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Capital Reporting Company
Citizens Coinage Advisory Committee Public Meeting 04-08-2014
1
CITIZENS COINAGE ADVISORY COMMITTEE
PUBLIC MEETING
Tuesday, April 8, 2014
2:00 p.m.

United States Mint
8th Floor Boardroom
801 9th Street, N.W.
Washington, D.C. 20220

Reported by:

Natalia Thomas
Capital Reporting Company

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A T T E N D A N C E
Board Members:
Gary Marks, Chairman
Michael Bugeja
Robert Hoge
Erik Jansen
Michael Moran
Michael Olson
Donald Scarinci
Jeanne Stevens-Sollman
Thomas Uram
Heidi Wastweet

Mint Staff:
Michael White, Public Affairs
Greg Weinman, Senior Counsel
April Stafford, Stakeholder Relations Manager
Don Everhart

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P R O C E E D I N G S
MS. STAFFORD:
MR. WHITE:

Check in?

Yeah, I just wanted to get a

roll of the press on the line, if we can.

I think I

heard Paul Gilkes.
MR. GILKES:

Here.

MS. BRADLEY:

Debbie Bradley.

MR. WHITE:

Okay.

MR. UNSER:

Mike Unser.

MR. BUGEJA:

Michael Bugeja.

MR. PETERS:

Les Peters.

MR. WHITE:

Okay, so it's Debbie, Paul, Mike

and Les?
MR. HOGE:

Robert Hoge.

I think we're doing

a roll call of the press phone.
MR. GOLINO:

Louis Golino.

MR. WHITE:

Okay, thank you.

All right, I'm

MR. MARKS:

I count five, is that what you

MR. WHITE:

Yeah.

done.

have?

MR. JANSEN:

Gary, are we doing a transcript

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of today's call?
MS. STAFFORD:
MR. JANSEN:

We are.
Good.

MS. STAFFORD:

Thank you.

Greg, do you happen to have

the list of CCAC members with you?
MR. WEINMAN:

Yes.

MS. STAFFORD:

Okay.

So Gary, Greg has a

list of the CCAC members, would you like him to go
down it so you can know who's here?
MR. MARKS:

Yeah, let's still roll call.

I

suspect there's eight of us, but let's go ahead and do
it.
Actually, should I maybe convene the meeting
first?
MR. WEINMAN:
MR. MARKS:

Um hmm.

MR. WEINMAN:

I'll go ahead and do that.

MR. MARKS:

Fine.
So, I'm calling this Tuesday,

April 8th, 2014 meeting of the Citizens Coinage
Advisory Committee to order.

First thing we'll do is

call the roll.
MR. WEINMAN:

Would you like me to do it?

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Okay.

Robert Hoge?
MR. HOGE:

Here.

MR. WEINMAN:
you on the phone?

Heidi Wastweet.

Heidi, are

Apparently not.

Michael Ross?

Apparently not.

Michael Bugeja.
UNIDENTIFIED SPEAKER:

I can hardly hear

you.
MR. BUDEJA:

Here.

MR. WEINMAN:
MR. BUDEJA:

Michael Bugeja.
Here.

MR. WEINMAN:
speaker closer to me.

Sorry.

Let me move the

Jeanne Stevens-Sollmon?

MS. STEVENS-SOLLMAN:
MR. WEINMAN:

Here.

MR. MARKS:

Gary Mark?
Here.

MR. WEINMAN:
MR. JANSEN:

Erik Jansen?
Here.

MR. WEINMAN:

Tom Uram?

Tom Uram?

Tom?

No.
Michael Olsen?
MR. OLSON:

Here.

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MR. WEINMAN:

Donald Scarinci?

MR. SCARINCI:
MR. WEINMAN:

Here.

MR. MORAN:

Michael Moran?
Here.

MS. STAFFORD:

Okay.

And should we -- so,

for the -MR. WEINMAN:
MS. STAFFORD:

We have a quorum.
-- folks on the phone, we'll

just let you know the United States Mint Staff here
that's present.

Of course we have our court reporter.

Greg Weinman, you just heard from our legal counsel.
Myself, April Stafford.
Affairs Office.

Mike White, from our Public

Betty Birdsong, Sharon Bowen and

Carolyn Brown from the Design Group.

And Jack

Szczerban, who is our Precious Metals Manager from
Sales and Marketing.

Okay?

MR. WEINMAN:

And a message from Heidi.

"I'm trying to call in, but I'm having a computer
issue.

I'll be on as soon as I can."
MR. JANSEN:

Heidi and Mike Ross.
MR. BUDEJA:

So, I show absent Tom Uram,
Is that correct?
This is Heidi.

I'm here.

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MR. WEINMAN:

Heidi's here.

So, the only

ones who are not on the call right now would be Tom
and Mike Ross.
MR. JANSEN:

And so I show one, two, three,

four, five, six, seven, eight, nine present.
MR. WEINMAN:
MR. MARKS:

That's my count as well.
Okay, very good.

Thank you all.

We have a quorum.
MR. DENARDI:

And we have Tom and Steve in

Philadelphia.
MS. STAFFORD:

Okay.

Thank you.

Tom

Denardi and Don Everhart from our Philadelphia
facility.

Thank you guys for joining us.
MR. DENARDI:

Steve.

MR. WEINMAN:

And Steve Antonucci.

MS. STAFFORD:

Apologizes, and Steve

Antonucci.
MR. DINARDI:
MR. MARKS:

Yeah, I'm here, too.
And for those of you who joined

us late, we have I believe it's five members of the
press on the line also.

Does staff have a list of

those folks, we can just make the community aware of

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who's on the line?
MR. WHITE:

Yeah, it's Debbie Bradley of

Numismatic News, Paul Gilkes of Coin World, Mike Unser
of Coin Update -- I mean, CoinNews.net, Les Peters of
Coin Update, and Louis Golino of Coin Week.
MR. MARKS:

Okay.

Great.

Okay, I think we

know who's on the phone at this point.
So, with that I want to go to -- there's an
item for us to discuss, the letters of the previous
meeting.

I'll just make it known that those letters

still need to be circulated to the membership, so we
will schedule the approval of those letters, along
with the minutes from the March 10th and March 11th
CCAC meeting, at our May meeting, which will be I
believe held in Philadelphia.
With that, I want to cover a couple points
before we get into the main points of the discussion
for today's meeting.

And I just want to bring

everyone's attention to the fact, maybe some of the
members have read this, but there was a Numismatic
publication that published an article about our
meeting in Washington D.C. on March 11th, where I

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announced the subject matter for the meeting that
we're holding today, namely our discussion about the
one dollar American Eagle and a proposed change and
the reverse design for that coin.
There was a statement made, and I don't
know, I think I must have been misunderstood when I
announced it at the March 11th that we'd be having
this meeting and what it would be about.

But the

article came out and said that it looked like there
might be a door open for the existing reverse, the
Heraldic Eagle Reverse to still be used in the proof
version of one dollar American Eagle coin.
And I want to, just for the record, to
clarify if I said something that brought the reporter
to that conclusion, it wasn't accurate.

In fact, the

discussion for today is one that recognizes a statute
would allows for the change of designs on a coin after
a design has been in existence for at least 25 years,
and that change, if it does occur, needs to be
approved by the Secretary of the Treasury.
So, as we talk today, I just want it
understood that the subject matter here would be to

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propose or recommend to the Secretary a change to the
reverse of the one dollar American Eagle.

And that

change would take effect for both the bullion version
and the proof version.

That would be the intention of

our discussion today.
Now, I want to ask counsel, did I get the
law correct?
MR. WEINMAN:
MR. MARKS:

That's correct.
Okay.

Thank you.

Also, in that

same story, there was a statement that said, and I'll
just read it, "Marks is obviously hoping that a CCA
recommendation would put pressure on The Mint to make
the change."

I want to clarify, again, that what we

do here is a recommendation to the Secretary.

And

having been on the committee now for several years,
and acting as your chair, it's not my style to
pressure anybody.
So, that's not obvious to me, that I was
obviously, I suppose pressuring The Mint.
my intent, whatsoever.

That's not

My intent is to merely fulfill

the mission of this committee, which is embodied in
its statute.

And that is to make recommendations that

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we believe are relevant to American coinage and the
designs that those coins bear.
purpose here.

So, that is my only

Once we make that recommendation, it

will be up to others, I believe chiefly the Secretary
of the Treasury, whether or not that change is made,
and I'm sure there'll be lost of calculations that go
into any kind of decision like that.
So, with that clarification, I also wanted
to have a brief discussion about the reason that we're
moving forward with looking at a potential change in
the reverse design of this coin.

And it just so

happens that I was having a conversation with Erik
Jansen about our subject matter today.

We talked,

what was it, yesterday or the day before, and Erik
articulated it very well, and I asked him if he would
share his thoughts with us.

And so I'm going to

recognize Erik now, if he could just kind of help us
frame the basis for what we are considering today with
the one dollar American Eagle.
MR. JANSEN:

Erik?

Yes, thanks, Gary.

Can you

hear me?
MR. MARKS:

Yes.

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MR. WEINMAN:
MR. JANSEN:

Yes.
Yeah, Gary and I very often

have a good conversation on administrative issues,
just so we kind of know who's taking a vote and so
forth, so I'm prepared to do that today.

And he had

called to my attention an email which I had sent to
the group saying how important I felt this was.

Not

so much that a given decision was made, because I
don't think that is necessarily the goal today, but
that we respect and really honor and take with extreme
care and concern, this image.
Because just as the reverse of the penny was
changed in the anniversary of Lincoln, just as the
ongoing features of the quarter have always been
considered substantial, the portrait of George
Washington, here we have something a little even
different and more special, in a way, than a
circulating coin.

We have a bullion coin, a bullion

coin which carries the sovereign assay, the assurance,
I don't know if it's a legal term, the guarantee,
represented by the reputation of the U.S. Government
that this coin is in fact the purity and the metallic

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content that it is advertised to be, (inaudible)
prevents edge grinding, all of the protections.
And so this coin circulates worldwide.

And

over a long period of time stays in possession of a
store of wealth.

This is a bullion coin, and so it --

I believe it must demonstrate and show the very, very
core of what this country stands for.

And if a

picture's worth a thousand words, and we have a few
words that have to be on there by statute, the picture
is what people will remember.

What it makes them

feel, what it makes them emote, what it makes them
sense, what it makes them believe about this country.
And so to me today what we're doing is
really we're visiting an issue, an opportunity, 25
year statute, enacted several years ago, we're
visiting the issue of do we have the best image on our
sovereign assurance to the world's bullion for a value
selected.
It's been 28 years.

This committee has, on

many occasions, felt difficulty in the decisions
because good designs featuring eagles were passed over
because they might not have been the best design at

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that time.

And I can remember multiple members of

this committee asking that these images be put aside,
only to be brought later for consideration, as we are
doing today.
So, simply put, I don't know and I would
invite others on the committee to weigh in, according
to the chairman's managing time today, but to me, this
is not a dictatum, this is not an ultimatum, this is
not a done deal that there's a new image here.

This

is a responsible visit, by this committee, charged to
assure that we have the best images on our coins that
we can muster.
And so I appreciate the chance to state
that, Gary.

I feel very strongly about that.

This is

an iconic, iconic production of the U.S. Mint and I'm
just pleased that we're going to take the time to
review some really quality art and see if the
committee believes it's of the caliber to be
considered.

Thank you.

MR. MARKS:

Great.

Thank you, Erik.

Now, I'll add to what Erik said, that even
today, if we do determine that there's a design we'd

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like to recommend to move forward for this project,
the design still needs to go through process and
stuff.

It needs to be reviewed by the CFA and then

ultimately go to the Secretary.

And so ultimately I

do believe that we'll probably -- if we do make a
recommendation today, there'll probably be another
opportunity for us to look at this design, once
inscriptions have been changed, we'll get into a
little discussion about that here in just a moment.
And so we're going to get another stab at
this, even if we make a recommendation today, because
what we're looking at today is the collection of eagle
designs back several years that have accumulated
through the various projects that The Mint has
executed.
So, and on that note, I'll just say that my
first meeting on the committee was back, I believe it
was in 19 -- or I'm sorry, 2007.

And the first

program I looked at was the American Eagle
Commemorative Program.

And there were designs in that

collection, even back then, that there were comments
from the committee members stating, "You know, if we

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don't use this design or that design for this program,
we'd sure like to make sure that we get another
opportunity to look at this artwork, perhaps with
another program down the line.
And since that first meeting of mine and
moving forward, those sorts of statements have been
made, as we've looked at the various programs along
the way.

And so I thought when all this kind of came

to a head with the U.S. Marshals 225th Anniversary
Commemorative Program, that the committee just looked
at in March, and in that portfolio there were some
wonderful American Eagles in the design work.

And

that kind of stirred my memory about the discussions
that we've had in the past as a committee, multiple
times, asking The Mint to make sure they put certain
designs aside, so we could look at them again.
And it seemed like the timing was right.
Also, you have, for the last three years, in our
annual reports, we've recommended, in fact this very
idea of perhaps changing designs on the one dollar
American Eagle.

And so, that's just sort of the

chronology of bringing us forward to today, and why

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we're here today to talk about this.
So, with that, there was a portfolio
designed that was sent out to the committee and in its
final count we have 44.

I trust that all of the

committee members have those designs.

Prior to the

meeting I asked the members, in recognition of the
fact that we had 44 designs to look at, to give some
thought about which ones they wanted to focus on and
to send me their selections in that regard.
And so the first item of business I want to
do today is to establish a polled list of the designs,
so that our discussion can be more focused and perhaps
we can move more expeditiously through this.
So, for the record, and once I -- what I'm
going to do here, I'm going to go through the list of
the designs that were indicated to me, by committee
members, that you wanted to focus on.

Once I get

through this list, I will ask for a motion from the
committee, for the sake of public record, that we
actually adopt this whole list just so we're clear how
we're moving forward, and that we established this
polled list on the record.

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So, with that, each of the designs is
numbered 1 through 44.

The initial list was 43, and

Michael Moran, in his study for this meeting,
identified another design that was added, so they are
numbered 1 through 44.

And the polled list that I

have to announce to everyone is as follows.

And these

are the designs, by number, the number signage design.
These are the designs that separately we've all asked
to focus on, and once I'm done, again, let's have a
motion to approve this that this is the list the
committee deems appropriate to move forward with.
Those are:

Design Number 1, Design Number

10, 16, 18, 19, 22, 23, 24, 25, 30, 36, 38, 39, 40, 41
and 44.
So, I'll ask now, members of the committee,
is this the full list you want to move forward with?
MR. OLSON:

So moved.

MR. MARKS:

Moved by Michael Olson.

Is

there a second?
MS. STEVENS-SOLLMAN:
MR. MARKS:
seconded.

Second.

Okay, it's been moved and

Is there any discussion before we take the

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vote?
(No audible response)
MR. MARKS:

Okay.

All those in favor,

please say aye.
(Chorus of ayes)
MR. MARKS:

Opposed?

(No audible response)
MR. MARKS:
unanimous vote.

Okay.

It sounds like a

So, that is our polled list.

So, at this point I want to just make clear
again, there's been some brief mention of it, we
understand that these designs were created for other
programs.

Because of that, the artwork contains

descriptions that are not relevant, in many cases, to
use on the reverse of the one dollar American Eagle
coin.

So, it's understood that if we select one of

these designs for a recommendation today, that we
would be asking The Mint to make the appropriate
changes to the inscription, and as I said previously,
we'd very likely be looking at this again.
So, with that, is there someone who wants to
being our --

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MR. BUDEJA:

I would like to -- Michael

Bugeja, Gary, chiming in.

I would like to begin, if I

can.
MR. MARKS:
MR. BUDEJA:

Yes, please do.
I just wanted to point out

something numismatic that I hope will inform the
process of our selection.

By the very nature of

choosing the eagles from various coin proposals, we're
going to get a number of different types of eagles.
And I wanted to speak to those briefly and then talk
about what I consider some of the more favorable ones.
There are four types of eagles that we find
at this posed selection, and really only one is
appropriate for a coin, two, probably, if it's done
well, but the ones that we have here, on different
categories, would not fall in that category.
One is a stylized eagle.

You would find

that on the 1936 Bridgeport Commemorative.

It's one

of the more famous stylized eagles, beautiful
rendering on the reverse.

The other would be a

personified eagle, you would see that on Number 1.
It's an eagle holding lightening.

And it's

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personified and those typically are not very well
thought out for a coin.
bird flying.

The third is just a bird, a

You get a lot of those, because we've

looked at America the Beautiful type of quarters and
other types of coins, and there are several, 10, 16,
18, 19 and 22 are birds.

They would not be

appropriate for the reverse of a coin.
And then the rest are symbols.

Those are

what we often find on the reverse of coins and have
found since the beginning of coinage by the U.S. Mint.
And that is, it's not a bird, it's not a drawing, it's
not an animation, it's a symbol of power, a symbol of
peace, something that would go on the reverse of one
of America's most popular bullion pieces.

We have one

right now on the reverse that is a symbol.
And in that regard, you see that 23, 24, 25,
36, 38, 39, 40 and 41 are all symbols.

And it was

heartening to see that the committee was drawn to
symbols.

And I know that we could amend logos and

legends and things of that sort, but there are some
wonderful symbol or flying eagles in this selection.
My favorites come down to the most popular

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of the pre-selections by the committee, and that is 40
and 41.

Forty, perhaps can be criticized as a little

bit too much symbol.

Forty-one is an actual -- which

garnered the most votes, eight votes, is a lovely
symbol that, to my knowledge, is a combination of the
typical emblematic eagle, holding either a laurel or
arrows, and the eagle in flight, which we've had on
some of our most popular coins.
So, I just wanted to put that on the record.
I think the most popular among these designs, by the
committee, all gravitate towards that symbol.
and 41 are my favorite.

And 40

And with that, I thank you,

Gary, for letting me begin.

And I yield back to you,

sir.
MR. MARKS:

Okay, thank you, Michael.

I'll just clarify something Michael mentioned.

And
As I

was doing the tally, members were responding to me
about which designs they wanted to focus on before the
meeting.

I did do a tally of how many members were

selecting which design.

And just for the record,

there were -- there were actually two that -- and only
two that garnered a majority of the committee's

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interest, and they were the very ones that Michael
just named, 40 and 41.
I had eight members responding to a call for
their preferences, and six of them chose number 40 and
eight, all eight, chose 41.

So, that wasn't a formal

vote, but just it was an indication of some
commonality among the initial selection.
So, with that, I'm ready to call for the
next member, whoever would be ready to go.
MR. OLSON:
MR. JANSEN:

Gary, I'd like to go.
Gary, can I intercede with a

procedural note.
MR. MARKS:
MR. JANSEN:
today.

Please?
Gary's asked me to take votes

I was unable to get a ballot printed prior to

the meeting.

So, express your preferences however as

you wish, but after we're all done making comments,
I'm expecting the Chair to do a round robin, the vote
casting verbally that I will take and echo back.

So,

just know that you don't need to vote when it's your
turn to make comments, that we will do that
discretely, separately at the end.

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Is that your understanding, and preference,
Gary?
MR. MARKS:

Yes.

MS. STAFFORD:
MR. MARKS:

Mr. Chairman?

Mr. Chairman?

Yes?

MS. STAFFORD:

Could I just ask, I should

have mentioned at the beginning, as we have in other
telephonic CCAC meetings, if anyone speaking could
identify themselves for the court reporter, we would
appreciate that.

And also, anyone who is not

speaking, if you could please mute your phones,
because we can hear some background noise as well.
Thank you.
MR. MARKS:

Thank you, April.

And I'll now

recognize Michael Olson.
MR. OLSON:

Thank you, Gary.

of the same comments as Erik impressed.

I share a lot
This is

certainly the coin of the realm, for folks that are
selecting and building up their stellar reserve.

It's

also a widely collected coin in the spirit of the
Morgan dollar.

(inaudible) given this coin over its

history.

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My belief is this is a flagship coin for the
United States and therefore it needs to demonstrate
the strength and majesty and greatness of the United
States.

And I really see a couple of designs here

that do that for me.

I would prefer to see more

emphasis on the eagle, less emphasis on shields and
other devices.
My belief is, is that the eagle should
occupy as much real estate on the reverse of this coin
as possible.

It needs to be a bold eagle, a strong

eagle, as it is the representation of our country and
all that's good about our country.
to see a posed eagle.
those here.

I would prefer not

There are certainly some of

And Michael Bugeja eloquently describes

the different types, but the ones that appear in an
unnatural state, or posed, I think we can do something
different here that collectors will appreciate.
When I look at Designs 3, 9, 40 and 41, what
I see there is a little more sculpting and more of
relief than I see in any of these other designs.

In

particular with 40 and 41, they really jump off the
surface of the coin.

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With that being said, when I look at 41,
which garnered the majority of the pre-selection
culling process vote, it reminds me, in some fashion,
of the Gobrecht dollar.

We've have talked on this

committee and The Mint has done some surveys asking
for both designs to be reissued on some of our bullion
coins.

That's something that I'm not in favor of,

because as we can see here, we've got artists today
that can come up with excellent designs that could
play out in a modern fashion.
And when I look at 41, that one just gets it
for me, out of the 42 that we've been presented, that
one, in my view, is clear in a way the winner.

And it

will be receiving my full support.
I did want to, Gary, this may be a question
for the committee, is there any reason why we are not
taking a look at the gold coin?

Because I see a few

designs here that display a family of eagles, which I
believe is what's on the gold eagle.

Is that

something that might be discussed at a future meeting?
MR. MARKS:

I think that's possible, Mike.

We just haven't discussed it.

So, I would say that we

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should just take that thought under advisement and,
you know, if that's something that looks like it might
be viable to do, we'll bring it back later.
MR. OLSON:

Okay.

Well, with that, I will

conclude my comments at this time, with strong support
for Number 41.
MR. EVERHART:
MR. MARKS:

Gary?

Gary?

Yes, Michael?

MR. EVERHART:
MR. MARKS:

This is Don Everhart.

Oh, don.

MR. EVERHART:

I'd just like to interject

something at this point, before we go too much
further.

Design Number 40, we have chosen that as the

gold reverse for the Marshal coin.

And I just wonder

how that impacts what we're looking at now.
MS. STAFFORD:

Don, that's one of the

designs that was preferred, and you're right, if
that's one indeed the Secretary selects, we would have
to -MR. WEINMAN:
MS. STAFFORD:

That has not occurred yet.
-- which hasn't occurred yet,

we'd have to revisit that.

But, that would be pending

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the Secretary's official selection.
MR. EVERHART:
MR. MARKS:

Okay.

I'm going to add to be precise

about this, the design that our committee recommended
for the gold for the U.S. Marshals had a shield on the
eagle's breast.
MR. EVERHART:
MR. MARKS:

That's right.

But other than that, it is

pretty much the same design.

So, that's a good point

to be made and I believe the members all knew that.
MR. EVERHART:

All right.

I just wanted to

make sure.
MR. MARKS:

Yep.

Okay, who wants to go

MR. MORAN:

Gary, it's Mike Moran.

MR. MARKS:

Please go on.

MR. MORAN:

I think it's very simple, from

next?

the -- I think what you have here on a completed
product, Number 41, is good.

It will carry the

inscriptions around the center of the coin
satisfactorily.

I have only one suggestion, in this

image the depiction is of an eagle flying on a level

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plain.

It's very close to the Gobrecht dollar.

One

thing the Gobrecht dollar does is it's very dramatic,
it is -- puts the eagle on a rising plain, in terms of
it's line of flight, which means you rotate the die
just slightly here.

I think that that would very much

help this coin, in terms of its presentation and its
beauty.
I'd also like to take a minute to talk about
Number 44, it's one that I stuck in there.

And it, I

think, in terms of composition, is excellent to be
considered.

It has plenty of negative space to stack

the inscriptions instead of putting them on the
perimeter of the coin, which was done in the past.

I

would point out to you that, you know, on the obverse
of the original Weinman design, the half dollar, the
bottles were stocked, Liberty was not across the top
perimeter of the coin.

And the stacked inscriptions I

think would be a pleasant change and a nice
(inaudible) to consider.
The one problem with Number 44, and probably
why it didn't get more votes is simply that the
composition and the design concepts are excellent, the

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execution needs improvement.

And that is one of the

drawbacks, in terms of looking at these designs, and
pulling them out of the past record or archives, if
you will.

In that I think if you were to go back and

work on 44, you would see an improved design, in terms
of the execution on the eagle.
And my final comment is, do we really want
to just recommend one?

Because we may get into a

situation for the inscriptions, can we get them
correctly on there, and as good as they ought to be.
And to me it would make more sense if you pulled the
top three and gave those as our recommendation, in
order of preference.
MR. MARKS:

Michael, this is Gary.

I

believe that's something that we could do at the end
of our tally, as far as our preferences.

If the

committee wanted to, we could make a motion to
recommend the top three.

So, let's hold that thought,

and when we get to that point in the discussion, let's
talk some more about it.
MR. MORAN:

And the only other thing is, if

anybody else feels like the eagle out to be rising on

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41, I hope they'll chime in on that.
MR. MARKS:

Okay.

That's it.

Thank you, Michael.

Who's next?
MS. STEVENS-SOLLMAN:

Gary, I'll go next.

Jeanne.
MR. MARKS:

Jeanne?

MS. STEVENS-SOLLMAN:
MR. MARKS:

Yes.

I recognize you, Jeanne.

Go

ahead.
MS. STEVENS-SOLLMAN:

Thank you.

I first of

all want to comment on Erik's introduction, which I
think was very inclusive and very thoughtful.

And

thank you, Erik, for stating those thoughts for us
all.
I had been thinking we need to make this
coin be fully fantastic in the eyes of the world and
as well as in the eyes of our own people and
collectors.
- 41.

And for that reason, my top pick was 40 -

I tend to agree with Michael Moran, I think it

would be really just that be eagle rising just a
little bit.

And if we choose this design, just have

him not quite come -- the V come quite to the edge of

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the coin, if it was just a little -- maybe by having
him rise he wouldn't be coming up so close to the
edge.
It's a beautiful piece of work and I
compliment the artist who has done it.
have to say.

That's all I

Thank you.

MR. MARKS:

Thank you, Jeanne.

I think I

mean going to go ahead and offer my comments here.
too, am very favorable to number 41.

I,

And I guess I'll

talk about a couple things that we haven't really
touched on yet.

One is the pairing.

And that is, how

does the design picked pair up with Adolph Weinman's
Walking Liberty image, which of course is on the
obverse.

I believe this eagle that's represented on

41 is a beautiful pairing.
With that, I'd like to hear other members,
whether they agree with me on that.

I think these

two, together, because let's remember, this is a twosided or even three-sided sculpture, but mainly a twosided sculpture here that we're considering.

So, I

want to make sure that we're comfortable with how this
pairs up, because that's a major factor in making this

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the beautiful coin that we want it to be.
Also, I'll just note that the inscriptions
on the back of the one dollar American Eagle coin are
fairly simple.

It's the United States of America,

there's a denomination, E Pluribus Unum and then the
inscription of the silver and it's fineness.

And if

you look at Number 41, there's very few changes that
need to be made.

Change the denomination and you

remove the words Justice, Integrity and Service and
you put in the inscription for the metal content, the
.999 fine silver inscription.

So, it's a fairly

simple change to be made, there's not a lot of
tinkering that needs to be done with this design,
which is not the case with many of the others that are
presented here today.
I agree that a slight tilt of the eagle
could aid to its pleasing nature. I would be very
careful about doing too much of that, as to get to the
point where it would be, you know, an unnatural
incline and appearance.

But I would support the idea

of a slight rising of the eagle, if you will.
So, with that, I'd like to recognize that.

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Who would like to go?
MR. HOGE:
MR. MARKS:
MR. HOGE:

This is Robert Hoge.
Robert?
Yes.

I'm very much in agreement

with the rest of the panel on Number 41.
that's an outstanding design.
to the old Gobrecht design.

I think

I like its similarity
And I think, as Gary

mentioned, it would go very well as the counterpart to
the obverse, the additional liberty figure by Weinman.
Some of these other designs really are quite
handsome as well.

I particularly liked Number 23,

with the head of the eagle, also, similar to the
Olympic piece.

It's something a little bit different.

Number 24 I also liked, it's a fine background, but I
think that one is a little bit out of drawing somehow,
the proportions of the eagle don't look quite right.
Number 25 has received several votes, as well as
Number 40, I thought both seemed a bit busy.
Utilizing the flag and all the symbolism and the
draperies and the wording kind of crowd the image a
little bit, not quite as pleasing as Number 41.
In general, I think Michael Bugeja's

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comments were quite good about identifying the kind of
eagles we're looking for, and I think that this is
what we're doing.
group has made.

I like the selections that our
I think if we can clean out a lot of

the background, it's a good idea.

And I like,

particularly, the idea of having the olive branch in
the talon is a nice touch, as you see in Number 41.
I'll pass to whoever cares to speak next.
MR. MARKS:

Okay, thank you, Robert.

Heidi,

can I call you on?
MS. WASTWEET:
MR. MARKS:

Sure, I'm here.

I'd like to get our next -- our

other artist on the record, if you're ready to go.
MS. WASTWEET:

Sure.

I think that we are

headed in the right direction, and we clearly have a
favorite.

I would like to see a couple variations of

Number 41.

The thing that strikes me about this is,

the beak is a little crowded towards the edge of the
coin, I'd like to see a little more breathing room
around the eagle.

And in looking at the existing

design that we have, it has an olive branch, it could
be laurel, I think it's olive and arrows.

I would be

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open to adding some arrows next to the branch, as it
symbolically stays in line with what we already
having, sending the message of strength and peace, as
part of our national goal.

I think that was all the

comments I had.
Oh, as Don Everhart pointed out to Design
Number 40, it possibly might be chosen for another
program, or one similar, and that does matter to me, I
want this one to be distinct and unique.

So, better

to consideration, I am very much in favor of seeing a
couple varieties and Number 41 for us to look at.
That's it.
MR. MARKS:

Thank you, Heidi.

MR. MORAN:

Gary?

MR. MARKS:

Donald?

MR. MORAN:

Gary, this is Mike Moran again.

MR. MARKS:

Yes.

MR. MORAN:

Just a point here to raise as we

seem to be moving towards 41 rapidly, with my
concurrence, by the way.

But is everybody aware that

(inaudible) did a sketch for the Gobrecht dollar that
included the olive branch, the arrows, eagle rising,

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very close to this one, with the exception of the nondefined feather detail this one has.

And it was

struck off as a re-strike in the 1850's.

And is there

a problem with that?
MR. MARKS:

That it's similar?

MR. MORAN:

Very similar.

MR. MARKS:

If you're asking me, I don't

have a problem with it.
MR. MORAN:

I guess I'm really asking The

Mint staff.

aware.

MR. MARKS:

Oh, okay.

MR. MORAN:

Or at least they need to be

Because I know we had some problems with the

sheaf of hay -- I mean, of wheat on the penny,
designed earlier, several years ago, because it was
close to a German design.

Somebody just tell me that

it's not an issue, and I'm just going to go full speed
ahead on 41.
MR. MARKS:

That sounds like a legal

question.
MR. WEINMAN:
MR. JANSEN:

I don't see -Yeah, I think you're referring

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to the design on the (inaudible), aren't you?
MR. MORAN:

No.

MR. JANSEN:

No, I'm not.

MR. MORAN:

Oh, okay.
Didn't we not use one of the re-

strikes that was done, between 1855 and 1860.

You'll

see it in the patterns.
MR. JANSEN:
MR. MARKS:

Okay.
Well, I'll add this, and then I

will ask Greg Weinman to chime in.

But my perspective

is, while it's similar, it's not the same.

This is a

different and somewhat unique design, in its own
right.

And I personally don't see a problem with it.

Greg, is there any concern we should have?
MR. WEINMAN:

No.

I mean, I think it's a

unique design as well, but more important, we didn't
have -- it was included in the recent portfolio,
because we determined that it was a legally sufficient
design.

And I haven't heard any evidence to sway me

otherwise.
MS. STAFFORD:

But certainly it's something

we can look into.
MR. WEINMAN:

Right.

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MR. MARKS:

Thank you.

hear from Donald Scarinci.
MR. SCARINCI:

We still need to

Donald, are you ready?

Sure.

A lot of these designs

are old friends of ours and I certainly want to -- and
everyone seems to be focusing really on 41, which is a
very fine design, and very familiar.
But I certainly want to give honorable
mention to Number 4.

I want to give honorable mention

to -- and I love the circle, circle, circle thing. The
wings are not accurate, understand that, but the
circular patterning of the design creates a feeling of
motion and that's a very artistically meritorious
design.

And I really like that design.

So, I just

wanted to make sure that didn't go unsaid, unnoticed,
and unappreciated.
Design 15 also, a nice design.

I think we

had issues with the wings on that, and I forgot what
program that came up on, but certainly an old friend,
beautiful piece.

What I like about it is the very

clean feel, you know, the focus is really on the eagle
and your focus isn't taken off by any Greek symbol or
ancient symbol or 19th century symbol.

We don't have

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an olive branch there that distracts from the eagle,
it's about the eagle, and I think there's a certain
beauty in the simplicity and the cleanness of that
design.
Number 22, what I really find gorgeous about
the way the eagle embraces the coin, it embraces the
center with the eagle's beak and head dead center.

I

forgot where we saw this before, no need to remind me,
but I think this is beautiful.

I like the way -- and

I mean very, as you all know, I've been very
consistent about really loving the design when it
reaches the edge of the coin, because it creates an
embracing.

The image is an embracing image.

And

again, this is clean, it's about the eagle and we
don't have anything in it that distracts from that.
I would really not like to see Number 40 on
this coin. I think I'm hoping the Secretary chooses
Number 40 for what it was -- for what we had
originally intended.

But for this coin, I just think

there's too much going on with the eagle.

And, you

know, so we've kind of got the eagle, we've kind of
got the flag, we've got -- you know, we've got the

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thing, the olive branches, the talons.

It's just too

much happening and I'm having -- and I have a toughen
time dealing with the need for the olive branch in 41.
I really like -- I just want to say, can you just take
the olive branch away, please?
eagle?

Can we just have an

You know, do we have to have these symbols

that do something other than the eagle?
So, I think I'd be pretty happy, I'd be
pretty excited if we didn't have to have the olive
branch with Number 41, and I'm certainly very
interested in a lot of the comments that have been
made so far in this discussion.

We always tend to

have -- look at things differently after we hear each
other speak, than we do prior to getting together,
whether it's a meeting or a phone call.
So, hopefully there's other people that can
persuade me.

I'm hearing people kind of liking the

olive branch, I just don't.
was just an eagle.
design.

You know, I just wish it

But they're all certainly a fine

I hope we don't go with -- you know, I

certainly would not be supportive of Number 40 for
this coin, even if it doesn't get -- honestly, even if

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it doesn't get selected by the Secretary, I just don't
think it's right for this coin.
So, for those people who are in between 40
versus 41, and I know there's a real groundswell here
for 41, I don't think 41 is as clear as we all think
it is, but if it's a choice between 40 and 41, you
know, I would certain prefer to see 41.
MR. MARKS:

Thank you, Donald.

That's it.
Donald, I

would suggest that if we do indeed go ahead with a
recommendation for 41, that given your feelings about
the olive branch, to make a motion and that would give
the committee a chance to discuss your specific
concern there.
MR. SCARINCI:
MR. MARKS:

That would be great.

That would be my suggestion

here.
So, with that, we still need to hear from
Erik?

Are you ready?
MR. JANSEN:
MR. MARKS:
MR. JANSEN:

Yeah.

Can you hear me?

Yes, we can.
Okay.

a number of things here.

I want to kind of recap

Michael Bugeja led off with

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a description of the symbolity and use of the eagle.
He is always quite the authority on element features
of our coinage.

Thank you.

However, he highlighted

the points that I think he made the point that a bird
was not a preferred design as kind of a (inaudible)
symbol.

But if you look at the gold and the platinum

bullion coins, they are both birds.
birds in motion, they are birds.
symbolic birds.

Birds in action,

They are not

And so to say that a symbolic bird

would be the way to go on this coin, I think is really
kind of missing the point of the bullion, as indicated
by the others.

So, an active bird, if not a realistic

bird, by the other bullion's presence, seems valid to
me.
Posed versus action, I tend to prefer
action, although one of the coins I'm going to mention
is not so much action, but it is full of intent.

So,

if I can use action and intentional as what I'm
looking for in this design, I put that out there.

And

before I mention any in particular, I'm going to
encourage, as you vote, and I'm the one that tabulates
this, but not that it matters, but as you vote, please

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vote with the following thought.

Let's not give a

single intention here, because I see a train leaving
for 41 and I'm really sad about that, quite frankly.
I think that is cutting short this process.
I think this process needs to highlight our
first, second, third, fourth or a basket of four
ideas, maybe in order of preference.

But I would

encourage you, when you vote try not to vote to make a
single selection, but vote so as to show a series of
preferences, because today is not the end of this
process, today is the beginning of a sacred review
here.

If I dare use the word sacred, I'll replace

that with sovereign.

So, please vote early, vote

often and vote on many designs so that we can put some
kind of a basket of preferences.
Now, this is a large coin.

This is not a

dime, this is not a penny, this is not a nickel, this
is not a quarter, this is a large design.

And so I

think, and I'm going to, today and in the future, I'm
going to up the charge to the sculptor that inherits
the charge to sculpt whatever design we end up with in
the weeks or months ahead.

Because I would feel

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really, really, really let down if we got the bird
feather equivalent of spaghetti hair here.
I look at Design 40 and 41, those aren't
feathers, those are scales.

And I look at a lot of

these designs and if these designs, and excuse me Mint
Staff responsible for die life and so forth, but these
are sculpted in a way to maximize die life and throw
away artistic intent, I am going to be very, very,
very disappointed.

And I will encourage the public

audience to weigh in on that issue.

We all hated

spaghetti hair, and it was listened to and changed on
the America the Beautiful Washington quarter, and that
Washington image is gorgeous, again, as it was in '32,
when it was originally designed, sculpted and
implemented.
And so I'm going to put the charge out
there, to the sculptors to use relief and sculpt
detail and not Photoshop this stuff.

If we've got to

strike 50 million of these a year, quite frankly I
think it would be tragic say, "No more than 500 die,
guys" and requires that they get 100,000 strikes per
die.

I just think that is a misplacement of this

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country's sacred integrity and trust in the world. I
feel pretty strongly about that.
I don't like Item 41.

It was part of my

list, because I was one of these that submitted
preferences.

Forty-one, the beak is crowded, that

could be fixed.

The leading edge of the olive branch,

there is no way an eagle is going to carry an olive
branch, in the wind, and have the leading edge of that
olive branch look like that.

Ain't gonna happen.

He's not going to grab the olive branch that way.

The

leading edge would be blown back in the wind, so that
needs to be corrected, if it's included.

Adding

arrows, it's certainly more consistent with the
historical presence of eagles and talons high
prominent.

I think this thing looks European, 1910 to

me, and that's not America, 2014.

So, 41 would barely

make my list.
And I'm going to ask you guys to please
reconsider jumping on 41 as you think the train is
leaving the station.

I'm going to put some more ideas

out here for you.
My back up favorite, if I were not to do 41,

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would be tough, because I shared three or four. I
actually liked the layout of 24.

I think the eagle

could be reduced slightly, I think the flag could be
brought a little bit more attention in the visual
draw. I think there's plenty of room to manage the
text, which is pretty simple in this one.

I think

those could be sculpted to feathers and not look like
scales, pretty nicely.
I will agree with Donald, I don't think we
need olive branches on here, Weinman's obverse has her
carrying a bouquet.

So I think 24 is a really

fascinating potential design.

Not as is, it needs to

be adjusted.
I also like 23.
much intent.

Twenty-three is full of so

If that eye is sculpted halfway with the

skill that the artist put in it, and that beak is made
just right, those are feathers, those are not scales.
I think 19 is an interesting design.
of negative space.

Plenty

The obverse of this has a fair

share of negative space.

I like the active bird.

also like the fact that there are two of them.

I

I

think there's a subtle message, with two eagles versus

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one, a subtle message to many, many social battles
being fought in the world today, the inclusion as
opposed to the singularity.

The temptation to think

it's a pair, the implication of working together, the
expanse of these eagles' wings.

I think the symbolic

messages in 19 are deep and broad and really
fascinating.
Finally, I love Design Number 44.

I don't

think it's the right one here, because I remember what
this came from, and the textual message was really
important in this one and those balance of that design
really depends on that text.

It's so integral, not so

much in its words, but in its visual mask to balance
out the design.

So, I put 44 out there.

I like it, I

don't think it'll work here.
But as you vote, guys, if you think the
train's leaving for 41, I'm really sad about that,
because I think 41 is the wrong design here.
design, but it's the wrong design.
this country here today.

Nice

It doesn't reflect

I think the wings are a

little disheveled and awkward, which speaks to me of
an eagle that's not stable and powerful.

It speaks to

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me to an eagle that's kind struggles.

Is that what we

want to say about this country right now?
think so.
say.

I don't

In fact, I know it is not what I want to

So, there you go Train Number 41.

I'm not on

board and I (inaudible).
UNIDENTIFIED SPEAKER:

We might want to have

a discussion to that editorial, Gary.

That's an

editorial.
MR. JANSEN:
MR. MARKS:
MR. URAM:
MR. MARKS:

Gary told me to come here.
Tom, are you on the line?
Yeah, I've been on.
Well, you're the last one.

Are

you ready to make your comments?
MR. URAM:

Yeah. I just want to preface some

remarks as I gave some thought, and I really
appreciate your opening comments, as well as Erik's
opening comments.

And I look at this on changing two

different coins, the bullion piece and the proof item.
I look at it and say, "What's the upside of
changing an already successful design, number one."
And we've heard some of that in your opening remarks,
as well as Erik's in regards to we have the stability

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of the bullion piece, it's recognized and importantly
the international acceptance.
So, from my opinion, and the comments that
I'm going to make in regards to the designs here that
we're looking at, would be related to the proof
version, if we go down the row.

I guess what I'm

really saying is I'm totally against any kind of
change in the bullion coin as it stands.

I think it

represents exactly what we want it to represent.

And

it reminds me of Coca-Cola wanting to change their
taste here. I think we've got the best coin and I
think if we change it, I haven't found our upside yet.
Now, having said that, on the proof, we have
an anniversary of this coin coming in 2016.

And I've

listened to some of these designs and we've had some
reverse proofs in the past, we've had enhanced proofs,
we've had other issues.

And in 2016, when we have the

30th year, a couple things.

I thought a high relief

of the coin would be an outstanding compliment to the
other metal techniques that we -- that The Mint has
used in the past anniversaries.
And then having said that, that would be

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then the ideal time to change, from a collector's
point of view now, unlike the bullion point of view,
collectors might like to see something different in
2017, as it would relate to one of these other eagles.
I really like the idea of a high relief to
close out the proof's series, if it would be possible.
Having said that, I'm not sure about being on board
the train, as was just stated, but I do like 40 and
41, as it relates to that.
And I do -- I think my top pick, though, is
Number 22, if we could take that Liberty and put the
Liberty into the field and have the eagle for the
majority of that diameter, and then also strengthen
the eagle's eye and beak as it relates to that point.
I think 22 would make a nice coin, without the Liberty
going all the way across and subtlety put in like we
have on the platinum designs.
So, that's really my comments.

And I really

just feel strongly about not messing with the best
bullion coin that's out in the world, not just
anywhere, but in the world. We are just so well
respected with that design and that image that it

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portrays.

And those are my comments.

Thank you, Mr.

Chairman.
MR. MARKS:

Thank you, Tom.

Okay, at this

point, in the interest of time, I think we're at a
little after the hour now.

We've got about 55, 56

minutes left in our scheduled meeting, and we have one
other item to consider.

So, I think it's important

that we wrap this up, this item, in the next 20 to 25
minutes.
So, with that in mind, I'm going to ask
people to -- we've all had a chance here to really
express our opinions.

If there are some brief follow

ups, and I do mean brief, I'd like to entertain those
now.

Is there anyone who wants to be on the record

with anything before we move to our voting?
MR. BUDEJA:
Bugeja, I would.

Yeah, Gary, it's Michael

I'm going to be the conductor of

Train 41.
You know, I want to caution the committee
against what my friend Erik has suggested, for some
reason that are different than perhaps Erik or even
Donald has thought of.

And actually, if we stray too

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far from the reverse of the bullion coin, I'm actually
in favor of keeping the reverse the way it is.
And let me back this up a little bit.

This

is -- we're dealing here not only with the most
popular coin, one that's seen worldwide, we're dealing
with convention.

And it is awful -- you know, you

talk about Coca-Cola and changing the formula, in
magazine journalism, for instance, if you change the
title of a magazine even slightly, or something as
conventional as the title of a magazine, like Ladies
Home Journal, or Lady's Home Journal, or Ladies' Home
Journal, the whole world takes note, so we're dealing
with convention.
If you take a look at 41, Gary's comments
earlier, and how it fares with the current obverse of
the bullion coin, is very well taken.

The Gobrecht's

dollar is not a bird flying, the Gobrecht's dollar is
a symbol flying through stars.

And the Liberty dollar

is a symbol flying through stars.
In the history of the U.S. Mint, when the
eagle has been used, since its earliest use in 1792,
you're going to have a symbolic for except a few coins

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in which we start to stray and we stray terrifically
in the modern series, where we actually personify the
eagle, which is an embarrassment to coinage.
So, I would like you -- and I happen to love
24.

I think Erik is absolutely right on 24.

That's

my favorite design, but it doesn't couple well with
the obverse.
design.

This obverse is an older, more classic

And to put a stylistic eagle, as you might

find in Number 4, for instance, against the Weinman
obverse, is going to invite real scrutiny.

So, I'd

like you to just think about the term "convention" and
any change in that reverse is going to be scrutinized.
So, if you want to have -- if you're just
going to have an olive leaf it's going to be
scrutinized as what -- does this stand for peace and
not power?

If you don't put the arrows in there --

and incidentally, the (inaudible) reverse is one that
we have seen ad nauseum, and it is really just a
takeoff on a presidential seal. I think at the last
CCAC meeting I noted all the coins with eagles that
are reminiscent of the presidential seal.
So, with that in mind, I yield and will vote

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for more than one, but I wanted to express that, from
a numismatic perspective.
MR. MARKS:

Thank you, Michael.

Are there

any other quick comments?
MR. OLSON:

Yeah, Gary, real quick.

I'm

riding the train, I'm a paid for passenger here on 41.
I think when we talk about the stability of the
design, this design is not turned, as it's never
changed.

And I would believe that it probably

wouldn't change for a long time to come, so the design
that we select would need to stand the test of time.
So, there were some comments about keeping
the bullion piece as the proof piece, separate, the
different reverse design.

In my view, that would

bifurcate the collection and it would cause you to
really have two different series of coins, maybe not
being thought of as a set anymore.
With that being said, I'm still on board
with 41 and I could take the eagle without the olive
branch, but if it's got the olive branch, as Heidi had
stated before, it must have the arrows.
MR. MARKS:

That's it.

Thank you, Michael.

Anyone

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else?
Okay, I'll just say, for the record, I don't
ride on trains.

(Laughter)

I'm glad you're all on

the train, I support the same thing you do, I come to
this not because of -- I'm clearly influenced by all
of your expert opinion, but at the end of the day, I
have to go with what I feel in my soul and I just feel
like 41 meets the standard.
There's a standard to be met here.

Oh my

gosh, Adolph Weinman's Walking Liberty may be one of
the greatest American designs ever, and recognized as
such.

Whatever we do to this point has to be fabulous

and has to look like it belongs to that iconic image
that Mr. Weinman produced, that's used on the obverse.
So, I just think this is the one.
So, with that, we're going to go through our
voting process.

It'll feel a little different to

members, because we're on the phone and in the
interest of time, Erik and I talked about this, just
the best way to do this is if we do it in roll call
style.

Just go through and ask each member to report

their votes.

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We'll do it as we usually do, with one
through three intensity vote.

In other words, if you

want to give it your strong -- a design your strongest
support, you'd give it a one -- or I'm sorry, a three.
If you wanted to provide a lesser intensity support,
you'd go with a two or a one.

So, you can vote for as

many as you wish, from the polled list.

And so, with

that we need to go through the roll call.
So, Erik, are you prepared to call the roll?
MR. JANSEN:

I am.

If I could ask you just

to give me the design number and the score you want.
Skip all your zero votes, just give me your design
number and a one, two or a three.

And then I'll

repeat them back to you, just if you'll confirm them.
Michael Bugeja.
MR. BUDEJA:

Thank you very much.

I'm going

to go with a 3 for 41.
MR. JANSEN:

41 - 3.

MR. BUDEJA:

And a 1 for 24.

MR. JANSEN:

24 - 1.

A total of four votes.

Robert Hoge?
MR. HOGE:

I'll do 3 for 41.

And I'd like

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to give a 3 to Number 36.
MS. STAFFORD:
MR. WEINMAN:
MR. HOGE:

Could we ask you -Speak up, please.

I'm sorry.

Number 23 for a 3

also.
MR. JANSEN:
MR. HOGE:

Any more?

MR. JANSEN:

And -- hello?

MR. HOGE:

Yes?

Any more?

I think I'll just let it go at

that.
MR. JANSEN:

I have 3 for Design Number 41.

I have a 3 for Design Number 36.
Design Number 23.

A total of nine votes.

I am next in the roll.
- three votes.
three votes.

And I have a 3 for

I am giving Design 9

Design 23 - three votes.

Design 24 -

A total of nine votes.

Gary Marks?
MR. MARKS:

I'm going to give Design Number

38 - 2 and Design Number 41 - 3.
MR. JANSEN:
MR. MARKS:
MR. JANSEN:

Is that all?
That's it.
Design 38 - two votes, Design

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41 - three votes.

A total of five votes.

Michael Moran?
MR. MORAN:
votes to 44.

Three votes to Number 41.

And one vote to 24.

MR. JANSEN:
for Design 24.
Design 44.

Two

A total of six votes.

Three votes, Design 41.

One vote

Two votes,

A total of six votes.
Michael Olson?
MR. OLSON:

Design Number 10 - one vote, 39

- one vote, 40 - one vote, 41 - three votes.
MR. JANSEN:
Number 10.

Mike Olson, one vote, Design

One vote, Design Number 39.

Design Number 40.

One vote,

Three votes, Design Number 41.

A

total of six votes.
MR. OLSON:

Correct.

MR. JANSEN:
MR. SCARINCI:

Donald Scarinci?
I'm going to do two for

Number 15.
MR. JANSEN:

Number 15 is not on the list of

votes.
MR. SCARINCI:
MR. JANSEN:

Twenty-two.
Design Number 15 is not on my

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list of voteable candidates.
MR. SCARINCI:
MR. JANSEN:

How about Design 22?
Design 22, how many votes?

MR. SCARINCI:
MR. JANSEN:

Three votes for that.
Three votes.

MR. SCARINCI:
MR. JANSEN:

And then three votes for 36.
All right.

MR. SCARINCI:
MR. JANSEN:
Number 22.

Anymore?

I don't ride trains.
I have three votes for Design

I have three votes for Design Number 36.

A total of six votes.
Jeanne Stevens?
MS. STEVENS-SOLLMAN:

I'm going to give 24

two votes, 38 two votes and 41 three.
MR. JANSEN:

I have two votes for Design 24,

two votes for Design 38, three votes for Design 41.
total of seven votes.

A

Tom Uram?
MR. URAM:

Twenty-two, three votes.

sorry. Twenty-two, three votes.
votes.

Forty, two votes.

that's it.

I'm

Twenty-three, two

And 41, two votes.

And

I'd just also like to reiterate that I am

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viewing this from the proof side of the house.
MR. JANSEN:
Number 22.
40.

I have three votes for Design

Two votes, Design 23.

Two votes, Design 41.

Two votes, Design

That is a total of nine

votes.
MR. URAM:

Thank you.

MR. JANSEN:

Heidi Wastweet?

MS. WASTWEET:

This is very uncharacteristic

of me, but I'm going to give my full vote for only one
design, Number 41.

Sorry, Erik.

MR. JANSEN:
votes.

Three votes, Design 41, three

A total of three votes.
That is full voting from one, two, three,

four, five, six, seven, eight, nine, ten members.
That will require for our traditional (inaudible)
being 16 votes needed to select.

I'll have results

for you momentarily.
MR. MARKS:

Okay, while Erik is -- Erik,

you're going to need, what, a couple minutes?
MR. JANSEN:
MR. MARKS:

Yes. I'm adding this right now.
Okay, while we're waiting, in

the interest of time while we're waiting for this, I

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want to dive just quickly into our next item, and that
is a potential recommendation for our National Medal
Program.

And I think this is a great opportunity

right now, with this little space and time, I don't
want to take Greg off notice here, but Greg, it's my
understanding, I just need you to confirm this, it's
my understanding that The Mint has the authority to
strike medals and to do such with any kind of a
program that might be devised, without any other
approvals necessary.

Is that correct?

MR. WEINMAN:

Yes.

We have statutory

authority to strike national medals, so long as it
doesn't interfere with any other resources needed for
the programs.

The Mint, on its own authority, can

select designs and strike national medals which could
be art medals. But we have done -- as you know, we've
done national medals before, The Mint has had a
building series in the past, it had a -MS. STAFFORD:
MR. WEINMAN:

Fish and Wildlife.
-- it did specifically a

national medal for the 100th anniversary of the Fish
and Wildlife Act, back in 2003, maybe or thereabouts,

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or even earlier.
It's had a series of national medals for the
Secretaries of the Treasury, for the Directors of The
Mint, for the Chief Justices of the Supreme Court in
the past.

So, for without the need for statutory --

or for legislation, The Mint can, on its own authority
strike national medals.
MR. MARKS:

Okay, thanks.

I wanted to

establish that fact.
And then Erik, as soon as you're done,
please speak up and let me know.

Until then, I'm just

going to keep this discussion going.
MR. JANSEN:
MR. MARKS:
MR. JANSEN:
MR. MARKS:

I am done.
You are done?
Yes.

I am.

Fabulous.

Okay, can you report

your results, please?
MR. JANSEN:

I summarize the report.

With

ten members voting, 16 votes is a threshold to select.
One design has achieved that, it is Design Number 41,
with 23 votes.
I will run down the total votes for each

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design, by design.

Design Number 1, zero votes.

Design Number 10, one vote.
votes.

Design Number 16, zero

Design Number 18, zero votes.

19, three votes.

Design Number

Design Number 22, six votes.

Design

Number 23 would be our runner up, but not achieving
selected status, with eight votes.

Design Number 24

would be the second runner up with seven votes.
Design Number 25, zero.

Design Number 30, zero.

Design Number 36, six votes.
votes.

Design Number 38, four

Design Number 39, one vote.

three votes.

Design Number 40,

Design Number 41, as stated earlier, 23

votes and our selection.

Design Number 44, two votes.

A total of 64 votes cast.
MR. MARKS:

Okay.

Our indicated

recommendation, by the tally, would be Design Number
41, with 23.

So, at this point I'd like to have a

discussion about if we want to go with one or more.
And as soon as we establish that fact, then we can
look to the tally for -- if there's more than one,
we'll look at the tally and probably ask for a motion
on that.
And then, if there are specific changes or

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recommendations people would like to make on specific
designs, let's do that at that time, but let's keep
this ordered.
So, I'm looking for discussion on one or
more.

Do we want to recommend one or more?
MR. JANSEN:

This is Erik.

I would like to

reiterate my earlier comments that the committee
advance multiple choices.

I personally, in looking at

the voting here, the logical way to handle that would
be our top four votes.

There's a line of demarcation

at that point, although it was a strong vote for the
single number, 41.

If that were the case --

MR. BUDEJA:

Gary, I would like to bring a

point of order concerning that.

The CCAC has always,

since I've been on it, proceeded with multiple votes
that have to have at least -- have met a threshold.
I'm wondering whether or not we should change that
process for this particular exercise.
MR. MARKS:
matter, Michael.

I think that's the heart of the

The committee has also made some

decisions by a majority vote.

And I don't think

(inaudible) the rules, but there have been times when

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we've had little diversions here and there.
So, you know, in the interest of time, and
if there is a desire to move forward with more than
one vote, I'd like someone to put a motion on the
table now, so that our discussion would be to that
point.
Here again, folks, we've got a very limited
time.

So, let's get a motion on the table.

If you

have comments that you are burning to make, make
those, but please make them brief.

So, is there a

motion?
MR. JANSEN:

This is Erik.

I would move

that we include the verbiage of our formal selection,
those designs accruing six or more votes, which would
give an additional four designs into the discussion.
Those designs would be 36, 24, 23 and 22, by
vote.
MR. MARKS:

Is there a second?

MS. STEVENS-SOLLMAN:
MR. MARKS:

Is that Jeanne --

MS. STEVENS-SOLLMAN:
MR. MARKS:

I second that.

Yes.

-- who said that first?

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MS. STEVENS-SOLLMAN:
MR. MARKS:

Yes.

Okay.

MR. JANSEN:

Are you getting the other stuff

that's going, Gary?
MR. MARKS:

Pardon me?

MR. JANSEN:
MR. MARKS:

No, I'm not.

Are you getting the -No, I'm not.

MR. JANSEN:

Okay.

I'll get -- okay.

I'll

take -- the motion on that, that was me, and who was
the second?
MR. MARKS:

Jeanne.

MS. STEVENS-SOLLMAN:
MR. JANSEN:
MR. MARKS:
table.

Jeanne.

Okay.
Okay, so the motion's on the

The motion is for essentially five designs,

22, 23, 24, 36 and 41.

Is there any discussion before

we vote on this?
MS. WASTWEET:
MR. MARKS:

This is Heidi.

Heidi, go ahead.

MS. WASTWEET:

I was referencing more than

one design, it has further evolved, but we have quite
the discrepancy in our voting.

We don't even -- you

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know, the runner up isn't really even close top to our
top pick.

And so therefore I would be in favor of

seeing more variations than just the one.
MR. BUDEJA:

Gary, I would again say that

we're dealing with convention and it is important to
be careful not to change the rules.

You know, I

conduct faculty meetings and if motions have so few
votes and some have so many, it really is having a
minority view speak for the majority.

So, that's why

I would be against this.
MR. MARKS:

Right.

Understood.

Any other

quick comments?
UNIDENTIFIED SPEAKER:

Can I just ask what

would a yes and a no vote mean to this?
MR. MARKS:

Well, right now as it stands we

have an indicated recommendation for Number 41.

So,

absent any other action from the committee, our normal
process would indicate that we would be recommending
Number 41, the singular design, should this current
motion fail.
If this motion is passed, then we would be
forwarding five designs which like I said before,

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we're going to see these again.
MR. JANSEN:

A point of correction, Gary.

That was not my motion.
MR. MARKS:
MR. JANSEN:

Okay, what was it?
My motion was to indicate that

41, Design 41 was our selected design, by a vote, 23
(inaudible) 83:11 total of 16.

However, in this case

I identified the four other best vote getters being
Design 36, 24, 23 and 22.

So, I am not lessening or

removing the verbiage of our formal selection, I am
merely giving the (inaudible) the ability to see depth
into our process.
MR. MARKS:
further, please.

Okay.

So, let me clarify that

Let me clarify that further.

what are we asking The Mint to do?

So,

Are we asking The

Mint to prepare appropriate inscriptions solely on
Number 41, Erik, with your motion, or for all five
designs?
MR. JANSEN:

I would say that would be

subject to the process of the director's bid in
consultation with the Officer of the Treasury would
determine.

I don't think we're here telling them what

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their project order -UNIDENTIFIED SPEAKER:
MR. MARKS:

Can I --

I just -- go ahead.

UNIDENTIFIED SPEAKER:

Why would we do this?

We have never done this before.
MR. JANSEN:

The reason I believe this

motion is important is this is an iconic coin that I
believe deserves a little more consideration from the
administration as well as the public, in terms of how
they might be responding to these designs.
MR. OLSON:

Yeah, this is Mike Olson.

I

don't even remember seeing 44 designs for any one
coin, and we've been through the process, we voted and
our intent to recommend is clear. I think we muddy the
process if we start including both designs that have
got six designs, when the winner has 23.
MS. STEVENS-SOLLMAN:

Gary, I will rescind

my second.
MR. MARKS:

Okay.

The motion is now without

MR. MORAN:

Gary, this is Mike Moran, I'll

a second.

still make the second.

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MR. MARKS:
second.

Okay.

We've preserved the

So, we still have the question on the table.

Now, I believe at this point that we've defined a
clear line of demarcation between the views on this
motion, so I'm going to go ahead and I'm going to call
the question.
And Erik, can you call the roll?

I think

this is something I want to do simply as a mass voice
vote.
MR. JANSEN:

A yay supports the motion.

nay does not support the motion.

And there will be no

motion on the floor as to our action other than our
standard indication of our selected design.
Michael Bugeja, yay or nay?
MR. BUDEJA:

Nay.

MR. JANSEN:

Robert Hoge, yay, nay?

MR. HOGE:

Nay.

MR. JANSEN:

Erik Jansen, yay.

Gary Marks?
MR. MARKS:
MR. JANSEN:
MR. MORAN:

A

Nay.
Michael Moran?
Yay.

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MR. JANSEN:
MR. OLSON:

Mike Olson?
Yay.

MR. JANSEN:

Donald Scarinci?

MR. SCARINCI:
MR. JANSEN:

Nay.
I hear nay.

MR. SCARINCI:
MR. JANSEN:

Correct.

It's a nay.

Jeanne Stevens?

MS. STEVENS-SOLLMAN:
MR. JANSEN:

Nay.

MR. URAM:

Tom Uram?
Yes.

MR. JANSEN:

I hear yay.

Heidi?
MS. WASTWEET:
MR. JANSEN:

Nay.
The vote fails.

three, four, five, six seven nays.

One, two,

Three yays.

The

motion fails.
MR. MARKS:

All right.

So, I'm going to

move us through this as expeditiously as possible,
folks, but the indication here is that we're
recommending Design Number 41.

I know there's some

concerns about some particular aspects of this design.
May I please have a motion, if there is one,

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to address those sorts of subjects.
MR. OLSON:

Gary, this is Mike Olson.

I

make a motion that The Mint be allowed to incorporate
various elements of what we've discussed and present
that to the committee, on Design Number 41.
MR. MARKS:

Is there a second?

MR. OLSON:

Where are the -- the arrow and

the olive branch or no, the orientation of the eagle,
the placement of the inscription, let The Mint present
some designs based on this one theme.
MR. MARKS:

So, your motion, Michael, is

that -- let me sum this up.

You're trying to not

micromanage and give a free hand to address the
concerns that we've heard today, about this design,
and then they bring us back something that they have
cleaned up, if you will.

Is that what you're getting

at?
MR. OLSON:

That is correct.

And to make no

motion to modify that design, let's let The Mint
present some options.
(Multiple speakers at one time)
MR. BUGEJA:

I second the motion, Gary.

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MR. MARKS:

Okay, it's been seconded.

Let me further clarify.

Mike, that also

means now we heard the comments about some feeling the
beak was edging up against the edge of the coin too
much and maybe getting a little more room, I'm
assuming that's part of your intent, to address that,
if The Mint artists feel it's warranted?
MR. OLSON:

Yeah, everything that we've

discussed, anybody that's had a comment on that, that
could possibly make it different or better, let's see
all the options and let the committee vote on that.
MR. MARKS:

Okay.

All right.

UNIDENTIFIED SPEAKER:

That includes

removing the olive branch completely?
MR. OLSON:

Yeah, none was an option he

described as he (inaudible) arrows and olives to be
readdressed or not.
UNIDENTIFIED SPEAKER:
MR. MARKS:

Excellent.

So, it's an all inclusive

motion, folks.
MR. HOGE:
MR. MARKS:

Seconded by Michael Moran.
Yes, it is seconded by Michael

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Moran.

Is that -MR. BUDEJA:

(inaudible) seconded by Michael

Bugeja.
MR. HOGE:

Yeah, I didn't get my second in

there soon enough, Gary.
MR. MARKS:

Oh, okay.

Okay.

My apologies

to the Michaels.
So, we got that straight.

So, barring any

other comments, I'm not sure why we'd need them at
this point, let's vote on this.
MR. JANSEN:

So --

Gary, a voice will work.

I

think a voice vote will work.
MR. MARKS:
MR. JANSEN:

Yep.
I think a voice vote will work

at this point.
MR. MARKS:
MR. JANSEN:

Okay, all those in -(inaudible) 89:31 call it?

Go

ahead.
MR. MARKS:

All those in favor, please say

aye.
GROUP:

Aye.

MR. MARKS:

Opposed?

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(No audible response)
MR. MARKS:
unanimously.

Okay.

Motion carries

to zero vote.

That is recognized by the chair as a ten
Ten yays, no nays.

MR. JANSEN:
MR. MARKS:

Got it.
So, at this point we leave this

in the good hands of The Mint.
Correct me if I'm wrong, Committee, but my
thought on this is that The Mint, as they work through
their time line would make some changes to this design
and bring that back to us.

We would look at this, and

at that point then we'd need to make a recommendation,
sending out the final version and then it's going to
need to go to the CFA and through the normal process.
So, is that how we understand this?
UNIDENTIFIED SPEAKER:

That's how I

understand it.
MR. MARKS:

Okay.

I'm not hearing any

feedback on that, so I'm going to assume that that's
our direction.
Okay.

So, we'll just go forward from there.
With that, our next item on the

agenda is discussion of a (inaudible) 90:48

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recommendation for a National Medals Program.

This

item also refers back to a recommendation that has
been in our annual report for the last two years.

And

this idea was initial conceived as a way to provide
our artists with an opportunity to design perhaps a
freer hand than a lot of the programs that they're
given.
When those programs come down there's
usually specific direction about subject matters,
about inscriptions and so forth.

So, the thought here

was, as we were looking through the blueprint in 2010
and 11, that it would be, I think, helpful, to this
whole experience of pursuing design excellence if our
artists were given a free hand and an ability to show
us what they've got, if you will, to exercise some
real creativity with a program that The Mint has
authority to execute.
And it would be designed in a way that there
would be of course very limited parameters.

Perhaps

there would be a subject matter established on an
annual basis, some very generalized themes, and no
other parameters put on it.

Artists could then

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submit, we'd go through a selection process like we
always do and that would also go to the CFA.

And

perhaps there would be a medal or two produced each
year and through time we would build a series of art
medals that would explore various different types of
design, modern -- just all the various techniques that
we don't always get to see because of the limitations
on some of our coinage programs.
So, that's the idea here.

It's a

recommendation we've made for at least the last three
years.

So, I don't know if we need a lot of time on

this subject, but I want to open that up for
discussion, with the idea that if that's something
that we feel would be of interest that we might make a
formal motion here today with a request that The Mint
consider implementing that on some time line that they
would be able to put together and bring back to us
some time in the future.
So, what are the committee's thoughts on
such a recommendation?
MR. OLSON:

Hey Gary, this is Mike Olson.

I

think that is an excellent idea to generate additional

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new thoughts and processes into the artists' thinking
that we might see back when we take a look at our coin
designs, that the CCAC reviews.

It's certainly less

restrictive than some of the commemorative coins and
(inaudible) 93:54 coin programs that we have.

And I

would be fully in favor of it.
My only concern would be would it be
commercially successful for The Mint to produce these?
Would there be enough customers that would get the
word, that would buy them?
MR. MARKS:

Well, you know, I think that has

everything to do with the art that would be produced
in this program.

Being an optimist, I really believe

that it would be successful.

But that's something

that will prove out over time, one way or the other.
MR. SCARINCI:
MR. MARKS:

Gary, if I may?

Oh, go ahead.

MR. SCARINCI:

Yes.

Is this Donald?

You know this is

something that I would resoundingly support and
encourage.

And it's in the blueprint, actually, as a

recommendation.

You know, I think as to the

commercial viability, on the commercial viability, I

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think the results you're getting from the baseball
commemorative are proving, versus the Civil Rights
commemorative, you know, are consistent with what we
actually said in the blueprint and what we've been
saying for the last several years, that attractive
designs sell, people buy them.

And unattractive, or

un-exciting designs do not sell, people do not buy
them.

And except for those of us who have to collect

one of everything in the series by every date, Mint
mark and every finish.

So, you know, and there's a

lot of those. And then that probably accounts for the
entire sales of the Civil Rights commemorative.

You

know, not that I'm picking on that particular coin, of
course, lack of artistic merit.
But I think -- it's 2014, in September
(inaudible) 96:07 once again reviews -- once again
will exhibit art medals from 30 -- between 31 and 34
countries in the world and probably other than Heidi
and Jim, and I think Don might have something in this
years, I hope he does, but you know, outside of a
handful of people, the U.S. Mint artists are
unrepresented and don't participate in that.

And

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that's a shame.
I think that doing what you're suggesting,
and what we've suggested and voted for, when we voted
for the blueprint, its time -- I think its time has
come.

And I think it's a great thing to do.

It's a

great way to encourage the artists to be artists,
which is what we have said since the -- since before
the blueprint and I think it's a great way to
experiment and to let the creative energy flow.
Because out of that creative energy maybe we will have
a new Liberty that's designed in a 21st century way.
And we won't be talking about olive branches and
arrows and shields and images from the Civil War and
from the American Revolution.
And, you know, I think it's time to rejoin
the world and to do things in a more modern and postmodern style and see how the public reacts to it.

And

I think if it's pretty, if it's appealing, the public
will buy it.

If it's ugly, they're not likely to be

buy it any more than they bought the Girl Scout coin
or the Civil Rights coin, since I don't want to just
pick on that coin.

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So, I'm completely in support of this, and I
think it's long overdue.
MR. MARKS:

Any other comments on that?

MS. WASTWEET:
MR. MARKS:

This is Heidi.

Um hmm.

Go ahead, Heidi.

MS. WASTWEET: Obviously I would be very
supportive of this whole idea.

I echo everything that

Donald said.
I'd also like to open it up to some comments
by Don Everhart and get his thoughts on this whole
process.
MR. EVERHART:
the way you guys think.

Yeah.

First of all, I like

I consider myself a medalist

more so than a coin designer and I would jump at the
chance to be able to have the freedom to do something
for us, for The Mint, for the country, for art sake
that would be emblematic of, you know, still this
country.

I don't know if it's historical or what it

would be, it could be wildlife, but something that
would just -- you know, we'd be free to just think of
something and then design it and sculpt it.
Yeah, I'm on board with this 100 percent.

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would love the idea.

And I also think that once we do

it, we should patina it.
MS. STEVENS-SOLLMAN:
this.

This is Jeanne.

If I could weigh in on

I have to agree with Donald.

You know, the (inaudible) 99:50 the international
program that was initiated back in the '30s was
designed specifically for The Mint artists of the
world to show what they can do and give an opportunity
for lots of exhibitions and creativity.
So, I think our Mint, our U.S. Mint could
participate in this program, it would be excellent.
We are at a durth with our Mint artists participating
in the (inaudible) exhibitions worldwide.

And I

strongly urge this program to go through.
MR. MARKS:

Well, we'll have some more

comments here in a minute, but with Don Everhart's
comment and the fact that this idea's been something
near and dear to my heart from the beginning of my
service on the committee, it's an idea that I've had
in mind, I'm going to go ahead and I usually don't
make motions, but this one's important to me.
I want to make a motion that we make a

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recommendation to The Mint that the National Art
Medals Program be considered and that an outline of
how The Mint would proceed with such a program might
be submitted to us at a future meeting of The Citizen
Coinage Advisory Committee.
UNIDENTIFIED SPEAKER:

I would like the

honor to second that motion.
MR. MARKS:

Okay, is there --

MS. STEVENS-SOLLMAN:
MR. MARKS:
on this motion?
Okay.
vote.

I third it.

Is there any further discussion

Is it necessary?
I'm going to go ahead with a voice

All those in favor, please say aye.
GROUP:

Aye.

MR. MARKS:

Opposed?

(No audible response)
MR. MARKS:

Motion carries unanimously.

I

will recognize that as a vote of ten yays, zero nays.
With that we've concluded our business for
today.

I want to thank everyone who has participated

and has listened in on this call.
I want to give the staff an opportunity to

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interject anything they feel is necessary at this
point.

Members of the Mint staff, is there anything

you'd liked to communicate to us?
MS. STAFFORD:

No, I don't believe we have

anything on this side, Gary.
MR. MARKS:

Okay.

With that, again, thank

you all for a great meeting and we'll see everyone in
May.

This meeting is adjourned.
(Whereupon, the meeting was adjourned at

3:46 p.m.)
* * * * *

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