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Meeting

April 18, 2023

Page 1
1

CCAC Public Meeting

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3
4
5

Moderated by Dr. Lawrence Brown

6

Tuesday, April 18, 2023

7

8:06 a.m.

8
9
10

The U.S. Mint

11

801 9th Street Northwest

12

2nd Floor Conference Room

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Washington, DC 20220

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15
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Reported by:

Matthew Yancey

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JOB NO.:

5833637

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Meeting

April 18, 2023

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A P P E A R A N C E S

2

List of Attendees:

3

Dr. Lawrence Brown, CCAC Chairperson

4

Kristie McNally, Deputy Director of the U.S. Mint

5

Megan Sullivan, Senior Design Specialist

6

Roger Vasquez, Senior Design Specialist

7

Pam Borer, Design Manager

8

Boneza Hanchock, Design Manager

9

Joseph Menna, Chief Engraver

10

Michael Costello, Manager of Design and Engraving

11

Jennifer Warren, Director of Legislative and

12

Intergovernmental Affairs; CCAC Liaison

13

Greg Weinman, CCAC Senior Legal Counsel

14

Robin Terry, Project Counsel for the Harriet Tubman

15

Bicentennial Commemorative Coin Program and the

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Congressional Gold Medal - Afghanistan

17
18

Apryl Whitaker, Project Counsel for the Congressional
Gold Medal - 6888th

19

Brendan Tate, Senior Government Affairs Specialist

20

Michael White, Office of Corporate Communication

21

Karen Hill, Harriet Tubman Home, Inc. President and

22

CEO

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2

A P P E A R A N C E S (Cont'd.)
Woodrow Keown, Jr., National Underground Railroad

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Freedom Center for the Harriet Tubman

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Bicentennial Commemorative Coin Program President

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and COO

6

Edna Cummings, Producer and Six Triple Eight Advocate

7

Carlton Philpot, Chairman and Project Director of the

8
9
10
11

Six Triple Eight Monument Projects
Tracy Bradford, U.S. Army Women's Museum Curator
Holly Rotondi, Friends of the National World War II
Memorial Executive Director

12

Arthur Bernstein, General Public Representative

13

Dr. Harcourt Fuller, Recommended by the Speaker of the

14
15
16

House
Dr. Dean Kotlowski, Specifically Qualified in American
History

17

Mike Moran, Recommended by the Senate Majority Leader

18

Donald Scarinci, Recommended by the Senate Minority

19

Leader

20

Dennis Tucker, Specifically Qualified in Numismatics

21

Dr. Peter van Alfen, Specifically Qualified as a

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Numismatic Curator

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April 18, 2023

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A P P E A R A N C E S (Cont'd.)
John Saunders, Recommended by the House Minority
Leader
Darla Jackson, Specifically Qualified in Medallic Arts
or Sculpture

6

Kellen Hoard, General Public Representative

7

Paul Gilkes, Coin World, Senior Editor of Amos Media

8

Mike Unser, Coin News Media Group, LLC Founder and

9

Editor

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11
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Meeting

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C O N T E N T S

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PAGE

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Call to Order & Roll Call

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4

Introduction and Swearing In of New CCAC Members

15

5

Review and Approval of Minutes and Letters

23

6

Review and Discussion of Candidate Designs for

7

the Harriet Tubman Bicentennial Commemorative

8

Coin Program

9

Review and Discussion of Candidate Designs for

26

10

the Congressional Gold Medal for the Members of

11

the Women's Army Corps Assigned to the 6888th

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Central Postal Directory Battalion

13

Review and Discussion of Candidate Designs for

14

the Greatest Generation Commemorative Coin

15

Program

16

Review and Discussion of Candidate Designs for

17

The Congressional Medal Commemorating the

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Servicemembers who Perished in Afghanistan on

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August 26, 2021

196

249

343

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P R O C E E D I N G S

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DR. BROWN:

Good morning.

I call to

3

order this meeting of the Citizens Coinage Advisory

4

Committee for Tuesday, April 18, 2023.

5

is 8:06 --

6

MS. WARREN:

7

DR. BROWN:

And the time

Yes.
-- a.m.

I'd like to remind

8

members of the committee participating virtually --

9

few of us that are -- to mute their phone or

10

microphone on the Microsoft Teams program so that when

11

not talking as you announce your name prior to --

12

excuse me.

13

that this is a listening only meeting.

14

Additionally I'd like to remind the public

Before we begin I want to introduce the

15

members of the committee.

I have the honor and

16

privilege of doing so.

17

"Present" when I call your name.

18

general public, Arthur Bernstein.

My colleagues, please respond,

19

MR. BERNSTEIN:

20

DR. BROWN:

21
22

Representing the

Present.

Recommended by the Speaker

of the House, Dr. Harcourt Fuller.
DR. FULLER:

Present.

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2

DR. BROWN:

Specifically qualified in

American History, Dr. Dean Kotlowski.

3

DR. KOTLOWSKI:

4

DR. BROWN:

5

Recommended by the House

Minority Leader, Mr. John Saunders.

6

MR. SAUNDERS:

7

DR. BROWN:

8

Present.

Present.

Recommended by the Senate

Majority Leader, Mr. Mike Moran.

9

MR. MORAN:

Present.

10

DR. BROWN:

Recommended by the Senate

11

Minority Leader, Mr. Donald Scarinci.

12

MR. SCARINCI:

13

DR. BROWN:

14

Present.

Specifically qualified in

numismatics, Mr. Dennis Tucker.

15

MR. TUCKER:

Present.

16

DR. BROWN:

17

numismatic curator, Dr. Peter van Alfen.

Specifically qualified as a

18

DR. VAN ALFEN:

19

DR. BROWN:

Present.

Specifically qualified in

20

medallic arts or sculpture, Darla Jackson.

21

MS. JACKSON:

22

DR. BROWN:

Present.
Representing the general

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April 18, 2023

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public, Kellen Hoard.

2

MR. HOARD:

Present.

3

DR. BROWN:

I am Dr. Lawrence Brown,

4

representing the general public, and again have the

5

honor and privilege of being the Chair of the CCAC.

6

believe we have a quorum.

7

I

The agenda for today's meeting includes

8

the following.

Swearing-in of our two new members of

9

the CCAC, Ms. Darla Jackson and Mr. Kellen Howard --

10

Hoard; approval of the minutes and the letters to the

11

Secretary from the February 28th and the March 1st

12

meeting of the CCAC; review and discussion of the

13

candidate designs for the Harriet Tubman Bicentennial

14

Commemorative Coin Program; review and discussion of

15

the candidate designs for the Congressional Gold Medal

16

to the Members of the Women's Army Corps who were

17

assigned to the 6888th Central Postal Director

18

Battalion, known as the Six Triple Eight; review and

19

discussion of candidate designs for the Greatest

20

Generation Commemorative Coin Program; and review and

21

discussion of the candidate designs for the

22

Congressional Gold Medal commemorating the

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servicemembers who perished in Afghanistan on August

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26, 2021, during the evacuation of citizens of the US

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and Afghan allies at the Karzai International Airport.

4

Before we begin our proceedings, I ask

5

the Mint Liaison to the CCAC, Ms. Jennifer Warren, if

6

we are aware of any members of the press who have

7

remotely signed on to the public meeting?

8

MS. WARREN:

9

Hold on.

There's a connection thing.

Okay.

I'm so sorry.
Sorry.

This is

10

Jennifer Warren.

11

editor of Amos Media; and Mike Unser, founder and

12

editor of Coin News Media Group, LLC.

13

Paul Gilkes from Coin World, senior

DR. BROWN:

For the record, I would

14

also like to confirm the following Mint staff in

15

attendance today.

Please indicate present after I've

16

called your name.

Deputy Director Kristie McNally.

17

MS. MCNALLY:

18

DR. BROWN:

19

Present.
Megan Sullivan, Senior

Design Specialist.

20

MS. SULLIVAN:

21

DR. BROWN:

22

Present.

Roger Vasquez, Senior

Design Manager.

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MR. VASQUEZ:

2

DR. BROWN:

Pam Borer, Design Manager.

3

MS. BORER:

Present.

4

DR. BROWN:

Russell Evans, Design

5

Manager.

6

MS. WARREN:

7

DR. BROWN:

8

Present.

He's not present.
Boneza Hanchock, Design

Manager.

9

MS. HANCHOCK:

10

Present.

DR. BROWN:

Joseph Menna, Chief

12

MR. MENNA:

Present.

13

DR. BROWN:

Michael Costello, Manager

11

14

Engraver.

of Design and Engraving.

15

MR. COSTELLO:

16

DR. BROWN:

Present.

Jennifer Warren, Director

17

of Legislative and Intergovernmental Affairs and

18

liaison to the CCAC.

19

MS. WARREN:

20

DR. BROWN:

21
22

Present.
Greg Weinman, senior legal

counsel and counsel to the CCAC.
MR. WEINMAN:

Good morning.

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Present.

Meeting

April 18, 2023

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DR. BROWN:

Robin Terry, Project

2

Counsel for the Harriet Tubman Bicentennial

3

Commemorative Coin Program and the Congressional Gold

4

Medal commemorating servicemembers who perished in

5

Afghanistan on August 26, '21.

6

present.

7

MS. WARREN:

8

DR. BROWN:

9

She may not be

She'll be present later.
Okay.

Got it.

Apryl

Whitaker, Project Counsel for the Congressional Gold

10

Medal to the members of the Women's Army Corps who

11

were assigned to the Six Triple Eight.

12
13
14
15

MS. WARREN:

She'll be present later

too.
DR. BROWN:

Actually I don't believe

she will be present.

16

MS. WARREN:

17

DR. BROWN:

Oh.
We'll cover for her.

18

Brendan Tate, Senior Government Affairs Specialist at

19

the Office of Legislative and Governmental Affairs.

20

MR. TATE:

21

DR. BROWN:

22

Present.
Michael White, Office of

Corporate Communication.

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MR. WHITE:

Present.

2

DR. BROWN:

And finally I would really

3

love to -- I mean, I'd love -- I'm glad that we are

4

going to have liaisons in-person with us today.

5

please forgive me -- my enthusiasm.

6

time to time and get me off my game.

7

So

It will show from

We will be joined today by Karen Hill,

8

the president and CEO of the Harriet Tubman Home

9

Incorporated, and by Woodrow Keown, Jr., president and

10

COO of the National Underground Railroad Freedom

11

Center for the Harriet Tubman Bicentennial

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Commemorative Coin Program.

13

For the Congressional Gold Medal to the

14

members of the Women's Army Corps who were assigned to

15

Six Triple Eight we will be joined by Edna Cummings, a

16

Six Triple Eight advocate and producer of a Six Triple

17

Eight documentary; Carlton Philpot, Chairman and

18

Project Director of the Six Triple Eight Monument

19

Projects; and Tracy Bradford, curator of the US Army

20

Women's Museum.

21
22

For the Greatest Generation
Commemorative Coin Program the CCAC will be joined by

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Holly Rotondi, Executive Director of the Friends of

2

the National World War II Memorial.

3

I believe that I speak on behalf of the

4

CCA that we are especially pleased to have the many

5

liaisons participating in the proceedings.

6

to begin with the Mint.

7

we need to address before we start?

8
9

I'd like

Are there are any issues that

Next I would like to take this
opportunity -- and you might say a privilege of the

10

Chair -- to acknowledge our former member Robin

11

Salmon.

12

Robin served on the CCAC since 2020 --

13

2018 when she was appointed by then-secretary Mnuchin

14

as a member specifically qualified in medallic arts or

15

sculpture.

16

served on the CCAC working crew from 2021.

17

During her tenure on the CCAC Robin also

At a later date to be determined we

18

will invite Robin back to be here in person so we can

19

properly honor her.

20

out that I along with many of our colleagues are

21

grateful for her service and will miss her

22

contribution to the CCAC.

But I want to make sure to point

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Additionally Sam Gill has also played a

2

part as a member of the CCAC.

3

since 2018 when he was appointed by then-secretary

4

Mnuchin as a member who represents the interests of

5

the general public in coinage of the United States.

6

Sam served on the CCAC

Sam will also be invited to be here in

7

person at a later date to properly honor him.

8

will be missed by myself and our colleagues.

9

are grateful for his service and contributions to the

10

He too
And we

CCAC.

11

One more word I think is important

12

about these two former members.

13

probably be no meeting of the CCAC with me serving as

14

a chair that I don't make any kind of analogy to

15

sports.

16

And there would

Analogous to the recently completed

17

NCAA championship in college basketball and in hockey,

18

Robin and Sam were incremental in the CCAC's

19

championship run during fiscal year 2022, as evidenced

20

by the recommendations of the 15 programs submitted to

21

the Secretary of Treasury.

22

I needed to pause for effect.

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Meeting

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now move to the first order of business -- in the

2

introduction and swearing-in of Ms. Darla Jackson, who

3

was appointed on March 23, 2023, as a new member

4

specifically qualified in medallic arts or sculpture;

5

and Kellen Howard -- Hoard, who was appointed on April

6

10th as one of the new members to represent the

7

interest of the public.

8
9

We will first begin with the swearingin of Ms. Darla Jackson.

Ms. Jackson is a sculpting

10

professional for 20 years and is intimately familiar

11

with design elements and the process of creating

12

sculpture, including medallic art.

13

Ms. Jackson is an adjunct professor at

14

the Pennsylvania Academy of Fine Arts in Philadelphia,

15

where she also serves on the faculty committee.

16

Additionally Ms. Jackson served on the Board of the

17

Philadelphia Sculptures, a local sculpture

18

organization.

19

And to me I have the honor and pleasure

20

of knowing that she is also a proud mom.

21

so much.

22

McNally.

So thank you

I'll hand it over to Deputy Director

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MS. MCNALLY:

Okay.

3

MS. JACKSON:

Thank you.

4

MS. MCNALLY:

Right here.

5

MS. JACKSON:

Thank you.

6

MS. MCNALLY:

Okay.

2

Come on up and

join me.

All right.

At

7

this time I'd like to welcome Darla Jackson.

8

Brown mentioned, Ms. Jackson has been a professional

9

sculptor for 20 years and is teaching sculpting to

10

As Dr.

others.

11

We're extremely enthusiastic to welcome

12

her to the CCAC.

13

I'll have the honor of administering the oath of

14

office to you.

15

All right.

Ms. Jackson, in a moment

With this oath you will assume the

16

position of CCAC as a member specially qualified in

17

medallic arts and sculpture.

18

join a very select and prestigious group of

19

individuals invested in US coin and metals.

By doing so you will

20

All right.

Please raise your right

21

hand and repeat after me.

22

will support and defend the Constitution of the United

I do solemnly swear that I

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States against all enemies foreign and domestic.

2

MS. JACKSON:

I do solemnly swear that

3

I will support and defend the Constitution of the

4

United States against all enemies foreign and

5

domestic.

6

MS. MCNALLY:

7

and allegiance to the same.

8

MS. JACKSON:

9

and allegiance to the same.

10

MS. MCNALLY:

That I will bear truth

That I will bear truth

That I take this

11

obligation freely without any mental reservation or

12

purpose of evasion.

13

MS. JACKSON:

That I take this

14

obligation freely without any mental reservation or

15

purpose of evasion.

16

MS. MCNALLY:

And that I will well and

17

faithfully discharge the duties of the office on which

18

I'm about to enter.

19

MS. JACKSON:

And that I will well and

20

faithfully discharge the duties of the office on which

21

I am about to enter.

22

MS. MCNALLY:

Ms. Jackson,

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congratulations.

And welcome to the Citizens Coin --

2

Coinage Advisory Committee.

3

to working with you.

4

words.

Sorry.

We look forward

And I'll invite you to say a few

Hopefully they prepared you for that.

5

MS. JACKSON:

Thank you.

Yes.

I just

6

want to express my gratitude for you all having me

7

here.

8

And I feel like being able to have a say in this

9

amazing part of American history is really exciting.

I'm very excited about sculpture in general.

10

And I would be remiss if I didn't thank

11

my family for all the support throughout all the years

12

and then also my daughter because I think that she

13

would be very proud.

14

and I think listening in.

15

And thank you to all of you.

16

Her and my husband are at home

DR. BROWN:

So thanks to all of them.

Ms. Jackson, please allow

17

us and allow me to add my congratulations.

18

welcome on behalf of the CCAC.

19

the swearing-in of Mr. Kellen Hoard.

And

We will now turn to

20

Mr. Hoard is a student at the Elliott

21

School of International Affairs at George Washington

22

University.

He has been an numismatist since the age

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of 9 years of age.

2

And has since authored a dozen articles

3

in a wide variety of publications, spoken at many

4

events -- or in fact numismatists around the world --

5

and worked as an intern at the famous Newman

6

Numismatic Portal and served as a member of the board

7

for the Pacific Northwest Numismatic Association.

8

Deputy Director, turning to you.

9

MS. MCNALLY:

Thank you.

At this time

10

I'd like to welcome Kellen Hoard.

11

mentioned, Mr. Hoard has been a collector since 9

12

years old and has been active in the numismatic

13

community.

14

As Dr. Brown

For his work in numismatics he was

15

selected as the 2021 American Numismatic Association

16

Young Numismatist of the Year.

17

enthusiastic to welcome him to the CCAC.

18

We're extremely

Mr. Hoard, in just a moment I have the

19

honor of administrating the oath of office to you.

20

With this oath you will assume the position on the

21

CCAC as a member specifically qualified in medallic

22

arts or sculpture.

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DR. BROWN:

No, no.

2

MR. HOARD:

As a member of the general

3

public.

4

MS. WARREN:

5

MS. MCNALLY:

6

MS. WARREN:

7

MS. MCNALLY:

8
9
10

General public.
Okay.
Mistake.
My notes are incorrect.

As a member of the general public.
MR. HOARD:
MS. MCNALLY:

Thank you.
By doing so you will join

11

a very select and prestigious group of individuals

12

invested in US coins and metals.

13

raise your right hand.

14

support and defend the Constitution of the United

15

States against all enemies foreign and domestic.

16

All right.

Please

I do so solemnly swear I will

MR. HOARD:

I do solemnly swear I will

17

support and defend the Constitution of the United

18

States against all enemies foreign and domestic.

19

MS. MCNALLY:

20

and allegiance to the same.

21
22

MR. HOARD:

That I will bear truth

That I will bear truth and

allegiance to the same.

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2

MS. MCNALLY:
obligation freely.

3
4

MR. HOARD:

MS. MCNALLY:

Without any mental

reservation or purpose of evasion.

7
8

That I take this obligation

freely.

5
6

That I take this

MR. HOARD:

Without any mental

reservation or purpose of evasion.

9

MS. MCNALLY:

And that I will well and

10

faithfully discharge the duties of the office on which

11

I am about to enter.

12

MR. HOARD:

And that I will well and

13

faithfully discharge the duties of the office on which

14

I am about to enter.

15

MS. MCNALLY:

16

Congratulations.

17

Advisory Committee.

18

working with you --

Welcome to the Citizens Coinage
We look forward to welcoming you,

19

MR. HOARD:

20

MS. MCNALLY:

21
22

All right.

Thank you.
And now I turn it over to

you.
MR. HOARD:

Thank you.

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MS. MCNALLY:

2

MR. HOARD:

You're welcome.
Well, I only have a few

3

words -- first going back to when I was 9 years old

4

and first starting collecting.

5

did when I started collecting was I signed up to a

6

subscription of Coins Magazine.

7

And the first thing I

And I went to -- and I went away to

8

YMCA summer camp.

9

package from my parents, which included my first copy

10

And I got in the mail a care

of my subscription to Coins Magazine.

11

And in there they described the recent

12

work of the CCAC.

13

awfully weird.

14

all."

15

At the time I said, "That sounds

And I'm not interested in that at

And then, you know, now ten years later

16

I find myself extremely interested in the work you

17

guys do.

I'm very grateful to be here.

18

I'm excited to work with you all as I

19

think I said in my initial application to this

20

committee that I really see the CCAC as a source and a

21

catalyst for reliable and accessible history and art

22

and education.

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And I'm excited to do that work with

2

you all.

3

work.

4

So thank you so much.

DR. BROWN:

And let's get to

Kellen, please allow me to

5

add my congratulations on behalf of the CCAC.

6

look forward to a collaboration that will be unlike

7

any others that we've had.

8

differently generationally than many of us but because

9

of the fact that you are new.

10

And we

Not because you are

Thank you so much.

The next order of business before this

11

committee is a review and approval of the CCAC minutes

12

and letters to the secretary from our public meeting

13

on February 28, 2023, and March 1, 2023.

14

any comments on the documents?

15

a motion to approve the minutes and the letters?

16

Are there

Hearing none, is there

MR. BERNSTEIN:

Art Bernstein moves

18

DR. VAN ALFEN:

Oh.

19

DR. BROWN:

17

approval.
Van Alfen second.

Primary Art, and Peter a

20

second.

All those in favor except for Ms. Jackson,

21

Mr. Hoard, and those who are abstaining from this

22

vote, please signify by saying aye.

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MULTIPLE SPEAKERS:

2

DR. BROWN:

Aye.

Are there any objections in

3

motion?

Hearing none, seeing none, we will now turn

4

to the next item on the agenda.

5

-- share what I feel are a significant issue.

6

I would like to read

Almost two years ago the CCAC reviewed

7

tentative designs for their three-coin Negro Leagues

8

Baseball Commemorative Program with the Nego Leagues

9

Museum -- Baseball Museum, serving as the recipient

10
11

organization.
After a recent visit to Kansas City I

12

can wholeheartedly recommend that the museum features

13

a collection of artifacts, exhibits, and displays that

14

provide a comprehensive look at the history of the

15

Negro League Baseball, the sport of baseball itself,

16

and that era of American history.

17

The second item I'm going to share with

18

you is something that I cannot say too often.

19

an undeniable privilege as CCAC Chair to participate

20

in the education of the public and the numismatic

21

community regarding the role of the CCA in the design

22

of commemorative and circulating coins of the United

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1

States.

2

For this reason I want to thank those

3

who have sent questions or suggestions to the CCAC --

4

emailed info@ccac.org -- dot gov, excuse me.

5

say that again.

6

Let me

Info@ccac.gov.
Let me assure all those who have done

7

so that the matters that you have raised will be

8

reviewed.

9

be also held at a future CCAC meeting.

And the results of such a discussion will

10

April 23, 2023, will mark the 20th

11

anniversary of the authorization of the Citizens

12

Coinage Advisory Committee of the first meeting of the

13

CCAC being held on May 15, 2003.

14

I believe that we -- I can speak for

15

all those present that when I say that we are thankful

16

for the foundations of our predecessors have

17

established.

18

The next item on our agenda is to

19

review the candidate designs for the Harriet Tubman

20

Bicentennial Commemorative Coin Program authorized by

21

Public Law 117-163.

22

Mint's Office -- I'm sorry.

Megan Sullivan, Chief of the
Supervisor of Design

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Management will introduce the program and present

2

obverse and reverse candidate designs for this

3

program.

4
5

MR. VASQUEZ:
designs today.

6
7

DR. BROWN:
Thank you.

MR. VASQUEZ:
you.

Thank you, Mr. Vasquez.

It's always good to have good teamwork.

8
9

I'll be presenting

Yes.

All right.

I'll provide our introduction.

Thank

So Public Law

10

117-163, the Harriet Tubman Bicentennial Commemorative

11

Coin Act, which I'll refer to as the act, recognizes

12

the bicentennial of Harriet Tubman's birth.

13

instructs the design shall be emblematic of her legacy

14

as an abolitionist.

15

The act

Harriet Tubman was born enslaved as

16

Araminta "Minty" Ross on a Maryland plantation around

17

the year 1822.

18

the fall of 1849 with the help of the Underground

19

Railroad network.

20

Tubman freed herself from slavery in

Though she had found freedom in

21

Pennsylvania, she braved the perilous journey

22

repeatedly -- returning to Maryland 13 times over the

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next decade to personally guide about 70 more people

2

from slavery to freedom and provided instructions for

3

approximately 70 additional people who found their way

4

to freedom on their own.

5

Despite laws that put her life at risk

6

and made the journey increasingly dangerous and long,

7

Tubman stated at a women's suffrage convention in 1896

8

that she never lost a passenger as a conductor on the

9

Underground Railroad.

10

Harriet Tubman made the connection

11

between her work leading people to freedom and the

12

efforts of the Union Army during the US Civil War.

13

She joined the Union Army as a nurse in

14

1862 and served in multiple roles, including as an

15

Army scout and spy for military leaders who recognized

16

her abilities.

17

Tubman proved an exceptional leader,

18

recruiting newly-freed men into regiments of African

19

American soldiers and distinguishing herself as the

20

first woman to lead an armed expedition in the Civil

21

War -- the Combahee River raid -- resulting in more

22

than 700 enslaved people in South Carolina being

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freed.

2

After the Civil War, Harriet Tubman

3

spent the rest of her life -- 54 years -- living in

4

the abolition stronghold of Auburn, New York.

5

There Tubman remained resolute in the

6

causes she fought for and continued to work to provide

7

the means necessary to care for newly-freed enslaved

8

people, including the young and elderly.

9

Whether working her farm at her 32-acre

10

homestead or giving speeches in support of women's

11

suffrage, civil rights, and access to health care not

12

only for African Americans but for all people, Tubman

13

was a visionary, a leader, and a beacon for liberty.

14

Her life was characterized by her

15

unwavering determination and active pursuit of freedom

16

in every aspect of American life.

17

Candidate designs for this program were

18

developed of three periods of Tubman's life and

19

working life.

20

Silver dollar designs reflect her work

21

as a conductor on the Underground Railroad.

22

dollar designs represent her work during the Civil

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War.

And the five dollar gold coin looks at her life

2

after the Civil War and into her later years.

3

Candidate designs are presented in that order in

4

alignment with the chronology of those periods.

5

Surcharges for the program are

6

authorized to be paid to the National Underground

7

Railroad Freedom Center in Cincinnati, Ohio and the

8

Harriet Tubman Home, Incorporated in Auburn, New York

9

for the purpose of accomplishing and advancing their

10

missions.

11

The Mint worked with representatives of

12

the National Underground Railroad Freedom Center and

13

the Harriet Tubman Home in developing the design

14

portfolio.

15
16

Is it appropriate, Dr. Brown, for me to
introduce the liaisons or go ahead and --

17

DR. BROWN:

Yes, sir.

18

MS. WARREN:

19

MR. VASQUEZ:

Yes.
Okay.

So I would like to

20

introduce the liaisons.

You did an amazing

21

introduction earlier.

22

Hill from the Harriet Tubman Home and Woodrow

But I'd like to welcome Karen

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Keown -- Woody -- from the National Underground

2

Railroad Freedom Center.

3

DR. BROWN:

You may also offer them --

4

if they want to say a word or two with respect to

5

design that would be wonderful.

6
7

MR. VASQUEZ:

10

Karen, would you

mind sharing a few words about --

8
9

Okay.

MS. HILL:
words for Harriet.

Of course.

I always have

This is a momentous occasion.

And

you should take your work very seriously.

11

I would hope that with the minting of

12

these coins that number one that we refer to educating

13

America about the great work that's done by this

14

amazing US Mint but that -- and that we're also

15

sharing Tubman's story.

16

And her story is extremely important.

17

People know a lot more about the Underground Railroad

18

certainly.

19

years as a free woman.

20

But they do not know that she lived 54

And so we want the coins to have a

21

clear expression of Tubman working to become a free

22

woman and what her life was like as a free woman.

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I'm just very happy.

2

And Harriet Tubman bequeathed her

3

legacy ten years before she passed away to the African

4

Methodist Episcopal Zion Church to establish an

5

independent not-for-profit to manage that legacy,

6

which I manage on behalf of them.

7

And I think that throughout the United

8

States the Black church -- all denominations -- have

9

had a -- freedom journey.

10

And this coin -- these

coins are viewed as the next step.

11

Because everybody wants a piece of

12

Tubman and now we feel we finally have the ability to

13

make certain that people do.

14

have a piece of Tubman, tell her freedom story, and

15

pass it on to generations.

16
17
18

MR. VASQUEZ:

These three coins will

Woody, do you have any

words?
MR. KEOWN:

Sure.

Thanks, Karen.

I

19

appreciate that.

And I on behalf of our board of

20

directors, our staff and volunteers for the National

21

Underground Railroad Freedom Center would like to

22

thank all of you for this opportunity to commemorate

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and really recognize a very iconic leader of the

2

United States of America.

3

We think that -- well, I've learned

4

from this process.

5

Ms. Tubman's life has really grown quite a bit through

6

the process of working with Karen and Annette as we've

7

gone -- really got into the details of ensuring that

8

we were really representing an authentic Harriet

9

Tubman.

10

My knowledge and understanding of

And I think that these coins offer an

11

opportunity to share a more complete story about her,

12

what she's done, her contributions to freedom and

13

around this country.

14

And I as I traveled around the world

15

quite a bit in my previous life I think that she also

16

is recognized universally around the world as very

17

significant, very American, helping to guide people.

18

I think it also is an opportunity to

19

recognize the significant role that women,

20

particularly women of color, played in the development

21

of our country.

22

to do that.

And I think that this is a great way

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And finally I'd like to say thank you

2

to Roger and the entire Mint team.

3

outstanding in terms of being able to work with us and

4

ensure that our views and perspectives were heard and

5

valued and respected through this process.

6

They have been

And it's just been a joy working with

7

them.

And as we've become familiar and introduced to

8

more members of the team -- very, very impressed with

9

the US Mint in general and proud to be a part of this

10

significant program.

11

opportunity to be here today.

12

So thank you very much for this

MR. VASQUEZ:

Okay.

Thank you very

13

much.

Pleasure working with you both.

And the same.

14

All right.

15

design descriptions while Pam Borer presents the

16

designs.

So I'm going to go ahead and read our

17

So first thing I should mention is that

18

designs are include the following required

19

inscriptions.

20

liberty, In God We Trust, and 2024.

21

have United States of America, E. Pluribus Unum, and

22

the denomination.

On the obverse we have Harriet Tubman,
On the reverse we

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Please note that there will likely be a

2

need once recommended designs are identified by

3

advisory committees to improve upon the likenesses of

4

Harriet Tubman.

5

The Mint will work closely with the

6

designer, the chief engraver, and the liaisons to

7

refine the portraits in order to best represent her.

8
9
10

So starting with the silver obverse
designs we have HT-S-O-01.

This design depicts

Harriet Tubman offering her hand to the viewer.

11

Harriet's serious and searching

12

expression with concerted eye contact challenges the

13

viewer to seize the opportunity for freedom.

14

design is a preference of both of our liaisons.

15

This

Next design, HT-S-O-02, depicts Harriet

16

Tubman offering her hand, ready to lead the viewer

17

over a fence, navigating by the stars and the night

18

sky.

19

Design HT-S-O-04 and HT-S-O-05 features

20

close-up portraits of Harriet Tubman.

21

includes the inscription, "The Underground Railroad"

22

in addition to the other required inscriptions.

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HT-S-O-04 is a preference of both of our liaisons.

2

HT-S-O-07 depicts Harriet Tubman

3

looking back confidently as she leads another person

4

by hand, symbolic of her work as a conductor on the

5

Underground Railroad.

6

In the background is a wide open

7

landscape with a rising sun, symbolic of the liberty

8

she is leading her passengers to.

9

between the hands continues on HT-S-R-07.

10

The connection

Design 8 shows Harriet Tubman as a

11

conductor on the Underground Railroad.

12

passengers are with her, including three at the

13

background boat.

14

Five

The river, trees, moon, and stars

15

provide the setting for their journey.

16

preference of the National Underground Railroad

17

Freedom Center.

18

obverse eight.

19

Design 8 is a

And that was obverse eight -- silver

Moving on to the silver reverse

20

designs.

HT-S-R-01 features silhouettes traveling

21

across a bridge created by a pair of clasping arms.

22

In the sky above the Big Dipper constellation points

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to the North Star, which forms the O in "of".

2

design is a preference of the liaisons.

3

This

Design 2 shows two hands grasping

4

chains, breaking them apart.

5

Dipper constellation points to the North Star, which

6

again forms the O in "of".

7

In the sky above the Big

Design 3 shows Harriet Tubman in

8

silhouette on the path to freedom.

The road leading

9

to her represents that path to freedom.

Additional

10

inscriptions read, "The Moses of her people" and

11

"free".

12

Design 4 portrays Harriet Tubman as she

13

reaches up to help a passenger start their journey to

14

reach freedom with the sun shining in the background.

15

The additional inscription reads,

16

"Never lost a passenger" -- a testament to Tubman's

17

success as a conductor on the Underground Railroad.

18

Design 4 is a preference of the liaisons.

19

And the National Underground Railroad

20

Freedom Center expressed that the design epitomizes

21

her leadership in the Underground Railroad.

22

Design 7 shows passengers on the

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Underground Railroad as they travel through the woods

2

at night on the perilous journey to freedom.

3

The hand connects the passengers to

4

Harriet Tubman, as seen in Obverse seven -- so for

5

Obverse seven.

6

"Come through".

7

The additional inscription reads,

Design 8 synergizes with the 2023 Ohio

8

American Innovation one dollar coin reverse.

It

9

depicts two strong hands grasped together, the upper

10

arm pulling the lower arm upward, representing the

11

support and strength of the Underground Railroad.

12

A chain fastened to a rustic shackle

13

around the lower arm's wrist snaps in fragments,

14

alluding to the hope of freedom.

15

inscription reads, "Underground Railroad".

16

The additional

Let's move on to the clad obverse

17

designs.

I'll note that some of the imagery on these

18

clad coins may need to be slightly modified to

19

accurately reflect a jacket Tubman would have worn at

20

the time.

21

So starting with HT-C-O-01 and HT-C-O-

22

02, both designs portray Harriet Tubman during the US

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Civil War.

And Design 1 and Design 2 are favored by

2

the Harriet Tubman Home.

3

Design 3 shows Harriet Tubman carrying

4

a US flag with the inscription, "I crossed the line",

5

a paraphrase of her quote, "I crossed the line.

6

free."

7

Design 4 depicts Harriet Tubman.

I was

In

8

the background two Civil War era boats represent the

9

Combahee River raid.

10

Tubman distinguished herself as the

11

first woman to lead an armed expedition in the Civil

12

War, the Combahee River raid, resulting in more than

13

700 enslaved persons in South Carolina being freed.

14

HT-C-O-04 is a preference of both of our liaisons.

15

Design 5 portrays Harriet Tubman in her

16

role as a Union Army nurse.

17

knowledge of medicinal plants are depictions of wild

18

black cherry, sassafras, Burdock root, and the flower

19

of the paw paw tree.

20

Representing her

Design 6 depicts Harriet Tubman holding

21

a spyglass, symbolic of her work as a scout and a spy

22

for the Union Army during the US Civil War.

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her, a row of Civil War era tents line the horizon.

2

Additional inscriptions include "Civil War", "Nurse",

3

"Scout", "Spy", and "Combahee River Raid Leader".

4

Design 7 depicts Harriet Tubman holding

5

an American flag with a pattern of stars used during

6

the US Civil War, offering her hand to the viewer as

7

if compelling them to join the effort.

8
9

Tubman recruited newly-freed African
American men to join regiments of African American

10

soldiers.

11

liaisons.

12

And Design 7 is a preference of the

Going to the clad reverse designs, HT-

13

C-R-01 shows a map with Harriet Tubman's hand pointing

14

to the location of Combahee Ferry, South Carolina.

15

The additional inscription reads, "Combahee Ferry".

16

Design 2 shows Harriet Tubman scouting

17

or spying for the Union Army.

18

include, "Come through", 1862 eight dash eight -- dash

19

65 -- excuse me -- "Nurse", "Scout", and "Spy".

20

Additional inscriptions

Design 3 silhouettes the additional

21

inscription "Free" and a vertical broken chain.

22

design is a -- is favored by the Harriet Tubman Home.

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Designs 5 and 7 depict Harriet Tubman

2

holding a spyglass, symbolic of her work as a scout

3

and a spy for the Union Army during the US Civil War.

4

Additional inscriptions include "Civil

5

War", "Nurse", "Scout", "Spy", and "Combahee River

6

Raid Leader".

7

era tents lining the horizon.

8

Tubman in silhouette.

9

Design 5 includes a row of Civil War
And Design 7 shows

Design 5 is a preference of the

10

liaisons.

11

Center noted the connection to the Combahee River Raid

12

-- a historically significant event.

13

The National Underground Railroad Freedom

Design 8 shows Harriet Tubman in

14

silhouette on the path to freedom.

15

to her represents that path to freedom.

16

inscriptions read, "Civil War", "Nurse", "Scout",

17

"Spy", and "Free".

18

The road leading
Additional

Now we move on to the gold obverse

19

designs.

HT-G-O-01, Design 01A, Design 2, 4, 5, and 6

20

portray Harriet Tubman in her years after the Civil

21

War.

22

Home in which she appears approachable.

HT-G-O-01A is a preference of the Harriet Tubman

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Design 4 is a preference of the

2

National Underground Railroad Freedom Center for the

3

look of determination, confidence, and defiance seen

4

in the portrait of Harriet Tubman.

5

favored by the Harriet Tubman Home.

6

And Design 6 is

Moving on to the gold reverse designs,

7

HT-G-R-01 and 01A depict a two-handed gesture

8

symbolizing Harriet Tubman's efforts throughout her

9

life to help and care for people.

10

Emblematic of her life's work, Design 1

11

includes Harriet Tubman's final words, "I go to

12

prepare a place for you."

13

01A includes Harriet Tubman's seven

14

core values passed down from generation to generation.

15

Those are faith, freedom, family, community, self-

16

determination, social justice, and equality.

17

01A is a preference of the liaisons.

18

Design

Design 2 depicts Harriet Tubman

19

standing with the Harriet Tubman Home for Aged and

20

Indigent Negroes in the background.

21
22

The home provided care for formerly
enslaved people.

And Tubman lived there herself in

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her later years.

2

included.

3

The additional inscription "Free" is

Design 3 depicts a plaque with Harriet

4

Tubman's seven core values.

5

represents a roof that together with the key signify

6

shelter while the apples signify Tubman's work on her

7

Auburn, New York farm to sustain those who she cared

8

for.

9

The peak of the plaque

The inscriptions read, "Values",

10

"Faith", "Freedom", "Family", "Community", "Self-

11

determination", "Social Justice", and "Equality".

12

Design 3 is favored by the Harriet

13

Tubman Home and is the secondary preference of the

14

National Underground Railroad Freedom Center for its

15

inclusion of the seven core values.

16

Designs 5 and 5A feature Harriet

17

Tubman's open hand in an offering of guidance and

18

help.

19

"Always the guiding hand to freedom, faith, and

20

family".

21
22

Design 5 includes the additional inscription,

Design 05A includes the seven core
values and the additional inscriptions reading,

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"Faith", "Freedom", "Family", "Community", "Self-

2

determination", "Social Justice", and "Equality".

3

Design 5 is a preference of the

4

National Underground Railroad Freedom Center.

5

preference of the Harriet Tubman Home.

6

Underground Railroad Freedom Center favored Design 5

7

for the extended hand and the inscriptions.

8
9
10

5A is a

The National

And that concludes the designs and
design descriptions.

I'd like to turn the matter back

over to Chairperson Brown.

11

DR. BROWN:

Thank you so much.

Really

12

appreciate that.

13

technical or legal questions from the committee about

14

this program or these designs?

15

Dean?

16

To the committee, are there any

DR. KOTLOWSKI:

Okay.

I'm sorry.

Roger, this Dean

17

Kotlowski.

18

clarify the last preference of the National

19

Underground Railroad Freedom Center?

20

that they prefer?

21
22

Roger, this is a question.

MR. VASQUEZ:

Could you

Is it 5 or 5A

Five is the National

Underground Railroad Freedom Center's preference.

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5A is the preference of the Harriet Tubman Home.

2

DR. KOTLOWSKI:

3

MR. VASQUEZ:

4

DR. BROWN:

5

MR. BERNSTEIN:

Okay.

Thank you.

You're welcome.
Art?
This is Art Bernstein.

6

I have two questions -- one in general for today's

7

deliberations.

8

transmitting these -- this portfolio indicated that

9

the Commission on Fine Arts was meeting today.

10

The letter from the director

assume that's not correct?

11

DR. BROWN:

12

MR. BERNSTEIN:

13

DR. BROWN:

14

I

It's not correct.
Have they met?

They're meeting on

Thursday.

15

MR. BERNSTEIN:

Okay.

So we don't know

16

their preferences.

17

regard to the design that uses the phrase, "The Moses

18

of her people" -- I was wondering where that phrase

19

came from?

20

And my question, Roger, with

MR. VASQUEZ:

21

question for my liaisons.

22

it is the title of a book.

This might be a better
However as I understand it,
And she was also referred

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to as Moses during her time on the Underground

2

Railroad.

3

Karen, do you want to expand on that?
MS. HILL:

Of course, Roger.

Sarah

4

Bradford wrote the first biography of Harriet Tubman.

5

And it was considered a biography because, as you well

6

know, Tubman could neither read nor write.

7

But she was described by those who she

8

aided in their quest as the Moses of her people.

9

so the first -- both the first and the second editions

10

of Sarah Bradford's autobiographies had Harriet

11

Tubman, Moses of her people.

12

MR. BERNSTEIN:

13

DR. BROWN:

14

MR. SCARINCI:

Thank you.

Donald?
Excellent job

15

presenting, Roger.

16

little unusual in the sense that we have three

17

separate liaisons.

18

selected to a large degree some different coins,

19

although -- coin designs.

20

And

The question I have is this is a

And they go -- they seem to have

You know, although you've given a clue

21

to how we can coalesce at least as to the reverse of

22

one because of the preference with the extended hand

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and the preference with the plaque.

2

But have you, you know, have you -- I

3

assume you've attempted to reconcile with all three

4

liaisons and tried to get a consensus opinion from all

5

three as to each design.

6

this case?

7
8

Were we unable to do that in

MR. VASQUEZ:

Small correction.

We

just have the two liaisons -- just the two liaisons.

9

MR. SCARINCI:

10

MR. VASQUEZ:

Oh, two liaisons.
And I think there's a

11

value in the multiple design preferences that were

12

named to help provide some context for what they might

13

have been looking for specifically in designs.

14

I think there was -- there were a

15

number of designs that were acceptable.

16

that the discussion here today might also include

17

design preferences ultimately.

18

DR. BROWN:

19

DR. VAN ALFEN:

And I think

Peter?
I have two questions

20

actually -- one for Joe.

This has to do with the

21

reverse.

22

reverse of both of our liaisons.

This is silver reverse 01, the preferred
If I'm reading this

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correctly the figures in silhouette would be incused;

2

correct?

3

MR. MENNA:

This is the --

4

DR. ALFEN:

And so the hands then would

5

be slightly raised and then the background with the

6

stars would also be slightly raised as well too; is

7

that correct?

8
9
10

MR. MENNA:

This is Joseph Menna.

I believe that that would be incused.

Yes;

And likely what

reads as an excerpt would also be polished as well.

11

DR. ALFEN:

All right.

The second

12

question I have is for our chair.

13

large portfolio.

14

consider each of the coinages separately rather than

15

as a group as we go through.

16
17

This is a rather

And I'm wondering if we could

DR. BROWN:

Is there any other --

sounds like a motion?

18

DR. ALFEN:

Yeah.

19

DR. BROWN:

Is there a second?

20

DR. KOTLOWSKI:

21

DR. BROWN:

22

the motion?

I second.

Is there any discussion on

Hearing none, all those in favor, aye?

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MULTIPLE SPEAKERS:

2

DR. BROWN:

Aye.

Opposed, nay?

Motion

3

carries.

4

Are there any other technical or legal questions from

5

the committee?

6

Do you want to begin a discussion on that?

I do have one.

I was wondering, Joe,

7

if you can share with the committee -- since on these

8

designs a number of the design elements are small and

9

others are large -- the question that I have is that

10

once the coins are actually minted are we going to be

11

able to really recognize well enough the smaller

12

design elements -- for example, the individuals

13

that -- in the boat in one of the designs?

14

I just want to make sure that we get a

15

sense.

16

the fantastic work by the artist that you oversee --

17

it looks phenomenal.

18

those small design elements are going to be adequately

19

reflected based on your experience?

20

Because when we see the picture here that --

The question I have is whether

MR. MENNA:

This is Joseph Menna.

21

small correction.

I don't oversee the artist.

22

the Office of Design Management's job.

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That's

I think the

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only part of -- I'm not the committee.

2

But it's the gold that's most

3

problematic when it comes to scale.

4

think one of the portraits would read most strongly at

5

that scale.

6

it's always challenging in gold.

7

And I would -- I

The reverses are all challenging.

But

I would also bring to the committee's

8

attention it would appear to be -- to favor obverse --

9

the extended hand.

10

And they're essentially a flipped

drawing, which is not bad.

11

There's no failure on our part there.

12

The artist ought to do more images like that.

13

just I would take note that it won't be recommended

14

unless you have the same over here to inscribe.

15

That's all.

16

to the committee.

17

Thank you.

DR. BROWN:

But

Not that that's not obvious

Should the committee

18

members choose to exchange designs between different

19

metals here is that something that you would recommend

20

or you would in fact discourage?

21
22

So for example, committee chooses to in
fact have this design that's on the silver be placed

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on the gold.

2

reasonable, existential, possible, or something you

3

would not recommend?

4

Is that something that you feel is

MR. MENNA:

This is Joseph Menna again.

5

That is something I would not recommend despite

6

expressing scale considerations with the gold.

7

It would be tough -- it would be even

8

more difficult to take something designed for a

9

palette of, say, silver and shrinking it down to a

10

gold.

It would most likely become even further

11

illegible.

12

I do believe the gold portfolio meets

13

all of our requirements to be legible.

14

templates for the text and all that stuff.

15

saying there's a challenge -- there's always a

16

challenge.

17

We have
Just

That's all.
I'm not saying any of the one -- any of

18

the candidates are not qualified to be in that

19

portfolio.

20

It's just always a challenge.
And mixing and matching scales of these

21

commemoratives -- it's easier to go silver to clad.

22

But to take either clad or silver and go down to gold

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-- that's where it gets problematic.

2

would say.

3

DR. BROWN:

That's what I

And let me just say, Joe,

4

that that's really helpful to the public because I'm

5

sure there are many people out there that wondered

6

whether that was possible.

7

us to really drill into those questions.

8

MR. MENNA:

Thank you.

9

DR. BROWN:

Are there any other

And your explanation helps

10

technical or legal questions from the committee?

11

Based on the motion that was approved, may I suggest

12

that we consider in the order in which it was

13

presented by Roger?

14

Is that reasonable?

Okay.

So let us begin our consideration.

I'd

15

like to remind members of the committee to please keep

16

your comments to five minutes or less and to identify

17

yourself for the record prior to speaking.

18

Additionally if any members have

19

questions or comments on any program we will consider

20

them at the end of this discussion to include if

21

necessary further feedback from our liaisons.

22

let's begin with the silver.

So

And let's begin with

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none other than Dr. Harcourt Fuller.

2

DR. FULLER:

Thank you, Dr. Chair.

3

Thank you to everyone.

It's always great and it's

4

always a privilege to be able to opine on the

5

wonderful designs that we are presented with as

6

members of the CCAC.

7

I would like to extend a warm welcome

8

to the liaisons for this portfolio as well as to the

9

other liaisons who might be present for the other

10

portfolios.

11

Before I get into the design let me,

12

Dr. Chairman, take this opportunity to highlight how

13

important today is with respect to recognizing Harriet

14

Tubman, who will be on a coin.

15

Harriet Tubman will join many other

16

Black women, women of African descent across the world

17

and Africa and the Caribbean and even North America

18

who have been immortalized on coinage and also bank

19

notes.

20

right?

21
22

I shouldn't have said many but several; all

If I may be permitted, I'd like to
mention a few women who have already been depicted on

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coinage in different countries.

2

Nanny of the Maroons in Jamaica, Sanite

3

Blair and Catherine Lon on Haitian currency -- bank

4

notes in that sense, Viola Desmond in Canada on a bank

5

note, Nana Yaa Asantewaa on a bank note in Ghana.

6

So I think that it's very timely that

7

Tubman is finally taking her place in the world of

8

coinage, bank notes, money.

9

wonderful day.

10

So this is indeed a

I also want to open up with a question

11

the liaisons.

12

times when, you know, when an artist wants to depict

13

something and the artist understands what he or she is

14

trying to say on the one hand.

15

Can we go to 01, please?

There are

And then on the other hand we have to

16

as a committee consider how the public might interpret

17

what the artist is trying to do.

18

So my question is would you explain

19

again for us what this gesture means about when

20

Harriet Tubman is holding her hand out kindly?

21

DR. BROWN:

22

MS. HILL:

Karen?
Okay.

This is Karen Hill.

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Harriet Tubman lived for 91 years with an open hand,

2

with an open heart to everyone.

3

freedom because freedom wasn't available to where she

4

was.

5

She only sought

She had an open hand when she

6

established her infirmary on the property that she

7

owned where she provided free medical care to both

8

Whites and Blacks.

9

An open heart, an open hand.

10

that's how she lived her life.

11

freedom.

12

static.

And

She activated her

It wasn't something that -- it wasn't
It was consistent.

13

And it was virtual.

And I saw it was

14

virtual because she was known around the world for

15

having an open heart.

16

In fact when Ms. Tubman was gravely ill

17

the New York Times characterized her -- and the New

18

York Times is, you know, a publication of record known

19

around the world.

20

They carried her funeral.

She had an open hand.

She activated

21

her freedom.

And that's really important because if

22

she didn't activate it then she would have a closed

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fist.

And that's not the way she lived.

2

encouraged others to do the same.

3

DR. FULLER:

She

Thank you very much.

I

4

know I'm limited on time.

5

me because we have many designs with this whole thing

6

-- and I'm going to ask for your forgiveness because I

7

have to be honest.

8

misinterpret her hand as her begging.

9

I'm wondering if the public will

MS. HILL:

10

DR. FULLER:

11

MS. HILL:

12

question.

13

beg.

14

people.

15

fruits and vegetables.

16

However if you would permit

I think that's -Is that a fair question?
I think that's a very fair

And truth, there were times she did have to

She was near bankruptcy.

She cared for other

She fed citizens of the small city of Auburn

She established nine cottages on the

17

property to make sure that the indigent former slave

18

was able to live in dignity and grace as they became

19

more senior and more infirmed.

20

As I said earlier, she established a

21

hospital for the cause of freedom.

These are all

22

things she saw as the cause of freedom.

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And I'll be very honest.

I have asked

2

Mr. Vasquez what, you know, what do we -- what is the

3

narrative going to look like that will accompany the

4

coin so that then the purchaser will know exactly what

5

we're talking about.

6

important that is so that the message is clear.

And I am very serious about how

7

MR. VASQUEZ:

8

DR. FULLER:

9
10

Thank you very much.
Yes.

appreciate that explanation.

So I believe -- I

And I will give that

consideration.

11

I did want to highlight, if I may, 08

12

as one of the designs that I like.

13

that we see her leading people to freedom.

14

looking forward.

15

I like the fact

She's very determined.

And so this will be given much

16

consideration.

17

explained as well I will give the others

18

consideration.

19

But in light of what you have

Thank you.
DR. BROWN:

Thank you so much for both

20

your comments and questions.

21

Kotlowski.

22

She is

DR. KOTLOWSKI:

Turn now to Dr. Dean

Thank you, Mr.

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Chairman.

I have a question for you.

2

the designs are we doing simply the obverse or the

3

obverse and the reverse for the silver?

4
5

DR. BROWN:

When we review

I'm going to recommend both

obverse --

6

DR. KOTLOWSKI:

7

DR. BROWN:

8

DR. KOTLOWSKI:

9

DR. BROWN:

10

DR. FULLER:

Okay.

-- and reverse.
All right.

Oh, did you -- question?
Oh, if you wanted the

11

reverse let me just maybe go to the reverse.

12

just mention too 01.

13

silhouette.

14

I really like 01.

I'll

I like the

And again I would have to be upfront

15

and say I'm not so enamored with the hands in front of

16

the silhouette.

I really love the skyline and I love

17

the silhouette.

I would love to hear what my

18

colleagues have to say.

19

I would also like to give some

20

consideration to 04.

21

is reaching down.

22

pulling up.

I really like the fact that she

In this case her hand is -- she's

And of course there's the sun in the

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background indicating a brighter future.

2

will give high marks to that one as well.

3

Chairman.

4
5

DR. BROWN:

Thank you.

And so I
Thank you,

And thank you,

Dean, for your question.

6

DR. KOTLOWSKI:

Thank you, Mr.

7

Chairman.

8

seems so happy that Harriet Tubman is getting the

9

recognition in the coinage and elsewhere around the

10

I'll continue with my comments then.

It

country at this particular moment.

11

Just to speak to our two liaisons about

12

this -- I'll probably be looking a lot at both of you

13

as I make my comments here because I have a lot of

14

passion.

15

I love the coin design.

16

the three phases of her life.

17

conceived.

18

art is just wonderful.

19

better than others.

20

You know, it's

And it's well-

It's very well put together.

I think the

There are designs that I like

Just a little bit of biography.

21

been to Auburn, New York.

22

And I lived on the Eastern Shore of Maryland.

I've

I'm from upstate New York.

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at Salisbury University.

2

So I must confess I -- it was a long

3

time ago that I was at Auburn.

4

the Harriet Tubman house.

5

was unable to get in.

6

I saw the outside of

It had limited hours so I

But the William Seward home is there.

7

And the relationship between Seward and Tubman is

8

very, very important.

9

So I'm from Buffalo, New York

10

originally as a lot of people here know.

11

these kinds of connections.

12

So you get

And here on the Eastern Shore the state

13

of Maryland has opened up a Harriet Tubman Visitors

14

Center dedicated to the Underground Railroad and an

15

automobile tour that you can take to the sites,

16

including the, you know, the Bucktown Store where

17

there was this incident when she was seriously wounded

18

that affected her later life.

19

very important.

20

So that's really very,

The state of Maryland has been doing --

21

and also as I was poking around on the internet there

22

was a Harriet Tubman Museum in New Jersey in Cape May.

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2

So all of this is extraordinarily important.
And I also have been to the National

3

Underground Railroad Freedom Center in Cincinnati.

4

I'm a little bit of an adopted Midwesterner having

5

lived in Indiana.

6

But my field is mainly 20th-century US

7

presidents and civil rights policy.

8

kinds of connections.

9

So I have these

And at my home university almost 20

10

years ago we did a teaching America history program.

11

We read Catherine Clinton's biography.

12

inspired Salisbury University to construct a -- and to

13

establish a statue of Harriet Tubman on campus.

14

And it

So all of these are important ways in

15

which she is being recognized.

16

background and the throat clearing, Mr. Chairman.

17

Sorry for all of the

I feel again -- looking at the designs,

18

just moving into them, I love the portraits.

19

and I actually love 5 as well.

20

sense of youth and determination.

21

that that's terrific.

22

I like 5.

I love 4

I think 4 gives you a
And I really think

It seems to be just a little

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bit softer.

But I see the determination there.

2

like Dr. Fuller and like the liaison said, there was a

3

preference registered for Design No. 8.

4

And I want to focus most of my

5

attention, rather unusually, on the reverses.

6

want to talk about one design that hasn't been

7

mentioned that I felt was absolutely inspiring.

8
9

And

And I

I think there are two designs that
stood out for me.

One I would say was excellence.

10

And the other was brilliance.

11

opinion.

Brilliance in my

But I'm going to push the point.

12

I think No. 1 is excellent.

13

this design.

14

what Dr. Fuller was saying.

15

silhouettes -- I think the sky -- I think this is all

16

very effective.

17

messaging.

18

I think that the hands work.

I love
I do see

I think the

It comes together in terms of its

It will be the silver dollar so it's

19

going to be the largest coin.

20

leeway that we have in terms of what we want to

21

represent in terms of small figures.

22

So there's a lot of

Number 3 appealed to my emotions.

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the artistry here I think is just fantastic.

2

looking at Joe Menna.

3

is going to feel the way I do about this design.

4

I'm

Again I don't know if anybody

But I looked at this, Joe, and I

5

thought, "How did they do it?

6

How do they come up with something like this?"

7

mean this as a rhetorical question and a compliment at

8

the same time.

9

How do artists do this?
And I

You have the -- you have circularity.

10

You have harsh angles.

You have a lot of negative

11

space.

12

have the messaging of the Moses of her people.

You have an appropriate amount of text.

13

You

But the figure of her is so small.

And

14

that figure is so small but she looms so large here.

15

So what you've got here is something that is small and

16

large and looming.

17

I felt that it seems like she's on a

18

mountaintop of some sort.

19

of Moses.

20

King, Jr. going to the mountaintop and this kind of

21

metaphor.

22

So it fits in with the idea

It fits with the idea of Martin Luther

I looked at it.

And I felt this one in

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the way it was designed captured her bold defiance of

2

racism and slavery and oppression.

3

there.

4

crossed and her head tilted slightly upward.

She's standing

You almost get a sense of her having her arms

5

So there is that defiance.

6

that triumph.

7

precarity here.

8

have been seized and re-enslaved or worse.

9

There's

And there's also that sense of
I mean, she could have at any point

And this design -- I think it gives

10

much to the eyes and leaves much to the imagination.

11

And it was one that left me for one enormously moved.

12

Thank you, Mr. Chairman.

13

DR. BROWN:

Thank you so much.

I

14

really appreciate your comments.

15

have set the stage for others to come behind you.

16

would like to remind them we -- as much as possible if

17

we could stay within five minutes or less.

18

now to Art.

19

MR. BERNSTEIN:

You and Dr. Fuller
I

Let's turn

This is Art Bernstein.

20

With regard to the silver dollar obverses I have two

21

favorites -- Obverse 4 and Obverse 7.

22

preference of one of the liaisons.

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To me it's a very traditional approach.

2

It clearly honors Harriet Tubman.

3

her and refers to her leadership of the Underground

4

Railroad.

5

And it demonstrates

Obverse 7 hasn't been mentioned.

And

6

this one really struck me.

7

the walking liberty design on some of our earlier

8

coinage.

9

To me I saw parallels with

And I just thought this was a beautiful

10

design.

And I really appreciate the hand reaching out

11

and the tie-in with the Reverse 7.

12

And now moving to the reverses I would

13

speak in favor of Reverse 7, which ties in with that

14

walking liberty obverse.

15

an appreciation for Reverse 4, the drama of Reverse 4.

16

Thank you.

17
18

DR. BROWN:

And I also share with Dean

Thank you so much.

Let's

turn now to Mike Moran.

19

MR. MORAN:

Thank you, Dr. Brown.

20

interrupted my breakfast as usual.

21

though.

22

in the meeting though.

You

I am prepared

Let me ask you a little indulgence later on

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For some reason my Zoom is eating up my

2

charge gradually.

And at some point I'm going to have

3

to shut down and recharge.

4

lost me.

So if you lose me, you've

I'll come back when I have a charge.

5

Moving into the silver dollar, I like

6

the Obverse 1.

I feel like it's a dignified portrait.

7

I think the hand referred the way it is is very

8

dignified.

9

I think I'm not troubled by anything

10

that you could assign to that hand reaching forward

11

because I think that the person that looks at that is

12

going to see it as an offer of help.

13

If we go to a couple of these that I

14

think try and do too much -- 2 is one of them that

15

does too much.

16

image.

17

There's just too much going on in that

And I feel like although some of you

18

have liked No. 8 again I think it tries to do too

19

much.

20

palette of the silver dollar size to get all that out

21

there where you see it.

22

in the background.

And it's going to be difficult even on a

The trees are a distraction

It's not going to work.

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Four and five -- I like them.

They're

2

very distinctive.

3

have other palettes that we're going to be looking at,

4

particularly the gold piece, I think that we need to

5

do with a silver dollar.

6

But for a silver dollar when we

And therefore I go to 07 because I

7

think it tells a great story.

8

the symbolism in it is just outstanding.

9

I was taken by it.

And

Turning to the reverses, I like most of

10

the committee like No. 1 on the reverses.

11

think it's outstanding.

12

silver dollar could do with that kind of diameter

13

to -- that the artists can deal with.

14

It tells so much.

I just
And only a

The problem I have with 04 is that if

15

you use it and you depict 07 on the obverse you can't

16

do that.

17

It's too much.

It's too similar.

Eight I like.

But I'm bothered by the

18

fact that it's close to the innovation dollar.

19

just think we can come up with a different design.

20

that's where I am on this, Dr. Brown.

21
22

But I do want to say one thing.

And I

I want

to thank the liaisons for breaking this down into

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three coherent phases of her life so that we're not

2

struggling with these images.

3

So often we do.

And it allows us to focus on the art as

4

a committee rather than worrying about the story that

5

the three coins are trying to tell.

6

that's -- it's certainly made our job easier from this

7

point forward.

8
9

And I think

Thank you.
DR. BROWN:

Thank you so much.

Let's

turn now to Dr. Peter van Alfen.

10

DR. VAN ALFEN:

Thank you, Dr. Brown.

11

I just want to preface this by saying that I am quite

12

honored to be working on this portfolio.

13

really a wonderful opportunity to honor somebody who

14

is hugely important obviously in our national story.

15

This is

And I would just also like to thank the

16

liaisons, Ms. Hill and Mr. Keown, for your comments

17

and your presence here today as well.

18

As Mike Moran pointed out, No. 1 -- it

19

is a rather dignified portrait -- portrayal of Harriet

20

Tubman.

21

of the gesture.

22

I'm also concerned about the interpretation

And I am just from an artistic

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standpoint that the extended hands might be somewhat

2

lost within that composition that's on the coin

3

itself.

And it appeared a little muddled as it were.

4

And so while I like No. 1 quite a bit

5

my preference is more for No. 4 just because it's a

6

simpler design and very elegant portrayal of Harriet

7

Tubman as well.

8
9

For the reverse, No. 1 I find a -- just
a fantastic design.

It really is evocative of the

10

risks and dangers of the Underground Railroad as well

11

as the human connection.

12

wonderful design.

13

entirely.

14
15

I think it's just a

And I'm willing to support that

So thank you very much.
DR. BROWN:

Thank you.

Let's turn now

to Donald.

16

MR. SCARINCI:

So for purposes of the

17

conversation it's always very important to look at the

18

size of the planchet; right?

19

instead of using an iPad you can very clearly see the

20

size.

21
22

When we print out here

And this is very important, especially
for the new members, to be attentive to because I

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think that really does make the difference between a

2

really great coin design and a not-so-great coin

3

design.

4

You know, I like the succession of

5

portraits where she, you know, where there's an aging

6

of her.

7

Very similar to what we did in the

8

presidential dollar series where every president was

9

depicted during -- except for Andrew Jackson because

10

of the Secretary's preference -- but every president

11

other than Jackson was depicted as he looked when he

12

was the president.

13

that.

14

And we deliberately chose to do

This series has that potential; right?
And so I think the accuracy of the

15

portraits that we're depicting on the three obverses

16

is really important.

17

So you know, so I do tend to like -- I

18

do like the extended hand.

19

symbolism that is very contemporary.

20

adds a dimension of meaning; right?

21
22

And I think it has a
And I think that

I am concerned though -- and also it
does work, I would think, because it's on the silver

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dollar size planchet; right?

2

on -- you know, but I think it would work on the

3

silver dollar size.

4

This coin would not work

So we could go with this.

I am a little concerned about the

5

accuracy of the portrait when we compare it to Design

6

04.

7

know, if I'm the only one that has that concern that

8

the portrait isn't from the period then, you know,

9

then I could go with 1.

You know, and I guess if, you know, barring, you

10

But 4 might make a better -- if we go

11

with portraits like 4 on the others 4 might be the

12

better, you know, more conformed series for the whole

13

-- well, for the side we're -- so as to the reverse --

14

and I'm watching my time so Dr. Brown doesn't take me

15

to task.

16

On the reverse -- on the silver reverse

17

do -- I mean, do we really have to have the stars on

18

No. 1?

19

we have to have the star, you know, it's okay.

20

Can't we have the negative space?

Because if

But I do like the silhouettes standing

21

on the clasped hands.

I think that's a -- you know,

22

that's a very profound design.

I would prefer it

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without the stars unless people feel we need to have

2

the stars.

3

And I certainly prefer the art of No. 1

4

over the art of No 4.

5

does work again only because it's on the silver dollar

6

sized coin.

7

However having said that, No. 4

So if there is a -- you know, if there

8

is a desire, you know, depending on how we look at the

9

other coins in the series -- because I think we need

10

to look at the whole series, right, before we really

11

settle in on something.

12

But if we -- or you just want us to

13

decide on one or the other -- but if we are going to

14

go with a more complex design it would be No. 4.

15

would be an opportunity to do that.

16

This

The other coins, particularly the gold

17

coin -- we just talked about that -- you know, we're

18

not going to have that opportunity, you know, to -- it

19

would be cluttered.

20

the planchet size.

21
22

It would be way too small given

So I think, you know, I think it's
really between -- I think it's really the preference,

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you know, and it's really -- and I was thinking to the

2

communed preferences because I think that the

3

committee selections have been very good.

4

I think they -- I think your

5

collaboration, you know, and your -- if you were the,

6

you know, leader on this, you know, you did a good job

7

managing this.

8
9

And you know, but I think you've given
us some good recommendations.

And I think in this

10

particular case, although I'm happy -- because I

11

remember saying this for our commemorative coin

12

program -- in this case I think they've given us

13

enough to work with on what their preferences are.

14

And so I was thinking my -- I'm

15

sticking with my comments to the liaisons' preferences

16

and just trying to come up with the best of them.

17

thank you.

18
19

DR. BROWN:

Thank you so much.

Let's

turn now to Dennis.

20

MR. TUCKER:

Thank you, Dr. Brown.

21

First of all I'd like to welcome Kellen Hoard and

22

Darla Jackson.

I think you will enjoy your time on

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the committee.

2

participation.

And I look forward to your

3

And I want to reinforce Mike Moran's

4

kudos to our liaisons.

5

also an upstate New Yorker.

6

in Syracuse and grew up in Phoenix, New York about 30

7

miles north of Auburn.

8
9

By the way, Ms. Hill, I am
So greetings.

I was born

When it comes to Harriet Tubman most
Americans are students of her life.

And you, Ms. Hill

10

and Mr. Keown, you are teachers of her life, which

11

requires a much greater depth and breadth of nuanced

12

understanding.

13

So I appreciate the attention that

14

you've given on how to teach her life across this

15

group of coins.

16

Mike said, for this program and for the committee's

17

analysis of it.

18

It's a very helpful foundation, as

And I will jump into my discussion of

19

the designs.

I want to follow up on and thank Dr.

20

Kotlowski for his comments and analysis on Reverse 3.

21

This is a very remarkable design.

22

good about it.

There's so much

It's wonderful.

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My one concern with it, as fantastic as

2

it is, is that it presents Harriet Tubman from a kind

3

of, quote, "It's lonely at the top", unquote,

4

perspective.

5

And I think the importance of her

6

contribution to humanity was her connection with

7

others.

She saved other people.

8

people.

And she did this throughout her life.

9

She helped other

So my preference among -- well, I'll

10

just let that preface my discussion of the obverses.

11

My strong preference is for Obverse 8 because it shows

12

that interaction.

13

But this is not a static portrait of

14

Harriet Tubman.

15

did, saving people through the Underground Railroad.

16

And I like the -- just the humanity of it, that human

17

connection.

18

This is her in action doing what she

We get some of that in Nos. Obverse 1

19

and Obverse 2, Obverse 7 perhaps.

20

my eye Obverse 8 is the strongest depiction of that

21

humanity.

22

But in my mind to

And for the reverses, Reverse 1 is

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just -- it's wonderful.

This is a fantastic symbolic

2

and human depiction of her time saving people from the

3

Underground Railroad.

4

shared preference of both liaisons.

I understand that this is a

5

By the way, I -- in my analysis I gave

6

the most attention because our liaisons had laid that

7

foundation or groundwork -- I gave most of my

8

attention to the designs that they preferred either

9

individually or jointly.

10

And I think Reverse 1 is perfect for

11

this coin.

A combination of Obverse 8 and Reverse 1

12

gives us a very strong silver dollar.

13

To Mike Moran, I understand your

14

concern about designs trying to do too much on an inch

15

and a half diameter.

16

on the silver dollar size.

17
18

But I think that this will work

DR. BROWN:

Thank you, Mr. Chair.
Thank you so much.

Let's

hear now from John, John Saunders.

19

MR. SAUNDERS:
Thank you.

Thank you.

John

20

Saunders here.

First I'd like to make a

21

comment about the commemorative year.

22

the theme -- the Underground Railroad and the Harriet

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Tubman in particular -- that's really needed.

2

When I was about 11 or 12 years old I

3

read about the Underground Railroad.

4

"What a fantastic thing that was for somebody to be

5

involved in."

6

And I thought,

Then I found out the church I went to

7

had some people involved in it.

8

went to for one year had an one building from the

9

1840s.

10

And also a school I

And they were involved in the Underground

Railroad.

11

I remember going down to school I think

12

and seeing in the basement part of the stone walls --

13

it was stone built.

14

out and put back up.

15

And it had been obviously knocked

But you could just imagine that it was

16

a tunnel for the Underground Railroad.

17

truth it was probably an old coal chute that was

18

filled in.

19

I think in

But you know, it -- the Underground

20

Railroad really struck my imagination when I learned

21

about it.

22

the time has come to do this.

And I think this is something that it -It's past time.

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should have been done earlier.

2

But anyway, in terms of designs I

3

pointed this out before.

4

designs were -- in the design -- you know, in the most

5

consistent way to do it.

6

We look at every -- all the

But the general public's just going to

7

pick it up and take a look at it real quick.

8

think we should verify what you see when you look at

9

it real quick.

10

And I

I mean, like, Obverse 1 -- I had to

11

look at it closely to make sure that it was an

12

outstretched hand.

13

I mean, it -- clearly it is.

But if you don't look at it closely it

14

could be her hands on her hips or something when you

15

first look at the coin.

16

design.

17

miss it if they're not looking at it closely.

So I missed that part of the

I didn't miss it.

18

But I think people might

I really like Design 4.

I like the

19

determination in her face.

20

that portrait does it.

21

portraits on busts or portraits on coins is a little

22

bit boring.

Maybe.

I mean, I just -- I think

Someone else pointed out that

But I still like it.

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lot.

I like the design.

2

I like 07 too.

I thought it was just

3

artistically pretty as well as there you see the

4

outstretched hand -- no question whatsoever.

5

I think Mike's point that it probably

6

doesn't go well with the, you know, pairing of Reverse

7

4 because kind of similar in theme and design -- I

8

like it.

9

probably first choice but it looked just fine to me.

A way I like that it was -- wasn't my

10

Going to reverse designs, I like 01

11

like everybody else does.

12

Not much I can say about it beyond that.

13

it's great.

14

Looks good.

It's just a great design.
It's just

Has good themes.

I also like 04 although not quite so

15

well as 01 in terms of the art and so forth.

16

way it shows people reaching for the other hand is

17

nice and symbolic.

18

preferences in the reverse designs.

19

But the

And those are my two strong

So I'm going to listen to what

20

everybody else -- as always, I change my mind a little

21

bit before these meetings are over listening to other

22

comments.

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But I really like 1 and 4.

2

obverse design I like 4, 7, and 8.

3

preference is 4 right now.

4
5

DR. BROWN:

And on the

But probably my

Thank you so much.

Let's

turn now to Kellen.

6

MR. HOARD:

Thank you.

One of the

7

things that I find, especially when I talk to younger

8

people, but in general with the public is that they

9

tend to not only be quite interested but connect a lot

10

nowadays with people who are -- basically break the

11

status quo.

12

I think Harriet Tubman was somebody who

13

did that in multiple different ways and in multiple

14

valuable ways.

15

And I think part of the reason they

16

connect to people who break the status quo so much,

17

especially for younger people, is that I think in the

18

world today there's a lot of status quos being broken.

19

And so what happens is when that's

20

happening and when things are changing rapidly and

21

there's a need for change it's necessary to kind of

22

look to what common values are held, what common

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values we can look to as we try to figure out the path

2

forward.

3

I think the Harriet Tubman coin does

4

that very well because she was someone who espoused so

5

many values that are relevant still today.

6

For me she was a very dynamic leader

7

who basically just, like, never stopped in her entire

8

life.

9

She was not a woman who could sit down.
And so for me that's why in general I'm

10

a little bit less passionate about the kind of

11

traditional bust portraits.

12

I think that is -- I think she is a

13

much -- we could break the status quo in that vein and

14

not just have a traditional bust of her but actually

15

show her in the action that she was doing her whole

16

life, highlighting those values that she had.

17

And so the one -- one of the ones that

18

spoke to me was Obverse 1.

I thought that's a good

19

place to start with that's not just one of those

20

traditional busts but which actually again shows her a

21

little bit in action, inviting the viewer in, inviting

22

them to come with her not only in freedom and liberty

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but also in the values that she shared and kind of

2

beckoning in in that way.

3

compelling.

4

And I found that

I also like Obverse 7.

Obverse 7 I

5

thought -- Art kind of beat me to it -- but I thought

6

it really was reminiscent of the 1986 Statue of

7

Liberty commemorative and walk of liberty half-dollar

8

as well.

9

I think it -- again it shows the

10

outstretched hand quite clearly.

11

her kind of bringing us again toward the rising tide

12

of liberty in a way that I find actually quite

13

exciting as a viewer.

14

And it seems to be

And it makes me want to go with her,

15

which I think is important because I think we're

16

trying to highlight and celebrate her continued

17

relevance today not only as a historical figure but as

18

a -- kind of a moral leader.

19

emphasize.

20

That's important to

In terms of the reverses, pretty much

21

everything's already been said about it.

22

1.

But I like

And there's not much more I would say that hasn't

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already been said except that I just really think it's

2

elegant as well.

3

And not just -- it's not just

4

symbolically beautiful and artistically beautiful.

5

think it's just an elegant design.

6

I

I have more to say kind of about her

7

work today.

8

the gold pieces.

9

But that's more relevant for the clad and

So in general in terms of the -- some

10

of the other reverses that people have mentioned I

11

agree that 2 and 8 are a little bit much for this

12

design and that the other ones are comparatively more

13

elegant.

14

And by that I mean the obverse.

Sorry.

15

Two and eight I thought were a little bit busy on the

16

obverse side of things.

17

So I would go with kind of the more

18

clean and compelling designs that do beckon me forward

19

as a viewer.

20

And I think there's opportunity to show

21

her action on other pieces in ways that are a little

22

bit more compelling and clear than that one.

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think that is -- yeah; that's it for me.

2

DR. BROWN:

3

Thank you so much.

Turn

now to Darla.

4

MS. JACKSON:

Hello.

This is Darla

5

Jackson.

6

the liaisons.

7

committee.

8

and also, you know, no pressure; right?

9

Thank you so much, Dr. Chair.

Thank you to

This is my first time sitting on this

And such a big project so I'm very excited

So I wanted to start off by saying what

10

you said about her having an open hand really

11

resonated not just with this first one but it was

12

something that kind of you picked up on throughout the

13

series.

14

And I think that that's a beautiful

15

thread to tie all of these things together as another

16

layer in addition to just her work in general.

17

And so the ones that I looked at

18

primarily -- I did enjoy the portraits.

19

I thought were fine.

20

Four and five

However No. 1 of the obverse -- I did

21

think that this shows not so much action but the

22

beginnings of an action.

Hand is outstretched.

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an offering.

2

The one I do want to also mention

3

because I dismissed it immediately is No. 2.

4

I feel like if the stars weren't there, which I do

5

think brings it to the more feeling of a storybook.

6

It feels too romanticized or illustrated.

7

However

But if you took the stars and the moon

8

away this is action.

9

She's ready to go.

10

She has her hand outstretched.

The only other thing with this is the

11

portrait feels off, which would need to be a little

12

adjusted.

13

want to mention it for that reason.

14

But I did enjoy this one as well and did

In terms of the reverse I think that

15

No. 1 answers or completes the story of No. 1 in the

16

obverse and No. 2 in the obverse.

17

hand is then clasped.

18

You see what's happening because of this.

That outstretched

And the story is continued.

19

And so I also like the idea of there

20

being a star in the words United States of America.

21

feel like it's sort of a nod to someone adding an

22

important piece to the story of this country.

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those are my thoughts.

2

DR. BROWN:

Thank you so much.

As

3

Chair I've come to appreciate that there is beauty in

4

brevity.

5

going to -- I've really come to appreciate and embrace

6

what they have to offer.

So given the comments by my colleagues, I'm

7

I'm going to do a little bit of a

8

departure only because I believe that since this will

9

likely be one of the coins that are more accessible to

10

the public to purchase -- so I'm mindful of that

11

accessibility because the lesson particularly of

12

education is how much our public can have access to

13

the information.

14

So to me that's the reason why this

15

planchet really is important to tell the story.

16

much as it -- what I'm going to suggest is not

17

entirely embracing the recommendations of the

18

liaisons.

As

19

But I do want to make sure to put out

20

there that what we choose actually helps to tell the

21

story.

22

narrative that goes with this is going to be so

And I agree with the liaison that the

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important.

2

So to the extent to which the CCAC is

3

given an opportunity to weigh in on that narrative I

4

think it would be helpful as we can make sure to look

5

through the prism of those populations who are likely

6

to be able to access this based that this is the one

7

planchet besides the clad that's going to be

8

accessible -- more accessible to the public.

9

So in that respect I want to pay

10

attention to the designs that tell the story.

11

quite frankly, that is the design where it's a

12

combination of the Obverse 7 and the reverse --

13

forgive me.

14

7 and Reverse 7.

And

I said about beauty in brevity -- Obverse

15

To me that -- when you have these two

16

designs they're telling a story one chapter into the

17

other.

18

be important to be able to tell the story has a

19

connection between them.

20

If you choose any other designs it's going to

As much as I like portraits, I think

21

the telling of the story, especially if we're going to

22

have the portraits on the other planchet -- it's

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really important to tell the story because this is one

2

of those that may be accessible -- more accessible --

3

certainly compared to the gold to the public.

4

them by the context.

5

MR. VASQUEZ:

Most of

Dr. Brown, there is a few

6

things I'd like to note since they got some attention

7

during the discussion.

8

DR. BROWN:

9

MR. VASQUEZ:

Who is -This is Roger Vasquez.

10

Again I'd like to note that for any of these portraits

11

once recommended designs are identified by committees

12

there will be a meeting to improve upon the likenesses

13

of Tubman.

So I heard some of those comments today.

14

The Mint will again work closely with

15

the designer of the coin, the chief engraver, and the

16

liaisons to refine the portraits in order to best

17

represent her.

18

particular to the Harriet Tubman Home.

19

It's very important of course for in

Also I'd like to note that in Design 1

20

there's a small detail -- Reverse Design 1.

The

21

satchel on the figure in the far right will be

22

removed.

But the pole will remain over the shoulder.

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And finally there is a preference of

2

the Harriet Tubman Home for depictions of Tubman

3

without her head covered, which I think we'll likely

4

see more of that in later sections of this overall

5

portfolio.

6

However in Reverse 4 -- Silver Reverse

7

4 -- this depiction of her with the head covering is

8

acceptable on this design.

9

those things.

10

So I just wanted to note

Also Reverse 7, which also got a lot of

11

attention -- the shoes on the figures in this design

12

will be edited to more appropriately fit the time

13

period.

14

on the central figure will be lengthened.

15

it.

They look a little too modern.

And the dress
And that is

Thank you.

16

DR. BROWN:

Thank you so much.

Are

17

there any other comments or motions from the members

18

at this time?

19

any comments or suggestions that you think the

20

committee should consider?

Hearing none, Mike or Joe, do you have

21

MR. COSTELLO:

22

MR. MENNA:

I do not.

No, sir.

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2

DR. BROWN:

comments or clarification by the --

3

MS. WARREN:

4

DR. BROWN:

5

MS. WARREN:

6

Doctor -Oh --- Brown, Dennis Tucker

has his hand up.

7

DR. BROWN:

8

MR. TUCKER:

9

Are there any additional

Okay.

Dennis?

Thank you, Dr. Brown.

I

just wanted to recommend that instead of voting our

10

preferences for the silver dollar at this point we

11

wait until we've had discussion of the plan in full.

12

And because that -- those discussions might influence

13

our thoughts on the silver program.

14
15

DR. BROWN:

Is there any concern among

the committee members?

16

DR. FULLER:

My only concern is we, you

17

know, this is fresh in our minds.

18

until we get to the third one we might -- it might get

19

lost.

20

least temporarily or something before we move on to --

21
22

And if we wait

So we need to find a way to record our votes at

MR. TUCKER:

I would recommend just

notetaking, you know, careful notetaking by each

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member.

2

Personally I know that my thoughts on

3

the clad half-dollar are somewhat dependent on what we

4

-- what ends up being decided for the silver dollar.

5

Anyway that's my two cents.

6

DR. BROWN:

7

clarification.

8

with Darla and Kellen.

9

voting.

10

Quick point of

This is just for members to discuss
We're now talking about

This is actually a scoring mechanism that the

committee uses.

11

And so I -- please, whatever you

12

believe works appropriately.

But this is a tool the

13

committee uses to rate every design on a scale of 0 to

14

3.

15

where the committee is at any one moment.

And then based on how that scores out we can see

16

It is not itself definitive towards how

17

we vote or what the committee's recommendation is.

18

With that --

19

MR. WEINMAN:

There's also, for the

20

information of the committee, there's an opportunity

21

for the committee to revisit each program once

22

we've -- you know, so I think with the notetaking that

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Dennis has suggested that we should be able to

2

accomplish the compromise of going forth with this one

3

and still be able to review it if we think that review

4

is warranted.

Does that make sense?

5

DR. BROWN:

John?

6

MR. SAUNDERS:

John Saunders.

One

7

thing that I think -- it might be more precise doing

8

what's fresh in our mind.

9

decide for the silver dollar to see which I pick for

10

I'd like to see what we

the half-dollar.

11

I mean, there's something to be said

12

about making one decision followed by other decisions.

13

I think we have to rate everything at the same time

14

and pick the designs that are similar for the half-

15

dollar and dollar.

16

one or scoring this one -- not voting on it -- first

17

better.

18

So I kind of like voting on this

Though I do take Dennis's point as

19

well, everything's connected to everything.

20

choices here are connected to your choices of the

21

half-dollar, which are connected to your choice of the

22

gold.

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2
3

DR. BROWN:
we move the agenda.

A few more comments before

Dean?

DR. KOTLOWSKI:

This is Dean Kotlowski.

4

I agree with, you know, Harcourt and John.

5

this is a design portfolio that's particularly rich

6

and stimulating.

7

don't think your notetaking is going to do it for me.

8
9

I think

And Dennis, with all due respect, I

I think making the decision or making
an initial decision -- doing not a vote but not a

10

score will give us a feel for where we are at this

11

particular moment.

12

as you said, we can always revisit it.

13

And Dr. Brown, and Mr. Chairman,

DR. BROWN:

Any other comments?

14

Hearing none, let me turn to the liaisons.

15

think this is really important now that you've heard

16

the discussion if you have any additional comments,

17

suggestions based on what you've heard.

18

MS. HILL:

I do.

Because I

This is Karen Hill.

19

I just think that the committee has to keep in mind

20

that there were very -- there were virtually no images

21

of Tubman as a younger woman.

22

I was involved in the authentication of

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that one portrait that she sat for at Powelson's

2

Studio on Genesee Street in Auburn.

3

one and only actual portrait of Tubman.

4

And that was the

And there was a reason for that.

She

5

did not want anybody to know -- be able to recognize

6

her.

7

didn't know if she was a male or a female.

8

worked in her -- to her advantage.

For a while in her years as a young woman they

9

And that

So I think that you have sort of a dual

10

obligation of putting an image forth to reach, you

11

know, beyond traditional collectors, beyond young

12

people.

But certainly young people are important.

13

But an image that will be a forever

14

image for them of Tubman.

15

responsibility.

16

So that's an awesome

Because my goal is to make sure that

17

all three coins are widely known not just throughout

18

the United States but throughout the world.

19

hope to make a celebration to the rest of the world.

20

And I

They have the day of the worker.

I see

21

huge placards for Harriet Tubman.

There is an

22

appreciation for her far beyond the United States.

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And so this first image of Tubman as a young woman is

2

really important.

3

And I was a chief proponent for her

4

hair being shown in its natural state.

5

have just taken enormous liberty with covering, with

6

the scarf, aging her inappropriately.

7

look at that as you, you know, make your decisions.

8
9

MR. KEOWN:

The artists

So really do

This is Woody Keown.

My

perspective, there were three things I wanted to

10

comment on, number one in terms of the concept of her

11

reflecting her stubbornness, a dynamic leader, and

12

showing action.

13

The Underground Railroad network was an

14

action-oriented, unified, diverse, multicultural, and

15

multiethnic network that really did phenomenal things.

16

It broke the law.

17

It took a lot of courageous people to

18

really make it work the way it worked to get people to

19

freedom.

20

I think all about that is very good.

21
22

So I think that the action-oriented piece --

I think the other part for me is there
was a comment -- comments about the hand.

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understood Ms. Tubman and from what I've read and

2

learned and so forth is that she's always reaching out

3

trying to help somebody.

4

So that is really kind of servant

5

leadership.

6

So it's always just throughout her life was reaching

7

out, helping somebody through all bases of life and so

8

forth.

9

You speak about leadership and so forth.

So, you know, that gesture or hand

10

gesture that as I saw it and interpreted it and so

11

forth -- and it needs to be shared.

12

this in the documentation is basically always reaching

13

out and helping someone.

14

finished with her.

15

And we covered

And that job was never

The other point was around the -- we

16

were trying to make something out of -- struggling

17

with how do you -- we struggle today with trying to --

18

how do you connect the past with the present.

19

Well, we find there's so many people

20

who don't understand the past yet well enough.

21

some of the more contemporary-looking designs and so

22

forth -- the one that had free -- I didn't

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particularly like that one.

2

things -- I liked the contemporary nature of it.

3

There were a lot of

But that concept of being free centered

4

on the top and having her isolated didn't really work

5

for me from what I know in terms of how the

6

underground network -- Underground Railroad worked.

7

And also the concept of free -- it that

8

tone and sense of finality.

I don't think that she

9

would see that she was free until all were free.

So

10

those are just some comments I wanted to share with

11

you.

12

DR. BROWN:

Thank you so much.

We

13

really appreciate it.

Are there any further

14

discussion?

15

score the obverse and reverse at this time of the

16

silver.

Hearing none, the committee will now

17

Each of you should have at your seat

18

either a scoresheet, a hard copy, or those that are

19

participating virtually received that electronically.

20

When you are done, please email them --

21

those of you with electronics.

And those of us here

22

will hand our scoresheets directly to Greg Weinman,

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who will then score the result and present the

2

results.

3

and tally.

We will take a ten-minute break for scoring

4

(Off the record.)

5

MS. WARREN:

6

coming back on.

7

Okay.

It's 10:01.

We're

Dr. Brown?
DR. BROWN:

We are back.

I recognize

8

Greg Weinman, counsel to the CCAC, to present the

9

results from the scoring sheets.

10

MR. WEINMAN:

This is a score out of

11

30.

Although there are 11 members who began the

12

meeting, one has temporarily departed the meeting.

13

ten scored, which means the top -- this is a score out

14

of 30.

15

For the silver obverse, 1 received 21

16

points.

Which is actually the high score but

17

barely -- Obverse 2 received 7 points.

18

received 13 points.

19

Obverse 4

Obverse 5 received 8.

Obverse 7 received, you know, 20

20

points.

So just one point less.

And Obverse 8

21

received 13.

22

with 21, followed very closely by Obverse 7 with 20.

So once again the high was Obverse 1

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For the reverses, Reverse 1 is the high

2

vote -- high scorer with 25 points out of this

3

possible 30.

4

received 7.

5

received 11.

6

Mr. Scarinci has come back.

7
8

Reverse 3

Reverse 4 received 11.

Reverse 7

And Reverse 8 received 4.

MR. SCARINCI:

With that,

And I would add my

support to the two selected ones.

9

MR. WEINMAN:

10
11

Reverse 2 received 3.

Excellent.

MR. SCARINCI:
voted.

That's what I would have

I apologize for taking a call.

12

MR. WEINMAN:

13

MS. WARREN:

14

raised with Dennis Tucker.

15

DR. BROWN:

16

MR. TUCKER:

All good.
Dr. Brown, we have a hand

Dennis?
Thank you, Dr. Brown.

I

17

would like to recommend that it would be premature to

18

make a formal recommendation at this point so we just

19

use the scoring as an information point of data and

20

continue on with the clad half-dollar.

21
22

DR. BROWN:

Any objection to that

direction?

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UNIDENTIFIED SPEAKER 1:

2

DR. BROWN:

3

DR. FULLER:

None.

Any other questions?
Just a quick -- can we

4

just see the sides that have been -- that have

5

received the most --

6

DR. BROWN:

7

DR. FULLER:

8

on the screen, please?

9

Obverse 1 and Obverse 7?
Yes.

Can we just see it

Thank you.

MS. WARREN:

Pam -- okay.

11

DR. FULLER:

Thank you.

12

DR. BROWN:

10

13

You

heard.

Can we do that for the

reverse as well?

14
15

Good.

DR. FULLER:

Reverse.

For the benefit

of the liaisons mainly.

16

DR. BROWN:

Reverse 1.

Thank

17

you.

18

discussion on this will be temporarily concluded until

19

we review the others.

20

Are there any motions?

Okay.

Hearing none, the

Then I would like to then suggest that

21

we take -- now go to the discussion of the clad

22

obverse and reverse.

And let us begin this time with

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Dean.

2

DR. KOTLOWSKI:

Thank you, Mr.

3

Chairman.

4

designs here that are excellent.

5

aligned with the liaisons on what they are -- what

6

they have identified.

7

portraits here in 1 and 2.

8
9

This is Dean Kotlowski.

And I see a lot of
I'm very much

I think we have some very good

I believe that if we do ultimately go
with the silver -- the top vote-getter for the silver

10

dollar -- it's a little bit more of a full-length

11

image with the hand extended -- I'd become persuaded

12

that that's a good image, something that would maybe

13

zero in a little bit more on Harriet Tubman.

14

2 would be fine.

15

So 1 and

But probably my favorite design is 4.

16

And this is a preference -- correct me if I'm wrong --

17

of both liaisons.

18

a portrait of Harriet Tubman.

19

And what I liked here is you do get

And you know, the military significance

20

of her work in the Civil War is highlighted in a way

21

that I think is thoroughly appropriate.

22

And it has good balance.

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sizeable coin as a half-dollar.

2

detail would work.

3

other members of the committee feel that way.

4

And I think the

I would be interested to know if

And if we move on to the reverse

5

I've -- I kind of struggled with this.

6

think that I'm going to veer toward No. 8.

7

You might

And I still think, you know, there's so

8

much being represented here -- the representing of an

9

individual act of courage is not a bad thing at all

10

because we'll have so many different varieties.

11

And you know, I should let this go a

12

little bit.

But when she's looking out it's like

13

she's looking out the next mountaintop.

14

ever finished here.

So nothing is

15

But I'm not really pushing that because

16

I think Civil War, nurse, scout spy -- it doesn't have

17

the same resonance in this context as Moses of her

18

people.

19

I noticed that the Harriet Tubman Home

20

liked No. 3.

And I do kind of like some of the

21

contemporary designs.

22

variety here.

I think that we can have a

It's one of the advantages of this

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portfolio and this program in this set of three coins.

2

And I think this is again another

3

strong image.

4

That can be breaking the chains through the

5

Underground Railroad or of course emancipation in the

6

Civil War.

7

You see the chains, you know, broken.

You know, now that I look at it it

8

reminds me of the stamp of the Emancipation

9

Proclamation that was issued in 1963, which had chains

10

on it like that.

11

So I like that.

I think, you know, 7 is also very

12

attractive.

13

and too geographical in terms of the military.

14

And I think No. 1 is maybe too technical

But there are a number of, again,

15

excellent designs here.

16

colleagues say in making a decision.

17

much.

18

DR. BROWN:

I'll be listening to what my
Thank you very

Thank you so much.

19

Colleagues, if we can limit our comments to three

20

minutes or less if possible.

21

But if we can that would be great.

22

Donald.

There can be exceptions.
Let's turn now to

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MR. SCARINCI:

Thank you.

Dean, you

2

know, you gave it -- as you pointed this out, I mean,

3

I have a -- I think you came up with a brilliant idea.

4

If we're going to go with 1, right -- because we have

5

to try to look at this as a whole series.

6

If we got to go with the 1, what if we

7

went with 4, Obverse 4, of the clad except let's get

8

rid of the stuff -- let's get rid of all the other

9

stuff and make it -- let's get rid of all the stuff to

10

the left and make it a clean, you know, a clean

11

surface, clean fields with that so it looks like it

12

goes with 1.

13

And you know, I'm kind of liking that.

14

And then we can use the full head-on portrait for the

15

small gold one.

16

our, you know, we use the small portrait for the full

17

head-on portrait.

18

And so we get our small -- we get

And for the reverse -- because I'm

19

keeping to my three minutes -- it's hard for me to do.

20

And for the reverse, I mean, I just love Reverse 3.

21

And fortunately that's one of the preferences.

22

So but I think Reverse 3 is a no-

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brainer in the piece.

2

about that one.

3

that.

So I would be very passionate

As a coin I think we've not done

I don't recall ever doing something like that.

4

And I just think that's a really

5

impactful design, especially for the clad.

6

everything you need it to do.

7

reverse.

8
9

It does

So I like 3 as the

And we could make a motion.

If people

like the concept of using 4 we can follow it up with a

10

motion to get rid of all the other stuff so that we

11

have clean fields.

12
13
14

DR. BROWN:
appreciate that.

Thank you so much.

Really

Now let's turn to Art.

MR. BERNSTEIN:

This is Art Bernstein.

15

Reminder that this coin is meant to celebrate Harriet

16

Tubman's role in the Civil War.

17

gravitated towards Obverse 4.

18

And for that reason I

And with all due respect to Donald, all

19

that other stuff I think is important because I think

20

it demonstrates -- it speaks Civil War.

21

warship to me says Civil War.

22

favor of Obverse 4.

That ironclad

So I would -- I'd be in

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For the reverses I liked Reverse 5 for

2

the same reasons I liked the Moses design on the

3

silver dollar.

4

And sorry.

5

wrong number.

6

It was, oh, Reverse 3.

7

3, which had --

8
9

no.

3.

The reverse that had the peak.
Sorry.

I misspoke.

Okay.
Reverse

DR. KOTLOWSKI:

Isn't that 8?

Oh, no,

MR. BERNSTEIN:

I'm up here at Reverse

Sorry.

10
11

I think I might have the

And I also like Reverse 8.

12

DR. BROWN:

13

now turn to Mike Moran.

14

breakfast by now.

15

Thank you so much.

Let's

I'm sure you've finished

MR. MORAN:

Yes; I finished breakfast a

17

DR. BROWN:

Okay.

18

MR. MORAN:

Thank you, Dr. Brown.

16

long time ago.

19

make it quick.

20

obverse -- let me get my notes up here -- that I

21

really like on the clad.

22

I'll

People haven't talked about the one

And that is No. 5.

It tells a truly -- story of nursing

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using the medicinal qualities of plants.

2

a good image of her.

3

No. 7 on the reverse you get the full story of what

4

she did during the Civil War.

5

I think it's

I think when you pair it with

And to me you get the military aspect

6

as well as being the scout and the spy.

7

nursing function is the one that I really place some

8

value on.

9

the two I'm going to vote for -- 5 and 7.

And that comes through on No. 5.

10
11
12

But the

DR. BROWN:

Those are
Thank you.

Thank you so much.

Let's

turn to Peter.
DR. VAN ALFEN:

Thank you, Dr. Brown.

13

I have to say this section of the portfolio was a

14

little difficult for me because I do find there to be

15

a number of compelling designs within this section.

16

The problem that I'm having is that

17

with the narrative arc that we're working with through

18

the Civil War period with the clad particularly is

19

trying to find the designs that are both really

20

attractive and appealing but at the same time engage

21

with that narrative arc.

22

I have to agree with Mike that 5 and 7

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as designs for the obverse and reverse really are

2

quite attractive and do -- I think say a lot about

3

that arc.

4

But the liaisons' preferences of

5

Obverse 4 and -- I think it's, if I remember right, 5

6

as a reverse -- I think make that Civil War component

7

a little bit more obvious than, say, 5 and 7 would.

8
9
10

The one concern that I have about
Obverse 4 -- I was doing a little bit of research on
the Combahee River raids.

11

And my understanding, at least the

12

contemporary illustrations that I've found, the

13

gunboats used were probably little sidewheel steamers.

14

I'm not sure what vessel is depicted.

15

The ironclad vessel in the background there, which is

16

one of the three vessels involved -- I don't know if

17

that's been -- I'm sorry?

18
19

MR. SAUNDERS:

I think it's the

Monitor.

20

DR. VAN ALFEN:

Right.

But that would

21

not be -- in fact that's not a Monitor-type vessel

22

anyway.

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But my only concern would be just --

2

you know, I'm sure the Office of Design Management

3

always, you know, does do their homework.

4

would want more clarification on which vessel that's

5

supposed to represent in that case.

6

I just

But overall I'm happy to support 5 or 4

7

Obverse and 5 Reverse for this.

8

be giving points to 5 Obverse and I think it's 7

9

Reverse as well.

10
11
12

Although again I will

So thank you.

DR. BROWN:

Thank you so much.

Let's

turn now to Harcourt.
DR. FULLER:

Thank you, Dr. Chairman.

13

I'll be giving points to Obverses 4 and 5.

14

like 4 because I think that it -- you know, I think

15

there's a level of -- she's saying, you know, "I made

16

a contribution" you know, with the folded hands.

17

know, "I did that."

18

It's very bold.

I like 5.

I really

You

It's very brave.

I do have a little bit of a

19

concern about whether or not those leaves look like a

20

headdress -- a Native American headdress.

21
22

But I think it is significant that it's
showing traditional medicine.

And that kind of ties

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her in with another woman that I mentioned who was on

2

a currency.

3

Jamaica, who also used traditional medicine.

And that's Nanny of the Maroons in

4

On the reverse I actually like 1.

5

There's something about that map.

6

is always great.

7

any of these -- the three, you know, files here.

8

I also like 5 as well because it does show the tents

9

used in the Civil War.

10
11

You know, geography

And I do not think we have a map in
But

Thank you.

DR. BROWN:

Thank you so much.

Let's

turn now to Kellen.

12

MR. HOARD:

Yeah.

I had the same kind

13

of ideas in mind as previously in terms of, again, her

14

continuing work through that life in an action-

15

oriented way.

16

I was drawn to Obverse 4.

And then of

17

course checking in with whether in fact that boat is

18

accurate.

19

But in general I like 4.
Again with all due respect to Donald, I

20

would actually keep the background because I think

21

that really drives home exactly what it was.

22

Also I'll say as a student with, like,

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a limited budget -- it's coins like these that I would

2

be purchasing more than anything else.

3

And I would -- I'm glad in some ways

4

that we're covering her Civil War work on these pieces

5

because I was taught a lot about Underground Railroad,

6

not so much about her work afterwards.

7

So I think that's going to be

8

accessible.

9

is the Civil War oriented one so there are those

10

And it's important that we emphasize this

lessons there.

11

For the reverse I like 5, which I know

12

has been brought up before.

13

though, which is I would actually remove the words

14

"Civil War" at the top and just have "Nurse", "Scout",

15

"Spy".

16

I would change one thing

The reason being that "Nurse", "Scout",

17

"Spy" is what she did.

She did not do Civil War.

18

That was not her job.

19

context in general we know she probably wasn't in the

20

Vietnam War or World War II.

And I think from a lot of other

21

And actually that ends up just kind of

22

filling more words that are -- that don't fit in with

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the rest, that is kind of like a bookend on one end.

2

It doesn't make sense to me.

3

I'd prefer it -- I think it'd be

4

clearer just to say, "Nurse", "Scout", "Spy" and then

5

along the bottom that she was the raid leader as well.

6

The Civil War I don't think is necessary there.

7

And her work continues to this day.

8

Her work as a nurse, as a scout, as a spy has had

9

consequences -- positive consequences -- through this

10

day.

11

And so I don't think we need to specify

12

that it would necessarily limit it just to here's her

13

work specifically from the Civil War.

14

reverse.

15

So I like that

And I would keep that one there.
The one I didn't like, which I marked

16

down I guess -- I just said 3.

17

the obverse or reverse.

18

reverse I think.

19

I don't know if it's

Let me see here.

Sorry, the obverse.

It is the

Obverse 3.

I just wasn't a huge fan of that one.

20

And I just wanted to avoid that if we could.

21

And also Reverse 3 as well.

22

the 3s.

Yeah.

I didn't like either of

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Reverse 3 I thought didn't tie as well

2

as it could into the Civil War aspect.

3

necessarily as compelling of a design.

4

It just wasn't

So I would probably not give that one

5

points to the same extent as I would, again, Obverse 4

6

and Reverse 5 minus the Civil War.

7
8

DR. BROWN:

Thank you very much.

Let's

turn to Dennis.

9

MR. TUCKER:

Thank you, Mr. Chair.

Our

10

liaisons' preferences or -- and favored designs were

11

for the obverse 1, 2, 4, and 7.

12

four, 4 and 7 are the most descriptive in their visual

13

detail.

14

I think of those

They tell us more about the Civil War,

15

which is the theme of this particular coin, and her

16

involvement in the Civil War what with the flag and

17

the aspects of the uniform, the ships, and such.

18

Of the two Obverse 7 is actually very

19

similar in basic design to the obverse that I

20

preferred for the silver dollar.

21

strong portrait.

22

with the outstretched hand.

So I think that's a

It's descriptive.

It's more active

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However I think that Obverse 4 also has

2

its strengths.

3

candidates for me.

4

So 4 or 7 -- those are both good

For the reverse the favored and

5

preferred designs were 3 and 5.

6

It's innovative in its use of symbolism and the format

7

that the design will take on the surface of the coin.

8
9

I like Reverse 3.

I remember Mr. Keown's remarks about
Harriet Tubman not considering herself free unless all

10

were free.

I did keep that in mind as I reconsidered

11

these designs.

12

But I think on that aspect of this

13

design is -- I think that's fine with this design

14

because we can be talking about the Emancipation

15

Proclamation, which of course freed the slaves during

16

the war.

17

And in her -- on the silver dollar

18

we're talking about Underground Railroad, a period

19

where not everybody was freed so -- but I think that

20

that's reconciled with Design Reverse 3.

21
22

Reverse 5 is, you know, it uses
narrative text to tell the story.

And often that's

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helpful for viewers.

2

be fine.

3

So I think either 3 or 5 would

Five spells it out quite literally.

4

that might be a preference.

5

those are my thoughts.

6
7

So

Thank you, Dr. Brown.

DR. BROWN:

Thank you so much.

Let's

turn to Darla.

8
9

But 3 is innovative.

So

MS. JACKSON:
Jackson.

Hello; this is Darla

So for the obverse I was looking first at

10

No. 4.

11

tell that story that we're looking to tell.

12

I think that this is something that does help

There were things about it.

13

like her expression is a little odd.

14

something that could get resolved.

I feel

But maybe that's

15

I want to pay attention to also Obverse

16

5 because I did think that this was a really beautiful

17

piece.

18

bit differently -- taking, you know, native plants and

19

turning them into something that's really helpful.

20

I think it speaks to what she's done a little

I also think that that speaks to her

21

ability to do so much with so little.

22

want to pay specific attention to that one.

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Obverse 7 I thought was really

2

beautiful as well.

3

for the first coin I am not thinking about this one as

4

heavily.

5

But because we chose it for now

And I also did want to note with this

6

one how her name is bisected by the flag feels very

7

odd to me.

8

case anybody's leaning in that direction.

So I did just want to point that out in

9

For the reverse, No. 1 I thought was a

10

really potentially nice idea.

11

hand feels unremarkable in comparison the drawing of

12

the map, which I do find quite interesting.

13

I like it, I think the hand could be more interesting.

14

But unfortunately the

So while

And I do also really enjoy No. 3.

15

However I worry about the pairing with the obverse.

16

So that would be my only concern there.

17

design.

18

it pair?

I think it's very strong.

21
22

However how does

And that is it for me.

19
20

I love this

DR. BROWN:

Thank you so much.

Turn to

John Saunders.
MR. SAUNDERS:

Hi.

John Saunders here.

First off, Darla was mentioning carrying something

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from 1, which was the silver dollar, over to the half-

2

dollar.

3

I haven't given up on Design 07 for the

4

obverse.

It was one point behind.

5

given up on it.

6

pairing that silver dollar with the 07 half-dollar

7

might be a good combination or a good compromise.

8
9
10

But I haven't

I think if we're talking pairing,

In terms of the obverse designs though
I like 4 and I like 7.
better.

I think I like 7 a little bit

But I like them both.

11

I do think if we go with 4 -- I like

12

having an ironclad in there because it -- the ironclad

13

kind of says Civil War to me even if it wasn't used in

14

this particular raid or this event.

15

The other boat could be from any war

16

any time.

But an ironclad says Civil War to me so I

17

like that aspect of the design.

18

In terms of the reverse I'm kind of

19

with everybody else.

I like 03 a lot.

20

second choice would be 07.

21

design there.

22

07.

And I guess my

And I like the negative

I just like the -- I like the design of

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On 03 I'm not sure I'd like this better

2

but I just had to think about maybe we need a little

3

bit of light between the one side of free and the

4

black background.

5

Kind of like we have some white on the

6

chain there.

7

So just something to think about.

8
9

It would be a lot more readable quickly.

DR. BROWN:

But I do like 03.

Thank you so much.

And for

the public -- and the committee members already know

10

-- part of my prism is that of a veteran, this time

11

the Army.

12

So to me anything that continues to

13

tell the military story is important.

14

recommend that we don't leave it to symbolism but that

15

we leave it to actually -- what actually it states.

16

And I really

So with all due respect, Kellen, I

17

appreciate the point you raised about Civil War.

18

would suggest we keep it in because that war was

19

particularly powerful on this nation's history.

20

I

This design of the reverse -- it had to

21

do with traditional medicine, again one of my biases.

22

I'm a physician.

So as a physician, as much as I did

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not typically embrace traditional medicine I do

2

understand now that -- how important it is.

3

And telling that -- about that portion

4

of our history -- that's where that began -- is really

5

so important.

6

Reverse 5 are the ones that I would probably lean

7

towards.

8
9
10

So to me Obverse 4 and 5 as well as

Now our liaisons, having heard the
conversation of our colleagues, do you have any
additional comments?

11

I'm sorry.

DR. KOTLOWSKI:

Please.

Mr. Chairman, this is

12

Dean Kotlowski.

I took a lot of time in discussing.

13

I just want to share something I mentioned.

14

holding up, for the record, this is the 1963

15

centennial stamp for the Emancipation Proclamation

16

issued by the US Postal Service.

What I am

17

DR. BROWN:

Okay.

18

MR. HOARD:

I had a question for the

19

liaisons if I could?

20

DR. BROWN:

Please do.

21

MR. HOARD:

Which was around Obverse 7,

22

which was not one of my favorite designs.

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question about it, which is given that she fought for

2

the Union, she fought for freedom, at the same time

3

the United States is the country that put her in

4

chains in the first place.

5

Was she a flag waving kind of person, a

6

person who would hoist a flag over her shoulder as a

7

proud carrier of that?

8
9

UNIDENTIFIED SPEAKER 2:

That's a good

question.

10

MR. KEOWN:

I don't know that you would

11

characterize her as a flag-waving person in the

12

concept we would talk about it today.

13

But I think she was all about country.

14

She was all about freedom and living up to the ideals

15

that were laid out in the Constitution and so forth.

16

So in that sense in terms of being a --

17

in terms of being someone who's loyal to the country,

18

to the Constitution, and so on and so forth, I think

19

that she was very much in that mode.

20

MS. HILL:

Well, she was very much a

21

patriot.

That was high up on her list of -- she felt

22

as a free American that became available to her.

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That's why she joined the women's

2

suffrage movement ten years after it began and became

3

a leader for women's suffrage even though she knew it

4

would not include her and women like her when women

5

got the right to vote.

6

And she married a fellow patriot,

7

Nelson Davis, who came home sickly from the Civil War.

8

And she cared for Union soldiers when they came home.

9

So her patriotism -- and she was a bit of flag waver

10

but not satisfied with what that flag represented;

11

okay?

12

Yes; she waved the flag -- proud to

13

have served.

But she knew that America was better

14

than what she had experienced.

15

the promise of America.

And she believed in

So in that respect --

16

DR. BROWN:

All right.

Thank you.

17

MR. MENNA:

Dr. Brown, can I --

18

DR. BROWN:

Please.

19

MR. MENNA:

This is Joe Menna.

Joe?
Just as

20

a -- not to sound pedantic or sound like I'm trying to

21

educate you, but images can be realistic and

22

allegorical at the same time metaphorical.

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DR. BROWN:

Sure.

2

MR. MENNA:

It doesn't mean that she

3

was necessarily literally holding a flag but

4

symbolically representing what the stakeholders just

5

said.

6

DR. BROWN:

Sure.

7

MR. MENNA:

Artistically speaking only.

8

I'm not trying to sway your vote or score.

9

MR. VASQUEZ:

10

DR. BROWN:

11

MR. VASQUEZ:

Dr. Brown?
Go ahead, please.
I have something to note.

12

In Design 7 if this is to be recommended the face and

13

hair in this portrait would be made more like Silver

14

Obverse 1.

15

less desirable.

16

Obverse 1.

17

Same artist.

This depiction of her was

But Pam, if you could show Silver

We would show this likeness and of

18

course with the improvements that we would get from

19

working with the designer, the chief engraver, and the

20

liaisons.

21
22

But I just wanted to highlight that
this would be the face.

Everything from the neck up

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would be what we would use on Clad Obverse 7.

2

DR. BROWN:

Important.

3

DR. FULLER:

Yes.

This is Harcourt Fuller.

Thank you, Dr.

4

Brown.

5

with you, Dr. Brown, in response to Kellen's comments

6

as well.

7

I do want to agree

I do think sometimes there are times

8

when you don't want to be literal and there are times

9

when you want to be literal.

I'm in favor of keeping

10

the word "Civil War" because in that sense it's

11

basically saying she was a Civil War nurse, a Civil

12

War spy.

13

And I think sometimes the things that

14

we think people should know -- that obviously it's not

15

the first or second World War -- I do not take that

16

for granted, you know, quite frankly.

17

have to say what it is.

18

artistically.

19

And I think you

Of course if it works

Final point I'd like to make in

20

response to John's comments is maybe it's the

21

historian in me.

22

for historical accuracy in most cases.

I do believe that we should strive

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And so the ironclad -- if that was not

2

the boat or, you know, used I would be in favor of

3

using -- depicting the one that was actually used

4

because these are in essence snapshots in time.

5

And for students of history,

6

scholars -- if we're going to look at these coins and

7

reference them they need to be historically accurate

8

in terms of the clothing and everything else.

9

you.

10

DR. BROWN:

Thank you.

11

MR. SCARINCI:

Thank

Donald?

Harcourt, if you don't

12

mind, and Dean, if you don't mind, I'd like to put you

13

both on the spot.

14

in Harriet Tubman's hands.

15

I'm not comfortable putting a flag

And how do you feel -- how did the two

16

of you feel about that?

17

uncomfortable as I am with that.

18
19

I'm curious if you feel as

DR. KOTLOWSKI:

This is Dean Kotlowski.

Do you want to go first, Harcourt?

20

DR. FULLER:

21

about it.

22

Tubman is a symbol; okay?

I will make a comment

But I would defer to the liaisons.

Harriet

Of course she's a real

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person.

But she's a symbol.

2

So I think we're trying to do two

3

things.

We are trying to represent and to depict her

4

in terms of the history that she made.

5

But at the same time it's aspirational

6

where we're trying to basically say this -- she was a

7

model citizen.

8
9

This is what we should strive for.
And I think that if, you know, if the

flag represents that -- because she was a patriot.

So

10

whether or not she was -- she actually had a flag, you

11

know, in her hand -- she was a patriot that

12

contributed to saving this nation from a civil war

13

that -- you know, so I'm fine with the flag.

14

But at the same time I don't think she

15

necessarily needs to have it to prove that she's a

16

patriot.

17

story.

She's a patriot, period, point blank, end of

18

DR. BROWN:

Dean?

19

DR. KOTLOWSKI:

And this is Dean

20

Kotlowski.

And you know, when I voice my perspectives

21

on these coins they are my perspectives.

22

of what we do.

This is kind

It's part of a conversation.

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no way to be, you know, disrespectful to the liaisons

2

or anyone here.

3

And you know, Donald, you're going to

4

love this.

And Harcourt, you're going to love this.

5

I'm uncomfortable with the flag there.

6

it's an add-on that is -- it just throws the coin off

7

artistically.

8
9

I just think

I think it throws the messaging off.
I'm going to stick with what I said --

that I like No. 4 better.

But I've become persuaded

10

to No. 1 for the obverse for the silver, which is very

11

similar in terms of the design with the hand

12

outstretched.

So that's where I would come down.

13

DR. BROWN:

Thank you.

Kellen?

14

MR. HOARD:

Just my final note on that.

15

Even for Obverse 7 I think since we already liked

16

Obverse 1 even beyond the flag that they're just kind

17

of similar.

18

about the Civil War but it's not worth pushing the

19

point so --

20

And I know people prefer 1.

DR. BROWN:

I disagree

Well, we can look forward

21

for other more collaborative conversations in the

22

future.

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So let me just say that, well, from my

2

view as someone who's served in the military.

3

served in a war that was unpopular.

4

was not my choice -- I was drafted -- I still have to

5

say that I would defend this country.

6

And I

Even though that

And one thing about Harriet Tubman

7

that's also to me really pivotal here -- not only does

8

she free the slaves, from my understanding she helped

9

to recruit some of them to fight for the Union.

10

So if you really were against this

11

country you would just free the slaves and you

12

wouldn't tell them to sacrifice themselves for a

13

country that you had no faith in.

14

With respect to the flag, that's -- I'm

15

not saying that I favor the design with the flag

16

because I agree with Darla -- that separation of

17

Harriet Tubman really is disturbing.

18

think the flag is that critical for this design.

19

But I don't

But I would certainly debate anyone who

20

said that she was not a patriot.

I think that for

21

what she did in her life -- things beyond what she

22

needed to do to in fact move people from slavery -- I

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think it clearly underscores that -- her support for

2

this country.

3

role as chair.

Please forgive me.

4

MS. HILL:

5

DR. BROWN:

6

MS. HILL:

I stepped out of my

If I may -Please.
You have to put the flag

7

into context.

Remember, when she became a nurse, spy

8

and scout she had purchased property, was living in

9

Auburn.

And she said, "I have to go fight.

The

10

freedom that is so important to me is so important to

11

this country and so important to others."

12

So she viewed -- her patriotism was

13

wrapped up in freedom -- the freedom quest.

14

eight soldiers being able to free 750 other people in

15

South Carolina was no small feat.

16

She was a flag-waving patriot if you

17

know her story.

18

not literally.

19

And with

And you know, metaphorically, maybe

But how do you think she became a spy?

20

Pretending to be really dumb, deaf, inarticulate.

21

They thought no one -- they would talk freely around

22

her because they thought she was a nobody, a nothing.

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Becoming a nurse.

She paid attention

2

to what she witnessed in Auburn and how to treat those

3

who were wounded.

4

I mean, these are things she didn't

5

have to do.

6

drafted; okay?

7

called up herself to expand the franchise of freedom.

8

And I just think we have to be mindful

9

She was not like Dr. Brown.

She was not

She called up herself; okay?

She

of that -- of the context -- because I know -- to be

10

very honest I know a lot of the people in my circle

11

would have a problem with the flag.

12

awesome responsibility to represent the fullness of

13

Harriet Tubman at every opportunity.

But I have an

14

MR. MENNA:

Dr. Brown, could --

15

DR. BROWN:

Please.

16

MR. MENNA:

-- I add just some

17

composition?

18

why taking the flag out of this particular design --

19

not editorializing on the content but structurally why

20

it's essential to this design.

21
22

Just from a purely compositional sense

The design falls apart clearly without
it.

You see the diagonal of the flag pole.

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the diagonal of her outstretched arm.

2

parallel.

3

arms -- upper arm.

4

holding the flag.

They're

You see the diagonal of her outstretched

5

You see the diagonal of the hand

They're parallel.

That forms a square,

6

the apex of which -- a square on an angle, the apex of

7

which everything leads to her portrait.

8
9

So the entire story of this coin
visually is told by the structure of the coin.

And

10

all roads lead to Harriet Tubman via the architectural

11

structure of the coin visually.

12

visual sense.

13
14

MS. WARREN:

Just talking from a

Dr. Brown, Dennis Tucker

has his hand up.

15

DR. BROWN:

16

MR. TUCKER:

Dennis?
Thank you, Dr. Brown.

17

thank you, Joe.

18

just repeat what I said earlier -- that most Americans

19

when it comes to Harriet Tubman's life are students.

20

And thanks to our liaisons.

And

I would

Our liaisons are teachers of her life.

21

And they think about her all the time.

22

about how to teach and communicate her story.

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And the fact that Obverse 7 was one of

2

their preferred designs -- flag and all -- I think

3

tells us all we need to know.

4

comfortable with that.

5

And we can be

Joe, you spoke of the design strength,

6

the symbolic strength of the flag.

7

is a fine design.

8

that point anymore.

9

I don't think we need to belabor
Thank you, Mr. Chair.

DR. BROWN:

Thank you.

10

from committee members.

11

folks.

12

now we are prepared to vote.

13

I think that this

We've heard

We've heard from our design

And we've heard from the liaisons.

I think

Ladies and gentlemen, I suggest that we

14

in fact, since we had such a full conversation, that

15

we try to do this in five minutes.

16

minutes.

17
18

MS. WARREN:

It's 10:40.

(Off the record.)

20

MS. WARREN:

22

I'm going to

stop the recording and put us on mute.

19

21

So recess for five

Okay, sir.

Court reporter, are you ready?
THE REPORTER:

Yes.

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MS. WARREN:

2

DR. BROWN:

Okay.

There you go, sir.

We are back.

I recognize

3

again Greg Weinman, counsel to the CCAC, to present

4

the results from the scoring sheets.

5

MR. WEINMAN:

I will tell you upfront

6

the obverse is a little bit more definitive than the

7

reverse.

8

received 4 points.

9

Obverse 3 received 1 point.

The scoring for the obverse is Obverse 1

10

Obverse 2 received 4 points.

Obverse 4 received 28 out of a possible

11

33 points.

12

getter, followed by Obverse 5 receiving 17 points.

13

Obverse 6 received 4 points.

14

16 points.

15

So once again that is the high vote-

And Obverse 7 received

So once again, Obverse No. 4 with 28.
Moving to the reverse, which is a

16

little more ambivalent.

Reverse 1 received 8 points.

17

Reverse 2 received 2 points.

18

points.

19

received 16 points, followed by Reverse 8 with 6.

Reverse 3 received 18

Reverse 5 received 20 points.

Reverse 7

20

So Reverse 5 is the high vote-getter

21

but only by 2 points -- 20 versus 18 for Reverse 3.

22

And 16 for Reverse 7.

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2

DR. BROWN:
Hearing none --

3
4

Are there any motions?

MR. SCARINCI:

Motion to -- no; I'll

retract that motion.

5

DR. BROWN:

You want to wait?

6

MR. SCARINCI:

I was going to make a

7

motion to remove the stuff.

8

selection of the reverse we'll keep the stuff in it.

9

DR. BROWN:

10

But in light of the

Okay.

MR. SCARINCI:

Very good.

I think -- oh, I'm so

11

sorry.

Is it -- Kellen's name.

12

good point, you know, to keep the Civil War stuff in

13

there.

14

DR. BROWN:

I think Kellen made a

So we're going to -- just

15

for information -- or the committee and the public --

16

that we're going to wait until we finish the gold

17

before we make final recommendations of any other --

18

or so committee feels to do so.

19

let us now turn to the gold.

That being the case,

Back to you, Roger.

20

UNIDENTIFIED SPEAKER 3:

21

MR. VASQUEZ:

22

distracted.

I'm sorry.

What was the --

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That's you.
I was

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2

MS. WARREN:

Gold.

through the --

3

MR. VASQUEZ:

4

MS. WARREN:

Right.
Sorry.

5

You already did the descriptions.

6

for your --

7

DR. BROWN:

8

MS. WARREN:

9

This is Jennifer.
So it's your time

We can discuss; okay.
Right?

Didn't you go

through the descriptions?

10
11

We already went

MR. VASQUEZ:

I did read them.

would be happy to read them again if you wish.

12

DR. BROWN:

Committee members, you are

13

prepared to continue your conversation?

14

the case, we will then proceed.

15

time with Dean.

16

DR. KOTLOWSKI:

So if it's

And let's start this

All right.

17

very much, Mr. Chair.

18

Wonderful designs here.

19

try to keep this very brief here.

20

But I

Thank you

This is Dean Kotlowski again.
Mr. Chairman, I'm going to

I like No. 4 for the obverse.

I think

21

that this is the largest portrait that we have in this

22

set of Harriet Tubman in terms of just her face.

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shows her in her latter years -- appropriate for the

2

coin.

3

But I think the size I think works best

4

for a very small coin with the five dollar gold piece.

5

So that is -- excuse me.

6

Not 5.

It's Obverse 4.

And Obverse 4 is the preference of one

7

of the liaisons.

8

liaisons have to say about the other designs and my

9

colleagues.

10

I will of course listen to what the

And then with the reverse, you know, I

11

can almost go for any of these designs except for 2

12

and 3.

13

simple and clear.

14

if we had any preferences attached to it.

15

I thought 3 was just, you know, a little
And I don't think -- I'm not sure

Two is going to be really, really

16

small.

17

1A was a preference and so were 5 and 5A.

18

The outstretched hands work for me.

5A has a lot of text with it.

I think

I

19

understand the importance of putting all of Harriet

20

Tubman's -- these important values.

21
22

The only thing I'm going to say just
again with my tradition today of independent thinking

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I also like No. 1.

2

simple message of I go to prepare a place for you.

3

there is the individual.

4

and the connectivity.

5

And I like No. 1 and this very

There is the collectivity

And also there is something without me

6

explaining it that has an end of life feel to that

7

quotation of going somewhere beyond.

8
9
10

So

And again I felt very moved by that so
I'm going to give that some consideration and some
points.

Thank you very much, Mr. Chair.

11

DR. BROWN:

Thank you.

Committee

12

members, just as a reminder, we're going for three

13

minutes.

14

John?
MR. SAUNDERS:

Well, this is kind of

15

dangerous here because I'm going to agree with Dean a

16

lot.

Not completely but pretty much.

17

I like Obverse 4.

18

the strongest of the six choices.

19

reverse design I like 5 best.

20

One is okay.

I think it's by far
And in terms of the

I'm not quite sure what

21

two hands -- you know, I guess one of them is shaking

22

your hand.

The other one is clasping to show things.

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But I'm a little confused with that design.

2

I think 3 was a little bit more into --

3

it's, you know, mostly text.

4

of the key and so forth.

5

like 5 best.

6
7
8
9

Thank you so much.

online.

Muted, Mike.

Yeah; he's

I can't turn it on.

DR. BROWN:

13

MS. WARREN:

14

MR. MORAN:

Yes.
Yes, sir.
Okay.

I have one question,

15

Dr. Brown, before I start.

16

when you announced the designs for the clad.

17

happened to the Reverse 3 on that?

I was charging my computer

MR. WEINMAN:

18 points out of a possible 33.

20

Reverse 5 received 20.

22

What

Reverse 3 was -- received

19

21

There

Can you hear me now?

12

18

Let's

He's muted.
MR. MORAN:

we go.

But I

Is Mike online?

MS. WARREN:

10
11

But it's mostly text.

DR. BROWN:
turn to Mike Moran.

It does have the design

The one was a --

So they were very close.

MR. MORAN:

Okay.

little bit when I talk here.

That will help me a

Thank you.

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I like both

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1

on the Obverse 2 and 4.

I think they're both equally

2

good.

3

me a bit of a nudge over to -- for 2 over 4.

The incused inscription was the thing that gave

4

On the reverses I wasn't really turned

5

on by any of them.

6

average lot.

7

Five was I thought the best of an

But as I worked through this thing this

8

morning again I looked at Clad Reverse 3, which

9

explains why I'm raising the question of where it

10

stands.

11

And when we get to the final discussion

12

I think that one really is a -- when you look at the

13

composition of it, it kind of sums up her life -- that

14

in the end she broke free.

15

And to me it would look very good on

16

the back of a five dollar gold piece.

17

probably withhold any of my votes on reverse and I'll

18

vote for 2 and 4 on the obverse.

19
20

DR. BROWN:

Thank you.

Thank you so much.

Let's

turn to Art.

21
22

So I'll

MR. BERNSTEIN:
Bernstein.

Hi; this is Art

I was attracted to Obverse 2.

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It's a very

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modern design.

2

But to me it jumped off the coin.

And

3

because this coin is so small I thought there was

4

value in seeing her name as clear as we see it on that

5

design.

6

Obverse 6 was favored by one of the

7

liaisons.

8

rendering of Harriet Tubman.

9

I thought it was also an attractive

And then for the reverse, unlike Dean,

10

I actually loved Reverse 3.

11

It's respectful.

12

To me it's traditional.

And I might point out I'm sitting next

13

to the US Mint seal.

14

notice that the key on that seal is different than the

15

key on this design.

16
17
18

I've been looking at it.

And I

So we're safe.

DR. BROWN:

Thank you so much.

Let's

move on to Donald.
MR. SCARINCI:

So I think Obverse 4 is,

19

you know, is the most powerful one for the gold coin

20

size because it -- you know, the portrait dominates

21

the entire planchet, which is -- that'll play well

22

with a gold coin.

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My problem is the reverse of this.

2

Because while 5A sounds like it would appear to be the

3

compromise with all of the, you know, the constituent

4

groups that like the hand and like this, you know,

5

these words.

6

You know, I am concerned about

7

combining those two design elements on this gold five

8

dollar coin because it's just -- you're going to need

9

a loop to read the, you know, the words; right?

10

I mean, and the words I think are --

11

you know, I think the words are more important than

12

the hand here.

13

And I would almost -- you know, if I

14

didn't find design by committee abhorrent I would ask

15

for -- I would either vote for 5A and then make a

16

motion to get rid of the hand and make the words

17

bigger or I would vote for Reverse 3 and get rid of

18

the box and get rid of the key and just put the words;

19

right?

20

I mean, I think the key here is the

21

words.

But you know, in deference to the committees,

22

you know, a good compromise with the, you know, groups

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would be 5A just as long as we all understand we need

2

a microscope to read it.

3

And you know what?

If we just had the

4

words you'd probably need a microscope to read it as

5

well.

6

my three minutes.

So it's a very small coin.

7
8

DR. BROWN:

So anyway, that's

Thank you so much.

Turn to

Peter.

9

DR. VAN ALFEN:

Thank you, Dr. Brown.

10

I am happy to join the others in support of Obverse 4.

11

I think that's by far the best choice for this

12

particular coin.

13

The reverses, as others have mentioned,

14

are a little problematic.

15

rather drawn to Obverse 1.

16

Although I have to say I am

I do like the human connection quite

17

literally with the -- that grasping hands and the

18

shape of the hands and the arms on that reverse.

19

For me anyway that reverse I think is

20

the most powerful of the lot.

21

weight behind that.

22

Thank you.

And so I will throw my

But that's all I have to say.

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2

DR. BROWN:

Thank you so much.

Let's

turn now to Harcourt.

3

DR. FULLER:

Thank you, Dr. Chair.

4

This is Harcourt Fuller.

5

bold.

6

very captivating look.

7

think the image is large enough for that small coin.

I think it's

She's looking sort of -- you know, she has a

8
9

I like 4.

I also like 5 as well.

And I would agree with Mike and Art on
the reverse.

I think R3 is nice because it goes well

10

with the obverse.

11

the diversity in terms of the design elements.

12

that's how I would score it.

13
14
15

I

You know, and I think it adds to

DR. BROWN:

So

Thank you.

Thank you so much.

Let's

go to Darla.
MS. JACKSON:

This is Darla Jackson.

16

want to note two obverse designs very quickly.

17

like No. 2 I enjoy the modern design of it.

18

feel like the portrait is a bit stiff, which has me

19

leaning towards Obverse 4.

20

I

I feel

However I

I think that the nature in which she's

21

looking forward and feels a little bit more relaxed is

22

a really nice way to portray her, especially thinking

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about the scale of this coin.

2

really important too.

3

I think that that is

In terms of the reverse I would go for

4

Reverse No. 1.

5

too much to make it illegible at that size is

6

important.

7

I think again at this scale not having

And I also think that this is looping

8

back to the idea of the hands in the first one.

9

There's two hands here.

10

So maybe at the end of her life, you

11

know, it talks about how much more she had to give.

12

So there's an additional sort of narrative there

13

adding the second hand.

14
15
16

And those are my thoughts.

DR. BROWN:

Fantastic comments.

Let's

turn now to Dennis.
MR. TUCKER:

Thank you, Dr. Brown.

17

sense a general consensus forming around Obverse 4.

18

think it's the boldest.

19

I
I

And it has a little bit of motion in

20

it, which tells us that she's still moving, still has

21

work to do, and is still helping humanity.

22

that -- and it's also a design that will fit well on

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So I think

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the five dollar canvas.

2

the obverse.

3

So I think that's good for

For the reverse, Peter, Darla, you

4

captured my thoughts on the importance of the human

5

interaction.

6

The other designs -- the designs other

7

than 1 and 1A are devoid of that.

8

human interaction.

9

strongest designs for the reverse.

10

They just lack that

So I think that those are the

The liaisons preferred 1A so I would

11

give my votes to that.

12

Reverse 1A.

13

be something for the liaisons to weigh in on if they

14

have an editorial style guide.

15

So it would be Obverse 4,

Something I would point out -- this might

I see a couple different ways that

16

self-determination is punctuated -- either with or

17

without the hyphen.

18

I don't know if that's something that's

19

been thought of or formalized.

20

to think about when the time comes.

21

Brown.

22

DR. BROWN:

But something for us
Thank you, Dr.

Thank you.

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Kellen?

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1

MR. HOARD:

Yeah.

I'm in consensus

2

with everyone else on Obverse 4 there.

3

really to add that hasn't already been said except for

4

that what I think having kind of the large, up-close,

5

kind of more natural portrait does is it makes me feel

6

a little bit like I'm there with her, which I think is

7

good.

She's forward-looking.

8
9

I have nothing

For the reverse I'm aligned with Dennis
on actually 1A.

I wasn't super blown away by any of

10

the reverse designs like some other people mentioned.

11

And I'm a little worried about the size.

12

But what I think 1A brings that 1 does

13

not is actually having those values kind of around the

14

outer rim there, which I think is really important.

15

Because as I mentioned in the earlier

16

designs, part of the importance of these for me today

17

are the values that Harriet Tubman brought and that

18

continue to be relevant to this day.

19

I think emphasizing those is actually

20

not only more relevant to the general public and more

21

compelling to the general public but also just

22

something that's really important to have there in

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conjunction with the design and which is something

2

that far outlasts her in an important way.

3

actually focus on emphasizing those.

4

So I would

With that said, you'll hear me say this

5

on this piece and other pieces that we're going to

6

consider later today is I'm not a big fan of vertical

7

lists on coins like that on 3 where it's just, you

8

know, kind of a straight up list.

9

that.

10

I don't really like

Same with, like, 5A.

I think it's --

11

kind of 5A kind of has too much blocks of text where

12

it's a little hard to, you know, actually see.

13

What I think 1A does really well is it

14

kind of spreads that around the coin in an

15

aesthetically pleasing way while still again

16

emphasizing those values.

17

I like the hands.

She's lifting us

18

actually toward those values in many ways through her

19

life and beyond that.

20

And so I think -- and I think what they

21

do by actually having it surrounding the design is

22

show how foundational -- how they encompassed

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everything she did.

2

emphasize.

3

the six.

4

And I think that's important to

And this design does that the best out of

DR. BROWN:

Thank you so much.

I'd

5

like to share with you that I agree with many of the

6

comments from my colleagues.

7

been really touched by Obverse 2 and 4.

8
9
10

I get the feeling I've

And reverse I say that, hearing from
the comments, Reverses 1A, 3, and 5 are things that I
felt really they're appealing for me.

11

At this point I'm going to ask are

12

there any additional comments first from our committee

13

members?

14

then to the engraving staff.

15

And then I'm going to go to our liaisons and

DR. FULLER:

16

is Harcourt Fuller.

17

committee members.

Committee members?
Thank you very much.

This

I have a question for the
Can we go back to R1A, please?

18

And I just want to know if the hands

19

are -- what's the word -- how close are they to her

20

actual hands; right?

21

have had that photograph; right?

22

true likeness of her actual hands?

Because by this time we would
Yes.

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So is it a

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MS. HILL:

No.

2

DR. FULLER:

What was the --

3

MS. WARREN:

No.

4

DR. FULLER:

No?

5

MS. HILL:

Okay.

But there are -- I believe

6

with further work with the artist there are enough

7

images that capture her hands.

8

The gold coin is supposed to capture her in her later

9

years.

10

And she's older now.

So the hands are hands of a worker.

11

They're wrinkled.

12

strong.

13

think a little bit more detail to show that she --

14

those are the hands of a hard worker.

15

They're gnarled.

But they're

So from the strength perspective, yes.

But I

And you don't see it so much on palm

16

side.

17

should be a little bit -- or just a little bit more --

18

you know, she worked a garden herself without

19

gardening gloves; okay?

20

Well, you see more of it palm side.

But it

And you know, so that, you know, she

21

milked the cows.

She had an orchard.

22

these things herself with her hands.

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She did all
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later in life.

2

And it should reflect it.
I would say that I think the image is

3

powerful because it shows her again reaching, bringing

4

people through.

5

And if I could, you know, I believe Dr.

6

Brown talked about the Obverse 2 and 4.

7

seems to be a lot of consensus around 4.

And there

8

I think it's terribly important that

9

this committee might consider just pulling back the

10

headwrap to show some of her natural hair.

11

It's really important because people

12

have taken Harriet Tubman's image, you know, and

13

created another image of her.

14

headwrap.

15

to show in that if it is actually 4.

And they all have a

Because I think that some of her hair needs

16

DR. BROWN:

Okay.

17

MR. SAUNDERS:

John?

After hearing people I

18

have a couple comments on the reverse design.

First

19

is the ones that have two choices.

20

01 against 01A and 05 against 05A just because I think

21

they're less busy.

22

busy.

I strongly favor

And I like seeing the coin less

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So the real question I have is I agree

2

with Mike.

I think the 03 design for the clad half

3

would make an excellent reverse on a five dollar gold

4

piece.

5

here.

I think it blows away all the rest of them

6

And in that connection, first of all

7

I'd like to ask Joe if it's workable because I think

8

it is.

But maybe we should get an expert opinion.

9

And then two, I'd like to ask Dr. Brown

10

if we want to do that reverse on the 5 how do we go

11

about doing it if we can't vote for it?

12

DR. BROWN:

13

DR. KOTLOWSKI:

14

MR. MENNA:

15

sorry, John.

16

personal email briefly.

Joe?
Can we see it?

This is Joe Menna.

Can you repeat?

I was responding to a

17

MR. SAUNDERS:

18

UNIDENTIFIED SPEAKER 4:

19

I'm

The -Pam, can you

show Clad Reverse --

20

MR. SAUNDERS:

The reverse --

21

UNIDENTIFIED SPEAKER 4:

22

MR. SAUNDERS:

-- 03 --

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MR. MENNA:

Right.

2

MR. SAUNDERS:

3

for the clad half-dollar?

4

MR. MENNA:

5

MR. SAUNDERS:

6

Okay.

MR. MENNA:

8

MR. SAUNDERS:

9

MR. MENNA:

I mean --

Absolutely not.
Not?

The bottom text is way too

small.

11
12

Would that work on the

reverse for a five dollar gold piece?

7

10

Can you put up 03 again

MR. SAUNDERS:

So you'd have to --

okay.

13

DR. BROWN:

While you're pondering the

14

next question, are there any other questions from

15

committee members?

16

from the liaisons based on the conversation?

17

Do we have any further comments

MS. HILL:

Yeah.

At this, you know, in

18

her latter stages of life she's at the point now where

19

she's being asked to speak a lot; okay?

20

lot of speaking engagements all over the country quite

21

frankly.

22

She's doing a

And she's teaching a lot.
And so her core values -- those seven

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core values which are -- surround the coin with the

2

hand in her -- or in the sort of plaque flow -- they

3

need to be there because that's what we have an

4

obligation as a nation to put forth.

5

If you are a student of Tubman then you

6

owe it to yourself to know what her core values were,

7

what led her.

8

nothing better to communicate that than these coins

9

that are going to go out to everyone.

10
11

DR. BROWN:

Thank you so much.

MR. MENNA:

No.

We have no further

comments.

14

MR. COSTELLO:

15

DR. BROWN:

Nope.

Okay.

16

let us then vote -- score.

17

return your scoresheets to Greg.

18

minutes.

No.

Hearing none, then

Sorry.

And then please
We will take five

Yep; five minutes' recess.

19
20

Joe,

Mike, any further comments you have?

12
13

And so I think, you know, there's

MS. WARREN:

It's 11:09.

Stopped

recording now.

21

(Off the record.)

22

MS. WARREN:

Okay, Dr. Brown.

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It's

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11:13.

2

going.

Court reporter's ready and the recording is

3

DR. BROWN:

4

MS. WARREN:

We are -And just so you know, Mike

5

Moran is out for the moment but he'll be back on

6

shortly.

7

DR. BROWN:

Understood.

We are back.

8

Recognize once again Greg Weinman, counsel to the

9

CCAC, to present the results from the scoring sheets.

10

MR. WEINMAN:

Once again out of the

11

possible score of 33 points for obverse there was a

12

clear favorite.

13

Obverse 1 received 2 points.
Obverse 1A received 3 points.

14

2 received 11.

15

possible 33 points.

16

Obverse 6 received 6 points.

17

Obverse

Obverse 4 received 30 out of a
Obverse 5 received 4 points.

There was a little more ambiguity

18

towards the reverse.

19

Obverse 1 received 16 out of 33 points.

20

received 20 out of 33 points, making it the high vote-

21

getter.

22

But there was a clear favorite.
Obverse 1A

Obverse 2 received 1 point.

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received 7 points.

2

Obverse 5A received 10 points.

3
4

Obverse 5 received 9 points.

MS. WARREN:

And

A hand's raised by Dennis

Tucker.

5

DR. BROWN:

6

MR. TUCKER:

Dennis?
Thank you, Dr. Brown.

7

Barring any further discussion on this I'd like to

8

make a motion for our recommendations.

9

DR. BROWN:

Dennis, let me suggest that

10

we hear all the votes for all the planchets first once

11

again.

12

probably in context.

13

high vote-getters?

14

And that will place your recommendation
Do you want to hear just the
Just the high vote.

MR. WEINMAN:

Yes.

Okay.

For the

15

scoring back -- so to refresh everybody's

16

recollection, going back to silver.

17

getter for the silver obverse was Obverse No. 1 with

18

22.

19

The high vote-

And this is slightly adjusted because

20

Donald Scarinci did submit his scores.

And so it is

21

now -- Silver Obverse 1 had 22 and is the high vote-

22

getter.

But a close second was Obverse 7 with 20.

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On the reverses there was a clear

2

favored with reverse -- Silver Reverse 1 with 26 out

3

of a possible 33 points.

4
5

AUTOMATED SPEAKER:

Tracy Bradford is

now joining.

6

MR. WEINMAN:

Moving on to clad.

The

7

clear favorite for clad obverse was Clad No. 4 with 28

8

to of 33 possible points, followed by Obverse 7 with

9

16.

10

For the reverses this was -- a little

11

more ambiguity in this one where the favorite was

12

Reverse 5 with a score of 20 points followed closely

13

by Obverse 3 with 18 as well as Obverse 7 with 16

14

points.

15

And then moving back to gold, which we

16

just discussed.

17

favorite.

18

The obverse there was a clear

Obverse 4 received 30 of 33 points.
A little more ambiguity on the reverses

19

with Reverse 1 receiving 16; Reverse 1A receiving the

20

high vote-getter -- was the high vote-getter receiving

21

20 points.

22

DR. BROWN:

Thank you so much.

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now we turn to you.

2

MR. TUCKER:

Thank you, Dr. Brown.

I'd

3

like to make a motion that the committee recommend to

4

the Secretary of the Treasury for the silver dollar

5

Obverse 1 and Reverse 1, for the clad half-dollar

6

Obverse 4 and Reverse 5, for the gold five dollar

7

Obverse 4 and Reverse 5 with the design of Obverse 4

8

at the Mint's discretion being modified according to

9

the recommendation of Ms. Hill regarding Harriet

10

Tubman's hair.

11

getters that Greg just enumerated.

12

All of these reflect the high vote-

DR. BROWN:

I think you may have --

13

which is for gold -- the gold reverse?

14

you say?

The high --

15
16

MR. TUCKER:
I'm sorry.

17
18

Which one did

Yeah.

Gold Reverse 1A.

1A.
DR. BROWN:

Yes.

Okay.

Just

clarifying.

19

MR. TUCKER:

I said 5.

20

DR. BROWN:

Understood.

21

MR. HOARD:

I'll second that motion.

22

DR. BROWN:

Kellen seconds.

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discussion on the motion?

2

DR. KOTLOWSKI:

3

DR. BROWN:

4

DR. KOTLOWSKI:

I'd like to discuss --

Dean?
This is Dean Kotlowski.

5

Thank you, Mr. Chairman.

Again continuing my

6

tradition here of independent thinking -- always very

7

respectful.

8

here.

I think with the clad I have a difficulty

I like Obverse 4.

9

I believe it's Obverse 4.

If you do Obverse 5 -- I know it's a

10

preference of the liaisons.

11

to quarrel and quibble.

12

point where Harriet Tubman's featured on both sides.

13

With the other coins we had some sort

14

of text or some sort of imagery that gets at Harriet

15

Tubman and her accomplishments and her life in a

16

different way.

17

I'm certainly not going

But this would be the only

And so it's -- that's something that

18

just bothers me a little bit.

19

want to depict her personage as much as we possibly

20

can.

21

choice.

22

It's not that I don't

But I really do feel that three is the stronger

And since they're so close I'm

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wondering if anybody feels the same way as I do,

2

especially since I think that the -- you know, we have

3

a lot of coins that do a lot of explaining with text.

4

And sometimes there is beauty in brevity as a wise man

5

once said.

6

And I think the idea of free and the

7

chains being broken -- the Emancipation Proclamation

8

and the emancipation of enslaved people was an

9

important part of the Civil War.

10

And I think that

that messaging is in that coin.

11

We're doing a lot of designs that are

12

very, very -- I think very traditional and familiar.

13

Here is something that is a little more modern and a

14

little bit more of the -- maybe the tabletop test --

15

the coin that catches your eye.

16

negative space here, raised and infused.

17

I find this one very, very, you know,

18

breaking barriers.

19

have one slash two dollar.

20

There's a lot of

You don't say half-dollar but you

So it's a little bit of a broader

21

tradition of Harriet Tubman where you're, you know,

22

you're breaking barriers.

You're doing something

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different.

2
3

DR. BROWN:

motion do you accept this as a friendly amendment?

4
5

So as the maker of the

DR. KOTLOWSKI:

You'd have to ask

Dennis.

6

DR. BROWN:

7

MR. TUCKER:

Dennis?
I don't think it would be

8

appropriate to accept that friendly amendment without

9

discussion so no.

10

DR. BROWN:

11

MR. TUCKER:

12

should say.

13

that commentary.

14

Okay.
Further discussion I

And thank you, Dean, for that comment --

MR. WEINMAN:

Point of information.

15

This is Greg Weinman.

16

although the two -- Reverse 3 and Reverse 5 -- are

17

very close in votes -- in points -- the points came

18

from completely diametrically opposite sides of the

19

table.

20

It's just noteworthy that

In other words, there were one, two,

21

three, four, five members who really liked Reverse 3.

22

And then there were one, two, three, four, five

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members who really liked Reverse 5.

2

overlap.

3

view.

And there was no

And so that's just an interesting point of

4

DR. BROWN:

Donald?

5

MR. SCARINCI:

So how can we persuade

6

the five to go with Obverse 2 -- or 3; right?

7

definitely, you know, a gorgeous design.

8
9

This is

And, you know, and I think, you know,
it's very different than, you know, than -- I mean,

10

we're going to have the opportunity to do designs like

11

5 on many, many coins, right, as we consider coin

12

designs.

13

to see again and again and again on coin designs.

But it's not -- that's something we're going

14

But what we're seeing with 3 is really

15

creative and artistic and contemporary and the kind of

16

-- and it's an impactful image that will stick in your

17

head.

18

know, it really has -- you know, it's really going to

19

be beautiful.

And I think when it appears as a coin, you

20

So I, you know, I would strongly urge,

21

you know, if we revote this -- and maybe we should --

22

and maybe the maker of the motion should withdraw the

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motion and maybe we should consider this first to see

2

if we have an agreement on changing -- on making this

3

our selection.

4

MR. WEINMAN:

So but by the way, just

5

to clarify my earlier comment I did -- there was

6

one -- Dennis equally supported the two.

7

MR. TUCKER:

8

MR. WEINMAN:

9

two.

Yes.
You equally supported the

So you're the one -- you are the overlap.

10

MR. SCARINCI:

11

MR. TUCKER:

12

MR. SCARINCI:

13

MR. TUCKER:

14

DR. BROWN:

15

MR. TUCKER:

Ah.
Thank you.
There you go, Dennis.
If I may, Dr. Brown?

Please proceed.
This is Dennis Tucker.

16

Greg, I was going to follow up with a comment along

17

those lines.

18

three points to both 5 and 3.

19

I was one of those over lappers who gave

But I think after listening to our

20

liaisons as much as I loved 3 as a design and an

21

innovative design I would take away my three points if

22

that makes sense and keep my three points for 5.

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Even though it is a more conservative

2

and traditional coin design it does tell the story.

3

And getting back to this thought of our liaisons being

4

the teachers of Harriet Tubman's story, I think 5

5

works.

6
7
8
9

DR. BROWN:

Thank you very much.

So

let's go to -- we've got Art, Kellen, and then Peter.
MR. BERNSTEIN:
suggestion and a comment.

I have a parliamentary

My parliamentary suggestion

10

is I would find it easier if we voted on each coin

11

independently because there are variations that are

12

being suggested.

13

And it's just hard if we're looking at

14

six different choices.

15

coin independently.

16

And I'm suggesting we do each

That's my suggestion.

My comment has to do -- and this is

17

more about the way in which we score things.

18

we're talking about the silver dollar, I happen to be

19

a big fan of Design 7, Obverse 7, which had 20 points.

20

So if

Obverse 1 squeaked ahead with 22.

But

21

if we were to revote and throw out the losers it could

22

completely flip the result.

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And it's just -- I find a little

2

troubling that we're almost ready to approve Design

3

Obverse 1 for the silver dollar when in fact that

4

majority of us may prefer a different design but we

5

were voting on eight designs and not two.

6

DR. BROWN:

Thank you for your

7

comments.

8

we revise or consider for you to revise and probably

9

withdraw your motion to allow consideration of a

10

So Dennis, there's been a suggestion that

motion on each separate planchet.

11

MR. TUCKER:

12

DR. BROWN:

13

MR. TUCKER:

No.

Do you accept?
I would ask --

Okay.
-- that we just vote on my

14

motion.

And if it has no support we vote it down and

15

then continue from there.

16

DR. BROWN:

Understood.

17

MR. HOARD:

I would speak in favor on

Next, Kellen?

18

Clad Reverse 5, which is what was currently the

19

highest vote-getter.

20

And where I come from on that is not

21

only liaison support for it but actually as this is

22

the most accessible coin to the general public and I

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think the one that will be particularly well-received

2

both on, you know, price point and on design.

3

This is our opportunity to educate, as

4

we've discussed, probably the most effectively out of

5

any of the coins.

6

is most known for is her pursuit of freedom through

7

the Underground Railroad and whatnot.

8

opportunity to actually really build upon that.

9

Because I think what Harriet Tubman

This is our

And I think what 3 does, even though

10

it's an innovative design, what 3 does is it kind of

11

reemphasizes the focus on freedom.

12

It doesn't communicate as much new

13

information as I think we're able to do in as

14

compelling a way as we're able to do.

15

And I think this is our opportunity to,

16

you know, get -- promote that education on a new

17

subject through Reverse 5 in not only a good-looking

18

way but also in a way that will reach a large number

19

of people and explicitly reach a large number of

20

people as we've discussed before the need for being

21

explicit is sometimes --

22

DR. BROWN:

Peter?

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2

MR. WEINMAN:

the floor to go with all the high vote-getters.

3
4

There's still a motion on

MR. HOARD:

So I would speak in favor

of that motion.

5

MR. WEINMAN:

Yes.

6

DR. VAN ALFEN:

Yeah.

I just want to

7

say quickly I would speak in favor of that motion as

8

well.

9

give it too many points.

While I really do like Reverse 3, I did not

10

What I'm concerned about with adopting

11

the Reverse 3 with Obverse 4 -- I believe it is -- is

12

stylistic incongruity.

13

be much better paired with Obverse 5, for example,

14

where you would have obverse reverse -- is this one of

15

the --

16
17
18

I think that Reverse 3 would

UNIDENTIFIED SPEAKER 5:

Yes.

There

were three.
DR. VAN ALFEN:

Right.

And I think

19

that 5 -- Reverse 5 or 4 -- I'm sorry.

I'm losing

20

track of the numbers here.

21

proposed there is more congruity with the obverse-

22

reverse designs.

But I think that as

So I'm happy to support Dennis's

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2
3

motion.
DR. BROWN:
motion on the table.

We're speaking to the

So John and then Donald.

4

MR. SAUNDERS:

5

some very dangerous -- I agree with Donald.

6

the only time we'll agree on anything.

7

Well, again it brings

I like 3 better.

Probably

But I also think what

8

Art said is really important.

If we have two that are

9

close we should have a vote between the two that are

10

close because a lot of people, you know, have a

11

choice, like, one way or the other.

12

But you know, can only give three

13

points to the thing.

But I do think it's --

14

eliminating all the losers, I mean, we'll have a

15

parliamentary -- I think it's something that we should

16

think about doing regularly when there's a close --

17

you know, there's two clear, close ones and all the

18

rest of them are out.

19

DR. BROWN:

20

MR. SAUNDERS:

21

MR. WEINMAN:

22

So we're having a run-off?
Yeah.

That's what I --

There's still a motion --

there's a single motion on the table.

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DR. BROWN:

That's right.

We're going

2

to only speak to the motion on the table, my

3

colleagues, please.

4

Donald?

MR. SCARINCI:

So Dennis, since this is

5

your motion and if we're going to be stuck with

6

Reverse 5 that has the tents in -- you've got your

7

Civil War imagery on the reverse.

8
9

Could we possibly agree to clean up the
obverse and remove the stuff from the fields so that

10

we have something that matches in a better way as a

11

set, you know, our choice for No. 1 -- our choice for

12

the silver?

13

Could we remove all that stuff?

We've

14

got this -- we've now got -- the argument that was

15

made to keep the stuff is the Civil War imagery.

16

if we're going to go with the obverse with the tents

17

you got the Civil War imagery on the reverse.

18

But

Do we really need to clutter the

19

obverse with the stuff or can we just get rid of those

20

lines and the boats?

Could we live with that?

21

DR. BROWN:

22

MR. TUCKER:

Dennis?
I mean, that's -- I would

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not amend my motion along those lines.

2

people are in agreement with it then we can vote and

3

move in that direction so --

4

DR. BROWN:

But if other

Well, let me suggest that

5

be a secondary motion possibly.

6

table is what it is.

7

against the motion?

The motion on the

Any further comments for or

8

Hearing none, just as a reminder and to

9

not necessary lobby the committee -- as strong as this

10

motion can be passed as a different message to the

11

Secretary.

12

of the motion on the table signify by saying "aye".

So with that in mind, all those in favor

13

MULTIPLE SPEAKERS:

14

DR. BROWN:

15

All those opposed signify

by saying "nay".

16

MULTIPLE SPEAKERS:

17

DR. BROWN:

18

Aye.

numbers?

Nay.

Can you total those

I need to do a roll call.

19

MR. MORAN:

This is Mike Moran.

20

DR. BROWN:

Yes, Mike?

21

MR. MORAN:

Can you read the motion out

22

again?

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2

MR. WEINMAN:

As I understand, the

motion is to recommend all the high vote-getters.

3

MS. WARREN:

4

called which those are.

5

asking.

6

Mike wasn't on when you

That's probably why he's

MR. TUCKER:

Oh.

This is Dennis

7

Tucker.

8

gold obverse.

9

modification to Harriet Tubman's hair and bandanna.

10

There was one modification recommended to the
I think Ms. Hill had recommended a

So I would leave that to the Mint's

11

discretion to consider that design modification.

12

was part of the original motion.

13

That

Other than that, yes, it was -- the

14

motion is basically to recommend to the Secretary of

15

the Treasury the high vote-getters from our ranking.

16
17

DR. BROWN:

Mike, does that answer your

question or do you need more information?

18

MR. MORAN:

No; that answers it.

19

DR. BROWN:

Thank you, sir.

We're

20

going to need to do by show of hands a vote for this

21

motion.

22

Art Bernstein?
MR. BERNSTEIN:

Nay.

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DR. BROWN:

Okay.

2

DR. FULLER:

3

DR. BROWN:

4

DR. KOTLOWSKI:

5

DR. BROWN:

6

MR. SAUNDERS:

7

DR. BROWN:

Mike?

8

MR. MORAN:

Nay.

9

DR. BROWN:

Donald?

Nay.
Dean?
Nay.

John?

10

MR. SCARINCI:

11

DR. BROWN:

12

Harcourt?

Nay.

Nay.

Dennis?

Well, you made the

motion.

13

MR. TUCKER:

Yay.

14

DR. BROWN:

15

DR. VAN ALFEN:

16

DR. BROWN:

17

MS. JACKSON:

18

DR. BROWN:

Kellen?

19

MR. HOARD:

Aye.

20

DR. BROWN:

And Chair votes -- not

Peter?
Aye.

Darla?
Aye.

21

necessary.

But I think this motion fails.

22

we are ready for another motion.

Okay.

Let's go to, in

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fact, Art Bernstein.

2

MR. BERNSTEIN:

I move that we consider

3

the silver dollar designs and take a revote on the

4

choices amongst the obverse limited to the two high

5

scorers.

6
7

DR. BROWN:

Is there a second for that

motion?

8

UNIDENTIFIED SPEAKER 6:

I second it.

9

MR. MORAN:

Mike Moran.

Yes.

10

DR. BROWN:

Okay.

11

Mike was second.

Discussion on motion?

12

MR. HOARD:

I would speak against the

13

motion of revoting.

14

But I would actually make a motion to vote on the top

15

vote-getters.

16

This would be a separate thing.

But I would actually make a motion

17

against revoting given the fact that the way the

18

voting system is structured it's not that you have a

19

limited number of points to allocate between them.

20

But sure; you've got -- might have more

21

designs.

But you could have given all of them threes.

22

The revoting doesn't really change allocation.

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It's not like you have ten to choose

2

points between.

3

somewhere super productive.

4

So I'm not sure that would get us

I would think that it would make more

5

sense to vote nay on that motion and then put in a

6

motion to actually just approve the design for the top

7

vote-getters.

8
9

MR. WEINMAN:
friendly amendment.

That sounds like a

Actually I think that it probably

10

makes more sense to just make a motion to support

11

either 01 or 07 and then see how the vote comes out.

12

DR. BROWN:

Okay.

13

MR. HOARD:

So would you accept a

14

friendly amendment to just vote on the top vote-

15

getters of Obverse 1 and Reverse 1?

16

MR. BERNSTEIN:

No.

I think I would

17

prefer to do what I heard Greg suggest, which was I

18

would like to I guess amend my motion --

19

DR. BROWN:

20

MR. BERNSTEIN:

21
22

Okay.
-- that we select

Obverse 7 as the design for the silver dollar.
DR. BROWN:

Along with the reverse?

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2

MR. BERNSTEIN:
to that --

3

DR. BROWN:

4

MR. BERNSTEIN:

5

DR. BROWN:

6

MR. BERNSTEIN:

7

DR. BROWN:

8

MR. WEINMAN:

9

14

-- one issue.

Okay.
Thank you.

Thank you.
We have a clear motion on

DR. BROWN:

Is there a second for the

MR. MORAN:

I'll second it.

DR. BROWN:

Mike Moran seconds.

motion?

12
13

Okay.

the table.

10
11

I was just limiting it

It's Mike

Moran.
Any

15

further discussion on the motion?

16

those in favor of the motion signify by saying "aye".

17

MULTIPLE SPEAKERS:

18

DR. BROWN:

19

Aye.

All those opposed to the

motion signify by saying "nay".

20

MULTIPLE SPEAKERS:

21

DR. BROWN:

22

Hearing none, all

Nay.

Another roll call.

So we know where you stand, Art.

Harcourt?

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DR. FULLER:

Nay.

2

DR. BROWN:

3

DR. KOTLOWSKI:

4

DR. BROWN:

5

MR. SAUNDERS:

6

DR. BROWN:

Okay.

7

MR. MORAN:

Aye.

8

DR. BROWN:

Donald?

9

MR. SCARINCI:

Okay.

Nay.

John?
Aye.
Mike?

No.

10

DR. BROWN:

11

MR. TUCKER:

12

DR. BROWN:

13

DR. VAN ALFEN:

14

DR. BROWN:

15

MS. TUCKER:

16

DR. BROWN:

Kellen?

17

MR. HOARD:

Nay.

18

MR. WEINMAN:

19

Dean?

Dennis?
Nay.
Peter?
Nay.

Darla?
Nay.

Sounds like the motion

fails.

20

DR. BROWN:

Next motion?

21

MR. HOARD:

I'd like to make a motion

22

Kellen?

to approve both Obverse 1 and Reverse 1 --

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UNIDENTIFIED SPEAKER 7:

2

MR. HOARD -- for the silver dollar.

3

DR. BROWN:

Is there a second --

4

MR. HOARD:

Correct.

5

DR. BROWN:

Which one?

7

MR. HOARD:

The top vote-getters.

8

DR. BROWN:

Yes.

9

MR. HOARD:

Yeah.

10

DR. BROWN:

Obverse 1 and Reverse 1;

6

11

Silver dollar.

The silver

dollar?

Okay.

yes.

12

DR. VAN ALFEN:

13

DR. BROWN:

14

MR. SCARINCI:

And I'll second that --

Okay.

Second by Peter.

Point of order.

15

really need a motion because they're the two

16

prevailing designs?

17

DR. BROWN:

18

MR. SCARINCI:

19

DR. BROWN:

Do we

They would be the default.
Oh, okay.

It would be -- that would

20

be the default position.

If you want -- but however

21

when the letter is written it does give the

22

recommendation more strength if it comes from a motion

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so --

2
3

MR. WEINMAN:

Especially if it's

unanimous.

4

DR. KOTLOWSKI:

This is Dean Kotlowski.

5

I think in light of the extended discussion that we've

6

had today it might be a good idea just to take a vote

7

on this motion.

8
9
10

DR. BROWN:

Okay.

discussion on the motion on the table?

Hearing none,

all those in favor, aye.

11

MULTIPLE SPEAKERS:

12

DR. BROWN:

13

Any further

nay.

Aye.

Opposed to the -- opposed

Motion carries unanimously.

14

MR. WEINMAN:

15

DR. BROWN:

Next motion.

16

MR. HOARD:

I'd like to make a motion

17

All right.

DR. VAN ALFEN:

19

DR. BROWN:

Second.

Okay.

Van Alfen.

That's the gold.

Repeat it once more.

21
22

Kellen?

on the gold piece for Obverse 4 and Reverse 1A.

18

20

One down.

MR. HOARD:

Obverse 4 and Reverse 1A

for the gold.

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DR. BROWN:

Okay.

3

MR. HOARD:

This is gold.

4

DR. BROWN:

Discussion?

5

MR. SCARINCI:

2

6

second.

DR. BROWN:

8

MR. SCARINCI:

Please.
Could we also amend the

motion to include the showing of the hair?

10
11

Discussion on the

motion?

7

9

And there's a

MR. HOARD:

Oh, and of course, yes, it

would also include at the Mint's discretion for that.

12

DR. BROWN:

13

discussion on the motion?

14

favor, aye.

Okay.

Any further

Hearing none, all those in

15

MULTIPLE SPEAKERS:

16

DR. BROWN:

Aye.

Opposed, nay.

17

the motion carries unanimously.

18

the table?

Okay.

Seems like
Next motion on

19

MR. HOARD:

Now I'm nervous.

20

DR. BROWN:

Go for it, Kellen.

21

MR. HOARD:

I would motion to approve

22

Obverse 4 and Reverse 5 --

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UNIDENTIFIED SPEAKER 8:

2

MR. HOARD:

3

MS. WARREN:

4

DR. BROWN:

6

MR. TUCKER:

second.

14
15

I was going to admit that

DR. BROWN:

Very good.

MR. HOARD:

Obverse 4 and Reverse 5 for

DR. BROWN:

Yes; okay.

There's been a

Any further discussion on the motion?
MR. SCARINCI:

Excuse me.

Just for

clarification, so we're talking about the gold?

16

MR. HOARD:

17

MR. SCARINCI:

18

DR. BROWN:

19

MR. SCARINCI:

20

Repeat the

the clad.

12
13

Dennis?

motion again.

10
11

Dennis has his hand

same motion so I'll second it.

8
9

For the clad.

raised.

5

7

For the clad.

the clad.

The clad.
Clad.

Clad.
Oh, we're talking about

I'm sorry.

21

DR. FULLER:

22

DR. BROWN:

I guess -- may I?
Please.

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DR. FULLER:

My only concern is I feel

2

-- and I don't even remember how I voted.

3

4 from the clad and Reverse 5 to me -- I'm sorry.

4

I see Obverse 4 and Reverse 5?

But Obverse

5

MS. WARREN:

Four is up right now.

6

DR. FULLER:

Four and Reverse 5.

7

just look similar to me.

8

I'm sorry.

9

DR. FULLER:

11

DR. BROWN:

12

Yep.
And that's it.

Further comments on the

motion on the table?

13
14

They

It's like a two-headed coin.

MR. SCARINCI:

10

Can

MR. SCARINCI:

I completely agree with

Harcourt.

15

DR. KOTLOWSKI:

This is Dean Kotlowski.

16

That's the point I've been trying to make even earlier

17

today.

18

DR. BROWN:

Okay.

Someone want to

19

offer a friendly amendment for the maker of the

20

motion?

21
22

DR. KOTLOWSKI:

I can do an unfriendly

one.

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DR. BROWN:

You can just vote it down.

MR. HOARD:

You can just vote it down

5

DR. BROWN:

Okay.

6

MR. HOARD:

I would speak on that

2

Okay.

3
4

then.

7

discussion as well.

Earlier to Peter's point, I think

8

there is something to be said for continuity between

9

the designs in addition to what I said about there

10

actually being greater value in having some level of

11

explicit education out there.

12

And then actually even though I think

13

Reverse 3 I think is the one that is an alternative,

14

even though I think that one does have, you know, some

15

level of education to it.

16

Even beyond the points of congruity and

17

education it's just not I think as attractive a design

18

as it could be, including the fact that I think the

19

chains to me look a little bit like ClipArt as they're

20

currently set.

21
22

And that I could go into, you know,
Word and search "broken chains" and pop that in.

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so that's less visually compelling to me than -- again

2

as a student with a limited budget who wants to buy

3

one of these coins, one that would last -- learn

4

something new and share that with people as well -- as

5

a coin collector share the education factor of it.

6

DR. BROWN:

7

DR. KOTLOWSKI:

Thank you, Mr.

8

Chairman.

9

have a very full set here of three coins and then a

10

Dean Kotlowski.

Dean?

lot of text.

11

I think that, you know, we

We have a lot of education here.
I think I'm not persuaded that this

12

reverse is incongruous with the first obverse.

13

think that -- I think there's just, like Harcourt was

14

saying, there's just too much similarity between the

15

two.

16

I

You have a figure of Harriet Tubman.

17

And then you've got something kind of military in the

18

background.

19

little bit like you're hammering the point home just a

20

little too much.

21
22

And I think you're just -- it feels a

And I'm going to go back to where I
started here about three hours ago talking about the

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design I love more than life itself -- that no one

2

else loved, by the way.

3

You know, I'm going to keep -- I'm not

4

going to let it go.

I think there needs to be a place

5

for some kind of modernity and innovation here --

6

something that really -- I mean, where you pick it up

7

and you think, "Oh my goodness.

8

It's a different way of experiencing Harriet Tubman.

9

That's all.

This is a leader."

I'm not going to say anymore.

10

DR. BROWN:

Appreciate it.

11

motion on the table here.

12

comments about the motion on the table?

Anyone have any further

13

MR. SCARINCI:

14

MR. TUCKER:

15

DR. BROWN:

16

MR. TUCKER:

17

DR. BROWN:

18

And then Donald.

19

We have a

Yes.
Dr. Brown?

Dean?
This is Dennis Tucker.
Oh, I'm sorry.

Dennis?

Proceed, Dennis.

MR. TUCKER:

Oh, thank you.

This is

20

Dennis Tucker.

21

comes to the reverse of the clad half-dollar.

22

We can listen to our liaisons when it

Reverse 3 was only favored.

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was a formal preference.

A minor or seemingly minor

2

distinction, but I think one that's important.

3

would say we give the weight to the liaisons'

4

preference of Reverse 5.

5

DR. BROWN:

6

MR. SCARINCI:

So I

Donald?
So I guess, you know, if

7

I have to be the lawyer here on what the -- and

8

interpret what the liaisons were saying, there is one

9

things that's not happening in all three coins that is

10

not going to happen unless we support 3 for this

11

reverse.

12

And that is that the word "Free" is not

13

used in this entire set unless you use it here and you

14

select -- and select Reverse 3.

15

DR. BROWN:

16

vote now.

17

table please say "aye".

I think we are prepared to

All those in favor of the motion on the

18

MULTIPLE SPEAKERS:

19

DR. BROWN:

20

MULTIPLE SPEAKERS:

21

MR. WEINMAN:

22

DR. BROWN:

Aye.

Those opposed?
Nay.

Roll call.
Roll call.

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MR. BERNSTEIN:

2

DR. BROWN:

3

DR. FULLER:

4

Harcourt?
I'm a little bit confused

about what we're voting on.

5

MR. SCARINCI:

6

DR. BROWN:

7
8
9

No.

Yeah.

We're voting on the

motion -MR. WEINMAN:

You're voting on

recommending Obverse 4 and Reverse 5.

10

DR. FULLER:

Nay.

11

DR. BROWN:

12

DR. KOTLOWSKI:

13

DR. BROWN:

14

MR. SAUNDERS:

15

DR. BROWN:

Mike?

16

MR. MORAN:

Nay.

17

DR. BROWN:

Donald?

18

MR. SCARINCI:

19

DR. BROWN:

20

MR. TUCKER:

21

DR. BROWN:

22

DR. VAN ALFEN:

Dean?
Nay.

John?
Nay.

Nay.

Dennis?
Yay.

Yes.

Peter?
Yes.

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DR. BROWN:

2

MS. JACKSON:

3

DR. BROWN:

Kellen?

4

MR. HOARD:

Aye.

5

DR. BROWN:

Did I get everyone's vote?

6

It fails.

Darla?
Aye.

It fails.

7

MR. MENNA:

Could I add something?

8

DR. BROWN:

You certainly may.

9

MR. MENNA:

Just if it makes anyone

10

feel better or worse, just from a purely technical

11

perspective, Dr. Dean brought up a stamp that had this

12

graphic image because it works very successfully as a

13

graphic image.

14

It is a graphic image.

It will

15

generate a totally flat coin if that's of any interest

16

to anyone.

17

design.

I'm not saying it's not an excellent

18

But it is a graphic design, brilliant

19

as it may be.

20

coin one will not have it on that artistically

21

speaking.

22

If one is interested in relief on a

DR. BROWN:

-- not a reverse.

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MR. MENNA:

2

MR. VASQUEZ:

3

The reverse, reverse.
May I follow up on that,

please?

4

DR. BROWN:

May I suggest the

5

appropriate time to get a motion on the table and then

6

we can have discussion after?

7

we've got three possibilities.

8

Peter.

9

DR. VAN ALFEN:

I see the hands.
Let's start with

My notes indicate that

10

Obverse 5 of the clad was the runner-up.

11

to adopt Reverse 5 with Reverse 3.

12

DR. BROWN:

13

DR. VAN ALFEN:

14

17
18
19
20

My motion is

Obverse 5?
Or Obverse 5 with

Reverse 3 to see if that gets us our vote.

15
16

So

DR. BROWN:

Is there a second for that

motion?
DR. KOTLOWSKI:

I second that.

That's

actually what I was going to move.
DR. BROWN:

Very good.

Further

discussions on that motion?

21

MR. SCARINCI:

22

one we're talking about now?

Can you show us which

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2

MR. HOARD:

This obverse with Reverse

3, which is the -- this reverse.

3

DR. BROWN:

Let's go to Kellen.

4

MR. HOARD:

I would just say this

5

design to me moves entirely away from her work during

6

the Civil War.

7

And as a member of the public I would

8

not only not realize it was related to the Civil War,

9

I would also have nothing to indicate to me that I

10

should look more into her Civil War work by my own

11

research.

12

So I would probably not support this

13

motion just in that I think it's too far divorced from

14

the lineage we're trying to establish.

15

DR. BROWN:

So Peter, I see you're

16

shaking your head.

17

to withdraw your motion or not?

18
19

Does that mean that you're willing

DR. VAN ALFEN:
this motion goes.

20

DR. BROWN:

21

DR. KOTLOWSKI:

22

I'd like to see where

withdraw my second.

Okay.
Dr. Brown, I have to

I thought this was for 4 and 3.

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And it's not.

2

my second.

It's for 5 and 3.

3

MR. SAUNDERS:

4

DR. BROWN:

5

I'll second it.

So John, you had a comment

about the --

6

MR. SAUNDERS:

7

DR. BROWN:

8

So I'm withdrawing

Yeah.

I --

We've got the motion on the

table that I'm happy to revise --

9

MR. SAUNDERS:

Okay.

I have a problem

10

with 5.

I think the leaves when you first look at it.

11

Again the average person looks at it they're going to

12

think it's a feather.

13

And all of a sudden we've turned her

14

into a Native American here.

15

Native Americans.

16
17

Nothing wrong with

But they're just --

MS. HILL:

Right.

But it's not what

we're doing here.

18

MR. HOARD:

Are we able to ask --

19

DR. BROWN:

We certainly are.

20

MS. HILL:

If I could, this is a

21

beautiful coin.

But it's not -- it is not

22

sufficiently depicting her work in using natural

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medicine to be honest about it.

2

feathers.

3

And it does look like

And I thought it was a headdress.
And you need to know that Tubman did a

4

lot of work with native women in the suffrage space.

5

And so I think it's going to really make it very

6

murky.

7

considered.

8
9

And for that reason I don't think it should be

And I do think that the 50 cent piece
is going to be the one that's going to be the most

10

purchased by young people, by new voters, by a broad

11

swath of people.

12

And even though it has Harriet on both

13

sides of it doesn't make it a bad thing.

14

people feel like for their 50 cents they -- piece they

15

got a whole -- a, like, big bang for their buck so to

16

speak.

17

MR. HOARD:

18

MS. HILL:

I think

Two Harriets for one.
Two Harriets for one.

19

they got some education about the Civil War.

20

scout, spy with the tents.

21
22

And

Nurse,

That is the one image where what she's
wearing is perfect as compared to all the other images

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that you've looked at because the other ones have to

2

be adjusted.

3

And I think saying, "Roger, they've got

4

to go and adjust this.

5

that image doesn't need to be adjusted.

6

think that, you know, it -- I could see not having her

7

on both sides.

8
9
10

They've got to adjust" -- but
And I just

But 4 and 5 as a young person and I
bought that piece for -- got that 50 cent piece then I
would say I got two Harriets.

11

DR. BROWN:

So Peter, do you --

12

DR. VAN ALFEN:

I would like to take

13

those comments into consideration and respectfully

14

withdraw my motion.

15

DR. BROWN:

16

new motion on the table.

17

Dennis.

18

Thank you.

We'll hear a

Oh, I'm sorry.

One second,

We'll get to you.
MR. KEOWN:

I just had a quick comment.

19

I think it's important.

I mentioned earlier about

20

talking about the complete -- telling the complete

21

story about Harriet Tubman.

22

important for us to keep the picture in mind.

And I think it's

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And I think the comments that were made

2

about the fact that we're trying to talk about her

3

significant contributions as a conductor in the

4

Underground Railroad, and then the key leadership role

5

she played in the Civil War, and then what she did in

6

her older -- later stages of life.

7

I think it's important to really kind

8

of just -- this Combahee River raid was very, very

9

important.

And I think it -- these two pieces that we

10

landed on basically talks to that from a historical

11

standpoint.

12

I think it's very important to keep

13

that in mind -- to share that information.

14

really brings out a significant part of her leadership

15

and contribution to the country.

16

MS. HILL:

I think it

And there are -- I'm sorry.

17

But there are some significant historical books coming

18

out about the Combahee raid.

19

And I think it would really make this

20

commission committee look like you were behind the --

21

way behind the curve not to include this piece of

22

history in the 50 cent piece -- in the most obtainable

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piece.

2

DR. BROWN:

3

DR. FULLER:

Yes?
Please permit me -- I know

4

we've been discussing this a lot.

5

some time on this.

6

questions if I may please.

7

And we've spent

So I just need to ask a couple of

Are you comfortable with a double -- I

8

want to go back to my previous comment.

Are you

9

comfortable with a double -- what I'm calling a

10

double-headed coin?

I know it's not technically a

11

double-headed coin.

But are you comfortable with

12

that?

13

MR. MENNA:

This is Joseph Menna.

14

Fuller, with all due respect, I don't feel it's

15

appropriate for me to comment on that.

16

committee discussion.

17

DR. FULLER:

That's more

I understand.

But as a

18

member of the committee I would like your opinion

19

about it.

20

MR. MENNA:

Dr.

I'm comfortable with a coin

21

where I think historically for me the obverse tells it

22

-- the obverse is kind of the main -- the obverse is

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kind of the star of the show.

2

And the reverse is typically the

3

supporting cast where the obverse tells the main story

4

and the reverse is exposition.

5

interpret that.

6

MR. WEINMAN:

However you want to

Point of information.

7

This would not be -- by our standards this would not

8

be a two-headed coin.

9

bodied images.

10

We frequently feature full-

MR. MENNA:

And an exposition could be

11

if you look at our first spouse full metal series the

12

portrait was prominent on the obverse.

13

Oftentimes the first spouse was again

14

represented telling her story of what she did, how she

15

lived, what she liked on the reverse.

16

presented both times both as the marquis but then also

17

on stage doing what it is that she did.

18

DR. FULLER:

So she was

And in conclusion, if I

19

may be permitted, just going back to the liaisons --

20

again we've been talking about this for, you know, a

21

while.

22

portrayed on both sides?

So you're fine with the -- with her being
That's what you're saying?

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MS. HILL:

2

DR. FULLER:

3

MS. HILL:

4

Yes.
So in that -As long as we're dealing

with the Civil War on the reverse.

5

DR. FULLER:

So in that case I will

6

withdraw what I said before.

7

along with what the liaisons prefer if that -- and

8

that might mean I'm going back to my original

9

position.

10

And I will happily go

But in light of these discussions I

11

will go ahead with what the liaisons have so

12

eloquently pointed out.

13

DR. BROWN:

There seems to me from the

14

conversation here that there may be a different

15

receptivity to a motion that failed previously.

16

that be the case, I think --

17

MR. WEINMAN:

18

DR. BROWN:

19
20

So if

Motion to reconsider?
Motion to reconsider.

And

I think, Kellen, you were the maker of that motion.
MR. HOARD:

Okay.

I'll motion to

21

reconsider for the clad piece Obverse 4, Reverse 5

22

based on the comments of the liaisons.

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DR. BROWN:

2

MR. SCARINCI:

3

DR. KOTLOWSKI:

4

surprise.

5

liaisons said.

Is there a second?
I'll second.
I'm actually going to

I'm gong to second now based on what the

6

DR. BROWN:

My apologies, Dennis.

I

7

just wanted to get through this as quickly as I can.

8

So please forgive me for not recognizing you earlier.

9

Do you have a comment?

10

MR. TUCKER:

Understood.

Oh, well, I

11

was going to make that same motion.

12

if it comforts people, let you know that there's

13

precedent of having the honoree of a commemorative

14

coin on both obverse and reverse -- the Benjamin

15

Franklin commemoratives and the Christa McAuliffe

16

commemoratives.

17

that concern.

18

But I would also,

So if that consoles anyone who had
Anyway, that's all I had.
DR. BROWN:

Thank you so much, Dennis.

19

Any further questions or comments that have not been

20

further discussed previously?

21

in favor of the motion signify by saying "aye".

22

Hearing none, all those

MULTIPLE SPEAKERS:

Aye.

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DR. BROWN:

2

MR. SCARINCI:

3

tell people I oppose this.

4

DR. BROWN:

All those opposed by "nay".
I have to be able to
So I'm a nay.
Okay.

5

motion passed nearly unanimously.

6

on this matter?

It appears that the
Any other motions

7

Hearing none, if all discussion has

8

concluded then I would like to take this moment to

9

really express our appreciation and heartfelt thanks

10

to our liaisons for attending this meeting.

11

This has been a meeting that is unlike

12

any that I have come to participate in.

So we really

13

want to thank you for what you have provided to us.

14

And we look forward to continuing to

15

support such a phenomenal commemorative coin program.

16

Thank you so much.

17

lunch at this time?

Is it possible for us to consider
Do you think that's fine?

18

MS. WARREN:

19

DR. BROWN:

It's not set up yet; no.
Okay.

Then if that's the

20

case then may I suggest that we take a five-minute

21

break?

22

Five-minute break and then we'll come back.
(Off the record.)

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2

MS. WARREN:

It is 11:59 a.m.

And it

is recording.

3

DR. BROWN:

Thank you so much.

The

4

second item for today is our review and discussion of

5

the candidate design for the Congressional Gold Medal

6

for the members of the Women's Army Corps who were

7

assigned to the 6888th Central Postal Director

8

Battalion, known as the Six Triple Eight, authorized

9

by Public Law 117-97.

10

We are so pleased to have Megan

11

Sullivan to introduce the program and present the

12

obverse and reverse candidate designs.

13

MS. SULLIVAN:

Thank you, Dr. Brown.

14

As you mentioned, Public Law 117-97 awards a

15

Congressional Gold Medal to the members of the Women's

16

Army Corps who were assigned to the 6888th Central

17

Postal Directory Battalion, known as the Six Triple

18

Eight.

19

During WWII warehouses in Birmingham,

20

England were filled with millions of letters and

21

packages intended for US servicemembers in Europe.

22

The servicemembers noticed that they were not

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receiving mail from home.

2

that the lack of reliable mail was hurting morale.

3

And Army officials reported

As Allied forces drove across Europe,

4

the ever-changing locations of servicemembers hampered

5

mail delivery.

6

Army officials reported that the

7

personnel shortage resulted in millions of pieces of

8

undelivered mail and packages sitting in warehouses

9

across the region.

Army officials predicted that it

10

would take six months to restore mail delivery to the

11

troops.

12

In November of 1944, a battalion of

13

817, later 824, enlisted personnel and 31 officers of

14

African American women were selected for overseas

15

assignment.

16

This unit was designated as the Six

17

Triple Eight Central Postal Directory Battalion,

18

nicknamed "Six Triple Eight".

19

Adams was chosen as the newly formed unit's battalion

20

commander.

21
22

Major Charity Edna

While stationed in Birmingham working
in austere wartime conditions and segregated by gender

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and race, Major Adams devised an efficient 24-hour

2

mail processing system for the Six Triple Eight to

3

route approximately 65,000 pieces of mail per eight-

4

hour shift.

5

Based on processing approximately

6

195,000 pieces of mail per day, the Six Triple Eight

7

cleared the over seventeen million mail and package

8

backlog in three months -- well ahead of the Army's

9

six-month goal.

10

After mission success in Birmingham,

11

the Six Triple Eight relocated to France and cleared

12

those mail backlogs -- some undelivered mail dating

13

back as far as three years.

14

While in France, the Six Triple Eight

15

suffered a tragic loss when three of its members were

16

killed in a crash and were buried at Normandy, funded

17

by the other members of the Six Triple Eight.

18

On March 2, 1946, the last members of

19

the Six Triple Eight boarded a transport ship in

20

France for return to the United States.

21
22

There was no parade or any recognition
for the important work done by the battalion until

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they received the Meritorious Unit Commendation from

2

the Army in 2019.

3

The motto of the Six Triple Eight was

4

"No mail, low morale", reflecting the critical

5

contributions made by the unit to increase the morale

6

of all United States personnel stationed in the

7

European theater of operations during World War II.

8

In developing the designs, the Mint

9

worked with three liaisons -- the primary liaison,

10

Edna Cummings, Six Triple Eight advocate and producer

11

of the Six Triple Eight documentary; Carlton Philpot,

12

chairman and project director of the Six Triple Eight

13

monument projects; and Tracy Bradford, curator at the

14

US Army Women's Museum.

15

And we have all three of them available

16

to us today.

17

speaking?

And then would you like to begin by

18

MS. CUMMINGS:

Sure.

19

MS. SULLIVAN:

Thank you.

20

MS. CUMMINGS:

Hello.

Thank you so, so

21

very much to the committee.

And I appreciate the

22

opportunity to discuss the Six Triple Eight portfolio.

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This is probably one of the highlights

2

of my life.

3

retired Army so this is very, very close to my heart

4

as it is with Tracy and Carlton.

5

You know, I'm an Army brat and I'm also

The Six Triple Eight was a unique World

6

War II Women's Army Corps unit who solved the

7

military's mail and morale problem.

8
9

I know we have at least one veteran in
here who happens to be army.

But if you're in the

10

military, regardless of where you are in theater, the

11

Army is in charge of your mail -- or the executive

12

agent.

13

So as with many segregated African

14

American World War II units, the unit consisted of

15

predominately African American women.

16

But it contained soldiers from diverse

17

ethnic and cultural backgrounds.

18

woman was from Puerto Rico because of her skin tone.

19

We know at least one

When she came to the US the Black women

20

went to one side who were dark-skinned because it was

21

summertime and the light-skinned women went to the

22

other side.

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Wintertime, she went overseas, she was

2

-- her tan had faded.

3

the White unit.

4

So she was able to go work with

So it just depended.
So either by birth, choice, or the one-

5

drop rule this diverse ethnic and cultured group of

6

women served with the Six Triple Eight.

7

And something interesting about the Six

8

Triple Eight is that all the women had to have high

9

school diplomas.

10

Now in World War II post-Depression the

11

literacy level of the United States was very, very low

12

-- less than 50 percent high school diplomas.

13

About 85 percent of the Six Triple

14

Eight either had college degrees or they were -- all

15

of them were high school graduates -- women between

16

the ages of 21 and 50.

17

again coming from most of the states that represented

18

the diversity.

19

And some got waivers.

So

And moreover the Six Triple Eight is

20

now the only military women's unit to receive the

21

nation's highest honor -- the Congressional Gold

22

Medal.

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You have the women's air service pilots

2

-- was not a military unit.

3

veteran status until 1977.

4

unit receiving benefits once they left active duty,

5

the Six Triple Eight was that unit.

6

They did not receive
So in terms of a military

A year ago we started this process with

7

Megan.

8

with some suggestions for inscriptions and designs.

9

And then we refined those to give some of those must-

10
11

So thank you so very much.

And we came up

haves.
As I listened to the discussion about

12

the Harriet Tubman coin, it is important that this

13

coin represents history.

14

deeper and when they see the images on this coin and

15

inscriptions it makes them curious.

16

We want the public to dig

So based on our review of the

17

portfolio, we had some collective concerns about some

18

representations.

19

the presentation before.

20

Again I'm just so excited.

I heard

Because some of the ethnic

21

representations for African American Women is so

22

important as the only military women's unit that

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happened to be African American.

2

But we still have a story to tell.

3

this story of the Six Triple Eight has inspired so

4

much far beyond the Congressional Gold Medal.

5

a documentary.

6

musical.

7

We have a monument at Fort Leavenworth,
Kansas and just articles and articles.

9

genuine public interest.

11

We have

There's a movie in the works, a

8

10

And

So there is

So we have an opportunity

here to tell their story on a coin.
So we have the designs in this

12

portfolio that I believe represent our ten areas of

13

agreement with refinement of course.

14

want the final coin to represent the history of the

15

Six Triple Eight and a curiosity as a learning tool.

16

Megan, you talked about the three women

17

who were buried at Normandy.

18

Normandy, there are only four women.

19

from the Six Triple Eight.

20

Arlington National Cemetery.

21
22

And we again

Of the 9,000 graves at
And three are

There are 14 buried at

And there are Six Triple Eight women
buried in our national cemetery.

So that's an image

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that we would like incorporated on the coin.

2

there now.

3

refinements.

4

It's not

But that's just an example of some of the

Charity Adams was a battalion

5

commander.

6

leader.

7

of the Six Triple Eight and their leader has also

8

generated a lot of public interest.

9

This is a unit award.

But a unit has a

So collectively the image and representation

As part of DOD's base renaming efforts,

10

Fort Lee will now be named Fort Gregg-Adams after

11

Charity Adams, the Six Triple Eight commander, and

12

Lieutenant General Gregg.

13

what this coin represents.

14

That's just an example of

And by the way, she was only 26 years

15

old.

16

855 people normally in today's time is a lieutenant

17

colonel, maybe in the 40s, mid-40s.

18

To our veteran here, a battalion commander of

This 26-year-old woman led 855 women

19

overseas to clear a problem that was impacting the

20

war.

21

this was in February when these women went over to

22

solve a problem that was impacting the morale.

The war wasn't over until September of '45.

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So as the primary liaison I reviewed

2

the portfolio and agreed that the current portfolio,

3

specifically Obverse and Reverse 3, tells that story

4

with refinements of course.

5

And it serves as a historical

6

commemorative coin that I believe the nation will

7

appreciate to see.

8
9

So subject to your questions, are there
-- I don't know if I'm supposed to -- but consistent,

10

you know, with the portfolio I think again Obverse and

11

Reverse 3 with refinements -- that's what the majority

12

of our team members support.

13

And thank you for your time and energy

14

to tell this amazing story.

So with that I will turn

15

it over to Carlton, Carlton Philpot, another liaison

16

member.

17

the airport going to Greece --

And Tracy may have some comments.

18

DR. BROWN:

19

MS. CUMMINGS:

20
21
22

have any comments?

She's at

We'll get Tracy -Yeah.

Tracy, do you

Maybe she got on the plane.

MS. SULLIVAN:

Okay.

She indicated to me she

wasn't necessarily planning to speak --

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MS. CUMMINGS:

Okay.

2

MS. SULLIVAN:

-- because she is in the

3

airport.

But appreciated.

4
5

MS. CUMMINGS:

All right.

Thank you

for your time.

6

DR. BROWN:

7

MS. CUMMINGS:

8

MR. PHILPOT:

9

DR. BROWN:

10

Thank you, Edna.
Sure.
Good morning, Dr. Brown.
Good morning.

MR. PHILPOT:

Committee members here

11

and committee members virtually, the Mint staff,

12

special tribute to Tracy -- I mean --

13

MS. SULLIVAN:

14

MR. PHILPOT:

15

MS. SULLIVAN:

16

MR. PHILPOT:

Megan.
-- Ms. Sullivan.
There you go.
And my three liaison

17

members.

18

promptly replied to my many questions and those types

19

of things.

20

She answered a lot of questions.

She always

And being the only gentleman involved

21

in this I was often as at home with three -- a wife

22

and two daughters -- it is a tremendous pleasure and

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an immense responsibility.

2

But what I'm getting ready to say and

3

the decisions that we make today is going to impact

4

for generations and generations to come.

5

And hopefully this coin -- and I was

6

impressed as I listened to your process and

7

deliberation for the Harriet Tubman coin and the

8

various options.

9

And so today I'm going to focus on some

10

areas that I disagree with what has been presented

11

today and the recommendations.

12

recommendations are this.

13

the Mint.

14

on.

15

And the basis for my

And it's on the website of

I don't know why I didn't put my glasses

Congress had an intent when they

16

invented the -- approved the Congressional Gold Medal.

17

And that was to honor those individually and as a

18

group who had performed an achievement that has an

19

impact on American history and culture that is likely

20

to have latched long in the recipient's field as long

21

as the achievement has been done.

22

So my comments are based on that.

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I'm going to highlight in mine issues -- highlight

2

issues with the current illustration that are not

3

uniquely applicable to the 6888th, suggest

4

inscriptions and images that are uniquely applicable

5

to the 6888 because it was awarded to the 6888th and

6

not to recognize newspapers and their contributions.

7

I'd like to offer to collaborate with

8

the Mint staff, this committee's commission, and

9

anyone with the expertise that I have as we move

10

forward.

It's important to move forward.

11

I know there's concern about the ages.

12

When we started this project in 2014 we located 15

13

6888th veterans.

14

100 to 103.

15

Left now are six ranging in age from

And the most mentally agile is the one

16

that's 103.

She is an accomplished artist.

And she

17

was one of the drivers assigned to Charity Adams.

18

I want to -- we all have the same goal

19

-- to ensure that the 6888th receives a Congressional

20

Gold Medal worthy of their services and sacrifice.

21

They served this country before the

22

country served them with images and inscriptions

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uniquely applicable to the 6888th and to meet

2

Congress's intent.

3

Now let's take the inscriptions.

We

4

started out with 14.

5

adjustments.

6

these illustrations are they do not reflect an

7

achievement that has an impact on American history and

8

culture.

9

They made modifications and

And we're down to nine.

Germane to all

Generic images and inscriptions are not

10

uniquely applicable to the 6888th.

11

words "6888th" off those coins does it -- does the

12

images tell you that this is the 6888th?

13

them one-by-one if you may.

14
15

MS. HANCHOCK:

MR. PHILPOT:

17

MS. HANCHOCK:

STE-001.
Excuse me, sir.

We're

I'm sorry.
We haven't presented the

portfolio yet.

19

MR. PHILPOT:

20

MS. HANCHOCK:

21

MR. PHILPOT:

22

Let's take

not there yet.

16

18

If you take the

Okay.
That's at the -The images that I do not

think are applicable and unique to the 6888th -- I can

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discuss those individually when you get to them.

2

And my background is this.

For 30

3

years or more I have spearheaded eight monuments

4

honoring the 6888th, the Buffalo Soldiers, Colin

5

Powell.

6

I have worked with the artists who do

7

the Buffalo Soldiers stamp.

I worked with Felix de

8

Weldon, who did the Iwo Jima monument on designing the

9

Buffalo Solider monument.

That's what I've done.

And

10

I've created several commemorative coins out of

11

bronze, 99.99 silver, and 24-karat gold honoring the

12

Buffalo Soldiers.

13

Now really the most important thing is

14

I'm willing and committed to working with this

15

committee, this commission, and anyone who wants to

16

move forward with this.

17

And all of the women -- I know there

18

may be a delay.

19

they want everything done right.

20

of time necessary to make it applicable to the 6888th.

21
22

But everyone that I've talked to -They want the amount

And concerning Charity Adams' image,
she is a leader.

I commissioned a $50,000 sculpture

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to her.

And it's placed on top of the monument.

2

all that I've talked to feel that no one person should

3

be reflected as the 6888th.

4

But

And I think that's a technicality of

5

legislation I was just told -- and was passed -- that

6

it must be dedicated to the group.

7

technicality that Charity Adams' name was mentioned in

8

the brief.

9
10

There's a

Thank you for your time.
DR. BROWN:

Thank you so much.

Donald,

did you have a question?

11

MR. SCARINCI:

Before he sits down --

12

I'm sorry.

13

that you would like more time on the design and you

14

would like us to reject all the designs and go back to

15

the board?

16

So you are asking us -- you are suggesting

Is that what you're asking?
MR. PHILPOT:

To be candidly, I'm

17

saying that I would like to work with someone.

I have

18

ideas.

19

we've talked to Felix de Weldon, the master sculpture.

20

Now that limited-edition prints that we

But all the other projects that we've had

21

did -- the experts, which you all are, we gave our

22

ideas.

You came forward.

They came forward with

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better ideas than we have.

2

My recommendation out there -- yes,

3

sir.

To answer your question, yes, sir.

4

to -- I think I want to move forward with what we

5

have.

6

But I want

And if we can find working with Megan's

7

team, Ms. Sullivan's team, and your input -- I would

8

like to see if we can just move forward and move --

9

take what we have now someplace and move forward.

10

I

don't know that answer.

11

MR. SCARINCI:

Are there any images in

12

this packet that you would -- you and the people you

13

talked to --

14

MR. PHILPOT:

Looking at the artwork --

15

that was a good question.

16

look at STE-001 and STE-002, which is not applicable

17

to the -- with the 6888th.

18

Looking at the artwork, I

ST-03, STER-03 -- that I could work

19

with the artist.

But with the input that we have --

20

as long as it's historically accurate and it's

21

applicable -- uniquely applicable to the 6888th as set

22

forth on the website of the USS Mint and it's long-

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2

lasting.
What I see so far are general postal

3

duties that if you took 6888th off could you tell it's

4

the 6888th unit?

5

you have to answer that question.

6

That's the question I ask.

DR. BROWN:

Thank you so much.

I think

You've

7

given us a large amount of information to consider.

8

May I suggest the following?

9

there are some aspects of the design that you've seen

It seems to me that

10

that you can embrace.

And there are some aspects for

11

which you might have different suggestions.

12

fair representation?

13

MR. PHILPOT:

14

DR. BROWN:

Is that a

Yes, sir.
So that being the case, if

15

you would be receptive to allow us to continue with

16

the process and then define those designs that we

17

think have artistic and historical benefit and get

18

your feedback at that point, especially since we do

19

have -- and we've got the benefit of another liaison

20

and the primary liaison --

21

MR. PHILPOT:

22

DR. BROWN:

Right.
-- with respect to this

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design.

2

MR. PHILPOT:

3

DR. BROWN:

4
5

that?

Yes.

And I think --

Would you be able to do

Would that be -MR. PHILPOT:

Yes, sir.

With the

6

artists and with the expert I've heard here today I

7

think we can come to a conclusion that the 6888th

8

women, their family members, the six living women now,

9

will be appreciative of.

10

And it tells a story.

let the coin tell the story.

11

DR. BROWN:

12

MR. PHILPOT:

13

DR. BROWN:

And

Yes, sir.

Appreciate that.
Yes, sir.
So with that, I suggest

14

that we have Megan go through the design candidates

15

that we currently have and see from the perspective of

16

the CCAC those which we embrace and get the feedback

17

from our liaison, particular our primary liaison, as

18

we decide to go forward or not to go forward.

19

MR. SCARINCI:

Mr. Chairman, in the

20

presentation, Megan, could you -- you know, maybe I

21

don't understand the two liaisons.

22

us a little bit about the two liaisons in your

And could you tell

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presentation about the recommended designs?

2

MS. SULLIVAN:

I can tell you flat out

3

two of the liaisons -- both Ms. Cummings and then

4

Tracy, who you did not hear from -- agree on one

5

particular recommendation.

6

made no recommendation.

Mr. Philpot has had --

7

MR. SCARINCI:

Okay.

8

MS. SULLIVAN:

So --

9

MR. SCARINCI:

Thank you.

10

MS. SULLIVAN:

I'll highlight that one

MS. HANCHOCK:

And who's the primary

11

too.

12
13
14
15

liaison again?

Just to remind the -MS. SULLIVAN:

primary liaison.

Colonel Cummings is the

Oh, she's over here now.

16

MS. CUMMINGS:

Thank you.

17

MS. SULLIVAN:

You just moved on me.

18

MS. WARREN:

This is Jennifer.

Just so

19

you know, the designation is made by the sponsors of

20

the law, not by us.

21

they give primary.

22

We are given all the names.
Just giving it for the record.

DR. BROWN:

Yes.

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MS. SULLIVAN:

2

DR. BROWN:

Okay.

And I think that's useful

3

to put on the public record so the public can see

4

that.

5

that with us.

6

So thank you so much, Jennifer, for sharing

MS. SULLIVAN:

Okay.

So we'll move

7

through to the designs.

8

Charity Adams holding boxes under one arm while

9

flipping through papers in her other hand.

10

Obverse Design 1 features

Two members of the Six Triple Eight

11

work to sort mail behind her.

12

the three members lost in France.

13

Three stars represent

Design 2 depicts a member of the Six

14

Triple Eight with a letter in her hand standing next

15

to a large sack of letters and packages.

16

Behind her is a four-by-four Dodge

17

Weapons Carrier, representing the three members who

18

were killed in a vehicle crash.

19

features a map of Europe.

20

Triple Eight Central Postal Directory Battalion.

21
22

The background

And the inscription is Six

Design 3, Obverse Design 3, depicts
Major Charity Adams next to a row of members from the

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Six Triple Eight.

2

envelope inscribed with "Women's Army Corps",

3

"2/12/1945-3/21946", and "Act of Congress 2022".

4

The additional inscription is Six

5

Triple Eight Central Postal Directory Battalion.

6

going to stumble over that every time.

7

apologize.

8
9

A partial exergue is created by an

I'm

And I

This design is the preferred design of
two of the three liaisons.

If selected it will

10

require minor edits to correct uniform elements and

11

facial features.

12

Obverse Design 6 depicts Major Charity

13

Adams on an imagined stamp with cancellation lines

14

surrounding the dates February 12, 1945, and March 2,

15

1946.

16

The additional inscriptions are the Six

17

Triple Eight, US Army Postal Service, Major Charity

18

Adams, APO, England, and France.

19

And Obverse Design 7 depicts a member

20

of the Six Triple Eight holding a piece of mail being

21

redirected to a solider.

22

are "The Six Triple Eight", "2.12.45-3.2.46", and "No

The additional inscriptions

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mail - low morale".

2

Moving on to the reverse designs.

3

Reverse Design No. 1 featured -- features a pile of

4

mixed mail sacks, wrapped boxes, and stacks of

5

envelopes with an orderly motif of envelopes and

6

parcels along the right side.

7

"No mail, low morale", "Act of Congress 2022", and

8

"2.12.45-3.2.46".

9

The inscriptions are,

Reverse No. 2 depicts a fusion of the

10

European Theater of Operations patch combined with the

11

double Vs, representing victory at home and victory

12

abroad.

13

2022" are additional inscriptions in the design.

14

These phrases as well as "Act of Congress

Reverse Design 3 depicts a member of

15

the Six Triple Eight filing mail to be sent out to

16

American soldiers.

17

battalion are sorting and addressing mail to the

18

troops.

19

Behind her, members of her

They work in a warehouse filled to the

20

ceiling with unsorted mail.

The additional

21

inscriptions are England, France, and "No mail, low

22

morale".

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This is the preferred design of two of

2

the three liaisons.

3

edits.

4

If selected it will require minor

And Reverse Design No. 7 depicts a

5

close-up of a member of the Six Triple Eight sorting

6

mail.

7

Postal Directory Battalion, England, and France.

8

that concludes the presentation.

The inscriptions are Six Triple Eight Central

9

DR. BROWN:

Thank you so much.

And

To the

10

committee, are there any technical or legal question

11

from the committee about this program?

12

off with Art.

13

MR. BERNSTEIN:

We'll start

This is Art Bernstein.

14

Megan, you mentioned maybe some edits.

15

the pins on Major Adams' lapel -- is that just -- I

16

couldn't figure out what that was.

17

Is that something that's going to be

18

corrected or what?

19

be on both sides?

20
21
22

On Obverse 3

What are those pins that seem to

MS. SULLIVAN:

Colonel Cummings, would

you like to answer that?
MS. CUMMINGS:

Yes.

The intent is to

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show Pallas Athena.

2

war and represented the Women's Army Corps.

3

Pallas Athena was the goddess of

So that design on her lapel is designed

4

to show -- and that's the correct way the uniform was

5

worn.

6

Athena, Women's Army Corps.

That's the correct placement.

7

So that's Pallas

As a point of full disclosure, the

8

Women's Army Corps was disbanded in 1978.

9

member for a while.

10

And I was a

So that uniform needs a little work.

11

But so I am kind of sort of authority on that.

12

the Women's Army Corps -- yeah; that's Pallas Athena.

13

MR. BERNSTEIN:

14

MS. CUMMINGS:

But

Thank you.
And it'll be amplified

15

to show that, which was really important to the

16

Women's Army Corps.

17

MR. BERNSTEIN:

18

DR. BROWN:

19

MR. SCARINCI:

Can I ask you a question

21

MS. CUMMINGS:

Yes, sir.

22

MR. SCARINCI:

-- the -- along the same

20

Thank you.

Donald?

about --

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lines of the changes.

So this is clearly -- the

2

prominent facing figure clearly is Charity Adams; is

3

that correct?

4

MS. CUMMINGS:

That's correct.

5

MR. SCARINCI:

And the other people in

6

this medal -- do they depict any --

7

MS. CUMMINGS:

No; they do not.

8

MR. SCARINCI:

They're just generic?

9

MS. CUMMINGS:

Generic, yes.

So and

10

keeping with the spirit of the unit, as I said every

11

unit has a leader, and so she was the leader.

12

rank and placement of the rank and insignia of the

13

uniform indicates that.

And her

14

Which it's unique just to have African

15

American women in the Women's Army Corps in nineteen,

16

you know, forty-five.

17

African American women.

18

There were only, like, 6,000

So the Six Triple Eight represent 13

19

percent of that 6,000 or so African American women on

20

active duty during World War II.

21

MR. SCARINCI:

22

consensus in the two groups?

And how strong was the
Was there a lot of

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discussion about this -- recommending this design or

2

is this --

3

MS. CUMMINGS:

Well --

4

MR. SCARINCI:

-- was it mostly

MS. CUMMINGS:

Well, for the three of

5

unanimous?

6
7

us.

8

representation in terms of the design elements that

9

all of us agreed on -- there were about ten that we

10

And two of us agreed because of the

sent -- our areas of agreement.

11

This image has most of those.

It

12

represents African American women, Women's Army Corps,

13

Act of Congress, Pallas Athena.

14

The patch is the communication zone,

15

which is although not unique to the Six Triple Eight,

16

Lee Marvin and I think and the Dirty Dozen had that on

17

his patch.

18

Theater of Operations patch.

19

That was the Comm Z -- the European

But what's unique -- it's on the

20

shoulder of these African American women.

21

were the only ones who served overseas during World

22

War II.

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So the consensus -- two of us agreed

2

that this, you know, with refinements would be the

3

representation.

4

As an example, Charity Adams is 26

5

years old.

6

even though the age range was about 18 to 50 in the

7

Women's Army Corps.

8

refinements with the rank placement and her facial

9

features.

10

That is not the image of a young woman,

So just, you know, little

Yeah; thought that represented --

11

that's sort of a historic photo because when the women

12

arrived in Europe they had to march.

13

housed at the King Edward School in Birmingham,

14

England.

15

And they were

So there was this inspection photo.
And it's an iconic inspection photo for

16

where the women are lined up and she's inspecting

17

them, getting ready to, you know, have a passing

18

review for Lieutenant General John Lee, the

19

communication zone commander.

20

So this captures some of that history

21

in a subtle way but yet and still shows her -- says,

22

"Hey, you know, we are representing more than just

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these 855 women."

2

MR. SCARINCI:

Thank you.

3

MS. CUMMINGS:

Sure.

4

DR. BROWN:

5

MS. BRADFORD:

6

This is Tracy Bradford.

7

Edna said?

Other questions?
Hi.

This is Tracy.

Could I add something to what

8

DR. BROWN:

Please proceed.

9

MS. BRADFORD:

Yes.

In Charity Adams'

10

book she also makes reference to how proud she was of

11

how her women marched.

12

mentioned is really symbolic.

13

of that.

And so that photo that Edna
And she was very proud

14

DR. BROWN:

15

MS. BRADFORD:

16

DR. BROWN:

Thank you so much.

17

MR. HOARD:

I have one quick question

18

if I could.

Sorry.

Thank you.
Thank you.

I don't mean to --

19

MS. CUMMINGS:

20

MR. HOARD:

Oh, no.

Sure.

-- keep you up.

In terms

21

of Design 1, Obverse Design 1, I was wondering on that

22

design whether you feel -- what you feel is lacking

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from that in relative to --

2

MS. CUMMINGS:

Well, first of all, the

3

three stars do not capture the women at Normandy

4

because we prefer three crosses.

5

carry packages.

6

And officers don't

I mean, she was a battalion commander.

7

I look at that -- and no disrespect to the artist.

8

But it reminds me of someone in a department store.

9

And you know, that's just not a

10

professional representation of what a battalion

11

commander would do in a wartime environment.

12

supervises.

13

She

She directs.
She has more packages in her hand than

14

the women behind, even though there is one lifting.

15

But that's just -- it just doesn't fully capture the

16

Six Triple Eight's spirit of leadership and their --

17

the magnitude of their accomplishments while in the

18

European Theater.

19

MR. HOARD:

20

MS. CUMMINGS:

21

DR. BROWN:

22

from the committee?

Thank you.
Sure.

Other questions or comments

I just have a few.

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MS. CUMMINGS:

2

DR. BROWN:

Yes, sir.

Just a few.

In the design

3

that was preferred -- if we could go back to that one

4

-- can you share with us -- the ribbon above her

5

pocket.

What was that to symbolize?

6

MS. CUMMINGS:

The ribbon above her

7

pocket.

The artist put that in because they received

8

a meritorious unit commendation.

9

one of her ribbons.

10

That may have been

Because Charity Adams was in the first

11

class of the Women's Army Corps in 1942 -- the Women's

12

Army Auxiliary Corps.

13

Triple Eight she had other assignments.

14

And before she joined the Six

So that ribbon could be symbolic of her

15

duties before the Six Triple Eight that made her

16

qualified to lead this unit overseas.

17

generic ribbon.

18

the artist's interpretation.

19

And I presume that that was part of

What I need to check on is the actual

20

placement because it seems kind of off.

21

only one it should be in the middle.

22

So it's a

But that's a minor edit.

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capture her experience prior to joining the Six Triple

2

Eight.

3

DR. BROWN:

I ask that -- as we have

4

discussed, I'm a veteran.

I didn't get too many of

5

those ribbons.

6

MS. CUMMINGS:

7

DR. BROWN:

That's right.

But I got a few.

So I'm a

8

little understanding about that.

I'm sort of curious

9

about the uniform because in the military there's the

10

dress uniform and then there's the uniform that you

11

work in.

12

And having worked also part-time in a

13

postal office, I was really wanting to see that

14

depiction, which was in fact a reflection of what the

15

post office outside of the military looked like in the

16

60s and 70s of the boxes that were mailed that you had

17

to sort.

18

That's not the same as a post office today.
But I was sort of curious about the

19

uniforms.

Is that a fair reflection of what they

20

would be working -- wearing when they're actually

21

doing the mail sort versus what they would be wearing

22

when they're actually doing marching in front of a

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commanding officer?

2

MS. CUMMINGS:

This is a marching or

3

command review or inspection uniform.

4

shows the work uniform.

5

This is the inspection.

6

The reverse

So again we get both sides.

As Tracy mentioned, she's showing, you

7

know, I'm proud of these women.

8

what's called Class A or the suit -- the jacket,

9

probably a skirt.

10

And they are in their

And we attempted to -- and it's kind of

11

hard to show the insignia.

12

the US Army and the Pallas Athena.

13

You have to have the circles, the insignia, on the

14

uniform.

But that would be the Class A or the dress

15

uniform.

And reverse would be the work uniform.

16

DR. BROWN:

But just some disc to show

Thank you.

17

question from the committee?

18

begin our consideration.

19
20

MR. MENNA:

But just symbolic.

Any other

Hearing none, let us

If I could just come up for

just a couple --

21

DR. BROWN:

Please.

22

MR. MENNA:

Just to maybe help allay

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concerns or address concerns in advance of discussion,

2

historically Congressional Gold Medals or any coin it

3

is not separating text and the art would necessary

4

make anything anonymous.

5

We have Greg LeMond without the -- his

6

name on the coin with him riding a bike it could be

7

anyone riding a bike.

8

the artwork historically in Congressional Gold Medals.

9

So text is an integral part of

Also when you have groups of people

10

represented -- in the Rosie's there was not an

11

individual in particular so they were represented

12

anonymously.

13

But other instances where military --

14

not necessarily battalions but military groups or

15

people of great achievement as a team have been

16

represented it is not unusual historically -- in the

17

history of Congressional Gold Medals it is

18

symbolically not unusual to have a single individual

19

be emblematic of that effort.

20

clarification of the history of the medal.

21
22

DR. BROWN:

So just for

Thank you so much.

just remind the liaisons that after we hear the

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considerations by each of the committee members we

2

will be coming back to you to again receive any

3

comments that you have based on you -- what you've

4

heard from the discussion.

5

So then let us begin, committee

6

members, our consideration.

7

the committee members to please, sir, and ma'am, to

8

try to keep your comments to three minutes or less.

9

I would like to remind

Additionally that you will be given an

10

opportunity to ask further questions at the end of

11

this discussion period.

12

Dean.

13

So let's begin then with

DR. KOTLOWSKI:

Thank you, Mr.

14

Chairman.

15

the liaisons, for the information that you've

16

provided.

17

completes the story of the four women buried in

18

Normandy.

19

This is Dean Kotlowski.

Thank you, all of

And in particular, Ms. Cummings, it

I knew about the fourth, which was Liz

20

Richardson, the Clubmobile Red Cross worker.

There's

21

a book written about her by a person who I'm very

22

close to.

So thank you for completing the story.

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This is wonderful history.

And as you

2

said very elegantly and eloquently, the point of the

3

Congressional Gold Medal is the door to people

4

learning.

5

be emphasized.

It's not the final word.

6

And that has to

Even if I'm going over my three minutes

7

I want to make this point because it's really, really

8

important.

9

quick here because I go with what the liaisons say

10

And then I'm going to be really, really

here.

11

I think you've done your homework in

12

terms of obverse -- it's even easy here.

13

and Reverse 3.

14

6 was really innovative.

15

innovation and not saying anything about that.

16

Obverse 3

As a stamp collector I thought Obverse
But I'm dropping the

I think 3 -- Obverse 3 and Reverse 3 --

17

look, a discussion about if it didn't have -- I heard

18

something about 6888th, if that wasn't there you

19

wouldn't know.

20

It's going to be there.
So I mean, it's -- I think with Obverse

21

3 you've go the individual.

22

-- the individual.

You stressed that earlier

But you've got the collective.

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You've got the leader.

2

but the group.

3

And maybe not the followers

And so they're there in this line.
It's very attractive.

4

compelling.

5

that that's very good.

6

use the word "very".

And it's very

And it's very military-like.

7

And I think

And I tell my students not to
And here I'm using it.

But on Reverse 3 you see actually what

8

they're doing.

And I just think that it works.

9

fits together.

Thank you.

10
11

DR. BROWN:

Thank you so much.

It

And to

Harcourt.

12

DR. FULLER:

Thank you.

This is

13

Harcourt Fuller.

14

opportunity to review this portfolio.

15

both of you my job is easier because I will go with

16

the recommendations of the liaisons.

17

Again it's a pleasure to have the
And thanks to

I know that there are some differences

18

in opinion about whether or not to depict one

19

individual or the collective.

20

that.

21

then on the reverse I will go with 3 as well.

22

So I'd like to speak on

But before that, yes; I'll go with 03.

But let me say this.

And

I think everyone

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wins here.

I think, to use a sports analogy, there's

2

insider baseball.

3

sense.

4

There's outsider baseball in a

If you don't -- if someone from the

5

outside picks up this coin, right, they don't

6

necessarily know, you know, that this -- the main

7

person depicted here is Charity Adams even though she

8

is named.

9

here because it's both general and specific.

So that's why I'm saying that everyone wins

10

So I think you get the named person,

11

Charity Adams.

12

comments it's also general because those who are not

13

familiar with the story -- they're not immediately

14

going to say, "That's Charity Adams."

15

And from what I gathered from your

So what I'm saying is that I think it's

16

a win-win situation for these coins.

17

main things that you're wishing for, even though I

18

understand that at the end of the day all three of you

19

want this medal to be issued to commemorate these

20

brave Americans.

21

sense.

22

You both get the

So I hope that -- I hope I made

But -DR. BROWN:

Thank you so much.

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2

thoughtful as usual.

Donald?

MR. SCARINCI:

So you know, just and

3

for the benefit of the new members, you know, I always

4

-- I think part of the interesting thing -- this is a

5

Congressional Gold Medal.

6

Part of the interesting thing about

7

Congressional Gold Medals is when the constituent of

8

-- when the recipient in this case expresses a

9

preference on design.

10

You know, I think that makes this -- I

11

think that makes the series for those who are still --

12

at $160 per bronze medal collecting Congressional

13

Bronze Medals -- you know, to the public, you know,

14

but, you know, it does make an interesting series and

15

an interesting, you know, look into America and

16

American history.

17

So I think, you know, I also, you know,

18

I always work the -- on Congressional Gold Medals as

19

opposed to other things I always support the -- either

20

the recipients' recommendations.

21
22

And in this case, you know, I think we,
having listened to the, you know, to the other

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recipient group, you know, I think we can achieve what

2

he's looking for here.

3

So you know, so I'll support -- I do

4

just want to make a comment.

So I will support 3 and

5

3.

6

the -- on Design 6, which I think is, you know, a very

7

interesting design.

You know, but I do want to make a comment on

8

And a topic that will come up in some

9

of our administrative meetings in the future about

10

making contact with the US Postal Service Board of

11

Governors to consider doing a joint numismatic postal

12

product, which I think would, you know, particularly

13

be effective in the sesquicentennial as we discuss

14

that at some future time.

15

So I do like Design 6, Dean.

You know,

16

I think the stamp -- the concept of a stamp on metal

17

is a very interesting concept.

18

since this is a Congressional Gold Medal we support

19

the recipients.

20

DR. BROWN:

But for simplicity and

Thank you.

21

to consider.

Appreciate that.

22

three minutes, pretty please.

Another thought

Gentlemen and ladies,
Moving on to Dennis.

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MR. TUCKER:

Thank you, Dr. Brown.

2

thank you to our liaisons for your input.

3

heard this discussion, I am comfortable supporting

4

Obverse 3 and Reverse 3.

And

Having

Thank you, Mr. Chair.

5

DR. BROWN:

Thank you.

6

DR. VAN ALFEN:

Thank you, Mr.

7

Chairman.

8

Obverse 3, Reverse 3, although I don't really find

9

them as attractive designs, frankly, as Obverse 1 and

10

Peter van Alfen.

Peter?

I also would support

Reverse 1.

11

In fact I was a little disappointed to

12

hear from Colonel Cummings that depiction of Major

13

Adams carrying packages would not reflect well on her

14

leadership.

15

Because, forgive me, I do find the

16

pairing of 1 -- Obverse 1 and Reverse 1 to be quite

17

nice, particularly with the elements and the vertical

18

and horizontal elements and with her.

19

support the preferences of --

20

DR. BROWN:

21

MR. SAUNDERS:

22

But again I'll

John?
I too when I first

looked at the art that's on it I liked Obverse 1.

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in view of the comments that were made I'm in favor of

2

Obverse 3.

3

so this was an easy one.

And I liked Reverse 3 from the beginning,

4

DR. BROWN:

Thank you so much.

5

MR. BERNSTEIN:

Art?

This is Art Bernstein.

6

I embrace everything that's been said about Obverse 3

7

and Reverse 3.

8

Obverse 6.

I also support the attraction of

But that's for another day.

Thank you.

9

DR. BROWN:

Thank you.

Mike Moran?

10

MR. MORAN:

Thank you, Dr. Brown.

This

11

is Mike Moran.

12

fatigue over figures in a line.

13

in the last year with Rosie the Riveter and with the

14

Harlem Hellfighters.

15

I personally am suffering from some
We've done it twice

However I overcame that listening to

16

the liaison because it is a good design.

And I will

17

be supporting No. 3 on the obverse and 3 on the

18

reverse.

Thank you.

19

DR. BROWN:

20

MS. JACKSON:

Very good.

Darla?

This is Darla Jackson.

21

Thank you to everyone for such amazing information.

22

am just going to say I do support Obverse 3 and

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Reverse 3.

2

However I do want to just make a note

3

about Obverse 1 because I do feel like as opposed to

4

Obverse 3 it speaks to them as a unit in action.

5

And it shows the important aspect of

6

small acts and how large of an impact they can have

7

over a longer period of time.

8

about the packages, which was what pushed me further

9

toward Obverse 3 so --

However the comment

10

DR. BROWN:

Thank you.

Kellen?

11

MR. HOARD:

Darla and I are exactly in

12

line -- like, exactly.

13

and Reverse 3.

14

one is visually compelling and attractive.

15

liaison comments said otherwise so I go with them.

16

So yeah; I support Obverse 3

But I do think -- I think the first

DR. BROWN:

But the

Thank you so much.

The

17

stamp on the chair -- I want to disclose the fact that

18

one of -- there are a couple of reasons why I align

19

with this program as well as the preferences by the

20

liaisons.

21
22

One, I worked at the post office so I
know how that works.

And number two, as someone who's

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been in the military -- mail is so crucial.

2

So what this unit did was no question

3

of service to this country and helped, in my humble

4

opinion, to win the war -- particularly with morale.

5

And the third item is I come to find

6

out a connection between Major Adams and Harlem

7

Hospital.

8

internal medicine.

I was trained at Harlem Hospital in

9

And her husband that she married

10

actually -- Stanley Armstead Earley -- was also

11

trained at Harlem Hospital.

12

degree after having served in the military.

13

And he got his medical

At that time there were barriers to him

14

being in medical school and being out of States.

15

he was trained in Switzerland.

16

So I found this phenomenal.

So

But

17

somehow or another as we tell this story that we also

18

tell these related components to let people know that

19

she as a leader -- she chose him who then became a

20

physician to serve the country in a different way.

21

please forgive me.

22

Again I just --

MS. CUMMINGS:

And she outranked him

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while they were on active duty.

2

DR. BROWN:

3

outranked him.

4

lieutenant colonel.

5

partners.

That is true.

That is true.

She

He later became a

Then in fact they were clearly

Very good.

6

Let me ask are there any -- let's hear

7

from our liaisons if you have any additional comments

8

that you'd like us to consider before we begin our

9

scoring.

10

MS. CUMMINGS:

I'll just say thank you

11

so very much.

We appreciate your time.

And as I

12

said, with refinements I think this will be a best-

13

seller.

We're counting on it.

14

And with Stanley Earley -- this

15

fascinating story -- in terms of a backstory, his

16

children -- they feel like they're imposters.

17

The one we're talking about -- Stanley,

18

Jr. -- he says, "I don't know that woman you all are

19

talking about.

20

was limited in medical schools.

21
22

I only know Mom" because Dr. Earley

She got out of the Army, followed him
to Zurich.

And he was a linguist and interrogated

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POWs while he was on active duty.

2

married.

3

board of the Red Cross.

And they got

And in terms of the Red Cross she was on the

4

They came back to the US, settled in

5

Dayton, Ohio.

6

So I'll share that comment now with them.

7

you for that.

8
9

So I'm very close to the Earley family.

DR. BROWN:

So thank

Dennis, any further

comment, question?

10

MR. PHILPOT:

11

DR. BROWN:

12

MR. PHILPOT:

13

DR. BROWN:

14

MR. PHILPOT:

Can I say something?
I'm sorry.
I'd just like -One second, Dennis.
-- to reiterate that I'm

15

willing to work with other designs as long as we

16

can -- if we can choose -- I have some suggestions

17

about wording and inscription.

18

As you indicated in the Harriet Tubman

19

discussion, inscriptions and historical accuracy if

20

possible.

21
22

If we can tell the story with the
images I'm willing to work and move forward with it.

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And that's still STO-3 -- you know, either one I have

2

some suggestions if that's okay.

3
4

DR. BROWN:

May I suggest that you

consider working with the Mint staff --

5

MR. PHILPOT:

6

DR. BROWN:

Yes.
-- to actually when it goes

7

to the Secretary to provide that additional

8

information as they seem to think that it provides

9

additional value?

10
11

I think that makes sense.

And your

points are well-appreciated.
We understand that of the designs that

12

are presented to the CCAC as much as we try to make

13

sure we touch every base that there's always going to

14

be something that we miss, something that we wish that

15

we could have had.

16

But we realize that we're looking at

17

this, as Harcourt said, to be a win-win.

18

extent to which we can still achieve that even though

19

we have some things on the edges that we could improve

20

upon we certainly would like to do so.

21
22

Your points are well-taken.

So the

And we'll

make sure that at least in the letter to the Secretary

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we recognize that there was in fact a robust

2

discussion with respect to these designs.

3

so much.

Thank you

4

MS. WARREN:

Dennis has his hand up.

5

DR. BROWN:

6

MS. WARREN:

You're muted, Dennis.

7

MR. TUCKER:

Thank you, Dr. Brown.

Dennis?

And

8

thank you again to our liaisons.

9

time, I don't think I've heard any objections from the

10

In the interest of

committee on recommendation Obverse 3 and Reverse 3.

11

I would recommend that we skip the

12

voting, send our votes in maybe after the meeting to

13

Greg just so they're on the record, and then the

14

motion would be the committee recommend to the

15

Secretary of the Treasury Obverse 3 and Reverse 3.

16
17

DR. BROWN:

Sounds like a motion.

there a second?

18

DR. KOTLOWSKI:

19

DR. BROWN:

20

Is

the motion?

Second, Chair Brown.

Second.

Any discussion on

Hearing none, all those in favor, aye.

21

MULTIPLE SPEAKERS:

22

DR. BROWN:

Aye.

Those opposed, nay.

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Appears that the motion passed unanimously.

2

point, ladies and gentlemen, we are in recess.

3

MS. WARREN:

Why don't we -- if this is

4

okay with ODM, we go to recess until 1:20.

5

like, five minutes --

6

MS. SULLIVAN:

7

MS. WARREN:

8

That's --

-- so that should give you

MS. SULLIVAN:

10

MS. WARREN:

-- fine.
-- to eat.

Does that make

sense?

12

DR. BROWN:

13

MS. WARREN:

14

Sure.

So add,

guys enough time --

9

11

At this

It goes.
Okay.

So it is 12:49.

are going to go into recess until 1:20.

15

DR. BROWN:

One more thing.

If I can

16

really thank our liaisons on behalf of the CCAC.

17

mean, listen, it's been phenomenal.

18

I apologize.

19

We

MS. SULLIVAN:

I

Before we recess,

Respectfully, Dr. Brown,

20

I do think it would actually be helpful for you to

21

hear the discussion of some of the inscriptions

22

because I do think that it is a bit more than the Mint

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is properly positioned to answer.

2

I think we would really appreciate your

3

insight.

I know you -- I'm keeping you guys from

4

lunch.

5

really important for this program.

And I apologize.

6

But I do think it's actually

DR. BROWN:

So if the committee members

7

do not mind we're going to not go into recess.

8

we're going to entertain and hear that portion of the

9

suggestion, please.

10
11

MR. SAUNDERS:

Chairman, as long as

we're not limited to 1:20.

12
13

And

DR. BROWN:

We will not be limited

until 1:20.

14

MR. SAUNDERS:

Thank you.

15

MS. SULLIVAN:

Would you like to share

16
17

some of the considerations?
DR. BROWN:

Is it possible that we

18

might be able to do this within about five minutes,

19

ten minutes max?

20

Does that make sense?

MS. SULLIVAN:

I think just a -- I

21

don't think we necessarily -- and Greg, correct me if

22

I'm wrong -- necessarily will need a vote on it.

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I just think hearing some discussion I think will be

2

very helpful as everybody moves forward.

3

DR. BROWN:

4

MR. PHILPOT:

Makes sense.
And thank you, Dr. Brown.

5

I have a list of -- a packet that I can leave with

6

each of the members that you can review.

7

inscription I think that are missing is World War II

8

is not prevalent on there.

9

Some of this

Put my glasses on.

I have an image that I suggested on the

10

other side.

It's that they were known for -- if you

11

envision -- trailblazers is one word that they used.

12

Record breaker.

13

records for sorting mail.

14

624,000 in 30 days.

15

that timeframe.

16

They broke all the

Other postal units did

These ladies did 5.85 million in

I think that -- they didn't ask for

17

images.

18

in the original package that show those 6888th ladies

19

sitting on top of a stack of mail.

20

But we do have some images that was included

If you envision a Super Walmart

21

store -- six of them empty with six bags stacked --

22

big bags stacked from floor to ceiling with the

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ladies -- and you'll see the current -- the ladies

2

sitting on top -- these ladies moved these things from

3

the rafters to drop them to the floor.

4

That was across the ships that they

5

were on -- there were five of them.

6

considered.

7

that I think are unique to them.

8

sorting the packaging --

But those would be further inscriptions

9
10

Might be

AUTOMATED SPEAKER:

Listen what they did

Tracy Braford is

now exiting.

11

MR. PHILPOT:

-- mail, censoring mail.

12

Those are some inscriptions that better describes what

13

they did.

14

these women were 18, 20, 25 years old.

And I think that, while I was not asked,

15

And if you look there the images are

16

much older.

And they were excited about serving.

17

you can consider -- the artist considered that --

18

elevating that.

19

And the uniforms -- I'm a man.

If

The

20

chest was flat.

And the uniforms were kind of loose.

21

They wore their uniforms -- what do I want to say --

22

proudly.

If you've been in the military, that shirt

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was tucked in.

2

the skirt showed the body.

3

It was tucked in at the waist.

And

So those are some things that I would

4

offer as you go through forward moving to depict --

5

the images were included in the original design

6

package that you have in your packet there in front of

7

you.

I'm not sure why they were not included.

8

DR. BROWN:

Thank you so much.

9

MR. PHILPOT:

Thank you for the

10

opportunity, Ms. Sullivan, for giving me an

11

opportunity to --

12

MS. SULLIVAN:

13

DR. BROWN:

Oh, you're very welcome.

Are there any further

14

matters that the staff would like us to hear on this

15

program?

16

that we go into recess.

17

we can come back -- let's back it at 1:40.

18

Hearing none, then on that basis I suggest
We're going to modify it.

MS. WARREN:

That might push us to

19

people having to fly out so I would suggest, if we

20

could, maybe 1:30, 1:35.

21

DR. BROWN:

22

MS. WARREN:

1:30?

Okay.

The time is 12:54.

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(Off the record.)

2

MS. WARREN:

3

Brown, you can go ahead.

4

virtually as well.

5

DR. BROWN:

It is 1:37.

And Dr.

Your two members are on

Thank you.

And we are back

6

from recess.

7

discussion is the candidate designs for the Greatest

8

Generation Commemorative Coin Program authorized by

9

Public Law 117-162.

10
11

The third item today for our review and

Once again we are pleased to have

Megan Sullivan take us through the candidate designs.
MS. SULLIVAN:

Thank you, Dr. Brown.

12

Public Law 117-62 requires the Secretary of the

13

Treasury to mint and issue five dollar gold coins, one

14

dollar silver coins, and half-dollar clad coins

15

emblematic of the World War II Memorial and the

16

service and sacrifice of American soldiers and

17

civilians during World War II.

18

The National World War II Memorial

19

honors the 16 million who served in the armed forces

20

of the United States, the more than 400,000 who died,

21

and all who supported the war effort from home by

22

joining the workforce, increasing factory and farm

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outputs, planting victory gardens, and through

2

rationing.

3

The Memorial opened to the public on

4

April 29, 2004, and was dedicated one month later.

5

is located on the National Mall in Washington, D.C.

6

It

Symbolic of the defining event of the

7

20th century, the Memorial is a monument to the

8

spirit, sacrifice, and commitment of the American

9

people to the common defense of the nation and to the

10

broader causes of peace and freedom from tyranny

11

throughout the world.

12

The Memorial is meant to inspire future

13

generations of Americans, deepening their appreciation

14

of the World War II generation's accomplishments in

15

securing freedom and democracy.

16

Above all, the Memorial stands as an

17

important symbol of American national unity, a

18

timeless reminder of the moral strength and awesome

19

power that can flow when a free people are at once

20

united and bonded together in a common and just cause.

21
22

Surcharges for this program are
authorized to be paid to the Friends of the National

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World War II Memorial to support the National Park

2

Service in maintaining and repairing the World War II

3

Memorial, and for educational and commemorative

4

programs.

5

The United States Mint worked with

6

Holly Rotondi, the Executive Director of the Friends

7

of the National World War II Memorial, in developing

8

the design portfolio.

9

Holly to say a few words.

10

And I would like to introduce

MS. ROTONDI:

Hi.

Thank you so much.

11

I'm proud to be here.

12

process.

13

National World War II Memorial was founded by the

14

folks who built the World War II Memorial.

15

members of the American Battle Monuments Commission.

16

We're very excited by this

Just as a quick background, Friends of the

They were

And after the memorial was dedicated in

17

2004 the Friends was founded to provide a

18

commemorative and educational extension to the

19

memorial experience.

20

But we worked very closely with the

21

National Park Service.

We embarked on this effort

22

because we knew the Park Service was in need of a

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partner in the maintenance of the memorial.

2

that was our goal for this commemorative coin.

3

And so

And we're excited that we're here at

4

this process.

5

and the designs they came up with.

6

We are so impressed by the design team

We obviously had preferences more

7

related to the memorial and showcasing the memorial

8

because for us there's no greater representation of

9

the entire generation.

10

Seventeen years, more than twenty-six

11

public hearings really going through every symbol of

12

that memorial to make sure that it appropriately

13

remembered and honored the World War II generation.

14

And so we obviously -- and as it will

15

be the 20th anniversary memorial our preferences are

16

that way.

17

discussions.

18

But we're looking forward to the
And we're proud to be here.
MS. SULLIVAN:

Thank you.

Thank you.
All right.

19

If there are -- are there any questions?

20

like me to begin the -- reviewing the designs?

21
22

DR. BROWN:

Or would you

I think that makes sense.

And I think that we'll use the format that we did

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previously for the other commemorative coin program so

2

that -- where we covered each of the planchets

3

separately.

4

through them all.

5

But I think when you're ready you can go

MS. SULLIVAN:

6

Okay.

7

gold obverse designs.

8

the shape of the Wall of Stars at the World War II

9

Memorial with a single star to mark the dead and roses

10

Happy to do so.

Go through all of them?

All right.

Beginning with the

Gold Obverse Design 1 depicts

to honor their passing.

11

The Wall of Stars at the memorial

12

contains 4,048 gold stars, representing the Americans

13

who gave their lives in service during World War II.

14

Each star represents approximately 100 service

15

members.

16

The additional inscription, "Here we

17

mark the price of freedom" echoes the inscription in

18

front of the Memorial Wall.

19

preference of the liaison.

20

This design is the second

Obverse Design 2 -- Gold Obverse Design

21

2 -- depicts an eternal flame, a symbol of

22

commemoration and a reminder of our nation's

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commitment during World War II.

The flame is flanked

2

by laurels, signifying victory.

The additional

3

inscription is, "They answered the call".

4

Gold Obverse Design 3 depicts the Wall

5

of Stars at the World War II Memorial with an olive

6

branch and the additional inscription, "World War II

7

Memorial".

This is the liaison's preferred design.

8
9

Gold Obverse 4 depicts stars
representing the Wall of Stars at the World War II

10

Memorial with an olive branch and eagle.

11

additional inscription is, "Honoring sacrifices of

12

World War II".

13

The

Moving on to the gold reverse designs.

14

Gold Reverse 1 and 1A depict a folded flag with the

15

additional inscription, "World War II Memorial".

16

Design 1 also features the inscription,

17

"Here we mark the price of freedom".

Design 1A also

18

features the inscription, "To unite the generation of

19

tomorrow".

20

Gold Reverse 2 depicts a view of the

21

National World War II Memorial surrounded by a rope

22

representative of the bronze ropes connecting the

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pillars at the memorial.

2

is, "Honoring their service and sacrifice".

3

the liaison's preferred design.

4

The additional inscription
This is

Gold Reverse 3 and Gold Reverse 3A

5

depict ropes representative of the bronze ropes

6

connecting the pillars of the World War II Memorial

7

and a wreath inspired by those hanging on each pillar.

8
9

The additional inscriptions in Design
3A are, "World War II", "1941-1945", and "Unity and

10

Sacrifice".

Design 3 is the liaison's second

11

preference.

And 3A is the third preference.

12

Gold Reverse 4 depicts stars

13

representing the Wall of Stars at the memorial with an

14

olive branch and eagle.

15

Gold Reverse 5 depicts an oak wreath

16

and an excerpt from a quote from President Truman

17

inscribed at the memorial, "America will never

18

forget".

19

And that completes the gold designs.
Moving on to the silver obverse

20

designs.

As previously mentioned, the liaisons do not

21

have a preference for the silver obverse designs but

22

welcome the committee's assistance in determining the

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best design for this phase of the coin.

2

Silver Obverse 1 and 1A depict a view

3

from above a baldacchino, a sculptural canopy, inside

4

a victory pavilion in the World War II Memorial

5

featuring four eagles holding a laurel wreath.

6

the wreath is a globe centered on the Atlantic Ocean.

7

Inside

The additional inscriptions are,

8

"Victory", "In the Air", "At Sea", and "On Land".

9

Design 1 additionally includes the inscription, "In

10
11

the Atlantic".

And we have Design 1 and 1A.
Silver Obverses 2, 2A, and 2B feature

12

an allegorical tableau of figures supporting a globe.

13

Each figure represents a branch of the US Armed Forces

14

during World War II -- Air Force, Cost Guard, Navy,

15

Army, and Marine Corps -- plus a figure representing

16

the critical work of the merchant marines.

17

Design 2 additionally features a

18

decorative rope and scroll inspired by bronze

19

sculptural pieces at the World War II Memorial.

20

Design 2B features the additional

21

inscriptions, "World War II Memorial", "1941-1945",

22

and "Defenders of Freedom".

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Silver Obverse 3 features a reimagining

2

of the figure of liberation on the World War II

3

victory medal awarded to all who served in the Armed

4

Forces during the war.

5

are, "World War II" and "They answered the call".

The additional inscriptions

6

Silver Obverse 4 depicts a silhouetted

7

soldier in salute pose with overlaid flag stripes and

8

stars in the background, honoring those who served

9

during World War II.

10

Silver Obverse 5 and 5A depict the

11

victory medal centered in a design that marks the

12

victory in the Atlantic and Pacific by sea, air, and

13

land.

14

The design is encircled by ropes

15

representing the unity of the country during World War

16

II.

17

propeller.

18

the silver obverse designs.

Design 5 additionally includes an anchor and

19

So Design 5 and 5A.

And that completes

Moving on to the silver reverse

20

designs.

Silver Reverses 1 and 1A depict a view from

21

beneath a baldacchino, sculptural canopy, inside a

22

victory pavilion in the World War II Memorial

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featuring four eagles holding a laurel wreath.

2

the wreath is a globe centered on the Pacific Ocean.

3

Inside

The additional inscriptions are,

4

"Victory", "In the Air", "At Sea", and "On Land".

5

Design 1 additionally features the inscription, "In

6

the Pacific".

7

design.

Design 1A is the liaison's preferred

8

Silver Reverses 2 and 3 depict a thick

9

rope inspired by the bronze ropes at the World War II

10

Memorial, created by six separate smaller strands.

11

Each strand represents a branch of the

12

US Armed Forces that served in World War II with a

13

sixth strand representing the service and support of

14

the merchant marines.

15

Design 2 features the insignia of each

16

of the six organizations and the additional

17

inscriptions, "Air Force", "Coast Guard", "Navy",

18

"Army", "Merchant Marines", and "Marine Corps".

19

In Design 3 a rabbit -- a ribbon wraps

20

across -- around the rope inscribed with six stars,

21

also representing the six branches.

22

Or 4.

No.

Two and three.

Design 3 and 3A.

Sorry about that.

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Design 4 depicts a view of the World

2

War II Memorial surrounded by a rope representing the

3

bronze ropes and connecting the pillars of the

4

memorial.

5

their service and sacrifice".

6

The additional inscription is, "Honoring

Silver Reverse 5 depicts an aerial view

7

of one of the towers at the National World War II

8

Memorial.

9

Pacific Tower at the National World War II Memorial.

10

Designs 6 and 6A depict a view of the

Design 6 also features trees in the

11

background and the additional inscriptions,

12

"Sacrifice", "Courage", and "Perseverance".

13

In Design 6A, the additional

14

inscriptions are, "Unity", "Honor", "Humility",

15

"Courage", "Sacrifice", and "Freedom".

16

the liaison's second preference.

17

liaison's third preference.

18

Design 6A is

And Design 6 is the

Silver Reverse 7 and 7A depict the

19

World War II victory medal against a globe rotated to

20

show both the Atlantic and Pacific theaters of World

21

War II.

22

"1945", "Courage", "Honor", and "Sacrifice" -- 7 and

The additional inscriptions are "1941",

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7A.

2

Silver Reverse 8 is inspired by a

3

sculpture at the World War II Memorial showing the

4

eagle facing towards peace and crowned with a banner

5

emblazoned, "E. Pluribus Unum" and 13 stars

6

representing that American's unity led to victory.

7

And that completes the silver reverse designs.

8
9

Moving on to the clad.

Clad Obverse 1

and 1A depict an oak wreath with drawn sword and

10

shield representing the industrial might of the United

11

States during World War II.

12

The elements are circumscribed by the

13

rope of bronze that connects the pillars at the World

14

War II Memorial.

15

1 is "Righteous strength forged through unity".

16

the additional inscriptions in Design 1A are "World

17

War II" and "Righteous strength".

18
preference.

20

preference.

22

And

Design 1 is the liaison's third

19

21

The additional inscription in Design

And Design 1A is the liaison's second

Clad Obverse 2 and 2A depict a young
boy in mourning holding a folded flag.

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the additional inscriptions are "Freedom",

2

"Sacrifice", "Honor", "Humility", "Courage", and "A

3

nation conceived in liberty and justice".

4

In Design 2A the additional

5

inscriptions are "Sacrifice" and "The price of freedom

6

is not free".

7

Clad Obverse 4 depicts a mother and son

8

working in a victory garden watching a C-17 --

9

watching C-17 transport planes flying soldiers to war.

10

The additional inscriptions are "Freedom",

11

"Selflessness", "Honor", "Courage", "Humility", and

12

"Sacrifice".

13

Clad Obverse 5 depicts the hands of

14

three workers on the home front holding a hammer, a

15

garden hoe, and a wrench -- symbolic of America's

16

rapidly-changing labor market during World War II as

17

citizens of all ages worked in agriculture and

18

manufacturing to produce large quantities of food,

19

supplies, and equipment for US troops.

20

inscription is "Fighting for liberty" and "On the home

21

front".

22

The additional

Clad Obverse 6 depicts a pillar at the

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World War II Memorial with a bronze wreath surrounded

2

by rays and a rope representing bronze ropes at the

3

memorial.

4

The additional inscriptions are "1941",

5

"1945", and "United we stand".

6

liaison's preferred design.

Design 6 is the

7

Moving on to the clad reverse designs.

8

Clad Reverse 1 depicts a wreath of wheat with a plow,

9

representing the agricultural might of the United

10
11

States during World War II.
The elements are circumscribed by the

12

rope of bronze that connects the pillars at the World

13

War II Memorial.

14

"Forged through unity".

15

The additional inscription is

Clad Reverse 2 depicts one of the many

16

communities across the nation where residents united

17

in the home front war efforts such as rationing,

18

donating scrap metal, and growing victory gardens.

19

The additional inscription is "National unity".

20

Clad Reverse 3 depicts a view of the

21

World War II Memorial with a flag flying behind.

22

additional inscriptions are "Unity" and "1941-1945".

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Design 3 is the liaison's second preference.

2

Clad Reverse 4 depicts a field of stars

3

representing the Wall of Stars at the World War II

4

Memorial.

5

1945", "A grateful nation", and "Remembers Gold Star

6

Families".

The additional inscriptions are "1941-

7

Clad Reverse 5 features an upraised arm

8

clutching a wrench with a B-17 bomber and liberty ship

9

in the background with a border of riveted panels.

10

And Clad Reverse 7 depicts the World

11

War II Memorial from the point of view of a person

12

walking up a ramp leading to one of the towers.

13

Design 7 is the liaison's preferred design.

14

completes the portfolios.

15

DR. BROWN:

Thank you so much.

And that

At this

16

point I would suggest that the committee consider if

17

there's any technical or legal questions pertaining

18

first to the gold obverse and reverse.

19

MR. BERNSTEIN:

Art?

Just a quick technical

20

question.

On Obverse 2 for the gold -- it's been a

21

while since I've been to the memorial.

22

eternal flame at the memorial?

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MS. ROTONDI:

2

MS. WARREN:

3

Dennis Tucker has his hand

up.

4

DR. BROWN:

5

MR. TUCKER:

6

No.

Dennis?
Thank you.

And I didn't

hear the answer to that last question.

7

MS. ROTONDI:

8

DR. BROWN:

9

MR. TUCKER:

No; there is not.
The answer is no.
Okay.

Thank you.

I did

10

have a technical question on Gold Obverse 3 the --

11

which was a preference of the liaisons.

12

in the words "World War II" seems very tight.

13

that something that could be refined a bit so that

14

there's more spacing between those three words?

15

MR. MENNA:

The crooning
Joe, is

This is Joseph Menna.

16

Dennis, not only World War II could be expanded

17

leftwards or -- regardless of what the graphics

18

present our product design specialists and artists

19

always find a way to make the coins imminently

20

readable.

21
22

Even if they need to be modified, to
modify it in a way that maintains their stylistic and

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design integrity but just makes them more coinable.

2

So in this case I understand why it's

3

aesthetically compressed.

But we would -- we'll make

4

it so it would work if this would be the Secretary's

5

selection.

6

MR. TUCKER:

7

MR. MENNA:

Thank you.

8

DR. BROWN:

Any other legal or

9

Thank you, Joe.

technical question from the committee?

10

MR. SAUNDERS:

What was the committee's

11

-- or what was the constituent's preference for the

12

reverse?

Number one preference.

13

MS. SULLIVAN:

The gold reverse?

14

MR. SAUNDERS:

Yeah.

15

MS. SULLIVAN:

Sure.

16

design is Reverse 2.

17

second preference is Reverse 3.

18

preference.

19

The preferred

The second preferred -- the

DR. BROWN:

And 3A is the third

Other questions from the

20

committee?

I just have one.

I'm looking forward a

21

century from now and looking at the fact that we have

22

this fantastic commemorative coin program.

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And also thinking about that term --

2

the greatest generation.

3

the thinking about the -- not including that

4

inscription.

5

I'm sort of curious as to

I'm sort of curious.
MS. ROTONDI:

That's to me?

That's

6

interesting.

Just to give a little background, that

7

was changed.

The name of the program was changed --

8

or the legislation by a senator in the later drafts.

9

So it wasn't the initial intention to

10

have that.

11

generations which is we don't use it as often.

12

always talk about the next greatest generation.

13

I think it's one of those greatest
We

But every generation should be striving

14

to be a great -- a greatest generation; right?

15

that's sort of where we are coming from.

16

opposed to it necessarily.

So

I'm not

17

But I think for us we don't necessarily

18

lean on that phrasing as an organization because we're

19

-- we work a lot in education and are striving to

20

teach youth that you can be a greatest generation as

21

well.

22

So that's sort of where we come from.
DR. BROWN:

Understood.

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DR. FULLER:

May I follow up on that?

2

This is Harcourt Fuller.

3

do young folks see -- I guess you've answered it.

4

I guess I would like to ask for a more specific

5

explanation.

6

generation as the greatest generation?

7

So in today's classrooms how

Do they recognize the greatest

MS. ROTONDI:

It is interesting that

8

you say that because we actually are in the

9

classrooms.

10

So there's this program we started in

2021 where we're actually in the classrooms.

11

And then that -- just last year we

12

started doing surveys.

13

you know what the greatest generation is.

14

80 percent said no; they've never heard the

15

expression.

16

And one of the questions is do
And I think

Which is interesting.
And it's something that's so common to

17

me that I was actually a little bit surprised.

18

they did -- had never heard the -- these are high

19

school students.

20

familiar to them at all -- the phrase "greatest

21

generation", which was interesting.

22

But

It was something that was not

And so we're going in -- as we're

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telling the stories of the everyday men and women who

2

served in the hopes of offering them inspiration from

3

the act -- ordinary people, you know, with

4

extraordinary circumstances and what they were capable

5

of.

6

equally capable of being extraordinary.

And sort of trying to inspire them that they are

7

DR. BROWN:

8

DR. KOTLOWSKI:

9

Chairman.

Dean?
Thank you, Mr.

This is Dean Kotlowski.

And if I remember

10

correctly I almost want to say that World War II is

11

one of these wars that has inspired these labels that

12

come from popular books.

13

And from what I remember, Greatest

14

Generation was this book by Tom Brokaw.

15

popular book was a book by Studs Terkel, an oral

16

history called The Good War.

17

But the other

And those appellations have been used.

18

And then they have been emphasized, deconstructed,

19

discarded, brought back.

20

that is ongoing with these phrases.

21
22

So I mean, it's something

But I had a question.

Let's say even

though you're not putting "greatest generation" on

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these coins, this is what this is being labeled -- so

2

we've got the big theme.

3

I'm just wondering if there are -- if

4

there's a subtheme for the gold, subtheme for the

5

silver, subtheme for the clad -- something that might

6

be parallel to what we had with the Harriet Tubman

7

coin where it was chronology.

8

envisioned?

9

one.

And if you don't I am going to impose

And I don't --

10
11

Was that in any way

MS. ROTONDI:
Meagan or me.

12

I don't know if you want

I can -MS. SULLIVAN:

We had initially spoken

13

about the three representing -- the gold representing

14

the sacrifice, the fallen soldiers.

15

The silver -- and correct me if I'm

16

getting this wrong, Holly -- the silver representing

17

the service of, you know, those who served in uniform.

18

And then the clad representing everyday Americans who

19

were not necessarily in uniform.

20

look.

So --

21
22

That was the initial

DR. BROWN:
comments?

Any further questions or

Hearing none, seeing none, let us begin our

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consideration.

2

to keep our comments to three minutes or less.

3

you have questions we'll have an opportunity at the

4

end to pose them.

5

I would like to plead with the members

So let's begin with --

DR. VAN ALFEN:

6

point of clarification.

7

planchets -DR. BROWN:

9

DR. VAN ALFEN:

11

DR. BROWN:

Correct.

at this point.
DR. VAN ALFEN:

13

DR. BROWN:

15

-- or are we --

We're just focusing on gold

12

14

Dr. Brown, just a quick

We are doing the separate

8

10

And if

less.

Okay.

All right.

So again, three minutes or

Let's begin with none other than Dennis Tucker.
MR. TUCKER:

Thank you, Dr. Brown.

I

16

think that the liaison's preferences of Obverse 3 and

17

Reverse 2 will make a wonderful coin.

18

the choices that I support.

And those are

Thank you.

19

DR. BROWN:

Thank you so much.

20

MR. SAUNDERS:

I like Obverse 2.

21

be nice if there was a flame at the memorial to

22

correspond to it.

John?
It'd

But I still like the design anyway.

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It looks nice-looking and it's inspiring and so forth.

2

Though also Obverse 4 would look perfectly acceptable

3

to me.

4

On the reverse drawing design I like

5

1A.

The reason is my father fought in World War II.

6

And when he died, which was not during the war -- it

7

was 12 years ago or so -- they took a flag because he

8

was in the service and put it over his coffin.

9

And they folded it up in this design

10

and presented it to me at the funeral or slightly -- I

11

don't know exactly when I got it.

12

fold ever since then in a box.

13

I kept it in that

And it was really wonderful of my

14

father.

So that means something to me personally so I

15

like that design best.

16

if we didn't go with that design Reverse 4 is a nice

17

design as well.

And let's see.

I also thought

That's it for me.

18

DR. BROWN:

Thank you.

19

MR. SCARINCI:

Yeah.

Donald?
I think Obverse 3

20

is a no-brainer and just about makes it onto the size

21

planchet.

22

The reverse is a little more

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challenging.

2

the most interesting one.

3

is going to be somewhat lost on the planchet size.

4

You know, I mean, obviously Reverse 2 is
But you know, that detail

You know, I just think the others are

5

just too boring to consider.

6

I'm going to go with Obverse 3 and Reverse 2.

7
8

DR. BROWN:

So I just have to do --

Thank you so much.

Let's

turn now to Dean.

9

DR. KOTLOWSKI:

Thank you, Mr.

10

Chairman.

And Megan, thank you.

11

sacrifice -- the highest form of sacrifice for the

12

gold for the second, which is the clad or the silver?

13

MS. SULLIVAN:

14

DR. KOTLOWSKI:

These were my

Silver.
The silver.

15

have said instead of "sacrifice" "victory".

16

MS. SULLIVAN:

17

DR. KOTLOWSKI:

I would

Okay.
And then the last would

18

be the clad.

I would have said in terms of the theme

19

there "the home front" representing the home front.

20

MS. SULLIVAN:

21

DR. KOTLOWSKI:

22

There is some -More on that later.

But as Don said and as others have said, Design 3 for

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the obverse is a no-brainer.

2

beautiful design.

3

aspect of the memorial that's very inspiring.

4

It's actually a very

And it's very evocative of an

Again I have to agree and maybe

5

disagree with Don.

6

reverse.

7

I have a lot of problems with the

And then ultimately I just simply

8

decided I can't go with Obverse 2 because it's simply

9

too detailed and it's too small.

And I think we may

10

be wanting to do some things with the memorial a

11

little later.

12

So I actually wound up agreeing with

13

John.

14

grandfather's service and when he died with the folded

15

flag.

16

so those were my choices.

17

DR. BROWN:

18
19

I thought that 1A reminded me of my

And that really hammered the issue home.

And

Thank you, Mr. Chair.
Thank you so much.

Let's

turn now to Peter.
DR. VAN ALFEN:

Thank you, Dr. Brown.

20

I just want to preface my comments by saying I spent

21

about two hours at the memorial yesterday.

22

really spent time there before.

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And I really wanted to try to

2

understand what it was I was looking at on the coin

3

designs and to just try to get a sense of all this.

4

Obverse 3 I think is, as Dean said,

5

very evocative.

6

also mentioned, we might want to choose some similar

7

design to -- for a later consideration with the clad

8

or what have you.

9

I like that quite a bit.

And as he

So I prefer the second choice of the

10

reverse -- the second preference -- Reverse 3 -- since

11

this incorporates some of the major just design

12

elements of the monuments -- the wreaths as well as

13

the bronze ropes that are there.

14

And I think since this is -- in a way

15

this program is focused on the monument as well as

16

what the monument represents.

17

I think they're trying to incorporate

18

elements of the monuments rather than, say, full flag,

19

which is symbolic but is not actually part of what is

20

represented at the monuments.

21

Obverse 3 and Reverse 3 are my preferences.

22

DR. BROWN:

So again 3 and 3 --

Thank you so much.

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MR. BERNSTEIN:

This is Art Bernstein.

2

I'm having a little trouble with the phrase "no-

3

brainer" because I don't agree.

4

that says about my opinion.

5

And I don't know what

But I'm afraid I don't agree with the

6

liaison's recommendation.

7

the wall to be -- to seem like an optical illusion.

8

And for me the stars appear misshapen and so I was not

9

attracted to that design.

10

I found that curvature of

I like the more traditional approaches

11

of designs -- Obverse Designs 1 and 2.

12

reverse I would go with the preference of the liaison.

13

I thought Reverse 2 would be a good choice.

14
15

DR. BROWN:

And for the

Thank you so much.

Dr.

Fuller?

16

DR. FULLER:

Thank you, Dr. Chairman.

17

This is Harcourt Fuller.

18

these designs, all of them, they are wonderful.

19

First of all let me say that

They I think evoke so much history,

20

emotions.

It makes it challenging to choose.

21

Nonetheless I will go ahead and endorse the

22

recommendations of the liaison.

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2

DR. BROWN:

Thank you.

Let's go to

MR. MORAN:

Thank you, Dr. Brown.

Mike Moran.

3

This

4

is Mike Moran.

I guess I'm falling in the no-brainer

5

category here.

It's dangerous.

6

I actually, when I went through these,

7

looked at Gold Obverse 3 and 4.

8

equal.

9

them.

10

I felt they were

And still feel that way between the two of
Maybe if I had my way I would lean to 4 over 3.

But I'd probably give them both threes.

11

On the reverse I like Gold Reverse 3.

12

It's uncluttered.

13

World War II and the date there as you do in 3A.

14

I don't think you need to have the

I also like the tie back to the

15

memorial itself using the design elements from the

16

memorial.

17

reverse for that.

18
19

I think the wreath and the rope make a nice
So that's where I am.

DR. BROWN:

Thank you so much.

Let's

turn now to Darla.

20

MS. JACKSON:

21

Thank you so much.

22

Obverse 2.

This is Darla Jackson.

I was really leaning toward

But hearing that there was no eternal

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flame at the site it made me go in favor of the

2

preferred design of 03 -- Obverse 3.

3

And then the reverse -- I felt that at

4

this scale, while Reverse 2 was my preferred design

5

overall, just looking at it at that size that it would

6

be produced at it became problematic in terms of

7

legibility from my point of view.

8
9

And so I went for Reverse 5.

It's one

of the more simplified but it references the wreaths,

10

which have a few present at that location.

11

felt it -- to honor them in that way would be nice.

12
13

DR. BROWN:

And so I

Thank you so much.

Let's

turn now to Kellen.

14

MR. HOARD:

Thank you.

15

Hoard.

16

obverse designs were kind of boring.

17

really spoke to me.

This is Kellen

Honestly with all due respect I thought the

18

None of them

As we mentioned, I feel like I see a

19

lot of stars.

I see a lot of olive branches.

20

those really spoke to me as anything particular to

21

greatest generations or World War II besides there

22

being a Wall of Stars.

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And as a member of the public I feel

2

the same in representing the public.

3

stars.

4

obverse.

5

I see a lot of

So none of them really -- 3 was fine for an
Like, I'd be okay with that.
I'd also even be okay using Reverse 1A

6

as an obverse even.

7

together what the liaison said about, you know,

8

generations today and tomorrow realizing the

9

applicability going forward.

10

I think that might tie better

And actually trying to make it the

11

greatest generation themselves because it actually

12

does key in on the generations of tomorrow.

13

would tie it in on the obverse.

14

And I think that -- even that kind of

15

somewhat more interesting design.

16

-- would even be on the table for me.

17

And then so that's

And then on the reverse my initial

18

inclination was to go to 2 on reverse.

19

that's going to be probably too many details.

20

still give it points.

21

too many details.

22

So that

But I think
I'll

But I think it's going to be

So I would go with probably one of the

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wreath ones.

2

Larger point was just I was not really taken with any

3

of the obverses there.

4

I have no strong opinions there either.

So yeah.

DR. BROWN:

Thank you.

Thank you so much.

5

confess that I was probably moved more by the

6

preferences of the liaison.

7

align my votes with them.

8
9
10

I must

So I'm going to in fact

At this point are there any additional
comments or motions from the members?

Mike or Joe, do

you have any additional comments?

11

MR. MENNA:

12

MR. SCARINCI:

13

additionally?

14

earlier.

15

too.

16

No, sir.
Can I say something

I'm thinking about what John said

You know, and I happen to have a folded flag

And I think the purpose, you know, the

17

purpose of a commemorative program, you know, in

18

addition to memorializing something, right, is at the

19

end of the day you want to make money; right?

20

want that surcharge; right?

21

you know?

22

And you

Because that's important;

So I'm kind of thinking by putting the,

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you know, by putting the folded flag on the reverse

2

you are at least doing something here that does create

3

a connection to living people that will buy -- that

4

possibly will buy this coin; right?

5

create those constituencies of coin.

6

And therefore

So as much as I -- and I don't

7

particularly care for any of the reverse designs.

8

I think No. 2 -- Darla's completely right.

9

And

And the more I look at No. 2 I know I'm

10

going to regret it when I see the coin because it's

11

going to be -- you know, forget a seven -- you know,

12

we're going to need a seven-time loop to look at this

13

coin; right?

14

So probably No. 2, as nice as it is,

15

maybe we could put it into -- I think Peter said this.

16

There are other places where we do this.

17

can save No. 2 for one of the larger, you know, one of

18

the larger planchets.

19

So maybe we

And I could see where Darla's coming

20

from with Reverse 5.

21

thing.

22

with 3.

It's simple.

It's a small

I could also see where Mike is coming from
But I think 1A creates some constituency for

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the coin.

So I just wanted to just add that.

2

DR. BROWN:

3

members of the committee?

4

will now score the candidate designs for the Greatest

5

Generation Commemorative Coin Program.

6

Any further comments by
Hearing none, the committee

Again as usual you have your

7

scoresheets -- and those of us participating

8

virtually.

9

We will take a five-minute break for the scoring and

10

Please all provide them to Greg Weinman.

tallying.

11

(Off the record.)

12

MS. WARREN:

13

It is 2:16.

We are back

We are back.

I recognize

recording.

14

DR. BROWN:

15

Greg Weinman, counsel to the CCAC, to present the

16

results from the scoring.

17

MR. WEINMAN:

The results for the gold.

18

The obverse was fairly conclusive.

19

points, Obverse 1 received 4.

20

Obverse 3 received 27.

21

design.

22

Out of 33 possible

Obverse 2 received 11.

That became the high-scoring

And Obverse 4 received 13.
The reverses were a little less

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conclusive.

Reverse 1 received 2.

2

received 18, making it technically the highest vote-

3

getter.

4

Reverse 1A

Reverse 2 received 16.

5

received 15.

Reverse 3A received 3.

6

five.

7

less conclusive on the reverses.

8

respect to the obverse.

And then Reverse 5 received 12.

9

DR. BROWN:

Okay.

Reverse 3
Four received
So a little

But conclusive with

Following the

10

pattern that we did previously let us then proceed to

11

the silver.

12

it at three minutes or less.

13

Tucker.

Again I'd like to recommend that we keep

14

MR. TUCKER:

Let's turn to Dennis

Thank you, Dr. Brown.

15

the obverse of the silver dollar I was attracted to

16

Obverse 2 in its various iterations.

17

I think central design is really neat.

18

It spells out the coin's purpose.

19

It's dramatic.

20

accomplishment.

21
22

For

It's monumental.

It speaks to service and work and

So I was really drawn to Obverse 2.
think that this is -- it's so monumental.

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something that we would expect to see on the three-

2

inch bronze Congressional Gold Medal for a World War

3

II theme.

4

So I really like.
Of the three, I think 2B is the

5

strongest because it spells out what's going on.

6

know, it's got the inscriptions, "World War II

7

Memorial".

8
9

You

It has the dates 1941 to 1945,
defenders of freedom.

So 2B is my strong preference.

10

And then for the reverse I think the liaison's

11

preference of 1A is strong.

12

And I think it's -- these are just

13

going to be wonderful sculptural opportunities for the

14

Mint's engravers.

15

for the reverse.

16
17
18

I like 2B for the obverse and 1A
Thank you, Mr. Chair.

DR. BROWN:

Thank you.

Turning now to

John.
MR. SAUNDERS:

For the obverse, first

19

question on Obverse 03.

20

hand that doesn't have the sword?

21

bolt or a series of lightning bolts or --

22

What is being held in the

MS. SULLIVAN:

Is that a lightning

It's a broken sword.

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MR. SAUNDERS:

It's a broken sword?

2

MS. SULLIVAN:

Mm-hmm.

3

DR. BROWN:

4

The other side of the sword

-- the broken sword.

5

MR. SAUNDERS:

Okay.

I like the

6

design.

I would like something -- an olive leaf,

7

branch, instead of a broken sword for the other side

8

to kind of be consistent with American coins.

9

like that one.

10

And I thought 05A is not bad.

11

like the other better.

12

really liked with the obverse design.

13

But I

I still

And those are the only two I

Reverse design I like the ones where

14

they show the memorial.

15

6A.

I think my favorite would be

But I could live with 6, 5, or 4 for that matter.

16

And if we didn't choose Obverse 2 I

17

like 7 also.

18

know, you wouldn't put a group of planes on it.

19

They're on opposite sides of each other.

20

DR. BROWN:

21
22

Same reason I liked Obverse 2.

Thank you so much.

You

Turning

to Donald.
MR. SCARINCI:

I really do like Obverse

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1 or 1A would be fine.

2

even though it's not something I would typically like

3

it does kind of remind you of some of our classic

4

commemorative coins from the classic series.

5

I think Obverse 2B, you know,

And so I think I would go with -- as

6

far as an obverse I think it's a tough call between 1A

7

and 2B.

But I think probably it's 2B.

8

For the reverse I agree with John about

9

this is our -- this is an independent -- I think Peter

10

said it earlier in the opening context of the gold.

11

There's another opportunity to get this monument in.

12

This might be the place to do it.

13

So any one of those -- 4 or 5 --

14

probably 4, 5, or 6A -- 5 being a little more

15

interesting because of the -- a little more

16

artistically interesting in terms of the view, which

17

is not something you might normally see.

18

probably will go with 5.

19
20

DR. BROWN:

Thank you so much.

Let's

turn now to Dean.

21
22

So I

DR. KOTLOWSKI:
Mr. Chairman.

Thank you very much,

This is Dean Kotlowski.

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grateful to the members of the committee who went

2

before me because they helped to clarify my thinking

3

about this program and about this portfolio, which I

4

really struggled with.

5

So I'm going to start out with what I

6

didn't much care for.

7

were one -- Obverse 1 and 1A.

8

versions of this.

9

And those were the ones that
And then we get

You know, I don't know.

I'm going to

10

come across and fill the scene here a little bit.

11

you know, I -- it reminded me Esther Williams and

12

Busby Berkeley musicals where you're looking at the

13

top of something and there are people sort of swimming

14

around in there.

15

And those were the eagles -- I had

16

trouble making it out and seeing how it all fit

17

together.

18

the artist.

19

short.

20

But

I think it was a good effort on the part of
There's something about it that just fell

Like John, I think it's time to

21

represent on the coin the victory medal.

22

a victory again here.

And so I see

So I was very drawn to Obverse

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3.

2

I really discounted 2, 2A, ad 2B.

But

3

Dennis, you know, got me -- and others got me thinking

4

that, you know, maybe 2B is good.

5

depiction of people.

6

I like the

And so I'm going to give that some

7

consideration and see what everyone else says.

8

very much a follower with this one.

9

I'm

But on the reverse I was very much

10

attracted to 6A, 6, and 5.

11

I'm in -- if I want to be a little bit artistic I

12

agree with Don.

13

And depending what mood

You know, 5 really gives you a

14

different perspective -- manages to cover a good

15

portion of the monument.

16

For me it's a tie between 5 and 6A,

17

which is very traditional.

18

don't have the trees in the background.

19

all of those nice words.

20

to it.

21
22

But it's uncluttered.

You

And you have

And it's got a good balance

So it's kind of a tie between 5 and 6A
and then maybe -- yeah.

And then 6 being maybe a

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little bit below that.

2
3

Thank you, Mr. Chair.

DR. BROWN:

Thank you so much.

Let's

turn now to Art.

4

MR. BERNSTEIN:

This is Art Bernstein.

5

There were some obverse designs and reverse designs

6

that featured those eagles that we were just speaking

7

of.

8
9
10

And I found those eagles hard to see.
And so I discounted both of those designs for the
obverse as well as for the reverses.

11

I also was attracted to the depiction

12

of victory.

I like the tie in with the victory medal.

13

And so my preference for the obverse would be Obverse

14

3.

15

depiction of victory.

I also like Obverse 5 and 5A again because of the

16

For the reverse I wanted a reverse the

17

features the memorial itself as I was putting victory

18

on the obverse.

19

And I looked carefully at Design 5.

To

20

me that looked a little bit like an MC Escher print.

21

The looking at it from above I saw the stairs going up

22

and down in the same look.

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And it just -- I found it made me a

2

little dizzy.

3

reverses that features the memorial.

4

be 6 and 6A.

5
6

So I would go with one of the other
And that would

Thank you.
DR. BROWN:

Thank you so much. Dr.

Fuller?

7

DR. FULLER:

8

Chairman.

9

Yes.

10

Thank you so much, Dr.

Just a couple of things on the obverse.

As someone who likes to highlight

11

international relations, I like the fact when we're

12

able to highlight, you know, the Atlantic, for

13

example, you know, all the various countries that

14

played a role in the Second World War.

15

highlighting the Atlantic.

16

So I like

With that said though, I do think that

17

although I do like the designs, some of them for me

18

they're too busy.

19

to 04.

20

And that's why I would like to go

I really love this coin because it

21

reminds me of the -- is it Evita Adar?

22

one?

And also the hope coin; right?

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just the way how the lines work.

2

it's a unique coin.

3

And I just think

And the other thing I like about this

4

is when I see this, this could be a soldier or a

5

police officer.

6

both.

You know, that's just how I -- when I read

7

that.

So I really like that.

8
9

And I feel like it pays homage to

And then on the reverse I want to say a
couple of things.

I do like 3.

I don't know why.

10

see that as a -- sort of like a double helix.

11

has an unusual design that kind of pulls you in.

12

I

It just

Nonetheless I do really like 5 because

13

it just feels like you could dive into it.

You know,

14

it gives you that three-dimensional look.

15

unusual in the sense that it invites you in.

16

you.

For me it's
Thank

17

DR. BROWN:

Thank you.

18

MR. MORAN:

Thank you, Dr. Brown.

I

19

want to expand a little bit on what Dennis said.

I

20

agree with him on the obverse.

21

is.

22

Mike Moran?

It's 2B I believe it

Back up here.
But I want to explain why he chose what

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he chose on the reverse.

When you look at 2A -- no;

2

2B.

3

there it's got the Atlantic.

When you look at 2B and you look at the globe

4

So that is why Dennis went to on the

5

reverse 1A because that's the Pacific.

6

regard Dennis was getting the whole world and the two

7

hemispheres there.

8

accomplish with that.

9

So in that

That's what he was trying to

I kind of like the way the eagles'

10

wings feather out against the rim there.

11

it'll make a nice coin.

12

I think

But I also think in terms of the

13

reverse a couple of observations.

14

it's redundant with what you have if you go with 2B on

15

the obverse.

16

there as well.

17

one.

18

I liked 2.

But

You already have the various services
So I'm not going to be going with that

Everybody seems to like 5 because of

19

its three-dimensional aspect on the reverse.

20

is in the drawing three-dimensional.

21

you when you get coin ready you're going to lose that

22

third dimension.

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And it's going to look like a mess.

I

2

don't think that you're going -- unless you know what

3

you're looking at -- you're going to be able to

4

instantly envision what the artist is trying to

5

represent there.

6

relief.

7

I think it will get lost in coin

If you feel that you need to tie into

8

the monument itself the best one with the least amount

9

of clutter is 6A.

10

medal.

I like the idea of the victory

But I don't like it on the reverse.

11

And the eagle to me is awkward.

So I'm

12

really going to be splitting my votes on the reverse.

13

That's it for me.

14

And I have watched my battery go from

15

55 percent to 24 percent.

16

Something is wrong.

17

shut it down here in a minute and get my juice back.

18
19

It must be the server here.

But anyway I'm going to have to

DR. BROWN:

Thank you so much.

Let's

turn to Darla.

20

MS. JACKSON:

Hello.

This is Darla

21

Jackson.

In terms of this set being geared towards

22

service, 2A Obverse is the one that I'm looking at.

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I enjoyed the whole No. 2 set but I

2

think that giving the figures a little bit of room

3

around them representing each of the arms here

4

supporting together the world I think is a really

5

beautiful sentiment.

6

I think the other ones would work as

7

well.

I just think on a smaller scale it just starts

8

to get a little bit more difficult to read.

9

In terms of the reverse I am in favor

10

of the designs that showcase the memorial.

11

partial to No. 5.

12

think the composition is really interesting.

13

I am very

I understand the concerns.

But I

And it's this idea of looking back and

14

looking over what has been accomplished.

15

conceptually I enjoy that idea.

16

So I think

However I'd also be very happy with a

17

more straightforward view such as 6A.

18

that's very clean.

19

design to be showcased but not overwhelmed by the text

20

involved.

21
22

I think that

There's a lot of room for the

DR. BROWN:

Thank you so much.

turn to Kellen.

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MR. HOARD:

Sure.

I aligned with a lot

2

of people earlier around Obverse 2B.

3

was compelling.

4

design.

5

I thought that

And I liked the people-oriented

I think that's -- especially for the

6

public -- pretty exciting to look at.

Often more so

7

than allegorical depictions of liberty, especially if

8

we're focusing on greatest generation and trying to

9

tie it back in some way to that theme.

And then on

10

the reverse, Joe, I had a question for you if I

11

could --

12

MR. MENNA:

Yeah.

13

MR. HOARD:

-- which is that for

14

Reverse 5 there were concerns it would not show up.

15

Do you feel technically that wouldn't -- that it

16

wouldn't show up as three-dimensional in practice?

17

MR. MENNA:

This is Joseph Menna.

If

18

one refers back -- with all due respect to Mike, we

19

did multiple American innovator dollars that had

20

forced perspective.

21

standing above a city skyline.

22

We had one with an ironworker

And we also had one -- forgive me for

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forgetting which state.

2

of a tunnel in forced perspective that was -- that is

3

infinitely more difficult to pull off in perspective

4

than this.

5

But there was a cross-section

And that was very ably pulled off by

6

the design sculpting staff.

Virginia.

I guarantee we

7

can pull this off with all due respect to Mike --

8

MR. HOARD:

Perfect.

So then --

9

MR. MENNA:

-- ably.

10

MR. HOARD:

In that case I would land

11

somewhere on 5 or 6 for reverse.

12

go for 6A.

13

previously mentioned I'm not a fan of vertical lists

14

of words on coins.

15

interesting, less compelling thing.

16

I actually wouldn't

I think 6 would be better.

And because as

I just find them to be a less

And to me it kind of seems as if we

17

couldn't find out any way to do that through design or

18

through symbolism so we decided to write the words

19

down directly and not even put it on creatively.

20

So I would rather go with at least 6,

21

which has at least some level of curvature to it,

22

fewer words, and kind of embraces that symbolism more

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than explicitly just listing off words that they

2

couldn't find a way to express artistically in a

3

different way.

4

DR. BROWN:

Thank you so much.

5

Chair I must confess that I'm looking --

6

MS. WARREN:

7

DR. VAN ALFEN:

8

DR. BROWN:

9

As the

You missed Peter.
Yeah.

I'm sorry.

I -My apologies.

Please.

10

DR. VAN ALFEN:

This is Peter van

11

Alfen.

12

monument yesterday is because there are these series

13

of roughly 24 plaques -- bronze plaques -- that are

14

about three feet long and about a foot high that

15

depict various scenes of combat, scenes of the home

16

fronts, and so forth.

17

Part of the reason I spent two hours at the

And I find that Obverse 2 actually

18

really ties in well to what you see of the figures

19

across a wide spectrum of activities that are depicted

20

on those plaques.

21

actually really quite compelling.

22

And I find that tie in to be

Also this obverse seems reminiscent of

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that iconic image of the flag raising on Iwo Jima,

2

which also is an iconic image from the Second World

3

War.

4

them -- probably 2A.

So I'm very much in favor of Obverse 2 or one of

5

Now part of the other reason I spent a

6

great deal of time there yesterday was that in each

7

one of these towers there is this amazing structure

8

where bronze columns rise up.

9

There are then the eagles perched on

10

top of them which have the ribbons in their mouths,

11

which then support the wreath.

12

amazing thing to look at from different perspectives.

13

And what you're seeing in Reverse 2 -Sorry.

And so it is an

14

oh, no.

15

directly below that structure looking up through the

16

opening in the ceiling of that tower where in this

17

case that globe has been positioned where the open sky

18

would be.

19

Reverse 1 is essentially standing

And so I also like the tie in between

20

the globe on the -- this reverse and the globe on the

21

obverse of 2.

22

And so there's some continuity between

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both the obverse and reverse designs with that as well

2

as some of -- I think some of the most amazing

3

architecture as well as many artistic aspects found on

4

the monument that are represented to some degree in

5

the Obverse 2 and then Reverse 1.

6

favor of that combination of designs.

7

DR. BROWN:

So I'm very much in
So thank you.

Again I want to thank my

8

colleagues for their comments.

From my military prism

9

I think I would lean in the direction of Obverse 2B,

10

which actually gives a depiction of one theater and

11

also focuses on people, and Reverse 1A.

12

That gives the globe in another part --

13

the Pacific -- to the points that were raised earlier.

14

At this point are there any additional questions or

15

comments from members of the committee?

16

MR. SAUNDERS:

You know, I know we're

17

never going to do this.

18

Obverse 1A and Reverse 1A done in relief as a medal --

19

even if the Mint marketing staff wants to do it -- has

20

to do bullion -- I think would be a really cool medal.

21

Really cool.

22

as a set.

Anyway.

But I think 1A -- I think

And then they could market it

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DR. BROWN:

So we can return the focus

2

on this program.

3

things -- other options later on when the time is --

4

yes?

5

And we can talk about other

MS. ROTONDI:

I just wanted to make one

6

comment because I think -- I'm learning a lot

7

listening to all of you and what you're looking for.

8

It's interesting that you -- a lot of

9

you chose the 2 and 2B depicting people.

And that was

10

something that we were very concerned about is

11

depicting people because inclusivity and then

12

somebody's excluded.

13

I mean, for example, the 442nd all

14

Japanese American were the most decorated unit.

15

don't think there's an Asian depicted.

16

So I mean, so that -- for me when I

17

look at it I think of who's not represented.

18

that for me was something that was struck.

19

know, I just wanted to make that comment.

20

DR. BROWN:

21

there any further questions or comments?

22

I

MS. WARREN:

And so
But you

Thank you so much.

Dennis has his hand

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raised, sir.

2

DR. BROWN:

3

MR. TUCKER:

4

MS. WARREN:

6

DR. BROWN:

7

MS. ROTONDI:

8

MR. TUCKER:

10

Thank you, Dr. Brown.

I

think was that Holly who was just speaking?

5

9

Dennis?

that commentary.

Yeah.
Correct.
Yes.
Oh.

Holly, thank you for

And that actually was in the back of

my mind as I was reviewing this portfolio.

11

My grandfather-in-law was a member of

12

the USAFFE.

So he was a Filipino who volunteered for

13

the United States Armed Forces in the Far East.

14

And anyway, coin design can't do

15

everything.

16

do think that 2B is a great accomplishment.

17

represents well the great accomplishments of that

18

generation.

19

But it can accomplish quite a bit.

And I

And it

So I'm not overly concerned about that

20

absence.

But I am aware of it.

But it's not of great

21

concern.

But thank you for your commentary on that.

22

And thank you, Dr. Brown.

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DR. VAN ALFEN:

I would also just like

2

to respond to Holly's comments.

3

depicting groups of people like this, which is

4

surprisingly representative of an entirely broad

5

population, you are going to have problems like that.

6

As always, when

But you know, with concerns of that

7

sort if this were to be chosen we could have a motion

8

to adjust some of the features and some of the people

9

depicted to be a little bit more inclusive.

So I

10

mean, that is always an option, you know, with

11

something like that.

So adjust as necessary.

12

MS. ROTONDI:

13

DR. BROWN:

14
15

Thank you.
Joe and Mike, did you have

additional comments or suggestions?
MR. MENNA:

An inappropriate one --

16

maybe out of my lane.

17

and I'm not -- I don't want to speak on behalf of ODM

18

-- is to make it more -- to make this more fully

19

representational there'd have to be researches to

20

regiments, uniforms, this and that.

21
22

The only thing with that Peter,

Because we do not -- everybody wasn't
allowed to fully participate in the same way.

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have to pick which one of these folks can be this,

2

represent this part of the society, which one of these

3

folks could do that.

4

And that could get a little tricky I

5

think just from my experience of representing a lot of

6

different service people.

7

DR. BROWN:

No further comments at this

8

point?

Then on that basis I suggest that we make the

9

score.

And again please pass your scoresheets --

10

those of us that are here.

11

participating virtually please send them to Greg.

12

will take five minutes for the score and the tally.

13
14

MS. WARREN:

And those that are

It is 2:40.

(Off the record.)

16

MS. WARREN:

18

Stopping

recording.

15

17

It is 2:48 and we're back

to recording.
DR. BROWN:

We are back.

I recognize

19

Greg Weinman, counsel to the CCAC, to present the

20

results of the scoring sheets.

21
22

We

MR. WEINMAN:

Once again there is a

more clear preference for the obverse than the

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reverse.

But beginning with the obverse.

2

received 4 points.

3

2A received 9.

4

01A received 6.

Obverse 01

02 received 7.

2B received 25 out of a possible 33,

5

making it the high vote-getter -- high-score design.

6

03 received 12.

7

5A received 5.

8
9

04 received 4.

05 received 7.

And

Moving on to the reverses, which was a
little less definitive.

Reverse 1 received 5.

10

Reverse 1A received 18, making it the high vote-getter

11

-- 18 out of 33.

12

02 received 2.

13

received 7.

14

received 14.

15

received 1.

16

03 received 4.

04

05 received 17 -- so very close.

06

6A received 15.

7 received 3.

7A

And 8 received 1.
DR. BROWN:

Very good.

We will

17

continue now with the clad.

So are there any

18

questions or comments from the committee regarding the

19

clad designs?

20

coming from the liaison or our chief of engraving?

Hearing none and seeing none, any

21

MR. MENNA:

No, sir.

22

DR. BROWN:

Okay.

That being the case,

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let us then begin our discussion.

2

fantastic pattern we've had in the past, let's begin

3

again with Dennis Tucker.

4

MR. TUCKER:

And continuing that

Thank you, Dr. Brown.

The

5

portfolio for the half-dollar was harder for me.

6

Dean's earlier question, I tried to focus on the home

7

front.

8

obverses in particular deal with that theme.

9

To

Obviously a lot of these designs for the

My father was 6 years old when the

10

United States entered the war.

11

older.

12

course his parents, my grandparents, were solidly in

13

the home front generation.

14

And his brothers were

They actually served in the military.

So everybody was involved.

And of

Everybody

15

in the family, everybody in America at that time of

16

course was involved in collecting scrap metal.

17

If you're a kid, you know, you're

18

outside watching for airplanes, whether that really

19

helps the military effort or not.

20

course.

21
22

Rationing of

But then something I've done is I've
looked through old newspapers for references to my

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grandparents.

2

And you know, all the ladies back

3

then -- my grandmother and her friends -- they would

4

have benefit luncheons and clothing and food drives.

5

And they would welcome soldiers home if they were home

6

on leave.

7

And there was just wonderful news from

8

that era.

9

that showed that everybody was involved in this war

10

Just small, you know, little hometown news

effort.

11

So having said that and just segueing a

12

bit on an unrelated note, for the obverse I really

13

like the motif of Obverse 1.

14

I say 1 I include 1A in that group.

15

And that was -- and when

Obverse 1 was the liaison's third

16

preference.

17

take that back.

18

inscription -- righteous strength forged through

19

unity.

20

I actually prefer 1A.

No; I'm sorry.

I

I prefer Obverse 1 with the longer

I think that that captures the essence

21

of that home front activity and involvement in the

22

war.

The nation had righteous strength.

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forged through being united.

2

I would prefer to see World War II on

3

the shield on Obverse 1 -- so take that from 1A and

4

put that on 1.

5

detailed if 1 ends up being the preference.

6

But anyway, I know you're not that

For the reverse this was harder.

I

7

think the reverse designs that depend on architectural

8

views of the memorial are not really appropriate.

9

We're doing that elsewhere in this suite of coins.

10

And it doesn't really speak specifically to the home

11

front.

12

So my preference for the reverse is --

13

strangely enough it's actually Reverse 2.

14

more for the text than for the image.

15

And it's

When I first saw Reverse 2 I thought,

16

"Well, that row of houses doesn't really -- that could

17

be anywhere, anytime.

18

It could mean anything."

But I think the addition of the text

19

"National unity" in such a big font -- and E. Pluribus

20

Unum, which reinforces the concept of one out of many

21

-- I think that brings together a nice cohesive design

22

when you add it to the obverse.

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So Reverse 2 was actually my favorite.

2

But Reverse 3, which was the liaison's second

3

preference -- I think again more for the text -- the

4

use of the word "unity" I thought that that had some

5

merit as well.

6

But Reverse 2 combined with Obverse 1

7

or 1A or some combination of those -- those are my

8

choices and my thoughts.

9

thank you, Dr. Brown.

10

Thanks to our liaisons and

DR. BROWN:

11

thoughtful comments.

12

remember three minutes.

Thank you so much for your

Ladies and gentlemen, please
John, next?

13

MR. SAUNDERS:

14

MS. WARREN:

John Saunders.
Hold on.

This is

15

Jennifer.

Is there someone that has their mic open in

16

the room?

Okay.

17

there's an echo.

18

Let me check these people because

MR. SAUNDERS:

19

still John Saunders.

20

comments Dennis made.

Okay.

Well, this is

I want to echo a bunch of

21

My brother enlisted in World War II.

22

And he was luckily -- had a good war in England, in

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France, or in Germany.

2

overseas for three or four years.

3

Wasn't shot at.

But he was

And my mother, who you'd never -- if

4

you knew her you'd never think of her having a job

5

like this.

6

making machine guns.

She went down and got a job in a factory

7

She ground machine gun barrels.

So the part of getting the whole -- the

8

unity in the United States together and everybody

9

wanting to chip in and help I thought is a theme

10

that's worth doing.

11

But I'm sorry.

I didn't think any of

12

these designs really accomplished that scene.

13

with Dennis.

14

national unity.

15

the houses there as they're meaning anything.

16

I'm

I like the legends on the reverse
I like that legend.

I just don't see

So for the obverse design even though

17

I'd like to present the national unity, I like the

18

looks of Design 1 and 1A.

19

with Dennis.

20

And I think I'm kind of

I like 1 better.
But I think moving World War II over to

21

thing on 1A -- and in terms of reverse is to say I

22

love the legends.

I'd like to see the national unity

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on one of the reverse designs.

2

But I also think that we -- I think we

3

rejected all the architecture ones.

4

with the stars and the thing that -- personally but I

5

like the -- they all together probably have more votes

6

than the design we picked for the -- or put in favor

7

of for the silver dollar.

8
9

I think we need to give the folks at
the memorial at least one coin that has the

10

architectural features on it.

11

I'm in favor of 3 and 7.

12
13

We have that one

DR. BROWN:
minutes.

And so for that reason

Thank you so much.

Three

Moving on to Donald.

14

MR. SCARINCI:

So I think this may very

15

well become the commemorative -- the contemporary

16

commemorative dollar coin that has two reverses or the

17

one that has no obverse.

18

So I am not going to vote for any of

19

these obverses.

And I would implore people not to

20

support the -- I guess unless this is Hawaii and these

21

planes are Japanese I don't know where this Coin No. 4

22

is going.

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But the Ozzie and the Harriet view of

2

Reverse 2 -- or the suburbanization of America in the

3

40s maybe -- that's the theme of all the -- of all

4

these houses that are not my reality.

5

My reality is a four-bedroom -- a four-

6

room apartment in Union City -- a three-room

7

apartment.

8

support any of the obverses.

I'm sorry.

9

So I think I'm not going to
There are not obverses.

The reverse I agree.

I think someone

10

said it -- I forgot who -- you know, to give the

11

memorial something that depicts the memorial.

12

they like Reverse 3, Reverse 3 is good.

13

good.

Reverse 7 is

Anything but Reverse 2, please.

14
15

So if

DR. BROWN:

Thank you so much.

Turning

now to Dean.

16

DR. KOTLOWSKI:

Thank you, Mr.

17

Chairman.

18

with this.

19

fought in the war and won a silver and bronze star.

20

And his wife, my grandmother, was a Rosie the Riveter.

21

I've mentioned that before.

22

This is Dean Kotlowski.

Again struggling

Really briefly, grandson of a person who

I also wrote a biography of Paul

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McNutt, who headed the war manpower division in World

2

War II.

3

miserable appointment for somebody who had a lot of

4

political prospects.

So the home front -- and that was a pretty

5

So all of that is to say that I was

6

looking at the home front.

And you know, you could do

7

1.

8

could pair it with -- talking about two reverses,

9

Donald, here.

If you're looking at the Obverse 1 and 1A you

10

You could pair it with Reverse 1.

And

11

then you'd have a kind of swords and ploughshares type

12

motif.

13

the obverses I was drawn to No. 5.

14

anybody's going to say anything about No. 5.

15

sorry here.

16
17

I'm not necessarily recommending that.

But of

I don't know if

UNIDENTIFIED SPEAKER 9:

But

Somebody

answer it quickly.

18

DR. KOTLOWSKI:

Yeah.

This is going to

19

happen.

I don't think anybody's going to go for No.

20

5.

21

the work and the factories -- the stuff that was done

22

at home.

I think No. 5 brought in the barns and the idea of

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And I have no idea what to do with the

2

reverse.

3

persuaded that the thing with the eagles and the

4

ribbons -- I might go with that.

5

Right now, the reverse, I'm kind of being

And if I do then we do need to have the

6

memorial.

And maybe we have Reverse 7.

7

take one of the silver memorials -- like the one with

8

the cross-section view that finished second -- and

9

maybe make that the half-dollar reverse.

10

that strike people?

11

Chairman.

12
13

Just a thought.

DR. BROWN:

Or maybe we

How would

Thank you, Mr.

Thank you so much.

turn now to Peter.

14

DR. VAN ALFEN:

Thank you, Mr.

15

Chairman.

16

has been said here.

17

is my preference currently.

18

So I'll just keep it brief and say that's that.

19
20
21
22

Let's

I'm mostly in agreement with a lot of what
And the preference for Obverse 1

DR. BROWN:

And Reverse 7 as well.

Thank you so much.

Let's

turn now to Art.
MR. BERNSTEIN:

This is Art Bernstein.

In referencing my recommendations I was hoping to say

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this is a no-brainer.

2

liaison's preferences -- 5 and 7.

3

Reverse 7.

4
5

But I'm in support of the

DR. BROWN:

Obverse 5 and

Thank you so much.

Let's

now turn to Dr. Fuller.

6

DR. FULLER:

Thank you.

I'm thinking a

7

lot about what Donald said.

8

for me because I agree with what you're saying.

9

And so this is difficult

Nonetheless I like 2A.

There's

10

something about that little boy clutching the flag.

11

Even if you didn't have the legend in there it's very

12

emotional.

13

It makes you think about the sacrifices

14

even if it didn't have the word "sacrifice".

15

price of freedom is not free.

16

powerful statement.

17

The

I just think that's a

And then with respect to 4 I -- I'm not

18

as -- I guess if I understand you correctly, Donald,

19

you're not sure if that image is historically correct.

20

Nonetheless to see, you know, the woman

21

-- she's sort of waving, you know, the Air Force, you

22

know, wishing them well and, you know, there's farming

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going on.

2

boy.

There's the homestead.

There's a little

It underscores the notion of the home front.

3

And then for the reverse I think going

4

with the theme of including people and the home front

5

I would go with 5.

6
7

DR. BROWN:

Thank you so much.

Let's

turn now to Darla.

8
9

Thank you.

MS. JACKSON:
Darla Jackson.

Thank you.

Yes.

Hello.

This is

I am having trouble

10

finding somewhere where I feel like the contributions

11

of everyday Americans is shown here in a way that

12

translates well.

13

So I'm going to just go toward the

14

design that I feel like is going to work beautifully

15

on a coin, which I feel like is Obverse 1.

16

And then in terms of the reverse

17

because of a lot of folks having echoed that we don't

18

have a representation of the monument itself I'm going

19

to go with Reverse 7.

20

I think that this is a nice viewpoint.

21

If you were someone -- an everyday civilian coming to

22

honor these heroes you would be walking down the path

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in this way.

And so I think the perspective sort of

2

echoes the idea here a bit, which is nice.

Thank you.

3

DR. BROWN:

Thank you.

Kellen?

4

MR. HOARD:

Thank you.

Kind of in line

5

with the other members of the committee, I was not

6

really again struck by any of the obverse designs

7

here, especially as a representative of the general

8

public.

I just didn't see much that spoke to me.

9

In regard to a -- I mean, like, maybe

10

1A.

I think it's important to call for World War II

11

there.

12

Harcourt mentioned I understand that's looking at life

13

-- sacrifice, not being free.

In regard to the two designs that I think

14

I think it will be ultimately seen as

15

the depressed little boy coin.

16

to, you know, kind of give that impression.

17

airplane flying overhead didn't really strike me

18

either.

19

And so I didn't want
And the

So I was -- I didn't really have any

20

one that stood out to me there.

21

reverses.

22

Reverse 3 I'd recommend against.

Same with the

Mostly I'd recommend against some, like

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It looks like unity is dead as of 1945

2

to me.

It only lasted four years.

3

with that one.

4

So I wouldn't go

I do think we should have the monument

5

on one of the coins.

6

recommendation for the reverse just because it's not

7

in any of the other ones.

8
9

So I would say 7 would be my

I think it's a nice design.

So if I had to a -- I guess my question
for the committee generally would be are there any

10

specific designs that you're actually passionate about

11

versus fine with?

12

Because what I've heard so far is

13

mostly, like, "It's okay."

14

and we want it on the coin.

15

ask.

16

pairing.

But not much we love it
So that's what I would

Not only for individual designs but also for

17

DR. BROWN:

Thank you so much.

18

MR. HOARD:

Thank you.

19

DR. BROWN:

Let's turn to Mike.

20

I

think you'll find the answer to that pretty soon.

21

MR. HOARD:

Yeah.

22

DR. BROWN:

Mike?

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MR. MORAN:

2

is Mike Moran.

3

is for Peter.

Thank you, Dr. Brown.

I have one question first.

This

And this

What model B-17 is that?

4

DR. VAN ALFEN:

5

MR. MORAN:

6

DR. VAN ALFEN:

It's a G model.

G model?
Or maybe a late F.

7

They started putting chin turrets on some of the late

8

F models.

9

But definitively a G model.
MR. MORAN:

Okay.

Just so everybody

10

knows, Peter knows a lot about that.

11

think the design on Obverse 1 or 1A -- either one.

12

Seriously.

But what does it tell me?

I

You have to

13

put World War II on there before I can really make an

14

association with it.

15

Maybe I'm missing something there.

But

16

it doesn't jump out to me, nor do I think it will jump

17

out to the average person that picks up the coin.

18

The other obverses I -- what can I say

19

about them?

20

Rosie the Riveter theme.

21

it's kind of an ugly design.

22

The 05 -- I get the need to recognize the
But I don't think this --

I mean, just, I get it.

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little rectangles there on it.

2

it.

3

But I can do without

I don't really have an obverse that I

4

think is appropriate.

And I would throw out to you

5

that if there was a point where we should put the

6

victory medal it might be here.

7

Because when I go to the reverse -- and

8

nobody's talked about this -- I'm still doing the clad

9

half-dollar as one that recognizes the sacrifice at

10

home but also the victory that was achieved at the end

11

of the war.

12

And for the reverse I feel like Reverse

13

4 -- commemorating the gold star families because it

14

wasn't all a victory for everyone that came home.

15

put that on the reverse of the victory medal.

16

it made some sense.

17

To me

I get the point that we don't have the

18

-- any of the monument structures on any of these

19

coins.

20

You

But it really doesn't bother me.
But we're going to have some problems

21

with this obverse.

22

you any on that.

And I don't know that I can help
Oh, lord.

I could not get --

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DR. BROWN:

2

MS. WARREN:

3

UNIDENTIFIED SPEAKER 10:

4
5

Mike, is that it?
Mike, you're muted.
He's on the

phone.
MR. MORAN:

I'm sorry.

I couldn't get

6

the -- turn off the -- the notification came right

7

over the microphone.

8

one because it's my home alarm.

9

Anyway, I'm going to go get that

DR. BROWN:

Be back.

So let me quickly answer

10

the question that Kellen -- now I'm not really someone

11

who typically is in love with a number of things that

12

are sentimental.

13

really bring feeling to me.

14

But there are some things that

And I must tell you that Obverse Design

15

2 and 2A reminded me a bit about the commemorative

16

program dealing with the Purple Heart and that saying

17

that all day some, someday all.

18

And there are currently people on the

19

home front who lost.

20

say a reaching out, a symbolism of the lost.

21
22

So to me that's a -- you might

And nothing is more sentimental of loss
than a little boy holding a flag.

I think to me that

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makes this really that powerful.

2

From the standpoint of the reverse, as

3

much I understand that this is supporting the World

4

War II Memorial, this is not the World War II Memorial

5

Commemorative Program.

6

So I have to be -- as much as I don't

7

have any objection to them, I'm not in fact at a loss

8

for it not being reflected on any of the coins.

9

To me the one that is more reflective

10

of that is actually Reverse 4.

11

quickly to actually Reverse -- yes.

12

And let me speak
Reverse 2.

I have a different perspective than

13

Donald.

14

fact turned 90, to ask her what was life like in the

15

urban settings and the housing projects.

16

before she even got to be eligible for the housing

17

projects in World War II.

18

I posed a question to my mother, who just in

And this was

And she says that she can only remember

19

her mother yelling out of the third floor of a tenant

20

saying that the world -- the war was over.

21
22

So their houses did not look anything
like in fact to -- so that's not an adequate

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representation to me of enough of America, whether

2

you're talking about an -- I actually Googled New York

3

City and its appearance in the 40s and then Chicago in

4

the 40s.

5

And none of them look like that.

So to

6

me that was not sufficiently representative if you

7

want to be representative.

8
9
10

So as someone from a military
background, the thing that was more powerful was again
Obverse 2 or 2A and Reverse 4 -- the gold star.

11

Because again, that was something left

12

with some families at the close of the war on the home

13

front.

14

also loss.

15

entertain comments and questions from members.

As much as they saluted victory, there was
Please forgive me.

16

DR. FULLER:

17

DR. BROWN:

18

DR. FULLER:

We're going to now

May I?
Yes, please.
Just hearing you speak on

19

that I do think that -- what is it, 2?

20

the little boy and then 4 -- because I guess both

21

would represent loss.

22

Obverse 2 with

And let me just ask frankly.

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that make it too sad then if we sort of have, you

2

know, I mean, or is it just the reality?

3

I'm -- but I agree that they would go together.

4

is that, you know, too sad?

5

DR. BROWN:

6

MR. SAUNDERS:

That's what
But

John?
I like Mike's idea of

7

putting the piece on the obverse.

And I don't know

8

how we vote for this or when it's appropriate to bring

9

it up.

But that seemed like something that if it

10

would work from a design point of view, which I'm sure

11

we'll hear whether it works or not -- but I'd like to

12

see that.

13

And the second thing is while I still

14

favor the monument, the 3 says unity.

I'd like it to

15

say national unity.

16

know, concept better.

17

work the word "national" in there I'd really like it a

18

lot better.

I like the national unity, you
And if there's a way we could

19

DR. BROWN:

Donald?

20

MR. SCARINCI:

A couple of things.

21

First, this is a commemorative -- in spite of what

22

they're calling it, it's a program that supports the

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monument; right?

2

MS. ROTONDI:

Yes.

3

MR. SCARINCI:

Okay.

4

MS. SULLIVAN:

The legislation

Thank you.

5

specifically indicates that -- the design to be

6

emblematic of the World War II Memorial and the

7

service and sacrifice of American soldiers and

8

civilians during World War II.

9

MR. SCARINCI:

And the funds --

10

MS. SULLIVAN:

The funds do; yes.

11

MR. SCARINCI:

The funds go to the

13

MS. SULLIVAN:

Absolutely.

14

MR. SCARINCI:

Okay.

12

memorial?

15

Okay.

16

thing.

17

Silver Obverse 3 design, which is the standing figure.

18

Thank you.

That's good.

You know, I was thinking the same

Someone when they spoke did refer to the

You know, and that -- if we could

19

use -- if we could appropriate that image then the

20

coin with no obverse now has an obverse.

21
22

And the other possibility is to go with
what, you know, with what Larry was saying, which is

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if we use the child holding -- raising the flag --

2

that is emotional.

3

that any work of art can be too sad.

4

And is it too said?

DR. FULLER:

I don't know

Well, I was saying if you

5

have it on both sides -- the gold star and the little

6

boy on either side as well.

7

MR. SCARINCI:

I think if we were to

8

use this as the obverse then I think this qualifies as

9

giving the coin with no obverse an obverse.

10

or.

11

the boy holding the flag.

Either

Either we go with Silver Obverse 3 or we go with

12

But if we go with the boy holding the

13

flag then maybe we can revisit the gold reverse that

14

we selected depicting that flag, which I think just

15

now only got enough votes as a majority for the gold.

16

And then revisit that and maybe choose

17

something more simple as Darla maybe suggested for the

18

gold.

19

some surgery.

So there's a way to save this if we want to do

20

DR. BROWN:

21

then Dean and then Peter.

22

MR. TUCKER:

We can do so.

Dennis and

Thank you, Dr. Brown.

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don't think we need to use the clad half-dollar to

2

represent the idea of sacrifice.

3

the gold five dollar.

4

That's covered with

If we go with the rankings that we've

5

voted on already the -- I believe it was Megan who

6

said that the idea was to have the gold coin represent

7

sacrifice, silver represent service, and clad

8

represent the home front.

9

So I think, you know, as compelling as

10

those gold star-related designs might be for the clad

11

I think it's just the right place to have those.

12

I think Obverse 1 for the clad.

13

mean, it's just a cool-looking design.

14

a military medal from the 1930s or 1940s.

I

It looks like

15

I think that that, you know, if you

16

look at it you think World War II even if the word

17

"World War" -- you know, you think 1940s even if World

18

War II is not there.

19

And another thing I would point is

20

something that Peter mentioned.

And I think some

21

people are losing this thought -- is that we do based

22

on our rankings and voting -- we do have designs that

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show the memorial.

2

They might not show kind of an

3

architectural blueprint view.

4

significant design elements like that canopy of eagles

5

with banners.

6

as towers or walkways.

7

But they show

That is as much part of the experience

So I wouldn't let that hang -- you

8

know, don't get hung up on that too much I would

9

think.

So I really -- I think this concept of

10

sacrifice and gold star families -- not for putting on

11

the clad dollars -- or clad half-dollar.

12

Not every family lost a family member

13

during the war.

14

You know, they had scrap drives.

15

But they all put into the war effort.

They sacrificed in a million ways.

16

That was the home front.

17

family member.

18

in.

19

They saved food.

They didn't have to lose a

Nobody had to die for them to be all

So I would say veer away from this

20

concept of sacrifice for the half-dollar.

21

represent the home front.

22

figure out how to do that.

Let that

And then we just have to
Thank you, Dr. Brown.

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DR. BROWN:

Thank you so much.

2

DR. KOTLOWSKI:

Dean?

This is Dean Kotlowski.

3

I really wanted to depict the home front on the coins,

4

especially on the clad.

5

the designs are there to make that possible.

6

And I just don't think that

So what I am going to propose here is

7

modification of the three themes.

So on the gold we

8

have the theme of sacrifice and the highest form of

9

sacrifice.

10

And then what we have on the silver,

11

which I've revised my views on -- the number one to

12

look at is the theme of service.

13

And then on the clad the theme is

14

victory.

And so there you have the World War II

15

service and the liberty; right?

16

taking -- you're moving it over there.

17

Which you're

And then you have No. 7 for the reverse

18

as the monument.

19

sword.

So you have liberty with that broken

And there you have your three themes.

20

Dr. Brown, I love what you said about

21

the little boy and also being very evocative of the

22

Purple Heart.

Now that medal was so -- that coin was

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so great.

You know, the some gave -- all gave some,

2

and some gave all.

3

It's so evocative.

It's not being replicated or anywhere

4

reached here I think in the artistic design.

5

think we should just, you know, not try to redo that

6

theme here.

7

So I

I think if you have a gold and you have

8

a clad that are both focused on, you know, death and

9

loss then I do think it becomes too somber.

10
11

DR. BROWN:

Thank you so much.

Turn

now to Peter.

12

DR. VAN ALFEN:

Thank you, Dr. Brown.

13

I'm not overly worried about trying to find themes

14

with each one of these -- the metal types -- simply

15

because I don't think that the designs within each

16

group are cohesive enough to try to identify things

17

for each and every one.

18

The one thing I do want to point out

19

was the image of the victory.

On the floors of each

20

one of these towers is that victory with the broken

21

sword.

22

embedded in the floors with that design.

There's a big bronze medallion essentially

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So that broken sword victory also is

2

essentially a representation of an element of the

3

monument as well.

4

clarification more than anything.

5

So that's just a point of

DR. BROWN:

Understood.

Any further

6

comments, questions?

7

additional that you would like to offer us before we

8

score?

9

Holly, do you have anything

MS. ROTONDI:

You know, I will say I

10

agree.

We did not prefer the one showing the housing

11

for the very reasons that several of you mentioned.

12

They did not feel representative,

13

especially out of the Depression.

14

that's the 50s ideal was -- you know, idealistic view

15

of America.

16

of -- so but no; I appreciate all of your feedback.

17

I've learned a lot.

18
19
20
21
22

You know, I think

But I don't think that was representative

DR. BROWN:

Thank you so much.

basis then we shall then score.
MR. HOARD:

Please --

Is there a way to score

other designs and incorporate them into this?
DR. BROWN:

On that

I think --

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MR. SCARINCI:

Could we not make the

2

Silver Obverse 3 as a clad obverse?

3

do that?

4
5

DR. VAN ALFEN:

There's no way to

Maybe just vote first

and then see where we are and then --

6

MR. WEINMAN:

And no; people shouldn't

7

-- I think the idea -- and keeping in mind this is

8

meant to be an interest tool.

9

designs as we are and then you can make motions based

10

on that?

11

DR. BROWN:

12

scoresheets.

13

-- for scoring the tally.

14
15

Why don't you score the

So again turn in your

We'll take a five-minute break -- recess

MS. WARREN:

It is 3:21.

We're going

to stop recording.

16

(Off the record.)

17

MS. WARREN:

18

DR. BROWN:

3:27 and we have started.
We are back.

I recognize

19

Greg Weinman, counsel to the CCAC, to present the

20

results from the scoring sheet.

21
22

MR. WEINMAN:

For the gold obverse,

Design No. 1 was the high vote-getter with 19 points.

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1A received a score of 14.

2

of 4.

3

Design 5 received 8.

Design 2 received a score

Design 2A received 6.

4

Design 4 received 7.

And Design 6 received 2.

Moving on to the reverses.
Reverse 2 received 8.

Reverse 1

5

received 1.

6

9.

7

Reverse 7 was the high vote-getter with 28 points out

8

of a possible 33.

Reverse 4 received 6.

9
10

Reverse 3 received

Reverse 5 received 4.

DR. KOTLOWSKI:

And

Greg, I didn't hear.

Reverse 2 was how many?

11

MR. WEINMAN:

Reverse 2 was 8 points.

12

DR. KOTLOWSKI:

13

DR. BROWN:

14

DR. KOTLOWSKI:

Eight?

Thank you.

Dean?
I'm going to make a

15

motion.

I'm going to move -- and I don't have my

16

laptop up so if somebody could open theirs.

17

do the silver victory.

I think this is Obverse 3.

18

MR. MORAN:

19

DR. KOTLOWSKI:

20

the clad obverse.

21

And so there it is.

22

Clad Reverse 7.

I want to

It's 03.
Obverse 3, making that

That would become the clad obverse.
And that would be paired with the

And I'm just asking for a motion on

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this if you like it, if you want to second it, if you

2

want to vote for this.

3

all together.

Then we can talk about them

But we can at least have an idea --

4

MR. SCARINCI:

5

DR. KOTLOWSKI:

6

MR. SAUNDERS:

7

MR. MORAN:

Mike Moran will second it.

8

DR. BROWN:

Okay.

9

I second --- of what -I third it.

So the maker of the

motion in this case, just for the record, would be

10

Dean.

The second in this case -- and please forgive

11

me, Mike, but you're not in the room -- would be John.

12
13

MR. MORAN:

me sitting here and pushing the microphone.

14
15
16
17
18
19
20
21
22

There's a disadvantage to

DR. BROWN:
question.

That tells the story, no

Dennis?
MR. MORAN:

But remember I was the one

that brought this up in the discussion.
DR. BROWN:

We'll make sure the record

demonstrates that.
UNIDENTIFIED SPEAKER 11:

We'll

dedicate it to Mike.
DR. BROWN:

Dennis?

You have a comment

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on the motion?

2

MR. TUCKER:

Thank you, Dr. Brown.

3

This is Dennis Tucker.

4

you're talking about using Silver Obverse 3, okay, and

5

Clad Reverse 7?

6

So just to clarify here --

Dean, I understand what you're saying

7

about having the half-dollar focused on victory.

8

don't think the World War II Memorial is a victory

9

monument.

10

It's a memorial.
So for that reason I don't know if

11

that's quite appropriate.

12

half-dollar focused on the home front.

13
14
15

DR. BROWN:

I would rather keep the

Thank you so much.

further comments on the motion?
MR. HOARD:

Thank you.
Any

Kellen?

Just in general I'm less --

16

I'm also kind of less tethered to specifically

17

sectioning out themes for each.

18

emblem pivot on this one as well.

19

I

I kind of like an

But if we limit ourselves to themes --

20

as I think someone said earlier -- I'm not sure

21

there's anything cohesive enough across or within

22

portfolios to get exactly what we're looking for.

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I wouldn't base my vote solely on that.

2
3

DR. BROWN:

Thank you.

Dean, you have

additional comments on your motion?

4

DR. KOTLOWSKI:

Well, I mean, I think,

5

Dennis, point well taken.

6

the monument -- I think they have different

7

experiences and they interpret it differently.

8
9

I think people who visit

Some are definitely going to think
about the sacrifice and the loss.

And the others are

10

going to meditate that this was a war that was really

11

a righteous war in terms of what the US was fighting

12

against.

13

And it ultimately prevailed.
And the architecture of it -- I

14

wouldn't call it triumphant.

15

too much into this.

16

And I don't want to get

I think that, you know, we can have

17

these themes and they can be there and we know them.

18

We don't have to publicize it; you know?

19

have to issue a press release and say point one, point

20

two, point three.

21
22

We don't

But we know what's going on here.

And then thanks to Peter, who shared
some photographs with me, I think I was -- I think I

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prodded you a little bit with your trip.

2

little embarrassed that I didn't go to the monument.

3

And I'm a

But you know, there is a representation

4

at that monument of, you know, the World War II medal

5

likeness in the ground.

6

together for, you know, the agency that would benefit

7

from the commemorative coin.

8
9
10

So I do think it fits

DR. BROWN:

May I suggest that we get

some feedback from our engraving leadership?
we're talking about again the planchets.

11

MR. COSTELLO:

Because

Mike?

I have absolutely no

12

issue with the obverse -- that silver obverse --

13

pairing with the clad -- with the reverse.

14

MR. MENNA:

And one thing I would like

15

-- this is Joe Menna.

16

special about the one on the right is it's an

17

interpretation of the piece of medal.

18

So isn't the figure enough of a

19

victory?

20

my grandfather's.

21
22

The thing that I think is

A victory medal; right?

I have one.

It's

So it's not very a detailed sculpture.
You can see in the drawing it's a very detailed

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drawing.

So I think at this scale it would be really,

2

really nice to see.

3
4

DR. BROWN:

Thank you.

So John and

then Kellen.

5

MR. SAUNDERS:

I'd like to ask Dean to

6

consider an amendment to his motion even though I

7

seconded it.

8

it right now.

9

The Obverse 03 -- I was just looking at
It says, "They answered the call".
If we substituted for that "National

10

Unity", which is what Dennis liked but in the one with

11

the houses I think it would create our theme better.

12

And we don't -- if this was the silver

13

dollar, yes, the issue -- they have to call it

14

inappropriate.

15

think "National unity" instead would be an

16

improvement.

17
18
19

But since this is the half-dollar I

DR. BROWN:

Dean, do you accept that

friendly amendment?
DR. KOTLOWSKI:

You know, I'm hearing

20

the "mm-hmm" over here.

I don't know.

21

no problem with it.

22

into the home front; wouldn't it?

I guess I have

It would lead us a little bit

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2

MR. SAUNDERS:

DR. KOTLOWSKI:

I'd like to hear maybe

a little bit of discussion about it.

5
6

But that's the

point.

3
4

Yeah.

DR. BROWN:

Okay.

Then let's then go

to Kellen and then to Donald.

7

MR. HOARD:

I was hoping to hear

8

thoughts on both the design and this recent change

9

from our liaison.

10

DR. BROWN:

Okay.

11

MR. HOARD:

If possible.

12

DR. BROWN:

Holly?

13

MS. ROTONDI:

Actually as you guys were

14

-- I actually just asked Megan, "I wonder if we could

15

change that to "We answered the call".

16

And it would be a reference to the

17

entire nation.

18

thought that would tie it all together to the home

19

front, to the -- you know, to the entire country.

20
21
22

That was sort of my thought.

DR. KOTLOWSKI:

And I

I would regard that as

a very friendly amendment.
MR. SAUNDERS:

That's why you're the

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liaison.

2

MS. ROTONDI:

And the person who's

3

holding the coin can feel that pride.

They are part

4

of that answering the call -- their history.

5

DR. KOTLOWSKI:

And just to Joe's

6

point, I have my grandfather's World War II medal too.

7

And there is nothing on there that says, "We answered

8

the call".

9

moving beyond, you know, that --

So here it is a reinterpretation and a

10

DR. BROWN:

Yes, sir.

11

DR. KOTLOWSKI:

12

MR. SCARINCI:

-- classic design.
I was going to suggest

13

we do this in two steps.

14

on the general, like, do we agree to do this; right?

15

Step one, let's take a vote

And then step two, let's talk about the

16

-- unless we think we could do it all in one step

17

that's fine.

18

do this then we can discuss and debate changing the

19

legend.

20
21
22

But you know, if we have an agreement to

DR. BROWN:

Well, actually we have the

benefit of the maker of the motion accepted -MR. SCARINCI:

Who accepted the --

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right.

2

DR. BROWN:

3

MR. SCARINCI:

4

DR. BROWN:

5

DR. FULLER:

6

we changed "they" to "we"?

7

-- with respect to that.
Saved us the discussion.

Comment?
Who would the "we" be if
Who is the "we"?

MS. ROTONDI:

In my interpretation it

8

would be -- because one of the things about -- that I

9

think is beautiful about the World War II Memorial --

10

it is to the entire generation.

11

those who served in uniform.

12

generation.

13

It's not to just

It is the entire

And if I was holding that coin to me

14

that would reflect that.

15

country.

16

invested because they were sacrificing here at home

17

for the purpose of supporting the troops abroad.

18

It would reflect the entire

Every man, woman, and child had to be

DR. FULLER:

Just allow me to follow up

19

though.

I just want to make sure I understand.

20

the we -- if someone who, let's say, you know, someone

21

who does not have a direct connection the Second World

22

War through a family member and they're holding it and

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they see the "we" -- how does that apply?

2

MS. ROTONDI:

Well, if you're -- as a

3

United States citizen or an allied nation it would be

4

-- anyone can look at it.

5

the Allied Forces or the support here at home -- I

6

feel like that would be included in the "we".

7

interpretative.

And anyone who was part of

8

DR. FULLER:

Okay.

9

MS. WARREN:

Dennis was his hand

10

It's

raised.

11

MR. MENNA:

Out of my lane -- but if

12

I'm really -- kind of like a time machine.

13

generation is speaking to us saying we answered the

14

call?

15

MS. SULLIVAN:

16

DR. BROWN:

17
18

Is it that

Oh, I like that.

Ladies and gentlemen, we

need to move this along.
DR. KOTLOWSKI:

And Dr. Brown, just I

19

think you've just helped to internationalize this by

20

bringing in allies too.

Excuse me.

21

DR. BROWN:

22

MS. WARREN:

Okay.

Very good.

Dennis has his

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hand -- sorry.

2

DR. BROWN:

3

MR. TUCKER:

Dennis, if it can be -Oh, thank you, Dr. Brown.

4

I had a different motion.

5

because I think the solution that we hit on here would

6

work.

7

But I'm going to table that

I like this idea of having Silver

8

Obverse 3 with the legend changed to "We answered the

9

call".

10

I think that does satisfy the home front

concern that I had.

11

John, I don't know if we then need to

12

add "National unity" to the reverse.

13

I think this might be sufficient with -- just let that

14

view of the memorial tell the tale.

15

with its amendments has not been seconded I would

16

second it now.

17

DR. BROWN:

I think that --

So if this motion

Well, just for clarity, the

18

maker of the motion has accepted the amendment as a

19

friendly amendment.

20

conversation on the motion as it is on the table we

21

will now vote.

22

signify by saying "aye".

If there's no further

All those in favor of the motion

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MULTIPLE SPEAKERS:

2

DR. BROWN:

3

by saying "nay".

4

unanimously.

5
6

Aye.

All those opposed, signify

Hearing none, the motion passes

MR. MORAN:

This is Mike.

You're

brilliant.

7

MR. SCARINCI:

8

motion approved unanimously.

9

DR. BROWN:

10

gentlemen.

11

gold and silver.

12

And Dean had his first

Moving forward, ladies and

Moving forward.

We now need to go to the

DR. VAN ALFEN:

I would like to move

13

that the -- sorry -- that we go with the high scorers

14

for both gold and silver -- to adopt those designs.

15

And this would be Gold Obverse 3, Gold Reverse 1A,

16

Silver Obverse 2B, and Silver Reverse 1A.

17
18

DR. BROWN:
motion?

19
20
21
22

Is there a second for this

MR. TUCKER:

I second that.

Dennis

Tucker.
DR. BROWN:

Dennis Tucker, second.

Further discussion on the motion?

Hearing none, all

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those in favor, aye.

2

MULTIPLE SPEAKERS:

3

DR. BROWN:

4

Those nay?

Hearing none,

the motion passes unanimously.

5
6

Aye.

MR. SCARINCI:

Wow.

Whoa.

Amazing.

Yes.

7

DR. BROWN:

Excellent.

Very good.

At

8

this point if there is no further discussion on this

9

program again we'd like to thank Holly for your

10

leadership.

11

yours as well.

12

And we'd like to thank our Mint staff for

Moving on to the next item.

And the

13

last item on the agenda is our review of the candidate

14

design for the Congressional Gold Medal commemorating

15

the servicemembers who perished in Afghanistan on

16

August 26, 2021, during the evacuation of citizens of

17

the United States and Afghan allies at the Karzai

18

International Airport, as authorized by Public Law

19

117-72.

20

discussion.

21
22

Once again Megan will lead us through this

MS. SULLIVAN:

Thank you, Dr. Brown.

At 9:44 a.m. on August 26, 2021, an explosion occurred

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at the airport at Hamid Karzai International Airport,

2

later confirmed to be a suicide bombing by the ISIS-K

3

terrorist group.

4

Estimates as high as 200 deaths were

5

reported, including 13 United States servicemembers;

6

hundreds more were wounded.

7

August 26th was the single -- deadliest

8

single day of the war in Afghanistan for the United

9

States in more than a decade.

10

These brave men and women served in the

11

United States Marine Corps, the Army, and the Navy and

12

were posthumously awarded the Purple Heart.

13

These American servicemembers went

14

above and beyond the call of duty to protect US

15

citizens and our allies during the extremely dangerous

16

situation as the Taliban regained control over

17

Afghanistan.

18

They exemplified extreme bravery and

19

valor against armed enemy combatants.

20

their lives.

21
22

They dedicated

And their heroism deserves great honor.
In developing the designs, the United

States Mint worked with congressionally-designated

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representatives from the American Gold Star Mothers,

2

the Gold Star Wives, and the Special Operations

3

Association of America.

4

will be indicated.

5

And their design preferences

None of those members are able to

6

attend today due to some scheduling conflicts.

They

7

did want me to express that one of their purposes here

8

was not only to highlight the sacrifice but to really

9

highlight the service, the importance of what they

10

were doing, and the cause for which they lost their

11

lives.

12

So moving into the designs, Obverse

13

Design 1 depicts US servicemembers aiding in the

14

humanitarian efforts during the evacuation at Hamid

15

Karzai International Airport.

16

inscriptions are August 26, 2021, "Kabul", and

17

"Afghanistan".

18

The additional

Obverse Design 2 depicts a

19

servicemember carrying a young child with an incused

20

C-17 in flight.

21

representing the transition from danger to safety.

22

The inscriptions are "Kabul" and August 26, 2021.

The pair walk into an incused field,

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Obverse Designs 3 and 3A depict

2

servicemembers in silhouette standing on a wall.

3

central inscription "Kabul" reveals an airborne C-130.

4

Design 3 features the additional inscriptions Act of

5

Congress and 2021.

6

stars, representing the 13 servicemembers lost.

7

The

Design 3A features 13 incused

Obverses 4 and 4A depict a

8

servicemember carrying a young child draped in an

9

American flag against a backdrop of the inscription

10

"Kabul", a depiction of the mountains of Kabul, and a

11

silhouetted C-17.

12

Design 4 additionally features 13

13

stars.

Design 4A additionally features a second C-17

14

on a runway and the added inscription Act of Congress

15

2021.

16

Obverse Design 5 depicts servicemembers

17

assisting local citizens during the humanitarian

18

mission in Afghanistan.

19

the background against the mountains of Kabul.

20

additional inscriptions are Kabul, Act of Congress,

21

and 2021.

22

An open C-17 can be seen in

Obverse Design 6 depicts five

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servicemembers in silhouette standing over a crowd of

2

people waiting to board a C-17 with the mountains of

3

Kabul in the background.

4

There are 13 stars incused over their

5

heads, representing 13 fallen.

6

obverse of all three liaisons.

7

This is the preferred

Moving into the reverse designs.

All

8

of the reverse designs feature the names of the fallen

9

service members.

10

In terms of the order of the names, if

11

they are not in alphabetical order the names were just

12

placed in an order so as to best fit the design.

13

There is no other ranking indicated here by these

14

names.

15

Reverse Design 1 features the names of

16

the fallen servicemembers with the letters spelling

17

"heroes" highlighted.

18

name of the fallen servicemembers next to the Purple

19

Heart.

20

2021.

21
22

Reverse Design 2 depicts the

The additional inscription is Act of Congress

Reverse Design 3 features the name of
the fallen service members alongside a young girl

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placing an American flag.

2

Reverse Design 4 features the names of

3

the fallen servicemembers surrounded by 13 columns,

4

eagles, and flags.

5

Reverse Design 5 features the names of

6

the fallen servicemembers above an American flag with

7

a helmet, boots, and dog tags.

8

mountain range representing the mountains of Kabul are

9

depicted above.

10

The Purple Heart and a

And Reverse Design 6 features the names

11

of the fallen servicemembers and an American flag

12

surrounded by a wreath.

13

preferred design of all three liaisons.

14

completes the portfolio.

15
16

DR. BROWN:

Reverse Design 6 is the
And that

Thank you so much.

Are

there any technical -- please, Peter?

17

DR. VAN ALFEN:

I have a question for

18

Joe about Obverse 6.

19

figures on Obverse 6 -- they couldn't necessarily be

20

incused; would they?

21

they looking?

22

How could the silhouetted

Or how would they -- how are

MR. MENNA:

This is Joseph Menna.

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figures would be in a graduated way incused more fully

2

at the top.

3

that would eventually become flush with the field.

4

they would fade into the field.

And that incuse would be on an include

5

DR. VAN ALFEN:

6

DR. BROWN:

7

MR. SCARINCI:

8

All right.

So

Thank you.

Donald?
Megan, was this -- so

Obverse 6 and Reverse 6 was unanimous among the --

9

MS. SULLIVAN:

It was --

10

MR. SCARINCI:

-- families?

11

MS. SULLIVAN:

-- unanimous among --

12

not among the families.

13

families.

14

representative from the Gold Star Mothers, the Gold

15

Star Wives, and the Special Operations of America.

16

We didn't work with the

We were directed by Congress to work with a

So people who are touched by this

17

particular issue but not specifically related to these

18

13 servicemembers.

19

MR. SCARINCI:

Mr. Chairman, do you

20

think it's appropriate -- I would like to make a

21

motion.

22

would like to make a motion accepting Obverse 6 and

I don't think we need to discuss this.

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Reverse 6 since it was unanimous.

2
3

DR. BROWN:
motion?

4
5

DR. VAN ALFEN:

8
9

Second.

Peter van

Alfen.

6
7

Is there a second for that

DR. BROWN:

Any discussion about the

MR. HOARD:

I would speak just against

motion?

that motion just for the -- just for our pre-

10

discussion because I have some other designs that I

11

think would be important to discuss as well.

12

DR. BROWN:

Okay.

Any further

13

discussion for the motion?

Hearing none, all those in

14

favor of the motion please signify by saying "aye".

15

MULTIPLE SPEAKERS:

Aye.

16

DR. BROWN:

Those opposed?

17

MR. HOARD:

Nay.

18

DR. BROWN:

Okay.

The motion carries.

19

I must share with you all that the only reservation I

20

have is the fact that we haven't seen the Purple Heart

21

commemorative coin.

22

it's one -- can be colorized.

I just wish this one -- since
That's it.

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MS. SULLIVAN:

2

Congressional Gold Medal.

3

DR. BROWN:

4

MS. SULLIVAN:

5

DR. BROWN:

6

MS. SULLIVAN:

7

DR. BROWN:

8

only kidding.

Okay.

9

that is done.

Very good.

Excuse me, sir.

It is a

I understand.
They can't colorize --

Can't put purple on gold?
Not on the gold medals.

Not like the Lakers.

Thank you.
Okay.

I'm

Stand corrected.
And based on where

10

we are, are there any additional comments or motions

11

from the members at this time?

12

MR. SCARINCI:

So

Can I just applaud the

13

service and the first meeting of our three new

14

members?

15

all three members making a very valuable contribution

16

today.

I think all three -- I think we all observed

17

And they're really hitting the ground

18

running and making some really, really terrific

19

observations, great comments, and a great motion.

20

And you know, and a great, you know,

21

and I understand.

22

for all of us.

And you know, I think I'm speaking

You know, we appreciate the three

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people.

2
3

DR. BROWN:
motion.

Well, that sounds like a

Is there a second?

4

MR. HOARD:

Second.

5

DR. BROWN:

All those in favor, aye?

6

MULTIPLE SPEAKERS:

7

DR. BROWN:

Aye.

Opposed, nay?

8

it for the record to put it unanimous.

9

much.

We just want
Thank you so

John?

10

MR. SAUNDERS:

Is there any way that we

11

should score this last one?

12

But maybe the artist would like to know whether we --

13

the merit and maybe points that we -- you got a lot of

14

points on this one even though you didn't win it.

15
16

DR. BROWN:

We made a decision, yeah.

So that's been our

procedure in the past so we'll do that.

17

DR. KOTLOWSKI:

18

DR. BROWN:

19

DR. KOTLOWSKI:

Dr. Brown?

Dean?
I just want to commend

20

the people who were not here in person and shared with

21

us and helped us especially through that last one

22

remotely.

Mike, I do feel a little guilty.

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raise that idea originally to go with the clad.

2

problem is you weren't here and you didn't see the

3

sidebar conversations -- this was a good idea.

4

sorry about that.

5

The

So

We'll catch you next time.

MR. SCARINCI:

6

Don't be absent next time.

7

tremendously.

Hey, Mike and Dennis?
We miss you.

8

MR. TUCKER:

9

MR. SCARINCI:

I miss you

Yes.
We'll see you next time.

10

MR. MORAN:

We'll be in touch.

11

DR. BROWN:

Okay.

Ladies and

12

gentlemen, if all discussion has been concluded then

13

that was the last order of business for today.

14

like to thank my colleagues, the CCAC members, and the

15

Mint staff for their dedication and attendance today.

16

I'd

Once again I would also like to thank

17

those members of the public and from the numismatic

18

community who have sent in questions and

19

recommendations to the CCAC.

20

so through the email address of info@ccac.gov.

21

Your communications reflect the

22

And again, they've done

continued interest in America's coinage and numismatic

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projects.

2

The next meeting -- the next CCAC

3

meeting, public meeting, is set for September 2023.

4

All upcoming meetings will be announced in the federal

5

registry several weeks prior to the public meeting.

6

will now entertain a motion to adjourn.

I

7

MR. BERNSTEIN:

Art Bernstein so moves.

8

DR. KOTLOWSKI:

Dean second.

9

DR. BROWN:

10

Okay.

All those in favor

signify by saying "aye".

11

MULTIPLE SPEAKERS:

12

DR. BROWN:

Aye.

Anyone saying nay?

While

13

my vision and hearing is not what it used to be, it

14

seems to me that the ayes have it.

15
16

MS. WARREN:

We are adjourned.

The meeting is ending at

3:50 p.m.

17

(Whereupon, the meeting concluded at

18

3:50 p.m.)

19
20
21
22

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1
2

CERTIFICATE OF DEPOSITION OFFICER
I, MATTHEW YANCEY, the officer before whom

3

the foregoing proceedings were taken, do hereby

4

certify that any witness(es) in the foregoing

5

proceedings, prior to testifying, were duly sworn;

6

that the proceedings were recorded by me and

7

thereafter reduced to typewriting by a qualified

8

transcriptionist; that said digital audio recording of

9

said proceedings are a true and accurate record to the

10

best of my knowledge, skills, and ability; that I am

11

neither counsel for, related to, nor employed by any

12

of the parties to the action in which this was taken;

13

and, further, that I am not a relative or employee of

14

any counsel or attorney employed by the parties

15

hereto, nor financially or otherwise interested in the

16

outcome of this action.
<%29511,Signature%>

17

MATTHEW YANCEY

18

Notary Public in and for the

19

District of Columbia

20
21
22

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CERTIFICATE OF TRANSCRIBER

2

I, LEANN SULLIVAN, do hereby certify that

3

this transcript was prepared from the digital audio

4

recording of the foregoing proceeding, that said

5

transcript is a true and accurate record of the

6

proceedings to the best of my knowledge, skills, and

7

ability; that I am neither counsel for, related to,

8

nor employed by any of the parties to the action in

9

which this was taken; and, further, that I am not a

10

relative or employee of any counsel or attorney

11

employed by the parties hereto, nor financially or

12

otherwise interested in the outcome of this action.

13
14
<%27211,Signature%>
15

LEANN SULLIVAN

16
17
18
19
20
21
22

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[& - 18]

April 18, 2023

Page 1
&

& 5:3
0
0 90:13
001 209:13
212:16
002 212:16
01 34:9 35:20
37:21 39:13
40:19 41:7
46:21 53:11
57:12,12 78:10
78:15 148:20
171:11 303:1
01a 40:19,21
41:7,13,17
148:20 303:2
02 34:15 37:22
303:2,12
03 116:19
117:1,7 149:2
149:22 150:2
212:18,18
232:20 277:2
283:19 303:6
303:12 331:18
336:7
04 34:19 35:1
38:14 57:20
66:14 70:6
78:14 289:19
303:6,12
05 34:19
148:20 303:6
303:13 317:19
05a 42:21
148:20 284:10

06 303:13
07 35:2,9 66:6
66:15 78:2
116:3,6,20,22
171:11
08 56:11
1
1 23:13 38:1
41:10 61:12
65:6 66:10
67:18 68:4,8
70:9,18 71:3
74:18,22 75:10
75:11 77:10
79:1 80:18
81:22 83:20
84:15,15 87:19
87:20 97:15,21
98:1 99:1,6,16
100:7,13
102:12 103:4,6
103:12 109:4
112:11 115:9
116:1 121:14
121:16 125:10
125:16,17
131:7,9,16
135:1,1 140:15
142:4 143:7
144:12 152:12
152:19,22
153:17,21
154:2,19 155:5
155:5 161:20
162:3 166:11
171:15,15
173:22,22

174:10,10
216:7 218:3
224:21,21
236:9,10,16,16
236:16,22
238:3 253:7
254:14,16
256:2,9,10
257:20 258:5
260:8,15,18
262:8 275:11
281:19 282:1
285:1 286:7
297:14 298:5
303:9,15,15
305:13,14,15
305:17 306:3,4
306:5 307:6
308:18,19
311:7,7,10
312:16 314:15
317:11 325:12
330:22 331:4,5
345:13 347:15
10 153:2 319:3
100 208:14
253:14
103 208:14,16
10:01 97:5
10:40 130:17
10:46 130:20
10th 15:6
11 76:2 97:11
98:4,5 152:14
281:19 332:20
117-162 249:9
117-163 25:21
26:10

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117-62 249:12
117-72 343:19
117-97 196:9
196:14
11:09 151:19
11:13 152:1
11:59 196:1
12 76:2 217:14
271:7 282:6
303:6
12:49 244:13
12:54 248:22
13 26:22 97:18
97:21 221:18
260:5 281:21
344:5 346:5,6
346:12 347:4,5
348:3 349:18
130 346:3
14 203:19
209:4 303:14
331:1
15 5:4 14:20
25:13 208:12
282:5 303:14
16 131:14,19
131:22 152:19
154:9,13,19
249:19 282:4
160 234:12
17 131:12
261:8,9 263:8
303:13 317:3
345:20 346:11
346:13,18
347:2
18 1:6 6:4
131:17,21

Meeting

[18 - 21]
136:19 154:13
223:6 247:14
282:2 303:10
303:11
1822 26:17
1840s 76:9
1849 26:18
1862 27:14
39:18
1896 27:7
19 330:22
1930s 325:14
1940s 325:14
325:17
1941 259:21
262:4 263:4
283:8
1941-1945
255:9 256:21
262:22
1942 226:11
1944 197:12
1945 217:14
259:22 262:5
263:5 283:8
316:1
1946 198:18
217:15
195,000 198:6
196 5:12
1963 102:9
118:14
1977 202:3
1978 220:8
1986 81:6
1:20 244:4,14
245:11,13

April 18, 2023

Page 2
1:30 248:20,21
1:35 248:20
1:37 249:2
1:40 248:17
1a 134:17
143:7,10,12
144:9,12
145:13 146:9
152:13,19
154:19 155:15
155:16,19
175:17,21
254:14,17
256:2,10
257:20 258:6
260:9,16,19
271:5 273:13
278:5 280:22
282:1 283:11
283:14 285:1,6
286:7 291:5
298:11,17,18
298:18 303:10
305:14,16
306:3 307:7
308:18,21
311:7 315:10
317:11 331:1
342:15,16
1st 8:11
2
2 36:3 38:1
39:16 40:19
41:18 65:14
74:19 82:11
84:3,16 97:17
98:3 100:7,14

112:11 119:8
131:8,17,17,21
134:11 137:1,3
137:18,22
141:17 146:7
148:6 152:12
152:14,22
159:6 198:18
216:13 217:14
218:9 253:20
253:21 254:20
256:11,17
258:8,15
260:21,22
262:15 263:20
265:16 270:17
270:20 272:1,6
273:8 275:11
275:13 276:22
277:4 278:18
280:8,9,14,17
281:19 282:1,4
282:16,21
284:16,17
287:2 291:13
293:1 296:17
297:3,13,21
298:5 299:9
303:12 306:13
306:15 307:1,6
310:2,13
319:15 320:11
321:10,19,19
331:1,3,5,10
331:11 345:18
347:17
2.12.45-3.2.46
217:22 218:8

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2/12/1945-3/...
217:3
20 15:10 16:9
60:9 97:19,22
131:18,21
136:20 152:20
153:22 154:12
154:21 161:19
247:14
200 344:4
2003 25:13
2004 250:4
251:17
2014 208:12
2018 13:13
14:3
2019 199:2
2020 13:12
2021 5:19 9:2
13:16 19:15
267:10 343:16
343:22 345:16
345:22 346:5
346:15,21
347:20
2022 14:19
217:3 218:7,13
20220 1:13
2023 1:6 6:4
15:3 23:13,13
25:10 37:7
354:3
2024 33:20
20th 25:10 60:6
250:7 252:15
21 11:5 97:15
97:22 201:16

Meeting

[22 - 4]
22 153:18,21
161:20
23 5:5 15:3
25:10
24 198:1
210:11 292:15
296:13
249 5:15
25 98:2 247:14
303:4
26 5:8,19 9:2
11:5 154:2
204:14,18
223:4 343:16
343:22 345:16
345:22
26th 344:7
27 281:20
27211 356:14
28 23:13
131:10,14
154:7 331:7
28th 8:11
29 250:4
29511 355:16
2:16 281:12
2:40 302:13
2:48 302:16
2a 256:11
260:21 261:4
287:2 291:1
292:22 297:4
303:3 313:9
319:15 321:10
331:2
2b 256:11,20
283:4,9,14
285:1,7,7

April 18, 2023

Page 3
287:2,4 290:20
291:2,2,14
294:2 298:9
299:9 300:16
303:4 342:16
2nd 1:12
3
3 36:7 38:3
39:20 42:3,12
61:22 73:20
90:14 98:3,3
101:20 103:20
103:22 104:6
105:6,7,11
111:16,18,21
112:1 113:5,5
113:20 114:1,4
115:14 131:9
131:17,21
132:20 134:12
134:12 136:2
136:17,18
137:8 138:10
139:17 145:7
146:9 149:21
152:13,22
154:13 158:16
158:21 159:6
159:14 160:18
160:20 163:9
163:10 164:8
164:11,12
165:7 179:13
181:22 182:10
182:14 185:11
185:14 186:2
186:22 187:1

205:3,11
216:21,21
218:14 219:14
231:12,13,16
231:16,16,21
232:7,21 235:4
235:5 236:4,4
236:8,8 237:2
237:2,6,7,17
237:17,22
238:1,4,9,12
238:13 242:1
243:10,10,15
243:15 254:4
255:4,10 257:1
258:8,19,21
262:20 263:1
264:10 265:17
270:16 271:19
272:6,22 274:4
274:10,20,20
274:21,21
276:7,9,11
277:2 278:3
280:22 281:20
282:4,5 287:1
288:14 290:9
303:14 307:2
309:11 310:12
310:12 315:22
322:14 323:17
324:10 330:2
331:5,17,19
333:4 341:8
342:15 346:1,4
347:21
30 73:6 97:11
97:14 98:3

www.CapitalReportingCompany.com
202-857-3376

152:14 154:17
210:2 246:14
31 197:13
32 28:9
33 131:11
136:19 152:11
152:15,19,20
154:3,8,17
281:18 303:4
303:11 331:8
343 5:19
3:21 330:14
3:27 330:17
3:50 354:16,18
3a 255:4,9,11
258:21 265:17
276:13 282:5
346:1,5
3s 111:22
4
4 34:20 36:12
36:18 38:7
40:19 41:1
60:18,19 63:21
63:21 64:15,15
68:5 70:10,11
70:11 71:4,4
71:14 77:18
78:7 79:1,2,3
88:6,7 97:17
98:4,5 100:15
103:7,7 104:9
104:17,22
107:5,9 108:6
108:13,14
109:16,18
112:5,11,12

Meeting

[4 - 6888th]
113:1,2 114:10
116:9,11 118:5
125:9 131:8,8
131:10,13,14
133:20 134:5,6
135:17 137:1,3
137:18 138:18
140:10 141:4
141:19 142:17
143:11 144:2
146:7 148:6,7
148:15 149:18
149:21 152:14
152:15 154:7
154:17 155:6,7
155:7 156:8,8
164:11,19
175:17,21
176:22 177:10
178:3,4 183:9
186:22 189:8
193:21 254:8
255:12 257:6
258:22 259:1
261:7 263:2
271:2,16 276:7
276:9 281:19
281:21 284:15
285:13,14
303:2,6,12
309:21 313:17
318:13 320:10
321:10,20
331:2,2,6,6
346:7,12 348:2
4,048 253:12
400,000 249:20

April 18, 2023

Page 4
40s 204:17,17
310:3 321:3,4
442nd 299:13
45 204:20
4a 346:7,13
5
5 38:15 40:1,6
40:9,19 42:16
42:18 43:3,6
43:19 60:19,22
97:18 105:1,21
106:8,9,22
107:5,7 108:6
108:7,8,13,18
109:8 110:11
112:6 113:5,21
114:1,16 118:5
118:6 131:12
131:18,20
134:5,17
135:19 136:5
136:20 141:6
146:9 149:10
152:15 153:1
154:12 155:6,7
155:19 156:9
158:16 159:1
159:11 160:18
160:22 161:4
162:18 163:17
164:13,16,19
164:19 166:6
176:22 177:10
178:3,4,6
181:22 182:4
183:9 185:10
185:11,12,13

187:1,10 189:8
193:21 255:15
257:10,16,17
259:6 261:13
263:7 277:8
280:20 282:6
284:15 285:13
285:14,14,18
287:10,13,16
287:21 288:14
288:19 290:12
291:18 293:11
294:14 295:11
303:7,9 311:13
311:14,20,20
313:2,2 314:5
331:3,6 346:16
348:5
5.85 246:14
50 188:8,14
189:9 190:22
201:12,16
223:6
50,000 210:22
50s 329:14
54 28:3 30:18
55 292:15
5833637 1:21
5a 42:16 43:4
43:19 44:1
134:17,18
139:2,15 140:1
145:10,11
153:2 257:10
257:17 288:14
303:7

www.CapitalReportingCompany.com
202-857-3376

6
6 5:3 38:20
40:19 41:4
131:13,19
138:6 152:16
152:16 170:8
217:12 231:14
235:6,15 237:8
259:8,10,16
261:22 262:5
284:15 287:10
287:22 289:4
295:11,12,20
303:2 304:9
331:2,3,6
346:22 348:10
348:12,18,19
349:8,8,22
350:1
6,000 221:16
221:19
60s 227:16
624,000 246:14
65 39:19
65,000 198:3
6888 208:5
6888th 2:18
5:11 8:17
196:7,16 208:3
208:5,13,19
209:1,10,11,12
209:22 210:4
210:20 211:3
212:17,21
213:3,4 214:7
231:18 246:18

Meeting

[6a - accomplishments]
6a 259:8,13,15
284:15 285:14
287:10,16,21
289:4 292:9
293:17 295:12
303:14
7
7 36:22 39:4,10
40:1,7 63:21
64:5,11,13
74:19 79:2
81:4,4 86:12
86:14,14 88:10
97:17,19,22
98:4,4 99:6
102:11 106:3,9
106:22 107:7
108:8 112:11
112:12,18
113:2 115:1
116:9,9 118:21
121:12 122:1
125:15 130:1
131:13,18,22
153:1,22 154:8
154:13 161:19
161:19 171:21
174:1 217:19
219:4 259:18
259:22 263:10
263:13 284:17
303:2,6,13,14
309:11 310:12
312:6,17 313:2
313:3 314:19
316:5 327:17
331:2,7,22

April 18, 2023

Page 5

333:5
70 27:1,3
700 27:22
38:13
70s 227:16
750 127:14
7a 259:18
260:1 303:14
8
8 35:10,15 37:7
40:13 61:3
65:18 74:11,20
75:11 79:2
82:11 97:18,20
98:5 101:6
105:8,11
131:16,19
177:1 260:2
303:15 331:3,5
331:11
80 267:14
801 1:11
817 197:13
824 197:13
85 201:13
855 204:16,18
224:1
8:06 1:7 6:5
9
9 19:1,11 22:3
153:1 303:3
311:16 331:6
9,000 203:17
90 320:14
91 54:1
99.99 210:11

9:44 343:22
9th 1:11
a
a.m. 1:7 6:7
196:1 343:22
abhorrent
139:14
abilities 27:16
ability 31:12
114:21 355:10
356:7
able 18:8 33:3
48:11 52:4
55:18 86:6,18
91:1,3 93:5
127:14 163:13
163:14 187:18
195:2 201:2
214:3 245:18
289:12 292:3
345:5
ably 295:5,9
abolition 28:4
abolitionist
26:14
above 35:22
36:4 226:4,6
250:16 256:3
288:21 294:21
344:14 348:6,9
abroad 218:12
339:17
absence 300:20
absent 353:6
absolutely 61:7
150:7 323:13
335:11

www.CapitalReportingCompany.com
202-857-3376

abstaining
23:21
academy 15:14
accept 158:3,8
162:10 171:13
336:17
acceptable
46:15 88:8
271:2
accepted
338:21,22
341:18
accepting
349:22
access 28:11
85:12 86:6
accessibility
85:11
accessible
22:21 85:9
86:8,8 87:2,2
110:8 162:22
accompany
56:3
accomplish
91:2 291:8
300:15
accomplished
208:16 293:14
308:12
accomplishing
29:9
accomplishm...
282:20 300:16
accomplishm...
156:15 225:17
250:14 300:17

Meeting

[accuracy - adjunct]
accuracy 69:14
70:5 122:22
241:19
accurate
109:18 123:7
212:20 355:9
356:5
accurately
37:19
achieve 235:1
242:18
achieved
318:10
achievement
207:18,21
209:7 229:15
acknowledge
13:10
acre 28:9
act 26:11,11,12
101:9 217:3
218:7,12
222:13 268:3
346:4,14,20
347:19
action 74:14
80:15,21 82:21
83:21,22 84:8
94:12,14,19
109:14 238:4
355:12,16
356:8,12
activate 54:22
activated 54:10
54:20
active 19:12
28:15 112:21
202:4 221:20

April 18, 2023

Page 6

240:1 241:1
activities
296:19
activity 305:21
acts 238:6
actual 93:3
146:20,22
226:19
actually 11:14
46:20 48:10
60:19 80:14,20
81:12 85:20
90:9 97:16
109:4,20
110:13,21
112:18 117:15
117:15 123:3
124:10 138:10
144:9,13,19
145:3,12,18,21
148:15 162:21
163:8 170:14
170:16 171:6,9
179:10,12
185:18 194:3
227:20,22
232:7 239:10
242:6 244:20
245:4 267:8,10
267:17 273:1
273:12 274:19
276:6 278:10
278:11 295:11
296:17,21
298:10 300:9
304:11 305:16
306:13 307:1
316:10 320:10

320:11 321:2
337:13,14
338:20
ad 287:2
adams 197:19
198:1 204:4,10
204:11 208:17
210:21 211:7
216:8,22
217:13,18
219:15 221:2
223:4 224:9
226:10 233:7
233:11,14
236:13 239:6
adar 289:21
add 18:17 23:5
98:7 125:6
128:16 144:3
184:7 224:6
244:4 281:1
306:22 341:12
added 346:14
adding 84:21
142:13
addition 34:22
83:16 179:9
279:18 306:18
additional 27:3
36:9,15 37:5
37:14 39:2,15
39:17,20 40:4
40:15 42:1,18
42:22 89:1
92:16 118:10
142:12 146:12
217:4,16,21
218:13,20

www.CapitalReportingCompany.com
202-857-3376

240:7 242:7,9
253:16 254:2,6
254:11,15
255:1,8 256:7
256:20 257:4
258:3,16 259:4
259:11,13,21
260:14,16
261:1,4,10,19
262:4,13,19,22
263:4 279:8,10
298:14 301:14
329:7 334:3
345:15 346:4
346:20 347:19
351:10
additionally
6:12 14:1
15:16 51:18
230:9 256:9,17
257:16 258:5
279:13 346:12
346:13
address 13:7
229:1 353:20
addressing
218:17
adds 69:20
141:10
adequate
320:22
adequately
48:18
adjourn 354:6
adjourned
354:14
adjunct 15:13

Meeting

[adjust - allies]
adjust 189:4,4
301:8,11
adjusted 84:12
153:19 189:2,5
adjustments
209:5
administering
16:13
administrating
19:19
administrative
235:9
admit 177:6
adopt 185:11
342:14
adopted 60:4
adopting
164:10
advance 229:1
advancing 29:9
advantage 93:8
advantages
101:22
advisory 6:3
18:2 21:17
25:12 34:3
advocate 3:6
12:16 199:10
aerial 259:6
aesthetically
145:15 265:3
affairs 2:12,19
10:17 11:18,19
18:21
affected 59:18
afghan 9:3
343:17

April 18, 2023

Page 7
afghanistan
2:16 5:18 9:1
11:5 343:15
344:8,17
345:17 346:18
afraid 275:5
africa 52:17
african 27:18
28:12 31:3
39:8,9 52:16
197:14 200:13
200:15 202:21
203:1 221:14
221:17,19
222:12,20
age 18:22 19:1
208:13 223:6
aged 41:19
agency 335:6
agenda 8:7
24:4 25:18
92:2 343:13
agent 200:12
ages 201:16
208:11 261:17
agile 208:15
aging 69:5 94:6
ago 24:6 59:3
60:10 105:16
180:22 202:6
271:7
agree 82:11
85:21 92:4
106:22 122:4
126:16 135:15
141:8 146:5
149:1 165:5,6
166:8 178:13

215:4 273:4
275:3,5 285:8
287:12 290:20
310:9 313:8
322:3 329:10
338:14
agreed 205:2
222:7,9 223:1
agreeing
273:12
agreement
160:2 167:2
203:13 222:10
312:15 338:17
agricultural
262:9
agriculture
261:17
ah 160:10
ahead 29:16
33:14 121:10
161:20 193:11
198:8 249:3
275:21
aided 45:8
aiding 345:13
air 202:1 256:8
256:14 257:12
258:4,17
313:21
airborne 346:3
airplane
315:17
airplanes
304:18
airport 9:3
205:17 206:3
343:18 344:1,1

www.CapitalReportingCompany.com
202-857-3376

345:15
alarm 319:8
alfen 3:21 7:17
7:18 23:18,18
46:19 47:4,11
47:18 67:9,10
106:12 107:20
140:9 164:6,18
169:15 173:13
174:12 175:18
175:18 183:22
185:9,13
186:18 189:12
236:6,7 270:5
270:9,12
273:19 296:7
296:10,11
301:1 312:14
317:4,6 328:12
330:4 342:12
348:17 349:5
350:4,5
align 238:18
279:7
aligned 100:5
144:8 294:1
alignment 29:4
allay 228:22
allegiance 17:7
17:9 20:20,22
allegorical
120:22 256:12
294:7
allied 197:3
340:3,5
allies 9:3
340:20 343:17
344:15

Meeting

[allocate - appears]
allocate 170:19
allocation
170:22
allow 18:16,17
23:4 162:9
213:15 339:18
allowed 301:22
allows 67:3
alluding 37:14
alongside
347:22
alphabetical
347:11
alternative
179:13
amazing 18:9
29:20 30:14
205:14 237:21
297:7,12 298:2
343:5
ambiguity
152:17 154:11
154:18
ambivalent
131:16
amend 167:1
171:18 176:8
amendment
158:3,8 171:9
171:14 178:19
336:6,18
337:21 341:18
341:19
amendments
341:15
america 30:13
32:2 33:21
52:17 60:10

April 18, 2023

Page 8
84:20 120:13
120:15 234:15
255:17 304:15
310:2 321:1
329:15 345:3
349:15
america's
261:15 353:22
american 3:15
7:2 18:9 19:15
24:16 27:19
28:16 32:17
37:8 39:5,9,9
108:20 119:22
187:14 197:14
200:14,15
202:21 203:1
207:19 209:7
218:16 221:15
221:17,19
222:12,20
234:16 249:16
250:8,17
251:15 284:8
294:19 299:14
323:7 344:13
345:1 346:9
348:1,6,11
american's
260:6
americans
28:12 73:9
129:18 187:15
233:20 250:13
253:12 269:18
314:11
amos 4:7 9:11

amount 62:11
210:19 213:7
292:8
amplified
220:14
analogous
14:16
analogy 14:14
233:1
analysis 73:17
73:20 75:5
anchor 257:16
andrew 69:9
angle 129:6
angles 62:10
annette 32:6
anniversary
25:11 252:15
announce 6:11
announced
136:16 354:4
anonymous
229:4
anonymously
229:12
answer 168:16
212:3,10 213:5
219:21 245:1
264:6,8 311:17
316:20 319:9
answered
206:17 254:3
257:5 267:3
336:8 337:15
338:7 340:13
341:8
answering
338:4

www.CapitalReportingCompany.com
202-857-3376

answers 84:15
168:18
anybody 62:2
93:5 157:1
anybody's
115:8 311:14
311:19
anymore 130:8
181:9
anytime 306:17
anyway 77:2
90:5 107:22
140:5,19
194:17 270:22
292:16 298:21
300:14 306:4
319:7
apart 36:4
128:21
apartment
310:6,7
apex 129:6,6
apo 217:18
apologies 194:6
296:8
apologize
98:11 217:7
244:18 245:4
appealed 61:22
appealing
106:20 146:10
appear 49:8
139:2 275:8
appearance
321:3
appeared 68:3
appears 40:22
159:17 195:4

Meeting

[appears - artistic]
244:1
appellations
268:17
applaud
351:12
apples 42:6
applicability
278:9
applicable
208:3,4 209:1
209:10,22
210:20 212:16
212:21,21
application
22:19
apply 340:1
appointed
13:13 14:3
15:3,5
appointment
311:3
appreciate
31:19 43:12
56:9 63:14
64:10 73:13
85:3,5 96:13
104:13 117:17
181:10 199:21
205:7 214:11
235:21 240:11
245:2 329:16
351:22
appreciated
206:3 242:10
appreciation
64:15 93:22
195:9 250:13

April 18, 2023

Page 9
appreciative
214:9
approach 64:1
approachable
40:22
approaches
275:10
appropriate
29:15 62:11
100:21 134:1
158:8 185:5
191:15 306:8
318:4 322:8
323:19 333:11
349:20
appropriately
88:12 90:12
252:12
approval 5:5
8:10 23:11,17
approve 23:15
162:2 171:6
173:22 176:21
approved
51:11 207:16
342:8
approximately
27:3 198:3,5
253:14
april 1:6 6:4
15:5 25:10
250:4
apryl 2:17 11:8
araminta 26:16
arc 106:17,21
107:3
architectural
129:10 306:7

309:10 326:3
architecture
298:3 309:3
334:13
areas 203:12
207:10 222:10
argument
166:14
arlington
203:20
arm 37:10,10
129:1,3 216:8
263:7
arm's 37:13
armed 27:20
38:11 249:19
256:13 257:3
258:12 300:13
344:19
arms 35:21
63:3 129:3
140:18 293:3
armstead
239:10
army 3:9 5:11
8:16 11:10
12:14,19 27:12
27:13,15 38:16
38:22 39:17
40:3 117:11
196:6,16 197:1
197:6,9 199:2
199:14 200:2,3
200:6,9,11
217:2,17 220:2
220:6,8,12,16
221:15 222:12
223:7 226:11

www.CapitalReportingCompany.com
202-857-3376

226:12 228:12
240:21 256:15
258:18 344:11
army's 198:8
arrived 223:12
art 15:12 22:21
23:16,19 44:4
44:5 58:18
63:18,19 67:3
71:3,4 78:15
81:5 104:13,14
137:20,21
141:8 161:7
165:8 168:21
170:1 172:22
182:22 219:12
219:13 229:3
236:22 237:4,5
263:18 274:22
275:1 288:3,4
312:20,21
324:3 354:7
arthur 3:12
6:18
articles 19:2
203:8,8
artifacts 24:13
artist 48:16,21
49:12 53:12,13
53:17 121:14
147:6 208:16
212:19 225:7
226:7 247:17
286:18 292:4
352:12
artist's 226:18
artistic 67:22
159:15 213:17

Meeting

[artistic - aye]
287:11 298:3
328:4
artistically
78:3 82:4
121:7 122:18
125:7 184:20
285:16 296:2
artistry 62:1
artists 62:5
66:13 94:4
210:6 214:6
264:18
arts 4:4 7:20
13:14 15:4,14
16:17 19:22
44:9
artwork
212:14,15
229:8
asantewaa 53:5
asian 299:15
asked 56:1
150:19 247:13
337:14
asking 168:5
211:12,15
331:22
aspect 28:16
106:5 112:2
113:12 116:17
238:5 273:3
291:19
aspects 112:17
213:9,10 298:3
aspirational
124:5
assign 65:10

April 18, 2023

Page 10
assigned 5:11
8:17 11:11
12:14 196:7,16
208:17
assignment
197:15
assignments
226:13
assistance
255:22
assisting
346:17
association
19:7,15 317:14
345:3
assume 16:15
19:20 44:10
46:3
assure 25:6
athena 220:1,1
220:6,12
222:13 228:12
atlantic 256:6
256:10 257:12
259:20 289:12
289:15 291:3
attached
134:14
attempted 46:3
228:10
attend 345:6
attendance
9:15 353:15
attendees 2:2
attending
195:10
attention 49:8
61:5 73:13

75:6,8 86:10
87:6 88:11
114:15,22
128:1
attentive 68:22
attorney
355:14 356:10
attracted
137:22 275:9
282:15 287:10
288:11
attraction
237:7
attractive
102:12 106:20
107:2 138:7
179:17 232:3
236:9 238:14
auburn 28:4
29:8 42:7
55:14 58:21
59:3 73:7 93:2
127:9 128:2
audio 355:8
356:3
august 5:19 9:1
11:5 343:16,22
344:7 345:16
345:22
austere 197:22
authentic 32:8
authentication
92:22
authored 19:2
authority
220:11
authorization
25:11

www.CapitalReportingCompany.com
202-857-3376

authorized
25:20 29:6
196:8 249:8
250:22 343:18
autobiograph...
45:10
automated
154:4 247:9
automobile
59:15
auxiliary
226:12
available 54:3
119:22 199:15
average 137:6
187:11 317:17
avoid 111:20
award 204:5
awarded 208:5
257:3 344:12
awards 196:14
aware 9:6
300:20
awesome 93:14
128:12 250:18
awfully 22:13
awkward
292:11
aye 23:22 24:1
47:22 48:1
167:12,13
169:15,17,19
172:16,17
173:5,7 175:10
175:11 176:14
176:15 182:17
182:18 184:2,4
194:21,22

Meeting

[aye - belabor]
243:20,21
341:22 342:1
343:1,2 350:14
350:15 352:5,6
354:10,11
ayes 354:14
b
b 263:8 317:3
back 13:18
22:3 35:3 43:9
65:4 76:14
97:6,7 98:6
131:2 132:19
137:16 142:8
146:17 148:9
152:5,7 153:15
153:16 154:15
161:3 180:21
191:8 192:19
193:8 195:21
198:13 211:14
226:3 230:2
241:4 248:17
248:17 249:5
268:19 276:14
281:12,14
290:21 292:17
293:13 294:9
294:18 300:9
302:16,18
305:2,17 319:8
330:18
backdrop
346:9
background
35:6,13 36:14
38:8 41:20

April 18, 2023

Page 11
47:5 58:1
60:16 65:22
107:15 109:20
117:4 180:18
210:2 216:18
251:12 257:8
259:11 263:9
266:6 287:18
321:9 346:19
347:3
backgrounds
200:17
backlog 198:8
backlogs
198:12
backstory
240:15
bad 49:10
101:9 188:13
284:10
bags 246:21,22
balance 100:22
287:19
baldacchino
256:3 257:21
bandanna
168:9
bang 188:15
bank 52:18
53:3,4,5,8
bankruptcy
55:13
banner 260:4
banners 326:5
barely 97:17
barns 311:20
barrels 308:6

barriers
157:18,22
239:13
barring 70:6
153:7
base 204:9
242:13 334:1
baseball 24:8,9
24:15,15 233:2
233:2
based 48:19
51:11 86:6
90:14 92:17
150:16 193:22
194:4 198:5
202:16 207:22
230:3 325:21
330:9 351:9
basement
76:12
bases 95:7
basic 112:19
basically 79:10
80:7 95:12
122:11 124:6
168:14 190:10
basis 207:11
248:15 302:8
329:19
basketball
14:17
battalion 5:12
8:18 196:8,17
197:12,17,19
198:22 204:4
204:15 216:20
217:5 218:17
219:7 225:6,10

www.CapitalReportingCompany.com
202-857-3376

battalions
229:14
battery 292:14
battle 251:15
beacon 28:13
bear 17:6,8
20:19,21
beat 81:5
beautiful 64:9
82:4,4 83:14
114:16 115:2
159:19 187:21
273:2 293:5
339:9
beautifully
314:14
beauty 85:3
86:13 157:4
beckon 82:18
beckoning 81:2
becoming
128:1
bedroom 310:5
beg 55:13
began 97:11
118:4 120:2
begging 55:8
beginning
237:2 253:6
303:1
beginnings
83:22
behalf 13:3
18:18 23:5
31:6,19 244:16
301:17
belabor 130:7

Meeting

[believe - boneza]
believe 8:6
11:14 13:3
25:14 47:9
50:12 56:8
85:8 90:12
100:8 122:21
147:5 148:5
156:8 164:11
203:12 205:6
290:20 325:5
believed
120:14
beneath 257:21
benefit 99:14
213:17,19
234:3 305:4
335:6 338:21
benefits 202:4
benjamin
194:14
bequeathed
31:2
berkeley
286:12
bernstein 3:12
6:18,19 23:16
23:16 44:5,5
44:12,15 45:12
63:19,19
104:14,14
105:10 137:21
137:22 161:8
168:21,22
170:1,2 171:16
171:20 172:1,4
172:6 182:22
183:1 219:13
219:13 220:13

April 18, 2023

Page 12
220:17 237:5,5
263:19 275:1,1
288:4,4 312:21
312:21 354:7,7
best 34:7 72:16
87:16 134:3
135:19 136:5
137:5 140:11
146:2 240:12
256:1 271:15
292:8 347:12
355:10 356:6
better 44:20
58:19 70:10,12
91:17 116:10
117:1 120:13
125:9 151:8
164:13 165:7
166:10 184:10
212:1 247:12
278:6 284:11
295:12 308:19
322:16,18
336:11
beyond 78:12
93:11,11,22
125:16 126:21
135:7 145:19
179:16 203:4
338:9 344:14
biases 117:21
bicentennial
2:15 3:4 5:7
8:13 11:2
12:11 25:20
26:10,12
big 35:22 36:4
83:7 145:6

161:19 188:15
246:22 269:2
306:19 328:21
bigger 139:17
bike 229:6,7
biography 45:4
45:5 58:20
60:11 310:22
birmingham
196:19 197:21
198:10 223:13
birth 26:12
201:4
bisected 115:6
bit 32:5,15
58:20 60:4
61:1 68:4
77:22 78:21
80:10,21 82:11
82:15,22 85:7
100:10,13
101:12 107:7,9
108:18 114:18
116:9 117:3
120:9 131:6
136:2,22 137:3
141:18,21
142:19 144:6
147:13,17,17
156:18 157:14
157:20 179:19
180:19 183:3
214:22 244:22
264:13 267:17
274:5 286:10
287:11 288:1
288:20 290:19
293:2,8 300:15

www.CapitalReportingCompany.com
202-857-3376

301:9 305:12
315:2 319:15
335:1 336:21
337:4
black 31:8
38:18 52:16
117:4 200:19
blacks 54:8
blair 53:3
blank 124:16
blocks 145:11
blown 144:9
blows 149:4
blueprint
326:3
board 15:16
19:6 31:19
211:15 235:10
241:3 347:2
boarded
198:19
boat 35:13
48:13 109:17
116:15 123:2
boats 38:8
166:20
bodied 192:9
body 248:2
bold 63:1
108:17 141:5
boldest 142:18
bolt 283:21
bolts 283:21
bomber 263:8
bombing 344:2
bonded 250:20
boneza 2:8
10:7

Meeting

[book - brown]
book 44:22
224:10 230:21
268:14,15,15
bookend 111:1
books 190:17
268:12
boots 348:7
border 263:9
borer 2:7 10:2
10:3 33:15
boring 77:22
272:5 277:16
born 26:15
73:5
bother 318:19
bothered 66:17
bothers 156:18
bottom 111:5
150:9
bought 189:9
box 139:18
271:12
boxes 216:8
218:4 227:16
boy 260:22
313:10 314:2
315:15 319:22
321:20 324:6
324:11,12
327:21
bradford 3:9
12:19 45:4
154:4 199:13
224:5,6,9,15
bradford's
45:10
braford 247:9

April 18, 2023

Page 13
brainer 104:1
271:20 273:1
275:3 276:4
313:1
branch 254:6
254:10 255:14
256:13 258:11
284:7
branches
258:21 277:19
brat 200:2
brave 108:17
233:20 344:10
braved 26:21
bravery 344:18
breadth 73:11
break 79:10,16
80:13 97:2
195:21,21
281:9 330:12
breaker 246:12
breakfast
64:20 105:14
105:15
breaking 36:4
66:22 102:4
157:18,22
brendan 2:19
11:18
brevity 85:4
86:13 157:4
bridge 35:21
brief 133:19
211:8 312:18
briefly 149:16
310:18
brighter 58:1

brilliance
268:19 311:20
61:10,10
332:17
brilliant 103:3 brown 1:5 2:3
184:18 342:6
6:2,7,20 7:1,4
bring 49:7
7:7,10,13,16
319:13 322:8
7:19,22 8:3,3
bringing 81:11
9:13,18,21
148:3 340:20
10:2,4,7,10,13
brings 84:5
10:16,20 11:1
144:12 165:4
11:8,14,17,21
190:14 306:21
12:2 16:8
broad 188:10
18:16 19:10
301:4
20:1 23:4,19
broader 157:20
24:2 26:6
250:10
29:15,17 30:3
brokaw 268:14
43:10,11 44:4
broke 94:16
44:11,13 45:13
137:14 246:12
46:18 47:16,19
broken 39:21
47:21 48:2
79:18 102:3
49:17 51:3,9
157:7 179:22
53:21 56:19
283:22 284:1,4
57:4,7,9 58:4
284:7 327:18
63:13 64:17,19
328:20 329:1
66:20 67:8,10
bronze 210:11
68:14 70:14
234:12,13
72:18,20 75:17
254:22 255:5
79:4 83:2 85:2
256:18 258:9
87:5,8 88:16
259:3 260:13
89:1,4,5,7,8,14
262:1,2,12
90:6 91:5 92:1
274:13 283:2
92:11,13 96:12
296:13 297:8
97:6,7 98:13
310:19 328:21
98:15,16,21
brother 307:21
99:2,6,12,16
brothers
102:18 104:12
304:10
105:12,17,18
brought 110:12
106:10,12
144:17 184:11
108:10 109:10

www.CapitalReportingCompany.com
202-857-3376

Meeting

[brown - buck]
112:7 114:5,6
115:19 117:8
118:17,20
120:16,17,18
121:1,6,9,10
122:2,4,5
123:10 124:18
125:13,20
127:5 128:5,14
128:15 129:13
129:15,16
130:9 131:2
132:1,5,9,14
133:7,12
135:11 136:6
136:12,15
137:19 138:16
140:7,9 141:1
141:13 142:14
142:16 143:21
143:22 146:4
148:6,16 149:9
149:12 150:13
151:10,15,22
152:3,7 153:5
153:6,9 154:22
155:2,12,17,20
155:22 156:3
158:2,6,10
159:4 160:13
160:14 161:6
162:6,12,16
163:22 165:2
165:19 166:1
166:21 167:4
167:14,17,20
168:16,19
169:1,3,5,7,9

April 18, 2023

Page 14
169:11,14,16
169:18,20
170:6,10
171:12,19,22
172:3,5,7,10
172:14,18,21
173:2,4,6,8,10
173:12,14,16
173:20 174:3,5
174:8,10,13,17
174:19 175:8
175:12,15,19
176:1,4,7,12
176:16,20
177:5,8,12,18
177:22 178:11
178:18 179:1,5
180:6 181:10
181:14,15,17
182:5,15,19,22
183:2,6,11,13
183:15,17,19
183:21 184:1,3
184:5,8,22
185:4,12,15,19
186:3,15,20,21
187:4,7,19
189:11,15
191:2 193:13
193:18 194:1,6
194:18 195:1,4
195:19 196:3
196:13 205:18
206:6,8,9
211:9 213:6,14
213:22 214:3
214:11,13
215:22 216:2

219:9 220:18
224:4,8,14,16
225:21 226:2
227:3,7 228:16
228:21 229:21
232:10 233:22
235:20 236:1,5
236:20 237:4,9
237:10,19
238:10,16
240:2 241:8,11
241:13 242:3,6
243:5,7,16,18
243:19,22
244:12,15,19
245:6,12,17
246:3,4 248:8
248:13,21
249:3,5,11
252:21 263:15
264:4,8 265:8
265:19 266:22
268:7 269:21
270:5,8,10,13
270:15,19
271:18 272:7
273:17,19
274:22 275:14
276:1,3,18
277:12 279:4
281:2,14 282:9
282:14 283:16
284:3,20
285:19 288:2
289:5 290:17
290:18 292:18
293:21 296:4,8
298:7 299:1,20

www.CapitalReportingCompany.com
202-857-3376

300:2,3,6,22
301:13 302:7
302:18 303:16
303:22 304:4
307:9,10
309:12 310:14
312:12,19
313:4 314:6
315:3 316:17
316:19,22
317:1 319:1,9
321:17 322:5
322:19 324:20
324:22 326:22
327:1,20
328:10,12
329:5,18,22
330:11,18
331:13 332:8
332:14,18,22
333:2,13 334:2
335:8 336:3,17
337:5,10,12
338:10,20
339:2,4 340:16
340:18,21
341:2,3,17
342:2,9,17,21
343:3,7,21
348:15 349:6
350:2,6,12,16
350:18 351:3,5
351:7 352:2,5
352:7,15,17,18
353:11 354:9
354:12
buck 188:15

Meeting

[bucktown - ccac]
bucktown
59:16
budget 110:1
180:2
buffalo 59:9
210:4,7,9,12
build 163:8
building 76:8
built 76:13
251:14
bullion 298:20
bunch 307:19
burdock 38:18
buried 198:16
203:17,19,22
230:17
busby 286:12
business 15:1
23:10 353:13
bust 80:11,14
busts 77:21
80:20
busy 82:15
148:21,22
289:18
buy 180:2
280:3,4
c
c 2:1 3:1 4:1
5:1 6:1 37:21
37:21 38:14
39:13 261:8,9
345:20 346:3
346:11,13,18
347:2
call 5:3,3 6:2
6:17 98:11

April 18, 2023

Page 15
167:18 172:21
182:21,22
254:3 257:5
285:6 315:10
334:14 336:8
336:13 337:15
338:4,8 340:14
341:9 344:14
called 9:16
128:6,7 168:4
228:8 268:16
calling 191:9
322:22
camp 22:8
campus 60:13
canada 53:4
cancellation
217:13
candidate 5:6,9
5:13,16 8:13
8:15,19,21
25:19 26:2
28:17 29:3
196:5,12 249:7
249:10 281:4
343:13
candidates
50:18 113:3
214:14
candidly
211:16
canopy 256:3
257:21 326:4
canvas 143:1
capable 268:4
268:6
cape 59:22

captivating
141:6
capture 147:7
147:8 225:3,15
227:1
captured 63:1
143:4
captures
223:20 305:20
care 22:8 28:7
28:11 41:9,21
54:7 280:7
286:6
cared 42:7
55:13 120:8
careful 89:22
carefully
288:19
caribbean
52:17
carlton 3:7
12:17 199:11
200:4 205:15
205:15
carolina 27:22
38:13 39:14
127:15
carried 54:19
carrier 119:7
216:17
carries 48:3
175:13 176:17
350:18
carry 225:5
carrying 38:3
115:22 236:13
345:19 346:8

www.CapitalReportingCompany.com
202-857-3376

case 46:6 57:21
72:10,12 108:5
115:8 132:18
133:14 193:5
193:16 195:20
213:14 234:8
234:21 265:2
295:10 297:17
303:22 332:9
332:10
cases 122:22
cast 192:3
catalyst 22:21
catch 353:4
catches 157:15
category 276:5
catherine 53:3
60:11
cause 55:21,22
250:20 345:10
causes 28:6
250:10
cca 13:4 24:21
ccac 1:1 2:3,12
2:13 5:4 8:5,9
8:12 9:5 10:18
10:21 12:22
13:12,15,16,22
14:2,2,10,13
16:12,16 18:18
19:17,21 22:12
22:20 23:5,11
24:6,19 25:3,9
25:13 52:6
86:2 97:8
131:3 152:9
214:16 242:12
244:16 281:15

Meeting

[ccac - choice]
302:19 330:19
353:14,19
354:2
ccac's 14:18
ccac.gov. 25:5
353:20
ccac.org 25:4
ceiling 218:20
246:22 297:16
celebrate 81:16
104:15
celebration
93:19
cemetery
203:20,22
censoring
247:11
cent 188:8
189:9 190:22
centennial
118:15
center 3:3
12:11 29:7,12
30:2 31:21
35:17 36:20
40:11 41:2
42:14 43:4,6
43:19 59:14
60:3
center's 43:22
centered 96:3
256:6 257:11
258:2
central 5:12
8:17 88:14
196:7,16
197:17 216:20
217:5 219:6

April 18, 2023

Page 16
282:17 346:3
cents 90:5
188:14
century 60:6
250:7 265:21
ceo 2:22 12:8
certain 31:13
certainly 30:18
67:6 71:3 87:3
93:12 126:19
156:10 184:8
187:19 242:20
certificate
355:1 356:1
certify 355:4
356:2
chain 37:12
39:21 117:6
chains 36:4
102:3,4,9
119:4 157:7
179:19,22
chair 8:5 13:10
14:14 24:19
47:12 52:2
75:16 83:5
85:3 112:9
127:3 130:8
133:17 135:10
141:3 169:20
236:4 238:17
243:18 273:16
283:15 288:1
296:5
chairman 3:7
12:17 52:12
57:1 58:3,7
60:16 63:12

92:11 100:3
108:12 118:11
133:18 156:5
180:8 199:12
214:19 230:14
236:7 245:10
268:9 272:10
275:16 285:22
289:8 310:17
312:11,15
349:19
chairperson
2:3 43:10
challenge
50:15,16,19
challenges
34:12
challenging
49:5,6 272:1
275:20
championship
14:17,19
change 78:20
79:21 110:12
170:22 337:8
337:15
changed 266:7
266:7 339:6
341:8
changes 221:1
changing 79:20
160:2 197:4
261:16 338:18
chapter 86:16
characterize
119:11
characterized
28:14 54:17

www.CapitalReportingCompany.com
202-857-3376

charge 65:2,4
200:11
charging
136:15
charity 197:18
204:4,11
208:17 210:21
211:7 216:8,22
217:12,17
221:2 223:4
224:9 226:10
233:7,11,14
check 226:19
307:16
checking
109:17
cherry 38:18
chest 247:20
chicago 321:3
chief 2:9 10:10
25:21 34:6
87:15 94:3
121:19 303:20
child 324:1
339:15 345:19
346:8
children
240:16
chin 317:7
chip 308:9
choice 78:9
91:21 116:20
126:4 140:11
156:21 165:11
166:11,11
201:4 274:9
275:13

Meeting

[choices - close]
choices 91:20
91:20 135:18
148:19 161:14
170:4 270:18
273:16 307:8
choose 49:18
85:20 86:17
171:1 241:16
274:6 275:20
284:16 324:16
chooses 49:21
chose 69:12
115:2 239:19
290:22 291:1
299:9
chosen 197:19
301:7
christa 194:15
chronology
29:4 269:7
church 31:4,8
76:6
chute 76:17
cincinnati 29:7
60:3
circle 128:10
circles 228:13
circularity
62:9
circulating
24:22
circumscribed
260:12 262:11
circumstances
268:4
citizen 124:7
340:3

April 18, 2023

Page 17
citizens 6:3 9:2
18:1 21:16
25:11 55:14
261:17 343:16
344:15 346:17
city 24:11
55:14 294:21
310:6 321:3
civil 27:12,20
28:2,11,22
29:2 38:1,8,11
38:22 39:1,2,6
40:3,4,6,16,20
60:7 100:20
101:16 102:6
104:16,20,21
106:4,18 107:6
109:9 110:4,9
110:14,17
111:6,13 112:2
112:6,14,16
116:13,16
117:17 120:7
122:10,11,11
124:12 125:18
132:12 157:9
166:7,15,17
186:6,8,10
188:19 190:5
193:4
civilian 314:21
civilians
249:17 323:8
clad 37:16,18
39:12 50:21,22
82:7 86:7 90:3
98:20 99:21
103:7 104:5

105:21 106:18
122:1 136:16
137:8 149:2,19
150:3 154:6,7
154:7 155:5
156:7 162:18
177:1,2,11,16
177:17,18,20
178:3 181:21
185:10 193:21
249:14 260:8,8
260:21 261:7
261:13,22
262:7,8,15,20
263:2,7,10
269:5,18
272:12,18
274:7 303:17
303:19 318:8
325:1,7,10,12
326:11,11
327:4,13 328:8
330:2 331:20
331:20,22
333:5 335:13
353:1
clarification
89:2 90:7
108:4 177:15
229:20 270:6
329:4
clarify 43:18
160:5 286:2
333:3
clarifying
155:18
clarity 341:17

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clasped 70:21
84:17
clasping 35:21
135:22
class 226:11
228:8,14
classic 285:3,4
338:11
classrooms
267:2,9,10
clean 82:18
103:10,10,11
104:11 166:8
293:18
clear 30:21
56:6 82:22
134:13 138:4
152:12,18
154:1,7,16
165:17 172:8
204:19 302:22
cleared 198:7
198:11
clearer 111:4
clearing 60:16
clearly 64:2
68:19 77:12
81:10 127:1
128:21 221:1,2
240:4
clinton's 60:11
clipart 179:19
close 34:20
66:18 136:20
144:4 146:19
153:22 156:22
158:17 165:9
165:10,16,17

Meeting

[close - colorize]
200:3 219:5
230:22 241:5
303:13 321:12
closed 54:22
closely 34:5
77:11,13,17
87:14 97:22
154:12 251:20
clothing 123:8
305:4
clubmobile
230:20
clue 45:20
clutching 263:8
313:10
clutter 166:18
292:9
cluttered 71:19
coal 76:17
coalesce 45:21
coast 258:17
coffin 271:8
coherent 67:1
cohesive
306:21 328:16
333:21
coin 2:15 3:4
4:7,8 5:8,14
8:14,20 9:10
9:12 11:3
12:12,22 16:19
18:1 24:7
25:20 26:11
29:1 31:9 37:8
45:19 52:14
56:4 58:15
61:19 68:2
69:2,2 70:1

April 18, 2023

Page 18
71:6,17 72:11
75:11 77:15
80:3 87:15
101:1 104:2,15
112:15 113:7
115:3 125:6
129:8,9,11
134:2,4 138:2
138:3,19,22
139:8 140:5,12
141:7 142:1
145:14 147:8
148:21 151:1
157:10,15
159:11,13,17
161:2,10,15
162:22 178:7
180:5 184:15
184:20 187:21
191:10,11,20
192:8 194:14
195:15 202:12
202:13,14
203:10,14
204:1,13 205:6
207:5,7 214:10
229:2,6 233:5
249:8 252:2
253:1 256:1
265:22 269:7
270:17 274:2
280:4,5,10,13
281:1,5 286:21
289:20,22
290:2 291:11
291:21 292:5
300:14 309:9
309:16,21

314:15 315:15
316:14 317:17
323:20 324:9
325:6 327:22
335:7 338:3
339:13 350:21
coin's 282:18
coinable 265:1
coinage 6:3
14:5 18:2
21:16 25:12
52:18 53:1,8
58:9 64:8
353:22
coinages 47:14
coins 20:12
22:6,10 24:22
30:12,20 31:10
31:13 32:10
37:18 45:18
48:10 67:5
71:9,16 73:15
77:21 85:9
93:17 102:1
110:1 123:6
124:21 145:7
151:8 156:13
157:3 159:11
163:5 180:3,9
182:9 209:11
210:10 233:16
249:13,14,14
264:19 269:1
284:8 285:4
295:14 306:9
316:5 318:19
320:8 327:3

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colin 210:4
collaborate
208:7
collaboration
23:6 72:5
collaborative
125:21
colleagues 6:16
13:20 14:8
57:18 85:4
102:16,19
118:9 134:9
146:6 166:3
298:8 353:14
collecting 22:4
22:5 234:12
304:16
collection
24:13
collective
202:17 231:22
232:19
collectively
204:6
collectivity
135:3
collector 19:11
180:5 231:13
collectors
93:11
college 14:17
201:14
colonel 204:17
215:14 219:20
236:12 240:4
color 32:20
colorize 351:4

Meeting

[colorized - committee]
colorized
350:22
columbia
355:19
columns 297:8
348:3
combahee
27:21 38:9,12
39:3,14,15
40:5,11 107:10
190:8,18
combat 296:15
combatants
344:19
combination
75:11 86:12
116:7 298:6
307:7
combined
218:10 307:6
combining
139:7
come 16:1 37:6
39:18 62:6
63:15 65:4
66:19 72:16
76:22 80:22
85:3,5 98:6
125:12 162:20
195:12,21
207:4 214:7
228:19 235:8
239:5 248:17
266:21 268:12
286:10
comes 49:3
61:16 73:8
106:8 129:19

April 18, 2023

Page 19

143:20 171:11
174:22 181:21
comfortable
123:13 130:4
191:7,9,11,20
236:3
comforts
194:12
coming 97:6
190:17 201:17
230:2 266:15
280:19,21
303:20 314:21
comm 222:17
command
228:3
commander
197:20 204:5
204:11,15
223:19 225:6
225:11
commanding
228:1
commemorate
31:22 233:19
commemorat...
5:17 8:22 11:4
318:13 343:14
commemorat...
253:22
commemorat...
2:15 3:4 5:7,14
8:14,20 11:3
12:12,22 24:8
24:22 25:20
26:10 72:11
75:21 81:7
194:13 195:15

205:6 210:10
249:8 251:3,18
252:2 253:1
265:22 279:17
281:5 285:4
309:15,16
319:15 320:5
322:21 335:7
350:21
commemorat...
50:21 194:15
194:16
commend
352:19
commendation
199:1 226:8
comment 75:21
94:10,22
123:20 158:12
160:5,16 161:9
161:16 187:4
189:18 191:8
191:15 194:9
235:4,5 238:7
241:6,9 299:6
299:19 332:22
339:4
commentary
158:13 300:9
300:21
comments
23:14 51:16,19
56:20 58:7,13
63:14 67:16
72:15 73:20
78:22 85:4
87:13 88:17,19
89:2 92:1,13

www.CapitalReportingCompany.com
202-857-3376

92:16 94:22
96:10 102:19
118:10 122:5
122:20 142:14
146:6,9,12
148:18 150:15
151:11,13
162:7 167:6
178:11 181:12
189:13 190:1
193:22 194:19
205:16,20
207:22 225:21
230:3,8 233:12
237:1 238:15
240:7 269:22
270:2 273:20
279:9,10 281:2
298:8,15
299:21 301:2
301:14 302:7
303:18 307:11
307:20 321:15
329:6 333:14
334:3 351:10
351:19
commission
44:9 190:20
208:8 210:15
251:15
commissioned
210:22
commitment
250:8 254:1
committed
210:14
committee 6:4
6:8,15 15:15

Meeting

[committee - conditions]
18:2 21:17
22:20 23:11
25:12 43:12,13
48:5,7 49:1,16
49:17,21 51:10
51:15 53:16
66:10 67:4
72:3 73:1 83:7
88:20 89:15
90:10,13,15,20
90:21 92:19
96:14 101:3
117:9 130:10
132:15,18
133:12 135:11
139:14 146:12
146:14,17
148:9 150:15
155:3 167:9
190:20 191:16
191:18 199:21
206:10,11
210:15 219:10
219:11 225:22
228:17 230:1,5
230:7 243:10
243:14 245:6
263:16 265:9
265:20 281:3,3
286:1 298:15
303:18 315:5
316:9
committee's
49:7 73:16
90:17 208:8
255:22 265:10
committees
34:3 87:11

139:21
common 79:22
79:22 250:9,20
267:16
communed
72:2
communicate
129:22 151:8
163:12
communicati...
2:20 11:22
222:14 223:19
communicati...
353:21
communities
262:16
community
19:13 24:21
41:15 42:10
43:1 353:18
comparatively
82:12
compare 70:5
compared 87:3
188:22
comparison
115:11
compelling
39:7 81:3
82:18,22
106:15 112:3
144:21 163:14
180:1 232:4
238:14 294:3
295:15 296:21
325:9
complete 32:11
189:20,20

April 18, 2023

Page 20
completed
14:16
completely
135:16 158:18
161:22 178:13
280:8
completes
84:15 230:17
255:18 257:17
260:7 263:14
348:14
completing
230:22
complex 71:14
compliment
62:7
component
107:6
components
239:18
composition
68:2 128:17
137:13 293:12
compositional
128:17
comprehensive
24:14
compressed
265:3
compromise
91:2 116:7
139:3,22
computer
136:15
conceived
58:17 261:3
concept 94:10
96:3,7 104:9

www.CapitalReportingCompany.com
202-857-3376

119:12 235:16
235:17 306:20
322:16 326:9
326:20
conceptually
293:15
concern 70:7
74:1 75:14
89:14,16 107:8
108:1,19
115:16 178:1
194:17 208:11
300:21 341:10
concerned
67:20 69:21
70:4 139:6
164:10 299:10
300:19
concerning
210:21
concerns
202:17 229:1,1
293:11 294:14
301:6
concerted
34:12
concluded
99:18 195:8
353:12 354:17
concludes 43:8
219:8
conclusion
192:18 214:7
conclusive
281:18 282:1,7
282:7
conditions
197:22

Meeting

[conductor - continued]
conductor 27:8
28:21 35:4,11
36:17 190:3
conference
1:12
confess 59:2
279:5 296:5
confidence
41:3
confidently
35:3
confirm 9:14
confirmed
344:2
conflicts 345:6
conformed
70:12
confused 136:1
183:3
congratulatio...
18:1,17 21:16
23:5
congress
207:15 217:3
218:7,12
222:13 346:5
346:14,20
347:19 349:13
congress's
209:2
congressional
2:16,17 5:10
5:17 8:15,22
11:3,9 12:13
196:5,15
201:21 203:4
207:16 208:19
229:2,8,17

231:3 234:5,7
234:12,18
235:18 283:2
343:14 351:2
congressiona...
344:22
congruity
164:21 179:16
conjunction
145:1
connect 79:9
79:16 95:18
connected
91:19,20,21
connecting
254:22 255:6
259:3
connection 9:9
27:10 35:8
40:11 68:11
74:6,17 86:19
140:16 149:6
239:6 280:3
339:21
connections
59:11 60:8
connectivity
135:4
connects 37:3
260:13 262:12
consensus 46:4
142:17 144:1
148:7 221:22
223:1
consequences
111:9,9
conservative
161:1

April 18, 2023

Page 21
consider 47:14
51:12,19 53:16
88:20 145:6
148:9 159:11
160:1 162:8
168:11 170:2
195:16 213:7
235:11,21
240:8 242:4
247:17 263:16
272:5 336:6
consideration
51:14 56:10,16
56:18 57:20
135:9 162:9
189:13 228:18
230:6 270:1
274:7 287:7
considerations
50:6 230:1
245:16
considered
45:5 188:7
247:6,17
considering
113:9
consisted
200:14
consistent
54:12 77:5
205:9 284:8
consoles
194:16
constellation
35:22 36:5
constituencies
280:5

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constituency
280:22
constituent
139:3 234:7
constituent's
265:11
constitution
16:22 17:3
20:14,17
119:15,18
construct
60:12
cont'd 3:1 4:1
contact 34:12
235:10
contained
200:16
contains
253:12
contemporary
69:19 95:21
96:2 101:21
107:12 159:15
309:15
content 128:19
context 46:12
87:4 101:17
110:19 127:7
128:9 153:12
285:10
continue 58:7
98:20 133:13
144:18 162:15
213:15 303:17
continued 28:6
81:16 84:17
353:22

Meeting

[continues - culture]
continues 35:9
111:7 117:12
continuing
109:14 156:5
195:14 304:1
continuity
179:8 297:22
contributed
124:12
contribution
13:22 74:6
108:16 190:15
351:15
contributions
14:9 32:12
190:3 199:5
208:6 314:10
control 344:16
convention
27:7
conversation
68:17 118:9
124:22 130:14
133:13 150:16
193:14 341:20
conversations
125:21 353:3
coo 3:5 12:10
cool 298:20,21
325:13
copy 22:9
96:18
core 41:14 42:4
42:15,21
150:22 151:1,6
corporate 2:20
11:22

April 18, 2023

Page 22

corps 5:11 8:16
11:10 12:14
196:6,16 200:6
217:2 220:2,6
220:8,12,16
221:15 222:12
223:7 226:11
226:12 256:15
258:18 344:11
correct 44:10
44:11 47:2,7
100:16 174:4
217:10 220:4,5
221:3,4 245:21
269:15 270:8
300:6 313:19
corrected
219:18 351:8
correction 46:7
48:21
correctly 47:1
268:10 313:18
correspond
270:22
cost 256:14
costello 2:10
10:13,15 88:21
151:14 335:11
cottages 55:16
counsel 2:13,14
2:17 10:21,21
11:2,9 97:8
131:3 152:8
281:15 302:19
330:19 355:11
355:14 356:7
356:10

counting
240:13
countries 53:1
289:13
country 32:13
32:21 58:10
84:22 119:3,13
119:17 126:5
126:11,13
127:2,11
150:20 190:15
208:21,22
239:3,20
257:15 337:19
339:15
couple 65:13
143:15 148:18
191:5 228:20
238:18 289:8
290:9 291:13
322:20
courage 101:9
259:12,15,22
261:2,11
courageous
94:17
course 30:8
45:3 57:22
87:17 102:5
109:17 113:15
121:18 122:17
123:22 134:7
176:10 203:13
205:4 304:12
304:16,20
court 130:21
152:1

www.CapitalReportingCompany.com
202-857-3376

cover 11:17
287:14
covered 88:3
95:11 253:2
325:2
covering 88:7
94:5 110:4
cows 147:21
crash 198:16
216:18
create 280:2,5
336:11
created 35:21
148:13 210:10
217:1 258:10
creates 280:22
creating 15:11
creative 159:15
creatively
295:19
crew 13:16
critical 126:18
199:4 256:16
crooning
264:11
cross 230:20
241:2,3 295:1
312:8
crossed 38:4,5
63:4
crosses 225:4
crowd 347:1
crowned 260:4
crucial 239:1
cultural 200:17
culture 207:19
209:8

Meeting

[cultured - defend]
cultured 201:5
cummings 3:6
12:15 199:10
199:18,20
205:19 206:1,4
206:7 215:3,14
215:16 219:20
219:22 220:14
220:21 221:4,7
221:9 222:3,6
224:3,19 225:2
225:20 226:1,6
227:6 228:2
230:16 236:12
239:22 240:10
curator 3:9,22
7:17 12:19
199:13
curiosity
203:15
curious 123:16
202:15 227:8
227:18 266:2,4
currency 53:3
109:2
current 205:2
208:2 247:1
currently
162:18 179:20
214:15 312:17
319:18
curvature
275:6 295:21
curve 190:21
d
d 6:1

April 18, 2023

Page 23
d.c. 250:5
danger 345:21
dangerous 27:6
135:15 165:5
276:5 344:15
dangers 68:10
dark 200:20
darla 4:4 7:20
8:9 15:2,9 16:7
72:22 83:3,4
90:8 114:7,8
115:22 126:16
141:14,15
143:3 169:16
173:14 184:1
237:19,20
238:11 276:19
276:20 292:19
292:20 314:7,9
324:17
darla's 280:8
280:19
dash 39:18,18
data 98:19
date 13:17 14:7
276:13
dates 217:14
283:8
dating 198:12
daughter 18:12
daughters
206:22
davis 120:7
day 53:9 93:20
111:7,10
144:18 198:6
233:18 237:8
279:19 319:17

344:8
days 246:14
dayton 241:5
dc 1:13
de 210:7
211:19
dead 253:9
316:1
deadliest 344:7
deaf 127:20
deal 66:13
297:6 304:8
dealing 193:3
319:16
dean 3:15 7:2
43:15,16 56:20
58:5 64:14
92:2,3 100:1,3
103:1 118:12
123:12,18
124:18,19
133:15,17
135:15 138:9
156:3,4 158:12
169:3 173:2
175:4 178:15
180:6,8 181:15
183:11 184:11
230:12,14
235:15 268:7,9
272:8 274:4
285:20,22
310:15,17
324:21 327:1,2
331:13 332:10
333:6 334:2
336:5,17 342:7
352:18 354:8

www.CapitalReportingCompany.com
202-857-3376

dean's 304:6
death 328:8
deaths 344:4
debate 126:19
338:18
decade 27:1
344:9
decide 71:13
91:9 214:18
decided 90:4
273:8 295:18
decision 91:12
92:8,9 102:16
352:11
decisions 91:12
94:7 207:3
deconstructed
268:18
decorated
299:14
decorative
256:18
dedicate
332:21
dedicated
59:14 211:6
250:4 251:16
344:19
dedication
353:15
deepening
250:13
deeper 202:14
default 174:17
174:20
defend 16:22
17:3 20:14,17
126:5

Meeting

[defenders - deserves]
defenders
256:22 283:9
defense 250:9
defer 123:21
deference
139:21
defiance 41:3
63:1,5
define 213:16
defining 250:6
definitely
159:7 334:8
definitive
90:16 131:6
303:9
definitively
317:8
degree 45:18
239:12 298:4
degrees 201:14
delay 210:18
deliberately
69:12
deliberation
207:7
deliberations
44:7
delivery 197:5
197:10
democracy
250:15
demonstrates
64:2 104:20
332:19
dennis 3:20
7:14 72:19
89:5,7 91:1
92:6 98:14,15

April 18, 2023

Page 24

112:8 129:13
129:15 142:15
144:8 153:3,5
153:9 154:22
158:5,6 160:6
160:12,15
162:7 166:4,21
168:6 169:11
173:10 177:3,5
181:16,17,18
181:20 183:19
189:17 194:6
194:18 235:22
241:8,13 243:4
243:5,6 264:2
264:4,16
270:14 282:12
287:3 290:19
291:4,6 299:22
300:2 304:3
307:20 308:13
308:19 324:20
332:15,22
333:3 334:5
336:10 340:9
340:22 341:2
342:19,21
353:5
dennis's 91:18
164:22
denomination
33:22
denominations
31:8
departed 97:12
department
225:8

departure 85:8
depend 306:7
depended
201:3
dependent 90:3
depending 71:8
287:10
depict 40:1
41:7 53:12
66:15 124:3
156:19 221:6
232:18 248:4
254:14 255:5
256:2 257:10
257:20 258:8
259:8,18 260:9
260:21 296:15
327:3 346:1,7
depicted 52:22
69:9,11 107:14
233:7 296:19
299:15 301:9
348:9
depicting 69:15
123:3 187:22
299:9,11 301:3
324:14
depiction 74:20
75:2 88:7
121:14 227:14
236:12 287:5
288:11,15
298:10 346:10
depictions
38:17 88:2
294:7
depicts 34:9,15
35:2 37:9 38:7

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38:20 39:4
41:18 42:3
216:13,21
217:12,19
218:9,14 219:4
253:7,21 254:4
254:8,20
255:12,15
257:6 259:1,6
261:7,13,22
262:8,15,20
263:2,10
310:11 345:13
345:18 346:16
346:22 347:17
deposition
355:1
depressed
315:15
depression
201:10 329:13
depth 73:11
deputy 2:4
9:16 15:21
19:8
descent 52:16
described
22:11 45:7
describes
247:12
descriptions
33:15 43:9
133:5,9
descriptive
112:12,21
deserves
344:20

Meeting

[design - designs]
design 2:5,6,7
2:8,10 9:19,22
10:2,4,7,14
15:11 24:21
25:22 26:13
29:13 30:5
33:15 34:9,14
34:15,19,20
35:10,15 36:2
36:3,7,12,18
36:20,22 37:7
38:1,1,3,7,15
38:20 39:4,10
39:16,20,22
40:6,7,9,13,19
40:19 41:1,4
41:10,16,18
42:3,12,18,21
43:3,6,9 44:17
46:5,11,17
48:8,12,18,22
49:22 52:11
58:15 61:3,6
61:13 62:3
63:9 64:7,10
66:19 68:6,9
68:12 69:2,3
70:5,22 71:14
73:21 77:4,16
77:18 78:1,7
78:11 79:2
82:5,12 86:11
87:19,20 88:8
88:11 90:13
92:5 100:15
104:5 105:2
108:2 112:3,19
113:7,13,13,20

April 18, 2023

Page 25
115:17 116:3
116:17,21,21
117:20 121:12
125:11 126:15
126:18 128:18
128:20,21
130:5,7,10
135:19 136:1,3
138:1,5,15
139:7,14
141:11,17
142:22 145:1
145:21 146:2
148:18 149:2
155:7 159:7
160:20,21
161:2,19 162:2
162:4 163:2,10
168:11 171:6
171:21 179:17
181:1 184:17
184:18 186:5
196:5 211:13
213:9 214:1,14
216:7,13,21,21
217:8,8,12,19
218:3,13,14
219:1,4 220:3
222:1,8 224:21
224:21,22
226:2 234:9
235:6,7,15
237:16 248:5
251:8 252:4
253:7,18,20,20
254:4,7,16,17
255:3,8,10
256:1,9,10,17

256:20 257:11
257:14,16,17
258:5,6,7,15
258:19,21
259:1,10,13,15
259:16 260:14
260:16,18,19
260:22 261:4
262:5,6 263:1
263:13,13
264:18 265:1
265:16 270:22
271:4,9,15,16
271:17 272:22
273:2 274:7,11
275:9 276:15
277:2,4 278:15
281:21 282:17
284:6,12,13
288:19 290:11
293:19 294:4
295:6,17
300:14 303:5
306:21 308:16
308:18 309:6
314:14 316:7
317:11,21
319:14 322:10
323:5,17
325:13 326:4
328:4,22
330:22 331:1,2
331:2,3,3
337:8 338:11
343:14 345:3
345:13,18
346:4,5,12,13
346:16,22

www.CapitalReportingCompany.com
202-857-3376

347:12,15,17
347:21 348:2,5
348:10,12,13
designated
197:16 344:22
designation
215:19
designed 50:8
63:1 220:3
designer 34:6
87:15 121:19
designing
210:8
designs 5:6,9
5:13,16 8:13
8:15,19,21
24:7 25:19
26:2,5 28:17
28:20,22 29:3
33:16,18 34:2
34:9 35:20
37:17,22 39:12
40:1,19 41:6
42:16 43:8,14
45:19 46:13,15
48:8,13 49:18
52:5 55:5
56:12 57:2
58:18 60:17
61:8 73:19
75:8,14 77:2,4
78:10,18 82:18
86:10,16,17
87:11 91:14
95:21 100:4
101:21 102:15
106:15,19
107:1 112:10

Meeting

[designs - disbanded]
113:5,11 116:8
118:22 130:2
133:18 134:8
134:11 136:16
141:16 143:6,6
143:9 144:10
144:16 157:11
159:10,12,13
162:5 164:22
170:3,21
174:16 179:9
196:12 199:8
202:8 203:11
211:14 213:16
215:1 216:7
218:2 236:9
241:15 242:11
243:2 249:7,10
252:5,20 253:7
254:13 255:18
255:20,21
257:18,20
259:8 260:7
262:7 274:3
275:11,11,18
277:16 280:7
281:4 288:5,5
288:9 289:17
293:10 298:1,6
303:19 304:7
306:7 308:12
309:1 315:6,11
316:10,15
325:10,22
327:5 328:15
329:21 330:9
342:14 344:21
345:12 346:1

April 18, 2023

Page 26

347:7,8 350:10
desirable
121:15
desire 71:8
desmond 53:4
despite 27:5
50:5
detail 87:20
101:2 112:13
147:13 272:2
detailed 273:9
306:5 335:21
335:22
details 32:7
278:19,21
determination
28:15 41:3,16
42:11 43:2
60:20 61:1
77:19 143:16
determined
13:17 56:14
determining
255:22
developed
28:18
developing
29:13 199:8
251:7 344:21
development
32:20
devised 198:1
devoid 143:7
diagonal
128:22 129:1,2
129:3
diameter 66:12
75:15

diametrically
158:18
die 326:17
died 249:20
271:6 273:14
difference 69:1
differences
232:17
different 45:18
49:18 53:1
66:19 79:13
101:10 138:14
143:15 156:16
158:1 159:9
161:14 162:4
167:10 181:8
193:14 213:11
239:20 287:14
296:3 297:12
302:6 320:12
334:6 341:4
differently
23:8 114:18
334:7
difficult 50:8
65:19 106:14
293:8 295:3
313:7
difficulty 156:7
dig 202:13
digital 355:8
356:3
dignified 65:6
65:8 67:19
dignity 55:18
dimension
69:20 291:22

www.CapitalReportingCompany.com
202-857-3376

dimensional
290:14 291:19
291:20 294:16
diplomas 201:9
201:12
dipper 35:22
36:5
direct 339:21
directed
349:13
direction 98:22
115:8 167:3
298:9
directly 96:22
295:19 297:15
director 2:4,11
3:7,11 8:17
9:16 10:16
12:18 13:1
15:21 19:8
44:7 196:7
199:12 251:6
directors 31:20
directory 5:12
196:17 197:17
216:20 217:5
219:7
directs 225:12
dirty 222:16
disadvantage
332:12
disagree
125:17 207:10
273:5
disappointed
236:11
disbanded
220:8

Meeting

[disc - don]
disc 228:11
discarded
268:19
discharge
17:17,20 21:10
21:13
disclose 238:17
disclosure
220:7
discounted
287:2 288:9
discourage
49:20
discretion
155:8 168:11
176:11
discuss 90:7
133:7 156:2
199:22 210:1
235:13 338:18
349:21 350:11
discussed
154:16 163:4
163:20 194:20
227:4
discussing
118:12 191:4
discussion 5:6
5:9,13,16 8:12
8:14,19,21
25:8 46:16
47:21 48:3
51:20 73:18
74:10 87:7
89:11 92:16
96:14 99:18,21
137:11 153:7
156:1 158:9,11

April 18, 2023

Page 27
170:11 172:15
175:5,9 176:4
176:5,13
177:13 179:7
185:6 191:16
195:7 196:4
202:11 222:1
229:1 230:4,11
231:17 236:3
241:19 243:2
243:19 244:21
246:1 249:7
304:1 332:17
337:4 339:3
342:22 343:8
343:20 350:6
350:10,13
353:12
discussions
89:12 185:20
193:10 252:17
dismissed 84:3
displays 24:13
disrespect
225:7
disrespectful
125:1
distinction
182:2
distinctive 66:2
distinguished
38:10
distinguishing
27:19
distracted
132:22
distraction
65:21

district 355:19
disturbing
126:17
dive 290:13
diverse 94:14
200:16 201:5
diversity
141:11 201:18
division 311:1
divorced
186:13
dizzy 289:2
doctor 89:3
documentary
12:17 199:11
203:5
documentation
95:12
documents
23:14
dod's 204:9
dodge 216:16
dog 348:7
doing 6:16
16:17 20:10
57:2 59:20
74:14 80:15
91:7 92:9
104:3 107:9
149:11 150:19
157:11,22
165:16 187:17
192:17 227:21
227:22 232:8
235:11 267:12
270:6 280:2
306:9 308:10
318:8 345:10

www.CapitalReportingCompany.com
202-857-3376

dollar 28:20,22
29:1 37:8
61:18 63:20
65:5,20 66:2,5
66:12,18 69:8
70:1,3 71:5
75:12,16 81:7
89:10 90:3,4
91:9,10,15,15
91:21 98:20
100:10 101:1
105:3 112:20
113:17 116:1,2
116:6,6 134:4
137:16 139:8
143:1 149:3
150:3,6 155:4
155:5,6 157:18
157:19 161:18
162:3 170:3
171:21 174:1,2
174:6 181:21
249:13,14,14
282:15 304:5
309:7,16 312:9
318:9 325:1,3
326:11,20
333:7,12
336:13,14
dollars 294:19
326:11
domestic 17:1
17:5 20:15,18
dominates
138:20
don 272:22
273:5 287:12

Meeting

[donald - dr]
donald 3:18
7:11 45:13
68:15 102:22
104:18 109:19
123:10 125:3
138:17 153:20
159:4 165:3,5
166:3 169:9
173:8 181:18
182:5 183:17
211:9 220:18
234:1 271:18
284:21 309:13
311:9 313:7,18
320:13 322:19
337:6 349:6
donating
262:18
door 231:3
dot 25:4
double 191:7,9
191:10,11
218:11 290:10
dozen 19:2
222:16
dr 1:5 2:3 3:13
3:15,21 6:2,7
6:20,21,22 7:1
7:2,3,4,7,10,13
7:16,17,18,19
7:22 8:3,3 9:13
9:18,21 10:2,4
10:7,10,13,16
10:20 11:1,8
11:14,17,21
12:2 16:7
18:16 19:10
20:1 23:4,18

April 18, 2023

Page 28
23:19 24:2
26:6 29:15,17
30:3 43:11,16
44:2,4,11,13
45:13 46:18,19
47:4,11,16,18
47:19,20,21
48:2 49:17
51:3,9 52:1,2,2
52:12 53:21
55:3,10 56:8
56:19,20,22
57:4,6,7,8,9,10
58:4,6 61:2,14
63:13,14 64:17
64:19 66:20
67:8,9,10,10
68:14 70:14
72:18,20 73:19
75:17 79:4
83:2,5 85:2
87:5,8 88:16
89:1,4,7,8,14
89:16 90:6
91:5 92:1,3,11
92:13 96:12
97:6,7 98:13
98:15,16,21
99:2,3,6,7,11
99:12,14,16
100:2 102:18
104:12 105:8
105:12,17,18
106:10,12,12
107:20 108:10
108:12,12
109:10 112:7
114:5,6 115:19

117:8 118:11
118:17,20
120:16,17,18
121:1,6,9,10
122:2,3,3,5
123:10,18,20
124:18,19
125:13,20
127:5 128:5,14
128:15 129:13
129:15,16
130:9 131:2
132:1,5,9,14
133:7,12,16
135:11 136:6
136:12,15
137:19 138:16
140:7,9,9
141:1,3,3,13
142:14,16
143:20,22
146:4,15 147:2
147:4 148:5,16
149:9,12,13
150:13 151:10
151:15,22
152:3,7 153:5
153:6,9 154:22
155:2,12,17,20
155:22 156:2,3
156:4 158:2,4
158:6,10 159:4
160:13,14
161:6 162:6,12
162:16 163:22
164:6,18 165:2
165:19 166:1
166:21 167:4

www.CapitalReportingCompany.com
202-857-3376

167:14,17,20
168:16,19
169:1,2,3,4,5,7
169:9,11,14,15
169:16,18,20
170:6,10
171:12,19,22
172:3,5,7,10
172:14,18,21
173:1,2,3,4,6,8
173:10,12,13
173:14,16,20
174:3,5,8,10
174:12,13,17
174:19 175:4,8
175:12,15,18
175:19 176:1,4
176:7,12,16,20
177:5,8,12,18
177:21,22
178:1,6,10,11
178:15,18,21
179:1,5 180:6
180:7 181:10
181:14,15,17
182:5,15,19,22
183:2,3,6,10
183:11,12,13
183:15,17,19
183:21,22
184:1,3,5,8,11
184:22 185:4,9
185:12,13,15
185:17,19
186:3,15,18,20
186:21,21
187:4,7,19
189:11,12,15

Meeting

[dr - eagle]
191:2,3,13,17
192:18 193:2,5
193:13,18
194:1,3,6,18
195:1,4,19
196:3,13
205:18 206:6,8
206:9 211:9
213:6,14,22
214:3,11,13
215:22 216:2
219:9 220:18
224:4,8,14,16
225:21 226:2
227:3,7 228:16
228:21 229:21
230:13 232:10
232:12 233:22
235:20 236:1,5
236:6,20 237:4
237:9,10,19
238:10,16
240:2,19 241:8
241:11,13
242:3,6 243:5
243:7,16,18,19
243:22 244:12
244:15,19
245:6,12,17
246:3,4 248:8
248:13,21
249:2,5,11
252:21 263:15
264:4,8 265:8
265:19 266:22
267:1 268:7,8
269:21 270:5,5
270:8,9,10,12

April 18, 2023

Page 29
270:13,15,19
271:18 272:7,9
272:14,17,21
273:17,19,19
274:22 275:14
275:14,16,16
276:1,3,18
277:12 279:4
281:2,14 282:9
282:14 283:16
284:3,20
285:19,21
288:2 289:5,5
289:7,7 290:17
290:18 292:18
293:21 296:4,7
296:8,10 298:7
299:1,20 300:2
300:3,6,22
301:1,13 302:7
302:18 303:16
303:22 304:4
307:9,10
309:12 310:14
310:16 311:18
312:12,14,19
313:4,5,6
314:6 315:3
316:17,19,22
317:1,4,6
319:1,9 321:16
321:17,18
322:5,19 324:4
324:20,22
326:22 327:1,2
327:20 328:10
328:12,12
329:5,18,22

330:4,11,18
331:9,12,13,14
331:19 332:5,8
332:14,18,22
333:2,13 334:2
334:4 335:8
336:3,17,19
337:3,5,10,12
337:20 338:5
338:10,11,20
339:2,4,5,18
340:8,16,18,18
340:21 341:2,3
341:17 342:2,9
342:12,17,21
343:3,7,21
348:15,17
349:5,6 350:2
350:4,6,12,16
350:18 351:3,5
351:7 352:2,5
352:7,15,17,17
352:18,19
353:11 354:8,9
354:12
drafted 126:4
128:6
drafts 266:8
drama 64:15
dramatic
282:19
draped 346:8
drawing 49:10
115:11 271:4
291:20 335:22
336:1
drawn 109:16
140:15 260:9

www.CapitalReportingCompany.com
202-857-3376

282:21 286:22
311:13
dress 88:13
227:10 228:14
drill 51:7
drivers 208:17
drives 109:21
305:4 326:14
drop 201:5
247:3
dropping
231:14
drove 197:3
dual 93:9
due 92:6
104:18 109:19
117:16 191:14
277:15 294:18
295:7 345:6
duly 355:5
dumb 127:20
duties 17:17,20
21:10,13 213:3
226:15
duty 202:4
221:20 240:1
241:1 344:14
dynamic 80:6
94:11
e
e 2:1,1 3:1,1
4:1,1 5:1 6:1,1
33:21 260:5
306:19
eagle 254:10
255:14 260:4
292:11

Meeting

[eagles - emblematic]
eagles 256:5
258:1 286:15
288:6,8 291:9
297:9 312:3
326:4 348:4
earley 239:10
240:14,19
241:5
earlier 29:21
55:20 64:7
77:1 129:18
144:15 160:5
178:16 179:7
189:19 194:8
231:21 279:14
285:10 294:2
298:13 304:6
333:20
easier 50:21
67:6 161:10
232:15
east 300:13
eastern 58:22
59:12
easy 231:12
237:3
eat 244:10
eating 65:1
echo 307:17,19
echoed 314:17
echoes 253:17
315:2
edges 242:19
edit 226:22
edited 88:12
edition 211:20
editions 45:9

April 18, 2023

Page 30

editor 4:7,9
9:11,12
editorial
143:14
editorializing
128:19
edits 217:10
219:3,14
edna 3:6 12:15
197:18 199:10
206:6 224:7,11
educate 120:21
163:3
educating
30:12
education
22:22 24:20
85:12 163:16
179:11,15,17
180:5,10
188:19 266:19
educational
251:3,18
edward 223:13
effect 14:22
effective 61:16
235:13
effectively
163:4
efficient 198:1
effort 39:7
229:19 249:21
251:21 286:17
304:19 305:10
326:13
efforts 27:12
41:8 204:9
262:17 345:14

eight 3:6,8 8:18
11:11 12:15,16
12:17,18 35:17
35:18 39:18,18
66:17 82:15
127:14 162:5
196:8,18
197:17,18
198:2,3,6,11
198:14,17,19
199:3,10,11,12
199:22 200:5
201:6,8,14,19
202:5 203:3,15
203:19,21
204:7,11 210:3
216:10,14,20
217:1,5,17,20
217:22 218:15
219:5,6 221:18
222:15 226:13
226:15 227:2
331:12
eight's 225:16
either 50:22
75:8 96:18
111:21 114:1
139:15 143:16
171:11 201:4
201:14 234:19
242:1 279:1
315:18 317:11
324:6,9,10
elderly 28:8
electronically
96:19
electronics
96:21

www.CapitalReportingCompany.com
202-857-3376

elegant 68:6
82:2,5,13
elegantly 231:2
element 329:2
elements 15:11
48:8,12,18
139:7 141:11
217:10 222:8
236:17,18
260:12 262:11
274:12,18
276:15 326:4
elevating
247:18
eligible 320:16
eliminating
165:14
elliott 18:20
eloquently
193:12 231:2
email 96:20
149:16 353:20
emailed 25:4
emancipation
102:5,8 113:14
118:15 157:7,8
embarked
251:21
embarrassed
335:2
embedded
328:22
emblazoned
260:5
emblem 333:18
emblematic
26:13 41:10
229:19 249:15

Meeting

[emblematic - european]
323:6
embrace 85:5
118:1 213:10
214:16 237:6
embraces
295:22
embracing
85:17
emotional
313:12 324:2
emotions 61:22
275:20
emphasize
81:19 110:8
146:2
emphasized
231:5 268:18
emphasizing
144:19 145:3
145:16
employed
355:11,14
356:8,11
employee
355:13 356:10
empty 246:21
enamored
57:15
encircled
257:14
encompassed
145:22
encouraged
55:2
endorse 275:21
ends 90:4
110:21 306:5

enemies 17:1,4
20:15,18
enemy 344:19
energy 205:13
engage 106:20
engagements
150:20
england 196:20
217:18 218:21
219:7 223:14
307:22
engraver 2:9
10:11 34:6
87:15 121:19
engravers
283:14
engraving 2:10
10:14 146:14
303:20 335:9
enjoy 72:22
83:18 84:12
115:14 141:17
293:15
enjoyed 293:1
enlisted 197:13
307:21
enormous 94:5
enormously
63:11
enslaved 26:15
27:22 28:7
38:13 41:22
63:8 157:8
ensure 33:4
208:19
ensuring 32:7
enter 17:18,21
21:11,14

April 18, 2023

Page 31
entered 304:10
entertain 245:8
321:15 354:6
enthusiasm
12:5
enthusiastic
16:11 19:17
entire 33:2
80:7 129:8
138:21 182:13
252:9 337:17
337:19 339:10
339:11,14
entirely 68:13
85:17 186:5
301:4
enumerated
155:11
envelope 217:2
envelopes
218:5,5
environment
225:11
envision
246:11,20
292:4
envisioned
269:8
episcopal 31:4
epitomizes
36:20
equal 276:8
equality 41:16
42:11 43:2
equally 137:1
160:6,8 268:6
equipment
261:19

www.CapitalReportingCompany.com
202-857-3376

era 24:16 38:8
39:1 40:7
305:8
es 355:4
escher 288:20
especially 13:4
68:21 79:7,17
86:21 104:5
141:22 157:2
175:2 213:18
294:5,7 315:7
327:4 329:13
352:21
espoused 80:4
essence 123:4
305:20
essential
128:20
essentially 49:9
297:14 328:21
329:2
establish 31:4
60:13 186:14
established
25:17 54:6
55:16,20
esther 286:11
estimates 344:4
eternal 253:21
263:22 276:22
ethnic 200:17
201:5 202:20
europe 196:21
197:3 216:19
223:12
european
199:7 218:10
222:17 225:18

Meeting

[evacuation - extremely]
evacuation 9:2
343:16 345:14
evans 10:4
evasion 17:12
17:15 21:6,8
event 40:12
116:14 250:6
events 19:4
eventually
349:3
everybody
31:11 78:11,20
113:19 116:19
246:2 291:18
301:21 304:14
304:14,15
305:9 308:8
317:9
everybody's
153:15
everyday 268:1
269:18 314:11
314:21
everyone's
184:5
everything's
81:21 91:19
evidenced
14:19
evita 289:21
evocative 68:9
273:2 274:5
327:21 328:2
evoke 275:19
exactly 56:4
109:21 238:11
238:12 271:11
333:22

example 48:12
49:21 164:13
204:2,12 223:4
289:13 299:13
excellence 61:9
excellent 45:14
61:12 98:9
100:4 102:15
149:3 184:16
343:7
except 23:20
69:9 82:1
103:7 134:11
144:3
exceptional
27:17
exceptions
102:20
excerpt 47:10
255:16
exchange 49:18
excited 18:7
22:18 23:1
83:7 202:18
247:16 251:11
252:3
exciting 18:9
81:13 294:6
excluded
299:12
excuse 6:12
25:4 39:19
134:5 177:14
209:14 340:20
351:1
executive 3:11
13:1 200:11
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April 18, 2023

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exemplified
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exergue 217:1
exhibits 24:13
existential 50:2
exiting 247:10
expand 45:2
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264:16
expect 283:1
expedition
27:20 38:11
experience
48:19 227:1
251:19 302:5
326:5
experienced
120:14
experiences
334:7
experiencing
181:8
expert 149:8
214:6
expertise 208:9
experts 211:21
explain 53:18
290:22
explained
56:17
explaining
135:6 157:3
explains 137:9
explanation
51:6 56:9
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www.CapitalReportingCompany.com
202-857-3376

explicit 163:21
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explicitly
163:19 296:1
explosion
343:22
exposition
192:4,10
express 18:6
195:9 296:2
345:7
expressed
36:20
expresses
234:8
expressing
50:6
expression
30:21 34:12
114:13 267:15
extend 52:7
extended 43:7
45:22 49:9
68:1 69:18
100:11 175:5
extension
251:18
extent 86:2
112:5 242:18
extraordinarily
60:1
extraordinary
268:4,6
extreme 344:18
extremely
16:11 19:16
22:16 30:16
344:15

Meeting

[eye - federal]
eye 34:12 74:20
157:15
eyes 63:10
f
f 317:6,8
face 77:19
121:12,22
133:22
facial 217:11
223:8
facing 221:2
260:4
fact 19:4 23:9
49:20,22 54:16
56:12 57:20
66:18 107:21
109:17 126:22
130:1,14 162:3
170:1,17
179:18 190:2
227:14 236:11
238:17 240:4
243:1 265:21
279:6 289:11
320:7,14,22
350:20
factor 180:5
factories
311:21
factory 249:22
308:5
faculty 15:15
fade 349:4
faded 201:2
failed 193:15
fails 169:21
173:19 184:6,6

April 18, 2023

Page 33
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fall 26:18
fallen 269:14
347:5,8,16,18
347:22 348:3,6
348:11
falling 276:4
falls 128:21
familiar 15:10
33:7 157:12
233:13 267:20
families 263:6
318:13 321:12
326:10 349:10
349:12,13
family 18:11
41:15 42:10,20
43:1 214:8
241:5 304:15
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famous 19:5
fan 111:19
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295:13
fantastic 48:16
62:1 68:9 74:1
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142:14 265:22
304:2

far 87:21 93:22
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145:2 186:13
198:13 203:4
213:2 285:6
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farm 28:9 42:7
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farming 313:22
fascinating
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fastened 37:12
father 271:5,14
304:9
fatigue 237:12
favor 23:20
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64:13 104:22
122:9 123:2
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162:17 164:3,7
167:11 172:16
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182:16 194:21
237:1 243:20
277:1 293:9
297:3 298:6
309:6,11
322:14 341:21
343:1 350:14
352:5 354:9
favored 38:1
39:22 41:5
42:12 43:6
112:10 113:4
138:6 154:2
181:22

www.CapitalReportingCompany.com
202-857-3376

favorite 100:15
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favorites 63:21
feat 127:15
feather 187:12
291:10
feathers 188:2
feature 42:16
192:8 256:11
347:8
featured
156:12 218:3
288:6
features 24:12
34:19 35:20
216:7,19
217:11 218:3
223:9 254:16
254:18 256:17
256:20 257:1
258:5,15
259:10 263:7
288:17 289:3
301:8 309:10
346:4,5,12,13
347:15,21
348:2,5,10
featuring 256:5
258:1
february 8:11
23:13 204:21
217:14
fed 55:14
federal 354:4

Meeting

[feedback - five]
feedback 51:21
213:18 214:16
329:16 335:9
feel 18:8 24:5
31:12 50:1
60:17 62:3
65:6,17 71:1
84:4,21 92:10
101:3 114:12
123:15,16,16
135:6 141:16
141:18 144:5
156:20 178:1
184:10 188:14
191:14 211:2
224:22,22
238:3 240:16
276:8 277:18
278:1 290:5
292:7 294:15
314:10,14,15
318:12 329:12
338:3 340:6
352:22
feeling 84:5
146:6 319:13
feels 84:6,11
115:6,11
132:18 141:21
157:1 180:18
290:13
feet 296:14
felix 210:7
211:19
fell 286:18
fellow 120:6
felt 61:7 62:17
62:22 119:21

April 18, 2023

Page 34
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female 93:7
fence 34:17
ferry 39:14,15
fewer 295:22
field 60:6
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fields 103:11
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fight 126:9
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fighting 261:20
334:11
figure 62:13,14
80:1 81:17
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180:16 219:16
221:2 256:13
256:15 257:2
323:17 326:22
335:18
figures 47:1
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237:12 256:12
293:2 296:18
348:19 349:1
files 109:7
filing 218:15
filipino 300:12
fill 286:10
filled 76:18
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filling 110:22
final 41:11
122:19 125:14
132:17 137:11

203:14 231:4
finality 96:8
finally 12:2
31:12 33:1
53:7 88:1
financially
355:15 356:11
find 22:16 68:8
79:7 81:12
89:19 95:19
106:14,19
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157:17 161:10
162:1 212:6
236:8,15 239:5
264:19 295:14
295:17 296:2
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316:20 328:13
finding 314:10
fine 15:14 44:9
78:9 83:19
100:14 113:13
114:2 124:13
130:7 192:21
195:17 244:9
278:3 285:1
316:11 338:17
finish 132:16
finished 95:14
101:14 105:13
105:15 312:8
first 15:1,8
22:3,4,4,9
25:12 27:20
33:17 38:11
45:4,9,9 72:21
75:20 77:15

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202-857-3376

78:9 83:6,11
91:16 94:1
114:9 115:3,22
119:4 122:15
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146:12 148:18
149:6 153:10
160:1 180:12
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226:10 236:21
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275:17 283:18
306:15 317:2
322:21 330:4
342:7 351:13
fiscal 14:19
fist 55:1
fit 88:12
110:22 142:22
286:16 347:12
fits 62:18,19
232:9 335:5
five 29:1 35:11
43:21 51:16
63:17 66:1
83:18 114:3
130:15,15
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151:17,18
155:6 158:21
158:22 159:6
195:20,21
221:16 244:5
245:18 247:5
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Meeting

[five - forward]
282:6 302:12
325:3 330:12
346:22
flag 38:4 39:5
112:16 115:6
119:5,6,11
120:9,10,12
121:3 123:13
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125:5,16
126:14,15,18
127:6,16
128:11,18,22
129:4 130:2,6
254:14 257:7
260:22 262:21
271:7 273:15
274:18 279:14
280:1 297:1
313:10 319:22
324:1,11,13,14
346:9 348:1,6
348:11
flags 348:4
flame 253:21
254:1 263:22
270:21 277:1
flanked 254:1
flat 184:15
215:2 247:20
flight 345:20
flip 161:22
flipped 49:9
flipping 216:9
floor 1:12
164:2 246:22
247:3 320:19

April 18, 2023

Page 35
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flying 261:9
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focus 61:4 67:3
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304:6
focused 274:15
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focuses 298:11
focusing
270:10 294:8
fold 271:12
folded 108:16
254:14 260:22
271:9 273:14
279:14 280:1
folks 130:11
251:14 267:3
302:1,3 309:8
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follow 73:19
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185:2 267:1
339:18
followed 91:12
97:22 131:12
131:19 154:8
154:12 240:21
follower 287:8
followers 232:1

following 8:8
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font 306:19
food 261:18
305:4 326:14
foot 296:14
force 256:14
258:17 313:21
forced 294:20
295:2
forces 197:3
249:19 256:13
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300:13 340:5
foregoing
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foreign 17:1,4
20:15,18
forever 93:13
forged 260:15
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306:1
forget 255:18
280:11
forgetting
295:1
forgive 12:5
86:13 127:2
194:8 236:15
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321:14 332:10
forgiveness
55:6
forgot 310:10
form 272:11
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202-857-3376

formal 98:18
182:1
formalized
143:19
format 113:6
252:22
formed 197:19
former 13:10
14:12 55:17
formerly 41:21
forming 142:17
forms 36:1,6
129:5
fort 203:7
204:10,10
forth 78:15
91:2 93:10
95:2,5,8,11,22
119:15,18
136:4 151:4
212:22 271:1
296:16
fortunately
103:21
forty 221:16
forward 18:2
21:17 23:6
56:14 65:10
67:7 73:1 80:2
82:18 125:20
141:21 144:7
195:14 208:10
208:10 210:16
211:22,22
212:4,8,9
214:18,18
241:22 246:2
248:4 252:16

Meeting

[forward - funds]
265:20 278:9
342:9,10
fought 28:6
119:1,2 271:5
310:19
found 26:20
27:3 76:6 81:2
107:12 239:16
275:6 288:8
289:1 298:3
foundation
73:15 75:7
foundational
145:22
foundations
25:16
founded
251:13,17
founder 4:8
9:11
four 66:1 83:18
112:12 158:21
158:22 178:5,6
203:18 216:16
216:16 230:17
256:5 258:1
282:5 308:2
310:5,5 316:2
fourth 230:19
fragments
37:13
france 198:11
198:14,20
216:12 217:18
218:21 219:7
308:1
franchise 128:7

April 18, 2023

Page 36
franklin
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free 30:19,21
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54:7 95:22
96:3,7,9,9
113:9,10 117:3
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126:11 127:14
137:14 157:6
182:12 250:19
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freed 26:17
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113:15,19
freedom 3:3
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42:19 43:1,4,6
43:19,22 54:3
54:3,11,21
55:21,22 56:13
60:3 80:22

94:19 119:2,14
127:10,13,13
128:7 163:6,11
250:10,15
253:17 254:17
256:22 259:15
261:1,5,10
283:9 313:15
freely 17:11,14
21:2,4 127:21
frequently
192:8
fresh 89:17
91:8
friendly 158:3
158:8 171:9,14
178:19 336:18
337:21 341:19
friends 3:10
13:1 250:22
251:6,12,17
305:3
front 57:15
227:22 248:6
253:18 261:14
261:21 262:17
272:19,19
304:7,13
305:21 306:11
311:2,6 314:2
314:4 319:19
321:13 325:8
326:16,21
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336:22 337:19
341:9
fronts 296:16

www.CapitalReportingCompany.com
202-857-3376

fruits 55:15
full 89:11
100:10 103:14
103:16 106:3
130:14 180:9
192:8,11 220:7
274:18
fuller 3:13 6:21
6:22 52:1,2
55:3,10 56:8
57:10 61:2,14
63:14 89:16
99:3,7,11,14
108:12 122:3,4
123:20 141:3,4
146:15,16
147:2,4 169:2
173:1 177:21
178:1,6,10
183:3,10 191:3
191:14,17
192:18 193:2,5
232:12,13
267:1,2 275:15
275:16,17
289:6,7 313:5
313:6 321:16
321:18 324:4
339:5,18 340:8
fullness 128:12
fully 225:15
301:18,22
349:1
function 106:7
funded 198:16
funds 323:9,10
323:11

Meeting

[funeral - giving]
funeral 54:19
271:10
further 50:10
51:21 96:13
147:6 150:15
151:11,12
153:7 158:11
167:6 172:15
175:8 176:12
177:13 178:11
181:11 185:19
194:19,20
230:10 238:8
241:8 247:6
248:13 269:21
281:2 299:21
302:7 329:5
333:14 341:19
342:22 343:8
350:12 355:13
356:9
fusion 218:9
future 25:9
58:1 125:22
235:9,14
250:12
g
g 6:1 40:19,21
41:7 317:4,5,8
game 12:6
garden 147:18
261:8,15
gardening
147:19
gardens 250:1
262:18

April 18, 2023

Page 37
gathered
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gender 197:22
general 3:12
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144:20,21
162:22 204:12
213:2 223:18
233:9,12 315:7
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generate
184:15
generated
204:8
generation
5:14 8:20
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249:8 252:9,13
254:18 266:2
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266:20 267:6,6
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278:11 281:5
294:8 300:18
304:13 339:10
339:12 340:13
generation's
250:14

generationally
23:8
generations
31:15 207:4,4
250:13 266:11
277:21 278:8
278:12
generic 209:9
221:8,9 226:17
genesee 93:2
gentleman
206:20
gentlemen
130:13 235:21
244:2 307:11
340:16 342:10
353:12
genuine 203:9
geographical
102:13
geography
109:5
george 18:21
germane 209:5
germany 308:1
gesture 41:7
53:19 67:21
95:9,10
getter 100:9
131:12,20
152:21 153:17
153:22 154:20
154:20 162:19
282:3 303:5,10
330:22 331:7
getters 153:13
155:11 164:2
168:2,15

www.CapitalReportingCompany.com
202-857-3376

170:15 171:7
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getting 58:8
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223:17 269:16
291:6 308:7
ghana 53:5
gilkes 4:7 9:10
gill 14:1
girl 347:22
give 56:9,17
57:19 58:2
92:10 112:4
135:9 142:11
143:11 164:9
165:12 174:21
182:3 202:9
215:21 244:7
266:6 276:10
278:20 287:6
309:8 310:10
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given 45:20
56:15 71:19
72:8,12 73:14
85:4 86:3
116:3,5 119:1
170:17,21
213:7 215:20
230:9
gives 60:19
63:9 75:12
287:13 290:14
298:10,12
giving 28:10
108:8,13
215:21 248:10
293:2 324:9

Meeting

[glad - gold]
glad 12:3 110:3
glasses 207:13
246:8
globe 256:6,12
258:2 259:19
291:2 297:17
297:20,20
298:12
gloves 147:19
gnarled 147:11
go 29:16 33:14
41:11 45:17
47:15 50:21,22
53:11 57:11
65:13 66:6
70:3,9,10
71:14 78:6
81:14 82:17
84:9 99:21
100:8 101:11
103:4,6 116:11
121:10 123:19
127:9 131:1
133:8 134:11
135:2 136:11
141:14 142:3
146:13,17
149:10 151:9
159:6 160:12
161:7 164:2
166:16 169:22
176:20 179:21
180:21 181:4
186:3 189:4
191:8 193:6,11
201:2 206:15
211:14 214:14
214:18,18

April 18, 2023

Page 38
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goal 93:16
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god 33:20
goddess 220:1
goes 85:22
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244:12
going 12:4 22:3
24:17 33:14
39:12 48:10,18
55:6 56:3 57:4
61:11,19 62:3
62:20 65:2,12

65:15,19,22
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76:11 77:6
78:10,19 85:5
85:7,16,22
86:7,17,21
91:2 92:7
101:6 103:4
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123:6 125:3,4
125:8 130:17
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133:18 134:15
134:21 135:7,9
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153:16 156:10
159:10,12,18
160:16 166:1,5
166:16 168:20
177:6 180:21
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182:10 185:18
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231:19 233:14
237:22 242:13
244:14 245:7,8
248:16 252:11
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www.CapitalReportingCompany.com
202-857-3376

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283:5,13 286:5
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292:1,2,3,12
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301:5 309:18
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314:1,3,13,14
314:18 318:20
319:7 321:14
327:6 330:14
331:14,15
334:8,10,20
338:12 341:4
gold 2:16,18
5:10 8:15,22
11:3,9 12:13
29:1 40:18
41:6 49:2,6
50:1,6,10,12
50:22 66:4
71:16 82:8
87:3 91:22
103:15 132:16
132:19 133:1
134:4 137:16
138:19,22
139:7 147:8
149:3 150:6
154:15 155:6
155:13,13,15
168:8 175:17
175:19,22
176:3 177:15

Meeting

[gold - guarantee]
196:5,15
201:21 203:4
207:16 208:20
210:11 229:2,8
229:17 231:3
234:5,7,18
235:18 249:13
253:7,7,12,20
254:4,8,13,14
254:20 255:4,4
255:12,15,18
263:5,18,20
264:10 265:13
269:4,13
270:10 272:12
276:7,11
281:17 283:2
285:10 318:13
321:10 324:5
324:13,15,18
325:3,6,10
326:10 327:7
328:7 330:21
342:11,14,15
342:15 343:14
345:1,2 349:14
349:14 351:2,5
351:6
gong 194:4
good 6:2 10:22
26:7,7 72:3,6,9
73:22 78:13,13
80:18 94:20
98:12 99:9
100:6,12,22
106:2 113:2
116:7,7 119:8
132:9,12 137:2

April 18, 2023

Page 39
137:15 139:22
143:1 144:7
163:17 175:6
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206:8,9 212:15
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268:16 275:13
286:17 287:4
287:14,19
303:16 307:22
310:12,13
323:14 340:21
343:7 351:9
353:3
goodness 181:7
googled 321:2
gorgeous 159:7
gov 25:4
government
2:19 11:18
governmental
11:19
governors
235:11
grace 55:18
gradually 65:2
graduated
349:1
graduates
201:15
grandfather
300:11
grandfather's
273:14 335:20
338:6
grandmother
305:3 310:20

grandparents
304:12 305:1
grandson
310:18
granted 122:16
graphic 184:12
184:13,14,18
graphics
264:17
grasped 37:9
grasping 36:3
140:17
grateful 13:21
14:9 22:17
263:5 286:1
gratitude 18:6
gravely 54:16
graves 203:17
gravitated
104:17
great 30:13
32:21 52:3
66:7 69:2,2
78:11,13
102:21 109:6
229:15 266:14
297:6 300:16
300:17,20
328:1 344:20
351:19,19,20
greater 73:11
179:10 252:8
greatest 5:14
8:19 12:21
249:7 266:2,10
266:12,14,20
267:5,6,13,20
268:13,22

www.CapitalReportingCompany.com
202-857-3376

277:21 278:11
281:4 294:8
greece 205:17
greetings 73:5
greg 2:13 10:20
96:22 97:8
131:3 151:17
152:8 155:11
158:15 160:16
171:17 229:5
243:13 245:21
281:8,15
302:11,19
330:19 331:9
gregg 204:10
204:12
grew 73:6
ground 308:6
335:5 351:17
groundwork
75:7
group 4:8 9:12
16:18 20:11
47:15 73:15
201:5 207:18
211:6 232:2
235:1 284:18
305:14 328:16
344:3
groups 139:4
139:22 221:22
229:9,14 301:3
growing
262:18
grown 32:5
guarantee
291:20 295:6

Meeting

[guard - harriet]
guard 256:14
258:17
guess 70:6
111:16 116:19
135:21 171:18
177:21 182:6
267:3,4 276:4
309:20 313:18
316:8 321:20
336:20
guidance 42:17
guide 27:1
32:17 143:14
guiding 42:19
guilty 352:22
gun 308:6
gunboats
107:13
guns 308:6
guys 22:17
244:8 245:3
337:13
h
hair 94:4
121:13 148:10
148:14 155:10
168:9 176:9
haitian 53:3
half 28:21
75:15 81:7
90:3 91:10,14
91:21 98:20
101:1 116:1,6
149:2 150:3
155:5 157:18
181:21 249:14
304:5 312:9

April 18, 2023

Page 40
318:9 325:1
326:11,20
333:7,12
336:14
hamid 344:1
345:14
hammer
261:14
hammered
273:15
hammering
180:19
hampered
197:4
hanchock 2:8
10:7,9 209:14
209:17,20
215:12
hand 15:21
16:21 20:13
34:10,16 35:4
37:3 39:6,13
42:17,19 43:7
45:22 49:9
53:14,15,20
54:1,5,9,20
55:8 57:21
64:10 65:7,10
69:18 77:12
78:4,16 81:10
83:10,22 84:8
84:17 89:6
94:22 95:9
96:22 98:13
100:11 112:22
115:11,13
124:11 125:11
129:3,14

135:22 139:4
139:12,16
142:13 151:2
177:3 216:9,14
225:13 243:4
264:2 283:20
299:22 340:9
341:1
hand's 153:3
handed 41:7
hands 35:9
36:3 37:9 47:4
57:15 61:13
68:1 70:21
77:14 108:16
123:14 134:16
135:21 140:17
140:18 142:8,9
145:17 146:18
146:20,22
147:7,10,10,14
147:22 168:20
185:6 261:13
hang 326:7
hanging 255:7
happen 161:18
182:10 279:14
311:19
happened
136:17 203:1
happening
79:20 84:18
182:9
happens 79:19
200:9
happily 193:6
happy 31:1
58:8 72:10

www.CapitalReportingCompany.com
202-857-3376

108:6 133:11
140:10 164:22
187:8 253:6
293:16
harcourt 3:13
6:21 52:1 92:4
108:11 122:4
123:11,19
125:4 141:2,4
146:16 169:1
172:22 178:14
180:13 183:2
232:11,13
242:17 267:2
275:17 315:12
hard 96:18
103:19 145:12
147:14 161:13
228:11 288:8
harder 304:5
306:6
harlem 237:14
239:6,7,11
harriet 2:14,21
3:3 5:7 8:13
11:2 12:8,11
25:19 26:10,12
26:15 27:10
28:2 29:8,13
29:22 30:9
31:2 32:8
33:19 34:4,10
34:15,20 35:2
35:10 36:7,12
37:4,22 38:2,3
38:7,15,20
39:4,13,16,22
40:1,13,20,21

Meeting

[harriet - highest]
41:4,5,8,11,13
41:18,19 42:3
42:12,16 43:5
44:1 45:4,10
52:13,15 53:20
54:1 58:8 59:4
59:13,22 60:13
64:2 67:19
68:6 73:8 74:2
74:14 75:22
79:12 80:3
87:18 88:2
93:21 100:13
100:18 101:19
104:15 113:9
123:14,21
126:6,17
128:13 129:10
129:19 133:22
134:19 138:8
144:17 148:12
155:9 156:12
156:14 157:21
161:4 163:5
168:9 180:16
181:8 188:12
189:21 202:12
207:7 241:18
269:6 310:1
harriet's 34:11
harriets 188:17
188:18 189:10
harsh 62:10
haves 202:10
hawaii 309:20
he'll 152:5
head 63:4 88:3
88:7 103:14,17

April 18, 2023

Page 41
159:17 186:16
headdress
108:20,20
188:2
headed 178:7
191:10,11
192:8 311:1
heads 347:5
headwrap
148:10,14
health 28:11
hear 57:17
75:18 136:11
145:4 153:10
153:12 189:15
215:4 229:22
236:12 240:6
244:21 245:8
248:14 264:6
322:11 331:9
337:3,7
heard 33:4
87:13 92:15,17
99:10 118:8
130:9,10,11
171:17 202:18
214:6 230:4
231:17 236:3
243:9 267:14
267:18 316:12
hearing 23:14
24:3 47:22
88:18 92:14
96:14 99:17
132:2 146:8
148:17 151:15
167:8 172:15
175:9 176:13

194:20 195:7
228:17 243:20
246:1 248:15
269:22 276:22
281:3 303:19
321:18 336:19
342:3,22 343:3
350:13 354:13
hearings
252:11
heart 54:2,9,15
200:3 319:16
327:22 344:12
347:19 348:7
350:20
heartfelt 195:9
heavily 115:4
held 25:9,13
79:22 283:19
helix 290:10
hellfighters
237:14
hello 83:4
114:8 199:20
292:20 314:8
helmet 348:7
help 26:18
36:13 41:9
42:18 46:12
65:12 95:3
114:10 136:21
228:22 308:9
318:21
helped 74:7
126:8 239:3
286:2 340:19
352:21

www.CapitalReportingCompany.com
202-857-3376

helpful 51:4
73:15 86:4
114:1,19
244:20 246:2
helping 32:17
95:7,13 142:21
helps 51:6
85:20 304:19
hemispheres
291:7
hereto 355:15
356:11
heroes 314:22
347:17
heroism 344:20
hey 223:22
353:5
hi 115:21
137:21 224:5
251:10
high 58:2 97:16
97:21 98:1,2
119:21 131:11
131:20 152:20
153:13,13,16
153:21 154:20
154:20 155:10
155:14 164:2
168:2,15 170:4
201:8,12,15
267:18 281:20
296:14 303:5,5
303:10 330:22
331:7 342:13
344:4
highest 162:19
201:21 272:11
282:2 327:8

Meeting

[highlight - honor]
highlight 52:12
56:11 81:16
121:21 208:1,1
215:10 289:10
289:12 345:8,9
highlighted
100:20 347:17
highlighting
80:16 289:15
highlights
200:1
hill 2:21 12:7
29:22 30:8
45:3 53:22,22
55:9,11 67:16
73:4,9 92:18
92:18 119:20
127:4,6 147:1
147:5 150:17
155:9 168:8
187:16,20
188:18 190:16
193:1,3
hips 77:14
historian
122:21
historic 223:11
historical
81:17 122:22
190:10,17
205:5 213:17
241:19
historically
40:12 123:7
191:21 212:20
229:2,8,16
313:19

April 18, 2023

Page 42
history 3:16
7:2 18:9 22:21
24:14,16 60:10
117:19 118:4
123:5 124:4
190:22 202:13
203:14 207:19
209:7 223:20
229:17,20
231:1 234:16
268:16 275:19
338:4
hit 341:5
hitting 351:17
hmm 284:2
336:20
hoard 4:6 8:1,2
8:10 15:5
18:19,20 19:10
19:11,18 20:2
20:9,16,21
21:3,7,12,19
21:22 22:2
23:21 72:21
79:6 109:12
118:18,21
125:14 144:1
155:21 162:17
164:3 169:19
170:12 171:13
173:17,21
174:2,4,7,9
175:16,21
176:3,10,19,21
177:2,10,16
179:3,6 184:4
186:1,4 187:18
188:17 193:20

224:17,20
225:19 238:11
277:14,15
294:1,13 295:8
295:10 315:4
316:18,21
329:20 333:15
337:7,11 350:8
350:17 352:4
hockey 14:17
hoe 261:15
hoist 119:6
hold 9:8 307:14
holding 38:20
39:4 40:2
53:20 118:14
121:3 129:4
216:8 217:20
256:5 258:1
260:22 261:14
319:22 324:1
324:11,12
338:3 339:13
339:22
holly 3:10 13:1
251:6,9 269:16
300:4,8 329:6
337:12 343:9
holly's 301:2
homage 290:5
home 2:21 12:8
18:13 29:8,13
29:22 38:2
39:22 40:22
41:5,19,21
42:13 43:5
44:1 59:6 60:9
87:18 88:2

www.CapitalReportingCompany.com
202-857-3376

101:19 109:21
120:7,8 180:19
197:1 206:21
218:11 249:21
261:14,20
262:17 272:19
272:19 273:15
296:15 304:6
304:13 305:5,5
305:21 306:10
311:2,6,22
314:2,4 318:10
318:14 319:8
319:19 321:12
325:8 326:16
326:21 327:3
333:12 336:22
337:18 339:16
340:5 341:9
homestead
28:10 314:1
hometown
305:8
homework
108:3 231:11
honest 55:7
56:1 128:10
188:1
honestly
277:15
honor 6:15 8:5
13:19 14:7
15:19 16:13
19:19 67:13
201:21 207:17
253:10 259:14
259:22 261:2
261:11 277:11

Meeting

[honor - images]
314:22 344:20
honored 67:12
252:13
honoree 194:13
honoring 210:4
210:11 254:11
255:2 257:8
259:4
honors 64:2
249:19
hope 30:11
37:14 93:19
233:20,20
289:22
hopefully 18:4
207:5
hopes 268:2
hoping 312:22
337:7
horizon 39:1
40:7
horizontal
236:18
hospital 55:21
239:7,7,11
hour 198:1,4
hours 59:4
180:22 273:21
296:11
house 3:14 4:2
6:21 7:4 59:4
housed 223:13
houses 306:16
308:15 310:4
320:21 336:11
housing 320:15
320:16 329:10

April 18, 2023

Page 43
howard 8:9
15:5
ht 34:9,15,19
34:19 35:1,2,9
35:20 37:21,21
38:14 39:12
40:19,21 41:7
huge 93:21
111:19
hugely 67:14
human 68:11
74:16 75:2
140:16 143:4,8
humanitarian
345:14 346:17
humanity 74:6
74:16,21
142:21
humble 239:3
humility
259:14 261:2
261:11
hundreds
344:6
hung 326:8
hurting 197:2
husband 18:13
239:9
hyphen 143:17
i
iconic 32:1
223:15 297:1,2
idea 62:18,19
84:19 103:3
115:10 142:8
157:6 175:6
292:9 293:13

293:15 311:20
312:1 315:2
322:6 325:2,6
330:7 332:3
341:7 353:1,3
ideal 329:14
idealistic
329:14
ideals 119:14
ideas 109:13
211:18,22
212:1
identified 34:2
87:11 100:6
identify 51:16
328:16
ii 3:10 13:2
110:20 199:7
200:6,14
201:10 221:20
222:22 246:7
249:15,17,18
250:14 251:1,2
251:7,13,14
252:13 253:8
253:13 254:1,5
254:6,9,12,15
254:21 255:6,9
256:4,14,19,21
257:2,5,9,16
257:22 258:9
258:12 259:2,7
259:9,19,21
260:3,11,14,17
261:16 262:1
262:10,13,21
263:3,11
264:12,16

www.CapitalReportingCompany.com
202-857-3376

268:10 271:5
276:13 277:21
283:3,6 306:2
307:21 308:20
311:2 315:10
317:13 320:4,4
320:17 323:6,8
325:16,18
327:14 333:8
335:4 338:6
339:9
illegible 50:11
142:5
illusion 275:7
illustrated 84:6
illustration
208:2
illustrations
107:12 209:6
image 65:16
93:10,13,14
94:1 100:11,12
102:3 106:2
141:7 148:2,12
148:13 159:16
184:12,13,14
188:21 189:5
203:22 204:6
210:21 222:11
223:5 246:9
297:1,2 306:14
313:19 323:19
328:19
imagery 37:17
156:14 166:7
166:15,17
images 49:12
67:2 92:20

Meeting

[images - indigent]
120:21 147:7
188:22 192:9
202:14 208:4
208:22 209:9
209:12,21
212:11 241:22
246:17,17
247:15 248:5
imagination
63:10 76:20
imagine 76:15
imagined
217:13
immediately
84:3 233:13
immense 207:1
imminently
264:19
immortalized
52:18
impact 207:3
207:19 209:7
238:6
impactful
104:5 159:16
impacting
204:19,22
implore 309:19
importance
74:5 134:19
143:4 144:16
345:9
important
14:11 30:16
52:13 54:21
56:6 59:8,19
60:1,14 67:14
68:17,21 69:16

April 18, 2023

Page 44
81:15,18 84:22
85:15 86:1,18
87:1,17 92:15
93:12 94:2
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117:13 118:2,5
122:2 127:10
127:10,11
134:20 139:11
142:2,6 144:14
144:22 145:2
146:1 148:8,11
157:9 165:8
182:2 189:19
189:22 190:7,9
190:12 198:22
202:12,22
208:10 210:13
220:15 231:8
238:5 245:5
250:17 279:20
315:10 350:11
impose 269:8
imposters
240:16
impressed 33:8
207:6 252:4
impression
315:16
improve 34:3
87:12 242:19
improvement
336:16
improvements
121:18
inappropriate
301:15 336:14

inappropriately
94:6
inarticulate
127:20
inch 75:14
283:2
incident 59:17
inclination
278:18
include 33:18
39:2,18 40:4
46:16 51:20
120:4 176:9,11
190:21 305:14
349:2
included 22:9
42:2 246:17
248:5,7 340:6
includes 8:7
34:21 40:6
41:11,13 42:18
42:21 256:9
257:16
including
15:12 27:14
28:8 35:12
59:16 179:18
266:3 314:4
344:5
inclusion 42:15
inclusive 301:9
inclusivity
299:11
incongruity
164:12
incongruous
180:12

www.CapitalReportingCompany.com
202-857-3376

incorporate
274:17 329:21
incorporated
12:9 29:8
204:1
incorporates
274:11
incorrect 20:7
increase 199:5
increasing
249:22
increasingly
27:6
incremental
14:18
incuse 349:2
incused 47:1,9
137:2 345:19
345:20 346:5
347:4 348:20
349:1
independent
31:5 134:22
156:6 285:9
independently
161:11,15
indiana 60:5
indicate 9:15
185:9 186:9
indicated 44:8
205:21 241:18
345:4 347:13
indicates
221:13 323:5
indicating 58:1
indigent 41:20
55:17

Meeting

[individual - international]
individual
101:9 135:3
229:11,18
231:21,22
232:19 316:15
individually
75:9 207:17
210:1
individuals
16:19 20:11
48:12
indulgence
64:21
industrial
260:10
infinitely 295:3
infirmary 54:6
infirmed 55:19
influence 89:12
info 25:4,5
353:20
information
85:13 90:20
98:19 132:15
158:14 163:13
168:17 190:13
192:6 213:7
230:15 237:21
242:8
infused 157:16
initial 22:19
92:9 266:9
269:19 278:17
initially 269:12
innovation
37:8 66:18
181:5 231:15

innovative
113:6 114:4
160:21 163:10
231:14
innovator
294:19
input 212:7,19
236:2
inscribe 49:14
inscribed 217:2
255:17 258:20
inscription
34:21 36:15
37:5,15 38:4
39:15,21 42:1
42:18 137:2
216:19 217:4
241:17 246:7
253:16,17
254:3,6,11,15
254:16,18
255:1 256:9
258:5 259:4
260:14 261:20
262:13,19
266:4 305:18
346:3,9,14
347:19
inscriptions
33:19 34:22
36:10 39:2,17
40:4,16 42:9
42:22 43:7
202:8,15 208:4
208:22 209:3,9
217:16,21
218:6,13,21
219:6 241:19

April 18, 2023

Page 45
244:21 247:6
247:12 255:8
256:7,21 257:4
258:3,17
259:11,14,21
260:16 261:1,5
261:10 262:4
262:22 263:4
283:6 345:16
345:22 346:4
346:20
inside 256:3,5
257:21 258:1
insider 233:2
insight 245:3
insignia 221:12
228:11,13
258:15
inspecting
223:16
inspection
223:14,15
228:3,5
inspiration
268:2
inspire 250:12
268:5
inspired 60:12
203:3 255:7
256:18 258:9
260:2 268:11
inspiring 61:7
271:1 273:3
instances
229:13
instantly 292:4
instructions
27:2

www.CapitalReportingCompany.com
202-857-3376

instructs 26:13
integral 229:7
integrity 265:1
intended
196:21
intent 207:15
209:2 219:22
intention 266:9
interaction
74:12 143:5,8
interest 15:7
184:15 203:9
204:8 243:8
330:8 353:22
interested
22:13,16 79:9
101:2 184:19
355:15 356:12
interesting
115:12,13
159:2 201:7
234:4,6,14,15
235:7,17 266:6
267:7,15,21
272:2 278:15
285:15,16
293:12 295:15
299:8
interests 14:4
intergovernm...
2:12 10:17
intern 19:5
internal 239:8
international
9:3 18:21
289:11 343:18
344:1 345:15

Meeting

[internationalize - joseph]
internationali...
340:19
internet 59:21
interpret 53:16
182:8 192:5
334:7
interpretation
67:20 226:18
335:17 339:7
interpretative
340:7
interpreted
95:10
interrogated
240:22
interrupted
64:20
intimately
15:10
introduce 6:14
26:1 29:16,20
196:11 251:8
introduced
33:7
introduction
5:4 15:2 26:9
29:21
invented
207:16
invested 16:19
20:12 339:16
invite 13:18
18:3
invited 14:6
invites 290:15
inviting 80:21
80:21

involved 76:5,7
76:9 92:22
107:16 206:20
293:20 304:14
304:16 305:9
involvement
112:16 305:21
ipad 68:19
ironclad
104:20 107:15
116:12,12,16
123:1
ironworker
294:20
isis 344:2
isolated 96:4
issue 24:5
172:4 249:13
273:15 334:19
335:12 336:13
349:17
issued 102:9
118:16 233:19
issues 13:6
208:1,2
it'd 111:3
270:20
it'll 220:14
291:11
item 24:4,17
25:18 196:4
239:5 249:6
343:12,13
iterations
282:16
iwo 210:8
297:1

April 18, 2023

Page 46
j
jacket 37:19
228:8
jackson 4:4
7:20,21 8:9
15:2,9,9,13,16
16:3,5,7,8,12
17:2,8,13,19
17:22 18:5,16
23:20 69:9,11
72:22 83:4,5
114:8,9 141:15
141:15 169:17
184:2 237:20
237:20 276:20
276:20 292:20
292:21 314:8,9
jamaica 53:2
109:3
japanese
299:14 309:21
jennifer 2:11
9:5,10 10:16
133:4 215:18
216:4 307:15
jersey 59:22
jima 210:8
297:1
job 1:21 45:14
48:22 67:6
72:6 95:13
110:18 232:15
308:4,5
joe 46:20 48:6
51:3 62:2,4
88:18 120:18
120:19 129:17

www.CapitalReportingCompany.com
202-857-3376

130:5 149:7,12
149:14 151:10
264:12 265:6
279:9 294:10
301:13 335:15
348:18
joe's 338:5
john 4:2 7:5
75:18,18,19
91:5,6 92:4
115:20,21
135:13 148:16
149:15 165:3
169:5 173:4
183:13 187:4
223:18 236:20
270:19 273:13
279:13 283:17
285:8 286:20
307:12,13,19
322:5 332:11
336:3 341:11
352:9
john's 122:20
join 16:2,18
20:10 39:7,9
52:15 140:10
joined 12:7,15
12:22 27:13
120:1 226:12
joining 154:5
227:1 249:22
joint 235:11
jointly 75:9
joseph 2:9
10:10 47:8
48:20 50:4
191:13 264:15

Meeting

[joseph - know]
294:17 348:22
journey 26:21
27:6 31:9
35:15 36:13
37:2
joy 33:6
jr 3:2 12:9
62:20 240:18
juice 292:17
jump 73:18
317:16,16
jumped 138:2
justice 41:16
42:11 43:2
261:3
k
k 344:2
kabul 345:16
345:22 346:3
346:10,10,19
346:20 347:3
348:8
kansas 24:11
203:8
karat 210:11
karen 2:21
12:7 29:21
30:6 31:18
32:6 45:2
53:21,22 92:18
karzai 9:3
343:17 344:1
345:15
keep 51:15
92:19 109:20
111:14 113:10
117:18 132:8

April 18, 2023

Page 47
132:12 133:19
160:22 166:15
181:3 189:22
190:12 224:20
230:8 270:2
282:11 312:18
333:11
keeping 103:19
122:9 221:10
245:3 330:7
kellen 4:6 8:1,9
15:5 18:19
19:10 23:4
72:21 79:5
90:8 109:11
117:16 125:13
132:11 143:22
155:22 161:7
162:16 169:18
173:16,20
175:15 176:20
184:3 186:3
193:19 238:10
277:13,14
293:22 315:3
319:10 333:14
336:4 337:6
kellen's 122:5
132:11
keown 3:2 12:9
30:1 31:18
67:16 73:10
94:8,8 119:10
189:18
keown's 113:8
kept 271:11
key 42:5 136:4
138:14,15

139:18,20
190:4 278:12
kid 304:17
kidding 351:8
killed 198:16
216:18
kind 14:14
62:20 66:12
74:2 78:7
79:21 80:10
81:1,5,11,18
82:6,17 83:12
91:15 95:4
101:5,20
103:13 108:22
109:12 110:21
111:1 116:13
116:18 117:5
119:5 124:21
125:16 135:14
137:13 144:4,5
144:13 145:8
145:11,11,14
159:15 163:10
180:17 181:5
190:7 191:22
192:1 220:11
226:20 228:10
247:20 277:16
278:14 279:22
284:8 285:3
287:21 290:11
291:9 295:16
295:22 308:18
311:11 312:2
315:4,16
317:21 326:2
333:16,17

www.CapitalReportingCompany.com
202-857-3376

340:12
kindly 53:20
kinds 59:11
60:8
king 62:20
223:13
knew 120:3,13
230:19 251:22
308:4
knocked 76:13
know 22:15
30:17,18 44:15
45:6,20 46:2
53:12 54:18
55:4 56:2,4
58:15 59:10,16
62:2 69:4,5,17
70:2,6,6,7,8,12
70:19,21 71:7
71:8,17,18,21
72:1,5,6,6,8
76:19 77:4
78:6 83:8
89:17,22 90:2
90:22 92:4
93:5,7,11 94:7
95:9 96:5
97:19 100:19
101:2,7,11
102:3,7,11
103:2,10,13,16
107:16 108:2,3
108:14,15,16
108:17 109:5,7
110:11,19
111:16 113:21
114:18 117:9
119:10 122:14

Meeting

[know - landed]
122:16 123:2
124:8,11,13,20
125:1,3,17
127:17,17
128:9,10 130:3
132:12 134:10
134:12 135:21
136:3 138:19
138:20 139:3,4
139:6,9,11,13
139:21,22,22
140:3 141:5,10
142:11 143:18
145:8,12
146:18 147:18
147:20,20
148:5,12
150:17 151:6,7
152:4 156:9
157:2,17,21
159:7,8,8,9,18
159:18,20,21
163:2,16
165:10,12,17
166:11 172:22
179:14,21
180:8 181:3
182:6 188:3
189:6 191:3,10
192:20 194:12
200:2,8,17
205:9,10
207:13 208:11
210:17 212:10
214:20 215:19
221:16 223:2,7
223:17,22
225:9 228:7

April 18, 2023

Page 48
231:19 232:17
233:6,6 234:2
234:3,10,13,13
234:14,15,17
234:17,21,22
235:1,3,5,6,12
235:15 238:22
239:18 240:18
240:19 242:1
245:3 267:13
268:3 269:10
269:17 271:11
272:1,2,4
275:3 278:7
279:14,16,17
279:21 280:1,9
280:11,11,17
283:6 284:18
285:1 286:9,9
286:11 287:3,4
287:13 289:12
289:13 290:6,9
290:13 292:2
298:16,16
299:19 301:6
301:10 304:17
305:2,8 306:4
309:21 310:10
311:6,13
313:20,21,22
313:22 315:16
318:21 322:2,4
322:7,16
323:15,18,22
324:2 325:9,15
325:17 326:8
326:14 328:1,5
328:8 329:9,13

329:14 333:10
334:16,17,18
334:20 335:3,4
335:6 336:19
336:20 337:19
338:9,17
339:20 341:11
351:20,20,21
351:22 352:12
knowing 15:20
knowledge
32:4 38:17
355:10 356:6
known 8:18
54:14,18 93:17
163:6 196:8,17
246:10
knows 317:10
317:10
kotlowski 3:15
7:2,3 43:16,17
44:2 47:20
56:21,22 57:6
57:8 58:6
73:20 92:3,3
100:2,3 105:8
118:11,12
123:18,18
124:19,20
133:16,17
149:13 156:2,4
156:4 158:4
169:4 173:3
175:4,4 178:15
178:15,21
180:7,8 183:12
185:17 186:21
194:3 230:13

www.CapitalReportingCompany.com
202-857-3376

230:14 243:18
268:8,9 272:9
272:14,17,21
285:21,22
310:16,17
311:18 327:2,2
331:9,12,14,19
332:5 334:4
336:19 337:3
337:20 338:5
338:11 340:18
352:17,19
354:8
kristie 2:4 9:16
kudos 73:4
l
labeled 269:1
labels 268:11
labor 261:16
lack 143:7
197:2
lacking 224:22
ladies 130:13
235:21 244:2
246:14,18
247:1,1,2
305:2 307:11
340:16 342:9
353:11
laid 75:6
119:15
lakers 351:7
land 256:8
257:13 258:4
295:10
landed 190:10

Meeting

[landscape - liaison's]
landscape 35:7
lane 301:16
340:11
lapel 219:15
220:3
lappers 160:17
laptop 331:16
large 45:18
47:13 48:9
62:14,16 141:7
144:4 163:18
163:19 213:7
216:15 238:6
261:18
larger 279:2
280:17,18
largest 61:19
133:21
larry 323:22
lasted 316:2
lasting 213:1
latched 207:20
late 317:6,7
laurel 256:5
258:1
laurels 254:2
law 25:21 26:9
94:16 196:9,14
215:20 249:9
249:12 300:11
343:18
lawrence 1:5
2:3 8:3
laws 27:5
lawyer 182:7
layer 83:16
lead 27:20
34:16 38:11

April 18, 2023

Page 49

129:10 226:16
336:21 343:19
leader 3:17,19
4:3 7:5,8,11
27:17 28:13
32:1 39:3 40:6
72:6 80:6
81:18 94:11
111:5 120:3
181:7 204:6,7
210:22 221:11
221:11 232:1
239:19
leaders 27:15
leadership
36:21 64:3
95:5,5 190:4
190:14 225:16
236:14 335:9
343:10
leading 27:11
35:8 36:8
40:14 56:13
263:12
leads 35:3
129:7
leaf 284:6
league 24:15
leagues 24:7,8
lean 118:6
266:18 276:9
298:9
leaning 115:8
141:19 276:21
leann 356:2,15
learn 180:3
learned 32:3
76:20 95:2

329:17
learning
203:15 231:4
299:6
leave 117:14,15
168:10 246:5
305:6
leavenworth
203:7
leaves 63:10
108:19 187:10
led 151:7
204:18 260:6
lee 204:10
222:16 223:18
leeway 61:20
left 63:11
103:10 202:4
208:13 321:11
leftwards
264:17
legacy 26:13
31:3,5
legal 2:13
10:20 43:13
48:4 51:10
219:10 263:17
265:8
legend 308:14
313:11 338:19
341:8
legends 308:13
308:22
legibility 277:7
legible 50:13
legislation
211:5 266:8
323:4

www.CapitalReportingCompany.com
202-857-3376

legislative 2:11
10:17 11:19
lemond 229:5
length 100:10
lengthened
88:14
lesson 85:11
lessons 110:10
letter 44:7
174:21 216:14
242:22
letters 5:5 8:10
23:12,15
196:20 216:15
347:16
level 108:15
179:10,15
201:11 295:21
liaison 2:12 9:5
10:18 61:2
85:21 162:21
199:9 205:1,15
206:16 213:19
213:20 214:17
214:17 215:13
215:15 237:16
238:15 253:19
275:12,22
278:7 279:6
303:20 337:9
338:1
liaison's 254:7
255:3,10 258:6
259:16,17
260:18,19
262:6 263:1,13
270:16 275:6
283:10 305:15

Meeting

[liaison's - little]
307:2 313:2
liaisons 12:4
13:5 29:16,20
34:6,14 35:1
36:2,18 38:14
39:11 40:10
41:17 44:21
45:17 46:4,8,8
46:9,22 51:21
52:8,9 53:11
58:11 63:22
66:22 67:16
72:15 73:4
75:4,6 83:6
85:18 87:16
92:14 99:15
100:5,17 107:4
112:10 118:8
118:19 121:20
123:21 125:1
129:17,20
130:11 134:7,8
138:7 143:10
143:13 146:13
150:16 156:10
160:20 161:3
181:20 182:3,8
192:19 193:7
193:11,22
194:5 195:10
199:9 214:21
214:22 215:3
217:9 219:2
229:22 230:15
231:9 232:16
236:2 238:20
240:7 243:8
244:16 255:20

April 18, 2023

Page 50
264:11 307:8
347:6 348:13
liberation
257:2
liberty 28:13
33:20 35:7
64:7,14 80:22
81:7,7,12 94:5
261:3,20 263:8
294:7 327:15
327:18
lieutenant
204:12,16
223:18 240:4
life 27:5 28:3
28:14,16,18,19
29:1 30:22
32:5,15 41:9
54:10 58:16
59:18 67:1
73:9,10,14
74:8 80:8,16
95:6,7 109:14
126:21 129:19
129:20 135:6
137:13 142:10
145:19 148:1
150:18 156:15
181:1 190:6
200:2 315:12
320:14
life's 41:10
lifting 145:17
225:14
light 56:16
117:3 132:7
175:5 193:10
200:21

lightning
283:20,21
liked 65:18
96:2 100:17
101:20 105:1,2
125:15 158:21
159:1 192:15
236:22 237:2
284:12,17
291:13 294:3
336:10
likely 34:1 47:9
50:10 85:9
86:5 88:3
207:19
likeness 121:17
146:22 335:5
likenesses 34:3
87:12
likes 289:10
liking 103:13
limit 102:19
111:12 333:19
limited 55:4
59:4 110:1
170:4,19 180:2
211:20 240:20
245:11,12
limiting 172:1
line 38:4,5 39:1
232:2 237:12
238:12 315:4
lineage 186:14
lined 223:16
lines 160:17
166:20 167:1
217:13 221:1
290:1

www.CapitalReportingCompany.com
202-857-3376

linguist 240:22
lining 40:7
list 2:2 119:21
145:8 246:5
listen 78:19
134:7 181:20
244:17 247:7
listened 202:11
207:6 234:22
listening 6:13
18:14 78:21
102:15 160:19
237:15 299:7
listing 296:1
lists 145:7
295:13
literacy 201:11
literal 122:8,9
literally 114:3
121:3 127:18
140:17
little 45:16
58:20 60:4,22
64:21 68:3
70:4 77:21
78:20 80:10,21
82:11,15,21
84:11 85:7
88:13 100:10
100:13 101:12
106:14 107:7,9
107:13 108:18
114:13,17,21
116:9 117:2
131:6,16
134:12 136:1,2
136:22 140:14
141:21 142:19

Meeting

[little - lot]
144:6,11
145:12 147:13
147:17,17
152:17 154:10
154:18 156:18
157:13,14,20
162:1 179:19
180:19,20
183:3 214:22
220:10 223:7
227:8 236:11
266:6 267:17
271:22 273:11
275:2 281:22
282:6 285:14
285:15 286:10
287:11 288:1
288:20 289:2
290:19 293:2,8
301:9 302:4
303:9 305:8
313:10 314:1
315:15 318:1
319:22 321:20
324:5 327:21
335:1,2 336:21
337:4 352:22
live 55:18
166:20 284:15
lived 30:18
41:22 54:1,10
55:1 58:22
60:5 192:15
lives 253:13
344:20 345:11
living 28:3
119:14 127:8
214:8 280:3

April 18, 2023

Page 51
liz 230:19
llc 4:8 9:12
lobby 167:9
local 15:17
346:17
located 208:12
250:5
location 39:14
277:10
locations 197:4
lon 53:3
lonely 74:3
long 27:6 59:2
105:16 140:1
193:3 207:20
207:20 212:20
212:22 241:15
245:10 296:14
longer 238:7
305:17
look 18:2 21:17
23:6 24:14
41:3 56:3
68:17 71:8,10
73:1 77:3,7,8
77:11,13,15
79:22 80:1
86:4 88:13
94:7 102:7
103:5 108:19
123:6 125:20
137:12,15
141:6 178:7
179:19 186:10
187:10 188:1
190:20 192:11
195:14 212:16
225:7 231:17

234:15 247:15
269:20 271:2
280:9,12
288:22 290:14
291:1,2,2
292:1 294:6
297:12 299:17
320:21 321:5
325:16 327:12
340:4
looked 62:4,22
69:11 78:9
83:17 137:8
189:1 227:15
236:22 276:7
288:19,20
304:22
looking 35:3
46:13 56:14
58:12 60:17
62:2 66:3
77:17 95:21
101:12,13
114:9,11
138:13 141:5
141:21 144:7
161:13 163:17
212:14,15
235:2 242:16
252:16 265:20
265:21 271:1
274:2 277:5
286:12 288:21
292:3,22
293:13,14
296:5 297:15
299:7 311:6,7
315:12 325:13

www.CapitalReportingCompany.com
202-857-3376

333:22 336:7
348:21
looks 29:1
48:17 65:11
78:13 103:11
187:11 271:1
308:18 316:1
325:13
looming 62:16
looms 62:14
loop 139:9
280:12
looping 142:7
loose 247:20
lord 318:22
lose 65:3
291:21 326:16
losers 161:21
165:14
losing 164:19
325:21
loss 198:15
319:21 320:7
321:14,21
328:9 334:9
lost 27:8 36:16
65:4 68:2
89:19 216:12
272:3 292:5
319:19,20
326:12 345:10
346:6
lot 30:17 58:12
58:13 59:10
61:19 62:10
78:1 79:9,18
88:10 94:17
96:1 100:3

Meeting

[lot - making]
107:2 110:5,18
116:19 117:6
118:12 128:10
134:18 135:16
137:6 140:20
148:7 150:19
150:20,21
157:3,3,11,15
165:10 180:10
180:10 188:4
191:4 204:8
206:17 221:22
266:19 273:5
277:19,19
278:2 293:18
294:1 299:6,8
302:5 304:7
311:3 312:15
313:7 314:17
317:10 322:18
329:17 352:13
love 12:3,3
57:16,16,17
58:15 60:18,18
60:19 61:12
103:20 115:16
125:4,4 181:1
289:20 308:22
316:13 319:11
327:20
loved 138:10
160:20 181:2
low 199:4
201:11 218:1,7
218:21
lower 37:10,13
loyal 119:17

April 18, 2023

Page 52
luckily 307:22
lunch 195:17
245:4
luncheons
305:4
luther 62:19
m
ma'am 230:7
machine 308:6
308:6 340:12
made 27:6,10
67:6 108:15
121:13 124:4
132:11 166:15
169:11 190:1
199:5 209:4
215:6,19
226:15 233:20
237:1 277:1
289:1 307:20
318:16 352:11
magazine 22:6
22:10
magnitude
225:17
mail 22:8 197:1
197:2,5,8,10
198:2,3,6,7,12
198:12 199:4
200:7,11
216:11 217:20
218:1,4,7,15
218:17,20,21
219:6 227:21
239:1 246:13
246:19 247:11
247:11

mailed 227:16
main 191:22
192:3 233:6,17
maintaining
251:2
maintains
264:22
maintenance
252:1
major 197:18
198:1 216:22
217:12,17
219:15 236:12
239:6 274:11
majority 3:17
7:8 162:4
205:11 324:15
make 13:19
14:14 31:13
48:14 55:17
58:13 69:1
70:10 75:20
77:11 85:19
86:4 91:4
93:16,19 94:7
94:18 95:16
98:18 103:9,10
104:8 105:19
107:6 111:2
122:19 123:20
132:6,17
139:15,16
142:5 149:3
153:8 155:3
170:14,16
171:4,10
173:21 175:16
178:16 188:5

www.CapitalReportingCompany.com
202-857-3376

188:13 190:19
194:11 207:3
210:20 229:4
231:7 234:14
235:4,5 238:2
242:12,22
244:10 245:19
252:12 264:19
265:3 270:17
276:16 278:10
279:19 291:11
299:5,19
301:18,18
302:8 312:9
317:13 322:1
327:5 330:1,9
331:14 332:18
339:19 349:20
349:22
maker 158:2
159:22 178:19
193:19 332:8
338:21 341:18
makes 81:14
144:5 160:22
171:10 184:9
202:15 224:10
234:10,11
242:9 246:3
252:21 265:1
271:20 275:20
313:13 320:1
making 91:12
92:8,8 102:16
152:20 160:2
235:10 282:2
286:16 303:5
303:10 308:6

Meeting

[making - meditate]
331:19 351:15
351:18
male 93:7
mall 250:5
man 157:4
247:19 339:15
manage 31:5,6
management
26:1 108:2
management's
48:22
manager 2:7,8
2:10 9:22 10:2
10:5,8,13
manages
287:14
managing 72:7
manpower
311:1
manufacturing
261:18
map 39:13
109:5,6 115:12
216:19
march 8:11
15:3 23:13
198:18 217:14
223:12
marched
224:11
marching
227:22 228:2
marine 256:15
258:18 344:11
marines 256:16
258:14,18
mark 25:10
253:9,17

April 18, 2023

Page 53

254:17
marked 111:15
market 261:16
298:21
marketing
298:19
marks 58:2
257:11
maroons 53:2
109:2
marquis
192:16
married 120:6
239:9 241:2
martin 62:19
marvin 222:16
maryland
26:16,22 58:22
59:13,20
master 211:19
matches
166:10
matching
50:20
matter 43:9
195:6 284:15
matters 25:7
248:14
matthew 1:20
355:2,17
max 245:19
mc 288:20
mcauliffe
194:15
mcnally 2:4
9:16,17 15:22
16:1,4,6 17:6
17:10,16,22

19:9 20:5,7,10
20:19 21:1,5,9
21:15,20 22:1
mcnutt 311:1
meagan 269:11
mean 12:3 62:7
63:7 70:17
77:10,12,19
82:14 91:11
103:2,20 121:2
128:4 139:10
139:20 150:6
159:9 165:14
166:22 181:6
186:16 193:8
206:12 224:18
225:6 231:20
244:17 268:19
272:1 299:13
299:16 301:10
306:17 315:9
317:22 322:2
325:13 334:4
meaning 69:20
308:15
means 28:7
53:19 97:13
271:14
meant 104:15
155:19 250:12
330:8
mechanism
90:9
medal 2:16,18
5:10,17 8:15
8:22 11:4,10
12:13 196:5,15
201:22 203:4

www.CapitalReportingCompany.com
202-857-3376

207:16 208:20
221:6 229:20
231:3 233:19
234:5,12
235:18 257:3
257:11 259:19
283:2 286:21
288:12 292:10
298:18,20
318:6,15
325:14 327:22
335:4,17,19
338:6 343:14
351:2
medallic 4:4
7:20 13:14
15:4,12 16:17
19:21
medallion
328:21
medals 229:2,8
229:17 234:7
234:13,18
351:6
media 4:7,8
9:11,12
medical 54:7
239:11,14
240:20
medicinal
38:17 106:1
medicine
108:22 109:3
117:21 118:1
188:1 239:8
meditate
334:10

Meeting

[meet - meritorious]

April 18, 2023

Page 54

meet 209:1
15:6 33:8
meeting 1:1 6:3
49:18 51:15,18
6:13 8:7,12 9:7
52:6 68:22
14:13 23:12
88:17 89:15
25:9,12 44:9
90:7 97:11
44:13 64:22
101:3 117:9
87:12 97:12,12
130:10 133:12
195:10,11
135:12 146:13
243:12 351:13
146:14,17
354:2,3,3,5,15
150:15 158:21
354:17
159:1 196:6,15
meetings 78:21
198:15,17,18
235:9 354:4
205:12 206:10
meets 50:12
206:11,17
megan 2:5 9:18
214:8 216:10
25:21 196:10
216:12,17,22
202:7 203:16
218:16 230:1,6
206:13 214:14
230:7 234:3
214:20 219:14
245:6 246:6
249:10 272:10
249:3 251:15
325:5 337:14
253:15 270:1
343:19 349:7
279:9 281:3
megan's 212:6
286:1 298:15
member 13:10
315:5 321:15
13:14 14:2,4
345:5 347:9,22
15:3 16:16
351:11,14,15
19:6,21 20:2,8
353:14,17
90:1 186:7
memorial 3:11
191:18 205:16
13:2 249:15,18
216:13 217:19
250:3,7,12,16
218:14 219:5
251:1,3,7,13
220:9 278:1
251:14,16,19
300:11 326:12
252:1,7,7,12
326:17 339:22
252:15 253:9
members 5:4
253:11,18
5:10 6:8,15 8:8
254:5,7,10,15
8:16 9:6 11:10
254:21 255:1,6
12:14 14:12
255:13,17

256:4,19,21
257:22 258:10
259:2,4,8,9
260:3,14 262:1
262:3,13,21
263:4,11,21,22
270:21 273:3
273:10,21
276:15,16
283:7 284:14
288:17 289:3
293:10 306:8
309:9 310:11
310:11 312:6
320:4,4 323:6
323:12 326:1
333:8,9 339:9
341:14
memorializing
279:18
memorials
312:7
men 27:18 39:9
268:1 344:10
menna 2:9
10:10,12 47:3
47:8,8 48:20
48:20 50:4,4
51:8 62:2
88:22 120:17
120:19,19
121:2,7 128:14
128:16 149:14
149:14 150:1,4
150:7,9 151:12
184:7,9 185:1
191:13,13,20
192:10 228:19

www.CapitalReportingCompany.com
202-857-3376

228:22 264:15
264:15 265:7
279:11 294:12
294:17,17
295:9 301:15
303:21 335:14
335:15 340:11
348:22,22
mental 17:11
17:14 21:5,7
mentally
208:15
mention 33:17
52:22 57:12
84:2,13
mentioned
16:8 19:11
61:7 64:5
82:10 109:1
118:13 140:13
144:10,15
189:19 196:14
211:7 219:14
224:12 228:6
255:20 274:6
277:18 295:13
310:21 315:12
325:20 329:11
mentioning
115:22
merchant
256:16 258:14
258:18
merit 307:5
352:13
meritorious
199:1 226:8

Meeting

[mess - mm]
mess 292:1
message 56:6
135:2 167:10
messaging
61:17 62:12
125:7 157:10
met 44:12
metal 192:11
235:16 262:18
304:16 328:14
metals 16:19
20:12 49:19
metaphor
62:21
metaphorical
120:22
metaphorically
127:17
methodist 31:4
mic 307:15
michael 2:10
2:20 10:13
11:21
microphone
6:10 319:7
332:13
microscope
140:2,4
microsoft 6:10
mid 204:17
middle 226:21
midwesterner
60:4
mike 3:17 4:8
7:8 9:11 64:18
67:18 73:3,16
75:13 88:18
105:13 106:22

April 18, 2023

Page 55
136:7,7,8
141:8 149:2
151:11 152:4
167:19,20
168:3,16 169:7
170:9,10
172:12,14
173:6 183:15
237:9,11 276:2
276:4 279:9
280:21 290:17
294:18 295:7
301:13 316:19
316:22 317:2
319:1,2 332:7
332:11,21
335:10 342:5
352:22 353:5
mike's 78:5
322:6
miles 73:7
military 27:15
100:19 102:13
106:5 117:13
126:2 180:17
200:10 201:20
202:2,3,22
227:9,15
229:13,14
232:4 239:1,12
247:22 298:8
304:11,19
321:8 325:14
military's
200:7
milked 147:21
million 198:7
246:14 249:19

326:15
millions 196:20
197:7
mind 30:7
74:19 78:20
91:8 92:19
109:13 113:10
123:12,12
167:11 189:22
190:13 245:7
300:10 330:7
mindful 85:10
128:8
minds 89:17
mine 208:1
minor 182:1,1
217:10 219:2
226:22
minority 3:18
4:2 7:5,11
mint 1:10 2:4
9:5,14 13:6
29:11 30:14
33:2,9 34:5
87:14 138:13
199:8 206:11
207:13 208:8
212:22 242:4
244:22 249:13
251:5 298:19
343:10 344:22
353:15
mint's 25:22
155:8 168:10
176:11 283:14
minted 48:10
minting 30:11

www.CapitalReportingCompany.com
202-857-3376

minty 26:16
minus 112:6
minute 97:2
195:20,21
281:9 292:17
330:12
minutes 5:5
8:10 23:11,15
51:16 63:17
102:20 103:19
130:15,16
135:13 140:6
151:18,18
230:8 231:6
235:22 244:5
245:18,19
270:2,13
282:12 302:12
307:12 309:13
miserable
311:3
misinterpret
55:8
missed 14:8
77:15 296:6
misshapen
275:8
missing 246:7
317:15
mission 198:10
346:18
missions 29:10
misspoke 105:6
mistake 20:6
mixed 218:4
mixing 50:20
mm 284:2
336:20

Meeting

[mnuchin - motion]
mnuchin 13:13
14:4
mode 119:19
model 124:7
317:3,4,5,8
models 317:8
moderated 1:5
modern 88:13
138:1 141:17
157:13
modernity
181:5
modification
168:7,9,11
327:7
modifications
209:4
modified 37:18
155:8 264:21
modify 248:16
264:22
mom 15:20
240:19
moment 16:12
19:18 58:10
90:15 92:11
152:5 195:8
momentous
30:9
money 53:8
279:19
monitor 107:19
107:21
month 198:9
250:4
months 197:10
198:8

April 18, 2023

Page 56
monument 3:8
12:18 199:13
203:7 210:8,9
211:1 250:7
274:15,16
285:11 287:15
292:8 296:12
298:4 314:18
316:4 318:18
322:14 323:1
327:18 329:3
333:9 334:6
335:2,4
monumental
282:18,22
monuments
210:3 251:15
274:12,18,20
mood 287:10
moon 35:14
84:7
moral 81:18
250:18
morale 197:2
199:4,5 200:7
204:22 218:1,7
218:22 239:4
moran 3:17 7:8
7:9 64:18,19
67:18 75:13
105:13,15,18
136:7,10,14,21
152:5 167:19
167:19,21
168:18 169:8
170:9,9 172:12
172:13,14
173:7 183:16

237:9,10,11
276:2,3,4
290:17,18
317:1,2,5,9
319:5 331:18
332:7,7,12,16
342:5 353:10
moran's 73:3
morning 6:2
10:22 137:8
206:8,9
moses 36:10
44:17 45:1,8
45:11 62:12,19
101:17 105:2
mother 261:7
308:3 320:13
320:19
mothers 345:1
349:14
motif 218:5
305:13 311:12
motion 23:15
24:3 47:17,22
48:2 51:11
104:8,10 132:3
132:4,7 139:16
142:19 153:8
155:3,21 156:1
158:3 159:22
160:1 162:9,10
162:14 164:1,4
164:7 165:1,3
165:21,22
166:2,5 167:1
167:5,5,7,10
167:12,21
168:2,12,14,21

www.CapitalReportingCompany.com
202-857-3376

169:12,21,22
170:7,11,13,14
170:16 171:5,6
171:10,18
172:8,11,15,16
172:19 173:18
173:20,21
174:15,22
175:7,9,13,15
175:16 176:6,9
176:13,17,17
176:21 177:7,9
177:13 178:12
178:20 181:11
181:12 182:16
183:7 185:5,10
185:16,20
186:13,17,19
187:7 189:14
189:16 193:15
193:17,18,19
193:20 194:11
194:21 195:5
243:14,16,20
244:1 301:7
331:15,22
332:9 333:1,14
334:3 336:6
338:21 341:4
341:14,18,20
341:21 342:3,8
342:18,22
343:4 349:21
349:22 350:3,7
350:9,13,14,18
351:19 352:3
354:6

Meeting

[motions - nay]
motions 88:17
99:17 132:1
195:5 279:9
330:9 351:10
motto 199:3
mountain
348:8
mountains
346:10,19
347:2 348:8
mountaintop
62:18,20
101:13
mourning
260:22
mouths 297:10
move 15:1
37:16 40:18
89:20 92:2
101:4 126:22
138:17 167:3
170:2 185:18
208:9,10
210:16 212:4,8
212:8,9 216:6
241:22 331:15
340:17 342:12
moved 63:11
135:8 215:17
247:2 279:5
movement
120:2
moves 23:16
186:5 246:2
354:7
movie 203:5
moving 35:19
41:6 60:18

April 18, 2023

Page 57
64:12 65:5
131:15 142:20
154:6,15 218:2
235:22 248:4
254:13 255:19
257:19 260:8
262:7 303:8
308:20 309:13
327:16 331:4
338:9 342:9,10
343:12 345:12
347:7
muddled 68:3
multicultural
94:14
multiethnic
94:15
multiple 24:1
27:14 46:11
48:1 79:13,13
167:13,16
172:17,20
175:11 176:15
182:18,20
194:22 243:21
294:19 342:1
343:2 350:15
352:6 354:11
murky 188:6
museum 3:9
12:20 24:9,9
24:12 59:22
199:14
musical 203:6
musicals
286:12
mute 6:9
130:18

muted 136:8,9
243:6 319:2
n
n 2:1 3:1 4:1
5:1,1 6:1
name 6:11,17
9:16 115:6
132:11 138:4
211:7 229:6
266:7 347:18
347:21
named 46:12
204:10 233:8
233:10
names 215:20
347:8,10,11,14
347:15 348:2,5
348:10
nana 53:5
nanny 53:2
109:2
narrative 56:3
85:22 86:3
106:17,21
113:22 142:12
nation 124:12
151:4 205:6
250:9 261:3
262:16 263:5
305:22 337:17
340:3
nation's 117:19
201:21 253:22
national 3:2,10
12:10 13:2
29:6,12 30:1
31:20 35:16

www.CapitalReportingCompany.com
202-857-3376

36:19 40:10
41:2 42:14
43:4,5,18,21
60:2 67:14
203:20,22
249:18 250:5
250:17,22
251:1,7,13,21
254:21 259:7,9
262:19 306:19
308:14,17,22
322:15,15,17
336:9,15
341:12
native 108:20
114:18 187:14
187:15 188:4
natural 94:4
144:5 148:10
187:22
nature 96:2
141:20
navigating
34:17
navy 256:14
258:17 344:11
nay 48:2
167:15,16
168:22 169:2,4
169:6,8,10
171:5 172:19
172:20 173:1,3
173:11,13,15
173:17 175:13
176:16 182:20
183:10,12,14
183:16,18
195:1,3 243:22

Meeting

[nay - number]
342:3 343:3
350:17 352:7
354:12
ncaa 14:17
near 55:13
nearly 195:5
neat 282:17
necessarily
111:12 112:3
121:3 124:15
205:22 229:14
233:6 245:21
245:22 266:16
266:17 269:19
311:12 348:19
necessary 28:7
51:21 79:21
111:6 167:9
169:21 210:20
229:3 301:11
neck 121:22
need 13:7 34:2
37:18 66:4
71:1,9 79:21
84:11 89:19
104:6 111:11
117:2 123:7
130:3,7 139:8
140:1,4 151:3
163:20 166:18
167:18 168:17
168:20 174:15
188:3 189:5
191:5 226:19
245:22 251:22
264:21 276:12
280:12 292:7
309:8 312:5

April 18, 2023

Page 58
317:19 325:1
340:17 341:11
342:10 349:21
needed 14:22
76:1 126:22
needs 95:11
124:15 148:14
181:4 220:10
negative 62:10
70:18 116:20
157:16
nego 24:8
negro 24:7,15
negroes 41:20
neither 45:6
355:11 356:7
nelson 120:7
nervous 176:19
network 26:19
94:13,15 96:6
never 27:8
36:16 80:7
95:13 255:17
267:14,18
298:17 308:3,4
new 5:4 8:8
15:3,6 23:9
28:4 29:8 42:7
54:17,17 58:21
58:21 59:9,22
68:22 73:5,6
163:12,16
180:4 188:10
189:16 234:3
321:2 351:13
newly 27:18
28:7 39:8
197:19

newman 19:5
news 4:8 9:12
305:7,8
newspapers
208:6 304:22
nice 78:17
115:10 141:9
141:22 236:17
270:21 271:1
271:16 276:16
277:11 280:14
287:19 291:11
306:21 314:20
315:2 316:7
317:22 336:2
nicknamed
197:18
night 34:17
37:2
nine 55:16
209:5
nineteen
221:15
nobody's 318:8
nod 84:21
nope 151:14
normally
204:16 285:17
normandy
198:16 203:17
203:18 225:3
230:18
north 36:1,5
52:17 73:7
northwest 1:11
19:7
nos 74:18

www.CapitalReportingCompany.com
202-857-3376

notary 355:18
note 34:1 37:17
49:13 53:5,5
87:6,10,19
88:8 115:5
121:11 125:14
141:16 238:2
305:12
noted 40:11
notes 20:7
52:19 53:4,8
105:20 185:9
notetaking
89:22,22 90:22
92:7
noteworthy
158:15
notice 138:14
noticed 101:19
196:22
notification
319:6
notion 314:2
november
197:12
nowadays
79:10
nuanced 73:11
nudge 137:3
number 30:12
46:15 48:8
61:22 94:10
102:14 105:5
106:15 163:18
163:19 170:19
238:22 265:12
319:11 327:11

Meeting

[numbers - obverse]
numbers
164:20 167:18
numismatic
3:22 7:17 19:6
19:7,12,15
24:20 235:11
353:17,22
numismatics
3:20 7:14
19:14
numismatist
18:22 19:16
numismatists
19:4
nurse 27:13
38:16 39:2,19
40:5,16 101:16
110:14,16
111:4,8 122:11
127:7 128:1
188:19
nursing 105:22
106:7
o
o 5:1 6:1 34:9
34:15,19,19
35:1,2 36:1,6
37:21,21 38:14
40:19,21
oak 255:15
260:9
oath 16:13,15
19:19,20
objection 98:21
320:7
objections 24:2
243:9

April 18, 2023

Page 59

obligation
17:11,14 21:2
21:3 93:10
151:4
observations
291:13 351:19
observed
351:14
obtainable
190:22
obverse 26:2
33:19 34:8
35:17,18 37:4
37:5,16 40:18
49:8 57:2,3,5
63:21,21,21
64:5,14 65:6
66:15 74:11,18
74:19,19,20
75:11 77:10
79:2 80:18
81:4,4 82:14
82:16 83:20
84:16,16 86:12
86:13 96:15
97:15,17,17,18
97:19,20,21,22
99:6,6,22
103:7 104:17
104:22 105:20
107:1,5,9
108:7,8 109:16
111:17,18,18
112:5,11,18,19
113:1 114:9,15
115:1,15 116:4
116:8 118:5,21
121:14,16

122:1 125:10
125:15,16
130:1 131:6,7
131:7,8,9,10
131:12,13,13
131:14 133:20
134:5,6 135:17
137:1,18,22
138:6,18
140:10,15
141:10,16,19
142:17 143:2
143:11 144:2
146:7 148:6
152:11,12,13
152:13,14,15
152:16,19,19
152:22,22
153:1,2,17,17
153:21,22
154:7,8,13,13
154:16,17
155:5,6,7,7
156:8,8,9
159:6 161:19
161:20 162:3
164:11,13,14
164:21 166:9
166:16,19
168:8 170:4
171:15,21
173:22 174:10
175:17,21
176:22 177:10
178:2,4 180:12
183:9 185:10
185:12,13
186:1 191:21

www.CapitalReportingCompany.com
202-857-3376

191:22,22
192:3,12
193:21 194:14
196:12 205:3
205:10 216:7
216:21 217:12
217:19 219:14
224:21 231:12
231:12,13,16
231:20 236:4,8
236:9,16,22
237:2,6,8,17
237:22 238:3,4
238:9,12
243:10,15
253:7,7,20,20
254:4,8 255:19
255:21 256:2
257:1,6,10,18
260:8,21 261:7
261:13,22
263:18,20
264:10 270:16
270:20 271:2
271:19 272:6
273:1,8 274:4
274:21 275:11
276:7,22 277:2
277:16 278:4,6
278:13 281:18
281:19,19,20
281:21 282:8
282:15,16,21
283:14,18,19
284:12,16,17
284:22 285:1,6
286:7,22 288:5
288:10,13,13

Meeting

[obverse - olive]
288:14,18
289:8 290:20
291:15 292:22
294:2 296:17
296:22 297:3
297:21 298:1,5
298:9,18
302:22 303:1,1
305:12,13,15
305:17 306:3
306:22 307:6
308:16 309:17
311:7 312:16
313:2 314:15
315:6 317:11
318:3,21
319:14 321:10
321:19 322:7
323:17,20,20
324:8,9,9,10
325:12 330:2,2
330:21 331:17
331:19,20,20
333:4 335:12
335:12 336:7
341:8 342:15
342:16 345:12
345:18 346:1
346:16,22
347:6 348:18
348:19 349:8
349:22
obverses 63:20
69:15 74:10
108:13 256:11
279:3 304:8
309:19 310:8,8
311:13 317:18

April 18, 2023

Page 60
346:7
obvious 49:15
107:7
obviously
67:14 76:13
122:14 252:6
252:14 272:1
304:7
occasion 30:9
occurred
343:22
ocean 256:6
258:2
odd 114:13
115:7
odm 244:4
301:17
offer 30:3
32:10 65:12
85:6 178:19
208:7 248:4
329:7
offering 34:10
34:16 39:6
42:17 84:1
268:2
office 2:20
11:19,21 16:14
17:17,20 19:19
21:10,13 25:22
48:22 108:2
227:13,15,17
238:21
officer 228:1
290:5 355:1,2
officers 197:13
225:4

officials 197:1
197:6,9
oftentimes
192:13
oh 11:16 23:18
46:9 57:9,10
89:4 105:6,8
132:10 168:6
174:18 176:10
177:19 181:7
181:17,19
189:16 194:10
215:15 224:19
248:12 297:14
300:8 318:22
340:15 341:3
ohio 29:7 37:7
241:5
okay 9:9 11:8
16:1,6 20:5
29:19 30:6
33:12 43:14
44:2,15 51:13
53:22 57:6
70:19 89:7
97:5 99:9,16
105:5,17
118:17 120:11
123:22 128:6,6
130:20 131:1
132:9 133:7
135:20 136:14
136:21 147:4
147:19 148:16
150:4,12,19
151:15,22
153:14 155:17
158:10 162:12

www.CapitalReportingCompany.com
202-857-3376

169:1,21
170:10 171:12
171:19 172:3,5
172:21 173:2,6
174:8,13,18
175:8,19 176:1
176:12,17
177:12 178:18
179:2,5 186:20
187:9 193:20
195:4,19
205:20 206:1
209:19 215:7
216:1,6 242:2
244:4,13
248:21 253:6
264:9 270:12
272:16 278:4,5
282:9 284:5
303:22 307:16
307:18 316:13
317:9 323:3,14
323:15 332:8
333:4 337:5,10
340:8,21
350:12,18
351:8,9 353:11
354:9
old 19:12 22:3
76:2,17 204:15
204:18 223:5
247:14 304:9
304:22
older 147:7
190:6 247:16
304:11
olive 254:5,10
255:14 277:19

Meeting

[olive - pacific]
284:6
once 34:2
48:10 87:11
90:21 97:21
131:11,14
152:8,10
153:10 157:5
175:20 202:4
249:9 250:19
302:21 343:19
353:16
ones 80:17
82:12 83:17
98:8 118:6
148:19 165:17
189:1 222:21
279:1 284:13
286:6 293:6
309:3 316:7
ongoing 268:20
online 136:7,9
open 35:6
42:17 53:10
54:1,2,5,9,9,15
54:20 83:10
297:17 307:15
331:16 346:18
opened 59:13
250:3
opening 285:10
297:16
operations
199:7 218:10
222:18 345:2
349:15
opine 52:4
opinion 46:4
61:11 149:8

April 18, 2023

Page 61
191:18 232:18
239:4 275:4
opinions 279:1
opportunities
283:13
opportunity
13:9 31:22
32:11,18 33:11
34:13 52:12
67:13 71:15,18
82:20 86:3
90:20 128:13
159:10 163:3,8
163:15 199:22
203:9 230:10
232:14 248:10
248:11 270:3
285:11
oppose 195:3
opposed 48:2
167:14 172:18
175:12,12
176:16 182:19
195:1 234:19
238:3 243:22
266:16 342:2
350:16 352:7
opposite
158:18 284:19
oppression
63:2
optical 275:7
option 301:10
options 207:8
299:3
oral 268:15
orchard 147:21

order 5:3 6:3
15:1 23:10
29:3 34:7
51:12 87:16
174:14 347:10
347:11,12
353:13
orderly 218:5
ordinary 268:3
organization
15:18 24:10
266:18
organizations
258:16
oriented 94:14
94:19 109:15
110:9 294:3
original 168:12
193:8 246:18
248:5
originally
59:10 353:1
ought 49:12
outcome
355:16 356:12
outer 144:14
outlasts 145:2
outputs 250:1
outranked
239:22 240:3
outside 59:3
227:15 233:5
304:18
outsider 233:2
outstanding
33:3 66:8,11
outstretched
77:12 78:4

www.CapitalReportingCompany.com
202-857-3376

81:10 83:22
84:8,16 112:22
125:12 129:1,2
134:16
overall 88:4
108:6 277:5
overcame
237:15
overhead
315:17
overlaid 257:7
overlap 159:2
160:9
overly 300:19
328:13
overseas
197:14 201:1
204:19 222:21
226:16 308:2
oversee 48:16
48:21
overwhelmed
293:19
owe 151:6
own 27:4
186:10
owned 54:7
ozzie 310:1
p
p 2:1,1 3:1,1
4:1,1 6:1
p.m. 354:16,18
pacific 19:7
257:12 258:2,6
259:9,20 291:5
298:13

Meeting

[package - pennsylvania]
package 22:9
198:7 246:18
248:6
packages
196:21 197:8
216:15 225:5
225:13 236:13
238:8
packaging
247:8
packet 212:12
246:5 248:6
page 5:2
paid 29:6 128:1
250:22
pair 35:21
106:2 115:18
311:8,10
345:20
paired 164:13
331:21
pairing 78:6
115:15 116:5,6
236:16 316:16
335:13
palette 50:9
65:20
palettes 66:3
pallas 220:1,1
220:5,12
222:13 228:12
palm 147:15,16
pam 2:7 10:2
33:15 99:9
121:15 149:18
panels 263:9
papers 216:9

parade 198:21
parallel 129:2
129:5 269:6
parallels 64:6
paraphrase
38:5
parcels 218:6
parents 22:9
304:12
park 251:1,21
251:22
parliamentary
161:8,9 165:15
part 14:2 18:9
33:9 49:1,11
76:12 77:15
79:15 94:21
117:10 124:22
144:16 157:9
168:12 190:14
204:9 226:17
227:12 229:7
234:4,6 274:19
286:17 296:11
297:5 298:12
302:2 308:7
326:5 338:3
340:4
partial 217:1
293:11
participate
24:19 195:12
301:22
participating
6:8 13:5 96:19
281:7 302:11
participation
73:2

April 18, 2023

Page 62
particular
58:10 72:10
76:1 87:18
92:11 112:15
116:14 128:18
140:12 214:17
215:5 229:11
230:16 277:20
304:8 349:17
particularly
32:20 66:4
71:16 85:11
92:5 96:1
106:18 117:19
163:1 235:12
236:17 239:4
280:7
parties 355:12
355:14 356:8
356:11
partner 252:1
partners 240:5
pass 31:15
302:9
passed 31:3
41:14 167:10
195:5 211:5
244:1
passenger 27:8
36:13,16
passengers
35:8,12 36:22
37:3
passes 342:3
343:4
passing 223:17
253:10

www.CapitalReportingCompany.com
202-857-3376

passion 58:14
passionate
80:10 104:1
316:10
past 76:22
95:18,20 304:2
352:16
patch 218:10
222:14,17,18
path 36:8,9
40:14,15 80:1
314:22
patriot 119:21
120:6 124:9,11
124:16,16
126:20 127:16
patriotism
120:9 127:12
pattern 39:5
282:10 304:2
paul 4:7 9:10
310:22
pause 14:22
pavilion 256:4
257:22
paw 38:19,19
pay 86:9
114:15,22
pays 290:5
peace 250:10
260:4
peak 42:4
105:5
pedantic
120:20
pennsylvania
15:14 26:21

Meeting

[people - photographs]
people 27:1,3
27:11,22 28:8
28:12 30:17
31:13 32:17
36:10 41:9,22
44:18 45:8,11
51:5 55:14
56:13 59:10
62:12 71:1
74:7,8,15 75:2
76:7 77:16
78:16 79:8,10
79:16,17 82:10
93:12,12 94:17
94:18 95:19
101:18 104:8
105:19 122:14
125:17 126:22
127:14 128:10
144:10 148:4
148:11,17
157:8 163:19
163:20 165:10
167:2 180:4
188:10,11,14
194:12 195:3
204:16 212:12
221:5 229:9,15
231:3 239:18
248:19 250:9
250:19 268:3
280:3 286:13
287:5 294:2,3
298:11 299:9
299:11 301:3,8
302:6 307:16
309:19 312:10
314:4 319:18

April 18, 2023

Page 63

325:21 330:6
334:5 347:2
349:16 352:1
352:20
percent 201:12
201:13 221:19
267:14 292:15
292:15
perched 297:9
perfect 75:10
188:22 295:8
perfectly 271:2
performed
207:18
perilous 26:21
37:2
period 70:8
88:13 106:18
113:18 124:16
230:11 238:7
periods 28:18
29:4
perished 5:18
9:1 11:4
343:15
permit 55:4
191:3
permitted
52:21 192:19
perseverance
259:12
person 12:4
13:18 14:7
35:3 65:11
119:5,6,11
124:1 187:11
189:8 211:2
230:21 233:7

233:10 263:11
310:18 317:17
338:2 352:20
personage
156:19
personal
149:16
personally 27:1
90:2 237:11
271:14 309:4
personnel
197:7,13 199:6
persons 38:13
perspective
74:4 94:9
147:12 184:11
214:15 287:14
294:20 295:2,3
315:1 320:12
perspectives
33:4 124:20,21
297:12
persuade 159:5
persuaded
100:11 125:9
180:11 312:3
pertaining
263:17
peter 3:21 7:17
23:19 46:18
67:9 106:11
140:8 143:3
161:7 163:22
169:14 173:12
174:13 183:21
185:8 186:15
189:11 236:5,7
273:18 280:15

www.CapitalReportingCompany.com
202-857-3376

285:9 296:6,10
301:16 312:13
317:3,10
324:21 325:20
328:11 334:21
348:16 350:4
peter's 179:7
phase 256:1
phases 58:16
67:1
phenomenal
48:17 94:15
195:15 239:16
244:17
philadelphia
15:14,17
philpot 3:7
12:17 199:11
205:15 206:8
206:10,14,16
209:16,19,21
211:16 212:14
213:13,21
214:2,5,12
215:5 241:10
241:12,14
242:5 246:4
247:11 248:9
phoenix 73:6
phone 6:9
319:4
photo 223:11
223:14,15
224:11
photograph
146:21
photographs
334:22

Meeting

[phrase - point]
phrase 44:17
44:18 267:20
275:2
phrases 218:12
268:20
phrasing
266:18
physician
117:22,22
239:20
pick 77:7 91:9
91:14 181:6
302:1
picked 83:12
309:6
picks 233:5
317:17
picture 48:15
189:22
piece 31:11,14
66:4 84:22
94:19 104:1
114:17 134:4
137:16 145:5
149:4 150:6
175:17 188:8
188:14 189:9,9
190:21,22
191:1 193:21
217:20 322:7
335:17
pieces 82:8,21
110:4 145:5
190:9 197:7
198:3,6 256:19
pile 218:3
pillar 255:7
261:22

April 18, 2023

Page 64
pillars 255:1,6
259:3 260:13
262:12
pilots 202:1
pins 219:15,18
pivot 333:18
pivotal 126:7
placards 93:21
place 41:12
53:7 80:19
106:7 119:4
135:2 153:11
181:4 285:12
325:11
placed 49:22
211:1 347:12
placement
220:5 221:12
223:8 226:20
places 280:16
placing 348:1
plan 89:11
planchet 68:18
70:1 71:20
85:15 86:7,22
138:21 162:10
271:21 272:3
planchets
153:10 253:2
270:7 280:18
335:10
plane 205:20
planes 261:9
284:18 309:21
planning
205:22
plantation
26:16

planting 250:1
plants 38:17
106:1 114:18
plaque 42:3,4
46:1 151:2
plaques 296:13
296:13,20
play 138:21
played 14:1
32:20 190:5
289:14
plead 270:1
please 6:16
9:15 12:5
16:20 18:16
20:12 23:4,22
34:1 51:15
53:11 90:11
96:20 99:8
118:10,20
120:18 121:10
127:2,5 128:15
146:17 151:16
160:14 166:3
176:7 177:22
182:17 185:3
191:3,6 194:8
224:8 228:21
230:7 235:22
239:21 245:9
281:8 296:9
302:9,11
307:11 310:13
321:14,17
329:19 332:10
348:16 350:14
pleased 13:4
196:10 249:9

www.CapitalReportingCompany.com
202-857-3376

pleasing
145:15
pleasure 15:19
33:13 206:22
232:13
ploughshares
311:11
plow 262:8
pluribus 33:21
260:5 306:19
plus 256:15
pocket 226:5,7
point 13:19
61:11 63:7
65:2 67:7 78:5
89:10 90:6
91:18 95:15
97:20 98:18,19
115:7 116:4
117:17 122:19
124:16 125:19
130:8 131:9
132:12 138:12
143:12 146:11
150:18 152:22
156:12 158:14
159:2 163:2
174:14 178:16
179:7 180:19
192:6 213:18
220:7 231:2,7
244:2 263:11
263:16 270:6
270:11 277:7
279:2,8 298:14
302:8 318:5,17
322:10 325:19
328:18 329:3

Meeting

[point - precise]
334:5,19,19,20
337:2 338:6
343:8
pointed 67:18
77:3,20 103:2
193:12
pointing 39:13
points 35:22
36:5 97:16,17
97:18,20 98:2
108:8,13 112:5
131:8,8,11,12
131:13,14,16
131:17,18,18
131:19,21
135:10 136:19
152:11,12,13
152:15,15,16
152:19,20
153:1,1,2
154:3,8,12,14
154:17,21
158:17,17
160:18,21,22
161:19 164:9
165:13 170:19
171:2 179:16
242:10,21
278:20 281:19
298:13 303:2
330:22 331:7
331:11 352:13
352:14
poking 59:21
pole 87:22
128:22
police 290:5

April 18, 2023

Page 65
policy 60:7
polished 47:10
political 311:4
pondering
150:13
pop 179:22
popular 268:12
268:15
population
301:5
populations
86:5
portal 19:6
portfolio 29:14
44:8 47:13
50:12,19 52:8
67:12 88:5
92:5 102:1
106:13 199:22
202:17 203:12
205:2,2,10
209:18 232:14
251:8 286:3
300:10 304:5
348:14
portfolios
52:10 263:14
333:22
portion 118:3
245:8 287:15
portrait 41:4
65:6 67:19
70:5,8 74:13
77:20 84:11
93:1,3 100:18
103:14,16,17
112:21 121:13
129:7 133:21

138:20 141:18
144:5 192:12
portraits 34:7
34:20 49:4
60:18 69:5,15
70:11 77:21,21
80:11 83:18
86:20,22 87:10
87:16 100:7
portray 37:22
40:20 141:22
portrayal
67:19 68:6
portrayed
192:22
portrays 36:12
38:15
pose 257:7
270:4
posed 320:13
position 16:16
19:20 174:20
193:9
positioned
245:1 297:17
positive 111:9
possibilities
185:7
possibility
323:21
possible 50:2
51:6 63:16
98:3 102:20
131:10 136:19
152:11,15
154:3,8 195:16
241:20 245:17
281:18 303:4

www.CapitalReportingCompany.com
202-857-3376

327:5 331:8
337:11
possibly 156:19
166:8 167:5
280:4
post 201:10
227:15,17
238:21
postal 5:12
8:17 118:16
196:7,17
197:17 213:2
216:20 217:5
217:17 219:7
227:13 235:10
235:11 246:13
posthumously
344:12
potential 69:13
potentially
115:10
powell 210:5
powelson's
93:1
power 250:19
powerful
117:19 138:19
140:20 148:3
313:16 320:1
321:9
pows 241:1
practice 294:16
pre 350:9
precarity 63:7
precedent
194:13
precise 91:7

Meeting

[predecessors - prior]
predecessors
25:16
predicted
197:9
predominately
200:15
preface 67:11
74:10 273:20
prefer 43:20
70:22 71:3
111:3 125:17
162:4 171:17
193:7 225:4
274:9 305:16
305:17 306:2
329:10
preference
34:14 35:1,16
36:2,18 38:14
39:10 40:9,21
41:1,17 42:13
43:3,5,18,22
44:1 45:22
46:1 61:3
63:22 68:5
69:10 71:22
74:9,11 75:4
79:3 88:1
100:16 114:4
134:6,17
156:10 182:1,4
234:9 253:19
255:11,11,21
259:16,17
260:19,20
263:1 264:11
265:11,12,17
265:18 274:10

April 18, 2023

Page 66

275:12 283:9
283:11 288:13
302:22 305:16
306:5,12 307:3
312:16,17
preferences
44:16 46:11,17
72:2,13,15
78:18 89:10
103:21 107:4
112:10 134:14
236:19 238:19
252:6,15
270:16 274:21
279:6 313:2
345:3
preferred
46:21 75:8
112:20 113:5
130:2 143:10
217:8 219:1
226:3 254:7
255:3 258:6
262:6 263:13
265:15,16
277:2,4 347:5
348:13
premature
98:17
prepare 41:12
135:2
prepared 18:4
64:20 130:12
133:13 182:15
356:3
presence 67:17
present 6:17,19
6:22 7:3,6,9,12

7:15,18,21 8:2
9:15,17,20
10:1,3,6,9,12
10:15,19,22
11:6,7,12,15
11:20 12:1
25:15 26:1
52:9 95:18
97:1,8 131:3
152:9 196:11
264:18 277:10
281:15 302:19
308:17 330:19
presentation
202:19 214:20
215:1 219:8
presented 29:3
51:13 52:5
192:16 207:10
209:17 242:12
271:10
presenting
26:4 45:15
presents 33:15
74:2
president 2:21
3:4 12:8,9 69:8
69:10,12
255:16
presidential
69:8
presidents 60:7
press 9:6
334:19
pressure 83:8
prestigious
16:18 20:11

www.CapitalReportingCompany.com
202-857-3376

presume
226:17
pretending
127:20
pretty 78:3
81:20 135:16
235:22 294:6
311:2 316:20
prevailed
334:12
prevailing
174:16
prevalent
246:8
previous 32:15
191:8
previously
109:13 193:15
194:20 253:1
255:20 282:10
295:13
price 163:2
253:17 254:17
261:5 313:15
pride 338:3
primarily
83:18
primary 23:19
199:9 205:1
213:20 214:17
215:12,15,21
print 68:18
288:20
prints 211:20
prior 6:11
51:17 227:1
354:5 355:5

Meeting

[prism - public]
prism 86:5
117:10 298:8
privilege 6:16
8:5 13:9 24:19
52:4
probably 14:13
58:12 76:17
78:5,9 79:2
100:15 107:13
110:19 112:4
118:6 137:17
140:4 153:12
162:8 163:4
165:5 168:4
171:9 186:12
200:1 228:9
276:10 278:19
278:22 279:5
280:14 285:7
285:14,18
297:4 309:5
problem 66:14
106:16 128:11
139:1 187:9
200:7 204:19
204:22 336:21
353:2
problematic
49:3 51:1
140:14 277:6
problems
273:5 301:5
318:20
procedure
352:16
proceed 133:14
160:14 181:18
224:8 282:10

April 18, 2023

Page 67
proceeding
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proceedings
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process 15:11
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252:4
processing
198:2,5
proclamation
102:9 113:15
118:15 157:7
prodded 335:1
produce
261:18
produced
277:6
producer 3:6
12:16 199:10
product 235:12
264:18
productive
171:3
professional
15:10 16:8
225:10
professor
15:13
profit 31:5
profound
70:22
program 2:15
3:4 5:8,15 6:10
8:14,20 11:3

12:12,22 24:8
25:20 26:1,3
28:17 29:5
33:10 43:14
51:19 60:10
72:12 73:16
89:13 90:21
102:1 195:15
196:11 219:11
238:19 245:5
248:15 249:8
250:21 253:1
265:22 266:7
267:9 274:15
279:17 281:5
286:3 299:2
319:16 320:5
322:22 343:9
programs
14:20 251:4
project 2:14,17
3:7 11:1,9
12:18 83:7
199:12 208:12
projects 3:8
12:19 199:13
211:18 320:15
320:17 354:1
prominent
192:12 221:2
promise 120:15
promote
163:16
promptly
206:18
propeller
257:17

www.CapitalReportingCompany.com
202-857-3376

properly 13:19
14:7 245:1
property 54:6
55:17 127:8
proponent 94:3
propose 327:6
proposed
164:21
prospects
311:4
protect 344:14
proud 15:20
18:13 33:9
119:7 120:12
224:10,12
228:7 251:11
252:17
proudly 247:22
prove 124:15
proved 27:17
provide 24:14
26:9 28:6
35:15 46:12
242:7 251:17
281:8
provided 27:2
41:21 54:7
195:13 230:16
provides 242:8
public 1:1 3:12
4:6 6:12,18 8:1
8:4 9:7 14:5
15:7 20:3,4,8
23:12 24:20
25:21 26:9
51:4 53:16
55:7 79:8
85:10,12 86:8

Meeting

[public - quorum]
87:3 117:9
132:15 144:20
144:21 162:22
186:7 196:9,14
202:13 203:9
204:8 216:3,3
234:13 249:9
249:12 250:3
252:11 278:1,2
294:6 315:8
343:18 353:17
354:3,5 355:18
public's 77:6
publication
54:18
publications
19:3
publicize
334:18
puerto 200:18
pull 295:3,7
pulled 295:5
pulling 37:10
57:22 148:9
pulls 290:11
punctuated
143:16
purchase 85:10
purchased
127:8 188:10
purchaser 56:4
purchasing
110:2
purely 128:17
184:10
purple 319:16
327:22 344:12
347:18 348:7

April 18, 2023

Page 68
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purpose 17:12
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purposes 68:16
345:7
pursuit 28:15
163:6
push 61:11
248:18
pushed 238:8
pushing 101:15
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put 27:5 58:17
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119:3 123:12
127:6 130:18
139:18 150:2
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207:13 216:3
226:7 246:8
271:8 280:15
284:18 295:19
306:4 309:6
317:13 318:5
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putting 93:10
123:13 134:19
268:22 279:22
280:1 288:17
317:7 322:7
326:10
q
qualified 3:15
3:20,21 4:4 7:1

7:13,16,19
13:14 15:4
16:16 19:21
50:18 226:16
355:7
qualifies 324:8
qualities 106:1
quantities
261:18
quarrel 156:11
quest 45:8
127:13
question 43:17
44:16,21 45:15
47:12 48:9,17
53:10,18 55:10
55:12 57:1,9
58:5 62:7 78:4
118:18 119:1,9
136:14 137:9
146:16 149:1
150:14 168:17
211:10 212:3
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219:10 220:19
224:17 228:17
239:2 241:9
263:20 264:6
264:10 265:9
268:21 283:19
294:10 304:6
316:8 317:2
319:10 320:13
332:15 348:17
questions 25:3
43:13 44:6
46:19 48:4
51:7,10,19

www.CapitalReportingCompany.com
202-857-3376

56:20 99:2
150:14 191:6
194:19 205:8
206:17,18
224:4 225:21
230:10 252:19
263:17 265:19
267:12 269:21
270:3 298:14
299:21 303:18
321:15 329:6
353:18
quibble 156:11
quick 77:7,9
90:6 99:3
105:19 189:18
224:17 231:9
251:12 263:19
270:5
quickly 117:6
141:16 164:7
194:7 311:17
319:9 320:11
quite 32:5,15
67:11 68:4
78:14 79:9
81:10,12 86:11
107:2 114:3
115:12 122:16
135:20 140:16
150:20 233:22
236:16 274:5
296:21 300:15
333:11
quo 79:11,16
80:13
quorum 8:6

Meeting

[quos - really]
quos 79:18
quotation
135:7
quote 38:5 74:3
255:16
r
r 2:1 3:1 4:1
6:1 35:9,20
39:13 41:7
r1a 146:17
r3 141:9
rabbit 258:19
race 198:1
racism 63:2
rafters 247:3
raid 27:21 38:9
38:12 39:3
40:6,11 111:5
116:14 190:8
190:18
raids 107:10
railroad 3:2
12:10 26:19
27:9 28:21
29:7,12 30:2
30:17 31:21
34:21 35:5,11
35:16 36:17,19
36:21 37:1,11
37:15 40:10
41:2 42:14
43:4,6,19,22
45:2 59:14
60:3 64:4
68:10 74:15
75:3,22 76:3
76:10,16,20

April 18, 2023

Page 69
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190:4
raise 16:20
20:13 353:1
raised 25:7
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157:16 177:4
298:13 300:1
340:10
raising 137:9
297:1 324:1
ramp 263:12
range 223:6
348:8
ranging 208:13
rank 221:12,12
223:8
ranking 168:15
347:13
rankings 325:4
325:22
rapidly 79:20
261:16
rate 90:13
91:13
rather 47:12,14
61:5 67:4,19
140:15 274:18
295:20 333:11
rationing 250:2
262:17 304:19
rays 262:2
reach 36:14
93:10 163:18
163:19

reached 328:4
reaches 36:13
reaching 57:21
64:10 65:10
78:16 95:2,6
95:12 148:3
319:20
read 24:4
33:14 36:10
40:16 42:9
45:6 49:4
60:11 76:3
95:1 133:10,11
139:9 140:2,4
167:21 290:6
293:8
readable 117:6
264:20
reading 42:22
46:22
reads 36:15
37:5,15 39:15
47:10
ready 34:16
84:9 130:21
152:1 162:2
169:22 207:2
223:17 253:3
291:21
real 77:7,9
123:22 149:1
realistic 120:21
reality 310:4,5
322:2
realize 186:8
242:16
realizing 278:8

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202-857-3376

really 12:2
18:9 22:20
32:1,5,7,8
43:11 48:11
51:4,7 54:21
57:12,16,20
59:18 60:20
63:14 64:6,10
67:13 68:9
69:1,2,16
70:17 71:10,22
71:22 72:1
76:1,20 77:18
79:1 81:6 82:1
83:10 85:5,15
87:1 92:15
94:2,6,15,18
95:4 96:4,13
101:15 104:4
104:12 105:21
106:7,19 107:1
108:13 109:21
114:16,19
115:1,10,14
117:13 118:4
126:7,10,17
127:20 134:15
134:15 137:4
137:12 141:22
142:2 144:3,14
144:22 145:8
145:13 146:7
146:10 148:11
156:20 158:21
159:1,14,18,18
163:8 164:8
165:8 166:18
170:22 174:15

Meeting

[really - reconsider]
181:6 188:5
190:7,14,19
195:9,12
210:13 220:15
224:12 227:13
231:7,7,8,8,14
236:8 244:16
245:2,5 252:11
271:13 273:15
273:22 274:1
276:21 277:17
277:20 278:3
279:2 282:17
282:21 283:3
284:12,22
286:4 287:2,13
289:20 290:7
290:12 292:12
293:4,12
296:18,21
298:20,21
304:18 305:12
306:8,10,16
308:12 310:18
315:6,17,19
317:13 318:3
318:19 319:10
319:13 320:1
322:17 326:9
327:3 334:10
336:1,2 340:12
345:8 351:17
351:18,18
reason 25:2
65:1 79:15
84:13 85:14
93:4 104:16
110:16 188:6

April 18, 2023

Page 70

271:5 284:17
296:11 297:5
309:10 333:10
reasonable
50:2 51:13
reasons 105:2
238:18 329:11
recall 104:3
receive 201:20
202:2 230:2
received 96:19
97:15,17,18,18
97:19,21 98:3
98:4,4,5,5 99:5
131:8,8,9,10
131:13,13,16
131:17,17,18
131:19 136:18
136:20 152:12
152:13,14,14
152:15,16,19
152:20,22
153:1,1,2
154:17 163:1
199:1 226:7
281:19,19,20
281:21 282:1,2
282:4,5,5,5,6
303:2,2,2,3,4,6
303:6,6,7,9,10
303:12,12,13
303:13,14,14
303:14,15,15
331:1,1,2,2,3,3
331:5,5,5,6,6
receives 208:19
receiving
131:12 154:19

154:19,20
197:1 202:4
recent 22:11
24:11 337:8
recently 14:16
receptive
213:15
receptivity
193:15
recess 130:15
151:18 244:2,4
244:14,17
245:7 248:16
249:6 330:12
recharge 65:3
recipient 24:9
234:8 235:1
recipient's
207:20
recipients
234:20 235:19
recognition
58:9 198:21
recognize 32:1
32:19 48:11
93:5 97:7
131:2 152:8
208:6 243:1
267:5 281:14
302:18 317:19
330:18
recognized
27:15 32:16
60:15
recognizes
26:11 318:9
recognizing
52:13 194:8

www.CapitalReportingCompany.com
202-857-3376

recollection
153:16
recommend
24:12 49:19
50:3,5 57:4
89:9,21 98:17
117:14 155:3
168:2,14
243:11,14
282:11 315:21
315:22
recommenda...
90:17 98:18
153:11 155:9
174:22 212:2
215:5,6 243:10
275:6 316:6
recommenda...
14:20 72:9
85:17 132:17
153:8 207:11
207:12 232:16
234:20 275:22
312:22 353:19
recommended
3:13,17,18 4:2
6:20 7:4,7,10
34:2 49:13
87:11 121:12
168:7,8 215:1
recommending
183:9 222:1
311:12
reconcile 46:3
reconciled
113:20
reconsider
193:17,18,21

Meeting

[reconsidered - reminder]
reconsidered
113:10
record 9:13
51:17 54:18
89:19 97:4
118:14 130:19
151:21 195:22
215:21 216:3
243:13 246:12
249:1 281:11
302:15 330:16
332:9,18 352:8
355:9 356:5
recorded 355:6
recording
130:18 151:20
152:1 196:2
281:13 302:14
302:17 330:15
355:8 356:4
records 246:13
recruit 126:9
recruited 39:8
recruiting
27:18
rectangles
318:1
red 230:20
241:2,3
redirected
217:21
redo 328:5
reduced 355:7
redundant
291:14
reemphasizes
163:11

refer 26:11
30:12 323:16
reference 123:7
224:10 337:16
references
277:9 304:22
referencing
312:22
referred 44:22
65:7
refers 64:3
294:18
refine 34:7
87:16
refined 202:9
264:13
refinement
203:13
refinements
204:3 205:4,11
223:2,8 240:12
reflect 28:20
37:19 148:1
155:10 209:6
236:13 339:14
339:14 353:21
reflected 48:19
211:3 320:8
reflecting
94:11 199:4
reflection
227:14,19
reflective 320:9
refresh 153:15
regained
344:16
regard 44:17
63:20 291:6

April 18, 2023

Page 71
315:9,11
337:20
regarding
24:21 155:9
303:18
regardless
200:10 264:17
regiments
27:18 39:9
301:20
region 197:9
registered 61:3
registry 354:5
regret 280:10
regularly
165:16
reimagining
257:1
reinforce 73:3
reinforces
306:20
reinterpretati...
338:8
reiterate
241:14
reject 211:14
rejected 309:3
related 186:8
239:18 252:7
325:10 349:17
355:11 356:7
relations
289:11
relationship
59:7
relative 225:1
355:13 356:10

www.CapitalReportingCompany.com
202-857-3376

relaxed 141:21
release 334:19
relevance
81:17
relevant 80:5
82:7 144:18,20
reliable 22:21
197:2
relief 184:19
292:6 298:18
relocated
198:11
remain 87:22
remained 28:5
remarkable
73:21
remarks 113:8
remember
72:11 76:11
107:5 113:8
127:7 178:2
268:9,13
307:12 320:18
332:16
remembered
252:13
remembers
263:5
remind 6:7,12
51:15 63:16
215:13 229:22
230:6 285:3
reminded
273:13 286:11
319:15
reminder
104:15 135:12
167:8 250:18

Meeting

[reminder - results]
253:22
reminds 102:8
225:8 289:21
reminiscent
81:6 296:22
remiss 18:10
remotely 9:7
352:22
remove 110:13
132:7 166:9,13
removed 87:22
renaming
204:9
rendering
138:8
repairing
251:2
repeat 16:21
129:18 149:15
175:20 177:8
repeatedly
26:22
replicated
328:3
replied 206:18
reported 1:20
197:1,6 344:5
reporter
130:21,22
reporter's
152:1
represent 15:6
28:22 34:7
38:8 61:21
87:17 108:5
124:3 128:12
203:12,14
216:11 221:18

April 18, 2023

Page 72
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325:2,6,7,8
326:21
representation
204:6 213:12
222:8 223:3
225:10 252:8
314:18 321:1
329:2 335:3
representatio...
301:19
representations
202:18,21
representative
3:12 4:6
254:22 255:5
301:4 315:7
321:6,7 329:12
329:15 349:14
representatives
29:11 345:1
represented
101:8 120:10
192:14 201:17
220:2 223:10
229:10,11,16
274:20 298:4
299:17
representing
6:17 7:22 8:4
32:8 37:10
38:16 101:8
121:4 216:17
218:11 223:22
253:12 254:9
255:13 256:15
257:15 258:13

258:21 259:2
260:6,10 262:2
262:9 263:3
269:13,13,16
269:18 272:19
278:2 293:3
302:5 345:21
346:6 347:5
348:8
represents 14:4
36:9 40:15
42:5 124:9
202:13 204:13
222:12 253:14
256:13 258:11
274:16 300:17
require 217:10
219:2
required 33:18
34:22
requirements
50:13
requires 73:11
249:12
research 107:9
186:11
researches
301:19
reservation
17:11,14 21:6
21:8 350:19
residents
262:16
resolute 28:5
resolved
114:14
resonance
101:17

www.CapitalReportingCompany.com
202-857-3376

resonated
83:11
respect 30:4
52:13 86:9
92:6 104:18
109:19 117:16
120:15 126:14
191:14 213:22
243:2 277:15
282:8 294:18
295:7 313:17
339:2
respected 33:5
respectful
138:11 156:7
respectfully
189:13 244:19
respond 6:16
301:2
responding
149:15
response 122:5
122:20
responsibility
93:15 128:12
207:1
rest 28:3 93:19
111:1 149:4
165:18
restore 197:10
result 97:1
161:22
resulted 197:7
resulting 27:21
38:12
results 25:8
97:2,9 131:4
152:9 281:16

Meeting

[results - review]
281:17 302:20
330:20
retired 200:3
retract 132:4
return 151:17
198:20 299:1
returning
26:22
reveals 346:3
reverse 26:2
33:20 35:19
37:8 39:12
41:6 45:21
46:21,21,22
57:3,7,11,11
64:11,13,15,15
68:8 70:13,16
70:16 73:20
74:22 75:10,11
78:6,10,18
84:14 86:12,14
87:20 88:6,6
88:10 96:15
98:1,3,3,4,4,5
99:13,14,16,22
101:4 103:18
103:20,20,22
104:7 105:1,5
105:6,6,10,11
106:3 107:1,6
108:7,9 109:4
110:11 111:14
111:17,18,21
112:1,6 113:4
113:5,20,21
115:9 116:18
117:20 118:6
131:7,15,16,17

April 18, 2023

Page 73
131:17,18,18
131:19,20,21
131:22 132:8
134:10 135:19
136:17,18,20
137:8,17 138:9
138:10 139:1
139:17 140:18
140:19 141:9
142:3,4 143:3
143:9,12 144:8
144:10 146:8
148:18 149:3
149:10,19,20
150:6 152:18
154:2,2,12,19
154:19 155:5,6
155:7,13,15
158:16,16,21
159:1 162:18
163:17 164:8
164:11,12,14
164:19,22
166:6,7,17
171:15,22
173:22 174:10
175:17,21
176:22 177:10
178:3,4,6
179:13 180:12
181:21,22,22
182:4,11,14
183:9 184:22
185:1,1,11,11
185:14 186:1,2
192:2,4,15
193:4,21
194:14 196:12

205:3,11 218:2
218:3,9,14
219:4 228:3,15
231:13,16
232:7,21 236:4
236:8,10,16
237:2,7,18
238:1,13
243:10,15
254:13,14,20
255:4,4,12,15
257:19 259:6
259:18 260:2,7
262:7,8,15,20
263:2,7,10,18
265:12,13,16
265:17 270:17
271:4,16,22
272:1,6 273:6
274:10,10,21
275:12,13
276:11,11,17
277:3,4,8
278:5,17,18
280:1,7,20
282:1,1,4,4,5,6
283:10,15
284:13 285:8
287:9 288:5,16
288:16 290:8
291:1,5,13,19
292:10,12
293:9 294:10
294:14 295:11
297:13,14,20
298:1,5,11,18
303:1,9,10
306:6,7,12,13

www.CapitalReportingCompany.com
202-857-3376

306:15 307:1,2
307:6 308:13
308:21 309:1
310:2,9,12,12
310:12,13
311:10 312:2,2
312:6,9,17
313:3 314:3,16
314:19 315:22
316:6 318:7,12
318:12,15
320:2,10,11,11
321:10 324:13
327:17 331:4,5
331:5,6,6,7,10
331:11,22
333:5 335:13
341:12 342:15
342:16 347:7,8
347:15,17,21
348:2,5,10,12
349:8 350:1
reverses 49:5
61:5 64:12
66:9,10 74:22
81:20 82:10
98:1 105:1
137:4 140:13
146:9 154:1,10
154:18 257:20
258:8 281:22
282:7 288:10
289:3 303:8
309:16 311:8
315:21 331:4
review 5:5,6,9
5:13,16 8:12
8:14,18,20

Meeting

[review - runner]
23:11 25:19
57:1 91:3,3
99:19 196:4
202:16 223:18
228:3 232:14
246:6 249:6
343:13
reviewed 24:6
25:8 205:1
reviewing
252:20 300:10
revise 162:8,8
187:8
revised 327:11
revisit 90:21
92:12 324:13
324:16
revote 159:21
161:21 170:3
revoting
170:13,17,22
rhetorical 62:7
ribbon 226:4,6
226:14,17
258:19
ribbons 226:9
227:5 297:10
312:4
rich 92:5
richardson
230:20
rico 200:18
rid 103:8,8,9
104:10 139:16
139:17,18
166:19
riding 229:6,7

April 18, 2023

Page 74
right 16:4,6,12
16:20,20 20:12
20:13 21:15
26:8 33:14
47:11 52:20
57:8 68:18
69:13,20 70:1
71:10 79:3
83:8 87:21
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139:19 146:20
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159:6,11
164:18 166:1
175:14 178:5
187:16 206:4
210:19 213:21
218:6 227:6
233:5 252:18
253:6 266:14
270:12 279:18
279:19,20
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289:22 312:2
319:6 323:1
325:11 327:15
335:16,19
336:8 338:14
339:1 349:5
righteous
260:15,17
305:18,22
334:11
rights 28:11
60:7

rim 144:14
291:10
rise 297:8
rising 35:7
81:11
risk 27:5
risks 68:10
river 27:21
35:14 38:9,12
39:3 40:5,11
107:10 190:8
riveted 263:9
riveter 237:13
310:20 317:20
road 36:8
40:14
roads 129:10
robin 2:14 11:1
13:10,12,15,18
14:18
robust 243:1
roger 2:6 9:21
33:2 43:16,17
44:16 45:3,15
51:13 87:9
132:19 189:3
role 24:21
32:19 38:16
104:16 127:3
190:4 289:14
roles 27:14
roll 5:3 167:18
172:21 182:21
182:22
romanticized
84:6
roof 42:5

www.CapitalReportingCompany.com
202-857-3376

room 1:12
293:2,18
307:16 310:6,6
332:11
root 38:18
rope 254:21
256:18 258:9
258:20 259:2
260:13 262:2
262:12 276:16
ropes 254:22
255:5,5 257:14
258:9 259:3
262:2 274:13
roses 253:9
rosie 237:13
310:20 317:20
rosie's 229:10
ross 26:16
rotated 259:19
rotondi 3:10
13:1 251:6,10
264:1,7 266:5
267:7 269:10
299:5 300:7
301:12 323:2
329:9 337:13
338:2 339:7
340:2
roughly 296:13
route 198:3
row 39:1 40:6
216:22 306:16
rule 201:5
run 14:19
165:19
runner 185:10

Meeting

[running - scholars]
running 351:18
runway 346:14
russell 10:4
rustic 37:12
s
s 2:1 3:1 4:1
5:1 6:1 34:9,15
34:19,19 35:1
35:2,9,20
sack 216:15
sacks 218:4
sacrifice
126:12 208:20
249:16 250:8
255:2,10 259:5
259:12,15,22
261:2,5,12
269:14 272:11
272:11,15
313:14 315:13
318:9 323:7
325:2,7 326:10
326:20 327:8,9
334:9 345:8
sacrificed
326:15
sacrifices
254:11 313:13
sacrificing
339:16
sad 322:1,4
324:3
safe 138:15
safety 345:21
salisbury 59:1
60:12

April 18, 2023

Page 75

salmon 13:11
salute 257:7
saluted 321:13
sam 14:1,2,6,18
sanite 53:2
sarah 45:3,10
sassafras 38:18
sat 93:1
satchel 87:21
satisfied
120:10
satisfy 341:9
saunders 4:2
7:5,6 75:18,19
75:20 91:6,6
107:18 115:20
115:21,21
135:14 148:17
149:17,20,22
150:2,5,8,11
165:4,20 169:6
173:5 183:14
187:3,6,9
236:21 245:10
245:14 265:10
265:14 270:20
283:18 284:1,5
298:16 307:13
307:13,18,19
322:6 332:6
336:5 337:1,22
352:10
save 280:17
324:18
saved 74:7
326:14 339:3
saving 74:15
75:2 124:12

saw 54:13
55:22 59:3
64:6 95:10
288:21 306:15
saying 23:22
50:15,17 61:14
67:11 72:11
83:9 108:15
122:11 126:15
167:12,15
172:16,19
180:14 182:8
184:16 189:3
192:22 194:21
211:17 231:15
233:8,15
273:20 313:8
319:16 320:20
323:22 324:4
333:6 340:13
341:22 342:3
350:14 354:10
354:12
says 104:21
116:13,16
223:21 240:18
275:4 287:7
320:18 322:14
336:8 338:7
scale 49:3,5
50:6 90:13
142:1,4 277:4
293:7 336:1
scales 50:20
scarf 94:6
scarinci 3:18
7:11,12 45:14
46:9 68:16

www.CapitalReportingCompany.com
202-857-3376

98:6,7,10
103:1 123:11
132:3,6,10
138:18 153:20
159:5 160:10
160:12 166:4
169:10 173:9
174:14,18
176:5,8 177:14
177:17,19
178:9,13
181:13 182:6
183:5,18
185:21 194:2
195:2 211:11
212:11 214:19
215:7,9 220:19
220:22 221:5,8
221:21 222:4
224:2 234:2
271:19 279:12
284:22 309:14
322:20 323:3,9
323:11,14
324:7 330:1
332:4 338:12
338:22 339:3
342:7 343:5
349:7,10,19
351:12 353:5,9
scene 286:10
308:12
scenes 296:15
296:15
scheduling
345:6
scholars 123:6

Meeting

[school - see]
school 18:21
76:7,11 201:9
201:12,15
223:13 239:14
267:19
schools 240:20
score 92:10
96:15 97:1,10
97:13,16 121:8
141:12 151:16
152:11 154:12
161:17 281:4
302:9,12 303:5
329:8,19,20
330:8 331:1,1
352:11
scored 97:13
scorer 98:2
scorers 170:5
342:13
scores 90:14
153:20
scoresheet
96:18
scoresheets
96:22 151:17
281:7 302:9
330:12
scoring 90:9
91:16 97:2,9
98:19 131:4,7
152:9 153:15
240:9 281:9,16
281:20 302:20
330:13,20
scout 27:15
38:21 39:3,19
40:2,5,16

April 18, 2023

Page 76
101:16 106:6
110:14,16
111:4,8 127:8
188:20
scouting 39:16
scrap 262:18
304:16 326:14
screen 99:8
scroll 256:18
sculpting 15:9
16:9 295:6
sculptor 16:9
sculptural
256:3,19
257:21 283:13
sculpture 4:5
7:20 13:15
15:4,12,17
16:17 18:7
19:22 210:22
211:19 260:3
335:21
sculptures
15:17
sea 256:8
257:12 258:4
seal 138:13,14
search 179:22
searching
34:11
seat 96:17
second 23:18
23:20 24:17
45:9 47:11,19
47:20 116:20
122:15 142:13
153:22 155:21
170:6,8,10

172:10,12
174:3,12,13
175:18 176:2
177:7,13
185:15,17
186:22 187:2,3
189:16 194:1,2
194:4 196:4
241:13 243:17
243:18,19
253:18 255:10
259:16 260:19
263:1 265:16
265:17 272:12
274:9,10
289:14 297:2
307:2 312:8
322:13 332:1,4
332:7,10
339:21 341:16
342:17,19,21
346:13 350:2,4
352:3,4 354:8
secondary
42:13 167:5
seconded 336:7
341:15
seconds 155:22
172:14
secretary 8:11
13:13 14:3,21
23:12 155:4
167:11 168:14
242:7,22
243:15 249:12
secretary's
69:10 265:4

www.CapitalReportingCompany.com
202-857-3376

section 106:13
106:15 295:1
312:8
sectioning
333:17
sections 88:4
securing
250:15
see 22:20 48:15
56:13 61:1,13
65:12,21 68:19
77:8 78:3
84:18 88:4
90:14 91:8,9
93:20 96:9
99:4,7 100:3
102:3 111:17
128:22,22
129:2,3 138:4
143:15 145:12
147:15,16
149:13 159:13
160:1 171:11
178:4 185:6,14
186:15,18
189:6 202:14
205:7 212:8
213:2 214:15
216:3 227:13
232:7 247:1
267:3 271:15
277:18,19
278:2 280:10
280:19,21
283:1 285:17
286:21 287:7
288:8 290:4,10
296:18 306:2

Meeting

[see - sesquicentennial]
308:14,22
313:20 315:8
322:12 330:5
335:22 336:2
340:1 353:2,9
seeing 24:3
76:12 138:4
148:21 159:14
269:22 286:16
297:13 303:19
seem 45:17
219:18 242:8
275:7
seemed 322:9
seemingly
182:1
seems 58:8
60:22 62:17
81:10 148:7
176:16 193:13
213:8 226:20
264:12 291:18
295:16 296:22
354:14
seen 37:4 41:3
213:9 315:14
346:18 350:20
segregated
197:22 200:13
segueing
305:11
seize 34:13
seized 63:8
select 16:18
20:11 171:20
182:14,14
selected 19:15
45:18 98:8

April 18, 2023

Page 77

197:14 217:9
219:2 324:14
selection 132:8
160:3 265:5
selections 72:3
self 41:15
42:10 43:1
143:16
selflessness
261:11
seller 240:13
senate 3:17,18
7:7,10
senator 266:8
send 243:12
302:11
senior 2:5,6,13
2:19 4:7 9:10
9:18,21 10:20
11:18 55:19
sense 45:16
48:15 53:4
60:20 63:3,6
91:4 96:8
111:2 119:16
122:10 128:17
129:12 142:17
160:22 171:5
171:10 233:3
233:21 242:9
244:11 245:19
246:3 252:21
274:3 290:15
318:16
sent 25:3
218:15 222:10
353:18

sentiment
293:5
sentimental
319:12,21
separate 45:17
162:10 170:13
258:10 270:6
separately
47:14 253:3
separating
229:3
separation
126:16
september
204:20 354:3
series 69:8,13
70:12 71:9,10
83:13 103:5
192:11 234:11
234:14 283:21
285:4 296:12
serious 34:11
56:5
seriously 30:10
59:17 317:10
servant 95:4
serve 239:20
served 13:12
13:16 14:2
15:16 19:6
27:14 120:13
126:2,3 201:6
208:21,22
222:21 239:12
249:19 257:3,8
258:12 268:2
269:17 304:11
339:11 344:10

www.CapitalReportingCompany.com
202-857-3376

server 292:15
serves 15:15
205:5
service 13:21
14:9 118:16
202:1 217:17
235:10 239:3
249:16 251:2
251:21,22
253:13,14
255:2 258:13
259:5 269:17
271:8 273:14
282:19 292:22
302:6 323:7
325:7 327:12
327:15 345:9
347:9,22
351:13
servicemember
345:19 346:8
servicememb...
5:18 9:1 11:4
196:21,22
197:4 343:15
344:5,13
345:13 346:2,6
346:16 347:1
347:16,18
348:3,6,11
349:18
services 208:20
291:15
serving 14:13
24:9 247:16
sesquicenten...
235:13

Meeting

[set - silver]
set 63:15 102:1
133:22 166:11
179:20 180:9
182:13 195:18
212:21 292:21
293:1 298:22
354:3
setting 35:15
settings 320:15
settle 71:11
settled 241:4
seven 37:4,5
41:13 42:4,15
42:21 150:22
280:11,12
seventeen
198:7 252:10
several 52:19
210:10 329:11
354:5
seward 59:6,7
shackle 37:12
shaking 135:21
186:16
shape 140:18
253:8
share 24:5,17
32:11 48:7
64:14 96:10
118:13 146:5
180:4,5 190:13
226:4 241:6
245:15 350:19
shared 75:4
81:1 95:11
334:21 352:20
sharing 30:7
30:15 216:4

April 18, 2023

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she'll 11:7,12
sheet 330:20
sheets 97:9
131:4 152:9
302:20
shelter 42:6
shield 260:10
306:3
shift 198:4
shining 36:14
ship 198:19
263:8
ships 112:17
247:4
shirt 247:22
shoes 88:11
shore 58:22
59:12
short 286:19
shortage 197:7
shortly 152:6
shot 308:1
shoulder 87:22
119:6 222:20
show 12:5
80:15 82:20
109:8 121:15
121:17 135:22
145:22 147:13
148:10,15
149:19 168:20
185:21 192:1
220:1,4,15
228:11,11
246:18 259:20
284:14 294:14
294:16 326:1,2
326:3

showcase
293:10
showcased
293:19
showcasing
252:7
showed 248:2
305:9
showing 94:12
108:22 176:9
228:6 260:3
329:10
shown 94:4
314:11
shows 35:10
36:3,7,22 38:3
39:13,16 40:7
40:13 74:11
78:16 80:20
81:9 83:21
134:1 148:3
223:21 228:4
238:5
shrinking 50:9
shut 65:3
292:17
sickly 120:7
side 70:13
82:16 117:3
147:16,16
200:20,22
218:6 246:10
284:3,7 324:6
sidebar 353:3
sides 99:4
156:12 158:18
188:13 189:7
192:22 219:19

www.CapitalReportingCompany.com
202-857-3376

228:4 284:19
324:5
sidewheel
107:13
signature
355:16 356:14
signed 9:7 22:5
significance
100:19
significant 24:5
32:17,19 33:10
40:12 108:21
190:3,14,17
326:4
signify 23:22
42:5,6 167:12
167:14 172:16
172:19 194:21
341:22 342:2
350:14 354:10
signifying
254:2
silhouette 36:8
40:8,14 47:1
57:13,16,17
346:2 347:1
silhouetted
257:6 346:11
348:18
silhouettes
35:20 39:20
61:15 70:20
silver 28:20
34:8 35:17,19
46:21 49:22
50:9,21,22
51:22 57:3
61:18 63:20

Meeting

[silver - snapshots]
65:5,20 66:2,5
66:12 69:22
70:3,16 71:5
75:12,16 88:6
89:10,13 90:4
91:9 96:16
97:15 100:9,9
105:3 112:20
113:17 116:1,6
121:13,15
125:10 153:16
153:17,21
154:2 155:4
161:18 162:3
166:12 170:3
171:21 174:1,2
174:5 210:11
249:14 255:19
255:21 256:2
256:11 257:1,6
257:10,18,19
257:20 258:8
259:6,18 260:2
260:7 269:5,15
269:16 272:12
272:13,14
282:11,15
309:7 310:19
312:7 323:17
324:10 325:7
327:10 330:2
331:17 333:4
335:12 336:12
341:7 342:11
342:14,16,16
similar 66:16
69:7 78:7
91:14 112:19

April 18, 2023

Page 79
125:11,17
178:7 274:6
similarity
180:14
simple 134:13
135:2 280:20
324:17
simpler 68:6
simplicity
235:17
simplified
277:9
simply 57:2
273:7,8 328:14
single 165:22
229:18 253:9
344:7,8
sir 29:17 88:22
130:20 131:1
136:13 168:19
209:14 212:3,3
213:13 214:5
214:10,12
220:21 226:1
230:7 279:11
300:1 303:21
338:10 351:1
sit 80:8
site 277:1
sites 59:15
sits 211:11
sitting 83:6
138:12 197:8
246:19 247:2
332:13
situation
233:16 344:16

six 3:6,8 8:18
11:11 12:15,16
12:16,18
135:18 146:3
161:14 196:8
196:17 197:10
197:16,18
198:2,6,9,11
198:14,17,19
199:3,10,11,12
199:22 200:5
201:6,7,13,19
202:5 203:3,15
203:19,21
204:7,11
208:13 214:8
216:10,13,19
217:1,4,16,20
217:22 218:15
219:5,6 221:18
222:15 225:16
226:12,15
227:1 246:21
246:21 252:10
258:10,16,20
258:21
sixth 258:13
size 65:20
68:18,20 70:1
70:3 71:20
75:16 134:3
138:20 142:5
144:11 271:20
272:3 277:5
sizeable 101:1
sized 71:6
skills 355:10
356:6

www.CapitalReportingCompany.com
202-857-3376

skin 200:18
skinned 200:20
200:21
skip 243:11
skirt 228:9
248:2
sky 34:18
35:22 36:4
61:15 297:17
skyline 57:16
294:21
slash 157:19
slave 55:17
slavery 26:17
27:2 63:2
126:22
slaves 113:15
126:8,11
slightly 37:18
47:5,6 63:4
153:19 271:10
small 46:7 48:8
48:18,21 55:14
61:21 62:13,14
62:15 71:19
87:20 103:15
103:15,16
127:15 134:4
134:16 138:3
140:5 141:7
150:10 238:6
273:9 280:20
305:8
smaller 48:11
258:10 293:7
snaps 37:13
snapshots
123:4

Meeting

[social - specify]
social 41:16
42:11 43:2
society 302:2
softer 61:1
soldier 257:7
290:4
soldiers 27:19
39:10 120:8
127:14 200:16
210:4,7,12
218:16 249:16
261:9 269:14
305:5 323:7
solely 334:1
solemnly 16:21
17:2 20:13,16
solider 210:9
217:21
solidly 304:12
solution 341:5
solve 204:22
solved 200:6
somber 328:9
somebody
67:13 76:4
79:12 95:3,7
311:3,16
331:16
somebody's
299:12
someday
319:17
someplace
212:9
somewhat 68:1
90:3 272:3
278:15

April 18, 2023

Page 80
son 261:7
soon 316:20
sorry 9:8,9
18:2 25:22
43:14 60:15
82:14 105:4,6
105:9 107:17
111:18 118:10
132:11,21
133:4 149:15
151:16 155:16
164:19 177:20
178:3,8 181:17
189:16 190:16
209:16 211:12
224:18 241:11
258:22 296:8
297:14 305:16
308:11 310:7
311:15 319:5
341:1 342:13
353:4
sort 62:18
84:21 93:9
141:5 142:12
151:2 156:13
156:14 216:11
220:11 223:11
227:8,17,18,21
266:2,4,15,21
268:5 286:13
290:10 301:7
313:21 315:1
322:1 337:17
sorting 218:17
219:5 246:13
247:8

sought 54:2
sound 120:20
120:20
sounds 22:12
47:17 139:2
171:8 173:18
243:16 352:2
source 22:20
south 27:22
38:13 39:14
127:15
space 62:11
70:18 157:16
188:4
spacing 264:14
speak 13:3
25:14 58:11
64:13 95:5
150:19 162:17
164:3,7 166:2
170:12 179:6
188:16 205:22
232:19 301:17
306:10 320:10
321:18 350:8
speaker 3:13
6:20 99:1
119:8 132:20
149:18,21
154:4 164:16
170:8 174:1
177:1 247:9
311:16 319:3
332:20
speakers 24:1
48:1 167:13,16
172:17,20
175:11 176:15

www.CapitalReportingCompany.com
202-857-3376

182:18,20
194:22 243:21
342:1 343:2
350:15 352:6
354:11
speaking 51:17
121:7 150:20
165:2 184:21
199:17 288:6
300:4 340:13
351:21
speaks 104:20
114:17,20
238:4 282:19
spearheaded
210:3
special 206:12
335:16 345:2
349:15
specialist 2:5,6
2:19 9:19
11:18
specialists
264:18
specially 16:16
specific 114:22
233:9 267:4
316:10
specifically
3:15,20,21 4:4
7:1,13,16,19
13:14 15:4
19:21 46:13
111:13 205:3
306:10 323:5
333:16 349:17
specify 111:11

Meeting

[spectrum - steamers]
spectrum
296:19
speeches 28:10
spelling 347:16
spells 114:3
282:18 283:5
spent 28:3
191:4 273:20
273:22 296:11
297:5
spirit 221:10
225:16 250:8
spite 322:21
splitting
292:12
spoke 80:18
130:5 277:17
277:20 315:8
323:16
spoken 19:3
269:12
sponsors
215:19
sport 24:15
sports 14:15
233:1
spot 123:13
spouse 192:11
192:13
spreads 145:14
spy 27:15
38:21 39:3,19
40:3,5,17
101:16 106:6
110:15,17
111:4,8 122:12
127:7,19
188:20

April 18, 2023

Page 81

spyglass 38:21
40:2
spying 39:17
square 129:5,6
squeaked
161:20
st 212:18
stack 246:19
stacked 246:21
246:22
stacks 218:4
staff 9:14 31:20
146:14 206:11
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192:17
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190:6
stairs 288:21
stakeholders
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stand 172:22
262:5 351:8
standards
192:7
standing 41:19
63:2 70:20
216:14 294:21
297:14 323:17
346:2 347:1

standpoint
68:1 190:11
320:2
stands 137:10
250:16
stanley 239:10
240:14,17
star 36:1,5
70:19 84:20
192:1 253:9,14
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324:5 325:10
326:10 345:1,2
349:14,15
stars 34:17
35:14 39:5
47:6 70:17
71:1,2 84:4,7
216:11 225:3
253:8,11,12
254:5,8,9
255:12,13
257:8 258:20
260:5 263:2,3
275:8 277:19
277:22 278:3
309:4 346:6,13
347:4
start 13:7
36:13 80:19
83:9 133:14
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202-857-3376

330:17
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state 59:12,20
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17:4 20:15,18
25:1 31:8 32:2
33:21 84:20
93:18,22
117:15 119:3
198:20 199:6
201:11,17
239:14 249:20
251:5 260:11
262:10 300:13
304:10 308:8
340:3 343:17
344:5,9,11,22
static 54:12
74:13
stationed
197:21 199:6
statue 60:13
81:6
status 79:11,16
79:18 80:13
202:3
stay 63:17
ste 209:13
212:16,16
steamers
107:13

Meeting

[step - suffrage]
step 31:10
338:13,15,16
stepped 127:2
steps 338:13
ster 212:18
stick 125:8
159:16
sticking 72:15
stiff 141:18
stimulating
92:6
sto 242:1
stone 76:12,13
stood 61:9
315:20
stop 130:18
330:15
stopped 80:7
151:19
stopping
302:13
store 59:16
225:8 246:21
stories 268:1
story 30:15,16
31:14 32:11
66:7 67:4,14
84:15,17,22
85:15,21 86:10
86:16,18,21
87:1 105:22
106:3 113:22
114:11 117:13
124:17 127:17
129:8,22 161:2
161:4 189:21
192:3,14 203:2
203:3,10 205:3

April 18, 2023

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strength 37:11
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stronger
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strongest 74:20
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stronghold
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structurally
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structured
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202-857-3376

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substituted
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subtheme
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subtle 223:21
suburbanizati...
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success 36:17
198:10
successfully
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succession 69:4
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suffered
198:15
suffering
237:11
sufficient
341:13
sufficiently
187:22 321:6
suffrage 27:7
28:11 120:2,3
188:4

Meeting

[suggest - symbol]
suggest 51:11
85:16 99:20
117:18 130:13
153:9 167:4
171:17 185:4
195:20 208:3
213:8 214:13
242:3 248:15
248:19 263:16
302:8 335:8
338:12
suggested 91:1
161:12 246:9
324:17
suggesting
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suggestion
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162:7 245:9
suggestions
25:3 88:19
92:17 202:8
213:11 241:16
242:2 301:14
suicide 344:2
suit 228:8
suite 306:9
sullivan 2:5
9:18,20 25:21
196:11,13
199:19 205:21
206:2,13,14,15
215:2,8,10,14
215:17 216:1,6
219:20 244:6,9
244:19 245:15
245:20 248:10
248:12 249:10

April 18, 2023

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sullivan's
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summer 22:8
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sums 137:13
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super 144:9
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supervises
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supported
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supporting
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supports
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supposed 108:5
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surcharge
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surcharges
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202-857-3376

surface 103:11
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surprise 194:4
surprised
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surprisingly
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surround
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262:1 348:3,12
surrounding
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surveys 267:12
sustain 42:7
swath 188:11
sway 121:8
swear 16:21
17:2 20:13,16
swearing 5:4
8:8 15:2,8
18:19
swimming
286:13
switzerland
239:15
sword 260:9
283:20,22
284:1,3,4,7
327:19 328:21
329:1
swords 311:11
sworn 355:5
symbol 123:22
124:1 250:17
252:11 253:21

Meeting

[symbolic - tend]
symbolic 35:4
35:7 38:21
40:2 75:1
78:17 130:6
224:12 226:14
228:12 250:6
261:15 274:19
symbolically
82:4 121:4
229:18
symbolism
66:8 69:19
113:6 117:14
295:18,22
319:20
symbolize
226:5
symbolizing
41:8
synergizes 37:7
syracuse 73:6
system 170:18
198:2
t
t 5:1,1
table 158:19
165:3,22 166:2
167:6,12 172:9
175:9 176:18
178:12 181:11
181:12 182:17
185:5 187:8
189:16 278:16
341:4,20
tableau 256:12
tabletop
157:14

April 18, 2023

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teams 6:10
teamwork 26:7
technical 43:13
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technicality
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202-857-3376

technically
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tells 66:7,11
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templates
50:14
temporarily
89:20 97:12
99:18
ten 22:15 31:3
97:2,13 120:2
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tenant 320:19
tend 69:17 79:9

Meeting

[tentative - thank]

April 18, 2023

Page 85

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terribly 148:8
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tethered
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230:14,22
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236:1,2,4,5,6

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202-857-3376

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301:12 304:4
307:9,10
309:12 310:14
310:16 312:10
312:12,14,19
313:4,6 314:5
314:6,9 315:2

Meeting

[thank - think]
315:3,4 316:17
316:18 317:1
323:3,15
324:22 326:22
327:1 328:10
328:12 329:18
331:12 333:2
333:12,13
334:2 336:3
341:3 343:9,10
343:21 348:15
349:5 351:8
352:8 353:14
353:16
thankful 25:15
thanks 18:14
31:18 129:17
195:9 232:14
307:8 334:21
theater 199:7
200:10 218:10
222:18 225:18
298:10
theaters 259:20
theirs 331:16
theme 75:22
78:7 112:15
269:2 272:18
283:3 294:9
304:8 308:9
310:3 314:4
317:20 327:8
327:12,13
328:6 336:11
themes 78:13
327:7,19
328:13 333:17
333:19 334:17

April 18, 2023

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think 14:11
18:12,14 22:19
31:7 32:3,10

32:15,18,21
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202-857-3376

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132:10,11
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134:13,16
135:17 136:2
137:1,12
138:18 139:10
139:11,20
140:11,19
141:4,7,9,10
141:20 142:1,4
142:7,18,21
143:1,8,20
144:4,6,12,14
144:19 145:10
145:13,20,20
146:1 147:13
148:2,8,14,20
149:2,4,7
151:7 155:12
156:7 157:2,6
157:9,12 158:7

Meeting

[think - three]
159:8,17
160:19 161:4
163:1,5,9,13
163:15 164:12
164:18,20
165:7,13,15,16
168:8 169:21
171:4,9,16
175:5 179:7,12
179:13,14,17
179:18 180:8
180:11,13,13
180:18 181:4,7
182:2,15
186:13 187:10
187:12 188:5,6
188:8,13 189:3
189:6,19,21
190:1,7,9,12
190:13,19
191:21 193:16
193:19 195:17
205:10 209:22
211:4 212:4
213:4,17 214:2
214:7 216:2
222:16 231:11
231:16,20
232:4,8,22
233:1,10,15
234:4,10,11,17
234:21 235:1,6
235:12,16
238:13,13
240:12 242:8,9
243:9 244:20
244:22 245:2,4
245:20,21

April 18, 2023

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thinking 72:1
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third 89:18
239:5 249:6
255:11 259:17
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320:19 332:6
thoroughly
100:21

www.CapitalReportingCompany.com
202-857-3376

thought 62:5
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134:12 137:5
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325:21 337:17
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thoughtful
234:1 307:11
thoughts 85:1
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114:5 142:13
143:4 307:8
337:8
thread 83:15
three 24:7
28:18 31:13
35:12 45:16
46:3,5 58:16
67:1,5 69:15
93:17 94:9
102:1,19
103:19 107:16
109:7 135:12
140:6 156:20
158:21,22
160:18,21,22

Meeting

[three - tower]
164:17 165:12
180:9,22 182:9
185:7 198:8,13
198:15 199:9
199:15 203:16
203:18 206:16
206:21 216:11
216:12,17
217:9 219:2
222:6 225:3,4
230:8 231:6
233:18 235:22
258:22 261:14
264:14 269:13
270:2,13
282:12 283:1,4
290:14 291:19
291:20 294:16
296:14 307:12
308:2 309:12
310:6 327:7,19
334:20 347:6
348:13 351:13
351:14,15,22
threes 170:21
276:10
throat 60:16
throw 140:20
161:21 318:4
throws 125:6,7
thursday 44:14
tide 81:11
tie 64:11 83:15
112:1 276:14
278:6,13
287:16,21
288:12 292:7
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April 18, 2023

Page 88
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timeframe
246:15

timeless 250:18
timely 53:6
times 26:22
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55:12 122:7,8
192:16
title 44:22
today 9:15 12:4
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353:15
today's 8:7
44:6 204:16
267:2
together 37:9
42:5 58:17
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told 129:9
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www.CapitalReportingCompany.com
202-857-3376

tom 268:14
tomorrow
254:19 278:8
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tone 96:8
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took 84:7 94:17
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271:7
tool 90:12
203:15 330:8
top 74:3 96:4
97:13 100:9
110:14 170:14
171:6,14 174:7
211:1 246:19
247:2 286:13
297:10 349:2
topic 235:8
total 167:17
totally 184:15
touch 242:13
353:10
touched 146:7
349:16
tough 50:7
285:6
tour 59:15
toward 81:11
101:6 145:18
238:9 276:21
314:13
towards 90:16
104:17 118:7
141:19 152:18
260:4 292:21
tower 259:9
297:16

Meeting

[towers - tubman]
towers 259:7
263:12 297:7
326:6 328:20
track 164:20
tracy 3:9 12:19
154:4 199:13
200:4 205:16
205:18,19
206:12 215:4
224:5,6 228:6
247:9
tradition
134:22 156:6
157:21
traditional
64:1 80:11,14
80:20 93:11
108:22 109:3
117:21 118:1
138:10 157:12
161:2 275:10
287:17
tragic 198:15
trailblazers
246:11
trained 239:7
239:11,15
transcriber
356:1
transcript
356:3,5
transcriptionist
355:8
transition
345:21
translates
314:12

April 18, 2023

Page 89
transmitting
44:8
transport
198:19 261:9
travel 37:1
traveled 32:14
traveling 35:20
treasury 14:21
155:4 168:15
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treat 128:2
tree 38:19
trees 35:14
65:21 259:10
287:18
tremendous
206:22
tremendously
353:7
tribute 206:12
tricky 302:4
tried 46:4
304:6
tries 65:18
trip 335:1
triple 3:6,8
8:18 11:11
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198:17,19
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202:5 203:3,15
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204:7,11

216:10,14,20
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227:1
triumph 63:6
triumphant
334:14
troops 197:11
218:18 261:19
339:17
trouble 275:2
286:16 314:9
troubled 65:9
troubling
162:2
true 146:22
240:2,3 355:9
356:5
truly 105:22
truman 255:16
trust 33:20
truth 17:6,8
20:19,21 55:12
76:17
try 65:14 80:1
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133:19 230:8
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trying 53:14,17
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202-857-3376

124:6 178:16
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328:13
tubman 2:14
2:21 3:3 5:7
8:13 11:2 12:8
12:11 25:19
26:10,15,17
27:7,10,17
28:2,5,12 29:8
29:13,22 30:21
31:2,12,14
32:9 33:19
34:4,10,16,20
35:2,10 36:7
36:12 37:4,19
37:22 38:2,3,7
38:10,15,20
39:4,8,16,22
40:1,8,13,20
40:21 41:4,5
41:18,19,22
42:13 43:5
44:1 45:4,6,11
52:14,15 53:7
53:20 54:1,16
58:8 59:4,7,13
59:22 60:13
64:2 67:20
68:7 73:8 74:2
74:14 76:1
79:12 80:3
87:13,18 88:2
88:2 92:21
93:3,14,21

Meeting

[tubman - unanimously]
94:1 95:1
100:13,18
101:19 113:9
123:22 126:6
126:17 128:13
129:10 133:22
138:8 144:17
151:5 156:15
157:21 163:5
180:16 181:8
188:3 189:21
202:12 207:7
241:18 269:6
tubman's
26:12 28:18
30:15 32:5
36:16 39:13
41:8,11,13
42:4,6,17
104:16 123:14
129:19 134:20
148:12 155:10
156:12 161:4
168:9
tucked 248:1,1
tucker 3:20
7:14,15 72:20
89:5,8,21
98:14,16 112:9
129:13,16
142:16 153:4,6
155:2,15,19
158:7,11 160:7
160:11,13,15
160:15 162:11
162:13 166:22
168:6,7 169:13
173:11,15

177:6 181:14
181:16,16,19
181:20 183:20
194:10 236:1
243:7 264:2,5
264:9 265:6
270:14,15
282:13,14
300:3,8 304:3
304:4 324:22
333:2,3 341:3
342:19,20,21
353:8
tuesday 1:6 6:4
tunnel 76:16
295:2
turn 18:18
21:20 24:3
43:9 56:20
63:17 64:18
67:9 68:14
72:19 79:5
83:2 92:14
102:21 104:13
105:13 106:11
108:11 109:11
112:8 114:7
115:19 132:19
136:7,10
137:20 140:7
141:2 142:15
155:1 205:14
272:8 273:18
276:19 277:13
282:12 285:20
288:3 292:19
293:22 312:13
312:20 313:5

April 18, 2023

Page 90
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turned 137:4
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turrets 317:7
twenty 252:10
twice 237:12
two 8:8 14:12
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37:9 38:8 41:7
44:6 46:8,8,9
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61:8 63:20
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98:8 106:9
112:18 123:15
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157:19 158:16
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178:7 180:15
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www.CapitalReportingCompany.com
202-857-3376

221:22 222:7
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284:11 291:6
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311:8 315:11
334:20 338:13
338:15
type 107:21
311:11
types 206:18
328:14
typewriting
355:7
typically 118:1
192:2 285:2
319:11
tyranny 250:10
u
u.s. 1:10 2:4
3:9
ugly 317:21
ultimately
46:17 100:8
273:7 315:14
334:12
unable 46:5
59:5
unanimous
175:3 222:5
349:8,11 350:1
352:8
unanimously
175:13 176:17
195:5 244:1
342:4,8 343:4

Meeting

[uncluttered - unwavering]
uncluttered
276:12 287:17
uncomfortable
123:17 125:5
undelivered
197:8 198:12
undeniable
24:19
under 216:8
underground
3:2 12:10
26:18 27:9
28:21 29:6,12
30:1,17 31:21
34:21 35:5,11
35:16 36:17,19
36:21 37:1,11
37:15 40:10
41:2 42:14
43:4,6,19,22
45:1 59:14
60:3 64:3
68:10 74:15
75:3,22 76:3,9
76:16,19 94:13
96:6,6 102:5
110:5 113:18
163:7 190:4
underscores
127:1 314:2
understand
44:21 75:3,13
95:20 118:2
134:19 140:1
168:1 191:17
214:21 233:18
242:11 265:2
274:2 293:11

313:18 315:12
320:3 333:6
339:19 351:3
351:21
understanding
32:4 73:12
107:11 126:8
227:8
understands
53:13
understood
95:1 152:7
155:20 162:16
194:10 266:22
329:5
unfortunately
115:10
unfriendly
178:21
unidentified
99:1 119:8
132:20 149:18
149:21 164:16
170:8 174:1
177:1 311:16
319:3 332:20
unified 94:14
uniform
112:17 217:10
220:4,10
221:13 227:9
227:10,10
228:3,4,14,15
228:15 269:17
269:19 339:11
uniforms
227:19 247:19
247:20,21

April 18, 2023

Page 91
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union 27:12,13
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120:8 126:9
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unique 200:5
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uniquely 208:3
208:4 209:1,10
212:21
unit 197:16
199:1,5 200:6
200:14 201:3
201:20 202:2,4
202:5,22 204:5
204:5 213:4
221:10,11
226:8,16 238:4
239:2 299:14
unit's 197:19
unite 254:18
united 14:5
16:22 17:4
20:14,17 24:22
31:7 32:2
33:21 84:20
93:18,22 119:3
198:20 199:6
201:11 249:20
250:20 251:5
260:10 262:5,9
262:16 300:13
304:10 306:1
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www.CapitalReportingCompany.com
202-857-3376

344:11,21
units 200:14
246:13
unity 250:17
255:9 257:15
259:14 260:6
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262:19,22
305:19 306:19
307:4 308:8,14
308:17,22
316:1 322:14
322:15,15
336:10,15
341:12
universally
32:16
university
18:22 59:1
60:9,12
unpopular
126:3
unquote 74:3
unrelated
305:12
unremarkable
115:11
unser 4:8 9:11
unsorted
218:20
unum 33:21
260:5 306:20
unusual 45:16
229:16,18
290:11,15
unusually 61:5
unwavering
28:15

Meeting

[upcoming - viewers]
upcoming
354:4
upfront 57:14
131:5
upper 37:9
129:3
upraised 263:7
upstate 58:21
73:5
upward 37:10
63:4
urban 320:15
urge 159:20
usaffe 300:12
use 66:15 98:19
103:14,16
113:6 122:1
182:13 232:6
233:1 252:22
266:11 307:4
323:19 324:1,8
325:1
used 39:5
107:13 109:3,9
116:13 123:2,3
182:13 246:11
268:17 354:13
useful 216:2
uses 44:17
90:10,13
113:21
using 68:19
104:9 106:1
123:3 187:22
232:6 276:15
278:5 333:4
uss 212:22

April 18, 2023

Page 92

usual 64:20
234:1 281:6
v
valor 344:19
valuable 79:14
351:15
value 46:11
106:8 138:4
179:10 242:9
valued 33:5
values 41:14
42:4,9,15,22
79:22 80:1,5
80:16 81:1
134:20 144:13
144:17 145:16
145:18 150:22
151:1,6
van 3:21 7:17
7:18 23:18,18
46:19 67:9,10
106:12 107:20
140:9 164:6,18
169:15 173:13
174:12 175:18
175:18 183:22
185:9,13
186:18 189:12
236:6,7 270:5
270:9,12
273:19 296:7
296:10,10
301:1 312:14
317:4,6 328:12
330:4 342:12
348:17 349:5
350:4,4

variations
161:11
varieties
101:10
variety 19:3
101:22
various 207:8
282:16 289:13
291:15 296:15
vasquez 2:6
9:21 10:1 26:4
26:6,8 29:19
30:6 31:16
33:12 43:21
44:3,20 46:7
46:10 56:2,7
87:5,9,9 121:9
121:11 132:21
133:3,10 185:2
veer 101:6
326:19
vegetables
55:15
vehicle 216:18
vein 80:13
verify 77:8
versions 286:8
versus 131:21
227:21 316:11
vertical 39:21
145:6 236:17
295:13
vessel 107:14
107:15,21
108:4
vessels 107:16
veteran 117:10
200:8 202:3

www.CapitalReportingCompany.com
202-857-3376

204:15 227:4
veterans
208:13
victory 218:11
218:11 250:1
254:2 256:4,8
257:3,11,12,22
258:4 259:19
260:6 261:8
262:18 272:15
286:21,22
288:12,12,15
288:17 292:9
318:6,10,14,15
321:13 327:14
328:19,20
329:1 331:17
333:7,8 335:19
335:19
vietnam 110:20
view 126:2
159:3 237:1
254:20 256:2
257:20 259:1,6
259:8 262:20
263:11 277:7
285:16 293:17
310:1 312:8
322:10 326:3
329:14 341:14
viewed 31:10
127:12
viewer 34:10
34:13,16 39:6
80:21 81:13
82:19
viewers 114:1

Meeting

[viewpoint - war]
viewpoint
314:20
views 33:4
306:8 327:11
viola 53:4
virginia 295:6
virtual 54:13
54:14
virtually 6:8
92:20 96:19
206:11 249:4
281:8 302:11
vision 354:13
visionary 28:13
visit 24:11
334:5
visitors 59:13
visual 112:12
129:12
visually 129:9
129:11 180:1
238:14
voice 124:20
volunteered
300:12
volunteers
31:20
vote 23:22
90:17 92:9
98:2 100:9
106:9 120:5
121:8 130:12
131:11,20
137:18 139:15
139:17 149:11
151:16 152:20
153:13,13,16
153:21 154:20

April 18, 2023

Page 93
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174:7 175:6
179:1,3 182:16
184:5 185:14
245:22 282:2
303:5,10
309:18 322:8
330:4,22 331:7
332:2 334:1
338:13 341:21
voted 98:11
161:10 178:2
325:5
voters 188:10
votes 89:19
137:17 143:11
153:10 158:17
169:20 243:12
279:7 292:12
309:5 324:15
voting 89:9
90:9 91:15,16
162:5 170:18
183:4,6,8
243:12 325:22
vs 218:11
w
waist 248:1
wait 89:11,17
132:5,16

waiting 347:2
waivers 201:16
walk 81:7
345:20
walking 64:7
64:14 263:12
314:22
walkways
326:6
wall 253:8,11
253:18 254:4,9
255:13 263:3
275:7 277:22
346:2
walls 76:12
walmart
246:20
want 6:14
13:19 18:6
25:2 30:4,20
45:2 48:3,14
53:10 56:11
61:4,6,20
66:21,21 67:11
71:12 73:3,19
81:14 84:2,13
85:19 86:9
93:5 108:4
114:15,22
115:5,7 118:13
122:4,8,9
123:19 132:5
141:16 146:18
149:10 153:12
156:19 164:6
174:20 178:18
191:8 192:4
195:13 202:13

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202-857-3376

203:14 208:18
210:19,19
212:3,4 231:7
233:19 235:4,5
238:2,17
247:21 268:10
269:10 273:20
274:6 279:19
279:20 287:11
290:8,19,22
298:7 301:17
307:19 315:15
316:14 321:7
324:18 328:18
331:16 332:1,2
334:14 339:19
345:7 352:7,19
wanted 57:10
83:9 88:8 89:9
94:9 96:10
111:20 121:21
194:7 274:1
281:1 288:16
299:5,19 327:3
wanting
227:13 273:10
308:9
wants 31:11
53:12 180:2
210:15 298:19
war 3:10 13:2
27:12,21 28:2
29:1,2 38:1,8
38:12,22 39:1
39:2,6 40:3,5,6
40:16,21
100:20 101:16
102:6 104:16

Meeting

[war - we've]
104:20,21
106:4,18 107:6
109:9 110:4,9
110:14,17,20
110:20 111:6
111:13 112:2,6
112:14,16
113:16 116:13
116:15,16
117:17,18
120:7 122:10
122:11,12,15
124:12 125:18
126:3 132:12
157:9 166:7,15
166:17 186:6,8
186:10 188:19
190:5 193:4
199:7 200:6,14
201:10 204:20
204:20 220:2
221:20 222:22
239:4 246:7
249:15,17,18
249:21 250:14
251:1,2,7,13
251:14 252:13
253:8,13 254:1
254:5,6,9,12
254:15,21
255:6,9 256:4
256:14,19,21
257:2,4,5,9,15
257:22 258:9
258:12 259:2,7
259:9,19,21
260:3,11,14,17
261:9,16 262:1

April 18, 2023

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305:9,22 306:2
307:21,22
308:20 310:19
311:1,2 315:10
317:13 318:11
320:4,4,17,20
321:12 323:6,8
325:16,17,18
326:13,13
327:14 333:8
334:10,11
335:4 338:6
339:9,22 344:8
warehouse
218:19
warehouses
196:19 197:8
warm 52:7
warranted
91:4
warren 2:11
6:6 9:5,8,10
10:6,16,19
11:7,12,16
20:4,6 29:18
89:3,5 97:5
98:13 99:9
129:13 130:17
130:20 131:1
133:1,4,8

136:8,13 147:3
81:12 89:19
151:19,22
94:18 100:20
152:4 153:3
101:3 109:15
168:3 177:3
125:1 141:22
178:5 195:18
145:2,15 150:9
196:1 215:18
156:16 157:1
243:4,6 244:3
160:4 161:17
244:7,10,13
163:14,18,18
248:18,22
165:11 166:10
249:2 264:2
170:17 181:2,8
281:12 296:6
190:21 204:14
299:22 300:5
220:4 223:21
302:13,16
239:20 252:16
307:14 319:2
264:19,22
330:14,17
269:7 274:14
340:9,22
276:8,9 277:11
354:15
290:1 291:9
wars 268:11
294:9 295:17
warship 104:21
296:2,3 301:22
wartime
314:11 315:1
197:22 225:11
322:16 324:18
washington
329:20 330:2
1:13 18:21
349:1 352:10
250:5
ways 60:14
watched
79:13,14 82:21
292:14
110:3 143:15
watching 70:14
145:18 326:15
261:8,9 304:18 we've 23:7 32:6
waved 120:12
33:7 89:11
waver 120:9
90:22 104:2
waving 119:5
130:9,10,11
119:11 127:16
161:7 163:4,20
313:21
166:13,14
way 27:3 32:21
175:5 185:7
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Meeting

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Meeting

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