27:17
29:8 87:8
reverses 18:9
20:6 22:21
23:11,22 47:6
52:22 57:23
59:16,22 62:14
71:2 80:6,7
review 5:9 15:6
reviewing
14:10 36:4
41:1 60:11
revised 12:20
12:21
revision 12:22
13:4
revolution 38:8

www.CapitalReportingCompany.com
202-857-3376

rhodian 79:5
rhythm 41:3
ribbon 18:25
29:20,24 30:4
31:11,12 56:15
71:5,7 74:22
75:20,22,24,25
76:1,3,3,5
82:19 86:3
rich 49:21 72:4
richard 7:15
17:10,14 25:21
28:2 32:1,12
32:14 33:16,17
35:7,8 36:11
42:8 73:4
79:15 86:20
richard's 27:21
40:3
riders 32:23
rifle 20:18,24
22:12 23:3,15
27:15,18 29:12
30:3 41:17,23
43:3,23 44:11
48:6,8 49:19
62:20 64:6
67:3 69:6
71:21 73:7
83:16,16,18
86:4,6
rifles 16:7 43:5
69:7
right 10:11
22:20 25:5
32:20 33:8
35:10 38:12,14
39:18 44:21,25

Meeting

[right - seem]
56:16 59:17
60:3,5 62:4
71:8 76:25
80:3 81:2,18
82:2 85:18
rightful 63:11
rights 39:3
robert 14:19
robin 2:8,24
4:4 7:4 50:11
50:12 52:7
59:4 67:21
robust 78:9
roger 2:16 6:7
rough 32:23
round 44:12,15
44:17
rounds 44:12
royal 8:16
running 51:2
80:21
russell 2:18
6:11
s
s 2:1 3:1
sacrifice 16:22
sailor 42:14
saint 54:22
salmon 2:8 4:4
4:6 50:12,12
51:20
salter 7:20 17:2
17:3,6 25:18
26:3 27:8 28:8
31:25 32:3,14
32:18,21 33:4
33:8,15 35:22

January 24, 2023

Page 27
37:22,23 41:21
42:24 43:24
44:21 45:22
47:7 48:2 50:2
63:11 75:9,11
82:22,25,25
83:2,9 86:14
86:15,17,18
87:3,3 89:25
salter's 64:6
sam 2:4 3:23
12:24 13:3,5
13:22 57:4
san 8:17
satisfies 63:17
82:21
saturday 53:22
saunders 2:6
4:16,18,20,25
5:6,19 9:2,7,16
9:18,21 10:2
10:10,13,15,18
10:22,25 11:2
11:4,6,8,10,12
11:16,18,25
12:14 45:17
58:23 60:7
66:2,4,5,7 70:1
78:24 79:12
save 30:10,15
saw 37:15 54:8
70:7 73:8
saxophone
22:12 23:3
27:18 30:3
35:2 41:17,23
48:4,8 49:19
64:2,2,7 69:4,6

69:8,10,11,17
86:7,10
saying 40:11
71:11 74:17
81:10 82:12
90:22
says 63:13
scale 24:20
77:5
scarinci 2:9 8:2
25:10 27:1
28:6 30:7
64:18 85:6
scene 43:4,8
scholars 44:4
schorn 7:1,2,2
7:3 84:21,22
score 21:18
84:13,18 90:18
scored 84:5,9
scoresheets
84:14
screaming 54:7
screen 87:4
scuffle 35:5
sculptor 55:13
sculptural
76:22 78:9
sculpturally
78:12,14,17
80:11
sculpture 4:5
77:4 78:16
seats 90:19,21
secessionville
50:15
second 3:4
13:11,12,22

www.CapitalReportingCompany.com
202-857-3376

14:22 29:5
55:6 58:24
60:8 61:5
66:16 70:8
76:15,20 77:13
81:20 83:13,24
83:25 84:24
87:11,12 89:9
89:14 90:15
seconded 89:15
secretary 5:7
8:7,8 9:3 13:19
18:17 22:5
85:25
section 81:2,4,5
see 7:13 8:2
10:11 18:6,9
18:11,25 29:1
30:18 37:9
42:10,11,15
43:8,10,12
46:2 47:12,15
48:22 52:1,19
53:10 56:11
57:11 63:14,21
68:12 69:12,18
70:4,23 71:3
71:24 72:9,9,9
72:16 76:5
78:23 81:21
82:5 84:9,12
88:11
seeds 39:2
seeing 78:15
84:25
seem 12:8
43:19 65:3,6
79:17

Meeting

[seems - soldiers]
seems 24:11
42:20 44:11
49:16 65:7
seen 20:9 55:15
56:7,24 88:20
select 10:7
selected 41:20
selection 65:21
selections
17:12
semiquincent...
15:2
senate 4:7
senior 5:18 6:4
6:7 7:7
sense 26:7,12
49:12 51:9
71:15 86:9
separate 34:7
38:18
separated
55:12
sergeant 53:24
serve 61:17
served 8:6,11
8:12 16:14
31:22 39:22
40:13,14,15,17
59:23 60:9
61:5 62:24
serves 7:22
service 15:22
28:16 62:23
64:3,8
serving 28:23
38:7
set 17:22 90:9

January 24, 2023

Page 28
seven 85:9
several 14:15
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25:24,25 32:8
90:11
share 9:11 15:3
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36:12
shied 42:16
44:2
shifted 89:4
shifting 19:1
ship 35:23
shipped 54:13
shondra 1:23
92:2,17
shooting 68:18
shore 7:18
short 60:16
shot 34:23
shout 48:16,19
48:21 52:5
61:11
show 28:19
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64:2 67:17
68:1 69:13
73:14
showed 53:20
54:23 66:11
showing 28:1
42:10 51:10
53:8 74:21
shown 29:18
29:19

shows 9:23
62:19 68:7
shrink 31:7,13
56:14 69:13
shrinking 31:4
side 27:24 28:3
49:3 50:16
77:7
signature
92:16 93:13
signed 5:14
17:24
significance
29:11 33:9
50:17 51:12,22
71:10
significant 22:9
27:11 39:15
55:1,3
signify 90:21
silhouetted
55:14 77:16
silhouettes
77:7
similar 64:24
simply 24:16
35:20
sincerely 61:16
single 50:24
51:9,10 57:8
sir 3:11 5:16,19
5:24 66:3
76:14 81:8
83:11 88:25
sit 17:11
sitting 74:17
situation 48:23

www.CapitalReportingCompany.com
202-857-3376

six 14:12 51:14
62:16 67:3
size 53:24
88:14
sketch 55:24
sketchbook
24:18
skills 92:9 93:6
slaughterer
54:16
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slightly 24:20
small 17:19
53:4 71:7
smaller 29:23
smithsonian
38:2 39:18
snake 31:9
societies 8:16
society 8:15,16
8:17,18,18
soil 32:7
sold 9:23
soldier 28:21
28:22 29:2
34:25 39:6
42:14 43:5
48:20 49:10
50:24 51:11,14
52:17,19
soldier's 47:11
62:11 77:18,19
soldiers 25:25
26:8 29:13
32:22,23 33:19
34:5,9,20 36:8
38:15 41:14,18
42:4,20,23

Meeting

[soldiers - suggest]
43:9 48:22
50:18 51:2,11
52:13 53:7,11
55:15,22 56:3
58:6,14,18
62:21 72:25
73:24 74:2
solemnly 10:12
10:13
solid 46:15,24
64:11
sollman 14:18
solo 52:17
solution 54:19
54:20
solved 79:10
somebody 54:5
55:7,18 75:1,3
songs 35:25
sophie 36:23
sorry 9:7 10:6
20:6 25:8
42:19 60:2
64:23 80:12,19
84:2 85:17
86:24 87:19
sort 24:12 36:7
41:11,14,19
42:17,18 62:2
70:18 73:17
sorts 56:13
57:6
south 50:14
space 77:15
spanish 32:24
33:3,4
speak 3:12
26:12 30:15,18

January 24, 2023

Page 29
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specialist 6:5
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specifically 4:1
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spell 55:17
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square 35:14
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stafford 2:14
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stage 68:13
stake 29:16
stakeholder
80:7
stakeholders
70:12,14,23
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stand 59:21
64:22 65:2,8
76:8 86:12

standing 52:20
standout 57:16
standpoint
71:21
stands 20:9,10
82:17
star 23:2,19
89:1
stars 19:4
start 37:25
40:1 43:2 46:9
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started 37:14
73:24
starting 14:22
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starts 37:24
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60:13
stepped 35:22
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stevens 14:17
stick 32:5
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stiffness 52:20
stitching 24:22
stock 44:13
stop 78:20
stories 31:23
34:15
story 16:20
37:11,17
strangely 77:12
strap 29:2

www.CapitalReportingCompany.com
202-857-3376

streamers 23:4
streamline
30:11
street 35:14
striking 28:25
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71:13 73:6
74:14,20
stripes 76:6
strong 49:15
55:16 59:7
69:3
strongly 18:12
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67:17 68:5
struck 26:6,13
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74:8
structure 80:10
stuck 58:6
student 53:17
71:23
studied 58:16
study 67:2
69:22
studying 28:14
stuff 39:22
80:8 81:3
stunning 64:21
stunningly
59:9
style 63:20
substitute 65:5
successfully
79:10 80:5
suggest 26:11
45:3 68:1

Meeting

[suggested - thank]
suggested 19:4
22:16 29:19
30:14
suggestion 27:3
74:22
suggestions
89:21
sullivan 2:15
6:4,6
sum 30:1
summary 5:7
summer 38:17
38:19
superb 57:23
supplies 54:11
support 10:14
10:15 11:22
16:3 30:13,17
52:4 53:1
57:22 59:5
65:17,22 69:10
70:17
supporting
30:12 80:7,9
suppress 39:24
suppressed
40:1
sure 25:21
31:12 32:2
36:13 37:5
41:24,25 42:9
43:13,21 44:16
44:23,25 47:18
55:23 69:1
71:4 72:14
81:20 82:4
83:4,16 86:19

January 24, 2023

Page 30
suspension
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9:2
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sworn 92:5
symbol 16:1
51:25
symbolic 69:5
73:9
symbolism
51:22 65:15
symbolize
50:25
system 4:22
t
table 47:4
tabletop 47:3
48:24 50:23
55:5 56:6
63:18
take 3:4 8:5
11:3,4 24:16
30:22 31:25
38:21 41:3
46:10 47:22
53:15 55:18
58:2 63:7,11
74:5 75:13
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90:20

taken 36:11
74:17 92:3,11
93:8
takes 51:15
talk 30:12
40:10 48:15
67:8
talked 29:7
42:8 73:22
talking 3:10
27:19 32:18,24
34:1 43:2
46:21 47:24
62:2,7 73:7
78:25 85:18
86:21
talks 42:6
tate 2:25 7:7,10
taught 9:24
teach 45:23
teaching 28:15
team 60:7 82:6
82:8 90:1,3
teams 3:10
technical 24:3
24:10 45:3
53:5 75:13,18
76:7
technically
69:1 86:10
technician
42:25
tell 15:8 26:8
39:1 55:25
71:6
tenor 22:12
term 14:21,22
31:20 32:16

www.CapitalReportingCompany.com
202-857-3376

33:2 58:25
60:8
terminology
88:7
terms 29:14
59:16 67:11
69:12 73:21
77:3 81:12
terrain 43:11
terrible 58:17
58:17
terrific 48:18
terry 2:24 7:4,6
test 47:3 48:24
50:23 55:5
63:18,18 78:14
78:15
testifying 92:5
tetradrachms
79:6
text 27:19
29:15 78:5,7
78:19 81:6
texts 81:11
texture 24:16
24:19 53:5,6
textured 24:12
textures 68:4
texturing 24:14
thank 4:23
5:22 8:4 9:16
9:20,25 11:25
12:9 13:3
15:18 18:1
24:1 25:5
26:24 28:6
29:5 30:21,25
31:17 40:23

Meeting

[thank - topology]
43:15 45:1,16
50:8,10,12,13
52:6,7 53:11
53:13,15 57:3
57:5 58:19,20
58:21,25 59:24
59:25 60:3
63:1,2,4,5,16
64:14,15,17
66:1 69:23,24
70:1,10 72:5
72:14 76:10,12
76:14,18 78:21
78:22 79:23
81:14,15,23
82:8,11 86:13
87:6 88:22,23
89:24,25 90:2
90:6 91:3,4,6
thanking 72:3
thanks 60:5
62:23 63:10,10
64:4 70:1
86:19
theaters 60:21
theirs 65:6
themed 47:13
88:10
themes 15:1
thing 24:22,24
26:6,9,16 28:9
33:20,24 36:19
37:21 50:1
56:14 58:16
66:10,16 67:14
69:9 73:16
76:7 78:19
79:2,13 84:14

January 24, 2023

Page 31
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think 8:20 14:5
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66:21 67:4,16
68:22 69:9,15
69:19,21 70:13

73:5,5,9 74:5
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74:18,19,22,23
75:1,1,5,6
76:23 77:2
78:12,13 79:1
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81:1,2,16 82:4
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thinking 41:15
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72:24
third 42:22
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thought 29:9
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35:16 37:17
47:9 49:3
51:16 65:3,20
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79:20
thoughtful
30:9
thoughts 72:16
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thousand 15:10
three 14:11
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21:6 23:4 25:4
26:11 28:20,25
41:18 42:5,10
42:16 44:11
46:19 47:21
53:11 55:22
56:3 58:2 67:3
72:25 73:1

www.CapitalReportingCompany.com
202-857-3376

77:21 79:17
85:8 88:14
thrill 58:14
thrilled 58:18
tie 32:10
ties 53:9
time 3:12 8:11
17:4 19:3
25:23 30:11,15
35:22 38:6
41:4,6 63:13
66:14 71:1,20
72:8 73:9
75:21,22 79:3
81:18 89:5
times 9:13 14:9
30:24 42:2
title 87:25
titled 26:5
today 5:24 17:2
18:8 34:7,19
36:14,18 38:5
39:20 40:20
79:13 90:5,7
today's 5:4
together 12:17
17:10 37:22
tom 14:16
took 54:5
top 18:3 21:17
21:20 22:17
27:5 29:13
30:2 31:11
69:4,11,16,17
82:20 86:6,10
topology 81:6
81:12,13

Meeting

[total - uniform]
total 14:9 23:7
touch 31:7
touches 31:9
43:17
tours 34:9
towards 17:17
52:10 78:7
town 17:19,21
towns 73:13
traditional
53:3 64:11
88:10
training 16:6
54:10
transcriber
93:1
transcript 93:3
93:4
transcriptionist
92:7
transitioned
44:1
translate 55:24
transparency
15:9
transported
16:2
travel 13:1
treasury 85:25
treated 54:9
treatment
38:23
trench 20:10
21:8 43:6
51:11 68:8,13
68:14,15
trenches 21:4
27:14 33:13

January 24, 2023

Page 32
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trombone
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trouble 47:25
truck 54:12
true 10:24,25
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trumpet 62:20
trustees 7:17
truth 57:8
try 26:9 37:23
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tucker 2:10
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86:8 87:10,10
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tuesday 1:14
3:3
turn 9:18 15:13
30:23 36:6
50:11 52:7
53:13 55:5
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59:25 63:2
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90:19,20
turning 41:11
tuskegee 37:20
two 17:1,12
18:16 20:21
21:11 25:18
26:10 27:10
28:5 30:10
36:14 41:12
42:21 43:5
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53:2,22 58:2,8
59:7 68:1,2
73:6,17 76:8
78:25 84:4
90:9
type 42:21
48:23
typewriting
92:6
typically 41:3
77:4
u
u.s. 7:20 10:8
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20:12,15,25
21:13 22:12,23
23:10,13 26:18
26:22 27:20
33:10 45:22
46:7 82:14
88:18

www.CapitalReportingCompany.com
202-857-3376

ultimately
77:17
umbrella 67:15
uncle 39:21
61:19
unconsciona...
16:18
under 14:21
16:5,11 30:22
54:18 76:5
underestimated
51:23
underneath
69:10
underscoring
51:12
understand
18:22 24:12
41:1 57:21
59:12 64:24
71:10,13 74:13
84:16 87:6
understanding
84:15
understood
80:13 83:4
unfortunately
35:4
unidentified
91:2,3,4,5,6
unidetified
13:14,24
uniform 20:8
20:18,23 22:22
31:21 32:6
33:10 38:7
47:11 53:4,6
53:10 71:7

Meeting

[uniformed - weapon]
uniformed
19:20 20:2
uniforms 16:8
38:21,22
union 55:2
unique 12:16
unit 15:23
16:15 26:1
40:17 49:10
54:4 55:10,12
55:13 56:19
59:13 70:25
75:4
unit's 29:16
united 10:16
10:18 14:17
64:14
units 34:4,7
40:17 59:14
71:15
unmute 4:22
unmuted 78:24
unser 5:17
upcoming 15:4
90:10
uram 14:16
use 19:3 24:19
75:18
used 24:17
33:3 43:2 44:5
44:7 48:6
useful 12:6
using 44:14
48:24
usual 57:6
usually 46:12
80:7

January 24, 2023

Page 33

utilized 52:4
v
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various 60:21
76:22
vasquez 2:16
6:7,8
ventris 2:13
6:24
version 44:12
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versus 41:7
veteran 15:9
17:7
veterans 78:10
78:11
videoconfere...
90:8
vietnam 43:8
view 22:21
49:2,3 84:12
vijayan 93:2,14
virtual 12:13
14:7 82:3
vision 34:16
visualization
34:19
visualize 48:1

voices 77:23
vote 27:4 65:10
65:12 89:8
votes 84:18
voting 85:8
w
wait 45:11
walk 53:23
wall 53:21
walter 53:18
want 3:15 6:23
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wanted 19:6
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wants 64:23
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