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Meeting

April 16, 2024

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CITIZENS COINAGE ADVISORY COMMITTEE PUBLIC MEETING

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3
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Moderated by Dr. Peter van Alfen

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Tuesday, April 16, 2024

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10:01 a.m.

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8
9

Department of the Treasury, U.S. Mint

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801 9th Street, Southwest

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Washington, D.C. 20220

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Reported by:

Matthew Yancey

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JOB NO.:

6590121

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Meeting

April 16, 2024

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A P P E A R A N C E S

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List of Attendees:

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Jennifer Warren, Director of Legislative and

4

Intergovernmental Affairs and Mint Liaison to the CCAC

5

Peter van Alfen, Specially Qualified as a Numismatic

6

Curator and Chairperson of the CCAC

7

Arthur Bernstein, Representing the General Public

8

Dr. Harcourt Fuller, Recommended by the Speaker of the

9

House

10

Dr. Christopher Capozzola, Specially Qualified in

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American History

12

John Saunders, Recommended by the House Minority

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Leader

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Michael Moran, Recommended by the Senate Majority

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Leader

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Donald Scarinci, Recommended by the Senate Minority

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Leader

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Dennis Tucker, Specially Qualified in Numismatics

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Kellen Hoard, Representing the General Public

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Annelisa Purdie, Representing the General Public

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Dr. Dean Kotlowski, former CCAC Member

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April Stafford, Chief, Office of Design Management

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A P P E A R A N C E S (Cont'd)

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List of Attendees (Cont'd):

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Megan Sullivan, Senior Design Specialist

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Roger Vasquez, Senior Design Manager

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Russell Evans, Design Manager

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Boneza Hanchock, Design Manager

7

Sukrita Baijal, Design Manager

8

Joseph Menna, Chief Engraver

9

Greg Weinman, Senior Legal Counsel and Counsel to the

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CCAC

11

Brendan Tate, Senior Government Affairs Specialist,

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Office of Legislative and Intergovernmental Affairs

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Dr. Sheila Chamberlain, Emmett Till Justice Campaign

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Linn Cornelius, Representative of the Oneida Nation

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Celia Belmonte, Assistant General Counsel of the

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Oneida Indian Nation

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Denise Desiderio, Senior Policy Advisor for Akin, on

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behalf of the Oneida Indian Nation

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Kristie McNally, Deputy Director, United States Mint

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Meeting

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C O N T E N T S

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PAGE

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Call to Order & Roll Call

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Review and Approval of Minutes and Letters to

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Secretary from the February 27, 2024

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Public Meeting

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7

Public Service Award to Dean Kotlowski

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8

Comments from Chair

16

9

Review and Discussion of the Candidate Designs

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for the Emmett Till and Mamie Till-Mobley

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Congressional Gold Medal

12

Review and Discussion of Candidate Designs

13

for 2026 Native American $1 Coin

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Review and Discussion of Candidate Designs

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for the 2025 American Liberty 24K Gold Coin

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and Silver Medal

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78

150

Meeting

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P R O C E E D I N G S

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THE CHAIRMAN:

All right.

Good

3

morning.

I call to order this meeting of the Citizens

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Coinage Advisory Committee, for Tuesday, April 16,

5

2024.

And the time is 10:01.

6

This is the first of a two-day public

7

meeting.

8

approximately 4:00 p.m., at which point the CCAC will

9

recess until tomorrow's session, that is scheduled to

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Today's session is scheduled to run until

begin at promptly 9:00 a.m.

11

Please note that this meeting today and

12

tomorrow is recorded.

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public watching live on YouTube.

14

want to remind members to announce your name when you

15

are speaking, for the transcript and for the public

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listening.

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And I want to welcome the
And finally, I do

Before we begin, I want to introduce

18

members of the Committee, so please respond,

19

"present," when I call your name.

20
21
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Arthur Bernstein, representing the
general public.
MR. BERNSTEIN:

Present.

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2

THE CHAIRMAN:

Dr. Harcourt Fuller,

recommended by the Speaker of the House.

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DR. FULLER:

Present.

4

THE CHAIRMAN:

Dr. Christopher

5

Capozzola, the member specially qualified in American

6

history.

7

DR. CAPOZZOLA:

8

THE CHAIRMAN:

9

Present.
John Saunders,

recommended by the House Minority Leader.

10

MR. SAUNDERS:

Present.

11

THE CHAIRMAN:

Michael Moran,

12

recommended by Senate Majority Leader.

13

MR. MORAN:

14

THE CHAIRMAN:

15

Present.
Donald Scarinci,

recommended by the Senate Minority Leader.

16

MR. SCARINCI:

Present.

17

THE CHAIRMAN:

Dennis Tucker, the

18

member specially qualified in numismatics.

19

MR. TUCKER:

20

THE CHAIRMAN:

21
22

Present.
Kellen Hoard,

representing the general public.
MR. HOARD:

Present.

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THE CHAIRMAN:

Annelisa Purdie,

representing the general public.

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MS. PURDIE:

4

THE CHAIRMAN:

Present.
And I am Peter van

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Alfen, the member specially qualified as a numismatic

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curator and the chairperson of the CCAC.

7

I believe we have a quorum.

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MR. WEINMAN:

9

THE CHAIRMAN:

We do.
The agenda for today's

10

session includes approval of minutes and letters to

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the Secretary from the February 17, 2024, public

12

meeting, a public service award ceremony for former

13

CCAC member, Dean Kotlowski, who is present with us,

14

review and discussion of the candidate designs for

15

Emmett Till and Mamie Till-Mobley Congressional Gold

16

Medal, review and discussion of candidate designs for

17

the 2026 Native American Dollar Coin, and review and

18

discussion of candidate designs for the 2025 Liberty

19

24-Karat Gold Coin and Silver Medal.

20

Before we begin our proceedings, I ask

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the Mint liaison to the CCAC, Ms. Jennifer Warren, if

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we are aware of any members of the press who are

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remotely watching this public meeting?

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MS. WARREN:

Good morning.

This is

3

Jennifer Warren.

4

editor, is on the call, and Mike Unser, founder and

5

editor of CoinNews Media Group.

6
7

THE CHAIRMAN:

confirm that the following Mint staff are in
attendance today.

11

I have called your name.

12

So please indicate "present" after

Deputy Director Kristie McNally, U.S.
Mint.

14

MS. MCNALLY:

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THE CHAIRMAN:

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Thank you

For the record, I would also like to

10

13

All right.

very much.

8
9

Paul Gilkes from Coin World, senior

Present.
April Stafford, Chief of

the Office of Design Management.

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MS. STAFFORD:

Present.

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THE CHAIRMAN:

Megan Sullivan, Senior

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Design Specialist.

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MS. SULLIVAN:

Present.

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THE CHAIRMAN:

Roger Vasquez, Senior

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Design Manager.

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MR. VASQUEZ:

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THE CHAIRMAN:

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Present.
Russell Evans, Design

Manager.

4

MR. EVANS:

5

THE CHAIRMAN:

Boneza Hanchock, Design

7

MS. HANCHOCK:

Present.

8

THE CHAIRMAN:

Sukrita Baijal, Design

6

9

Present.

Manager.

Manager.

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MS. BAIJAL:

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THE CHAIRMAN:

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Present.
Michael Costello,

Manager of Design and Engraving.

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MS. STAFFORD:

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THE CHAIRMAN: Joseph Menna, Chief

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Not present.

Engraver.

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MR. MENNA:

Present.

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THE CHAIRMAN:

Jennifer Warren,

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Director of Legislative and Intergovernmental Affairs

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and Liaison to the CCAC.

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MS. WARREN:

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THE CHAIRMAN:

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Present.
Greg Weinman, Senior

Legal Counsel and Counsel to the CCAC.

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MR. WEINMAN:

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THE CHAIRMAN:

Present.
And finally, Brendan

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Tate, Senior Government Affairs Specialist, Office of

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Legislative and Intergovernmental Affairs.

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MR. TATE:

6

THE CHAIRMAN:

7

All right.

Thank you

very much.

8
9

Present.

And finally, I want to note for the
record that we will be joined later in the meeting by

10

the liaisons for the various programs we are reviewing

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today.

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Congressional Gold Medal, we will be joined by Dr.

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Sheila Chamberlain, from the Emmett Till Justice

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Campaign.

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For the Emmett Till and Mamie Till-Mobley

And for the 2026 Native American $1

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Coin, we will be joined by Linn Cornelius,

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representative of the Oneida Nation, referred to us by

18

officials for her family's research and knowledge on

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the subject of Polly Cooper, Celia Belmonte, Assistant

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General Counsel of the Oneida Indian Nation, and

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Denise Desiderio, Senior Policy Advisor from Akin, on

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behalf of the Oneida Indian Nation.

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We welcome you all.

We thank you for

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joining us today, and we look forward to hearing from

3

you on your preferences and thoughts on the

4

portfolios.

5

So I'd like to begin with the Mint.

6

Are there any other issues that need to be addressed

7

before we start?

8
9

All right.

Then, the first order of

business for this committee is the review and approval

10

of the CCAC minutes and letters to Secretary of the

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Treasury, from our public meeting on February 27,

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2024.

Are there any comments on any of the documents?

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14

All right.

Hearing none, is there a

motion to approve the minutes and letters?

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MR. TUCKER:

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THE CHAIRMAN:

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Dennis Tucker; I move.
All right.

Is there a

second?

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MR. HOARD:

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THE CHAIRMAN:

20

MS. WARREN:

21

Jennifer Warren.

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name, and --

Second.
Kellen, thank you.
Excuse me.

This is

When you do that please, say your

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MR. HOARD:

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THE CHAIRMAN:

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All right.

All those in favor, please signify by
saying "aye."

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MULTIPLE SPEAKERS:

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THE CHAIRMAN:

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9

Thank you,

Kellen.

4
5

Kellen Hoard; second.

Aye.

Are there any objections

to the motion?
All right.

Hearing none, without

10

objection, the minutes and letters are approved.

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The next order of business is the

12

presentation of the Citizen Coinage Advisory Committee

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Public Service Award to Dr. Dean Kotlowski.

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have to say -- oh, and in recognition of his loyal and

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outstanding service, Deputy Director McNally will be

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presenting this award to Dr. Kotlowski today.

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And I

But before we turn it over to Deputy

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Director McNally, I would like to say that one of the

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greatest pleasures of serving on the CCAC is spending

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time with and getting to know the other members, and

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although, honestly, there never really seems to be

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enough time for that.

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So, Dean, your good cheer at the table,

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and great insights into U.S. history, in conversation

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as well as your critical eye for design in our

4

meetings, has really been sorely missed since we last

5

saw you nearly a year ago today.

6

pleasure to have you back, if only briefly.

7

you.

It really is a great
So thank

8

Deputy Director McNally, please.

9

MS. MCNALLY:

Okay.

I'm Kristie

10

McNally; I'm the Deputy Director at Mint, for any of

11

you who I have not met yet.

12

here this morning for this award.

And I'm so excited to be

13

Appointed to the CCAC in December 2018,

14

Dr. Kotlowski served as the member specially qualified

15

in American history.

16

U.S. political and policy history, he is a professor

17

of history at Salisbury University.

18

a historical advisor to the National Archives and the

19

Richard Nixon Library.

20

Civil Rights: Politics, Principle, and Policy" and

21

"Paul V. McNutt and Age of FDR."

22

A specialist in 20th century

He has served as

He is the author of "Nixon's

He has been a Fulbright Scholar four

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times to Philippines, Austria and Australia.

That's

2

quite the accomplishment.

3

Australia, Dr. Kotlowski showed his dedication to the

4

CCAC by joining remotely for very long CCAC meetings

5

in the middle of the night during his time.

6

with enthusiasm.

During this time in

He did so

7

As a member of the CCAC, Dr. Kotlowski

8

was extremely committed to the work of the Committee.

9

Specifically, over the years he has served on the

10

working group subcommittees including the FY 2022 to

11

consider theme ideas and provide recommendations back

12

to the full committee.

13

Dr. Kotlowski's last meeting was April

14

18, 2023, and today we're honoring him for his service

15

in the CCAC, the Mint, and the Department of the

16

Treasury, by presenting him with the Citizens Coinage

17

Advisory Committee Public Service Award, which is

18

beautiful.

19

The CCAC Public Service Award

20

recognizes the contribution of a member of the CCAC

21

who honorably served the public interest by advising

22

the Secretary of Treasury on theme and design

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proposals relating to circulating coinage, bullion

2

coinage, Congressional Gold Medals, and national

3

medals produced by the United States Mint.

4

The award contains a framed certificate

5

and two bronze medals, a three-inch Alexander Hamilton

6

Secretary Medal, and a three-inch silver or bronze

7

medal, which was reviewed by the CCAC, typically

8

during the tenure of the recipient.

9

requested a three-inch bronze duplicate of the

Dr. Kotlowski

10

Congressional Gold Medal, which was awarded for the

11

United States Capitol Police and those who protected

12

the U.S. Capitol on January 6, 2021.

13

Today, I am pleased to present the

14

Citizens Coinage Advisory Committee Public Service

15

Award to Dr. Kotlowski.

16

provided inspired and thoughtful input to the

17

development of numerous United States coins and

18

medals, and is highly regarded by his colleagues, and

19

respected for his opinions and insight.

20

All right.

Dr. Kotlowski consistently

Ladies and gentlemen,

21

please join me in thanking and congratulating Dr.

22

Kotlowski for his service to the CCAC.

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And I will turn over the microphone for

2

a few words.

Hopefully, this is not putting you on

3

the spot, but feel free.

4

DR. KOTLOWSKI:

I was known for using

5

the full three minutes.

6

once.

7

previous person said."

8

"That's the shortest you've ever been."

I simply said, "I agree with everything the

9
10

I'll quote John Saunders

And John said afterwards,

So in that vein, I've got five words.
I miss you all.

11

Thank you.
THE CHAIRMAN:

All right, Dean.

Thank

12

you very much.

13

all, very much as well.

14

speak on behalf of the CCAC, and we are very happy to

15

have you back with us, again, if only briefly, as

16

you're being honored with this award.

17

congratulations, and again, thank you for your service

18

on the Committee.

19

And I have to say that we miss you,

All right.

And I'm confident that I

So

I would -- before we begin,

20

I'd like to take a moment to reflect on the work that

21

lies ahead of us today and tomorrow.

22

work that we do on this committee is focused on

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A lot of the

Meeting

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celebrating or honoring either individuals or groups

2

of individuals who have made significant contributions

3

to our nation through their hard work or sacrifices.

4

Often, as in the case of the designs

5

for the American Women Quarters Program that we've

6

been reviewing over the last several years, there has

7

been a lot of joy and real pleasure in spotlighting

8

both well-known and lesser-known women, and learning

9

of their lives and contributions, sometimes from the

10

very people who knew them vest, their family and

11

colleagues.

12

Today, as part of the Native American

13

$1 Coin program, we will be reviewing candidate

14

designs honoring Polly Cooper, and bringing her story

15

to greater light.

16

American woman to appear in this program, she is from

17

the deepest past.

18

Revolutionary War aiding Washington's troops at Valley

19

Forge predate Sacagawea's aid to Lewis and Clark by

20

several decades.

21

both born in the 18th century, on two sides of the

22

same 21st century coin will be truly remarkable and

While she is not the first Native

Her actions during the

To have both of these native women,

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2

something to celebrate.
We will also be reviewing candidate

3

designs for medals honoring two other women, Secretary

4

of the Treasury, Janet Yellen, the first woman to hold

5

that position, and Mint Director Ventris C. Gibson.

6

While Director Gibson is not the first woman to lead

7

the Mint, she is the first African American to do so.

8

And on our agenda for tomorrow, we are

9

reviewing the design candidates for a new

10

commemorative coin program celebrating the 250th

11

anniversary of the United States Marine Corps.

12

I never served, I do feel great respect, as I'm sure

13

my colleagues do, for those servicemen and women who

14

have served, and I look forward to helping the Marines

15

celebrate this great milestone.

16

While

On occasion, we on this committee face

17

the darker side of our history as well, where there is

18

no joy and celebration.

19

Emmett Till in 1955, is one of the most sickening and

20

profoundly sad events to take place in this country,

21

and one that continues to resonate powerfully, nearly

22

three-quarters of a century later.

The lynching of 14-year-old

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It was only in the wake of another

2

horrific murder, that of George Floyd, that the Emmett

3

Till Antilynching Act was passed by Congress, and

4

signed into law in March of 2022, the first long

5

overdue law to define lynching as a Federal hate

6

crime.

7

to both Till and his mother, Mamie Till-Mobley, an

8

immensely courageous woman, who in the midst of grief

9

became a formidable voice for the cause of Civil

Months later, Congress awarded its gold medal

10

Rights, as we shall hear shortly.

By the time she

11

died in 2003, that struggle was still far from over.

12

And on that solemn note, I'd now like

13

to move on to first portfolio to be reviewed today,

14

and that is the Emmett Till and Mamie Till-Mobley

15

Congressional Gold Medal.

16

Medal was authorized by Public Law 117-334.

17

Stafford and Megan Sullivan will now present the

18

candidate obverse and reverse candidate designs for

19

the Emmett Till and Mamie Till-Mobley Congressional

20

Gold Medal.

The Congressional Gold

21

April, please.

22

MS. STAFFORD:

Thank you.

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And April

On August

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April 16, 2024

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28, 1955, 14-year-old Emmett Till was kidnapped,

2

beaten, shot, and killed in Money, Mississippi, where

3

he had traveled from Chicago to visit his great uncle.

4

His body was discovered three days later in the

5

Tallahatchie River.

6

eye-witness testimony, but the murderers were still

7

acquitted.

His uncle was able to provide

8

Emmett's mother, Mamie Till-Mobley, had

9

his body brought back to Chicago, and demanded an open

10

casket funeral, demonstrating her love for her son and

11

courage and strength in suffering.

12

wanted the world to see what they did to my baby."

13

In her words, "I

Emmett's funeral drew more than 50,000

14

attendees.

Till-Mobley allowed a photograph to be

15

taken of Emmett's body, which was seen across the

16

country after being published by Jet Magazine and the

17

Chicago Defender Newspaper.

18

Till-Mobley traveled to Mississippi to testify at the

19

trial of her son's murderers, and went on a national

20

speaking tour to share her son's story.

21

became a catalyst for the Civil Rights Movement, as

22

her courageous testimony and Emmett's inextinguishable

Amidst her grief,

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Her actions

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April 16, 2024

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light exposed the true depths of the horrors born from

2

racism in this country.

3

Till-Mobley served as chair and

4

co-founder of the Emmett Till Justice Campaign, which

5

had the dual purpose of reopening Emmett Till's murder

6

case for reinvestigation, and advocating for Federal

7

legislation to ensure that other racially motivated

8

murders during the Civil Rights era were investigated

9

and when possible, prosecuted.

In 2003, Till-Mobley

10

completed her memoir, "Death of Innocence: The Story

11

of the Hate Crime that Changed America," and passed

12

away later that same year.

13

We are presenting these candidate

14

designs to the Citizens Coinage Advisory Committee

15

today in pursuit of input that can help determine next

16

steps in the development of this medal, be that

17

recommendations to the Secretary of the Treasury,

18

recommended edits to existing designs, or suggestions

19

for new imagery on this subject.

20

Designs for this medal were developed

21

in consultation with Dr. Sheila Chamberlain, of the

22

Emmett Till Justice Campaign, and a family member of

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Emmett Till and Mamie Till-Mobley.

2

fortunate that Dr. Chamberlin is with us today.

3
4

We're very

Dr. Chamberlain, would you like to say
a few words to the Committee?

5

DR. CHAMBERLAIN:

Yes, I would.

6

of all, I'd like to say my name, Sheila L.

7

Chamberlain.

8

morning, everyone.

9

here to represent my family.

I hope I did that right.

First

Anyway, good

It's a pleasure and an honor to be
I think I have a little

10

bit -- a few years left, but I'm still hanging in

11

there.

12

The death of Emmett affected all of our

13

family members, different fractions inside of our

14

family.

15

unite us, and hopefully our country in a way that is

16

different -- I thank you for your time -- thank the

17

U.S. Mint -- I particularly am humbled to the

18

Smithsonian, and I'm particularly humbled to -- you

19

know, for allowing us to -- call daily, and the

20

privilege -- represent to Emmett.

21

not have been here without you, and I just wanted

22

to -- without further ado, I'm -- I'm doing okay.

And I'm hoping and I pray that this will

I think we could

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2

MS. STAFFORD:

Thank you, Dr.

Chamberlain.

3

We'll start by reviewing the candidate

4

designs for the obverse.

5

contain the inscriptions "Emmett Till and Mamie

6

Till-Mobley."

7

through the candidate designs, stopping at any

8

preferences identified by our liaisons.

9

The obverse designs all

And as is customary, I will cycle

We'll start with obverse 1, 2.

This

10

design features Mamie Till-Mobley holding in Emmett

11

Till in her arms as they're both embraced by a pair of

12

wings.

13

liaison, but will need an edit if it is moved forward

14

to the Secretary to make Emmett Till's face rounder, a

15

bit fuller, as this depiction you see is a slightly

16

younger Emmett Till.

This design is the preferred obverse of our

17

Design 3, 3A, 4, 4A, 5, 6.

Moving on

18

to the reverse designs, which all feature the

19

inscription, "Let the world see."

20

this design displays a pile of books, representing

21

Mamie Till-Mobley's plea that her son's story be

22

remembered.

Reverse 1, 2, 3, 4;

In the background, a fist is raised in

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solidarity for the fight against racism, and a sign

2

reads, "Justice."

3

of Congress 2023."

4

The additional inscription is "Act

This design is conceptually along the

5

lines of what the liaison would like to see, but

6

they'd like to include other imagery potentially.

7

example, Mamie Till-Mobley at a podium at the

8

courthouse, following the trial.

9

suggested edit from the liaison for this design

10
11

For

A requested -- a

includes removal of the raised fist.
Reverse 5, 6; this design depicts a

12

representation of Emmett Till's casket, held in his

13

mother's hands for all to see.

14

inscription is "Emmett Till."

15

preference of the liaison.

16
17
18

The additional
This is another reverse

Design 7 and 7A.

That concludes the

candidate designs, Mr. Chairman.
THE CHAIRMAN:

Thank you, April.

And

19

thank you, Dr. Chamberlain for your presence today and

20

for your comments.

21
22

Are there any technical or legal
questions from the Committee about this program or

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these designs for the Emmett Till and Mamie

2

Till-Mobley Congressional Gold Medal before we begin

3

our general discussion?

4

Dennis, I see your hand is raised.

5

MR. TUCKER:

This is Dennis Tucker.

I

6

do have some technical questions about some of the

7

designs and the relief.

8

if this is a good time to ask them or if I should wait

9

for my --

10
11
12
13

And I don't know if that's --

THE CHAIRMAN:

It is a technical

question; correct?
MR. TUCKER:

They're technical,

relating to the sculpt?

14

THE CHAIRMAN:

15

MR. TUCKER:

Sure, go ahead.
Specifically, I'm

16

wondering about -- if you look at reverse 3, for

17

example, and reverse 7 and 7A, I was wondering if Joe

18

Menna could maybe talk a bit about how the black

19

fields would be sculpted, if those are recessed, or if

20

they're polished, or maybe just give us some

21

explanation there?

22

THE CHAIRMAN:

Thank you, Dennis.

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Joe, would you like to respond to that?

2

MR. MENNA:

3

We don't do polish on Congressional

Yes.

This is Joseph Menna.

4

Gold Medals, but we do incuse fields.

5

No. 7, the darkest area would be the most recessed.

6

And as the gradient -- as the gradient becomes lighter

7

towards her shoulder, that relief would raise, so it

8

would be coincident with her neck and look natural.

9
10

For the other design with the star
field, I believe?

11

MR. TUCKER:

12

MR. MENNA:

13

similar to hidden figures.

14

would be recessed.

15

polish.

Yes.
That equally -- just,
What you see in black

Incused, technically, but we don't

16

And -- thank you.

17

THE CHAIRMAN:

18

MR. TUCKER:

20

THE CHAIRMAN:

22

All right.

Thank you,

Joe.

19

21

In this case,

Thank you.
Any other questions or

comments?
Art?

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MR. BERNSTEIN:

Yes.

This is Arthur

2

Bernstein, with a quick technical question.

3

Till-Mobley, I noticed some of the designs have that

4

last name hyphenated, and some don't.

5

MS. STAFFORD:

Yes, sir.

The name,

They would

6

need be hyphenated, anything that moved forward.

7

There's one or two candidate designs that are missing

8

that hyphen that would need to be addressed.

9

you.

Thank

10

MR. BERNSTEIN:

Thank you.

11

THE CHAIRMAN:

12

Any other questions or comments?

13

All right.

All right.

Thank you.

So let us begin our

14

consideration.

And I'd like to remind all of the

15

members of the Committee to please keep your comments

16

to five minutes or less, and do please identify

17

yourself prior to speaking.

18

Mike Moran, would you like to begin?

19

MR. MORAN:

20

This -- I'm here.

Thank you, Peter.
First of all --

21

terrible feedback -- sending an e-mail.

22

perfectly, but remote people, it's -- it's bad.

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Now, going to the image of -- I'm --

2

I'm fine with the family's choice of obverse -- I can

3

see it working.

4

would about --

5

I also would like -- there's a -- we

April, if you could -- down to about 6,

6

7, 8 -- it's coming up.

Oh, right there.

7

I like that.

8

the next one, it's number -- I think 10 -- excellent.

9

I think it -- it -- style as well as there's a -- this

I -- it's nice, pleasing.

That's a -The -- that's

10

one is appealing.

11

portray that -- that expresses -- that drove her, her

12

determination -- gold medal down in Mississippi.

13
14
15
16
17

Difficult subject to portray --

So I'll be -- on that one as well.
That's it.
THE CHAIRMAN:

Thank you, Mike.

you have any comments about the reverses at all?
MR. MORAN:

Again, I liked -- it's

18

the -- the image in silhouette.

19

think that's a medal.

20

Did

THE CHAIRMAN:

That one.

All right.

I -- I

Thank you.

21

I can't quite tell; you were breaking up a little.

22

Are you finished?

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MR. MORAN:

2

THE CHAIRMAN:

3

Yes, I am.
All right.

Thank you

very much, Mike.

4

Art Bernstein, please.

5

MR. BERNSTEIN:

This is Arthur

6

Bernstein.

With regard to the obverses, design

7

obverse 1, I appreciated the elegance and the

8

simplicity of that design.

9

I can certainly support that, and I think it's

Obverse 2, the preference,

10

perfect.

11

thought it made clever use of the photograph -- of the

12

photograph from the gravestone of Emmett Till.

13

also appreciated the use of the starburst design,

14

which related to the ring that helped identify him.

15

Obverse 3, I just wanted to comment that I

And I

With regard to the reverses, reverse 6

16

is my favorite because it embraces the phrasing of

17

Mamie Till-Mobley, and also incorporates the casket.

18

And I think reverse 4 is also fine, although I

19

personally am having a little trouble connecting the

20

books with the idea of remembering Emmett Till.

21

understand the explanation, but for me, I didn't make

22

that connection.

Thank you.

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2

THE CHAIRMAN:

Thank you very much,

Art.

3

Dr. Harcourt Fuller, please.

4

DR. FULLER:

5

Thank you, Mr. Chairman.

I'll try to project my voice.

6

This is Dr. Harcourt Fuller.

This is

7

a very difficult topic, you know, for -- for all of us

8

to address, but nonetheless, this is why this

9

committee is here to give our advice and opinions

10

about these designs, for the benefit of the public.

11

Welcome, Dr. Chamberlain.

12

I think I would like to go with obverse

13

2; let me start with that, please.

14

loving mother, just embracing her son, which I think

15

has universal appeal.

16

provides opportunity for empathy as well.

17

Here, you see a

And it, you know, it gives --

And if we could also go to obverse 4.

18

What I see here again is a loving mother just

19

supporting her son, which I also think has universal

20

appeal, and elicits empathy as well, and

21

understanding.

22

And then, if I may go to the reverses;

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let's go with reverse 2.

While, you know, it's --

2

these are all problematic aspects of our history and

3

culture, you know, lynching, inequality, et cetera,

4

oppression, I really like the design of peeling back

5

the curtain so that the world can see some of the

6

challenges that we have faced as a country, and those

7

that we still have to continue to address.

Thank you.

8

THE CHAIRMAN:

9

Dr. Christopher Capozzola, if you

10

Thank you, Dr. Fuller.

would, please.

11

DR. CAPOZZOLA:

All right.

This is

12

Christopher Capozzola.

13

thanking the artists for these designs, and Dr.

14

Chamberlain, and also Congress for this -- for this

15

overview medal.

16

I want to also begin by

I do think that it's important, as I

17

was thinking about this portfolio, to think about

18

recognizing both the historic event of 1955, as well

19

as the generations-long legacy afterward, and trying

20

to figure out how to balance that in the design, and

21

to communicate that to public audiences who may know

22

little about what happens after 1955.

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For me, I found myself actually drawn

2

to -- to several of the obverses.

3

the family's preference, was very good.

4

and maybe explicitly religious.

5

the extent to which religion was important to Till and

6

Till-Mobley, and might want to hear from the -- from

7

the family about that and to help understand that.

8
9

I thought No. 2,
It is deeply

I'm not familiar with

As a portrait, I did also really like
No. 4.

It very closely tracks photographic evidence

10

that -- for, that we have of -- of them.

11

another question is whether the imagery in the back

12

that inspired the artist would have also been

13

inspirational to -- to Till-Mobley, or whether that

14

would've -- that design would be something she would

15

have recognized, and then found meaningful.

16

And again,

On the reverse, I will say that I

17

actually -- I didn't love any of them, in part because

18

I do think that it's important that a reverse may be

19

the place to do this, to highlight a legacy that is

20

not just about violence and oppression, but is also

21

about resilience and persistence.

22

And so, what I would like to put on the

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table is the idea of 02, but with maybe a different

2

set of words that would -- that would, you know,

3

reflect some of the work that Till-Mobley did over the

4

course of her career.

5

the family is interested, I would support those as

6

well.

But of course, 04 and 06, if

Thank you.

7

THE CHAIRMAN:

8

Annelisa Purdie, if you would, please.

9

MS. PURDIE:

10

Thank you, Chris.

This is Annelisa Purdie.

Also I want to start by thanking Dr.

11

Chamberlain for being here and for providing the input

12

on these designs.

13

venture, but also is very difficult, and we appreciate

14

that.

15

I know that this is an exciting

In terms of the obverse designs, I also

16

loved 02 -- 002.

I think that it gets to the crux of

17

what this story is about, in terms of a mother

18

fighting for the recognition of her son.

19

that out of all of this -- these designs, this one

20

exemplifies that their relationship was just as valid

21

and just as strong, and something that needed to be --

22

to be fought for.

And I think

I love the way that the angel wings

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framed both of them and the way that he's leaning into

2

her.

3

very inscrutable, almost as if they knew that they

4

would not see each other again, which, unfortunately,

5

they did not.

6

I'm also very fond of the expressions.

It's

My only recommendation for this,

7

design-wise, would possibly be to have a border around

8

the coin, so that the wings don't necessarily lean

9

into the edge, and keeps the focus on Mamie

10

Till-Mobley and her son.

11

Let's see.

In terms of the reverse

12

designs, I also was not too enthused about many of

13

them, in large part because the reliefs do not

14

resemble Mamie Till-Mobley that much.

15

these designs, she looks much older than she actually

16

was.

17

In some of

But the one out of these that I found

18

really compelling was 006, with the casket and the

19

hands.

20

with this event, in large part because they are

21

grounded in an horrific act of violence.

22

that this design, once again, gets to the point of a

It's very difficult to express the emotions

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mother's love and persistence to fight, and a

2

reminder, as well, that this was resulting in a death,

3

unfortunately, and that she was not going to allow

4

that death to stop her without the risk of the casket

5

being open.

6

I know that there were some concerns on

7

the part of the family about representing an open

8

casket on any of the coin designs, which I completely

9

agree with.

10

But of all the reverse designs, this is

the one that stood out to me the most.

Thank you.

11

THE CHAIRMAN:

Thank you, Annelisa.

12

Donald Scarinci, if you would, please.

13

MR. SCARINCI:

So I'm going to try to

14

do this in five minutes.

And even though Dr. Brown is

15

here, he -- Peter remains unknown.

16

is out --

I think the charge

17

MS. WARREN:

Just speak loud.

18

MR. SCARINCI:

19

So even though Dr. Brown is not here to

20

gavel me down at the end of my five minutes, this is a

21

very important coin, and -- or, a medal.

22

very important because, you know, in part, because

I'll speak loud.

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it's a recognition of Congress.

2

So, Act of Congress 2023, needs to be

3

in this medal.

4

one.

5

Chamberlain because, you know, I always support the --

6

when it comes to the Congressional Gold Medals, part

7

of what's interesting about collecting the series of

8

congressional gold medals in bronze is the fact that,

9

you know, the living descendants of these people, you

10

know, who made history, are having input into -- into

11

the designs.

12

I mean, it needs to be there, number

Number two, I really would love to persuade Dr.

But having said that, I really want to

13

try to talk you out of 02.

14

brings, you know, the -- the angel wings just bring a

15

religious component into -- into a medal that is

16

important to all people.

17

Americans who may not be, you know -- you know, of --

18

of a Christian -- necessarily a Christian persuasion.

19

And you know, and -- and I wouldn't want the message

20

to be diluted with so blatant of a -- of illusion with

21

wings, the crucifix on her neck.

22

It's -- it's just -- it

And -- and important to

You know, and not that that's wrong,

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but in this instance, the message is too important.

2

And the message, you know, that we want the world to

3

see, is -- is really stated, you know, and it's so

4

relevant today.

5

that is the message.

6

talking about.

7

just think that, you know, while there are some, you

8

know, the obverse designs all fall short to me, but

9

the reverse designs are -- maybe we could have an

10

And it's stated in reverse 2.

And

I mean, this is what we're

And -- and, you know, and -- and I

obverse and a reverse from the reverse designs.

11

For example, I particularly like 2 as a

12

reverse, and -- and I like a variation -- I just love

13

the, you know, the 7 reverse, with the "Let the world

14

see."

15

which we're just not going to do.

16

removing the "let the world see here," putting the

17

Congressional -- Act of Congress there instead.

18

That requires, just designing by committee,
It requires

But if we want to go, you know, with an

19

obverse and a reverse, you know, in obverse 6, the --

20

if we put Act of Congress on the -- on the edge, and

21

just take away some of that negative space by doing

22

that, because it is important.

And then, go with

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reverse 2 at, you know -- you know, or even reverse 3.

2

You know, I think -- I think it would make a nicer

3

design.

4

I don't really like -- I don't really

5

like, on the reverse choice, for Dr. Chamberlain's

6

reverse choice, I don't really, you know, like the

7

books, and the -- I don't know what that's saying, you

8

know, really.

9

fist out, but I just don't think the reverse works.

10

You know, I'm glad you want to take the

So even if you wanted to keep obverse

11

2, I think there are better reverse choices than

12

reverse 4.

13

very strong designs, and -- and, you know, and I think

14

it would make a more meaningful and a more significant

15

statement as -- as a medal.

16

In fact, I think the reverse choices are

So I just want to say that.

And as an

17

aside to the members, to the CCAC members, I think,

18

you know, as we do this portfolio, we were going to

19

say this at the beginning, but I think as we review

20

this series for the next two days, we really should be

21

using the merit -- the merit section.

22

good -- this is -- it helps the artists -- it helps

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Joe, first of all.

2

to take the temperature of how we feel about that, you

3

know, better than the gavel.

4

It certainly helps Joe Menna get

Anyway, so I encourage you to use the

5

merit liberally so that Joe can see the ones that

6

really are appealing to us.

Anyway --

7

THE CHAIRMAN:

8

Harcourt, I saw that your hand was

9
10
11
12

raised.

Thank you.

Is this a question that can wait until after,

or did you want to -DR. FULLER:

It -- it could, possibly.

I -- I had follow-ups, but -- but I --

13

THE CHAIRMAN:

Okay.

14

Dennis Tucker, if you would, please.

15

MR. TUCKER:

16

In order to -- in order to keep to my

Thank you, Mr. Chairman.

17

five minutes, I'm going to read from my notes, so I

18

apologize for that.

19

I would like to start by thanking and

20

recognizing Dr. Chamberlain.

She was the first black

21

woman combat intelligence pilot in the United States

22

Army, president of the Los Angeles chapter of the

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Tuskegee Airmen, and a senior advisor for Sisters of

2

the Skies.

3

in this very important project.

4

So it's an honor to have your involvement
Thank you.

Let me start by saying that medallic

5

art, in its most successful form, brings an emotional

6

response to its viewer.

7

a medal for Emmett Till and his mother could invoke.

8

Outrage and anger at his murder, a righteousness in

9

the Civil Rights progress that followed, and the

There are many feelings that

10

findings laid out in the public law that authorizes

11

this medal, which I encourage everyone to read if you

12

haven't.

13

We see two themes.

One, the brutality,

14

violence, and injustice of Emmett Till's murder; and

15

two, the love, strength, and courage of Mamie

16

Till-Mobley.

17

a sense of loving comfort and peace.

18

depth of emotion and human connection.

19

mother and son facing each other and hugging, but both

20

are embraced by angelic wings.

21

cross shows spiritual salvation.

22

Obverse 2 is the only design that gives
It has a unique
Not only are

The presence of the

Donald, I understand what you're saying

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about inclusion, but I feel -- and perhaps Dr.

2

Chamberlain can talk to this -- speak to this subject,

3

but to me, it seems like an important and crucial part

4

of the design.

5

Most of the other obverses are

6

traditional portraiture.

Obverse 6 gets close to the

7

emotion of obverse 2, but it's tied to a weaker

8

design, in my opinion, for the reverse.

9

design that best matches obverse 2's quiet, dignified

The reverse

10

sense of emotion, is reverse 3.

11

his mother are disconnected physically by his death,

12

but they remain connected spiritually.

13

this design is quiet, it captures Mamie Till-Mobley's

14

strength and courage, not with raised fists or radio

15

microphones, but with the statement, "Let the world

16

see."

17

Here, Emmett Till and

Even though

This carries the anger, the outrage,

18

the moral resolve.

It's a message Mamie Till-Mobley

19

commanded, despite suffering something no parent

20

should ever suffer.

21

Our horror and our grief are shown by her covering her

22

face, but we're not let off the hook.

And we suffered this as a nation.

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connects Emmett to the message, "Let the world see,"

2

by the repetition of sunken relief silhouette, as Joe

3

described, and the starry night occupying Emmett's

4

form, and emphasizing the text.

5

I like the combination of obverse 2 and

6

reverse 3 because while this combination doesn't

7

ignore the sadness and horror of Emmett's murder, it

8

focuses on love, strength, courage, and hope in the

9

face of injustice.

Thank you, Mr. Chairman.

10

THE CHAIRMAN:

11

John Saunders, if you would, please.

12

MR. SAUNDERS:

13

Thank you, Dennis.

Hi, this is John

Saunders.

14

In terms of the obverses line, Harcourt

15

kind of stole my thunder, which I agree with him

16

completely.

17

for reasons that people have said already.

18

loving.

19

and murdered in such a foul way as this, it not only

20

obviously affects them, it affects the people around

21

them, who they care about.

22

time we lose any person, we -- it's a loss for society

I was drawn to two designs only; design 2
It shows

It shows also that when someone gets killed

And -- and, you know, any

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in general, and for everyone who cares.

2

I also liked design 4 very, very much.

3

Particularly, I like the first of the two designs

4

there; either one would be okay.

5

of the hat.

6

look good.

7

when this happens.

8

boys wore hats too.

9

that is -- was very appealing to me.

I like the inclusion

It kind of -- I think it makes Emmett
I also think it kind of shows the time
It's 1950s when men wore hats and
So -- and the artistic design of
So that's

10

probably my first choice with design 2 as being

11

almost -- well, both great; pretty good designs

12

overall.

13

In terms of reverse, on an artistic

14

basis, I liked 3 best.

I think that was -- was very

15

good art.

16

obverse shows the mother and child and reverse shows

17

mother and child, which is not necessarily bad, but

18

it's kind of repetitive.

My -- my one thought is -- it's -- the

19

If you kick out 03 because of that, 02

20

would be my favorite next, again, following what

21

Harcourt said.

22

like the raised fist in 4, 'cause hopefully when we

So those were two.

I -- I did not

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face the terrible things that have been done, terrible

2

injustices like this, it's a time of healing rather

3

than a time of further conflict.

4

like something that's, you know, anti-healing.

5

don't know if that's the right way of saying it or

6

not, but I did not like that.

7

And I -- I don't

But I liked the art in 03, and I like

8

02, 'cause then it goes with the obverse design

9

choices well.

10
11

I

THE CHAIRMAN:

John, thank you very

much.

12

Kellen, if you would, please.

13

MR. HOARD:

14

This is Kellen Hoard.

Thank you.
For the obverse,

15

I was really drawn to 4 as well.

I, you know -- when

16

I was home for spring break and I saw my mother, you

17

know, she and I -- well, anyway, what happened was she

18

and I happened to stand in this exact position, so I

19

was very much just thinking of -- of my mother, as I

20

saw this, especially as -- as her son.

21

across as very comforting and very warm.

22

the warmth of their relationship.

And it came
It showed

They're together;

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they are in many ways touching each other emotionally

2

and physically.

3

I was really quite drawn to that.
You guys are persuading me also a

4

little bit on obverse 2 for the same reasons.

I think

5

it's really -- we should show the warmth on the

6

obverse.

7

to be, kind of, the first impression -- 4 is kind of

8

the preference there.

I think that's -- that's an important thing

9

On the reverse, you know, my

10

inclination, what distinguished her was that she

11

didn't, you know, that she took action, that she was

12

strong in the face of tragedy, that she -- there were

13

countless mothers, I think, like her, who experienced

14

injustice and tragedy throughout this period and

15

continuing.

16

was the fact that she took the world and showed that

17

strength and bravery.

18

work and her action.

19

And I think that what differentiated her

So I was inclined to show her

And that led me to 1 in the first

20

place, as showing her as this, kind of, powerful,

21

action-oriented person, showing the people that she

22

impacted.

Having, kind of, the words really

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emphasized there.

2

telling and fitting with what I was looking for.

3

I thought that was really quite

But then, I saw also 6.

And for me, 6,

4

you know, it doesn't show her quite as well, but it

5

was a striking design that went so far beyond anything

6

even articulable.

7

speaking to, made me quite emotional.

8

was her continuing to encourage the world to see, you

9

know, the injustice that had been done, holding out

10

But which made me, like that I'm
I thought it

her hands in that way.

11

And I think for the public when they

12

see this, that's going to be the one that they don't

13

have to think about, they can just feel quite

14

powerfully.

15

leaning that direction there.

16

upon the obverse and then to have her continuing

17

offering those lessons in justice in the reverse was

18

really quite compelling to me.

19
20
21
22

And so, I think, you know, I'm kind of

THE CHAIRMAN:

So to show the warmth

So thank you.
All right, Kellen.

Thank you very much.
For myself, I also was drawn to obverse
No. 2, just again, for many of the reasons that other

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members of the Committee have expressed; the warmth,

2

the loving embrace, and so forth.

3

that not -- none of the reverses really spoke to me.

4

I -- I didn't really find any of them particularly

5

compelling or engaging in a way.

6

I do have to admit

I did, however, really like the

7

combination of obverse 6 and reverse 7, which as a --

8

from a design concept, I find the elegance and

9

simplicity of this obverse reverse combination really

10

quite engaging, although the obverse portrait of

11

Emmett, I think, leaves a lot to be desired.

12

I will leave it at that since I think

13

we do have a little bit of discussion.

14

get to that, I would like to ask Dr. Chamberlain if

15

she could address the question that was raised by Dr.

16

Capozzola about the importance for religion to the

17

family, and to the concept of the design of this

18

medal.

19

Yeah, go ahead, please.

20

DR. CHAMBERLAIN:

21
22

But before we

Does that mean I

speak?
THE CHAIRMAN:

Yeah, please, if you

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would.

2

MS. WARREN:

And if -- I'm sorry, Dr.

3

Chamberlain, if you could get closer to the mic, that

4

would be helpful.

5
6

DR. CHAMBERLAIN:

How about that?

8

MS. WARREN:

10

A little better, just if

you could lean closer to the computer, that would
help.

11
12

Let me try to

turn it up.

7

9

Okay.

Thank you.
DR. CHAMBERLAIN:

Okay, I'll try and do

this.

13

MS. WARREN:

Good.

14

DR. CHAMBERLAIN:

Okay.

So thank you

15

all very, very much for all of the recommendations.

16

They say when you want something said send a poet, but

17

when you want something done, you send an Army

18

helicopter pilot.

19

So first of all, we come from a very

20

religious family.

The reflections that you do see are

21

from us as a family, as a whole.

22

too, the feelings takes on your -- which this, to me,

We come from an age

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is a coinage committee of advisors -- "In God We

2

Trust."

3

it.

Of course, maybe that lost -- I'm talking to

4

I am grateful for all of the comments

5

that are made, and I ask -- consideration -- as we

6

started this journey with Alvin Sykes in 2015, this is

7

my third Congressional Gold Medal, as I also helped on

8

the -- Tuskegee Airmen Gold Medal --

9
10

MS. WARREN:
connection.

11
12

It's her internet

THE CHAIRMAN:

I know.

Can she pause

maybe?

13

DR. CHAMBERLAIN:

But this is the first

14

time as the sole congressional liaison.

15

the struggle getting this through a Congress in which

16

we have.

17

little -- little helicopter pilot, with three -- other

18

people calling every day, showing up at the Capitol,

19

the impossible beginning.

20

It was quite

But a little team of just four of us, a

And it was done.

Now, we're at this juncture, and who

21

helped it -- bless her, is Erica Gordon, who was there

22

along with her mother Ollie, who, when we had no one

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who allowed us, Ollie Gordon stepped up and helped,

2

'cause she's part of this team.

3

because of the loss of my cousin, Wheeler Parker,

4

accepting on behalf of -- Congression, I request that

5

she be there as a -- help -- us four.

6

Ollie, who -- and

So as a team, we looked at all of every

7

design.

We thank every artist.

Each of them were

8

beautiful.

9

because what's going on now with all that is -- seems

It was a -- I wear the T-shirt of Emmett

10

like we're the only ones who are actually -- of

11

spirit.

12

THE CHAIRMAN:

13

DR. CHAMBERLAIN:

14
15

Dr. Chamberlain -So we looked at each

and every one.
THE CHAIRMAN:

Dr. Chamberlain, I'm

16

sorry to interrupt, but we're having a lot of

17

difficulty with the audio.

18

important for us to hear, but we're only hearing about

19

every other word at the moment, unfortunately.

20

what I would suggest is that Megan Sullivan call you

21

on her cell phone, and we can then patch that into the

22

audio so we can actually hear each and every one of

And your words are very

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your words, which all of us would very much to hear.

2

DR. CHAMBERLAIN:

3

THE CHAIRMAN:

4

give us a minute, we will --

5
6

MS. WARREN:

So if you could just

Ask her to mute her

computer.

7

DR. CHAMBERLAIN:

8

THE CHAIRMAN:

9

Thank you.

And -- yeah.

If at the

same time, you can mute your computer, so there won't

10

be interference with that.

11

running just momentarily.

12

MS. SULLIVAN:

13

her camera, that might help.

14
15

Thank you.

MS. WARREN:

We will have that up and

Also if she turns off

Well, Mike was having the

same issue.

16

DR. CHAMBERLAIN:

17

MS. SULLIVAN:

18

MS. WARREN:

19

MS. SULLIVAN:

20

I'm going to put you on speaker on the

21
22

microphone.

Hello?

Okay.

Mute your --

I'm muting her.
Okay.

Hold on just a sec.
MS. WARREN:

Okay, let's give it a

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shot.

2

DR. CHAMBERLAIN:

3

UNIDENTIFIED SPEAKER:

4

How about now?
Better than

before, but not very good.

5

MS. SULLIVAN:

Yeah, can you just turn

6

the sound -- well, I don't know if she's able to hear

7

well enough.

8

Try that.

9

DR. CHAMBERLAIN:

10
11

MS. SULLIVAN:

Can you hear us?

I

mean, can you speak?

12
13

Is that better?

DR. CHAMBERLAIN:

I can hear you

perfectly.

14

MS. SULLIVAN:

Okay.

15

THE CHAIRMAN:

Okay, I think that's

16

better.

Let's -- go ahead.

17
18
19
20

You guys --

MR. WEINMAN:

Ask her to speak close to

the phone.
MS. SULLIVAN:

Yeah, just speak as

closely to the phone as you can.

21

DR. CHAMBERLAIN:

22

MS. SULLIVAN:

Okay, how about that?

Perfect.

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MR. WEINMAN:

Good.

2

MS. SULLIVAN:

3

MS. WARREN:

4

DR. CHAMBERLAIN:

5

MS. WARREN:

6

DR. CHAMBERLAIN:

-- we start?
Yeah, go ahead.
Okay.

Are we ready?

Okay.

So that's

Yes.

7

why -- how much did you all hear me -- you heard me

8

speak about Ollie Gordon?

9

Mamie.

Ollie actually lived with

Her features -- that's why we looked at each

10

and every one.

We took three to four weeks going over

11

it thoroughly, and we came up with the No. 2.

12

there's a reason why.

13

If you could put No. 2 back up?

14

MS. SULLIVAN:

15

DR. CHAMBERLAIN:

16

MS. SULLIVAN:

21
22

Okay.

I don't see

It's up on our end.

I'm

not sure why it's not showing up.

19
20

Okay.

it.

17
18

And

DR. CHAMBERLAIN:
up.

Okay.

It just came

Thank you.
First, with that, we were requesting

that Emmett's full name be on there, not just Emmett

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Till, but his full name.

Second is because this

2

reflects who Mamie was.

3

she was.

4

requesting with Emmett, that's his childhood picture.

5

We have requested that his face be fuller to what he

6

was during the time of his death, which is a much

7

fuller face.

8

because we are a religious family, and it reflects who

9

we are, and everything that she went through and what

This reflects strongly who

The actual picture that's there that we're

The reason why we chose the wings

10

Emmett went through.

And also, we considered how it

11

would look with gold, golden wings, reflective of who,

12

and actually what happened with him, and the healing

13

of America towards what they did to my cousin.

14

Is everybody with me so far?

15

MULTIPLE SPEAKERS:

16

MS. WARREN:

Yes, ma'am.

One second.

Dr.

17

Chamberlain, can you mute your computer, your sound?

18

Because I think this -- our -- we're circling back.

19

DR. CHAMBERLAIN:

20

MS. WARREN:

21

DR. CHAMBERLAIN:

22

Hold on one second.

Thank you.
Okay, I -- I've muted

the mic.

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MS. WARREN:

2

we're good.

3

but --

4
feedback.

6

meeting.

7

9
10
11
12
13

I think

Well, you can still hear -- feedback,

DR. CHAMBERLAIN:

5

8

There we go.

Yeah, there's a

The feedback's been there the whole

MS. SULLIVAN:

It's okay.

We can hear

you, ma'am.
DR. CHAMBERLAIN:

Okay, thank you.

Does anybody have any questions so far
for why 02 was selected?
THE CHAIRMAN:

No, I think you've

answered the questions very well.

So --

14

DR. CHAMBERLAIN:

In terms of the rear,

15

two were -- two were discussed.

16

those were her hands in the reflection of the coffin.

17

So "Let the World See" was changed to "Nation," and it

18

was much more soft, versus an in your face type thing.

19

And it reflected who she was as a strong woman, who

20

lost a child, and it also reflected each and every one

21

of us as family.

22

suffered as well.

That's R6, because

And collectively, a lot of us has
And we thank the grateful nation

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for even -- for doing this, and getting this done.

2

And we also looked at the back, how --

3

how that would look in gold, as well.

4

reflected of a more soft -- softer tone.

5

have any questions of me with that?

6

THE CHAIRMAN:

And it
Does anybody

Yes, we do have a

7

question from Dennis Tucker, if -- Dennis, if you'd

8

like to go ahead.

9

MR. TUCKER:

Thank you, Dr.

10

Chamberlain.

Can you expand a bit on what you were

11

saying about Emmett Till's full name?

12

DR. CHAMBERLAIN:

13

MR. TUCKER:

14
15
16

You mentioned extending

the wording to include his full name?
DR. CHAMBERLAIN:

MULTIPLE SPEAKERS:

18

DR. CHAMBERLAIN:

20
21
22

His full name, yes.

You see how it just says, "Emmett Till"?

17

19

Yes.

Yes.
We recommended to

have his full name.
MS. STAFFORD:

So we would add his

middle name, Louis.
MR. TUCKER:

Thank you.

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MS. STAFFORD:

Apologies for

3

THE CHAIRMAN:

Dennis, could you --

4

DR. CHAMBERLAIN:

2

neglecting --

The other one we

5

looked at was -- I believe it was R4.

We did look at

6

that and we had a discussion, but we did recommend

7

that the power sign not be there because that

8

reflected the 1960s, and not the 1950s.

9

when we asked to possibly have Mamie at the podium,

And this is

10

with her as she did down in Sumner, when she was there

11

during the trial.

12

That's one.

The other thing was the Act of Congress

13

2023, and the books.

14

we've come as a nation.

15

family feels very strongly about.

16
17
18

And the books suggest of how far
So those are the two that the

And hold on, let me see if I forgot
anything else.

I think I got it all.
THE CHAIRMAN:

All right, Dr.

19

Chamberlain, thank you very much.

And I have to say

20

that I really do appreciate, as I'm sure the rest of

21

the Committee does, the very long and hard journey

22

that bringing this medal to completion has been.

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2

Are there any further questions from
members of the Committee?

3
4

Harcourt, I believe you had a question
earlier?

5
6

DR. FULLER:

May I?

I promise I'll be

as brief as possible.

7

THE CHAIRMAN:

Please.

8

DR. FULLER:

9

I just wanted, if I may -- this is

Yeah, thanks.

10

Harcourt Fuller.

11

some of the discussions if I may.

12

reemphasize, I think that the spiritual aspect, I

13

think is very important.

14

family is spiritual, is religious, and I think that it

15

is very important to highlight that for, you know, in

16

commemorating Emmett Till and Mamie Till-Mobley.

17

don't think it takes away anything necessarily, from

18

it.

19

I wanted -- I wanted to follow up on
Just to

As Dr. Chamberlain said, the

I

And then, also, I just very quickly, if

20

I may go to reverse -- what is that, reverse 2, R2.

21

What I -- if I may, what I would like to suggest is

22

that we replace those words with more aspirational

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words, some of which have already been mentioned here

2

today.

3

hope, justice.

4

some by Dennis, et cetera.

5

that those words are more inclusive and show where we

6

would like to go as a nation.

Love, strength, courage, peace, resilience,

7
8

Because I think that --

So that's -- those are my thoughts.
Thank you.

9
10

All those words have been mentioned,

THE CHAIRMAN:

Thank you very much,

Harcourt.

11

What I would suggest is that we will

12

score the candidate obverse reverse designs first, and

13

then we can see where we are --

14

I'm sorry?

15

MS. WARREN:

16

Dr. Chamberlain has her

hand up.

17

THE CHAIRMAN:

18

Dr. Chamberlain, if you would, please.

19
20
21
22

Oh, I'm sorry.

I didn't see your hand.
THR REPORTER:
microphone, please.

And, Mr. van Alfen, the

Microphone, please.

DR. CHAMBERLAIN:

I do have to put this

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in.

I really want the Committee to know that Mamie

2

worked for Willa Brown and Cornelius Coffey.

3

worked for them from 1941 to 1943.

4

be the one to create the Tuskegee Airmen.

5

the first 200 in Harlem, New York.

6

teenager working with them.

7

Airman ranger who accepted Emmett's body.

8
9

She

Willa Brown would
She trained

Mamie was the

It was the Tuskegee

Willa Brown was my mentor until her
death.

So the connection with the airmen is very

10

serious with our family as well.

So I don't know if

11

you all knew that connection, but now you know it, and

12

I had to get that in too.

13

UNIDENTIFIED SPEAKER:

14

THE CHAIRMAN:

15
16
17
18

Thank you.

Sergeant -- Sergeant

Brown?
DR. CHAMBERLAIN:

So in a second,

I'd -- that coin would be right now.
THE CHAIRMAN:

Dr. Chamberlain, I

19

really do appreciate you highlighting that connection.

20

As a aviation enthusiast myself, I -- I really find

21

that quite important and fascinating.

22

for highlighting that.

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2

Are there any additional comments from
the Mint, Joe Menna, and Mike Costello?

3

All right.

Hearing none --

4

MR. MENNA:

No, thank you.

5

THE CHAIRMAN:

6
7

And before we score,

Greg would like to make a comment about the scoring.
MR. WEINMAN:

Thank you.

You may have

8

noticed, and this is for some of the newer members as

9

well, there is a column on your score sheet that says,

10

"merit," and it has a number of circles on it.

11

column has been there for some time, however, I'd like

12

to emphasize it right now and ask you to take it a

13

little more seriously, and be sure to fill it out.

14

That

Over -- I've noticed as I have

15

complied the score sheets that some members give it a

16

great deal of thought; other members have seen it as

17

something more superfluous.

18

more important right now than it has been in the past.

19

It's not, and it is even

As many of you know, many of these

20

designs are produced by artists as part of our

21

artistic infusion program.

That is a program that's

22

been around for some time.

They are contract artists;

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they're awarded contracts and given task orders for

2

each program that comes up.

3

option years on them.

4

mint does an evaluation and makes a determination as

5

to who stays with the program.

6

program, so some artists cycle in, artists cycle out.

7

Their contracts have

That means that each year, the

It is an infusion

Your scores, your merit scores are

8

going to be playing a more significant role as a data

9

point in determining which artists' options are

10

exercised for the coming year.

11

you score this, as you do your zero through 3 score,

12

also take seriously and check the merit box of those

13

designs that you think are particularly worthy from an

14

artistic or from any -- the criteria that you think,

15

"this is as an artist I'd like to see stay in the

16

program."

17
18

And so, I ask you as

Thank you.
THE CHAIRMAN:

Great.

Thank you very

much.

19

All right.

So the Committee will now

20

score the obverse and reverse candidate designs for

21

the Emmett Till and Mamie Till-Mobley Congressional

22

Gold Medal.

All of you should have your score sheets

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in front of you.

2

yours electronically.

3

And, Mike, you should've received

When you are done, please return them

4

to CCAC Counsel, Greg Weinman, who will tally the

5

scores and will present the results.

6

a five-minute break, and be back at 11:20.

7

(Off the record.)

8

THE CHAIRMAN:

9

And we will take
Thank you.

Okay, we are back.

Before I turn it over to Greg, I just want to

10

apologize to Dr. Chamberlain as well as to our virtual

11

audience for the technical difficulties that we are

12

having today.

13

frustrating for you, but the team is doing its best to

14

try to resolve the problems that we are having.

15

So I now recognize Greg Weinman,

I know that this is, I'm sure, very

16

counsel to the CCAC, to present the results from the

17

scoring sheets.

18

So, Greg, if you would, please.

19

MR. WEINMAN:

20

Okay.

21
22

Yes, this is --

There's feedback if I do this,

so I'm going to speak loudly.
Out of the possible 30 points, design

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obverse 1 received four.

Obverse 2 received 22,

2

making it the high-scoring design.

3

four.

4

received 14 points.

5

received one, and obverse 6 received six.

6

Moving on to the reverses.

Obverse 3 received

Obverse 3A received one point.

Obverse 4

Obverse 4A received seven, 5

Reverse 1

7

received seven points.

8

Reverse 3 received 19 points; that is the high-scoring

9

design.

Reverse 4 received six.

10

zero.

11

received three.

12

Reverse 2 received ten points.

Reverse 5 received

Reverse 6 received 17, so close.

And reverse 7

Reverse 7A received one.
Once again, the high-scoring designs

13

were obverse 2, with 22 points, and reverse 3, with 19

14

points.

15

THE CHAIRMAN:

All right.

Thank you,

16

Greg.

Before we have a discussion or any further

17

debate about this, I would like to remind all of us

18

that as April mentioned at the beginning of our review

19

of this portfolio, we are not necessarily needing to

20

make a recommendation to the Secretary today, but

21

rather to help the process further along.

22

said, are there any motions or discussions?

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2

Donald, I see your hand immediately
raised, so --

3

MR. SCARINCI:

I think -- I think it's

4

very important that we have "Act of Congress 2023" on

5

this medal.

So I would make a motion --

6

THE REPORTER:

Sorry, the microphone.

7

MR. SCARINCI:

I slipped.

8

I think it's very, very important that

9

we include the language, "Act of Congress 2023" on

10

this medal somewhere.

So I'd like to make a motion

11

that -- that Joe Menna's team, you know, insert that

12

in an appropriate place, either on the obverse or the

13

reverse.

14

THE CHAIRMAN:

15

Donald?

Okay.

A second?

Dennis has seconded, sorry.

16

And is there any further discussion or debate about

17

that?

18
19

All right.

Hearing none, all those in

favor of the motion, indicate by saying "aye."

20

MULTIPLE SPEAKERS:

Aye.

21

THE CHAIRMAN:

22

All right, the motion carries.

Are there any opposed?

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other further discussion?

2

John.

3

MR. SAUNDERS:

4

you know, the liaison's --

5
6

Saunders.

9

John, if you could wait

MR. SAUNDERS:

Hi, this is John

The liaison's choice of reverse 4 was -MS. WARREN:

10
11

THE CHAIRMAN:
just a moment?

7
8

A little discussion on,

Don't put them too close.

UNIDENTIFIED SPEAKER:

It's not going

to work.

12

THE CHAIRMAN:

13

MS. WARREN:

14

MR. SAUNDERS:

Oh.
It's this one.
The liaison's choice of

15

4 was -- comments about redesign or placement of the

16

raised hand by perhaps a podium with speech being

17

given from the podium.

18

it was, but I might be able to vote for 4 as

19

redesigned.

I couldn't vote for 4 the way

20

The other thing is our second choice,

21

17, which is a comment I neglected to make the first

22

time was -- when I looked at that, I didn't recognize

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it as a casket until after I read that it was a

2

casket.

3

something like that.

4

assume it's because he was a -- a young man, it was

5

shaped that way, and it was just different than what I

6

was expecting.

7

recognize that as a casket, particularly, looking at

8

it.

9

It looked almost like a victory cup or
To me, it's a -- you know, I

I'm not sure that the public would

And again, I felt that the -- there

10

were two really strong obverse designs.

11

seemed to think the same, but I'm not 100 percent

12

happy with any of the reverse designs.

13

the extent that we get some emphasis here, I would

14

suggest that we -- we -- say -- say that.

15

really happy with obverse design, and we're more

16

wishy-washy around the reverse design.

17
18

THE CHAIRMAN:

21
22

So I mean, to

We're

Yeah, thank

you.

19
20

All right.

The committee

Kellen, I believe your hand was raised
first.
MR. HOARD:
this is Kellen Hoard.

Yeah, just -- I want --

I just wanted to speak to the

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high scores there.

2

pretty clear high score.

3

some margin there, and that we should maybe make a

4

motion, relevant to obverse 2.

5

I think obverse 2, this was a
It seemed like there was

But for the reverses, you know, I

6

thought 3 and 6 were pretty close.

7

encourage the Committee to recommend, or at least, you

8

know, share with the Mint, if we're not going to make

9

a full recommendation, 6 over 3, for the reverses.

10

And I would

And part of that for me is the reason

11

that we're giving this medal in the first place, is

12

because what she did -- what was different about, and

13

how powerful about what Mamie did was that she

14

wasn't -- that she took action, that she, you know,

15

went out across the country, encouraging the world to

16

see.

17

And to me, 3 does not represent that.

18

To me, 3, you know, even though it's an ideal artistic

19

merit, I think it shows -- it doesn't show the action

20

that she undertook.

21

differentiated her or the reason we're celebrating

22

her.

It doesn't show what

It absolutely is emotional, but the reason that

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we're celebrating and commemorating her is because of

2

the action she took.

3

know, felt these emotions that the hundreds or

4

thousands of women and mothers have felt over the

5

course of American history, through similar tragedies.

It wasn't just that she, you

6

So I think, you know, part of what so

7

struck me about 6 is that it does both literally and

8

metaphorically show the -- the action that has

9

instilled that emotional impact; the hands are very

10

compelling.

And to me, because 3 and 6 were close, I

11

would be inclined for us to move towards 6 over 3.

12
13

THE CHAIRMAN:
a motion to --

14
15

Are you, in fact, making

MR. HOARD:

Well, let's have further

discussion.

16

THE CHAIRMAN:

17

Dennis, I believe your hand was raised.

18

MR. TUCKER:

19
20

Okay.

All right.

Thank you, Mr. Chairman.

Yes, this is Dennis Tucker.
I agree with John.

I think reverse 6

21

does not look like a casket to me.

It looks like it

22

could be a plate on a -- a plate on a memorial, or --

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or something.

2

casket.

3

But when I look at that, I don't think

The hands, I think, need more

4

explanation than the viewer is given, just from the --

5

the visual aspect.

6

and physical connection that we see in reverse 3.

7

She's obviously stricken with grief here.

8

she's devastated.

9

"Let the world see," as I said before, they -- they

I -- I really do prefer emotional

And yet, those words in reverse 3,

10

don't let us off the hook.

11

outrage.

12

Emmett Till's murder.

13

She's --

They -- they express the

They express everything disgusting about

And what I might recommend is that we,

14

as -- as Kellen said, we recommend the two high vote

15

getters, obverse 2 and reverse 3, making it clear to

16

the Secretary that of this portfolio, these are the

17

candidates that we preferred.

18

Chamberlain, and the family, and the Mint feels

19

it's -- it's proper to go back to the drawing board,

20

maybe we could see -- and if there's time, maybe we

21

could see another round -- round of designs that --

22

that use this discussion to, kind of, give us a round

However, if -- if Dr.

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2

two.
THE CHAIRMAN:

My understanding -- and,

3

April, you can correct me if I'm wrong -- that we will

4

be able to see further candidate reverse designs or

5

obverse designs at a later date if -- if this is --

6

MS. STAFFORD:

We -- we are prepared

7

to -- to follow the recommendations that we receive

8

from both the CCAC, as well as CFA, and after we speak

9

with family representative about the incoming input.

10
11
12
13
14
15

So right now, we're just collecting data.
So any way you could present the
feedback for those potential paths would be helpful.
THE CHAIRMAN:

All right.

Thank you

very much, April.
And again, it doesn't sound like we

16

need to make a recommendation to the Secretary today,

17

but just have further comments.

18

Kellen, your hand again was raised?

19

MR. HOARD:

Yeah.

I was just going to

20

say, given the number of comments about, you know,

21

dissatisfaction with -- to the reverse portfolios, and

22

that we don't have to make a recommendation, could we

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move that the Mint look at, revise, add Act of

2

Congress to, et cetera, obverse 2, reverse 3, reverse

3

6, which was the recommendation of the liaison on both

4

2 and 6?

5

the family on those, and then come back to us?

And that they have further discussions with

6

THE CHAIRMAN:

Yeah, I believe we've

7

already had a motion to include Act of Congress

8

description somewhere on the medal --

9
10

MR. HOARD:

Oh, yeah.

I -- it would

encompass --

11

THE CHAIRMAN:

12

MR. HOARD:

-- but that -- right.

-- estimate for those three

13

designs, and go speak further with family, confirm

14

that that was what the family's --

15
16
17

THE CHAIRMAN:

So your motion would be

what exactly?
MR. HOARD:

Not to make a formal

18

recommendation, but to ask the Mint to focus on those

19

three designs, as they bring them back to us, and --

20
21
22

THE CHAIRMAN:
the motion for that.

I don't believe we need

We can --

MR. WEINMAN:

I'm sorry.

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What were you --

2

THE CHAIRMAN:

No, I was just saying I

3

don't believe we need to make a motion, necessarily,

4

to just leave the discussion as-is, and move forward,

5

so --

6
7

MR. WEINMAN:

No.

And the discussion

is what it is.

8

THE CHAIRMAN:

9

MR. WEINMAN:

Yeah.
We -- and I -- I'm --

10

just to confirm that a letter from CCAC to the

11

Secretary will still be needed from this meeting --

12

THE CHAIRMAN:

13

MR. WEINMAN:

14

Of course.
-- whatever the

recommendations are.

15

THE CHAIRMAN:

16

MS. WARREN:

All right.
Dr. -- I'm sorry --

17

Chairman?

This is Jennifer Warren.

18

Chamberlain has her hand up, so --

19

THE CHAIRMAN:

20

MS. WARREN:

21
22

We have -- Dr.

Okay.
-- going to grab her real

quick.
THE CHAIRMAN:

Fine.

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2

John, before we get to you, then we'll
hear Dr. Chamberlain.

3

Dr. Chamberlain, if you would, please.

4

DR. CHAMBERLAIN:

5

In terms of number 3, Mamie was a very

Yes, sir.

6

active woman.

7

cry.

8

just don't want to be looked at, and -- we're very --

9

we're very much against -- she was not a crier.

10

She was not one to sit in a chair and

And that's why number 3, I know the effort, but

She

was very active.

11

MR. SAUNDERS:

That's a good point.

12

THE CHAIRMAN:

Now, thank you very much

13

for that insight; very much appreciated.

14

John, I believe your hand was raised?

15

MR. SAUNDERS:

Yes.

I -- make a motion

16

that it's proper to do so -- John Saunders here.

17

That we recommend the adoption of

18

design 2 on the obverse, and that we ask for further

19

input on reverse.

20

further end -- I don't think we should restrict it to

21

the two high vote getters.

22

No. 4, which is, you know, the preferred of the

And I don't think that on the

Again, I would like to see

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liaison, redesigned with some of the suggestions the

2

liaison has given.

3

reverse designs -- more varieties in reverse designs,

4

in general, rather than restrict it there.

5
6

And just -- we really -- more

But I would -- I would make them do -we have -- the obverse design.

7

THE CHAIRMAN:

8

So John's motion then, would be to

9

Okay.

recommend obverse design 2, but at this time make no

10

recommendation for a reverse design, and await further

11

candidate designs from the Office of Design

12

Management.

Is that correct?

13

John, is that your motion?

14

MR. SAUNDERS:

Yes.

15

THE CHAIRMAN:

Okay.

16

for that motion?

17

Dennis?

18

MR. TUCKER:

19

I second that; Dennis

Tucker.

20

THE CHAIRMAN:

21

MS. WARREN:

22

Is there a second

All right.

Any --

Yes, excuse me.

Jennifer Warren.

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2

Just for the record, Dennis Tucker
seconded it.

3
4

THE CHAIRMAN:

Thank you,

Dennis.

5
6

All right.

Is there any further debate on this
motion?

7

All right.

All in favor, say "aye."

8

MULTIPLE SPEAKERS:

9

THE CHAIRMAN:

Aye.

Any opposed?

10

All right.

So the motion carries.

11

Is there --

12

Oh, John, I see your --

13

MR. SAUNDERS:

One last comment to the

14

Mint.

After we've had heard the liaison thought

15

reverse design 3 with the not liking her in tears,

16

which I think is a very valid point, maybe that design

17

could be a different facial expression there.

18

the design-work, but it's somehow -- redoing it to

19

take into consideration the comments from the liaison.

20
21
22

THE CHAIRMAN:

All right.

I like

John, thank

you very much.
Okay.

If all our discussion on this

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portfolio has concluded, I would really like to take a

2

moment to express our appreciations to Dr. Sheila

3

Chamberlain for joining us today, and for all of the

4

hard work that she, and her family, and others, have

5

put into brining this Congressional Gold Medal to

6

fruition.

7

So, Dr. Chamberlain, thank you again

8

very much for your presence today, and your comments.

9

And again, apologies for the technical difficulties

10

we've been having.

11

So take care.

Jennifer, we are a little bit ahead of

12

schedule, so I just want to make sure that we can go

13

ahead with our next portfolio, or should we recess for

14

a few moments?

15
16

MS. WARREN:

Sure.

This is Jennifer

Warren.

17

Just remember, the group, to state your

18

name before you talking, just again, for the court

19

reporter, for those on the call.

20

working on the microphones, so at lunch we will fix

21

that.

22

speakers above us, so they're trying to adjust the

Again, we are

There's some feedback that's going on with the

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volume so that they would work, but yet not being that

2

loud noise.

3

So I ask that you pretend that you're

4

outside at a baseball game, and yell as loud as

5

possible.

6

your patience.

So I appreciate that, and thank you for

7
8

THE CHAIRMAN:

All right, Jennifer.

Thank you very much.

9

So the next portfolio for consideration

10

is the reverse candidate designs for the 2026 Native

11

American $1 Coin.

12

will present the candidate designs for the 2026 Native

13

American $1 Coin.

April Stafford and Megan Sullivan

14

So, April, whenever you are ready.

15

MS. WARREN:

16

ten-minute break?

17

liaisons on.

We were trying to get one of the

18

THE CHAIRMAN:

19

MS. WARREN:

20

THE CHAIRMAN:

21
22

Can we actually take a

Okay.
If that would be okay?
Absolutely --

absolutely.
MS. WARREN:

So we will -- we are ahead

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2
3

of schedule.

So we were supposed to start at 12:00.
MS. STAFFORD:

MS. WARREN:

5

THE CHAIRMAN:

Five minutes.

MS. WARREN:

8

MS. STAFFORD:

9

MS. WARREN:
she is -- yes, she is on.

Okay.

12

THE CHAIRMAN:

13

take a five-minute recess.

14

MS. WARREN:

15

MS. STAFFORD:

18
19
20
21
22

She's here; sorry.
She was there, and now,

Scratch that.

17

So we will take a

Oh, there she is.

11

16

Okay.

five-minute recess, and we will be back at --

7

10

If we could just

make it five minutes.

4

6

Okay.

All right.

We will not

Sorry about that.
No, thank you.

I

appreciate everyone's patience.
THE CHAIRMAN:

All right.

So, April,

whenever you are ready.
MS. WARREN:

Try it.

And then, if you

hear feedback, turn it off.
MS. STAFFORD:

All right.

Every year

since 2009, in accordance with the Native American $1

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Coin Act, the United States Mint has annually minted

2

and issued golden-hued $1 coins that honor Native

3

Americans and celebrate the important contributions

4

made by Indian tribes, and individual Native

5

Americans, to the development and history of the

6

United States.

7

The obverse of the coins retain the

8

depiction of Sacagawea, and her infant son, first used

9

in 2000 on the Sacagawea Golden Dollar.

You can see

10

that on our screen now.

In 2026, the reverse design

11

will commemorate the Oneidas at Valley Forge.

12

A little bit about this theme.

Polly

13

Cooper was an Oneida woman who accompanied a group of

14

Oneida warriors to join the American cause during the

15

Revolutionary War.

16

foot to Valley Forge, Pennsylvania, carrying bushels

17

of white corn to feed the starving troops.

18

They traveled hundreds of miles on

Oral tradition creates Cooper for

19

preparing and teaching the soldiers how to prepare the

20

corn, which, without proper preparation, would have

21

swollen in their stomachs and killed them.

22

of her fellow Oneidas returned home, Cooper remained

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with the Continental Army, and continued to aid them.

2

This theme coincides with the broader

3

coin theme for 2026, celebrating the U.S.

4

Semiquincentennial, or 250th anniversary of the

5

founding of our nation, as authorized under the

6

Circulating Collectible Coin Redesign Act of 2020.

7

The United States Mint sought input

8

from the Oneida Nation and Oneida Indian Nation.

9

the feedback was that the following designs were

And

10

strong representations of the subject theme.

11

1, 3, 6, and 7.

12

legislative liaisons, and the formal preferences we

13

received from the Senate Committee on Indian Affairs,

14

the Congressional Native American Caucus of the House

15

of Representatives, and the National Congress of the

16

American Indian, are 1, 2, 3, 6, and 7.

17

Design

Now, that input was shared with our

We are very fortunate to have with us

18

today, Linn Cornelius, representative of the Oneida

19

Nation, referred to us by officials for her family's

20

research and knowledge of the subject of Polly Cooper.

21

We also have Celia Belmonte, Assistant General Counsel

22

of the Oneida Indian Nation.

And with us here today,

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in person, is Denise Desiderio, Senior Policy Advisor

2

for Akin, on behalf of the Oneida Indian Nation.

3

Can I ask if our guests would like to

4

say a few words to the Committee?

5

could start with Ms. Cornelius.

6

MS. CORNELIUS:

And perhaps, I

Good morning.

My name

7

is Linn Cornelius.

I'm an ancestor to Polly Cooper.

8

She would be the 5th great-aunt from my family.

9

interested in the Revolutionary War, with her helping

10

the colonists to provide -- by providing food,

11

blankets, and -- for them.

12

them how to cook the corn.

Very

And Polly Cooper showed

13

Sorry, I'm echoing.

14

To cook the corn, because if you ate

15

the corn raw, you would get a bloated stomach, and get

16

sick.

17

could in proving the food for them, or the meals.

She helped with the colonists as much as she

18

MS. STAFFORD:

19

And if I can ask Ms. Belmonte or

20

Thank you.

Desiderio?

21

Celia?

22

Okay.

Hold on one second, Ms.

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Belmonte.

2

Jen, are we --

3

MS. WARREN:

4

they're -- I don't know if her microphone's working.

5
6

UNIDENTIFIED SPEAKER:

I think it just

did.

7
8

Yeah, she's unmuted, but

MS. BELMONTE:

Oh, hi.

Apologies.

Did

that work?

9

MS. WARREN:

Yes -- yes.

10

UNIDENTIFIED SPEAKER:

Yes -- yes.

11

MS. BELMONTE:

12

Thank you all very much for your time.

Okay, great.

13

It's a pleasure being here with you all.

14

if there's any reverb.

15

I apologize

Denise, if you would like to say a few

16

words on our behalf, because I think there might be

17

some reverb from me.

18

MS. DESIDERIO:

Thank you, Celia.

19

Thank you for letting me be here in

20

person today.

It's really a special experience.

21

was engaging with Roger earlier, I guess last weekend,

22

and I did -- I feel loud.

I'm really -- okay.

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I let him know that when I got to the

2

Senate Committee on Indian Affairs in 2009, I was able

3

to participate in the designs for the first coin.

4

it was a really special experience, and I've really

5

loved this program ever since.

6

And

So I am here today representing the

7

Oneida Indian Nation.

And I think, just a show of

8

gratitude from the Oneida Indian Nation of New York

9

for inclusion in this program.

The Polly Copper

10

experience is really the experience with the United

11

States; right?

12

Shenandoah at the time, and the Oneida Indian Nation.

13

Polly was a representative of Chief

And it's, you know, there's a -- a

14

depiction of this very time, called Allies in War, and

15

Partners in Peace; right?

16

is on the coin, it really is the representation of

17

that first relationship, the first allies as the

18

United States was being formed, and the role that the

19

Oneida Indian Nation, and their representative, Polly

20

Cooper, played in -- in really bringing, kind of,

21

those first relationships that formed these United

22

States.

And I think although Polly

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So we appreciate the opportunity to

2

participate.

3

on the coins, but overall just think that this is

4

going to be a great opportunity to highlight the role

5

that the Oneida Indian Nation in New York still plays

6

in the Government, the Government relationship with

7

the United States.

8
9

And we do have, you know, some comments

MS. STAFFORD:

Okay.

So as we move

through the portfolio, I will pause to share these

10

specific preferences.

11

feature the required inscriptions, "United States of

12

America" and "$1."

13

All of the candidate designs

So we'll start, first, with design 1.

14

This design depicts Polly Cooper holding ears of corn

15

while she prepares a pot of food.

16

elements around her indicate the harsh winter

17

environment and conditions at Valley Forge.

18

background, Oneida Chief Shenandoah --

19
20
21
22

The snow-covered

In the

I just want to make sure I'm
pronouncing that right.
In the background, Oneida Chief
Shenandoah hands blankets to General Washington, who

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reaches from horseback.

2

a blanket around his shoulders.

3

inscription reads, "Oneidas at Valley Forge."

4

Beside them, a soldier wraps
An additional

Design 1 is, again, a preference of the

5

Senate Committee on Indian Affairs, as well as the

6

National Congress of the American Indians.

7

also identified for the strength of its depiction of

8

the theme during review by an Oneida Nations subject

9

matter expert.

10

It was

Design 2 shows Polly Cooper carrying a

11

bowl of prepared corn and blankets to Continental Army

12

Troops, symbolized by the tricorn hat in the

13

foreground.

14

ear of corn, includes cabins, tents, and trees buried

15

in snow.

16

Valley Forge."

17

The design, vertically demarcated with an

An additional inscription reads "Oneidas at

Design 2 is a preference of the

18

Congressional Native American Caucus of the House of

19

Representatives.

20

Reverse 3 portrays Polly Cooper holding

21

a basket of corn, and standing next to General

22

Washington, who is holding an ear of corn she has

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shared with him.

2

the hope the Oneidas' gift of corn would have inspired

3

in the soldiers.

4

"Oneidas Aid at Valley Forge."

5

The rays in the background represent

And additional inscription reads,

Design 3 is a preference of the Senate

6

Committee on Indian Affairs.

7

for the strength of its depiction of the theme during

8

review by Oneida Nation and Oneida Indian Nation

9

subject matter experts.

10

It was also identified

Reverses 4 and 4A, 5, 6.

This design

11

depicts Polly Cooper alongside a bald eagle.

12

eagle is very important to the Oneidas, as it

13

represents a protector, and a message from the

14

creator.

15

strength.

16

Allies at Valley Forge."

17

The

Here, it is also a symbol of Polly Cooper's
An additional inscription reads, "Oneida

6 is a preference of the National

18

Congress of American Indians, and also, was identified

19

for the strength of its depiction of the subject theme

20

during the review by an Oneida Nation subject matter

21

expert.

22

6A, 7.

This design shows Polly Cooper

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as she carries baskets, and a basket of corn.

2

additional inscription reads, "Oneidas at Valley

3

Forge."

4

And

This design is a preference of the

5

Senate Committee on Indian Affairs and the

6

Congressional Native American Caucus of the House of

7

Representatives.

8

strength of its depiction of the subject theme during

9

review by an Oneida Nations subject matter expert.

10
11

Designs 8, 9, 11, 11A, and 12.

That

concludes the candidate designs, Mr. Chairman.

12
13

It was also identified for the

THE CHAIRMAN:

All right.

Thank you,

April.

14

I would like to welcome and thank Ms.

15

Cornelius, Ms. Belmonte, and Ms. Desiderio for joining

16

us today.

17

And, Ms. Desiderio, you mentioned that

18

there were some comments that you had on some of these

19

designs.

20

this time, if you'd like.

21
22

Certainly welcome to hear those from you at

MS. DESIDERIO:

Thank you, Mr.

Chairman.

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I will say that -- and I think we're a

2

little late to this process, so forgive me for a

3

minute.

4

preference of the Oneida Indian Nation of New York to

5

have the depiction, "Allies in War and Partners in

6

Peace," which is actually an exhibit that already

7

exists, which shows Chief Shenandoah, Polly Cooper,

8

and George Washington.

9

It would be, probably, the ultimate

We -- we were, I think, a bit late to

10

the consultation process, but are very much engaged

11

now.

12

Nation has been consulting, and has identified 25

13

descendants of Polly Cooper that still reside on the

14

conditional homelands of the Oneida Indian Nation of

15

New York.

16

So if that's not possible, the Oneida Indian

And the preference would be No. 3.
And again, you know, Polly Cooper was a

17

representative of the Nation.

But this, we think,

18

shows the -- the Nation-to-Nation, kind of, exchange,

19

and it shows the exchange of traditional culture,

20

knowledge, information to, you know, sustain George

21

Washington and his troops.

22

Nation-to-Nation relationship that we think still

And again, represents that

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exists very strongly between the Nation and the United

2

States today.

3

So we want to highlight Polly Cooper

4

very strongly, and are very engaged in -- in how this

5

depicts, you know, that initial ally relationship of

6

the Nation, and the newly forming United States.

7

MS. STAFFORD:

8

And, Mr. Chair, if I can add -- and we

9

Thank you.

did share this as well, the statue that was referred

10

to was absolutely provided as a reference to our

11

artist because of how incredibly well it embodies the

12

spirit of the story.

13

artists were to try to distill that to this

14

appropriate, you know, medium of -- of a coin.

15
16

And so, our charge to the

And if it's okay, perhaps you'd go to
Ms. Cornelius.

17

THE CHAIRMAN:

18

Yes.

Oh, absolutely.

I certainly would welcome

19

additional comments from Ms. Cornelius and Ms.

20

Belmonte.

21

Ms. Cornelius, if you would, please.

22

MS. CORNELIUS:

Good morning.

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I do

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like the 03, the 26NA-03, because of the "Oneidas Aid

2

at Valley Forge."

3

which emphasizes Polly Cooper with the blankets and

4

the corn.

5

provide for the colonists at Valley Forge.

But I also liked the 2 -- 26NA-07,

It's showing what we did -- the Oneidas did

6

But, honestly, I like that one.

And

7

then, I also like the other one, which is slide No.

8

10, with Polly Cooper with the eagle and the corn.

9

It's showing that we were allies at the Valley Forge,

10

and that -- and with the eagle, being the protector of

11

the United States of America.

12

she brought forward -- to really bring a picture of

13

her to bring her to life.

14
15

Thank you.

THE CHAIRMAN:

All right.

Thank you,

Ms. Cornelius.

16
17

With -- with all that

Ms. Belmonte, do you have any
additional comments?

18

MS. BELMONTE:

Just that I would like

19

to second Denise's comments regarding the United

20

Indian Nation of New York's support of design No. 3.

21
22

THE CHAIRMAN:

Okay.

Thank you very

much.

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Just had a technical moment.

2

Jennifer, are we okay?

3

MS. WARREN:

4

THE CHAIRMAN:

5

All right.

6

Are there any technical or legal

Um-hmm.
Oh, okay.

All right.

Thank you.

7

questions from the Committee about this program, or

8

the designs for the 2026 Native American $1 Coin,

9

before we begin our general discussion?

10

And, John, I see your hand is raised.

11

MR. SAUNDERS:

12
13

Yeah, it's more of a

technical -- start over again.
Hi, this is John Saunders.

This is a

14

technical question.

15

hundreds of miles, you would've thought it would be

16

more efficient to take the grains of corn off of the

17

ear, and just bring the kernels this distance, rather

18

than bringing the whole corn ear.

19

Since this grain was hauled many

Even if that is the case, I'm not

20

opposed to showing the whole corn ear, because that --

21

that tells you what it is, because you couldn't really

22

see much if it was just some kernels.

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But I'm

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interested in, historically, if we know which way it

2

was.

3
4

MS. DESIDERIO:

I do not have an answer

to that.

5

MS. STAFFORD:

I believe our

6

information was that it was ears of corn that was

7

transported, if that's the question.

8

Roger?

9
10

MR. VASQUEZ:

Am I correct,

We could refer to Ms.

Cornelius --

11

MS. STAFFORD:

12

Ms. Cornelius, is that correct?

13

MS. CORNELIUS:

14
15

Ms. Cornelius.

Well, excuse me.

It

came in fuzzy.
MS. STAFFORD:

Is it correct that the

16

way the corn was transported by the Oneidas to the

17

Continental Army was as ears of corn as opposed to

18

individual kernels?

19
20

MS. CORNELIUS:

It was by ears of corn.

Corn on the cob, if you would like to say.

21

MS. STAFFORD:

Thank you.

22

THE CHAIRMAN:

All right.

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1
2

Are there any other questions or
comments?

3

All right.

Let's being our

4

consideration.

5

the Committee members to keep it to five minutes, and

6

to please speak your name before -- before your

7

comments.

8
9

And again, I'd like to remind all of

We'll begin with Dr. Christopher
Capozzola, if we have a microphone available.

10

DR. CAPOZZOLA:

11

This is Christopher Capozzola, and I

12
13

All right.

Thank you.

think the technology is working.
I'd like to thank the liaisons and the

14

artists for this work.

As I was -- as I was examining

15

it, I was appreciating two factors at the same time.

16

First, wanting to center Native American agency as --

17

as the actors in the story, maybe more than the

18

revolutionary soldiers.

19

this coin in 2026, as part of the broader

20

sesquicentennial program, the importance of including

21

Native Americans in the history of the -- of the

22

American Revolution, and our reflections on the 250th

And second, the importance of

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anniversary of that.

2

And also, wherever possible, to

3

recognize, sort of, changing understandings of Native

4

Americans as -- as sovereign nations, operating on the

5

North American continent at the same time that the 13

6

colonies were navigating their own path to sovereignty

7

from Britain.

8
9

This led me to some choices as follows.
In terms of a historical content, I

find 01, particularly, the richest.

It conveys Polly

10

Cooper; it conveys the place of Oneidas at Valley

11

Forge.

12

heft.

13

coin, and I have some concerns about whether the

14

design would be legible in its -- in its produced

15

size.

I do -- and has, sort of, strong emotion and
I do think it is, in part, maybe too busy for a

16

I definitely liked 03, although I did

17

have some concerns about the balance between

18

Washington and Polly Cooper.

19

they were reversed in some ways, in size, I would find

20

that much more compelling.

21

word, "aid."

22

whenever I can encounter "Oneida Allies at Valley

In fact, I would -- if

And I also don't like the

I actually -- whenever possible, I --

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Forge," I think that conveys national sovereignty for

2

the Oneida in ways that "aid," sort of, may tap into

3

older, kind of, understandings of Native peoples as

4

helpers of the white actors.

5

In No. 6, I did appreciate the way that

6

this conveys the message, but worry that the design

7

was a bit cartoonish, and drew a little bit on

8

iconography of eagles that may be more familiar from

9

the American Southwest or Mexico, and would want to

10

know a little bit more about whether that kind of

11

eagle design resonates with Oneida communities.

12

And then, No. 7 -- I was not --

13

although I liked the -- the individual drawing in the

14

center, I didn't feel that it necessarily conveyed

15

Valley Forge as a -- as a place and a moment, fully.

16

And that they didn't have a good 250th element to it,

17

that maybe some of the other designs had.

18

you very much.

19
20

THE CHAIRMAN:

Wonderful.

So thank

Thank you,

Chris.

21

Dennis, if you would, please.

22

MR. TUCKER:

Thank you, Mr. Chair.

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This is Dennis Tucker.

2

our liaisons.

3

and your advice and counsel.

4

Thank you to

We appreciate your help on this program

I'm from Upstate New York, so the

5

Oneida Nation is very important to me.

6

that we learned about in school when we were kids, and

7

it's an ever-present part of our -- our growing up,

8

and living in New York.

9

It's something

The -- so -- and thanks to the Mint,

10

too, for a wonderful portfolio of designs here.

11

got a lot to look at, and a lot to -- to weigh.

12

We've

If I -- I try to, kind of, boil down

13

who liked what, when it comes to our -- the -- the

14

Senate Committee on Indian Affairs, the National

15

Congress of American Indians, and the Oneida Nation

16

all expressed interest in design 1.

17

Committee, the Oneida Nation, and the Oneida Indian

18

Nation all expressed interest in design 3.

19

1 and 3 were the two that I focused on most.

20

The Senate

So designs

And my question as I looked at these

21

designs, kind of, boiled down to which one best

22

satisfies the intent of this $1 Coin program, which is

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to honor Native Americans, and celebrate their --

2

their contributions to the United States.

3

And I think that design 1 does.

In

4

design 3, Chris, I'm going to mirror some of your

5

comments.

6

thinking along the same lines.

I think we -- we were, you know, we were

7

George Washington is the main actor

8

here.

He's dramatically holding an ear of corn, he's

9

clutching his cape, he commands our attention.

What

10

he's looking at, we look at.

11

emphasized further by the explosion light behind the

12

ear of corn.

13

And his focus is

Polly Cooper is smaller.

She is

14

physically lower in our visual plane.

15

not even in Washington's point of focus, so how could

16

she really be ours with this design?

17

me, is about the United States.

18

She's -- she's

This coin, to

Contrast that with design 1, George

19

Washington is still there, but he's much smaller.

20

note the postures of the figures in the center.

21

Shenandoah stands straight and tall.

22

horse bows its head before Shenandoah.

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himself bends forward in the act of receiving help,

2

almost as if he's bowing.

3

Now, look at the entirety of the coin

4

design.

Polly Cooper is the main actor.

She's

5

productive, she's in motion, she commands our

6

attention.

7

figures in the center, a protective figure herself.

8

This coin is about the Oneidas.

She forms a sheltering arch over the

9

And I also like the way this design

10

really embodies the harsh winter struggle of Valley

11

Forge.

12

are taught about Valley Forge, and -- and that harsh

13

winter.

14

here, we have snow that's piling up on the $1

15

denomination, which is wonderfully creative.

16

actually see snow falling.

17

of the other designs, which could have happened at any

18

time of year.

19

This is what we think of when we -- when we

We think of snow; we think of cold.

And

And we

We don't see that in a lot

So to me, No. 1 is really the strongest

20

in this portfolio, and it will have my creative

21

support.

22

Thank you, Mr. Chairman.
THE CHAIRMAN:

Thank you.

Dennis, thank you very

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much for your comments.

2

Annelisa, if you would, please.

3

MS. PURDIE:

4

Hill, 4512.

5
6

Thank you.

Paging Murray

Can anyone hear me?
Hey, paging Murray Hill.

Can everyone

hear me?

7

THE CHAIRMAN:

8

MS. PURDIE:

9

Thank you very much.

10

Purdie.

11

liaisons and the designers.

12

There we go.
Wonderful.
This is Annelisa

I would also like to extend thanks to our

One thing that was striking about all

13

of the designs for this coin is the role of food or

14

sustenance in maintaining life and survival.

15

think that, to a degree, all of the designs which were

16

submitted here bring that message across in various

17

ways.

18

And I

I think that design 1 does hit all of

19

the necessary historical points.

It emphasizes the

20

climate, it emphasizes the action, the role of

21

preparing sustenance properly in order to maintain

22

life for others.

And I think that to viewers, it

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gives the message of the story.

2

those who are familiar Valley Forge would understand,

3

but it's also something that would inspire others to

4

research more about it, which works well.

5

It's something that

My preference is for the designs that

6

veer towards 5 and 7, for the sheer fact that the

7

emphasis is on Polly Cooper herself.

8

important to emphasize that her works helped the

9

soldiers to survive, it was that knowledge of her

And while it is

10

people, of the preparation of this food, of this

11

sustenance that was key to that survival.

12

And I think that the designs for both

13

of these coins -- for me, 7 more so than 5 -- really

14

work to convey that.

15

historical cues about when and where this takes place,

16

but it also shows the amount of labor and effort that

17

went into, not just the preparation of this food, but

18

the transport of this food, and the consideration of

19

other things in order to provide that sustenance to

20

others.

21
22

We still get the important

5 works well in this sense too, but I
found that there was a lot of activity going on in

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this coin, particularly with the tree branches.

I

2

understand the emphasis on the harsh winters, but it

3

does detract from the overall design.

4

enthused about the fact that she's looking down.

5

would've made a bigger impact to see her face upwards.

6

But overall, I think that both of these

I also wasn't
It

7

designs emphasize her, and the role that she played,

8

and the fact that her descendants are still honoring

9

her today, so that that had impact to where we are

10
11
12

now.

Thank you.
THE CHAIRMAN:

All right.

Thank you

very much, Annelisa.

13

John Saunders, if you would, please.

14

MR. SAUNDERS:

15

John Saunders here.

16

This coin has special meaning to me.

Thank you.

17

One, because it's celebrating Indians' role in

18

American society, which I think was sadly uncelebrated

19

for many, many years.

20

be invited to the U.S. Mint in the 1900 to participate

21

in the striking of the first ones.

22

the strike of a Sacagawea dollar at the Mint, and they

And secondly, I was honored to

And I actually got

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let me buy it for a dollar, which was very nice.

2

Anyway, in terms of designs,

3

artistically, I like design 1 a lot, but I think it's

4

got too much on it.

5

dollar, I don't think it works.

6

idea that that's George Washington in the background,

7

so it doesn't tell the kind of story that's at Valley

8

Forge, to me.

9

and this was on the silver dollar, I would like the

In a coin the size of a Sacagawea
I -- I would have no

Maybe if there was a series of coins,

10

design.

This is an attractive design, it just doesn't

11

tell the story to me, as far as I'm concerned.

12

Design 2 is nice, but you know, I think

13

there's better.

14

One, I agree that if Washington could be a little bit

15

lower, or not quite as prominent.

16

could be a little bit larger; it'd be great.

17

the way it is, I think it's fine.

18

I like design 3 best.

Two comments.

And Polly Cooper
But even

The other thing that I didn't like

19

about this, is when I first looked at it, and I -- I

20

put a lot of importance on what you see when you first

21

glance at something because a lot of the public is not

22

going to look at things in -- in detail, like us coin

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collectors and coin nerds do.

2

Washington was holding a falcon or a bird on his hand,

3

rather than an ear of corn.

4

top of the -- whatever you call it.

5

end of the corn.

6

of a bird.

7

comments even so.

Just the way it -- the
The straw at the

At first, it looked like a -- a head

But I still like the design, those two

8
9

I thought that

Design 4, I think, also tells the
story, but it's kind of a dorky expression on George

10

Washington's face there; right?

11

find it, overall attractive.

12

I didn't -- I didn't

Design 5 is nice, but Polly looks so

13

sad.

She's bending over, and looks like she's almost

14

in tears.

15

facing forward with a, you know, a reasonable

16

expression, I would say it's great.

17

wouldn't be all for it.

You know, if you had that design with her

18

But as it is, I

6, I didn't like the facial

19

expressions.

I didn't know how to describe it.

I

20

think Dennis -- or Chris described it right when he

21

called it somewhat cartoonish.

22

the eyebrows, the nose -- just, it didn't look right

But the -- the lips,

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to me.

2

7, I liked a lot.

It was my second

3

choice.

4

the one that's worried about facial expressions, but I

5

thought the facial expression was kind of strange.

6

is okay, but it -- 11A and B are okay, but it -- I

7

think there's better designs for telling the story.

8
9

8, I guess, you guys are going to think I'm

And I did not like the last one, the -the 1-12.

It almost looked like a snake in the

10

corner, rather than the braid holding it together.

11

Again, if you look at it for -- quickly, before you

12

study it.

13

second choice of No. 7.

14
15

11

So I am in favor of probably No. 3, with a

THE CHAIRMAN:

John, thank you very

much for your comments.

16

And I would also invite you if you'd

17

like, to correct your comment earlier about being at

18

the Mint in 2000, rather than 1900, for the Sacagawea

19

Dollar.

20
21
22

MR. WEINMAN:

I believe the event

actually was 1999.
THE CHAIRMAN:

All right.

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All right.

2

Dr. Harcourt Fuller, if you would,

3

please.

4
5

Thank you very much.

DR. FULLER:
is Dr. Harcourt Fuller.

6

Thank you very much.

This

Thanks to all the liaisons.

Let me go to 1 first, if I may?

7

you.

8

that this has a lot of information.

9

recognize that that's George Washington in the

Thank

I agree that this, from a historical standpoint,
I wouldn't

10

background.

11

John, that it is a little bit too busy even though it

12

conveys a lot of information.

13

I also -- I would agree, I think, with

And let's go to 3, please.

I would

14

agree to switch perspective and the position of -- of

15

George Washington and Polly Cooper, because I do think

16

that the focus is more on Washington, and he's not

17

necessarily -- he's not even looking at Polly Cooper.

18

So I really think that -- I agree that their positions

19

and perspectives should be modified.

20

Can we pull out to all of the designs

21

on one page, please?

That's why I like 6.

22

but before you go to 6, if you're looking at all of

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the designs on one page, the one that pops is 6.

2

though, you know, I acknowledge Christopher's comment

3

that it looks cartoonish, nonetheless, I just think

4

that this shows a lot of agency.

5

symmetry between the eagle, and Polly Cooper.

6

just -- it's a very dignified coin, and it's a coin

7

that speaks of strength and purpose.

8

think it's the best design that highlights her role,

9

and the role of the -- of you know, of Native

10

Americans in U.S. History.

11
12

You know, the
It

And that's why I

Thank you.

THE CHAIRMAN:

Yeah.

Thank you very

much.

13
14

Chris Capozzola had one brief comment,
if he --

15

DR. CAPOZZOLA:

16

Hi, this is Chris Capozzola.

If I could.
Just a

17

brief comment on my earlier comment.

18

that cartooning is an important tradition, part of

19

American traditions.

20

cartoonish, it's not a critique, but it -- I was

21

flagging an aesthetic choice.

22

Even

To emphasize

And when I say something is

And personally, I don't think it's an

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aesthetic choice proper for this coin.

But I know

2

want our cartoon artists, many of them that contribute

3

that likely tune in, to feel that I have spoken

4

negatively of their work.

5

THE CHAIRMAN:

6

Mike Moran, if you would, please.

7

MR. MORAN:

8

Thank you very much.

Let's hope I don't get

feedback this time.

9

THE CHAIRMAN:

Sounds good.

10

MR. MORAN:

11

THE CHAIRMAN:

12

UNIDENTIFIED SPEAKER:

13

MS. WARREN:

14

Are you there?
We're here.

We can't hear you; we're

muted.

15

MR. MORAN:

16

MS. WARREN:

17

MR. MORAN:

18

UNIDENTIFIED SPEAKER:

19

MR. MORAN:

20

MS. WARREN:

21
22

We are.

Shoot.
We can -- go on.
Can you hear me now?

Probably too well.
Yes, we can.

mute the room so there's no feedback.
MR. MORAN:

Yes.

Good.

We have to

So go on.

I don't have it here

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either.

2

I agree with everybody else that No. 1

3

is way too busy.

4

in the foreground, and it's too busy.

3, I don't like

5

the positioning of George Washington.

It gets even

6

worse in 4, and the face in 4 just comes straight of

7

the $1 bill as an older image of Washington, not

8

current with Valley Forge.

9

No. 2, again, tries to do too much

5, the tree adds nothing, and needs to

10

go.

But again, the face, I guess she's referential

11

towards the corn.

12

design.

13

I don't get; I get lost on the coin

6, I'm always frustrated when I see two

14

design elements against each other, competing.

And

15

that being the eagle and Polly Cooper's face.

16

needs to be some negative space in there, otherwise,

17

the design's going to run together.

18

expect Joe can smooth the skin out, versus the

19

feathers, and it won't be as bad.

20

ones there.

There

Although, I

But there're better

21

That gets us to 7; simple, but good.

22

And again, it's -- it's the correct use of negative

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space.

It conveys the story of the blankets and the

2

corn.

3

clods in No. 1.

4

Forge down below in the inscriptions.

5

to overkill it with snow on her hair, and everywhere

6

else.

You don't need the snow, which looks like dirt
You've got it right there with Valley
You don't need

So that is my choice.

7

And I did like the -- the -- of corn,

8

but I don't think they tell enough, and they certainly

9

do not give the -- the full story of the Oneida

10

contribution of Valley Forge.

11

them any votes.

So I won't be giving

That's it.

12

THE CHAIRMAN:

Thank you, Mike.

13

Donald, if you would.

14

MR. SCARINCI:

So you know, one of the

15

great things about this process and the Committee is I

16

think most of come in, you know, we spend time with

17

this before we come in, and then we have our thoughts,

18

and we persuade each other about, you know, we see

19

things that some of us, you know, don't see.

20

that's the -- very much the case today.

21
22

And

I really came in, you know, very
positively about No. 3, you know.

But I think the

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commentary from people, including Dennis, is right on

2

point that, you know, that for this coin, for this

3

series, the focus doesn't -- shouldn't really be about

4

the corn, or the General, you know, because this is a

5

Native American Indian series; right?

6

So however, that being said, we have

7

other -- we have some cool things happening in 2026,

8

and I think maybe we could see this coin, maybe in a

9

larger format down the road.

This doesn't have to be

10

the last time we see design No. 3.

11

design, just not really, I think, for this series, for

12

all of the comments that have been stated so far.

13

It's a great

I'll also debunk No. 1, which I did

14

debunk coming in here, simply because these figures,

15

they're smaller than a mosquito.

16

going to see it, you know.

17

front of you, you can see the size of the palette, and

18

the coin they selected to illustrate.

19

bothered me at the time we -- we discussed it.

20

You're just not

And on your palette in

You know, it

You know, it was these little -- these

21

little men, and these little workers.

22

them.

You can't see

And -- and in hand, you just really need a

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loop.

And you -- you know, it just almost looks like

2

it's a -- it's a blemish on the coin, you know.

3

the -- you know, from -- with using the naked eye.

4

On

So I think -- I think No. 6 -- I think

5

No. 6 is potentially a poor attempt.

It's not really

6

a -- you know, I wouldn't use the word cartoon for it.

7

It is a -- it is a style.

8

see, I suspect, based on what we're seeing in the

9

portfolio today, and knowing where Joe Menna is -- is

And it is -- we're going to

10

leading us, you know, we're going to see more things

11

like this.

12

in -- even more in the mainstream of -- of a genre

13

like this.

14

more to be said about this later, I think tomorrow.

15

And more things, even, you know, even more

So very exciting, very -- a lot -- lot

However, you know, when you really look

16

at the whole portfolio, I think No. 7 is the clear

17

choice.

18

didn't come in with that.

19

I was really thinking about the Washington piece, the

20

No. 3.

21

right -- it's the right size.

22

You know, it really -- it really -- and I
I came in with that as 1.

But No. 7 is exactly what -- is exactly the

It's, as Mike said -- and Mike said it,

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you know, better than me.

2

negative space, you've got -- you've got the focus on

3

the image, not only of the -- of the, you know, of the

4

Native American Indian, who by the way, were very

5

important at Valley Forge for providing food.

6

you know, I learned about that as I was researching my

7

book about David Brearley, who -- who prosecuted

8

deserters for General Washington at Valley Forge.

9

he -- and the descriptions of what was going on there,

10

and the hunger, and the desertion, and everything, and

11

the cold.

12

I mean, you've got the

Which,

And

So -- so, what's -- this design is

13

perfect for the series.

It's simple, it's direct,

14

it's -- it ties us into Valley Forge, which is great

15

for 2026, and the other coins that are going to be

16

coming out then.

17

the hand without the assistance of a loop.

18

it's -- and it's very consistent with the other coins

19

in the Native American $1 series, which you know how I

20

feel about that.

21

collector that when we produce these coins, we are

22

producing coins in a series.

And it's clean; you can see it in
So -- and

It's very important to me as a

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This coin does not circulate; right?

2

This is one of the many coins that does not circulate.

3

It is collected.

4

coin, in the nature of the series, I think, is very

5

important.

6

So you know, looking at the -- the

Sorry for going a touch over, but I,

7

you know, that's the problem with going last.

8

to, you know, I've heard a lot that changed my -- that

9

changed my view coming into this.

10
11

THE CHAIRMAN:

Not quite last -- not

quite last.

12

Kellen, if you would.

13

MR. HOARD:

14

I try

Thank you.

This is Kellen

Hoard.

15

I'm pretty blown away, 'cause Chris

16

said everything I was going to say, word for word.

17

Like, I've never had that happen before; on the same

18

designs, on everything.

19

much -- oh, my God.

20

So I don't have much more to say.

21
22

I don't even know what to say.

I like 1.
should go.

And then, Dennis, also pretty

I think 1 is the way that we

I really don't think it's as much of an

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issue.

2

contextualizes the work that they were doing quite

3

well.

4

actually gives out a lot of these coins to young

5

people, they like having the context and the story and

6

understanding that, kind of, clearly.

7

that best.

8
9

I think it's a compelling design that

As a -- you know, as a young person who

I think 1 does

And it does it creatively.
kind of, like the snow design element.

I also,

Well, I'll

10

tell you -- I don't know if you guys are familiar

11

with, Cloudy with a Chance of Meatballs, the kids

12

movie, but that was my concern with No. 2, was that a

13

lot of the young people would interpret it as the

14

giant food from Cloudy with a Chance of Meatballs.

15

3, same comments as everybody else,

16

with the power dynamic being totally wrong.

4 isn't a

17

compelling design to me.

18

she was -- looked too sad.

19

doesn't capture what we're trying to capture.

20

find that the -- the eagle motif is related to Valley

21

Forge, or -- or their role at Valley Forge, so I'm --

22

I shy away from that one.

I liked 5, but again, I felt
On 6, I just feel like it

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7, you convinced me a little bit on 7.

2

I like that one more after hearing from Mike and

3

Donald, but I still feel it doesn't have enough

4

context of where they are.

5

indigenous contributions to a number of different

6

things throughout American history that this could be,

7

design-wise, to me.

8
9

There have been many

And then, for 11, I just don't feel
it's serves the people enough.

So end up back at 1,

10

as kind of, the way we should go.

11

Dennis stole all my thunder, so --

But Chris and

12

THE CHAIRMAN:

Oh, well.

13

MR. SCARINCI:

Can I just make one --

14

just one very brief comment.

15

THE CHAIRMAN:

16

MR SCARINCI:

Very brief.
I just have to -- I just

17

have to say something about Kellen.

18

for, you know, for John, and -- and me, probably,

19

that -- that design that it referred to, we would call

20

that something out of the Land of the Giants, which

21

was a series when I was a kid.

22

THE CHAIRMAN:

You know -- so

Thank you.

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Art, if you would.

2

MR. BERNSTEIN:

3

Everything I was going to say has

This is Art Bernstein.

4

already been said, so I'll simply indicate that No. 7

5

is my primary choice.

6

THE CHAIRMAN:

All right.

Thank you.

7

Yes, and I will repeat what I've heard

8

from the last few commenters, where pretty much

9

everything has already been said.

10

I don't really have that much of a

11

problem with 1.

I -- I do see this as a very

12

interesting narrative.

13

denominator, it seems, for most of the liaisons and

14

represents.

It -- it also is the common

15

THE REPORTER:

You want to turn it off?

16

THE CHAIRMAN:

Yeah, I'll turn that

17
18

off.
I find the aesthetics of No. 6,

19

actually, really quite interesting and compelling.

20

find that to be a very strong design, and was

21

immediately drawn to it.

22

and simplicity in No. 7, as a possibility, and do

I also do see the elegance

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think that the emphasis on this coin really should be

2

on Polly Cooper herself, and certainly not on George

3

Washington, or necessarily the -- the Continental

4

Army.

5

That's all I've got to say.

There are

6

a couple of questions that were raised in the

7

discussions.

8

No. 1, particularly, because there -- there does seem

9

to be some concern that this design is a little too

And I would like to ask Joe Menna about

10

busy, and that some of the design elements might not

11

be as visible.

12
13

So, Joe, would you like to address
that?

14

MR. MENNA:

Yes, this is Joe Menna.

15

I -- I have to confess an aesthetic

16

bias.

I -- I think this is, well, a miracle of a

17

design, frankly.

18

just saying I think the busyness of it, basically,

19

Polly Cooper is framing the narrative with her body.

20

She's protecting them from the snow.

21

for them.

22

could scale Washington up.

And I'm not lobbying for it, I'm

She's providing

If the bottom text were to be reduced, you

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Peter, you just made a comment for No.

2

7, that it -- it put focus on Polly Cooper.

3

lot of the comments seem to be that there's only

4

George Washington.

5

find a balance here.

6

other design suggestion changes are being made for

7

other coins.

8
9

Here, a

I think aesthetically, you could
And I only offer that in that

But I do believe there are others.
I'm deferring -- I would defer to

whatever -- I'm not trying to lobby.

I'm just saying

10

for me, I think this would -- would be unique in

11

American coin history, in terms of the aesthetics,

12

frankly.

13
14
15

THE CHAIRMAN:

All right.

Thank you,

Joe.
MR. MENNA:

And for number -- and for

16

the other one, the one with George and -- and Polly

17

Cooper standing, the scale questions there.

18

cool if I offer something here?

19

THE CHAIRMAN:

20

MS. WARREN:

21

MR. MENNA:

22

Is it

Sure.
Yes.

So if there was -- if there

seems to be an absence of parity, my -- my intuition's

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telling me that the designer was -- was thinking about

2

the literal scale.

3

tallest president we've ever had.

4

giant of a man in every regard.

5

raise Polly -- if the designer were to elevate Polly

6

Cooper, make her, perhaps, bigger.

7

George Washington is probably the
He was -- he was a
If -- if we were to

She's in the foreground; you can both

8

enlarge her and raise her at the same time.

You could

9

lower the President a little bit, keep -- all the --

10

not remove any major design elements.

11

if this -- if there was an absence of -- if this

12

seemed to be subservient or absence of parity, that

13

could be remedied, just by -- by simply moving things

14

around a little -- shuffling things very -- in a very

15

minor way, but to very great effect.

16
17

THE CHAIRMAN:

So if parity --

Thank you.

All right, Joe.

Thank

you very much.

18

There was also a question raised about

19

the eagle in No. 6, and whether or not this is

20

appropriate.

21

liaisons to comment on that, and offer any additional

22

comments that they might have at this time as well.

And I would like to invite each of our

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2

I'd be happy to start with Ms.
Desiderio, here in the room with us.

3

MS. DESIDERIO:

Thank you so much.

And

4

this has really been amazing to see.

And I love all

5

the detail and the thought that's gone into

6

everything.

And it's -- it's been a really great

7

experience.

And on behalf, again, of Onedia Indian

8

Nation, thank you for the inclusion in the process.

9

The Nation does look forward to working with you guys,

10

not only on the design, but on telling the story.

11

It's a really important story.

12

the first stories.

13

of the -- the consultation that's occurring.

14

You know, it's one of

So we really are very appreciative

I will say on No. 6, one of the things

15

that struck me about it when I first saw it -- and I

16

appreciate and enjoyed the conversation about changing

17

how, you know, not cartoonish, right, but changing how

18

depictions are occurring.

19

Americans have often been caricatured, right, and with

20

no disrespect at all to the artist; it's an amazing

21

drawing, but it reminded me a little bit more of a

22

caricature, where the others were more, I think

But as, I think Native

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reality-based as far as Polly Cooper's, you know,

2

expressions, and how that was portrayed.

3

I -- I do agree with the comments on

4

the scale on the George Washington design.

5

the preference of the Nation, just because of the

6

Nation-to-Nation relationship.

7

found on No. 1 as well.

8

the comment about changing it from "aid" to "allies."

9

I thought that was a really great recommendation.

10

That was

But that can also be

And I did really appreciate

So I -- I think, you know, we came in,

11

you know, I think 3 -- I think 3 and 1 would portray

12

the Nation-to-Nation relationship best.

13

I think you all will make a very, very good decision.

14

And I think, you know, based on the thought that went

15

into it, you know, you can almost visualize the -- the

16

coin now.

And you know,

17

THE CHAIRMAN:

18

Ms. Cornelius, would you like to make a

19

Thank you very much.

comment?

20

MS. CORNELIUS:

Thank you.

21

I appreciate all the comments that were

22

made, and they gave me a different perspective of some

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of the pictures -- the -- as the speakers were

2

talking.

3

looks too busy with the snowflakes and stuff, but I

4

like how -- the interpretation of her being a

5

protector.

Especially on No. 1, I understand where it

6

No. 3, I understood the comment about

7

George Washington becoming the forefront versus Polly

8

Cooper.

9

one, first I thought the same thing about her.

And the cartoonish -- when I looked at that
But I

10

don't know, maybe the more that I looked at it, I -- I

11

understood where that came from.

12

would still be -- doubt, No. 7, because it portrays

13

Polly Cooper.

14

simplicity.

But my preference

And it -- the space, and the

15

And thank you.

16

THE CHAIRMAN:

17

Ms. Belmonte, would you like to make a

18

Thank you very much.

comment?

19

MS. BELMONTE:

Yes, thank you.

20

And just reiterating what Denise said,

21

thank you so much for the opportunity to be here, and

22

for all of your helpful comments, and these beautiful

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designs.

2

As Denise and I said, at the top, it is

3

the Oneida Indian Nation of New York's preference for

4

design 3, given the -- the story depicts of, you know

5

the Oneidas being the first allies -- or America's

6

first allies, and their role at Valley Forge in New

7

York.

8

monumental sculpture on display at the Smithsonian

9

Institute -- the Smithsonian Institute's National

10

And the fact that this is based on the

Museum of the American Indian.

11
12

And all the designs are beautiful.
Again, I think No. 3 would be the Nation's preference.

13

THE CHAIRMAN:

All right.

14

very much.

15

questions from the Committee?

Are there any further comments or

16

MS. WARREN:

17

THE CHAIRMAN:

18

Joe, if you would.

19

MR. MENNA:

20
21
22

Thank you

Joe Menna has his hand up.
Oh, okay.

Thank you, Mr. Chairman.

This is Joe Menna.
One thing that I neglected to say about
design 3, is in addition to the -- in addition to

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modifying the scales and the heights.

As opposed to

2

President Washington evaluating the corn in his hand

3

as if he's evaluating Ms. Cooper, we put the corn in

4

Ms. Cooper's hand, and she's presenting it to him.

5

That also changes the dynamic right

6

there, and gives her the power.

7

visually impactful, but even symbolically, change the

8

dynamic that way, if -- if changes are wanted, that

9

is.

Thank you.

10
11

THE CHAIRMAN:

Chris, I believe you had your hand
raised.

14
15

Joe, thank you very

much.

12
13

So we would make it

DR. CAPOZZOLA:

All right.

This is

Chris Capozzola.

16

This is a question, I think, for the

17

liaisons.

I have been learning a lot about Polly

18

Cooper in the last few weeks.

19

remains very uncertain to me is how old she was at the

20

time of Valley Forge.

21

known.

22

I -- wonder if the oral traditions can shed any light

And one thing that

And maybe this is just not

It certainly wasn't in any of the sources.

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on that.

2
3

THE CHAIRMAN:

I welcome any of our

liaisons.

4

Ms. Desiderio?

5

MS. DESIDERIO:

I do not have an

6

indication of how old she was at that time.

7

THE CHAIRMAN:

8

Ms. Cornelius, Ms.

Belmonte; do you have any idea?

9

I believe that is a no.

10

MS. CORNELIUS:

11

THE CHAIRMAN:

12

All right.

Are there any other questions or
comments from the Committee?

15

All right, Dennis.

16

MR. TUCKER:

17

Thank you

very much.

13
14

I do not.

This is Dennis Tucker.

Thank you, Mr. Chair.

18

I just wanted to take a quick moment to

19

emphasize that -- and maybe comfort some of our

20

committee members who are worried about the busyness

21

of design 1.

22

If you look at the amount of detail in,

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for example, the Jim Thorpe Native American Dollar in

2

2018, American Indians in Space in 2019, and the Ely

3

Parker coin in 2022, where you can see every button on

4

his uniform.

5

to do amazing things with detail.

6

The Mint's artistic staff, they're able

And as Joe said, you know, No. 1 can be

7

modified to expand the scale of the figures in the

8

background if that helped.

9

don't -- don't be scared of the small canvas of the

10

dollar coin.

11

So I -- I would just say

You can really pack in a lot of detail.
And, Donald, I think the fact that this

12

is a coin that will go almost straight to collectors,

13

you know, this is not something that people will be

14

looking at in their pocket change and be confused by

15

it.

16

numismatic object.

17

not an issue.

They will be seeking it out and studying it as a

18

So I -- I think the small size is

For No. 7, I would -- I would just

19

point out that this is almost completely without

20

context.

21

here.

22

cook.

She could be -- she could be doing anything

She could be a housekeeper; she could be a

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It's obverse 1 that really puts her in

2

the context of Valley Forge very dramatically.

3

me, I think it's the strongest design choice.

4

you, Mr. Chair, for the opportunity.

5
6

THE CHAIRMAN:

Thank

Dennis, thank you very

much.

7

Is there any further discussion?

8

All right.

9

So for

Well, hearing none, the

Committee will now score the reverse candidate designs

10

for the 2026 Native American $1 Coin.

11

have your score sheets in front of you.

12

Y'all should

And, Mike, you should have yours

13

electronically.

14

them to CCAC counsel, Greg Weinman, who will tally the

15

scores and present the results.

16
17

And when you are done, please return

We shall take a five-minute break, and
be back at quarter to 1:00.

18

(Off the record.)

19

MS. WARREN:

20

11:45, according to my time.

21

to the Chair.

22

THE CHAIRMAN:

Okay.

We are back.

It is

And I'm handing it back

All right.

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We are back.

2

Before I recognize Greg Weinman for the

3

scores, I would like to ask Ms. Cornelius, who I

4

believe I cut off, for an answer to the question about

5

the age of Polly Cooper at the time of Valley Forge.

6
7

Ms. Cornelius, if you would like to
make your comment?

8
9

MS. CORNELIUS:

She would've

probably been in her late-60s.

10
11

Okay.

THE CHAIRMAN:

All right.

Very good.

Thank you very much.

12

All right.

So I now recognize Greg

13

Weinman, counsel to the CCAC, to present the results

14

from the scoring sheets.

15

MR. WEINMAN:

Once again, out of a

16

possible 30 points, design No. 1 received 16.

17

received one.

18

five.

19

four points.

20

received six points.

21

it the high vote getter.

22

No. 9 received two points.

No. 3 received 13.

No. 4A received five points.

No. 2

No. 4 received
No. 5 received

No. 6 received nine points.

No. 6A

No. 7 received 22 points, making
No. 8 received three points.
No. 11 received two

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points.

2

points.

3
4

11A received 2 points.

THE CHAIRMAN:

And 12 received two

All right.

Thank you,

Greg.

5

Are there any motions?

6

John.

7

MR. SAUNDERS:

I would move that we

8

recommend the high vote getter, with the caveat that

9

in design 2 -- or excuse me, design 3, when George

10

Washington is redesigned, that that be considered

11

also.

12

THE CHAIRMAN:

So the motion is to

13

recommend design 7, but in addition, to recommend

14

design 3 if there are changes made to the design?

15
16
17

MR. SAUNDERS:

That they consider --

they consider that we be mindful of designs.
THE CHAIRMAN:

I would recommend that

18

we proceed on one design at a time.

19

might be a little bit better, as a way to go forward.

20

So would you like to recast that motion?

21
22

MR. SAUNDERS:

I think that that

I don't know how to do

it, with -- with -- when deciding on -- I -- I

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think -- let's see what other people think about my

2

suggestion, and then we'll figure out how to make it a

3

proper motion.

4

THE CHAIRMAN:

5

Dennis, would you like to comment?

6

MR. TUCKER:

7

Yeah.

All right.

Thank you, Mr.

Chairman.

8
9

Okay.

This is Dennis Tucker.

I'm -- I'm not

comfortable, personally, recommending No. 7, although

10

I understand that the Committee likes -- likes this

11

particular design.

12

weight on the text.

13

really tell the story here.

14

the visual context that -- that No. 1 has or No. 3,

15

both of which were strong -- were strong preferences

16

or preferences of our liaisons and our Nations who

17

advised us.

18

I think it really puts too much
The text in this design has to
It's -- it doesn't have

So I -- I would need some convincing on

19

No. 7.

I -- I just -- I don't -- I see the appeal of

20

it from the numismatic aesthetics viewpoint, but I

21

don't see the symbolism, the strength of symbolism.

22

don't see the storytelling.

I -- I think it's a -- a

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weak design in those senses.

2

THE CHAIRMAN:

3

Harcourt.

4

DR. FULLER:

5

All right.

Thank you.

Thank you.

This is

Harcourt Fuller.

6

Let's see.

What do we do in a case

7

like this where the majority has spoken and

8

recommended a design that is different than the

9

designs preferred by the liaisons?

10

I guess it's a question.

11

THE CHAIRMAN:

12

DR. FULLER:

The -Especially -- I'm sorry --

13

given what Dennis has just said.

14

spoken, so what do we do?

15

THE CHAIRMAN:

But the majority has

My understanding is that

16

No. 7 was the preference of, not necessarily the

17

liaisons that we have with us today, but was a

18

preference of some of the other organizations that

19

have been involved in the process.

20

Is that correct, April?

21

MS. STAFFORD:

22

some clarity.

So to try to bring in

So we have the Oneida Nation and the

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Oneida Indian Nation that have weighed in.

2

was the single design identified by the Oneida Indian

3

Nation.

4

Oneida Nation, who also had designs 1, 6, and 7.

5

Design 3

It was also one of several identified by the

And of course, as you are all aware, we

6

have three congressional committees that are that

7

are -- we legislated to consult with.

8

designs that the Oneida Nation and Oneida Indian

9

Nation identified were amongst those preferred by

10

those -- those committees.

7 and 3 were among those.

11

THE CHAIRMAN:

12

MS. WARREN:

13

THE CHAIRMAN:

14

MS. WARREN:

15

All right.
Peter?
Yeah.
Mike Moran has his hand

raised.

16

THE CHAIRMAN:

17

Would you like to --

18

MR. WEINMAN:

19

And so, those

Okay.

Yeah, let me make a

comment first on this -- this report.

The --

20

MR. MORAN:

May I?

21

THE REPORTER:

Sure, go ahead.

22

THE CHAIRMAN:

Sorry.

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Mike, go ahead.

2

MR. MORAN:

3

THE CHAIRMAN:

4

MS. WARREN:

5

UNIDENTIFIED SPEAKER:

6

MR. MORAN:

7

We can hear you, yes.
Yes.

It's time for another -- I

THE CHAIRMAN:

Would you like to make a

comment before --

10
11

Yeah, we can.

move we approve No. 7.

8
9

Can you hear me?

MR. WEINMAN:

Can I make a comment

first?

12

THE CHAIRMAN:

Yeah.

Mike, before we

13

proceed with that motion, Greg would like to make a

14

comment.

15

MR. WEINMAN:

-- disappointment that

16

you mentioned.

17

tool for you.

18

clarity to the tool that was used.

19

when we used to print this out, and hand it out.

20

so, let me offer -- that I think may offer some help

21

in this decision.

22

It's important that the scoring is a
And I want to give a little more
And it was a time
And

For No. 7, there was only one member

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that didn't score it any points.

2

of the members -- six of you gave it 3s.

3

for design No. 1, there were one, two, three four

4

members that didn't score any points.

5

only three of the numbers that gave it 3.

6

And there were six
By contrast,

And there were

So I think this -- it's more than

7

just -- so there is a -- I should give you a little

8

bit of clarity as to how the Committee scored it.

9

And --

10

MR. SAUNDERS:

How did 3 come out?

11

UNIDENTIFIED SPEAKER:

12

MR. WEINMAN:

3?

There was one, two,

13

three, four members gave it no points.

14

members gave it 3s.

15
16

THE CHAIRMAN:

Yeah, No. 3?

All right.

And two

Thank you

very much.

17

So we have a motion from Mike Moran to

18

approve, or to recommend reverse candidate design No.

19

7.

Is there a second?

20
21
22

MR. BERNSTEIN:

Art Bernstein would

second that.
THE CHAIRMAN:

All right.

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2
3

second from Art Bernstein.
All those in favor, or is there any
further discussion or debate about this?

4

John.

5

MR. SAUNDERS:

Kind of -- it's a

6

question to the Mint, and to Greg, and to everybody.

7

Would an alternative action where we recommend that

8

the Mint give us back the slightly designs of 1 and 3

9

that Joe talked about, and then reconsider it at the

10
11

next meeting, just between those three things?
Or for both the timing and practical

12

ways, is that not a good choice, or not something that

13

would be appropriate for us to do?

14

MS. STAFFORD:

We can request that.

15

THE CHAIRMAN:

April has suggested that

16

this could be a possibility.

17

Harcourt.

18

DR. FULLER:

19

THE CHAIRMAN:

20

MR. HOARD:

Why don't you go first?
Or, Kellen.

My question, as part of the

21

coverage of the motion.

I'm wondering if the liaison

22

is going to speak to whether they feel that 7 captures

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the full story that you're hoping to tell with this

2

coin.

3

MS. DESIDERIO:

I want to start by

4

saying I respect your process and whatever decision

5

you make.

6

they -- to tell the story.

7

The Oneida Indian Nation is still honored

So before I answer that, if I might

8

comment.

I -- I worked at Senate Committee on Indian

9

Affairs, followed by National Congress of American

10

Indians before, you know, representing Tribes in a --

11

in a private capacity.

12

time, as we do talk about the -- the weighing in of

13

those committees and that organization is that there

14

wasn't any outreach to the Oneida Indian Nation of New

15

York.

16

What I found unusual this

When I was there, we made sure that we

17

consulted with the tribes right away, and first got

18

their input, right, before, kind of, sending the

19

recommendation back to the Mint.

20

think if -- if they had done that, we probably all

21

would have been a little bit more in sync on our

22

recommendations.

And you know, I

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I -- I think this is a beautiful coin.

2

I think for some of the reasons that you all have

3

expertise in how a coin will present itself, I

4

understand the aesthetics of -- of the coin.

5

don't know if it tells the story.

6

emphasizing that it was the Oneida Indian Nation, and

7

Chief Shenandoah, and their actions that led Polly

8

Cooper; right?

9

little bit more inclusive of, you know, as I keep

10

I -- I

And I think

So I -- I'd like something that's a

saying, the Nation-to-Nation; right?

11

And you know, I think that this is

12

beautiful, but it doesn't tell the story of the ally;

13

right?

14

the formation of the United States.

The ally that the Oneida Indian Nation was to

15
16
17
18
19
20
21
22

THE CHAIRMAN:

All right.

Thank you

very much.
Ms. Cornelius, would you like to
comment on that as well?
MS. CORNELIUS:

I agree with what the

previous woman had said.
MS. STAFFORD:
just clarify for the process.

And, Mr. Chair, if I can
The three congressional

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committees, they actually did not provide their

2

preferences until they received the input from the

3

Oneida Nation and Oneida Indian Nation.

4

have that prior to making their -- weighed in.

5

THE CHAIRMAN:

6

Ms. Belmonte, would you like to make a

7

MS. BELMONTE:

9

Yes.

Thank you.

And same, I -- I agree with what

Denise just said.

11
12

Thank you.

comment?

8

10

All right.

So they did

THE CHAIRMAN:
very much.

Thank you

We do have a --

13

Dennis.

14

MR. TUCKER:

15

Dennis Tucker.

16

motion.

17

All right.

I -- I apologize.

This is

I've actually lost track of the

THE CHAIRMAN:

The motion is to approve

18

obverse -- or reverse design candidate No. 7, and

19

it --

20

MR. TUCKER:

21

THE CHAIRMAN:

22

MR. TUCKER:

Recommend it, yeah.
Yeah, recommend that.
Are we still in

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discussion?

2

THE CHAIRMAN:

3

MR. TUCKER:

Yes, but -As part of the discussion

4

on that, I would say that I like John's idea of having

5

1 and 3 come back with the modifications that Joe

6

Menna spelled out because I think that those would

7

strengthen our portfolio, and -- and focus it.

8

THE CHAIRMAN:

9

MR. TUCKER:

10

THE CHAIRMAN:

12

consider No. 7.

13

And then, go from there.

14

And then, maybe we can

The motion is though, to

So why don't we first vote on that?

MR. TUCKER:

My -- my question though,

only as discussion hopefully steered you away from --

16

THE CHAIRMAN:

17

MR. TUCKER:

18

Well --

consider 1, 3, and 7.

11

15

All right.

Right.
-- where we're going to.

Thank you.

19

THE CHAIRMAN:

All right.

20

MS. STAFFORD:

Mr. Chairman, sorry.

21

Just -- we're having just a quick conversation.

22

Mint staff would absolutely be able to support that

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motion in -- in the pursuit of having the information

2

in -- in front of you to -- to make a recommendation

3

to revise those designs and bring them back for your

4

review.

5

THE CHAIRMAN:

Okay.

I don't take that

6

as a friendly amendment thought to this -- to this

7

motion.

8
9

MR. TUCKER:

No, I -- I was presenting

that only as a --

10

THE CHAIRMAN:

11

MR. TUCKER:

12

UNIDENTIFIED SPEAKER:

THE CHAIRMAN:

Supporting this motion.

Right.

17
18

Supporting this

motion.

15
16

-- a way to discourage

people from --

13
14

As a possible --

All right.

Why don't we vote on the

motion that is on the table?

19

All those in favor, say "aye."

20

MULTIPLE SPEAKERS:

21

THE CHAIRMAN:

22

Aye.

All those opposed,

"nay."

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MULTIPLE SPEAKERS:

2

THE CHAIRMAN:

3

Nay.

The motion has failed.

Are there any other further motions?

4

MR. SAUNDERS:

I -- I would move --

5

this is John Saunders.

I -- I would move my original

6

motion that I didn't know how to -- to phrase properly

7

at the time, to be exactly what Dennis just said.

8

That we ask the Mint to revise design 1 and 2, and

9

that we have an abbreviated discussion, and just vote

10

between the three of them at our next meeting, or do

11

it by mail if the next meeting is too far away to

12

narrow it to those three choices, and proceed forward.

13

THE CHAIRMAN:

To make clear, do you

14

mean obverse design 1 and 3, or obverse design 1 and

15

2?

16

MS. WARREN:

17

THE CHAIRMAN:

18

21
22

Or, I'm sorry.

Reverse

design 1 and 3 --

19
20

Reverse.

MR. SAUNDERS:
misspeak.

1 and 3.

Sometimes I

I'm in the wrong century.
THE CHAIRMAN:

All right.

So my

understanding is that the motion is to reconsider 1

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and 3 as possibilities with further amendments or

2

additions --

3

UNIDENTIFIED SPEAKER:

4

THE CHAIRMAN:

5

Modifications at a -- at a future date;
is that correct?

8
9

MR. SAUNDERS:

Along with 7, as well.

THE CHAIRMAN:

Well, we've already

We -- we --

10
11

-- at a -- at a future

date.

6
7

Modifications.

voted on 7, so --

12

MR. SAUNDERS:

Well, we voted not to do

13

it, but I -- I think we looked at the revised 1, 3,

14

and 7 as it is.

15

from next time.

And those were three choices to pick

16

THE CHAIRMAN:

17

UNIDENTIFIED SPEAKER:

18

highest vote getters.

19
20

Well --

The three

We can -- we can do that.

THE CHAIRMAN:

Okay.

Is there a second

to that motion?

21
22

All right.

MR. TUCKER:

Dennis Tucker.

second that.

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THE CHAIRMAN:

Okay.

2

Kellen, you had a comment?

3

MR. HOARD:

Just a friendly amendment

4

offer as part of those modifications to make sure age

5

accuracy, as well, that was raised.

6

in one, she looks way younger.

7

MR. SAUNDERS:

8

MR. HOARD:

9
10

'Cause at least

Is that friendly?
I'm sorry?

As part of the

modifications for the Mint coming back, to make sure
Polly's age appropriate.

11

MR. SAUNDERS:

Right.

Would be -- we

12

talked about the size, and we talked about -- Joe --

13

Joe described what the modifications were, being

14

the -- the ear of corn in Polly's hand.

15

though George is 6-foot plus, and she's not 6-foot

16

plus, then there's some modification in terms of

17

height and presentation.

18
19

THE CHAIRMAN:

All right.

So you

accept that friendly amendment?

20

MR. SAUNDERS:

Yes.

21

THE CHAIRMAN:

All right.

22

And even

discussion?

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2

All right.

Hearing none, all those in

favor of the motion, please signify by saying "aye."

3

MULTIPLE SPEAKERS:

4

THE CHAIRMAN:

5

MULTIPLE SPEAKERS:

6

MR. MORAN:

7

voted on.

8
9
10

Aye.

Any opposed?

Me.

No.

Opposed; it's been

It's done.
UNIDENTIFIED SPEAKER:

Are you going to

take a -THE CHAIRMAN:

Yeah, I think we need to

11

take a roll call, or a hand count.

12

favor, please signify by raising your hand.

13

All those opposed?

14

MR. MORAN:

15

THE CHAIRMAN:

16

four; the motion carries.

So all those in

Opposed.
All right.

All right.

It is six to

Thank you.

17

Any other further discussion?

18

All right.

19

MR. MORAN:

20

We have just designed -- and in my

21
22

Yes.

The -- this is Mike.

opinion, we've set a bad precedence going forward.
THE CHAIRMAN:

All right.

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you.

2
3

UNIDENTIFIED:

Can you repeat that

please?

4

MS. WARREN:

Can you repeat it, Mike?

5

And wait for a second, so I can mute.

6

won't have the feedback.

And then, it

7

MR. MORAN:

All right.

8

MS. WARREN:

9

MR. MORAN:

10

a bad precedence by design by committee.

11

sorry that we did this.

Go.
In my opinion, we just set
And I'm

12

THE CHAIRMAN:

Thank you, Mike.

13

MR. SCARINCI:

Mike is right -- Mike is

14

right.

We voted; we did -- we did it the way we do

15

every coin.

16

votes when a handful of people disagree with them,

17

then we're just never going to -- the meetings are

18

never going to end.

And if we're going to start revisiting

19

MR. TUCKER:

This is Dennis Tucker.

20

I have to disagree with that.

I mean,

21

we have always used the voting system as a tool rather

22

than something that sets policy or -- or cements our

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recommendations to the Secretary.

2

for portfolios to be redesigned before.

3
4

DR. FULLER:

And we have asked

Mr. Chair, I think this is

a very -- this is Harcourt Fuller.

5

I think this is a very important moment

6

for the Committee as well as for the public.

What

7

Mike said, I think -- and also Donald, I think needs

8

to be addressed, because we want the public to be

9

confident in our process that we are not subverting

10

our process by voting and then change -- and then,

11

over -- overriding that.

12

But I also want to say, on this

13

occasion, I -- I feel strongly on this occasion -- and

14

maybe I'm contradicting myself -- that we should

15

listen to the liaisons.

16

do not -- they would rather have a 1 or a 3.

17

All three liaisons here today

And so, I'm kind of -- I would like

18

to -- I feel like on one hand, I want to honor how we

19

voted, for the lack of a better term.

20

other hand, I can see that the liaisons, if I may say

21

so, are not pleased.

22

that.

But on the

And I do not know how we resolve

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Sorry I don't have a solution.

2

THE CHAIRMAN:

I would like to thank

3

all of the Committee members for their comments on

4

this.

5

with -- with the way that this -- this was handled.

6

But one of the concerns -- thank you.

And I understand the displeasure with the --

7

But -- sorry.

8

One of the concerns that I do have with

9

I'll just turn that off.

this portfolio particularly, is the complexity with

10

the number of legislative committees, as well as the

11

number of liaisons, and the rest that have weighed in

12

on this particular portfolio.

13

this case, especially the comments that we have heard

14

from our liaisons today, especially, do have to be

15

taken into consideration.

16

And I do think that in

And -- and I do feel that, in this case

17

especially, that there -- there has been movement in,

18

perhaps, the right direction in that case.

19

that this was a difficult portfolio, one that I in

20

fact anticipated some difficulty with.

21
22

So I know

But with that said, if there is no
further discussion --

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John.

2

MR. SAUNDERS:

I would kind of like to

3

agree with Mike's point, even though it's the opposite

4

of what he did.

5

I think it's -- I don't think this is a

6

precedent.

I think it's a special situation, and

7

besides the -- they had two things.

8

liaisons' point of view.

9

Menna saying how he could modify these two designs,

One was with the

The second thing was Joe

10

during our discussion points, that make this something

11

out of the ordinary.

12

And I certainly don't want to set a

13

precedent of -- of it, but I think, again, this is a

14

special situation.

15
16
17

THE CHAIRMAN:

All right.

Thank you

very much.
All right.

If all the discussion has

18

concluded, let's hope, then I would like to take a

19

moment to express our appreciation again to the

20

liaisons for attending today.

21

Cornelius, Celia Belmonte, and Denise Desiderio for

22

your participation.

Thank you, Linn

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And we will now take a lunch break, and

2

we will return at 2:00 p.m. to continue the rest of

3

today's agenda.

4
5

Thank you very much.
MS. WARREN:

Okay.

recess.

6

(Off the record.)

7

MS. WARREN:

8

We are now in

Okay.

It is 2:00 o'clock,

and I'm going to hand it over to the CCAC Chair.

9

THE CHAIRMAN:

All right.

We are back

10

from recess.

11

review and discussion of the obverse and reverse

12

candidate designs for the 2025 American Liberty

13

24-Karat Gold Coin and Silver Medal.

14

The next item on the agenda is our

And before I turn it over to April, and

15

Roger Vasquez, and Russ Evans to present the

16

portfolio, I do want to mention something that has

17

been brought to my attention, which is that we do not

18

necessarily have to recommend the same designs,

19

obverse and reverse, for both the silver medal and the

20

gold coin.

21

for the coin and for the medal, which would be a break

22

from tradition, but considering the size and

We can, in fact, have two distinct designs

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complexity of this portfolio, it is something that we

2

might want to consider.

3
4

So I am happy now, to turn it over to
the members of the ODM to present the portfolio.

5

April, if you would, please.

6

MS. STAFFORD:

7

The United States Mint launched the

Thank you.

8

American Liberty 24-Karat High Relief Gold Coin and

9

Silver Medal Program in 2015.

The Secretary of the

10

Treasury authorized the program based on the Mint's

11

statutory authority to issue gold coins and silver

12

medals.

13

modern depictions of liberty on the obverse, and an

14

eagle, American eagle, on the reverse.

15

Mint will issue a 1-ounce 24-karat gold coin, and a

16

.999 fine silver medal.

17

Designs for this biannual program feature

For 2025, the

So we'll move through the obverse

18

candidate designs first.

Required inscriptions for

19

the gold coin obverse designs are "Liberty," "In God

20

We Trust," and "2025."

21

obverse will have "2025," with the optional

22

inscription of "Liberty."

The corresponding silver medal

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Designs are presented side by side in

2

both their gold coin and silver medal versions.

3

Because many of the obverse designs have corresponding

4

reverse designs, the first number in the name

5

indicates the artist.

6

name, the last one you see, indicates its sequence in

7

the portfolio.

8
9

The second number in the design

As we move through the designs, I will
only refer to the design number.

Should any committee

10

member want to see an obverse and reverse option

11

together, side by side, please let us know, and we

12

will accommodate that.

13

So moving through the obverses, we'll

14

start with design 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11,

15

12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24,

16

25, 25A, 26, and 27.

17

Moving to the reverse candidate

18

designs, all reverses depict an American eagle.

19

Required inscriptions for the gold coin are, "The

20

United States of America," "E Pluribus Unum," 1-ounce,

21

.999 fine gold, and the denomination $100.

22

The corresponding silver medal may

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optionally include the inscription, "United States of

2

America."

3

gold coin and silver medal versions.

Again, designs are presented in both their

4

Reverse 1, 2, 3, 4, 5, 6, 7, 8, 9, 11,

5

12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, and

6

finally 23.

That concludes the candidate designs.

7
8

THE CHAIRMAN:

All right.

Thank you

very much, April.

9

Are there any technical or legal

10

questions from the Committee about this program or the

11

designs for the 2025 American Liberty 24-Karat Gold

12

Coin and Silver Medal before we being our discussion?

13

Silence.

14

MR. SCARINCI:

I --

15

THE CHAIRMAN:

Donald, yes.

16

MR. SCARINCI:

I heard of one --

17

THE CHAIRMAN:

Just a moment.

18

MR. SCARINCI:

Oh, I'm sorry.

19

Donald

Scarinci.

20

This is bold, and new, and fascinating,

21

and visionary.

And I would really, before we all

22

start talking --

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If, Joe, if you wouldn't mind, kind of

2

giving a preference for, you know, the big picture

3

in -- in your sense.

4

vision for, you know -- for, you know, 21st century

5

coinage, and you know, the new.

6

if you'd be willing to share that with us, and to give

7

us a little direction, you know, before we all start

8

talking about this portfolio, you know, without that

9

knowledge.

10
11
12

I know you have an artistic

MR. MENNA:
too much credit, Donald.

And -- and I wondered

Well, you're giving me way
Thank you for the kindness.

This is Joseph Menna.

It was the grace

13

that the Office of Design Management and -- and Greg

14

Weinman, the founder of the AIP Program offered me in

15

helping -- expanding outreach to artists from

16

different disciplines than we normally have.

17

always had great artists, but we went out to artists

18

in diff artistic communities.

19

And it's

And -- and it's the artists themselves

20

that are driving this.

No -- I -- I cannot take any

21

credit for anything that is special about this

22

portfolio other than helping the process with

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procurement, with legal, with office design management

2

to reach out to street artists, to reach out to

3

lowbrow pop surrealist artists, to reach out to comic

4

book artists, to reach out to tattoo artists.

5

So you have a whole different group of

6

artists, including our traditional artists, who are

7

all awesome as well.

8

artistic talent, I think the Mint has ever had.

9

And -- and it reveals itself in this portfolio.

10

That's all I would say.

11
12

It's the biggest range of

No credit to me though, Donald.
Seriously.

13

MR. SCARINCI:

Very modest.

14

THE CHAIRMAN:

Joe, thank you very much

15

for that insight into the range of artists that have

16

put together this very large portfolio.

17

Do we have any other questions or

18

comments before we begin?

19

All right.

Before we begin our

20

consideration, I do want to acknowledge the fact that

21

this is a very, very large portfolio, with 27 obverses

22

and 23 reverses to consider.

We will be here all day

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and night if each of us takes the required time, I

2

would think, to go over all of the designs.

3

ask each of you, please, to try to keep to the five

4

minutes, and to try to highlight those designs that

5

you think work best, and offer any other comments that

6

you might think are appropriate for this rather broad

7

range of material.

8
9

That said, Donald, let's begin with
you.

10
11

So I will

MR. SCARINCI:
okay.

Oh, it's joyous.

So --

Where do I even start?

12

I guess, you know, we -- we need to,

13

for this series, and this is -- and this is our

14

series; right?

15

is the American Liberty Gold.

16

think what we are -- what we -- let's go back to the

17

beginning.

18

This is the American -- you know, this
And you know, and I

What we've tried to do, what we've

19

tried to say is we want to challenge the artists to

20

come up with designs of liberty that are relevant

21

to -- especially to -- to younger people today.

22

you know, the old concepts of the fasces and the, you

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know, the shield, those Civil War symbols.

2

we've done the Statue of Liberty, we've done -- we've

3

done all these things.

4

them, and done them to the point where, you know, A,

5

it's saturated, and B, they've lost a lot of their

6

emotional impact.

7

they've lost their emotional impact to -- to a

8

contemporary audience.

9

You know,

And we've done them, and done

They never lose their meaning, but

So the concept of this program is to be

10

bold and creative, and come up with liberty in new,

11

modern ways that we, as, you know, non-artists can't

12

really conceive; right?

13

the pool, which is -- you know, Joe is very modest.

14

mean, because it's a team of people, you know, because

15

he is a great artist.

16

you know, he's looked around and found, you know,

17

artists that could really give us the type of thing

18

we're looking for.

It requires the artists in

And -- and so he, obviously,

19

And I think Joe is -- I think Joe is

20

really listening to us when we -- you know, I think

21

we're all rowing this boat in the same direction that

22

we want to come up with new ways to give meaning.

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So my first point is -- is that, you

2

know, it has to be liberty in a new and modern way.

3

And so, my -- my first overall, you know, commentary

4

of the portfolio is those designs that are still using

5

the torch, you know, the bell, you know, or -- or are

6

taking the Statue of Liberty and doing something else

7

with it, which is kind of interesting in some of

8

these -- in some of these designs, I think we're -- I

9

think we're hitting the mark with new and different

10

here.

11

And one way we might be able to do this

12

is what if we were to use the silver medal to do

13

something that's more earthshaking to the American

14

people; right?

15

gold coin; right?

16

high-relief series.

17

may not sell, you know, and then, the marketing

18

department's going to get all upset because it doesn't

19

sell; right?

20

You know, as opposed to a 2023 $100
And so -- so because it's a gold,
So that's expensive, you know, it

So I'm not sure, but maybe we do a --

21

one design that's in the series, consistent in the

22

series.

Plus, you all -- you all are aware -- if

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you're not aware, you should be aware, the American

2

Liberty Gold Coin Design is an award-winning series.

3

Virtually, I think -- I think the majority of the

4

coins we've issued in that series have won

5

international awards; right?

6

regarded.

7

And they're very highly

So you know, so I'm wondering if we

8

choose a silver coin, and -- and then, also choose a

9

gold coin.

Maybe the two of them -- a silver medal.

10

And the medal could be, like, you know, like, a design

11

like -- like 06.

12

also attracted to 05.

13

coins.

You know, I'm attracted to 06.

I'm

I'm attracted to a lot of these

14

So -- but -- but, you know, and then,

15

maybe the gold coin could be something a little more

16

consistent with what we've done up to now, which is

17

maybe something like 24.

18

you know, the carving -- carving the stone thing, you

19

know, art -- art being made out -- sculpting the art

20

out of stone.

21

or Leonardo who did -- who said that.

22

You know, you've got the --

You know, I think that is Michelangelo

And then, on the reverse of that, you

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know, we find something -- you know, we find something

2

in the reverse side to go with that.

3

know, a little consistent, you know, with the obverse.

4

And I would assume it's done by the same artist, which

5

would be -- which would be one of the eagles, one of

6

the more traditional-type eagles for the reverse of

7

that.

8

we talk to the artist who did the obverse -- can

9

maybe --

Unless the artist who did the obverse -- unless

10
11

Possibly, you

Mike, I know you're cringing over
there.

I can see you cringing.

12

So -- and then, for the silver one --

13

MR. MORAN:

14

Well, Don, I was waiting

for you --

15

MR. SCARINCI:

Are you cringing?

16

And then, for the silver one, you know,

17

we -- we, you know, we go for something like 06, you

18

know, with that cool -- you know, with that cool

19

reverse with the lettering, the "United States of

20

America" lettering.

21
22

No. 23; something like that.

You know, I mean, I'm just throwing it
out there as -- as, you know, as ideas.

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here to talk about.

2

it; right?

3

else for now, and we'll come back.

So let me -- let me give it to somebody

4
5

I don't even know how to approach

THE CHAIRMAN:
All right, Donald.

We'll come back.

Yeah.

Thank you very much.

6

Dennis, if you would.

7

MR. TUCKER:

8

And thanks, Donald.

9

really encapsulated things for us.

Thank you, Mr. Chair.
I think you've
And I -- I like

10

that idea of having two different styles to approach

11

this; one for the gold, one for the silver medal.

12

I'll talk a bit about the different

13

artists.

14

of artist 3.

15

new look to American numismatics.

16

never been done before on U.S. coins, and it would be

17

an interesting clash of media.

18

I like the comic book style designs, those
They're different, and it would bring a
That style has

I love the fresh, urban energy of

19

artist 2.

20

in recent motifs in lettering.

21

portfolio for 2024 Olympic Games Handover Medal.

22

And we've seen some of this graffiti style
For example, the

In my opinion, this style needs to be

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on a U.S. coin or a National Medal at some point.

2

hesitation here with artist 2, design 2, is this.

3

The -- and Donald talked a bit about this.

4

is fresh, but the Statue of Liberty theme is tired.

5

So I'm -- I'm torn because the art is very strong.

6

Does the overly familiar subject matter weaken the

7

strong art, or is that actually the perfect marriage

8

of old and new?

9

don't know the answer.

10

My

The style

That's a good question for me; I

Artist 5, I think, is onto something

11

with the dandelions carried on the wind, and

12

flourishing under stress.

13

and the use of the medium is perfect, telling a story

14

across two sides of the coin or the medal.

15

The art here is compelling,

Artist 6 has the start of an excellent

16

coin with the sunflower and the bee.

17

that paired with a reverse that does the art justice,

18

and takes it home the way artist 5 does with the

19

dandelions.

20

I'd like to see

Artist 6's swirling eagle reverse,

21

which is reverse 12, is amazing.

22

me of an eastern, or Asian dragon.

And it -- it reminds
It's very active,

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and I want to see that on a medal or coin at some

2

point.

3

Artist 8.

My remarks to artist 8 would

4

be, "Keep at this."

I like your use of textures, and

5

patterns, and motion in your obverses.

6

MS. STAFFORD:

Can we -- I'm sorry.

7

May I ask, is it appropriate if we

8

concentrate on one design at a time?

9

okay, so can we take away the doubles?

10

Would that --

And can we decide on a convention, just

11

for the discussion, whether we refer to the design

12

number or the artist number?

13

is -- can be confusing.

14

them, I used the design number, but --

Only because I think it

I know when I read through

15

MR. TUCKER:

16

MS. STAFFORD:

Oh.
-- we're also

17

fine -- we're also fine to use artist number.

18

want to make sure that as we're flipping, we're

19

matching.

20

I just

So is there a preference?
MR. TUCKER:

Well, I -- I -- as I went

21

through the designs and made my notes, I was thinking

22

of them in terms of the artist.

So I'm --

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MS. STAFFORD:

The -- okay.

So just

2

for everyone's reference, the artist is the first

3

number you see in the design.

4

MR. TUCKER:

5

MS. STAFFORD:

6

MR. TUCKER:

Yeah.
Okay, thank you.
So artist 8 is the one

7

with Lady Liberty, whose robe has evolved into old,

8

abstract patterns -- there we are.

9

use of textures, and patterns, and motion.

I -- I like that
I don't

10

think that these are the strongest work for the

11

numismatic canvas, but I do want to see some more

12

along these lines.

13

obverse designs.

14

And artist 8 was 15 and 16 for the

Artist 12, I think we've seen before.

15

That would be designs 21, 22, 23 for the obverse.

16

Artist 12 has created some outstanding work that

17

hearkens back to traditional numismatic motifs, like

18

the French Sower, or Adolph Weinman's "Walking

19

Liberty," but crafted with fresh eyes and a modern

20

touch.

21

But I think we've seen these before --

22

I think we've seen some -- some of this work in other

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portfolios.

2

symbolism, but it's given with new energy and life,

3

not to mention books and kids.

4

and I have an 8-year-old daughter, Ava.

5

lot in this that's very appealing to me.

6

There's a -- there's old-fashioned

I'm a book publisher,
So there's a

Artist 12 is the creator of my favorite

7

design in this portfolio.

And maybe -- maybe I should

8

modify that and say, for the gold.

9

looking at these two different approaches.

You know, if we're
My

10

personal recommendation for the 2025 program for the

11

gold, would be obverse 25, which is the Wild American

12

Bison.

13

The style reminds me of Beth Zaiken's

14

2021 design for same American Liberty Program.

15

American Mustang was an international award winner.

16

It was featured on the cover of the Red Book.

17

Her

And this American Bison has the same

18

exciting energy and the same uniquely American

19

symbolism.

20

collector as the animal on the Buffalo Nickel, of

21

course, and no other country could use this design to

22

symbolize liberty.

The American Bison is known to every coin

This is as American as it gets.

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Quickly, to summarize; I apologize for

2

taking so long.

3

exquisite.

4

Artist 12's eagle reverses are

And, April, I'll have you scroll to

5

them.

6

American numismatics, there's a long tradition of

7

combining olive branches with arrows to symbolize

8

peace and military strength.

9

them combined in this way with a nest built out of

10

both.

Reverse 19, to me, is the strongest.

In

But we've never seen

To me, this is outstanding.

11

The inclusion of an eaglet brings up

12

all the wonderful symbolism of Miley Frost's Family of

13

Eagles on the American Gold Eagle bullion coins, so

14

there's another connection to tradition.

15

So in my opinion, for the gold, artist

16

12's obverse 25 and reverse 19 make a winning

17

combination.

18

experimental -- maybe something like the -- the

19

graffiti-style, of artist 2's obverse 2.

20

bigger discussion --

21
22

For the silver, we can get the more

THE CHAIRMAN:

All right.

thank you very much.

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Dennis,

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John, if you would.

2

MR. SAUNDERS:

3

For the obverse design, Dennis just

John Saunders here.

4

stole a lot of my thunder.

5

really liked there.

6

think breaking the fence in the next one adds

7

anything.

8

was hands-on favorite.

9

I -- there was only one I

It's the 25C, artist 12.

I think it actually detracts.

I don't

I mean, that

I'll make a couple comments about some

10

of the others real quick.

11

expression; it looks very much too harsh for No. 1.

12

I'm going to talk about design numbers here, rather

13

than artist numbers.

14

I didn't like the

No. 2, I liked the graffiti look.

I

15

didn't quite like Madam Liberty's jaw, but I wouldn't

16

mind seeing 2 on a silver dollar.

17

separate.

18

I didn't -- it was

3 and 4, I didn't get completely.

I

19

didn't like 5; it looked like an Egyptian pharaoh, or

20

"pharaohess," holding the thing.

21
22

I like 6.

7 was okay.

the jaw of Liberty seems awfully wide.

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It

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is a Liberty Bell, but I still like it.

I thought 10

2

and 11 were kind of cute.

3

that's symbolizes liberty, but it's -- it was a cool

4

design.

12, sunflower; I'm not sure

I liked it.

5

I liked 13 okay.

14, I really liked

6

the design.

Again, I'm not sure it symbolizes

7

liberty, having an -- an oak leaf there, with the

8

acorn.

But it -- I like the design.

9

The next two, I didn't particularly

10

like.

11

18, I didn't really get.

12

traditional, but I kind of like 19 and 20.

13

know how it would come out in coin.

14

24 was okay, but in my mind, 25 just wins.

15

like the, kind of, taught, drawn face of 26 and 27 for

16

Ms. Liberty.

17

Going onto the next page, 17.

It was okay.

19 is kind of -- kind of
I don't

And I liked 22.
I didn't

In terms of reverses, if you were going

18

with the obverse 2, the -- the 23, the eagle with the

19

interesting letters looked nice.

20

through some comments on -- I didn't really

21

particularly like 1 or 2.

22

German coins to me.

But again, going

3 and 4 look too much like

5, I don't particularly like.

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didn't like.

6, it looks like the eagle's going

2

straight into the ground, like a plane that's

3

crashing.

I didn't like that at all.

4

7 or 8 are kind of Germanic again, but

5

okay.

6

once you see what it is, it's kind of neat.

7

one of my favorites.

8

think my favorite is 14 though.

9

eagle.

10

9 was kind of okay.

10, I liked.

12 is -13 was

It's kind of traditional.

I

I like the soaring

So I -- I think hugely, if we went with the

buffalo, I would like the soaring eagle reverse of 14.

11

15's nice.

16's okay.

I don't really

12

get 17.

13

it's -- it's, you know, the Mexican eagle holding the

14

snake there.

15

was okay.

16

did.

17

18 looks too much like Mexico.

I mean,

The eagle -- so that was out for me.

I didn't get turned on as much as Dennis

20 was okay.

21, I like.

22, I think

18

the eagle's head gets lost in its wings, so I didn't

19

like that particularly.

20

favorite was 14.

21
22

19

And 23 was okay, but my

THE CHAIRMAN:

All right.

very much, John.

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Dr. Harcourt Fuller.

2

DR. FULLER:

3

Thank you.

This is

Harcourt Fuller.

4

First of all, this is a really great

5

portfolio.

6

inclusivity.

7

of the artist pool.

8

great.

9

lot of things that I wanted to say, but let me just

10

I do like the boldness, and I do like the
I like the fact -- I like the diversity
I think it's really, really

And I think my colleagues have already said a

start with obverse 2.

11

I think it's -- it's about time, and

12

it's really great to see a graffiti lettering, if you

13

will, you know, on -- on a coin.

14

fan of the rigidness of Liberty's face.

15

a tin -- you know, like, a tin -- tin person type of

16

design.

17

obverse as far as the Liberty is concerned.

18

And then, I really liked 11.

I -- I'm not a big
It looks like

But I -- that's probably my favorite on the

Yes, I

19

think it's really cool from -- yeah, just -- I like --

20

I mean, that -- is that a wave?

21

check that.

22

liked 11.

Let me just double

I want to just -- yeah.

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I really like 12.

I do see Liberty in

2

12.

You know, when I look at a sunflower, it just

3

opens up.

4

it's -- it's, you know, not how you would typically

5

see Liberty, of course, depicted; so I really like

6

that.

7

it's always good.

Children also love sunflowers in my opinion, so

8
9

It's -- it's freedom, it's inviting, and

And then, if we could go to -- I really
like 24.

It's almost as if Lady Liberty is sculpting

10

herself out of, you know, the rock.

And I think it's

11

a really unique design.

And then, 25 --

12

25C, and -- yeah.

13

designs as well.

14

All right.

I -- I -- that's one of my favorite
It's very bold.

Yeah.

On the reverses, let's go with 1.

15

want to see 1 again.

16

this reminds of a fighter jet coming in guns blazing.

17

But that's kind of what I see when I see that, so I

18

kind of like that.

19
20
21
22

I don't know.

I

For some reason,

And then, if we go with 8; did you say
it looked Germanic?
MR. SAUNDERS:

I think -- I think at

the two above, these -- these four look Germanic.

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DR. FULLER:

Germanic, yeah.

2

of like -- like those in a sense.

3

see.

I do kind

And then, let me

I'm going to wrap up real quickly.

4

The 13C is a winner for me.

I -- I

5

mean, I -- even though it's kind of classic, but I

6

just like the fact that you have this focused gaze.

7

So I like that.

8
9

Now, I'll stop right there.
Congratulations to the artists.

10
11

THE CHAIRMAN:

Thank you very much, Dr.

Fuller.

12

Kellen Hoard.

13

MR. HOARD:

14

I really like this array of designs.

15

Whatever the Mint was doing with selecting artists,

16

they did it right.

17

Well, thank you.

Keep doing it.

I was drawn, really, to 2.

You know, I

18

think that is, I really -- to answer Dennis's question

19

about whether you can marry old and new, I think the

20

answer's "yes" with the design.

21

say that is over the last week, I've asked, generally,

22

about 30 people under 25, like, "What does liberty

And the reason why I

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look like to you in a modern context?"

2

And a plurality said the Statue of

3

Liberty was what came to mind for them, still, as what

4

they envision liberty to look like and what it should

5

look like furthermore.

6

them thought, "The Statue of Liberty is what I think

7

of, but is it still relevant today?"

8

liberty represent -- transcend, kind of, modern

9

American culture?

10

But at the same time, a lot of

Is there -- does

And I think this coin answers that

question; yes.

11

In that graffiti is an American art

12

from that has -- that transcends into modern culture,

13

it still kind of captures some of those older values

14

back in the 1880s when this was sent over -- 1870s, I

15

guess.

16

and I think it's a neat, eye-catching design that I

17

would like to see -- I'll vote for.

18

So I really think this does marry those two,

I also -- even though it's really -- I

19

didn't feel it was a modern -- I really like 1 as

20

well, for the obverse.

21

enough -- it's a beautiful design; it has artistic

22

merit.

I don't think that one got

I'm not sure I will vote for it 'cause I don't

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think it's necessarily modern in the way we're going

2

for.

3

dissect the gold and silver, and you want, kind of,

4

a more of a classical gold one, I think 1 should be

5

considered.

But if you want, kind of, if we're trying to

6

I also wanted to raise 22, which I

7

think has already been touched on.

22; really -- I

8

know we've seen this design before.

9

on -- but I think this is the time and the place for

I think it's been

10

it.

We've seen other portfolios; it hadn't quite fit

11

with those portfolios, but this one it absolutely

12

does.

13

gold, or silver, or both.

14

And again, I'd like to see that on either the

So address a couple -- for 24, I don't

15

think we should do 24.

16

disagree with the premise.

17

thing.

18

to perpetuate it; she's not carving herself out.

19

That's the work of Americans, and so, I think that

20

just sends the wrong message.

21
22

At least for me, I just
It's not even a design

Liberty is not self-perpetuation.

People have

And on the bison design, I forget the
number on that one.

That was 25.

I would also opt

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against the bison for two reasons.

2

talking about motif, that, I feel has been done a lot.

3

The bison is, I think, one that has been, perhaps

4

overdone, including on, you know, nickels, and of

5

multiple kind.

6

One, if we're

And also, I just feel like it's a lot

7

of similarity to the 2021 coin with the bucking

8

bronco.

9

It's kind of bucking in place.

It feels like another iconic American animal.
We have so many other

10

options, even though it's a neat design.

11

take advantage of one that's more distinct.

12

We should

And the reverse, 11 was one that stood

13

out.

14

liked the, kind of, the hyperrealism.

15

the dandelion on the other side, but I like, kind of,

16

the swirling aesthetic here.

17

simple, but complex at the same time.

18

that one.

19

So 11 was one that stood out.

I just really
I don't love

I think it -- it's

And then, 12 as well.

So I would vote

I was looking at

20

12 in my dorm last night, and my roommate came by.

21

And he says, "That's the most badass coin design I've

22

ever seen in my life."

And he's not a coin collector,

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but he -- he's like, "I would buy that," basically.

2

Especially if there's -- I mean, he's not going to pay

3

for a gold, but he'll buy the silver.

4

excited about that.

5

He was very

He had never seen an eagle like that

6

before.

We have a lot of story eagles; we do a lot of

7

eagles standing.

8

way.

9

raise that.

What he's not seen, an eagle that

He was so excited about that, that I have to
And I will vote for that, 'cause I had

10

never seen a person my age who didn't collect coins to

11

be that excited about a coin design.

12

that's a bit -- somewhat indicative of the view of the

13

public.

14
15

And so, I think

That's it from me.
THE CHAIRMAN:

Kellen, thank you very

much.

16

Dr. Christopher Capozzola, please.

17

DR. CAPOZZOLA:

All right.

Thank you

18

to the Committee, to the artists, to the people in the

19

Committee who went before me for tackling this big

20

job.

21

too much.

22

the excuse to watch bison videos over the last couple

There's a lot, and so I will try not to repeat
Also thanks to whoever it was who gave me

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of weeks.

In case you were wondering, yes, they do

2

jump, and quite impressively.

3

spare time.

4

All right.

Watch that in your

I'm going to be referring

5

to design numbers, not to artist numbers.

And so, for

6

me, the one that actually -- I do actually like a

7

great deal and that has stuck with me the longest, is

8

24.

9

both pro and con along the way.

And you know, which several people have talked to
But I do like the,

10

kind of, the way Liberty, as her own -- her own

11

author.

12

technique.

A modern depiction of a very classic

13

That is one that I liked.
In a very different way, I also really

14

liked No. 2.

15

visual aesthetic and tradition into -- into our

16

coinage, and in a way that is both modern and

17

traditional at the same time.

18

And again, after bringing the -- this

I think that the -- I liked the design

19

of 25, the bison, but I think I share, actually,

20

Kellen's concern that we -- the bucking bronco looks

21

an awful lot like this, and that this may not

22

necessarily add much to the series overall.

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Just to flag a few other ones that I

2

did like; 8 and 9.

3

movement, and -- and an engagement with -- with the

4

person holding it in their hand, I presume coming

5

forward to, but with some very traditional elements.

6

Both -- both have an energy, and a

And then, I will say, just a little bit

7

of something for No. 15, which is a very unusual

8

design.

9

the moon, if you play hearts.

I think this fits in my category of shoot for
That's where you try so

10

much and try so hard that you -- maybe you win the

11

whole thing, and -- and maybe you don't win at all.

12

And I don't know if this is a winner, but I absolutely

13

appreciate the effort, and I love the thinking behind

14

that one.

15

And onto the reverses.

I think my

16

reverses may not necessarily match my obverses.

But I

17

thought 12, and 12A-C is just really, as others have

18

said, truly remarkable, and something that -- that we

19

need to -- to find a way to put on -- on our coins and

20

medals.

21

not been much discussed.

22

other person addressed this one.

And I also thought that 8C, which I think has
Although, I think maybe one
I really like the

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way that this used the frame and used the, kind of,

2

creative, visual aesthetic.

3

eagle particularly fresh.

4

than maybe some of the others that people have

5

discussed.

6
7

And this one, less German

And with that, I think I'll just cede
the rest of my time for future conversation.

8
9

And that that makes this

THE CHAIRMAN:

Thank you very much,

Chris.

10

Annelisa Purdie.

11

MS. PURDIE:

12

Thank you, Mr. Chairman.

This is Annelisa Purdie.

13

I also want to express my extreme

14

admiration for these designs.

15

designers' bios, and thinking about their process, I

16

would love to sit in a room with each of them, and

17

just pick their brains about how they came up with

18

these.

19

something to them, and it's shown in the way that they

20

expressed their artwork.

21
22

Reading each of the

Because it's clear that liberty still means

I'm also going to err on the side of
brevity, so I will simply go with the ones that stood

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out for me the most, by design number.

2

Yorker, I love No. 2.

3

artform.

4

way that Lady Liberty is reworked here to show -- to

5

reach out to those who do have a perception of liberty

6

that also matches with an art form that is important

7

to them, that they love.

9

Graffiti is a legitimate

Let that go on the record.

8

As a New

And I love the

In terms of spacing, it possibly could
use some work.

Because of the graffiti style of

10

lettering, it tends to be large, but I think this

11

would be a really effective way of reaching out to

12

those who love both, and would like to see a

13

representation of both.

14

Design 12 is amazing in terms of the

15

detail.

Very Isaac Watts; "How doth the little busy

16

bee.

17

the way that it shows the patience of Liberty.

18

evokes that feeling of patience, and the process of

19

working behind the scenes.

20

would stand out immediately to the viewer at once, but

21

this is definitely something that does evoke that

22

feeling, and does it well.

Improve each shining hour."

I love it.

I love
It

I'm not sure that that

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25 is one of my favorites.

I think

2

this may be the first time that we do see a leaping

3

bison on the coins.

4

may feel that this has been overdone, which is

5

understandable, is because of the staid position of

6

the bison, as we usually see them on coins.

7

that he/she is in action, is reaching through, is in

8

their natural habitat.

9

that's enduring that touches a lot of coin collectors.

And one of the reasons why some

I love

And it's still something

10

And I think that animal lovers as well, and those

11

lovers of the old west would enjoy this two.

12

All-time favorite would have to be 22.

13

Even before reading the description of the process

14

behind making this design, I think it was conveyed

15

excellently.

16

not only drawing the viewer in, but reminding everyone

17

about the importance of liberty between generations,

18

and how it's often fought for in that way.

19

I feel that it does an excellent job of

For 15, I also would put this into

20

something that warrants -- warrants merit.

21

concept, as I understood the description of the

22

concept of representing the turrets of Lady Liberty's

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dress.

I'm not sure that it's executed that well on

2

the coin.

3

because she's far back from the viewer.

4

tweaking, I don't know, but there's still something

5

about this that caught my interest that has some

6

potential there.

I think it's a perspective issue as well,

7

Okay.

With

In terms of the reverse designs,

8

19 was the -- my top pick, my favorite.

9

idea of the eagle feeding her eaglet, and symbolically

10

nurturing the next generation of liberty.

11

detail works well.

12

which is always a concern of mine.

13

I love the

And the

There's not too much crowding,

And my second favorite reverse is No.

14

17.

I like that this is more motif-centric versus

15

symbols-image-centric, save for the eagle in the

16

middle.

17

very well, and the fact that it's hearkening back to

18

some of these older designs, coin designs, also works

19

well too.

20

And this is something that was enjoyable to see.

I think that the spacing of the letters works

21
22

Very Gilded Age while still being modern.

Okay.

And that will be all for me.

Thank you.

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1
2

THE CHAIRMAN:

All right.

Thank you,

Annelisa.

3

Mike Moran, if you would, please.

4

MR. MORAN:

5

Okay.

I'm here.

Can you

hear me?

6

THE CHAIRMAN:

7

MR. MORAN:

8

MS. WARREN:

9

UNIDENTIFIED SPEAKER:

10

MR. MORAN:

Sure can.

Can you hear me?
Yes.

Okay.

Yes.

Well, I listened to

11

Kellen start it off, and I thought, "Oh, he and I are

12

on different planets."

13

how I like No. 2; I don't.

14

graffiti, I just don't like the design.

15

to get some closure here before we're done, Kellen.

16

I typically start off about
It's not necessarily the
We're going

Going through these, I also want to

17

endorse what Donald said about silver versus gold in

18

different designs.

19

could do that.

20

sense.

21

coin collectors.

22

and avant-garde with -- in selection, like, No. 6 --

That caught me by surprise that we

We certainly can, and it makes some

They're marketed to two different classes of
And being a little bit more risque

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and I'm going by numbers, April, not by the artists --

2

with the dove, and -- and the stylized Liberty, that's

3

not bad at all.

4

the on the -- coin.

5

But it's not going to get my vote on

I also like No. 8.

There's really no

6

excuse for that.

I mean, it's -- it looks almost like

7

a Disney character, but it -- I like the torch down

8

there, and I like the fact that there's a glide motion

9

there with the scarf, or the cloak, the wrap, and her

10

hand drawn back, and one drawn forward.

11

liked for a more realistic face on that one.

12

get much in the way of votes from me.

13

I would've
It won't

My real favorite is the sunflowers.

14

And they're well modeled, but -- that's No. 12 -- but

15

it's more than that.

16

It's the bee that pollinates, and then the seeds that

17

go forth and sprout up, and -- and create more of --

18

of the symbol of liberty.

19

any better than that.

20

nature instead of our own human form for liberty.

21

I think in this case, it's probably my favorite of the

22

portfolio on the obverse.

It's its symbolism behind that.

I don't think you can get

Sometimes, we ought to look to

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The second favorite, I'm always a

2

sucker for this, is 24.

3

completes the thought that it is constantly changing.

4

It's constantly reforming itself.

5

chiseling out the image of liberty out of a block of

6

granite, marble, what have you here, rock.

7

think that's good.

8
9

Liberty is -- she -- it

I like the idea of

And I

I'm going to get on the side of the
people that say too many buffalos.

I don't care, the

10

leaping, or flying, or what have you.

11

buffalos on the State quarter, we've done them on

12

medals, we've done them on our nickel.

13

just won't go there.

14

We've done

And I'm -- I

On the reverses, I liked -- I get to it

15

here -- 12.

16

anatomically correct, but it's close enough.

17

like the fact that the -- the head and shoulders of

18

the eagle are wrapped in the -- of the feathers and

19

the wing.

20
21
22

Not that these -- it's not, I would say,

And -- yeah, 12.
There -- one back.

And I

That's not my 12.

There we go.

I like the idea that the feathers are

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there, and it -- it really makes a nice design and

2

a -- circumference to -- and compliments the

3

circumference of the coin.

4

head.

5

eagles.

6

into the -- looks like the eagle with a snake, but

7

it's really chains

8

not --

I don't need an eagle

We've got the -- coin, we've done soaring
I'm not into the traditional design.

9

I'm not

We've done eagles in nest.

We did

And this is where Kellen and I are in

10

agreement.

It's my favorite of the portfolio.

11

No. 23.

12

great, I like the way it -- it changes it's -- it's

13

size.

14

going to look really great.

15

vote.

I love it.

It's a good design.

The font's

But I -- I think it incused around the -- it's
It's going to get my

16

There you have it, Peter.

17

THE CHAIRMAN:

18

That's

Mike, thank you very

much.

19

Art, if you would, please.

20

MR. BERNSTEIN:

This is Art Bernstein,

21

and I will use the design numbers to give some

22

comments about designs I liked, and a few that I

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didn't like.

2

Design 1 on the obverse, I thought was

3

traditional and elegant, and will get some points from

4

me.

5

Design No. 2, I was about to admit that

6

I was a minority of one.

I think I'm now a minority

7

of two that doesn't like the graffiti.

8

my -- I got a pretty good scolding when we talked

9

about this on the Paris Medal.

And I had

I understand that

10

graffiti is an artform, but I'm a member of this

11

committee representing the general public, and I think

12

there are elements in the general public that see --

13

still see graffiti as a criminal activity, that they

14

see in terms of property damage, and I do not believe

15

we should be celebrating graffiti.

16

that's a minority opinion.

17

And I recognize

Design 3, I thought -- I wasn't making

18

connections between butterflies and liberty, and I

19

thought those designs were a little too busy.

20

Design 5, to me, was eye-popping.

21

I mean that in a positive way.

22

myself drawn to it.

And

I -- I just found

It was so unusual.

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certain Egyptian flavor to it, it has a certain art

2

deco flavor to it, and it just -- just really caught

3

my eye, and I think it would be a fantastic design.

4

Continuing on, the design with the

5

Liberty Bell on 09, to me, a very action-oriented

6

coin.

7

almost felt like the coin was making a sound.

It just cried out, "let freedom ring," and I

8
9

Design 13; fairly simple, fairly
elegant.

But to me, the torch was too closely similar

10

to an ice cream cone.

11

oak leaf, I don't think anyone mentioned what was

12

mentioned in the text, which was this design was also

13

meant to mirror the Statue of Liberty with the

14

outstretched arm, and the head being the acorn.

15

thought that was very clever.

16

The next design, 14, with the

And I

Design No. 18; I don't recall any

17

comments on this one.

18

very traditional look, and for me, hearkened back to

19

the Flowing Hair dollar from ancient times, and I just

20

thought it was a modern take on that and the -- tree.

21
22

And to me, I thought it was a

I liked all three of the designs
featuring Liberty walking with a daughter, or with a

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young woman, or without a young woman.

2

three of those designs are worthy of our

3

consideration.

4

I thought all

And that was it for the obverses.
On the reverses, design reverse 1 and

5

2, both of those I found --

just found them sort of

6

scary.

7

modern, and I think would tie-in very well with that

8

eye-popping Egyptian design that I liked.

And I liked design liked 4, to me was very

9

Again, on the reverses, design 16.

To

10

me, this looked like the U.S. Postal Service symbol.

11

And so, I did not support that one.

12

concludes my comments.

13
14
15

And that

Thank you.

THE CHAIRMAN:

All right, Art.

Thank

you very much.
For my own comments, I'm going to refer

16

by artist number.

Beginning with artist No. 1, the

17

design of obverse 1 and reverse 1, I felt compelling,

18

obviously traditional, but we're seeing some things

19

here that we've never seen before with Liberty.

20

Namely, on the obverse, Liberty clutching a fist full

21

of arrows, which my understanding of the symbolism

22

would be much more marshal, than peaceful.

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that, you know, really rather interesting, and

2

obviously pairs well with the aggressive eagle on the

3

obverse.

4

I really find these designs interesting

5

and compelling.

6

should be the designs recommended by the Committee,

7

but I certainly will be giving some score to these.

8
9

I don't necessarily think that these

The artist No. 2 with the graffiti take
on the Statue of Liberty; Statue of Liberty is

10

something I know well, since I pass by her twice a day

11

on my way from Staten Island, where I live, to

12

Manhattan, where I work, and back home again.

13

am drawn to her.

14

evenings, sitting outside, when the weather permits,

15

and really enjoying the view of the statue.

16

I still

And I do find myself, especially on

And I'm not alone, because I'm usually

17

sharing that deck with hundreds of other people,

18

tourists and others, who are crowding both the ferry,

19

as well as the other ferries that take them to the

20

island to see the statue.

21

resonates with a lot of people in this country as a

22

depiction of liberty.

So the statue still clearly

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And this take on the Statue of Liberty,

2

I think, is in many ways, really quite appropriate.

3

Not only for its setting in New York, where there is a

4

lot of street art and graffiti, but also just for the

5

very modern take on this depiction.

6

I was really drawn, as well, to the

7

work of artists No. 5, 6, and 8.

They three who

8

turned to the natural world to find expressions of

9

liberty.

10

No. -- artist No. 5, with the dandelion

11

obverse and reverse, I really found these to be lovely

12

designs, as well as the design of the sunflower, by

13

artist No. 6, and the oak, by artist No. 8.

14

concern with these three designs, however, is just the

15

symbolism and expression of liberty not necessarily

16

being as impactful as I might think they might be with

17

some of the other representations.

18

these really compelling and lovely designs, but I'm

19

just not sure if the concept of liberty is being

20

expressed as well as it could be.

21
22

My

Again, I find

Artist No. 12, with the mom and
daughter walking, is a design that I came back to

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again and again.

I find that design --

2

Yes, that one.

3

Really just, somehow, emotionally

4

engaging, and I really liked this design.

5

depiction of Liberty as, essentially, an everyday

6

woman walking with her daughter, which is a depiction

7

which we really have never seen before.

8

always been allegorical, either with a fistful of oak

9

branches, or olive branches, r in this earlier case, a

10

fistful of arrows.

11

find touching.

12

And it is a

Liberty has

But here, this image, I really

And as Kellen noted, it is one that

13

we've seen before in various other guises, but perhaps

14

this is the time and the place, finally, for it.

15

Artist No. 12's bison, I also found really quite

16

compelling as well, but as others have expressed,

17

perhaps we've seen a little bit too many bison, as

18

well as too many -- or at least, a -- a reference, in

19

some ways, to the earlier bronco design that we did a

20

few years ago.

21

The corresponding reverses; again, the

22

reverse by artist No. 6, the swirling wings, I really

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quite love as well.

2

That one, yes.

3

I -- I think this is, just, dynamic,

4

and something that we have never seen before.

5

really do hope we can find a place for this reverse on

6

one of the -- either the coin or the medal, this

7

afternoon.

8
9
10

And I

That's all I've got to say about all of
that.

Are there any other further comments or

questions?

11

Harcourt.

Yes, please.

12

DR. FULLER:

13

THE CHAIRMAN:

14

DR. FULLER:

Yes.

Do I need a mic?

Yes.
Hi.

This is Harcourt

15

Fuller.

I think that when you open -- when you invite

16

diverse designers, creators, we're going to get things

17

that are not -- not traditional.

18

aim, right, where we are inviting tattoo artists,

19

comic book artists, graffiti artists, street artists,

20

I think that that means that -- I mean, a lot of these

21

are things that, I think, at one point or another,

22

might have been considered -- I don't want to speak

And if that's the

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out of turn, but criminal.

2

what's the word I'm looking for?

3

Or what's the word --

Delinquent -- no, not that.

Well,

4

yeah.

That, disruptive, et cetera, et cetera.

And

5

so, I want to go back to the point of graffiti.

6

of things that started out as rebellious, or even

7

criminal, or you know, I mean, you could look at rock

8

and roll, you could look at whatever you think about

9

hip-hop, you could look at the foundation of the

A lot

10

United States, breaking away from, you know, Great

11

Britain --

12
13

UNIDENTIFIED SPEAKER:

-- criminal

designs.

14

DR. FULLER:

Right.

Well, it's

15

criminal, and now, has become normalized.

16

think we can always look at -- there's a saying, "It's

17

not where you start, it's where you end up."

18

I'm saying all that to say that I -- graffiti is a

19

much celebrated artform when you go to Paris, you go

20

to wherever.

21

Again, whatever you -- we might think about these art

22

forms, they are consumed and respected globally, so I

So I don't

And so,

Again, like rock and roll, hip-hop.

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just want to make a case again, for No. 2 as a

2

legitimate and respected artform that is deserving of

3

being on a coin, if -- if that's the decision.

4

you.

5
6

THE CHAIRMAN:

Harcourt, thank you very

much.

7

John, if you would.

8

MR. SAUNDERS:

9

Thank

I think before we rate

these things, we have to make a decision whether we're

10

going to rate a separate design to the gold and the

11

silver, in the event that we could, but I don't think

12

it's a bad idea.

13

motion that we do that.

14

for merit, if we vote for it either way, we do -- we

15

create a new column beside there -- beside the other

16

medal.

17

So I -- I would actually make a
And that we each, I think,

THE CHAIRMAN:

What -- what I would

18

recommend in this case, is that we score first, and

19

then see what obverse and reverses come out of the

20

scoring as top preferences.

21

this discussion to try to place one or the other on

22

either the gold or the silver.

And then, we could have

Would that be okay

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with you?

2

MR. SAUNDERS:

It's however you want to

4

THE CHAIRMAN:

Okay.

5

MS. WARREN:

3

6

do it, is fine.

Chairman, Joe Menna has

his hand up -- long time.

7

THE CHAIRMAN:

8

UNIDENTIFIED SPEAKER:

9

THE CHAIRMAN:

I'm sorry.

UNIDENTIFIED SPEAKER:

11

THE CHAIRMAN:
Joe.

Who?

Joe.

Oh --

10

12

Did you --

Oh, Joe.

Joe.
Yeah.

Sorry,

I can't see it behind that.

13

MR. MENNA:

Mr. Chairman, this is

14

Joseph Menna.

I'm going to kind of give a little

15

exposition in line with what Dr. Fuller said.

16

about graffiti's origins in ancient Rome, or not

17

origins, but most famous beginnings as a way for the

18

disenfranchised to voice their -- their discontent.

Think

19

And in the inner cities in the United

20

States of America, yes, the sense with it is that it

21

is criminal, but oftentimes it's the only means of

22

expression or outlet that people who are profoundly

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disenfranchised have.

That's graffiti; that's

2

tagging.

3

street art, which is different, and is not illegal.

4

It is practiced around the world, as

What evolved from that is something called

5

Dr. Fuller said.

But most of the kind of street art

6

that is popular today, the biggest artists in the

7

world who practice it, it's all commissioned.

8

fact, the CIA -- the CIA Building just commissioned

9

the street artist named Tristan Eaton on the inside of

10

the headquarters.

11

know this, but he told me he's doing it.

12

In

I don't think anybody's supposed to

Anyway, I -- I totally respect

13

everybody's; I'm not trying to invalidate anyone's

14

opinion, but street art is distinct from graffiti.

15

And what you're seeing here on No. 2 is street art.

16

And I'm -- advocating for the coin, or any other coin

17

that may present it, is being presented here legally

18

and -- and not in a criminal way.

19

about that.

20
21
22

But -- so sorry

Thanks.
THE CHAIRMAN:

Not a problem.

Thank

you, Joe.
Kellen, I believe you had your hand

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raised?

2
3

MR. HOARD:

No, it was -- the same

thing as you, just --

4

THE CHAIRMAN:

5

Donald.

6

MR. WEINMAN:

Okay.

Before Joe jumped in.

I

7

think I agree.

It'd be useful to us to score it.

8

then, maybe it would also be useful for us, possibly,

9

to make recommendations both ways.

10

THE CHAIRMAN:

11

MR. WEINMAN:

And

Right.
Both a view -- a design

12

that could be on the gold and the silver, as well as

13

designs that -- that could be on each coin.

14

it -- it provides us the most information.

15
16

THE CHAIRMAN:

All right.

I think

Thank you

for that clarity.

17

Donald.

18

MR. SCARINCI:

So before we continue, I

19

just want to tell you all how proud I am of you.

20

think, you know, I was very nervous coming in here

21

today, you know, 'cause I didn't know what everybody

22

was going to think, how you were going to feel about

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this, and I've been waiting for this for years.

2

And -- and Joe, you got it; you nailed

3

it.

And these are -- I think there's some artists

4

here that I definitely think we need to see more from

5

them, particularly artist No. 2.

6

maybe we can do a -- you know, if it's a -- 'cause we

7

don't -- we don't have to make decisions today; right?

8

I mean, I don't know that we have to score these

9

today.

You know, maybe --

10

If we don't, if we could see more from

11

No. 2, you know, maybe, you know, with an obverse and

12

a reverse for a silver coin, and introduce the

13

American people to this.

14

and to this art.

15

I mean, I actually take pictures of street art.

16

have a nice collection of pictures of street art.

17

know, it's -- it's from everywhere from Durham to New

18

York.

19

it speaks, it's emotive, it creates energy.

20

You know, and -- and to --

And yeah, street art's a big thing.

So it's just fun -- it's just fun.

I
You

It's good,

I like the -- I like artists No. 2, No.

21

3, No. 5, No. 6, No. 8, and No. 12, is -- is, you

22

know, is you know, beckoned to the traditional.

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if I were to -- if -- if we were to go in a

2

traditional way for the gold coin, I would strongly --

3

I would strongly suggest, 'cause I'm hearing what

4

everybody's saying about the buffalo.

5

that a buffalo jumps; maybe it does.

6

MULTIPLE SPEAKERS:

7

UNIDENTIFIED SPEAKER:

8

MR. SCARINCI:

9

I don't know

It does.
They jump.

It does?

I'm from New

York, so I don't see buffalo, except in a zoo, and

10

they're always laying down.

11

I like -- I -- I really do like the combination of

12

what artist 12 did, the combination of 24C, as an

13

obverse, which is America inventing, and reinventing,

14

and making itself.

15

And you know, but -- but

And then -- and then, a combination

16

with -- with reverse -- reverse 19, which is -- which

17

has this -- which has the eagle clasping a broken

18

chain.

19

know, it's like the eagle -- it's just America, you

20

know -- you know, it's the freedom.

21

think the combination of those two would make a nice

22

gold traditional-style medal.

You know, it's -- like, kind of, freedom.

You

And -- and so, I

But having said that,

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and having been the one who said maybe we should, you

2

know, go slow, my enthusiasm is getting to me, because

3

No. 12C, obverse 12C by artist 6, paired with artist

4

6, No. 12A-C, I think makes a nice coin.

5

the -- that's the design -- that -- I think it's nice.

6
7

THE CHAIRMAN:

I think that was the

MR. SCARINCI:

I think it's a nice

idea.

8
9

That's

coin.

So I mean, I -- I kind of like that if people

10

have the -- you know, if people are willing to go that

11

far in the first round.

12

would be very -- would be very compelling.

13

know -- so listen, I just -- I just, you know, I just

14

have to do, like, a victory dance here.

15

great.

You know, something like that
So you

This is

Thank you.

16

THE CHAIRMAN:

Court Reporter, can you

17

put into the record that Donald actually stood up and

18

danced?

19

Thank you very much.

20

Are there any other further comments,

21
22

questions.
All right.

Hearing none, the Committee

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will now score the obverse --

2
3

MR. WEINMAN:

Actually, before we

score, we -- we have a comment.

4

Do it?

5

MS. STAFFORD:

Yes -- yes.

7

THE CHAIRMAN:

Yes, please -- please.

8

MS. STAFFORD:

It's just something to

6

9

If it's

okay.

consider.

I don't think it should impact the scoring,

10

but many of you were part of, or are part of the

11

Semiquincentennial work group, and I just wanted to

12

share that if you recall the half dollar assignment

13

for the Semiquincentennial was that look into future

14

of what it will take to keep the Republic for the next

15

250 years.

16

was some kind of depiction of liberty in that vein.

17

And so, they were encouraged to also -- to potentially

18

explore intergenerational representations of liberty.

And the obverse assignment to the artist

19

So I know that there was at least one

20

design that you noted here, and we would be happy to

21

bring that back.

22

bring that back as part of that portfolio as well.

It's gotten a lot of attention;

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THE CHAIRMAN:

2

important information.

3

that, April.

4

Okay.

Thank you.

Very -- very

So thank you very much on

The committee will now score the

5

obverse and reverse candidate designs for the 2025

6

American Liberty 24-Karat Gold Coin and silver medal.

7

And you all should have your score sheets in front of

8

you.

9

And when you are done, please hand them to Counsel

And Mike, you should have yours electronically.

10

Greg Weinman, who will tally up the scores and present

11

the results.

12
13

And will take a five-minute break, and
be back at --

14
15

MR. WEINMAN:
break.

16
17
18
19
20
21
22

Make it a ten-minute

THE CHAIRMAN:

Or a ten-minute break,

yes.
MS. WARREN:

It's 3:07, so we'll be

back at, like, 3:17.
THE CHAIRMAN:
We will be back at 3:17.

Sounds good.

Thank you.

(Off the record.)

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MS. WARREN:

2

THE CHAIRMAN:

We are back.

It is 3:20.

All right.

We are back.

3

And I recognize Greg Weinman, counsel to the CCAC, to

4

present the results of the scoring sheet.

5

Greg.

6

MR. WEINMAN:

7

12

Ready to

So starting with the obverses, out
of -- once again, out of 30 points.

10
11

Ready.

go.

8
9

Okay.

UNIDENTIFIED SPEAKER:

The design

numbers.
MR. WEINMAN:

I'm going to go with --

13

yeah, the design -- the design numbers.

14

Design No. 1, 11 points.

Design No. 2,

15

20 points, which is the high scoring obverse design.

16

3 is two points, 4 is two points, 5 is six points, 6

17

is four points, 7 is three points, 8 is six points, 9

18

is six points, 10 is one point, 11 is eight points, 12

19

is 18; it's very close.

20

points, 15 is three points, 16 is two points, 17 is

21

two points, 18 is six points, 19 is three points, 20

22

is four points, 21 is 11 points, 22 is 17 points, 23

13 is one point, 14 is three

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is seven points, 24 is 16 points, 25 is 13 points, 25A

2

is two points, 26 is two points, and 27 is two points.

3

Okay.

4

MR. BERNSTEIN:

5

you on 11.

What was the number?

6

THE CHAIRMAN:

7

MR. WEINMAN:

8
9

Greg, I couldn't hear

Eight.
For design 11, it was

eight points.
MR. BERNSTEIN:

Thank you.

10

THE CHAIRMAN:

That's correct.

11

MR. WEINMAN:

12

Once again, out of 30 points.

Ready for the reverse?
Design 1

13

is three points, design 2 is three points, design 3 is

14

two points, design 4 is one point, design 5 is four

15

points, design 6 is two points, design 7 is five

16

points, design 8 is eight points, design 9 is five

17

points, design 11 is nine points, design 12A is 22

18

points, which is the high -- high vote getter.

19

13 is six points, design 14 is nine points, design 15

20

is four points, design 16 is three points, design 17

21

is four points, design 18 is eight points, design 19

22

is eight points, design 20 is four points, design 21

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is three points, design 22 is three points, design 23

2

is 12 points.

3
4

THE CHAIRMAN:

All right.

Thank you

very much, Greg.

5

So here we go.

Are there any motions,

6

or should we have a discussion first before we --

7

let's have a discussion before we start making

8

motions.

9
10

Harcourt, if you would, please.
DR. FULLER:

Harcourt Fuller.

This is great.

I don't

11

have much to say.

This -- that's all

12

I wanted to say.

13

obviously, reverse 12A is the -- is the big winner,

14

and I think that the -- for the obverses, I think

15

that, you know, 12, 22, 24, 25, are the ones that I

16

think most of us really liked.

So I think it went the

17

way that the discussions went.

Thank you.

It's really great.

18

THE CHAIRMAN:

19

Kellen.

20

MR. HOARD:

I think that

Thank you.

This is Kellen Hoard.

I'd

21

like to raise the idea, given that 12A was so dominant

22

on the scoring, that we consider doing different

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obverse designs between the silver and the gold, which

2

has been proposed previously, and a common reverse

3

design.

So 12A is on both silver and gold.

4

And then, on silver, it could go with

5

maybe one of the more, kind of bold designs, like 2.

6

And on the gold design, we could go with something

7

more traditional, like the sunflower or the

8

intergenerational.

9

official motion; just as a discussion topic.

That'd be my proposal.

And not as

10

THE CHAIRMAN:

Right.

11

MR. SCARINCI:

Two things -- two things

12

I want to say.

13

First, if we all -- I don't know how we

14

all feel about -- I think this was really

15

groundbreaking that we have a number assigned to the

16

artists.

17

number, so that we can tell when the artist has a --

18

you know, is the same artist that's doing the obverse

19

and the reverse.

20

think -- if we want to see our coins presented this

21

way, you know, perhaps, you know, a recommendation to

22

staff would be in order for us to see all portfolios

And we're able to see, not the name, but the

And if the Mint -- if we -- if we

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with identifying, where there is an obverse and a

2

reverse, identifying the obverse and reverse.

3

want to say that, number one.

4

for discussion amongst you, if there is a consensus to

5

do that; we can ask.

6

So I

And -- and open that up

And then, number two, I think we should

7

all just take this in for a minute.

And you know,

8

this -- this is -- this is the moment that American

9

coin design has changed.

And I think we -- we should

10

really just take a breath, take this in.

This is a

11

story we're going to be telling for a long time, I

12

suspect, and this is a -- this is a really proud

13

moment.

14

THE CHAIRMAN:

Thank you, Donald.

15

John, your -- your hand is raised.

16

MR. SAUNDERS:

17

I think now it's important to consider

John Saunders here.

18

what metal the coins are in.

So for the -- like, No.

19

2, which I gave a lot of points to, I -- I don't like

20

at all for the gold coin; I like it for the silver

21

coin.

22

having the eagle that got the votes, I like the, kind

And if we have that on the obverse, rather than

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of, stylistic eagle.

What is the last one there; No.

2

23 with it.

3

combination, that would be my -- my strong choice.

4

In terms -- terms of gold, well, my

So I mean, if we were going for a

5

buffalo didn't make it, but I still like it.

6

think the -- the eagle reverse is a -- a good reverse

7

for the gold, the one with the, kind of, swirling

8

eagle.

9

would be a beautiful -- on a colorized design.

10

I wish we were doing a colorized coin.

So I

That

The other comment I'd like to make.

11

It's too bad that the law is such that we can't put a

12

denomination on the silver coin, because --

13

UNIDENTIFIED SPEAKER:

14

MR. SAUNDERS:

Working on it.

-- a lot of collectors

15

tend to collect coins, but not medals.

16

to get this -- any of these, to get the one that's

17

actually a coin, you have to buy the gold, which is

18

expensive for most collectors.

19

a comment that I wanted to make.

20

And you know,

So -- but that's just

But I like -- if we go with the eagle

21

reverse, swirly eagle reverse, I like either the --

22

the 22 or the sunflower as an obverse with it, rather

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than the obverse 2 that got the most votes.

2

that's -- I kind of -- I think when we have different

3

pairs, this is -- but I'm kind of saying I see things

4

a little differently when we're pairing them up, than

5

when I -- I see them as individuals.

6

THE CHAIRMAN:

So

What I would recommend

7

at this stage, since there does seem to be consensus

8

that we do two separate design pairs or possibly a

9

common reverse, for the gold coin and the --

10

THE REPORTER:

-- microphone.

11

THE CHAIRMAN:

-- silver medal, is that

12

we first discuss say, a silver medal obverse, and try

13

to nail that down before then moving onto say, the

14

obverse for the gold, and then reverse.

15
16
17
18
19

MS. WARREN:

Mr. Chairman, just so you

know, Mike also has his hand up.
THE CHAIRMAN:

So whatever order.

Okay.

Mike, you have

your hand up, I believe, for a while.
MR. MORAN:

Yeah, this is Mike Moran.

20

Thank you, Peter.

I just want to point out to you

21

that the number two vote getter on the obverse was the

22

sunflower, and that's done by the same artist as the

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reverse eagle that was popular.

2

no-brainer you put the sunflower on the silver medal,

3

you have the common reverse of an eagle, and you use

4

No. 2 for the gold medal on the obverse.

5

THE CHAIRMAN:

6

MR. MORAN:

7

THE CHAIRMAN:

8

MR. HOARD:

To me, it's a

All right.

Kellen.

That way, we get an -Thank you, Mike.

This is Kellen Hoard.

9

had a clarifying question for April.

10

You mentioned for the

I

11

Semiquincentennial that there was discussion of --

12

intergenerational at one point too.

13

so -- I don't really know, is that, kind of, one of

14

the main things being considered?

15

if it could be put on the half dollar, I think that's

16

even more powerful than in gold or in silver.

17

the design, I love it here, but I'd prefer it be on a

18

circulating coin if it could be.

19

MS. STAFFORD:

I'm not -- yeah,

'Cause if it's --

I love

When we saw the design

20

come through, we tagged it at that point for inclusion

21

in the portfolio that you'll see for the half dollar.

22

Obviously, if it's recommended by the CCAC and CFA,

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and the Secretary selects it for use on the American

2

Liberty Program, that would be a conflict.

3

would -- that's exactly why I wanted to draw your

4

attention to that work that's going on.

But yes, I

5

THE CHAIRMAN:

Right.

6

MS. STAFFORD:

And you'll be seeing

7

that, I believe, in July, in -- in a handful of

8

months.

9

THE CHAIRMAN:

10

MR. HOARD:

Okay.

So then, if I could, I

11

would just make a motion, which we can shoot down if

12

we want, in discussion.

13

MR. MORAN:

Did I lose audio?

14

MR. HOARD:

I'm sorry?

15

Well, which would be that --

16

MR. MENNA:

17

Me too, Mike.

anything.

18

THE CHAIRMAN:

19

MS. WARREN:

20

MR. MORAN:

21
22

I don't hear

Oh, sorry.
The mic -- hold on.

Our recommendation blew the

place up.
MS. WARREN:

Can you guys hear us now?

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MR. MORAN:

2

MS. WARREN:

3

MR. MENNA:

4

MS. WARREN:

5

Yeah, we can hear.
Okay.
Yes, ma'am.
For some reason, it was

open, but it wasn't saying it was.

6

MR. HOARD:

For B, I would make a

7

motion that we adopt, for the silver medal, obverse 2

8

and reverse 12A.

9

sunflower, which I believe was 12, and then, the

And for the gold, we adopt the

10

reverse 12A.

The reason I recommend that silver and

11

gold pairing; one, the sunflower, I think would look

12

great in gold -- golden flower.

13

the silver medal, which is kind of the more accessible

14

piece, I think it's going to be younger people buying

15

it.

16

kind of, that more modern design.

17

classical, and kind of, a groundbreaking one with a

18

common reverse, I think is --

That's kind of our idea.

But two, is that for

I'd like that to be,
That would keep it

19

So that's my motion, is --

20

MR. TUCKER:

21

MR. HOARD:

22

Can you repeat that?
Sure.

So obverse -- for

the silver medal, obverse 2, reverse 12A.

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for the gold coin, obverse 12, I believe it is, the

2

sunflower; and reverse 12A.

3

THE CHAIRMAN:

4

MR. MORAN:

5

THE CHAIRMAN:

6

All right.

This is Mike Moran.
Do we have a second for

that motion?

7

MR. MORAN:

Mike seconds it.

8

THE CHAIRMAN:

9

Discussion?

Mike has seconded it.

10

Go ahead, Dennis.

11

MR. SAUNDERS:

I have an -- an

THE CHAIRMAN:

Dennis is first, yeah.

12

alternate --

13
14

Sorry.

15

MR. TUCKER:

This is Dennis Tucker.

16

In my opinion, 12A is so unique and has

17

such a distinct character, it -- it's not really

18

matched by any of the obverses that we're seeing.

19

don't think it -- and I love it, and I want to see it

20

on either the coin or the medal in this program, but I

21

think it needs a proper obverse to accompany it.

22

I don't think that we are seeing that here.

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I don't

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think the sunflower -- it's just too jarring.

2

you've got -- you've got the sunflower imagery, and

3

then you've got this screaming eagle.

4

very different styles and temperament.

5

I mean,

And they're two

And then, same with the -- the street

6

art obverse.

I -- I just don't think they're matched.

7

These are all strong designs, but I feel like the --

8

the street art Statue of Liberty needs a reverse that

9

truly accompanies it, and truly matches its style and

10

poise.

11

So I would recommended we slow down and take a look at

12

the totality of these combinations.

13
14
15

And I would say the same for the sunflower.

THE CHAIRMAN:

Thank you.

If I can just ask a

question, and this is to April.
The combination of sunflower and this

16

reverse 12A, were those conceived by the artist?

17

Because they are the same artist.

18

conceived of as a pair?

19

MS. STAFFORD:

Were these

Yes, that is correct.

20

They were asked to develop their obverse and reverse

21

design in concert with one another.

22

THE CHAIRMAN:

Right.

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MS. STAFFORD:

I think that's why you

2

see the circular element repeated from the sunflower

3

to the eagle's wings.

4

THE CHAIRMAN:

Right.

So in this case,

5

the two that we see on the screen, the sunflower and

6

the eagle then, was conceived by the same artist as a

7

matching pair?

8

MS. STAFFORD:

That is correct.

9

THE CHAIRMAN:

Okay, thank you.

10

Art?

11

UNIDENTIFIED SPEAKER:

12

THE CHAIRMAN:

Or John; sorry.

13

MR. SAUNDERS:

I've got an alternate

John.

14

proposal as to getting our pairing right.

15

suggest that everybody write down three pairs for the

16

silver and three pairs for the gold.

17

like best a 3, second best 2, third best 1, and we see

18

if we -- we get an opinion on what pairs people like.

19

Because just voting on one thing to start with without

20

getting -- seeing how much agreement or disagreement

21

on pairs, I think we're maybe going down the wrong

22

road.

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I would

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2

THE CHAIRMAN:

Harcourt, I think you

were next.

3

UNIDENTIFIED SPEAKER:

4

THE CHAIRMAN:

5

DR. FULLER:

Harcourt?

Harcourt, yeah.
Peter, thanks for asking

6

that question.

I think this is a no-brainer.

If

7

the -- since the artist designed this as a -- as a

8

pair, that means the artists considered the ways in

9

which they work together.

And so, because of that, I

10

think we -- I think we should go with this, whether in

11

silver or gold.

12

But I think we should go with this.
I think it's -- we're very fortunate

13

that we've had this large pool, and we end up with the

14

obverse and reverse designed by the same artist for

15

the same coin.

It's no-brainer.

16

THE CHAIRMAN:

17

Dennis, was it you, or Art?

18

MR. BERNSTEIN:

19

THE CHAIRMAN:

20
21
22

Right.

It was me.
It was Art.

Yeah,

sorry.
MR. BERNSTEIN:

This is Art Bernstein.

And speaking to the motion on the floor -- if we would

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consider two separate motions; one for the silver, one

2

for the gold.

3

THE CHAIRMAN:

4

Kellen, would you be willing to

5

permit --

6

MR. HOARD:

7

THE CHAIRMAN:

8

MR. WEINMAN:

9

Yeah.

Yeah -Oh, sorry.
Just from -- from the

Mint's perspective, just to be helpful.

While it's --

10

while I think it's good to get a recommendation on

11

silver pairing, gold pairing, also a default pairing

12

would be useful for us just in case that's where we

13

end up having to go for one reason or another.

14

So it might be a motion that the

15

default pairing would be what you laid out.

16

we're able to, "This would be a good gold pairing.

17

This would be a good silver pairing."

18

THE CHAIRMAN:

19

MR. WEINMAN:

20

But if

Very good.
That would be useful for

us.

21

THE CHAIRMAN:

All right.

22

So, Kellen, would you be willing to

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amend your motion?

2
3

MR. HOARD:
motion.

4
5

THE CHAIRMAN:

MR. HOARD:

So would you like

So why don't we do gold

first.

8
9

Okay.

to make a motion to proceed with the gold first?

6
7

Yeah, we can split the

THE CHAIRMAN:

Okay.

So the motion

then, on the table, is to consider what we see on the

10

screen at the moment, the obverse depicting the

11

sunflower, and the obverse with the -- 12A, with the

12

swirling wings.

13

Or do we need a second for the --

I believe we already have a second?

14

MR. SCARINCI:

I'll second it.

15

THE CHAIRMAN:

Okay.

16

MR. SCARINCI:

Can I -- can I make a

17

friendly amendment that this be -- that this would be

18

the bold pair.

19

can only do one design for the gold and the silver, it

20

should be this one.

21
22

So if we can only do -- so that if we

THE CHAIRMAN:

Kellen, do you accept

that friendly amendment?

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2

MR. HOARD:

a separate motion in my opinion.

3
4

Well, I think it should be

THE CHAIRMAN:

If that's all right.

All right.

Then, we

will --

5

MR. HOARD:

6

That's a separate motion.

I don't -- I don't object.

7

MR. SCARINCI:

Yeah, that's fine.

8

THE CHAIRMAN:

All right.

9

So let's

proceed with this motion then for this gold pairing.

10

All those in favor say, "aye."

11

MULTIPLE SPEAKERS:

12

THE CHAIRMAN:

13

All right.

14

done with the gold.

15
16

Aye.

Any opposed?

The motion carries.

We're

On with the silver.

UNIDENTIFIED SPEAKER:

So I'll make

a --

17

Oh, go ahead.

18

MR. SAUNDERS:

I was going to make an

19

opposing motion on the silver that either we pick out

20

two or three and we vote between the two or three, or

21

if I have to propose one, I would propose obverse 2

22

with the last reverse, reverse 23, I think.

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2

THE CHAIRMAN:

Okay.

like to make that a motion?

3

MR. SAUNDERS:

Yes.

4

THE CHAIRMAN:

Okay.

5

John, would you

So the motion

then is to pair obverse 2 with reverse 23.

6

Do I have a second for that?

7

UNIDENTIFIED SPEAKER:

8

first?

9

THE CHAIRMAN:

10
11

Can we discuss

All right.

UNIDENTIFIED SPEAKER:

We actually need

a second to discuss.

12

MR. SAUNDERS:

How about -- why don't

13

we pick several obverse and reverse pairings, and then

14

we can all -- let's narrow it down to maybe three or

15

four.

16

THE CHAIRMAN:

Okay.

17

MR. SCARINCI:

Narrow it down to maybe

MR. SAUNDERS:

And then -- and then,

18
19
20

three or four.

choose among those.

21

MR. SCARINCI:

I think that's --

22

THE CHAIRMAN:

Kellen.

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MR. HOARD:

If I could -- for the -- in

2

general, the process is fine.

3

though is that on the reverses, the only one that even

4

got above half of the points was 12A.

5

highest was only 12 -- 12 points, which is pretty low.

6

And so, regardless of the broader discussion, if

7

there's -- if everyone -- option side 1 is disliked by

8

most of the Committee, I -- I think we should just go

9

with the one that's -- actually is the high score.

10

What I'd point out

The next

Thank you.

11

THE CHAIRMAN:

Okay.

So there seems to

12

be a general consensus that obverse 2 is appropriate

13

for the silver medal.

14

I know that there's some --

15
16

MR. HOARD:

UNIDENTIFIED SPEAKER:

21
22

Standalone

medal.

19
20

So I would move that we

recommend obverse 2; silver medal.

17
18

I don't -- for the most part.

THE CHAIRMAN:

As -- as a standalone

medal.
MR. HOARD:
to begin with; right?

Well, it's just the obverse

Because we work with multiple

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reverses?

2

THE CHAIRMAN:

3

MR. HOARD:

4

So I move that we just

offer obverse 2.

5
6

Right.

THE CHAIRMAN:

Okay.

on that motion?

7

UNIDENTIFIED SPEAKER:

8

THE CHAIRMAN:

9

UNIDENTIFIED SPEAKER:

10

All right.

UNIDENTIFIED SPEAKER:

THE CHAIRMAN:
second.

UNIDENTIFIED SPEAKER:

16

MS. WARREN:

17

THE REPORTER:

21
22

Oh, well --

Hold on guys.
Was there a second on

that?

19
20

It didn't get a

No, it didn't get a

15

18

I thought John

second.

13
14

Second.

had a motion on --

11
12

Is there a second

MS. WARREN:

Yeah, who gave second,

because -MR. SCARINCI:

I -- I think it was --

Donald gave the second.

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THE CHAIRMAN:

2

Okay.

It was Donald, yeah.

So the motion then is to

3

recommend obverse 2 as the silver medal obverse; all

4

right?

5
6

Any further discussion on that, or
should we just vote?

7
8

All right.

Let's vote.

favor, "aye."

9

MULTIPLE SPEAKERS:

Aye.

10

THE CHAIRMAN:

11

UNIDENTIFIED SPEAKER:

12

THE CHAIRMAN:

13

MR. MORAN:

14

THE CHAIRMAN:

15

All those in

Any opposed?
Nay.

Motion carries.

Aye.
Mike, was that a nay or

a yay?

16

MR. MORAN:

17

MS. STAFFORD:

Yeah.

18

THE CHAIRMAN:

All right.

19
20

A nay.

Thank you

very much.
All right.

So then, let's see in the

21

next few minutes, if we can find an appropriate

22

reverse for this obverse.

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Dennis, you have your hand raised.

2

MR. TUCKER:

3

Thank you, Mr. Chair.

This is Dennis Tucker.

4

Again, I just need to repeat.

I don't

5

think any of these reverses are appropriate for this

6

very strong -- stylistically strong obverse.

7

recommendation would be that we solicit new designs

8

from the Mint if there's time for that, and -- and

9

reconsider.

10

So my

Because reverse 23, I don't know if

that's anatomically correct, this eagle.

11

We haven't had any discussion about the

12

formation of the wings, the feathers, and the crown of

13

the head, and things like that.

14

stylistically, it's -- it's night and day.

15

there's something jarring about that.

16

THE CHAIRMAN:

And just
And to me,

And again, my

17

understanding in terms of the way the portfolio was

18

put together, that there is a corresponding reverse to

19

this obverse.

20

correct?

21
22

And that would be reverse 2; is that

Yes, this one, which did not get too
many votes.

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2

April, was this conceived as -- as the
pair; right?

3

MS. STAFFORD:

That is correct.

4

THE CHAIRMAN:

So we have essentially

5

rejected this reverse as a -- as corresponding reverse

6

for this obverse.

7

All right, Kellen.

8

MR. HOARD:

9

So would it be possible to

make a motion that we consider reverse 12A for this --

10

for the obverse 2.

11

obverse 12A, we go back to the Mint for consideration

12

of other reverses?

13
14

And if the Committee votes down

UNIDENTIFIED SPEAKER:

Put the motion

on the table for 12A.

15

THE CHAIRMAN:

Yeah, let's put the

16

motion on the table for 12A as the reverse.

17

All right.

Is there a second?

18

Harcourt, is that a second?

19

DR. FULLER:

20

THE CHAIRMAN:

That's a second.
All right.

So the

21

motion then is to adopt 12A as the reverse to be

22

paired with the obverse 2, which --

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MR. HOARD:

2

THE CHAIRMAN:

3

MR. HOARD:

4

THE CHAIRMAN:

5

Ask the mint for --

MR. HOARD:

Oh.

Ask the Mint for an

For additional -- like

Dennis suggested, additional options, I could say.

8

THE CHAIRMAN:

9

All right.

10

Yeah.

additional --

6
7

And if it doesn't pass --

Okay.

All those in favor of the

motion, "aye."

11

MULTIPLE SPEAKERS:

12

THE CHAIRMAN:

Any opposed?

13

MR. SAUNDERS:

What is the motion

14

again?

15
16

Aye.

MR. HOARD:

Should I divide these?

this complicated?

17

THE CHAIRMAN:

Yeah, I would recommend

18

that we just proceed with pairing this with -- this

19

obverse 2 with this reverse alone.

20

Mr. HOARD:

21

UNIDENTIFIED SPEAKER:

22

Is

And then --

Okay.

goes.

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2

THE CHAIRMAN:

And see how that goes.

And then, we can go from there.

3

All right.

So all those in favor of

4

this pair, 2 and 12A, signify approval by saying

5

"aye."

6

MULTIPLE SPEAKERS:

7

THE CHAIRMAN:

8

MR. MORAN:

9

THE CHAIRMAN:

10

Aye.

Any opposed?

Opposed.
All right.

we'll have to do --

11

UNIDENTIFIED SPEAKERS:

12

THE CHAIRMAN:

13

MS. WARREN:

15

THE CHAIRMAN:

I think we'll

Yeah.
All those in favor raise

your hand, please.

17

MS. WARREN:

18

THE CHAIRMAN:

19

Okay.

-- abstain.

have to do a hand count then.

14

16

I think

Two.
All right.

All those

opposed?

20

MS. WARREN:

Oh, three -- three.

21

UNIDENTIFIED SPEAKER:

Three.

22

THE CHAIRMAN:

All right.

Three?

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All those opposed?

2

MR. MORAN:

3

THE CHAIRMAN:

4

Opposed as well.

you're in favor?

5

MR. MORAN:

6

MS. WARREN:

7

THE CHAIRMAN:

8

Mike, you're opposed, or

I'm opposed.
Okay.

And --

All those in favor,

raise your hand.

9

Three.

All right.

So we have three.

10

All those opposed, raise your hand.

11

MR. MORAN:

12

MS. WARREN:

13

THE CHAIRMAN:

14

Opposed.
Six.
All right.

And any

abstentions?

15

All right.

We have one abstain.

16

All right.

The motion does not carry.

17

All right.

18

MR. HOARD:

19

I would move then that we ask the Mint

So this is Kellen Hoard.

20

for additional designs of the reverse of the silver

21

medal to consider.

22

MR. TUCKER:

I would make a friendly

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amendment to that.

2

This is Dennis Tucker.

I would make a friendly amendment that

3

we do include 12A in that potential portfolio of

4

redesigns, simply so we have time to consider it in

5

context -- in the greater context of the expanded

6

portfolio.

7

THE CHAIRMAN:

Before we proceed with

8

that motion, I just would like to ask the Mint if

9

there would be time for such a consideration.

10

MS. STAFFORD:

Well, so certainly, we

11

have future American Liberty portfolios that we will

12

be bringing.

13

portfolios in front of you, if not before.

14

with certainty, we can say -- we can go back and work

15

with this artist to develop a complimentary reverse.

16

Or even other artists; open it out to them for

17

potential.

18

Every two years, we will be putting
And so,

Regarding whether or not for a 2025

19

issuance, I would have to check with our production

20

and planning team to be honest.

21

little -- we -- typically, we deliver designs to our

22

manufacturing counterparts for 2025 program.

Typically, we're a

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1

that -- that would be my pause.

But then again, I

2

believe this committee is going to try to offer

3

default recommendation, which in the event that we

4

couldn't meet that timeline, we would have materials

5

to move forward with a 2025 option.

6

THE CHAIRMAN:

7

Mike, your hand is raised.

8

Did you

have a comment?

9

MR. MORAN:

10
11

Okay.

Yes, I do.

April, will you put reverse 23 up there
next to obverse 2?

12

To me -- if there is something wrong

13

with the anatomy of the eagle, and I don't see it at

14

this level, it certainly can be fixed.

15

it is the fact that the -- the stylistic fonts on the

16

reverse are compatible with the obverse.

17

style is decent; it's circular, with the head -- being

18

circular as well.

19

this.

But why I like

And the

I don't see anything wrong with

I think it's a good design, and a good match.

20

Unfortunately, two can't do eagles

21

because there are eagle pairings often.

22

this one.

But I like

I think it's -- I think it's good, and I

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think we should go with it.

2

THE CHAIRMAN:

3

Mike.

4

then?

All right.

Thank you,

Would you like to make a motion to that effect

5

MR. MORAN:

-- shoot it down.

I'll

6

move that we combine R23 with O2, for the silver

7

medal.

8

THE CHAIRMAN:

Is there a second?

9

MR. SAUNDERS:

I second.

10

THE CHAIRMAN:

John has seconded it.

11

think we've discussed this to death, so why don't we

12

just go ahead and vote?

13

All those in favor, "aye."

14

MULTIPLE SPEAKERS:

15

THE CHAIRMAN:

16

MULTIPLE SPEAKERS:

17

THE CHAIRMAN:

18

Aye.

Any opposed?
Nay.

The motion does not

carry.

19

All right.

Kellen, so --

20

MR. HOARD:

I don't have a vote --

21

THE CHAIRMAN:

22

No.

Or, Dennis, that

there was --

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1

MR. TUCKER:

No, I think we -- I think

2

we voted on a motion and have our recommendation to

3

the Secretary.

4

THE CHAIRMAN:

5

UNIDENTIFIED SPEAKER:

6
7
8
9
10

Right.
What's the

silver -THE CHAIRMAN:

So we do not, at this

point, have a silver reverse.
MR. TUCKER:

Oh, right.

Well, in that

case, we would default.

11

Yeah, as April said.

12

would default to our gold obverse reverse pairing.

13

But we ask the Mint for an expanded portfolio for the

14

reverse of the silver medal to accompany obverse 2.

15

That's our -- our letter to the Secretary.

16
17

THE CHAIRMAN:

Okay.

If necessary, we

Does it -- do we

need a motion on that, or is it --

18

MR. SCARINCI:

No.

19

THE CHAIRMAN:

All right.

20

MR. SCARINCI:

We have it.

21

THE CHAIRMAN:

Okay.

22

MR. HOARD:

I just had a quick question

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1

about that.

So if that's our default, does that mean

2

that if we can't get another reverse for the silver

3

considered in time, that there would be no Statue of

4

Liberty silver medal?

5
6

There would be -- it

MR. SCARINCI:

Statue of Liberty

MS. STAFFORD:

If -- if this body's

would be the --

7
8

MS. STAFFORD:

with --

9
10

recommendation were selected by the Secretary, it

11

would be the sunflower obverse, and that circular

12

eagle reverse for both the gold coin and the silver

13

medal.

14

convention of the same design being used across both.

That in essence, we would retain the

15

MR. HOARD:

Okay.

16

MS. STAFFORD:

But we would be coming

17

back to you one way or another, with complimentary

18

reverses for that design.

19

THE CHAIRMAN:

Donald.

20

MR. SCARINCI:

You know, I -- just --

21

just to remind everybody, this is an experimental

22

series.

I mean, we -- we conceived as an experimental

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1

series.

So you know -- you know, we're pushing --

2

we're pushing it; right?

3

have the gold and the silver as the same for this

4

time, we could live with it; right?

5

And -- and if we have to

We accomplished a lot, and -- and we

6

have a series that is, by its own nature,

7

experimental.

8

would be expensive, but if it's available in silver,

9

people can buy it.

10
11

So yeah, it's an expensive -- the gold

THE CHAIRMAN:

Yeah.

All right.

Thank

you very much.

12

Any final comments before we conclude?

13

All right.

14

Harcourt?

15

DR. FULLER:

16

THE CHAIRMAN:

Well --

No.
All right.

Well, I do

17

have to thank you all for this afternoon and the

18

morning sessions as well.

19

that we have accomplished quite a bit this afternoon.

20

I'm really quite happy to see where we are going with

21

this program.

22

with, you know, the direction and the designs.

I have to agree with Donald

I think that it really is spectacular

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1

And I just really have to hand it to

2

the AIP artists as well as the Mint for putting

3

together this absolutely stunning portfolio.

4

obviously has taken quite a bit of work on the part of

5

everybody.

6

congratulations to all of you for work very well done.

And so, I'd just like to offer my

7
8

And with that, we will recess until
9:00 o'clock tomorrow morning.

9
10

Thank you very much.

UNIDENTIFIED SPEAKER:

THE CHAIRMAN:

12

UNIDENTIFIED SPEAKER:

Oh.

THE CHAIRMAN:

9:00.

15

breakfast, and 9:00 for --

16

MS. WARREN:

17

UNIDENTIFIED SPEAKER:

9:00 a.m.

8:00

o'clock for breakfast.
THE CHAIRMAN:

20

All right.

22

8:00 for

9:00 a.m.

19

21

No, it says,

"9:00."

14

18

-- the itinerary

says, "8:00."

11

13

It

Yeah.

Mike, good to see you, even

virtually.
MS. WARREN:

We concluded at 3:51.

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Page 237
1

Thank you.

2

(Whereupon, the meeting concluded at

3

3:51 p.m.)

4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22

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Meeting

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Page 238

1

CERTIFICATE

2

I, MATTHEW YANCEY, the officer before whom

3

the foregoing proceedings were taken, do hereby

4

certify that any witness(es) in the foregoing

5

proceedings, prior to testifying, were duly sworn;

6

that the proceedings were recorded by me and

7

thereafter reduced to typewriting by a qualified

8

transcriptionist; that said digital audio recording of

9

said proceedings are a true and accurate record to the

10

best of my knowledge, skills, and ability; that I am

11

neither counsel for, related to, nor employed by any

12

of the parties to the action in which this was taken;

13

and, further, that I am not a relative or employee of

14

any counsel or attorney employed by the parties

15

hereto, nor financially or otherwise interested in the

16

outcome of this action.

17

Dated:

18

May 1, 2024
<%29511,Signature%>

19

MATTHEW YANCEY

20

Notary Public in and for the

21

District of Columbia

22

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Meeting

April 16, 2024
Page 239

1

CERTIFICATE OF TRANSCRIBER

2

I, MOLLY MCCOLM, do hereby certify that this

3

transcript was prepared from the digital audio

4

recording of the foregoing proceeding, that said

5

transcript is a true and accurate record of the

6

proceedings to the best of my knowledge, skills, and

7

ability; that I am neither counsel for, related to,

8

nor employed by any of the parties to the action in

9

which this was taken; and, further, that I am not a

10

relative or employee of any counsel or attorney

11

employed by the parties hereto, nor financially or

12

otherwise interested in the outcome of this action.

13

Dated:

14

May 1, 2024

15
16
<%25728,Signature%>
17

MOLLY MCCOLM

18
19
20
21
22

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202-857-3376

Meeting

[& - 1900]
&
& 4:3
0
002 33:16
006 34:18
01 95:9
02 33:1,16
36:13 43:19
44:8 55:11
03 43:19 44:7
91:1,1 95:16
04 33:4
05 159:12
06 33:4 159:11
159:11 160:17
07 91:2
09 188:5
1
1 4:13 10:15
17:13 23:9,19
29:7 45:19
64:1,6 78:11
78:13 79:22
80:2 81:11,16
85:12,13 86:4
92:8 97:16,19
97:22 98:3,18
99:14,19
100:18 103:3
106:6 109:2,7
110:3 111:13
112:18 113:19
114:21,21
115:6 116:9
117:11 118:8
122:7,11 123:2

April 16, 2024

Page 1
126:21 127:6
128:1,10
129:16 131:14
133:4 135:3
136:8 140:5,10
142:8,14,14,18
142:19,22
143:13 147:16
151:15 152:14
152:20 153:4
167:11 168:21
171:14,15
173:19 174:4
187:2 189:4,16
189:17,17
204:14 205:12
216:17 222:7
238:18 239:14
1-12 105:9
10 28:8 91:8
152:14 168:1
169:5 204:18
100 67:11
152:21 158:14
10:01 1:6 5:5
11 88:10 105:5
116:8 129:22
152:14 153:4
168:2 170:18
170:22 175:12
175:13 204:14
204:18,22
205:5,7,17
117-334 19:16
11:20 63:6
11:45 128:20
11a 88:10
105:6 130:1

12 4:6 88:10
130:1 152:15
153:5 162:21
164:14,16
165:6 167:5
168:2 169:5
171:1,2 175:19
175:20 178:17
180:14 184:14
185:15,20,20
191:21 199:21
200:12 204:18
206:2,15 213:9
214:1 222:5,5
12's 166:2,16
192:15
12:00 79:1
12a 178:17
201:4 205:17
206:13,21
207:3 213:8,10
213:22 214:2
214:16 215:16
219:11 222:4
226:9,11,14,16
226:21 228:4
230:3
12c 201:3,3
13 4:7 95:5
129:17 152:15
153:5 168:5
169:6 188:8
204:19 205:1
205:19
13c 172:4
14 18:18 20:1
64:4 152:15
153:5 168:5

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169:8,10,20
188:10 204:19
205:19
15 152:15
153:5 164:12
178:7 181:19
204:20 205:19
15's 169:11
150 4:16
16 1:5 4:8 5:4
129:16 152:15
153:5 164:12
189:9 204:20
205:1,20
16's 169:11
17 7:11 64:10
66:21 152:15
153:5 168:10
169:12 182:14
204:20,22
205:20
18 4:11 14:14
152:15 153:5
168:11 169:12
188:16 204:19
204:21 205:21
1870s 173:14
1880s 173:14
18th 17:21
19 64:8,13
152:15 153:5
166:5,16
168:11,12
169:14 182:8
200:16 204:21
205:21
1900 102:20
105:18

Meeting

[1941 - 2:00]
1941 60:3
1943 60:3
1950s 43:7 57:8
1955 18:19
20:1 31:18,22
1960s 57:8
1999 105:21,22
1:00 128:17
2
2 23:9,19 29:8
30:13 31:1
32:2 37:4,11
38:1,11 40:16
41:7 42:5,16
43:10 45:4
46:22 53:11,13
58:20 64:1,7
64:13 68:1,4
70:15 72:2,4
74:18 75:9
81:16 86:10,17
91:2 103:12
109:3 115:12
129:16 130:1,9
142:8,15
152:14 153:4
161:19 162:2,2
166:19 167:14
167:16 168:18
168:21 170:10
172:17 177:14
180:2 183:13
187:5 189:5
190:8 195:1
197:15 199:5
199:11,20
204:14 205:13

April 16, 2024

Page 2
207:5 208:19
210:1 211:4
213:7,22
216:17 220:21
221:5 222:12
222:16 223:4
224:3 225:19
226:10,22
227:19 228:4
231:11 233:14
2's 41:9 166:19
20 152:15
153:5 168:12
169:17 204:15
204:21 205:22
200 60:5
2000 80:9
105:18
2003 19:11
21:9
2009 79:22
84:2
2015 49:6
151:9
2018 13:13
127:2
2019 127:2
2020 81:6
2021 15:12
165:14 175:7
2022 14:10
19:4 127:3
20220 1:11
2023 14:14
24:3 36:2
57:13 65:4,9
158:14

2024 1:5 4:5
5:5 7:11 11:12
161:21 238:18
239:14
2025 4:15 7:18
150:12 151:14
151:20,21
153:11 165:10
203:5 230:18
230:22 231:5
2026 4:13 7:17
10:15 78:10,12
80:10 81:3
92:8 94:19
111:7 113:15
128:10
20th 13:15
21 152:15
153:5 164:15
169:17 204:22
205:22
21st 17:22
154:4
22 64:1,13
129:20 152:15
153:5 164:15
168:13 169:17
174:6,7 181:12
204:22 205:17
206:1,15
209:22
23 152:15
153:6 155:22
160:20 164:15
168:18 169:19
186:11 204:22
206:1 209:2
220:22 221:5

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225:9 231:10
24 7:19 150:13
151:8,15
152:15 153:11
159:17 168:14
171:9 174:14
174:15 177:8
185:2 203:6
205:1 206:15
24c 200:12
24k 4:15
25 89:12
152:16 165:11
166:16 168:14
171:11 172:22
174:22 177:19
181:1 205:1
206:15
250 202:15
250th 18:10
81:4 94:22
96:16
25728 239:16
25a 152:16
205:1
25c 167:5
171:12
26 152:16
168:15 205:2
26na 91:1,2
27 4:5 11:11
152:16 155:21
168:15 205:2
28 20:1
29511 238:18
2:00 150:2,7

Meeting

[3 - 8c]
3
3 23:17,19
25:16 29:10
38:1 41:10
42:6 43:14
62:11 64:2,8
64:13 68:6,9
68:17,18 69:10
69:11 70:6,8
70:15 72:2
74:5,7 76:15
81:11,16 86:20
87:5 89:15
91:20 97:18,19
98:4 103:13
105:12 106:13
109:4 110:22
111:10 112:20
115:15 122:11
122:11 123:6
124:4,12,22
129:17 130:9
130:14 131:14
133:1,10 135:5
135:10,11,12
136:8 140:5,10
142:14,18,19
143:1,13
147:16 152:14
153:4 161:14
167:18 168:21
187:17 199:21
204:16 205:13
216:17
30 63:22
129:16 172:22
204:9 205:12

April 16, 2024

Page 3
3:07 203:18
3:17 203:19,21
3:20 204:1
3:51 236:22
237:3
3a 23:17 64:3
3s 135:2,14
4
4 23:17,19
29:18 30:17
32:9 38:12
43:2,22 44:15
45:7 64:3,9
66:8,15,17,18
74:22 87:10
104:8 109:6,6
115:16 129:17
152:14 153:4
167:18 168:21
189:6 204:16
205:14
4512 100:4
4:00 5:8
4a 23:17 64:4
87:10 129:18
5
5 4:3 23:17
24:11 64:4,9
87:10 101:6,13
101:21 104:12
109:9 115:17
129:18 152:14
153:4 162:10
162:18 167:19
168:22 187:20
191:7,10
199:21 204:16

205:14
50,000 20:13
5th 82:8
6
6 15:12 23:17
24:11 28:5
29:15 37:19
41:6 46:3,3
47:7 64:5,10
68:6,9 69:7,10
69:11,20 72:3
72:4 81:11,16
87:10,17 96:5
104:18 106:21
106:22 107:1
109:13 112:4,5
115:18 117:18
120:19 121:14
129:19 133:4
144:15,15
152:14 153:4
162:15 167:21
167:21 169:1
183:22 191:7
191:13 192:22
199:21 201:3,4
204:16 205:15
6's 162:20
60s 129:9
6590121 1:17
6a 87:22
129:19
7
7 24:16 25:17
26:5 28:6
37:13 47:7
64:10 81:11,16

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87:22 96:12
101:6,13 105:2
105:13 109:21
112:16,20
116:1,1 117:4
117:22 119:2
123:12 127:18
129:20 130:13
131:9,19
132:16 133:4
133:10 134:7
134:22 135:19
136:22 139:18
140:10,12
143:8,11,14
152:14 153:4
167:21,21
169:4 204:17
205:15
78 4:13
7a 24:16 25:17
64:11
8
8 28:6 88:10
105:3 129:21
152:14 153:4
163:3,3 164:6
164:12 165:4
169:4 171:19
178:2 184:5
191:7,13
199:21 204:17
205:16
801 1:10
8c 178:20

Meeting

[9 - aesthetic]
9
9 88:10 129:22
152:14 153:4
167:22 169:5
178:2 204:17
205:16
999 151:16
152:21
9:00 5:10 236:8
236:13,14,15
236:16,17
9th 1:10
a
a.m. 1:6 5:10
236:16,17
abbreviated
142:9
ability 238:10
239:7
able 20:5 52:6
66:18 71:4
84:2 127:4
140:22 158:11
207:16 218:16
above 77:22
171:22 222:4
absence 119:22
120:11,12
absolutely
68:22 78:20,21
90:10,17
140:22 174:11
178:12 236:3
abstain 228:11
229:15
abstentions
229:14

April 16, 2024

Page 4
abstract 164:8
accept 144:19
219:21
accepted 60:7
accepting 50:4
accessible
213:13
accommodate
152:12
accompanied
80:13
accompanies
215:9
accompany
214:21 233:14
accomplished
235:5,19
accomplishm...
14:2
accordance
79:22
accuracy 144:5
accurate 238:9
239:5
acknowledge
107:2 155:20
acorn 168:8
188:14
acquitted 20:7
act 19:3 24:2
34:21 36:2
37:17,20 57:12
65:4,9 72:1,7
80:1 81:6 99:1
action 45:11,18
45:21 68:14,19
69:2,8 100:20
136:7 181:7

188:5 238:12
238:16 239:8
239:12
actions 17:17
20:20 138:7
active 74:6,10
162:22
activity 101:22
187:13
actor 98:7 99:4
actors 94:17
96:4
actual 54:3
actually 32:1
32:17 34:15
50:10,22 53:8
54:12 78:15
89:6 95:21
99:16 102:21
105:21 115:4
117:19 139:1
139:15 162:7
167:7 177:6,6
177:19 195:12
199:15 201:17
202:2 209:17
221:10 222:9
add 56:20 72:1
90:8 177:22
addition
124:22,22
130:13
additional 24:2
24:13 61:1
86:2,15 87:3
87:15 88:2
90:19 91:17
120:21 227:5,6

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227:7 229:20
additions 143:2
address 30:8
31:7 47:15
118:12 174:14
addressed 11:6
27:8 147:8
178:22
adds 109:9
167:6
adjust 77:22
admiration
179:14
admit 47:2
187:5
ado 22:22
adolph 164:18
adopt 213:7,8
226:21
adoption 74:17
advantage
175:11
advice 30:9
97:3
advised 131:17
advising 14:21
advisor 3:17
10:21 13:18
40:1 82:1
advisors 49:1
advisory 1:1
5:4 12:12
14:17 15:14
21:14
advocating
21:6 197:16
aesthetic
107:21 108:1

Meeting

[aesthetic - angel]
118:15 175:16
177:15 179:2
aesthetically
119:4
aesthetics
117:18 119:11
131:20 138:4
affairs 2:4 3:11
3:12 9:18 10:3
10:4 81:13
84:2 86:5 87:6
88:5 97:14
137:9
affected 22:12
affects 42:20
42:20
african 18:7
afternoon
193:7 235:17
235:19
afterward
31:19
age 13:21
48:21 129:5
144:4,10
176:10 182:19
agency 94:16
107:4
agenda 7:9
18:8 150:3,10
aggressive
190:2
ago 13:5
192:20
agree 16:6 35:9
42:15 69:20
103:14 106:7
106:10,14,18

April 16, 2024

Page 5
109:2 122:3
138:19 139:9
149:3 198:7
235:18
agreement
186:10 216:20
ahead 16:21
25:14 47:19
52:16 53:3
56:8 77:11,13
78:22 133:21
134:1 214:10
220:17 232:12
aid 17:19 81:1
87:4 91:1
95:21 96:2
122:8
aiding 17:18
aim 193:18
aip 154:14
236:2
airman 60:7
airmen 40:1
49:8 60:4,9
akin 3:17 10:21
82:2
alexander 15:5
alfen 1:4 2:5
7:5 59:20
allegorical
192:8
allies 84:14,17
87:16 89:5
91:9 95:22
122:8 124:5,6
allow 35:3
allowed 20:14
50:1

allowing 22:19
ally 90:5
138:12,13
alongside
87:11
alternate
214:12 216:13
alternative
136:7
alvin 49:6
amazing 121:4
121:20 127:5
162:21 180:14
amend 219:1
amendment
141:6 144:3,19
219:17,22
230:1,2
amendments
143:1
america 21:11
54:13 85:12
91:11 152:20
153:2 160:20
196:20 200:13
200:19
america's
124:5
american 2:11
4:13,15 6:5
7:17 10:15
13:15 17:5,12
17:16 18:7
69:5 78:11,13
79:22 80:14
81:14,16 86:6
86:18 87:18
88:6 92:8

www.CapitalReportingCompany.com
202-857-3376

94:16,22 95:5
96:9 97:15
102:18 107:19
111:5 113:4,19
116:6 119:11
124:10 127:1,2
128:10 137:9
150:12 151:8
151:14 152:18
153:11 156:14
156:15 158:13
159:1 161:15
165:11,14,15
165:17,18,19
165:22 166:6
166:13 173:9
173:11 175:8
199:13 203:6
208:8 212:1
230:11
americans
36:17 80:3,5
94:21 95:4
98:1 107:10
121:19 174:19
amidst 20:17
amount 101:16
126:22
anatomically
185:16 225:10
anatomy
231:13
ancestor 82:7
ancient 188:19
196:16
angel 33:22
36:14

Meeting

[angeles - artist]
angeles 39:22
angelic 40:20
anger 40:8
41:17
animal 165:20
175:8 181:10
annelisa 2:20
7:1 33:8,9
35:11 100:2,9
102:12 179:10
179:12 183:2
anniversary
18:11 81:4
95:1
announce 5:14
annually 80:1
answer 93:3
129:4 137:7
162:9 172:18
answer's
172:20
answered
55:13
answers 173:9
anti 44:4
anticipated
148:20
antilynching
19:3
anybody 55:10
56:4
anybody's
197:10
anyone's
197:13
anyway 22:7
39:4,6 44:17
103:2 197:12

April 16, 2024

Page 6
apologies 57:1
77:9 83:7
apologize
39:18 63:10
72:22 83:13
139:14 166:1
appeal 30:15
30:20 131:19
appealing
28:10 39:6
43:9 165:5
appear 17:16
appointed
13:13
appreciate
33:13 57:20
60:19 78:5
79:16 85:1
96:5 97:2
121:16 122:7
122:21 178:13
appreciated
29:7,13 74:13
appreciating
94:15
appreciation
149:19
appreciations
77:2
appreciative
121:12
approach
161:1,10
approaches
165:9
appropriate
65:12 90:14
120:20 136:13

144:10 156:6
163:7 191:2
222:12 224:21
225:5
approval 4:4
7:10 11:9
228:4
approve 11:14
134:7 135:18
139:17
approved
12:10
approximately
5:8
april 1:5 2:22
5:4 8:15 14:13
19:16,21 24:18
28:5 64:18
71:3,14 78:11
78:14 79:17
88:13 132:20
136:15 150:14
151:5 153:8
166:4 184:1
203:3 211:9
215:14 226:1
231:10 233:11
arch 99:6
archives 13:18
area 26:5
arm 188:14
arms 23:11
army 39:22
48:17 81:1
86:11 93:17
118:4
array 172:14

www.CapitalReportingCompany.com
202-857-3376

arrows 166:7
189:21 192:10
art 26:22 29:4
30:2 40:5
43:15 44:7
117:1,2 135:20
136:1 159:19
159:19,19
162:5,7,12,17
173:11 180:6
186:19,20
188:1 189:13
191:4 194:21
197:3,5,14,15
199:14,15,16
215:6,8 216:10
217:17,19,21
art's 199:14
artform 180:3
187:10 194:19
195:2
arthur 2:7 5:20
27:1 29:5
articulable
46:6
artist 32:12
41:22 50:7
62:15 90:11
121:20 152:5
157:15 160:4,7
160:8 161:14
161:19 162:2
162:10,15,18
162:20 163:3,3
163:12,17,22
164:2,6,12,14
164:16 165:6
166:2,15,19

Meeting

[artist - back]
167:5,13 170:7
177:5 189:16
189:16 190:8
191:10,13,13
191:21 192:15
192:22 197:9
199:5 200:12
201:3,3 202:15
207:17,18
210:22 215:16
215:17 216:6
217:7,14
230:15
artistic 43:8,13
61:21 62:14
68:18 127:4
154:3,18 155:8
173:21
artistically
103:3
artists 31:13
38:22 61:20,22
62:6,6,9 90:13
94:14 108:2
154:15,17,17
154:19 155:2,3
155:4,4,6,6,15
156:19 157:11
157:12,17
161:13 172:9
172:15 176:18
184:1 191:7
193:18,19,19
193:19 197:6
199:3,20
207:16 217:8
230:16 236:2

April 16, 2024

Page 7
artwork
179:20
asian 162:22
aside 38:17
asked 57:9
147:1 172:21
215:20
asking 217:5
aspect 58:12
70:5
aspects 31:2
aspirational
58:22
assigned
207:15
assignment
202:12,15
assistance
113:17
assistant 3:15
10:19 81:21
assume 67:4
160:4
ate 82:14
attempt 112:5
attendance
8:10
attendees 2:2
3:2 20:14
attending
149:20
attention 98:9
99:6 150:17
202:21 212:4
attorney
238:14 239:10
attracted
159:11,12,12

attractive
103:10 104:11
audience 63:11
157:8
audiences
31:21
audio 50:17,22
212:13 238:8
239:3
august 19:22
aunt 82:8
australia 14:1
14:3
austria 14:1
author 13:19
177:11
authority
151:11
authorized
19:16 81:5
151:10
authorizes
40:10
ava 165:4
available 94:9
235:8
avant 183:22
aviation 60:20
await 75:10
award 4:7 7:12
12:13,16 13:12
14:17,19 15:4
15:15 16:16
159:2 165:15
awarded 15:10
19:6 62:1
awards 159:5

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202-857-3376

aware 7:22
133:5 158:22
159:1,1
awesome 155:7
awful 177:21
awfully 167:22
aye 12:5,6
65:19,20 76:7
76:8 141:19,20
145:2,3 220:10
220:11 224:8,9
224:13 227:10
227:11 228:5,6
232:13,14
b
b 105:6 157:5
213:6
baby 20:12
back 13:6
14:11 16:15
20:9 31:4
32:11 53:13
54:18 56:2
63:6,8 70:19
72:5,19 79:6
116:9 128:17
128:19,20
129:1 136:8
137:19 140:5
141:3 144:9
150:9 156:16
161:3,4 164:17
173:14 182:3
182:17 184:10
185:21 188:18
190:12 191:22
194:5 202:21

Meeting

[back - boat]
202:22 203:13
203:19,21
204:1,2 226:11
230:14 234:17
background
23:22 85:18,21
87:1 103:6
106:10 127:8
bad 27:22
43:17 109:19
145:21 146:10
184:3 195:12
209:11
badass 175:21
baijal 3:7 9:8
9:10
balance 31:20
95:17 119:5
bald 87:11
baseball 78:4
based 112:8
122:1,14 124:7
151:10
basically
118:18 176:1
basis 43:14
basket 86:21
88:1
baskets 88:1
beaten 20:2
beautiful 14:18
50:8 123:22
124:11 138:1
138:12 173:21
209:9
beckoned
199:22

April 16, 2024

Page 8
becoming
123:7
bee 162:16
180:16 184:16
beginning
38:19 49:19
64:18 156:17
189:16
beginnings
196:17
behalf 3:18
10:22 16:14
50:4 82:2
83:16 121:7
believe 7:7
26:10 57:5
58:3 67:19
69:17 72:6,20
73:3 74:14
93:5 105:20
119:7 125:12
126:9 129:4
187:14 197:22
210:18 212:7
213:9 214:1
219:12 231:2
bell 158:5
168:1 188:5
belmonte 3:15
10:19 81:21
82:19 83:1,7
83:11 88:15
90:20 91:16,18
123:17,19
126:8 139:6,8
149:21
bending 104:13

bends 99:1
benefit 30:10
bernstein 2:7
5:20,22 27:1,2
27:10 29:4,5,6
117:2,2 135:20
135:20 136:1
186:20,20
205:4,9 217:18
217:21,21
best 41:9 43:14
63:13 97:21
103:13 107:8
115:7 122:12
156:5 216:17
216:17,17
238:10 239:6
beth 165:13
better 38:11
39:3 48:8 52:3
52:9,16 103:13
105:7 109:19
113:1 130:19
147:19 184:19
beyond 46:5
biannual
151:12
bias 118:16
big 154:2
170:13 176:19
199:14 206:13
bigger 102:5
120:6 166:20
biggest 155:7
197:6
bill 109:7
bios 179:15

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202-857-3376

bird 104:2,6
bison 165:12
165:17,19
174:21 175:1,3
176:22 177:19
181:3,6 192:15
192:17
bit 22:10 23:15
25:18 45:4
47:13 56:10
77:11 80:12
89:9 96:7,7,10
103:14,16
106:11 116:1
120:9 121:21
130:19 135:8
137:21 138:9
161:12 162:3
176:12 178:6
183:21 192:17
235:19 236:4
black 25:18
26:13 39:20
blanket 86:2
blankets 82:11
85:22 86:11
91:3 110:1
blatant 36:20
blazing 171:16
blemish 112:2
bless 49:21
blew 212:20
bloated 82:15
block 185:5
blown 114:15
board 70:19
boat 157:21

Meeting

[body - capacity]
body 20:4,9,15
60:7 118:19
body's 234:9
boil 97:12
boiled 97:21
bold 153:20
157:10 171:13
207:5 219:18
boldness 170:5
boneza 3:6 9:5
book 113:7
155:4 161:13
165:3,16
193:19
books 23:20
29:20 38:7
57:13,13 165:3
border 34:7
born 17:21
21:1
bothered
111:19
bottom 118:21
bowing 99:2
bowl 86:11
bows 98:22
box 62:12
boys 43:8
braid 105:10
brainer 211:2
217:6,15
brains 179:17
branches 102:1
166:7 192:9,9
bravery 45:17
break 44:16
63:6 78:16
128:16 150:1

April 16, 2024

Page 9
150:21 203:12
203:15,16
breakfast
236:15,18
breaking 28:21
167:6 194:10
brearley 113:7
breath 208:10
brendan 3:11
10:2
brevity 179:22
brief 58:6
107:13,17
116:14,15
briefly 13:6
16:15
bring 36:14
72:19 91:12,13
92:17 100:16
132:21 141:3
161:14 202:21
202:22
bringing 17:14
57:22 84:20
92:18 177:14
230:12
brings 36:14
40:5 166:11
brining 77:5
britain 95:7
194:11
broad 156:6
broader 81:2
94:19 222:6
broken 200:17
bronco 175:8
177:20 192:19

bronze 15:5,6,9
36:8
brought 20:9
91:12 150:17
brown 35:14
35:19 60:2,3,8
60:15
brutality 40:13
bucking 175:7
175:9 177:20
buffalo 165:20
169:10 200:4,5
200:9 209:5
buffalos 185:9
185:11
building 197:8
built 166:9
bullion 15:1
166:13
buried 86:14
bushels 80:16
business 11:9
12:11
busy 95:12
106:11 109:3,4
118:10 123:3
180:15 187:19
busyness
118:18 126:20
butterflies
187:18
button 127:3
buy 103:1
176:1,3 209:17
235:9
buying 213:14

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202-857-3376

c
c 2:1 3:1 4:1
5:1 18:5
178:17 201:4
cabins 86:14
call 4:3,3 5:3
5:19 8:4 22:19
50:20 77:19
104:4 116:19
145:11
called 8:11
84:14 104:21
197:2
calling 49:18
camera 51:13
campaign 3:13
10:14 21:4,22
candidate 4:9
4:12,14 7:14
7:16,18 17:13
18:2 19:18,18
21:13 23:3,7
24:17 27:7
59:12 62:20
71:4 75:11
78:10,12 85:10
88:11 128:9
135:18 139:18
150:12 151:18
152:17 153:6
203:5
candidates
18:9 70:17
canvas 127:9
164:11
capacity
137:11

Meeting

[cape - chairman]
cape 98:9
capitol 15:11
15:12 49:18
capozzola 2:10
6:5,7 31:9,11
31:12 47:16
94:9,10,11
107:13,15,16
125:14,15
176:16,17
capture 115:19
115:19
captures 41:13
136:22 173:13
care 42:21
77:10 185:9
career 33:4
cares 43:1
caricature
121:22
caricatured
121:19
carried 162:11
carries 41:17
65:22 76:10
88:1 145:16
220:13 224:12
carry 229:16
232:18
carrying 80:16
86:10
cartoon 108:2
112:6
cartooning
107:18
cartoonish
96:7 104:21
107:3,20

April 16, 2024

Page 10
121:17 123:8
carving 159:18
159:18 174:18
case 17:4 21:6
26:4 92:19
110:20 132:6
148:13,16,18
177:1 184:21
192:9 195:1,18
216:4 218:12
233:10
casket 20:10
24:12 29:17
34:18 35:4,8
67:1,2,7 69:21
70:2
catalyst 20:21
catching
173:16
category 178:8
caucus 81:14
86:18 88:6
caught 182:5
183:18 188:2
cause 19:9
43:22 44:8
50:2 80:14
114:15 144:5
173:22 176:9
198:21 199:6
200:3 211:14
caveat 130:8
ccac 2:4,6,21
3:10 5:8 7:6,13
7:21 9:19,22
11:10 12:19
13:13 14:4,4,7
14:15,19,20

15:7,22 16:14
38:17 63:4,16
71:8 73:10
128:14 129:13
150:8 204:3
211:22
cede 179:6
celebrate 18:1
18:15 80:3
98:1
celebrated
194:19
celebrating
17:1 18:10
68:21 69:1
81:3 102:17
187:15
celebration
18:18
celia 3:15
10:19 81:21
82:21 83:18
149:21
cell 50:21
cements 146:22
center 94:16
96:14 98:20
99:7
centric 182:14
182:15
century 13:15
17:21,22 18:22
142:20 154:4
ceremony 7:12
certain 188:1,1
certainly 29:9
39:1 88:19
90:18 110:8

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202-857-3376

118:2 125:21
149:12 183:19
190:7 230:10
231:14
certainty
230:14
certificate 15:4
238:1 239:1
certify 238:4
239:2
cetera 31:3
59:4 72:2
194:4,4
cfa 71:8 211:22
chain 200:18
chains 186:7
chair 4:8 21:3
74:6 90:8
96:22 126:17
128:4,21
138:21 147:3
150:8 161:7
225:2
chairman 5:2
6:1,4,8,11,14
6:17,20 7:1,4,9
8:6,15,18,21
9:2,5,8,11,14
9:17,21 10:2,6
11:16,19 12:2
12:7 16:11
24:17,18 25:10
25:14,22 26:17
26:20 27:11
28:15,20 29:2
30:1,4 31:8
33:7 35:11
39:7,13,15

Meeting

[chairman - check]
42:9,10 44:10
46:19 47:22
49:11 50:12,15
51:3,8 52:15
55:12 56:6
57:3,18 58:7
59:9,17 60:14
60:18 61:5
62:17 63:8
64:15 65:14,21
66:5,12 67:17
69:12,16,18
71:2,13 72:6
72:11,15,20
73:2,8,12,15
73:17,19,22
74:12 75:7,15
75:20 76:3,9
76:20 78:7,18
78:20 79:5,12
79:17 88:11,12
88:22 90:17
91:14,21 92:4
93:22 96:19
99:21,22 100:7
102:11 105:14
105:22 107:11
108:5,9,11
110:12 114:10
116:12,15,22
117:6,16
119:13,19
120:16 122:17
123:16 124:13
124:17,19
125:10 126:2,7
126:11 128:5
128:22 129:10

April 16, 2024

Page 11
130:3,12,17
131:4,7 132:2
132:11,15
133:11,13,16
133:22 134:3,8
134:12 135:15
135:22 136:15
136:19 138:15
139:5,11,17,21
140:2,8,11,16
140:19,20
141:5,10,15,21
142:2,13,17,21
143:4,10,16,19
144:1,18,21
145:4,10,15,22
146:12 148:2
149:15 150:9
153:7,15,17
155:14 161:4
166:21 169:21
172:10 176:14
179:8,11 183:1
183:6 186:17
189:13 193:13
195:5,17 196:4
196:5,7,9,11
196:13 197:20
198:4,10,15
201:6,16 202:7
203:1,16,20
204:2 205:6,10
206:3,18
207:10 208:14
210:6,11,15,17
211:5,7 212:5
212:9,18 214:3
214:5,8,13

215:13,22
216:4,9,12
217:1,4,16,19
218:3,7,18,21
219:4,8,15,21
220:3,8,12
221:1,4,9,16
221:22 222:11
222:19 223:2,5
223:8,13 224:1
224:10,12,14
224:18 225:16
226:4,15,20
227:2,4,8,12
227:17 228:1,7
228:9,12,15,18
228:22 229:3,7
229:13 230:7
231:6 232:2,8
232:10,15,17
232:21 233:4,7
233:16,19,21
234:19 235:10
235:16 236:11
236:14,19
chairperson
2:6 7:6
challenge
156:19
challenges 31:6
chamberlain
3:13 10:13
21:21 22:3,5,7
23:2 24:19
30:11 31:14
33:11 36:5
39:20 41:2
47:14,20 48:3

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202-857-3376

48:5,11,14
49:13 50:12,13
50:15 51:2,7
51:16 52:2,9
52:12,21 53:4
53:6,15,19
54:17,19,21
55:4,9,14
56:10,12,15,18
57:4,19 58:13
59:15,18,22
60:16,18 63:10
70:18 73:18
74:2,3,4 77:3,7
chamberlain's
38:5
chamberlin
22:2
chance 115:11
115:14
change 125:7
127:14 147:10
changed 21:11
55:17 114:8,9
208:9
changes 119:6
125:5,8 130:14
186:12
changing 95:3
121:16,17
122:8 185:3
chapter 39:22
character
184:7 214:17
charge 35:15
90:12
check 62:12
170:21 230:19

Meeting

[cheer - coinage]
cheer 13:1
chicago 20:3,9
20:17
chief 2:22 3:8
8:15 9:14
84:11 85:18,21
89:7 98:20
138:7
child 43:16,17
55:20
childhood 54:4
children 171:6
chiseling 185:5
choice 28:2
38:5,6 43:10
66:8,14,20
105:3,13
107:21 108:1
110:6 112:17
117:5 128:3
136:12 209:3
choices 38:11
38:12 44:9
95:7 142:12
143:14
choose 159:8,8
221:20
chose 54:7
chris 33:7
96:20 98:4
104:20 107:13
107:16 114:15
116:10 125:12
125:15 179:9
christian 36:18
36:18
christopher
2:10 6:4 31:9

April 16, 2024

Page 12
31:12 94:8,11
176:16
christopher's
107:2
cia 197:8,8
circles 61:10
circling 54:18
circular 216:2
231:17,18
234:11
circulate 114:1
114:2
circulating
15:1 81:6
211:18
circumference
186:2,3
cities 196:19
citizen 12:12
citizens 1:1 5:3
14:16 15:14
21:14
civil 13:20 19:9
20:21 21:8
40:9 157:1
clarify 138:22
clarifying
211:9
clarity 132:22
134:18 135:8
198:16
clark 17:19
clash 161:17
clasping
200:17
classes 183:20
classic 172:5
177:11

classical 174:4
213:17
clean 113:16
clear 68:2
70:15 112:16
142:13 179:18
clearly 115:6
190:20
clever 29:11
188:15
climate 100:20
cloak 184:9
clods 110:3
close 41:6
52:17 64:10
66:9 68:6
69:10 185:16
204:19
closely 32:9
52:20 188:9
closer 48:3,9
closure 183:15
cloudy 115:11
115:14
clutching 98:9
189:20
cob 93:20
coffey 60:2
coffin 55:16
coin 4:13,15
7:17,19 8:3
10:16 17:13,22
18:10 34:8
35:8,21 60:17
78:11,13 80:1
81:3,6 84:3,16
90:14 92:8
94:19 95:13

www.CapitalReportingCompany.com
202-857-3376

97:22 98:16
99:3,8 100:13
102:1,16 103:4
103:22 104:1
107:6,6 108:1
109:11 111:2,8
111:18 112:2
114:1,4 118:1
119:11 122:16
127:3,10,12
128:10 137:2
138:1,3,4
146:15 150:13
150:20,21
151:8,15,19
152:2,19 153:3
153:12 158:15
159:2,8,9,15
162:1,14,16
163:1 165:19
168:13 170:13
173:9 175:7,21
175:22 176:11
181:9 182:2,18
183:21 184:4
186:3,4 188:6
188:7 193:6
195:3 197:16
197:16 198:13
199:12 200:2
201:4,9 203:6
208:9,20,21
209:8,12,17
210:9 211:18
214:1,20
217:15 234:12
coinage 1:1 5:4
12:12 14:16

Meeting

[coinage - committee]
15:1,2,14
21:14 49:1
154:5 177:16
coincident 26:8
coincides 81:2
coinnews 8:5
coins 15:17
80:2,7 85:3
101:13 103:8
113:15,18,21
113:22 114:2
115:4 119:7
151:11 159:4
159:13 161:16
166:13 168:22
176:10 178:19
181:3,6 207:20
208:18 209:15
cold 99:13
113:11
colleagues
15:18 17:11
18:13 170:8
collect 176:10
209:15
collected 114:3
collectible 81:6
collecting 36:7
71:10
collection
199:16
collectively
55:21
collector
113:21 165:20
175:22
collectors
104:1 127:12

April 16, 2024

Page 13

181:9 183:21
209:14,18
colonies 95:6
colonists 82:10
82:16 91:5
colorized 209:8
209:9
columbia
238:21
column 61:9,11
195:15
combat 39:21
combination
42:5,6 47:7,9
166:17 200:11
200:12,15,21
209:3 215:15
combinations
215:12
combine 232:6
combined
166:9
combining
166:7
come 48:19,21
57:14 72:5
110:16,17
112:18 135:10
140:5 156:20
157:10,22
161:3,4 168:13
195:19 211:20
comes 36:6
62:2 97:13
109:6
comfort 40:17
126:19

comfortable
131:9
comforting
44:21
comic 155:3
161:13 193:19
coming 28:6
62:10 111:14
113:16 114:9
144:9 171:16
178:4 198:20
234:16
commanded
41:19
commands
98:9 99:5
commemorate
80:11
commemorat...
58:16 69:1
commemorat...
18:10
comment 29:10
61:6 66:21
76:13 105:17
107:2,13,17,17
116:14 119:1
120:21 122:8
122:19 123:6
123:18 129:7
131:5 133:19
134:9,10,14
137:8 138:18
139:7 144:2
202:3 209:10
209:19 231:8
commentary
111:1 158:3

www.CapitalReportingCompany.com
202-857-3376

commenters
117:8
comments 4:8
11:12 24:20
26:21 27:12,15
28:16 49:4
61:1 66:15
71:17,20 76:19
77:8 85:2
88:18 90:19
91:17,19 94:2
94:7 98:5
100:1 103:13
104:7 105:15
111:12 115:15
119:3 120:22
122:3,21
123:22 124:14
126:14 148:3
148:13 155:18
156:5 167:9
168:20 186:22
188:17 189:12
189:15 193:9
201:20 235:12
commissioned
197:7,8
committed
14:8
committee 1:1
5:4,18 11:9
12:12 14:8,12
14:17 15:14
16:18,22 18:16
21:14 22:4
24:22 27:15
30:9 37:14
47:1 49:1

Meeting

[committee - connection]
57:21 58:2
60:1 62:19
67:10 68:7
81:13 82:4
84:2 86:5 87:6
88:5 92:7 94:5
97:14,17
110:15 124:15
126:14,20
128:9 131:10
135:8 137:8
146:10 147:6
148:3 152:9
153:10 176:18
176:19 187:11
190:6 201:22
203:4 222:8
226:10 231:2
committees
133:6,10
137:13 139:1
148:10
common
117:12 207:2
210:9 211:3
213:18
communicate
31:21
communities
96:11 154:18
compatible
231:16
compelling
34:18 46:18
47:5 69:10
95:20 115:1,17
117:19 162:12
189:17 190:5

191:18 192:16
201:12
competing
109:14
completed
21:10
completely
35:8 42:16
127:19 167:18
completes
185:3
completion
57:22
complex
175:17
complexity
148:9 151:1
complicated
227:16
complied 61:15
complimentary
230:15 234:17
compliments
186:2
component
36:15
computer 48:9
51:6,9 54:17
con 177:9
conceive
157:12
conceived
215:16,18
216:6 226:1
234:22
concentrate
163:8

April 16, 2024

Page 14
concept 47:8
47:17 157:9
181:21,22
191:19
concepts
156:22
conceptually
24:4
concern 115:12
118:9 177:20
182:12 191:14
concerned
103:11 170:17
concerns 35:6
95:13,17 148:6
148:8
concert 215:21
conclude
235:12
concluded 77:1
149:18 236:22
237:2
concludes
24:16 88:11
153:6 189:12
conditional
89:14
conditions
85:17
cone 188:10
confess 118:15
confident
16:13 147:9
confirm 8:9
72:13 73:10
conflict 44:3
212:2

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202-857-3376

confused
127:14
confusing
163:13
congratulating
15:21
congratulatio...
16:17 172:9
236:6
congress 19:3,6
24:3 31:14
36:1,2 37:17
37:20 49:15
57:12 65:4,9
72:2,7 81:15
86:6 87:18
97:15 137:9
congression
50:4
congressional
4:11 7:15
10:12 15:2,10
19:15,15,19
25:2 26:3 36:6
36:8 37:17
49:7,14 62:21
77:5 81:14
86:18 88:6
133:6 138:22
connected
41:12
connecting
29:19
connection
29:22 40:18
49:10 60:9,11
60:19 70:6
166:14

Meeting

[connections - correct]
connections
187:18
connects 42:1
consensus
208:4 210:7
222:12
consider 14:11
130:15,16
140:10,12
151:2 155:22
202:9 206:22
208:17 218:1
219:9 226:9
229:21 230:4
consideration
27:14 49:5
76:19 78:9
94:4 101:18
148:15 155:20
189:3 226:11
230:9
considered
54:10 130:10
174:5 193:22
211:14 217:8
234:3
considering
150:22
consistent
113:18 158:21
159:16 160:3
consistently
15:15
constantly
185:3,4
consult 133:7
consultation
21:21 89:10

April 16, 2024

Page 15

121:13
consulted
137:17
consulting
89:12
consumed
194:22
cont'd 3:1,2
contain 23:5
contains 15:4
contemporary
157:8
content 95:8
context 115:5
116:4 127:20
128:2 131:14
173:1 230:5,5
contextualizes
115:2
continent 95:5
continental
81:1 86:11
93:17 118:3
continue 31:7
150:2 198:18
continued 81:1
continues
18:21
continuing
45:15 46:8,16
188:4
contract 61:22
contracts 62:1
62:2
contradicting
147:14
contrast 98:18
135:2

contribute
108:2
contribution
14:20 110:10
contributions
17:2,9 80:3
98:2 116:5
convention
163:10 234:14
conversation
13:2 121:16
140:21 179:7
convey 101:14
conveyed 96:14
181:14
conveys 95:9
95:10 96:1,6
106:12 110:1
convinced
116:1
convincing
131:18
cook 82:12,14
127:22
cool 111:7
119:18 160:18
160:18 168:3
170:19
cooper 10:19
17:14 80:13,18
80:22 81:20
82:7,11 84:20
85:14 86:10,20
87:11,22 89:7
89:13,16 90:3
91:3,8 95:10
95:18 98:13
99:4 101:7

www.CapitalReportingCompany.com
202-857-3376

103:15 106:15
106:17 107:5
118:2,19 119:2
119:17 120:6
123:8,13 125:3
125:18 129:5
138:8
cooper's 87:14
109:15 122:1
125:4
copper 84:9
corn 80:17,20
82:12,14,15
85:14 86:11,14
86:21,22 87:2
88:1 91:4,8
92:16,18,20
93:6,16,17,19
93:20 98:8,12
104:3,5 109:11
110:2,7 111:4
125:2,3 144:14
cornelius 3:14
10:16 60:2
81:18 82:5,6,7
88:15 90:16,19
90:21,22 91:15
93:10,11,12,13
93:19 122:18
122:20 126:7
126:10 129:3,6
129:8 138:17
138:19 149:21
corner 105:10
corps 18:11
correct 25:11
71:3 75:12
93:7,12,15

Meeting

[correct - december]
105:17 109:22
132:20 143:7
185:16 205:10
215:19 216:8
225:10,20
226:3
corresponding
151:20 152:3
152:22 192:21
225:18 226:5
costello 9:11
61:2
counsel 3:9,9
3:15 9:22,22
10:20 63:4,16
81:21 97:3
128:14 129:13
203:9 204:3
238:11,14
239:7,10
count 145:11
228:13
counterparts
230:22
countless 45:13
country 18:20
20:16 21:2
22:15 31:6
68:15 165:21
190:21
couple 118:6
167:9 174:14
176:22
courage 20:11
40:15 41:14
42:8 59:2
courageous
19:8 20:22

April 16, 2024

Page 16

course 33:4,4
49:2 69:5
73:12 133:5
165:21 171:5
court 77:18
201:16
courthouse
24:8
cousin 50:3
54:13
cover 165:16
coverage
136:21
covered 85:15
covering 41:21
crafted 164:19
crashing 169:3
cream 188:10
create 60:4
184:17 195:15
created 164:16
creates 80:18
199:19
creative 99:15
99:20 157:10
179:2
creatively
115:8
creator 87:14
165:6
creators
193:16
credit 154:11
154:21 155:11
cried 188:6
crier 74:9
crime 19:6
21:11

criminal
187:13 194:1,7
194:12,15
196:21 197:18
cringing
160:10,11,15
criteria 62:14
critical 13:3
critique 107:20
cross 40:21
crowding
182:11 190:18
crown 225:12
crucial 41:3
crucifix 36:21
crux 33:16
cry 74:7
cues 101:15
culture 31:3
89:19 173:9,12
cup 67:2
curator 2:6 7:6
current 109:8
curtain 31:5
customary
23:6
cut 129:4
cute 168:2
cycle 23:6 62:6
62:6
d
d 5:1
d.c. 1:11
daily 22:19
damage 187:14
dance 201:14

www.CapitalReportingCompany.com
202-857-3376

danced 201:18
dandelion
175:15 191:10
dandelions
162:11,19
darker 18:17
darkest 26:5
data 62:8 71:10
date 71:5 143:5
143:6
dated 238:17
239:13
daughter 165:4
188:22 191:22
192:6
david 113:7
day 5:6 49:18
155:22 190:10
225:14
days 20:4
38:20
deal 61:16
177:7
dean 2:21 4:7
7:13 12:13
13:1 16:11
death 21:10
22:12 35:2,4
41:11 54:6
60:9 232:11
debate 64:17
65:16 76:5
136:3
debunk 111:13
111:14
decades 17:20
december
13:13

Meeting

[decent - design]
decent 231:17
decide 163:10
deciding
130:22
decision 122:13
134:21 137:4
195:3,9
decisions 199:7
deck 190:17
deco 188:2
dedication 14:3
deepest 17:17
deeply 32:3
default 218:11
218:15 231:3
233:10,12
234:1
defender 20:17
defer 119:8
deferring
119:8
define 19:5
definitely
95:16 180:21
199:4
degree 100:15
delinquent
194:3
deliver 230:21
demanded 20:9
demarcated
86:13
demonstrating
20:10
denise 3:17
10:21 82:1
83:15 123:20
124:2 139:10

April 16, 2024

Page 17
149:21
denise's 91:19
dennis 2:18
6:17 11:15
25:4,5,22
39:14 42:10
56:7,7 57:3
59:4 65:15
69:17,19 75:17
75:18 76:1,4
96:21 97:1
99:22 104:20
111:1 114:18
116:11 126:15
126:16 128:5
131:5,8 132:13
139:13,15
142:7 143:21
146:19 161:6
166:21 167:3
169:15 214:10
214:13,15
217:17 225:1,3
227:7 230:1
232:21
dennis's 172:18
denomination
99:15 152:21
209:12
denominator
117:13
department
1:9 14:15
department's
158:18
depict 152:18
depicted 171:5

depicting
88:21 93:3
219:10
121:2,3 126:4
depiction 23:15
126:5 137:3
80:8 84:14
149:21
86:7 87:7,19
design 2:22 3:3
88:8 89:5
3:4,5,6,7 8:16
177:11 190:22
8:19,22 9:2,5,8
191:5 192:5,6
9:12 13:3
202:16
14:22 18:9
depictions
23:10,12,17,20
121:18 151:13
24:4,9,11,16
depicts 24:11
26:9 29:6,8,13
85:14 87:11
31:4,20 32:14
90:5 124:4
34:7,22 38:3
depth 40:18
40:16 41:4,8,9
depths 21:1
41:13 42:16
deputy 3:19
43:2,8,10 44:8
8:12 12:15,17
46:5 47:8,17
13:8,10
50:7 63:22
descendants
64:2,9 67:15
36:9 89:13
67:16 74:18
102:8
75:6,9,10,11
describe
76:15,16,18
104:19
80:10 81:10
described 42:3
85:13,14 86:4
104:20 144:13
86:10,13,17
description
87:5,10,22
72:8 181:13,21
88:4 91:20
descriptions
95:14 96:6,11
113:9
97:16,18 98:3
deserters 113:8
98:4,16,18
desertion
99:4,9 100:18
113:10
102:3 103:3,10
deserving
103:10,12,13
195:2
104:6,8,12,14
desiderio 3:17
107:8 109:12
10:21 82:1,20
109:14 111:10
83:18 88:15,17
111:11 113:12

www.CapitalReportingCompany.com
202-857-3376

Meeting

[design - different]
115:1,9,17
116:7,19
117:20 118:9
118:10,17
119:6 120:10
121:10 122:4
124:4,22
126:21 128:3
129:16 130:9,9
130:13,14,14
130:18 131:11
131:12 132:1,8
133:1,2 135:3
135:18 139:18
142:8,14,14,18
146:10 152:5,9
152:14 154:13
155:1 158:21
159:2,10 162:2
163:8,11,14
164:3 165:7,14
165:21 167:3
167:12 168:4,6
168:8 170:16
171:11 172:20
173:16,21
174:8,16,21
175:10,21
176:11 177:5
177:18 178:8
180:1,14
181:14 183:14
186:1,5,11,21
187:2,5,17,20
188:3,4,8,10
188:12,16
189:4,6,8,9,17
191:12,22

April 16, 2024

Page 18
192:1,4,19
195:10 198:11
201:5 202:20
204:10,13,13
204:14,14,15
205:7,12,13,13
205:14,14,15
205:15,16,16
205:17,17,18
205:19,19,20
205:20,21,21
205:22,22
206:1,1 207:3
207:6 208:9
209:9 210:8
211:17,19
213:16 215:21
219:19 231:19
234:14,18
design's 109:17
designed
145:20 217:7
217:14
designer 120:1
120:5
designers
100:11 179:15
193:16
designing
37:14
designs 4:9,12
4:14 7:14,16
7:18 17:4,14
18:3 19:18
21:14,18,20
23:4,4,7,18
24:17 25:1,7
27:3,7 30:10

31:13 33:12,15
33:19 34:12,15
35:8,9 36:11
37:8,9,10
38:13 42:16
43:3,11 59:12
61:20 62:13,20
64:12 67:10,12
70:21 71:4,5
72:13,19 75:3
75:3,11 78:10
78:12 81:9
84:3 85:10
88:10,11,19
92:8 96:17
97:10,18,21
99:17 100:13
100:15 101:5
101:12 102:7
103:2 105:7
106:20 107:1
114:18 124:1
124:11 128:9
130:16 132:9
133:4,8 136:8
141:3 149:9
150:12,18,20
151:12,18,19
152:1,3,4,8,18
153:2,6,11
156:2,4,20
158:4,8 161:13
163:21 164:13
164:15 171:13
172:14 179:14
182:7,18,18
183:18 186:22
187:19 188:21

www.CapitalReportingCompany.com
202-857-3376

189:2 190:4,6
191:12,14,18
194:13 198:13
203:5 207:1,5
215:7 225:7
229:20 230:21
235:22
desired 47:11
despite 41:19
detail 103:22
121:5 126:22
127:5,10
180:15 182:11
determination
28:12 62:4
determine
21:15
determining
62:9
detract 102:3
detracts 167:7
devastated
70:8
develop 215:20
230:15
developed
21:20
development
15:17 21:16
80:5
died 19:11
diff 154:18
different 22:13
22:16 33:1
67:5 68:12
76:17 116:5
122:22 132:8
154:16 155:5

Meeting

[different - dr]
158:9 161:10
161:12,14
165:9 177:13
183:12,18,20
197:3 206:22
210:2 215:4
differentiated
45:15 68:21
differently
210:4
difficult 28:10
30:7 33:13
34:19 148:19
difficulties
63:11 77:9
difficulty 50:17
148:20
digital 238:8
239:3
dignified 41:9
107:6
diluted 36:20
direct 113:13
direction 46:15
148:18 154:7
157:21 235:22
director 2:3
3:19 8:12 9:18
12:15,18 13:8
13:10 18:5,6
dirt 110:2
disagree
146:16,20
174:16
disagreement
216:20
disappointme...
134:15

April 16, 2024

Page 19
disciplines
154:16
disconnected
41:11
discontent
196:18
discourage
141:11
discovered
20:4
discuss 210:12
221:7,11
discussed
55:15 111:19
178:21 179:5
232:11
discussion 4:9
4:12,14 7:14
7:16,18 25:3
47:13 57:6
64:16 65:16
66:1,3 69:15
70:22 73:4,6
76:22 92:9
128:7 136:3
140:1,3,15
142:9 144:22
145:17 148:22
149:10,17
150:11 153:12
163:11 166:20
195:21 206:6,7
207:9 208:4
211:11 212:12
214:9 222:6
224:5 225:11
discussions
58:11 64:22

72:4 118:7
206:17
disenfranchis...
196:18 197:1
disgusting
70:11
disliked 222:7
disney 184:7
display 124:8
displays 23:20
displeasure
148:4
disrespect
121:20
disruptive
194:4
dissatisfaction
71:21
dissect 174:3
distance 92:17
distill 90:13
distinct 150:20
175:11 197:14
214:17
distinguished
45:10
district 238:21
diverse 193:16
diversity 170:6
divide 227:15
documents
11:12
doing 22:22
37:21 56:1
63:13 115:2
127:20 158:6
172:15,16
197:11 206:22

www.CapitalReportingCompany.com
202-857-3376

207:18 209:8
dollar 7:17
80:9 102:22
103:1,5,9
105:19 127:1
127:10 167:16
188:19 202:12
211:15,21
dominant
206:21
don 160:13
donald 2:16
6:14 35:12
40:22 65:1,15
110:13 116:3
127:11 147:7
153:15,18
154:11 155:11
156:8 161:5,8
162:3 183:17
198:5,17
201:17 208:14
223:22 224:1
234:19 235:18
dorky 104:9
dorm 175:20
doth 180:15
double 170:20
doubles 163:9
doubt 123:12
dove 184:2
dr 1:4 2:8,10
2:21 3:13 6:1,3
6:4,7 10:12
12:13,16 13:14
14:3,7,13 15:8
15:15,15,21
16:4 21:21

Meeting

[dr - embodies]
22:2,3,5 23:1
24:19 30:3,4,6
30:11 31:8,9
31:11,13 33:10
35:14,19 36:4
38:5 39:11,20
41:1 47:14,15
47:20 48:2,5
48:11,14 49:13
50:12,13,15
51:2,7,16 52:2
52:9,12,21
53:4,6,15,19
54:16,19,21
55:4,9,14 56:9
56:12,15,18
57:4,18 58:5,8
58:13 59:15,18
59:22 60:16,18
63:10 70:17
73:16,17 74:2
74:3,4 77:2,7
94:8,10 106:2
106:4,5 107:15
125:14 132:4
132:12 136:18
147:3 170:1,2
172:1,10
176:16,17
193:12,14
194:14 196:15
197:5 206:10
217:5 226:19
235:15
dragon 162:22
dramatically
98:8 128:2

April 16, 2024

Page 20
draw 212:3
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181:16
drawn 32:1
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dress 182:1
drew 20:13
96:7
driving 154:20
drove 28:11
dual 21:5
duly 238:5
duplicate 15:9
durham 199:17
dynamic
115:16 125:5,8
193:3
e
e 2:1,1 3:1,1
4:1 5:1,1 27:21
152:20
eagle 87:11,12
91:8,10 96:11
107:5 109:15
115:20 120:19
151:14,14
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166:2,13
168:18 169:9
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176:5,7 179:3

182:9,15
185:18 186:3,6
190:2 200:17
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209:1,6,8,20
209:21 211:1,3
215:3 216:6
225:10 231:13
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eagle's 169:1
169:18 216:3
eagles 96:8
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176:6,7 186:5
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eaglet 166:11
182:9
ear 86:14,22
92:17,18,20
98:8,12 104:3
144:14
earlier 58:4
83:21 105:17
107:17 192:9
192:19
ears 85:14 93:6
93:17,19
earthshaking
158:13
eastern 162:22
eaton 197:9
echoing 82:13
edge 34:9
37:20
edit 23:13 24:9
editor 8:4,5
edits 21:18

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202-857-3376

effect 120:15
232:3
effective
180:11
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effort 74:7
101:16 178:13
egyptian
167:19 188:1
189:8
eight 204:18
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205:22
either 17:1
43:4 65:12
109:1 174:12
192:8 193:6
195:14,22
209:21 214:20
220:19
electronically
63:2 128:13
203:8
elegance 29:7
47:8 117:21
elegant 187:3
188:9
element 96:16
115:9 216:2
elements 85:16
109:14 118:10
120:10 178:5
187:12
elevate 120:5
elicits 30:20
ely 127:2
embodies
90:11 99:10

Meeting

[embrace - exactly]
embrace 47:2
embraced
23:11 40:20
embraces
29:16
embracing
30:14
emmett 3:13
4:10 7:15
10:11,13 18:19
19:2,14,19
20:1 21:4,5,22
22:1,12,20
23:5,10,14,16
24:12,14 25:1
29:12,20 40:7
40:14 41:10
42:1 43:5
47:11 50:8
53:22 54:4,10
56:11,16 58:16
62:21 70:12
emmett's 20:8
20:13,15,22
42:3,7 53:22
60:7
emotion 40:18
41:7,10 95:11
emotional 40:5
46:7 68:22
69:9 70:5
157:6,7
emotionally
45:1 192:3
emotions 34:19
69:3
emotive 199:19

April 16, 2024

Page 21
empathy 30:16
30:20
emphasis 67:13
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emphasize
61:12 101:8
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emphasized
46:1 98:11
emphasizes
91:3 100:19,20
emphasizing
42:4 138:6
employed
238:11,14
239:8,11
employee
238:13 239:10
encapsulated
161:9
encompass
72:10
encounter
95:22
encourage 39:4
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68:7
encouraged
202:17
encouraging
68:15
endorse 183:17
enduring 181:9
energy 161:18
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199:19

engaged 89:10
90:4
engagement
178:3
engaging 47:5
47:10 83:21
192:4
engraver 3:8
9:15
engraving 9:12
enjoy 181:11
enjoyable
182:20
enjoyed 121:16
enjoying
190:15
enlarge 120:8
ensure 21:7
enthused 34:12
102:4
enthusiasm
14:6 201:2
enthusiast
60:20
entirety 99:3
environment
85:17
envision 173:4
equally 26:12
era 21:8
erica 49:21
err 179:21
es 238:4
especially
44:20 123:2
132:12 148:13
148:14,17
156:21 176:2

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202-857-3376

190:13
essence 234:13
essentially
192:5 226:4
estimate 72:12
et 31:3 59:4
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evaluating
125:2,3
evaluation 62:4
evans 3:5 9:2,4
150:15
evenings
190:14
event 31:18
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events 18:20
everybody
54:14 109:2
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234:21 236:5
everybody's
197:13 200:4
everyday 192:5
everyone's
79:16 164:2
evidence 32:9
evoke 180:21
evokes 180:18
evolved 164:7
197:2
exact 44:18
exactly 72:16
112:20,20
142:7 212:3

Meeting

[examining - fasces]
examining
94:14
example 24:7
25:17 37:11
127:1 161:20
excellent 28:8
162:15 181:15
excellently
181:15
except 200:9
exchange 89:18
89:19
excited 13:11
176:4,8,11
exciting 33:12
112:13 165:18
excuse 11:20
75:21 93:13
130:9 176:22
184:6
executed 182:1
exemplifies
33:20
exercised 62:10
exhibit 89:6
existing 21:18
exists 89:7 90:1
expand 56:10
127:7
expanded
230:5 233:13
expanding
154:15
expect 109:18
expecting 67:6
expensive
158:16 209:18
235:7,8

April 16, 2024

Page 22

experience
83:20 84:4,10
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experienced
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expert 86:9
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expertise 138:3
experts 87:9
explanation
25:21 29:21
70:4
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explore 202:18
explosion
98:11
exposed 21:1
exposition
196:15
express 34:19
70:10,11 77:2
149:19 179:13
expressed 47:1
97:16,18
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192:16
expresses
28:11
expression
76:17 104:9,16
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expressions
34:2 104:19
105:4 122:2

191:8
exquisite 166:3
extend 100:10
extending
56:13
extent 32:5
67:13
extreme 179:13
extremely 14:8
eye 13:3 20:6
112:3 173:16
187:20 188:3
189:8
eyebrows
104:22
eyes 164:19
f
face 18:16
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42:9 44:1
45:12 54:5,7
55:18 102:5
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184:11
faced 31:6
facial 76:17
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facing 40:19
104:15
fact 36:8 38:12
45:16 69:12
95:18 101:6
102:4,8 124:7
127:11 148:20
150:20 155:20

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170:6 172:6
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231:15
factors 94:15
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falling 99:16
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family 17:10
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22:14 32:7
33:5 35:7
47:17 48:20,21
54:8 55:21
57:15 58:14
60:10 70:18
71:9 72:5,13
77:4 82:8
166:12
family's 10:18
28:2 32:3
72:14 81:19
famous 196:17
fan 170:14
fantastic 188:3
far 19:11 46:5
54:14 55:10
57:13 103:11
111:12 122:1
142:11 170:17
182:3 201:11
fasces 156:22

Meeting

[fascinating - fix]
fascinating
60:21 153:20
fashioned
165:1
favor 12:4
65:19 76:7
105:12 136:2
141:19 145:2
145:12 220:10
224:8 227:9
228:3,15 229:4
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favorite 29:16
43:20 165:6
167:8 169:8,20
170:16 171:12
181:12 182:8
182:13 184:13
184:21 185:1
186:10
favorites 169:7
181:1
fdr 13:21
feathers 109:19
185:18,22
225:12
feature 23:18
85:11 151:12
featured
165:16
features 23:10
53:9
featuring
188:22
february 4:5
7:11 11:11
federal 19:5
21:6

April 16, 2024

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feedback's
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feeding 182:9
feel 16:3 18:12
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147:13,18
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175:2,6 181:4
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feeling 180:18
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feelings 40:6
48:22
feels 57:15
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fellow 80:22
felt 67:9 69:3,4
115:17 188:7
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fence 167:6
ferries 190:19
ferry 190:18
field 26:10
fields 25:19
26:4
fight 24:1 35:1

fighter 171:16
fighting 33:18
figure 31:20
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figures 26:13
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111:14 127:7
fill 61:13
final 235:12
finally 5:13
10:2,8 153:6
192:14
financially
238:15 239:11
find 47:4,8
60:20 95:9,19
104:11 115:20
117:18,20
119:5 160:1,1
178:19 190:4
190:13 191:8
191:17 192:1
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224:21
findings 40:10
fine 28:2 29:18
73:22 103:17
151:16 152:21
163:17,17
196:3 220:7
222:2
finished 28:22
first 5:6 11:8
17:15 18:4,6,7
19:4,13 22:5
27:20 39:1,20
43:3,10 45:7
45:19 48:19

www.CapitalReportingCompany.com
202-857-3376

49:13 53:21
59:12 60:5
66:21 67:20
68:11 80:8
84:3,17,17,21
85:13 94:16
102:21 103:19
103:20 104:5
106:6 121:12
121:15 123:9
124:5,6 133:19
134:11 136:18
137:17 140:12
151:18 152:4
158:1,3 164:2
170:4 181:2
195:18 201:11
206:6 207:13
210:12 214:13
219:5,7 221:8
fist 23:22 24:10
38:9 43:22
189:20
fistful 192:8,10
fists 41:14
fit 174:10
fits 178:8
fitting 46:2
five 16:9 27:16
35:14,20 39:17
63:6 79:3,4,6
79:13 94:5
128:16 129:18
129:18 156:3
203:12 205:15
205:16
fix 77:20

Meeting

[fixed - fuller]
fixed 231:14
flag 178:1
flagging 107:21
flavor 188:1,2
flipping 163:18
floor 217:22
flourishing
162:12
flower 213:12
flowing 188:19
floyd 19:2
flying 185:10
focus 34:9
72:18 98:10,15
106:16 111:3
113:2 119:2
140:7
focused 16:22
97:19 172:6
focuses 42:8
follow 39:12
58:10 71:7
followed 40:9
137:9
following 8:9
24:8 43:20
81:9
follows 95:7
fond 34:2
font's 186:11
fonts 231:15
food 82:10,17
85:15 100:13
101:10,17,18
113:5 115:14
foot 80:16
144:15,15

April 16, 2024

Page 24
forefront 123:7
foregoing
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foreground
86:13 109:4
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forge 17:19
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forget 174:21
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form 40:5 42:4
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formal 72:17
81:12
format 111:9
formation
138:14 225:12
formed 84:18
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former 2:21
7:12
formidable
19:9
forming 90:6
forms 99:6
194:22

forth 47:2
184:17
fortunate 22:2
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forward 11:2
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27:6 73:4
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fought 33:22
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foul 42:19
found 32:1,15
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157:16 187:21
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foundation
194:9
founder 8:4
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founding 81:5
four 13:22
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53:10 64:1,3
129:19 135:3
135:13 145:16
171:22 204:17
204:22 205:14
205:20,21,22
221:15,18
fractions 22:13
frame 179:1

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202-857-3376

framed 15:4
34:1
framing 118:19
frankly 118:17
119:12
free 16:3
freedom 171:3
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200:20
french 164:18
fresh 161:18
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179:3
friendly 141:6
144:3,6,19
219:17,22
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front 63:1
111:17 128:11
141:2 203:7
230:13
frost's 166:12
fruition 77:6
frustrated
109:13
frustrating
63:13
fulbright 13:22
full 14:12 16:5
53:22 54:1
56:11,14,15,19
68:9 110:9
137:1 189:20
fuller 2:8 6:1,3
23:15 30:3,4,6
31:8 39:11
54:5,7 58:5,8
58:10 106:2,4

Meeting

[fuller - god]
106:5 132:4,5
132:12 136:18
147:3,4 170:1
170:2,3 172:1
172:11 193:12
193:14,15
194:14 196:15
197:5 206:10
206:10 217:5
226:19 235:15
fully 96:15
fun 199:18,18
funeral 20:10
20:13
further 22:22
44:3 58:1
64:16,21 65:16
66:1 69:14
71:4,17 72:4
72:13 74:18,20
75:10 76:5
98:11 124:14
128:7 136:3
142:3 143:1
145:17 148:22
193:9 201:20
224:5 238:13
239:9
furthermore
173:5
future 143:4,6
179:7 202:13
230:11
fuzzy 93:14
fy 14:10

April 16, 2024

Page 25
g
g 5:1
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games 161:21
garde 183:22
gavel 35:20
39:3
gaze 172:6
general 2:7,19
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6:21 7:2 10:20
25:3 43:1 75:4
81:21 85:22
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111:4 113:8
187:11,12
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generally
172:21
generation
182:10
generations
31:19 181:17
genre 112:12
gentlemen
15:20
george 19:2
89:8,20 98:7
98:18 103:6
104:9 106:9,15
109:5 118:2
119:4,16 120:2
122:4 123:7
130:9 144:15
german 168:22
179:3

germanic
169:4 171:20
171:22 172:1
getter 129:21
130:8 205:18
210:21
getters 70:15
74:21 143:18
getting 12:20
49:15 56:1
201:2 216:14
216:20
giant 115:14
120:4
giants 116:20
gibson 18:5,6
gift 87:2
gilded 182:19
gilkes 8:3
give 25:20 30:9
51:4,22 61:15
70:22 110:9
134:17 135:7
136:8 154:6
157:17,22
161:2 186:21
196:14 216:16
given 62:1
66:17 70:4
71:20 75:2
124:4 132:13
165:2 206:21
gives 30:15
40:16 101:1
115:4 125:6
giving 68:11
110:10 154:2
154:10 190:7

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202-857-3376

glad 38:8
glance 103:21
glide 184:8
globally 194:22
go 25:14 30:12
30:17,22 31:1
37:18,22 47:19
52:16 53:3
55:1 56:8
58:20 59:6
70:19 72:13
77:12 90:15
100:7 106:6,13
106:22 108:16
108:21 109:10
114:22 116:10
127:12 130:19
133:21 134:1
136:18 140:13
146:8 156:2,16
160:2,17 171:8
171:14,19
179:22 180:3
184:17 185:13
185:21 194:5
194:19,19
200:1 201:2,10
204:7,12 206:5
207:4,6 209:20
214:10 217:10
217:11 218:13
220:17 222:8
226:11 228:2
230:14 232:1
232:12
god 49:1
114:19 151:19

Meeting

[goes - greg]
goes 44:8
227:22 228:1
going 28:1 35:3
35:13 37:15
38:18 39:17
46:12 50:9
51:20 53:10
62:8 63:21
66:10 68:8
71:19 73:20
77:21 85:4
98:4 101:22
103:22 105:3
109:17 111:16
112:7,10 113:9
113:15 114:6,7
114:16 117:3
136:22 140:17
145:8,21
146:15,17,18
150:8 158:18
167:12 168:10
168:17,19
169:1 172:3
174:1 176:2
177:4 179:21
183:14,16
184:1,3 185:8
186:14,14
189:15 193:16
195:10 196:14
198:22,22
204:12 208:11
209:2 212:4
213:14 216:21
220:18 231:2
235:20

April 16, 2024

Page 26
gold 4:11,15
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233:12 234:12
235:3,7
golden 54:11
80:2,9 213:12

good 5:2 8:2
13:1 22:7 25:8
32:3 38:22
43:6,11,15
48:13 52:4
53:1 55:2
74:11 82:6
90:22 96:16
108:9,22
109:21 122:13
129:10 136:12
162:8 171:7
185:7 186:11
187:8 199:18
203:20 209:6
218:10,16,17
218:18 231:19
231:19,22
236:20
gordon 49:21
50:1 53:8
gotten 202:21
government
3:11 10:3 85:6
85:6
grab 73:20
grace 154:12
gradient 26:6,6
graffiti 161:19
166:19 167:14
170:12 173:11
180:2,9 183:14
187:7,10,13,15
190:8 191:4
193:19 194:5
194:18 197:1
197:14

www.CapitalReportingCompany.com
202-857-3376

graffiti's
196:16
grain 92:14
grains 92:16
granite 185:6
grateful 49:4
55:22
gratitude 84:8
gravestone
29:12
great 13:2,5
18:12,15 20:3
43:11 61:16
62:17 82:8
83:11 85:4
103:16 104:16
110:15 111:10
113:14 120:15
121:6 122:9
154:17 157:15
170:4,8,12
177:7 186:12
186:14 194:10
201:15 206:11
206:12 213:12
greater 17:15
230:5
greatest 12:19
greg 3:9 9:21
61:6 63:4,9,15
63:18 64:16
128:14 129:2
129:12 130:4
134:13 136:6
154:13 203:10
204:3,5 205:4
206:4

Meeting

[grief - help]
grief 19:8
20:17 41:21
70:7
ground 169:2
groundbreaki...
207:15 213:17
grounded
34:21
group 8:5
14:10 77:17
80:13 155:5
202:11
groups 17:1
growing 97:7
guess 83:21
105:3 109:10
132:10 156:12
173:15
guests 82:3
guises 192:13
guns 171:16
guys 45:3
52:14 105:3
115:10 121:9
212:22 223:16
h
habitat 181:8
hair 110:5
188:19
half 202:12
211:15,21
222:4
hamilton 15:5
hanchock 3:6
9:5,7
hand 25:4 39:8
59:16,19 65:1

April 16, 2024

Page 27
66:16 67:19
69:17 71:18
73:18 74:14
92:10 104:2
111:22 113:17
124:16 125:2,4
125:12 133:14
134:19 144:14
145:11,12
147:18,20
150:8 178:4
184:10 196:6
197:22 203:9
208:15 210:16
210:18 225:1
228:13,16
229:8,10 231:7
236:1
handful 146:16
212:7
handing
128:20
handled 148:5
handover
161:21
hands 24:13
34:19 46:10
55:16 69:9
70:3 85:22
167:8
hanging 22:10
happen 114:17
happened
44:17,18 54:12
99:17
happening
111:7

happens 31:22
43:7
happy 16:14
67:12,15 121:1
151:3 202:20
235:20
harcourt 2:8
6:1 30:3,6 39:8
42:14 43:21
58:3,10 59:10
106:2,5 132:3
132:5 136:17
147:4 170:1,3
193:11,14
195:5 206:9,10
217:1,3,4
226:18 235:14
hard 17:3
57:21 77:4
178:10
harlem 60:5
harsh 85:16
99:10,12 102:2
167:11
hat 43:5 86:12
hate 19:5 21:11
hats 43:7,8
hauled 92:14
he'll 176:3
head 98:22
104:5 169:18
185:17 186:4
188:14 225:13
231:17
headquarters
197:10
healing 44:2,4
54:12

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202-857-3376

hear 19:10
27:21 32:6
50:18,22 51:1
52:6,10,12
53:7 55:2,7
74:2 79:20
88:19 100:4,6
108:13,17
134:2,4 183:5
183:7 205:4
212:16,22
213:1
heard 53:7
76:14 114:8
117:7 148:13
153:16
hearing 11:2
11:13 12:9
50:18 61:3
65:18 116:2
128:8 145:1
200:3 201:22
hearkened
188:18
hearkening
182:17
hearkens
164:17
hearts 178:9
heft 95:12
height 144:17
heights 125:1
held 24:12
helicopter
48:18 49:17
hello 51:16
help 21:15 32:7
48:10 50:5

Meeting

[help - hyphenated]
51:13 64:21
97:2 99:1
134:20
helped 29:14
49:7,21 50:1
82:16 101:8
127:8
helpers 96:4
helpful 48:4
71:12 123:22
218:9
helping 18:14
82:9 154:15,22
helps 38:22,22
39:1
hereto 238:15
239:11
hesitation
162:2
hey 100:5
hi 42:12 66:7
83:7 92:13
107:16 193:14
hidden 26:13
high 64:2,8,12
68:1,2 70:14
74:21 129:21
130:8 151:8
158:16 204:15
205:18,18
222:9
highest 143:18
222:5
highlight 32:19
58:15 85:4
90:3 156:4
highlighting
60:19,22

April 16, 2024

Page 28
highlights
107:8
highly 15:18
159:5
hill 100:4,5
hip 194:9,20
historic 31:18
historical
13:18 95:8
100:19 101:15
106:7
historically
93:1
history 2:11
6:6 13:2,15,16
13:17 18:17
31:2 36:10
69:5 80:5
94:21 107:10
116:6 119:11
hit 100:18
hitting 158:9
hmm 92:3
hoard 2:19
6:20,22 11:18
12:1,1 44:13
44:14 67:21,22
69:14 71:19
72:9,12,17
114:13,14
136:20 144:3,8
172:12,13
198:2 206:20
206:20 211:8,8
212:10,14
213:6,21 218:6
219:2,6 220:1
220:5 222:1,15

222:21 223:3
226:8 227:1,3
227:6,15,20
229:18,18
232:20 233:22
234:15
hold 18:4 51:21
54:19 57:16
82:22 212:19
223:16
holding 23:10
46:9 85:14
86:20,22 98:8
104:2 105:10
167:20 169:13
178:4
home 44:16
80:22 162:18
190:12
homelands
89:14
honest 230:20
honestly 12:21
91:6
honor 22:8
40:2 80:2 98:1
147:18
honorably
14:21
honored 16:16
102:19 137:5
honoring 14:14
17:1,14 18:3
102:8
hook 41:22
70:10
hop 194:9,20

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202-857-3376

hope 22:7 42:8
59:3 87:2
108:7 149:18
193:5
hopefully 16:2
22:15 43:22
140:15
hoping 22:14
137:1
horrific 19:2
34:21
horror 41:21
42:7
horrors 21:1
horse 98:22
horseback 86:1
hour 180:16
house 2:9,12
6:2,9 81:14
86:18 88:6
housekeeper
127:21
hued 80:2
hugely 169:9
hugging 40:19
human 40:18
184:20
humbled 22:17
22:18
hundreds 69:3
80:15 92:15
190:17
hunger 113:10
hyperrealism
175:14
hyphen 27:8
hyphenated
27:4,6

Meeting

[ice - injustice]
i
ice 188:10
iconic 175:8
iconography
96:8
idea 29:20 33:1
103:6 126:8
140:4 161:10
182:9 185:4,22
195:12 201:7
206:21 213:15
ideal 68:18
ideas 14:11
160:22
identified 23:8
86:7 87:6,18
88:7 89:12
133:2,3,9
identify 27:16
29:14
identifying
208:1,2
ignore 42:7
illegal 197:3
illusion 36:20
illustrate
111:18
image 28:1,18
109:7 113:3
182:15 185:5
192:10
imagery 21:19
24:6 32:11
215:2
immediately
65:1 117:21
180:20

April 16, 2024

Page 29
immensely
19:8
impact 69:9
102:5,9 157:6
157:7 202:9
impacted 45:22
impactful
125:7 191:16
importance
47:16 94:18,20
103:20 181:17
important
31:16 32:5,18
35:21,22 36:16
36:16 37:1,22
40:3 41:3 45:6
50:18 58:13,15
60:21 61:18
65:4,8 80:3
87:12 97:5
101:8,14
107:18 113:5
113:20 114:5
121:11 134:16
147:5 180:6
203:2 208:17
impossible
49:19
impression
45:7
impressively
177:2
improve
180:16
inch 15:5,6,9
inclination
45:10

inclined 45:17
69:11
include 24:6
56:14 65:9
72:7 153:1
230:3
includes 7:10
24:10 86:14
including
14:10 94:20
111:1 155:6
175:4
inclusion 41:1
43:4 84:9
121:8 166:11
211:20
inclusive 59:5
138:9
inclusivity
170:6
incoming 71:9
incorporates
29:17
incredibly
90:11
incuse 26:4
incused 26:14
186:13
indian 3:16,18
10:20,22 80:4
81:8,13,16,22
82:2 84:2,7,8
84:12,19 85:5
86:5 87:6,8
88:5 89:4,11
89:14 91:20
97:14,17 111:5
113:4 121:7

www.CapitalReportingCompany.com
202-857-3376

124:3,10 133:1
133:2,8 137:5
137:8,14 138:6
138:13 139:3
indians 86:6
87:18 97:15
102:17 127:2
137:10
indicate 8:10
65:19 85:16
117:4
indicates 152:5
152:6
indication
126:6
indicative
176:12
indigenous
116:5
individual 80:4
93:18 96:13
individuals
17:1,2 210:5
inequality 31:3
inextinguisha...
20:22
infant 80:8
information
89:20 93:6
106:8,12 141:1
198:14 203:2
infusion 61:21
62:5
initial 90:5
injustice 40:14
42:9 45:14
46:9

Meeting

[injustices - john]
injustices 44:2
inner 196:19
innocence
21:10
input 15:16
21:15 33:11
36:10 71:9
74:19 81:7,11
137:18 139:2
inscription
23:19 24:2,14
86:3,15 87:3
87:15 88:2
151:22 153:1
inscriptions
23:5 85:11
110:4 151:18
152:19
inscrutable
34:3
insert 65:11
inside 22:13
197:9
insight 15:19
74:13 155:15
insights 13:2
inspirational
32:13
inspire 101:3
inspired 15:16
32:12 87:2
instance 37:1
instilled 69:9
institute 124:9
institute's
124:9
intelligence
39:21

April 16, 2024

Page 30
intent 97:22
interest 14:21
97:16,18 182:5
interested 33:5
82:9 93:1
238:15 239:12
interesting
36:7 117:12,19
158:7 161:17
168:19 190:1,4
interference
51:10
intergenerati...
202:18 207:8
211:12
intergovernm...
2:4 3:12 9:18
10:4
international
159:5 165:15
internet 49:9
interpret
115:13
interpretation
123:4
interrupt 50:16
introduce 5:17
199:12
intuition's
119:22
invalidate
197:13
inventing
200:13
investigated
21:8
invite 105:16
120:20 193:15

invited 102:20
inviting 171:3
193:18
invoke 40:7
involved
132:19
involvement
40:2
isaac 180:15
island 190:11
190:20
issuance
230:19
issue 51:15
115:1 127:17
151:11,15
182:2
issued 80:2
159:4
issues 11:6
it'd 103:16
198:7
item 150:10
itinerary 236:9
j
janet 18:4
january 15:12
jarring 215:1
225:15
jaw 167:15,22
jen 83:2
jennifer 2:3
7:21 8:3 9:17
11:21 73:17
75:22 77:11,15
78:7 92:2

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202-857-3376

jet 20:16
171:16
jim 127:1
job 1:17 176:20
181:15
joe 25:17 26:1
26:18 39:1,1,5
42:2 61:2
65:11 109:18
112:9 118:7,12
118:14 119:14
120:16 124:16
124:18,20
125:10 127:6
136:9 140:5
144:12,13
149:8 154:1
155:14 157:13
157:19,19
196:5,8,10,11
196:12 197:21
198:6 199:2
john 2:12 6:8
16:5,7 42:11
42:12 44:10
66:2,5,7 69:20
74:1,14,16
75:13 76:12,20
92:10,13
102:13,15
105:14 106:11
116:18 130:6
136:4 142:5
149:1 167:1,2
169:22 195:7
208:15,16
216:11,12
221:1 223:9

Meeting

[john - know]
232:10
john's 75:8
140:4
join 15:21
80:14
joined 10:9,12
10:16
joining 11:2
14:4 77:3
88:15
joseph 3:8 9:14
26:2 154:12
196:14
journey 49:6
57:21
joy 17:7 18:18
joyous 156:10
july 212:7
jump 177:2
200:7
jumped 198:6
jumps 200:5
juncture 49:20
justice 3:13
10:13 21:4,22
24:2 46:17
59:3 162:17
k
karat 7:19
150:13 151:8
151:15 153:11
203:6
keep 27:15
38:10 39:16
94:5 120:9
138:9 156:3
163:4 172:16

April 16, 2024

Page 31
202:14 213:16
keeps 34:9
kellen 2:19
6:20 11:19
12:1,3 44:12
44:14 46:19
67:19,22 70:14
71:18 114:12
114:13 116:17
136:19 144:2
172:12 176:14
183:11,15
186:9 192:12
197:22 206:19
206:20 211:5,8
218:4,22
219:21 221:22
226:7 229:18
232:19
kellen's 177:20
kernels 92:17
92:22 93:18
key 101:11
kick 43:19
kid 116:21
kidnapped
20:1
kids 97:6
115:11 165:3
killed 20:2
42:18 80:21
kind 42:15
43:5,6,18 45:7
45:7,20,22
46:14 70:22
84:20 89:18
96:3,10 97:12
97:21 103:7

104:9 105:5
115:6,9 116:10
136:5 137:18
147:17 149:2
154:1 158:7
168:2,11,11,12
168:15 169:4,5
169:6,7 171:17
171:18 172:1,5
173:8,13 174:2
174:3 175:5,9
175:14,15
177:10 179:1
196:14 197:5
200:18 201:9
202:16 207:5
208:22 209:7
210:2,3 211:13
213:13,15,16
213:17
kindness
154:11
knew 17:10
34:3 60:11
know 12:20
22:19 25:7
30:7,15 31:1,3
31:21 33:2,12
35:6,22 36:5,9
36:10,14,17,17
36:19,22 37:2
37:3,6,7,8,13
37:18,19 38:1
38:1,2,6,7,8,8
38:13,18 39:3
42:21 44:4,5
44:15,17 45:9
45:11 46:4,9

www.CapitalReportingCompany.com
202-857-3376

46:14 49:11
52:6 58:15
60:1,10,11
61:19 63:12
65:11 66:4
67:3 68:5,8,14
68:18 69:3,6
71:20 74:7,22
83:4 84:1,13
85:2 89:16,20
90:5,14 93:1
96:10 98:5
103:12 104:14
104:15,19
107:2,4,9
108:1 110:14
110:16,18,19
110:21,22
111:2,4,16,18
111:20 112:1,2
112:3,6,10,11
112:15,17
113:1,3,6,19
114:3,7,8,19
115:3,10
116:17,18
121:11,17
122:1,10,11,12
122:14,15
123:10 124:4
127:6,13
130:21 137:10
137:19 138:5,9
138:11 142:6
147:21 148:18
152:11 154:2,3
154:4,4,5,7,8
156:12,14,15

Meeting

[know - liaisons]
156:22 157:1,1
157:4,11,13,14
157:16,16,20
158:2,3,5,5,14
158:16,17
159:7,10,11,14
159:17,18,19
159:20 160:1,1
160:3,3,10,16
160:17,18,18
160:21,22
161:1 162:9
163:13 165:8
168:13 169:13
170:13,15
171:2,4,10,15
172:17 174:8
175:4 177:8
178:12 182:4
190:1,10 194:7
194:10 197:11
198:20,21,21
199:5,6,8,11
199:11,13,17
199:22,22
200:4,10,18,19
200:20,20
201:2,10,11,13
201:13 202:19
206:15 207:13
207:18,21,21
208:7 209:15
210:16 211:13
222:14 225:9
234:20 235:1,1
235:22
knowing 112:9

April 16, 2024

Page 32
knowledge
10:18 81:20
89:20 101:9
154:9 238:10
239:6
known 16:4
17:8,8 125:21
165:19
kotlowski 2:21
4:7 7:13 12:13
12:16 13:14
14:3,7 15:8,15
15:15,22 16:4
kotlowski's
14:13
kristie 3:19
8:12 13:9
l
l 22:6
labor 101:16
lack 147:19
ladies 15:20
lady 164:7
171:9 180:4
181:22
laid 40:10
218:15
land 116:20
language 65:9
large 34:13,20
155:16,21
180:10 217:13
larger 103:16
111:9
late 89:2,9
129:9

launched 151:7
law 19:4,5,16
40:10 209:11
laying 200:10
lead 18:6
leader 2:13,15
2:17 6:9,12,15
leading 112:10
leaf 168:7
188:11
lean 34:8 48:9
leaning 34:1
46:15
leaping 181:2
185:10
learned 97:6
113:6
learning 17:8
125:17
leave 47:12
73:4
leaves 47:11
led 45:19 95:7
138:7
left 22:10
legacy 31:19
32:19
legal 3:9 9:22
24:21 92:6
153:9 155:1
legally 197:17
legible 95:14
legislated
133:7
legislation 21:7
legislative 2:3
3:12 9:18 10:4
81:12 148:10

www.CapitalReportingCompany.com
202-857-3376

legitimate
180:2 195:2
leonardo
159:21
lesser 17:8
lessons 46:17
letter 73:10
233:15
lettering
160:19,20
161:20 170:12
180:10
letters 4:4 7:10
11:10,14 12:10
168:19 182:16
letting 83:19
level 231:14
lewis 17:19
liaison 2:4 7:21
9:19 23:13
24:5,9,15
49:14 72:3
75:1,2 76:14
76:19 136:21
liaison's 66:4,8
66:14
liaisons 10:10
23:8 78:17
81:12 94:13
97:2 100:11
106:5 117:13
120:21 125:17
126:3 131:16
132:9,17
147:15,15,20
148:11,14
149:8,20

Meeting

[liberally - looks]
liberally 39:5
liberty 4:15
7:18 150:12
151:8,13,19,22
153:11 156:15
156:20 157:2
157:10 158:2,6
159:2 162:4
164:7,19
165:14,22
167:22 168:1,3
168:7,16
170:17 171:1,5
171:9 172:22
173:3,4,6,8
174:17 177:10
179:18 180:4,5
180:17 181:17
182:10 184:2
184:18,20
185:2,5 187:18
188:5,13,22
189:19,20
190:9,9,22
191:1,9,15,19
192:5,7 202:16
202:18 203:6
212:2 215:8
230:11 234:4,7
liberty's
167:15 170:14
181:22
library 13:19
lies 16:21
life 91:13
100:14,22
165:2 175:22

April 16, 2024

Page 33
light 17:15
21:1 98:11
125:22
lighter 26:6
liked 28:17
43:2,14 44:7
91:2 95:16
96:13 97:13
105:2 115:17
167:5,14,22
168:4,5,5,13
169:5 170:18
170:22 175:14
177:12,14,18
184:11 185:14
186:22 188:21
189:6,6,8
192:4 206:16
likely 108:3
likes 131:10,10
liking 76:15
line 42:14
196:15
lines 24:5 98:6
164:12
linn 3:14 10:16
81:18 82:7
149:20
lips 104:21
list 2:2 3:2
listen 147:15
201:13
listened 183:10
listening 5:16
157:20
literal 120:2
literally 69:7

little 22:9
56:3 57:5
28:21 29:19
69:21 70:1
31:22 45:4
72:1 97:11
47:13 48:8
98:10 99:3
49:16,17,17
103:22 104:22
61:13 66:3
105:11 112:15
77:11 80:12
121:9 126:22
89:2 96:7,10
161:15 167:14
103:14,16
168:21 171:2
106:11 111:20
171:22 173:1,4
111:21,21
173:5 184:19
116:1 118:9
186:14 188:18
120:9,14
194:7,8,9,16
121:21 130:19
202:13 213:11
134:17 135:7
215:11
137:21 138:9
looked 50:6,13
154:7 159:15
53:9 56:2 57:5
160:3 178:6
66:22 67:2
180:15 183:21
74:8 97:20
187:19 192:17
103:19 104:5
196:14 210:4
105:9 115:18
230:21
123:8,10
live 5:13
143:13 157:16
190:11 235:4
167:19 168:19
lived 53:8
171:20 189:10
lives 17:9
looking 46:2
living 36:9 97:8
67:7 98:10
lobby 119:9
102:4 106:17
lobbying
106:22 114:3
118:17
127:14 157:18
long 14:4 19:4
165:9 175:19
31:19 57:21
194:2
166:2,6 196:6
looks 34:15
208:11
69:21 104:12
longest 177:7
104:13 107:3
look 11:2 18:14
110:2 112:1
25:16 26:8
123:3 144:6
43:6 54:11
167:11 169:1

www.CapitalReportingCompany.com
202-857-3376

Meeting

[looks - management]
169:12 170:14
177:20 184:6
186:6
loop 112:1
113:17
los 39:22
lose 42:22
157:6 212:13
loss 42:22 50:3
lost 49:2 55:20
109:11 139:15
157:5,7 169:18
lot 16:21 17:7
47:11 50:16
55:21 97:11,11
99:16 101:22
103:3,20,21
105:2 106:8,12
107:4 112:13
112:13 114:8
115:4,13 119:3
125:17 127:10
157:5 159:12
160:22 165:5
167:4 170:9
173:5 175:2,6
176:6,6,20
177:21 181:9
190:21 191:4
193:20 194:5
202:21 208:19
209:14 235:5
loud 35:17,18
78:2,4 83:22
loudly 63:21
louis 56:21
love 20:10
32:17 33:22

April 16, 2024

Page 34

35:1 36:4
37:12 40:15
42:8 59:2
121:4 161:18
171:6 175:14
178:13 179:16
180:2,3,7,12
180:16,16
181:6 182:8
186:11 193:1
211:16,17
214:19
loved 33:16
84:5
lovely 191:11
191:18
lovers 181:10
181:11
loving 30:14,18
40:17 42:18
47:2
low 222:5
lowbrow 155:3
lower 98:14
103:15 120:9
loyal 12:14
lunch 77:20
150:1
lynching 18:18
19:5 31:3
m
ma'am 54:15
55:8 213:3
madam 167:15
made 17:2
29:11 36:10
46:6,7 49:5

80:4 102:5
119:1,6 122:22
130:14 137:16
159:19 163:21
magazine
20:16
mail 27:21
142:11
main 98:7 99:4
211:14
mainstream
112:12
maintain
100:21
maintaining
100:14
major 120:10
majority 2:14
6:12 132:7,13
159:3
make 23:14
29:21 38:2,14
61:6 64:20
65:5,10 66:21
68:3,8 71:16
71:22 72:17
73:3 74:15
75:5,9 77:12
79:3 85:19
116:13 120:6
122:13,18
123:17 125:6
129:7 131:2
133:18 134:8
134:10,13
137:5 139:6
141:2 142:13
144:4,9 149:10

www.CapitalReportingCompany.com
202-857-3376

163:18 166:16
167:9 195:1,9
195:12 198:9
199:7 200:21
203:14 209:5
209:10,19
212:11 213:6
219:5,16
220:15,18
221:2 226:9
229:22 230:2
232:3
makes 43:5
62:4 179:2
183:19 186:1
201:4
making 64:2
69:12 70:15
129:20 139:4
181:14 187:17
188:7 200:14
206:7
mamie 4:10
7:15 10:11
19:7,14,19
20:8 22:1 23:5
23:10,21 24:7
25:1 29:17
34:9,14 40:15
41:13,18 53:9
54:2 57:9
58:16 60:1,5
62:21 68:13
74:5
man 67:4 120:4
management
2:22 8:16
75:12 154:13

Meeting

[management - menna]
155:1
manager 3:4,5
3:6,7 8:22 9:3
9:6,9,12
manhattan
190:12
manufacturing
230:22
marble 185:6
march 19:4
margin 68:3
marine 18:11
marines 18:14
mark 158:9
marketed
183:20
marketing
158:17
marriage 162:7
marry 172:19
173:15
marshal
189:22
match 178:16
231:19
matched
214:18 215:6
matches 41:9
180:6 215:9
matching
163:19 216:7
material 156:7
materials
231:4
matter 86:9
87:9,20 88:9
162:6

matthew 1:16
238:2,19
mccolm 239:2
239:17
mcnally 3:19
8:12,14 12:15
12:18 13:8,9
13:10
mcnutt 13:21
meals 82:17
mean 36:3 37:5
47:20 52:11
67:12 113:1
142:14 146:20
157:14 160:21
167:7 169:12
170:20 172:5
176:2 184:6
187:21 193:20
194:7 199:8,15
201:9 209:2
215:1 234:1,22
meaning
102:16 157:6
157:22
meaningful
32:15 38:14
means 62:3
179:18 193:20
196:21 217:8
meant 188:13
meatballs
115:11,14
medal 4:11,16
7:16,19 10:12
15:6,7,10 19:6
19:15,16,20
21:16,20 25:2

April 16, 2024

Page 35
28:12,19 31:15
35:21 36:3,15
38:15 40:7,11
47:18 49:7,8
57:22 62:22
65:5,10 68:11
72:8 77:5
150:13,19,21
151:9,16,20
152:2,22 153:3
153:12 158:12
159:9,10
161:11,21
162:1,14 163:1
187:9 193:6
195:16 200:22
203:6 210:11
210:12 211:2,4
213:7,13,22
214:20 222:13
222:16,18,20
224:3 229:21
232:7 233:14
234:4,13
medallic 40:4
medals 15:2,3
15:5,18 18:3
26:4 36:6,8
151:12 178:20
185:12 209:15
media 8:5
161:17
medium 90:14
162:13
meet 231:4
meeting 1:1 4:6
5:3,7,11 7:12
8:1 10:9 11:11

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14:13 55:6
73:11 136:10
142:10,11
237:2
meetings 13:4
14:4 146:17
megan 3:3 8:18
19:17 50:20
78:11
member 2:21
6:5,18 7:5,13
13:14 14:7,20
21:22 134:22
152:10 187:10
members 5:14
5:18 7:22
12:20 22:13
27:15 38:17,17
47:1 58:2 61:8
61:15,16 94:5
126:20 135:2,4
135:13,14
148:3 151:4
memoir 21:10
memorial
69:22
men 43:7
111:21
menna 3:8 9:14
9:16 25:18
26:2,2,12 39:1
61:2,4 112:9
118:7,14,14
119:15,21
124:16,19,20
140:6 149:9
154:10,12
196:5,13,14

Meeting

[menna - modest]
212:16 213:3
menna's 65:11
mention
150:16 165:3
mentioned
56:13 59:1,3
64:18 88:17
134:16 188:11
188:12 211:10
mentor 60:8
merit 38:21,21
39:5 61:10
62:7,12 68:19
173:22 181:20
195:14
message 36:19
37:1,2,5 41:18
42:1 87:13
96:6 100:16
101:1 174:20
met 13:11
metal 208:18
metaphorically
69:8
mexican
169:13
mexico 96:9
169:12
mic 48:3 54:22
193:12 212:19
michael 2:14
6:11 9:11
michelangelo
159:20
microphone
16:1 51:21
59:21,21 65:6
94:9 210:10

April 16, 2024

Page 36
microphone's
83:4
microphones
41:15 77:20
middle 14:5
56:21 182:16
midst 19:8
mike 8:4 27:18
28:15 29:3
51:14 61:2
63:1 108:6
110:12 112:22
112:22 116:2
128:12 133:14
134:1,12
135:17 145:19
146:4,12,13,13
147:7 160:10
183:3 186:17
203:8 210:16
210:17,19
211:7 212:16
214:4,7,8
224:14 229:3
231:7 232:3
236:20
mike's 149:3
miles 80:15
92:15
milestone
18:15
miley 166:12
military 166:8
mind 154:1
167:16 168:14
173:3
mindful 130:16

mine 182:12
minor 120:15
minority 2:12
2:16 6:9,15
187:6,6,16
mint 1:9 2:4
3:19 7:21 8:9
8:13 11:5
13:10 14:15
15:3 18:5,7
22:17 61:2
62:4 68:8
70:18 72:1,18
76:14 80:1
81:7 97:9
102:20,22
105:18 136:6,8
137:19 140:22
142:8 144:9
151:7,15 155:8
172:15 207:19
225:8 226:11
227:3,4 229:19
230:8 233:13
236:2
mint's 127:4
151:10 218:9
minted 80:1
minute 51:4
63:6 78:16
79:6,13 89:3
128:16 203:12
203:14,16
208:7
minutes 4:4
7:10 11:10,14
12:10 16:5
27:16 35:14,20

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202-857-3376

39:17 79:3,4
94:5 156:4
224:21
miracle 118:16
mirror 98:4
188:13
missed 13:4
missing 27:7
mississippi
20:2,18 28:12
misspeak
142:20
mobley 4:10
7:15 10:11
19:7,14,19
20:8,14,18
21:3,9 22:1
23:6,10 24:7
25:2 27:3
29:17 32:6,13
33:3 34:10,14
40:16 41:18
58:16 62:21
mobley's 23:21
41:13
modeled
184:14
moderated 1:4
modern 151:13
157:11 158:2
164:19 173:1,8
173:12,19
174:1 177:11
177:16 182:19
188:20 189:7
191:5 213:16
modest 155:13
157:13

Meeting

[modification - muting]
modification
144:16
modifications
140:5 143:3,6
144:4,9,13
modified
106:19 127:7
modify 149:9
165:8
modifying
125:1
molly 239:2,17
mom 191:21
moment 16:20
50:19 66:6
77:2 92:1
96:15 126:18
147:5 149:19
153:17 208:8
208:13 219:10
momentarily
51:11
moments 77:14
money 20:2
months 19:6
212:8
monumental
124:8
moon 178:9
moral 41:18
moran 2:14
6:11,13 27:18
27:19 28:17
29:1 108:6,7
108:10,15,17
108:19,22
133:14,20
134:2,6 135:17

145:6,14,19
146:7,9 160:13
183:3,4,7,10
210:19,19
211:6 212:13
212:20 213:1
214:4,4,7
224:13,16
228:8 229:2,5
229:11 231:9
232:5
morning 5:3
8:2 13:12 22:8
82:6 90:22
235:18 236:8
mosquito
111:15
mother 19:7
20:8 30:14,18
33:17 40:7,19
41:11 43:16,17
44:16,19 49:22
mother's 24:13
35:1
mothers 45:13
69:4
motif 115:20
175:2 182:14
motifs 161:20
164:17
motion 11:14
12:8 65:5,10
65:19,22 68:4
69:13 72:7,15
72:21 73:3
74:15 75:8,13
75:16 76:6,10
99:5 130:12,20

April 16, 2024

Page 37
131:3 134:13
135:17 136:21
139:16,17
140:11 141:1,7
141:14,15,18
142:2,6,22
143:20 145:2
145:16 163:5
164:9 184:8
195:13 207:9
212:11 213:7
213:19 214:6
217:22 218:14
219:1,3,5,8
220:2,6,9,13
220:19 221:2,4
223:6,10 224:2
224:12 226:9
226:13,16,21
227:10,13
229:16 230:8
232:3,17 233:2
233:17
motions 64:22
130:5 142:3
206:5,8 218:1
motivated 21:7
move 11:15
19:13 69:11
72:1 73:4 85:8
130:7 134:7
142:4,5 151:17
152:8 222:15
223:3 229:19
231:5 232:6
moved 23:13
27:6

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movement
20:21 148:17
178:3
movie 115:12
moving 23:17
64:6 120:13
152:13,17
210:13
multiple 12:6
54:15 56:17
65:20 76:8
141:20 142:1
145:3,5 175:5
200:6 220:11
222:22 224:9
227:11 228:6
232:14,16
murder 19:2
21:5 40:8,14
42:7 70:12
murdered
42:19
murderers
20:6,19
murders 21:8
murray 100:3
100:5
museum
124:10
mustang
165:15
mute 51:5,9,17
54:17 108:21
146:5
muted 54:21
108:14
muting 51:18

Meeting

[n - nice]
n
n 2:1 3:1 4:1,1
5:1
nail 210:13
nailed 199:2
naked 112:3
name 5:14,19
8:11 11:22
22:6 27:2,4
53:22 54:1
56:11,14,15,19
56:21 77:18
82:6 94:6
152:4,6 207:16
named 197:9
narrative
117:12 118:19
narrow 142:12
221:14,17
nation 3:14,16
3:18 10:17,20
10:22 17:3
41:20 55:17,22
57:14 59:6
81:5,8,8,19,22
82:2 84:7,8,12
84:19 85:5
87:8,8,20 89:4
89:12,14,17,18
89:18,22,22
90:1,6 91:20
97:5,15,17,18
121:8,9 122:5
122:6,6,12,12
124:3 132:22
133:1,3,4,8,9
137:5,14 138:6

April 16, 2024

Page 38
138:10,10,13
139:3,3
nation's 124:12
national 13:18
15:2 20:19
81:15 86:6
87:17 96:1
97:14 124:9
137:9 162:1
nations 86:8
88:9 95:4
131:16
native 4:13
7:17 10:15
17:12,15,20
78:10,12 79:22
80:2,4 81:14
86:18 88:6
92:8 94:16,21
95:3 96:3 98:1
107:9 111:5
113:4,19
121:18 127:1
128:10
natural 26:8
181:8 191:8
nature 114:4
184:20 235:6
navigating
95:6
nay 141:22
142:1 224:11
224:14,16
232:16
nearly 13:5
18:21
neat 169:6
173:16 175:10

necessarily
34:8 36:18
43:17 58:17
64:19 73:3
96:14 106:17
118:3 132:16
150:18 174:1
177:22 178:16
183:13 190:5
191:15
necessary
100:19 233:11
neck 26:8
36:21
need 11:6
23:13 27:6,8
70:3 71:16
72:20 73:3
110:2,4 111:22
131:18 145:10
156:12 178:19
186:3 193:12
199:4 219:13
221:10 225:4
233:17
needed 33:21
73:11
needing 64:19
needs 36:2,3
109:9,16 147:7
161:22 214:21
215:8
negative 37:21
109:16,22
113:2
negatively
108:4

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neglected
66:21 124:21
neglecting 57:2
neither 238:11
239:7
nerds 104:1
nervous 198:20
nest 166:9
186:7
never 12:21
18:12 114:17
146:17,18
157:6 161:16
166:8 176:5,10
189:19 192:7
193:4
new 18:9 21:19
60:5 84:8 85:5
89:4,15 91:20
97:4,8 124:3,6
137:14 153:20
154:5 157:10
157:22 158:2,9
161:15 162:8
165:2 172:19
180:1 191:3
195:15 199:17
200:8 225:7
newer 61:8
newly 90:6
newspaper
20:17
nice 28:7 103:1
103:12 104:12
168:19 169:11
186:1 199:16
200:21 201:4,5
201:8

Meeting

[nicer - office]
nicer 38:2
nickel 165:20
185:12
nickels 175:4
night 14:5 42:3
156:1 175:20
225:14
nine 129:19
205:17,19
nixon 13:19
nixon's 13:19
noise 78:2
non 157:11
normalized
194:15
normally
154:16
north 95:5
nose 104:22
notary 238:20
note 5:11 10:8
19:12 98:20
noted 192:12
202:20
notes 39:17
163:21
noticed 27:3
61:8,14
number 28:8
36:3,4 61:10
71:20 74:5,7
116:5 119:15
148:10,11
152:4,5,9
163:12,12,14
163:17 164:3
174:22 180:1
189:16 205:5

April 16, 2024

Page 39
207:15,17
208:3,6 210:21
numbers 135:5
167:12,13
177:5,5 184:1
186:21 204:11
204:13
numerous
15:17
numismatic 2:5
7:5 127:16
131:20 164:11
164:17
numismatics
2:18 6:18
161:15 166:6
nurturing
182:10
o
o 4:1 5:1
o'clock 150:7
236:8,18
o2 232:6
oak 168:7
188:11 191:13
192:8
object 127:16
220:5
objection 12:10
objections 12:7
obverse 19:18
23:4,4,9,12
28:2 29:7,8,10
30:12,17 33:15
37:8,10,19,19
38:10 40:16
41:6,7,9 42:5

43:16 44:8,14
45:4,6 46:16
46:21 47:7,9
47:10 59:12
62:20 64:1,1,2
64:3,3,4,5,13
65:12 67:10,15
68:1,4 70:15
71:5 72:2
74:18 75:6,9
80:7 128:1
139:18 142:14
142:14 150:11
150:19 151:13
151:17,19,21
152:3,10 160:3
160:7,8 164:13
164:15 165:11
166:16,19
167:3 168:18
170:10,17
173:20 184:22
187:2 189:17
189:20 190:3
191:11 195:19
199:11 200:13
201:3 202:1,15
203:5 204:15
207:1,18 208:1
208:2,21
209:22 210:1
210:12,14,21
211:4 213:7,21
213:22 214:1
214:21 215:6
215:20 217:14
219:10,11
220:21 221:5

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221:13 222:12
222:16,21
223:4 224:3,3
224:22 225:6
225:19 226:6
226:10,11,22
227:19 231:11
231:16 233:12
233:14 234:11
obverses 29:6
32:2 41:5
42:14 152:13
155:21 163:5
178:16 189:3
204:8 206:14
214:18
obviously
42:20 70:7
157:15 189:18
190:2 206:13
211:22 236:4
occasion 18:16
147:13,13
occupying 42:3
occurring
121:13,18
odm 151:4
offer 119:5,18
120:21 134:20
134:20 144:4
156:5 223:4
231:2 236:5
offered 154:14
offering 46:17
office 2:22 3:12
8:16 10:3
75:11 154:13
155:1

Meeting

[officer - order]
officer 238:2
official 207:9
officials 10:18
81:19
oftentimes
196:21
oh 12:14 28:6
59:17 66:12
72:9 76:12
79:7 83:7
90:17 92:4
114:19 116:12
124:17 153:18
156:10 163:15
183:11 196:9
196:11 212:18
218:7 220:17
223:15 227:4
228:20 233:9
236:11
okay 13:9
22:22 39:13
43:4 48:5,11
48:14 51:17,19
51:22 52:14,15
52:21 53:4,6
53:14,15,19
54:21 55:7,9
63:8,20 65:14
69:16 73:19
75:7,15 76:22
78:18,19 79:2
79:5,10 82:22
83:11,22 85:8
90:15 91:21
92:2,4 105:6,6
124:17 128:19
129:8 131:4

April 16, 2024

Page 40
133:16 141:5
143:19 144:1
150:4,7 156:11
163:9 164:1,5
167:21 168:5
168:10,14
169:5,5,11,15
169:17,19
182:7,21 183:4
183:10 195:22
196:4 198:4
202:6 203:4
204:6 205:3
210:17 212:9
213:2 216:9
219:4,8,15
221:1,4,16
222:11 223:5
224:2 227:8,20
228:12 229:6
231:6 233:16
233:21 234:15
old 18:18 20:1
125:19 126:6
156:22 162:8
164:7 165:1,4
172:19 181:11
older 34:15
96:3 109:7
173:13 182:18
olive 166:7
192:9
ollie 49:22 50:1
50:2 53:8,8
olympic 161:21
once 16:6
34:22 64:12
129:15 169:6

180:20 204:9
205:12
onedia 121:7
oneida 3:14,16
3:18 10:17,20
10:22 80:13,14
81:8,8,18,22
82:2 84:7,8,12
84:19 85:5,18
85:21 86:8
87:8,8,15,20
88:9 89:4,11
89:14 95:22
96:2,11 97:5
97:15,17,17
110:9 124:3
132:22 133:1,2
133:4,8,8
137:5,14 138:6
138:13 139:3,3
oneidas 80:11
80:22 86:3,15
87:2,4,12 88:2
91:1,4 93:16
95:10 99:8
124:5
ones 39:5 50:10
102:21 109:20
178:1 179:22
206:15
open 20:9 35:5
35:7 193:15
208:3 213:5
230:16
opens 171:3
operating 95:4
opinion 41:8
145:21 146:9

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202-857-3376

161:22 166:15
171:6 187:16
197:14 214:16
216:18 220:2
opinions 15:19
30:9
opportunity
30:16 85:1,4
123:21 128:4
opposed 65:21
76:9 92:20
93:17 125:1
141:21 145:4,6
145:13,14
158:14 220:12
224:10 227:12
228:7,8,19
229:1,2,3,5,10
229:11 232:15
opposing
220:19
opposite 149:3
oppression
31:4 32:20
opt 174:22
option 62:3
152:10 222:7
231:5
optional
151:21
optionally
153:1
options 62:9
175:10 227:7
oral 80:18
125:22
order 4:3 5:3
11:8 12:11

Meeting

[order - people]
39:16,16
100:21 101:19
207:22 210:16
orders 62:1
ordinary
149:11
organization
137:13
organizations
132:18
oriented 45:21
188:5
original 142:5
origins 196:16
196:17
ought 184:19
ounce 151:15
152:20
outcome
238:16 239:12
outlet 196:22
outrage 40:8
41:17 70:11
outreach
137:14 154:15
outside 78:4
190:14
outstanding
12:15 164:16
166:10
outstretched
188:14
overall 43:12
85:3 102:3,6
104:11 158:3
177:22
overdone 175:4
181:4

April 16, 2024

Page 41
overdue 19:5
overkill 110:5
overly 162:6
overriding
147:11
overview 31:15
own 95:6
177:10,10
184:20 189:15
235:6
p
p 2:1,1 3:1,1
5:1
p.m. 5:8 150:2
237:3
pack 127:10
page 4:2
106:21 107:1
168:10
paging 100:3,5
pair 23:11
215:18 216:7
217:8 219:18
221:5 226:2
228:4
paired 162:17
201:3 226:22
pairing 210:4
213:11 216:14
218:11,11,11
218:15,16,17
220:9 227:18
233:12
pairings
221:13 231:21
pairs 190:2
210:3,8 216:15

216:16,18,21
palette 111:16
111:17
parent 41:19
paris 187:9
194:19
parity 119:22
120:10,12
parker 50:3
127:3
part 17:12
32:17 34:13,20
35:7,22 36:6
41:3 50:2
61:20 68:10
69:6 94:19
95:12 97:7
107:18 136:20
140:3 144:4,8
202:10,10,22
222:13 236:4
participate
84:3 85:2
102:20
participation
149:22
particular
131:11 148:12
particularly
22:17,18 37:11
43:3 47:4
62:13 67:7
95:9 102:1
118:8 148:9
168:9,21,22
169:19 179:3
199:5

www.CapitalReportingCompany.com
202-857-3376

parties 238:12
238:14 239:8
239:11
partners 84:15
89:5
pass 190:10
227:1
passed 19:3
21:11
past 17:17
61:18
patch 50:21
path 95:6
paths 71:12
patience 78:6
79:16 180:17
180:18
patterns 163:5
164:8,9
paul 8:3 13:21
pause 49:11
85:9 231:1
pay 176:2
peace 40:17
59:2 84:15
89:6 166:8
peaceful
189:22
peeling 31:4
pennsylvania
80:16
people 17:10
27:22 36:9,16
42:17,20 45:21
49:18 101:10
111:1 115:5,13
116:9 127:13
131:1 141:12

Meeting

[people - point]
146:16 156:21
157:14 158:14
172:22 174:17
176:18 177:8
179:4 185:9
190:17,21
196:22 199:13
201:9,10
213:14 216:18
235:9
peoples 96:3
percent 67:11
perception
180:5
perfect 29:10
52:22 113:13
162:7,13
perfectly 27:22
52:13
period 45:14
permit 218:5
permits 190:14
perpetuate
174:18
perpetuation
174:17
persistence
32:21 35:1
person 16:7
42:22 45:21
82:1 83:20
115:3 170:15
176:10 178:4
178:22
personal
165:10
personally
29:19 107:22

April 16, 2024

Page 42
131:9
perspective
106:14 122:22
182:2 218:9
perspectives
106:19
persuade 36:4
110:18
persuading
45:3
persuasion
36:18
peter 1:4 2:5
7:4 27:19
35:15 119:1
133:12 186:16
210:20 217:5
pharaoh
167:19
pharaohess
167:20
philippines
14:1
phone 50:21
52:18,20
photograph
20:14 29:11,12
photographic
32:9
phrase 142:6
phrasing 29:16
physical 70:6
physically
41:11 45:2
98:14
pick 143:14
179:17 182:8
220:19 221:13

picture 54:3,4
91:12 154:2
pictures 123:1
199:15,16
piece 112:19
213:14
pile 23:20
piling 99:14
pilot 39:21
48:18 49:17
place 18:20
32:19 45:20
65:12 68:11
95:10 96:15
101:15 174:9
175:9 192:14
193:5 195:21
212:21
placement
66:15
plane 98:14
169:2
planets 183:12
planning
230:20
plate 69:22,22
play 178:9
played 84:20
102:7
playing 62:8
plays 85:5
plea 23:21
please 5:11,18
8:10 11:21
12:4 13:8
15:21 19:21
27:15,16 29:4
30:3,13 31:10

www.CapitalReportingCompany.com
202-857-3376

33:8 35:12
39:14 42:11
44:12 47:19,22
58:7 59:18,21
59:21 63:3,18
74:3 90:21
94:6 96:21
100:2 102:13
106:3,13,21
108:6 128:13
145:2,12 146:3
151:5 152:11
156:3 176:16
183:3 186:19
193:11 202:7,7
203:9 206:9
228:16
pleased 15:13
147:21
pleasing 28:7
pleasure 13:6
17:7 22:8
83:13
pleasures
12:19
plurality 173:2
pluribus
152:20
plus 144:15,16
158:22
pocket 127:14
podium 24:7
57:9 66:16,17
poet 48:16
point 5:8 34:22
62:9 64:3
74:11 76:16
98:15 111:2

Meeting

[point - precedence]
127:19 149:3,8
157:4 158:1
162:1 163:2
193:21 194:5
204:18,19
205:14 210:20
211:12,20
222:2 233:8
points 63:22
64:4,7,7,8,13
64:14 100:19
129:16,18,19
129:19,20,20
129:21,22
130:1,1,2
135:1,4,13
149:10 187:3
204:9,14,15,16
204:16,16,17
204:17,17,18
204:18,20,20
204:20,21,21
204:21,22,22
204:22 205:1,1
205:1,2,2,2,8
205:12,13,13
205:14,15,15
205:16,16,17
205:17,18,19
205:19,20,20
205:21,21,22
205:22 206:1,1
206:2 208:19
222:4,5
poise 215:10
police 15:11
policy 3:17
10:21 13:16,20

April 16, 2024

Page 43

82:1 146:22
polish 26:3,15
polished 25:20
political 13:16
politics 13:20
pollinates
184:16
polly 10:19
17:14 80:12
81:20 82:7,11
84:9,11,15,19
85:14 86:10,20
87:11,14,22
89:7,13,16
90:3 91:3,8
95:9,18 98:13
99:4 101:7
103:15 104:12
106:15,17
107:5 109:15
118:2,19 119:2
119:16 120:5,5
122:1 123:7,13
125:17 129:5
138:7
polly's 144:10
144:14
pool 157:13
170:7 217:13
poor 112:5
pop 155:3
popping
187:20 189:8
pops 107:1
popular 197:6
211:1
portfolio 19:13
31:17 38:18

64:19 70:16
77:1,13 78:9
85:9 97:10
99:20 112:9,16
140:7 148:9,12
148:19 150:16
151:1,4 152:7
154:8,22 155:9
155:16,21
158:4 161:21
165:7 170:5
184:22 186:10
202:22 211:21
225:17 230:3,6
233:13 236:3
portfolios 11:4
71:21 147:2
165:1 174:10
174:11 207:22
230:11,13
portrait 32:8
47:10
portraiture
41:6
portray 28:10
28:11 122:11
portrayed
122:2
portrays 86:20
123:12
position 18:5
44:18 106:14
181:5
positioning
109:5
positions
106:18

www.CapitalReportingCompany.com
202-857-3376

positive 187:21
positively
110:22
possibilities
143:1
possibility
117:22 136:16
possible 21:9
58:6 63:22
78:5 89:11
95:2,21 129:16
141:10 226:8
possibly 34:7
39:11 57:9
160:2 180:8
198:8 210:8
postal 189:10
postures 98:20
pot 85:15
potential 71:12
182:6 230:3,17
potentially
24:6 112:5
202:17
power 57:7
115:16 125:6
powerful 45:20
68:13 211:16
powerfully
18:21 46:14
practical
136:11
practice 197:7
practiced
197:4
pray 22:14
precedence
145:21 146:10

Meeting

[precedent - proper]
precedent
149:6,13
predate 17:19
prefer 70:5
211:17
preference
24:15 29:8
32:3 45:8 86:4
86:17 87:5,17
88:4 89:4,15
101:5 122:5
123:11 124:3
124:12 132:16
132:18 154:2
163:19
preferences
11:3 23:8
81:12 85:10
131:15,16
139:2 195:20
preferred
23:12 70:17
74:22 132:9
133:9
premise 174:16
preparation
80:20 101:10
101:17
prepare 80:19
prepared 71:6
86:11 239:3
prepares 85:15
preparing
80:19 100:21
presence 24:19
40:20 77:8
present 5:19,22
6:3,7,10,13,16

April 16, 2024

Page 44

6:19,22 7:3,13
8:10,14,17,20
9:1,4,7,10,13
9:16,20 10:1,5
15:13 19:17
63:5,16 71:11
78:12 97:7
128:15 129:13
138:3 150:15
151:4 197:17
203:10 204:4
presentation
12:12 144:17
presented
152:1 153:2
197:17 207:20
presenting
12:16 14:16
21:13 125:4
141:8
president
39:22 120:3,9
125:2
press 7:22
presume 178:4
pretend 78:3
pretty 43:11
68:2,6 114:15
114:18 117:8
187:8 222:5
previous 16:7
138:20
previously
207:2
primary 117:5
principle 13:20
print 134:19

prior 27:17
139:4 238:5
private 137:11
privilege 22:20
pro 177:9
probably 43:10
89:3 105:12
108:19 116:18
120:2 129:9
137:20 170:16
184:21
problem 114:7
117:11 197:20
problematic
31:2
problems
63:14
proceed 130:18
134:13 142:12
219:5 220:9
227:18 230:7
proceeding
239:4
proceedings
7:20 238:3,5,6
238:9 239:6
process 64:21
89:2,10 110:15
121:8 132:19
137:4 138:22
147:9,10
154:22 179:15
180:18 181:13
222:2
procurement
155:1
produce
113:21

www.CapitalReportingCompany.com
202-857-3376

produced 15:3
61:20 95:14
producing
113:22
production
230:19
productive
99:5
professor
13:16
profoundly
18:20 196:22
program 17:5
17:13,16 18:10
24:22 61:21,21
62:2,5,6,16
84:5,9 92:7
94:20 97:2,22
151:9,10,12
153:10 154:14
157:9 165:10
165:14 212:2
214:20 230:22
235:21
programs
10:10
progress 40:9
project 30:5
40:3
prominent
103:15
promise 58:5
promptly 5:10
pronouncing
85:20
proper 70:19
74:16 80:20
108:1 131:3

Meeting

[proper - raised]
214:21
properly
100:21 142:6
property
187:14
proposal 207:8
216:14
proposals 15:1
propose 220:21
220:21
proposed 207:2
prosecuted
21:9 113:7
protected
15:11
protecting
118:20
protective 99:7
protector
87:13 91:10
123:5
proud 198:19
208:12
provide 14:11
20:5 82:10
91:5 101:19
139:1
provided 15:16
90:10
provides 30:16
198:14
providing
33:11 82:10
113:5 118:20
proving 82:17
public 1:1 2:7
2:19,20 4:6,7
5:6,13,15,21

April 16, 2024

Page 45
6:21 7:2,11,12
8:1 11:11
12:13 14:17,19
14:21 15:14
19:16 30:10
31:21 40:10
46:11 67:6
103:21 147:6,8
176:13 187:11
187:12 238:20
published
20:16
publisher
165:3
pull 106:20
purdie 2:20 7:1
7:3 33:8,9,9
100:3,8,10
179:10,11,12
purpose 21:5
107:7
pursuit 21:15
141:1
pushing 235:1
235:2
put 32:22
37:20 51:20
53:13 59:22
66:9 77:5
103:20 119:2
125:3 155:16
178:19 181:19
201:17 209:11
211:2,15
225:18 226:13
226:15 231:10
puts 128:1
131:11

putting 16:2
37:16 230:12
236:2
q
qualified 2:5
2:10,18 6:5,18
7:5 13:14
238:7
quarter 128:17
185:11
quarters 17:5
18:22
question 25:11
27:2 32:11
39:9 47:15
56:7 58:3
92:14 93:7
97:20 120:18
125:16 129:4
132:10 136:6
136:20 140:14
162:8 172:18
173:10 211:9
215:14 217:6
233:22
questions
24:22 25:6
26:20 27:12
55:10,13 56:5
58:1 92:7 94:1
118:6 119:17
124:15 126:13
153:10 155:17
193:10 201:21
quick 27:2
73:21 126:18
140:21 167:10

www.CapitalReportingCompany.com
202-857-3376

233:22
quickly 58:19
105:11 166:1
172:3
quiet 41:9,13
quite 14:2
28:21 45:2
46:1,4,7,13,18
47:10 49:14
60:21 103:15
114:10,11
115:2 117:19
167:15 174:10
177:2 191:2
192:15 193:1
235:19,20
236:4
quorum 7:7
quote 16:5
r
r 2:1 3:1 5:1
192:9
r2 58:20
r23 232:6
r4 57:5
r6 55:15
racially 21:7
racism 21:2
24:1
radio 41:14
raise 26:7
120:5,8 174:6
176:9 206:21
228:15 229:8
229:10
raised 23:22
24:10 25:4

Meeting

[raised - recommend]
39:9 41:14
43:22 47:15
65:2 66:16
67:19 69:17
71:18 74:14
92:10 118:6
120:18 125:13
133:15 144:5
198:1 208:15
225:1 231:7
raising 145:12
range 155:7,15
156:7
ranger 60:7
rate 195:8,10
rather 44:2
64:21 75:4
92:17 104:3
105:10,18
146:21 147:16
156:6 167:12
190:1 208:21
209:22
raw 82:15
rays 87:1
reach 155:2,2,3
155:4 180:5
reaches 86:1
reaching
180:11 181:7
read 39:17
40:11 67:1
163:13
reading 179:14
181:13
reads 24:2 86:3
86:15 87:3,15
88:2

April 16, 2024

Page 46

ready 53:4
78:14 79:18
204:6,6 205:11
real 17:7 73:20
167:10 172:3
184:13
realistic 184:11
reality 122:1
really 12:21
13:4,5 31:4
32:8 34:18
36:4,12 37:3
38:4,4,6,8,20
39:6 44:15
45:2,5,22 46:1
46:18 47:3,4,6
47:9 57:20
60:1,19,20
67:10,15 70:5
75:2 77:1
83:20,22 84:4
84:4,10,16,20
91:12 92:21
98:16 99:10,19
101:13 106:18
110:21 111:3
111:11,22
112:5,15,17,17
112:19 114:22
117:10,19
118:1 121:4,6
121:11,12
122:7,9 127:10
128:1 131:11
131:13 153:21
157:12,17,20
161:9 167:5
168:5,11,20

169:11 170:4,7
170:7,12,18,19
171:1,5,8,11
172:14,17,18
173:15,18,19
174:7 175:13
177:13 178:17
178:22 180:11
184:5 186:1,7
186:14 188:2
190:1,4,15
191:2,6,11,18
192:3,4,7,10
192:15,22
193:5 200:11
206:12,16
207:14 208:10
208:12 211:13
214:17 235:20
235:21 236:1
rear 55:14
reason 53:12
54:7 68:10,21
68:22 171:15
172:20 213:4
213:10 218:13
reasonable
104:15
reasons 42:17
45:4 46:22
138:2 175:1
181:3
rebellious
194:6
recall 188:16
202:12
recast 130:20

www.CapitalReportingCompany.com
202-857-3376

receive 71:7
received 63:1
64:1,1,2,3,4,4
64:5,5,7,7,8,9
64:9,10,11,11
81:13 129:16
129:17,17,17
129:18,18,19
129:20,20,21
129:22,22
130:1,1 139:2
receiving 99:1
recent 161:20
recess 5:9
77:13 79:6,13
150:5,10 236:7
recessed 25:19
26:5,14
recipient 15:8
recognition
12:14 33:18
36:1
recognize
63:15 66:22
67:7 95:3
106:9 129:2,12
187:15 204:3
recognized
32:15
recognizes
14:20
recognizing
31:18 39:20
recommend
57:6 68:7
70:13,14 74:17
75:9 130:8,13
130:13,17

Meeting

[recommend - remote]
135:18 136:7
139:20,21
150:18 195:18
210:6 213:10
222:16 224:3
227:17
recommenda...
34:6 64:20
68:9 71:16,22
72:3,18 75:10
122:9 137:19
141:2 165:10
207:21 212:20
218:10 225:7
231:3 233:2
234:10
recommenda...
14:11 21:17
48:15 71:7
73:14 137:22
147:1 198:9
recommended
2:8,12,14,16
6:2,9,12,15
21:18 56:18
132:8 190:6
211:22 215:11
recommending
131:9
reconsider
136:9 142:22
225:9
record 8:8 10:9
63:7 76:1
128:18 150:6
180:3 201:17
203:22 238:9
239:5

April 16, 2024

Page 47

recorded 5:12
238:6
recording
238:8 239:4
red 165:16
redesign 66:15
81:6
redesigned
66:19 75:1
130:10 147:2
redesigns
230:4
redoing 76:18
reduced 118:21
238:7
reemphasize
58:12
refer 93:9
152:9 163:11
189:15
reference 90:10
164:2 192:18
referential
109:10
referred 10:17
81:19 90:9
116:19
referring 177:4
reflect 16:20
33:3
reflected 55:19
55:20 56:4
57:8
reflection
55:16
reflections
48:20 94:22

reflective 54:11
reflects 54:2,2
54:8
reforming
185:4
regard 29:6,15
120:4
regarded 15:18
159:6
regarding
91:19 230:18
regardless
222:6
reinventing
200:13
reinvestigation
21:6
reiterating
123:20
rejected 226:5
related 29:14
115:20 238:11
239:7
relating 15:1
25:13
relationship
33:20 44:22
84:17 85:6
89:22 90:5
122:6,12
relationships
84:21
relative 238:13
239:10
relevant 37:4
68:4 156:20
173:7

www.CapitalReportingCompany.com
202-857-3376

relief 25:7 26:7
42:2 151:8
158:16
reliefs 34:13
religion 32:5
47:16
religious 32:4
36:15 48:20
54:8 58:14
remain 41:12
remained
80:22
remains 35:15
125:19
remarkable
17:22 178:18
remarks 163:3
remedied
120:13
remember
77:17
remembered
23:22
remembering
29:20
remind 5:14
27:14 64:17
94:4 234:21
reminded
121:21
reminder 35:2
reminding
181:16
reminds
162:21 165:13
171:16
remote 27:22

Meeting

[remotely - reverse]
remotely 8:1
14:4
removal 24:10
remove 120:10
removing
37:16
reopening 21:5
repeat 117:7
146:2,4 176:20
213:20 225:4
repeated 216:2
repetition 42:2
repetitive
43:18
replace 58:22
report 133:19
reported 1:16
reporter 59:20
65:6 77:19
117:15 133:21
201:16 210:10
223:17
represent 22:9
22:20 68:17
87:1 173:8
representation
24:12 84:16
180:13
representations
81:10 191:17
202:18
representative
3:14 10:17
71:9 81:18
84:11,19 89:17
representatives
81:15 86:19
88:7

April 16, 2024

Page 48
representing
2:7,19,20 5:20
6:21 7:2 23:20
35:7 84:6
137:10 181:22
187:11
represents
87:13 89:21
117:14
republic
202:14
request 50:4
136:14
requested 15:9
24:8 54:5
requesting
53:21 54:4
required 85:11
151:18 152:19
156:1
requires 37:14
37:15 157:12
research 10:18
81:20 101:4
researching
113:6
resemble 34:14
reside 89:13
resilience
32:21 59:2
resolve 41:18
63:14 147:21
resonate 18:21
resonates
96:11 190:21
respect 18:12
137:4 197:12

respected
15:19 194:22
195:2
respond 5:18
26:1
response 40:6
rest 57:20
148:11 150:2
179:7
restrict 74:20
75:4
resulting 35:2
results 63:5,16
128:15 129:13
203:11 204:4
retain 80:7
234:13
return 63:3
128:13 150:2
returned 80:22
reveals 155:9
reverb 83:14
83:17
reverse 19:18
23:18,19 24:11
24:14 25:16,17
29:15,18 31:1
32:16,18 34:11
35:9 37:4,9,10
37:10,12,13,19
38:1,1,5,6,9,11
38:12,12 41:8
41:8,10 42:6
43:13,16 45:9
46:17 47:7,9
58:20,20 59:12
62:20 64:6,7,8
64:9,9,10,10

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202-857-3376

64:11,13 65:13
66:8 67:12,16
69:20 70:6,8
70:15 71:4,21
72:2,2 74:19
75:3,3,10
76:15 78:10
80:10 86:20
128:9 135:18
139:18 142:16
142:17 150:11
150:19 151:14
152:4,10,17
153:4 159:22
160:2,6,19
162:17,20,21
166:5,16
169:10 175:12
182:7,13 189:4
189:17 191:11
192:22 193:5
199:12 200:16
200:16 203:5
205:11 206:13
207:2,19 208:2
208:2 209:6,6
209:21,21
210:9,14 211:1
211:3 213:8,10
213:18,22
214:2 215:8,16
215:20 217:14
220:22,22
221:5,13
224:22 225:9
225:18,19
226:5,5,9,16
226:21 227:19

Meeting

[reverse - room]
229:20 230:15
231:10,16
233:8,12,14
234:2,12
reversed 95:19
reverses 28:16
29:15 30:22
47:3 64:6 68:5
68:9 87:10
152:18 155:22
166:2 168:17
171:14 178:15
178:16 185:14
189:4,9 192:21
195:19 222:3
223:1 225:5
226:12 234:18
review 4:4,9,12
4:14 7:14,16
7:17 11:9
38:19 64:18
86:8 87:8,20
88:9 141:4
150:11
reviewed 15:7
19:13
reviewing
10:10 17:6,13
18:2,9 23:3
revise 72:1
141:3 142:8
revised 143:13
revisiting
146:15
revolution
94:22
revolutionary
17:18 80:15

April 16, 2024

Page 49
82:9 94:18
reworked
180:4
richard 13:19
richest 95:9
right 5:2 8:6
10:6 11:8,13
11:16 12:2,9
15:20 16:11,19
22:7 26:17
27:11,13 28:6
28:20 29:2
31:11 44:5
46:19 57:18
60:17 61:3,12
61:18 62:19
64:15 65:18,22
67:17 69:16
71:10,13 72:11
73:15 75:20
76:3,7,10,20
78:7 79:12,17
79:21 84:11,15
85:20 88:12
91:14 92:4,5
93:22 94:3,10
102:11 104:10
104:20,22
105:22 106:1
110:3 111:1,5
112:21,21
114:1 117:6
119:13 120:16
121:17,19
124:13 125:5
125:14 126:11
126:15 128:8
128:22 129:10

129:12 130:3
131:4 132:2
133:11 135:15
135:22 137:17
137:18 138:8
138:10,13,15
139:5,11 140:8
140:16,19
141:16,17
142:21 143:16
144:11,18,21
145:1,15,16,18
145:22 146:7
146:13,14
148:18 149:15
149:17 150:9
153:7 155:19
156:14 157:12
158:14,15,19
159:5 161:2,5
166:21 169:21
171:11 172:8
172:16 176:17
177:4 183:1
189:13 193:18
194:14 198:10
198:15 199:7
201:22 203:20
204:2 206:3
207:10 211:5
212:5 214:3
215:22 216:4
216:14 217:16
218:21 220:2,3
220:8,13 221:9
222:22 223:2,8
224:4,7,18,20
226:2,7,17,20

www.CapitalReportingCompany.com
202-857-3376

227:9 228:3,9
228:18,22
229:9,13,15,16
229:17 232:2
232:19 233:4,9
233:19 235:2,4
235:10,13,16
236:20
righteousness
40:8
rights 13:20
19:10 20:21
21:8 40:9
rigidness
170:14
ring 29:14
188:6
risk 35:4
risque 183:21
river 20:5
road 111:9
216:22
robe 164:7
rock 171:10
185:6 194:7,20
roger 3:4 8:21
83:21 93:8
150:15
role 62:8 84:18
85:4 100:13,20
102:7,17 107:8
107:9 115:21
124:6
roll 4:3 145:11
194:8,20
rome 196:16
room 108:21
121:2 179:16

Meeting

[roommate - seconded]
roommate
175:20
round 70:21,21
70:22 201:11
rounder 23:14
rowing 157:21
run 5:7 109:17
running 51:11
russ 150:15
russell 3:5 9:2
s
s 2:1 3:1 4:1
5:1
sacagawea
80:8,9 102:22
103:4 105:18
sacagawea's
17:19
sacrifices 17:3
sad 18:20
104:13 115:18
sadly 102:18
sadness 42:7
salisbury 13:17
salvation 40:21
satisfies 97:22
saturated
157:5
saunders 2:12
6:8,10 16:5
42:11,12,13
66:3,7,8,14
74:11,15,16
75:14 76:13
92:11,13
102:13,14,15
130:7,15,21

April 16, 2024

Page 50

135:10 136:5
142:4,5,19
143:8,12 144:7
144:11,20
149:2 167:2,2
171:21 195:8
196:2 208:16
208:16 209:14
214:11 216:13
220:18 221:3
221:12,19
227:13 232:9
save 182:15
saw 13:5 39:8
44:16,20 46:3
121:15 211:19
saying 12:5
38:7 40:4,22
44:5 56:11
65:19 73:2
118:18 119:9
137:4 138:10
145:2 149:9
194:16,18
200:4 210:3
213:5 228:4
says 56:16 61:9
175:21 236:10
236:12
scale 118:22
119:17 120:2
122:4 127:7
scales 125:1
scared 127:9
scarf 184:9
scarinci 2:16
6:14,16 35:12
35:13,18 65:3

65:7 110:14
116:13,16
146:13 153:14
153:16,18,19
155:13 156:10
160:15 198:18
200:8 201:8
207:11 219:14
219:16 220:7
221:17,21
223:21 233:18
233:20 234:7
234:20
scary 189:6
scenes 180:19
schedule 77:12
79:1
scheduled 5:7,9
scholar 13:22
school 97:6
scolding 187:8
score 59:12
61:5,9,15
62:11,11,20,22
68:2 128:9,11
135:1,4 190:7
195:18 198:7
199:8 202:1,3
203:4,7 222:9
scored 135:8
scores 62:7,7
63:5 68:1
128:15 129:3
203:10
scoring 61:6
63:17 64:2,8
64:12 129:14
134:16 195:20

www.CapitalReportingCompany.com
202-857-3376

202:9 204:4,15
206:22
scratch 79:11
screaming
215:3
screen 80:10
216:5 219:10
scroll 166:4
sculpt 25:13
sculpted 25:19
sculpting
159:19 171:9
sculpture
124:8
sec 51:21
second 11:17
11:18 12:1
54:1,16,19
60:16 65:14
66:20 75:15,18
82:22 91:19
94:18 105:2,13
135:19,21
136:1 143:19
143:22 146:5
149:8 152:5
182:13 185:1
214:5 216:17
219:12,13,14
221:6,11 223:5
223:7,12,14,17
223:19,22
226:17,18,19
232:8,9
seconded 65:15
76:2 214:8
232:10

Meeting

[secondly - session]
secondly
102:19
seconds 214:7
secretary 4:5
7:11 11:10
14:22 15:6
18:3 21:17
23:14 64:20
70:16 71:16
73:11 147:1
151:9 212:1
233:3,15
234:10
section 38:21
see 20:12 23:15
23:19 24:5,13
25:4 26:13
28:3 30:13,18
31:5 34:4,11
37:3,14,16
39:5 40:13
41:16 42:1
46:8,12 48:20
53:15 55:17
56:16 57:16
59:13,19 62:15
65:1 68:16
70:6,9,20,21
71:4 74:21
76:12 80:9
92:10,22 99:16
99:16 102:5
103:20 109:13
110:18,19
111:8,10,16,17
111:21 112:8
112:10 113:16
117:11,21

April 16, 2024

Page 51
121:4 127:3
131:1,19,21,22
132:6 147:20
152:6,10
160:11 162:16
163:1 164:3,11
169:6 170:12
171:1,5,15,17
171:17 172:3
173:17 174:12
180:12 181:2,6
182:20 187:12
187:13,14
190:20 195:19
196:12 199:4
199:10 200:9
207:16,20,22
210:3,5 211:21
214:19 216:2,5
216:17 219:9
224:20 227:21
228:1 231:13
231:18 235:20
236:20
seeds 184:16
seeing 112:8
167:16 189:18
197:15 212:6
214:18,22
216:20
seeking 127:15
seem 118:8
119:3 210:7
seemed 67:11
68:2 120:12
seems 12:21
41:3 50:9
117:13 119:22

167:22 222:11
seen 20:15
61:16 161:19
164:14,21,22
166:8 174:8,10
175:22 176:5,7
176:10 189:19
192:7,13,17
193:4
selected 55:11
111:18 234:10
selecting
172:15
selection
183:22
selects 212:1
self 174:17
sell 158:17,19
semiquincent...
81:4 202:11,13
211:11
senate 2:14,16
6:12,15 81:13
84:2 86:5 87:5
88:5 97:14,16
137:8
send 48:16,17
sending 27:21
137:18
sends 174:20
senior 3:3,4,9
3:11,17 8:3,18
8:21 9:21 10:3
10:21 40:1
82:1
sense 40:17
41:10 101:21
154:3 172:2

www.CapitalReportingCompany.com
202-857-3376

183:20 196:20
senses 132:1
sent 173:14
separate
167:17 195:10
210:8 218:1
220:2,6
sequence 152:6
sergeant 60:14
60:14
series 36:7
38:20 103:8
111:3,5,11
113:13,19,22
114:4 116:21
156:13,14
158:16,21,22
159:2,4 177:22
234:22 235:1,6
serious 60:10
seriously 61:13
62:12 155:12
served 13:14
13:17 14:9,21
18:12,14 21:3
serves 116:9
service 4:7 7:12
12:13,15 14:14
14:17,19 15:14
15:22 16:17
189:10
servicemen
18:13
serving 12:19
sesquicenten...
94:20
session 5:7,9
7:10

Meeting

[sessions - size]
sessions 235:18
set 33:2 145:21
146:9 149:12
sets 146:22
setting 191:3
seven 64:4,7
205:1
several 17:6,20
32:2 133:3
177:8 221:13
shaped 67:5
share 20:20
68:8 85:9 90:9
154:6 177:19
202:12
shared 81:11
87:1
sharing 190:17
shed 125:22
sheer 101:6
sheet 61:9
204:4
sheets 61:15
62:22 63:17
128:11 129:14
203:7
sheila 3:13
10:13 21:21
22:6 77:2
sheltering 99:6
shenandoah
84:12 85:18,22
89:7 98:21,22
138:7
shield 157:1
shining 180:16
shirt 50:8

April 16, 2024

Page 52
shoot 108:15
178:8 212:11
232:5
short 37:8
shortest 16:8
shortly 19:10
shot 20:2 52:1
should've 63:1
shoulder 26:7
shoulders 86:2
185:17
show 45:5,17
46:4,15 59:5
68:19,20 69:8
84:7 180:4
showed 14:3
44:21 45:16
82:11
showing 45:20
45:21 49:18
53:18 91:4,9
92:20
shown 41:21
179:19
shows 40:21
42:17,18 43:6
43:16,16 68:19
86:10 87:22
89:7,18,19
101:16 107:4
180:17
shuffling
120:14
shy 115:22
sick 82:16
sickening
18:19

side 18:17
152:1,1,11,11
160:2 175:15
179:21 185:8
222:7
sides 17:21
162:14
sign 24:1 57:7
signature
238:18 239:16
signed 19:4
significant 17:2
38:14 62:8
signify 12:4
145:2,12 228:4
silence 153:13
silhouette
28:18 42:2
silver 4:16 7:19
15:6 103:9
150:13,19
151:9,11,16,20
152:2,22 153:3
153:12 158:12
159:8,9 160:12
160:16 161:11
166:17 167:16
174:3,13 176:3
183:17 195:11
195:22 198:12
199:12 203:6
207:1,3,4
208:20 209:12
210:11,12
211:2,16 213:7
213:10,13,22
216:16 217:11
218:1,11,17

www.CapitalReportingCompany.com
202-857-3376

219:19 220:14
220:19 222:13
222:16 224:3
229:20 232:6
233:6,8,14
234:2,4,12
235:3,8
similar 26:13
69:5 188:9
similarity
175:7
simple 109:21
113:13 175:17
188:8
simplicity 29:8
47:9 117:22
123:14
simply 16:6
111:14 117:4
120:13 179:22
230:4
single 133:2
sir 27:5 74:4
sisters 40:1
sit 74:6 179:16
sitting 190:14
situation 149:6
149:14
six 64:5,9
129:20 135:1,2
145:15 204:16
204:17,18,21
205:19 229:12
size 95:15,19
103:4 111:17
112:21 127:16
144:12 150:22
186:13

Meeting

[skies - spiritual]
skies 40:2
skills 238:10
239:6
skin 109:18
slide 91:7
slightly 23:15
136:8
slipped 65:7
slow 201:2
215:11
small 127:9,16
smaller 98:13
98:19 111:15
smithsonian
22:18 124:8,9
smooth 109:18
snake 105:9
169:14 186:6
snow 85:15
86:15 99:13,14
99:16 110:2,5
115:9 118:20
snowflakes
123:3
soaring 169:8
169:10 186:4
society 42:22
102:18
soft 55:18 56:4
softer 56:4
soldier 86:1
soldiers 80:19
87:3 94:18
101:9
sole 49:14
solemn 19:12
solicit 225:7

April 16, 2024

Page 53
solidarity 24:1
solution 148:1
somebody
161:2
somewhat
104:21 176:12
son 20:10
30:14,19 33:18
34:10 40:19
44:20 80:8
son's 20:19,20
23:21
sorely 13:4
sorry 48:2
50:16 59:14,17
65:6,15 72:22
73:16 79:8,14
82:13 114:6
132:12 133:22
140:20 142:17
144:7 146:11
148:1,7 153:18
163:6 196:7,11
197:18 212:14
212:18 214:14
216:12 217:20
218:7
sort 95:3,11
96:2 189:5
sought 81:7
sound 52:6
54:17 71:15
188:7
sounds 108:9
203:20
sources 125:21
southwest 1:10
96:9

sovereign 95:4
sovereignty
95:6 96:1
sower 164:18
space 37:21
109:16 110:1
113:2 123:13
127:2
spacing 180:8
182:16
spare 177:3
speak 16:14
35:17,18 41:2
47:21 52:11,17
52:19 53:8
63:21 67:22
71:8 72:13
94:6 136:22
193:22
speaker 2:8 6:2
51:20 52:3
60:13 66:10
83:5,10 108:12
108:18 134:5
135:11 141:13
143:3,17 145:8
183:9 194:12
196:8,10 200:7
204:10 209:13
216:11 217:3
220:15 221:7
221:10 222:17
223:7,9,11,15
224:11 226:13
227:21 228:21
233:5 236:9,12
236:17

www.CapitalReportingCompany.com
202-857-3376

speakers 12:6
54:15 56:17
65:20 76:8
77:22 123:1
141:20 142:1
145:3,5 200:6
220:11 224:9
227:11 228:6
228:11 232:14
232:16
speaking 5:15
20:20 27:17
46:7 217:22
speaks 107:7
199:19
special 83:20
84:4 102:16
149:6,14
154:21
specialist 3:3
3:11 8:19 10:3
13:15
specially 2:5,10
2:18 6:5,18 7:5
13:14
specific 85:10
specifically
14:9 25:15
spectacular
235:21
speech 66:16
spelled 140:6
spend 110:16
spending 12:19
spirit 50:11
90:12
spiritual 40:21
58:12,14

Meeting

[spiritually - strong]
spiritually
41:12
split 219:2
spoke 47:3
spoken 108:3
132:7,14
spot 16:3
spotlighting
17:7
spring 44:16
sprout 184:17
staff 8:9 127:4
140:22 207:22
stafford 2:22
8:15,17 9:13
19:17,22 23:1
27:5 56:20
57:1 71:6
78:11 79:2,8
79:15,21 82:18
85:8 90:7 93:5
93:11,15,21
132:21 136:14
138:21 140:20
151:6 163:6,16
164:1,5 202:5
202:8 211:19
212:6 215:19
216:1,8 224:17
226:3 230:10
234:5,9,16
stage 210:7
staid 181:5
stand 44:18
180:20
standalone
222:17,19

April 16, 2024

Page 54

standing 86:21
119:17 176:7
standpoint
106:7
stands 98:21
star 26:9
starburst 29:13
starry 42:3
start 11:7 23:3
23:9 30:13
33:10 39:19
40:4 53:2 79:1
82:5 85:13
92:12 121:1
137:3 146:15
152:14 153:22
154:7 156:11
162:15 170:10
183:11,12
194:17 206:7
216:19
started 49:6
194:6
starting 204:8
starving 80:17
state 77:17
185:11
stated 37:3,4
111:12
statement
38:15 41:15
staten 190:11
states 3:19 15:3
15:11,17 18:11
39:21 80:1,6
81:7 84:11,18
84:22 85:7,11
90:2,6 91:11

98:2,17 138:14
151:7 152:20
153:1 160:19
194:10 196:20
statue 90:9
157:2 158:6
162:4 173:2,6
188:13 190:9,9
190:15,20,20
191:1 215:8
234:3,7
statutory
151:11
stay 62:15
stays 62:5
steered 140:15
stepped 50:1
steps 21:16
stole 42:15
116:11 167:4
stomach 82:15
stomachs 80:21
stone 159:18
159:20
stood 35:10
175:12,13
179:22 201:17
stop 35:4 172:8
stopping 23:7
stories 121:12
story 17:14
20:20 21:10
23:21 33:17
90:12 94:17
101:1 103:7,11
104:9 105:7
110:1,9 115:5
121:10,11

www.CapitalReportingCompany.com
202-857-3376

124:4 131:13
137:1,6 138:5
138:12 162:13
176:6 208:11
storytelling
131:22
straight 98:21
109:6 127:12
169:2
strange 105:5
straw 104:4
street 1:10
155:2 191:4
193:19 197:3,5
197:9,14,15
199:14,15,16
215:5,8
strength 20:11
40:15 41:14
42:8 45:17
59:2 86:7 87:7
87:15,19 88:8
107:7 131:21
166:8
strengthen
140:7
stress 162:12
stricken 70:7
strike 102:22
striking 46:5
100:12 102:21
strong 33:21
38:13 45:12
55:19 67:10
81:10 95:11
117:20 131:15
131:15 162:5,7
209:3 215:7

Meeting

[strong - system]
225:6,6
strongest 99:19
128:3 164:10
166:5
strongly 54:2
57:15 90:1,4
147:13 200:2,3
struck 69:7
121:15
struggle 19:11
49:15 99:10
stuck 177:7
study 105:12
studying
127:15
stuff 123:3
stunning 236:3
style 28:9
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symbolized
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symbolizes
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symmetry
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sync 137:21
system 146:21

Meeting

[t - thank]
t
t 4:1,1 50:8
table 13:1 33:1
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tackling 176:19
tagged 211:20
tagging 197:2
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taken 20:15
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takes 48:22
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talent 155:8
talk 25:18
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testify 20:18
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Meeting

[thank - think]
90:7 91:13,14
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Meeting

[think - time]
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thousands 69:4
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till 3:13 4:10,10
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173:5 174:9
20:8,14,18
175:17 177:3
21:3,4,9,22
177:17 179:7
22:1,1 23:5,6
181:2,12

www.CapitalReportingCompany.com
202-857-3376

Meeting

[time - tucker]
192:14 196:6
208:11 225:8
230:4,9 234:3
235:4
timeline 231:4
times 14:1
188:19
timing 136:11
tin 170:15,15
170:15
tired 162:4
today 5:11 8:10
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110:20 112:9
132:17 147:15
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156:21 173:7
197:6 198:21
199:7,9
today's 5:7 7:9
150:3
together 44:22
105:10 109:17
152:11 155:16
217:9 225:18
236:3

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traditional
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traditions
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tragedies 69:5
tragedy 45:12
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transcriber
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transcriptionist
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transport
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traveled 20:3
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treasury 1:9
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202-857-3376

trees 86:14
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trying 31:19
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tucker 2:18
6:17,19 11:15
11:15 25:5,5
25:12,15 26:11
26:19 39:14,15
56:7,9,13,22

Meeting

[tucker - university]
69:18,19 75:18
75:19 76:1
96:22 97:1
126:16,16
131:6,8 139:14
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tuesday 1:5 5:4
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194:1
turned 169:15
191:8
turns 51:12
turrets 181:22
tuskegee 40:1
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tweaking 182:4
twice 190:10
two 5:6 15:5
17:21 18:3
27:7 36:4
38:20 40:13,15
42:16 43:3,21
55:15,15 57:14

April 16, 2024

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u
u.s. 1:9 8:12
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161:16 162:1
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undertook
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unfortunately
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unidentified
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202-857-3376

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98:17 138:14
151:7 152:20
153:1 160:19
194:10 196:19
universal 30:15
30:19
university
13:17

Meeting

[unknown - want]
unknown
35:15
unmuted 83:3
unser 8:4
unum 152:20
unusual 137:11
178:7 187:22
ups 39:12
upset 158:18
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useful 198:7,8
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using 16:4
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usually 181:6
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v
v 13:21
valid 33:20
76:16
valley 17:18
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Meeting

[want - weinman]
156:19 157:22
163:1,18
164:11 170:21
171:15 174:2,3
179:13 183:16
193:22 194:5
195:1 196:2
198:19 207:12
207:20 208:3
210:20 212:12
214:19
wanted 20:12
22:21 29:10
38:10 58:9,10
58:10 67:22
125:8 126:18
170:9 174:6
202:11 206:12
209:19 212:3
wanting 94:16
war 17:18
80:15 82:9
84:14 89:5
157:1
warm 44:21
warmth 44:22
45:5 46:15
47:1
warrants
181:20,20
warren 2:3
7:21 8:2,3 9:17
9:20 11:20,21
35:17 48:2,8
48:13 49:9
51:5,14,18,22
53:3,5 54:16
54:20 55:1

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59:15 66:9,13
73:16,17,20
75:21,22 77:15
77:16 78:15,19
78:22 79:4,7,9
79:14,19 83:3
83:9 92:3
108:13,16,20
119:20 124:16
128:19 133:12
133:14 134:4
142:16 146:4,8
150:4,7 183:8
196:5 203:18
204:1 210:15
212:19,22
213:2,4 223:16
223:19 228:14
228:17,20
229:6,12
236:16,22
warriors 80:14
washington
1:11 85:22
86:22 89:8,21
95:18 98:7,19
98:22 103:6,14
104:2 106:9,15
106:16 109:5,7
112:19 113:8
118:3,22 119:4
120:2 122:4
123:7 125:2
130:10
washington's
17:18 98:15,21
104:10

washy 67:16
watch 176:22
177:2
watching 5:13
8:1
watts 180:15
wave 170:20
way 22:15
33:22 34:1
42:19 44:5
46:10 47:5
66:17 67:5
71:11 93:1,16
96:5 99:9
103:17 104:3
109:3 113:4
114:21 116:10
120:15 125:8
130:19 141:11
144:6 146:14
148:5 154:10
158:2,11
162:18 166:9
174:1 176:8
177:9,10,13,16
178:19 179:1
179:19 180:4
180:11,17
181:18 184:12
186:12 187:21
190:11 195:14
196:17 197:18
200:2 206:17
207:21 211:6
225:17 234:17
ways 45:1
95:19 96:2
100:17 136:12

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157:11,22
191:2 192:19
198:9 217:8
we've 17:5
57:14 72:6
76:14 77:10
97:10 120:3
143:10 145:21
156:18,18
157:2,2,2,3
159:4,16
161:19 164:14
164:21,22
166:8 174:8,10
185:10,11,12
186:4,4,7
189:19 192:13
192:17 217:13
232:11
weak 132:1
weaken 162:6
weaker 41:7
wear 50:8
weather 190:14
week 172:21
weekend 83:21
weeks 53:10
125:18 177:1
weigh 97:11
weighed 133:1
139:4 148:11
weighing
137:12
weight 131:12
weinman 3:9
7:8 9:21 10:1
52:17 53:1
61:7 63:4,15

Meeting

[weinman - wrong]
63:19 72:22
73:6,9,13
105:20 128:14
129:2,13,15
133:18 134:10
134:15 135:12
154:14 198:6
198:11 202:2
203:10,14
204:3,6,12
205:7,11 218:8
218:19
weinman's
164:18
welcome 5:12
11:1 30:11
88:14,19 90:18
126:2
went 20:19
46:5 54:9,10
68:15 101:17
122:14 154:17
163:20 169:9
176:19 206:16
206:17
west 181:11
wheeler 50:3
white 80:17
96:4
wide 167:22
wild 165:11
willa 60:2,3,8
willing 154:6
201:10 218:4
218:22
win 178:10,11
wind 162:11

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wing 185:19
wings 23:12
33:22 34:8
36:14,21 40:20
54:7,11 169:18
192:22 216:3
219:12 225:12
winner 165:15
172:4 178:12
206:13
winning 159:2
166:16
wins 168:14
winter 85:16
99:10,13
winters 102:2
wise 34:7 116:7
wish 209:8
wishy 67:16
witness 20:6
238:4
woman 17:16
18:4,6 19:8
39:21 55:19
74:6 80:13
138:20 189:1,1
192:6
women 17:5,8
17:20 18:3,13
69:4
won 159:4
wonder 125:22
wondered
154:5
wonderful
96:19 97:10
100:8 166:12

wonderfully
99:15
wondering
25:16,17
136:21 159:7
177:1
word 50:19
95:21 112:6
114:16,16
194:1,2
wording 56:14
words 16:2,9
20:11 22:4
33:2 45:22
50:17 51:1
58:22 59:1,3,5
70:8 82:4
83:16
wore 43:7,8
work 14:8
16:20,22 17:3
33:3 45:18
66:11 76:18
77:4 78:1 83:8
94:14 101:14
108:4 115:2
156:5 164:10
164:16,22
174:19 180:9
190:12 191:7
202:11 212:4
217:9 222:22
230:14 236:4,6
worked 60:2,3
137:8
workers
111:21

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working 14:10
28:3 60:6
77:20 83:4
94:12 121:9
180:19 209:13
works 38:9
101:4,8,21
103:5 182:11
182:16,18
world 8:3
20:12 23:19
31:5 37:2,13
37:16 41:15
42:1 45:16
46:8 55:17
68:15 70:9
191:8 197:4,7
worried 105:4
126:20
worry 96:6
worse 109:6
worthy 62:13
189:2
would've 32:14
92:15 102:5
129:8 184:10
wrap 172:3
184:9
wrapped
185:18
wraps 86:1
write 216:15
wrong 36:22
71:3 115:16
142:20 174:20
216:21 231:12
231:18

Meeting

[y'all - zoo]
y
y'all 128:10
yancey 1:16
238:2,19
yay 224:15
yeah 47:19,22
51:8 52:5,19
53:3 55:4 58:8
67:17,21 71:19
72:6,9 73:8
83:3 92:11
107:11 117:16
131:6 133:13
133:18 134:3
134:12 135:11
139:20,21
145:10 161:4
164:4 170:19
170:21,21
171:12,13
172:1 185:20
194:4 196:11
199:14 204:13
210:19 211:12
213:1 214:13
217:4,19 218:3
218:6 219:2
220:7 223:19
224:1,17
226:15 227:2
227:17 228:14
233:11 235:7
235:10 236:19
year 13:5 18:18
20:1 21:12
62:3,10 79:21
99:18 165:4

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years 14:9 17:6
22:10 62:3
102:19 192:20
199:1 202:15
230:12
yell 78:4
yellen 18:4
york 60:5 84:8
85:5 89:4,15
97:4,8 124:7
137:15 191:3
199:18 200:9
york's 91:20
124:3
yorker 180:2
young 67:4
115:3,4,13
189:1,1
younger 23:16
144:6 156:21
213:14
youtube 5:13
z
zaiken's 165:13
zero 62:11
64:10
zoo 200:9

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Meeting

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Page 1
1

CITIZENS COINAGE ADVISORY COMMITTEE

2

CCAC Public Meeting

3
4
5
6

Moderated by Chairman Peter van Alfen

7

Wednesday, April 17, 2024

8

9:02 a.m.

9
10
11

Department of the Treasury

12

U.S. Mint

13

801 9th Street, Southwest

14

Washington, DC 20220

15
16
17
18
19

Reported by:

Matthew Yancey

20

JOB NO.:

6590123

21
22

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Meeting

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A P P E A R A N C E S

2

List of Attendees:

3

Jennifer Warren, Director of Legislative and

4

Intergovernmental Affairs and Mint Liaison to the CCAC

5

Peter van Alfen, Specially Qualified as a Numismatic

6

Curator and Chairperson of the CCAC

7

Arthur Bernstein, Representing the General Public

8

Dr. Harcourt Fuller, Recommended by the Speaker of the

9

House

10

Dr. Christopher Capozzola, Specially Qualified in

11

American History

12

John Saunders, Recommended by the House Minority

13

Leader

14

Michael Moran, Recommended by the Senate Majority

15

Leader

16

Donald Scarinci, Recommended by the Senate Minority

17

Leader

18

Dennis Tucker, Specially Qualified in Numismatics

19

Kellen Hoard, Representing the General Public

20

Annelisa Purdie, Representing the General Public

21

Kristie McNally, Deputy Director, U.S. Mint

22

April Stafford, Chief, Office of Design Management

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A P P E A R A N C E S (Cont'd)

2

List of Attendees (Cont'd):

3

Megan Sullivan, Senior Design Specialist

4

Roger Vasquez, Senior Design Manager

5

Russell Evans, Design Manager

6

Boneza Hanchock, Design Manager

7

Sukrita Baijal, Design Manager

8

Joseph Menna, Chief Engraver

9

Greg Weinman, Senior Legal Counsel and Counsel to the

10

CCAC

11

Brendan Tate, Senior Government Affairs Specialist,

12

Office of Legislative and Intergovernmental Affairs

13

Jennifer Vanderveld, Chief Operating Officer of the

14

Marine Corps Heritage Foundation

15

Major General James W. Lukeman, for the President and

16

Chief Executive Officer of the Marine Corps Heritage

17

Foundation

18

Robin Salmon, former CCAC Member

19

Elizabeth Young, Mint Counsel on the 250th United

20

States Marine Corps Commemorative Coin

21
22

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Meeting

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1

C O N T E N T S

2

PAGE

3

Call To Order and Roll Call

4

Public Service Award to Robin Salmon

5

Review and Discussion of Candidate Designs

6

For the United States Marine Corps 250th

7

Anniversary Commemorative Coin Program

8

Review and Discussion Candidate Designs for

9

The Janet Yellen Secretary of the Treasury Medal

10

Review and Discussion of Candidate Designs for

11

The Ventris C. Gibson Director of the Mint Medal

12
13
14
15
16
17
18
19
20
21
22

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5
11

16

92

96

Meeting

April 17, 2024

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1

P R O C E E D I N G S

2

MS. WARREN:

Good morning.

This is day

3

two of the CCAC Public Meeting.

4

thank everyone for their patience yesterday.

5

hopefully have fixed all the new technology in all the

6

programs, so I do thank everyone for being

7

understanding.

8

Chairman.

9

I wanted to first
We

And on that I will hand it off to the

CHAIRMAN VAN ALFEN:
Good morning.

Thank you very

10

much.

11

meeting of the Citizens Coinage Advisory Committee on

12

Wednesday --

13
14

I will call back to order this

MR. TATE:

Oh, can you use your

microphone, Peter?

15

CHAIRMAN VAN ALFEN:

I'll start

16

over.

17

meeting of the Citizens Coinage Advisory Committee for

18

Wednesday, April 17, 2024.

19

the second day of a two-day public meeting that began

20

yesterday.

21

livestreaming on YouTube.

22

Good morning.

Sorry.

I call back to order this

The time is 9:02.

This is

Welcome to those watching the meeting

Today's session is scheduled to run

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Meeting

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until approximately 3:30 p.m.

2

meeting is being recorded.

3

members to announce your name when you are speaking

4

for the transcript and for the public listening.

5

I want to remind the

Before we begin, I want to reintroduce

6

members of the Committee.

7

when I call your name.

8

the general public?

9

Please respond "present"

Arthur Bernstein, representing

MR. BERNSTEIN:

10
11

A reminder that today's

Present.

CHAIRMAN VAN ALFEN:

Dr. Harcourt

Fuller, recommended the Speaker of the House?

12

DR. FULLER:

Present.

13

CHAIRMAN VAN ALFEN:

Dr. Christopher

14

Capozzola, the member specially qualified in American

15

History?

16

DR. CAPOZZOLA:

17

CHAIRMAN VAN ALFEN:

18

Present.

recommended by the House Minority Leader?

19

MR. SAUNDERS:

20

CHAIRMAN VAN ALFEN:

21
22

John Saunders,

Present.
Michael Moran,

recommended by the Senate Majority Leader?
MR. MORAN:

Present.

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1
2

CHAIRMAN VAN ALFEN:

recommended by the Senate Minority Leader?

3

MR. SCARINCI:

4

CHAIRMAN VAN ALFEN:

5

Present.

MR. TUCKER:

7

CHAIRMAN VAN ALFEN:

9
10

Dennis Tucker, a

member specially qualified in numismatics?

6

8

Donald Scarinci,

Present.
Kellen Hoard,

representing the general public?
MR. HOARD:

Present.

CHAIRMAN VAN ALFEN:

Annelisa Purdie,

11

Representing the General Public?

12

Alfen, the member especially qualified as a numismatic

13

curator and the Chairperson of the CCAC, and I believe

14

we have a quorum.

15

And I am Peter van

The agenda for today's session includes

16

Public Service Award Ceremony for former CCAC Member

17

Robin Salmon; Review and Discussion of the Candidate

18

Designs for the United States Marine Corps 250th

19

Anniversary Commemorative Coin Program; Review and

20

Discussion of the Candidate Designs for the Janet

21

Yellen Secretary of the Treasury Medal, and Review and

22

Discussion of the Candidate Designs for the Ventris C.

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Gibson Director of the Mint Medal.

2

The view and discussion of the

3

candidate designs for the Joseph R. Biden Presidential

4

Medal will be reviewed a later meeting.

5

begin our proceedings, I ask the mint liaison to the

6

CCAC, Ms. Jennifer Warren, if we are aware of any

7

members of the press who might be watching the public

8

meeting.

9

MS. WARREN:

Good morning.

Before we

This is

10

Jennifer Warren.

11

World, Senior Editor, and Mike Unser, Founder and

12

Editor of CoinNews Media Group.

13

We do have Paul Gilkes from the Coin

CHAIRMAN VAN ALFEN:

All right.

Thank

14

you very much.

For the record I would also like to

15

confirm the following Mint staff who are in attendance

16

today, so please indicate your presence after I call

17

your name.

18

Mint?

Deputy Director Kristie McNally, U.S.

19

MS. MCNALLY:

20

CHAIRMAN VAN ALFEN:

21
22

Present.
April Stafford,

Chief, Office of Design Management?
MS. STAFFORD:

Present.

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Meeting

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1
2

CHAIRMAN VAN ALFEN:
Senior Design Specialist?

3

MS. SULLIVAN:

4

CHAIRMAN VAN ALFEN:

5

Present.

MR. VASQUEZ:

7

CHAIRMAN VAN ALFEN:

Present.

MR. EVANS:

10

Present.

CHAIRMAN VAN ALFEN:

MS. HANCHOCK:

13

CHAIRMAN VAN ALFEN:

Present.

MS. BAIJAL:

16

CHAIRMAN VAN ALFEN:

Present.
Michael Costello,

Manger of Design and Engraving?

18

MS. STAFFORD:

19

CHAIRMAN VAN ALFEN:

20

Chief Engraver?

21

I --

22

Sukrita Baijal,

Design Specialist?

15

17

Boneza Hanchock,

Design Specialist?

12

14

Russell Evans,

Design Specialist?

9

11

Roger Vasquez,

Senior Design Specialist?

6

8

Megan Sullivan,

Not present.
Joseph Menna,

Joe, I can see you on the screen, but

MR. MENNA:

No.

I'm present.

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My audio

Meeting

April 17, 2024

Page 10
1

went out for a second.

2

My apologies.

CHAIRMAN VAN ALFEN:

No problem.

3

Jennifer Warren, Director of Legislative and

4

Intragovernmental Affairs and Liaison to the CCAC?

5

MS. WARREN:

6

CHAIRMAN VAN ALFEN:

7

Present.
Greg Weinman,

Senior Legal Counsel and Counsel to the CCAC?

8

MR. WEINMAN:

Present.

9

CHAIRMAN VAN ALFEN:

Elizabeth Young,

10

Mint Counsel on the 250th United States Marine Corps

11

Commemorative Coin.

12

MS. YOUNG:

Present.

13

CHAIRMAN VAN ALFEN:

Brendan Tate,

14

Senior Government Affairs Specialist, Office of

15

Legislative and Intergovernmental Affairs?

16

MR. TATE:

Present.

17

CHAIRMAN VAN ALFEN:

Thank you very

18

much.

And finally, I want to note for the record that

19

we will be joined in the meeting today by the liaisons

20

for various programs we are reviewing.

21

States Marine Corps 250th Anniversary Commemorative

22

Coin Program, we'll be joined in person by Jennifer

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The United

Meeting

April 17, 2024

Page 11
1

Vanderveld, Chief Operating Officer of the Marine

2

Corps Heritage Foundation, and Major General James W.

3

Lukeman, President and Chief Executive Officer of the

4

Marine Corps Heritage Foundation.

5
6
7

MAJOR GENERAL LUKEMAN:

Thanks for

having me.
CHAIRMAN VAN ALFEN:

Thanks for joining

8

us today, and we certainly look forward to hearing

9

your preferences.

I'd like to begin with the Mint.

10

Are there any other issues that need to be addressed

11

before we start?

12

MS. WARREN:

No.

13

CHAIRMAN VAN ALFEN:

All right.

So

14

hearing none, the next order of business is actually a

15

great joy for all of us.

16

the Citizens Coinage Advisory Committee Public Service

17

Award to Robin Salmon in recognition of her loyal and

18

outstanding service.

19

It is the presentation of

Deputy Director McNally will be

20

presenting this award to Robin in just a few moments,

21

and Robin is joining us virtually.

22

And before I turn it over to Deputy

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Director McNally, I would like to say to Robin and

2

everybody who is with us that it really is a great

3

pleasure to see you again, if only virtually on the

4

big screen.

5

Committee together seemed far too short.

6

The time the two of us served on the

And your presence on the Committee has

7

been sorely missed in the year plus since we saw you

8

last, especially before the measured, really sharp

9

observations and comments you always brought to our

10

discussions, not to mention your very good humor and

11

company, and with that I'll turn it over now to Deputy

12

Director McNally.

13

MS. MCNALLY:

Good morning, everyone.

14

Appointed to the CCAC in October 2018, Robin Salmon

15

served as a member specifically qualified in sculpture

16

or medallic arts.

17

Ms. Salmon is the President of Art and

18

Historical Collections and Curator of Sculptures at

19

Brookgreen Gardens where she directs acquisition,

20

documentation, exhibition, and conservation of

21

Brookgreen's art, history, library, and archives

22

collections.

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1

The activity of the Carroll A. Campell,

2

Jr., Center for American Sculpture at Brookgreen

3

Gardens, and the Brookgreen Medallic Arts Program.

4

Robin has received several awards over the years,

5

including the National Sculpture Society's Medal of

6

Honor in recognition for her work.

7

CCAC, Robin was extremely committed to the work of

8

this Committee.

9

As a member of the

Specifically, she served on the Working

10

Group Subcommittee in fiscal years 2021 and 2022, to

11

consider theme ideas and provide recommendations back

12

to the full Committee, and also the recent Liberty and

13

Britannia Working Group.

14

was March 1, 2023.

Ms. Salmon's last meeting

15

And today we're honoring her for her

16

service to the CCAC, the Mint and the Department of

17

Treasury, presenting her with the Citizens Coinage

18

Advisory Committee for Public Service Award.

19

The Citizens Coinage Advisory Committee

20

Public Service Award recognizes the contribution of

21

the member of the CCAC who honorably served the public

22

interest by advising the Secretary of the Treasury on

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1

theme and design proposals related to circulating

2

coinage, bullion coinage, numismatic coinage,

3

Congressional Gold Medals, and National Medals

4

produced by the United States Mint.

5

The award contains a framed

6

certification and two bronze medals, a three-inch

7

Alexander Hamilton Secretary Medal, and a three-inch

8

bronze or silver medal reviewed by the CCAC typically

9

during the member's service.

10
11

Ms. Salmon asked to have

the 2022 American Liberty Silver Medal.
I'm pleased to present the CCAC Public

12

Service Award to Robin Salmon.

13

consistently provided inspired and thoughtful input to

14

the development of numerous United States coins and

15

medals and is highly regard by her colleagues and

16

respected for her opinions and insight.

17

Ms. Salmon

Ladies and gentlemen, please join me in

18

thanking and congratulating Robin for her service to

19

the Citizens Coinage Advisory Committee.

20

I would like to turn it over to you if you have any

21

comments you would like to make.

22

MS. WARREN:

And, Robin,

Robin, make sure if you're

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Meeting

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Page 15
1

in the room turn on your mic.

2

now.

It's turned off right

Perfect.

3

MS. SALMON:

All right.

Thank you so

4

much.

In the beginning I thought I knew what the

5

Citizens Coinage Advisory Committee did, but I found

6

out that there are worlds and worlds of things beyond

7

what I thought I knew.

8
9

This Committee has been a great joy, a
great learning experience, and I am so happy to have

10

met so many distinguished people in the field of

11

numismatics, that of our coin design history, the list

12

goes on and on.

13

And I treasure your friendship.

I

14

appreciate all of the wonderful times we shared, and I

15

thank you again for this great honor.

16

to continuing the friendships through the years, and

17

if there's anything that I can ever do to help at any

18

time, please don't hesitate to call on me.

19

I look forward

I also want to put it on the record

20

that everyone has a standing invitation to visit

21

Brookgreen Gardens.

22

for you.

We will roll out the red carpet

Thank you so much.

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Meeting

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Page 16
1

CHAIRMAN VAN ALFEN:

Thank you, Robin.

2

I know that I, and the rest of my colleagues miss you,

3

and really wish that you could have been here in

4

person with us today.

5

I'm confident that I speak for the CCAC

6

that we are all so happy that you joined us virtually

7

anyway, and to see you being honored for your service

8

on this Committee.

9

on that offer and come visit you at Brookgreen Gardens

10

And I will certainly take you up

someday soon, so.

11

All right.

So moving on to the first

12

portfolio to be reviewed today.

This is the obverse

13

and reverse candidate designs for the United States

14

Marine Corps 250th Anniversary Commemorative Coin

15

Program.

16

authorized by Public Law 118-10.

The Commemorative Coin Program was

17

April Stafford and Megan Sullivan will

18

present the obverse and reverse design candidates for

19

the United States Marine Corps 250th Anniversary

20

Commemorative Coin Program.

21
22

MS. STAFFORD:

April?
Thank you.

For some

background on this program, the United States Marines

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Corps serves as the nation's premier crisis response

2

force focusing on rapid, expeditionary deployment of

3

air and ground units from the sea, for a wide variety

4

of missions, from humanitarian assistance to major

5

combat operations.

6

The Marine Corps traces its origins to

7

November 10, 1775 in Philadelphia, when the Second

8

Continental Congress resolved to raise two battalions

9

of Marines.

10
11

In 2025, the Marine Corps will celebrate

its 250th Anniversary.
Following the end of the Revolutionary

12

War, the Continental Marines, along with the

13

Continental Navy, went out of existence, but the

14

United States Marine Corps was reestablished on a

15

permanent basis in 1798, and took part in many

16

operations against the Barbary pirates on the shores

17

of Tripoli in North Africa.

18

Marines took part in numerous naval

19

operations during the War in 1812, and in the

20

following years, protecting American interests around

21

the world, and fought bravely during the Mexican War,

22

all the ways to the Halls of Montezuma in Mexico City.

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They served during the Civil War, the

2

Spanish American War, the Philippine Insurrection, the

3

Boxer Rebellion, and in numerous other places when

4

their nation called.

5

Corps distinguished itself on the battlefields of

6

France, including at Belleau Wood and in the final

7

Meuse-Argonne offensive.

8
9

During World War I, the Marine

Marine Corps leaders anticipated the
challenges of the next war, and innovative techniques

10

and equipment that allowed Fleet Marine Forces to

11

prevail in the savage amphibious assaults of World War

12

II, necessary to cross the Pacific.

13

Most notable was the capture of the

14

volcanic island of Iwo Jima, and the iconic flag

15

raising that came to symbolize American determination

16

in that war and ever since.

17

Korea and in Vietnam, leaning on their small wars

18

heritage to focus on winning hearts and minds in the

19

villages, while also fighting regular enemy forces in

20

the jungles.

21
22

Marines fought bravely in

Marines fought with honor in major
combat alongside the U.S. Army in Iraq in 1991, and

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again in 2003, and is part of the sustained

2

counterinsurgencies in Iraq and Afghanistan in the

3

years that followed.

4

important tool for U.S. foreign policy because of its

5

ability to rapidly respond on short notice to crisis

6

that demand a wide range of mission in peace and war.

7

Its excellence in these many roles has

8

earned the reputation that there is no better friend,

9

no worse enemy than a United States Marine.

The Marine Corps remains an

The

10

Marine Corps prides itself on being the "First to

11

Fight".

12

people, brave men and women who choose to put service

13

above self.

The Marine Corps greatest asset is its

14

It's said that being a Marine is more

15

than a job, it's a vocation or a calling.

16

Corps values are "Honor, Courage and Commitment," and

17

the official emblem, the "Eagle, Globe, and Anchor"

18

includes a ribbon with the phrase "Semper Fidelis,"

19

meaning "Always Faithful."

20

The Marine

This emphasis on tradition, history and

21

culture is critical to the continued success of the

22

Marine Corps.

Designs for this program shall be

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emblematic of the 250th Anniversary of the United

2

States Marine Corps.

3

In developing its candidate designs,

4

the Mint, working with the Marine Corps Heritage

5

Foundation, and we are fortunate to have with us today

6

Retired United States Marine Corps Major General James

7

Lukeman, and President and CEO of the Marine Corps

8

Heritage Foundation, and Jennifer Vanderveld, COO of

9

the Marine Corps Heritage Foundation, and our liaison

10

for this program.

11
12

Major General, Ms. Vanderveld, would
you like to say a few words?

13

MAJOR GENERAL LUKEMAN:

Thanks, April,

14

that was awesome.

15

when you're talking about the Marine Corps story.

16

That was great.

17

everybody for letting us come here today and talk to

18

the CCAC.

19

excited about the opportunity for this commemorative

20

coin set in 2025 for the Marine Corps, so thanks.

21

Thanks for that.

22

I mean I'm getting all choked up

Good job.

Thank you.

Thanks for what you do.

Thank you

We're really

Like I said, I'm General Lukeman.

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retired four years ago from the Marine Corps.

2

then was fortunate enough to be brought into the

3

Marine Corps Heritage Foundation, which is a nonprofit

4

that I lead now.

5

She's been there for gosh, close to 20, you know, 18,

6

19 years now, I believe so, so she's the brain trust

7

for the organization.

8

And

Ms. Jennifer Vanderveld is our COO.

What we do at the Marine Corps Heritage

9

Foundation, our mission is to preserve and share the

10

history, tradition, and culture of the Marine Corps,

11

and educate all Americans in what's best about the

12

Marine Corps.

13

history, tradition, and culture.

14

So that's our job is to preserve the

And as you know, Marines are a little

15

fanatical about our history.

16

other service, we care about where we came from, and

17

celebrate that.

18

of the Marine Corps Heritage Foundation to date has

19

been to raise the money and build the National Museum

20

of the Marine Corps.

21
22

I think more so than any

Probably the biggest accomplishment

Has anybody here been to the National
Museum of the Marine Corps yet?

So it's about 45

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minutes south of here, just outside of Quantico.

2

I

f you go down 95 you'll see the

3

building off to the side, it's this tall, glass and

4

steel structure with a spire, that 6,000 people drive

5

by it and they don't know what it is.

6

a church or something, but it's the National Museum of

7

the Marine Corps.

8
9

They think it's

And so that was the Foundation raised
the money, built that building, and still to this day

10

it takes care of the museum, continues to improve, and

11

that's our job is to continue to support the

12

preservation of Marine Corps history.

13

supporting the history division, and The President's

14

Own Marine Corps Band, and some other programs as

15

well.

16

We do that by

The proceeds we get from this

17

commemorative coin set will go to that mission.

18

in 2005 the Mint minted a 230th Anniversary of the

19

Marine Corps coin, and those proceeds had a big part

20

in raising the money to actually build the National

21

Museum of the Marine Corps, so thank you for that as

22

well.

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As was mentioned, what April didn't say

2

about the Marine Corps back in 1775 when the

3

Continental Congress decided to raise two battalions

4

of Marines was that the first Commandant of the Marine

5

Corps, Captain Samuel Nicholas, was charged with

6

raising these two battalions of Marines.

7

So he went to the bar in Philadelphia,

8

the Tun Tavern, and invited Marines to come to the

9

bar, and that were not Marines, invited people to come

10

to the bar and enlisted them in the Marine Corps.

So

11

we're very proud that the Marine Corps was born in a

12

bar.

13

And to this day the museum restaurant

14

in our museum is called Tun Tavern, which is the bar

15

the Marine Corps was born, so we're very proud of

16

that.

17

responded to every crisis for the country, as said

18

from the "Shores of Tripoli to the Halls of

19

Montezuma," and beyond, and continue to do that for

20

the next 250 years.

21
22

And for 250 years now the Marine Corps has

This coin set is an opportunity for all
Americans to be able to recognize and honor what the

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Marine Corps has done for the country for 250 years.

2

It's an opportunity for us to make every Marine proud

3

of their service to this country, and we're excited

4

about it.

5
6

April, is it time now to talk about our
preferences as well?

7
8

MS. STAFFORD:

Yes, sir.

If you

wouldn't mind.

9

MAJOR GENERAL LUKEMAN:

Great.

10

There they are.

11

the coin.

12

The image is a Color Guard of the Marine Corps, that's

13

what we called it that, and so it's two Marines with

14

rifles on the outside, and then carrying the American

15

flag and the Marine Corps colors.

16

Good.

Okay.

So these are preferences for

We'll talk about the gold obverse first.

And this image to us represents that

17

connection of the Marine Corps to our country, and

18

their dress blue uniform, which is an iconic uniform,

19

and people recognize it immediately and associate it

20

with the Marine Corps.

21

streamers on it that represent they were given to

22

every battle and skirmish the Marine Corps has fought

The Marine Corps colors have

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in its history.

2

So there are hundreds of awards on the

3

streamers that are on this set of Marine Corps colors,

4

and it talks to that 250-year history.

5

obverse preference is the flag raising on Iwo Jima.

6

And it was mentioned before how iconic the photo that

7

Joe Rosenthal took on February 23, 1945 is -- was.

8
9

The silver

But it's hard to imagine the impact it
had on the country at the time.

We're four years into

10

World War II.

11

point, and that image -- I get choked up just talking

12

about it, that image of the Marines raising the flag

13

gave hope to the country that we're going to win this

14

war.

15

It's not certain the outcome at this

And ever since then Marines have looked

16

back on that image as this is who we are.

We stand on

17

the shoulders of these folks that overcame adversity

18

and successfully defeated Japan in this battle, and

19

that's the image of that.

20

of the museum as you drive down the road and you see

21

the spire that sticks up, was designed to invoke the

22

flag raising on Iwo Jima, so the building itself is

So much so, that the design

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2

that image.
And anybody who sees that image that's

3

also depicted at the War Memorial here in Arlington,

4

instantly recognizes that's the Marine Corps, and

5

that's what we stand for.

6

image is two Marines, one from 1775 and one from 2025.

7

On the clad obverse, the

And for this, it kind of invokes the

8

mantra that every Marine is a rifleman.

So you see a

9

rifleman from 1775, a rifleman from 2025, and there's

10

no difference, that the gear changes over the years,

11

but the Marine hasn't changed, and it talks to that

12

250-year history.

13

So the story that I think we depict

14

through these three coins is one of connection to

15

country, connection to what a Marine stands for, for

16

250 years, and what the Marine Corps has -- and who we

17

are in the Marines.

18

The reverse is the Eagle, Globe, and Anchor.

19

the emblem of the Marine Corps since 1868.

20

The obverse reverse, I'm sorry.
That's

And it was described before, everyone

21

again as soon as you see that image you recognize it's

22

a Marine Corps image.

"The Few, The Proud," at the

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bottom of the coin design just talks to our elite

2

force.

3

services, with the exception of the Space Force now,

4

who's now smaller than us.

We've always been the smallest of the

5

But we were the smallest of the

6

services for 250 years, and it's always been a

7

challenge to become a Marine, and so we talk about us

8

being the "Few, the Proud, the Marines."

9

I'm happy to answer questions as we go

10

through the designs, and thank you again.

Like I

11

said, we couldn't be more excited than to be able to

12

do this program in 2025 for Marines and for Americans

13

everywhere.

Thank you.

14

CHAIRMAN VAN ALFEN:

15

before I turn it back over to April, I do want to

16

thank you for that very enthusiastic and heartfelt

17

education.

18

MAJOR GENERAL LUKEMAN:

19

passionate.

20

a great job on that.

21
22

Major General,

We're a little

It just kind of gets to you, and you did
To tell you the truth.

MS. STAFFORD:

Megan, those were her

words.

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2

MAJOR GENERAL LUKEMAN:

Yeah.

It's

amazing, thank you.

3

CHAIRMAN VAN ALFEN:

4

MS. STAFFORD:

All yours.

All right.

So we are

5

going to move through all of the portfolios stopping

6

on the preferences.

7

deliberations.

8

coins are "LIBERTY," "IN GOD WE TRUST, 2025," "UNITED

9

STATES OF AMERICA," "E PLURIBUS UNUM," and of course

10

And then we'll begin

The required inscriptions on these

the denomination.

11

So starting with the gold obverses.

12

have 2, 3, 4, 5, 5A, 6, 7, 8, and 9.

13

presents a Marine Corps Color Guard carrying the

14

American flag and the Marine Corps flag.

15

is the preferred design for the gold obverse of our

16

liaisons, and there would be one requested change.

17

We

This design

This again

It would be to make at least one a

18

woman Marine to be represented in the color guard.

19

Moving on to the gold reverses.

20

3, 4, 5, 6, 7, and 8.

21

obverses.

22

5, 5A, 5B.

We have reverse 1, 2,

Moving on to the silver

We have silver obverse 1, 2, 3, 3A, 4, 4A,
This design presents a modern Marine in

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the foreground with a Continental Marine in the

2

background.

3

The additional inscriptions are, "250

4

YEARS OF HONOR, COURAGE and COMMITMENT," "USMC," and

5

"1775," as well as of course "2025."

6

again is the preferred clad obverse of our liaisons.

7

Obverse 6, 7, 7A, 9, 10, 11, 12, 13 and 14.

8
9

This design

Moving on to the silver reverses.
have silver reverse 1, 2, 3, 4, 5.

We

This design

10

displays the Eagle, Globe, and Anchor, the official

11

emblem of the United States Marine Corps, with the

12

additional inscription, "FEW, THE PROUD."

13

silver reverse 5 is the preferred common reverse of

14

our liaisons for all three coins, with of course a

15

required denomination change.

16

and 11.

17

Again, the

Reverse 6, 7, 9, 9, 10,

Moving on to the clad obverses.

We

18

have clad obverse 1, 3 -- this design spotlights the

19

flag raising at Iwo Jima.

20

include "1775" and "Marines."

21

is the preferred design for the silver obverse by our

22

liaisons with a request to add some more detail into

Additional inscriptions
Again, clad obverse 3

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the main imagery.

2

Obverse 5, 6, 7, 7A, 8, 9.

Moving on

3

to the clad reverses we have reverse 1, 2, 3, 4, 5, 6,

4

7, 8, and 9.

5

candidate designs.

6

And Mr. Chairman, that concludes the

CHAIRMAN VAN ALFEN:

7

you very much, April.

8

liaisons.

9

Jima, could elaborate on that?

10

All right.

Thank

I do have one question for our

The request to add more detail to the Iwo

MS. STAFFORD:

Yes.

If I could just

11

introduce that a little.

12

acknowledged that it's not necessary, something that

13

is going to be an incredible difference on the actual

14

coin itself, but it is something that we can add into

15

the line art to ensure that it faithfully represents

16

the men.

17

In conversation it's

Correct?
MAJOR GENERAL LUKEMAN:

Yeah.

April

18

got it right, it's just some small details to -- just

19

a little more detail.

20

can we?

21

to the uniforms to make it more clear, and in that

22

sense, it was a small detail change the way April

When the first image came, what

Can we make it a little more, add something

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described it.

2
3

CHAIRMAN VAN ALFEN:

Thank you very

much.

4

MAJOR GENERAL LUKEMAN:

Thank you.

5

CHAIRMAN VAN ALFEN:

6

liaisons to select obverse designs from different

7

categories is certainly something that we have done

8

before, so you know, we can do that, but I just want

9

to underscore that before we begin deliberation.

10

So before we begin, are there any

The request by our

11

technical or legal questions from the Committee about

12

this program?

Kellen, I see your hand is raised.

13

MR. HOARD:

14

MR. TATE:

15

MR. HOARD:

16

go.

This is Kellen Hoard.

17

liaisons if it's okay?

Yeah.

I have question.

Can you use the mic?
Yeah.

Okay.

Oh.

There we

I have a question for the

18

CHAIRMAN VAN ALFEN:

19

MR. HOARD:

Sure.

I wonder, you know, there

20

are I think 12 different Iwo Jima obverses, and 23

21

different reverses, which are, you know, very similar.

22

Why these two?

Why this example of this is the

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reverse?

2

MAJOR GENERAL LUKEMAN:

Yeah.

No.

3

Thank you for that.

4

work to create all of these designs for the Marine

5

Corps, it's amazing.

6

of looking through them all and going oh my gosh,

7

which ones do we prefer.

8
9

And the designers did incredible

And so we had the same challenge

This image of the flag raising on Iwo
Jima, some of the reasons we preferred it was it

10

includes the entire flag and the staff, as opposed to

11

a piece of it.

12

portions of the flag raising, but not the entire one.

13

So this to us was the most recognizable image of the

14

flag raising on Iwo Jima from our perspective.

15

And several of the designs showed

On the eagle, globe, and anchor,

16

really, it was a matter of they were all a little

17

different style, you know because their block is

18

always the Eagle, Globe, and Anchor, but they're just

19

different stylized versions of it.

20

Corps has used some of those in other things, in

21

recruiting ads and other stuff, some of the different

22

types of Eagle, Globe, and Anchors have been used.

And the Marine

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The one we chose, which seemed to be

2

for us the most traditional, and the one that

3

everybody I think it was most recognizable as that's

4

the Eagle, Globe, and Anchor that we liked.

5

"the Few, the Proud," was the only change in verbiage

6

on that one, so that would be on each coin then on the

7

backs of each coin.

8
9

And then

That's why we chose the one we did.
But you're right, the images as you look through them,

10

you're like okay, what about that one, or that one,

11

and it was just a preference for us.

12

CHAIRMAN VAN ALFEN:

13

MR. CAPOZZOLA:

That's it.
Chris Capozzola?

This is Chris

14

Capozzola.

15

I think the Committee and anyone else that is

16

listening, or the record, could benefit from a little

17

education about some of the phrases and their status

18

in the Marine history, and also that they're official

19

or unofficial.

20

I also have a question for the liaisons.

So then just to read out five that

21

appear that are not part of the legal requirements for

22

the coin.

"Semper Fidelis," "Honor, Courage, and

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Commitment," "Land, Sea, Air," "the Few, the Proud,"

2

and "First to Fight."

3

choices among those, and do any have the formal legal

4

status versus you know, just a traditional

5

perspective?

6

phrases?

7

So you know, and you have made

What should we know as we think of those

MAJOR GENERAL LUKEMAN:
Yeah.

Great question.

8

Thank you for that.

So "Semper Fidelis" is the

9

official motto of the Marine Corps, "Always Faithful."

10

So that is official, and that's what the Marine Corps

11

uses.

12

as the core values of the Marine Corps, so that's

13

official as well, "Honor, Courage and Commitment" are

14

official.

15

"Honor, Courage and Commitment" are recognized

The other three, "the Few, the Proud,"

16

"First to Fight," and what was the other one?

17

"Land, Sea, Air," are more descriptions of the Marine

18

Corps that have been used in various means from a

19

bumper sticker to a saying.

20

Oh,

There was a book called "First to

21

Fight," and it kind of describes what the Marine Corps

22

is.

Always the first in.

"The Few, the Proud," and

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the least small force, and I keep forgetting the third

2

one.

3

MS. STAFFORD:

"Land, Sea, Air."

4

MAJOR GENERAL LUKEMAN:

"Land, Sea,

5

Air."

We are a force that has all three elements, and

6

each element comes from the sea, so that's our

7

descriptions, so those are not official.

8

Fidelis," "Honor, Courage," and the other three are

9

more descriptions that are common to the Marine Corps.

10
11

CHAIRMAN VAN ALFEN:
much.

14

Thank you very

John?

12
13

"Semper

MR. TATE:

John, can you use the

microphone?
MR. SAUNDERS:

Hi.

John Saunders here.

15

I noticed there was a bulldog in some of the designs,

16

and you know, it's not surprising to associate a

17

bulldog with the Marines, but I'm wondering if it's an

18

official mascot, or what the story is on the bulldog?

19

MAJOR GENERAL LUKEMAN:

So the bulldog

20

is the official mascot of the Marine Corps.

21

think the 16th or 17th is the current bulldog mascot,

22

lives at Marine Barracks 8th and I just down the

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street and comes out at parades and things.

2

bulldog was back in 1920 when Smedley Butler brought

3

Sergeant Jiggs, was the name of that bulldog, and

4

dressed him up in a Marine Corps outfit, and he used

5

to bring it to events down there.

6

The first

Ever since then the bulldog has been

7

kind of the unofficial mascot of the Marine Corps.

8

you have a bulldog, an English Bulldog is the mascot,

9

and that's where the bulldogs came from.

10

MR. SAUNDERS:

11

CHAIRMAN VAN ALFEN:

12

Thank you.
Thank you.

Harcourt, did you have your hand up?

13

DR. FULLER:

14

CHAIRMAN VAN ALFEN:

15

So

I don't.
Art, I believe

Art?

16

MR. BERNSTEIN:

No I just --

17

CHAIRMAN VAN ALFEN:

18

MR. SCARINCI:

Okay.

Donald?

So I have a question.

19

have a question for the liaisons, and I know you're

20

prepared for this.

21

facts by the way if -- along the way.

22

by James Bradley comes out.

But so, and please correct my
2000, the book

2005 the U.S. Mint

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produces the Anniversary coin, commemorating the 230th

2

Anniversary of the Marine Corps.

3

2006 after the coin is produced, the

4

movie based on the book comes out, and you know,

5

presents a more controversial message involving the

6

photograph of that coin was -- the 2005 coin was based

7

on.

8

acknowledged.

2016 John Bradley has misidentified, and that's

9

2019 Rene Gagnon is misidentified, and

10

that's acknowledged.

11

while it is certainly an iconic image, there's no

12

question that the image itself and the history, how

13

it's taken, is steeped in some controversy.

14

controversy is not a bad thing, you know, controversy

15

creates discussion.

16

awareness.

17

There's no question right, that

And

Discussion creates attention and

So it's not that controversy is a bad

18

thing, but I'd really think you're going to need to

19

persuade us, and I'm anxious to hear your

20

persuasiveness as to why would we restrike a coin that

21

was minted in 2005?

22

are so many other good designs here to choose from?

Why would we do that when there

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MAJOR GENERAL LUKEMAN:

2

that.

3

right on all those things, that the most interesting

4

part of it was the misidentification of two of the

5

original flag raisers, where you wonder how could it

6

be that for gosh, 70 years or so, nobody came forward

7

and said that wasn't me in that picture, or that was

8

me in that picture?

9

So first on the facts.

Thank you for

I think you've got them

And it kind of lends to I think the way

10

Marines think about the Marines in that image.

11

it right now, by the way, by examining all the

12

photographs and film of the whole event and looking

13

through the six Marines that are currently identified

14

as the flag raisers in that photo are correct, or at

15

least we think so, but we think that's correct.

16

We got

But they're anonymous to most Marines.

17

I mean I know the names, but when you look at that

18

picture, you know, the faces are visible, and so it

19

can represent every Marine, or any Marine, and it's

20

the image just stands for what Marines learned, and no

21

Marine has ever failed at anything as long as the

22

Marine Corps has been around, and I'm not about to be

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the first.

2

When a Marine goes to boot camp, he's

3

transformed.

4

transformed into a Marine.

5

people that have gone before, in the battles that have

6

gone before, and that seed of pride that's planted in

7

every recruit stays there, which is why, you know,

8

once a Marine always a Marine, is really a true thing.

9

When a civilian goes to boot camp, he's
They learn about all the

But once you become a Marine you never

10

-- that never leaves you, whether you serve four years

11

or 40 years, it doesn't change.

12

restriking or having the same image on our coin in

13

2025 that was on the coin in 2005.

14

that as well.

The question about

We thought about

15

And to Marines, that image of the flag

16

raising on Iwo Jima is the -- the iconic image of the

17

Marine Corps, of all of them.

18

iconic image is our preference was to have it, and

19

they're all great images of the Marine Corps, the

20

designs.

21
22

We wanted to have

They all show different things.
The drill instructor yelling, and those

kinds of things, they all show different aspects of

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it.

But the flag raising is special.

2

only 600,000 people have an opportunity to have one of

3

those from 2000, so at least 330 million Americans

4

that have an opportunity to get a coin with the flag

5

raising on it in 2025.

6

And right now

So I don't see it as a restriking of

7

that coin.

8

coin with that image on it that many Americans don't

9

have today.

10

I see it as another opportunity to have a

MR. SCARINCI:

So let's just say you

11

don't successfully persuade us, and what -- do you

12

have another, do you have any alternative preference

13

if we didn't go with this design, do you have a fourth

14

favorite obverse design?

15

MAJOR GENERAL LUKEMAN:

No I don't

16

right now.

17

discussion today, that may come up with something that

18

we've haven't with a fourth.

19

We didn't go that far on the three that we -- on the

20

coins, the three we thought were the best to bring

21

forward for the country, and didn't have a fourth.

22

And if this is where we go in the

I didn't go that far.

So I don't have one now, but I do look

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forward to the discussion on these designs because

2

there's, like you said, there's a lot of great ones

3

out there.

4

MR. SCARINCI:

Listen, it's a great

5

strategy not to tell us what your fourth choice is, so

6

that we can go right into it.

7

MAJOR GENERAL LUKEMAN:

8

MR. SCARINCI:

9
10

13

So we will wait for the

discussion, and then I'm sure we're going to press you
for more.

11
12

Yeah.

So okay, thank you.
MAJOR GENERAL LUKEMAN:

Thank you very

much.
MR. SCARINCI:

You also did -- I just

14

want to tell you your organization did a fabulous job

15

in the sales in 2005.

16

participating, and that's something, you know, we see

17

very very often people come, you know.

You were actively

18

I always ask people, you know, when

19

they go through the expensive, grueling process of

20

getting a commemorative coin passed by Congress and

21

signed by the President, I always ask them, you know,

22

and then they come to us with, you know, portraits,

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portrait designs, or designs that are just not

2

appealing, you know.

3

And I always ask them was your purpose

4

of doing all that work to get a coin that commemorates

5

your organization, or is your purpose to raise money?

6

Because the two things are mutually exclusive; right?

7

Really, it's proven when you look at the Red Book and

8

you look at the prices, and you look at the mintages,

9

it's proven that attractive, you know, compelling

10
11

designs sell.
And the portrait coins, you know, while

12

they might be nice to be to the issuing organization,

13

they just don't sell, and they end up not making a

14

terrible amount of money from it.

15

commemorative coin process is really to help.

And you know, the

16

You know, it's as much of a collector

17

interest as it is to help the organization, and give

18

you a product to sell in your shops and in your museum

19

stores, and you know, people who visit like to buy

20

things, and why buy junk when you can buy a United

21

States coin in your store?

22

So you did a great job the first time,

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and know you will do a brilliant job, you know, you're

2

going to make money, you can.

3

all very mindful of that, and that's why your

4

recommendation definitely carries weight.

5

want you think as you hear the discussion, that it

6

doesn't.

7
8

So that, I think we're

I don't

It's acknowledged that it's very
respected.

9

MAJOR GENERAL LUKEMAN:

Thank you for

10

that.

11

commemorate 250 years of the Marine Corps.

12

the proceeds from it is secondary.

13

into what we do at the Foundation, but most

14

importantly thing is it's going to commemorate 250

15

years of the Marine Corps.

16
17
18

And the most important thing for us is to

CHAIRMAN VAN ALFEN:
you.

Earning

You know, go back

All right.

Thank

Dennis, I see your hand is raised.
MR. TUCKER:

Thank you, Mr. Chair.

19

Thank you, Ms. Vanderveld, and General Lukeman, my

20

brother, Michael J. Tucker, sends regards.

21

know each other, but you're both Marines.

22

from his active service in 1980, and I'm very careful

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when I describe that because I know that I'm not

2

supposed to say that he's a former Marine.

3

And as you mentioned, once a Marine,

4

always a Marine.

5

the State Department since.

6

a numismatist as well.

7

collecting.

8

was going into kindergarten, so he's older.

9

But he's been in law enforcement in
He and I have -- and he's

He actually got me into coin

When he was going into the Marine Crops I

But I look up to him, and he gave me my

10

first Buffalo nickel.

11

discussions about this program, and he told me about

12

some of the things that every Marine learns in boot

13

camp.

14

So he and I had had some

He talked about Tun Tavern.

He also

15

talked about Chesty Puller, and I wonder if you could

16

maybe talk a little bit about some of those -- if you

17

think it's important or relevant to this discussion,

18

why were some of those historical figures and places

19

not included?

20

But I think you've really done a good

21

job explaining the connection to country tradition,

22

history, and honor.

I like the choices that you've

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made, but since we're having this conversation, this

2

might be the time.

3

Thank you.

MAJOR GENERAL LUKEMAN:

Yeah.

Thank

4

you.

Lots of heroes the Marine Corps celebrates.

5

Chesty Puller being one of the most decorated Marines.

6

He served in World War II, Korea, and Vietnam.

7

Others, John Lejeune, some people call him the

8

greatest Marine of all time, and so they're

9

recognizable faces that Marines would show.

10

What we wanted to portray was the

11

Marine Corps is not about one person.

12

Marines.

13

images, so we chose images that were not personal, not

14

somebody you would know, but every Marine could be

15

that Marine, is why we -- that's what we were going

16

forward on.

17

It's about

And anybody can see themselves in these

Similar the locations.

Tun Tavern is,

18

you know, it got torn down in the late 1700's, so it's

19

not really clear what it looked like back in the day,

20

but we have images of what we think it looked like,

21

but that's what we were going for.

22

MR. TUCKER:

Thank you.

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2

CHAIRMAN VAN ALFEN:
much.

Thank you very

Go ahead.

3

MR. SCARINCI:

It's actually a question

4

for our historian.

5

you've had a chance to look at the uniform in the

6

recommendation of the obverse 5B, and I was just

7

curious if you had, you know, any questions for the

8

liaisons?

9

I just wanted -- I assume that

Is this an authentic, you know, would

10

this have been the first Marine uniform?

11

commemorating 250 years, so having the proper

12

representation of the first Marine in uniform I think

13

is an important component.

14

If you have an option, you should switch it back to

15

the liaison to answer.

16

to the liaison?

It needs to be depicted.

Do you want to switch it back

17

MR. CAPOZZOLA:

18

MR. SCARINCI:

19

MAJOR GENERAL LUKEMAN:

20

MR. SCARINCI:

21
22

We are

I would or mint staff.
The first Marines.
Right.

Is this uniform the

uniform for the first Marines?
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answer to that question.

2

part of the Marine Corps University.

3

History Division as well as the museum, tracks all

4

these things back to the past, and there's a -- if you

5

go on down to the Pentagon, on the corridor where the

6

Commodore of the Marine Corps office is, there's a

7

statue at the end of the corridor, and it has two

8

Marines.

9

History Division, which is a
We support

One dressed like this that 1775 Marine

10

right there, and one dressed in today's Marine Corps

11

gear, which changes over the years to be accurate.

12

But the one from 1775 is that one.

13

accurate depiction of what Marines wore in the

14

Revolutionary War.

15

MR. SCARINCI:

16

CHAIRMAN VAN ALFEN:

That is an

Thank you very much.
Thank you very

17

much.

18

Again, I want to thank Major General Lukeman for all

19

of the backgrounds and insight into the selection.

20

think it will really help us with the discussion here.

21
22

Are there any other questions?

All right.

I

And with that, I would like to remind
our members to please try to keep your comments to

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five minutes or less, and to identify yourself for the

2

record before speaking.

3

who is coming to us virtually.

4

Let's begin with Mike Moran,

MR. MORAN:

Mike?

I'm here.

I was paging

5

through some of the stuff.

6

hit everything across gold, silver and clad?

7
8

Peter, do you want me to

CHAIRMAN VAN ALFEN:

Yeah.

Let's try

to do that.

9

MR. MORAN:

Okay.

I have too many

10

screens going here.

11

skip the reverses with one exception because I think

12

the Marine Corps recommendation of the silver 05

13

reverse is fine by me, and if they want that across

14

all three coins, fine by me again.

15

On the gold, and I'm going to

So that said, on the five dollar, I

16

really don't think we need to have Iwo Jima on there

17

because it's too small.

18

the flags.

19

irrelevant.

20

I understand your choice of

I would submit to them that it's

Whether the figures are diverse or not,

21

they are below the flag, so you're not going to be

22

able to see them.

Hey, if it were me doing the gold

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design, I would choose 06.

2

a coin the size of a nickel, and sorry.

3

That will show up well on

Moving to the silver.

I personally

4

like the -- let me go back.

5

where did I see it, you were on the slides, and I have

6

a lot of pages.

7
8

On the gold, I liked --

You can see it on the gold.
CHAIRMAN VAN ALFEN:

Mike, you're still

with us?

9

MR. MORAN:

I'm still there.

10

CHAIRMAN VAN ALFEN:

11

MR. MORAN:

I'm trying to find the damn

12

thing.

13

4.

14

chose the one he did for the Iwo Jima, maybe because

15

of the fact that you don't see the entire flag and

16

staff.

17

Hold on.

Okay.

If I were to choose, I would choose

And I understand why probably the Major General

But I really like this one.

I think

18

the way that the inscriptions across there, and as a

19

result that's the one we're not going to choose, and I

20

think it belongs on the silver dollar.

21
22

As for the clad, I'm fine with I think
your choice was 5B, the silver which shows the two

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riflemen in the original uniform and the uniform of

2

today.

3

I also feel like 6 was a good one on the silver dollar

4

side, and it came across as your duty, honor and

5

courage, those images.

6

I'm good with that.

And I believe let's see,

So that is a bit jumbled up, but that's

7

what you get when you give me all three at once.

8

good.

9
10

CHAIRMAN VAN ALFEN:
you very much, Mike.

11

All right.

I'm

Thank

Art Bernstein if you would?

MR. BERNSTEIN:

Thank you Chair.

This

12

is Arthur Bernstein.

13

would support the recommendations of the liaisons.

14

would just comment on the silver obverse, excuse me,

15

the clad obverse preference, which the liaisons chose

16

5B.

17

I just appreciate the additional detail on the ship

18

and helicopter, but in general I'm with the liaisons

19

on their preferences.

20
21
22

I don't have a lot of say.

I
I

And I was also attracted to a cousin of that, 5.

Thank you.

CHAIRMAN VAN ALFEN:
you very much, Art.

All right.

Thank

Dr. Harcourt Fuller?

DR. FULLER:

Thank you, Mr. Chairman.

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This is Harcourt Fuller.

Thank you, Major General

2

Lukeman, and all the other liaisons.

3

your service to this great country.

4

and as someone who has worked in museums as well, I

5

want to congratulate you on using coins to educate the

6

public.

Thank you for
As a historian,

It's very important.

7

And I want to congratulate you on the

8

250th Anniversary of the United States Marine Corps.

9

Symbols matter, and so I want to support your choices

10

of using symbols that represent everyone where every

11

potential Marine can see themselves in particular

12

images, and so I'll support all of your

13

recommendations.

14

I did want to bring attention however,

15

to gold obverse 6, I think Mike also pointed that one

16

out.

17

think it will coin well, you know, mint well.

18

I just think it's a very beautiful coin.

I

And there are several others like that,

19

that really show great detail.

However, again I do

20

agree with the idea that we want to represent.

21

want general depictions, so that everyone can see

22

themselves as part of the Marine Corps, and thanks for

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your service to this great country, thank you.

2
3

CHAIRMAN VAN ALFEN:
much.

Thank you very

Dr. Christopher Capozzola please?

4

MR. CAPOZZOLA:

All right.

Good

5

morning, this is Chris Capozzola, and I, like my

6

colleague Mike Moran, I need to shuffle between some

7

screens here, so thanks to the artists, and to the

8

liaisons for coming up with so many ways of telling

9

the Marines stories.

10

As I was looking through this, I was

11

guided by a couple things.

12

important that this be a commemoration of the 250th

13

anniversary of the Marines, it's not just a generic

14

sort of commemoration of the Marines as a force, and

15

also making sure that it reflects the artistic

16

contributions of the mint designers.

17

I think it's very

And that way I actually found myself

18

less attracted to the images of Iwo Jima that were

19

very specifically replications of the Joe Rosenthal

20

photograph.

21

the engravers and the artists have taken that iconic

22

image and made it something that's specific to

I wanted to see a way in which sort of

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American coinage.

2

And so it's a slight differential, but

3

I actually think for the ones that actually didn't

4

have the full flag in part because I thought it was

5

giving me the numismatic artist little space for their

6

creation.

7

support the liaison preferences if it's specific and

8

it goes in this direction.

9

That said, I think I would completely

And I think seeing it this way helps me

10

understand them as a series and a set, in a way in

11

which the Iwo Jima image is one of three.

12

looking across the three of them actually does convey

13

the Marines history from 1775 to 2025.

14

just generally say that.

15

And that

So I would

And let me just say maybe one or two

16

other things, which is I could -- I wanted to draw

17

attention to, one second.

18

the record, I thought the gold reverse 7, which I do

19

not think will message our work for this coin or this

20

series, I just want to reverse 7.

21
22

Just briefly while we're on

I just wanted to draw attention to it
for its artistic merit, and say that that I love it

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based on, you know, some ways which this would be a

2

great outcome for women generally to be able to think

3

about the work along the way.

4

Silver 3 obverse, silver obverse 3 is

5

one that I would like to draw a little bit of

6

attention to.

7

one that I actually was drawn to the most, and again,

8

everyone knows that's Iwo Jima, but it's not just a

9

xerox of the Rosenthal photograph, and it's very

All of the Iwo Jima ones, this was the

10

specifically about the Corps and the dates who may not

11

really know it.

12

So for, you know, if we're going to

13

have further discussion, I would draw some attention

14

to that.

And I will cede the rest of my time.

15
16

CHAIRMAN VAN ALFEN:
much, Chris.

Thank you very

Annelisa Purdie?

17

MS. PURDIE:

Hi.

Can everyone hear me?

18

CHAIRMAN VAN ALFEN:

19

MS. PURDIE:

Yes.

Thank you, Mr. Chairman,

20

this is Annelisa Purdie.

I'm so sorry about the

21

technical issues before, I will be there for a little

22

later.

First of all I want to say you thank you so

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much for your service, and thank you to all the

2

liaisons who have worked on this medal.

3

something that is important in large part because of a

4

family collection.

5

This is also

My uncle was also in the Marines.

He

6

served during Vietnam, and I remember after he came

7

home to his children and his grandchildren, niece, and

8

nephews, looking at the Marine Corps guidebook and

9

showing us the contents of his footlocker, and

10

teaching us about his time there, and something that's

11

needed to be today, so it's very exciting about this.

12

And so I will keep it brief and go

13

through the designs that I really am drawn to, and the

14

ones that I like.

15

recommendation for design 9, particularly for the size

16

and representation that this coin is meant to signify.

17

I think that this flag design is beautiful.

18

extremely detailed.

19

So, I also agree with the

It's

The faces of each of the Marines as

20

well, their detail, and I hope that they have their

21

own specific -- which is important, and keeping in the

22

guide that this is supposed to be representative of

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the Marine Corps as a whole, and not just one

2

particular person.

3

and all of the elements that come together and are

4

spaced together very well too.

5

I think that this works very well

As I move on to 4, the artfulness of

6

the detail that's represented here, and just looking

7

at the way that they Marines are those represented

8

behind the line.

9

for different designs in order to represent the whole

But I have to agree to that looking

10

of what the Marine Corps is are important, but there's

11

something about the way that each of these just

12

approach this very, very well.

13

And it's something that, especially

14

with the walls down behind the flag also I also C2.

15

For the obverse I think that my favorite was 14, and

16

once again it's also because of spacing, the way that

17

each of the elements are positioned, and thinking

18

about the way this would look on the coin overall.

19

The shading here, especially the

20

grading is detailed expertly, and I think it

21

represents the globe and the anchor very well,

22

something that it is instantly recognizable to others,

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and also has that dynamic look over all of the

2

elements.

3

person with all of the recessing and detailed shading

4

here as well.

I'm excited to see how this would look in

5

CHAIRMAN VAN ALFEN:

Okay.

And

6

Annalisa if I could just interrupt for a second.

7

you referred to 14, was this -- which 14 was this?

8

Which portfolio?

9

MS. PURDIE:

10
11

It's the obverse.

CHAIRMAN VAN ALFEN:

Gold, silver or

clad?

12
13

When

MS. PURDIE:

Oh.

Sorry.

The silver;

yes.

14

CHAIRMAN VAN ALFEN:

Okay.

Thank you,

15

thank you, just needed clarification on that.

16

ahead, you know, sorry.

17

MS. PURDIE:

Okay.

Go

So I really

18

appreciate the design and the juxtaposition of this

19

one as well.

20

each of the three Marines are arranged with what they

21

represent.

22

And 12, especially with the way that

There's just something about nature 3

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on coin that's appealing to me, and especially the

2

celebration of the longevity of the Marines, that this

3

really conveys that sense of time, the time that's

4

happening to inspire others as well for going into the

5

Corps and seeing what thing they represent.

6

will end on time.

7
8

Thank you very much.

CHAIRMAN VAN ALFEN:
you very much Annelisa.

9

And I

All right.

Thank

Donald Scarinci?

MR. SCARINCI:

So listen, I have a lot

10

of confidence in the organization, and you know, and

11

therefore you know I like these coins.

12

commemorative coins to sell; right?

13

when civil organizations make money because that means

14

a lot of coins were made, and a lot of coins are

15

available in the secondary market for people who want

16

them.

17

I like

And I'm delighted

And you know, and when they don't sell

18

you know people just lose -- it loses focus and

19

attention on this recipient organization as well, as

20

the market sags.

21

restrike idea, as to whether that's a good thing or a

22

bad thing.

And so I'm really torn on the

And I go back and forth with myself, and I

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say on the one hand, right, sometimes when you do

2

something unconventional, you know, collectors

3

gravitate to that, like errors; right?

4

Collectors love errors; right?

They're

5

all collecting the packaging replacements that the

6

Mint has been sending out, so there's a whole market

7

for the error packaging; right?

8
9

So and people like that, collectors
collect, and you know, it certainly becomes a talking

10

point, you know.

11

you know, will have some articles about the, you know,

12

a restrike coin.

13

I'm sure Coin World will have a --

And collectors, you know, it might

14

really, you know, create an aftermarket for the 2005

15

coin, so I go back and forth on this, right?

16

don't really know what the right answer is, and I

17

don't see.

18

here, and you are, you know, this is not you, I'd be

19

wanting to talk about some other designs.

20

And I

And there are interesting other designs

But to keep to my five minutes, the

21

important point that I really -- the important comment

22

at the risk of sounding like Sean Parker in the

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Facebook movie when he turns to Mark Zuckerberg and

2

says, "Drop the thought," right?

3

scene, and you know, at risk of sounding like him, you

4

know, I'm just wondering you know if you know, the

5

objective of what you're trying to do with the gold

6

coin is clearly flags, right?

7

You know, a great

Because you realize the people are

8

going to look like mosquitoes, you know, on the size

9

of the planchet, you're not going to really, the

10

people are like, you know.

11

me, I would drop the people, and I would, you know,

12

just start with the flags.

13

So honestly, if it were

Start with the flagpole and the flags

14

and highlight the flags because the people are I think

15

just going to give you gas.

16

going to have, you know, it could go the way of the

17

basketball coin, you know, where we had to have, you

18

know, every conceivable group represented because this

19

is kind of what we do these days.

20

I mean I think you're

You know, and you're going to get

21

criticism you know, with it unless you diversify this

22

group.

You'll probably get criticism with the coin,

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and you know.

And you know, the coin itself, the gold

2

coin, they just don't, you know, people are right now,

3

especially people are spending a lot of money on the

4

gold coins.

5

coin, you know, to begin with.

So it's not going to be your best seller

6

And it could give you grief if you

7

don't really change the images, even though you're

8

never going to be able to see the faces without, you

9

know, without a five time or a three-time

10

magnification.

11

just drop the people.

12

flag, do the flags.

13

So my recommendation on the gold is
Just if you really want the

The flags, you know, would make a good,

14

you know, would make, you know, would fill a gold

15

coin, the small size of the gold coin much better.

16

And the alternative to that is what Mike had

17

suggested, is to go with obverse 6, which would make a

18

striking gold coin, right?

19

you go into the gold coin that small size, you really

20

need one compelling image.

21
22

Because the object, when

And when you look at the, you know,
when you look at the sales figures of a lot of these

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things, you know, on the theory that you know, pretty

2

coins sell, others don't, others sell less.

3

having I mean that's a compelling -- that will fill

4

the planchet.

5

You know,

That design would fill the planchet.
So I would recommend either going, and

6

we can do that by motion if the Committee likes the

7

flag, and likes the idea of killing people, right, you

8

know, we could always do that by motion, you know,

9

which is a simple thing.

10

We could certainly hear from the

11

engraver, but I would want you to think about that,

12

and maybe come back to you with a question before we

13

vote to see how you feel about that; right?

14

Because that would persuade me to give

15

you the flag instead of going -- instead of me,

16

personally going for voting for obverse 6, which would

17

be a prettier, a nicer, a more appealing gold coin, so

18

that's actually I was very concise, so.

19
20
21
22

CHAIRMAN VAN ALFEN:

Very, thank you.

Dennis Tucker?
MR. TUCKER:

Thank you, Mr. Chair.

General Lukeman, thank you for your presentation, and

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this is very helpful.

2

appreciate them, and they have my support.

3

I understand your choices.

I

Donald, you always bring up interesting

4

ideas.

5

the color guard, and you have the colors, which are

6

the flags, and then you have the guard, which are the

7

people.

8
9

I think, if I'm not mistaken, the concept of

So the color guard which is depicted
here would not be complete if we didn't have both, and

10

that would be one point.

11

you look at the gold coins, the gold five dollar coins

12

that the United States Mint has made in recent years.

13

A second point would be if

For example, the 2019 American Legion

14

five dollar gold, the minute amount of detail on these

15

coins is exquisite, and you can really get a lot of

16

very intricate detail into the small canvas.

17

I'm not saying that we're going to have

18

super detailed portraits, but I do think it's enough

19

to warrant keeping those four figures in the design,

20

and I also think it's important to have that diversity

21

in the female member of the color guard as well.

22

When I reviewed these designs, this

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incredible portfolio, one of my first questions was,

2

and I've rethought this, but I just want to give you

3

this background.

4

have three different reverses because we have three

5

different coins.

6

I thought we have an opportunity to

So and I felt at first that we're not

7

taking advantage of that opportunity by having a

8

common obverse.

9

and I'm convinced I understand and appreciate what you

But your presentation has swayed me,

10

told us, and I think the importance of having "The

11

Few, The Proud" makes sense to me, and I agree with it

12

and support that decision, so thank you, Mr. Chairman.

13
14
15

CHAIRMAN VAN ALFEN:
very much.

Dennis, thank you

John Saunders?
MR. SAUNDERS:

Hi.

John Saunders here.

16

In thinking about the question, Donald, about whether

17

we should repeat an image again or not.

18

are certain images that both from a sales point of

19

view, and for just commemorative things are so iconic

20

that not bad to repeat them.

21
22

I think there

I mean the Iwo Jima image was one.
a kid I was a stamp collector, as well as a coin

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collector.

And there's a three-cent stamp with the

2

Iwo Jima on it, and that was always one of my favorite

3

stamps, one of the first ones I got in my collection

4

of the older things.

5

And I think this image that just cries

6

out to be on there, particularly when we get a three

7

coin set.

8

reason not to repeat the same thing as the gold coin

9

from before, but we have three of them.

10

If we only had one coin maybe there's a

We're only

putting Iwo Jima on one of the three coins.

11

So I don't really have a problem with

12

that now.

13

and I got shutdown on the buffalo on the coin for the

14

repeat image.

15

the point where I still like the buffalo, but okay.

16

Of course I liked the buffalo yesterday,

And I think the buffalo is iconic to

So I'm going to support the requested

17

and recommended images, but I also want to point out,

18

and it will be up to our Chairman as to how we do

19

this, I kind of like the idea of scoring the images,

20

even though I'm not voting for them because I want to

21

go with the program.

22

But I think it would be useful to score

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the images for feedback to artists and so forth, as

2

well as rather than being we're voting for it to put

3

on the coin.

4

And I also want to give a shoutout for

5

on the gold coin, number 6.

6

I mean that one is the one that struck me when I was

7

looking at it before I heard the recommendation.

8
9

I agree with Mike there.

And I still like that one a little bit
better than the color guard, but so it's pretty

10

complicated with different reverses for different

11

reverses, but you know using different denominations

12

designs.

13

I'm going to vote with the program as recommended, but

14

I do think that that's a great design.

Voting on it would be hard to do that, so

15

CHAIRMAN VAN ALFEN:

John, to answer

16

your question, I would welcome a recommendation, or a

17

motion to support the liaisons choices before we score

18

them.

19

have the scores just for the record, and also for the

20

sake of the artists and so forth.

21

finished with the discussion that could be a

22

possibility.

We will score nonetheless because we do need to

So once we're

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2

MR. SAUNDERS:

Okay.

who else -- but other than yourself.

3

CHAIRMAN VAN ALFEN:

4

MR. SAUNDERS:

5

Okay.

CHAIRMAN VAN ALFEN:
you.

Well, the motion

MR. HOARD:
Hoard.

All right.

Thank

Kellen?

8
9

We have Kellen.

will come later.

6
7

I don't remember

Thank you.

This is Kellen

For me, I think you avoid the problem of the

10

restrike concept, like you said.

11

Jima image should not be on the silver dollar, and you

12

do it on either the clad or the gold.

13

more into that in a second, but I'll just start with

14

the gold to make things kind of easier to track.

15

I agree that the Iwo

And I'll get

On the gold I'm not usually somebody

16

who has a huge issue with sizing on the gold in a

17

small piece.

18

But I think it's an opportunity to be bold.

19

I look at it as I think detail shows up.

All the gold coins that are I think,

20

artistically compelling, but I think take advantage of

21

the size and the medium, are the ones that have a have

22

the striking immediate bold design, and I don't feel

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that 9 is quite as compelling and striking as it could

2

be, especially relative to some other ones in the

3

portfolio.

4

I found among the gold, observe 4

5

actually quite striking and bold, something that takes

6

advantage of the size and speaks out to you from that

7

small piece.

8

would appreciate, and I think it doesn't raise a

9

problem with replicating on the silver dollar if you

10

I think it really holds that well, and I

do it on the gold five dollar.

11

I think it's a piece that will pop off

12

the five dollar.

13

know the liaisons want to avoid a specific person, but

14

that's one that pops of the five dollar coin.

15

taking advantage of the medium of the coinage and of

16

the gold piece and silver.

17

I also found 6 quite compelling.

I

That is

I'll get to reverses in a little while,

18

but let's go to silver.

On silver no one liked this

19

one, but I did.

20

that was a nice one.

21

vote, but I'll give it points, 1A there.

22

combine some pieces with the Iwo Jima image with some

I liked 1A quite a bit.

I thought

I'm not sure it will get my

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artistic interest.

2

But again, largely I'm disinclined to

3

go for the Iwo Jima image here because I think there's

4

opportunities.

5

it, again the young person on the Committee, a lot of

6

young people who are interested in knowing about the

7

history of the Marines in a lot of these pieces.

8

They're buying the clad coin, not the silver one.

And I'll say that as they addressed

9

And so, if this is the image you really

10

want to emphasize, I would honestly look at putting it

11

on the clad coin because you're going to get a huge

12

base of people who maybe aren't even those passionate

13

collectors, but the general public is going to be

14

going for that one.

15

emphasize if that's the image you want to share.

16

That's the one I would really

And so either the 4A in gold or the 3

17

series with the silver, which we should talk about as

18

well, and I think Chris probably mentioned it as well.

19

But that is a way to kind of bring any of those three

20

series if we want to click down, or actually I

21

think -- well, this is silver.

22

MS. STAFFORD:

Sorry this is silver.
Silver obverse?

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MR. HOARD:

Silver obverse 3, sorry.

2

Thank you for the clarification.

3

the whole flag in the image, but this is a new way, I

4

think an exciting way to show the image in a way that

5

people haven't seen it before.

6

have seen the image.

7

I know you wanted

Most people I think

I know I learned about it in school,

8

and my peers did as well.

But this is kind of a new

9

dynamic, exciting way as Chris mentioned, to show this

10

image in a way that's unique to the medium as popping

11

and exciting, and I think the clad coins don't get

12

their due with kind of exciting designs like this one

13

that show a different angle vantage point.

14

So I would recommend this one for

15

again, maybe the clad if we're going to go with Iwo

16

Jima on there.

17

that one.

18

another one that really had pops, and if you're going

19

to put that on the clad.

20

public would get behind.

21
22

I was actually quite excited about

Also 4 for the silver obverse, again that's

It's exciting for what the

It's remarkable when they're excited,
they get the image, they get the iconography, and you

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avoid the replication issue.

2

going to vote for artistic merit why I thought clad 6

3

was just kind of a neat design for clad obverse 6.

4

All right.

For clad just I'm not

That's a long PDF.

Yeah.

5

I just thought that was a neat one, and I wanted to

6

shout that one out, I'll give points to the artist for

7

that one.

8

you know, with the silver you go with one of the

9

alternative designs that's not Iwo Jima.

So really where I'd land is that I think,

Maybe you go

10

with the one alternative, the clad design through

11

time.

12

Maybe you go with some of the other

13

images, but then Iwo Jima on the gold or the clad, and

14

do a popping design on the gold.

15

has the kind of Marines in the bold lettering, or has

16

the design 6 as well, which really placed the medium.

17

That's the one that

And then I think you -- for the

18

reverse I'm fine, you know, with kind of the simple

19

one, but I think on that one you also go -- you get a

20

little bit of flavor in there as well.

21
22

You can stick, I mean on the 2005 coin
it was again a very simple plain one.

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have an opportunity here.

2

you have an opportunity to get, you know, a little

3

more flavorful.

Is you look at maybe reverse on the

4

gold, reverse 1.

And there's going to be a comment.

5

I'm okay with a comment on there.

6

can add a little bit flavor, it's nothing to crazy.

7

You're 20 years older now,

So again, you'll

You can work with kind of an artistic

8

style if you want, but that actually allows you to get

9

a little bit more flavor.

Also, you know, a little

10

should out for 6.

You know, I think people like the

11

dog.

12

thought was interesting, but again, is silver reverse

13

2.

For or also speaking of reverses, one that I

14

I think we should be kind of centering

15

kind of more the traditional -- but I think reverse 2

16

shows the breadth of the Marine service, which is

17

difficult to do when it shows it across the many

18

different ways and the unique ways as well, or reverse

19

silver reverse 8 is what I labeled that as well.

20

Again, this is one of them where you

21

still have that globe iconography, but you're getting

22

a little bit bolder.

I mean you're popping off the

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coin, you're creating some of those really common

2

sayings.

3

I'm guessing those won't be represented

4

on the obverse design, everybody seems to like, so

5

that's an opportunity to put it on the reverse there,

6

and still have the iconography you're looking for.

7

Also, the last reverse's icon is in 1.

8

I did like reverse silver, clad reverse 1, again it's

9

one that just is kind of unique, compelling, has the

10

phrasing, has the imagery we want, but again I won't

11

do that as a common reverse if we had Imo Jima on the

12

obverse.

13

And finally, reverse 9, which is

14

unique.

15

flavor and spice to it, and then you have kind of a

16

more compelling image.

17

would recommend is we do go with the Iwo Jima image.

18

We just don't put it on the silver.

19

I mean that's one where you can add a little

So long story short, what I

We put it on clad because that's what

20

the public is going to buy, and that's not collectors,

21

it's not Marines, and that's what they're going to be

22

excited about, what they're going to be able to learn

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more about.

2

The gold you know, is a kind of popping

3

design.

I think clad or the silver could go with clad

4

5B or whatever else kind of spoke to you in that

5

regard.

Thank you.

6

CHAIRMAN VAN ALFEN:

All right.

7

Kellen, thank you very much.

8

than happy to support the liaison's preferences.

9

is clear to me that they have spent a great deal of

10

time looking at the portfolio, but they have picked

11

and choose, selected from different elements to create

12

a selection of coins that they think will work very

13

well representing the Marine Corps, who are they are,

14

what they want to represent, and obviously what too,

15

the general public and the Marine Corps market will be

16

buying these coins.

17

For myself, I am more
It

I think that the images that they've

18

selected are among some of the strongest in the

19

portfolios.

20

very compelling, and a very strong image, but as Major

21

General Lukeman indicated one of the concerns that

22

they have is trying to move away from depictions of

I do recognize that gold obverse 6 is a

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individuals to depictions that can represent the

2

entirety of the Marine Corps, which this image

3

obviously does not.

4

I really liked silver image obverse 12

5

with the Sergeants encouraging those, a great deal of

6

encouragement in that case.

7

compelling image, and certainly something we have

8

never seen on the U.S. coinage before.

9

I know that also was a

But again, I am more than happy to

10

support the liaison's preferences in this portfolio.

11

Donald, do you have quick comment?

12
13

MR. SCARINCI:
motion.

14
15

I was going to make a

CHAIRMAN VAN ALFEN:

Oh.

Before the

motion let's --

16

MR. SCARINCI:

You know, that's why I

17

love having Kellen on the Committee, you know, he's

18

right.

19

that's their coin.

20

you know.

21

know, just thinking out loud, the coins.

22

danger of restriking -- I call it a restrike, where

I mean people are going to buy the clad coin,
That's the coin people can afford,

And you know what?

The danger, and I'm you

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you're restriking the 2005 coin on the silver.

2

The danger that is if you're looking,

3

you know, if next year people are still at this year

4

and last year, or the year before when people are

5

cutting corners, you know, you already have this coin,

6

so you're why would you get it again, you know?

7

And but, if you put it on the clad,

8

even the half a million people that own the silver

9

might want to buy the clad as a companion piece to the

10

silver from 2005.

So from a sale point of view not

11

only do we overcome the restrike because it's not

12

really a restrike, it's a different thing, so you

13

overcome any issue of that.

14

But you know, you go back to the half a

15

million people that own the first coin, and you've got

16

the clad coin now versus putting it on the gold

17

because the gold, the golds don't have a history of

18

selling more than, you know, 15 or 20,000, you know

19

20,000 coins.

20

And I don't know that that design is

21

going to increase that very much beyond maybe 20,000.

22

So I just think Kellen made a good point, it's worth

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discussing, and maybe if you don't mind.

2

and I would like here before we vote, I'd really like

3

to hear their comments, the liaisons comments on our

4

comments to hear what they have to say.

5

CHAIRMAN VAN ALFEN:

6

MR. TATE:

7
8
9
10

I think --

Perfect.

Okay.

Chairman, Joe Menna has a

hand raised.
CHAIRMAN VAN ALFEN:

Oh.

Thank you.

Joe, we'll go to you first, and then Dennis.
MR. MENNA:

This is Joseph Menna.

Mr.

11

Chairman, is it an inappropriate juncture to make it a

12

technical sculpture observation?

13

you're going to hit me?

14

CHAIRMAN VAN ALFEN:

15

MR. MENNA:

Okay.

I didn't know if

Please do.
With all respect to

16

Donald who knows how much I value his acumen and

17

expertise, in terms of the Iwo Jima flag raising image

18

I would, from an artist perspective right, we're

19

thinking 2D here.

20

novel or a script.

21
22

2D is very much like a text, like a

So take one, so and the sculpting would
be like a cinematic interpretation of that by a

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1

certain auteur.

2

novel True Grit.

3

that was considered a classic like this 2005 coin.

4

There was a later version in 2010 by the Cohen

5

brothers that most people considered far superior,

6

believe it or not.

7

So take Dick Charles Portis classic
There was an earlier version of that

As this coin -- and equally so, it's a

8

different interpretation by the actors and the

9

directors, and in this case that would be the

10

sculptor.

11

be able to visit upon this script now, as it goes to

12

20 years ago, is definitely more sophisticated.

13

not talking about digital technology.

14

The sculptural interpretation that we would

I'm talking about the quality of our

15

sculpting now is probably the best since Gilroy

16

Roberts, the chief engraver.

17

in the world right now.

18

I'm

We have the best staff

You will have a much richer, and joyful

19

visually obviously different and more powerful

20

sculpture than we did despite the fact that I think

21

that was the coin of the year actually, that Charles

22

Vickers, that Norman Nemeth sculpted.

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Norm and Charlie did the obverse and

2

reverse.

But you will have the same script, but

3

you'll have a different version of that, you'll have a

4

different interpretation of it.

5

important to consider the sculptor voices where only

6

the Committee is not limiting two potential designs

7

with a numerous amount of coin understanding behind

8

that.

9

assumption.

I think it's really

I'm not invalidating that, please, or making an

10

But from a sculptor's perspective, I

11

know we can make this pop, and it would be fantastic,

12

and it will honor the service people that it's meant

13

to in a brand new way, even though like when two

14

different bands play the same song, it's not really

15

the same.

16

Jimi Hendrix's Star-Spangled Banner

17

sounds completely different, right?

18

invested in it, and made it a whole new work of art,

19

but it's the same song.

20

Thank you.

CHAIRMAN VAN ALFEN:

21

very much.

22

do you have time?

He actually

Joe, thank you

Always appreciate your insights.

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MR. TUCKER:

Thank you, Mr. Chair.

2

This is Dennis Tucker.

3

wonderful feedback, and we always appreciate your

4

insight, and it's always welcome by the Committee.

5

wanted to push back a little bit on this concept of

6

the clad half dollar being more the coin of the

7

people, or the more popular denomination in terms of

8

sales.

9

And thank you, Joe.

That's

I

If you look at the sales numbers from

10

recent commemorative programs of the last 10 years or

11

so, the silver dollar, uncirculated and proof, almost

12

always sells at least as well as the half dollar, and

13

typically even better.

14

the coin of the people, you know, if you compare the

15

two.

16

So the silver dollar really is

And in terms of affordability for

17

younger people, or people on a budget, I would just

18

encourage people to study the sales data.

19
20

CHAIRMAN VAN ALFEN:

Thank you.

Kellen?

21
22

Thank you.

MR. HOARD:
Thank you, Joe.

This is Kellen Hoard.

You know, for me I think even beyond

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the sales data what it mostly goes to the reason to

2

the reason to do it on the clad.

3

kind of get away from a very similar design that we

4

did before.

5

we are going to do Iwo Jima on the silver coin there,

6

I think that we go with what the alternative design,

7

so like the ones that Chris mentioned that I do, first

8

maybe zoom in a little bit more, a different vantage

9

point, and a different angle.

So it is just to

And that's at the base level there.

If

10

I think that if you're going to have

11

kind of a different musical message, or a different

12

kind of narrative, you really, you distinguish it.

13

Because to me the liaison represents now is almost

14

identical, even if it's sculpturally maybe different,

15

whereas there are 12 or 23 different Iwo Jimas on

16

this, their whole philosophy that that would be kind

17

of stylistically or compelling.

18

So if we do go with the silver, I think

19

you don't go kind of the -- you've go a little bit

20

more bolder on that one as well.

21
22

CHAIRMAN VAN ALFEN:

Thank you, Kellen.

I just want to underscore that there was a specific

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reason why the Major General Lukeman underscored for

2

their selection of this, and that was to include the

3

entirety of the flag, and the entirety of the scene.

4

So you know, their selection of that

5

particular image rather than one that's a little bit

6

more -- was very specific, and very specific reasons

7

behind that.

8
9

John, I see your hand was raised?
MR. SAUNDERS:

John Saunders here.

Yeah.

Oh, the mic.

I have both a comment I forgot to

10

make when I was discussing the design and motion.

The

11

comment is I really like the idea of a bulldog on the

12

coin, but the designs had the bulldog too big where it

13

stole the scene.

14

What I think would be really cool to

15

do, and I'm not going to recommend it in my motion,

16

but I'm going to say it anyway, is to put a bulldog

17

maybe on all three coins, but about the size of a

18

large privy mark, so that it would have the image, but

19

not take away from it.

20

little bulldog, here's our little mascot in the other

21

corner.

22

A little sight, here's a

But my motion is to accept the

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recommendations of the liaison in its entirety, and

2

then afterwards, as our Chairman has suggested, let's

3

for feedback for future designs.

4

225th anniversary, or whatever the next one is.

5

discussed the designs, certainly new feedback for the

6

designs as well.

7

You know, 175th,

And the artistic box is going to be

8

needed to be checked as well.

9

accept the liaisons' recommendation.

10
11

So my motion is we

CHAIRMAN VAN ALFEN:

Do I have a

second?

12
13

We

MR. BERNSTEIN:

Art Bernstein.

I

second that.

14

CHAIRMAN VAN ALFEN:

15

MR. HOARD:

16

CHAIRMAN VAN ALFEN:

17

MR. HOARD:

All right.

Discussion on the motion?
Sure, yeah.

I would suggest that -- oh

18

sorry, this is Kellen Hoard.

19

since enough different designs were raised by the

20

members of the Committee, that every member pay

21

attention to different ones.

22

I would suggest that

I just ask that we score -- I'm not

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opposed to it, but that we score first, and then we

2

can vote on the motion to approve once the designs are

3

-- I think it would be helpful to get a sense of which

4

designs generally are popular, as we usually do.

5

CHAIRMAN VAN ALFEN:

I think that that

6

might complicate things a little bit.

7

with the motion as it is, and if it does not carry,

8

then we can.

9
10

MR. HOARD:
saying.

Well, that's what I'm

That we're not going to vote on this part.

11
12

Let's proceed

CHAIRMAN VAN ALFEN:

All right.

So any

other comments on the motion?

13

MR. SCARINCI:

So on the motion, I

14

think Joe Menna made a brilliant point about -- and

15

another good point there, which is collectors will

16

have the opportunity compare, you know, compare the

17

remake versus the original, which by the way as he

18

mentioned, coin of the year, so everybody has the

19

information.

20

It's my recollection that this coin in

21

-- this coin was while it did win coin of the year for

22

overall, so it's voted on by over 120 international

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voters, numismatist scholars, and people in the

2

industry.

3

this coin that the United States won another coin of

4

the year, so this is the last one for a long, long

5

time.

And it wasn't until seven years later after

6

So there is no question this is an

7

iconic design, it's an important coin, it's an

8

important design, and thank you, Joe, for that

9

insight.

I hadn't really thought of that, but you're

10

absolutely right.

11

And numismatists will identify the difference and

12

enjoy doing it.

13

It's going to be a different coin.

So as to the motion I'm probably going

14

to -- me and John, we're going to probably vote

15

against it because I want to score first.

16
17

MR. SAUNDERS:

Well, I wouldn't feel I

did it right if you voted for it.

18

CHAIRMAN VAN ALFEN:

All right.

And

19

let's if there are no further comments on the motion,

20

Dennis?

21
22

You have one?
MR. TUCKER:

This is Dennis Tucker.

Just one quick comment.

I would actually encourage

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everybody to vote for this one just so that we send a

2

strong message to the Secretary of the Treasury that

3

this is our recommendation.

4

against; right?

5

MR. HOARD:

We can vote for or

Again, this is Kellen.

I'm

6

not opposed to the motion.

7

first, so I'm going to vote against the motion so we

8

can score first, and then we can unanimously, or

9

whatever we're going to report the vote, or however

10

I just want to score

you want to do it, I have to score it.

11

MR. SCARINCI:

At the discretion of the

12

Chair -- at the discretion of the Chair because I have

13

the same view as Kellen on it.

14

motion as well, but I'd like to score at the

15

discretion of the Chair, can we vote on the motion,

16

and then in addition after the motion is voted for,

17

score?

I'll vote for the

18

CHAIRMAN VAN ALFEN:

19

MR. SCARINCI:

20

CHAIRMAN VAN ALFEN:

Sure.

Yeah.
All right.

Okay.

21

So this motion all those in favor please signify by

22

saying aye.

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MULTIPLE SPEAKERS:

2

CHAIRMAN VAN ALFEN:

Aye.
So the motion on

3

the table at the moment is to adopt the liaisons

4

preferences as they stand, as the Committee's

5

recommendations to the Secretary.

6

those in favor of the motion please signify by saying

7

aye.

8

MULTIPLE SPEAKERS:

9

CHAIRMAN VAN ALFEN:

10

All right.

So all

Aye.
All those opposed

nay.

11

MULTIPLE SPEAKERS:

12

CHAIRMAN VAN ALFEN:

13

the motion carriers.

14

designs.

Nay.
All right.

And so

We will now score the candidate

15

MR. TATE:

16

CHAIRMAN VAN ALFEN:

17

will now score the candidate designs, and I'll be

18

handing out the score sheets, and these are the

19

equivalent to CCAC Council's -- and we'll take a

20

recess for at least ten minutes, so we will be back at

21

10 minutes to 11.

22

MR. TATE:

Chairman, who said nay?
Kellen.

The time is 10:37.

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We

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(Off the record.)

2

MR. TATE:

3

CHAIRMAN VAN ALFEN:
We are back.

The time is 10:54.
All right.

Thank

4

you.

5

to the CCAC to present the results from the scoring

6

sheets.

7

I recognize Greg Weinman, Counsel

MR. WEINMAN:

We have some interesting

8

scores here.

So let's start with the gold.

Gold

9

obverse 2 received 3 points; obverse 3 received 4

10

points; obverse 4 received 9 points; obverse 5

11

received 2 points; obverse 5A received 5 points;

12

obverse 6 received 24 points.

13

high vote getter.

14

That's going to be the

Obverse 7 received 4 points; obverse 8

15

received 3 points, and obverse 9 received 18 points.

16

Going to the gold reverse.

17

15 points, and again the high point getter, although

18

just barely at the 50 percent mark.

19

Reverse number 1 received

Gold reverse 2 received 4 points;

20

reverse 3 received 6 points; reverse 4 received 7

21

points; reverse 5 received 3 points; reverse 6

22

received 2 points; reverse 7 received 9 points, and

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reverse 8 received 10 points.

2

gold.

3

That takes care of

Let's move to the silver.

Silver

4

obverse 1 received 9 points; 2 received 7 points;

5

obverse 3 received 10 points, 3A received 7 points; 4

6

received 8 points; 4A received 10 points; 5 received

7

13 points; obverse 5A received 9 points; obverse 5B

8

received 19 points and is the high vote getter.

9

Obverse 6 received 6 points; obverse 7

10

received 4 points; obverse 7A received 3 points;

11

obverse 9 received 4 points; obverse 10 received 6

12

points; obverse 11 received 6 points; obverse 12

13

received 11 points; Obverse 18 received 5 points, and

14

obverse 14 received 5 points.

15

Moving to the silver reverses.

Silver

16

reverse 6 received -- I'm sorry, silver reverse 1

17

received 6 points; silver reverse 2 received 9 points;

18

reverse 3 received 8 points; reverse 4 received 4

19

points; reverse 5 received 18 points to make it the

20

high vote getter.

21
22

Reverse 6 received 4 points; reverse 7
received 3 points; reverse 8 received 8 points;

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reverse 9 received 4 points; reverse 10 received 5

2

points, and reverse 11 received 8 points.

3

Moving on to clad.

Clad obverse.

4

Obverse number 1 received 4 points; obverse 3 received

5

15 points, making it the high vote getter only at 50

6

percent.

7

received 9 points; obverse 7 received 6 points;

8

obverse 7A received 6 points;

9

Obverse 5 received 7 points; obverse 6

Obverse 8 received 5 points; obverse 9

10

received 5 points.

11

Clad reverse 6 -- I'm sorry, clad reverse 1 received 6

12

points; clad reverse 2 received 6 points; reverse 3

13

received 5 points; reverse 4 received 7 points;

14

reverse 5 received 7 points;

15

Moving on to the clad reverses.

Reverse 6 received 3 points; reverse 7

16

received 8 points; reverse 8 received 4 points; and

17

reverse 9 was the high vote getting at 9 points, below

18

the 50 percent threshold.

19

Make of that as you will.

CHAIRMAN VAN ALFEN:

Okay.

Thank you

20

very much again.

So we have now scored, and the

21

scores indicated are interesting, but as I believe

22

we've already made the decision on the portfolio what

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I would recommend at this point that there are at

2

least suggestions, modifications that we make on the

3

designs that have been selected at this point.

4

MR. SCARINCI:

I would simply say I'm

5

sure the liaisons have already told them that the way

6

the process works is the next step is to ask the

7

Commission of Fine Arts if they haven't done it yet,

8

and then after that if they still have direct approach

9

to the Secretary makes the ultimate decision.

10

So if they change their minds on any

11

design, I think it's safe to say on behalf of all of

12

us, that we would not be offended if you change your

13

mind as you continue to go along the process.

14

CHAIRMAN VAN ALFEN:

There have been a

15

couple of issues raised by our liaisons, one of which

16

is gold obverse 9.

17

possibility of including a female service member as

18

part of that design.

19

They have requested the

MR. TUCKER:

This is Dennis Tucker.

20

think that's captured sufficiently in our vote.

21

voted to accept and recommend the liaisons

22

recommendations, which includes that opportunity.

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CHAIRMAN VAN ALFEN:
you.

3

case I would like to take a moment then to express our

4

appreciation to our liaisons, Jennifer Vanderveld and

5

Major General Lukeman.

6

with your very impassioned presentation this morning,

7

Major General, and I do hope to be able to pay a visit

8

to the Marine Heritage Public Museum as soon as I

9

possibly can.

11

All right.

Thank

2

10

Any other comments?

All right.

Again, I really was impressed

Again, thank you very much.
MAJOR GENERAL LUKEMAN:

welcome down at the museum any time.

12

Well, in that

CHAIRMAN VAN ALFEN:

You all are
Call me.

All right.

Since

13

we are ahead of schedule, I think it would be a good

14

idea to just press on with the agenda items.

15

next agenda item is our review and discussion of the

16

obverse and reverse candidate or candidate design,

17

sorry, for the Janet Yellen Secretary of the Treasury

18

Medal.

19
20
21
22

So the

April Stafford and Megan Sullivan will
now present us with the portfolio, so April?
MS. STAFFORD:

Thank you.

As part of

its bronze medal portfolio, the United States Mint has

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historically produced Secretary of the Treasury Medals

2

to commemorate the Secretaries and their legacies.

3

The medals typically feature portraits of the

4

Secretary and the beginning dates of their terms.

5

Reverse elements often include

6

meaningful symbols, seals, and quotes.

The United

7

States Mint worked closely with the Secretary's staff

8

in development of a design portfolio, and the

9

Secretary's preferred designs are below.

We have

10

obverse 5 seen here.

11

Secretary Yellen, along with the inscription "JANET

12

YELLEN."

13

It features a portrait of

Reverse 4 depicts a view of the

14

Treasury Building and the inscription "78TH UNITED

15

STATES SECRETARY OF THE TREASURY."

16

CHAIRMAN VAN ALFEN:

Thank you very

17

much.

Since this is a very small portfolio, with

18

really only one obverse and one reverse design, I do

19

not think that we need to spend five minutes each

20

discussing this.

21

are any comments or observations that might improve

22

the designs, I'd certainly welcome those comments and

So what I would suggest is if there

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discussion.

2

And I see Dennis has his hand raised.
MR. TUCKER:

Thank you, Mr. Chairman.

3

I just wanted to bring attention to the reverse, and

4

specifically the wording and the modifiers.

5

States and Secretary of the Treasury."

6

the Secretary medals have, for example for Secretary

7

Lew, it was the 76th Secretary of the Treasury.

8
9

"United

Traditionally,

For Secretary Mnuchin, it was 77th
Secretary of the Treasury.

I think we have misplaced

10

modifiers here, and this should either be 78th

11

Secretary of the United States Treasury, or simply

12

following the traditional wording, which would be 78th

13

Secretary of the Treasury.

14

The way it's worded now there is an

15

implication that there are other Secretaries of the

16

Treasury, and she happens to be the United States

17

Secretary of the Treasury.

18

MS. STAFFORD:

Thank you.

We will take

19

that back to the Secretary and the staff.

20

MR. TUCKER:

Thank you.

Other than

21

that, a wonderful portrait, and proceed apace.

22

you.

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CHAIRMAN VAN ALFEN:

2

very much for that.

3

comments on the design?

4

Dennis, thank you

Are there any other suggests or

MR. SCARINCI:

Peter, you said

5

comments; right?

6

because this is a gorgeous design, and I really -- I

7

was impressed with the portfolio.

8

most of these going back to Alexander Hamilton, but

9

you know, this one is really, is really gorgeous.

10

You know, so I have to comment

You know, I have

But you know, Joe, they did a great job

11

on the sculpt.

12

leave it is going to be Janet Yellen because I think

13

she's been the best Secretary of the Treasury since

14

I've been here.

15

CHAIRMAN VAN ALFEN:

16

you very much.

17

Dennis?

18

And you know when my time comes to

Anything else?

MR. TUCKER:

Wonderful.

Thank

Are there any motions?

I would just move that we

19

recommend to the Secretary of the Treasury that we

20

accept these designs, with that modification to the

21

text as we said.

22

CHAIRMAN VAN ALFEN:

Very good.

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have a second?

2

MR. BERNSTEIN:

Art Bernstein.

3

CHAIRMAN VAN ALFEN:

Second.

Art, thank you.

4

All those in favor of the motion if there is no

5

further discussion, please indicate by saying aye?

6

MULTIPLE SPEAKERS:

7

CHAIRMAN VAN ALFEN:

8

All right.

9

All right.

Aye.
Any opposed?

Motion carries.

Very good.

So onto our next and final item on our

10

agenda today.

11

Obverse and Reverse Candidate Designs for the Ventris

12

C. Gibson Director of the Mint Medal.

13

and Megan Sullivan will now present us with the

14

portfolio.

15

This is a Review and Discussion of the

MS. STAFFORD:

April Stafford

Thank you.

As part of

16

its bronze medal portfolio of the United States Mint

17

has historically produced Director of the Mint Medals

18

to commemorate the Directors and their legacy.

19

Director Gibson was directly involved in the

20

development of the design portfolio of this medal, and

21

her preferred designs are as follows:

22

Obverse 1A features a portrait of

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Director Gibson with the inscriptions "VENTRIS C.

2

GIBSON," and "40TH DIRECTOR OF THE UNITED STATES

3

MINT."

4

elements for Director Gibson.

5

family fun and her family's beloved Golden Retriever.

Reverse 1 depicts a compilation of meaningful

6

The mountains for

The inscriptions are "FAIRNESS,

7

INTEGRITY, TRUST," Director Gibson's core values.

8

CHAIRMAN VAN ALFEN:

9

much, April.

Thank you very

And again, since this is a very small

10

portfolio with only one obverse and one reverse design

11

candidate, I again will just ask for suggestions or

12

comments to improve the design if there are any.

13

Kellen?

14
15

MR. HOARD:

18

I

just had a question.

16
17

This is Kellen Hoard.

MR. TATE:
Thank you.

Can you use your mic?

Yeah.

Perfect.
MR. HOARD:

I just had a question for

19

the design staff.

I see on the obverse that the top

20

letters seem to be -- have a shadowing or shading and

21

the bottom letters don't.

22

like on the medal?

What is that going to look

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2

MS. STAFFORD:

I'll throw that to our

chief engraver to speak to, Joe if you don't mind.

3

MR. MENNA:

This is Joseph Menna.

Yes,

4

Kellen, sometimes artists throw a shadow on field just

5

so it doesn't look as flat, and you get that the

6

Committees and the stakeholders can get the impression

7

that the text will be dimensional.

8

goes over a device such as, this is a low relief area,

9

CGM kind of style where it fades into the field.

10

But when that text

And I think the artist is trying to do

11

the shadow is counterproductive there, so it's already

12

applied that the text, the lower text is above the

13

skull, but on the top of the design it just helps give

14

a little pop to it.

15

It doesn't mean anything specifically.

It's just a little razzle dazzle.

16

MR. HOARD:

17

CHAIRMAN VAN ALFEN:

18

you very much.

Thank you.
Thank

John, you have a comment?

19

MR. SAUNDERS:

20

MR. TATE:

21

MR. SAUNDERS:

22

All right.

John Saunders.

Your mic.
That's okay.

going to say much.

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I'm not

Meeting

April 17, 2024

Page 99
1

MR. TATE:

So they can hear.

2

MR. SAUNDERS:

Okay.

John Saunders.

3

just wanted to comment that Art has finally got a

4

Golden Retriever on a coin or medal that he's been

5

working on for all this time, so.

6
7

MR. BERNSTEIN:

10

Now we need to make it

the official mammal of the United States.

8
9

CHAIRMAN VAN ALFEN:
much.

All right.

discussion, Art?
MR. BERNSTEIN:

12

CHAIRMAN VAN ALFEN:

MR. TUCKER:

Okay.

Do we have

I would move for approval

of the design as submitted.

16
17

Just looking.

a motion?

14
15

Thank you very

Is there any other comments,

11

13

CHAIRMAN VAN ALFEN:

Is there a second?

Kellen?

18

MR. HOARD:

19

CHAIRMAN VAN ALFEN:

Second.

Any further discussion?

Thank you very

20

much.

21

those in favor please signify by saying aye.

22

I

Seeing none.

MULTIPLE SPEAKERS:

Aye.

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All

Meeting

April 17, 2024

Page 100
1

CHAIRMAN VAN ALFEN:

Any opposed?

2

The motion carries unanimously.

All

3

right.

If all the discussion then has concluded,

4

which it seems to have, I would like to thank the CCAC

5

members and the staff, and our liaisons and the public

6

for their attendance both yesterday and today.

7

upcoming meetings will be announced in the Federal

8

Register, so it's prior to the public meeting.

9

now I will happily entertain a motion to adjourn.

10

MR. TUCKER:

11

CHAIRMAN VAN ALFEN:

12

And

Dennis Tucker, so moved.
All right.

A

second?

13

MR. BERNSTEIN:

14

CHAIRMAN VAN ALFEN:

15

All

seconds.

Second.
Art Bernstein

All in favor signify by saying aye.

16

MULTIPLE SPEAKERS:

17

CHAIRMAN VAN ALFEN:

Aye.
The ayes have it,

18

so this meeting stands adjourned at 11:10 a.m.

The

19

next public meeting will be posted in the Federal

20

Register, so thank you.

21

(Whereupon, the meeting concluded at

22

11:10 a.m.)

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Meeting

April 17, 2024
Page 101

1
2

CERTIFICATE
I, MATTHEW YANCEY, the officer before whom

3

the foregoing proceedings were taken, do hereby

4

certify that any witness(es) in the foregoing

5

proceedings, prior to testifying, were duly sworn;

6

that the proceedings were recorded by me and

7

thereafter reduced to typewriting by a qualified

8

transcriptionist; that said digital audio recording of

9

said proceedings are a true and accurate record to the

10

best of my knowledge, skills, and ability; that I am

11

neither counsel for, related to, nor employed by any

12

of the parties to the action in which this was taken;

13

and, further, that I am not a relative or employee of

14

any counsel or attorney employed by the parties

15

hereto, nor financially or otherwise interested in the

16

outcome of this action.
<%29511,Signature%>

17

MATTHEW YANCEY

18

Notary Public in and for the

19

District of Columbia

20
21
22

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Meeting

April 17, 2024
Page 102

1
2

CERTIFICATE OF TRANSCRIBER
I, HELEN VENTURINI, do hereby certify that

3

this transcript was prepared from the digital audio

4

recording of the foregoing proceeding, that said

5

transcript is a true and accurate record of the

6

proceedings to the best of my knowledge, skills, and

7

ability; that I am neither counsel for, related to,

8

nor employed by any of the parties to the action in

9

which this was taken; and, further, that I am not a

10

relative or employee of any counsel or attorney

11

employed by the parties hereto, nor financially or

12

otherwise interested in the outcome of this action.

13
14
<%17264,Signature%>
15

HELEN VENTURINI

16
17
18
19
20
21
22

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Meeting

[05 - 5a]
0
05 48:12
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81:15 89:12
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14 29:7 56:15
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16th 35:21
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1812 17:19
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1920 36:2
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20,000 76:18
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2010 78:4
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2018 12:14
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2d 77:19,19
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3 28:12,20,21
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5a 28:12,22
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Meeting

[5b - alfen]
5b 28:22 46:6
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6
6 28:12,20 29:7
29:15 30:2,3
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89:9,9,11,12
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90:12,15
6,000 22:4
600,000 40:2
6590123 1:20
7
7 28:12,20 29:7
29:15 30:2,4
53:18,20 88:14
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70 38:6
76th 94:7
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8
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April 17, 2024

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above 19:13
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absolutely
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accomplishm...
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acquisition
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acumen 77:16
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73:14
addition 86:16
additional 29:3
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addressed
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adjourned
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affairs 2:4 3:11
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affordability
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ahead 46:2
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air 17:3 34:1
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alexander 14:7
95:8
alfen 1:6 2:5
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6:17,20 7:1,4,7
7:10,12 8:13

Meeting

[alfen - attendance]
8:20 9:1,4,7,10
9:13,16,19
10:2,6,9,13,17
11:7,13 16:1
27:14 28:3
30:6 31:2,5,18
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April 17, 2024

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amphibious
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answer 27:9
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6:1
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archives 12:21
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artistically
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91:7
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asset 19:11
assistance 17:4
associate 24:19
35:16
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assumption
79:9
attendance
8:15 100:6

Meeting

[attendees - brilliant]
attendees 2:2
3:2
attention 37:15
51:14 53:17,21
54:6,13 58:19
83:21 94:3
attorney
101:14 102:10
attracted 50:16
52:18
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audio 9:22
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auteur 78:1
authentic 46:9
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16:16
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avoid 67:9
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award 4:4 7:16
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b
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60:17
battalions 17:8
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battlefields
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brendan 3:11
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84:14

Meeting

[bring - chairman]
bring 36:5
40:20 51:14
63:3 69:19
94:3
britannia
13:13
bronze 14:6,8
92:22 96:16
brookgreen
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brookgreen's
12:21
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22:20
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bulldog 35:15
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82:11,12,16,20
bulldogs 36:9
bullion 14:2
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business 11:14
butler 36:2
buy 42:19,20
42:20 73:20
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April 17, 2024

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Meeting

[chairman - collector]
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chairperson
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66:3,5 68:14
69:8,11 71:21
73:1 75:18,19

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202-857-3376

75:19 76:1,5
76:15,16 78:3
78:7,21 79:7
80:6,14 81:5
82:12 84:18,20
84:21,21 85:3
85:3,7,10 99:4
coinage 1:1
5:11,17 11:16
13:17,19 14:2
14:2,2,19 15:5
53:1 68:15
75:8
coinnews 8:12
coins 14:14
26:14 28:8
29:14 40:20
42:11 48:14
51:5 58:11,12
58:14,14 61:4
62:2 63:11,11
63:15 64:5
65:10 67:19
70:11 74:12,16
75:21 76:19
82:17
colleague 52:6
colleagues
14:15 16:2
collect 59:9
collecting 44:7
59:5
collection 55:4
65:3
collections
12:18,22
collector 42:16
64:22 65:1

Meeting

[collectors - contribution]
collectors 59:2
59:4,8,13
69:13 73:20
84:15
color 24:12
28:13,18 63:5
63:8,21 66:9
colors 24:15,20
25:3 63:5
columbia
101:19
combat 17:5
18:22
combine 68:22
come 16:9
20:17 23:8,9
40:17 41:17,22
56:3 62:12
67:5
comes 35:6
36:1,22 37:4
95:11
coming 48:3
52:8
commandant
23:4
commemorate
43:11,14 93:2
96:18
commemorates
42:4
commemorat...
37:1 46:11
commemorat...
52:12,14
commemorat...
3:20 4:7 7:19
10:11,21 16:14

16:15,20 20:19
22:17 41:20
42:15 58:12
64:19 80:10
comment 50:14
59:21 72:4,5
75:11 82:9,11
85:21 95:5
98:18 99:3
comments 12:9
14:21 47:22
77:3,3,4 84:12
85:19 92:2
93:21,22 95:3
95:5 97:12
99:9
commission
91:7
commitment
19:16 29:4
34:1,11,13
committed
13:7
committee 1:1
5:11,17 6:6
11:16 12:5,6
13:8,12,18,19
14:19 15:5,8
16:8 31:11
33:15 62:6
69:5 75:17
79:6 80:4
83:20
committee's
87:4
committees
98:6

April 17, 2024

Page 7
commodore
47:6
common 29:13
35:9 64:8 73:1
73:11
companion
76:9
company 12:11
compare 80:14
84:16,16
compelling
42:9 61:20
62:3 67:20
68:1,12 73:9
73:16 74:20
75:7 81:17
compilation
97:3
complete 63:9
completely
53:6 79:17
complicate
84:6
complicated
66:10
component
46:13
conceivable
60:18
concept 63:4
67:10 80:5
concerns 74:21
concise 62:18
concluded
100:3,21
concludes 30:4
confidence
58:10

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202-857-3376

confident 16:5
confirm 8:15
congratulate
51:5,7
congratulating
14:18
congress 17:8
23:3 41:20
congressional
14:3
connection
24:17 26:14,15
44:21
conservation
12:20
consider 13:11
79:5
considered
78:3,5
consistently
14:13
cont'd 3:1,2
contains 14:5
contents 55:9
continental
17:8,12,13
23:3 29:1
continue 22:11
23:19 91:13
continued
19:21
continues
22:10
continuing
15:16
contribution
13:20

Meeting

[contributions - depicts]
contributions
52:16
controversial
37:5
controversy
37:13,14,14,17
conversation
30:11 45:1
convey 53:12
conveys 58:3
convinced 64:9
coo 20:8 21:4
cool 82:14
core 34:12 97:7
corner 82:21
corners 76:5
corps 3:14,16
3:20 4:6 7:18
10:10,21 11:2
11:4 16:14,19
17:1,6,9,14
18:5,8 19:3,10
19:11,16,22
20:2,4,6,7,9,15
20:20 21:1,3,8
21:10,12,18,20
21:22 22:7,12
22:14,19,21
23:2,5,10,11
23:15,16 24:1
24:12,15,17,20
24:20,22 25:3
26:4,16,19,22
28:13,14 29:11
32:5,20 34:9
34:10,12,18,21
35:9,20 36:4,7
37:2 38:22

39:17,19 43:11
43:15 45:4,11
47:2,6,10
48:12 51:8,22
54:10 55:8
56:1,10 58:5
74:13,15 75:2
correct 30:16
36:20 38:14,15
corridor 47:5,7
costello 9:16
council's 87:19
counsel 3:9,9
3:19 10:7,7,10
88:4 101:11,14
102:7,10
counterinsur...
19:2
counterprodu...
98:11
country 23:17
24:1,3,17 25:9
25:13 26:15
40:21 44:21
51:3 52:1
couple 52:11
91:15
courage 19:16
29:4 33:22
34:11,13 35:8
50:5
course 28:9
29:5,14 65:12
cousin 50:16
crazy 72:6
create 32:4
59:14 74:11

April 17, 2024

Page 8
creates 37:15
37:15
creating 73:1
creation 53:6
cries 65:5
crisis 17:1 19:5
23:17
critical 19:21
criticism 60:21
60:22
crops 44:7
cross 18:12
culture 19:21
21:10,13
curator 2:6
7:13 12:18
curious 46:7
current 35:21
currently
38:13
cutting 76:5
d
d 5:1
damn 49:11
danger 75:20
75:22 76:2
data 80:18 81:1
date 21:18
dates 54:10
93:4
day 5:2,19,19
22:9 23:13
45:19
days 60:19
dazzle 98:14
dc 1:14

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202-857-3376

deal 74:9 75:5
decided 23:3
decision 64:12
90:22 91:9
decorated 45:5
defeated 25:18
definitely 43:4
78:12
deliberation
31:9
deliberations
28:7
delighted 58:12
demand 19:6
dennis 2:18 7:4
43:17 62:20
64:13 77:9
79:21 80:2
85:20,22 91:19
94:1 95:1,17
100:10
denomination
28:10 29:15
80:7
denominations
66:11
department
1:11 13:16
44:5
depict 26:13
depicted 26:3
46:13 63:8
depiction 47:13
depictions
51:21 74:22
75:1
depicts 93:13
97:3

Meeting

[deployment - donald]
deployment
17:2
deputy 2:21
8:17 11:19,22
12:11
describe 44:1
described
26:20 31:1
describes 34:21
descriptions
34:17 35:7,9
design 2:22 3:3
3:4,5,6,7 8:21
9:2,5,8,11,14
9:17 14:1
15:11 16:18
25:19 27:1
28:12,15,22
29:5,9,18,21
40:13,14 49:1
55:15,17 57:18
62:4 63:19
66:14 67:22
71:3,10,14,16
73:4 74:3
76:20 81:3,6
82:10 85:7,8
91:11,18 92:16
93:8,18 95:3,6
96:20 97:10,12
97:19 98:13
99:15
designed 25:21
designers 32:3
52:16
designs 4:5,8
4:10 7:18,20
7:22 8:3 16:13

April 17, 2024

Page 9

19:22 20:3
27:10 30:5
31:6 32:4,11
35:15 37:22
39:20 41:1
42:1,1,10
55:13 56:9
59:17,19 63:22
66:12 70:12
71:9 79:6
82:12 83:3,5,6
83:19 84:2,4
87:14,17 91:3
93:9,22 95:20
96:11,21
despite 78:20
detail 29:22
30:8,19,22
50:17 51:19
55:20 56:6
63:14,16 67:17
detailed 55:18
56:20 57:3
63:18
details 30:18
determination
18:15
developing
20:3
development
14:14 93:8
96:20
device 98:8
dick 78:1
difference
26:10 30:13
85:11

different 31:6
31:20,21 32:17
32:19,21 39:20
39:22 56:9
64:4,5 66:10
66:10,11 70:13
72:18 74:11
76:12 78:8,19
79:3,4,14,17
81:8,9,11,11
81:14,15 83:19
83:21 85:10
differential
53:2
difficult 72:17
digital 78:13
101:8 102:3
dimensional
98:7
direct 91:8
direction 53:8
directly 96:19
director 2:3,21
4:11 8:1,17
10:3 11:19
12:1,12 96:12
96:17,19 97:1
97:2,4,7
directors 78:9
96:18
directs 12:19
discretion
86:11,12,15
discussed 83:5
discussing 77:1
82:10 93:20
discussion 4:5
4:8,10 7:17,20

www.CapitalReportingCompany.com
202-857-3376

7:22 8:2 37:15
37:15 40:17
41:1,9 43:5
44:17 47:20
54:13 66:21
83:15 92:15
94:1 96:5,10
99:10,20 100:3
discussions
12:10 44:11
disinclined
69:2
displays 29:10
distinguish
81:12
distinguished
15:10 18:5
district 101:19
diverse 48:20
diversify 60:21
diversity 63:20
division 22:13
47:1,3
documentation
12:20
dog 72:11
doing 42:4
48:22 85:12
dollar 48:15
49:20 50:3
63:11,14 67:11
68:9,10,12,14
80:6,11,12,13
donald 2:16
7:1 36:17 58:8
63:3 64:16
75:11 77:16

Meeting

[dr - faces]
dr 2:8,10 6:10
6:12,13,16
36:13 50:21,22
52:3
draw 53:16,21
54:5,13
drawn 54:7
55:13
dress 24:18
dressed 36:4
47:9,10
drill 39:21
drive 22:4
25:20
drop 60:2,11
61:11
due 70:12
duly 101:5
duty 50:4
dynamic 57:1
70:9
e
e 2:1,1 3:1,1
4:1 5:1,1 28:9
eagle 19:17
26:18 29:10
32:15,18,22
33:4
earlier 78:2
earned 19:8
earning 43:11
easier 67:14
editor 8:11,12
educate 21:11
51:5
education
27:17 33:17

April 17, 2024

Page 10
either 62:5
67:12 69:16
94:10
elaborate 30:9
element 35:6
elements 35:5
56:3,17 57:2
74:11 93:5
97:4
elite 27:1
elizabeth 3:19
10:9
emblem 19:17
26:19 29:11
emblematic
20:1
emphasis 19:20
emphasize
69:10,15
employed
101:11,14
102:8,11
employee
101:13 102:10
encourage
80:18 85:22
encouragement
75:6
encouraging
75:5
enemy 18:19
19:9
enforcement
44:4
english 36:8
engraver 3:8
9:20 62:11
78:16 98:2

engravers
52:21
engraving 9:17
enjoy 85:12
enlisted 23:10
ensure 30:15
entertain 100:9
enthusiastic
27:16
entire 32:10,12
49:15
entirety 75:2
82:3,3 83:1
equally 78:7
equipment
18:10
equivalent
87:19
error 59:7
errors 59:3,4
es 101:4
especially 7:12
12:8 56:13,19
57:19 58:1
61:3 68:2
evans 3:5 9:7,9
event 38:12
events 36:5
everybody 12:2
20:17 33:3
73:4 84:18
86:1
examining
38:11
example 31:22
63:13 94:6
excellence 19:7

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exception 27:3
48:11
excited 20:19
24:3 27:11
57:2 70:16,21
73:22
exciting 55:11
70:4,9,11,12
70:19
exclusive 42:6
excuse 50:14
executive 3:16
11:3
exhibition
12:20
existence 17:13
expeditionary
17:2
expensive
41:19
experience
15:9
expertise 77:17
expertly 56:20
explaining
44:21
express 92:3
exquisite 63:15
extremely 13:7
55:18
f
f 22:2
fabulous 41:14
facebook 60:1
faces 38:18
45:9 55:19
61:8

Meeting

[fact - friendships]
fact 49:15
78:20
facts 36:21
38:2
fades 98:9
failed 38:21
fairness 97:6
faithful 19:19
34:9
faithfully 30:15
family 55:4
97:5
family's 97:5
fanatical 21:15
fantastic 79:11
far 12:5 40:18
40:19 78:5
favor 86:21
87:6 96:4
99:21 100:15
favorite 40:14
56:15 65:2
feature 93:3
features 93:10
96:22
february 25:7
federal 100:7
100:19
feedback 66:1
80:3 83:3,5
feel 50:3 62:13
67:22 85:16
felt 64:6
female 63:21
91:17
fidelis 19:18
33:22 34:8
35:8

April 17, 2024

Page 11
field 15:10 98:4
98:9
fight 19:11
34:2,16,21
fighting 18:19
figures 44:18
48:20 61:22
63:19
fill 61:14 62:3,4
film 38:12
final 18:6 96:9
finally 10:18
73:13 99:3
financially
101:15 102:11
find 49:11
fine 48:13,14
49:21 71:18
91:7
finished 66:21
first 5:3 16:11
19:10 23:4
24:11 30:19
34:2,16,20,22
36:1 38:2 39:1
42:22 44:10
46:10,12,18,21
54:22 64:1,6
65:3 76:15
77:9 81:7 84:1
85:15 86:7,8
fiscal 13:10
five 33:20 48:1
48:15 59:20
61:9 63:11,14
68:10,12,14
93:19

fixed 5:5
flag 18:14
24:15 25:5,12
25:22 28:14,14
29:19 32:8,10
32:12,14 38:5
38:14 39:15
40:1,4 48:21
49:15 53:4
55:17 56:14
61:12 62:7,15
70:3 77:17
82:3
flagpole 60:13
flags 48:18
60:6,12,13,14
61:12,13 63:6
flat 98:5
flavor 71:20
72:6,9 73:15
flavorful 72:3
fleet 18:10
focus 18:18
58:18
focusing 17:2
folks 25:17
followed 19:3
following 8:15
17:11,20 94:12
follows 96:21
footlocker 55:9
force 17:2 27:2
27:3 35:1,5
52:14
forces 18:10,19
foregoing
101:3,4 102:4

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foreground
29:1
foreign 19:4
forgetting 35:1
forgot 82:9
formal 34:3
former 3:18
7:16 44:2
forth 58:22
59:15 66:1,20
fortunate 20:5
21:2
forward 11:8
15:15 38:6
40:21 41:1
45:16
fought 17:21
18:16,21 24:22
found 15:5
52:17 68:4,12
foundation
3:14,17 11:2,4
20:5,8,9 21:3,9
21:18 22:8
43:13
founder 8:11
four 21:1 25:9
39:10 63:19
fourth 40:13
40:18,21 41:5
framed 14:5
france 18:6
friend 19:8
friendship
15:13
friendships
15:16

Meeting

[full - great]
full 13:12 53:4
fuller 2:8 6:11
6:12 36:13
50:21,22 51:1
fun 97:5
further 54:13
85:19 96:5
99:20 101:13
102:9
future 83:3
g
g 5:1
gagnon 37:9
gardens 12:19
13:3 15:21
16:9
gas 60:15
gear 26:10
47:11
general 2:7,19
2:20 3:15 6:8
7:8,11 11:2,5
20:6,11,13,22
24:9 27:14,18
28:1 30:17
31:4 32:2 34:7
35:4,19 38:1
40:15 41:7,11
43:9,19 45:3
46:19,22 47:18
49:13 50:18
51:1,21 62:22
69:13 74:15,21
82:1 92:5,7,10
generally 53:14
54:2 84:4

April 17, 2024

Page 12
generic 52:13
gentlemen
14:17
getter 88:13,17
89:8,20 90:5
getting 20:14
41:20 72:21
90:17
gibson 4:11 8:1
96:12,19 97:1
97:2,4
gibson's 97:7
gilkes 8:10
gilroy 78:15
give 42:17 50:7
60:15 61:6
62:14 64:2
66:4 68:21
71:6 98:13
given 24:21
giving 53:5
glass 22:3
globe 19:17
26:18 29:10
32:15,18,22
33:4 56:21
72:21
go 22:2,17 27:9
31:16 40:13,16
40:18,19 41:6
41:19 43:12
46:2 47:5 49:4
55:12 57:15
58:22 59:15
60:16 61:17,19
65:21 68:18
69:3 70:15
71:8,9,12,19

73:17 74:3
76:14 77:9
81:6,18,19,19
91:13
god 28:8
goes 15:12 39:2
39:3 53:8
78:11 81:1
98:8
going 25:13
28:5 30:13
32:6 37:18
41:9 43:2,14
44:7,8 45:15
45:21 48:10,10
48:21 49:19
54:12 58:4
60:8,9,15,16
60:20 61:4,8
62:5,15,16
63:17 65:16
66:13 69:11,13
69:14 70:15,18
71:2 72:4
73:20,21,22
75:12,18 76:21
77:13 81:5,10
82:15,16 83:7
84:10 85:10,13
85:14 86:7,9
88:12,16 95:8
95:12 97:21
98:22
gold 14:3 24:11
28:11,15,19
48:6,10,22
49:4,6 51:15
53:18 57:10

www.CapitalReportingCompany.com
202-857-3376

60:5 61:1,4,10
61:14,15,18,19
62:17 63:11,11
63:14 65:8
66:5 67:12,14
67:15,16,19
68:4,10,16
69:16 71:13,14
72:4 74:2,19
76:16,17 88:8
88:8,16,19
89:2 91:16
golden 97:5
99:4
golds 76:17
good 5:2,10,16
8:9 12:10,13
20:16 24:10
37:22 44:20
50:2,3,8 52:4
58:21 61:13
76:22 84:15
92:13 95:22
96:8
gorgeous 95:6
95:9
gosh 21:5 32:6
38:6
government
3:11 10:14
grading 56:20
grandchildren
55:7
gravitate 59:3
great 11:15
12:2 15:8,9,15
20:16 24:9
27:20 34:7

Meeting

[great - iconography]
39:19 41:2,4
42:22 51:3,19
52:1 54:2 60:2
66:14 74:9
75:5 95:10
greatest 19:11
45:8
greg 3:9 10:6
88:4
grief 61:6
grit 78:2
ground 17:3
group 8:12
13:10,13 60:18
60:22
grueling 41:19
guard 24:12
28:13,18 63:5
63:6,8,21 66:9
guessing 73:3
guide 55:22
guidebook 55:8
guided 52:11
h
half 76:8,14
80:6,12
halls 17:22
23:18
hamilton 14:7
95:8
hanchock 3:6
9:10,12
hand 5:7 31:12
36:12 43:17
59:1 77:7 82:7
94:1

April 17, 2024

Page 13

handing 87:18
happening
58:4
happens 94:16
happily 100:9
happy 15:9
16:6 27:9 74:8
75:9
harcourt 2:8
6:10 36:12
50:21 51:1
hard 25:8
66:12
hear 37:19
43:5 54:17
62:10 77:3,4
99:1
heard 66:7
hearing 11:8
11:14
heartfelt 27:16
hearts 18:18
helen 102:2,15
helicopter
50:18
help 15:17
42:15,17 47:20
helpful 63:1
84:3
helps 53:9
98:13
hendrix's
79:16
hereto 101:15
102:11
heritage 3:14
3:16 11:2,4
18:18 20:4,8,9

21:3,8,18 92:8
heroes 45:4
hesitate 15:18
hey 48:22
hi 35:14 54:17
64:15
high 88:13,17
89:8,20 90:5
90:17
highlight 60:14
highly 14:15
historian 46:4
51:3
historical
12:18 44:18
historically
93:1 96:17
history 2:11
6:15 12:21
15:11 19:20
21:10,13,15
22:12,13 25:1
25:4 26:12
33:18 37:12
44:22 47:1,3
53:13 69:7
76:17
hit 48:6 77:13
hoard 2:19 7:7
7:9 31:13,15
31:16,19 67:8
67:9 70:1
80:21,21 83:15
83:17,18 84:9
86:5 97:14,14
97:18 98:16
99:18

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hold 49:12
holds 68:7
home 55:7
honestly 60:10
69:10
honor 13:6
15:15 18:21
19:16 23:22
29:4 33:22
34:11,13 35:8
44:22 50:4
79:12
honorably
13:21
honored 16:7
honoring 13:15
hope 25:13
55:20 92:7
hopefully 5:5
house 2:9,12
6:11,18
huge 67:16
69:11
humanitarian
17:4
humor 12:10
hundreds 25:2
i
icon 73:7
iconic 18:14
24:18 25:6
37:11 39:16,18
52:21 64:19
65:14 85:7
iconography
70:22 72:21
73:6

Meeting

[idea - issues]
idea 51:20
58:21 62:7
65:19 82:11
92:14
ideas 13:11
63:4
identical 81:14
identified
38:13
identify 48:1
85:11
ii 18:12 25:10
45:6
image 24:12,16
25:11,12,16,19
26:1,2,6,21,22
30:19 32:8,13
37:11,12 38:10
38:20 39:12,15
39:16,18 40:8
52:22 53:11
61:20 64:17,21
65:5,14 67:11
68:22 69:3,9
69:15 70:3,4,6
70:10,22 73:16
73:17 74:20
75:2,4,7 77:17
82:5,18
imagery 30:1
73:10
images 33:9
39:19 45:13,13
45:20 50:5
51:12 52:18
61:7 64:18
65:17,19 66:1
71:13 74:17

April 17, 2024

Page 14
imagine 25:8
immediate
67:22
immediately
24:19
imo 73:11
impact 25:8
impassioned
92:6
implication
94:15
importance
64:10
important 19:4
43:10 44:17
46:13 51:6
52:12 55:3,21
56:10 59:21,21
63:20 79:5
85:7,8
importantly
43:14
impressed 92:5
95:7
impression
98:6
improve 22:10
93:21 97:12
inappropriate
77:11
inch 14:6,7
include 29:20
82:2 93:5
included 44:19
includes 7:15
19:18 32:10
91:22

including 13:5
18:6 91:17
increase 76:21
incredible
30:13 32:3
64:1
indicate 8:16
96:5
indicated 74:21
90:21
individuals
75:1
industry 85:2
information
84:19
innovative 18:9
input 14:13
inscription
29:12 93:11,14
inscriptions
28:7 29:3,19
49:18 97:1,6
insight 14:16
47:19 80:4
85:9
insights 79:21
inspire 58:4
inspired 14:13
instantly 26:4
56:22
instructor
39:21
insurrection
18:2
integrity 97:7
interest 13:22
42:17 69:1

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interested 69:6
101:15 102:12
interesting
38:3 59:17
63:3 72:12
88:7 90:21
interests 17:20
intergovernm...
2:4 3:12 10:15
international
84:22
interpretation
77:22 78:8,10
79:4
interrupt 57:6
intragovernm...
10:4
intricate 63:16
introduce
30:11
invalidating
79:8
invested 79:18
invitation
15:20
invited 23:8,9
invoke 25:21
invokes 26:7
involved 96:19
involving 37:5
iraq 18:22 19:2
irrelevant
48:19
island 18:14
issue 67:16
71:1 76:13
issues 11:10
54:21 91:15

Meeting

[issuing - korea]
issuing 42:12
item 92:15 96:9
items 92:14
iwo 18:14 25:5
25:22 29:19
30:8 31:20
32:8,14 39:16
48:16 49:14
52:18 53:11
54:6,8 64:21
65:2,10 67:10
68:22 69:3
70:15 71:9,13
73:17 77:17
81:5,15
j
j 43:20
james 3:15
11:2 20:6
36:22
janet 4:9 7:20
92:17 93:11
95:12
japan 25:18
jennifer 2:3
3:13 8:6,10
10:3,22 20:8
21:4 92:4
jiggs 36:3
jima 18:14 25:5
25:22 29:19
30:9 31:20
32:9,14 39:16
48:16 49:14
52:18 53:11
54:6,8 64:21
65:2,10 67:11

April 17, 2024

Page 15
68:22 69:3
70:16 71:9,13
73:11,17 77:17
81:5
jimas 81:15
jimi 79:16
job 1:20 19:15
20:16 21:12
22:11 27:20
41:14 42:22
43:1 44:21
95:10
joe 9:20 25:7
52:19 77:6,9
79:20 80:2,22
84:14 85:8
95:10 98:2
john 2:12 6:17
35:11,12,14
37:7 45:7
64:14,15 66:15
82:7,9 85:14
98:18,19 99:2
join 14:17
joined 10:19,22
16:6
joining 11:7,21
joseph 3:8 8:3
9:19 77:10
98:3
joy 11:15 15:8
joyful 78:18
jr 13:2
jumbled 50:6
juncture 77:11
jungles 18:20
junk 42:20

juxtaposition
57:18
k
keep 35:1
47:22 55:12
59:20
keeping 55:21
63:19
kellen 2:19 7:7
31:12,16 67:3
67:7,8 74:7
75:17 76:22
80:20,21 81:21
83:18 86:5,13
87:16 97:13,14
98:4 99:17
kid 64:22
killing 62:7
kind 26:7
27:19 34:21
36:7 38:9
60:19 65:19
67:14 69:19
70:8,12 71:3
71:15,18 72:7
72:14,15 73:9
73:15 74:2,4
81:3,11,12,16
81:19 98:9
kindergarten
44:8
kinds 39:22
knew 15:4,7
know 16:2 21:5
21:14 22:5
31:8,19,21
32:17 34:2,4,5

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35:16 36:19
37:4,14 38:17
38:18 39:7
41:16,17,18,21
41:22 42:2,9
42:11,14,16,19
43:1,1,12,21
44:1 45:14,18
46:7,9 51:17
54:1,11,12
57:16 58:10,11
58:17,18 59:2
59:9,10,11,11
59:13,14,16,18
60:2,3,4,4,4,8
60:10,11,16,17
60:18,20,21
61:1,1,2,5,9,13
61:14,14,21
62:1,1,2,8,8
66:11 68:13,21
70:2,7 71:8,18
72:2,9,10 74:2
75:6,16,17,20
75:20,21 76:3
76:5,6,14,18
76:18,20 77:12
79:11 80:14,22
82:4 83:3
84:16 95:5,7,9
95:10,11
knowing 69:6
knowledge
101:10 102:6
knows 54:8
77:16
korea 18:17
45:6

Meeting

[kristie - major]
kristie 2:21
8:17
l
labeled 72:19
ladies 14:17
land 34:1,17
35:3,4 71:7
large 55:3
82:18
largely 69:2
late 45:18
law 16:16 44:4
lead 21:4
leader 2:13,15
2:17 6:18,21
7:2
leaders 18:8
leaning 18:17
learn 39:4
73:22
learned 38:20
70:7
learning 15:9
learns 44:12
leave 95:12
leaves 39:10
legacies 93:2
legacy 96:18
legal 3:9 10:7
31:11 33:21
34:3
legion 63:13
legislative 2:3
3:12 10:3,15
lejeune 45:7
lends 38:9

April 17, 2024

Page 16
lettering 71:15
letters 97:20,21
letting 20:17
level 81:4
lew 94:7
liaison 2:4 8:5
10:4 20:9
46:15,16 53:7
81:13 83:1
liaison's 74:8
75:10
liaisons 10:19
28:16 29:6,14
29:22 30:8
31:6,17 33:14
36:19 46:8
50:13,15,18
51:2 52:8 55:2
66:17 68:13
77:3 83:9 87:3
91:5,15,21
92:4 100:5
liberty 13:12
14:10 28:8
library 12:21
liked 33:4 49:4
65:12 68:18,19
75:4
likes 62:6,7
limiting 79:6
line 30:15 56:8
list 2:2 3:2
15:11
listen 41:4 58:9
listening 6:4
33:16
little 21:14
27:18 30:11,19

30:20 32:16
33:16 44:16
53:5 54:5,21
66:8 68:17
71:20 72:2,6,9
72:9,22 73:14
80:5 81:8,19
82:5,19,20,20
84:6 98:14,14
lives 35:22
livestreaming
5:21
locations 45:17
long 38:21 71:4
73:16 85:4,4
longevity 58:2
look 11:8 15:15
33:9 38:17
40:22 42:7,8,8
44:9 46:5
56:18 57:1,2
60:8 61:21,22
63:11 67:17
69:10 72:3
80:9 97:21
98:5
looked 25:15
45:19,20
looking 32:6
38:12 52:10
53:12 55:8
56:6,8 66:7
73:6 74:10
76:2 99:11
lose 58:18
loses 58:18
lot 41:2 49:6
50:12 58:9,14

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202-857-3376

58:14 61:3,22
63:15 69:5,7
lots 45:4
loud 75:21
love 53:22 59:4
75:17
low 98:8
lower 98:12
loyal 11:17
lukeman 3:15
11:3,5 20:7,13
20:22 24:9
27:18 28:1
30:17 31:4
32:2 34:7 35:4
35:19 38:1
40:15 41:7,11
43:9,19 45:3
46:19,22 47:18
51:2 62:22
74:21 82:1
92:5,10
m
made 34:2 45:1
52:22 58:14
63:12 76:22
79:18 84:14
90:22
magnification
61:10
main 30:1
major 3:15
11:2,5 17:4
18:21 20:6,11
20:13 24:9
27:14,18 28:1
30:17 31:4

Meeting

[major - memorial]
32:2 34:7 35:4
35:19 38:1
40:15 41:7,11
43:9 45:3
46:19,22 47:18
49:13 51:1
74:20 82:1
92:5,7,10
majority 2:14
6:21
make 14:21,22
24:2 28:17
30:20,21 43:2
58:13 61:13,14
61:17 67:14
75:12 77:11
79:11 82:10
89:19 90:18
91:2 99:6
makes 64:11
91:9
making 42:13
52:15 79:8
90:5
mammal 99:7
management
2:22 8:21
manager 3:4,5
3:6,7
manger 9:17
mantra 26:8
march 13:14
marine 3:14,16
3:20 4:6 7:18
10:10,21 11:1
11:4 16:14,19
17:6,9,14 18:4
18:8,10 19:3,9

April 17, 2024

Page 17
19:10,11,14,15
19:22 20:2,4,6
20:7,9,15,20
21:1,3,8,10,12
21:18,20,22
22:7,12,14,19
22:21 23:2,4
23:10,11,15,16
24:1,2,12,15
24:17,20,20,22
25:3 26:4,8,11
26:15,16,19,22
27:7 28:13,14
28:18,22 29:1
29:11 32:4,19
33:18 34:9,10
34:12,17,21
35:9,20,22
36:4,7 37:2
38:19,19,21,22
39:2,4,8,8,9,17
39:19 43:11,15
44:2,3,4,7,12
45:4,8,11,14
45:15 46:10,12
47:2,6,9,10
48:12 51:8,11
51:22 55:8
56:1,10 72:16
74:13,15 75:2
92:8
marines 16:22
17:9,12,18
18:16,21 21:14
23:4,6,8,9
24:13 25:12,15
26:6,17 27:8
27:12 29:20

35:17 38:10,10
38:13,16,20
39:15 43:21
45:5,9,12
46:18,21 47:8
47:13 52:9,13
52:14 53:13
55:5,19 56:7
57:20 58:2
69:7 71:15
73:21
mark 60:1
82:18 88:18
market 58:15
58:20 59:6
74:15
mascot 35:18
35:20,21 36:7
36:8 82:20
matter 32:16
51:9
matthew 1:19
101:2,17
mcnally 2:21
8:17,19 11:19
12:1,12,13
mean 20:14
38:17 60:15
62:3 64:21
66:6 71:21
72:22 73:14
75:18 98:15
meaning 19:19
meaningful
93:6 97:3
means 34:18
58:13

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202-857-3376

meant 55:16
79:12
measured 12:8
medal 4:9,11
7:21 8:1,4 13:5
14:7,8,10 55:2
92:18,22 96:12
96:16,20 97:22
99:4
medallic 12:16
13:3
medals 14:3,3
14:6,15 93:1,3
94:6 96:17
media 8:12
medium 67:21
68:15 70:10
71:16
meeting 1:2 5:3
5:11,17,19,20
6:2 8:4,8 10:19
13:13 100:8,18
100:19,21
meetings 100:7
megan 3:3 9:1
16:17 27:21
92:19 96:13
member 3:18
6:14 7:5,12,16
12:15 13:6,21
63:21 83:20
91:17
member's 14:9
members 6:3,6
8:7 47:22
83:20 100:5
memorial 26:3

Meeting

[men - national]
men 19:12
30:16
menna 3:8 9:19
9:22 77:6,10
77:10,15 84:14
98:3,3
mention 12:10
mentioned
23:1 25:6 44:3
69:18 70:9
81:7 84:18
merit 53:22
71:2
message 37:5
53:19 81:11
86:2
met 15:10
meuse 18:7
mexican 17:21
mexico 17:22
mic 15:1 31:14
82:8 97:16
98:20
michael 2:14
6:20 9:16
43:20
microphone
5:14 35:13
mike 8:11 48:2
48:3 49:7
50:10 51:15
52:6 61:16
66:5
million 40:3
76:8,15
mind 24:8 77:1
91:13 98:2

April 17, 2024

Page 18
mindful 43:3
minds 18:18
91:10
minority 2:12
2:16 6:18 7:2
mint 1:12 2:4
2:21 3:19 4:11
8:1,5,15,18
10:10 11:9
13:16 14:4
20:4 22:18
36:22 46:17
51:17 52:16
59:6 63:12
92:22 93:7
96:12,16,17
97:3
mintages 42:8
minted 22:18
37:21
minute 63:14
minutes 22:1
48:1 59:20
87:20,21 93:19
misidentifica...
38:4
misidentified
37:7,9
misplaced 94:9
missed 12:7
mission 19:6
21:9 22:17
missions 17:4
mistaken 63:4
mnuchin 94:8
moderated 1:6
modern 28:22

modification
95:20
modifications
91:2
modifiers 94:4
94:10
moment 87:3
92:3
moments 11:20
money 21:19
22:9,20 42:5
42:14 43:2
58:13 61:3
montezuma
17:22 23:19
moran 2:14
6:20,22 48:2,4
48:9 49:9,11
52:6
morning 5:2,10
5:16 8:9 12:13
52:5 92:6
mosquitoes
60:8
motion 62:6,8
66:17 67:4
75:13,15 82:10
82:15,22 83:8
83:15 84:2,7
84:12,13 85:13
85:19 86:6,7
86:14,15,16,21
87:2,6,13 96:4
96:8 99:13
100:2,9
motions 95:16
motto 34:9

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202-857-3376

mountains
97:4
move 28:5 56:5
74:22 89:3
95:18 99:14
moved 100:10
movie 37:4
60:1
moving 16:11
28:19,20 29:8
29:17 30:2
49:3 89:15
90:3,10
multiple 87:1,8
87:11 96:6
99:22 100:16
museum 21:19
21:22 22:6,10
22:21 23:13,14
25:20 42:18
47:3 92:8,11
museums 51:4
musical 81:11
mutually 42:6
n
n 2:1 3:1 4:1,1
5:1
name 6:3,7
8:17 36:3
names 38:17
narrative
81:12
nation 18:4
nation's 17:1
national 13:5
14:3 21:19,21
22:6,20

Meeting

[nature - opportunity]
nature 57:22
naval 17:18
navy 17:13
nay 87:10,11
87:15
neat 71:3,5
necessary
18:12 30:12
need 11:10
37:18 48:16
52:6 61:20
66:18 93:19
99:6
needed 55:11
57:15 83:8
needs 46:13
neither 101:11
102:7
nemeth 78:22
nephews 55:8
never 39:9,10
61:8 75:8
new 5:5 70:3,8
79:13,18 83:5
nice 42:12
68:20
nicer 62:17
nicholas 23:5
nickel 44:10
49:2
niece 55:7
nonprofit 21:3
norm 79:1
norman 78:22
north 17:17
notable 18:13
notary 101:18

April 17, 2024

Page 19

note 10:18
notice 19:5
noticed 35:15
novel 77:20
78:2
november 17:7
number 66:5
88:16 90:4
numbers 80:9
numerous
14:14 17:18
18:3 79:7
numismatic 2:5
7:12 14:2 53:5
numismatics
2:18 7:5 15:11
numismatist
44:6 85:1
numismatists
85:11
o
o 4:1 5:1
object 61:18
objective 60:5
observation
77:12
observations
12:9 93:21
observe 68:4
obverse 16:12
16:18 24:11
25:5 26:5,17
28:15,21 29:6
29:7,18,20,21
30:2 31:6
40:14 46:6
50:14,15 51:15

54:4,4 56:15
57:9 61:17
62:16 64:8
69:22 70:1,17
71:3 73:4,12
74:19 75:4
79:1 88:9,9,10
88:10,11,12,14
88:14,15 89:4
89:5,7,7,9,9,10
89:11,11,12,12
89:13,14 90:3
90:4,4,6,6,7,8
90:9,9 91:16
92:16 93:10,18
96:11,22 97:10
97:19
obverses 28:11
28:21 29:17
31:20
obviously
74:14 75:3
78:19
october 12:14
offended 91:12
offensive 18:7
offer 16:9
office 2:22 3:12
8:21 10:14
47:6
officer 3:13,16
11:1,3 101:2
official 19:17
29:10 33:18
34:9,10,13,14
35:7,18,20
99:7

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202-857-3376

oh 5:13 31:15
32:6 34:16
57:12 75:14
77:8 82:8
83:17
okay 24:9
31:15,17 33:10
36:17 41:10
48:9 49:10
57:5,14,17
65:15 67:1,4
72:5 77:5,15
86:20 90:19
98:21 99:2,12
older 44:8 65:4
72:1
once 39:8,9
44:3 50:7
56:16 66:20
84:2
ones 32:7 41:2
53:3 54:6
55:14 65:3
67:21 68:2
81:7 83:21
operating 3:13
11:1
operations
17:5,16,19
opinions 14:16
opportunities
69:4
opportunity
20:19 23:21
24:2 40:2,4,7
64:3,7 67:18
72:1,2 73:5
84:16 91:22

Meeting

[opposed - please]
opposed 32:10
84:1 86:6 87:9
96:7 100:1
option 46:14
order 4:3 5:10
5:16 11:14
56:9
organization
21:7 41:14
42:5,12,17
58:10,19
organizations
58:13
original 38:5
50:1 84:17
origins 17:6
outcome 25:10
54:2 101:16
102:12
outfit 36:4
outside 22:1
24:14
outstanding
11:18
overall 56:18
84:22
overcame
25:17
overcome
76:11,13
own 22:14
55:21 76:8,15
p
p 2:1,1 3:1,1
5:1
p.m. 6:1

April 17, 2024

Page 20
pacific 18:12
packaging 59:5
59:7
page 4:2
pages 49:6
paging 48:4
parades 36:1
parker 59:22
part 17:15,18
19:1 22:19
33:21 38:4
47:2 51:22
53:4 55:3
84:10 91:18
92:21 96:15
participating
41:16
particular
51:11 56:2
82:5
particularly
55:15 65:6
parties 101:12
101:14 102:8
102:11
passed 41:20
passionate
27:19 69:12
past 47:4
patience 5:4
paul 8:10
pay 83:20 92:7
pdf 71:4
peace 19:6
peers 70:8
pentagon 47:5
people 15:10
19:12 22:4

23:9 24:19
39:5 40:2
41:17,18 42:19
45:7 58:15,18
59:8 60:7,10
60:11,14 61:2
61:3,11 62:7
63:7 69:6,12
70:5,5 72:10
75:18,19 76:3
76:4,8,15 78:5
79:12 80:7,14
80:17,17,18
85:1
percent 88:18
90:6,18
perfect 15:2
77:5 97:17
permanent
17:15
person 10:22
16:4 45:11
56:2 57:3
68:13 69:5
personal 45:13
personally 49:3
62:16
perspective
32:14 34:5
77:18 79:10
persuade 37:19
40:11 62:14
persuasiveness
37:20
peter 1:6 2:5
5:14 7:11 48:5
95:4

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philadelphia
17:7 23:7
philippine 18:2
philosophy
81:16
photo 25:6
38:14
photograph
37:6 52:20
54:9
photographs
38:12
phrase 19:18
phrases 33:17
34:6
phrasing 73:10
picked 74:10
picture 38:7,8
38:18
piece 32:11
67:17 68:7,11
68:16 76:9
pieces 68:22
69:7
pirates 17:16
placed 71:16
places 18:3
44:18
plain 71:22
planchet 60:9
62:4,4
planted 39:6
play 79:14
please 6:6 8:16
14:17 15:18
36:20 47:22
52:3 77:14
79:8 86:21

Meeting

[please - program]
87:6 96:5
99:21
pleased 14:11
pleasure 12:3
pluribus 28:9
plus 12:7
point 25:11
59:10,21 63:10
63:10 64:18
65:15,17 70:13
76:10,22 81:9
84:14,15 88:17
91:1,3
pointed 51:15
points 68:21
71:6 88:9,10
88:10,11,11,12
88:14,15,15,17
88:19,20,21,21
88:22,22 89:1
89:4,4,5,5,6,6
89:7,7,8,9,10
89:10,11,12,12
89:13,13,14,17
89:17,18,19,19
89:21,22,22
90:1,2,2,4,5,6
90:7,7,8,9,10
90:12,12,13,13
90:14,15,16,16
90:17
policy 19:4
pop 68:11
79:11 98:14
popping 70:10
71:14 72:22
74:2

April 17, 2024

Page 21
pops 68:14
70:18
popular 80:7
84:4
portfolio 16:12
57:8 64:1 68:3
74:10 75:10
90:22 92:20,22
93:8,17 95:7
96:14,16,20
97:10
portfolios 28:5
74:19
portions 32:12
portis 78:1
portrait 42:1
42:11 93:10
94:21 96:22
portraits 41:22
63:18 93:3
portray 45:10
positioned
56:17
possibility
66:22 91:17
possibly 92:9
posted 100:19
potential 51:11
79:6
powerful 78:19
prefer 32:7
preference
25:5 33:11
39:18 40:12
50:15
preferences
11:9 24:6,10
28:6 50:19

53:7 74:8
75:10 87:4
preferred
28:15 29:6,13
29:21 32:9
93:9 96:21
premier 17:1
prepared 36:20
102:3
presence 8:16
12:6
present 6:6,9
6:12,16,19,22
7:3,6,9 8:19,22
9:3,6,9,12,15
9:18,22 10:5,8
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16:18 88:5
92:20 96:13
presentation
11:15 62:22
64:8 92:6
presenting
11:20 13:17
presents 28:13
28:22 37:5
preservation
22:12
preserve 21:9
21:12
president 3:15
11:3 12:17
20:7 41:21
president's
22:13
presidential
8:3

www.CapitalReportingCompany.com
202-857-3376

press 8:7 41:9
92:14
prettier 62:17
pretty 62:1
66:9
prevail 18:11
prices 42:8
pride 39:6
prides 19:10
prior 100:8
101:5
privy 82:18
probably 21:17
49:13 60:22
69:18 78:15
85:13,14
problem 10:2
65:11 67:9
68:9
proceed 84:6
94:21
proceeding
102:4
proceedings
8:5 101:3,5,6,9
102:6
proceeds 22:16
22:19 43:12
process 41:19
42:15 91:6,13
produced 14:4
37:3 93:1
96:17
produces 37:1
product 42:18
program 4:7
7:19 10:22
13:3 16:15,15

Meeting

[program - recognize]
16:20,22 19:22
20:10 27:12
31:12 44:11
65:21 66:13
programs 5:6
10:20 22:14
80:10
proof 80:11
proper 46:11
proposals 14:1
protecting
17:20
proud 23:11,15
24:2 26:22
27:8 29:12
33:5 34:1,15
34:22 64:11
proven 42:7,9
provide 13:11
provided 14:13
public 1:2 2:7
2:19,20 4:4 5:3
5:19 6:4,8 7:8
7:11,16 8:7
11:16 13:18,20
13:21 14:11
16:16 51:6
69:13 70:20
73:20 74:15
92:8 100:5,8
100:19 101:18
puller 44:15
45:5
purdie 2:20
7:10 54:16,17
54:19,20 57:9
57:12,17

April 17, 2024

Page 22

purpose 42:3,5
push 80:5
put 15:19
19:12 66:2
70:19 73:5,18
73:19 76:7
82:16
putting 65:10
69:10 76:16
q
qualified 2:5
2:10,18 6:14
7:5,12 12:15
101:7
quality 78:14
quantico 22:1
question 30:7
31:13,16 33:14
34:7 36:18,19
37:10,12 39:11
46:3 47:1
62:12 64:16
66:16 85:6
97:15,18
questions 27:9
31:11 46:7
47:17 64:1
quick 75:11
85:21
quite 68:1,5,12
68:19 70:16
quorum 7:14
quotes 93:6
r
r 2:1 3:1 5:1
8:3

raise 17:8
21:19 23:3
42:5 68:8
raised 22:8
31:12 43:17
77:7 82:7
83:19 91:15
94:1
raisers 38:5,14
raising 18:15
22:20 23:6
25:5,12,22
29:19 32:8,12
32:14 39:16
40:1,5 77:17
range 19:6
rapid 17:2
rapidly 19:5
rather 66:2
82:5
razzle 98:14
read 33:20
realize 60:7
really 12:2,8
16:3 20:18
32:16 37:18
39:8 42:7,15
44:20 45:19
47:20 48:16
49:17 51:19
54:11 55:13
57:17 58:3,20
59:14,16,21
60:9 61:7,11
61:19 63:15
65:11 68:7
69:9,14 70:18
71:7,16 73:1

www.CapitalReportingCompany.com
202-857-3376

75:4 76:12
77:2 79:4,14
80:13 81:12
82:11,14 85:9
92:5 93:18
95:6,9,9
reason 65:8
81:1,2 82:1
reasons 32:9
82:6
rebellion 18:3
received 13:4
88:9,9,10,11
88:11,12,14,15
88:15,16,19,20
88:20,21,22,22
89:1,4,4,5,5,6
89:6,6,7,8,9,10
89:10,11,11,12
89:13,13,14,16
89:17,17,18,18
89:19,21,22,22
90:1,1,2,4,4,6
90:7,7,8,9,10
90:11,12,13,13
90:14,15,16,16
recent 13:12
63:12 80:10
recess 87:20
recessing 57:3
recipient 58:19
recognition
11:17 13:6
recognizable
32:13 33:3
45:9 56:22
recognize
23:22 24:19

Meeting

[recognize - reverse]
26:21 74:19
88:4
recognized
34:11
recognizes
13:20 26:4
recollection
84:20
recommend
62:5 70:14
73:17 82:15
91:1,21 95:19
recommenda...
43:4 46:6
48:12 55:15
61:10 66:7,16
83:9 86:3
recommenda...
13:11 50:13
51:13 83:1
87:5 91:22
recommended
2:8,12,14,16
6:11,18,21 7:2
65:17 66:13
record 8:14
10:18 15:19
33:16 48:2
53:18 66:19
88:1 101:9
102:5
recorded 6:2
101:6
recording
101:8 102:4
recruit 39:7
recruiting
32:21

April 17, 2024

Page 23

red 15:21 42:7
reduced 101:7
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17:14
referred 57:7
reflects 52:15
regard 14:15
74:5
regards 43:20
register 100:8
100:20
regular 18:19
reintroduce
6:5
related 14:1
101:11 102:7
relative 68:2
101:13 102:10
relevant 44:17
relief 98:8
remains 19:3
remake 84:17
remarkable
70:21
remember 55:6
67:1
remind 6:2
47:21
reminder 6:1
rene 37:9
repeat 64:17,20
65:8,14
replacements
59:5
replicating
68:9
replication
71:1

replications
52:19
report 86:9
reported 1:19
represent
24:21 38:19
51:10,20 56:9
57:21 58:5
74:14 75:1
representation
46:12 55:16
representative
55:22
represented
28:18 56:6,7
60:18 73:3
representing
2:7,19,20 6:7
7:8,11 74:13
represents
24:16 30:15
56:21 81:13
reputation
19:8
request 29:22
30:8 31:5
requested
28:16 65:16
91:16
required 28:7
29:15
requirements
33:21
resolved 17:8
respect 77:15
respected
14:16 43:8

www.CapitalReportingCompany.com
202-857-3376

respond 6:6
19:5
responded
23:17
response 17:1
rest 16:2 54:14
restaurant
23:13
restrike 37:20
58:21 59:12
67:10 75:22
76:11,12
restriking
39:12 40:6
75:22 76:1
result 49:19
results 88:5
rethought 64:2
retired 20:6
21:1 43:21
retriever 97:5
99:4
reverse 16:13
16:18 26:17,18
28:19 29:9,13
29:13,15 30:3
32:1 48:13
53:18,20 71:18
72:3,4,12,15
72:18,19 73:5
73:8,8,11,13
79:2 88:16,16
88:19,20,20,21
88:21,22 89:1
89:16,16,17,18
89:18,19,21,21
89:22 90:1,1,2
90:11,11,12,12

Meeting

[reverse - sculptures]
90:13,14,15,15
90:16,17 92:16
93:5,13,18
94:3 96:11
97:3,10
reverse's 73:7
reverses 28:19
29:8 30:3
31:21 48:11
64:4 66:10,11
68:17 72:11
89:15 90:10
review 4:5,8,10
7:17,19,21
92:15 96:10
reviewed 8:4
14:8 16:12
63:22
reviewing
10:20
revolutionary
17:11 47:14
ribbon 19:18
richer 78:18
rifleman 26:8,9
26:9
riflemen 50:1
rifles 24:14
right 8:13
11:13 15:1,3
16:11 28:4
30:6,18 33:9
37:10 38:3,11
40:1,16 41:6
42:6 43:16
46:19 47:10,17
50:9,20 52:4
58:7,12 59:1,3

April 17, 2024

Page 24

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86:4,20 87:5
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92:1,2,12 95:5
96:8,9 98:17
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risk 59:22 60:3
road 25:20
roberts 78:16
robin 3:18 4:4
7:17 11:17,20
11:21 12:1,14
13:4,7 14:12
14:18,19,22
16:1
roger 3:4 9:4
roles 19:7
roll 4:3 15:21
room 15:1
rosenthal 25:7
52:19 54:9
run 5:22
russell 3:5 9:7
s
s 2:1 3:1 4:1
5:1
safe 91:11
sags 58:20
sake 66:20

sale 76:10
sales 41:15
61:22 64:18
80:8,9,18 81:1
salmon 3:18
4:4 7:17 11:17
12:14,17 14:9
14:12,12 15:3
salmon's 13:13
samuel 23:5
saunders 2:12
6:17,19 35:14
35:14 36:10
64:14,15,15
67:1,4 82:8,9
85:16 98:19,19
98:21 99:2,2
savage 18:11
saw 12:7
saying 34:19
63:17 84:10
86:22 87:6
96:5 99:21
100:15
sayings 73:2
says 60:2
scarinci 2:16
7:1,3 36:18
40:10 41:4,8
41:13 46:3,18
46:20 47:15
58:8,9 75:12
75:16 84:13
86:11,19 91:4
95:4
scene 60:3 82:3
82:13

www.CapitalReportingCompany.com
202-857-3376

schedule 92:13
scheduled 5:22
scholars 85:1
school 70:7
score 65:22
66:17,18 83:22
84:1 85:15
86:6,8,10,14
86:17 87:13,17
87:18
scored 90:20
scores 66:19
88:8 90:21
scoring 65:19
88:5
screen 9:20
12:4
screens 48:10
52:7
script 77:20
78:11 79:2
sculpt 95:11
sculpted 78:22
sculpting 77:21
78:15
sculptor 78:10
79:5
sculptor's
79:10
sculptural
78:10
sculpturally
81:14
sculpture
12:15 13:2,5
77:12 78:20
sculptures
12:18

Meeting

[sea - silver]
sea 17:3 34:1
34:17 35:3,4,6
seals 93:6
sean 59:22
second 5:19
10:1 17:7
53:17 57:6
63:10 67:13
83:11,13 96:1
96:2 99:16,18
100:12,13
secondary
43:12 58:15
seconds 100:15
secretaries
93:2 94:15
secretary 4:9
7:21 13:22
14:7 86:2 87:5
91:9 92:17
93:1,4,11,15
94:5,6,6,7,8,9
94:11,13,17,19
95:13,19
secretary's
93:7,9
see 9:20 12:3
16:7 22:2
25:20 26:8,21
31:12 40:6,7
41:16 43:17
45:12 48:22
49:5,6,15 50:2
51:11,21 52:20
57:2 59:17
61:8 62:13
82:7 94:1
97:19

April 17, 2024

Page 25
seed 39:6
seeing 53:9
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seem 97:20
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33:1
seems 73:4
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seen 70:5,6
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sees 26:2
select 31:6
selected 74:11
74:18 91:3
selection 47:19
74:12 82:2,4
self 19:13
sell 42:10,13,18
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62:2
seller 61:4
selling 76:18
sells 80:12
semper 19:18
33:22 34:8
35:7
senate 2:14,16
6:21 7:2
send 86:1
sending 59:6
sends 43:20
senior 3:3,4,9
3:11 8:11 9:2,5
10:7,14
sense 30:22
58:3 64:11
84:3

sergeant 36:3
sergeants 75:5
series 53:10,20
69:17,20
serve 39:10
served 12:4,15
13:9,21 18:1
45:6 55:6
serves 17:1
service 4:4 7:16
11:16,18 13:16
13:18,20 14:9
14:12,18 16:7
19:12 21:16
24:3 43:22
51:3 52:1 55:1
72:16 79:12
91:17
services 27:3,6
session 5:22
7:15
set 20:20 22:17
23:21 25:3
53:10 65:7
seven 85:2
several 13:4
32:11 51:18
shading 56:19
57:3 97:20
shadow 98:4
98:11
shadowing
97:20
share 21:9
69:15
shared 15:14
sharp 12:8

www.CapitalReportingCompany.com
202-857-3376

sheets 87:18
88:6
ship 50:17
shops 42:18
shores 17:16
23:18
short 12:5 19:5
73:16
shoulders
25:17
shout 71:6
shoutout 66:4
show 39:20,22
45:9 49:1
51:19 70:4,9
70:13
showed 32:11
showing 55:9
shows 49:22
67:17 72:16,17
shuffle 52:6
shutdown
65:13
side 22:3 50:4
sight 82:19
signature
101:16 102:14
signed 41:21
signify 55:16
86:21 87:6
99:21 100:15
silver 14:8,10
25:4 28:20,21
29:8,9,13,21
48:6,12 49:3
49:20,22 50:3
50:14 54:4,4
57:10,12 67:11

Meeting

[silver - stole]
68:9,16,18,18
69:8,17,21,21
69:22 70:1,17
71:8 72:12,19
73:8,18 74:3
75:4 76:1,8,10
80:11,13 81:5
81:18 89:3,3
89:15,15,16,17
similar 31:21
45:17 81:3
simple 62:9
71:18,22
simply 91:4
94:11
sir 24:7
six 38:13
size 49:2 55:15
60:8 61:15,19
67:21 68:6
82:17
sizing 67:16
skills 101:10
102:6
skip 48:11
skirmish 24:22
skull 98:13
slides 49:5
slight 53:2
small 18:17
30:18,22 35:1
48:17 61:15,19
63:16 67:17
68:7 93:17
97:9
smaller 27:4
smallest 27:2,5

April 17, 2024

Page 26
smedley 36:2
society's 13:5
somebody
45:14 67:15
someday 16:10
song 79:14,19
soon 16:10
26:21 92:8
sophisticated
78:12
sorely 12:7
sorry 5:15
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54:20 57:12,16
69:21 70:1
83:18 89:16
90:11 92:17
sort 52:14,20
sounding 59:22
60:3
sounds 79:17
south 22:1
southwest 1:13
space 27:3 53:5
spaced 56:4
spacing 56:16
spangled 79:16
spanish 18:2
speak 16:5 98:2
speaker 2:8
6:11
speakers 87:1,8
87:11 96:6
99:22 100:16
speaking 6:3
48:2 72:11
speaks 68:6

special 40:1
specialist 3:3
3:11 9:2,5,8,11
9:14 10:14
specially 2:5,10
2:18 6:14 7:5
specific 52:22
53:7 55:21
68:13 81:22
82:6,6
specifically
12:15 13:9
52:19 54:10
94:4 98:15
spend 93:19
spending 61:3
spent 74:9
spice 73:15
spire 22:4
25:21
spoke 74:4
spotlights
29:18
staff 8:15 32:10
46:17 49:16
78:16 93:7
94:19 97:19
100:5
stafford 2:22
8:20,22 9:18
16:17,21 24:7
27:21 28:4
30:10 35:3
69:22 92:19,21
94:18 96:12,15
98:1
stakeholders
98:6

www.CapitalReportingCompany.com
202-857-3376

stamp 64:22
65:1
stamps 65:3
stand 25:16
26:5 87:4
standing 15:20
stands 26:15
38:20 100:18
star 79:16
start 5:15
11:11 60:12,13
67:13 88:8
starting 28:11
state 44:5
states 3:20 4:6
7:18 10:10,21
14:4,14 16:13
16:19,22 17:14
19:9 20:2,6
28:9 29:11
42:21 51:8
63:12 85:3
92:22 93:7,15
94:5,11,16
96:16 97:2
99:7
statue 47:7
status 33:17
34:4
stays 39:7
steel 22:4
steeped 37:13
step 91:6
stick 71:21
sticker 34:19
sticks 25:21
stole 82:13

Meeting

April 17, 2024

[stopping - thank]
stopping 28:5
store 42:21
stores 42:19
stories 52:9
story 20:15
26:13 35:18
73:16
strategy 41:5
streamers
24:21 25:3
street 1:13 36:1
striking 61:18
67:22 68:1,5
strong 74:20
86:2
strongest 74:18
struck 66:6
structure 22:4
study 80:18
stuff 32:21
48:5
style 32:17
72:8 98:9
stylistically
81:17
stylized 32:19
subcommittee
13:10
submit 48:18
submitted
99:15
success 19:21
successfully
25:18 40:11
sufficiently
91:20
suggest 83:17
83:18 93:20

Page 27
suggested
61:17 83:2
suggestions
91:2 97:11
suggests 95:2
sukrita 3:7
9:13
sullivan 3:3 9:1
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92:19 96:13
super 63:18
superior 78:5
support 22:11
47:2 50:13
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63:2 64:12
65:16 66:17
74:8 75:10
supporting
22:13
supposed 44:2
55:22
sure 14:22
31:18 41:9
52:15 59:10
68:20 83:16
86:18 91:5
surprising
35:16
sustained 19:1
swayed 64:8
switch 46:14
46:15
sworn 101:5
symbolize
18:15
symbols 51:9
51:10 93:6

technology 5:5
78:13
t 4:1,1
tell 27:20 41:5
table 87:3
41:14
take 16:8 67:20
telling 52:8
77:21 78:1
ten 87:20
82:19 87:19
terms 77:17
92:3 94:18
80:7,16 93:4
taken 37:13
52:21 101:3,12 terrible 42:14
testifying 101:5
102:9
text 77:19
takes 22:10
95:21 98:7,7
68:5 89:1
98:12,12
talk 20:17 24:5
thank 5:4,6,9
24:11 27:7
8:13 10:17
44:16 59:19
15:3,15,22
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16:1,21 20:16
talked 44:14,15
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talking 20:15
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25:11 59:9
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talks 25:4
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tall 22:3
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tate 3:11 5:13
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35:12 77:6
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52:1,2 54:15
99:1
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tavern 23:8,14
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teaching 55:10
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technical 31:11
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techniques
79:19,20 80:1
18:9
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t

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Meeting

[thank - truth]
88:3 90:19
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thanking 14:18
thanks 11:5,7
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theme 13:11
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thing 37:14,18
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things 15:6
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think 21:15
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34:5 35:21
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38:10,15,15
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thoughtful
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three 14:6,7
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times 15:14
today 8:16
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today's 5:22
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tool 19:4
top 97:19 98:13
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tradition 19:20
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traditional
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traditionally
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transcriber
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transcriptionist
101:8
transformed
39:3,4
treasure 15:13
treasury 1:11
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95:13,19
tripoli 17:17
23:18
true 39:8 78:2
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trust 21:6 28:8
97:7
truth 27:20

Meeting

[try - verbiage]
try 47:22 48:7
trying 49:11
60:5 74:22
98:10
tucker 2:18 7:4
7:6 43:18,20
45:22 62:20,21
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99:14 100:10
100:10
tun 23:8,14
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turn 11:22
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turned 15:1
turns 60:1
two 5:3,19 12:4
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49:22 53:15
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types 32:22
typewriting
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typically 14:8
80:13 93:3
u
u.s. 1:12 2:21
8:17 18:22
19:4 36:22
75:8

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ultimate 91:9
unanimously
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understanding
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99:7

units 17:3
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usually 67:15
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value 77:16
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vasquez 3:4 9:4
9:6
ventris 4:11
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97:1
venturini 102:2
102:15
verbiage 33:5

Meeting

[version - worth]
version 78:2,4
79:3
versions 32:19
versus 34:4
76:16 84:17
vickers 78:22
vietnam 18:17
45:6 55:6
view 8:2 64:19
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93:13
villages 18:19
virtually 11:21
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visible 38:18
visit 15:20 16:9
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92:7
visually 78:19
vocation 19:15
voices 79:5
volcanic 18:14
vote 62:13
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71:2 77:2 84:2
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86:1,3,7,9,13
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voted 84:22
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91:21
voters 85:1
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woman 28:18
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wondering
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work 13:6,7
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works 56:2
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world 8:11
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59:10 78:17
worlds 15:6,6
worse 19:9
worth 76:22

Meeting

[xerox - zuckerberg]
x
xerox 54:9
y
yancey 1:19
101:2,17
yeah 28:1
30:17 31:13,15
32:2 34:8 41:7
45:3 48:7 71:4
82:8 83:16
86:19 87:16
97:16
year 12:7 25:4
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76:4 78:21
84:18,21 85:4
years 13:4,10
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19:3 21:1,6
23:16,20 24:1
25:9 26:10,16
27:6 29:4 38:6
39:10,11 43:11
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47:11 63:12
72:1 78:12
80:10 85:2
yellen 4:9 7:21
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95:12
yelling 39:21
yesterday 5:4
5:20 65:12
100:6
young 3:19
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younger 80:17
youtube 5:21
z
zoom 81:8
zuckerberg
60:1

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